SHOW BIZ

“For Want of a Horse,” a play by Olivia Dufault receiving its world premiere in an Echo Theater Company production at Atwater Village Theatre, wants to have a rational conversation about a taboo topic that can provoke instant outrage.

The subject is zoophilia, not to be confused with bestiality, though for many of us it will be a distinction without much of a difference.

Calvin (Joey Stromberg), a good-looking, mild-mannered married accountant, has harbored a secret for much of his life. He has a thing for horses. His erotic interest began at an early age, and all his efforts to lead a normal life have left him depressed and contemplating suicide.

His wife, Bonnie (Jenny Soo), is a permissive kindergarten teacher who’s having difficulty restraining a girl in her class who has discovered the joys of masturbation. Worried about her husband, she discovers through his browsing history that he’s once again visiting strange animal sites.

She suggests he keep a horse, explaining that she doesn’t want to end up a widow or divorcée. Calvin is taken aback by her generosity but has come to recognize that his preference is more than a kink. It’s part of his identity — and maybe the only part that makes his life seem worth living.

Joey Stromberg and Jenny Soo in “For Want of a Horse” at the Echo Theater Company.

(Cooper Bates)

A horse named Q-Tip (Griffin Kelly) enters the couple’s lives. A stable is secured, and the mare, who senses that something strange is going on, is indulged with apples and caresses.

Kelly, a statuesque presence in a dress, harness and boots, brings the horse to life with wild, unpredictable movements. The sheer size of the animal poses a threat to humans. One kick, as Q-Tip herself explains in one of her thought-bubble monologues, is capable of penetrating a steel wall. But controlling an animal’s food supply is an effective way of winning over its trust.

Calvin has found support in the online zoophilia community. PJ (Steven Culp), a man whose current inamorata is a bichon frise, is considering moving to a country where zoophilia isn’t illegal. He’s tired of the shame and the secrecy. He’s proud of his attachment to pooch, even if his thing for dogs has cost him contact with his daughter and ex-wife.

Dufault doesn’t shy away from sexual details. For PJ, intimacy depends on peanut butter. Calvin describes the physical signals that reveal Q-Tip’s erotic satisfaction. The play occasionally descends into sitcom humor. (PJ says he’s considering creating a human-dog dating app called Rin Tin Tinder.) But mostly the subdued tone steers clear of sensationalism.

The production, directed by Elana Luo, is scrupulously well-acted by the four-person cast. Stromberg makes Calvin seem not only reasonable but surprisingly sensitive. Soo’s Bonnie sweetly embodies the excesses of a kind of progressive piety. As PJ, Culp gruffly embraces his role as the play’s polemical fire-starter. And Kelly’s Q-Tip, in the production’s most physically demanding performance, straddles the human-animal divide with theatrical aplomb.

Steven Culp, left, and Joey Stromberg in “For Want of a Horse” at the Echo Theater Company.

(Cooper Bates)

The open-mindedness that Dufault, a trans playwright, brings to the play creates some dramatic slack. Possibly the same fear of making value judgments that has inhibited Bonnie from imposing common-sense discipline in her classroom has robbed “For Want of a Horse” of a propulsive point of view.

The play moves monotonously between Calvin and Bonnie’s bedroom and the stable. Scenic designer Alex Mollo has worked out an efficient way of shifting between these realms by employing the same set of wooden trunks. But the argument of the play doesn’t so much build as elapse.

Time takes its toll, and Calvin eventually has to make a decision. But the character who interested me most was Bonnie, whose reality is only glimpsed. The play tacitly uses her husband’s threat of suicide as a trump card. Zoophilia isn’t merely a fetish for Calvin but a nonnegotiable part of his identity.

This questionable assumption can be psychologically scrutinized not only from Calvin’s point of view but also from his wife’s. The play wants to have an intelligent debate, but it doesn’t want to interrogate certain political positions too skeptically.

At one point, Bonnie objects when Calvin compares his situation to that of homosexuality, but the conversation ends there. The reality is that the right wing has been making a similar claim, arguing that same-sex marriage opens the door to bestiality, polygamy and incest. “For Want of a Horse” inadvertently lends legitimacy to this line of reasoning.

Griffin Kelly in “For Want of a Horse” at the Echo Theater Company.

(Cooper Bates)

Not that extremist positions should be off limits, but they ought to be more rigorously addressed. Similarly, Bonnie’s concern about the issue of consent — how can a horse say yes to intercourse with a human — is introduced only to be dismissed in a shrug of mild-mannered bothsidesism.

While watching “For Want of a Horse,” I recalled a program on PBS called “My Wild Affair” that wasn’t about zoophilia but about the problematic nature of human bonds with untamed animals. Relationships with a seal, an elephant and a rhino, for example — obsessive, protective, loving friendships — all seemed to end if not in outright tragedy, then in shattering heartbreak.

Q-Tip is rightfully given the play’s last word, and Kelly, an actor (HBO’s “The Book of Queer”), writer and comedian, is the production’s driving force. We can never know what’s inside this mare’s mind because Q-Tip’s brain has evolved so differently from our own. Kelly plays the anthropomorphic game while retaining some of the inscrutability of a four-legged creature.

It is through language that we, as humans, traverse the chasm separating us from one another. That’s not possible with animals, even with our closest domestic companions. (Try explaining a necessary medical procedure to a cat.)

“For Want of a Horse” sets out to speak about the unspeakable, but its construction may be too tame for such a wild subject.

Netflix’s eerie cult thriller features a disturbing opening scene.

Unchosen’s dark opening scene has left viewers curious.

The show has just arrived on Netflix and the star-studded cult thriller follows a wife and mother who feels trapped in an oppressive Christian sect.

Echoing themes from The Handmaid’s Tale and Happy Valley, the dark psychological series sees Rosie (played by Molly Windsor) question who she can trust.

After she comes across an escaped convict called Sam (Fra Fee), he offers her a taste of life outside the religious cult, while her husband Adam (Asa Butterfield) continues to chastise her.

The thriller opens with Rosie, Adam and their daughter Grace (Olivia Pickering) enjoying a party outside with the other members of their extended cult family.

A storm suddenly closes in on them, forcing them all inside, and Grace looks particularly concerned as she calls it “the Rapture” – but what does this mean?

What does the Rapture mean in Unchosen?

At the start of the series, viewers learn that the Christian cult is part of the church of The Fellowship of the Divine.

Their beliefs quickly become apparent when Mrs Phillips (Siobhan Finneran) curses Grace for reading a children’s magazine – a forbidden item.

During their street party, a storm appears overhead and Grace looks particularly terrified, believing the black clouds and thunder are the signs of the Rapture.

In Christianity, the Rapture is the concept of an event when all dead Christian believers will be resurrected and reunited with Christians who are still alive.

Together, they will will rise “in the clouds, to meet the Lord in the air”.

The storm clouds in the series represent the concept, which suggests live Christians will leave the earth to meet Jesus Christ.

Grace may have been scared at the thought of being ‘taken’ in order to meet Jesus Christ at the Second Coming.

The actual term ‘Rapture’ is not mentioned anywhere in the Bible, it is instead a concept that has developed over time.

In his First Letter to the Thessalonians, Paul – one of the Apostles – wrote that Jesus would return one day, and “we who are alive, who are left, will be caught up”.

Some believe the Rapture is when Christ’s followers will be taken up to Heaven, while those who do not follow him will be left behind on Earth.

Unchosen is on Netflix

JACK Whitehall’s countryside wedding to Roxy Horner over the weekend may have appeared to be oozing class, but the comedian says he actually had a wardrobe disaster during the ceremony.

In fact, the dad-of-one, 37, says he was left with his “a** hanging out” at the end of the aisle.

Jack ripped his luxe Tom Ford suit when picking up their two-year-old daughter during the ceremony.

“I squatted down to pick up Elsie and my trousers split, my whole a** was hanging out,” he told Vogue.

Luckily, the comedian had a back-up suit and later changed into one by menswear brand Dunhill.

Meanwhile, his bride also donned two outfits during the day, but hers were both by choice.

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Roxy donned two stunning wedding dresses from designer boutique Galia Lahav, changing between the ceremony and reception.

She added a lengthy veil and pulled her blonde tresses into an up do, with two strands framing her face.

Roxy and Jack’s wedding took place in the grounds of £12million stately home Euridge Manor, near Chippenham, Wilts.

The Georgian-style property is owned by Kate Middleton’s former boss, Jigsaw tycoon John Robinson.

Jack and Roxy shared the details of their big day with Vogue, explaining how Elsie was one of the model’s three flower girls.

They also had a whopping eight bridesmaids, with Jack’s brother, Barnaby, serving as Best Man.

After Jack predicted a “brutal” best man speech from his brother during a chat with The Sun earlier this year, due to his own ‘below the belt’ speech at his sibling’s nuptials, Barnaby didn’t hold back.

“He threw me under the bus, because that’s what I’d done to him,” confirmed Jack in his post-wedding chat.

Celebrity guests included TV pals James Corden and Jamie Redknapp, who Jack worked with on Sky’s A League of Their Own.

Guests were asked to turn off their phones during the ceremony and were put on a social media blackout.

The newlywed pair are now headed to Venice for a stunning Italian honeymoon.

Dishing about what you’re reading is one of life’s greatest pleasures. Even better if your audience has read the same book. Reading with others also provides space to deepen community, ignite conversations and share moments of joy. Los Angeles needs that more than ever right now as we continue to shoulder a heavy 2025 marked by fires and ICE raids. But how to choose a book to get started? The best books to read in groups inspire a dialogue. They have sparkling prose and unshakable narratives. These were the guiding factors for compiling our recommendations for all kinds of readers.

We surveyed 200-plus luminaries in the book and journalism worlds to make this in-depth list. The voters included prizewinning authors, indie bookstore owners, a Man Booker Prize judge, Ivy League professors, literary agents, lauded journalists and several zealous book club members. To ensure an especially varied selection, the editors gave a final curatorial pass.

The list includes 10 categories for every type of reader, whether you reach for literary fiction or romance. We also crowned an “Ultimate Book Club Pick,” which is the title that received the most votes out of all the books by a landslide, and happens to be eerily prophetic (find it among the “Make-Believers” selections). Of course, we couldn’t include every worthy book. Let us know your picks and pull up a chair next to us. Why not read together?
— Sophia Kercher

If you buy books linked on our site, The Times may earn a commission from Bookshop.org, whose fees support independent bookstores.

THE oldest member of a much-loved 70s pop group has passed away, his family has announced.

Alan Osmond, the founding brother and guitarist of The Osmonds, died on Monday aged 76.

The family said in a statement that his wife Suzanne and their eight sons were beside Osmond at his bedside when he passed away, but did not reveal an official cause of death.

Alan Osmond had battled multiple sclerosis for 40 years after being first diagnosed in 1987.

He was the third-born child of parents George Virl Osmond Sr. and Olive Osmond, and in 1958 performed alongside his younger brothers Wayne, Merrill and Jay on a TV show at the age of 12.

The group first found fame as a barbershop quartet on The Andy Williams Show.

This early success set the stage for their siblings to join the lineup; once younger brother Donny arrived, the group transitioned into pop music as “The Osmonds,” quickly achieving superstar status as teen heart-throbs.

They had hits such as One Bad Apple, Yo-Yo, Down by the Lazy River and Love Me for a Reason.

Alan left the group in 2007, and his brothers went on with solo careers.

Alan and his brother Merrill founded the Stadium of Fire in Provo, Utah, a massive Fourth of July celebration, and he also co-founded and ran the OneHeart Foundation.

He then published his memoir, “One Way Ticket,” in 2024.

Osmond is survived by his wife, their eight sons, 30 grandchildren, and five great-grandchildren.

During a recent Zoom interview from his studio in Switzerland, Peter Zumthor offered a candid look at the making of the Los Angeles County Museum of Art’s new David Geffen Galleries.

The Pritzker Prize-winning architect addressed long-standing criticisms of the building and answered questions about his craft. He noted that the structure is a rejection of the overly “slick” architecture he believes defines the present moment, and shed light on the building’s early development, describing a contained process in which the concept was shaped before being presented to the public.

Finally, he discussed the broader ambition of the endeavor: dissolving traditional circulation and prioritizing emotional experience over institutional order.

The following interview excerpts have been edited and condensed for length and clarity.

You are well–known as both an architect and a craftsman. I think the biggest place for that focus was the concrete. I’m curious about how you formed it. It’s not the typical museum concrete.

I work like an artist in building. This means I custom-make buildings. I can use a few standard details or products, like in the basement. But where the building has an identity, becomes visible, it’s almost all handmade. I have an image of what I want to do, what the building should do, how it should look. So I need people who can help me make custom-made products.

The people who did the formwork — the concrete pouring — [worked in] groups of 100 or more. They were fantastic. They loved their work. At the beginning, formwork leaked on a door, and it looked terrible. They said, “Peter, we’re sorry. We made a mistake. We can fix this. You will not see this afterwards.” But if you make a mistake, you cannot mend it, because what you’re doing here is a concrete sculpture. Sculptures are never mended.

It’s not a perfectly smooth concrete. I’m assuming that’s on purpose?

I love this kind of rawness. This was what I gladly learned. Michael [Govan] in a very friendly, careful way let me know that he would like more “American details” and fewer “European details.” OK, my European details, they stand. That’s what I did 20, 30 years ago. My background as a furniture maker shows, and I can do this. But the challenge in this museum is to get the right “American” roughness. And I think I pretty much succeeded.

What I learned in California [came] back to Europe, and many times we now say in the office, “Let’s do this more L.A.-style.” Because we have too many slick magazines in the world. We have this corporate architecture which doesn’t want to see any touch of a hand. No mistakes. What we need is not refinement. We need wholehearted directness. This is what I take back from America. There’s a certain freshness. It’s not overly refined. I’m proud of that. The roughness has to do with our times. Because our time is slick and glossy, right? The time to make refined, slick architecture is over.

Horizontal light enters from floor-to-ceiling windows around the perimeter of LACMA’s new David Geffen Galleries, which use concrete as a kind of living building material.

(Iwan Baan)

In a 2023 interview with [architecture critic] Christopher Hawthorne, you said there were no “Zumthor details” left in the building. Do you think there are any Zumthor details now?

Of course there are Zumthor details. And I love them. They are not Swiss details. I think Christopher got this wrong. I was actually proudly speaking of how I learned a new way of looking at details. It doesn’t have to be refined all the time.

[Editor’s note: Zumthor told Hawthorne verbatim, “There are no Zumthor details any more,” in the 2023 interview with the New York Times.]

There’s always a tension with every building when it comes to value engineering. Were there any other places where you would want [David Geffen Galleries] to be different?

Basically, I say no. I’m very proud of this building. This is what I wanted to do, and this is what Michael helped me to do. This is exactly it. It’s one of my children and I love it.

Do you see this approach as an evolution in your work? Or is it more specifically for L.A.?

L.A. has changed me. And it’s in a good way. I would [not] have changed and reacted to our slick times the same way without L.A.

There were complaints that the project, and the process, were not as public as some people thought they should be. What is your reaction to that criticism?

I think I can say this: Michael said, “We cannot make a competition or anything like it, because competitions in the U.S. always end up with a winner who doesn’t build because he found out his own way of staging this whole procedure. The first, the most important thing, is that we start on a small budget, just the two of us.” That’s what we did. So when we started to talk about this museum, it was him and me, basically, and he gave me a little bit of money. And he said, “There will come a time when we will have to show something to the public. Let’s see whether people say yes.” They could have said no, but I think what they saw at that point was already too convincing.

Architect Peter Zumthor speaks at the press preview for the David Geffen Galleries at Los Angeles County Museum of Art.

(LACMA/ Museum Associates / Gary Leonard)

Because the museum’s not organized in a traditional way, it might be harder than normal to navigate for some people. It might be a little confusing. What do you say to that concern?

This will take some time, to see the benefits of this new type of museum. I think if you start to like this building in one corner or in another, or you get lost, you start to understand what it is all about. When something new comes, you have to learn, right? But I hope you can see this building never looks down on you. This building is, in a way, deeply human. And it lets you have your opinion.

There are people who have said, very loudly, this space shouldn’t have lost square footage. What is your response to that?

Small museums are beautiful, big museums tend to be really difficult. And the bigger the museum gets, the more difficult it is to make it easily accessible. So I’m very glad that this is not bigger. But it feels bigger.

What is this with bigness? What kind of a hang-up is this? You don’t have to be big. It has the right scale. We were often asked, “Can you experience this building and this collection in one day?” And we said, “Maybe. But maybe it will be better to come back.” Start from the other end. You have your own personal path. And then you research a little bit further. I think these are the beautiful ideas of how to experience the building. And I think it’s endless.

The interior of LACMA’s new David Geffen Galleries encourages guests to wander and make their own connections rather than follow a linear path.

(Eric Thayer / Los Angeles Times)

Can you go back to the beginning and talk about the core concept for the museum?

There are three major things that I always have to answer, whatever I do. What does the building do with the place? Does it help the place? Does it interpret the place? And then, what is the content of the building? What does the building have to do? Why are we building this?

To start out, there was a museum here which was modeled a bit after Lincoln Center. Later, it got clogged up with new buildings and you didn’t recognize the initial idea anymore. These things we took away. Whenever a building is there, whether it’s beautiful or ugly, it will always have grown into the soul of somebody. There will always be people saying, “No, no, I want to keep it.” This is part of my life. I understand this kind of thing always comes up.

The place was rather difficult because I couldn’t see any big urbanistic concept in L.A. L.A. [is] not urban in the European sense with, for instance, the market square.

There was a master plan, which was made by Renzo Piano. And this presented a long axis, and I tried to follow it. It just did not feel right. So I started to react in a more organic way, inspired by the tar pits. This whole area, which to me, is the ancient part of the site, became the starting point.

There was more: like the idea that side light is the most human light. Yeah, no skylights. And another thing was the museum had to be open to its surroundings. So contemporary L.A. should be present at all times. It should come in, whenever you can look out.

Another important thing … was to create or enlarge the public space that Michael [Govan] had started to create between his buildings. Friday evenings, Saturday, you saw so many families there. There is a desire here, a wish, for public space. This is not exactly the strength of L.A. So I think it was amazing that we were allowed to lift up the building and have the whole ground free for people.

Also, let’s do the museum on one level only. Classical museums have a main level, then they have a second level and a third level, a south wing and north wing and so on. And then, as an artist, you can have your work on the main level in the most beautiful spot. But as an artist, you can also land top left, third level near to the attic. So let’s make a building type which treats everybody equal.

LACMA’s David Geffen Galleries are hoisted above the ground on discrete piers, allowing for ample public space below.

(Eric Thayer / Los Angeles Times)

And then we started to think about how we wanted something open for wandering, experiencing and dreaming. This is always difficult to explain — let’s have the knowledge of art, of the history of art, coming second. It’s not because I think this is a secondary thing. It’s just because our experience should come first.

As a boy, I saw the opposite. There’s a tour and there’s a guide, and the guide starts to tell you what you should think. And I never liked this. We thought we should lay out things on a big plane where you can stroll and wander and develop your interest in art. Follow your own path.

You’re overturning a lot of unspoken rules in the art world. And I guess that’s the point in a lot of ways?

This is our point. You see other rules. For instance, if you do a new museum, the conservators say art can be exposed to less daylight. I told them as a joke, “If it goes on like this, soon the art will be in the basement, locked away.”

We have a building wide and long enough that within the building, you can find strong daylight for, let’s say, china or pottery, which love daylight. Then you can go deep into the building where it gets darker, and you can put pieces you don’t want to expose too much to the light. All without having to flip a switch.

Emmerdale’s Moira Dingle actress Natalie J Robb has hinted her character could take a deadly revenge on evil Joe Tate in a gun showdown, and she ‘could kill him’

There’s dramatic scenes on the way on Emmerdale as Joe Tate is finally rumbled by Moira Dingle.

Robert Sugden confesses his part in Moira being arrested over Celia Daniels’ drugs and human trafficking crimes. When he explains what really happened, Moira finds out Joe was blackmailing him and Victoria Sugden.

But she’s left even more rage-filled when she realises Joe is a huge part of the reason she’s been in prison over a double murder she did not commit. Preparing to take revenge, it all leads to a gun showdown at Home Farm.

Will Moira end up in prison again though if she takes a deadly revenge on Joe? Actress Natalie J Robb has revealed what fans can expect from the moment, and what the future holds for Joe…

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Robert tells Moira the truth about planting the documents. How does she react?

Robert starts to feel guilty because he finds out that it’s Moira’s birthday and everybody has kind of forgotten about it. She says that it doesn’t matter and then he gets really guilty about it.

Moira starts to get a little bit suspicious and thinks: ‘What’s going on here? This is odd’. He gives her some pictures that Holly did, and things like that, which he found in the attic.

And then he just says something and she says: ‘How did you know about that?’ Because he wouldn’t have known where the documents were hidden. Then of course she gets it out of him and he confesses that it was him and she goes ballistic.

She’s really hurt actually, because she doesn’t expect that of him. She actually thought he’d turned a corner and changed as a person. Then he admits that it was down to Joe Tate – that he forced him – and why he had to protect Victoria and it was down to Joe Tate.

Moira plots revenge doesn’t she…

I’m fuming then, so I go back to the house to tell Cain but he’s having a bit of an argument with Sam. He’s just not in the mood so I think, good old Moira style, she gets her shotgun and goes to visit Joe Tate.

And literally at that point, she’s going round there to kill him. She has the shotgun, she makes him sit down and try to confess. He’s trying to play dumb but she knows it’s down to him.

Then more people get involved. Obviously she doesn’t kill him. But she swears to him at this point that she will make it her priority to make his life a living hell. Or a non-living one…

Why does she decide not to tell Cain about Robert?

She thinks if he finds out, he’s going to go ballistic and do something stupid. She’s just got out of prison, the last thing she wants is for him to go to prison.

But that’s going to eat him up because he knows what she’s been doing for Robert as well. And the fact that he’s in my farm, it’s just a hard pill to swallow. But I’m trying to prevent something terrible happening and protect the marriage as well, because we’re dealing with something that’s a lot bigger than money.

When she has the shotgun, does it not enter her head that she might end up back in prison?

I don’t think she cares at that point. In that split second, she’s so angry because he’s [Cain] had to deal with the cancer on his own. He’s [Joe] kept me away from my children and she thinks: ‘Really? Are you really that horrible and that cruel? Are you really that greedy? It’s all about power’.

It’s a bit like the world we’re living in now, all about power and it’s not actually about being humane to people. And at that point she’s definitely going there to kill him and she nearly does.

Can you tease what’s to come for Joe?

Well I think he’s going to be under her radar, it might just be quietly. He might try to worm her round. But we don’t know how that’s going to pan out with the writing and which route they’re going to go.

But when I was filming the scenes, it was pretty certain that she was going to get him back in some way or another. And she does, she does team up with people to get him to suffer in a similar way, but that would be by him losing everything, so that he has no power. So we’ll see.

Would you like Moira and Kim to become friends after their recent heart-to-heart at the prison?

It’s nice that they don’t get on but they have that mutual respect for each other. You really see how Kim knows what that farm meant to Moira. And for her to do that for him, it really opens Kim’s eyes. Like: ‘Oh right, okay, it’s a proper love’.

She really respects that and it’s about family roots and values. So there’s that respect for each other. I think that’ll always be there in the background now but they’ll still have fights – probably because of Joe to be honest, he’ll be the main factor!

Emmerdale airs weeknights at 8pm on ITV1 and ITVX. * Follow Mirror Celebs and TV on TikTok , Snapchat , Instagram , Twitter , Facebook , YouTube and Threads .

HE came second on Eurovision at 2022 with his song Space Man.

Now Sam Ryder is gunning for a first place finish, after signing up to BBC series Celebrity Race Across The World.

And he is in good company, as Came Here For Love singer Ella Eyre is also taking part.

A source said: “Sam loves a challenge and he wanted to test his mettle off stage.

“He signed up with his tour manager Kaz Coles.

“Ella also decided to give Celebrity Race Across The World a go after being tapped up by the casting team.

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“A challenge like this is definitely not in Ella’s comfort zone but she wanted to experience something new and push herself. Both Sam and Ella are competitive and they’re in it to win it.

“They filmed the show earlier this year but their fans will have to wait until it airs before they can see who did the best.”

Earlier this month, I revealed that Sky Sports legend Jeff Stelling had signed up to take part with his son Matt.

They’re also competing against Junior and Princess Andre — who are making their reality TV contest debut together.

On Friday, Sam was one of Chris Evans’ first guests on his new run of TFI Unplugged on Channel 4, to promote his telly series Your Song with Paloma Faith and Alison Hammond.

Sam’s show invites amateur singers to take to the stage in a live roadshow across the UK.

Sam explained: “It’s berserk. We go up and down the country, we bring a stage with us for people who have probably never sung in public before with a live band. They come, share a story and sing a song that’s attributed to that. The connection you see being made is beautiful.”

On working with Paloma and Alison, Sam joked: “They’re mad as a box of frogs but great to be around. All of our laughs are so cackly, it’s unreal.

“The three of us laughing together is like the Witches Of Eastwick.”

Sam added: “There is no winning a record deal. There is an event at the end of it and every singer is invited — they rinse the free bar, and a couple of people from each round perform on the night. That is the prize.

“It’s a show that’s got heart.”

LOOK MUM, I’M ALL SET

THERE is less than a month to go until Eurovision and the UK act is now out of the gates, with Look Mum No Computer giving his first live performance of zany track Eins, Zwei, Drei.

The singer– whose real name is Sam Battle – performed at the London Eurovision Party on Sunday night, but admitted it was a struggle to get there after becoming a dad less than a fortnight ago.

In an exclusive chat with Bizarre’s Howell, he confessed: “The concept of sleep is something I fondly miss.”

But it isn’t just his newborn Max who has taken up his time, as he has also built his set for the contest in Vienna.

The YouTuber and inventor said: “Just before we went to the hospital for the baby, I was finishing the props – making and soldering all the bits for Eurovision.

“I didn’t build all of the props – the BBC didn’t trust my welding! – but I’ve built the synthesiser bits for it, and it’s already on a lorry on the way to Vienna.”

Sam has also been working on his voice and dance moves as he prepares for the contest, which starts on May 12.

He added: “I’ve been singing, and I’ve also been working out. I just need to get my stamina up.”

On his staging, he said: “It’s quite complicated. There are some things that require coordination, which is not my forte. I’ve got two left feet.

But (choreographer) Benke Rydman, who I’m working with on the stage setup – he’s very much pushing my boundaries.”

Also at the event in London on Sunday was Boy George, who features on the San Marino act Senhit’s song Superstar.

He was in chipper spirits before the show and spent over an hour talking to journalists, so I’m sure he’ll be hoping to one-up our British act at the final on May 16.

ARNIE TO BACK AUSTRIA

HE is the most famous living Austrian and despite it being rather at odds with his macho persona, Arnold Schwarzenegger has been invited back to his home nation to attend the Eurovision final.

I’m told that organisers are preparing for the Terminator star to be in the audience at the Wiener Stadthalle in Vienna, with the hope that his presence will help celebrate Austrian culture and draw in viewers.

Arnie already has a surprising soft spot for the contest after meeting with 2022’s Ukrainian winners KALUSH ORCHESTRA and then starring in the music video to their song Shchedryi Vechir in 2023.

Reflecting on the response after they won, frontman Oleh Psiuk previously said: “In Los Angeles, we met Arnold, who has been actively supporting Ukrainians since the early days of the war.

“He invited us over to his house and came out to greet us with a pet donkey.

“We talked about the situation in Ukraine and thanked him for his support and shared how important it was to us.”

Unfortunately though, I don’t think the movie hero’s donkey will be coming with him to the final.

APPLE Music is getting behind Eurovision in a big way, with the streaming service conducting interviews with all the key stars which will air in the run-up to the event.

And you can get to the heart of this year’s songs on Apple Music’s Eurovision 2026 official playlist, which has translated and phonetic lyrics for each of the tracks.

NOW WOODY TELLS HIS OWN TOY STORY

WITH Toy Story 5 hitting cinemas on June 19, the bigwigs over at Mattel invited Bizarre to visit their top-secret studios in LA – where characters Woody and Buzz were once again working their magic before our eyes.

Nick Karamanos at Mattel revealed: “We are bringing to life what happened in Andy’s room for the first time.” (Andy is the central child character in the original film.)

And that means fans of the films won’t just hear Tom Hanks and Tim Allen voicing the characters on screen – they’ll be able to hear them having full-blown conversations in their own homes.

The new Toy Story 5 toy range lets Buzz and Woody actually talk to each other, with no imagination required.

And Hollywood star Tom’s brother Jim Hanks was brought into the studio to bring the speaking toy version of Woody to life.

Mattel designer Baxter Crane explained: “He sounds just like him (Tom), and he knows how to sound like him. He said, ‘To be Tom you’ve just got to yell more, like whatever you wanna say you’ve just got to yell it instead.’

“And it really worked – he sounds just like his brother.”

The craftsmanship behind it all is next level, with Nick revealing that Mattel still uses manual sewing machines to make the characters’ clothes.

Nick explained: “When we think about Toy Story and taking inspiration, a lot of it is just being true to what the characters are and what is the best way to bring them to life.”

It’s not just Toy Story characters being reimagined either, with Camila Mendes, Idris Elba and Nicholas Galitzine all working with Mattel to create figures for Masters Of The Universe.

Andy and his pals will go on sale this Sunday, just in time to get us all excited about the film’s release.

SECRET SOLO SPOT FOR STONES’ RONNIE

THE ROLLING STONES are coming back this summer with their new album Foreign Tongues – but I’m told any plans for Sir Mick Jagger, Keith Richards and Ronnie Wood to take the record on the road are still up for debate.

Despite this, I hear fans of the Stones will be able to see Ronnie in action at a top-secret gig later this year.

My music moles say he is putting on a special, intimate show at the O2 Forum in Kentish Town, London, on August 31.

They revealed: “Ronnie is doing a show and some big rock names will join him. This isn’t a Stones gig, so it’s not with Mick and Keith, it’s other well-known industry names.

“So far, he’s got Imelda May on board to sing and Ronnie is currently talking to other artists about getting involved.

“He absolutely loves to play live. The show should be announced next week, with tickets on sale soon after.”

Confirming the gig, Ronnie told me: “I’m looking forward to kickin’ ass with my back catalogue and some new songs – look out London!”

I revealed last month that the band was back with a brand new record, and that the legends had signed up actress Odessa A’Zion to star in their comeback video.

Last week, they proved their fan base is still crazy for their music. The Stones released an ultra-limited white label vinyl single, Rough And Twisted, under the alias The Cockroaches – with all copies snapped up within seconds.

They are now being flogged online for more than a grand.

HUGH’S PREMIERE LEAGUE

HUGH JACKMAN and his actress girlfriend Sutton Foster couldn’t have looked happier as they attended his latest movie premiere – three years after he split from his wife.

The Greatest Showman actor stepped out in a blue suit to the launch of The Sheep Detectives in New York City on Sunday evening, alongside Sutton in a sequin gown.

He moved on after his 27-year marriage to Deborra-Lee Furness came to an end, with their divorce finalised last summer.

Patrick Muldoon, known for his roles on “Days of Our Lives,” “Melrose Place” and “Starship Troopers,” has died. He was 57.

The actor and producer reportedly died Sunday, his manager confirmed to Variety. According to Deadline, Muldoon died suddenly after a heart attack. The Times has reached out to Muldoon’s reps for comment.

Muldoon originated the role of Austin Reed on the daytime soap opera “Days of Our Lives.” He first portrayed the aspiring boxer and brother of Lisa Rinna‘s Billie Reed from 1992 to 1995, and returned to reprise the role from 2011 to 2012 (the character had since become a forensic accountant).

“Austin is a wonderful role,” Muldoon told The Times in 1995. The actor explained he took his “sweet time” mulling over whether to leave the show because “it was one hell of a decision to make.”

“I’m leaving for no other reason than why other people leave soaps,” Muldoon said at the time. “To take a shot at doing other things like nighttime, movies and other things. … I feel confident right now so I figured I better take the shot sooner than later. If I don’t, I’ll always wonder ‘what if.’ ”

He played the recurring villain Richard Hart on the primetime soap “Melrose Place” for three seasons beginning in 1995. Muldoon’s big-screen roles include Zander Barcalow, a pilot and rival of Casper Van Dien’s Johnny Rico, in Paul Verhoeven’s 1997 movie “Starship Troopers.”

Born September 27, 1968, in San Pedro, Muldoon’s early passions included football. He started playing at the age of 6 and would go on to play at Loyola High School and then at USC.

“I did fairly well for being a smaller tight end,” Muldoon told The Times in 2012, adding that getting run over during practice by USC teammate Junior Seau — the late linebacker who had a 20-year NFL career — was among the factors that led him to pursue acting instead. Muldoon began his acting career during the sport’s offseason, and his earliest roles were on shows such as “Who’s the Boss?” and “Saved by the Bell.”

In addition to acting, Muldoon was a producer with credits on films such as “Riff Raff” (2024), “Marlowe” (2022), “The Card Counter” (2021) and “The Comeback Trail” (2020). Most recently, he shared on Instagram his excitement of being among the executive producers for the upcoming film “Kockroach.”

An ITV newsreader has shared a rare insight into why he needed to take some time off.

An ITV News journalist has opened up about taking three months off work after suffering a “breakdown”.

Newsreader Tom Bradby took the break from work back in 2018, and now he is speaking candidly about that time.

He opened up about it to Radio Times as he discussed new ITV thriller Secret Service, which was adapted from his book and stars Gemma Arterton as MI6 officer Kate Henderson.

Tom said he wrote that particular novel faster than any of his other books, saying that when he reflects on the speed it “poured out” of him “it seems obvious that Kate – as a result of all the pressure heaped upon her – is skating on the edge of acute insomnia and some kind of breakdown”.

“And shortly after I finished it, this is exactly what happened to me,” he said. “I took three months off, rebooted and recovered.

“But when I read the book now, I do wonder at the way the character was a direct reflection of my own psychological state of mind.”

Tom has previously been open about his time off, revealing it happened after he developed insomnia, which resulted in what he said was an “addiction” to a sleeping pill.

Secret Service, which also stars Rafe Spall, was adapted from Tom’s best-selling novel and ITV has promised viewers “high-stakes drama” and “political intrigue”.

The five-part series explores the world of espionage against the backdrop of escalating tensions between the UK and Russia.

A synopsis for the show said: “The drama follows senior MI6 officer Kate Henderson (Gemma). On the surface, her life appears ordinary – a civil servant married to Stuart (Rafe) with two teenage children.

“However, to those who don’t know her well, Kate’s true role is heading the Russia Desk at the Secret Intelligence Service.

“When her undercover operations reveal alarming evidence that a high-ranking UK politician may be a Russian asset, Kate finds herself in a desperate race to uncover their identity.”

It continues: “As a brutal murder thrusts her team into the spotlight, Kate must navigate the dangerous world of espionage while trying to hold her family together and protect her reputation.”

Secret Service will launch on Monday April 27 at 9pm on ITV1 and ITVX.

Gregg Wallace, who was sacked from Masterchef last year following an investigation into 83 historical allegations of workplace misconduct, has confirmed his “new chapter”

Former Masterchef host Gregg Wallace is leaving the UK for Italy after being forced to sell his “enormous” £1million home.

The TV chef, 61, was axed from the popular BBC programme last year after he was accused of “inappropriate behaviour”, including allegations of touching an assistant’s bum on the show. An investigation into 83 historical allegations of workplace misconduct, with 45 accusations against him subsequently upheld.

Reports emerged in October Gregg was claiming up to £10,000 in damages from the BBC and one of its subsidiaries following his axe from MasterChef. The TV presenter claimed they allegedly caused him “distress and harassment” by failing to disclose to him his personal data.

But now the presenter has confirmed his “new chapter”, telling his Instagram following he will leave the UK for Italy by the end of the month. Gregg added he will homeschool his autistic son there.

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Gregg’s wife, Anne-Marie Sterpini, whom he met on Twitter, is Italian. They tied the knot in 2016, four years after Gregg’s divorce to his third wife Heidi Brown.

Speaking in his social media video, Gregg said: “I’ve always loved Italy and we plan to move around and rent in different places which is quite an adventure and with the help of my autism specialist mates, I am going to homeschool Sid as well. It is a new chapter for us. It is a life that should be full of travel and adventure and I’m very very much looking forward too it.”

But the entrepreneur, who also hosted Saturday Kitchen, is also planning to buy a “much more modest”house in Yorkshire — close to where his daughter lives. He will then divide his time between Italy and Yorkshire, it is thought.

It comes after Gregg revealed earlier this month that he is selling his £1million Kent home after being left “unable to live the life he used to have”. The chef has not had a TV job since the BBC sacked him from Masterchef, a role he had held for nearly two decades.

The ex BBC star plans to sell the “enormous” home which sits on five acres of land along with its stables and pond. Gregg, who bought the home back in 2017, said he was making the move not only for a slower pace of life but also to ensure financial security for Anne-Marie, 38, and son Sid, six.

He said: “I can’t have the life I used to have but whether you chose to believe it or not, I really wanted to come out of that anyway, but obviously not in the dramatic way that I did.

“I want to ease off a little bit, I want to relax a little bit. but that also comes with wanting financial security for me and my family because I’ve got a wife that is much younger than me and a special needs little boy, Sid.”

Eddie Murphy is celebrating not just his lifetime achievement award, but also the arrival of his third granddaughter, perhaps the funniest baby alive.

Murphy’s son Eric and Martin Lawrence’s daughter Jasmin have welcomed their first child together, baby Ari Skye.

On Saturday, Murphy was honored with the 51st AFI Life Achievement Award at a gala in Hollywood and told reporters that he had recently celebrated back-to-back milestones.

“I just had my first grandson two months ago, and I had my third granddaughter two weeks ago. And I turned 65 a month ago,” he told “Entertainment Tonight” ahead of the gala. “It’s raining blessings on me.”

The ceremony celebrated his storied career across comedy and film, and featured tributes from fellow funnyman Dave Chappelle and “Shrek” co-star Mike Myers. The special will premiere May 31 on Netflix.

The “Dr. Dolittle” star also gushed about his new grandbaby to E! News, and told the outlet that being honored for his work was “a wonderful thing” but that his legacy wasn’t his work.

“My legacy to me is my children,” he said.

Asked whether he or Lawrence offered their kids any parenting advice as they prepared to welcome Ari Skye, Murphy said he’s more of a lead-by-example kind of dad.

“You don’t give advice like that,” he told the outlet. “Your kids don’t go by your advice. Your kids go by the example you set. They watch you. Stuff you be saying, they don’t even pay that no mind. They watch and see what you do.”

In March, Jasmin and Eric posted photos from their lavish baby shower on social media. The shindig included a three-tiered pink cake, pink cocktails garnished with meringue that looked like clouds and balloons galore. “The most beautiful and special celebration for our baby girl,” the couple captioned the post. “Thank you to our parents and everyone that made this day so magical! Ari Skye Murphy, you are SO loved already!!”

Excitement around Ari Skye’s arrival had been brewing in the media long before the couple even announced they were expecting. Murphy joked about a potential grandbaby when Jasmin and Eric were dating back in 2024, during an interview with Gayle King.

“They’re both beautiful,” he said. “They look amazing together. And it’s funny — everybody’s like, ‘That baby gonna be funny!’ Like our gene pool is just going to make this funny baby.”

Murphy agreed, saying: “If they ever get married and have a child, I’m expecting the child to be funny.”

MADONNA has been left heartbroken as she revealed that someone has “stolen” her vintage clothes after performing at Coachella.

The 67-year-old music legend teamed up with Espresso singer Sabrina for a show-stopping finale – dressed-to-impress in purple lingerie.

Two decades after her own epic headlining slot at the Californian festival, the queen of pop turned heads in a flesh-flashing frilly outfit.

Wearing a purple corset with matching lilac gloves, purple stockings and knee-high stiletto boots, the comeback queen accessorised with tinted shades and her long blonde hair down in waves.

She joined a lingerie-clad Sabrina, 26, who wowed in a white lace sparkly bodice and heels during her headline set at Coachella.

But now pop icon Madonna has been left with a sour taste in her mouth after precious pieces from her wardrobe went missing following the set.

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She shared on Instagram today: “Still flying high since Friday night at Coachella!

“Thank you to Sabrina and everyone who made it possible.

“Bringing Confessions II back to where it began was such a thrill.

“This full circle moment hit different until I discovered that the vintage pieces that I wore went missing – my costume that was pulled from my personal archives – jacket, corset, dress and all other garment.”

The musician stressed how irreplaceable these items are and issued an appeal for them to be returned.

Madonna continued: “These aren’t just clothes, they are part of my history.

“Other archival items from the same era went missing as well.

“I’m hoping and praying that some kind soul will find these items and reach out to my team.

“I’m offering a reward for their safe return. Thank you will all my heart.”

Over the weekend, Madonna and Sabrina delighted the crowds with classic hits including Vogue, Like A Prayer and I Feel So Free from Madonna’s new album.

Sabrina had been mid-performance when an instrumental tease of Madonna‘s 1990 hit song Vogue weaved in.

Madonna told the cheering audience: “Wow, thank you.

“Sabrina, thank you so much for inviting me on your show.”

Holding hands, she replied: “No thanks needed, Madonna.”

“Well, I have a few things I want to get off my chest. So, 20 years ago today I performed at Coachella,” admitted the Ray of Light singer.

“I was in the dance tent and it was the first time I performed Confessions On The Dance Floor part one in America.

“It’s a full circle moment, you know? Very meaningful for me.” 

She urged: “Let’s try to be together. Let’s try to avoid disagreements.

“And to that point, the great thing about music is that it brings people together. 

“It’s the one place that people have to put their differences aside, put their s**t down and just everybody have a good time together, right?

“So I am thrilled to be a part of that healing experience…”

The Vogue singer confirmed this week that she will release her first record in seven years this July — a sequel to her 2005 smash Confessions On A Dance Floor.

The original, inspired by disco and Eighties electropop, shifted more than 10million copies.

It featured No1 singles Hung Up and Sorry, and ushered in a new era of dance music.

In 2024, Sabrina paid ­tribute to Madge by attending the MTV VMAs in a vintage strapless gown previously worn to the Oscars by her musical hero in 1991.

Sabrina said of Madonna last year: “She’s so lovely and exactly how you expect her to be — just, like, so magnetic.”

Open your spellbooks. Nicole Kidman and Sandra Bullock have returned in the trailer for “Practical Magic 2.”

Warner Bros. released the trailer for the highly anticipated film after it was screened Wednesday at CinemaCon — an annual convention in Las Vegas for movie theater owners. The film will be released Sept. 11, nearly 28 years after the original debuted.

The sequel, directed by Susanne Bier, follows sisters Sally (Bullock) and Gillian (Kidman) Owens, as Sally’s daughter (Joey King) uncovers family secrets and develops her own magical abilities. Warner Bros. announced the sequel on TikTok in June 2024.

Lee Pace, Maisie Williams, Xolo Maridueña and Solly McLeod have joined the cast. Stockard Channing and Dianne Wiest will reprise their roles as Frances and Jet Owens, the aunts who raised Sally and Gillian. In the trailer, the sisters must leave their homes on a mysterious adventure. Sally even pokes fun at their past, comparing their current journey to the previous film.

“‘Everything’s gonna be OK?’ Just like it was when we had to bury a corpse under a rosebush? That kind of fine, or different?”

The original film chronicled Sally and Gillian’s quest for love while balancing their identities as witches and their familial curse. The sisters descended from a line of witches that doomed any man who fell in love with an Owens woman. In the film, the sisters nullify the hex by holding an exorcism on the spirit of Gillian’s abusive boyfriend, whom the sisters previously killed.

The sequel is based on the 2021 novel “The Book of Magic,” the fourth book in Alice Hoffman’s “Practical Magic” series. In 2019, HBO Max ordered a pilot for a prequel series, but the show was ultimately shelved.

Kidman and Bullock introduced the film last week during CinemaCon by referencing Kidman’s famous AMC ad. Bullock asked, “Why do we come here, Nicole?” “We come to this place for magic,” Kidman responded.

On Instagram, Kidman shared videos of her and Bullock sipping drinks out of mini cauldrons and walking the red carpet arm in arm. Bullock made her Instagram debut Tuesday (and has already amassed 5.2 million followers) with a nod to the original film’s midnight margaritas.

POP star Harry Styles and actress Zoe Kravitz are sleeping in separate beds during their stay in Britain. 

The singer was snapped showing his American girlfriend the sights close to his North London home on Sunday. 

But after grabbing a coffee and walking hand-in-hand, the pair split and went their separate ways. 

Harry, 32, was spotted dropping off Zoe, 37, at her hotel in the capital at 3.30pm on Sunday before heading to his Hampstead pad.  

He was then seen arriving to pick her up again yesterday morning. 

An onlooker said: “Harry and Zoe might be spending time together by day but at night they’re sleeping apart.

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“They were so loved-up in Hampstead, so it was odd the date ended with her going to a hotel and him heading home on his tod. 

“He was a proper gent though and came and picked Zoe up for another date yesterday.” 

Harry, whose new album, Kiss All The Time. Disco, Occasionally, went straight to No 1 when he released it last month, will be on tour in the coming weeks. 

He will start a ten-date residency in Amsterdam on May 16 before returning to London for a record 12 nights at Wembley Stadium across June and July. 

The singer will then fly to South America for a run of shows before he plays 30 more in New York and then five concerts in Australia. 

Insiders said Zoe, who is the daughter of rocker Lenny Kravitz, is busy with her filming commitments but that she would visit Harry when she could. 

A source said: “Harry and Zoe spend as much time together as they can and they’re massively supportive of each other’s careers.

“She will be at shows when she can. 

“Harry has made sure he’s got plenty of down dates in his schedule, too.” 

The Sun revealed the pair were dating in August. 

Onlookers spotted them snogging in Rita’s bistro in London’s Soho.

David Haye and Gemma Collins have been booted out of I’m A Celebrity in a shock double exit, leaving their fellow campmates reeling – and closer to being named King or Queen of the jungle

David Haye and Gemma Collins have been booted out of I’m A Celebrity in a shock double exit.

Fans were stunned to see two of the camp’s biggest personalities leave the ITV jungle show. The pair have both hit the headlines during their time on the show – but for very different reasons.

They were booted out of camp tonight, decided by their fellow campmates and their departure will no doubt change camp considerably. Speaking after his exit, David said: “I’m ok. I’m happy. I’ve had an amazing time, great new friends and lots of experiences. You’ve cranked up the trials and the challenges. Ten days it was fun, I enjoyed it.

“Today and yesterday people started cracking, there was a bit more beef between people. Me and Adam had a bit of back and forth, but the banter, he didn’t really like the banter, he kind of got to the limit he was willing to receive.”

Asked if he pushed it too far, he added: “Probably… I’m an extremist and I can’t help myself. It’s all love, I love him really. He’s a cool guy. It’s all perfect now.”

Gemma also opened up on her departure, explaining how she has no bad feelings towards David.

“I’ve got no bad feelings to David, everyone has their time. I’m so happy I’ve got to relive this whole experience again ,last longer, i was much more determined this time and had a lot to prove,” he said.

“Just to do a trial was such a moment in my life because I never thought I could do it. It’s always easy to be outwardly confident but sometimes inside you’re a little bit less confident. I’m going back GI Jane, I’m going back yeah baby. God knows what I’m going to do next. I just don’t think I’ll be as scared of everything.”

Gemma had previously described her time on All Stars as “redemption” after she quit days into the first series.

“Going on All Stars is a real moment for me in my career – it’s redemption. To be able to do this again is the greatest honour ever. I am going to be the best campmate and get those stars. None of us will be starving under my watch,” she said.

“I am dreading the whole lot, I don’t think anyone goes into the jungle going ‘woohoo’. It’s not normal to be faced with animals, but I am going in as Gemma Collins. Gemma Collins is a self-made woman. I have been to hell and back to get to where I am today. I am just looking forward to proving to people I can do it.”

David, meanwhile, has caused quite a stir during his time on the show, firstly for comments about calling his girlfriend the “personality of a proper ugly bird”.

In a rant, he said: “Most ugly girls realise they don’t they’re not pretty enough to… they gotta have a personality to banter and to tell jokes and s**t, so people overlook the fact that they’re not aesthetically amazing, straight away. Which is what’s called Ugly Duckling syndrome, where girls are ugly, when they start off, and then they and then they kind of they, they get pretty as they get older. But they still got the personality of when they’re ugly. Does that make sense?”

David also recently came under fire for his comments to Adam Thomas, which exploded even more this evening.

With two of the biggest personalities now go, how will it change the camp for the remainder of the show?

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Christina Applegate is speaking out amid reports of an extended hospitalization.

The acclaimed comedy actor, who was diagnosed with multiple sclerosis in 2021, has been the subject of regular news coverage in the years since her health first began to decline. TMZ on Thursday reported that she had been hospitalized in Los Angeles for undisclosed reasons, leading her friends and fans to extend messages of support.

“Thank you for the outpouring of love and well wishes,” Applegate said Monday in a social media post seemingly referencing such messages. The post included a photo of the actor’s recently released memoir, “You With the Sad Eyes,” and a coffee mug resting on what appears to be a home parapet.

She continued: “Health issues are a constant for me, but I’m a strong chick and I’m getting stronger and better every day. I’m taking a moment to focus on my health, but I’ll be back with more to say soon enough.”

Several of Applegate’s fellow actors offered support in the comments section, with Cheyenne Jackson writing, “Christina, just in case today’s mail got lost: We the public would like to formally submit that we adore you, support you, and RIDE AT DAWN FOR YOU ALWAYS.”

“Days of Our Lives” star Greg Rikaart echoed his sentiment: “Can’t think of anyone the collective culture roots for more than you.”

Applegate’s representative previously declined to comment on the hospitalization reports, telling Entertainment Weekly that the “Married … With Children” alum has “had a long history of complicated medical conditions that she has been refreshingly open about, as evidenced in her memoir and on her [‘MeSsy’] podcast.”

Applegate in March released “You With the Sad Eyes,” detailing everything from her unstable childhood to her decades-spanning acting career and the health issues that have plagued it.

“This book is not cathartic for me — let’s just go there,” Applegate recently told The Times. “I just needed to dump this s— out somewhere. It’s almost like you guys are now my therapists in the world.”

“There’s going to be really f— horrible s— and then we’re going to have fun stuff — because that’s what my editor told me to have (that’s a joke!) — and crap again,” the “Dead to Me” star said. “That’s my life.”

For disputed reasons, April 20, abbreviated to 420, has become a day to celebrate marijuana; even if this is nothing you mark on your calendar, the collective culture is bound to remind you.

Weed is not what it used to be, which is to say illegal everywhere. (State laws may differ, but the federal government still disapproves.) Stoners are no longer useful as a comedy device, while pot’s countercultural meaning has dissipated as it’s been absorbed into the mainstream. According to the CDC, some 60 million American reported using it in 2022. Snoop Dogg is a beloved media figure (and, somehow, an Olympics commentator). Seth Rogen co-owns a cannabis company, Houseplant, that also sells coffee, furniture and incense. The paper you are reading has published weed-themed gift guides.

Now, Hulu, wholly owned by the Walt Disney Company, is marking the day (Monday) with “4×20: Quick Hits,” a frisky anthology comprising four 20-minute documentaries on pot-related subjects, with family-friendly figure Jimmy Kimmel as an executive producer. It’s less about the drug itself than the arts, crafts and enterprises it has inspired. Given where we are now, it’s not surprising that there’s a historical bent to the films, a look back to earlier times — certainly worse for some of the people profiled, who were targeted by and battled with the law in pursuit of their businesses and dreams — but one they regard with a kind of amused nostalgia.

All the films are affectionate, most are light-hearted and often comical. One, Todd Kapostasy’s “Bong Voyage,” about the rise and fall and rise of artisanal glassblower Jason Harris, is narrated by one of his creations and includes such dumb puns as “fine piece of glass.” Directed by Brent Hodge, “Highly Unlikely” is an entertaining, straightforward reminiscence of the making of “Harold & Kumar Go to White Castle,” though it is less about the stoner themes than how the film broke stereotypes in making two little-known Asian actors, John Cho and Kal Penn, the film’s stars. The adorable “The Legend of Ganjasaurus Rex,” directed by Alex Ross Perry, and nearly the premise for a Christopher Guest movie, recounts an act of community filmmaking in the late ‘80s in pot-growing Humboldt County, wherein locals created a monster movie in a proxy war with the authorities, and its inspirational afterlife.

More serious in tone is Kyle Thrash‘s “High Times,” which looks at the history of the pot-centric magazine, its drug smuggling founder Tom Forçade and his suicide. More compelling perhaps is his friend, Yippie co-founder and lifelong cannabis activist Dana Beal, who frames the film; we see him in the nearly present day on trial for drug trafficking, having been stopped in Idaho with 56 pounds of raw marijuana, and also on the streets of New York leafleting passersby with his daughter to “help us legalize weed worldwide.”

Whether or not cannabis itself interests you, each of these mini-docs is capable of holding your attention for 20 minutes — assuming you’re capable from your end — and, being as brief as they are, may well send you to learn more. (I don’t imagine they will send you to smoke pot if you don’t — they didn’t work on me, anyway — and, who knows, might even make one less inclined.) You might finally watch “Harold & Kumar,” or find Garberville on a map, or look to see how things are going for Beal, or discover whether the same John Holmstrom who once edited High Times is the same person who founded Punk magazine and drew covers for the Ramones’ “Rocket to Russia” and “Road to Ruin” albums. (He is.) “Ganjasaurus Rex,” in its 90-minute full length, is itself online to see, and, for those who celebrate, I don’t suppose there’s a better day to watch it.

The co-creators of the new Prime Video series “Kevin” tried to make the show “as personal as possible,” says Joe Wengert, explaining that he and Aubrey Plaza looked back to the end of their relationship nearly two decades ago for inspiration. Then, Wengert says, they focused on “the emotional story and investing in the inner lives” of the main characters. (Plaza’s production partner, Dan Murphy, was a third co-creator.)

And, Plaza adds, they strived to give the show a real “groundedness” in its specific New York neighborhood — Astoria, Queens, where she and Wengert lived together — while also “infusing some of my film nerdiness and love of New York films.” There’s even a rooftop scene that’s a homage to Al Pacino’s first leading film role, in “The Panic in Needle Park.”

OK, so all of that’s totally true, but “Kevin” is mostly a silly, raunchy animated series with a star-studded comedy cast about talking animals and their escapades in a life generally free of human owners.

The show opens with a couple, Dan (Mike Mitchell) and Dana (Plaza), breaking up and their cat, Kevin (Jason Schwartzman), deciding he’s done with both humans and will find his own way in the world.

“Joe and I were talking and realized we both weirdly wanted to do a cat comedy, and he had this idea and I loved it,” Plaza says, explaining that when they broke up, Kevin and another cat, Howard, passively went with Wengert. (Howard died relatively young, but, spoiler alert, Plaza says a cat named Howard will make an appearance as a tribute.)

“Joe was then doing a lot of comedy about being a single guy with cats.”

Wengert, who serves as showrunner, says the breakup was “a significant moment in my life” and he wanted to explore that, but a sad man going off to reconnect with his friends was not as funny as this concept. “The idea of this just made us laugh,” he says.

The real Kevin was a homebody, not a cat who looked longingly out the window, Wengert says, adding that he always felt bad for Kevin: “You could have been with Aubrey Plaza but you’re stuck with me in my studio apartment.”

In the series, Kevin soon lands at an animal rescue where he falls in with Cupcake (Whoopi Goldberg), a self-declared feral cat with a kinky and rebellious side; Armando (John Waters), an aristocratic cat with a haughty attitude; Judy (Aparna Nancherla), a cat with gross eye infections who is way more upbeat and hopeful about the world than she should be; and a shrill and bossy dog named Brandi (Amy Sedaris), who runs the human Seth (Gil Ozeri) — ostensibly the operator of the shelter.

After his owners break up, Kevin decides to stay at an animal shelter, where he makes friends with a rag-tag group of cats, dogs and other animals.

(Courtesy of Prime)

“This idea of fending for yourself and trusting your instincts is part of checking off boxes to show you have lived a quote unquote real life,” says Schwartzman, briefly growing philosophical about what intrigued him about playing a neurotic cat.

The cats encounter plenty of other animals on their adventures, from a drunk spider to a deer that gets hit by a car and curses out the driver. “That made me laugh out loud,” says Plaza, who also voices numerous animals, including the spider and a pitbull love interest for Cupcake. “I’ve always wanted a love story with Whoopi Goldberg,” she adds.

(Wengert voices a parrot named Paco, among others, and says there’s talk of adding a tortoise.)

One secondary character is a horse named Patti Lupony, who, naturally, is voiced by Patti LuPone. She’s part of a stacked guest star roster that includes Addison Rae, Cary Elwes, Charles Melton, Nicole Byer, Jim O’Heir, Maria Bamford, Quinta Brunson and Tig Notaro. Many of the actors, including Schwartzman, Waters, LuPone and O’Heir, are Plaza’s friends.

“I like to do things that people don’t expect me to be in, and this is definitely one of them,” says Waters, adding that “Armando is not a real fan of humans, and as a human, I’m not a real fan of cats.”

Still, Waters, who prefers dogs, says he was easily able to get into Armando’s skin. “I’m a Method actor, so I was crawling around the floor,” he jokes, before adding, “If I was a cat, I would probably act like Armando.”

For what it’s worth, Schwartzman also owns dogs, though he’s quick to point out that growing up in Los Angeles, he volunteered at a cat shelter, and these days Plaza actually owns a dog, too. But as anyone who has seen her in “Parks and Recreation” or other roles would surmise, Plaza says, “I have cat-like tendencies and relate more to cats.”

Plaza and Wengert also incorporated the actors’ sensibilities and personalities.

“We would change things on the fly based on the actor’s input,” Wengert says.

Plaza says that Waters is known for being provocative and loves reading tabloids but that he asked to tone down Armando’s snide put-downs of celebrities. “I felt ill at ease about them,” Waters says. “I’ve gotten away with my career for 50 years because I’m not mean. My specialty is praising things other people hate, not the other way around.”

Wengert says the change “forced us to dig deeper and find something more unique in the character, so I’m happy that he asked us to make the change.”

(He adds that he expected Goldberg to object more “because we gave her so many outrageous lines” but she rarely did, except “to pitch something that was even funnier that worked better.”)

Plaza knew Kevin’s neuroses fit Schwartzman but also that he could bring his own touches while improvising. “He’s really funny about his own body,” she says. “We were hanging out once and he just said, ‘Feel this, my leg is really heavy.’ So we put that in for Kevin.”

Schwartzman says, seemingly seriously, “Wow, I don’t have a memory of that exact moment, but it is true that my leg does feel heavy.” And he adds that his friendship with Plaza enabled him to feel comfortable throwing out ideas during recording, adding that the improvising and tweaking went both ways, with the writers constantly adding new ideas. “It was a collaboration and an evolution,” he says.

The writers room is stacked with people who, like Plaza and Wengert, hail from the Upright Citizens Brigade improv world. (Wengert, who also imported writers he’d worked with on Netflix’s “Big Mouth,” was running the UCB school when they met.) “Our sense of humor is very aligned,” Plaza says.

While Plaza loves how “freeing” animation is — “your imagination can run totally wild” — she says that even though it’s out of character for her, she’d play the “bad cop” in the writers room. Wengert says one day she brought Schwartzman in and he and the writers pitched some wild ideas that made them say, “What the f— is going on.”

“We’re just building the world, so you need some rules, otherwise all the inanimate objects can start talking,” Plaza says. “When things started getting too crazy, I’d say, ‘Let’s rein it in.’”

The example Wengert gives is that they can briefly have a talking pizza slice (it is New York, after all) but they don’t want it to become close friends with Kevin in a major plotline.

But if they get to produce a second season — the scripts are already written — Plaza says the leash will get looser “and it will get more insane.”

Jack Whitehall revealed his father’s true reaction to discovering a surprising connection to an ITV legend after spotting him at a funeral

Jack Whitehall has revealed his father, Michael Whitehall, was left “mortified” to discover their connection to antiques expert David Dickinson. Uncovered in an awkward circumstance – Jack recalled spotting the former Bargain Hunt at a family funeral.

Appearing on Alan Carr’s Life’s A Beach, the 37-year-old said of the surprising link: “You know I’m related to David Dickinson? This is my bizarre fact… not by blood, but he’s married to a cousin of my mum’s.

“We found this out because we went to a funeral and David Dickinson was stood on the other side of the grave,” he continued.

When quizzed about whether David’s famously bronzed complexion is as striking in person as it appears on television, Jack quipped that “he was glowing”.

He described the antiques expert as “more impressive up close,” before revealing how his father took the news of their family tie.

“My dad was absolutely mortified,” he recalled. “He was like, ‘We will never speak of this again’. And obviously, I now want to get it out there as much as I can, far and wide.”

David, 84, has been married to Lorne Lesley since 1968. The couple are understood to have first crossed paths in Manchester, and their romance blossomed from there.

They went on to welcome two children together, while he also adopted her son and daughter from an earlier relationship, Robert and Katrina.

Previously discussing their relationship, the Dickinson’s Real Deal star told The Mirror: “Lorne lets me think I’m the master of my own home. Any woman who knows what she’s doing lets her man think he’s in charge – but we know we’re not really.”

He also sang his wife’s praises, adding: “Lorne is half African and half Welsh and hails from Tiger Bay, just like Shirley Bassey.

“She’s very glamorous – a lovely, striking lady – and she has more talent in her little finger than I have in my whole body.

“When I met Lorne, I was working in the textile industry but ready for a change of career. As I got to know her better, we decided I should become her manager. Together we travelled the world, and it was during this time that my interest in antiques began to flourish,” he added.

Meanwhile, Jack married Roxy Horner his partner of six years at Euridge Manor, a 17th-century estate in the Cotswolds, last weekend.

The stunning venue, sprawled across 450 acres, boasts a boating lake, an orangery, a helicopter pad, a pergola draped in wisteria and a ballroom.

Reportedly costing £250,000, the couple’s ceremony was attended by a host of celebrity guests, including James Corden, Jamie Redknapp and Andrew ‘Freddie’ Flintoff.

JOE Lycett has revealed he had to rush his 16-month-old son to hospital in a rare parenthood admission.

The comedian keeps his personal life notoriously private and shocked fans in 2024 when he revealed he had become a father, welcoming the little one with his long-term girlfriend.

Joe’s girlfriend, whom he refers to as ‘Denise’ to keep her real name private, remains out of the limelight, with their relationship very under the radar.

But appearing on Katherine Ryan’s What’s My Age Again Podcast, Joe spoke about his experience with fatherhood and detailed a recent health scare with the youngster.

Choosing not to share his name, Joe jokingly nicknamed his little one “the punisher”.

He explained: “The punisher was poorly recently, we had to go into hospital and whatever.”

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” I got a real sense of, ‘I would take any pain that you have, a thousand times over. I would bulldozer through a nursery to save you. I would do whatever it takes,” explained Joe of the unwavering love he has for the baby boy.

He later referenced the hospital incident again, confirming that the youngster had to be assessed in A&E.

Talking about how the family had a parking debacle during the hospital trip, he explained: “So, the punisher was ill. I drove to A&E, Birmingham children’s hospital.

“Parked up, took a picture of the Ringo number but didn’t do it straight away, like, ‘Oh, I’ll just wait while my son was unwell’, I thought, ‘I’ll do it in there’.

“So, he was being assessed and I was paying for parking whilst he was being assessed, so I had one eye on him and one eye on this,” said Joe, who continued to explain that he ended up getting a parking ticket for not doing so in time.

Joe also gave an insight into family life and his decision to become a parent as he said: “I always said I didn’t think I’d have kids but if one happened then I’d have a really good go at it.

“But then, I think, being in a stable, loving relationship, suddenly I was like, ‘Oh it would be fun to have a go at this’.

“Once we started talking about it, it became an inevitability.”

The comedian then touched on his decision to keep his family life, including his relationship, out of the public eye.

There are no family snaps on his social media, with his son and partner not featured anywhere online in connection to Joe.

Explaining the reason behind this, Joe said: “For the punisher, it’s up to him if he wants to do that later and be in the public eye.

“Because there is an inherit risk in being in the public eye, being known, having your face known and all of that.

“And if I end up doing something appalling he can change his surname and no one knows who he is, essentially.

“And then with Denise she just has a job where she works with vulnerable people.

“So if people know that I’m with her then it might affect her work. And also she has no desire to be in it – it’s weird to do what we do. “

Cameron Collins was sick of Joe Biden.

The owner of concert promoter Brew Ha Ha Productions describes himself as a libertarian-leaning conservative who built his career in San Juan Capistrano. He’d kept his personal politics out of his popular SoCal events, like the ska fest OC Super Show and the nationally touring Punk in the Park fest, a staple for bands like Bad Religion and Pennywise.

On May 30, 2024, Collins felt dismayed that Biden had pursued reelection. In a fit of anger, he donated $225 to Donald Trump’s campaign.

“It was just an impulsive thing,” Collins said in an interview. “Biden had said he was going to run again. I was like, nope. He’d said he wasn’t. It was more about that than anything. I don’t post anything political or talk about anything politically. I’ve never donated to anything like that before.”

That donation proved fateful. After a small punk label discovered and decried Collins’ donation, the scene turned on him. Influential bands pulled out of his festivals or said they wouldn’t return.

On Feb. 27, Collins canceled every Punk in the Park date for 2026.

“The current climate surrounding the events has created challenges that make it impossible for us to move forward,” the organizers wrote on Instagram.

It’s no surprise that an underground music scene would loathe a Trump-donating promoter. Amid the Iran war, raids by U.S. Immigration and Customs Enforcement, and the Epstein files, many Americans want Trump supporters gone from their lives, some viewing any form of support for him as an attack on their and others’ safety and dignity.

Yet until this donation, Collins was a respected promoter whose events sustained hundreds of acts, including progressive bands. Some artists who relied on Collins’ festivals — even if they hate his politics — said the backlash will hurt their livelihoods too.

“It was the worst money I ever spent,” Collins said. “It was not worth this.”

On a March afternoon after canceling his tours, Collins spoke to The Times on a Zoom from his home in Texas. He wore a thick gray beard and the chunky glasses of an aging rocker. His home office was plastered in concert posters from his decades of shows, which include Punk in Drublic (a long-running collaboration with his friends in the left-leaning band NOFX), Silverado Showdown in Orange County and SoCal rock radio station KLOS’ Sabroso Festival.

He expressed bewilderment over the fan revolt that turned him from a scene mogul who gave to pediatric cancer research charities to a villain with a gutted festival business.

“I feel like my reputation with every artist I ever worked with was that they would say, ‘The guy’s got integrity. He treats everyone right. He fights for this scene,’ ” Collins said. “I’m wondering what is happening right now that this has become so polarizing.”

Asked what Trump policies he supported, Collins sighed and said, “A vote for a candidate is not an endorsement of everything they stand for. I am very antiwar. There were promises that Trump made — no more foreign wars, supporting Ukraine by ending that war, lowering prices on gas and on groceries. Dinner table topics.”

Those goals are significantly at odds with the president’s track record. Did Trump deliver on Collins’ donation?

“The way that this whole fiasco has gone down — no one would have voted for that,” he said.

Punk has long struggled with a reactionary streak. British bands in the ‘70s wore swastika armbands for shock value. The Sex Pistols’ Johnny Rotten and the Ramones’ Johnny Ramone turned rightward, and Orange County’s hardcore scene has had neo-Nazi extremists. Gen X punk fans who consider themselves anti-establishment might see online leftists as imposing on their ability to have consequence-free political speech.

Yet the vitality of today’s punk scene is driven by young, racially and sexuality-diverse fans who believe they are in grave danger from Trump’s policies.

Last year, Brandon Lewis, the founder of the Columbus, Ohio-based label Punkerton Records, was poking around on the donor database Open Secrets. He was curious how his scene was donating, and he’d attended Brew Ha Ha events like the Ohio punk festival Camp Anarchy. He checked where Collins put his money and was appalled that it went to Trump.

“We refuse to support, defend, or stay silent about someone who gave money to a man actively destroying everything we care about, deporting our friends and families, erasing the existence of our trans community, stripping away civil liberties, civil rights, and workers’ rights, while dismantling the Constitution itself,” Lewis wrote from Punkerton’s Instagram.

“I’m a combat veteran, and this administration is just pushing everything I believe in about freedom out the window,” Lewis told The Times. “When I would listen to Trump’s rhetoric about ICE — I’ve got friends who are undocumented. Supporting that in a financial way, supporting someone saying my trans friends don’t exist, and to do so coming from a music scene that to me is accepting and kind and certainly not ripping families apart, I couldn’t in good conscience let that go.”

Other bands in the scene, like Dillinger Four, found more donations — around $100 or $200 each — from Collins going to the Trump-supporting political action committees WinRed and Never Surrender and the Trump National Committee. Collins’ support ran deeper than a one-off gesture.

Left-leaning fans demanded that bands drop off Collins’ festival bills.

Dropkick Murphys, a rough-and-ready enemy of Trumpism in punk, had played Collins’ past events. When word of his donations spread, the band came out swinging.

“Punk Rock and Donald Trump just don’t belong together,” they wrote in an Instagram post . “So, upon finding out that Brew Ha Ha promotions donated to the Trump campaign, we will not be playing any more Punk in the Park shows.”

Some acts, like old-guard punks the Adicts and ska group the Aquabats, canceled sets at Collins’ events. Other bands, like Dead Kennedys, said they opposed his beliefs but fulfilled their contracts.

“Dead Kennedys have always stood firmly against authoritarianism, racism, and fascism. That has not changed,” the group wroteon social media. “After these scheduled appearances, we will not be participating in future Punk In the Park events.”

Collins said he understood why bands jumped ship. “There was so much pressure building,” he said. “The bands are a business. You have to say, at what level is the pay worth the headache?”

Yet he insisted that “anyone that pulled off did not pull out because they were standing for something, but were being pummeled to the ground by everyone that said they’d better do it or else. I don’t want those bands to go through that.”

Many fans say that Collins is seeing the predictable consequences of supporting a politician the scene despises.

Others struggled with what to do in response. Monique Powell, the singer for the Orange County ska band Save Ferris, describes herself as a “queer anarchist anti-Netanyahu Jewish child of a North African immigrant,” and far from a Trump sympathizer. Yet Save Ferris played Collins’ OC Super Show event in spite of the protests and bands pulling out.

She said that, while she opposes MAGA, she “wasn’t willing to disappoint fans and put hundreds of people out of work just because someone had a view I didn’t agree with.”

She said Collins “has been an important part of creating and nurturing this scene. He gave a lot of people work. From onstage, I see all the vendors, the stage crew, all providing jobs for people of all backgrounds. He’s given a place for fans to come together, even if they don’t all believe the same stuff.”

Save Ferris was a breakout act in the ‘90s and is now a working-class band on the ska and punk festival circuit. “I see the midsized, hometown venues that the bands of my ilk play — they’re being bought out or dying,” Powell said. “I’m not about to start getting out pitchforks for someone who did something that’s nothing compared to the effects of larger companies.”

Take, for example, Beverly Hills-based concert giant Live Nation, which was in the news last week after a federal jury in New York ruled against it in an antitrust case. Live Nation’s chief executive, Michael Rapino, has donated to Democrats Kamala Harris, Sens. Jacky Rosen of Nevada, Lisa Blunt Rochester of Delaware and Adam Schiff of California, and the music biz-friendly Texas Republican John Cornyn. Live Nation’s PAC has given to Republican Sens. Marsha Blackburn of Tennessee and Ohio Rep. Jim Jordan, alongside several Democrats. Billionaire Philip Anschutz, whose namesake firm AEG is the parent company of Coachella promoter Goldenvoice, has donated millions to Republican politicians, PACs and party organizations for decades — exponentially more than Collins ever did.

It’s fair for to wonder why music fans who hold the line on supporting a Trump donor like Collins might attend those other shows. Lewis said he struggles with that contradiction too but said it hurt worse coming from a punk promoter.

“Donating to Trump is antithesis of what punk means. Hating people for their sexuality or skin color is not punk in the least bit. People clearly expected better from a punk rock festival,” he said.

“I think Live Nation should be broken in half,” Lewis added. “But it’s no knock on someone who wants to see Social Distortion at a Live Nation venue; they need escape as well. I’m just not going to pretend Live Nation is a beacon for good things.”

Those punk communities are pushing back beyond Collins’ events. The SoCal gothic-cumbia DJ collective Los Goths pulled out of the Orange County festival Los Darks after learning its organizers, Peachtree Entertainment, produced the MAGA-champion Kid Rock’s controversial Rock the Country festival. The Los Angeles crust-punk event C.Y. Fest was scrapped after its organizer, Ignacio “Nacho Corrupted” Rodriguera was accused of sexual misconduct (he called the claims “false allegations and misinformation,” but stepped back from the festival).

Collins’ company produces events outside the punk scene, focused on craft beer and other music genres. He recently revamped his upcoming Me Gusta festival into Sublime Fest after the rap group Cypress Hill pulled out. (Last year, Sublime played at the Trump National Doral golf course for the Saudi-backed LIV Golf tour.)

Collins is not sure how he’ll find his way back into the punk scene or if the fans will want him there again.

“I still go out into the audience because I just want to see, is it real? Do people hate me?” he said. “We have bands up there like the Casualties, who are flying [anti-ICE] flags. People are like, ‘You’re a fascist,’ but I’m paying a band to go on my stage to say whatever they want, and then signing a check and going, ‘Thanks for doing it.’ ”

In America‘s current political climate, left-leaning punk fans may not have patience for Trump sympathizers. Having heterodox beliefs is one thing; financially supporting the president is another. Collins is a free market guy, and the punk market has spoken.

Yet huge companies that donate to Trump and his allies are consolidating the industry. It’s harder for progressive punks who want the scene to reflect their values.

“I feel like we created a sustainable, realistic scene that can keep going for years, and bands can earn the money that they need to anchor those tours,” Collins said. His donation caused this avoidable backlash, but “if you take away festivals that are their anchors, like we have been for so many of these artists over the years, how do they tour? This is what the bands are telling me, that ‘we’re the ones getting killed here.’ ”