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As Star Trek captain Jean-Luc Picard and X-Men leader Professor Charles Xavier, he was the epitome of calm leadership under pressure.

But actor Sir Patrick Stewart, who has passed away aged 86 after a secret health battle with Alzheimer’s, spent his life fighting his own personal demons, coming to terms with his abusive childhood.

His father Alf was one of the last men evacuated from Dunkirk and then parachuted into Italy to fight in the brutal Battle of Monte Cassino where 54,000 Allied troops were killed or injured.

Back home in Mirfield, Huddersfield, he subjected the seven-year-old’s mother to brutal beatings.

Often, the young child would stand between his father’s fists and his mother in a desperate attempt to shield her.

“As a child I witnessed his repeated violence against my mother, and the terror and misery he caused was such that, if I felt I could have succeeded, I would have killed him,” he said. “If my mother had attempted it, I would have held him down.

‘INVINCIBLE GRACE’

Full heartbreaking statement after Patrick Stewart’s death at 86

ICON GONE

Hollywood icon Sir Patrick Stewart dead aged 86 after legendary career

“For those who struggle to comprehend these feelings in a child, imagine living in an environment of emotional unpredictability, danger and humiliation week after week, year after year, from the age of seven.

“My childish instinct was to protect my mother, but the man hurting her was my father, whom I respected, admired and feared.”

It was on stage where he found a way to break free from his home life and forge his own path.

“I managed to find my own refuge in acting,” he said. “The stage was a far safer place for me than anything I had to live through at home – it offered escape.

“I could be someone else, in another place, in another time.

“However, whenever the role called for anger, fury, or the expression of murderous impulses, I was always afraid of what I might unleash if I surrendered myself to those feelings.”

Born on July 13, 1940, in Mirfield, near Huddersfield, life was bliss until his father Alf returned home from war with what would now be called post-traumatic stress disorder.

He said: ”My parents’ bedroom had a partition built into it, which is where my old brother Trevor and I slept. No hot water, no cooking facilities, no toilet, bathroom. Just an open fire and a gas ring.

“I’d never known anything else.”

Reflecting the violence at home, Stewart’s own anger was close to the surface and he struggled to contain it at school.

He said: “I was beaten with a cane by my headmaster when I was 14, when I was innocent of what he was accusing me of.

“It was one of the hardest moments ever, because I wanted to attack him. I would have killed him.

“If I’d actually got my hands on him, I don’t think he’d have made it out.”

His salvation came in the form of English teacher Cecil Dormand who put a copy of Shakespeare in his hands and encouraged him to perform.

It was the Mirfield Secondary Modern School drama club that gave him a glimpse of something beyond the confines of his terraced home and violent abuse.

He said: “The first moment that I walked onto the school stage I felt safe — it was the safest place I’d ever been.

“For one thing I wasn’t Patrick Stewart because I didn’t like Patrick Stewart very much.

“And it was a different world, it wasn’t my world — because I didn’t like that very much either.”

He got another dreaded summons to his headmaster’s office. But this time instead of a caning he saw Mr Dormand and someone from the West Riding County Council who offered him an eight-day residential drama course.

It was there he met a young Brian Blessed, who he would later perform with in the classic TV drama I, Claudius.

Years later they bumped into each other together at a glitzy awards ceremony in Los Angeles:

“There we were: two working-class boys from Yorkshire, walking down the red carpet.”

He left school at 15 and got a job as a junior reporter on his local paper the Mirfield & District while dedicating every moment to acting, much to the annoyance of his editor.

He said: “There were about a dozen amateur dramatic societies in my community. Every church, every chapel had one — even if it only meant doing a pantomime once a year.

“The editor eventually said ‘You’ve got to give it all up, this acting business, and learn to be a journalist. If you don’t, you can get off my paper.’

“So I went upstairs, packed up my typewriter and left.”

He got a scholarship to the Bristol Old Vic Theatre School, and in 1966 joined the Royal Shakespeare Company, a relationship that would last for nearly three decades.

He went on to win two supporting actor Olivier Awards for his Shakespeare performances, for Antony and Cleopatra in 1979 and Hamlet in 2009.

He was awarded a knighthood for services to drama in 2009 and was knighted by the late Queen in 2010.

The stage was his true love despite one appearance on Coronation Street in 1966 and playing John Le Carre’s Russian spy Karla in Tinker, Tailor, Soldier, Spy and Smiley’s People.

But in 1987 he was tempted by what he thought would be a quick Hollywood cash grab and be back home on the stage in a few months.

But Star Trek: The Next Generation became a global smash and his cultured, thoughtful Picard became an iconic role.

The sci-fi TV series ran for seven years, with Sir Patrick starring in Star Trek Generations in 1994, Star Trek: First Contact in 1996 and Star Trek: Insurrection in 1998 and Star Trek: Nemesis (2002).

He said: “I was contemptuous. I knew of the original Star Trek, of course… I thought, ‘This is not what I do. I’m a classical actor.’

“I thought I’d just go to California for a year, get a tan and earn some money.

“I came to love Jean-Luc Picard and to admire him, and he has had an effect on me. Some of his qualities, I believe, have rubbed off on me.

“The sense of responsibility, the sense of duty, the determination that you will not be compromised.”

In 2000, he was cast as powerful telepath Professor Charles Xavier in the film adaptation of Marvel‘s X-Men comics.

He would come back to the series in 2014’s X-Men: Days Of Future Past, 2017’s Logan, 2022’s Doctor Strange In The Multiverse of Madness and 2024’s Deadpool & Wolverine.

Again, his thoughtful, nurturing persona and his rivalry with old friend Sir Ian McKellen’s Magneto became cinema legend.

He said: “I love him deeply. So does my wife. He married us — he performed the ceremony in a Mexican restaurant.”

Singer-songwriter Sunny Ozell was Stewart’s third wife and eyebrows were raised at their 38-year age gap.

He had two children, Daniel, 59, and Sophie, 54, with his first wife Sheila Falconer who he married in 1966 and divorced 24 years later.

He was briefly married to producer Wendy Neuss in 2000 then he met and married Sunny in 2013.

The couples’ fun Instagram posts of the Shakespearean actor in hilarious situations, like being dressed as a lobster, burst his rather serious Shakespearean public face.

Making home in Los Angeles, where he watched every game of his beloved Huddersfield Town, he started having weekly therapy sessions to deal with his traumatic childhood.

Stewart said: “It wasn’t until I came to California and people would say, ‘You’re not in therapy? Let me recommend somebody.’ I was introduced to a brilliant woman with whom I did therapy weekly for about six years.

“It was thanks to her that all this stuff came out and I realised that acting was an escape for me.”

In 2006 a routine check up discovered an 85 per cent blockage in his heart and he underwent emergency surgery to fix it by having a stent inserted.

He said: “I was diagnosed very unexpectedly during my annual physical by my cardiologist, who said ‘What are you doing this afternoon?’

“To which I said ‘Well actually, I’m going for lunch.’ And he said, ‘I’d rather you didn’t.’

“And in five minutes I was on a gurney giving details of my next of kin and so it was rather dramatic.

“I didn’t have time to brood on it, but what I did know was that I was in the best possible hands I could’ve been in and I was going to be taken care of whatever the outcome.

His mother Gladys died in 1977, three years before Alfred. After turning 80 in 2020 and with the pandemic and lockdown in full swing he began to think about his own mortality.

He said: “When my father was living alone, I believe he missed her badly.

“And perhaps he might even have regretted aspects of their married life.

“I was already older than both my parents when they died, but I think it was the coronavirus. It did something to me.

“It made me feel so vulnerable.”

In a final video posted on Instagram before his death, Sir Patrick reflected on love and the emotions evoked by his performances of Shakespeare’s sonnets.

He said: “I hope it has brought pleasure and curiosity but more than anything else I want it to have communicated all the multiple features that love might have.”

“WE’RE able to save the foot.”

That is what Kings Of Leon frontman Caleb Followill heard a doctor tell his wife after a freak accident at home.

“My kids wanted to play tag because they didn’t want to go to bed,” he recalls.

“I went to hurdle the couch, and when I did, my back foot caught it. So, I threw my legs underneath me to try to stick the landing, and it was just heels first.

“I was losing blood and there was a moment where they thought they might have to take my foot.

“They [the medics] said they’d only ever seen an injury like this when a man had fallen off a five-storey building.”

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In a video call with Caleb and his cousin, guitarist Matthew Followill, from their Nashville homes, the singer reveals: “The heel of my foot was in the middle of my foot, so it was like there was a massive lump in the middle.”

With the band then just weeks away from their 2025 UK and European tour, Matt initially thought Caleb was exaggerating the extent of his injury.

“He sent this text and I thought it was a joke,” says Matt.

“He was, like, ‘Guys, I hurt my foot really bad. We might not be able to go on tour’. And I was, like, ‘Yeah, right. How could you hurt your foot so badly?’ But the X-rays are pretty gnarly.”

What began as a nightmare would, however, become the inspiration for the band’s most personal, stripped-back album yet.

O My Beloved is the Nashville group’s tenth studio album and it sees them reflecting on family, love and loss.

Caleb admits: “I was going through a lot and had to mentally be strong.

“I couldn’t sleep at night. I would have panic attack after panic attack. I was so depressed, so helpless . . . 

“When you’re the man of the house and everyone’s taking care of you, it’s a bad feeling.”

But as he recovered at home with his wife, model Lily Aldridge, and their kids Dixie, 14, and seven-year-old Winston, Caleb picked up his guitar and found himself writing songs unlike anything the band had released before.

“I feel like my relationship with my children took a whole new step,” he says.

“The first song that came was My Whole World. As soon as the rhythm started, I began singing, and the words just very naturally came out.

“It was very therapeutic. And the songs that followed had a similar feel.” After that, the band scrapped the four or five guitar-driven songs they had been working on to embrace a quieter, more acoustic sound.

“I remember a couple of times during the demo process, I pulled my truck over to the side of the road and had tears in my eyes,” Caleb recalls. “I was, like, ‘Man, it feels so different’.

“It was kind of a miracle, in a way. It was something that needed to happen to stop the cycle of tour, then make an album and repeat.”

Matt adds: “This album is a way to turn something terrible into something positive.

“Now we’ve made this album, when you think about that time at home, it has a different meaning. And with it being our tenth album, we wanted to do something different.”

The enforced break also gave Caleb time to reflect on more than 25 years of Kings Of Leon.

“It was the first time since we started that I’ve ever really looked at what we’ve accomplished,” he admits.

“Instead of looking at the workload ahead, it was kind of looking back and going, ‘Whoa, 25 years, we’ve done more than we ever dreamed we would do’.

“It was a really beautiful time of reflection.”

For years, Matt, Caleb and his brothers — drummer Nathan and bassist Jared — wanted to be recognised for their music rather than family connections.

“For so long, we were tired of talking about being family,” Matt says. “We were, like, ‘No, we’re a band, just see us as a band’. But with this music, it’s all about family, and I guess it was time to quit avoiding talking about it.”

Caleb and his brothers spent much of their childhood travelling through Tennessee, Oklahoma and the South with their father, a Pentecostal preacher, often sleeping in cars or staying with relatives.

“It was the little moments that inspired the songs,” says Caleb. “Like small conversations with my uncle Larry or moments at our family reunions.

“We didn’t have, excuse my language, a pot to piss in, but we had love and each other and we created beautiful memories.

“We grew up poor, and that was always our thing. You know, ‘One day our ship’s going to come in’.

“One day, my older brother Nathan said, ‘I think our ship is the Titanic’, because it felt like our ship was never coming in.”

The family saying inspired a lyric in My Whole World when the siblings were excited about a forthcoming family cruise.

Caleb explains: “A picture of the ship said ‘29 days ’til . . . ’ so I wrote ‘29 days ’til our ship comes in. We’ll be together again’.” Matt adds: “I also love that that’s something your mum used to say.”

And memories of Caleb’s mum Betty Ann, who died in 2021, are woven into the new album.

“When I had messed up and everyone was mad at me, I could always call her,” Caleb explains.

“When you lose that person, it forces you to kind of really take ownership of who you are. For the first time, it’s ‘Oh, man, I’m the grown-up’.

“I didn’t really deal with the grief or loss, and this was the first time I was able to do it in a way that didn’t feel like I was whining about it,” Caleb admits.

“Sometimes I think, ‘Oh, man, she would love this’, or, ‘She would be proud of this’, and then I’m like, ‘No, she does love this and she is proud of it’.”

The freedom of childhood also runs through KOYSAR (Kick Off Your Shoes And Run) — a song Caleb wrote for his daughter about growing up in the age of social media.

Pretty Thing is a poignant story inspired by the old country songs Caleb grew up listening to.

He says: “It’s not autobiographical as we didn’t have that traditional high-school experience. It was the forbidden fruit.

“And I always admired songs about first love in high school — that glamorous football player with the cheerleader.

“As I got deeper into writing it, it felt like more than a break-up, like, ‘Maybe this man died, and so he’s watching her move on with her life. Every time I play that song for my wife, she cries.”

Other standouts include The Hand and Rose — which Matt cites as his favourites — while Caleb singles out Get You Down for its emotional depth.

O My Beloved is a stunning album, with its delicate, quieter sound allowing the band’s musicianship to shine.

Matt says: “We wanted everything to have a purpose, and not to have extra stuff muddying up the mixes. We tried to have clear sounds and a clear vision.”

“Us producing the album ourselves was a real opportunity for us to really home in on sounds,” Caleb adds. “We wanted to let the songs shine.”

As we chat about his lyrics, I’m surprised to hear Caleb admit he still struggles with insecurity over his songwriting.

He says: “I’m self-conscious about lyrics. For the most part, I’m so scared for anyone to hear anything.

“I never used to enjoy playing shows. But over the last five years, I love walking out on stage and am no longer scared.”

Matt continues: “Being in Kings Of Leon is hands-down better than it’s ever been for us, for touring and just being together.

“For some of the time, it wasn’t fun but now we look forward to getting together.”

The band return to the UK next month for a one-off show at the new British Airways ARC before headlining next summer’s Isle of Wight and Lytham festivals and playing a string of shows across the country.

Caleb admits they are still working out how to fit the new songs into their live performances.

“It’d be hard to put those songs in between Spiral Staircase and Sex On Fire,” he says. “You have to let them breathe and have their own little moment.”

And after a recent performance in Texas, he is keen to include strings in future shows.

“We had a big, beautiful string section with us, and it was pretty magical and maybe we want to grow that,” he says.

Britain has always held a special place in the band’s hearts, with fans here embracing them long before they found success back home in America.

“They were there first, and they have never left,” says Caleb. “Loyalty matters to us.”

Matt adds: “My wife is English, and she says that if you make a fan in Britain, you pretty much make a fan for life.”

London also brings back memories of the band’s wild early days. “When we’d be in London, we’d go crazy,” says Caleb. “We’d do interviews and get drunk before. Like, ‘No one’s going to see this. Who cares?!’”

A lot of the more memorable moments involved fights, too. “One time, me and Nathan ended up in a Koi pond,” Caleb laughs. I had hit him over the head with a frying pan. It’s a true story.”

Both he and Matt are relieved social media wasn’t around then to capture their antics.

“We probably just would never have gone to those clubs because we’d be on Instagram or TikTok the next day,” laughs Matt.

“It was, like, ‘Whatever happens in Vegas, stays in Vegas’,” adds Caleb. “We were just small-town guys let loose. And, thank God, we survived.

“There were a lot of crazy memories — a lot of moments that just didn’t feel real at the time.

“I’ll never forget when we walked on stage at Glastonbury [in 2008], when we got to headline it.

“Years ago, a man grabbed me by the hand, and said, ‘You will be in front of multitudes’. It scared me because I didn’t know what he meant by that.

“When we walked out on stage at Glastonbury, it was the first time it hit me that that was what he was talking about.”

Almost two decades after that unforgettable show, Caleb and Matt are enjoying being in Kings Of Leon more than ever.

“It really feels like we made our first album again,” Caleb says. “Producing it ourselves to the way that we wrote the songs, the instrumentation . . . it really felt like we were doing something for the first time.

“Most bands don’t ever get to make a first album. They certainly don’t get to make it twice.

“It feels like the beginning of something. I don’t know what that is, but I’m enjoying it.”

• O My Beloved is out next Friday.

KINGS OF LEON

O My Beloved

British actor Patrick Stewart died Wednesday at 86. His spokesperson said Thursday that he died from Alzheimer’s disease and Lewy body dementia.

The two conditions often occur together, said UCLA neurology professor Dr. Keith Vossel, and when that happens, the individual’s decline may be faster.

Lewy body dementia is the second-most-common form of degenerative dementia, behind Alzheimer’s disease, Vossel said. It occurs when a protein called alpha-synuclein aggregates in clumps inside the brain. The condition is under-recognized and under-diagnosed in part because its symptoms can overlap with those of Alzheimer’s.

Other celebrities who suffered from the condition include Robin Williams, who took his own life at 63, and Casey Kasem.

The condition is named after Friedrich H. Lewy, the neurologist who discovered the brain abnormalities in the early 1900s, according to the Alzheimer’s Assn. website.

“Essentially the only way to really diagnose these conditions together is after an autopsy and to see the hallmark features of the diseases under the microscope,” Vossel said.

Lewy body dementia symptoms tend to start with rapid eye movement sleep behavior disorder, such as screaming or kicking during sleep. A sufferer may have rigidity or tremors in one of their arms or legs. And they may experience slowness of movement.

A patient may be diagnosed with Lewy body dementia after also experiencing cognitive symptoms within one year of motor symptoms. Cognitive symptoms could include illusions or hallucinations — some patients report sensing a shadowy figure nearby — and difficulties with problem solving and navigation. The condition is also marked by dramatic fluctuations in alertness that occur within hours of the same day.

Another early feature of Lewy body dementia is anxiety, Vossel said.

By contrast, Alzheimer’s disease typically is associated with memory and language loss, and is more associated with apathy and depression than with anxiety. The course of Alzheimer’s disease is slightly slower than that of Lewy body dementia, according to Vossel.

Lewy body dementia is more common in men than in women. Anyone over the age of 60 is at higher risk of having a degenerative condition. Lewy body dementia is most common in people in their 70s to 80s, he said.

There is currently no cure for Lewy body dementia, which is terminal and progressive. After a diagnosis, people can typically expect to live six to eight years before they need 24-hour care, Vossel said.

But medication can help manage symptoms. Clinical studies have found that cardiovascular fitness can slow the rate of decline, Vossel said.

Those who suspect they have Lewy body dementia symptoms should contact a neurologist or a clinician trained in either geriatric medicine or geriatric psychiatry for an evaluation, Vossel said.

Patrick Stewart was an imposing figure, on screens big and small, and on stage in the many theatrical productions he starred in over his long career. Depending on the role, his baritone voice could command a legion of Starfleet officers, superhero mutants or a royal court. The actor, who died Wednesday, will be best remembered for the iconic characters he portrayed, particularly in the “Star Trek” and “X-Men” franchises, but over the course of his career, he proved his versatility, playing comedic roles as brilliantly as his dramatic ones. Here, our writers detail some of his most memorable onscreen work.

‘Dune’ (1984)

Even in the wake of Denis Villeneuve’s mega-productions, David Lynch’s dreamy version has found its fandom of acolytes. To watch Stewart commit to the director’s vision is to wish he had more film opportunities outside the shadow of Capt. Picard. He’s playing Gurney Halleck (Josh Brolin does the role in the new movies), a war advisor to young Paul Atreides, and Stewart brings gruff family-friend vibes to his few scenes, which have become legendary in the Lynch pantheon. When Kyle MacLachlan’s Paul says he’s “not in the mood” for combat training, Gurney explodes at him: “Mood’s a thing for cattle and loveplay, not fighting!” Later, you can watch Gurney charging into planetary battle holding — what’s this? — a sweet-looking pug. They must be symbolic to House Atreides. The dogs don’t appear in Frank Herbert’s novel. Lynch just added them. It’s how I choose to remember Stewart. — Joshua Rothkopf

Patrick Stewart as Captain Picard in “Star Trek: The Next Generation.”

(Elliott Marks/Paramount)

‘Star Trek: The Next Generation’ (1987-1994)

Whichever captain in the “Star Trek” franchise you fancy — Janeway, Kirk, Sisko, Pike, etc. — Jean-Luc Picard was always in the conversation. He was serious, stern, smart, curious, with the hint of whimsy that it takes to soar among the stars with theoretical science and a diplomatic flair with alien races. Undoubtedly, Stewart’s Shakespearean training helped him look past the costumes, sets and CGI into the humanity of what the writers and Gene Roddenberry intended. Though “Star Trek” was set hundreds of years into the future, Stewart gave the character a sense of now, with some of the same problems we face today. Indeed, one of his most famous quotes from the show, from the fifth-season episode “The Inner Light,” embodied how he kept Picard in the present: “Seize the time … live now. Make now always the most precious time. Now will never come again.” — Jevon Phillips

‘Robin Hood: Men in Tights’ (1993)

My nascent cinephilia was nurtured by movies on VHS. One tape (and eventually DVD, then Blu-ray) we often found ourselves watching was Mel Brooks’ “Robin Hood: Men in Tights.” The spoof of early Hollywood’s swashbuckling action-adventure movies is one of the comedy titan’s most quotable films, thanks in large part to the timing of the cast. Stewart, in a cameo at the end of the film, plays a regal King Richard who returns from the Crusades to chastise his younger brother Prince John (played by a scene-stealing Richard Lewis). Stewart gets one of the film’s best jokes, delivering one final indignity to Prince John with the panache that only a formally trained actor of his caliber could. — David Viramontes

James Marsden, left, and Patrick Stewart in “X-Men.”

(Attila Dory / 20th Century Fox)

‘X-Men’ (2000)

Casting Stewart as Professor Charles Xavier in Bryan Singer’s “X-Men” must have seemed almost too easy. He looked remarkably like the bald, wheelchair-using Marvel comic-book character and had already spent seven seasons playing a similarly cerebral, principled leader as Capt. Picard on “Star Trek: The Next Generation.” But Stewart brought more to the role than a physical resemblance and a voice that could make a grocery list sound like a royal decree. As the powerful telepath who ran a school for young mutants and believed they could coexist peacefully with humans, his Xavier barely needed to raise an eyebrow to command attention, even when surrounded by characters who could sprout claws, control the weather and shoot beams from their eyes. Playing opposite Ian McKellen as Xavier’s old friend turned rival Magneto, Stewart brought a touch of Shakespearean gravitas to the fledgling franchise, returning to the role for seven more films over the next 22 years. He’ll reprise the role a final time in “Avengers: Doomsday” in December. — Josh Rottenberg

Patrick Stewart and Hugh Jackman in the film “Logan.”

(James Mangold / Marvel / Twentieth Century Fox)

‘Logan’ (2017)

Previous installments of the “X-Men” films are more typical of the superhero genre, with grand CGI battle sequences and a foe or foes that must be defeated. But “Logan,” which centers on the titular character, a.k.a. Wolverine (Hugh Jackman), is different, with a grounded, gritty story set in 2029 in the desert of Northern Mexico near El Paso. Logan is now a limousine driver addicted to prescription painkillers and he’s a caretaker, along with fellow mutant Caliban, for an elderly Charles Xavier. Ten minutes into the film, we see the professor not in his usual dignified manner, dressed in a sharp suit; instead, we see him thin and frail, in a dirty T-shirt, zooming around in circles in his motorized wheelchair repeating the lines of a Taco Bell commercial. Logan attempts to medicate him so that he and Caliban can rest, but Xavier fights him off, falls out of his wheelchair and has a telepathic seizure that begins to affect everyone around him. “What are you doing to me?” he whispers in a scared voice as Logan tries to inject him. It’s a scene that Stewart imbues with terror and sadness as we see the formerly stoic Xavier shrivel in his hospital bed, reminded of his ailments and his mortality. — Maira Garcia

OLIVIA Attwood has had one of her tattoos reworked – having previously admitted that her mother hated it.

Back in the summer of 2024, the reality star got a matching tattoo with her stylist, while the pair visited Ibiza.

The pair, however, have since had a very public falling out, and it seems Olivia has gone to great lengths to erase all traces of him from her life.

At the time, stylist Ryan Kay proudly showed off the matching red cherries that had been inked on his arm and on the side of Olivia’s torso.

He posted a snap of the former friends together and captioned the shot: “Matching for life now!”

It would seem, however, that’s not the case.

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Olivia also shared snaps at the time and wrote in the caption under the photos: “I got a tattoo yesterday and my mums not a fan!”

She shared screengrabs of a message from her mum, who asked her to “just stop now”, saying “its gone way too far… give me a break!”

Mrs Attwood also said she wished Olivia had asked for the inking to be somewhere her parents wouldn’t have to look at.

Olivia’s mum will no doubt be delighted to know that the cherries have now been covered up.

In a post to Instagram by a tattooist named Jesus, Olivia is seen showing the side of her body, with a red cross in the place of the cherries.

The design features a rose, entwined around the cross.

Last September Olivia broke her silence about the feud between her and her former best friend – and explained what really happened.

The former Love Island star revealed the reason on social media during a Q&A with fans.

One asked “What happened with your mate?” referring to Ryan, who was also Olivia’s assistant.

She responded: “I am just very hurt if I’m honest. Prior to what you might have read.

“I had to respect myself and enjoy a line. It was something that played out over a few months.

“And I guess I hadn’t seen things that I should of… I think? “

She continued: “I give everything (in every sense of the word) to friendships and don’t let very many people in so it suckkkkks.

“It’s not something I can really explain on a story but I will at some point?”

Shortly after this, she took a huge swipe at an “attention-seeking” friend, not specifying who she was talking about but referring to them as a “tick”.

“We all know this person who can’t keep a job, they can’t keep a friend, they have no long-term friends that they can keep for more than a year,” she said on TikTok. “But it’s never their fault – they’re always the victim.

“You watch the cycle play out and you can now see the people who were before you and see your part in the cycle.”

The star went on: “I always think that with these kinds of people, they don’t move on to new friends, but instead they move on to new hosts.

“They’re like a tick – a tick has to be attached to you and drink your blood – and it has to have a host body.

“So, once it leaves your body it’s going to go and host on another body.”

Olivia has also had a very public divorce from ex-husband Bradley Dack.

The two split at the start of 2026, having been together since 2015 and getting married in June 2023.

When NBC’s production team came to meet with Lincoln Riley, ahead of a broadcast earlier this month, the USC football coach greeted the group like old friends.

“Look,” Riley joked, “the Trojan Network is back.”

He certainly should be familiar with the group by now, given that this week’s matchup with No. 2 Ohio State marks the sixth time in nine games that USC will be featured on NBC. That’s already tied for the most any one network has aired a Big Ten team since 2024, when the conference expanded to 18 teams.

“We certainly feel like we’re the voice of the Trojans at the moment,” Noah Eagle, NBC’s lead play-by-play announcer, told The Times prior to USC’s loss to Wisconsin last week.

It’s certainly an ironic match, considering NBC’s longtime affiliation with the Trojans’ bitter rival, Notre Dame. But going all-in on the Cardinal and Gold wasn’t necessarily the network’s plan going into the season, according to Justin Byczek, NBC’s executive vice president of programming and rights management. It just worked out that way.

“It’s effectively a draft, and we’re trying to look at different weeks and prioritize,” Byczek said. “One of the first things that jumped out at us was how important that Oregon game is going to be. So that was something that we had in our back pocket going into the draft.”

When the three networks divided up the Big Ten’s TV games last spring, Byczek said NBC also zeroed in on that game, as well as USC’s matchups with Ohio State and Penn State, knowing both would fit well featured in prime time.

Just by virtue of its geography and its brand, USC makes for a natural fit in NBC’s prime time slot (7:30/4:30 p.m. ET/PT), similar to how FOX’s Big Noon Saturday regularly features Ohio State in its early window.

Those prime-time matchups featuring the Trojans, though, have lagged a bit behind other top teams from the Big Ten and SEC. USC’s matchup with Oregon drew the largest audience of its season to date, with 5 million viewers on NBC and Peacock. That’s the only time this season that a USC game has finished in the top five of the week’s most viewed games, according to Nielsen data.

That’s a conference-wide issue. The Big Ten has only had the week’s most-watched game twice this season, once on CBS (Ohio State-Iowa in Week 5) and another time on Fox (Ohio State-Indiana, Week 7). Otherwise, ABC has dominated, with upwards of 10 million tuning in most weeks to the network’s prime-time game.

So, in order to compete with ABC in prime time, NBC is betting on Lincoln Riley and the Trojans as its West Coast anchor.

“Because they’re intriguing — not only in Los Angeles, but nationally,” Eagle said. “College football fans want to see if they can get over the hump. Can Lincoln Riley get them there?”

That question will no doubt come up on the broadcast this week. And with three Big Ten games still left after that, you can bet it won’t be the last time we hear it asked on NBC.

Iran has sentenced award-winning filmmaker Jafar Panahi to five years and one month in prison and ordered the seizure of of all of his assets.

The “It Was Just an Accident” director was sentenced Monday, according to the Associated Press. The charges against Panahi, who’d returned to the country in March, remain unclear, per the outlet.

One of Iran’s most politically outspoken filmmakers, Panahi has been critical of the country’s leadership and condemned violence against anti-government protesters. He has previously been convicted of “propaganda activities against the system” and has repeatedly been imprisoned, banned from traveling and put under house arrest by Iranian authorities over the years.

Panahi filmed the Palme d’Or-winning “It Was Just an Accident” clandestinely in Iran following his release from a seven-month stint in prison in 2023 after he declared a hunger strike.

“I felt a huge burden on my shoulders when I left prison that made me feel I owed something to my fellow prisoners who were left behind,” Panahi told The Envelope earlier this year.

Panahi was detained by Iranian authorities in 2022 after inquiring about the arrests of fellow filmmakers Mohammad Rasoulof and Mostafa Al-Ahmad. Authorities then reimposed a six-year prison sentence that had never been enforced stemming from a 2010 conviction related to a documentary he was making about the disputed reelection of Iran’s then-president, Mahmoud Ahmadinejad, and the protests that followed.

“This arrest was more like banditry and hostage-taking than the execution of a judicial sentence,” Panahi said in a statement from Tehran’s Evin Prison at the time.

Panahi’s lawyer, Mostafa Nili, told Iranian news site Emtedad that the filmmaker was currently involved in three open legal cases but had not been notified of the hearing date for the latest one, according to a report by the Guardian. Nili also said that the court imposed a two-year travel ban and has barred Panahi from using social media for two years.

SIR Patrick Stewart secretly battled Alzheimer’s and dementia before his death aged 86.

The acting legend, best known for starring in X-Men and Star Trek, sadly passed away at his home in Los Angeles, it was revealed.

The exact timeline of his diagnosis was kept private and his secret health battle has left fans around the world devastated.

His family and spokesperson described his experience with Alzheimer’s Disease and Lewy Body Dementia as a “brief and poignant journey” and a “brief battle” before his passing.

Sir Patrick died at his home in Los Angeles on Wednesday.

He was said to be “in the loving care of his beloved wife Sunny”.

A post on the actor’s Instagram account added: “He has been held in the warm embrace of family and friends, surrounded by live music, prayer, tears, laughter, and the kind of profound emotion that only he could inspire after a lifetime of devotion to us all.

“We will forever cherish the peaceful ease and reflection on his face, an enduring reminder of his invincible grace.

“A son of Mirfield in the West Riding of Yorkshire, he travelled from the Royal Shakespeare Company to an equally acclaimed career spanning six decades on Broadway, the silver screen and television.”

Earlier in his career, Stewart portrayed a retired intelligence agent suffering from early-stage Alzheimer’s in the 1998 independent thriller Safe House.

In his last post on Instagram around six months ago, he appeared to have a raspy voice.

Sir Patrick’s illustrious career on stage and screen spanned over 60 years.

He received numerous accolades including two Olivier Awards and a Grammy Award and was knighted by Queen Elizabeth II for services to drama in 2010.

Paying tribute, Marvel Studios posted on X: “Sir Patrick brought Professor Charles Xavier to life with extraordinary grace, intelligence, and humanity, defining the character for generations of fans, from X- Men to Logan to Avengers: Doomsday.

“He was a singular talent, a generous collaborator, and a true gentleman.

“Our hearts go out to his wife Sunny, his children, his friends, and the countless fans around the world whose lives he touched with his art.”

Born in Mirfield, West Riding of Yorkshire, in 1940, his early years were defined by working-class hardship.

A young Patrick secured a grant to attend the Bristol Old Vic Theatre School before joining the prestigious Royal Shakespeare Company in 1966.

For decades, he was a respected but largely unheralded stage actor, mastering the works of the Bard and establishing himself as a formidable theatrical talent in the UK.

Sir Patrick’s career trajectory shifted dramatically in 1987 when he was cast as Captain Jean-Luc Picard in “Star Trek: The Next Generation”.

Initially sceptical about the show’s prospects, Stewart famously admitted he refused to unpack his bags for weeks, fully expecting the American sci-fi venture to fail and send him straight back to the London stage.

Instead, Picard became his defining television role.

He commanded the Starship Enterprise for seven highly successful seasons and four feature films.

Stewart conquered a second massive franchise as the telepathic mutant Professor Charles Xavier in the highly lucrative “X-Men” films.

Despite his immense Hollywood success, Stewart never abandoned his classical roots, frequently returning to the West End and Broadway to star in celebrated productions like “Macbeth” and “Waiting for Godot”.

His monumental contribution to drama was officially recognised in 2010 when he was knighted by Queen Elizabeth II at Buckingham Palace.

He was last pictured watching his beloved football club as the team pay tribute to “hero” supporter.

“Christmas at the Kringles” is a Christmas-themed horror movie getting released on Halloween weekend but largely set on Valentine’s Day, if that gives you any indication of the identity crisis this confused project is going through. Scripted by Zack Imbrogno and directed by Kevin Lewis, it should just be content to be a comedy — the horror elements are unnecessary, forced and mean-spirited, even for the spooky season.

Christmas horror has been around for a while. Charles Dickens’ “A Christmas Carol” is a ghost story at root, and some of the earliest slasher films, 1972’s “Silent Night, Bloody Night” and 1974’s “Black Christmas,” utilize the holiday setting for both aesthetic and thematic tension. The ironic juxtaposition between Christmas cheer and bloody terror heightens the stakes. Usually.

But in “Christmas at the Kringles,” the Christmas theme is the lowest common denominator, present only as gaudy decoration, creepy song cues and vulgarly re-appropriated sayings. In an opening sequence, we witness a woman impaled by a Christmas tree, her severed head plopped atop it in lieu of a star. Do we know her? No. Will we ever? Also no. She serves merely as a cautionary tale, when it’s already too late for our protagonists. Her grisly demise also lets us know that this is a horror movie, because it’s mostly a comedy for the first act.

It really should have stayed that way, especially when the filmmakers have Thomas Lennon and Arden Myrin at their disposal, playing the baddies: Kringle parents Nick and Carol, who celebrate Christmas year-round and warmly welcome their new neighbors the Seversons, Mark (Ron Livingston) and Julie (Rachel Bilson) and their son Bobby (Jake Jewkes). The Seversons are refugees from “the city” who have decamped to the suburbs in hopes of getting their spark back as a family.

Livingston, playing a cold workaholic, seems generally perturbed to be there, while Bilson’s Julie, desperate to make her family whole again, also has an air of desperation. The Seversons are sucked into the Kringles’ orbit, despite warnings from a man-child neighbor, Daryl (Donald Faison), and a drunk mall Santa (Rob Riggle), who speak eerily of the home’s previous inhabitants (presumably the woman we saw with the tree).

Lennon, a founding member of comedy troupe the State and creator of the cult comedy series “Reno 911!,” is a secret weapon, a cruise missile of targeted timing and hilarious asides. Myrin mostly manages to match him beat for beat and the pair are quite funny together. So why couldn’t this just ride with that, in a “National Lampoon’s Christmas Vacation” kind of way? In a nod to that film, Beverly D’Angelo co-stars as the Kringle family matriarch.

Instead, we’re treated (more like tricked) to a plot about a cult of “joy” into which the Kringles are trying to recruit the new family next door. David Wain appears in a recruitment video as leader Noel Tannenbaum. It all starts to feel like a veiled skewering of Scientology, which could be interesting until they start throwing chainsaws and Christmas gimps into the mix. It devolves into a noisy, chaotic and ultimately meaningless bloodbath, simply a means to an end in which Bilson gets to kill someone with milk and cookies.

Ostensibly, Livingston’s Mark is supposed to be the Grinch, Lennon’s character jolly old St. Nicholas, their eventual roles reversed as the chainsaws rev up. That’s the idea at least, but “Christmas at the Kringles” is too disorganized and janky for any of its concepts to land, so the filmmakers rely on gore and hacky punchlines to wrap up this lump of coal and pretend it’s a shiny new toy. It should come with a gift receipt.

Katie Walsh is a Tribune News Service film critic.

Liev Schreiber owned up to his intense behavior at the “Nocturne” premiere last week, apologizing for scolding a red carpet reporter.

“I didn’t do well,” the Emmy-winning “Ray Donovan” and “Spotlight” star said while recalling his side of the viral red carpet exchange for “Late Night with Seth Meyers” on Monday.

“She hit my Achilles’ heel,” Schreiber explained later in his late-night segment.

His exchange with an Apple TV reporter sparked headlines last week, with the actor berating the reporter on video for her question during his series’ Hollywood premiere. The 59-year-old star appeared to take issue with the reporter asking him to describe “Nocturne” in three words. He could be seen apparently telling the reporter to “talk to people like they value what they do.”

“Three words isn’t gonna do anything for anybody and the monkey who f— thought of that is shooting themselves in the foot,” he says in the video. “It’s not a f— sound bite, especially when we’re doing it in-house for our own people.”

He further suggested that the reporter “engage” with the individuals involved in the project, which is an Apple TV production.

During his late-night appearance, Schreiber made it quite clear he has a bone to pick with increasingly reductive language, lamenting the use of emojis to communicate thoughts. The Tony winner, directing William Shakespeare’s “Measure for Measure” for the USC School of Dramatic Arts, spoke on Monday about “what a responsibility it is to articulate” and joked, “I might not be the best person on the press line that ever was on the press line.”

Schreiber said he’s now “at that age where I don’t do things terribly quickly” and fessed up to his “terrible tirade about monkeys and profanity.”

“I apologize,”he said, adding he and the reporter smoothed things over and ultimately engaged in a “great” conversation about the series.

“Nocturne” stars Schreiber, “Atlanta” alumna Zazie Beetz and Emmy winner Stephen Graham and begins streaming Friday. Adapted from Lars Kepler’s bestselling novel, the series centers on Schreiber’s ex-cop whose move to a small western Pennsylvania town spurs a string of disappearances possibly tied to a serial killer.

U2 have announced their The Greatest Show On Earth World Tour for 2027 – including the band’s first UK stadium gigs in a decade.

The tour is named after the third advance single on U2’s much anticipated 16th studio album Carnaval De Luz, scheduled to drop on November 13.

So far 12 dates have been announced as part of the European leg of the global tour including a 2 night run of UK stadium gigs in June 2027.

The Irish rockers will be supported on The Greatest Show On Earth tour by 2018 Mercury Prize winners Wolf Alice.

U2 have promised a historic setlist for their 2027 UK gigs, with celebrated career-spanning anthems so fans won’t be disappointed.

The band hasn’t played a UK stadium since their 30th anniversary Joshua Tree tour in 2017. So expect competition for UK tickets to be fierce.

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Here’s everything to know about the UK dates and how you can get tickets.

When are U2’s 2027 UK concerts?

So far the group has announced two UK stadium gigs:

18 June – London, Tottenham Hotspur Stadium

19 June – London, Tottenham Hotspur Stadium

U2’s full European dates

April 26      STOCKHOLM, Sweden – Strawberry Arena
April 28      STOCKHOLM, Sweden – Strawberry Arena
May 05       PARIS, France – Stade de France
May 08       PARIS, France – Stade de France
May 27        LISBON, Portugal – Estadio da Luz
June 05      AMSTERDAM, Netherlands – Johan Cruijff ArenA
June 06      AMSTERDAM, Netherlands – Johan Cruijff ArenA
June 18       LONDON, UK – Tottenham Hotspur Stadium
June 19       LONDON, UK – Tottenham Hotspur Stadium                   
June 30      BERLIN, Germany – Olympiastadion         
July 05       MILAN, Italy – Stadio San Siro
July 06       MILAN, Italy – Stadio San Siro

How to get tickets for the U2’s UK dates?

The Ticketmaster presale is taking place on Thursday, November 5 from 10am till 10pm. During the presale, you’ll be able to purchase up to 4 tickets per show.

In order to be part of the presale you must sign up via the Ticketmaster U2 presale page before 22.59 on Sunday, November 1.

A Netflix documentary has been described as ‘disturbing’ and ‘jaw-dropping’ by viewers, who say it’s ‘impossible to turn off’. Give it a go if you’re struggling to find something to watch

Everyone with a Netflix subscription knows how overwhelming it can be to find something good to watch. And sometimes, they give up altogether, heading to bed without ever making it past the title screen.

But one user claims there’s no need to waste precious time searching on this occasion, as he’s got the ideal documentary recommendation – and believes everyone will soon be discussing it. EccyReviews, who watches and critiques films and television programmes across his social media channels, is encouraging Netflix subscribers to give Tell Me Who I Am a watch.

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What’s the plot?

The 2019 documentary chronicles the story of Alex Lewis, who suffered memory loss after an accident.

Its IMDb description reads: “Alex Lewis trusts his twin brother, Marcus, to tell him about his past only to discover that he’s hiding a dark secret about their childhood.”

Speaking about the documentary, EccyReviews said: “You’re going to be running to Netflix to go and watch this documentary because it is one of the most insane stories you will ever hear.

“Everyone I know who’s seen this documentary cannot stop talking about it. The documentary I’m talking about is called Tell Me Who I Am.

“It follows a young man who after a motorcycle accident, wakes up to find he has lost his complete memory.

“He doesn’t know who his brother is, who his father is or even his own mother. And when he returns home he knows that there is something strange going on in his house.

“After years and years of never really speaking about his past, he meets up with his brother across this table to find out his entire backstory.

“Now it is genuinely disturbing, emotional and jaw dropping once you hear what happened to him. And honestly, if you haven’t seen this documentary you are massively missing out. So get it on your watch list right now.”

Where to watch Tell Me Who I Am?

The documentary is available to stream on Netflix in a single viewing, with a runtime of one hour and 26 minutes.

If you’re more in to reading, the book is also available to purchase, having become a Sunday Times bestseller.

What do people say?

Commenting on the recommendation, one TikTok user said: “I don’t have the patience to watch full documentaries, but this actually had me glued to the tele, it’s so disturbing because it’s true, I’ll ask the question for everyone, would you have told him?”

Another added: “What an incredible story. Heartbreaking. An incredible watch.”

A third user said: “Watched this before and highly recommend… it’s so upsetting in parts but will keep you hooked.”

The latest series of Celebrity Traitors has been nothing short of chaos with fiery roundtables and a traitor who simply couldn’t resist revealing his fate in the opening episode

Celebrity Traitors is back on tonight as BBC viewers learn who is set to be banished, will it be Joanne McNally or Sharon Rooney? But with both faithfuls in the firing line, we can only imagine it’ll be sheer disappoint in Thursday’s show.

Of course the three Traitors also appear to be stronger than ever – with Maya Jama, King Kenny and James Acaster all voted the most trustworthy in their latest mission. As a result, Celebrity Traitors host Claudia Winkleman handed Kenny the all-important double vote to use at the roundtable. But while the faithfuls are yet to suspect either of them as a traitor, some fans believe a decision Claudia made at the beginning instantly killed off the game.

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In a post on Reddit, one person labelled this season as “great TV” while someone else claimed choosing Maya as a traitor wasn’t a good choice.

They added: “This series was doomed when they cast Maya Jama as a traitor.” Claiming to be a “huge Traitors fan”, they also said they’re not fussed about this year’s winner.

Someone else claimed the presenter has made “terrible traitor choices”, with the exception of Kenny. They continued: “I get that she’s a traitor and thus obviously wants to sabotage and weaken the faithfuls, and she should!

“But at the same time, from a viewership perspective, if there’s not a single competent faithful and it seems too easy for the traitors, it’s not an interesting watch.

“She couldn’t have predicted just how bad this series’ faithfuls are, but still, I mourn for the alternate season we could’ve had if potentially competent faithfuls like Hannah and James A weren’t recruited.”

But in the main post, the viewer wondered why this season is “getting so much stick”. They added: “It’s great TV. People getting upset because it’s not turning out the way they wanted it… it’s reality TV. It could have 100s of different outcomes. That’s life.”

Another agreed: “Yeah I’ve loved it so far, it’s been really fun.” A third commented: “The show is fine. The viewers are the problem,” while a fourth chimed in: “I’ve enjoyed it. It’s not as funny as last year’s but I’m into it and I care about the result. I really want a 3-traitor win!”

Later tonight we’ll see who will be banished from the castle – will it be Joanne or Sharon?

Celebrity Traitors will be back on at 8pm tonight on BBC One and again tomorrow at the same time.

EXCLUSIVE: The Celebrity Traitors is heating up with the semi-final airing tonight, but a former star believes that one of the Traitors will have to turn on another, in a huge twist

A former star of The Traitors has predicted a major twist. Tonight’s episode will see at least one Faithful banished from the castle, in yet another devastating blow for the Faithful.

So far, only two Traitors have been banished from Ardross Castle, leaving the team of Faithful shrinking by the day. In yet another twist, the Faithful unknowingly branded the three Traitors – Maya Jama, James Acaster and King Kenny the most trustworthy stars.

But what they didn’t know was that Kenny was later given a chilling double vote for the roundtable, after he and his fellow Traitors worked out who their next victims would be. This series has seen Maya come out on top, with many of her banished and murdered co-stars believing that she could potentially win the programme.

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Former contestant Andrew Jenkins, who appeared on series two of the BBC show, also believes that Maya could go all the way. “Maya Jama has 100 per cent got what it takes, and all of them, to be honest,” he said. He went on to add: “The three traitors have all got a good case because they’ve all been voted the most trustworthy, so they’re all doing really well.”

However, Andrew believes the Traitors will turn on one another before tomorrow night’s final. He commented: “I think the biggest obstacle is going to be that they turn against each other. I think one of them will have to turn against the other one. But they’ve got no heat on them from any of the faithful. So I think Maya Jama is playing a really good game.”

But after James A refused to take part in a task which would benefit the Traitors last week, Andrew says he empathises with the comedian. Both James and Andrew started off on the show as Faithful, before being recruited by The Traitors. “You’re trying to play so many games,” he said.

Speaking in connection with Buzz Bingo, Andrew went on to add: “You’re trying to take the heat off you, you’re trying to be part of a team, and it’s hard trying to juggle it all. So I do understand. I can see it from both sides of the fence. And yeah, he probably has put a bit of a target on his back now. Do Maya and King Kenny trust him now? So he could be hung out to dry now.”

This year has also seen increased paranoia in the castle, with EastEnders hardman Ross Kemp initially fearing he’d been murdered after a co-star merely touched him. However, he was later murdered in plain sight by James A and Maya, who bored him so much he yawned.

“It’s hard,” Andrew said of the paranoia inside the castle, adding: “It is really hard. You get paranoid because you’ve seen previous series. You know how other people have been murdered, so you’re going to suspect things. Nobody wants to drink from any cups; nobody wants to do anything. You get really paranoid.”

Tonight will disclose whether the brutal roundtable voted in favour of Joanne McNally or Sharon Rooney being banished from the castle, as the Faithful and Traitors once again go head to head ahead of tomorrow’s final.

The Traitors airs on BBC One and BBC iPlayer at 8pm.

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The touring production of Meredith Willson’s “The Music Man” that opened Tuesday at the Ahmanson Theatre isn’t an Actors’ Equity Assn. production. When I listed the revival, directed by Matt Lenz, among my fall preview highlights, I assumed it would be of the caliber we have come to expect from Center Theatre Group.

I attended Tuesday’s opening and was disappointed to find a community-theater-level production beneath the superficial sheen of a commercial national tour. The costumes (by Santo Loquasto from the 2022 Broadway revival starring Hugh Jackman) are stunning. The painterly, storybook scenic design by Ann Beyersdorfer, engineered for maximum efficiency, is also lovely and blends beautifully with the Loquasto’s color palette.

The singing is robust, full-throated and spirited. Elizabeth D’Aiuto, who plays Marian, the librarian of this small Iowa town who captures the roving eye of traveling salesman and con man Harold Hill (Elliott Andrews), has a piercing soprano that many an opera singer would envy.

The barbershop harmonies spin an alluring web. The ensemble fills the Ahmanson with blazing, amplified sound. But the strong singing seems disconnected from the actual story. The music has little character. We might as well be watching a concert version of the show.

The problem is the acting, which is broad, detached and, frankly, often amateurish. I felt as if I were watching a polished troupe of semi-amateurs. The less said about the supporting cast, the better. The characterizations are unsubtle across the board. And how could it be otherwise when the actors seem more intent on impressing the audience than relating to one another?

Andrews seems particularly guilty of this sin. But then his character is meant to be smugly self-congratulatory. Harold Hill has come to River City to pull off another swindle. He’s selling musical instruments and costumes to a town that doesn’t yet even have a children’s marching band.

A wiry presence with a capering physical comedy spryness reminiscent of Dick Van Dyke (who starred in the 1980 Broadway revival of “The Music Man” that had a pre-Broadway run at the Pantages Theatre), Andrews makes a rather dashing and daring Harold Hill. He’s no Hugh Jackman, who had the Broadway audience in the palm of his hand when he essayed the role. But Andrews handsomely fills out the part and can sing appealingly when not too much emotion is required. But his theatrical self-absorption makes it hard to care about Harold and even harder to understand why Marian would fall for this transparent fake.

The magic of Marian’s love turning Harold into an upstanding man fizzles. Neither performer seems able to connect. Both are acting in their separate bubbles. It’s like we’re watching a pantomime of “The Music Man” with some glorious, blaring music.

For those who want to scratch an itch for golden age musical nostalgia, this sparkling yet empty production might suffice. But we should expect more from CTG, which is touting that this is the first major production of “The Music Man” to be done in Los Angeles in 46 years.

When I learned that this was a non-Equity production, I was disappointed that CTG was damaging its stature as a nonprofit theater leader by offering such an important showcase to this second-tier touring production. But now having seen the production, I’m more disappointed that audiences are being bamboozled as badly as the good people of River City.

Theatrical gimcrack is being palmed off as a precious stone. Yes, the score still shimmers, but not everything that glitters is gold.

A FORMER Disney heartthrob looks unrecognisable 17 years after he found teen fame on the channel.

This actor is known for appearing alongside the likes of Miley Cyrus, Demi Lovato, Selena Gomez and Zac Efron.

You may remember him from Sonny With A Chance, 17 Again, Hannah Montana or even his own Disney movie, Starstruck.

It’s Sterling Knight!

The actor, now 37, looks a far cry from his days on Disney Channel now.

Sterling now sports a full beard and longer mousy brunette hair – as opposed to the choppy blonde locks he was known for.

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He is still acting and appeared in new movie 40 Dates and 40 Nights just this year.

Sterling is also on video platform Cameo, where fans can pay for a personalised video shoutout from him.

The star has just shy of 250,000 followers on Instagram and regularly shares updates with his fans.

He appears to not follow former co-stars such as Demi, Selena or Miley – suggesting their on-screen chemistry hasn’t lasted since their Disney days together.

Sterling’s Sonny With A Chance character famously had a relationship with Demi’s on-screen character, with the relationship becoming a focal point of the show.

The pair were known to be close friends off screen, too.

Child star Sterling, who hails from Texas, began acting aged 10 and had his breakout role in 17 Again – where he played the teenage son of Mike and Scarlet O’Donnell (played by Matthew Perry/Zac Efron and Leslie Mann).

Tiffany Pollard has entered the Big Brother house as a special guest

TV star Tiffany Pollard has re-entered the Big Brother house and things have already become explosive.

Just last night (October 28), the Big Brother house welcomed a familiar face and it wasn’t long before things erupted into chaos. During a Halloween party, Tiffany arrived as a special guest, with her welcome coming as a huge surprise to the housemates.

Her arrival comes after celebrity guests Jedward caused drama and Gemma Collins also had her say. But last night, tensions reached boiling point when an exclusive row broke out.

Despite a warm reception, Tiffany said: “This f***** house is absurd. I’m literally honoured to be seated at this table.” However, things turn sour when Tiffany offended Philip who confronted the special guest.

He said: “I’m very upset with what you said Tiffany, to be honest with you.” But with Tiffany’s presence causing rising tensions in tonight’s episode (October 29), here’s everything you need to know about Tiffany Pollard.

How old is Tiffany Pollard and where is she from?

Tiffany Pollard is 44 years old and is an American TV personality from New York.

Tiffany Pollard net worth

According to Celebrity Net Worth, it is estimated that Tiffany’s net worth could sit at around $500 thousand , which equates to around £375,587.

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Tiffany Pollard’s rise to fame and Big Brother stint

Tiffany Pollard is known to UK residents from her stint on Celebrity Big Brother. But she rose to fame before that. In 2006 the star appeared on Flavor of Love, a reality dating show where she became known as ‘New York’.

She made her mark as her unforgettable one liners and bold personality caught the attention of viewers, making it to the final in seasons one and two.

Tiffany also secured her own solo dating show I Love New York. She then expanded her television footprint with New York Goes to Hollywood in 2008 and New York Goes to Work the following year in 2009.

In 2016, Tiffany entered the Celebrity Big Brother house, not shying away from sharing her opinions as she became considered one of the most iconic runs in reality television history.

One iconic moment is the “David’s dead” misunderstanding when housemate Angie Bowie was informed off camera that her ex husband and music legend David Bowie had died.

Confiding in Tiffany, she instantly panicked thinking Angie had meant fellow housemate David Gest as she burst into tears and ran to tell the rest of the housemates. She was eventually told it was the “wrong David”.

Her explosive love-hate relationship with Gemma Collins has also provided endless entertainment. Known as the Queen of reality TV, Tiffany also competed on House of Villains which brings together the most iconic and infamous ‘TV villains’ who aim to out smart one another to be titled America’s Ultimate Supervillain.

Big Brother continues tonight at 9pm on ITV2 and ITVX

San Francisco artist Barry McGee, 60, walked through Jeffrey Deitch’s Santa Monica Boulevard gallery on a recent Wednesday, while a small army of friends went about their business — some moving objects, others equipped with power tools. A few stood near a closet-size replica of a 99 Cents Only store, an homage to the weeklong art takeover McGee staged at the shuttered Wilshire Boulevard retailer in February.

Gallery visitors were careful not to step on the sprawling assemblage of photographs, drawings and artifacts scattered across the floor. Many were destined for the large installation McGee’s friends helped to assemble for “Another Round,” his recently opened exhibition, which runs through Jan. 30.

Like “99 CENT,” McGee’s aim is for the Deitch show to serve as a gathering place. A makeshift storefront houses an “anarchist bookstore” with activities organized by Matthew James-Wilson, who operates the Heavy Manners lending library and gallery in Echo Park. Events planned during the show’s three-month run include French beading and papier-mâché workshops, clothed figure drawing, and “music shows.”

Adjacent to the bookstore, the untitled work bends and bulges on a plywood structure. It serves as a portal into McGee’s artistic life: Framed messages, photographs of friends, colorful, textile-inspired imagery and his father’s sketches of cars on napkins are grouped together in a bold display.

An untitled installation piece by Barry McGee at Jeffrey Deitch gallery. McGee is showing at the gallery for the first time in 20 years.

(Jason Armond / Los Angeles Times)

A related installation is in the collection of the San Francisco Museum of Modern Art and has also been shown at the Oakland Museum of California. “It feels like something entirely new this time and definitely unplanned,” McGee said of the work taking shape at the Deitch show.

The exhibition is billed as McGee’s first gallery exhibit with Deitch in more than 20 years, although the artist and dealer have collaborated on projects since the 1990s. McGee came up in San Francisco’s graffiti scene in the 1980s, developing a visual language under the moniker Twist that included faces, liquor bottles and stylized screws. Deitch traces McGee’s primary influences to the city’s punk, skate, surf and graffiti cultures, as well as its hand-painted signs. McGee has exhibited at the Hammer Museum, Fondazione Prada and the 2001 Venice Biennale.

When asked whether he was bringing street art inside for the Deitch show, McGee pushed back. “That’s not my goal at all,” he said.

McGee long ago achieved cult status and comes from a tradition of graffiti that he sees as separate from work made for a gallery. When he began tagging in the 1980s, he said, it wasn’t to create something for the market: “There’s no product at the end.” McGee’s connections across the graffiti scene and the gallery world attract artists and audiences alike for exuberant gatherings, sometimes with complications, as when he transformed the vacant 99 Cents Only Store into a pop-up resembling an indoor flea market during L.A.’s Art Week.

The tagger-turned-blue-chip artist Barry McGee reopened a former 99 Cents Only on Wilshire Boulevard for a one-week art fair event.

(Mariella Rudi)

McGee and Bay Area artist Tom Franco worked with Deitch and the Hole, a gallery that has since closed its Los Angeles location, to stage the exhibition. McGee’s devoted following came out in force: Deitch estimated that about 25,000 people visited. “L.A. really showed up for that,” McGee said.

The event also drew complaints. Several neighboring businesses and apartment buildings were tagged, though McGee said the graffiti was cleaned up. In July, L.A. Taco found that several participating artists had not been paid for work sold during the exhibition. Kathy Grayson, who runs the Hole in New York, wrote in an email that all artists and vendors have since been paid. “It was a gigantic undertaking,” she wrote of staging the exhibit, adding that she had stepped in to help McGee realize his “dream-come-true project.”

Barry McGee is a celebrated street artist who is equally comfortable in a blue-chip world. He brings both sensibilities to bear in his new show, “Another Round,” at Jeffrey Deitch.

(Jason Armond / Los Angeles Times)

While McGee has no plans to revive the concept, he has created a miniature replica of the 99 Cents Only Store at the gallery, complete with the store’s iconic blue-and-white floor. “The element of surprise is always the best thing,” he said.

Throughout the gallery, McGee’s paintings, drawings and found objects are displayed alongside work by what he estimates will be “around 200” like-minded artists, including C.R. Stecyk III, Chito K.K. and Chris Lux, who mounted two stained-glass works beneath the gallery’s skylights.

“When we do a show with Barry, we get the whole community,” Deitch said. “That’s one of the great things about it.”

Although the exhibition bears his name, McGee is wary of being the center of attention. “In this day and age, a solo anything seems ridiculous,” he said. “The ego of the artist is a tricky thing.” He prefers to bring together different generations and sensibilities: “Some young people, some older people, things that you wouldn’t imagine being next to each other.”

A surfboard installation by Barry McGee is part of his show, “Another Round,” at Jeffrey Deitch gallery on Santa Monica Blvd.

(Jason Armond / Los Angeles Times)

McGee’s own work is also in dialogue with itself: Geometric patterns, inspired in part by Islamic tile designs, share the canvas with his trademark male faces with drooping, melancholic eyes.

Deitch describes McGee as possessing “a unique kind of charisma.” Though shy, “he’s very accessible and reaches people.”

Franco agrees. He had wanted to meet McGee long before they encountered each other in a San Francisco thrift store last year, and he admires his support for less established artists.

“He nurtures young people,” Franco said. “It’s amazing to see. Somebody at his level, you can easily forget how famous he is, or how accomplished he is, because he’ll hug every single person who comes through the door.”

McGee sees the relationship as reciprocal. “They’re mentoring me also. It’s really mutual,” he said. “Their visual language is so rich.”

Working into the evenings after mornings spent surfing with his crew, McGee is allowing the exhibition to take shape as it goes. His connection to surfing is visible in the gallery, where surfboards are stacked like a wooden fan.

He contrasts his freedom to improvise at Deitch with museums’ lengthy planning schedules: “Their shows are seven years out, sometimes. So there’s no room for spontaneity.”

A week before the Deitch show opened, he was still anticipating what it might become. “I still don’t know what’s going to happen,” he said.

It tells the remarkable true story of a resistance hero and his courage in the face of terror during World War Two

There is no shortage of films about the Second World War, but this “masterpiece”, now streaming on Netflix, tells the long-forgotten tale of one man’s extraordinary bravery in the face of unimaginable terror.

The Norwegian film draws on the real-life experiences of resistance fighter Gunnar Sønsteby during the conflict. Starring Sjur Vatne Brean in the lead role and helmed by director John Andreas Andersen, Number 24 charts Sønsteby’s journey from 1940 through to the end of the Second World War.

Taking its title from Sønsteby’s most frequently used code name, Number 24 delves into how the Oslo Group carried out sabotage operations and assassinations throughout the war. The film is narrated by an elderly Sønsteby as he recounts his remarkable experiences to a group of students.

Both film fans and critics alike are utterly captivated by this raw and gritty war film, which currently holds a perfect score on the film review site Rotten Tomatoes.

One critic wrote: “Based on the real-life story of Norwegian hero Gunnar Sønsteby, director John Andreas Andersen delivers a gripping, often violent thriller that highlights the best and worst of humankind.”, reports Wales Online.

Another said: “This biopic about Gunnar Sønsteby, the most highly decorated citizen in Norway, explores the moral grey areas during war under brutal invading forces. Switching between the past and the present, the film sensitively contrasts justice and necessity.”

Meanwhile a third added: “The director crafts a mostly patriotic picture of a man solely dedicated to duty. It’s an uncompromising approach that often makes for a stirring watch even through a narrow lens.”

Fans were equally effusive in their praise. One wrote: “The lead actor is phenomenal. As a man of laser focus and few words, Gunnar commands the screen through the smallest, most restrained expressions and every one of them lands. It’s a masterclass in subtlety, and he delivers a gripping, believable performance.”

Another said: “Well worth watching! Makes me want to go and learn more about this incredible person. You will need a tissue at the ending. You will also need to use your pause button to read the subtitles at the end – they do contain useful information.”

While a third contributed: “Important WWII story of resistance in Norway. Thought provoking and moving. Different points of view from being in different positions when war comes into your life, your family and your country.”

And another wrote: “WOW! WOW! ! . Fantastic in every way My wife and I loved this. So realistic and well acted, directed,etc. Watch,enjoy and respect the Norwegian patriots.”

Number 24 is streaming now on Netflix.

CHRISTINA Aguilera was branded a “smokeshow” as she stripped completely naked for a sizzling bath selfie showing off her rock hard abs.

The popstar flaunted her recent weight loss as she perched in her cream standalone tub, with her blonde hair brushed over her eyes.

American hitmaker Christina, who has undergone a huge transformation in recent years and shed almost three stone in weight, gave a nod to spooky season with her upload.

She covered her modesty with two ghost icons on her boobs and added the words: “Last looks before xtinaween”.

One fan was quick to reply: “She’s the moment she’s an icon she’s a star”.

A second put: “Smokeshow”.

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A third then wrote: “OMG!!!”

The 45-year-old singer, who had her first hit with Genie in the Bottle in 1999, is no stranger to posing starkers in the suds.

Earlier this month she stripped for a bubble bath to promote a new lube brand.

Christina launched her sexual wellness brand Playground back in 2022.

It initially debuted with a line of four water-based, plant-infused lubricants.

Christina lost more than 40 pounds before her Las Vegas residency in 2024, with fans still in awe of her more slender look.

At the time, an insider told Life & Style that the singer had restricted her calorie intake to 1,600 calories per day.

The source added that Christina had been working out “rigorously” every day of the week.

“Christina didn’t feel as energetic with extra weight,” they said.

“Some are concerned she’ll gain the weight back but she loves all the attention she’s getting.”

Although looking smaller than ever, Christina previously claimed she didn’t want to be as thin as she was when she was younger.

The story of “Small Prophets” — the gentle, magical, nostalgic British comedy streaming on Apple TV — begins and ends in a garden shed. The show’s creator, writer and director, Mackenzie Crook, and the animator Ainslie Henderson have been friends for at least 20 years. One day, Henderson went to visit Crook in the shed at the end of his garden.

It’s “a big mess of a creative little place,” Henderson said, where Crook makes things. He writes in there, but it’s a workshop too: he illustrates and he crafts. He made many of the props in the show by hand. Both the shed and his house are peppered with his “beautiful little objects.” “If I’ve got a whole day with no other interruptions, that’s where I am,” Crook said.

When Henderson walked into the shed that day, a weird, white, papier-mâché creature on the shelf caught his eye. It was, as Crook told Henderson, a homunculus: one of a set of tiny prophets, or magical spirits, who lived in glass jars full of water. They could answer any question, and they had to answer truthfully.

“Small Prophets” follows Michael Sleep (Pearce Quigley), who works in a DIY store (a British term for a home improvement store), visits his dad Brian (Michael Palin) in a retirement home, and yearns for his girlfriend Clea to come home. Clea vanished seven years ago, and Michael’s dad suggests that the homunculi — which he learned about from an Italian alchemist in Egypt — might be able to tell him what happened to her.

The show premiered on BBC Two in February, when it quickly became the BBC’s biggest new scripted launch of the year. (It was renewed for a second season in September, this time on BBC One.) In the U.K., Crook is well-known for playing Gareth Keenan in the original British version of “The Office” (Gareth’s an analogue to Dwight Schrute in the U.S. version) — and for writing, directing and starring in “Detectorists,” which won the 2015 BAFTA for television scripted comedy.

“Detectorists” and “Small Prophets” share a singular comedic sensibility, which arose from Crook’s realization that some shows at that time, like “The Office” or “The Inbetweeners,” were drawing humor from cruelty, embarrassment and awkwardness. This is how he stumbled upon his genre: gentle comedy.

“I didn’t like the word ‘gentle’ at first,” Crook said on a video call earlier this month from Leeds, Yorkshire, where he’s directing his first feature film. “It’s taken me a while to make my peace with that. But now I realize that it’s something to do with being uncynical, being optimistic, but hopefully that doesn’t mean bland or unfunny. … It’s sort of a surprise to find that this is what I do, and this is what I’ve become known for. But I’m thankful for it, as well, because I think this world does need more optimism and hope than it presently has.”

He worries that “gentle” might suggest something not particularly funny or challenging, and would like to clarify that was not his intent. It wasn’t the outcome, either: “Small Prophets” is about some of the most challenging subject matter — grief and loss — while remaining genuinely funny and rather extraordinary.

Mackenzie Crook, who created “Small Prophets,” plays Gordon, Michael’s boss at the DIY store. (Apple)

Michael (Pearce Quigley) befriends Kacey (Lauren Patel), his co-worker at the store. (Apple)

Michael has the epitome of an ordinary life, living a mundane existence in a suburban cul-de-sac, dutifully eating his Malted Squares cereal each morning, and evading his boss at the DIY store (played by a ponytailed, bespectacled Crook). He befriends Kacey (Lauren Patel) at work, a May-December friendship somewhat based on Patel and Quigley’s own (they met working on a radio play). But somehow, Michael is simultaneously “a magnet for beautiful, crazy things,” Crook said.

When oil spills from his dusty, beat-up blue car, it pools into the shape of a big, black rabbit. A shooting star, or rather a meteor, may or may not have landed somewhere inside his house. A room inside is frozen in time, forever decorated for an ‘80s-themed Christmas — a surprise that Clea never got to see. And then there are the homunculi.

The inspiration came from a short passage in “Clea,” the fourth book in Lawrence Durrell’s “Alexandria Quartet,” which references the creatures. “It just fascinated me that he put it in this novel apropos of nothing else,” Crook said. “It didn’t add to the plot.” He squirreled the idea away until he knew what to do with it. Crook is a big fan of David Lynch, and referenced an old trick of his: To make a movie, first come up with 70 ideas.

The homunculi were one of those seed ideas for “Small Prophets.” Crook knew he wanted to set the show in modern-day suburbia, in a cul-de-sac. He knew he wanted to work with Quigley, who plays Michael. And he knew he wanted to work with Henderson, his animator friend, on those homunculi. (In the early stages of design, Crook made illustrations of what the prophets might look like. “They’re like Francis Bacon paintings,” Henderson said. “They’re mad-looking things.”)

Henderson worked on the show with Will Anderson, the former as a stop-motion animator, the latter on digital animation, 2-D animation, compositing and finishing shots. (Glen Southern designed and sculpted the creatures themselves, and they collaborated with Mackinnon & Saunders, a puppet fabricator that has worked on Guillermo del Toro’s “Pinocchio,” Wes Anderson’s “Fantastic Mr. Fox” and Tim Burton’s “Corpse Bride.” There were seven total puppets for three homunculi.)

As much as possible, Crook wanted this world to feel tangible; to achieve it, the team used in-camera effects and props as much as possible, rather than CGI. “It feels a bit more authentic … when it’s stop-motion. You can see the mark of the maker in every movement,” said Anderson in a video call with Henderson. The prophet puppets float “behind this warped glass, which is slightly abstracted and a bit more magical, and separates you from them in a really interesting way with reflections and inks.”

It’s almost as if the flesh-colored prophet puppets were actors, and Henderson directed them, Anderson said, manipulating their silicon bodies into position over and over again. In this analogy, Anderson would be ironing out logistics like camera angles or lighting. He made their garments, like the queen’s billowing cape (“ethereal clothes,” Henderson called them), digitally after the fact.

Crook knew that he wanted the homunculi to be almost still, as if someone had fallen into icy water, their cold, wet clothes clinging to them, barely wanting to move. Near-stillness is one of the hardest things to animate, Anderson pointed out. But “when it’s done well, it really binds, because they are thinking, alive things; they are. That’s our job to animate.”

For many, stop-motion holds a real nostalgia, Henderson said — another theme of the show, dovetailing with Michael’s yearning. Production designer Lucy Spink wove nostalgia into “Small Prophets,” especially in the Christmas room. She texted her sisters pictures of wallpaper options. “Which one makes you cry more?” she asked. “Or makes you feel like you remember being there?”

From a production angle, creating gentle comedy is “a tonal thing,” Spink said on a video call from the Yorkshire Dales. “You know how far to take it. That it isn’t extreme fantasy, but you’re pulling somewhere back from that. And it was a visual serendipity, is what I felt was what we tried to do, which was like the world was saying there’s a little something strange going on.”

If someone described this show as magical realism, Crook would “find that a compliment.” The first time he heard the phrase was about the 1992 Mexican romantic drama “Like Water for Chocolate,” which really struck him. “I just thought, wow, OK, you can do stuff like that, impossible stuff” — like a crocheted bedspread flying in a swirl of colors for a kilometer behind a carriage — “and ask people to believe it.”

“Like Water for Chocolate” is based on Laura Esquivel’s 1989 novel by the same name, which folds recipes into its story. One is for quail in rose petal sauce, which Crook made for his girlfriend at the time, whose name was Clea. She cried because she found the tiny bird so sad.

Kacey (Lauren Patel) gazes at one of the homunculi in a scene from the series.

(Apple)

There’s a quote from “Justine,” the first novel in the “Alexandria Quartet,” that I shared with Crook. It reminded me of how he had spoken about wanting to believe in the unexplained: “We are all hunting for rational reasons for believing in the absurd.”

“I’d not even picked up on that, but that’s it,” Crook said. “I’ve never believed in ghosts, but I would love to see one. And if I did, it would flip my world upside down. I’d have to reevaluate everything, and that would be an exciting thing. And I think ‘Small Prophets’ is a lot about that.”

The “Small Prophets” finale, dropping on Apple TV Nov. 4, channels that essence of storytelling — inexplicable but undeniably real — back into a garden shed. This time it’s Michael’s, engulfed by his wild garden, built with the exact same footprint as Crook’s own.

“That spirit that’s in the show: that gentle, warm funniness — that’s what he’s like to be with,” Henderson said. “Will and I went and stayed in his house, and he made us dinner, and we sat ‘round and drank wine and had a fun time storyboarding. That’s cool. That’s how life should be when you’re making stuff with people.”

Emmerdale fans were left questioning how Dr Liam Cavanagh and newcomer Dave knew each other, after a link was teased in an episode that also a wedding date confirmed

How does Liam on Emmerdale know new character Dave?

A link is clear, given Dave, who said his name was David Thistlethwaite, clearly knew Liam from his past. Dave commented how he’d seen him before but that he didn’t know anyone by the surname Cavanagh, which is Liam’s surname.

When Dave asked Liam about where he was from and how they knew each other, Liam shut it down. The thing is, he didn’t recognise Dave or his name, so he doesn’t seem to know him.

But it’s when Dave started probing about where he grew up and that he’d seen him close to where he was from at some point, that Liam started to panic.

Dave had been drafted in to take part in a murder mystery organised by Chas Dingle, Liam’s fiancée. At first it seemed Dave was an actual criminal, and he had hijacked the murder game to get revenge on Dylan Penders.

Everyone played along until the end, when Liam unlocked a safe, only to find a piece of paper. On the paper, the date January 29th was written down.

As Liam asked what this meant, they all dropped the act, including Dave, as Chas admitted it was all to announce their wedding date. Dave was actually new at the brewery, helping Chas with deliveries at the pub.

Liam thanked him for taking part, calling him a good sport. It was clear he didn’t know Dave, but it’s then that Dave made a point of knowing where Liam was originally from.

Dave told him: “You do seem quite familiar, although I’m not sure I knew an Cavanaghs.” Liam told him, nervously: “No, it wouldn’t have been me.”

Dave replied: “Are you sure? You do seem very familiar.” Liam started stuttering, trying to suggest he wasn’t there for long before Dave interrupted.

Liam interrupted back though, and bluntly told him: “It wasn’t me.” Dave apologised for asking, and later, we saw an anxious Liam staring at Dave from afar.

Fans began speculating how the men knew each other, and what Liam was hiding about his past. They were convinced that Liam had done something or was running away from something.

Another theory was that he wasn’t he who said he was or had perhaps changed his name. Dave clearly knew Liam by a different surname, and Liam is clearly trying to cover up this link.

One fan said: “I think Liam killed his 1st wife,” as a second said: “I wonder if Liam has a secret family?” A third fan said: “Ooh, who is Liam really?”

Another theory read: “Bigamy so he cant marry Chas,” as one said: “I think it’s going to turn out all this time he has been a bigamist and still has a wife down south.” A final post said: “Wonder if he’s changed his name for some reason ie medical misconduct or immunity from something.”

Emmerdale airs weeknights at 8pm on ITV1 and ITVX. * Follow Mirror Celebs and TV on TikTok , Snapchat , Instagram , Twitter , Facebook , YouTube and Threads .