In an unusual move, Anthony McPartlin and Declan Donnelly have spoken out about an I’m A Celeb camp-mate after criticism of David Haye amid his Adam Thomas ‘bulling’ row

Ant and Dec have piled into David Haye saying the incident that sparked bullying complaints was “not nice” to watch. The boxer was already at the centre of controversy thanks to sexist comments he made about his girlfriend and other women before he scolded Adam Thomas after he said he wasn’t feeling well enough to take part in Termite Terror.

It was the latest comments to shock the South Africa camp, with Gemma Collins since saying she had to “protect” the actor. Now the hosts have spoken, and in a rare move criticised the behaviour of a I’m A Celebrity contestant. The Geordie duo says David doesn’t know when to stop after his remarks last week continue to spark outrage as the show’s fans turn on the sports star.

Ant was talking on ITV1 show’s podcast I’m A Celebrity . . . Unpacked and seemed unimpressed with his choice of words. He said. “It’s not a nice watch. He just kind of picks and picks at them. Adam has had a bit of a tough time and he’s not coping well. Clearly the banter has got too much. But David won’t stop.”

Agreeing with his co-star, Dec said. “It’s kind of crossed the line from banter. I don’t find it comfortable to watch.” Adam suffers with autoimmune illness psoriatic arthritis and requested to sit out the Bushtucker Trial on Friday because he felt unwell and dehydrated.

David said he was being “useless” and stated that he “doesn’t like men like that”. Gemma Collins was one of the stars to appear uneasy at David’s comments and she spilled on I’m A Celebrity: Unpacked. Gemma said: “I think David Haye might have seen a weakness in Adam, there were times where I had to protect Adam in there.

“If I was going full GC mode on David Haye, and a lot of them, then it would’ve been a disaster in there but I had to remain calm and composed and just remember that I’m not here to be performative. I am here as me. I think the fact that I stretched my arms out, I’m sort of saying to ’em all, without biting their heads off, ‘enough’”.

She went on: “I knew if it was ever gonna get too bad I would be taking David on. You know, bring on the next heavyweight champion fighting the world….. because if I feel that something’s too much, I’m not afraid to step up.”

Explaining how his health issues impacts his life, Adam said previously: “It is an autoimmune disease. Basically means my immune system is attacking my own body. It causes a s**t-load of pain.”

Today, he spoke out and alongside an image from the show, which was filmed towards the end of last year, Adam wrote on Instagram: “Not going to lie,this picture breaks my heart, as I know on the inside what I was dealing with and truth be told I thought it was all my fault. I now know that’s not the reality… My time in I’m a Celebrity South Africa was one of the toughest things I’ve ever been through, physically, mentally, and emotionally.

“Watching it back hasn’t been easy at all. There were moments I felt pushed to my absolute limit, and if I’m honest, times I didn’t even recognise myself. Living with arthritis is something I don’t really talk about, as much as I should do…but in there it really took its toll. My biggest fight was pretending to put on a brave face and trying to hide the pain! that can be exhausting within itself.

“There were days my body just didn’t want to keep going, but I did. “I won’t sit here and say I handled everything perfectly, because I didn’t. I wish I spoke up for myself sooner. I wish I stood my ground instead of trying to keep the peace, but I’ve learned that being kind doesn’t mean being weak, and sometimes it takes going through tough moments to find your voice.

* I’m A Celebrity…South Africa airs weekdays at 9pm on ITV and ITVX.

DENVER — Different opponent. Same result.

In each of the last four seasons, the Kings have opened the Stanley Cup playoffs against the Edmonton Oilers. They lost each time.

So on Sunday the Kings tried a different route, opening against the Colorado Avalanche.

They lost, 2-1.

The goals came from Artturi Lehkonen late in the second period and Logan O’Connor early in the third. The Kings made a game of it late, pulling goaltender Anton Fosberg with 2:57 to play and getting a power-play goal from Artemi Panarin 35 seconds later. But that was as close as they would get.

Maybe the Kings should have been careful what they wished for. Because while the Avalanche aren’t the Oilers, they’re better — much better — than any of the recent Edmonton teams.

This season they won the Presidents’ Trophy, the prize that goes to the team with the best regular-season record in the league, and they earned it by scoring the most goals and giving up the fewest in the NHL. They also had the best home record in the Western Conference and the best road record in the league.

And they started quickly Sunday, putting four shots on goal in the first four minutes. But Forsberg was spectacular, making 28 saves to keep the Kings in the game.

Colorado thought it had beaten him less than seven minutes into the second period when O’Connor found the back of the net from the right circle but the goal was waved off by a goalie interference call on Jack Drury, who tumbled into the crease as O’Connor was releasing his shot. The Avalanche questioned the call, claiming Kings defender Drew Doughty had pushed Drury from behind, but they lost the challenge.

There was no doubt about Colorado’s next goal, which came 4:31 before the second intermission when Lehkonen, defended tightly by Doughty, was able to reach out his stick and sweep in the rebound of Nathan MacKinnon‘s shot from the right boards.

The Avalanche doubled their advantage 5:50 into the third period when Joel Edmundson lost the puck in the Kings’ zone, allowing O’Connor to collect it and race defenseman Cody Ceci to the front of the net before beating Forsberg cleanly. Drury got an assist on the play.

The game, which had been physical all afternoon, turned chippy after that, giving the Kings a power play they took advantage to halve Colorado’s lead. But the Avalanche then closed out the game to a 1-0 lead in the series.

The best-of-seven playoff resumes Tuesday night in Denver before moving to the Crypto.com Arena on Thursday.

US Central Command has published a video said to show a guided-missile destroyer firing at an Iranian-flagged cargo ship near the Strait of Hormuz. The USS Spruance fired several rounds into the Touska’s engine room for ‘violating the US blockade’, before marines boarded it.

We have just gotten our first full overhead image ever of the B-21 Raider. The photo was taken during the Raider’s initial aerial refueling trials, which TWZ was first to report on. While a head-on slightly elevated image of the B-21 has been released, one showing the entire aircraft from a steep upper perspective has not. The same can be said for any image showing the next generation bomber’s exhaust, which is one of the most sensitive parts of a very low observable aircraft’s design.

The images of the first B-21 airframe, nicknamed Cerberus, undergoing testing in the pre-contact position behind the tanker were included with a release from its manufacturer, Northrop Grumman. It states, in part:

“As the most fuel-efficient bomber ever built, the B-21 consumes a fraction of the fuel used by fourth- and fifth-generation aircraft. This reduces demand for theatre tanker logistics and provides operational commanders with greater flexibility in force packaging. 

With more than $5 billion invested in digital technologies and manufacturing infrastructure for the B-21 program, Northrop Grumman is accelerating its production, with the first aircraft planned to arrive at Ellsworth Air Force Base in 2027.“  

The B-21’s extreme endurance is a key component of the Long-Range Strike Bomber (LRS-B) concept. The aircraft is smaller than a B-2, but will be able to fly farther, relying on a planform design that predated the B-2 Spirit and is optimized for high-altitude, highly-efficient flight. The B-21 likely relies on two engines, based on images showing the aircraft’s contrails and general design cues, not four, as found in its predecessor. The aircraft will also have a smaller weapons payload than the B-2, but will carry an extreme amount of fuel to help it reach farther from a tanker. You can learn more about the evolution of the B-21 and its B-2 roots in this past feature of ours.

The tanker that is seen in the images is Edwards AFB’s ‘Ghost’ tanker, tail number 61-0320. TWZ just spent time with this special aircraft and its crews at Edwards AFB. You can learn all about their unique mission in the feature video below that we posted to YouTube as part of our Special Access video series:

Inside The Air Force’s Elite Ghost Tanker Unit

In this new overhead image, we get a good look at the Raider’s open refueling receptacle and the paint markings around it, which mirror those found on the USAF’s 5th generation stealth fighters, the F-22 and F-35. We also get a great look at the B-21’s deeply-blended air inlets, also one of the most sensitive parts of its stealth design. Above all else, we are shown Raider’s exhausts, which appear very impressive, if not a bit confounding.

We must state that the image very well could have been altered so as to not give certain features of the B-21’s exotic exhausts away. Once again, this is a very sensitive area of the bomber. Regardless, what we see is the deeply-sunk chevron-shaped (inverse direction compared to B-2) low-observable exhausts placed very far forward of the aircraft’s trailing edge to help mask its infrared signature. But what’s missing is any kind of special material that would attenuate the heat generated from the hot gasses and protect the airframe from it.

There also isn’t any planar area for active cooling, as is found on the B-2, or a trough-like section that connects the buried engine’s exhaust ducts with the upper area of the aircraft’s empennage. Exactly how all this is accomplished is unclear, but again, the image could be touched up to conceal parts of this area.

Another feature that we have pointed out since the B-21 was revealed that is really clear in this image is just how small the cockpit windows are. As we originally speculated, their unique design was likely driven by aerial refueling requirements balanced against minimizing the frontal radar cross-section of the aircraft. The B-21’s higher operating altitude should make the cockpit area less of an issue for most aerial and ground based radars, but still, it appears that minimal cockpit glazing was used to keep the Raider hard to detect as possible.

We also got a side view of the aerial refueling formation trial showing the B-21’s trailing its instrumented drogue as it cozies up behind 61-0320. This angle gives an idea of just how short the length of the B-21 is. Likely about the length of an F-15 front to back. Our estimation of its wingspan remains around 145 to 155 feet.

Overall, from what we understand about the still very secretive program is that it’s on schedule and on budget — a remarkable achievement considering the history of its progenitor. You can read all about how the B-2’s unfortunate fiscal ‘death spiral’ likely heavily influenced the B-21’s design in our previous feature linked here.

Regardless, it’s great to see new perspectives of what is the most cutting-edge manned aircraft known to the public and it is a good sign that we will be seeing a lot more imagery of the B-21 as the test program accelerates towards initial operational capability.

UPDATE:

Here is an annotated view of the B-21’s upper fuselage showing some of its main features, minus the conformal antennas and other bits:

Contact the author: Tyler@twz.com

AMANDA Bynes was spotted dashing around the streets of Los Angeles on Friday, looking in incredible shape while debuting a new hair colour.

The appearance comes just five days after the singer, 40, surprised her fans by spontaneously dropping a new single called Girlfriend.

Sporting a casual outfit, Amanda opted for a grey zip up hoodie and navy shorts to complete her errands in the city.

To keep her energised and hydrated, Amanda had an iced coffee in her hand as well as an unopened straw.

She finished the outfit off with a pair of comfortable Uggs, a black designer bag and jet black hair.

It’s a major change from the star’s signature platinum blonde tresses, giving her an edgier look.

AMANDA’S NEW LOOK

Amanda Bynes looks unrecognizable as she shows off weight loss

‘THIS IS SO SAD’

Amanda Bynes sparks concern with swollen lips and chopped bangs in video

In December Amanda revealed that she had lost over 28lbs with the assistance of Ozympic.

Posting on social media to celebrate the achievement, Amanda penned to her followers that she was “down 152lbs” to date.

Amanda first announced that she was going to begin her Ozympic journey last June when the craze of weight loss injections swept the entertainment industry by storm.

At the time she described feeling “so excited” to shed some pounds and that she’ll “look better in paparazzi pictures”.

Amanda had previously opened up about battling depression and cited it as one of the reasons behind her weight gain.

It led to her becoming increasingly insecure, hoping to someday return to her teenage weight of 110lbs.

As she grew up, Amanda underwent some different procedures to alter her appearance.

Last August Amanda confirmed that she had gotten excess skin surgically removed from her eyelids.

She described the procedure, known as a blepharoplasty as “one of the best things [she] could have ever done for [her] self-confidence.”

Amanda has also had various tattoos done over the years, including a Roman numeral on her finger and a heart on her face.

Amanda is a former child actress who was known for playing various roles on Nickelodeon.

Some of the popular TV shows that she featured in include All That and The Amanda Show.

She won several Kids’ Choice Awards for both programmes, and later went on to star in sit coms and teen comedy films including What I Like About You, Hairspray, and Living Proof.

After the end of her conservatorship, Amanda pivoted to try out other creative pursuits including releasing music.

She released her first singles, Diamonds and Fairfax, back in 2022.

Arsenal and Chelsea interested in Tottenham‘s Lucas Bergvall, Paris St-Germain in talks with Gabriel Martinelli, and Manchester United and Real Madrid consider appointing Unai Emery.

Tottenham‘s Sweden midfielder Lucas Bergvall, 20, is being monitored by several clubs, with Arsenal and Chelsea interested. (Caught Offside), external

Paris St-Germain sporting advisor Luis Campos has held talks with the representatives of Arsenal‘s Brazil forward Gabriel Martinelli, 24, and RB Leipzig’s 19-year-old Ivory Coast winger Yan Diomande. (L’Equipe – in French, subscription), external

Bournemouth are prepared to sell 19-year-old French forward Eli Junior Kroupi, who is wanted by Manchester United. He is valued at more than £50m. (Football Insider), external

Aston Villa manager Unai Emery is on the radar of Manchester United and Real Madrid, although Villa remain confident of keeping him. (Teamtalk), external

Wolves‘ Czech Republic defender Ladislav Krejci, who turns 27 on Monday, is wanted by Leeds. (Express & Star – subscription), external

Southampton are confident they can keep 27-year-old Brazilian winger Leo Scienza despite interest from Leeds. (Football Insider), external

The agent of Barcelona’s Poland striker Robert Lewandowski, 37, is expected to meet with Juventus this week, while AC Milan are also interested. (La Gazzetta dello Sport – in Italian), external

Denmark defender Andreas Christensen, 30, has rejected the offer of a new contract at Barcelona but hopes to stay. (Mundo Deportivo – in Spanish), external

April 19 (UPI) — U.S. Customs and Border Protection is expected to launch a website on Monday to process refund requests for some Trump administration tariffs, although there are limits to which ones will be processed.

The first phase of tariff refunds comes after the Supreme Court ruled in February that President Donald Trump could not use the International Emergency Economic Powers Act (IEEPA) to generate revenue by imposing tariffs.

Although Trump decided to use Section 122 of the Trade Act of 1974 to justify new tariffs after the Court’s decision, the administration still is required to refund duties collected under the now-nullified tariffs.

CBP has estimated that it owes about $166 billion in refunds, with the agency’s announcement of phase 1 expected to take care of the vast majority of expected claims, NPR reported.

The website is specifically aimed at letting businesses request refunds, and experts have said that consumers are unlikely to be affected by the refunds, CBS News reported.

“[The Consolidated Administration and Processing of Entries] is being deployed in phases, and CBP will launch the first phase of CAPE on April 20,” the agency said in an update last week.

“Phase 1 is limited to certain unliquidated entries and certain entries within 80 days of liquidation,” the agency said.

The refunds are linked to lawsuits filed in December by Costco and other companies — more than 50 companies brought filed suit for refunds — asking for duties to be returned to them if the Supreme Court ruled against the administration.

In March, CBP raised concern in court that it could not immediately handle refunding the duties based on 53 million entries from 330,000 importers who had paid tariffs as of March 4.

TWZ got a personal tour of a U.S. Army UH-60M Black Hawk utility helicopter by its pilot during the Dubai Air Show in November 2025. Sikorsky has built more than 5,000 examples of the Hawk family of helicopters for 36 nations worldwide. Together they’ve racked up more than 15 million flight hours, including five million in combat.

The UH-60M Black Hawk has a maximum gross weight of 22,000 pounds (9,979 kg) and can transport 12 fully-equipped troops (seated). The variant has also been missionized for various roles, including for U.S. special forces as the MH-60M.

Whether used by the National Guard to respond to disasters, delivering humanitarian aid across Europe, supporting relief operations in the Philippines, battling wildfires in the Firehawk version, or hoisting stranded hikers, the Black Hawk is a truly versatile multi-mission helicopter.

Sikorsky’s Black Hawk modernization efforts will enable more power, greater payload and extended range while reducing fuel consumption. 

Furthermore, with a digital Modular Open-System Approach and autonomy for unmanned operations in its new U-Hawk variant, the Black Hawk will be able to support fast capability integration and enhanced survivability through uncrewed battlefield operations.

Check out the full walk-around video below:

U.S. Army UH-60M Black Hawk Tour And Mission Brief With Its Pilots

Contact the editor: Tyler@twz.com

JENNIFER Aniston has shown support for her ex Justin Theroux after he welcomed a baby with his younger wife.

The actor, 54, and his other half Nicole Brydon Bloom, 32, became parents for the first time on Saturday with the arrival of their baby boy.

The couple took to Instagram to share a black and white photo of the tot lying on his dad’s chest.

They captioned it: “He’s here. We are so in love.”

As hundreds of their fans flocked to like and comment on the post, one of the well-wishers was his ex-Jennifer, 57, who showed her subtle support by pressing like on it.

The Hollywood star didn’t comment but her like shows she’s happy for her ex as he celebrates this milestone moment in his life.

READ MORE ON JENNIFER ANISTON

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JEN’S JIM BUDDY

Jennifer Aniston’s relationship heats up as she reveals unseen pictures

It was confirmed back in December that Justin and Nicole were expecting their first child.

The pair got married in a secret ceremony on a beach in Tulum, Mexico in March last year.

Pictures published by TMZ, showed Justin in a cream jacket and black bow tie kissing Nicole, who looked great in a backless white wedding dress.

The bride went barefoot on the sand and at one point was twirled around by smitten Justin.

The couple began dating in early 2023 but didn’t go official until December of that year.

They got engaged in Summer 2024 in Italy, while Justin was on the promo trail for Beetlejuice Beetlejuice at the Venice Film Festival.

The pair posed for pictures at the glitzy event and a huge diamond ring could be seen glistening on Nicole’s finger.

The actress is the daughter of late journalist David Bloom who died from a blood clot in 2003 while covering the Iraq war.

Justin and Jennifer first met in 2007, before beginning their relationship in 2011.

They married in 2015, announcing their split two years later and their subsequent divorce.

“This decision was mutual and lovingly made at the end of last year,” the two shared in a statement.

“We are two best friends who have decided to part ways as a couple, but look forward to continuing our cherished friendship.”

Justin eventually opened up to the New York Times about the divorce, saying, “The good news is that was probably the most — I’m choosing my words really carefully — it was kind of the most gentle separation, in that there was no animosity.

“Again, neither one of us is dead, neither one of us is looking to throw hatchets at each other…. It’s more like, it’s amicable.

“It’s boring, but, you know, we respected each other enough that it was as painless as it could be.”

He added: “It was heartbreaking, only in the sense that the friendship would not be the same, as far as just the day to day.

“But the friendship is shifting and changing, you know, so that part is something that we’re both very proud of.”

April 19 (UPI) — Eight children were killed, and two more injured, in a mass shooting in Louisiana on Sunday morning that police said started as a domestic dispute.

The two survivors are both adult women, with one thought to have been in a relationship with the shooter, who was killed by police after stealing a car and leading them on a short chase, KSLA and NBC News reported.

Officials said they are still investigating the crime scenes to figure out what actually happened, as one of the two women has life-threatening injuries resulting from what is believed to have been a shot in the head.

Some of the children that were killed, who ranged in age from 1 year to 14 years, were related to the alleged shooter, police said.

“This is an extensive scene unlike anything most of us have ever seen,” Shreveport, La., Police Chief Wayne Smith told reporters.

Police responded to reports of a domestic disturbance on the 300 block of West 79th Street in Shreveport around 6 a.m. EDT to find the widespread crime scene.

The initial shooting, police said, occurred at two houses before the suspect attempted a carjacking around the block and then, after a chase, attempted to escape on foot but was shot and killed by police.

A fourth location, a house where one of the shooting victims ran to, is also part of the investigation.

“This is a tragic situation, maybe the worst tragic situation we’ve ever had in Shreveport,” the city’s mayor, Tom Arceneaux, told reporters.

A motive for the shooting remains undetermined, police said.

One family on Rich House, Poor House decided to ‘break a rule’ halfway through the swap

*Warning: Contains spoilers for the latest episode of Rich House, Poor House*

A Rich House Poor House couple have broken one major show rule.

The hit Channel 5 series sees two families from opposite ends of the wealth divide swap homes, budgets, and lives for a week.

They both experience a dramatic shift in perspective as they step into each other’s worlds but one family appeared to break a rule as they left the property halfway through the swap.

During Sunday’s (April 19) episode, millionaire hotel owners Gez and Rosy Chetal swapped their luxury life with the Bloor family.

In Norfolk, John and wife Ann, live with their three children in a three-bedroom rented terrace house. After basic household bills they have just £79 a week to spend on everything else from food and travel to fun.

Mum Ann works as a cook in a mental health care home, meanwhile husband John works long hours as a bus driver, but they both have a passion for cooking.

Despite both grafting hard, the couple struggle to make ends meet and have previously gone bankrupt for £36k, but they dream of running a music café of their own one day.

Experiencing how the wealthiest 1% live, they exchanged homes for a week with hotel owners Gez and Rosy Chetal, who lived in their luxurious £1.7m 11-bedroom bespoke hotel with their 19-year-old daughter Saanchi.

Given his demanding lifestyle as an entrepreneur, the couple wanted to use the swap as a way for them to spend some quality time together and have a break from their business.

They swapped their hotel— complete with a wine cellar, a large dining room and private chef for a week-long stay in the Bloor family’s house.

While Gez and Rosy were forced to manage on a weekly budget of £79, John, wife Ann and their children got a taste of luxury living with £1,800 to spend.

However, not long into the swap it was clear that the Bloor family struggled to adjust to their new environment living in a hotel as Ann admitted: “My kids are not comfortable.”

After a restless night, Ann was visibly moved as she told husband John: “The children are really uncomfortable. They can’t be in their pyjamas because it’s a hotel, they can’t just go and get a drink, they can’t just go and get a sandwich.” John jumped in and added: “It’s not a home is it?”

Turning to John, Ann explained: “It’s nothing about the hotel. If it was just me and you.. I’d absolutely love it but actually to me we can’t really stay in the hotel.”

The couple then made a big decision and decided to abandon the hotel and use the remaining budget to book a luxury Airbnb, that cost a whopping £1,200.

When the two families finally reunited at the end of their swap, Ann went on to say: “We loved the hotel, unfortunately the children didn’t. They felt very separated from us.” Gez added: “It’s just a big house really, with 11 rooms.”

Rich House, Poor House airs Sunday night from 9pm on Channel 5

A look at The Times’ top 25 high school baseball rankings for the Southland after the ninth week of the season:

Rk. School (Rec.); Comment; ranking last week

1. ORANGE LUTHERAN (16-3): Went 4-0, won Boras Classic championship game; 1

2. NORCO (18-2): Three-game series this week vs. Corona Santiago; 2

3. HARVARD-WESTLAKE (17-4): Swept Sherman Oaks Notre Dame to take first place in Mission League; 3

4. ST. JOHN BOSCO (16-5): Big two home-run game for Noah Everly vs. Santa Margarita; 4

5. HUNTINGTON BEACH (16-4-1): 12-0 in Sunset League; 5

6. CORONA (15-4): Anthony Murphy raises home run total to seven this season; 6

7. SIERRA CANYON (16-4): Brayden Goldstein is delivering big hits; 8

8. SHERMAN OAKS NOTRE DAME (14-6): Critical three-game series vs. Sierra Canyon this week; 7

9. LA MIRADA (17-4): Three-game series this week versus Downey; 9

10. ROYAL (18-2): So far, Highlanders have overcome pitching injuries; 10

11. BISHOP ALEMANY (15-5): A 14-13 win over Chaminade with seven runs in the bottom of the seventh was madness; 11

12. AYALA (18-2): Caleb Trugman (7-1) and Easton Sarmiento (6-1) are good pitching duo; 12

13. CYPRESS (17-5): Impressive three-game sweep of El Dorado; 13

14. OAKS CHRISTIAN (15-5): One game behind Westlake in Marmonte League title race; 14

15. GANESHA (15-1-1): Logan Schmidt hit two home runs, struck out 14 in single game; 15

16. SOUTH HILLS (17-4): Faces Alta Loma in three-game series this week; 16

17. SANTA MARGARITA (14-8): Faces No. 1 Orange Lutheran this week; 18

18. THOUSAND OAKS (15-6): Jake Ange continues to drive in runs; 19

19. GAHR (10-9-1): Important three-game series this week versus Warren; 20

20. NEWPORT HARBOR (16-6): Next up is Fountain Valley; 21

21. CORONA SANTIAGO (15-7): Troy Randall continues to hit and hit; 23

22. AQUINAS (14-7): Showdown with 18-4 Linfield Christian this week; 24

23. MATER DEI (11-7): Battling for automatic playoff berth in Trinity League; NR

24. VILLA PARK (14-7-1): Jack McGuire struck out 16 in win over Foothill; 25

25. SERVITE (13-8): Ends regular season with games versus St. John Bosco, Orange Lutheran, Cypress; 17

April 19 (UPI) — Blue Origin successfully launched its New Glenn rocket and landed its booster stage, but it delivered a communications satellite into an orbit too low to be useful.

New Glenn-3, the third launch of the company’s rocket, cleared the tower just before 7:30 a.m. EDT on Sunday morning and roughly six minutes later its first stage touched down on the “Jacklyn” drone ship in the Atlantic Ocean.

The fully reusable booster, called “Never Tell Me The Odds,” was making its second landing as the mission hit its second stage engine cutoff, entered orbit and released AST SpaceMobile’s BlueBird 7 satellite successfully.

The release was successful and the satellite powered up properly, but had been placed into “an off-nominal orbit,” Blue Origin said in a post on X.

“During the New Glenn 3 mission, BlueBird 7 was placed into a lower than planned orbit by the upper stage of the launch vehicle,” AST said in a press release.

“While the satellite separated from the launch vehicle and powered on, the altitude is too low to sustain operations with its on-board thruster technology and will de-orbited,” the company said. “The cost of the satellite is expected to be recovered under the company’s insurance policy.”

AST’s BlueBird 7 satellite is part of a space-based cellular broadband network the company is building that will be accessible using normal smartphones.

The satellite would have been the eighth the company has put in orbit for the network, has satellites number through 32 in production and expects BlueBird 8, BlueBird 9 and BlueBird 10 to be completed in the next month.

AST said that it plans to continue launching satellites roughly every other month for the rest 2026 using “multiple launch providers,” with a goal of 45 satellites in orbit by the end of the year.

Blue Origin, in addition to launching satellites for commercial and government entities, is also building a prototype MK1 “Endurance” lander as a test vehicle in an uncrewed moon landing later this year, Space.com reported.

The prototype is a test run for its MK2 lunar lander that will be used in NASA’s Artemis program to explore the moon and establish a permanent human presence there.

An example of the U.K. Royal Air Force’s most iconic fighter, the Spitfire, flew in a series of air-to-air formations around the United Kingdom over the last two weeks, part of the 90th anniversary celebrations for the aircraft, which became legendary on account of its service in World War II. The nine-leg flight around the United Kingdom was completed Friday.

The Spitfire in question, a two-seater, was painted blue to represent the first prototype, K5054. The original K5054 first flew on March 5, 1936, and was piloted by Capt. Joseph “Mutt” Summers. It took off from Eastleigh Aerodrome, now Southampton Airport.

Popular history records that Summers uttered the words “I don’t want anything touched” when he climbed down from the cockpit. If he did say those words, it was almost certainly an instruction to the ground crew to leave the plane as it was before he took it up for his next test sortie. But the legend stuck.

Regardless, so promising was the new fighter that the Air Ministry placed a production order less than three months later, with trials still incomplete.

Eventually, more than 20,000 production examples would be built, and the Spitfire would be considered among the best all-round fighters of World War II, in which it played a key role from start to finish. The Royal Air Force didn’t fly its last operational Spitfire sortie until 1954, in Malaya.

The blue Spitfire seen in the accompanying images is actually a Mk IX, BS410, which crashed in May 1943, was recovered and rebuilt in the 2000s, and was converted into a two-seater, allowing for a passenger. It is currently privately owned.

Starting on April 7, the K5054-lookalike Spitfire joined up in the air with a host of modern types.

For the first flight, the Royal Air Force’s most advanced fighter, the F-35B Lightning, flew in formation with the Spitfire. This came just a matter of weeks after British F-35Bs shot down their first enemy aircraft — hostile drones over Jordan, during the conflict in the Middle East.

The formation flight involved two frontline F-35Bs from RAF Marham and two preserved Spitfires.

The other Spitfire, a Mk Vb, AB910, also saw combat in World War II, including covering the D-Day landings in Normandy. It is now part of the storied Battle of Britain Memorial Flight (BBMF).

For the first leg of its flight, the K5054-lookalike Spitfire flew from its birthplace of Southampton Airport to RAF Coningsby in Lincolnshire, still a major fighter hub.

While the Spitfire and F-35 could hardly be more different in terms of performance and technologies, both have served the Royal Air Force as its premier frontline fighter. Like its forebear, the F-35B is also now proven in aerial combat, albeit against drones.

On March 6 this year, the Royal Air Force announced that an F-35B pilot had carried out the aircraft’s first combat shootdown in British hands, intercepting and destroying two hostile drones during an operation over Jordan the same week.

“The pilot, flying alongside two Typhoons from RAF Akrotiri, detected the drones on radar and engaged them with two ASRAAM missiles,” the Royal Air Force said in its statement. The pilot, although assigned to No. 617 Squadron of the Royal Air Force, was serving with the Royal Navy, reflecting the joint nature of the U.K. F-35B force.

The incident followed a separate attack in which a small, low‑speed drone struck RAF Akrotiri in Cyprus after evading base defenses, which were subsequently much enhanced.

Flight two, out of RAF Coningsby, on April 8, saw the Spitfire fly alongside Royal Air Force Red Arrows Hawks and a Phenom T1 trainer.

The Red Arrows flying alongside the Spitfire on Day 2 of the commemorative tour of GB. Two Hawks accompanied her for part of the flight from RAF Coningsby to Leuchars Station. (Photo: Darren Harbar) #Spitfire90 pic.twitter.com/Y4ioabXnoI

— Jane (@JaneFranklin99) April 8, 2026

The third flight, out of RAF Leuchars, on April 9, involved a Royal Air Force P-8 Poseidon maritime patrol aircraft.

Flight four, on April 10, brought the Spitfire to Scotland, where it flew out of RAF Lossiemouth with a pair of Royal Air Force Typhoon fighters.

Remaining in Scotland, the fifth flight, on April 13, out of Prestwick Airport, teamed the Spitfire with a Royal Air Force Hawk T2 trainer.

Flight six, on April 14, out of RAF Valley, Wales, involved the Spitfire and two current Royal Air Force training types: a Texan T1 turboprop and a Jupiter HT1 helicopter.

Flight seven, on April 15, out of MOD St Athan, provided a formation with two QinetiQ Pilatus PC-21 trainers.

Flight eight, on April 16, out of MOD St Mawgan, involved a Royal Air Force A400M transport.

For the ninth and final flight, on April 17, the Spitfire departed Exeter Airport and met up alongside the BBMF’s Dakota as it flew back to Southampton Airport.

While not unique, the Royal Air Force doesn’t regularly pair current and historic fighters for displays in the way the U.S. Air Force does with its Heritage Flight. This puts together formations of modern jets flying with fighters from the World War II, Korean War, and Vietnam War eras, such as the P-51 Mustang and F-86 Sabre.

This makes the series of Spitfire flights all the more special. On each of these flights, one lucky (and deep-pocketed) passenger was in the backseat of the Spitfire, having bid for the chance to do so. The money earned will go to support service-related charities.

For the rest of us, we can enjoy some of the spectacular imagery captured as this special Spitfire completed its countrywide odyssey.

Contact the author: thomas@thewarzone.com

The third season of Apple TV’s “Shrinking” concludes with Jimmy (Jason Segel) being, well, “Jimmy-ed.”

For three seasons, Jimmy, a therapist grieving the loss of his wife, has used unconventional methods —think taking someone with aggression issues to a boxing ring — to get through to his patients. In the last moments of “And That’s Our Time,” Jimmy’s mentor and fellow therapist Paul (Harrison Ford) turns that approach on its namesake, flying across the country to give Jimmy a much needed push to move forward with his life. “Jimmy needed permission and encouragement from someone to say, ‘All right, it’s time,’” Segel says. “This is the end of this story and it’s time to start a new one.”

In the scene, Paul finally tells Jimmy he’s like a son to him. “I found ourselves writing a conversation that if we were lucky enough to have a conversation like that with our own fathers, we’d be grateful,” executive producer Bill Lawrence says. “A lot of my shows have an element of mentorship in them. To see Jimmy’s mentor come through for him in the way that I would always hope he would meant a lot to me.”

Lawrence had always envisioned the three-season arc for Jimmy ending this way. But when they found out the comedy would be returning for a fourth season, he and his fellow executive producers were faced with a dilemma: End the season the way they would have the series or push their original ending out for one more season. After much discussion, they decided to stick the landing.

“It still felt right,” Lawrence says. “This particular story with these characters has been told and you should feel, in a good way, like it’s gonna be OK for Jimmy. Jason is so good at it, watching him play the agony of trying to get through it all and come out on the other side was my favorite kind of journey on the whole show.”

Segel spoke to The Envelope about filming this pivotal scene and bringing the third season to a close.

What did filming this final scene mean to you? To play this part of Jimmy’s journey coming to an end?

I’m always really interested in, “What is the dirty underneath? If we go one level deeper, what is the thing that the person is not saying?” This arc with Jimmy over the three seasons had been building up to Jimmy finally saying the actual thing, which is some version of, “Who’s gonna want me now?”

Paul answers that question by telling Jimmy that his scars are “evidence of a life well–lived.”

I had a therapist I was talking to about having to show up somewhere with people I knew from 25 years ago. I remember having a little bit of apprehension because I’ve had a twisty-turny life. I thought, “God, there’s so much to catch up on and I’m showing up covered in scars.” And this therapist said to me, just matter of fact, “What a shame it would be to show up anywhere at 45 years old not covered in scars.” And I went straight to Bill and [executive producer] Neil [Goldman], this is a year ago, and I said, “This is what Harrison says to Jimmy at the end of this arc.” And we worked it in.

What was the actual day of filming the scene like for you?

It was a difficult day. It was loud that day. There was a little bit of discombobulation on the street. There was construction and they couldn’t hold the cars right. It wasn’t the ideal environment for a scene like this where you would love to hear a pin drop. People were coming into the restaurant asking, “Are you guys open?” It almost felt like we were making a student film. And Harrison and I took a minute and we walked away from the set and we started running the scene, walking up and down the busy street to kind of acclimate ourselves. And I’m walking up and down the street with this man who I idolize and we are at that moment like equals and teammates. We have to go build this scene together. It is a real honor to have that dynamic with him.

Do you think it was important to have such a pivotal scene outdoors?

They’re a good reminder that the show takes place in the real world and that you’re like a representative of reality almost. I think that there’s something vulnerable about all that taking place outside. … There’s other patrons there. It’s surrounded by people, surrounded by life, and Paul is showing up and telling Jimmy, “It’s time to step into it. Look, it’s all around you.”

This season we met Jimmy’s father (played by Jeff Daniels), who never really connected with his son and, in a heartbreaking moment, chooses a fishing trip with his buddies over staying for Alice’s (Lukita Maxwell) high school graduation.

One of the things this show does really well is handle these situations honestly. Whether it’s Parkinson’s or loss or a complicated relationship with a family member. It’s not gonna magically change. None of it. And so the show is very much true to, “How do we get through it with each other?” That’s really the theme of the show. These issues are gonna be there. What are we gonna do with the realities of life? I think the reason they brought Jeff Daniels in is to highlight why Jimmy so desperately wants Paul’s affection. Where is this coming from? Bill is a genius in terms of setting something up in a previous episode so that there’s a payoff in the finale. I think that we understand suddenly how desperate Jimmy is to have somebody say, “You’re my son and I love you.” And he finally gets that at the end from Paul.

The other major event that happens in the finale is that Alice leaves for college.

To me, [Jimmy’s relationship with Alice] has been the heart of the show and the most important storyline. The show started out with Alice parenting a troubled child in her father. And that dynamic slowly, slowly, slowly shifted to being the right direction. Until finally he is able to see her off to college and she feels safe to leave him behind. He is the parent and she is the child and everything is the right size again. I think watching Lukita as an actor and a human being grow up over these past four years, it’s been really the joy of my career. When I met her, she called me Mr. Segel. I realized she grew up with my “Muppet” movie. I have the real honor of being more of a mentor than a contemporary to Lukita. To get to the point where I am being surprised and challenged and blown away and moved to tears in scenes with Lukita is like the coolest thing in the world.

Cobie Smulders and Jason Segel in “Shrinking.”

(Apple TV)

We see Jimmy sit down at the restaurant with his potential love interest Sofi (Cobie Smulders), but we don’t hear their conversation.

It originally ended with a hard cut to black. Then then they did this beautiful cinematic pullback. I think the most important line is, “Hello.”

As the scene ends, Paul tells Jimmy that he can either “stay stuck” or “go make new scars.” Paul advises Jimmy to “choose wisely” and then winks at Jimmy. It’s a subtle nod to the famous “choose wisely” scene from “Indiana Jones and the Last Crusade.”

Harrison is not so secretly one of the funnier people I know. He always knows exactly what he’s doing and we’ve had a few of those throughout the season, some little nods to Harrison’s body of work. It was a perfect way to end that scene. Paul slash Harrison is always just a little smarter than you. One of the great qualities that they have is they’re just a little bit ahead of you, which a great mentor should be, right?

Have you thought about how it will be to play Jimmy in the show’s fourth season now that this particular story arc has come to an end?

I think an equally interesting and complicated and fun area is someone deciding they’re ready to be happy. Because God knows it’s one thing in your house alone in front of the mirror [to say], “Now I’m gonna be happy.” And then you go out and in practice, it’s its own set of complications, right? And so, I’m actually really excited about that idea of someone saying, “OK, I’m ready to take it for a spin.” And then seeing that’s its own thing.

Arsenal manager Mikel Arteta says his side had “the best chances in the game” against Manchester City but admits the Gunners’ inability to take their chances was the difference between the two sides in their 2-1 defeat.

MATCH REPORT: Manchester City 2-1 Arsenal

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Israel and the US have been at war with Iran since February 28th. The impact of the conflict has become global and all sides have suffered casualties, but it wasn’t always this way.
Al Jazeera’s Ruby Zaman explains how Iran and Israel once had a very different kind of relationship.

You know him by his imitators, the ones he hand-picked for the show he made. Arguably the greatest comedy impresario of the modern age, Lorne Michaels, the lip-pursing, imperiously droll Canadian who created “Saturday Night Live,” has curiously enough never seemed like documentary material — there’s always been a strange satisfaction in him remaining an aloof, besuited guru, getting older but seeming beyond mystery. A well-timed impression always felt like enough. We’re laughing about someone we don’t know and there’s an odd purity in that.

Oscar-winner Morgan Neville’s “Lorne” — made with the begrudging OK of its subject as part of the 50th season hoopla — is, therefore, a curious instance of not being all that successful at unraveling the man, yet remaining perfectly enjoyable as a conduit for bite-size chunks of insight from not-so-famous associates and ultra-famous friends. It’s a well-meaning impression of a soul-searching documentary (and only an impression), but impressions can still be plenty entertaining.

Neville hedges his bet by filling us in on Michaels’ spotlight apprehension, making his reticence a through line. Interviewees joke about how inscrutable he is, guess at aspects of his biography, and early on we hear Michaels’ belief that explaining humor is pointless.

But would we have wanted a Jedi of few words to suddenly dissect his many brilliant casting choices or rehash the impetus to conceive the show, when it’s been written about repeatedly and even turned into a feature? Thankfully “Lorne” grasps this and instead decides the best narrative is one of Michaels as a force of stability amid constant change: shielding “SNL” from irrelevance and invasive network overlords, turning his unknowability into a kind of totem-like, hard-earned confidence, taking mentorship of talent seriously and accepting his mockability as the release valve that reinforces his wise stewardship.

Better to have dozens of funny, perceptive interviewees (Tina Fey, Conan O’Brien, John Mulaney, Adam Sandler, Lily Tomlin) piece it together, than to expect much from the guy who doesn’t care to self-analyze anyway. Likewise, don’t expect anything noteworthy from a pal like Paul Simon, who would rather be facile about his friendship with Michaels than informative.

Being there for his weekly routine captures something of Michaels’ entrenched schedule, as well as the scary-fast prep swirling around him. Seeing everyone crammed into his office for a howdy-host confab looks like the coolest family get-together. Same with the table read for dozens of mostly-to-be-axed sketches — like a dinner at which everyone’s trying to get Grandpa to laugh. The night-of-broadcast scenes draw you into the tension of finalizing and problem-solving and Michaels’ engagement with all manner of details is captivating.

Neville is smart enough as a documentarian to leave out platitudes, but also to let access to Michaels’ Maine retreat be a vibe rather than some knockout reveal. The result is an ode of sorts to elusive bossdom, where the cryptic may remain cryptic, decoded just enough to let us appreciate the achievement.

You’ll probably go straight from “Lorne” to rewatching notorious moments like the controversial Season 3 “stunt baby” sketch — and this is no doubt Michaels’ preferred outcome. Because, all those impersonations of chilly indifference aside, he will be known by what he got on the air: a legacy of generation-defining comedy that’s more impressive than any dutiful biodoc could ever be.