LAS VEGAS — “You know, I was thinking,” Gwen Stefani said, looking out at the crowd before her on Wednesday night at Sphere. The singer was maybe an hour and a half into the first show of No Doubt’s monthlong residency at the dome-shaped venue just off the Las Vegas Strip, and now the moment had come for the hit that changed everything for this once-scrappy ska-punk band from Orange County.

“I was thinking about this next song, and I was thinking about Anaheim,” she continued. “Do you know where Anaheim is?”

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The song, of course, was “Just a Girl,” which Stefani said she wrote “out of pure innocence in a time where I was just becoming aware of myself and my surroundings.” She added that she’d always assumed she’d outgrow the song — that someday it would feel disconnected from the life of a woman who went on to become a pop star with a clothing line and a gig on TV. Here she was, though, about to do “Just a Girl” for 20,000 or so fans eager to sing along.

“You tell me if you think it’s still relevant,” she said.

In a built-to-please town where old hits are welcome on any stage — not least Sphere’s, which these days also hosts the Eagles and the Backstreet Boys — the crowd’s verdict was no surprise. Yet this was a more committed look back than might have been expected, with a loose narrative arc tracing No Doubt’s ascent (rather than its peak) and a set list filled with deep cuts well beyond the catchy singles that once blanketed KROQ and MTV.

Beneath a massive wraparound screen that flickered with vintage camcorder-style footage from the early 1990s, the group played “Excuse Me Mr.” and “New” and “Total Hate ’95”; Stefani and her bandmates — guitarist Tom Dumont, bassist Tony Kanal and drummer Adrian Young — did “Trapped in a Box,” “End It on This” and “The Climb,” which No Doubt heads on the internet say they hadn’t performed live in nearly three decades.

Then again, for one of those decades, No Doubt wasn’t performing at all. The band made its ballyhooed comeback in 2024 at Coachella, where it delivered a punchy, compact set of hits and brought out Olivia Rodrigo for a guest spot that demonstrated Stefani’s influence — musical, attitudinal, sartorial — on the generation of female pop stars that came after her. (At Sphere, Stefani’s taste in plaids and animal prints was clearly still casting a spell among her admirers.)

No Doubt’s Sphere residency is scheduled to run through mid-June.

(John Shearer)

The takeaway from Coachella was that the band had worked itself back into fighting shape; Stefani, in particular, seemed eager to prove that her years doling out niceties on “The Voice” and dabbling in country music with her husband, Blake Shelton, hadn’t dulled her edge. Here, the band went further, using Sphere’s state-of-the-art environs to imagine itself back in a dingy club or student union.

There were big visual moments, including a simulated trip through a crumbling amusement park — the “Tragic Kingdom” of the group’s breakout 1995 LP — and a bit with a stories-tall cartoon Stefani towering over the room in her fishnets and combat boots. And even with all of the obscurities, it’s not as though No Doubt skipped its best-known songs: “Bathwater” and “Spiderwebs” were bouncy yet propulsive, while “Underneath It All” and “Hella Good” showcased the players’ nimble rhythmic interplay. Stefani’s voice was at its pleading best in “Don’t Speak,” one of the great pop ballads of the last 30 years, and “Simple Kind of Life,” which was accompanied by a video starring Stefani and Kanal acting out some episode from their ancient romance.

Before “Ex-Girlfriend,” which Stefani wrote amid her doomed marriage to Gavin Rossdale of Bush, the singer said, “It gives me — what is it? The PTSD. But because I absolutely adore you guys, I’m gonna suffer.”

Yet this was the chapter of No Doubt’s story — basically the apex of its popularity — that the band seemed least interested in exploring on Wednesday. The impression you got was that Stefani and her pals hadn’t come to Vegas to cruise or to gloat or even to soak up the easy adulation that’s always on offer here; weirdly, they’d come to remember the struggle.

LAS VEGAS — Perhaps you were a little surprised when the Ducks, who haven’t had a winning record in seven seasons, led the Pacific Division for most of the season, or when they made the playoffs for the first time since 2018, or when they eliminated the Edmonton Oilers — who played in the last two Stanley Cup Finals — in the first round of the playoffs this spring.

If you were surprised by any of that, wait until you hear what they’ve done now.

Because with a dominant 3-1 victory over the Vegas Golden Knights on Wednesday in Game 2 of a best-of-seven playoff series, the Ducks evened the series at a win apiece and wrested home-ice advantage away from the division champions. Now they come home for Game 3 on Friday with a strong wind at their backs in a series they were supposed to lose.

“We kept the momentum and we’re headed home, which is fantastic,” center Ryan Poehling said.

If the series goes a full seven games, the Ducks will play three of the last five game at home where — would it surprise you to learn? — they had the best home record in the division this season?

But it’s not just that the Ducks won, but how they won that’s important. The younger, speedier team has skated rings around the older — and frustrated — Golden Knights, who have made the playoffs eight times in nine years, winning a Stanley Cup in 2023. Two games into this series, however, the plodding Golden Knights have looked like they’re skating through quicksand at times and have really had no answer for Anaheim in this series.

“The way to beat them is just outpacing them,” Poehling said. “And it’s not just with speed. It’s how we play. Guys are supporting one another, and you saw that. Tonight was kind of a game plan of what we want to do to win, for sure.

Ducks forward Beckett Sennecke celebrates after scoring in the second period against the Golden Knights in Game 2 on Wednesday.

(Ethan Miller / Getty Images)

“We didn’t like how Game 1 ended, but we liked our game. That’s hockey sometimes. You can play the right way, do all the right things, we end up losing.”

The Golden Knights won Game 1 when a blown icing call allowed them to score the go-ahead goal before adding an insurance goal into an empty net. So the Ducks made sure one play wouldn’t decide Game 2, taking their first lead of the series on a Beckett Sennecke goal midway through the second period.

“We had some great opportunities to score first,” coach Joel Quenneville said. “Finding a way to score first was important.”

The Ducks also scored second and third, with Leo Carlsson doubling the lead 6:36 into the third period before Jansen Harkins scored into an empty net with 3:30 to play to ice things. That didn’t end the drama though because the Ducks were six seconds away from their first shutout of the season when Vegas’ Mark Stone scored a power-play goal into an empty net.

For the Ducks, that goal spoiled nothing.

“It doesn’t matter,” goalie Lukas Dostal said. “It doesn’t matter how you win, where the score is. Obviously it’s always the cherry on the top. But it doesn’t really matter. We got a W and that’s all we focus on.”

Maybe. But after a regular season in which the Ducks gave up more than 3.5 goals a game, most of any playoff qualifier, the defensive effort was…. well, surprising.

And important.

“That’s not our tradition of playing that type of game. Low-scoring affair, when we score first and we’re leading throughout,” Quenneville said.

Ducks goaltender Lukas Dostal protects the net in front of Vegas forward Tomas Hertl during the second period.

(John Locher / Associated Press)

But if the Ducks hope to make a long playoff run, that’s the blueprint they’ll have to follow.

“The only way you’re going to be successful in the playoffs is you’ve got to win games like tonight,” said Quenneville, whose three Stanley Cup wins with Chicago are the most by an active NHL coach. “We showed that it’s going to take everybody to play these type of games. And everybody contributed.”

“We’re picking a good time,” added defenseman Jacob Trouba “to play our best hockey.”

Still, the Ducks’ best hockey can get better. Anaheim was for 0 for Las Vegas on the power play, failing to score on nine opportunities with the man advantage in the two games — including an eight-minute stretch in the first period when Vegas had one, and sometimes two, players in the penalty box.

“We had some great chances on the power play,” said Quenneville, whose team scored on half of their 16 power-play chances in the first-round series with Edmonton. Vegas, however, has killed 19 straight penalties and 24 of 25 in the postseason.

Ducks forward Leo Carlsson scores past Vegas goaltender Carter Hart during the first period Wednesday.

(John Locher / Associated Press)

Yet that wasn’t good enough for the sweep at home, so the once-favored Golden Knights must break serve in Anaheim.

“They split here. We’ve got to go in and try to get a game out of there,” Vegas coach John Tortorella said. “We’re going to keep our composure and get about our business. This team has always been really good in these type of situations, so I have full confidence we’re going to find our way.”

If the Golden Knights fail to do that, they just might be in for a surprise.

A South Korean vessel has successfully passed through the Red Sea and is currently en route home, marking the fourth oil shipment of its kind, the oceans ministry said Friday.

The arrival comes as Seoul has been scrambling to bring in oil through alternative routes amid the ongoing blockade of the Strait of Hormuz.

After loading oil shipments at Saudi Arabia’s Yanbu Port, the ship passed through the Red Sea at around 11:00 a.m., the Ministry of Oceans and Fisheries said. Details of the vessel’s movement were withheld due to safety reasons.

The ship is the fourth Korean oil carrier to transit the waterway that connects the Indian Ocean to the Mediterranean via and Suez Canal since the country began using the waterway to avoid the Strait of Hormuz.

That water lane has effectively been blocked by Iran for over a month.

The first Korean ship to take the alternate route since the war began arrived at a port in the southwestern city of Yeosu on Thursday, carrying some 2 million barrels of oil, according to sources familiar with the matter. The ship had left the Red Sea last month.

Two more Korean oil carriers successfully passed through the Red Sea earlier this week.

The ministry said it will continue efforts to stabilize oil shipments to the country and take steps to ensure the safety of Korean vessels and crew members navigating through the region.

Copyright (c) Yonhap News Agency prohibits its content from being redistributed or reprinted without consent, and forbids the content from being learned and used by artificial intelligence systems.

The CPJ says the ‘lack of concrete progress’ in the FBI investigation represents a failure by the US government.

The Committee to Protect Journalists (CPJ) has demanded a “public progress update” from United States authorities on the FBI probe into the Israeli military’s killing of Palestinian-American Al Jazeera journalist Shireen Abu Akleh, 51, who was shot dead in the occupied West Bank in 2022.

In an open letter to the Department of Justice (DOJ) and FBI chief Kash Patel, the CPJ said on Thursday evening that “the effectively stagnant status of this case is inconsistent with ensuring the security of US citizens anywhere in the world.”

It said the “lack of concrete progress” represents a failure by the US government to respond to the “killing of one of its citizens by a foreign military”.

It noted that there had been no formal interviews with witnesses, “despite the willingness of multiple witnesses to cooperate”, and no signs of FBI activity to gather evidence in Israel or Palestine.

Longtime TV correspondent for Al Jazeera Arabic, Abu Akleh, was covering Israeli army raids in the West Bank city of Jenin when she was killed by Israeli forces on May 11, 2022. She was wearing a clearly marked press vest when she was shot dead.

Israel initially accused Palestinian fighters of her death, but the Israeli military later released a statement saying “it is not possible to unequivocally determine the source of the gunfire which hit” Abu Akleh. It added that there was a “high possibility” that she was hit by Israeli gunfire.

Many independent investigations conducted by CNN, The Associated Press news agency, and The Washington Post concluded that Abu Akleh was deliberately targeted, the CPJ letter noted.

‘Justice remains elusive’

The CPJ asked for a public update on the status of the investigation, a commitment to a timeline for the investigation, and the public release of its findings. It also said the investigation needs to be “impartial and independent, free from political considerations”.

Abu Akleh’s family said in a statement on Thursday, “despite the passage of time, justice remains elusive,” adding that the lack of justice “sends a dangerous message that journalists can be targeted without consequence”.

Abu Akleh’s death became a symbol of the wider Palestinian struggle. Murals of her have adorned the cities of the occupied territory as people remember her for her fearless reporting.

Since her killing, Israel has killed 258 journalists and media workers, the CPJ reported. Israel has acknowledged killing a number of journalists, alleging they had links to armed groups, accusations their employers deny and the CPJ calls “deadly smears”.

“The prevailing culture of complete impunity enjoyed by Israel is a direct factor in the continued targeting of journalists without deterrence,” said Sara Qudah, CPJ’s regional director. “Without an independent investigation and real accountability, such attacks will only continue to escalate, emboldening those who seek to silence the truth through violence.”

A tourist on holiday in Spain shared an image from her sunbed, but it left people taken aback. It wasn’t the view that grabbed people’s attention as they couldn’t believe their eyes

When we’re abroad it’s common to feel the need to share the view from our sunbeds, but one tourist left people floored after showing what hers looked like. Spain is a popular holiday destination for many, but sometimes travel adventures don’t always go as you’d expect and one woman made this pretty clear.

The woman, who posts as The Kelly Family on TikTok, has been documenting her travels in Spain, but people were left stunned after she shared the view from her sunbed this week. While it’s normal to want to blog your experiences when you’re enjoying some time in the sun, it wasn’t the scenery that had people glued to their screens.

She shared footage of the view from her sunbed and it wasn’t what people expected. Sometimes you see things you’d never imagine were possible when you travel abroad.

Posting from Majorca, she said people “refused” to move from the pool, but you needed to be prepared to sunbathe. This was because the weather was so cold, she considered a towel “a must” to stay outside.

Instead of greeting people with glorious sunshine, and a stunning view, she shared a clip of grey sky and her legs covered up with a towel. It wasn’t quite the holiday image you’d expect to see.

Alongside the clip, she wrote: “That glimmer of sun from this morning is long gone, and we’re using towels as blankets to stay sat on the sunbed longer.”

In previous videos, she also admitted the weather had been cold during their stay. She claimed it was “freezing” one day, which put her off going in the pool.

Naturally, the video got people talking, as you usually go on holiday expecting to see some sunshine. People had very mixed opinions though.

One person said: “I’m here in three weeks. I’m praying for sun.” Another simply replied with laughing face emojis.

Under a different video, a third wrote: “What part is this? I’m meant to be going Saturday, and the weather looks absolutely miserable.”

A fourth also noted: “We arrive on Sunday. I’ve paid my money. Rain or shine, the kids will be in that pool morning, noon and night. I don’t want to hear ‘it’s freezing mummy’. It’ll toughen them up.”

Others pointed out it’s quite early in the season to see boiling hot weather though. Someone else wrote: “Early season. It’s to be expected.”

One more also said: “Early May? It’s Europe. When did we expect a heatwave?” The good news is, more recently, the weather seems to have improved for the family as they were also seen enjoying some time in the sun.

What people need to know

Generally, people visiting Majorca in May should expect warm, sunny and pleasant weather. The month tends to offer a perfect spring-to-summer transition, with average daytime temperatures usually coming in between 22°C and 25°C.

Tourists should expect around nine to 10 hours of daily sunshine, low rainfall and comfortable, mild evenings. However, good weather is never guaranteed anywhere, and you should always bear this in mind when travelling.

Majorca is one of the most popular holiday destinations in Spain and Europe, as it draws millions of tourists annually with its stunning beaches, mountains and nightlife. It is frequently ranked as a top Mediterranean destination.

BBC radio presenter Dave Llewellyn has died aged 57 after two decades on air – as his devastated family release a touching tribute.

The Radio Tees star – famed for his distinctive bright red hair – was hailed as the “most loving father and husband” by his daughter Amy.

Dave worked as a travel presenter in the north east region for more than 20 years – famously starting out as the “eye in the sky” in a plane.

Alongside his traffic updates, the larger-than-life DJ also co-hosted a gardening show at the weekends.

And for the past six years, he was a producer on BBC Radio Tees, most recently working on Gary Philipson’s daytime programme.

The presenter, hailed as “incredibly modest and generous” by his daughter Amy, died after a short illness.

She said: “Outside of his work he loved his family and his music.

“His true talent shone through while he was playing his keyboards, synthesisers and bass.

“He was the most loving father and husband, always going out of his way to make us happy.

“He will be sadly missed by everyone who knew him, especially our beloved dog Cupid who always saw a taste of his generosity, usually in the form of a shared sausage sandwich.”

More to follow… For the latest news on this story keep checking back at The Sun Online

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HIGH SCHOOL BASEBALL & SOFTBALL

Thursday’s Results

BASEBALL

CITY SECTION

Angelou 14, Manual Arts 0

Birmingham 1, Cleveland 0

CALS Early College 12, Esperanza College Prep 2

Chatsworth 13, Taft 3

Collins Family 21, Central City Value 1

Diego Rivera 21, West Adams 0

Franklin 8, Hacienda Heights Wilson 7

Fremont 12, Dorsey 1

Garfield 7, South Gate 6

Granada Hills 6, El Camino Real 5

Harbor Teacher 17, King/Drew 3

Lakeview Charter 18, Valley Oaks CES 4

Marshall 12, Eagle Rock 0

Roosevelt 3, Legacy 0

University 5, Fairfax 1

Port of Los Angeles 14, Locke 1

RFK Community 11, Mendez 1

San Fernando 1, Sun Valley Poly 0

San Pedro 10, Narbonne 8

Sherman Oaks CES 9, Fulton 8

Sun Valley Magnet 10, Bert Corona 0

Sylmar 11, North Hollywood 1

Triumph Charter 17, Community Charter 6

Valor Academy 19, Discovery 8

Venice 4, Palisades 3

Verdugo Hills 7, Granada Hills Kennedy 2

Banning 10, Gardena 0

SOFTBALL

CITY SECTION

Camino Nuevo 19, Alliance Ouchi 1

Carson 20, Rancho Dominguez 0

Dorsey 21, King/Drew

Hollywood 19, Roybal 4

Legacy 13, LA Roosevelt 0

Mendez 26, RFK Community 4

Northridge Academy 12, VAAS 1

Port of Los Angeles 21, Harbor Teacher 1

San Pedro 14, Narbonne 0

Triumph Charter 10, Community Charter 7

Vaughn 21, Grant 12

Wilmington Banning 22, Gardena 0

May 9 is a venerated date on the Russian calendar. The anniversary of the Soviet Union’s victory over Nazi Germany in World War II is usually commemorated with a grand military parade outside the Kremlin, on Moscow’s Red Square.

“For modern Russia, it’s the main holiday of the year,” said Oleg Ignatov, senior Russia analyst at Crisis Group. “There are two main holidays in Russia, the ninth of May and the New Year. And if you asked Russians, what is the main holiday, I think they would answer you that it’s the ninth of May.”

This year, however, for the first time in nearly 20 years, there will be no tanks, missiles or junior cadets in the parade. The decision to hold back on showcasing military equipment comes as a result of heightened security fears over the war in Ukraine.

However, personnel from higher-level military academies will still take part in the procession on foot, while the aerial portion of the programme will remain unchanged – an aerobatic show, followed by a team of Sukhoi Su-25 fighter jets painting the sky in the tricolours of the Russian flag.

In official statements, the Kremlin has referred to “the current operational situation,” and threats of “Ukrainian terrorist activity.”

Ukrainian drones are now striking deeper and deeper into Russian territory on an almost daily basis, hitting targets such as oil facilities and airfields. A recent spate of drone attacks on the oil refinery in Tuapse, on Russia’s Black Sea coast, has caused an ecological catastrophe and prompted the evacuation of the town.

“Drones are indeed the primary means to attack Russia’s territory,” explained Olha Polishchuk, research manager for Europe, Central Asia and the Caucasus at Armed Conflict Location & Event Data (ACLED). “They are relatively cheap, modifiable and can travel long distances … Both Ukraine and Russia have switched to using primarily drones for their attacks.

He said that since 2025, drone strikes “completely overshadowed other attacks”.

“Their use has been effective overall; most drones are intercepted but if you send enough of them, some will reach the target.”

Fears of ‘political and psychological consequences’

Security and anti-drone defences have been tightened in the capital since the Ukrainian armed forces began sending drones there in 2023, with one striking the Kremlin itself.

Mobile internet has been periodically shut off in Moscow, Saint Petersburg and other areas of the country in the days running up to the event, with providers citing “security reasons”.

“Moscow has very strong air defence, which includes short-range surface-to-air missile systems, other missile systems, small arms and electronic warfare systems,” explained Polishchuk. “It is a multilayered system located both around and inside the city. In the past, authorities have shut down cellular networks in Moscow to complicate drone navigation.

“Ukraine very rarely attacks Moscow because the air defence would require a very large swarm of drones for any attack to land, but also because there are plenty of other strategically relevant targets that do not carry such a high risk of civilian casualties.”

Nevertheless, the Victory Day ceremonies present a clear risk. Such a concentration of troops and vehicles is vulnerable not only on the day of the parade itself but before and after, too: after all, that hardware must be stored somewhere.

“Of course, they care about drones which can fly from Ukraine, but most of these drones are being intercepted,” Crisis Group’s Ignatov told Al Jazeera. “They are more afraid of groups of people using small drones which are delivered to Russia, and used against targets inside Russia, like in Operation Spiderweb [in 2025] … Even if one or a couple of small drones hit a military parade, it may not cause a casualty, but it will have a demonstrative and psychological effect. I think what they care about is the political and psychological consequences of this.”

The Victory Day parade is a tradition from the communist era, an occasion on which the citizenry could catch a glimpse of Soviet statesmen waving from atop Lenin’s tomb, as well as a chance for the then-superpower to show off its military might. But when the USSR collapsed in December 1991, the parades were shelved for nearly two decades until they were revived by President Vladimir Putin in 2008.

Since the start of the full-scale war in 2022, the Victory Day parade has been scaled back again. Only a solitary Soviet-era T-34 tank symbolically rolled across Red Square in 2024, although other types of vehicles, such as armoured personnel carriers and mobile missile launchers, were present.

Last year’s proceedings, however, packed a little more pomp. Not only did the parade feature modern tanks, the TOS-2 Tosochka heavy flamethrower systems and Iskander ballistic missiles, but also Russian troops marching alongside Chinese soldiers.

Chinese leader Xi Jinping watched the show sitting beside Putin, one of 27 heads of state in attendance, including Brazilian President Lula da Silva and Ibrahim Traore of Burkina Faso. The turnout seemed to indicate that, despite international condemnation of the invasion of Ukraine, Moscow was not isolated.

‘Victory over Nazi barbarism’ or a ‘cynical distortion of history’

“A celebration of the Soviet and Allied defeat of Hitler’s Nazi-Fascist alliance, Victory Day is the most sacred date on Russia’s political calendar,” said British historian Geoffrey Roberts.

“As ever, Victory Day will be celebrated as a Soviet as well as a Russian victory – the result of the common struggle of all the peoples of the multinational USSR, not least millions of Ukrainians. Victory Day is for the Russian government a day of multiethnic unity. It is also a reminder of the international antifascist unity – of the Soviet-Western coalition during World War II that together saved the world from Nazi barbarism.”

The Eastern Front of the second world war, known as the Great Patriotic War in Russia, occupies a central place in Russian national memory. About 27 million Soviet citizens, including Russians, lost their lives in the conflict, more than any other country, and it was the Red Army’s soldiers that hoisted their flag over the Reichstag in Berlin in 1945. The German surrender was officially finalised on May 9.

This memory is evoked by Putin’s government today, claiming it is fighting “Nazis” on the battlefields of Ukraine.

“It appears that in modern Russia, 9 May has been twisted to actually support aggressive behaviour and militarisation,” Polishchuk said.

“It is a big source of pride which supports the notion that Russia is strong, undefeated, and will not tolerate disrespect from anyone. The more common ‘never again’ in reference to WWII became ‘we can do it again’ in Russia as a popular Victory Day slogan. This posturing becomes even more important during an ongoing war, as it supports another sort of reality – one where Russia has not made a mistake by invading Ukraine and is not currently failing to achieve its military objectives.”

According to the open-source intelligence project Oryx, more than 14,000 Russian tanks, APCs and other combat vehicles have been destroyed, captured, abandoned or otherwise lost since the start of the full-scale invasion in 2022.

Modern Ukraine considers Victory Day, as celebrated in Russia today, a cynical distortion of history and seeks to discourage foreign dignitaries from attending, Polishchuk added.

“Ukraine is generally more level-headed than Russia in sticking to targets that have a military objective, but this is indeed one of the instances where the [potential] attack appears largely symbolic,” she said. “Ukraine may decide to save resources this time and not attack Moscow – it could be a sane choice since air defence will be on high alert and security concerns may already discourage participation, yet Russian authorities have no choice but to try to reduce the risk regardless.”

Warring sides accuse each other of violations as attacks continue across front lines.

Russia and Ukraine have accused each other of breaching a short ceasefire announced by Moscow to coincide with Victory Day commemorations marking the Soviet Union’s defeat of Nazi Germany.

The Kremlin said its forces downed 264 Ukrainian drones early on Friday, with officials in Moscow reporting attempted attacks on the capital and in the Perm region in the Ural Mountains.

The truce, declared from May 8 to May 10, was intended to cover annual celebrations that include a military parade in Moscow.

Russia had warned that any disruption would trigger a large-scale missile response against Kyiv, urging foreign diplomats to leave the Ukrainian capital before potential escalation.

In a separate announcement, the Russian transport ministry said on Friday that 13 airports in Russia’s south halted operations due to drone attacks.

“Operations at the regional centre in Rostov-on-Don, which manages air traffic in southern Russia, have been temporarily suspended after Ukrainian drone struck the administrative building of the ‘Southern Russia Air Navigation’ branch,” the ministry said.

There were no casualties, it added.

Victory Day commemorations mark the Soviet Union’s loss of 27 million people in World War II, as it drove Nazi forces back to Berlin, where Adolf Hitler died, and the Red Army’s Soviet Victory Banner was raised over the Reichstag in May 1945.

‘We will defend our people’s lives’

Ukrainian President Volodymyr Zelenskyy said Russian forces continued to attack positions overnight, dismissing the ceasefire as ineffective.

He said Russia had carried out more than 140 attacks on front-line positions by early morning, alongside 10 assaults and more than 850 drone attacks.

“As we did over the past 24 hours, Ukraine will respond in kind today as well. We will defend our positions and people’s lives,” Zelenskyy said.

Ukraine also reported striking a Russian oil facility in Yaroslavl, deep inside Russian territory, in what Kyiv described as retaliation for attacks on its cities.

“Ukraine’s long-range sanctions continued in response to Russian strikes on our cities and villages,” Zelenskyy said.

Kyiv had proposed an open-ended ceasefire beginning on May 6, which it said Russia ignored. Moscow did not adopt that proposal, and neither side accepted the other’s terms.

In remarks before the truce, Zelenskyy criticised Russia’s approach to the commemorations, saying Moscow sought a pause “to hold their parade, to go out onto the square safely for an hour once a year, and then continue killing, killing our people and waging war”.

“The Russians are already talking about strikes after May 9. Strange and certainly inappropriate of the Russian leadership,” he added.

“Just as 81 years ago, so now America can help peace with a just and strong stance against the aggressor,” Zelenskyy said. “And it is important that the American people now view Russia precisely in this way – as an aggressor.”

DENISE van Outen has opened up about her heartbreak over losing a Towie “family member” as she revealed plans to pay tribute to Jake Hall.

The TV star shared an emotional message, reflecting on the devastating loss.

The Only Way is Essex star Jake Hall was found dead at a Spanish holiday villa with head injuries after a night out partying on Thursday.

He was a regular on the reality TV series from series 14 to series 17. 

Denise has been voicing the show since it started in 2010 and has opened up about his tragic death.

She told the Daily Mail: “I’ve worked on the show since it started and with any loss within our TOWIE family it is heartbreaking.

GONE TOO SOON

Jake Hall’s heartbreaking future plans revealed before tragic death aged 35

HORROR SCENE

Inside £200-a-night Majorca villa where tragic Towie star Jake Hall died

“But he was so lovely whenever I saw him out and he was so friendly and so talented.

“I really feel for his family, my thoughts go out to them, and it is just really sad and he was way too young to go.

“I do wonder what TOWIE will do, I think they’ll do a tribute as they’ve lost a few people recently. I was just really really shocked when I saw it.”

Cops found the 35-year-old former reality show hunk in a pool of blood with fatal head wounds apparently caused by shards of glass.

Officers say inquiries focused on the theory of a tragic accident in which the 6ft 4ins star smashed his head through a glass door.

A source said: “Witnesses told investigators he had been out partying all night and decided to carry on the party back at the place he was renting.

“It appears from what police have been told that he became agitated, possibly from alcohol and other substances he may have consumed.”

The source also said at one point things “turned aggressive” and he may have “tried to harm himself by banging his head against things.”

Officers were called to the rented house in Santa Margalida in the north of the holiday island at around 7.30am on Wednesday morning.

A police source said: “We are focusing on the theory the victim died in a tragic accident after hitting his head against the glass door but it is still too early to say definitely what happened.”

No arrests were believed to have been made as inquiries continued and an autopsy is due to take place in the Majorcan capital, Palma.

An ongoing investigation is being led by the Spanish Civil Guard.

He often spent time in Majorca where he had a second home used as a base for work and leisure.

Jake had a daughter, River, with model and Real Housewives of Cheshire star Misse Beqiri.

A statement shared by her talent agent said: “At this time, Misse’s focus is on supporting and protecting their child as they come to terms with this devastating loss.

“The family are asking for privacy, compassion and respect while they grieve privately.”

Jake joined TOWIE in 2015, and dated co-star Chloe Lewis before leaving the programme in 2024.

He also ran a menswear brand called By Jake Hall.

BY now you’ve probably seen the viral ‘Ryanair-sized’ underseat bags taking over the internet.

However a lot of the cheap, viral underseat bags are flimsy, ugly, or just plain awkward – that’s where this stylish saviour comes in.

ETRONIK Ryanair-sized Underseat Cabin Bag, £17.95 (was £29.99)

The underseat bag has nearly halved in price, with Amazon slashing the cost down by 40% – taking the price down from £29.99 down to £17.95.

The bag measures 40 x 30 x 20cm, which is the exact maximum size for a Ryanair underseat bag – so you get maximum bang for your buck with this backpack.

This is also the maximum underseat bag size for airlines like Wizz Air, Jet2 and TUI, and it also fits within the size requirements for easyJet.

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Whilst other viral underseat bags can be plain and boring to look at, this budget backpack looks expensive – with trendy brown and cream-coloured accents.

There’s also a sleek all-black option with gold zipper detailing.

One happy shopper noted that the bag “Fits loads inside” and “opens like a suitcase which is great for packing/unpacking on trips”.

She continued “the fact you can pull straps to condense really helps to ensure it complies with airline policies!”.

Another shopper said “This is great value for money. Essentially a backpack but in the shape of a case”.

A third happy customer declared the bag the “Perfect under-seat back pack” with “lots of pockets for all your extra bits”.

ETRONIK Ryanair-sized Underseat Cabin Bag, £17.95 (was £29.99)

While other under-seat bags are often made of thin, flimsy fabric that offers sub-par protection for your tech, this backpack is built to last.

Crafted from thick, waterproof and slash-proof material, this bag keeps your laptop secure and holds its shape perfectly.

Unlike cheaper alternatives that become lumpy and awkward once stuffed, this sturdy bag stays comfortable and secure once it’s packed.

There’s also plenty of handy pockets and compartments to organise all of your items neatly.

There’s a sturdy laptop compartment at the back, a handy pocket organiser at the front, and a front zipper pocket – perfect for popping your passport or phone inside for easy access.

There’s also a side pocket for your water bottle, and even a built-in wet bag inside to store any wet swimwear or leaky toileteries.

Plus this smart 24L bag offers 20% more capacity than many other viral bags which offer similar dimensions but only 20L of storage.

ETRONIK Ryanair-sized Underseat Cabin Bag, £17.95 (was £29.99)

Prices correct at time of publication.

Daniel is a very introverted man. He’s not somebody who goes out boasting, and I know he’s taken some stick this week because of that quiet nature.

I am protective of him. I always try to talk to him before we go into any media event, prepare him.

He just doesn’t enjoy that part of the fight game. He’s really not into all the verbals.

Whoever you are, you look at how people behave and what their make-up is. That’s if you want to get the best out of them.

You have to be clever, not sly, in how you deal with it. Good interviewers do that. Daniel does all his talking in the ring.

I don’t think he’ll ever change. His dad is his mentor and that’s all he knows – he’ll look to his dad before answering the question and still usually does.

That family is a tight unit. Some boxers, as they get successful, go partying but he doesn’t do any of that stuff.

After he beat Anthony Joshua, he just wanted to go home.

I had to literally push him into the press room so the world could see him after that magnificent performance.

Our job as promoters is to find something you can bring out and get it to the public, so they want to be on this journey with this fighter.

Sometimes it’s difficult. With Prince Naseem Hamed, for example, it was easy. When I first met Naz, I knew exactly what I was going to do with him and how we were going to promote him.

So some guys are easily promotable, others it can be hard work, but that’s the business we’re in.

But Daniel has come out of his skin a bit lately. The funniest thing for me was when he did the head-to-head with Filip Hrgovic a few fights ago.

Hrgovic said Daniel had no heart, and Daniel just said he was going to knock him out – using an expletive I wouldn’t like to repeat.

I had never heard Daniel even swear before!

Everybody there was like: ‘What is that?’ It was like getting the vicar to swear. He found a voice from within himself.

The Oklahoma City Thunder pulled away late to beat the Los Angeles Lakers 125-107 in an NBA playoff thriller, taking a commanding 2-0 lead in their best-of-seven Western Conference semifinal series.

Shai Gilgeous-Alexander, the reigning NBA Most Valuable Player and finalist for the award this season, scored 22 points and the Thunder capitalised on 21 Lakers turnovers on Thursday to hand LeBron James a defeat in his 300th career playoff game.

Elsewhere, Eastern Conference top seeds Detroit are also up 2-0 after a 107-97 home win over the Cleveland Cavaliers.

In Oklahoma City, Gilgeous-Alexander was again below his best, but he was amply supported.

Chet Holmgren scored 22 points and pulled down nine rebounds, Ajay Mitchell added 20 points, and Jared McCain delivered 18 points off the bench to help the Thunder withstand a 31-point performance from Austin Reaves.

James, who became the first player to contest 300 postseason games, scored 23 points and handed out six assists, and the Lakers led by five points early in the third quarter.

But with league-leading scorer Luka Doncic still sidelined by injury, the Lakers could not hang on, even with Gilgeous-Alexander on the bench for considerable stretches because of foul trouble.

Oklahoma City produced a 22-5 scoring run to seize control and will aim to keep the pressure on when the series shifts to Los Angeles for games three and four on Saturday and Monday.

“We’ve got to be the aggressor,” Gilgeous-Alexander said. “I feel like they were playing with more force, they were attacking harder, making quicker decisions, playing with a better sense of urgency, especially in the first half.

“As long as we take care of that, we should have our foot in the right direction.”

A bruising contest saw both teams irked by the officiating. Gilgeous-Alexander was whistled for a flagrant foul, and both he and James were sprawled out under the basket after a foul by Reaves late in the game.

Lakers coach JJ Redick took issue with the officiating, saying the Thunder “have a few guys who commit a foul on every possession”.

But, he added, “We didn’t lose because of the refs.”

Cunning thrives in ‘high-stakes’ situation

In Detroit, Cade Cunningham scored 12 of his 25 points in the fourth quarter and handed out 10 assists to lead the Pistons.

They set the defensive tone early but had to rally late after the Cavaliers battled back to take a two-point lead early in the fourth quarter.

“I just want to win games,” Cunningham said of his dominant fourth-quarter performance. “It’s been a lot of games down the stretch where it’s tight … The ball is in my hands and I’ve got to make plays with it.

“The pressure and the moment, it’s high stakes … all of that stuff fuels me.”

Cleveland’s Donovan Mitchell scored a game-high 31 points. Jarrett Allen chipped in 22, but James Harden had just 10 on three-of-13 shooting, and his four turnovers included a costly giveaway in the final minute.

The Cavaliers have a mountain to climb as they head home for game three on Saturday and game four on Monday.

The Pistons, who locked up the top seed in the East with the third-best record in the league, had to fight back from a 3-1 deficit to beat the Orlando Magic in the first round.

In this series, they were determined to hold on to home-court advantage, and game two featured another lockdown defensive display from Detroit, leading to a 54-43 halftime lead.

The Cavaliers responded in the third quarter and took the lead on Evan Mobley’s dunk minutes into the fourth – their first lead since the opening minutes.

But they could not hang on. A Duncan Robinson three-pointer put Detroit back in front, and they would not trail again.

Cunningham said the Pistons will have to “turn up our energy even more” in Cleveland.

“They’re a tough team to beat at home,” he said.

As governments gather in New York for the second International Migration Review Forum (IMRF) to assess progress on global migration commitments, a central question looms: is the Global Compact for Migration improving conditions for people on the move?

The answer is yes.

Adopted in 2018, the Global Compact for Safe, Orderly and Regular Migration is the first international agreement aimed at making migration safer and more humane through cooperation. For the Middle East and North Africa, the International Organization for Migration’s Global Overview of Migration Routes (2025), which tracks migration patterns, risks and deaths along major routes worldwide, offers a mixed picture. Some routes are shifting, but the risks people face remain severe, and in some cases are worsening.

Across the Mediterranean, arrival numbers alone can be misleading. In 2025, just more than 66,500 people reached Italy and Malta via the Central Mediterranean Route, almost identical to the year before. Arrivals to Greece, Cyprus and Bulgaria along the Eastern Mediterranean Route fell by about 30 percent, while the Western Mediterranean Route saw a modest rise. The Western African Atlantic Route to the Canary Islands recorded a dramatic 62 percent drop.

Taken in isolation, these figures might suggest reduced pressure on Europe’s borders. But lower arrivals do not automatically mean safer journeys. On the Eastern Mediterranean Route, deaths and disappearances nearly doubled in a single year. On the Western African Atlantic Route, deaths barely declined despite the steep drop in arrivals – meaning the probability of dying at sea increased. And on the Central Mediterranean Route, more than 1,300 people are known to have died in 2025, keeping it among the world’s deadliest migration corridors.

These trends reflect a broader reality: When border controls tighten or routes shift, journeys often become longer, more fragmented and more dangerous. People continue to move, but with fewer options, many are pushed towards irregular and high‑risk pathways.

Sudan illustrates how crises can reshape mobility across an entire region. Three years after the conflict erupted in April 2023, Sudan has become the world’s largest displacement crisis. At the peak, the number of internally displaced people more than tripled, reaching more than 11.5 million. Nearly 4 million people have returned home – often to damaged or partially destroyed housing – but almost 9 million remain displaced. Against this backdrop, it is not surprising that more Sudanese nationals are appearing along both Eastern and Central Mediterranean routes. For many, these journeys are not a first choice but a last resort, when options in Sudan and neighbouring countries are constrained.

The MENA region is also deeply connected to global mobility patterns. Movements from Asia and the Pacific to Europe increased significantly in 2025, with nearly one in three irregular arrivals originating from that region. Many of these journeys intersect with North Africa and the Eastern Mediterranean. A visa policy change in one country, a conflict flare‑up in another, or a new enforcement measure along a corridor can reshape risks across thousands of kilometres.

Meanwhile, the underlying pressures driving mobility in and around MENA are not easing. The region has one of the world’s youngest populations, with youth unemployment often exceeding 20 percent. Climate‑related shocks – droughts, floods, heatwaves – are increasingly interacting with conflict and economic stress. These factors rarely operate in isolation; they compound one another, shaping both internal displacement and cross‑border movement.
What does this mean for policy? Several priorities stand out.

First, search and rescue capacities must adapt to evolving realities. Stabilising or declining arrival numbers should never be mistaken for reduced risk. The sharp rise in deaths on some routes underscores the need for stronger cooperation on distress response, better data on deaths and disappearances, and sustained support for front-line communities. Saving lives at sea and on land is a humanitarian, legal and moral imperative.

Second, safe and regular pathways must be expanded. When regular options are limited, people facing violence, economic hardship or family separation are more likely to turn to irregular routes. Well‑designed labour mobility schemes, family reunification channels and humanitarian pathways can reduce reliance on dangerous journeys while supporting development in both origin and destination countries.

Third, better and shared data are essential. The Global Overview and Sudan displacement figures show the value of combining arrival statistics, intention surveys and information on deaths and missing people. Continued investment in national data systems can help governments anticipate pressures and design more effective policies.

Finally, intensified cooperation is required. In New York this week 130 states from all over the world are engaging in driving forward implementation of the Global Compact, recognising that migration is a phenomenon best governed through principled and constructive partnership.

This IMRF is about collaboration, and clarity about what we will do next. Expand safe and regular pathways. Strengthen fair recruitment and worker protection. Invest in data and protection systems that save lives. And cooperate across borders to take down criminal networks. If we get this right, fewer people will suffer, fewer lives will be lost – and more people, and societies, will thrive. That is the opportunity before us – here, and now. Let us seize it – together.

The views expressed in this article are the author’s own and do not necessarily reflect Al Jazeera’s editorial stance.

IN northern Arkansas on the banks of South Fork Spring River in the region known as the Ozarks, you’ll find a tiny settlement called Saddle.

Today, it comprises a modest Baptist church, an old timber-clad general store turned events venue (now up for sale) — and very little else.

Not so far away, out in the wilds, is the farm where country star Ashley McBryde grew up.

It is the place where she first picked up a guitar and discovered her passion for music, the starting point of her journey to the world stage.

Along the way, she rebelled against her strict preacher father, sang in biker bars, acquired the striking collection of tattoos adorning both arms and fought alcohol addiction.

Yet her inspirational climb has taken her to country music’s spiritual home, the Ryman Auditorium in Nashville and the O2 Arena in London for the C2C festival.

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And next month she will support a titan of the genre, Garth Brooks, at Hyde Park in front of 65,000 people.

Since becoming sober in June 2022, Grammy-winning McBryde is making some of the best music of her life, and she’s doing it by returning to her roots.

On one of the rousing songs on her fifth studio album, the aptly titled Wild, she sings these lines with mighty conviction…

“It’s in my throat, it’s in my bones, it’s on my boots and in my blood. That Ozark streak sureе runs deep and it sticks to me like that Arkansas mud.”

I tell her that my only experience of her childhood stomping ground is the TV series Ozark about a Chicago family who decamp to the area, for money- laundering reasons as you do, where they encounter small-time hillbilly criminals.

“Yeah, I’ve known some characters like those,” says McBryde with a knowing smile. “They did a great job on Ozark.”

She is one of a new breed who has learned to accept “the Nashville machine” while remaining true to themselves.

“I’ve done a good job, not a perfect one, of being inside the machine but also sticking to my guns,” she affirms.

“It’s an industry that asks the brunette to be blonde and the girl that’s 5ft 3in to be 6ft.”

At times, McBryde felt she was “falling short of being shinier, blonder, skinnier” but, she adds hand on heart: “You’re just not getting rid of what’s in here.”

In the same bracket, you will find two big bearded male artists keeping it real — Luke Combs and Chris Stapleton, who are among America’s biggest selling artists right now.

These are the natural successors to the original country “outlaws,” who include McBryde’s hero Kris Kristofferson, fellow Arkansawyer Johnny Cash and last man standing Willie Nelson.

She delivers kick-ass songs, drawing on rock and roll as much as anything, but she can also turn her intuitive talents to tear-stained balladry or a country-pop masterclass like recent single What If We Don’t.

I’m meeting the vivacious 42-year-old during her whistle- stop visit to London, and we find ourselves beside a picture window overlooking Kensington Gardens filled with people catching the glorious spring sunshine.

I can’t help sensing the contrast between the swish hotel suite in a teeming capital city and Ashley McBryde’s isolated upbringing that is, in part, the inspiration for her new album.

Taking my cue from the name of her album, I ask her if she was a “Wild” child.

“I think I was a good kid but I was also in trouble a lot,” she replies.

“I asked a lot of questions that people didn’t want to answer. They didn’t care for a child who wanted to know why things had to be a certain way.

“But I was always out in the woods, dreaming up this or that. I would be one of the X-Men, making swords and guns out of sticks.”

The youngest of six, she paints a picture of her childhood that conjures up classic American literature — Little Women, Tom Sawyer or Little House On The Prairie.

In fact, every night her “angel” of a mother would read her a chapter of the latter book as well as one from the Bible.

“I didn’t own shorts until I was an adult,” continues McBryde.

“Because my legs would get so ate up with tick bites from being out in the briars and thorns. It was a very physical existence.

“We worked real hard. We had cows, chickens and horses but my favourite thing about it was I could go wherever I wanted.

“I could go out walking for a whole day. I remember one time I asked mom if I could camp out for the night.

“She said, ‘Why would you want to do that?’ And I said, ‘I just want to cook my soup on a campfire’.

“She was like, ‘Well, knock yourself out’.”

But there was a duality to life in this rustic idyll because McBryde’s farmer and preacher father, William, imposed his strict religious beliefs at home.

This perhaps explains why she has been singing the late Randall Clay’s storming Rattlesnake Preacher live for several years and why, finally, her studio version opens Wild in such uncompromising fashion.

“There was freedom even though we lived in a very, very rigid household,” says McBryde.

“It was all right as long as what you wanted to do was within the parameters of what was considered to be right.

“So there was nothing wrong with going for a walk or riding a horse or digging a hole or learning to play a guitar. Those things were totally OK.

“But it was very much a case of the man being the head of the family, the way Christ is the head of the church — and anything that went against that could go to hell. There was no break.”

Although she was generally expected to attend church on “Wednesday night, Sunday morning and Sunday night,” sometimes even that was off-limits “if they were doing something that my father deemed not in alignment with his book”.

This brings McBryde to an extraordinary revelation: “To my knowledge, my father has still not listened to my music.”

That said, she admits that he had to hear one of her songs, Bible And A .44, written about him and appearing on her debut EP in 2016, Jalopies & Expensive Guitars.

It includes the lines: “He taught me how to hunt and how to love the Lord/He carried a Bible and a .44/And they just don’t make ’em like that no more.”

McBryde says: “I sang it to him after I wrote it. He told me, ‘You painted me in an awful nice light. I wish all of it could be true.’

“And I said: ‘You don’t see what I see because you’re not looking at what I’m looking at.’

“It was a nice way to give him a break from being the villain because a lot of the time he was. There were really great qualities about him, too.”

As for her beloved mother Martha, she says: “She’s an absolute angel. I don’t think she’s ever done anything wrong.

“She can make you an outfit right now while she’s making you a casserole while she’s praying for someone who has lost a limb.”

It was in this old-school world that McBryde developed her love of making music, becoming enchanted by the songs of the rugged Kristofferson and the more polished John Denver.

“I knew I wanted to be a singer and a songwriter from a really young age, even before I was a teenager.”

She knew she was on the right path when, after leaving home, she “started making enough playing in bars not to wait tables anymore and to keep the lights on in my apartment”.

A rebel at heart, McBryde recalls playing biker dives and, like the clientele, she got tattoos, wore leather and drank heavily.

As she tried to get a foothold in the country music scene, there wasn’t much hope “for a non-blonde who was covered in tattoos”.

“I did meet a lot of friction,” she says. “Some labels were not in any way interested.”

But her irresistible talent was spotted by, among others, Eric Church, another country star who likes to say it how it is.

“He was a great champion,” says McBryde. “A great name to be associated with because of the way he makes records and the way he approaches music.

“For him to say, ‘I like this songwriter’ does open a door.”

Evidence of that door being opened arrived in 2018 when McBryde’s major label debut, Girl Going Nowhere, was released on Warner Nashville, including one of her signature songs, A Little Dive Bar In Dahlonega.

It’s about resilience in the face of a break-up and, among its references to drinking is the line, “We’ve all got a number we don’t wanna drunk dial.”

I guess it alludes to another aspect of McBryde’s life because, running parallel to her early years in the business, was a dependence on alcohol, which she’s finally coming to terms with.

One of her new album’s most captivating songs is the beautifully sung ballad Bottle Tells Me So.

“I didn’t want to have a problem with alcohol but, like it or not, it’s part of my story,’ admits McBryde. “And I didn’t want to talk about it for a long time.

“I was either drinking, drunk or hung over at all times – and that’s really tough.”

In 2022, matters came to a head when, on the advice of her team, McBryde went into rehab.

Now proudly four years sober, she says: “Writing Bottle Tells Me So was a way to acknowledge it without saying, ‘I’m sober and you should be too.’

“You don’t want to preach but life is so much better for me now that I don’t drink.

“In that song, I’m not saying I’m never going to drink again. There’s no shame involved.”

In explaining why a habit that began while “acting cool and hanging with friends”, McBryde says: “I’ve heard it said that the addicts of all types aren’t addicted to any substance.

“They’re addicted to not feeling their feelings. I would say that is spot on for me.

“Not consuming alcohol anymore is probably the simplest part of becoming sober. You have to completely re-meet yourself and rewire everything.”

McBryde says she feels “1000 per cent” better, both physically and mentally. “I look better and I feel better. Despite still feeling anxious, I’m stronger than I knew and that makes me happy.”

She recalls her first show after leaving after getting sober: “I left treatment on Tuesday, got in the bus on Wednesday and was on the stage on Thursday.

“It was my first time being more than 30 days dry and it was the most terrifying, coolest thing I will ever experience.

“I was worried and asked myself, ‘What if I can’t do this?’ But I got out there and was spot on. Bullseye! Now I’m at the top of my game.”

McBryde is undoubtedly dialled in on Wild, produced with sparkle and empathy by John Osborne of country duo Brothers Osborne.

“John’s magical, playful and curious,” she says. “When I try something, he will say, ‘If you love it, we keep it. If you hate it, we toss it.”

It’s a healthy state of affairs for an artist who is increasingly cherished by the country music establishment in Nashville.

She says: “My friends and I always joke, ‘You can never change where the machine is headed unless you climb inside the machine.’

“I want to make music that people will hear. I like being able to make your guts hurt.

‘And the only way to get it heard is to abide by certain rules.”

One her proudest achievements is becoming a member of Grand Ol’ Opry, showcase for the greats from Hank Williams (even if he did get banned) and Patsy Cline onwards.

“I love it,” says McBryde. “Just thinking about it now, I smile so big. My face is complete cheese.”

And there we have it. Ashley McBryde, force of nature, born and raised in the Arkansas Mud but reaching for the stars.

ASHLEY McBRYDE Wild

4.5 STARS

The Department for Transport has also given its latest advice

People from the UK heading abroad for the Spring Bank Holiday are being given the latest advice on holidays amid growing fears over jet fuel shortages and flight disruption. Travel experts say flights are continuing to operate “as planned” despite airlines across Europe drawing up contingency measures following soaring fuel prices linked to conflict in the Middle East.

Concerns have grown after reports that some airlines are preparing for possible refuelling stops on long-haul routes if shortages worsen. German airline Lufthansa has reportedly already begun contingency planning after one of its flights was forced to divert for fuel during a recent journey to South Africa.

The airline has also cut thousands of flights from its wider summer schedule as fuel costs continue to rise. However, travel industry figures insist UK holidaymakers should not panic.

Mark Tanzer, Chief Executive of ABTA – The Travel Association, said: “We really don’t want people worrying about their holidays; planes are taking off daily and people are continuing to get away on their holidays. The Government and airlines are clear that there isn’t a problem with fuel supply.

“If you have a holiday booked in for the coming months – including the May half term – we expect it to go ahead as planned.”

He added: “Whilst there have been reports about cancellations globally, these amount to less than one per cent of overall flights.”

According to aviation analytics firm Cirium, around 13,000 flights worldwide have reportedly been cut during May. Munich and Istanbul are believed to be among the worst-affected destinations.

The Department for Transport has also said there is currently “no need” for travellers to change their plans. Officials say UK airlines buy fuel in advance and airports continue to maintain reserves to help prevent disruption.

Passengers are still being advised to check flight updates with airlines before travelling and ensure they have suitable travel insurance in place. Some 120 flights from the UK this month have been cancelled, new figures show, as jet fuel prices surge and fears of shortages grow.

Cirium said airlines have axed 120 of the 22,613 departures initially scheduled from UK airports in May, equivalent to 0.53%. The number of outbound flights planned for June is 36 lower than a week ago. This represents a 0.2% reduction and means capacity for the month has fallen by 7,972 seats.

The final week of May is a peak period for holidays as it is half-time at many schools. For all flights globally, some 13,005 planned for May were cancelled between April 10 and April 21, equivalent to 1.5%. That reduced capacity by almost two million seats.

Julia Lo Bue-Said, chief executive of Advantage Travel Partnership, a network of independent travel agents, said airlines are “assessing poor performance flights and consolidating or cancelling as required”.

She added that UK departures to popular summer hotspots “remain unaffected” and insisted “customers can continue to book with confidence”. Paul Charles, founder of travel consultancy The PC Agency, said: “Airlines are now being forced to cut flights and make difficult decisions ahead of the peak season.

“It is better for them to cancel flights well in advance so that passengers are less inconvenienced than a last-minute change of plan. As the Iran conflict continues, there will need to be many more cancellations as the jet fuel supply is squeezed.”

Lufthansa’s airline group announced in April it would cancel 20,000 flights over the following six months to save fuel. Iran continues to have a stranglehold on tankers passing through the Strait of Hormuz, leading to a surge in oil prices and concerns of jet fuel shortages.

But on Sunday, Transport Secretary Heidi Alexander said summer holiday plans will not face major disruption because of the latter. She revealed that more fuel has been imported from America, while refineries have upped their production.

The Government has also introduced a temporary rule change allowing airlines to group passengers from different flights together on to fewer planes to save fuel.

HIGH SCHOOL BOYS VOLLEYBALL PLAYOFFS

Thursday’s Results

CITY SECTION

QUARTERFINALS

DIVISION I

#1 Taft d. #9 East Valley, 25-23, 23-25, 25-8, 25-18

#4 North Hollywood d. #5 VAAS, 3-2

#3 Cleveland d. #6 Vaughn, 25-23, 25-22, 25-23

#2 Sylmar d. #7 Larchmont Charter, 25-20, 25-18, 25-20

DIVISION II

#1 LA Hamilton d. #8 Huntington Park, 3-0

#4 Marquez d. #5 Bernstein, 3-0

#6 Narbonne d. #3 Diego Rivera, 3-0

#7 Panorama d. #2 LA University, 25-16, 24-26, 25-15, 25-20

SECOND ROUND

DIVISION III

#1 New West Charter d. #17 San Fernando, 25-14, 14-25, 26-24, 25-13

#9 Central City Value d. #8 Foshay, 25-16, 13-25, 17-25, 28-26, 16-14

#5 University Prep Value d. #12 Northridge Academy, 23-25, 29-27, 25-23, 25-22

#13 Birmingham d. #4 Sun Valley Magnet, 25-18, 25-21, 25-20

#3 South East d. #14 Fairfax, 25-15, 25-19, 25-16

#11 Monroe d. #6 Reseda, 25-22, 25-23, 18-25, 25-19

#7 Lincoln d. #10 Animo Bunche, 21-25, 25-19, 23-25, 25-22, 15-8

#2 Legacy d. #18 Granada Hills Kennedy, 25-21, 25-22, 25-15

DIVISION IV

#17 Canoga Park d. #1 Hollywood, 25-16, 25-17, 25-20

#8 Annenberg d. #9 LACES, 3-0

#12 Mendez d. #5 Animo South LA, 3-2

#4 Math & Science College d. #20 Chavez, 25-23, 25-18, 29-27

#3 Manual Arts d. #19 West Adams, 3-1

#6 King/Drew d. #11 Animo Robinson, 25-21, 21-25, 19-25, 25-15, 15-11

#7 Maywood CES d. #10 Arleta, 25-23, 24-26, 25-17, 25-16

#2 RFK Community d. #18 Community Charter, 22-25, 26-24, 25-17, 25-22

DIVISION V

#1 WISH Academy d. #17 Garfield, 25-21, 25-14, 25-22

#9 Alliance Levine d. #8 Locke, 25-19, 20-25, 25-23, 25-19

#21 LAAE d. #5 Fulton, 25-20, 24-26, 25-13, 25-20

#13 Rancho Dominguez d. #4 Animo Watts, 22-25, 22-25, 25-22, 25-16, 15-13

#14 Franklin D. #3 Jefferson, 25-16, 25-20, 25-23

#6 Gardena d. #11 Stern, 25-13, 25-17, 25-19

#10 Animo De La Hoya d. #7 Horace Mann UCLA, 25-27, 27-25, 25-20, 26-24

#15 Sotomayor d. #2 Bert Corona, 25-20, 25-20, 25-23

Note: Quarterfinals Divisions III-V May 11; Semifinals Open Division-Division I May 12; Semifinals Divisions II-V May 13; Finals All Divisions May 15-16.

KIM Kardashian’s Met Gala megaboobs were spray-painted at an auto repair shop in Kent — and its owner said tonight it was an “honour”.

Martyn Smith, 55, spent 13 hours on the orange fibreglass creation at his garage in Lydd on Romney Marsh.

He felt “very proud” at seeing reality star Kim, 45, wear it in New York this week.

The Brit garage owner was asked to do the “top-secret” breastplate paint job — and was only told it was for Kim when he finished.

He said he agreed to drop work after being approached at his auto repair shop on a Kent industrial estate by two local artists.

Against the clock, he spent 13 hours prepping and spraying the orange fibreglass piece, worn two weeks later by Kim at the Met Gala.

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Kim Kardashian’s tribute to X-rated movie in pointy boob dress at Met Gala

price cut

Staggering amount Kim Kardashian’s hairdresser charges for a haircut revealed

Martyn, who runs MPS Body & Paint, would not say what he charged — but it was “in the hundreds not the ­thousands”.

He added: “When I saw it, I felt very proud and honoured. I only had 24 hours to do it.”

The breastplate was co-created by Kent artists Patrick Whitaker and Keir Malem, who then went to ­Martyn after he had repaired their car a few years earlier.

The dad of two, who works at the auto business with sister Nicki Hill, 50, said: “It looked great, but it had imperfections and tiny air holes which I had to fill with stopper.

“It had mould lines which I had to smooth out, before re-priming it and rubbing it down. It then needed a base coat and a lacquer top coat.

“With drying times, it was a lengthy process, but I knew it had to be perfect. I worked all day on it until 8.30pm.

“It was kept hush-hush as they told me it was top secret.

“I thought it might be for Madonna or Gal Gadot given the design.

“When they collected it they finally told me it was for Kim Kardashian.”

Martyn said he knew the name but was more of a fan of her boyfriend, F1 great Sir Lewis Hamilton.

Meanwhile, Nicki discovered Kim would be at the Met Gala on Monday night — her daughter Elli-Jane’s 20th birthday.

“She stayed up to watch it and said: “I was falling asleep as it was late and Elli-Jane shouted, ‘Mum, mum she’s wearing it’.

“She was bouncing up and down with excitement and then I was quite emotional.”

Martyn, who had gone to bed, said his paint job looked “fantastic” when he saw photos the next day, and the reaction since has been “crazy”.

He would welcome similar work but added: “I don’t know many people who have got a breastplate really.”

“We don’t go in for that kind of crap that you have back in New York–of being obliged to print both sides. We’re going to beat this son of a bitch Sinclair any way we can. . . . We’re going to kill him.”

The speaker: Kyle Palmer, Los Angeles Times political editor, to Turner Catledge of the New York Times.

The time: 1934, when socialist writer Upton Sinclair, who had just swept the Democratic primary for governor of California, threatened to beat handily the GOP candidate, Frank Merriam, in the November election.

Kyle Palmer, the pope of Southern California right-wing politics, was neither kidding nor exaggerating. Nor was he exceptional in his venom toward Upton Sinclair and his mass movement, End Poverty in California (EPIC). According to Greg Mitchell in his fascinating and valuable study, EPIC “was nothing less than a roundabout route to socialism.” On this point, “Political pundits, financial columnists, and White House aides, for once, agreed: Sinclair’s victory represented the high tide of radicalism in the United States.” This tide had to be pushed back, or California would suffocate under the weight of Sinclair’s “maggot-like horde” of supporters, as the Los Angeles Times called EPICers.

In 1934, a year racked by general strikes and epidemic unemployment, the maverick pamphleteer-novelist Sinclair–author of muckraking tracts like “The Jungle” and the most widely translated American writer abroad–was a menace not only to the so-called Vested Interests. Down deep, he embodied a revulsion felt by many Californians toward the capitalist system. EPIC’s program of production-for-use-not-profit, land colonies, barter exchanges and cooperation versus competition was a potentially deadly blow to the American Dream. It was subversive because it spoke to the misery of desperate, Depression-ruined Americans yearning for relief from the day-to-day savagery of a skewed, inefficient system that seemed to be failing everybody but the very rich. At its height, EPIC enrolled 100,000 members from San Diego to Sacramento, and its newspaper sold 2 million copies.

In “The Campaign of the Century,” Greg Mitchell has chosen to focus not on EPIC itself but “on the cataclysmic response to Sinclair’s emergence as the Democratic nominee.” Thus we learn relatively little about EPIC or about Sinclair, but a lot about the nuts and bolts of the “most astonishing . . . smear campaign ever directed against a major candidate.” Our present-day “media politics” with its emphasis on image over substance, was born in the ferocious, fraudulent anti-Sinclair campaign, says Mitchell.

A subtext of Mitchell’s book is how strongly adherents felt about Sinclair and EPIC. They “came from every strata, although nearly all were white. It was not . . . a poor people’s movement. Most of the activists were middle-class and middle-aged . . . Many were down-on-their-luck businessmen.” Any given EPIC club might include “Utopians, technocrats, Townsendites, progressive Republicans, New Deal Democrats, ex-Socialists and secret Communists, all united by a belief in a perfectible society.” No EPIC, aside from clerical staff, earned a cent from the movement. “Members paid a dollar, penny, or a collar button” to join; “Some EPICs hocked the gold fillings in their teeth to raise money.” Although broad-based and decentralized, “EPIC was far from democratic” and indifferent to unions. And Sinclair’s portrait occupied a holy place in many homes.

In any other state, EPIC might never have flown. But California’s populist tradition, open-mindedness (or wackiness), absence of party bosses or deep ethnic loyalties meant that a challenge to established authority was as relatively easy to mount as it was difficult to organize a counter-revolution. At first, the state’s wealthy were so rattled that their political representatives were caught completely off balance by Sinclair’s spectacular rise. Only loonies had expected him to win the primary, and nobody had been crazy enough to predict he would outpoll all six of his opponents together.

But like a great octopus, California’s Republicans and conservative Democrats, equally terrified of EPIC, slowly thrashed up from the murk of politics-as-usual to deal with the “enemy within.” “The prospect of a socialist governing the nation’s most volatile state,” says Mitchell, “sparked nothing less than a revolution in American politics.”

Spurred by “fear and desperation,” ad men like Albert Lasker and especially Clem Whittaker, hired conservative guns, broke the old rules and “virtually invented the modern media campaign.” Whittaker and his associate Leone Baxter introduced the radical idea that free-lance outsiders like themselves, not party chiefs, would “handle every aspect of a political campaign.” Whittaker’s “cozy relationship” with California’s 700 newspaper publishers meant that local editors were happy to run his press releases “as news stories–even as editorials.” The anti-Sinclair “lie factory” twisted and distorted; but worst of all, his enemies quoted from Upton Sinclair’s own works, in which he had attacked everything from wedded bliss (“marriage plus prostitution”) to religion (“a mighty fortress of graft”) and the Boy Scouts. After his defeat, Sinclair confessed wearily and with justice, “I talk too much. I write too much, too.”

By most accounts, Sinclair was a decent, generous, puritanical man of genuine sweetness. What his blurted half-jokes and honest indiscretions failed to supply, Hollywood and Madison Avenue concocted by way of movie propaganda and, probably even more effectively, radio shots–like an anti-Sinclair “One Man’s Family”-type series. Film studio bosses, alarmed by Sinclair’s not-very-serious threat to socialize movie production, colluded with what a Scripps-Howard reporter called a “reign of unreason bordering on hysteria.” Big-time screenwriters like Carey Wilson and directors like Felix Feist (later of “Peyton Place” fame) were enlisted or dragooned to produce Goebbelsesque films, often using faked footage, that drilled home the message: EPIC equals Armageddon. Studio workers were forced to contribute to Frank Merriam’s campaign. Very few Hollywood stars had the guts to refuse. (Holdouts included James Cagney and Jean Harlow.)

Law ‘n’ order also came to the rescue of the anti-Sinclair forces. Election officials, GOP activists and local district attorneys intimidated EPIC supporters away from the polls by challenging the credentials of at least 150,000 voters and threatening to arrest them. All across the state preachers thundered, “Go and Sinclair no more!” and Aimee Semple McPherson, hungry for respectability after her recent kidnaping hoax, turned against Sinclair, despite the pro-EPIC sympathies of her flock.

Finally, the Democrats themselves carved up EPIC. At first friendly to Sinclair, President Roosevelt, needing conservative support for his faltering New Deal, cut a deal with the Republicans. In return for Frank Merriam converting to a pallid form of New Dealism, the party dumped the divisive Sinclair. Frightened Democrats and “third party” anti-EPICers formed around a candidate named Haight, who may have drawn off enough votes to beat the insurgent–but not by all that much. Final results: Merriam 1,100,000; Sinclair 900,000; Haight 300,000. In defeat, Sinclair received twice as many votes as any previous Democratic candidate for governor.

EPIC soon disappeared in a backlash of internal Red-baiting. (The communists and socialists opposed EPIC, but the Communist Party also tried to take it over.) Sinclair stopped muckraking to write the “Lanny Budd” series of best-sellers. Waves of fright and self-interest quickly covered over EPIC’s writing in the sand. Today, who remembers it?

Later, Sinclair insisted that the EPIC campaign had “changed the whole reactionary tone of the state.” EPIC was “the acorn from which evolved the tree of whatever liberalism we have in California,” claimed state Supreme Court justice Stanley Mosk, a Sinclair supporter in ’34. And as a direct result of EPIC and the studio bosses’ much-resented bullying, “politics in Hollywood moved steadily to the left over the next few years.”

Of course, the Right learned, too. “A number of men who would become legends in California politics, on both sides of the ideological fence, virtually cut their teeth on the ’34 campaign,” writes Mitchell. These included Earl Warren (Merriam’s campaign manager), Asa Call, Edmund G. (Pat) Brown (sending what encoded messages to his son today?), Murray Chotiner, Augustus Hawkins, Cuthbert Olson–a whole generation of pols whose experience taught them just how powerful the rich, who own the media, can be when aroused.

Lessons for liberals are harder to come by in this sizzling, rambunctiously useful book. If we take note of this nation’s recent rash of insurgencies–from Carol Moseley Braun to Ross Perot–maybe one lesson is that nothing good ever completely dies, it just goes to sleep for a while.

BOOK MARK: For an excerpt from “The Campaign of the Century,” see the Opinion section, Page 6.