Philip White, a software engineer from Cornwall, has invented a way of bringing those costs down when it comes to booking a family holiday at one of Center Parcs six sites

A dad has invented a tool that helps Center Parcs customers claim back £100s, even after they’re already booked and paid.

Center Parcs is one of the UK’s most beloved holiday parks. It runs six holiday villages throughout the country. It is especially popular for short getaways in its car-free woodland settings, which are perfect for kids to explore while parents relax in the hot tubs and saunas.

While few would question how good Center Parcs’ offering is, it regularly comes in for criticism on price. The holiday park chain ranked close to the bottom in Which?’s latest holiday park survey, almost entirely because of price.

“It’s extraordinarily expensive, at more than twice the price of budget rival Haven. Activities cost even more on top, and you need to secure your preferred slots weeks in advance. The two-star rating for value for money is the joint lowest in our survey. You could save a fortune by choosing a better-rated rival,” the Which? survey noted.

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Philip White, a software engineer from Cornwall, has invented a way of bringing those costs down.

“It started because we were on a family Center Parcs holiday. It was a great time. One of my relations booked straight away for a year later,” Philip told The Mirror. Center Parcs offers guests £50 off if they book again within 30 days of a stay.

As prices may rise or fall throughout the year, booking early can leave you out of pocket, despite the cash back. Which is why Center Parcs offers a ‘price promise’. “Our price promise means that if you see the same break offered for sale at a lower price at any time before you arrive for your break, you will be eligible for a refund of the price difference or a reduction in cost to meet the new price,” its website explains.

Rather than spending his time checking the Center Parcs website in the months before his family’s next stay, Philip created a widget that does the work for you. All you need to do is enter your name and booking details, and it will tell you if there’s been a price drop. Then you can claim the difference back from Center Parcs.

“If you notice the cost drops, they refund the difference against your stay. But they don’t do that for you automatically; you have to manually check it all the time. I tried to automate it on my own. We caught the specific lodge we were trying to get dropped by £150, which was a good saving, especially with the cost of living,” Philip said.

Another feature of Philip’s widget helps guests bag slots on popular activities. “When we were there, a lot of the popular activities for our toddlers were booked out. With Parc Watch, can also check when new bookings open up.”

In the majority of categories in the Which? survey, Center Parcs scored impressively. The company received four stars for activities, entertainment and facilities, alongside quality of accommodation and cleanliness. It secured three stars for customer service and food and drink.

However, its low position in the table, fifth from bottom, came from its value for money rating of merely two stars. It ranked as the third most costly among all the holiday parks in the survey. Even positive assessments of the parks frequently reference the cost. One recent review of Center Parcs Woburn Forest noted: “Amazing place to holiday. Personally, I felt the prices of things on-site were a little high, and that was even going outside of term-time; however, you cannot fault the fun and wonder of being at these parks.”

The UK’s best and worst holiday parks

(Name of resort, overall customer score)

1. Potters Resorts – 83%
2. Hoburne Holidays – 81%
3. Darwin Escapes – 80%
4. Landal Parks – 80%
5. Waterside Holiday Group – 80%
6. Shorefield Holidays – 76%
7. Away Resorts – 75%
8. Bluestone Wales – 75%
9. Park Leisure UK – 75%
10. Highland Holidays – 74%
11. Lyons Holiday Parks – 74%
12. Largo Leisure – 73%
13. Park Holidays UK – 73%
14. Warner Coastal Villages – 73%
15. Forest Holidays – 72%
16. John Fowler Holidays – 72%
17. Center Parcs – 69%
18. Haven Holidays – 68%
19. Parkdean Resorts – 68%
20. Butlin’s – 63%
21. Pontins – 61%

Based on a survey of 2,221 Which? Connect panel members and general public conducted in February and March 2026.

A weekend in Europe might seem like an expensive option in the run up to Christmas, but these festive weekend breaks could be cheaper than the train fare to another UK city and offer unforgettable Christmas market experiences

While the UK has some great Christmas markets, the ones found in Europe tend to be bigger and more traditional. If you’re dreaming of drinking mulled wine and wandering around wooden chalets to buy gifts, you don’t need to drain your bank account to enjoy a festive weekend away.

Here are some Christmas market breaks coming in at around £100 per person. Prices are correct at the time of going to press, but can change, especially air fares which are likely to become more expensive as the Christmas dates book up.

Christmas in Tivoli – Copenhagen – £96.50

Many Christmas markets are set in town squares, but Christmas in Tivoli takes over Copenhagen’s historic amusement park, turning it into a winter wonderland. Its beautifully decorated gardens are full of wooden stalls, often dusted with snow, and there are festive rides, freshly-baked Danish treats, and serious hygge vibes. Head to Christmas in Tivoli for its opening weekend, November 13, and you can take return flights from Bristol for £56 on Ryanair.

With just a two hour flight time it’s perfect for a weekend break, and you can return on Sunday to avoid taking extra annual leave. Generator Copenhagen is about a 15-minute walk away, or a quick metro ride, and has a lively bar, restaurant, and terrace. Stays start at £23.81 for a dorm. Another unique option, if you’d like a little more privacy, is the Urban Camper Hostel, which has indoor tents that come with twin or double beds and lockers. Prices start at £40.50 per person for the weekend based on two sharing. If you prefer a hotel, you can find stays from £82 for two nights with Kayak.

Spitalerstrasse Christmas Market – Hamburg – £99.34

If traditional Christmas markets are your thing you can’t go wrong with Spitalerstrasse in Hamburg, which is basically a blueprint for every festive city centre event in Europe. Wooden chalets line the streets, vendors sell gingerbread, bratwurst, and mugs of glühwein, and it’s all set amid a backdrop of glorious medieval buildings covered in twinkly lights.

Hamburg has fewer options for direct flights from the UK – only London and Manchester offer this route – but there are bargains to be found. For example, if you travel between November 20 and 22, a return from London-Stansted costs £48, and the 90 minute flight time makes it perfect for a weekend away.

Next to Hamburg’s central station is the Generator Hamburg has basic dorms from £25.67 a night. Other budget options in the centre include the unique CAB20, which offers inexpensive cabin-style rooms for £164 for two nights based on two sharing.

Plaza Mayor Christmas Market – Madrid – £84.50

Enjoy Christmas with a Spanish flair at the Plaza Mayor Christmas Market, which runs from late November to December 31. The Spanish capital’s stunning historic square is the perfect backdrop for more than 100 red stalls, lit by fairy lights, where you can buy handcrafted nativity figures, unique decorations, and gifts. Enjoy freshly roasted chestnuts, turrón nougat, or churros with proper hot chocolate.

The cool weather means December tends to be an inexpensive time to visit Madrid, and if you fly from Bristol on Friday December 4, coming back Sunday, you can pick up flights from £38. If you’d like to stay in the city centre, one option is the Capsule Inn Madrid where couples can share a double capsule for £93 for two nights. Although it’s an extremely cosy space so you’d need to ensure you don’t fight at the airport before arriving.

Campo Santo Stefano Christmas Market – Venice – £94.56

Venice’s Campo Santo Stefano Christmas market kicks off on November 17, so it’s perfect for an early festive break. Stick to November dates and you can avoid the tourist crowds, and browse a wide range of Italian and European Christmas foods, artisan gifts, and canals lined with lights.

You can book flights from November 27 to 29, departing London-Luton on Wizz Air from £43, while the Generator Venice , housed in a historic building on Giudecca Island, has beds from £25.78 a night on those dates. Giudecca Island is about a 20-minute walk to the Christmas market, taking you across Venice’s bridges, or you can take a boat and enjoy the festive canal views. Meanwhile on Skyscanner you can find hotels with stays from £92 for two nights over a December weekend.

RAW Christmas Market – Berlin – £109.94

Berlin’s RAW Christmas Market is a unique experience. Set in a former railway repair yard in the hip, alternative neighbourhood of Friedrichshain, it has a medieval theme giving it vaguely Ren Faire vibes. Taking place from November 12 to December 22, you can enjoy this creative market which includes a wooden Ferris wheel, street entertainment, and lots of artistic stalls.

You can fly with Ryanair from London-Stansted to Berlin on November 20 to 22 from £51, making it an ideal time to visit the city. Continue the cool arty theme with a stay at Generator Berlin Mitte , a design-led hotel that has dorms, sleeping pods, and private rooms, from £18.99 a night. A single pod is £29.47 a night, if you’re feeling brave and not claustrophobic, while a private twin ensuite room for the weekend costs £92.82 a night.

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High pressure is building across the UK and this means the weather will become more settled with brighter conditions.

After a chilly start on Monday morning, with sunshine and light winds across much of England and Wales, temperatures will climb into the low 20s.

Even with more cloud in Scotland and Northern Ireland, it will turn warmer with highs also reaching 18 to 22C.

It will also start to feel more humid again.

That more humid air combined with light winds across England and Wales into Tuesday means it will start off rather misty and foggy with areas of low cloud for some.

Once the sun has broken through though, it will feel warmer still.

Temperatures could peak at around 24 or 25C in south-east England, but reach the low 20s Celsius in many other parts of England, Wales, Northern Ireland and Eastern Scotland.

The highest temperature though will be determined by how much the cloud breaks allowing the strong September sunshine through.

2026 has already been a record-breaking year for the number of days above 25C, with last week exceeding the record of 89 days set in 1959.

Is President Trump holding the Kennedy Center hostage? The allegation has been made at least twice, most recently by John F. Kennedy’s niece Kerry Kennedy, and earlier by Rep. Joyce Beatty (D-Ohio), an ex-officio member of the board, who has sued to keep Trump’s name off the building.

The Merriam-Webster dictionary defines “hostage” as, “a person taken by force to secure the taker’s demands.” Swap, “person” for the “Kennedy Center” and “taker” for “Trump,” and you have a pretty straightforward “yes.”

The ongoing Kennedy Center dumpster fire points to an unusual presidential obsession with the nation’s premier performing arts venue that dates back to Trump’s first term when he became the first sitting president in history to twice miss the annual Kennedy Center Honors.

In his second term, Trump turned that snub upside down by firing the board and strong-arming his way into being named chairman. If he expected to be welcomed into the arts community with open arms, he was gravely mistaken. His takeover resulted in a wave of high-profile cancellations that ultimately led to a massive dip in ticket sales. The exodus became even worse when the Trump-appointed board voted to add Trump’s name to the building late last year. The reaction, it seems, injured the president’s fragile ego and incurred his wrath.

By early February the president announced he would close the center for a two-year, $257-million renovation. Calling the historic venue “dilapidated,” Trump said he would be the one to restore it to glory. Behind the scenes another story was unfolding, and six months later the Washington Post reported that “ticket sales and fundraising collapsed” after Trump’s name was added to the building, “even as the center’s leaders publicly touted a financial turnaround.”

This week saw chaos at the venue that even the most seasoned journalists struggled to keep up with as the board voted to close the building on the same day that a federal judge upheld an order that Trump’s name could not be restored to its facade after he ordered it removed in late May.

Trump took to social media to decry the decision, threatening to withhold his support for the renovation and noting that the center could be “ripped down” if he wasn’t formally honored with his name on the building. Despite a preliminary injunction barring the venue from closing, people were kicked out of the building and barricades erected in the name of public safety that same day.

Those prone to hyperbole might be tempted to call this presidential tantrum disguised in procedural clothes a constitutional crisis. Or you could just say that Trump has taken the Kennedy Center hostage. The taker wants his name on the building, and the center will not be released for renovation or reopening if that doesn’t happen.

In the meantime an image of Trump on Air Force One was captured that shows him holding a large placard that reads, “Kennedy Center DEMO[LISHED],” leaving concerned parties to wonder just what exactly the chairman of the board has in mind. Is he using a Sharpie at this very moment to slash a line through the image at the center on that board, or is it just a prop to be trotted out in a cruel bit of future social media hazing?

Getting lost in all the drama: a beloved arts venue has gone pointlessly dark, and the people who loved it are heartbroken. If no one is inside to hear the wind whistle, does it make a sound?

I’m Arts editor Jessica Gelt, willing to rustle up a ransom. This is your arts and culture news for the week.

The week ahead: A curated calendar

FRIDAY

Oliver Lee Jackson: Form Follows Feeling
The Bay Area painter, sculptor, and printmaker’s work, created over decades, is inspired by the human figure in its composition and structure.
Opening reception, 6-8 p.m. Friday; 10 a.m.-6 p.m. Tuesday-Saturday. Lisson, 1037 N. Sycamore Ave. lissongallery.com

“Vitruvian Figure (Los Angeles Memorial Coliseum),” 2026, 3D model by Paul Pfeiffer.

(Paul Pfeiffer/Perrotin)

Paul Pfeiffer: Olympia
In new work focused on Los Angeles, the artist explores the intersection between media, spectacle, architecture and the body ahead of the city hosting the 2028 Olympic Games.
Opening reception, 6-8 p.m. Friday; Pfeiffer in conversation with Britt Salvesen, 3 p.m. Saturday; exhibition, 10 a.m.-6 p.m. Tuesday-Saturday, through Nov. 7. Perrotin, 5036 W Pico Blvd. perrotin.com

SATURDAY

“Couple walking, Park Avenue,” 1960.

(Estate of Roy DeCarava)

Roy DeCarava: the sound i saw
The exhibition presents more than 130 images created between the late 1940s and 1960s, depicting the photographer’s intense interest in the relationship between the visual and the aural. Accompanying the exhibition, in the gallery next door, will be “SIDE B: the sounds,” a listening room featuring DeCarava’s personal playlists and favorite jazz album.
Opening reception, 6-8 p.m.; exhibition runs through Oct. 31. David Zwirner Gallery, 606 and 6166, N. Western Ave. davidzwirner.com

Sutton Foster
The two-time Tony winner and TV star performs Broadway hits and standards with Pacific Jazz Orchestra, featuring new arrangements by conductor Chris Walden.
8 p.m. The Soraya, 18111 Nordhoff St., Northridge. thesoraya.org

Mia Middleton: Summoning Cleo
New work by the artist explores interpreting familiar forms through a surreal lens.
Opening reception, 5-7 p.m. Saturday; exhibition runs through Oct. 24. Roberts Projects, 442 S. La Brea Ave. robertsprojectsla.com

Mrs. Warren’s Profession
Real-life mother and daughter Cyndy Fujikawa and Nell Murphy star in this production of George Bernard Shaw’s 1893 play about a Victorian woman coming to terms with how she built a business empire. Directed by Michael Rothaar.
Opening night, 8 p.m. Saturday; 8 p.m. Thursdays, Fridays and Saturdays; 3 p.m. Saturdays and Sundays (check website for exceptions), through October 25. Pacific Resident Theatre, 707 Venice Blvd, Venice. pacificresidenttheatre.org

Grammy Award-winning composer and bandleader Arturo O’Farrill and Afro Latin Jazz Orchestra open the Segerstrom Center for the Arts’ Jazz series.

(John Abbott)

Arturo O’Farrill & Afro Latin Jazz Orchestra
The pianist and composer, a six-time Grammy winner, and his ensemble kick off the Segerstrom Center for the Arts’ 2026-27 Jazz series with Afro-Cuban rhythm, modern jazz harmony and big-band sounds.
8 p.m. Segerstrom Center for the Arts, 600 Town Center Drive, Costa Mesa. scfta.org

Other Places
An alternative art fair devoted to contemporary art spaces and projects, plus workshops, readings, talks and performances.
Noon-7 p.m. Angels Gate Cultural Center, 3601 S. Gaffey St., San Pedro. opaf.info

Karma
The gallery presents solo exhibitions by painters Randy Wray (“Hothouse”) and Felipe Suzuki, one featuring vivid abstractions, and the other, work created through the lens of memory .
Opening reception 6-8 p.m. Saturday; 10 a.m.-6 p.m. Tuesday-Saturday, through Oct. 24. Karma, 7351 Santa Monica Blvd. karmakarma.org

SUNDAY

Alexander Apóstol
“Regime: Dramatis Personae” (2017), a series of black-and-white portraits of archetypal figures in both populist and authoritarian governments, uses photography to analyze the intertwining of art and political power in Latin America.
11 a.m.-5 p.m. Tuesday, Wednesday and Friday; 11 a.m.-8 p.m. Thursday; 11 a.m.-6 p.m. Saturday-Sunday; through Jan 3, 2027. Museum of Contemporary Art, 250 S. Grand Ave., downtown L.A. moca.org

Textile Alchemy: The Art of Reiko Sudō and NUNO
More than 100 limited-edition textiles, along with numerous objects, including drawings, sketches, raw materials, tools, mock-ups, and prototypes, are part of the largest retrospective ever of the Japanese designer’s work created with her textile collective and other collaborators from throughout Japan,
Through March 7, Los Angeles County Museum of Art, Resnick Pavilion, 5905 Wilshire Blvd. lacma.org

TUESDAY

The entrance of the Lucas Museum of Narrative Art in Los Angeles in Exposition Park.

(Ron De Angelis/For The Times)

Lucas Museum Of Narrative Art
Where else will you see Luke Skywalker, Vincent Van Gogh, Norman Rockwell, Gordon Parks and Charles Schulz under one roof? The new museum officially opens Tuesday, featuring 100,000 square feet of space spread across more than 30 galleries, exhibiting a mind-bending range of visual storytelling. Check out our full coverage.
Public opening, 10 a.m.-5 p.m. Tuesday; regular hours, 10 a.m.-5 p.m. Mondays, Wednesdays and Thursdays; 10 a.m.-5 p.m. Fridays; 9 a.m.-9 p.m. Saturdays; 9 a.m.-5 p.m. Sundays. Lucas Museum of Narrative Art, Exposition Park, 3800 S. Vermont Ave. lucasmuseum.org

THURSDAY

Bilal
The Grammy Award-winning singer-songwriter delivers a blend of soul, funk, and jazz. Queens-born R&B musician Yaya Bey is the opening act.
8 p.m. Carpenter Center, 6200 E. Atherton St., Long Beach. carpenterarts.org

Each Other’s Hands: Trans Mutual Aid, 1966—1996
Oxy Arts, Occidental College’s community-based arts hub, presents an exhibition featuring the work of six L.A. artists. curated by Umi Hsu. The opening reception marks the launch of the 2026 CIRCA Queer Histories Festival hosted by One Institute.
Opening reception, 7 p.m. Thursday; 11 a.m.-4 p.m. Monday-Saturday. Oxy Arts, 4757 York Blvd. oxyarts.oxy.edu

Arts Anywhere

Robert Wilson and the Civil Wars
The newly remastered 4K version of Howard Brookner’s 1987 documentary, the essential yet long elusive film about the 1984 L.A. Olympics Arts Festival, can finally be streamed courtesy of Criterion Channel. It is everything LA28 doesn’t want you know. criterionchannel.com

— Mark Swed

Culture news and the SoCal scene

Christian Barillas, Melinda Page Hamilton and John Lavelle in “The Visit” at Pasadena Playhouse.

(Jeff Lorch)

Pasadena Playhouse opened a new production of Swiss dramatist Friedrich Dürrenmatt’s revenge tragicomedy “The Visit,” and The Times got in on the action. Contributor Jenelle Riley wrote a preview about how the new show features more than a dozen creatives behind the Playhouse’s production of Peter Shaffer’s “Amadeus” earlier this year, including director Darko Tresnjak and actor Jefferson Mays. “Amadeus” was a major hit, so Artistic Director Danny Feldman welcomed the team back with open arms.

Meanwhile, Times theater critic Charles McNulty attended opening night and declared the play a refreshing success (with a few caveats), and expressed “gratitude for the high-level production, gratitude for making the case for why the play still matters, and gratitude for the opportunity of allowing us to make up our own minds about whether the work earns its designation as a modern classic.”

Castulo Guerra as Tlahtoani Klion in a dress rehearsal ahead of its premiere of “Antigone: In the Language of the Kings” by the Latino Theater Company at the Getty Villa.

(Ariana Drehsler/For The Times)

McNulty also headed to the Getty Villa for its annual outdoor theater production. This year, the Villa’s outdoor stage marks its 20th anniversary with a co-production with Latino Theater Company of Sophocles’ “Antigone,” reimagined to take place in pre-conquest Tenochtitlan and performed in English, Spanish and Nahuatl. “If the drama is oversimplified, it nonetheless makes for a gripping spectacle,” McNulty writes.

Finally, a very busy McNulty checked out out a revival of José Rivera’s “Marisol” in an Open Fist Theater Company production at Atwater Village Theatre. The play originally opened in the early 1990s around the same time as Tony Kushner’s “Angels in America,” and McNulty says this new staging is gratifying because it allows a new generation to “embrace the play’s kinetic freedom.”

There are as many acrobats as actors in “Water for Elephants,” which is running at the Hollywood Pantages Theatre through Sept. 27 before heading to Segerstrom Center for the Arts (Nov. 10-22, with stops in Portland, Seattle, Reno, Sacramento, Tempe, Fresno and Eugene in between). Contributor Jenelle Riley headed backstage before opening night to watch the high-stakes performers warm up with poles, hoops, ropes and more. When the curtain raises, there’s a real circus onstage.

Long Beach Opera will perform its 2026-27 season aboard the Queen Mary.

(Allen J. Schaben / Los Angeles Times)

Long Beach Opera announced its 2026-27 season, which is slated to be performed aboard the historic Queen Mary. First up: three works by composer Georges Aperghis, with vocal performances from coloratura soprano Habin Kim. Next: soprano Amanda Forsythe and Opera Prima in a performance of “Tormento Seicento.” Four additional productions include: an Anna Schubert recital, Peter Brook’s “Impressions of Pelleas,” Handel’s “Tolomeo” and Ana Sokolović’s “Svadba.”

The Jewish Federation of Greater Los Angeles and Daniel Gryczman, the federation’s board chair, sued Pasadena’s Norton Simon Museum for the return of the diptych “Adam and Eve,” a pair of 16th century masterpieces by Lucas Cranach the Elder. The suit was one of two filed in the state “since California and Congress passed a pair of laws bolstering U.S.-based claims to Nazi-looted artwork around the world,” reports the Times’ Kevin Rector.

— Jessica Gelt

And last but not least

The Food section got the skinny on Skywalker Grill at the Lucas Museum, which is already booked through the end of the year.

Alan Roden hit a three-run homer and drove in a career-high four runs, and Dean Kremer yielded one hit over six stellar innings in the Minnesota Twins’ 8-0 victory over the Angels on Sunday.

Josh Bell had three hits and two RBIs for the Twins (73-83), who have won three of five overall after splitting four games at Angel Stadium with two shutout victories. Brooks Lee added three hits and scored three runs.

Roden had three hits in his first major league game this month, punctuated by a shot to right in the seventh for his third career homer, his first since Aug. 6, 2025.

Kremer (3-1) shut down the Angels in the third consecutive strong start by Minnesota’s deadline acquisition. He walked three, but struck out eight for his most in a start since April.

Minnesota allowed just two singles by the Angels, with Bailey Ober pitching the final three innings to earn his first career save.

Ryan Johnson (5-9) yielded three runs on seven hits and couldn’t get out of the fifth inning despite striking out six for the AL-worst Angels (60-96) in the home finale of their 11th consecutive losing season and their 12th straight non-playoff campaign, both the longest active streaks in the majors.

The game also was likely their last at Angel Stadium during the 24-year tenure of owner Arte Moreno, who intends to sell the team to Rams owner Stan Kroenke before next season begins.

Bell and Roden singled in runs with two outs in the third, and Bell added another two-out RBI single in the fifth to chase Johnson.

Emmanuel Rodriguez got credit for a double in the sixth even though Jose Siri dropped his catchable fly ball to the warning track in center. Rodriguez beat Siri’s throw to score on a single by Ben Ross, who then stole second and scored when Zach Neto let the throw trickle into center.

Up next for the Angels: Yusei Kikuchi (1-6, 5.02 ERA) makes the 13th start of his injury-plagued season in West Sacramento against the Athletics on Tuesday night.

Fuming Real Madrid manager waves printouts of what he believes were clear red-card tackles by Atletico Madrid players following his team’s loss.

Jose Mourinho needed only a sheet of paper to deliver his verdict on ⁠⁠La Liga’s Madrid derby, waving ⁠⁠images of two first-half tackles as he accused the officials of losing control in Real Madrid’s 2-1 defeat by Atletico Madrid.

Real were furious that Atletico defender Cristian Romero was not sent off for a stamp ⁠⁠on Jude Bellingham and also complained about a challenge by Lee Kang-in on Federico Valverde, before the visitors were themselves reduced to 10 men five minutes after half-time in the heated capital derby on Sunday.

Valverde finished the match but was later diagnosed with “severe trauma to his left ankle”, the ⁠⁠club said in a statement. The midfielder will undergo further tests, it added.

“We could skip the press conference because the story of the match is right here,” Mourinho said, holding up the images in what was the start of a near five-minute rant.

“Those were two clear red cards. The difficulties we’ve faced since the sending-off: 11 against 10. Well, we can imagine what 50 minutes of ‌‌11 against nine would have been like if justice had been done.”

Real defender Dean Huijsen was dismissed for bringing down Giuliano Simeone inside the area as the last defender, allowing Alejandro Grimaldo to score with a low spot kick. Jonathan David doubled Atletico’s lead six minutes later, with Antonio Ruediger heading in a free kick late to reduce the deficit.

Mourinho said he could only “hug” his players after what he described as a first half “full of class and great character”, but he aimed sharp criticism at referee Miguel Angel Ortiz Arias and those who appointed him.

“They’ve put a referee, aged 41, ⁠⁠with no international experience – it’s certainly not because he’s a great referee,” Mourinho said.

“Then the ⁠⁠poor chap has come here and hasn’t been able to cope with the pressure – and it really is intense pressure. I call it ’80s-style pressure’ here in this stadium, which you hardly ever see these days.”

Asked about being six points behind Barcelona, Mourinho offered a pointed reply.

“If they just leave us in ⁠⁠peace and let us compete on a level playing field with everyone else, we’ve still got a long way to go,” he said.

“I don’t want to go so far as to say ⁠⁠this was set up … I want to believe that they simply made a ⁠⁠mistake.”

Asked about Mourinho’s comments, Atletico manager Diego Simeone urged restraint.

“Whoever is speaking – be it me, Mourinho, Hansi Flick or Manuel Pellegrini, anyone – we have to be careful what we say,” Simeone said. “When you step outside the bounds of respect, whoever you are, it’s not on. You can’t cross that line.”

Simeone preferred to focus ‌‌on Atletico’s performance.

“Today we saw a great match; we defended very well against a team that plays very well,” he said.

“We controlled the match when it was 11 against 11. We continued to control it when it became 10 against 11. But ‌‌this ‌‌isn’t just another step towards continuing to grow and improve.”

Atletico climbed above Real to second in the standings on 16 points, five behind leaders Barcelona and one ahead of Real and Real Betis.

Presley Gerber, the son of supermodel Cindy Crawford and her husband, businessman Rande Gerber, died Sunday at a rehab facility at age 27, according to the Los Angeles County medical examiner.

Few details were available late Sunday.

Gerber worked as a model, including in 2018, at age 18, as the face of Calvin Klein Jeans’ global advertising campaign, along with his sister, Kaia Gerber.

A year later, he was arrested and charged with driving under the influence, according to USA Today. He was sentenced to three years’ probation and ordered to complete a DUI program, TMZ reported.

Kaia, left, and Presley Gerber in Paris in 2017.

(Kamil Zihnioglu / Associated Press)

The death was confirmed to the Associated Press by Allie Jenkins, a representative for Crawford and Rande Gerber, who were married in 1998.

“The family is asking for privacy during this very difficult and painful time,” Jenkins said.

In an Aug. 11 interview with Vogue, sister Kaia, a model and actor, spoke of her older brother struggling with drug addiction, which he described in a since-deleted Instagram video in December.

She told the magazine that she was proud of him.

“My parents … were very, very private,” she said. “Now we have this absolute teacher, my brother, who said, ‘I’m gonna be very human for everyone.’”

‘Achtung! Staatsgrenze!” OK, the signpost marking the “state border” didn’t have exclamation marks but, with its no-nonsense Prussian font, it did feel quite shouty. The only thing was, no one on the Feistritzer Alm – a peaceful sweep of Alpine pasture at the meeting of Austria and Italy – was paying any attention to it at all.

Hikers hiked straight past. Mountain bikers used it to prop up their cycles. Cows grazed willy-nilly. And the patrons of the Schutzhütte Oisternig enjoyed their cold beers regardless of which country they were in. While official boundaries may have changed in these parts over the centuries, the magnificence of the mountains has not.

Tehran threatens retaliation as Trump weighs military action while Qatar pushes to revive talks.

Iran’s central military command says it has received information that the United States is preparing to resume strikes on the country.

The warning, issued on Sunday by the Khatam al-Anbiya Central Headquarters, which oversees Iran’s armed forces, raises the prospect of a new round of fighting after months of reduced direct attacks.

Tehran said any renewed US assault would bring retaliation against American bases and interests in the Middle East and warned regional countries against helping Washington.

The military command said states that allowed their territory or facilities to support US attacks would be “considered complicit” and could face an Iranian response.

US President Donald Trump told Fox News on Sunday that he was in a “deciding mode” over Iran and said his options included further military action, economic pressure or a deal.

He also said he would be open to meeting Iranian President Masoud Pezeshkian on the sidelines of the United Nations General Assembly in New York this week.

Iran’s Foreign Minister Abbas Araghchi left Tehran on Sunday evening for the UN General Assembly in New York, state media announced, adding that he is making a brief stopover in Qatar.

Parliament Speaker Mohammad Bagher Ghalibaf told lawmakers on Sunday that Tehran should use military force to push back its opponents before turning to diplomacy to secure any gains.

Tehran has told Qatari and Pakistani mediators that conditions for renewed talks include an end to the war and US attacks, the release of frozen Iranian funds and the lifting of the US naval blockade on Iranian ports.

Ghalibaf said the Strait of Hormuz would remain closed until Washington met what Iran says are its commitments under an earlier agreement.

Al Jazeera correspondent Tohid Asadi, reporting from Tehran, said Iranian officials were sending a deliberate two-track message, signalling that they remained open to diplomacy while preparing for renewed fighting.

Qatar, a Gulf state mediating between the two sides, says its officials are travelling between capitals and exchanging proposals aimed at restarting negotiations.

Qatari Foreign Ministry spokesperson Majed al-Ansari said Doha had heard assurances from US officials that Washington wanted an agreement.

The confrontation is already disrupting the Strait of Hormuz, a narrow waterway linking the Gulf to the Arabian Sea and a key route for global energy shipments.

Shipping data showed 12 commodity vessels crossed the strait over the weekend, down from 35 the previous weekend. The war began in late February after joint US-Israeli strikes on Iran.

A 60-day memorandum reached in June reduced full-scale fighting but expired last month, with attacks around Hormuz increasing since then.

Mark Pfeifle, a Republican strategist and former White House national security official, told Al Jazeera that both countries were “locked in this frozen conflict” and trying to increase pressure before possible diplomacy around the UN gathering.

The NATO Response Force (NRF) and EU Battlegroups have demonstrated that placing multinational forces on standby does not automatically make them immediately operational. German-Dutch military integration, in contrast, has generated a different outcome since cooperation was internalized within permanent command structures, units, training, and capability planning before a crisis occurred.

Such a comparison is becoming increasingly relevant to Northeast Asia. A Taiwan contingency could absorb American military assets at the very moment when North Korea embarks upon a serious provocation towards South Korea. Continued US commitments in Europe and the Middle East could further complicate the allocation of finite resources.

Why Standby Forces Encountered Problems

The NRF was established after the 2002 Prague Summit as a rapidly deployable multinational joint force of roughly 25,000 troops. Yet the NRF was heavily dependent on the member countries assigning their respective forces to particular rotations, while these governments had the final say over whether the forces could ultimately be employed. During the Afghanistan and Iraq wars—when operational demand was high—each government had strong disincentives in introducing scarce high-readiness units and specialized enablers to NRF rotational deployment.

This created a gap between designated readiness and actual availability. Strategic transportation, logistics, specialized support units, and communication capacity could still be subject to competing national demands. Eventually, in 2024, NATO replaced the NRF with the NATO Force Model, which emphasized a substantially larger pool of high-readiness forces that is closely aligned with specific defense plans.

Meanwhile, the EU Battlegroup was faced with an even clearer problem. Although the multinational battlegroups had been maintained on rotational standby since 2007, they had never been deployed. While acknowledging that the battlegroups enhanced interoperability and military transformation, the European Parliament attributed the shortcoming largely to insufficient political will, difficulties in decision-making, implementation problems, and the financing arrangements.

What Germany and the Netherlands Did Differently

German-Dutch cooperation developed according to a different institutional logic. Although the 1st German-Netherlands Corps was created in Münster in 1995, the integration later expanded deep into both militaries’ force structures. The Dutch 11th Airmobile Brigade was incorporated into the German Division Schnelle Kräfte (DSK) in 2014, while the Dutch 43rd Mechanized Brigade was integrated into Germany’s 1st Panzer Division in 2016, and the Dutch 13th Light Armoured Brigade joined Germany’s 10th Panzer Division in 2023.

The relationship was extended below the brigade level. Germany’s Panzerbataillon 414 is operated under the Dutch 43rd Mechanized Brigade, and Dutch personnel operate Germany’s Leopard 2A6MA2 tanks while serving within the battalion. Moreover, German officers serve in Dutch command headquarters and vice versa, turning multinational command into a routine organizational reality instead of a stopgap measure that is only activated during major exercises.

Needless to say, such an arrangement does not eliminate national sovereignty. Both Germany and the Netherlands preserve the political prerogative over whether and where their forces are deployed. Meanwhile, the benefits of integration would become observable once a crisis necessitates the deployment. Staff are already well-versed in each other’s procedures, and units have repeatedly conducted joint exercises, while command and logistics relations do not need to be newly constructed during mobilization.

The distinctions were visibly observable during training. For example, approximately 7,000 German and Dutch personnel participated in the 2026 Fighter Lion—the largest military exercise conducted by the Netherlands in two decades—ten years after the Dutch 43rd Mechanized Brigade was integrated into Germany’s 1st Panzer Division. These types of exercises strengthen existing command relations rather than creating temporary interoperability for a single event.

What Japan and South Korea Can Apply

It is quite obvious that Japan and South Korea cannot replicate the German-Dutch model. Neither country has a formal mutual defense pact nor a NATO-style integrated command structure. Therefore, the directly applicable lessons are more limited. Nonetheless, selected operational relationships can and should be institutionalized before multiple simultaneous contingencies make such coordination necessary.

The practical first step could be a standing bilateral adjustment mechanism that links Japan’s Joint Operations Command (JJOC) with relevant South Korean joint headquarters. Instead of exercising command authority, the mechanism could maintain procedures for intelligence exchange, deconfliction in the air and at sea, movement of US reinforcements, logistics coordination, and the use of Japanese facilities that support a Korean contingency. This would be especially crucial when Japan has to assist US operations related to Taiwan while installations across Japan—including Yokota, Yokosuka, Sasebo, Iwakuni, and other United Nations Command (UNC)-Rear facilities—play a pivotal role in US reinforcement to the Korean Peninsula in accordance with Operational Plan (OPLAN) 5055.

Under this mechanism, small-scale functional cells could concentrate on specific missions. Missile warning would be the most obvious starting point since the United States, Japan, and South Korea have conducted North Korean missile-warning data-sharing since December 2023. Additional cells could treat maritime domain awareness (MDA), anti-submarine warfare (ASW), cyber defense, transportation, medical evacuation, and logistics.

The exchange of officers should accompany the aforementioned measures. Japanese officers could participate in South Korean command posts, while South Korean officers could join Japanese operational staff who deal with naval operations, air defense, logistics, or reinforcement coordination. The goal is to get familiar with each country’s procedures, communications, command relations, and other miscellaneous constraints before wartime pressure markedly shortens the timeframe for decision-making.

Exercise Scarcity Rather Than Ideal Conditions

The most notable changes should be related to exercise design. Trilateral exercises should not be premised on the assumption that the full inventory of United States support capabilities will always be available. A more pessimistic scenario would begin with a Taiwan scenario that is already consuming a substantial amount of US assets—including its ISR capacity, strategic transportation, and precision-guided munitions—when North Korea embarks upon a serious horizontal or vertical military escalation on the Korean Peninsula.

In this particular situation, elaborated by the Atlantic Council report, South Korean military planners should determine which missions could be conducted independently and which can be addressed bilaterally. South Korea may assume greater responsibility for ISR, missile defense, logistics, and conventional firepower on the Korean Peninsula—yet this would be affected by the tempo of wartime operational control (OPCON) transition—while Japan could take on additional maritime surveillance, ASW, sea lines of communication (SLOC) protection, base defense, and logistics. The primary aim is not to divide the Taiwan and Korean Peninsula theaters between Seoul and Tokyo but to identify how both countries could most effectively conduct missions that complement US military operations across the two regions.

Logistics should be placed at the center of these exercises. A dual contingency could impose on the Japanese government the need to support both US operations on Taiwan and USFJ reinforcement to the Korean Peninsula, which inevitably involves Japanese ports and airfields. It could cause competition for fuel, maintenance, transportation, ammunition depots, runways, and port capacity. Thus, Tokyo and Seoul should develop procedures concerning reciprocal servicing, immediate repair, medical support, transportation, and selected supplies before the bottleneck transmogrifies into wartime problems.

Functional Integration Without a Bilateral Alliance

The German-Dutch case illustrates that political authority is not necessarily the same thing as operational preparedness. A government can maintain full authority over whether its forces enter conflicts and can also prepare in advance to cooperate effectively if that decision is made. These distinctions are highly relevant to Japan and South Korea since they enable a considerable level of operational preparedness without a formal defense pact. For instance, South Korea could discuss target allocations for North Korean TELs with its Japanese counterparts in order to effectively use the finite weapons available to Japan’s enemy base strike capability and South Korea’s Kill Chain and Korea Massive Punishment and Retaliation (KMPR).

Naturally, the primary objective should be functional integration in fields where both governments already have overlapping interests. A large set of measures—spanning from ISR coordination to cyber defense—can be institutionalized without creating either an integrated force or an Asian version of NATO.

Both the NRF and EU Battlegroups revealed the limits of formations that remained dependent on political and operational arrangements being assembled only when crises occur. German-Dutch cooperation worked better since many of those arrangements already existed.

Given the historical baggage that Japan and South Korea carry, it would undoubtedly be a Herculean task for them to take novel steps. Nonetheless, the emerging regional security environment is rapidly narrowing down the available options.

Duncan Sheik, who earned a Grammy nomination for his ubiquitous 1990s hit “Barely Breathing” and won a Tony Award for composing the music for “Spring Awakening,” died Thursday. He was 56.

“It is with profound sadness that we confirm the passing of Duncan Sheik,” a statement posted Friday on Sheik’s Instagram account read. “The world has a lost a singular talent, and deeply influential voice in music and theater…. Duncan’s artistry touched many and leaves an indelible mark on the cultural landscape.

“Duncan was a father, husband, son, brother, and friend. He will be remembered for his sensitivity, wit, inteligence, and depth of spirit he brought to those who knew and loved him.”

The statement added that “Duncan passed away last night surrounded by love.”

His mother, Suzanne Sheik, told the New York Times that her son died of organ failure. A statement posted to his Instagram account Thursday said that Sheik was “receiving medical care and remains in critical but stable condition.”

Sheik, a New Jersey native, went to Brown University, where he played in an early band with singer-songwriter Lisa Loeb. His 1996 self-titled debut LP was a hit on the strength of “Barely Breathing,” an exemplar of the upbeat coffeeshop rock that emerged in the wake of grunge on the pop charts. The single stayed on the Hot 100 for over a year, and the album went gold, earning earned him a Grammy nomination for male pop vocal performance.

Sheik’s followup, 1998’s “Humming,” featured rich orchestration, but he already had an eye on Broadway (his sister Kacie Sheik is a stage actor who has appeared in “Hair,” “American Idiot” and “Because of Winn-Dixie,” for which Duncan wrote the score).

He wrote his 2001 album “Phantom Moon” with poet and playwright Steven Sater, whom he’d again collaborate with on the score for the musical “Spring Awakening” — based on the play by German Expressionist Frank Wedekind, which won him a Tony Award — and “Alice by Heart.” His 2009 album “Whisper House” yielded a companion musical of the same name. He also composed the score for the 2004 film “A Home at the End of the World.”

While Sheik sought treatment for alcohol addiction after canceling a tour in 2011, his stage and studio career never slowed. Other major stage credits include hit productions of “American Psycho,” “Bob & Carol & Ted & Alice,” the thriller “Noir” and “The Secret Life of Bees,” along with Shakespeare’s “Twelfth Night” and “The Taming of the Shrew.” His last album, “Claptrap,” came out in 2022.

Wales might need it at the back.

The appointments come against the backdrop of Wales’ failure to reach the World Cup and the beginnings of criticism around the side’s openness.

“He’ll bring some unique skills, particularly when you play Nations League A games when you have to defend a lot,” said FAW chief football officer Dave Adams of Williams’ appointment on the Feast of Football podcast.

“Some of the dark arts of defending, he’ll bring some interesting things for the players to think about.”

There is the thought that Williams would also be prepared to challenge Bellamy’s thinking – seen as healthy part of a management team.

But while Bellamy says he is keen to lean on Williams’ defensive know-how, it will still be the former Liverpool, Manchester City and Newcastle forward’s managerial message.

“With his position, sometimes it’s easier coming from a player who’s been in there,” said Bellamy – a former Wales captain himself.

“Now, I’ll lead a lot on the information, but it’s nice for me to be able to ask ‘What would you see with this? If you played there, how did you feel when I asked you to do that? Is that possible? Is that not possible?’ I believe he’ll be a huge asset to me.”

Sheehan’s appointment also suggested a more defensive focus.

The former Republic of Ireland Under-21 international was seen to have a pragmatic style at Swansea.

But it appears Wales will look to benefit from the 40-year-old’s eye for set-piece work, something he has also been responsible for during previous coaching roles at Luton and Southampton.

“We really want someone who is in tune with restarts and set-pieces,” added Adams.

“In these sorts of games they could be the factor that give us a chance to win the game, because they are going to be very hard games to play in.

“We realise the importance of attacking and defending set-pieces in these next six games, and feel Alan and [goalkeeping coach] Martyn Margetson will bring that level of detail to help the team be best prepared for these games.”

Former adversaries say they will settle differences as fears grow of expanding war in Ethiopia.

Seven Ethiopian armed groups have formed an alliance aimed at overthrowing the government of Prime Minister Abiy Ahmed.

The groups announced the alliance on Sunday, saying that they would work together to set up an inclusive transitional government.

“We have established a joint alliance called the Ethiopian Peoples’ Forces Alliance for Survival, known in short as the Alliance for Survival,” the groups said in a joint statement.

The alliance includes the Amhara Fano National Movement, a coalition of Fano factions that has fought federal forces in the Amhara region since 2023; the Tigray People’s Liberation Front (TPLF), which dominated Ethiopian politics for nearly three decades before Abiy took office; and the Oromo Liberation Army (OLA), which has fought federal forces in Oromia since 2018.

Four smaller groups – the Ogaden National Liberation Front (ONLF), the Afar Revolutionary Democratic Unity Front (Ugugumo), the Benishangul Peoples’ Liberation Movement and the Gumuz Peoples’ Democratic Movement – make up the rest.

The groups’ leaders had been talking to form the alliance for about a year, a source close to Fano told Al Jazeera on Sunday.

The announcement comes weeks after clashes in the northern region of Tigray, one of the most serious breaches yet of a 2022 peace deal, deepened fears of a return to full-scale war.

Fighting has gripped parts of Oromia since 2018 and Amhara since 2023.

Abiy came to power in 2018 promising sweeping reforms. He freed journalists, activists and other political prisoners and revoked bans on many political parties after taking power.

But his opponents and human rights activists accuse his government of reversing those gains in recent years.

In the statement, the alliance accuses the government of imposing “dictatorial rule” that has pushed the country towards break-up.

It also says a transitional government guided by a charter would work to end the wars, protect rights and open a national dialogue.

Jaal Marroo, the OLA’s military leader, told a local broadcaster earlier this month that they had met several times before settling on the final announcement.

Zemene Kassie, the Fano leader, first publicly indicated that deals had been reached in an interview with the Swiss newspaper Le Temps, published on August 16.

The government has not publicly commented on Sunday’s announcement.

Fano fought alongside federal forces against Tigray’s fighters in the Tigray war of 2020 to 2022, which killed hundreds of thousands.

Amhara and Tigray also both claim Western Tigray, which Amhara nationalists have administered since the war ended.

Ethiopian academic Eyob Tilahun told Al Jazeera on Sunday that the competing groups had agreed to have a dialogue and form an alliance “in the best interests of the public”.

“Those allied forces believe that they all face a survival threat from the government,” Eyob said.

The 2022 peace agreement, signed in Pretoria, South Africa, ended the war between the federal government and Tigray’s forces but left disputes over disarmament and the TPLF’s legal status unresolved.

In mid-July, the TPLF declared the 2022 Pretoria peace deal “effectively dead”.

Sway Dasafo, a pioneering British Ghanaian rapper known for his lyric storytelling and championing of British music, has died. He was 44.

The rapper and producer’s death was announced Thursday on social media by the Mobo Awards, which celebrates music of Black origin. Dasafo’s friend Kash Ahmad confirmed to the BBC that he died at his home in Ghana. No cause of death was provided, but the outlet reported that Dasafo had been diagnosed with Hodgkin lymphoma in 2010 before going into remission later that year.

“We’re deeply saddened to hear of the passing of Sway,” Mobo wrote on Instagram. “Sway will always hold a special place in MOBO history.”

In 2005, Dasafo became the first unsigned artist to win the Mobo award for hip-hop act before he released an official album. He won over other established artists including 50 Cent and the Game off the strength of his mixtapes, “This Is My Promo” volumes one and two.

“Mixtapes effectively provide a diary of my life,” Dasafo told the Guardian in 2005. “They feature skits and interviews of me on radio. When people follow your story, they feel closer to you — it’s like a soap opera. People want to know what’s going to happen next.”

“It was a huge moment,” Mobo’s Instagram statement said of Dasafo’s win. “Not just for Sway, but for UK Hip Hop. At a time when British rappers were still fighting to be recognised alongside their US counterparts, his win made a real statement about the talent, creativity and potential coming out of the UK. … [W]e will always be proud that he was part of the MOBO story and of the history we shared together.”

Born Derek Andrews Safo on Sept. 5, 1982, in Hornsey, north London, to Ghanaian parents, Dasafo grew up primarily in England where he developed a love for literature and music. He started rapping as a hobby when he was 10 and was making beats on his computer at 13.

The versatile rapper got his start in groups such as Phynix Crew and One before going solo and releasing his series of mixtapes. Among his early hits were “Up Your Speed” and “Little Derek,” from his debut alum, “This Is My Demo,” which he released from his own label, Dcypha Productions.

“I’m a positive person and this positivity comes out in my music,” Dasafo said in his 2005 Guardian interview. “I don’t go round holding guns to people’s heads, so I won’t rap about holding guns to people’s heads. Trouble attracts trouble. If you rap about trouble, it will come to you.”

From early in his rap career, he expressed his desire to become a producer so he could sign and nurture other talent. Dasafo has collaborated with artists including Riz Ahmed, Ed Sheeran, Lupe Fiasco and Chamillionaire.

BBC Radio 1Xtra broadcaster Remi Burgz called Dasafo a “UK Rap pioneer” and “one of north London’s finest” during her program, according to the BBC.

“He was mine and many others’ first experience of U.K. rap [and] hip-hop in mainstream media,” she said. “He was a literal example of paving the way and showing that U.K. rap can take up space in music.”

Dasafo is survived by his two sons, Jalil and Ammar-Joseph, and twin daughters, Queen-Inaya and Queen-Imara.

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Sparks legend Lisa Leslie has officially been immortalized in Los Angeles.

Leslie, a two-time WNBA champion and member of the Naismith Memorial Basketball Hall of Fame, became the first female professional athlete to receive a statue outside of Crypto.com Arena on Sunday. After the ceremony, the Sparks earned a 105-84 win over the Portland Fire.

Leslie’s friends and family gathered outside the arena for the unveiling of the statue Leslie dubbed “The First Lady,” celebrating her 12-year pro basketball career in Los Angeles. Many speakers, including former Sparks coach Michael Cooper and Lakers legend Magic Johnson, noted Leslie’s accomplishments while also saluting her as a kind person.

Leslie became the second WNBA player to be honored with a bronze statue outside of a U.S. pro basketball arena, joining the Seattle Storm’s Sue Bird.

Lisa Leslie celebrates on stage after her statue is unveiled outside Crypto.com Arena on Sunday.

(Jason Armond / Los Angeles Times)

“We know there is a low percentage of women who have statues in our country,” Leslie said. “I just feel like we are just starting to get our flowers and reap some of the benefits of hard work, blood, sweat and tears that we put into it.”

Leslie sat courtside with her family watching her former team beat the expansion Fire. Rae Burrell led the Sparks with 20 points and added two assists. Nneka Ogwumike finished with a double-double and Ariel Atkins had 14.

Burrell led the team with 13 first-half points. The Sparks led by as many as 20 points in the third quarter, during which several Sparks reached double-figure scoring.

The Sparks kept their foot on the gas in the fourth quarter despite playing without Cameron Brink, Dearica Hamby and Aaliyah Nye.

Many Sparks said they felt blessed to have formed relationships with Leslie. Burrell said Leslie has been a big help during her career. The retired star has responded when players around the WNBA have sought advice.

Ogwumike said the team was happy to attend the pregame statue reveal.

Sparks legend Lisa Leslie takes photos with family and friends at her statue unveiling outside Crypto.com Arena on Sunday.

(Jason Armond / Los Angeles Times)

“That’s history, you know? I am very adamant about players coming in and knowing their history,” Ogwumike said. “That’s something you can’t let go of. I think we can see, especially in the NBA, where they are honoring these legends and they are coming back. I think we’re entering an era where there is so much history.”

Leslie grew up in Compton. During the ceremony, she spoke about watching her siblings whenever her mother went to work as a truck driver. She said she pushed to make good things happen for her siblings and didn’t quit or make excuses when life was difficult. She embraced challenges and often challenged herself.

Cooper said Leslie would go head-to-head with some of the Lakers players during practice to give herself a bigger challenge and it was impressive to watch her hold her own. Leslie was determined to be the first player in the WNBA to dunk, which helped redefine what was possible in women’s basketball.

The statue outside of Crypto.com Arena depicts her dunking a basketball.

Lisa Leslie and her family celebrate as her statue is unveiled outside Crypto.com Arena on Sunday.

(Jason Armond/Los Angeles Times)

“I hope they see themselves out there. I hope you can find a girl that looks like you, whether she has long hair or short hair,” Leslie said. “That’s the key for kids in general. You have to see yourself. If you see it, then you also start to dream and believe that you can be it.”

Leslie recalled walking around Los Angeles as a child. Her affection for the city receiving a statue here more meaningful.

“I also feel a certain level of pride,” she said. “I feel like we are such good people in L.A.”

Leslie’s statue stands next Lakers Hall of Famer Kobe Bryant and his daughter, Gigi Bryant. Leslie called Kobe her younger brother during the ceremony and is happy to be close to him again.

Leslie’s career will be hard to repeat, but she sees it as a blueprint WNBA players can follow.

She said she is pleased with the direction the WNBA is heading, leaps and bounds ahead of her experience joining the league in 1997. She said it’s been great to see sponsors pouring in and helping the game grow.

“I am so proud of where the women’s game is,” Leslie said. “But the dream was always that we hoped that our USA, everybody across the board, could see the beauty in us, could see the strength in us and our resilience. I am so proud of the product that’s on the floor.”

For a decade, the United Nations’s most visible role in the Sahel was its peacekeeping mission in Mali.

The United Nations Multidimensional Integrated Stabilization Mission in Mali (MINUSMA) was established by the Security Council in 2013. Its mandate was terminated in June 2023 at the request of Mali’s transitional government, and the mission completed its withdrawal by the end of that year.

But the end of MINUSMA did not end the UN’s engagement with the region.

Its political work continues through the UN Office for West Africa and the Sahel (UNOWAS), while the wider UN system remains involved in humanitarian and development work.

What has changed is the space in which that engagement takes place.

Burkina Faso, Mali and Niger formally left the Economic Community of West African States (ECOWAS) on January 29, 2025. The three countries have also deepened cooperation through the Alliance of Sahel States (AES), putting sovereignty and strategic autonomy at the centre of their political message.

The humanitarian pressures, meanwhile, have not eased.

Displacement, insecurity, food insecurity and other pressures continue to cross borders, even as governments increasingly insist on handling their security and political affairs on their own terms.

The question is what influence the UN can exercise after the departure of the peacekeeping force that once represented its most substantial presence in the region.

What does the UN’s presence look like now?

The UN’s role today is less about troops and more about diplomacy, mediation, humanitarian assistance and development.

UNOWAS is a special political mission rather than a peacekeeping operation. Its work includes preventive diplomacy, good offices, political mediation, conflict prevention and support for political dialogue.

“The influence the UN can actually exercise is narrow. The AES states have stripped away the mechanisms that once gave outside institutions leverage, leaving ECOWAS and the Rome Statute, and building their own confederation and joint force instead,” said Mubarak Aliyu, a political and security analyst in Nigeria.

In February 2026, the Security Council extended UNOWAS’s mandate until January 31, 2029, while requesting an independent strategic review of its mandate and activities, to be finalised by September 30, 2026.

The review comes as West Africa’s political landscape is being reshaped by military governments, new regional alliances and a stronger emphasis on sovereignty.

Russia has also become an important part of that changing security picture.

“What has actually shaped events this year is Russia’s Africa Corps, which helped Mali’s and Niger’s military governments survive shocks the UN was never positioned to influence, functioning mainly as regime protection rather than counterinsurgency,” Aliyu said.

“Moscow’s leverage extends into the Security Council chamber too, since its veto shapes what collective action the Council can attempt on Mali in the first place.”

Kabir Adamu, founder and managing director of Beacon Security and Innovations Limited, an Abuja-based firm that provides security solutions in Nigeria, the Lake Chad Basin and the Sahel, said the UN should shift its approach away from large deployments of UN troops to diplomatic and towards diplomatic and development solutions.

“Looking ahead, the UN’s priorities in the Sahel should promote effective security sector governance and security sector reform. This will mean pivoting from traditional, large-scale peacekeeping to deep-rooted and core preventive strategies and diplomacy that addresses the root causes of fragility, conflict and violence, as well as instability,” Adamu said.

For the United Nations, diplomacy has become more important as governments turn to other security partnerships and regional arrangements.

How has sovereignty changed the political space?

Burkina Faso, Mali and Niger have made sovereignty and strategic autonomy central to their political outlook and built the AES as a framework for closer cooperation.

Their departure from ECOWAS has changed the regional architecture through which West African governments have traditionally dealt with political and security crises.

The UN still works with regional organisations, including ECOWAS and the African Union, but governments no longer share one political framework or the same approach to external engagement.

Consequently, for the UN, maintaining vital political channels has become potentially more difficult.

Adamu said the fragmented security architecture means the UN should seek to work with and through regional organisations and groups, rather than establishing its own large-scale forces.

“As national security structures remain weak and extractive, and regional security architecture fragments, marked by the rise of the Alliance of Sahel States and shifting ECOWAS dynamics, the UN should prioritise pragmatic, inclusive mediation to bridge divides between Sahelian and coastal states, while actively bolstering alternative, functioning frameworks like MNJTF [Multinational Joint Task] and the Accra Initiative,” he said.

Have the problems in the Sahel gone away?

The retreat of peacekeepers has not removed the pressures that brought international organisations into the region in the first place.

Displacement, armed violence, organised crime, food insecurity and climate pressures continue to overlap across the Sahel.

Climate change is perhaps not the root cause of the instability, but environmental and economic pressures can add to existing vulnerabilities, particularly where state institutions are weak and communities are already dealing with conflict and displacement.

For the UN, humanitarian work remains one of the areas where engagement can continue, even when governments reject large-scale military intervention.

Humanitarian work also places greater emphasis on local and regional capacity.

“Crucially, the UN must double down on the core UNISS pillars of governance, resilience, and security by integrating climate-peace initiatives and empowering local capacities, ensuring that international engagement remains flexible, locally owned, and focused on sustainable, multidimensional stability rather than solely militarised responses,” Adamu said.

While the UN cannot determine the security partnerships of sovereign governments or force political processes on authorities that reject them, it can still facilitate dialogue, support humanitarian operations and raise regional crises before the wider international community.

What does UNGA 81 mean for the Sahel?

The 81st session of the United Nations General Assembly opened on September 8, 2026, with its General Debate due to begin on September 22.

The UNGA meets with no UN peacekeeping mission in Mali and with Burkina Faso, Mali and Niger outside ECOWAS, while the AES has become a separate framework for their political and security cooperation.

“That leaves the UN closer to an advocate and service provider than a shaper of outcomes,” Aliyu said. “It can report, brief, fund aid operations and press for access, but it cannot compel it or offer the regime security that has made Russia indispensable to the military governments.”

Yet for the Sahel, insecurity, displacement, humanitarian needs and economic and climate pressures remain.

In the changed regional environment, the UN’s influence is more likely to come through diplomacy than force, through access rather than authority, and through regional relationships rather than a large international security presence.

Officials urge civilians to stay away from site in Al-Eis near Aleppo after series of explosions.

Powerful explosions at a weapons depot in northern Syria have injured at least four people, according to state media, with officials urging the public to stay away from the site.

The explosions occurred early on Monday at a Syrian army site in the vicinity of the town of al-Eis, south of the city of Aleppo, the state-run SANA news agency reported.

The cause of the explosions was not immediately clear.

Faisal Mohammad Ali, the head of civil defence operations in Aleppo, told SANA that rescuers have evacuated four injured people from the site.

Al Jazeera’s Obaida Hitto, reporting from Aleppo, said a series of blasts has followed the initial explosion.

“The explosions are audible from a few kilometres away from the site. We have now seen a series of ambulances and fire trucks enter towards the position,” he reported.

Aleppo Governor Azzam al-Gharib urged residents not to leave their homes for the time being, adding that “hospitals, ambulance and emergency teams are on full alert”.

Roads leading to the site of the explosions were closed “to ensure the safety of civilians”, Aleppo’s Internal Security Command said.

A resident of Aleppo’s Hamdaniyeh neighbourhood told the AFP news agency that they heard a “huge explosion” and when they went up to the roof could see “large flames in the distance”.

Several such blasts have previously occurred in Syria, which is emerging from more than a decade of civil war following the toppling of longtime ruler Bashar al-Assad in late 2024.

An explosion of unknown origin killed 11 people at a military site in the eastern province of Deir Az Zor on Friday.

Earlier this month, an explosion at a weapons depot belonging to the Ministry of Defence killed 14 people and injured 11 in Syria’s northwest Idlib province.

Five people were killed just over a week earlier in the same area when a vehicle carrying munitions exploded.

The staging is simple. A circle of nine stately wood chairs on a bare stage. Four actors, affixed with in-ear monitors, occupy different seats as testimony is elicited, provided and undermined.

The Senate Judiciary Committee is back in session in “The Ford/Hill Project,” now at REDCAT through Saturday. What follows is some of the most riveting and distressing testimony ever delivered in such a setting.

Anita Hill and Christine Blasey Ford are called back to testify under oath about the Supreme Court nominations of Clarence Thomas and Brett Kavanaugh, respectively. This documentary drama, created by Elizabeth Marvel and director Lee Sunday Evans, is composed from the verbatim transcripts of these painful proceedings.

In 1991, Hill testified that Thomas had repeatedly sexually harassed her when he was her supervisor at the U.S. Equal Employment Opportunity Commission and the Department of Education. In 2018, Ford testified that she had been sexually assaulted in 1982 by a 17-year-old Kavanaugh when she was 15.

Marvel and Evans create a double helix from excerpts of these two hearings, which are separated by nearly 30 years yet reveal highly entrenched patriarchal patterns. Two women, summoning the courage to tell what they know about two men who are about to be entrusted with the most consequential governmental power, are put through the wringer as the political machine shifts into gear.

The actors wear in-ear monitors that feed them edited clips from the real audio of the hearings.

(Angel Origgi / REDCAT)

Marvel, one of the treasures of New York theater, takes on the role of Ford at the Brooklyn Academy of Music in a run that ends Sunday. (The piece premiered at Woolly Mammoth Theatre Company in 2024.) At REDCAT, the superb Rosemarie DeWitt assumes Marvel’s place, standing in for Ford but never attempting anything as crass as an impersonation.

The production, under Evans’ precise direction, manages to find a tone that might be paradoxically described as emotionally resonant neutrality. Those in-ear monitors that the actors are wearing feed them edited clips from the real audio of the hearings.

Ford, a psychology professor with an expertise in biostatistics, answers prosecutorial questions about a life-altering trauma in a manner that leans on her scientific training for security. Hill, a Yale-educated lawyer asked to elaborate on the prurient conduct she was chronically subjected to at work, never loses her professional composure.

“Indelible in the hippocampus is the laughter,” Ford tells Sen. Patrick Leahy when asked about the strongest memory she has of the incident. (Ford’s voice, resounding at the start of the production, keeps the brutality of the assault at the forefront of our minds.)

Hill, played by Betty Gabriel, describes the threatening nature of the unwanted advances that created such a toxic work environment. Aware of the damage that Thomas could inflict on her young career, Hill was determined to do what she could to salvage an extraordinary legal opportunity.

At times during Thursday’s performance, Gabriel appeared to stumble on her lines, but it was hard to tell because Hill is speaking extempore in the most difficult of public forums and she doubles back on her sentences, carefully parsing out her words. What both DeWitt and Gabriel honor exquisitely in their performances is the quiet integrity of these women as they willingly expose themselves to political attacks for the sake of causes greater than themselves — the truth, first and foremost, but also gender equality and the Senate’s advisory role as a cornerstone of American democracy.

The actors change not only their seats but also their roles.

(Angel Origgi / REDCAT)

Dulé Hill channels the presence of Thomas, who eventually theatrically hijacks the hearing by referring to the experience as a “high-tech lynching for uppity Blacks.” Rich Sommer gives us the voice of Kavanaugh extolling the pleasures of beer and barking at senators who pointedly ask about the extent of his drinking.

The actors change not only their seats but also their roles. The interrogated become the interrogators in a way that gets a little blurry when the focus initially shifts from Hill and Ford to Thomas and Kavanaugh. But the murkiness doesn’t last long in a production that achieves an admirable balance between objectivity and emotion, abstraction and representation.

The restraint imposed by the production adds to its power. There’s no need to editorialize. The proceedings skewer themselves.

When Sen. Alan Simpson quotes from “Othello” in defense of Thomas, he uses Shakespeare’s lyrical authority but fails to realize that he is in fact invoking the false words of the tragedy’s villain, Iago. Not that the easily impressed senators, eager to exculpate a favored man, took note of the irony.

The patriarchy cares mostly about shoring up its own power. Thomas and Kavanaugh were part of the Supreme Court majority that voted to overturn Roe vs. Wade.

The ending, the only time when Evans’ direction loses its poise, blares “make it right,” performed by the Tune-Yards, as Thomas and Kavanaugh, adorning themselves in black robes, find their seated place according to seniority among the nine chairs. The theatrical flourish seems jarring, but so too is the historic moment.

“The Ford/Hill Project” filled me with sadness but not despair. The bravery of Hill, who educated a nation on sexual harassment, and the emotional strength of Ford, who bared her trauma for public enlightenment, live on in the American consciousness as it progresses, in fits and starts, toward justice.