The One Show fans were floored by a Hollywood star’s youthful looks as she appeared on the BBC show

BBC viewers were stunned by Michelle Pfeiffer‘s youthful appearance as she was a guest on The One Show.

The Hollywood star was on the BBC programme’s sofa on Wednesday (March 4) to promote her latest television project The Madison, in which she stars alongside Kurt Russell, reports Wales Online.

However, whilst she was talking to the show’s presenters Alex Jones and Clara Amfo, viewers found themselves distracted by her timeless beauty. Many took to X, which was previously known as Twitter, expressing disbelief at how young the 67-year-old actress appeared.

One viewer wrote on the platform: “Dang Michelle Pfeiffer is still hot even at almost 70.”

“Michelle is unreal I mean look at her,” another enthused, whilst a fellow admirer noted: “I’m amazed how beautiful Michelle Pfeiffer looks on The One Show tonight x.”

“How does Michelle still look so amazing,” questioned one fan, whilst another revealed: “Michelle Pfeiffer in Grease 2 was my first crush oof!”

“Michelle Pfeiffer is so great and beautiful!” gushed another fan, as one viewer noted that the star “still looks great”.

“Love her,” said someone else, as another fan posted: “I b***** adore Michelle Pfeiffer.”

Another fan wrote: “Michelle Pfeiffer looks amazing. She looks so at ease on the sofa and interviews really well. I bet she’s great to work with. A seasoned professional.”

Her new series The Madison centres on the Clyburn family, who relocate from New York to Montana following a tragedy in the family.

Hollywood star Michelle opened up about the role and the show as she appeared on The One Show, explaining: “I play Stacy Clyburn, and I am the matriarch of the family based in New York, and a tragedy fractures the family, and then actually pulls it back together in ways that were unexpected.”

The star went on: “And, you know, it’s a story about, you know, it’s tender and visceral and actually unexpectedly funny at times, and it is a story about self-discovery and the messy and profound work to rebuild everything that you knew that has fallen apart.”

For the latest showbiz, TV, movie and streaming news, go to the new **Everything Gossip** website

The One Show airs on BBC One at 7pm on weekdays

The head of the Los Angeles Department of Water and Power stepped down Wednesday as part of a “planned leadership transition,” Mayor Karen Bass’ office announced.

Janisse Quiñones, who took the helm at DWP in 2024, is returning to Puerto Rico, where she is from, to help modernize the island’s electric grid.

In a statement, Bass said that Quiñones brought “steady leadership and engineering expertise to LADWP.”

“During her tenure, LADWP reinforced electric grid and water system reliability, enhanced coordination during wildfire events, and advanced investments to strengthen resilience amid increasing climate pressures,” the statement said.

Quiñones’ hefty salary of $750,000, which drew attention when she was hired, was meant to be competitive with private utility companies. She previously was a senior vice president of electric operations at Pacific Gas & Electric Co.

Quiñones managed the DWP through the Palisades fire, when a key reservoir was empty as firefighters battled the blaze.

Some argued that the reservoir, which had been drained to repair its cover, led to lower water pressure and hampered the firefight.

The DWP has pushed back, saying the repairs were necessary to protect public health and that even if the reservoir had been full, there still would have been water pressure issues, considering the extraordinary demand on the system during the fire.

A state investigation found that even if the reservoir had been full, the flow rate in the pipes “would have been a limiting factor in maintaining pressure and the system would have been quickly overwhelmed.”

March 4 (UPI) — A Russian liquefied natural gas tanker sank in the Mediterranean Sea on Wednesday after catching fire from what Russian officials said was an attack by Ukrainian drones.

Libyan port officials said there were explosions on the ship and it ultimately erupted in flames between Libya and Malta. The tanker was carrying about 62,000 metric ton of liquefied natural gas.

Thirty crew members were rescued and no deaths have been reported, TASS Russian News Agency reports.

Ukraine‘s security service has not commented on the incident.

The Russian Transport Ministry said in a statement that the tanker was attacked by unmanned Ukrainian boats.

The tanker was about 130 nautical miles north of the Sirte, Libya, port when it sank. It departed from the port of Murmansk, Russia.

“We qualify what happened as an act of international terrorism and maritime piracy, a gross violation of the fundamental norms of international maritime law,” the Russian Transport Ministry said in a statement.

“Such criminal actions, carried out with the connivance of the authorities of European Union member states, must not remain without assessment by the international community.”

Russian President Vladimir Putin echoed the statement of the transport ministry, calling it a “terrorist attack.”

The ministry adds that the tanker was operating in “full compliance with all international regulations.”

As part of its sixth-anniversary celebrations, HumAngle, Africa’s leading conflict and humanitarian crises reporting newsroom, held a training session on “ethical dilemmas in conflict reporting” on Tuesday, March 3, in Abuja, North Central Nigeria. 

The session, which brought together HumAngle editors and reporters, was led by award-winning journalist Sally Hayden and focused on the challenges and responsibilities of reporting from conflict zones. 

Founded in 2020, HumAngle has been at the forefront of covering insurgency and mass displacement, publishing investigations and exposés on state failure, human rights violations, climate vulnerability, abductions, disappearances, and systemic corruption.

According to Ahmad Salkida, Founder and CEO of HumAngle, the training is part of its bold agenda to transform the newsroom into a lasting knowledge institution.

“The initiative reflects our commitment to equipping journalists with skills that align with global standards, ensuring they are prepared to navigate the complexities of reporting in conflict-affected regions while maintaining professional integrity,” he said. 

Ahmad also revealed that over the last six years, HumAngle has consistently shifted the world’s gaze to underreported stories, fought for accountability, and demanded justice. “When we started HumAngle, we knew the road would be tough, but we also knew it was necessary. We set out to create a platform that would not only report the news but transform it into a tool for change,” he added. 

The CEO also highlighted plans to strengthen digital security and newsroom resilience by expanding the scope and quality of fellowships and investing in capacity-building initiatives. He added that a key part of this vision is establishing permanent institutional infrastructure, which he described as critical to sustaining HumAngle’s mission and impact in the long term.

“Going forward, our newsroom focus will be on scaling investigative capacity across the Sahel, expanding immersive and data-driven storytelling, and deepening transitional and reparative justice and reporting,” he noted.

Through interactive discussions, Sally unpacked the ethical grey zones that define conflict reporting: access negotiated under restrictive conditions, the burden of bearing witness, and the solitude of decision-making in volatile environments. Drawing on years of reporting from Iraq, Syria, Sudan, Burkina Faso, Lebanon, Palestine, Nigeria, and beyond, she shared practical frameworks for risk assessment, personal safety, and editorial judgement.

“Sometimes, you face situations that no one has ever faced because you’re the only one in that specific place at that specific time, so sharing experiences helps other journalists who may be there some day,” she reflected. 

Drawing on her years of experience covering conflict-affected regions such as Iraq, Syria, and Sudan, among others, risk assessment and decision-making were also central to the discussions, equipping attendees with frameworks to evaluate personal and organisational safety in volatile contexts.

One such moment came in 2025, when she reported from a Syrian prison housing suspected Islamic State members. The access was conditional.

“We were told we could go to the prison as long as we followed certain rules. We could not ask how the prisoners were or about other things. Most importantly, we could not tell them about current events. We were told this was for security reasons.”

Sally and the attendees further discussed how ethical reporting in conflict zones demands constant negotiation between access, accuracy, and accountability.

Equally pressing was the psychological toll of the work. She spoke candidly about trauma, burnout, and the importance of self-awareness. In conflict reporting, she stressed, it does not merely document suffering; it absorbs it.

“When you’re constantly surrounded by insecurity, it can be helpful to find something to do rather than constantly be lost,” she advised, urging journalists to cultivate routines and boundaries that protect their mental health.

According to Saduwo Banyawa, HumAngle’s Adamawa and Taraba Correspondent, the conversation made her realise that “it is okay to feel stuck as a journalist at times and when one gets unnecessarily pressured or has their mental health strained, they should prioritise self-care.”

Over the years, HumAngle has prioritised the mental well-being of reporters and other team members through an Employee Assistance Programme, which offers confidential, one-on-one counselling sessions with our in-house licensed clinical psychologist.

Recently, the newsroom introduced an Anti-Burnout Work Policy that has embedded a three-month rest period into newsroom staff contracts while still providing full annual pay. 

“HumAngle’s reporters routinely work in and around conflict zones, camps for displaced people, and communities living with violence and trauma. This kind of journalism demands not just technical skill but emotional stamina and deep empathy, and the costs are often borne silently,” the CEO noted. 

Reflecting on the training, Sabiqah Bello, Multimedia Reporter, described it as both relevant and validating to the experiences of conflict reporters.

“It was particularly insightful because it came from a journalist with extensive, cross-regional experience covering conflict and war, and who has had to confront the realities of that work firsthand. It was especially valuable that we explored ethical dilemmas faced in conflict reporting,” she added. 

By day, you’d be forgiven for walking past the newest theater in downtown L.A.

It isn’t hidden in an alley or obscured via a nameless door. No, this performance space is essentially a theater in disguise, as it’s designed to look like an electrical box — a fabrication so real that when artist S.C. Mero was installing it in the Arts District, police stopped her, concerned she was ripping out its copper wire. (There is no copper wire inside this wooden nook.)

Open the door to the theater, and discover a place of urban enchantment, where a red velvet door and crimson wallpaper beckon guests to come closer and sit inside. That is, if they can fit.

With a mirror on its side and a clock in its back, Mero’s creation, about 6 feet tall and 3 feet deep yet smaller on its interior, looks something akin to an intimate, private boudoir — the sort of dressing room that wouldn’t be out of place in one of Broadway’s historic downtown theaters. That’s by design, says Mero, who cites the ornately romanticized vibe and color palette of the Los Angeles Theatre as prime inspiration. Mero, a longtime street artist whose guerrilla art regularly dots the downtown landscape, likes to inject whimsy into her work: a drainage pipe that gives birth, a ball pit for rats or the transformation of a dilapidated building into a “castle.” But there’s just as often some hidden social commentary.

With her Electrical Box Theatre, situated across from the historic American Hotel and sausage restaurant and bar Wurstküche, Mero set out to create an impromptu performance space for the sort of experimental artists who no longer have an outlet in downtown’s galleries or more refined stages. The American Hotel, for instance, subject of 2018 documentary “Tales of the American” and once home to the anything-goes punk rock ethos of Al’s Bar, still stands, but it isn’t lost on Mero that most of the neighborhood’s artist platforms today are softer around the edges.

Ethan Marks inside S.C. Mero’s theater inside a fake electrical box. The guerrilla art piece is near the American Hotel.

“A lot of galleries are for what can sell,” Mero says. “Usually that’s paintings and wall art.”

She dreamed, however, of an anti-establishment place that could feel inviting and erase boundaries between audience and perfomer. “People may be intimidated to get up on a stage or at a coffee shop, but here it’s right on street level.”

It’s already working as intended, says Mero. I visited the box early last week when Mero invited a pair of experimental musicians to perform. Shortly after trumpeter Ethan Marks took to the sidewalk, one of the American Hotel’s current residents leaned out his window and began vocally and jovially mimicking the fragmented and angular notes coming from the instrument. In this moment, “the box,” as Mero casually refers to it, became a true communal stage, a participatory call-and-response pulpit for the neighborhood.

Clown Lars Adams, 38, peers out of S.C. Mero’s theater inside a fake electrical box. Mero modeled the space off of Broadway’s historic theaters.

A few days prior, a rideshare driver noticed a crowd and pulled over to read his poetry. He told Mero it was his first time. The unscripted occurrence, she says, was “one of the best moments I’ve ever experienced in making art.”

“That’s literally what this space is,” Mero says. “It’s for people to try something new or to experiment.”

Marks jumped at the chance to perform for free inside the theater, his brassy freewheeling equally complementing and contrasting the sounds of the intersection. “I was delighted,” he says, when Mero told him about the stage. “There’s so much unexpectedness to it that as an improviser, it really keeps you in the moment.”

A downtown resident for more than a decade, Mero has become something of an advocate for the neighborhood. The area arguably hasn’t returned to its pre-pandemic heights, as many office floors sit empty and a string of high-profile restaurant closures struck the community. Mero’s own gallery at the corner of Spring and Seventh streets shuttered in 2024. Downtown also saw its perception take a hit last year when ICE descended on the city center and national media incorrectly portrayed the hood as a hub of chaos.

Artist S.C. Mero looks into her latest project, a fake electrical box in the Arts District. Mero has long been associated with street art in the neighborhood.

“A lot has changed in the 13 years when I first got down here,” Mero says. “Everybody felt like it was magic, like we were going to be part of this renaissance and L.A. was going to have this epicenter again. Then it descended. A lot of my friends left. But I still see the same beauty in it. The architecture. The history. Downtown is the most populous neighborhood in all of L.A. because it belongs to everybody. It’s everybody’s downtown, whether they love it or not. And I feel we are part of history.”

Art today in downtown ranges from high-end galleries such as Hauser & Wirth to the graffiti-covered towers of Oceanwide Plaza. Gritty spaces, such as Superchief Gallery, have been vocal about struggles to stay afloat. Mero’s art, meanwhile, remains a source of optimism throughout downtown’s streets.

At Pershing Square, for instance, sits her “Spike Cafe,” a mini tropical hideaway atop a parking garage sign where umbrellas and finger food props have become a prettier nesting spot for pigeons. Seen potentially as a vision for beautification, a contrast, for instance, from the nature intrusive barbs that aim to deter wildlife, “Spike Cafe” has become a statement of harmony.

Elsewhere, on the corner of Broadway and Fourth streets, Mero has commandeered a once historic building that’s been burned and left to rot. Mero, in collaboration with fellow street artist Wild Life, has turned the blighted space into a fantastical haven with a knight, a dragon and more — a decaying castle from a bygone era.

“A lot of times people are like, ‘I can’t believe you get away with that!’ But most people haven’t tried to do it, you know?” Mero says. “It can be moved easily. It’s not impeding on anyone. I don’t feel I do anything bad. Not having a permit is just a technicality. I believe what I’m doing is right.”

Musician Jeonghyeon Joo, 31, plays the haegeum outside of S.C. Mero’s latest art project, a theater in a faux electrical box.

After initially posting her electrical box on her social media, Mero says she almost instantly received more than 20 requests to perform at the venue. Two combination locks keep it closed, and Mero will give out the code to those she trusts. “Some people want to come and play their accordion. Another is a tour guide,” Mero says.

Ultimately, it’s an idea, she says, that she’s had for about a decade. “Everything has to come together, right? You have to have enough funds to buy the supplies, and then the skills to to have it come together.”

And while it isn’t designed to be forever, it is bolted to the sidewalk. As for why now was the right time to unleash it, Mero is direct: “I needed the space,” she says.

There are concerns. Perhaps, Mero speculates, someone will change the lock combination, knocking her out of her own creation. And the more attention brought to the box via media interviews means more scrutiny may be placed on it, risking its confiscation by city authorities.

As a street artist, however, Mero has had to embrace impermanence, although she acknowledges it can be a bummer when a piece disappears in a day or two. And unlike a gallerist, she feels an obligation to tweak her work once it’s out in the world. Though her “Spike Cafe” is about a year old, she says she has to “continue to babysit it,” as pigeons aren’t exactly known for their tidiness.

But Mero hopes the box has a life of its own, and considers it a conversation between her, local artists and downtown itself. “I still think we’re part of something special,” Mero says of living and working downtown.

And, at least for now, it’s the neighborhood with arguably the city’s most unique performance venue.

Minnesota’s governor and attorney general on Wednesday defended their efforts to combat fraud and told a U.S. House committee that their efforts have been hampered by President Trump’s immigration crackdown in the state.

Republicans on the House Oversight Committee accused Gov. Tim Walz and Atty. Gen. Keith Ellison of stalling to fight fraud in government programs, saying they put politics ahead of rooting out abuse instead of pausing payments.

“You have not been good stewards of the taxpayer dollars,” said Republican Rep. James Comer of Kentucky, chair of the committee. “And the Democratic position is keep the money flowing. The American taxpayers have had enough.”

Walz said he wanted to work with the federal government to help with fraud investigations, but the immigration surge was making that more difficult.

“The people of Minnesota have been singled out and targeted for political retribution at an unparalleled scale,” Walz said. “We’re going to prosecute, as we have, every single person that’s involved in fraud, but we can’t do it alone.”

Walz and Ellison defended their efforts on fraud, while also trying to turn the focus of the hearing to the surge of 3,000 federal agents in Minnesota that began in December. The Trump administration cited fraud as one justification for its enforcement action. Homeland Security Secretary Kristi Noem testified Tuesday that about 650 investigators remain in Minnesota as part of a broader fraud probe.

“Operation Metro Surge did nothing to address fraud in our state,” Ellison said. “It harmed our economy and it scarred our people and it dealt a devastating blow to fraud enforcement in Minnesota.”

Ellison noted the series of resignations of lawyers in the U.S. Attorney’s Office in Minnesota, leaving those who remain “drowning in immigration-related petitions” instead of prosecuting fraud. On Tuesday, the U.S. attorney for Minnesota appeared before a judge for a contempt hearing related to Immigration and Customs Enforcement not returning personal property of detainees.

Ellison said his office has “punched above our weight” in winning 300 Medicaid fraud convictions and recovering more than $80 million for taxpayers.

Republican Rep. Clay Higgins of Louisiana called on Ellison to resign, accusing him of not leading investigations into criminal fraud activity.

Last week, Vice President JD Vance said the Trump administration would “temporarily halt” $243 million in Medicaid funding to Minnesota over fraud concerns, as part of what he described as an aggressive crackdown on misuse of public funds. Minnesota sued on Monday to stop the money from being withheld, warning it may have to cut healthcare for low-income families if the money is held back.

Comer on Wednesday accused Walz of not stopping Medicaid payments despite knowledge of fraud because he “didn’t want to rock the boat.”

Comer and other Republicans accused Walz of lying about when he first found out about fraud in a $250-million scheme known as Feeding Our Future and stalling to act in order to protect the Somali American community. Republican Rep. Jim Jordan of Ohio asked Walz if he know how many of those who had been indicted were Somali Americans.

“Their ethnicity is not my concern,” Walz said.

Somali Americans make up 82 of the 92 defendants charged so far in the Feeding Our Future case, according to the U.S. Attorney’s Office for Minnesota.

Democratic Rep. Robert Garcia of Long Beach, as part of the effort to focus the hearing on the immigration crackdown, held up images of children detained by federal officers and a picture of the blood-stained car seat of Renee Good who was killed by an officer. Federal officers also killed another Minnesota resident, Alex Pretti, who had been filming enforcement operations.

“This violence does not make us safer,” Garcia said. “It does not address fraud, waste and abuse.”

Bauer writes for the Associated Press.

As the Chicago Bears were rocketing toward an NFC North title and playoff run, quarterback Caleb Williams made a comment on social media about his Pro Bowl center Drew Dalman that has proven prophetic.

“He’s the brains behind all of it.”

Dalman informed the Bears on Tuesday that he will retire. Now. At age 27. After only five NFL seasons. After playing every snap in 2025, the first year of a three-year, $42 million contract.

Initial reaction around the league was that the decision was bonkers. Upon further review, however, it might be the most rational, reasoned move made this offseason.

Not long ago, most NFL players — linemen, certainly — couldn’t up and quit at the peak of their earning potential because their earnings weren’t enough to ensure a lifetime of financial stability.

Instead, they did what football players do — button their chin strap and play as long as their name remained on a roster. The risk of serious injury — including concussions — was simply the price of staying in the business.

Chronic traumatic encephalopathy? Early-onset dementia? Afterthoughts.

Today, it doesn’t take a mechanical engineering major to recognize that the equation has changed. Dalman, who happened to study mechanical engineering at Stanford, has yet to articulate why he is retiring.

But it is safe to presume that considerations included the roughly $24 million he banked in four years with the Atlanta Falcons and one with the Bears as well as the well-chronicled list of former players whose brains or other body parts no longer function properly because of the violent nature of the sport.

One of those players was Chris Dalman, an offensive lineman for the San Francisco 49ers from 1993-1999. He retired at 29 after suffering a neck injury during training camp in 2000 that left him temporarily paralyzed.

Chris is Drew’s father. He also graduated from Stanford and now is president of the private school in Salinas, Calif., that he and his son attended. This is what Chris told reporters when he retired in 2000:

“When I first got hurt and I couldn’t move, laying on the field for about 30 seconds, I knew it was probably over,” he said. “Still, it’s strange to think that this part of your life is over.”

Abruptly ending a career prematurely can’t be easy. It likely was as difficult for Drew Dalman as it was for his father. Yet the mountain of information regarding the link between repeated helmet-to-helmet hitting and CTE is irrefutable.

A 2023 Boston University study found that 345 of 376 (91.7%) post-mortem brains of former NFL players contained CTE, a progressive neurodegenerative disease caused by repeated head trauma. This condition is linked to dementia, cognitive decline and increased suicide risk among former players.

It remains to be seen whether more players will retire while at the top of their game. Already, several have done so, most prominently linebacker Luke Kuechly at 28 and quarterback Andrew Luck at 29.

Losing Dalman shocked the Bears, but they should be OK. The $10 million in salary cap space freed by his retirement can be spent on one of the several available free-agent centers.

That means Williams — the former USC Heisman Trophy winner and blossoming NFL quarterback — must adjust to a new center a year after he was thrilled that the Bears signed Dalman.

Williams’ words in December about Dalman’s exceptional brain, however, were followed by something less prophetic. While showering the Bears center with praise, Williams said, “And he’s the right guy for the job for my future and our future here.”

Dalman apparently prioritized his own future health instead.

March 4 (UPI) — NATO air and missile defenses intercepted a ballistic missile launched from Iran heading toward Turkish airspace on Wednesday.

The Turkish Ministry of National Defense announced that the ballistic missile had crossed Iraqi and Syrian airspace before being neutralized by NATO air defenses posted in the Mediterranean Sea. There were no casualties or injuries.

“Our resolve and capacity to ensure the security of our country and citizens are at the highest level,” the Ministry of Defense said in a press release translated from Turkish. “While Turkey supports regional stability and peace, it is capable of ensuring the security of its territory and citizens, regardless of who or where the threat comes from.”

The ministry did not say what it believed the intended target of the missile to be.

The Iranian missile is the first fired toward NATO territory since the conflict began. It followed a warning from Tehran that European countries supporting the United States and Israel would face retaliation from Iran.

Iran has launched missiles and drones toward countries in the Middle East that have a U.S. military presence in response to the U.S. and Israeli strikes on Iran.

“NATO stands firmly with all allies, including Turkey, as Iran continues its indiscriminate attacks across the region,” Allison Hart, NATO spokeswoman, said in a statement. “Our deterrence and defense posture remains strong across all domains, including when it comes to air and missile defense.”

After being intercepted, debris from the missile fell in the Turkish province Hatay in south-central Turkey near the Syrian border.

Turkish President Recep Tayyip Erdogan said in a social media post on Tuesday that he wishes to see a diplomatic solution to the ongoing conflict.

“We do not wish to witness conflict, war, tension and massacre right next door,” Erdogan said. “Our stance on the illegal attacks targeting Iran is also in this direction.

We are seeing the total destruction of Iran’s naval capabilities unfold day by day. Earlier this morning, the Pentagon announced that a U.S. Navy submarine had made the first torpedo kill since World War II against an Iranian frigate in the Indian Ocean. Now we are seeing footage of one of Iran’s strangest and most advanced warships, the Shahid Soleimani class IRIS Shahid Sayyad Shirazi (FS313-03), being struck and set ablaze. The ship would later sink, according to the Department of War.

The first ship in her class, the Shahid Soleimani, was commissioned in 2022, and is a very unique vessel indeed. Built for littoral combat, it incorporates a number of interesting features for a ship of its size. This includes a vertical launch system with two cell sizes that is capable of slinging air defense missiles. It also features anti-ship cruise missiles, gun systems, and a large flight deck. Clearly, Shahid Sayyad Shirazi‘s capabilities offered little help to its survival, as the video, shot by a U.S. surveillance aircraft, shows.

In fact, if you look closely at the image at the top of the story, it appears that either a missile is exiting one of the IRIS Shahid Sayyad Shirazi‘s vertical launch cells or it is stuck on its launch rail. We also see an image with smoke streaks surrounding the ship. It isn’t clear if this was it launching weapons at its attackers, or the attacker’s weapons finding their way to the Shahid Sayyad Shirazi.

It’s also worth noting that the IRIS Shahid Sayyad Shirazi‘s first-in-class progenitor is named after the IRGC commander that U.S. forces killed during the first Trump Administration in a strike near the Baghdad airport. This assassination in 2020 went on to largely set the tone between Tehran and Washington during the remainder of Trump’s first and now his second presidency.

We previously noted that at least one of the four Shahid Soleimani class corvettes escaped initial U.S. airstrikes on its home port of Bandar Abbas, Iran’s most important naval base that sits right in the Strait of Hormuz. The ship was at its berth just days before the war kicked off, but was nowhere to be found in subsequent satellite imagery. That vessel very well could have been the one sunk.

Ракетные катамараны Ирана типа Shahid Soleimani, обзор

This class of vessels is the most advanced of Iran’s catamaran warships, which are often configured in a puzzling manner. These ships are active components of the naval arm of the IRGC, nonetheless, and have played a part in close encounters with U.S. Navy warships in the region.

As an update to our prior reporting on the strikes on Bandar Abbas, new satellite imagery we have reviewed appears to show both frigates that were struck in the first attacks now having sunk. The single Kilo class submarine, Iran’s most advanced, which was docked at the base, also appears to have been sunk, and a large scorch mark sits next to where it was tied-up pier-side. U.S. Central Command confirmed it had targeted the “most operational Iranian submarine” in ongoing strikes last night.

In 2020, “We Bare Bears” creator Daniel Chong came to Pixar leaders with an idea.

He had seen documentaries in which robotic animals with eyeball cameras captured footage of natural habitats. But what if that technology was so good that no one could tell the difference? And to make it even more zany — what if someone went undercover in that animal body?

That idea became the basis of Walt Disney Co. and Pixar’s new animated movie, “Hoppers,” which debuts this week. The film is Pixar’s latest attempt to break through at the box office with an original story, something that has been a struggle for the storied animation studio since the pandemic.

The pressure of Pixar’s legacy can be a little overwhelming and coming up with an original idea is difficult, said Chong, who directed “Hoppers” and also serves as a writer on the film.

“For a Pixar movie, it’s very high stakes,” he said. “But I just felt like I had a really funny idea, and I thought as long as we made it really funny and had characters you loved, to me that’s the key to every Pixar movie — really awesome characters that really connect emotionally with people.”

Recent theatrical success for Pixar as well as other animation studios has come from sequels, such as 2024’s “Inside Out 2,” which grossed $1.7 billion globally. But the reputation of Emeryville-based Pixar is built on its string of blockbuster originals, including 1995’s “Toy Story,” 2001’s “Monsters, Inc.” and 2004’s “The Incredibles,” making new stories crucial to the studio’s future.

People like coming back to familiar characters like Woody and Buzz from “Toy Story,” but the studio can do only so many sequels, said Pete Docter, Pixar’s chief creative officer. And some films don’t lend themselves to new chapters, he said, noting the studio’s efforts to look at “Monsters, Inc.”

“We’ve been trying, struggling for a long time to get somewhere with that, and we’ll see in the future how things go, but it’s been an uphill battle,” he said. “For whatever reason, that movie seems to be self contained and doesn’t want to go forward without repeating some of the same themes, which I think would be disappointing.”

Opening weekend expectations for “Hoppers” are wide-ranging, from $25 million to $40 million, on a production budget of $150 million. So far, the reviews have been strong, with a 96% approval rating on aggregator Rotten Tomatoes.

“If we don’t continue to do originals, we’re going to run out of stuff,” Docter said. “If ‘Hoppers’ can really catch on, it could show that audiences still want original movies. They’re still excited to see things that surprise them, that are not just following through on characters and worlds that they’ve seen before.”

It’s been a tough time for original animated movies — and new films in general. As the theatrical market continues to find its footing after the pandemic, audiences still largely have gravitated toward familiar fare, including sequels and reboots, even as they profess to want new stories.

Pixar’s previous original film, 2025’s “Elio” cratered at the box office, partially beset by the tough climate for new animated stories as well as strong competition from other kids’ movies such as live-action adaptations of Universal Pictures’ “How to Train Your Dragon” and Disney’s “Lilo and Stitch.”

The pandemic played a major role in Pixar’s recent track record with originals. When COVID-19 hit, original films like 2020’s “Soul,” 2021’s “Luca” and 2022’s “Turning Red” all were sent straight to the Disney+ streaming service to give families something to watch during the stay-at-home orders. But that also got audiences accustomed to waiting to watch Pixar films at home, and as theaters started opening up again, families were some of the last groups to return because of concerns about health and safety.

“There had been a conditioning process,” said Heather Holian, a professor of art history at the University of North Carolina at Greensboro. “It was challenging to turn the ship around a little bit, or getting people to rethink how they engage with Pixar films and getting them back to theaters.”

To connect with audiences, Pixar films need to feel familiar in some way, but with a surprising twist — something that is incredibly difficult to do, Docter said. “Hoppers” also involved extensive, early stage collaboration with the studio’s story artists. Chong would give them a rough idea of his thoughts, which the artists would then use to develop dialogue and other details that expanded on his vision. That’s a bit of a departure from Pixar’s typical process, which involves writing pages and giving them to the artists, who then go to work..

Chong worked as a story artist at Pixar before he went on to create Cartoon Network’s “We Bare Bears” and then returned to the studio in 2019.

“Hoppers” could get strong tailwinds from the success of Sony Pictures Animation’s “Goat,” which was produced by Golden State Warriors star Stephen Curry and tells an original story set in an all-animal world about an undersized “roarball” player who pushes to make it in the big leagues.
That film has netted nearly $75 million in the U.S. and Canada, with a global total of more than $131 million..

The two movies are the beginning of a potentially big year for animated films. After “Hoppers,” Nintendo and Universal Pictures’ sequel “The Super Mario Galaxy Movie” is out in April, followed by Pixar’s “Toy Story 5” in June and Universal Pictures and Illumination Entertainment’s “Minions & Monsters” in July. In the fall, Warner Bros. Pictures Animation plans to release “The Cat in the Hat.”

High-performing years at the box office traditionally are anchored by strong family movies, said Shawn Robbins, director of movie analytics at Fandango and founder of the site Box Office Theory.

“A lot of us are so optimistic about what the box office can do overall this year because of the animated releases,” he said. “When there is appealing content out there, families are a big driver for this industry.”

The torta Chingona at Tacos Don Pillo is a beast of a sandwich, a tower of asada steak, jamon asado, tomato, onion, jalapeno, avocado and big slabs of salty, squeaky queso fresco. It’s enough to share, or satiate in a way that requires a nap shortly after. It is the star of the Tacos Don Pillo menu, an expansive list of tacos, quesadillas, burritos, salads, nachos and mulitas. Some days require the heft of the torta Chingona, others lean toward the tacos camarones. The trio of corn tortillas barely contain the plump, grilled shrimp, sweet and smoky grilled onions and slivers of avocado. Expect a perpetual line anywhere near an established meal time, but things move quickly.

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Gayle King, the most high-profile star at CBS News, has signed a new deal with the network.

A CBS News representative said Wednesday the division reached an agreement with King, 71, to continue as co-host of “CBS Mornings” co-host but did not reveal the length or the terms. Her current deal was set to end in May.

King’s future at the program came into question last fall after the arrival of CBS News Editor-in-chief Bari Weiss. There were leaks to the trades and tabloid press that parent company Paramount was looking to trim King’s salary or reduce her role at the network as a means to cut costs.

“Rumors of my demise were inaccurate and greatly exaggerated,” King said in a statement. “CBS News is my longtime home, and I am committed to our mission. I’m excited about continuing at CBS Mornings. As always, I’m open to new adventures here and ready to go. It took a minute, but we got there. And now that we are here, I am all in.”

King is the highest paid on-air talent at CBS News, earning an annual eight-figure salary.

Known for her effusive charm, King apparently won Weiss over.

“There is only one Gayle King,” Weiss said in a statement. “We’re so proud that she’ll continue to call CBS home. We’re thrilled to have her on in the morning—and equally excited to work with her on new, enterprising projects that bring her talents to new audiences.”

While King is locked in for at least another year, there is a search underway for at least one new co-host on the program.

King’s current co-host is Nate Burleson, who is also an analyst for CBS Sports. The network has not permanently replaced Tony Dokoupil, who left “CBS Mornings” in January to take over as anchor of the “CBS Evening News.”

King joined CBS News in 2012, when she joined “CBS This Morning.” As co-hosts alongside Charlie Rose and Norah O’Donnell, the program experienced five consecutive years of ratings growth.

“CBS This Morning” was adrift after Rose — a major audience draw — was ousted over sexual harassment allegations. In 2021, it was renamed “CBS Mornings,” with King taking a more prominent role.

“CBS Mornings” ranks third in ratings behind NBC’s “Today” and ABC’s “Good Morning America,” but remains a significant revenue generator for CBS News.

Les Snead, no stranger to blockbuster trades involving first-round picks, might be on the verge of doing it again.

On Wednesday, the Rams general manager appeared to be getting closer to addressing his team’s most pressing need by nearing a possible agreement with the Kansas City Chiefs to trade for cornerback Trent McDuffie, a person with knowledge of the situation said. The person requested anonymity because an agreement had not been finalized.

According to multiple reports, the Rams would send a first-round pick — the 29th overall — and fifth- and sixth-round picks in this year’s draft and 2027 seventh-round pick to the Chiefs in exchange for McDuffie.

McDuffie, 25, is a former Anaheim Servite and Bellflower St. John Bosco High star who was a first-round pick by the Chiefs in 2022. He was an All-Pro in 2023 and has three career interceptions. He is due to earn $13.6 million this season in the final year of his rookie contract.

On Tuesday, during a videoconference with reporters, Snead was asked about the secondary.

“At that point it’s figuring out, is there an All-Pro that you could add?” Snead said. “That could be nice, but if there’s not an All-Pro, is there a player out there that adds an edge based on what we’re trying to accomplish?”

The last time Snead traded a first-round pick for a cornerback was in 2019, when he sent two first-round picks and a fourth-round pick for Jalen Ramsey. Two years later — after trading Jared Goff and two-first round picks to the Detroit Lions for Matthew Stafford, the Rams won Super Bowl LVI at SoFi Stadium.

In 2018, Snead traded a fourth-round pick and a second-round pick in 2019 for Chiefs cornerback Marcus Peters, one of several major moves that helped the Rams advance to Super Bowl LIII.

Kansas City Chiefs cornerback Trent McDuffie plays against the Dallas Cowboys on Nov. 27.

(Matt Patterson / Associated Press)

The acquisition of McDuffie would strengthen a cornerback group that was often a liability last season. During four seasons with the Chiefs, McDuffie forced eight fumbles, three interceptions and broke up 34 passes.

Emmanuel Forbes Jr. is under contract, and the Rams must make a decision by May 1 whether to exercise a fifth-year option on the former 2023 first-round pick by the Washington Commanders.

Cornerbacks Cobie Durant and Roger McCreary and pending free agents, as are Ahkello Witherspoon and Derion Kendrick.

If terms are finalized, the trade would not become official until the start of the new league year on March 11. In addition, the Rams would have nine picks in this year’s draft, including the 13th overall selection they acquired in a 2025 draft-day trade with the Atlanta Falcons.

F1’s technical changes pose challenges for drivers and engineers alike while raising concerns about the quality of racing.

Formula One’s new era ⁠starts at this weekend’s season-opening ⁠Australian Grand Prix, where teams will leap into the unknown and grapple with sweeping technical changes under race conditions for the first time.

F1 has simultaneously overhauled chassis and power unit regulations for the first time ⁠in decades, posing a challenge for drivers and engineers while raising concerns about the quality of racing.

With near-parity between electrical and combustion engines and cars running on 100 percent advanced sustainable fuel, drivers gained some insight into the changes during winter testing. But all ⁠are in the dark about how the reset will play out when going wheel-to-wheel on race day.

“I’m certainly more comfortable now than I was a couple of months ago with how to drive these cars and how to try and get the most out of them,” McLaren’s Oscar Piastri told reporters on Wednesday.

“But I think there’s still the saying of ‘You don’t know what you don’t know.’”

Australian Piastri said McLaren ‌thought they had the cars worked out two months ago, only to find they had “a whole bunch of stuff” they did not understand during winter testing.

With more power generated by electricity than last year’s engines, there is more emphasis on drivers needing to be tactical with energy deployment and regeneration.

The old drag reduction system has been replaced by a new overtake mode, giving extra power for overtaking.

Four-time world champion Max Verstappen described the changes as “like Formula E on steroids” and “anti-racing”.

Formula One Chief Executive Stefano Domenicali defended them and assured fans there will still be plenty of thrills.

The changes may have different effects at ⁠different circuits, leaving all teams to learn on the fly, week by week.

Piastri said Sunday’s race ⁠at Albert Park, a suburb of Melbourne, would probably showcase the more “unnatural” parts of driving.

“You know, a lot more lift and coast, a lot more kind of just driving to maximise the power unit,” he said.

“You’ve got power units that are reducing in power down the straights at different points. And there’s a lot of unknowns, ⁠a lot of challenges in there.”

The new regulations raised hopes of a more open championship and the prospect of a disruptor team emerging to force change at the top. But preseason testing in ⁠Bahrain hinted at a familiar top four, with Ferrari, Mercedes, Red Bull and ⁠McLaren all performing well.

Audi team principal Jonathan Wheatley said the gap between the “best and the rest” might only widen.

“I think it’s going to be a very different year in terms of the competitiveness in the sport,” he told the Reuters news agency. “We’re already seeing the gap between the fastest teams and the slowest teams but larger than it’s been ‌in the last few years.”

Whatever the pecking order, F1 race tracks will be more crowded with the addition of the new Cadillac team although there may be more breathing room at Albert Park, given Aston Martin’s preseason troubles.

Despite the technical guidance of Adrian ‌Newey, ‌who joined from Red Bull, the Honda-powered team completed few laps during winter testing and have reliability problems.

The AMR26 cars will be in Australia – something of a relief for F1 management – but may only race for a few laps before retiring.

The Northumberland islands are a haven for wildlife with 43,000 pairs of puffins, Atlantic grey seals, dolphins and over 200,000 breeding seabirds

A stunning collection of UK islands are Sir David Attenborough’s ‘favourite’ destinations for observing wildlife in Britain, boasting around 23 bird species, seals and dolphins.

Located off the Northumberland coast are the Farne Islands, a leading wildlife sanctuary amidst some of the most spectacular landscapes. Their isolated position means they’re only reachable by a boat trip leaving from Seahouses harbour, which is roughly an hour’s drive from Newcastle, yet what lies in wait is certainly worth the journey.

The group of islands are a sanctuary for wildlife and is home to a substantial colony of Atlantic grey seals, along with adorable white seal pups. There will seldom be a moment when tourists won’t be able to see their bobbing heads appearing above the water, or photograph the marine mammals during a stroll around some of the larger islands with lighthouses and vantage points.

Dolphins have even been known to be seen amongst the lapping waves. Taking centre stage during the warmer months are the 43,000 pairs of breeding Puffins that inhabit the rugged cliffs.

The Farne Islands are one of the finest locations to observe the colourful birds that breed in large colonies atop coastal cliffs or at offshore islands across the North Atlantic. During the beginning of summer, around 200,000 breeding seabirds, including Arctic terns, guillemots, eider ducks, razorbills and cormorants, can be spotted amongst the UK islands, reports the Express.

It’s a haven for keen birdwatchers, nature enthusiasts, or anyone wanting to marvel at the wonders of this remarkable wildlife, which is difficult to encounter elsewhere. It’s received such acclaim that broadcaster, writer, and naturalist Sir David Attenborough himself named the Farne Islands as one of his ‘favourite places’ for wildlife in the UK, and he highlighted the islands during his BBC series, Wild Isles.

Experts at Arbtech also listed the Farne Islands amongst the finest UK destinations to observe wildlife this year, owing to its ‘internationally significant breeding colony of seabirds and Atlantic grey seals’. The group of islands provides a unique opportunity to witness the UK’s most flourishing wildlife population, which has declined by 19 per cent since 1970, as Arbtech highlighted.

It’s advised that the optimal time to visit the islands is between mid-April to late July, especially if you’re hoping to catch sight of the seabird colony. Boat excursions are available to book that set off from the harbour at Seahouses in north east Northumberland, to cruise around the Farne Islands in a truly spectacular experience.

Some of the boat trips on offer to book at Seahouses harbour include Serenity Farne Island Boat Tours, Billy Shiel Boat Trips, and the Golden Gate Farne Island Tours. They all depart daily during weekends and throughout the summer months, but it’s advisable to check availability directly with the operator.

The other top locations in the UK to observe wildlife, as identified by Arbtech, include:.

A spokesperson for Arbtech said: “We want to put the spotlight on these incredible wildlife spots to showcase just how important conservation projects are, and how nature can thrive in this country when it’s protected.

“Our survey shows that the majority of Brits do care about the decline of wildlife, but many may not know what they can do to help. Supporting local conservation efforts or even making small changes at home can make a real difference.

“Seeing wildlife in its natural habitat is a powerful reminder of what we have to lose if we don’t act now, and could inspire people to take steps to protect species for future generations.”

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Have you got a travel story to share? Email webtravel@reachplc.com.

AUSTIN, Texas — James Talarico did not mention President Trump when he greeted exuberant supporters at his primary night celebration.

But the newly minted Democratic U.S. Senate nominee in Texas is now a front man for the political opposition to the Republican president, not just in his own state but around the country. With his victory over U.S. Rep. Jasmine Crockett, the state lawmaker from Austin will test whether a smiling message of unity and change is enough to answer voters’ frustrations amid discord at home and now a war abroad.

“We are not just trying to win an election,” Talarico told supporters in the Texas capital early Wednesday. “We are trying to fundamentally change our politics, and it’s working.”

The campaign provided “Love thy Neighbor” signs to people in the crowd.

The question for Talarico as he heads into the general election campaign is whether he can generate enthusiasm from voters who opted for Crockett because they saw her as the more aggressive fighter against Trump. Crockett conceded to Talarico on Wednesday morning, saying that “Texas is primed to turn blue and we must remain united because this is bigger than any one person.”

Talarico will need all the help he can get in a Republican-dominated state where Democrats have gone decades without winning a statewide race. He will face either U.S. Sen. John Cornyn or state Atty. Gen. Ken Paxton, who advanced to a Republican runoff on Tuesday.

Conventional political wisdom has it that Talarico was the stronger Democratic candidate in November, especially if Republicans nominate Paxton, a conservative firebrand who has weathered allegations of corruption and infidelity over the years.

Although Democrats are often choosing between moderate and progressive candidates in primaries, they faced a largely stylistic choice in Texas.

Talarico, 36, is a Presbyterian seminarian who quotes Scripture and rarely raises his voice. Crockett, 44, is an unapologetic political brawler who hammers Trump and other Republicans with acidic flourish.

Both have been reliably progressive votes in their current roles and telegenic faces across cable news and social media. Both represent generational change for a party with aging leadership. Each called for a more equitable economy and society. Each talked about bringing sporadic voters into their coalitions.

But Talarico’s broader argument is one that he could have made regardless of whether Trump was in the White House. Talarico’s campaign, he said often, is about addressing a country whose fundamental divide is not partisan but “top vs. bottom.” He regularly assails the rise in Christian nationalism. A former teacher, he has advocated for public education — and against Texas conservatives’ policies to restrict curriculum and reshape how U.S. history is taught.

“He’s just a good friend and he’s a serious advocate for the disenfranchised and a serious policymaker,” said Lea Downey Gallatin, 40, an Austin resident who became friends with Talarico when they interned together for a congressman.

Crockett promised Democrats that she could increase turnout within the party’s base, while Talarico campaigned on the theory that he could pull new people into the party’s tent.

“I can’t tell you how many have come up to me, whispering that they’re not a Democrat,” Talarico said as he campaigned in San Antonio in the closing days of the primary campaign. “I can’t tell you how many young people have said it’s the first time that they’ve ever voted, and that they are participating for the first time.”

As he strolled through the city, Talarico posed for pictures and greeted the singer of a Tejano band playing nearby. He later spoke to hundreds of people at the historic Stable Hall, a 130-year-old circular structure built for showing horses and now a converted event center. Hundreds more, unable to get into the full event, wound around the corner and along the sidewalk for blocks.

Inside, Lori Alvarez, a 39-year-old who works for a disaster relief nonprofit, said she supported Talarico because “he really listens to what we need.”

“I think he’s going to be able to make change in Washington for us,” said the married mother of three young girls.

Yet that was not what attracted so many voters to Crockett.

Troy Burroughs, a 61-year-old Navy retiree, called Crockett “rugged” and “the only one I see fighting for us.”

He added: “I like how she doesn’t back down from anybody.”

Burroughs said some voters probably saw Talarico as more electable because he is more soft-spoken. But, he said, “We’ve got to get into the gutter with these folks, because that’s where they are.”

Talarico, meanwhile, keeps fighting his own way.

“Tonight, the people of our state gave this country a little bit of hope,” he said Tuesday, “and a little bit of hope is a dangerous thing.”

Barrow, Figueroa and Beaumont write for the Associated Press. Barrow reported from Atlanta, Figueroa from Austin, Texas, and Beaumont from San Antonio.

Hi, and welcome to another edition of Dodgers Dugout. My name is Houston Mitchell reminding you we are only 22 days away from the season opener.

Clayton Kershaw appeared on “The Pat McAfee Show” on Monday and had this to say about Shohei Ohtani:

“With Shohei, he’s got to pitch and he’s got to hit, and he’s a monster in the weight room, and he’s so fast, all these things,” Kershaw said. “So it’s amazing what Shohei does. And as far as secrets, I don’t know how he does it. I have no idea. I’ve watched him for a few years, still have no idea how he does it.

“I think with the media circus that follows him everywhere and all the Japanese reporters that are in L.A., as a team, we don’t see that. He does such a good job of handling all that and still being a good teammate and still playing really well. So, like I said, it all bakes into the formula … I don’t know how he does everything that he does, because he literally does have a country watching him every second of the day.

“We played opening day in Tokyo last year and that was wild. I think it was probably like what the Beatles were. It’s kind of like that’s what I would experience, just being around Shohei and being on the Dodgers. That was once in a lifetime to see him in Tokyo last year.”

“And he’s funny. He speaks a lot of English, which I don’t know if he lets on to the media too much. But Shohei’s great, and he’s been a great addition to the clubhouse.”

Do Spring Training games matter?

The Dodgers are 8-3 in exhibition games. But does it mean anything? Let’s take a look at the team with the best spring training record since 2016 and also how the Dodgers did each year:

2016
Best spring record: Washington, 19-4, .826
Season record: 95-67, .586

Dodgers: 13-17, .433
Season record: 91-71, .562

World Series winners: Chicago Cubs
Their spring record: 11-19

2017
Best spring record: NY Yankees, 24-9, .727
Season record: 91-71, .562

Dodgers: 18-17, .514
Season record: 104-58, .642

World Series winners: Houston Astros*
Their spring record: 15-15

*-Astros cheated to win the 2017 World Series.

2018
Best spring record: Boston, 22-9, .710
Season record: 108-54, .667

Dodgers: 17-15, .531
Season record: 92-71, .564

World Series winners: Boston Red Sox

2019
Best spring record: Oakland, 14-8, .636
Season record: 97-65, .599

Dodgers: 14-15, .483
Season record: 106-56, .654

World Series winners: Washington Nationals
Their spring record: 17-12

2020
Best spring record: Philadelphia, 15-6, .714
Season record: 28-32, .467

Dodgers: 13-7, .650
Season record: 43-17, .717

World Series winners: Dodgers

2021
Best record: Miami, 14-5, .737
Season record: 67-95, .414

Dodgers: 13-11, .542
Season record: 106-56, .654

World Series winners: Atlanta Braves
Their spring record: 15-13

2022
Best spring record: Angels, 11-6, .647
Season record: 73-89, .451

Dodgers: 5-9, .357
Season record: 111-51, .685

World Series winners: Houston Astros
Their spring record: 8-5

2023
Best spring record: St. Louis, 17-7, .708
Season record: 71-91, .438

Dodgers: 14-13, .519
Season record: 100-62, .617

World Series winners: Texas Rangers
Their spring record: 13-15

2024
Best spring record: Baltimore, 23-6, .793
Season record: 91-71, .562

Dodgers: 14-7, .667
Season record: 98-64, .605

World Series winners: Dodgers

2025
Best spring record: San Francisco, 21-6, .778
Season record: 81-81, .500

Dodgers: 14-9, .609
Season record: 93-69, .574

World Series winners: Dodgers

As you can see, only once has the team with the best spring record gone on to win the World Series. Four times, the team with the best spring record had a losing record in the regular season. The last time the Dodgers had a losing spring record, they went on to win 111 games. So, just enjoy the exhibition games for what they are, meaningless fun.

Or, as Andrew Friedman told my colleague Bill Shaikin about spring training games, “It’s always fun to win. That is always way more fun than losing. But so much of spring training is, just don’t get a call from our trainer. Keep guys healthy.”

Blake Snell unlikely to be on opening day roster

Dave Roberts said that Blake Snell won’t appear in a spring training game this season, which would seem to indicate he won’t be on the opening day roster.

“He’s not on a mound right now. He’s not in games,” Roberts told reporters. “The odds of him starting the season are probably zero…. I think he’s working through it in the sense of, last year he was on a new team. He pushed through things to start the season healthy, which is understandable. And you learn from it, he was never right all year. I think that this year, he’s going to make sure that he is ready to go.”

Gavin Stone sidelined

Gavin Stone, who sat out last season after shoulder surgery, has had a setback.

“Stone threw the inning and then he had a bullpen the next day, and then his shoulder flared up and was sore,” Roberts told reporters Monday. “And so right now, we put him on ice, and trying to let the soreness dissipate. So, given everything that he’s gone through with the shoulder, we wanted to make sure that we kind of pushed pause, so I don’t know when he’s going to start throwing again, but I think it is a setback unfortunately.”

Stone had an MRI on Tuesday that showed no structural damage, just inflammation, which is the best possible news. He will stop all throwing activities for two weeks and be re-evaluated.

WBC schedule

The World Baseball Classic starts today, and five Dodgers are participating: Will Smith for the U.S., Shohei Ohtani and Yoshinobu Yamamoto for Japan, Edwin Díaz for Puerto Rico and Hyeseong Kim for Korea. Former Dodger (how weird does that sound) Clayton Kershaw is also on the U.S. team. Three Dodger minor leaguers are participating: pitcher Antonio Knowles for Great Britain, infielder Jake Gelof for Israel, and pitcher Shawndrick Oduber for Netherlands.

Here is the schedule for the U.S. games. You can find the entire schedule by clicking here.

Friday
5 p.m.: USA vs. Brazil, Fox

Saturday
5 p.m.: Great Britain vs. USA, Fox

Monday
5 p.m.: Mexico vs. USA, Fox

Tuesday
6 p.m.: Italy vs. USA, FS1

Quarterfinals are March 13-14
Semifinals are March 15-16
Title game is March 17 at 5 p.m. on Fox

In case you missed it

Dodgers’ Roki Sasaki struggles early in second Cactus League start, then settles down

Shaikin: Will Klein isn’t surprised he saved the Dodgers’ World Series dynasty

Shaikin: Clayton Kershaw’s ‘perfect’ ending has one final chapter in WBC

‘That’s what I expect.’ Dodgers’ Mookie Betts seeks to regain his All-Star form

For pitching prospect Jackson Ferris, Dodgers organization is ‘a breath of fresh air’

Shaikin: In L.A. and in Cooperstown, Freddie Freeman will forever be a Dodger, not a Brave

Edwin Díaz is unquestionably the Dodgers’ closer. How the rest of the bullpen shapes up

‘Maybe you’re in the wrong business.’ Blake Treinen fires back at Dodgers’ spending critics

Shaikin: Dodgers hype time: How many games will they win in 2026?

‘Just go out and pitch.’ Dodgers’ Tyler Glasnow is efficient in his first spring start

‘Things I need to work on.’ Dodgers’ Roki Sasaki struggles in first Cactus League start

After ‘a normal offseason,’ Freddie Freeman drives in two in Cactus League debut

SoCal product Pete Crow-Armstrong disses Dodgers fans with a curious comment

‘Pretty healthy’ Kyle Tucker content to fit in among Dodgers’ galaxy of stars

And finally

Maury Wills hits a walk-off single to win the 1966 All-Star game for the NL. Watch and listen here.

Until next time….

Have a comment or something you’d like to see in a future Dodgers newsletter? Email me at houston.mitchell@latimes.com. To get this newsletter in your inbox, click here.

Finn Allen hits fastest century at a T20 World Cup as New Zealand crush South Africa by nine wickets to reach final.

New ⁠Zealand stormed into the Twenty20 World Cup final ⁠with a nine-wicket demolition of South Africa in ⁠the first semifinal at the Eden Gardens.

Put into bat, South Africa recovered ‌from a precarious 77-5 to post a competitive 169-8 after Marco Jansen led their recovery with a belligerent 55 not ⁠out.

Finn Allen smashed an ⁠unbeaten 100 off 33 balls, however, and shared a 117-run ⁠opening stand with Tim Seifert (58) as ⁠New Zealand romped ⁠to their target in only 12.5 overs.

Allen’s achievement was the fastest century scored at a T20 World Cup.

“We wanted to start well and put them on the back foot early,” Allen said. “It is easy for me when Tim [Seifert] is going like that. The way he batted got us off to an absolute flyer.

“It is easy in semifinals to stay up for the fight and with Tim [Seifert] we keep each other in it, and we enjoy it out there together.”

Earlier Jansen’s fifty came in response to Kiwis spinners Rachin Ravindra and Cole McConchie took two wickets each before Tristan Stubbs and Jansen put on 73 to rescue the innings at Kolkata’s Eden Gardens.

Stubbs (29) and Jansen, who hit two fours and five sixes in his 30-ball knock, helped set New Zealand a target of 170 to reach the final.

India successfully chased 196 against the West Indies on Sunday on the same ground.

South Africa were the only unbeaten team in the tournament, while New Zealand had edged into the semifinals on net run-rate.

McConchie struck first in the second over with his off-spin to send back Quinton De Kock for 10 and Ryan Rickelton next ball, but Dewald Brevis avoided the hat-trick.

Aiden Markram was reprieved on three when Ravindra dropped him at midwicket off pace bowler Lockie Ferguson.

Left-arm spinner Ravindra made amends when he had the South Africa captain caught in the deep by Daryl Mitchell for 18.

David Miller was dropped on three by Glenn Phillips but fell for six to Ravindra five balls later, with Mitchell again taking the catch at long-on.

South Africa had lost half their side in 10.2 overs when Jimmy Neesham cut short Brevis’s knock on 34.

Ferguson bowled Stubbs but Jansen hit him for six to reach his fifty.

Pace bowler Matt Henry, who arrived back only on Tuesday night after going home for the birth of his child, took 2-34.

The bowling figures for South Africa will be ones to quickly forget, as the figures to focus on – and the moment to remember – belonged to Allen.

“You take the positives from this game, celebrate little moments of success,” Allen added “Then we have a final to play on Sunday and we look forward to that.”

Defending champions India take on ‌twice champions England in the second semi-final in Mumbai ‌on ‌Thursday, ahead of Sunday’s final.