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THE Rolling Stones have teamed up with The Cure’s Robert Smith for their new album Foreign Tongues.

Insiders told The Sun that Friday, I’m In Love singer Robert, 67, had recorded three tracks in secret with Sir Mick Jagger, Keith Richards and Ronnie Wood in London.

Tonight, The Stones will unveil the details of Foreign Tongues, out July 10, at a party in New York .

Sir Paul McCartney, who played bass on Bite My Head Off from The Stones’ 2023 No1 album Hackney Diamonds, is also on the new record.

A source said: “Robert secretly recorded with The Stones in Metropolis Studios in London.

“He plays guitar and synth, and did backing vocals for three of the tracks.

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“The Stones were really pleased with how the songs came out.

“Paul will appear on the album again too. They’ve had this album wrapped for a while now and The Stones are excited about releasing it to their fans.”

This afternoon, the British music legends released the first single from Foreign Tongues, In The Stars.

Hackney Diamonds, which was The Stones’ first original studio album in 18 years when it was released back in 2023, went straight to the top spot.

And Mick and co have been working hard to make sure there is just as much of a buzz around Foreign Tongues.

They kicked off their campaign by reverting back to being The Cockroaches- a moniker they used for surprise, intimate performances in the Seventies and Eighties – and dropped a track called Rough And Twisted last month.

The Stones released a limited number of vinyl copies of the song, which are so rare they’re now being flogged for over £1000 online.

And they pulled in the big guns for their first music video for the record, by enlisting Hollywood rising star Odessa A’Zion to appear in the production.

This evening, Oscars host Conan O’Brien hosted a Q and A session with Mick and Keith, both 82, and Ronnie, 78, in New York.

A smash-hit crime drama returning to Netflix and BBC later this month has just dropped an electrifying new trailer

Netflix and BBC viewers are ecstatic after getting their first look at one of the most highly anticipated returning shows of 2026.

A Good Girl’s Guide to Murder, based on the series of books by Holly Jackson, first premiered on iPlayer and BBC Three in July 2024 and was later released to Netflix.

Now, fans of the series, which was once again filmed in Bristol and Somerset, will be able to stream the thrilling second season on either service from Wednesday, 27th May.

Ahead of the long-awaited premiere, a new trailer has been released teasing another gripping mystery for amateur sleuth Pip Fitz-Amobi (played by Emma Myers) to unravel.

Season two picks up with Pip and Ravi (Zain Iqbal) after cracking the case of missing student Andie Bell (India Lillie Davies) as Max Hastings (Henry Ashton) prepares for his trial.

However, while Pip is desperate to go back to her quiet life in Little Kilton, Connor’s (Jude Morgan-Collie) older brother, Jamie (Eden H Davies), a key witness in Max’s case, suddenly goes missing.

A synopsis for the six-part follow-up teases: “With the clock ticking and the stakes higher than ever, Pip and the group are thrust into a desperate, heart-pounding race to find him before it’s too late.

“As the search intensifies, Pip is pushed to her absolute limit, forced to face a terrifying reality, will she be able to save Jamie in time?”

Author Jackson is helming the adaptation this time along with showrunner Poppy Cogan, taking inspiration from the second novel in the bestselling series, Good Girl, Bad Blood.

This time around, A Good Girl’s Guide to Murder will include newcomers such as Davies as Jamie, along with Misia Butler (KAOS) and Jack Rowan (Noughts + Crosses).

Fans were thrilled to get a more extensive look at the second series, which previews another high-stakes missing person investigation along with more drama between Pip and her friends and a reckoning for her vile nemesis, Max.

Audiences have described the series as “excellent”, a “fantastic adaptation”, and so “incredible” they “binged it in a day” in rave reviews on IMDb.

The new trailer for season two is also getting an enthusiastic response from fans on social media. One YouTube user exclaimed, “IM SOOO EXCITED!!!” and another commented, “WE’RE SO BACK”.

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Sky is giving away a free Netflix subscription with its new Sky Stream TV bundles, including the £15 Essential TV plan.

This lets members watch live and on-demand TV content without a satellite dish or aerial and includes hit shows.

This includes the brand new UK drama Unchosen, starring Asa Butterfield and Christopher Eccleston.

Reactions continued on X, where one fan said: “When I tell you I screamed I screamed oh my god pip is back.”

“May 27 is already circled on my calendar. Pip is back and I am so ready,” someone else said.

And a final viewer declared: “PIP IS BACK ON SCREEN I JUST SAT UP AND CHEERED OMG.” Make sure you clear your calendar for the return of this addictive mystery drama coming in just a few weeks’ time.

A Good Girl’s Guide to Murder season 2 premieres Wednesday, 27th May on BBC iPlayer, BBC Three and Netflix.

Miriam Margolyes opened up about the health problems she lives with and issued a warning to others on how one of them could be prevented

Miriam Margolyes has shared an update on a health problem she has lived with for more than 40 years. The 84-year-old revealed she suffers from a long-term shoulder injury that means she is unable to put on a bra by herself.

Reflecting on being filmed in her bra for her latest documentary Miriam Margolyes Made Me Me, she said on The Romesh Ranganathan Show: “I did have that new bra on and it did me the world of good.

I need several people to put it on for me and I’m on my own at the moment.

“The problem is, I’ve got a bad shoulder, I’ve had it for a long time actually because I didn’t know how to fall and I had to fall in a play for six months about 40 years and the rotator cuff doesn’t quite cuff or rotate, whatever it should do.

“So, I can’t put my hands behind my back. I can manage with an apron because it’s lower down, but with a bra it’s a little bit [more difficult] and you have to sort of arrange your t**s into it.

“And I need help basically, so my lodgers do bra duty, but I haven’t got them with me today so I had to do it myself,” the actress shared.

In the same podcast, the Harry Potter star opened up about what she considers the “worst bit” of being in her eighties.

Asked for advice by Romesh’s mother, she said: “The worst bit about being 80 is my weak pelvic floor. I p**s myself all the time and everywhere I go I always take spare knickers because you never know.

“And that’s honestly the truth and I don’t like it and I don’t say it to be funny, I say it because it’s true and it’s a bl***y nuisance,” Miriam added.

“But if I done pelvic floor exercises maybe I wouldn’t be so p***y. So do your pelvic floor exercises,” she warned.

On a more positive note, the actress said the “best thing” about turning 80 is the confidence she now feels when meeting new people.

“The best thing about being 80 and I’m going to be 85 [soon], is not being afraid to meet people, not being afraid to go into a room and just be.

“Sometimes, that’s because people know who I am and they’re sort of starstruck because they think I’m a star, but it gives me confidence.

“I feel more empowered to be and go into a room and talk to people,” she added.

Miriam has faced a number of other health challenges over the years, including undergoing an aortic valve replacement in 2023. She also lives with Spinal stenosis, which has affected her mobility.

She previously told Closer Magazine: “I can’t walk very well, and I’m registered disabled. I use all kinds of assistance. I’ve got two sticks and a walker and they’re such a bore, but I’ve just got a mobility scooter, which is a lot of fun.”

Contenders are almost lined up for the 79th Tony Awards.

Tony nominee Uzo Aduba and Tony winner Darren Criss on Tuesday morning will announce the nominees live on CBS and YouTube. Nominated productions included “The Lost Boys” and “The Balusters,” with Rose Byrne (“Fallen Angels”) and John Lithgow (“Giant”) earning acting nods.

Other headline nominees included John Lithgow (“Giant”), Lesley Manville (“Oedipus”), Nathan Lane (“Death of a Salesman”), Daniel Radcliffe (“Every Brilliant Thing”) and Stephanie Hsu (“The Rocky Horror Show”).

The 79th Tony Awards will return to New York City’s Radio City Music Hall on June 7. The ceremony, hosted by Pink, will air live on CBS and stream on Paramount+.

Here is the complete list of nominees. (This story is being updated.)

Play

“The Balusters”
“Giant”
“Liberation”
“Little Bear Ridge Road”

Musical

“The Lost Boys”
“Schmigadoon!”
“Titaníque”
“Two Strangers (Carry a Cake Across New York)”

Revival of a play

Revival of a musical

Performance by an actress in a leading role in a musical

Sara Chase, “Schmigadoon!”
Stephanie Hsu, “The Rocky Horror Show”
Caissie Levy, “Ragtime”
Marla Mindelle, “Titaníque”
Christiani Pitts, “Two Strangers (Carry a Cake Across New York)”

Performance by an actor in a leading role in a musical

Nicholas Christopher, “Chess”
Luke Evans, “The Rocky Horror Show”
Joshua Henry, “Ragtime”
Sam Tutty, “Two Strangers (Carry a Cake Across New York)”
Brandon Uranowitz, “Ragtime”

Performance by an actress in a leading role in a play

Rose Byrne, “Fallen Angels”
Carrie Coon, “Bug”
Susannah Flood, “Liberation”
Lesley Manville, “Oedipus”
Kelli O’Hara, “Fallen Angels”

Performance by an actor in a leading role in a play

Will Harrison, “Punch”
Nathan Lane, “Death of a Salesman”
John Lithgow, “Giant”
Daniel Radcliffe, “Every Brilliant Thing”
Mark Strong, “Oedipus”

Book of a musical

Original score

Performance by an actor in a featured role in a play

Performance by an actress in a featured role in a play

Performance by an actor in a featured role in a musical

Performance by an actress in a featured role in a musical

Scenic design of a play

Scenic design of a musical

Costume design of a play

Costume design of a musical

Lighting design of a play

Lighting design of a musical

Sound design of a play

Sound design of a musical

Direction of a play

Direction of a musical

Choreography

Orchestrations

KATIE Price appeared to struggle to keep her ample assets protected as her tiny bikini struggled to handle her ‘biggest ever’ boobs.

The surgically-enhanced star shared a selfie of her enjoying a spot of sunbathing in Dubai – after jetting over to spend time with her fourth husband, Lee Andrews.

In the snap, a very busty Katie risked her boobs from spilling out of her tiny bikini top as it struggled to protect her modesty.

Katie underwent her 17th boob job in 2024 in Belgium where she had work done to refine the biggest chest she has ever had.

Her previous breast surgery saw her get massive 2120cc implants in order to have the title of Britain’s biggest boobs.

Katie first began having breast surgery in 1998 where she initially went from a natural B-cup to a 32C.

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The following year, she had two further boob jobs before she took a break of seven years before having a fourth operation in 2006.

Since then, Katie has had some form of breast surgery almost every one or two years in order to change their shape and size.

Her current boobs are the biggest they have ever been.

Katie briefly returned to her natural B-cup and was without implants after her chest became infected in 2015 following the surgeries.

However, she soon quickly opted to have implants put back in, despite the risks, months later and went from her natural size to a major 32GG.

Known for her cosmetic surgery, Katie underwent her biggest change in 2019 when she opted for a full body overhaul in Turkey.

During her visit to the surgeon, she underwent a third facelift, an eye and eyelid lift, her first BBL, a tummy tuck as well as her 14th breast surgery.

However, the following year, she was forced to jet to Belgium to correct some of the work after it was reported she was left with botched boobs from the Turkish clinic after undergoing the assortment of procedures.

Jeremy Clarkson may have given one contestant a major clue in the most recent episode of Who Wants To Be A Millionaire after he was caught ‘stifling laugh’ at a player’s answer.

Jeremy Clarkson has been accused of giving a Who Wants To Be A Millionaire player major hand in the game after being unable to control his exasperation.

In Sunday night’s episode of the ITV quiz show, Jeremy met contestant Arunan Jeyakumar from Newbury Park. Unfortunately, Arunan wasn’t quite up to the challenge, leaving with just £1,000 after using up three lifelines.

During one key moment of the episode, Jeremy asked Arunan about dances: ‘Which of these dances would tyically be performed to rock and roll music? Jive/Waltz/ Cha-Cha/Rumba?’

While taking his time to think, Arunan said he was considering the waltz, but knew it wasn’t the Cha-Cha or Rumba.

After looking at Arunan, Jeremy then lifted his hand to his head and rubbed his eye in an exasperated pose, but said nothing. Arunan then changed his answer and answered correctly, telling Jeremy it was the ‘Jive’.

Fans spotted this moment during the show, with one saying on X: “@JeremyClarkson How you stifled the laugh when he said the Waltz was calling out to him, I thought you were going to lose it.”

Jeremy replied to the comment with one simple word: “Unbelievable.”

Although Arunan was able to make it though this question unscathed, the next was his downfall as he was asked ‘Which of these is not a capital city? Bratislava/Sofia/Istanbul/Warsaw?’

He wrongly chose Sofia and ended up walking away with just £1,000. Clarkson told him very bluntly: “I think that the basic problem is you don’t know very many things. This maybe was the wrong show for you to be on.”

The former Top Gear star host seemed frustrated that no one was winning big on the show, quipping: “Welcome back to Who Wants To Win Nothing At All.. as it should be called.”

In the same episode, one woman lost a staggering £186,000 by risking all – making her the show’s second ever biggest loser. It all went wrong on her £500,000 question. She was asked: “According to Guinness World Records, which of these has travelled at over 260 miles per hour during a competitive game or match? Tennis ball/Ice hockey puck/Badminton shuttlecock/Table tennis ball”

Jen used her Phone-A-Friend lifeline but her dad, Chris, didn’t know. Clarkson warned her: “You are now completely on your own and have no more lifelines. If you get this wrong, if you go for it and get it wrong, you lose £186,000.”

And he advised that she did have the option of not answering the question at all and still walking away with a big win. He said: “You can go home with £250,000.”

But she reasoned: “Would I be more annoyed at giving it go and getting it wrong…. Or not giving it a go?” In the end she pressed ahead guessed an ice hockey puck, with the correct answer being shuttlecock.

The audience gasped at her huge loss and this comes just one week after the presenter gleefully crowned retired IT analyst Roman Dubowski a £1m winner.

Who Wants To Be A Millionaire episodes air on Sunday nights at 8pm on ITV1 and ITVX.

Fans of documentaries packed with twists and turns are being urged to give this one a go

Documentary fans are being urged to watch a “stranger than fiction” film that is often ignored.

Three Identical Strangers was one of the top suggestions offered after a Redditor asked for “blow your socks off” documentaries to watch that were not widely known about.

The BAFTA-nominated film, which has a run time of just over an hour and a half, tells the story of triplets – Bobby Shafran, Eddy Galland and David Kellman – who were separated at birth. They were not told that they were triplets and so knew nothing about each other.

In an incredible twist of fate, the trio find themselves crossing paths with each other as young adults in the eighties, purely coincidentally. The amazing story catapults them to celebrity status and they live together, make movie cameos and start their own business, but as they dig deeper into their past, they discover a horrifying truth that changes their lives forever.

“I’m looking for documentaries and I love all types except for murder mystery because they’re typically all the same,” the original Reddit post began. “Could you guys suggest a few documentaries that completely caught you by surprise and you always recommend it to people because of that?”

Under the suggestion of Three Identical Strangers, one person remarked: “I remember this documentary. It made me so angry. But, producers did a great job telling the story.”

“Yess this is one I would typically scroll past but wow it was definitely one of the best,” admitted one viewer who gave it a shot. A third fan added that the story told in the film “felt impossible.”

While it is no longer available on Netflix, the film – described by many as ‘dark’ – can currently be viewed on YouTube, Apple TV and Prime Video for a small fee. Boasting a 96 per cent critics rating on Rotten Tomatoes and 88 per cent from audiences, the viewer consensus seems to be that it is a worthwhile watch for any documentary fan.

“Starting as a fascinating curiosity, the movie takes a dramatic and breath-taking turn to expose a much more unsettling story. Really great documentary,” another viewer said, rating it five stars.

“Classic case of reality being far stranger than fiction. Watch this and you’ll be rewarded (if that’s the proper way of putting it) with a story so wild you’d think it’s made up. Yet this is a documentary,” said yet another bowled over viewer.

Three Identical Strangers is currently available to watch on YouTube, Apple TV and Prime Video for an additional fee.

SABRINA Carpenter rocked an old Hollywood look at the Met Gala on Monday, rocking a tight-fitting frock with a racy thigh-high slit.

The 26-year-old singing sensation wore a gorgeous dress made out of real old Hollywood film reels as she attended the star-studded event in New York.

The film reels on the dress were of the Humphrey Bogart and Audrey Hepburn movie, which is titled Sabrina.

She flashed her toned pins as she strutted her stuff in front of onlookers, smiling and beaming as she made her way up the iconic steps.

Fans were left completely enamoured by her sizzling ensemble.

“The hair is so pretty, the dress is stunning, everything is amazing,” penned one person.

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“This b**ch wrapped herself in Kodak film,” added a second, complete with a laughing emoji.

“That is a cool dress and idea,” said a third.

“She DEFINITELY understood the assignment,” added a fourth.

While a fifth wrote: “Sabrina Carpenter’s dress is one of the most creative I’ve seen tonight. I love that.”

But not everyone was complimentary of her outfit, with some quick to share their critique.

“It’s classy but she could have done a whole lot better,” said one person.

“Boring as usual,” slammed a second.

While a third penned: “the dress itself is beautifully constructed but the choice of the film strips is lost on me and its connection to the theme/dress code?”

This comes off the back of Sabrina’s sensational headline concerts at Coachella last month.

The singer delivered a set dubbed “Sabrinawood” with a Hollywood-themed set across two weekends on April 10 and 17.

Her shows featured some very iconic cameos from the likes of Madonna, Susan Sarandon, Will Ferrell, and Sam Elliott.

The setlist highlighted her most recent album Man’s Best Friend, but also included some of her biggest hits like Espresso and Feather.

Beanie Feldstein and Bonnie-Chance Roberts are expecting a baby, the “Booksmart” actor and her wife announced Monday on social media.

“Limited Edition Scouse Beanie Baby coming soon!!” the couple said in a joint Instagram post, captioning a carousel of pictures showing Feldstein with and without her wife, both dressed in shades of pink and white, plus a white-frosted cake ringed with the pink inscription “B+B are having a baby.”

Anyone want to place a bet on whether it’s a girl?

The “Beanie” in the baby caption is self-explanatory, while “Scouse” is a reference to the accent in Roberts’ Liverpool home town.

Feldstein and film producer Roberts, who met in 2018 during preproduction on the 2019 movie “How to Build a Girl,” made their red-carpet debut at the movie’s premiere and then got married in June 2023. The wedding festivities spanned two days in New York’s Hudson Valley and incorporated a summer camp theme.

Feldstein told Vogue at the time that the ceremony’s outdoor and rustic nature was inspired by “our happy place together.” The “Lady Bird” actor grew up going to summer camp and said her family has a history of finding love in those childhood spaces.

“To get married at a camp was a truly beautiful emotional homecoming,” she said.

Friends including Whitney Cummings, Kaitlyn Dever, Ben Platt, Olivia Wilde, Uzo Aduba, Joey King and Monica Lewinsky chimed in with glee in comments on the joint post.

“Luckiest baby,” wrote Wilde, who directed “Booksmart.” “And I’m finally a grandma!!!!”

Times staff writer Alexandra Del Rosario contributed to this report.

BAD Bunny looked unrecognizable as an old man at the Met Gala on Monday night.

The 32-year-old star arrived at the event with gray hair, a gray beard and a walking stick – leaving fans completely baffled.

The Puerto Rican rapper, whose real name is Benito Antonio Martínez Ocasio, even hobbled up the steps as he posed for photos, leaning into his elderly alter-ego even more.

His skin looked aged, his hands looked older, and the way he walked and moved was that of an 80-year-old.

Fans were entirely divided by the singer’s look, with many flocking to social media to share their thoughts.

“Sorry but no I don’t like it,” said one.

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“Dad bunny,” joked another.

“Why is he an old man?” asked a third.

While a fourth joked: “More like Señor bad bunny lol.”

“Superbowl aged him 60 years lol,” said a fifth.

“Turns out, Bad Bunny was Will Ferrell all along. Well played, Will,” joked a seventh.

But some fans were more complimentary.

“Aging is art,” said one person.

“For me, it was a critique showing that aging can also be beautiful,” added another.

While a third said: “He always brings it!”

And a fourth wrote: “He and Heidi Klum are so good at costumes and entertaining! Love them both!”

Heidi arrived at the event in New York as a living statue in a very bizarre costume, which some fans dubbed as “creepy”.

Heidi transformed herself into a literal sculpture and looked as though she was crafted entirely from marble.

The costume looked like a naked body draped in a fabric, but in sculpture form.

One took to X to say: “She looks a bit scary but this is gorgeous idc.”

“This isn’t Halloween honey,” slammed another.

“This looks more creepy than creative,” penned a third.

But there was much praise too, with one person writing: “Finally someone who understood the assignment Heidi didn’t just wear the theme she became the art. Living marble statue is insane commitment.”

HEIDI Klum left onlookers and fans completely stunned by her creepy yet on-point Met Gala look.

The 52-year-old model and TV host arrived at the event in New York as a living statue in a very bizarre costume.

For the theme Fashion is Art, Heidi transformed herself into a literal sculpture.

Looking as though she was crafted entirely from marble, the America’s Got Talent judge looked unrecognizable in the ornate costume.

The costume looked like a naked body draped in a fabric, but sculpted out of marble.

Fans reacted to Heidi’s look on social media, with many divided over the look.

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Several thought the look was to “scary” and “creepy” for the glamorous event.

One took to X to say: “She looks a bit scary but this is gorgeous idc.”

“This isn’t Halloween honey,” slammed another.

“This looks more creepy than creative,” penned a third.

“Ok, I’m going to admit that it fits the theme, but I’m also going to admit that it scares me a lot,” said a fourth.

While a fifth added: “Costume vs fashion trips people on here who think the gala is a costume party. this is a costume. and not a good one.”

But despite how some people were freaked out by the look, there was much praise for Heidi’s look.

Many fans said she was on point with the theme and were blown away by her outfit.

One person praised Heidi on X saying: “Finally someone who understood the assignment Heidi didn’t just wear the theme she became the art. Living marble statue is insane commitment.

“She’s the one who got the theme right,” said another.

“This is definitely the coolest outfit at Met Gala,” penned a third.

While a fourth said: “Lifetime access to the MET for this one @annawintour write that down.”

And a fifth added: “Love this. The draping is exquisite.”

Kid Cudi has fired M.I.A. as an opening act on his Rebel Ragers tour following backlash over her onstage comments in Dallas, where she said she “can’t do illegal” and appeared to accuse audience members of being in the country illegally.

The controversy first gained steam on Reddit where concertgoers expressed their concerns about her comments at Saturday’s show, including that she reportedly claimed she was canceled for being a brown Republican voter, prompting boos from the audience. Although she is not a U.S. citizen, she endorsed Donald Trump’s 2024 presidential campaign.

In one video, she says she “can’t do illegal, though some of you could be in the audience,” drawing audible gasps.

In a statement Monday, Kid Cudi announced that M.I.A. was no longer with the tour and noted that he had previously had his management tell her team that he “didn’t want anything offensive” in his shows and that he was assured this message was understood.

“After the last couple shows, I’ve been flooded with messages from fans that were upset by her rants,” he wrote in a statement on Instagram. “This, to me, is very disappointing and I won’t have someone on my tour making offensive remarks that upsets my fanbase.”

The rant came as she introduced her song “ILLYGIRL,” which has lyrics that say “I’m illegal, f— your law.” In another video, she can be heard saying, “I’m illegal, half my team are not here because they didn’t get the visa,” before instructing the audience not to listen to “what the bots say on the internet.”

After Cudi’s announcement about her being removed from the tour, she responded in an all-caps message on X, writing, “I WROTE BORDERS AND ILLYGAL AND PAPER PLANES BEFORE YOU THOUGHT IMMIGRANT RIGHTS WERE COOL. I’VE HAD [THESE] BATTLES BY MYSELF WITHOUT THE HELP OF MILLIONS OF FANS BACKING ME.”

M.I.A., whose real name is Mathangi “Maya” Arulpragasam, is a British-born rapper with Sri Lankan parents. She spent her early childhood in Sri Lanka before her family returned to London as refugees during the country’s civil war.

She is best known for her 2008 smash hit “Paper Planes,” which includes the lyrics “If you catch me at the border I got visas in my name.” Several of her songs deal with themes of immigration, politics and war.

In 2022, she announced her conversion to born-again Christian, which inspired her recently released album M.I.7, featuring heavy Christian themes.

In her X statement on Monday, she accused people of gaslighting her song lyrics, noting that “IS THE WORK OF SATAN.” She also made comments about Jesus being an immigrant and a rebel and said he returned to lead the world to fight injustice. She ended the post with a call for everyone to listen to M.I.7.

Kudi’s 33-show Rebel Ragers tour kicked off March 28 with M.I.A. and Big Boi billed as the opening acts. On Monday, he also announced that his Tuesday show in Birmingham, Ala., was canceled due to low ticket sales. The tour is set to continue with Big Boi as an opener and A-Trak, Me N Ü and Dot Da Genius slated to open at certain shows.

Coronation Street spoilers have hinted at guilty characters who could be Theo Silverton’s killer, while the fates of two other villains are also teased on the ITV soap

Spoilers for next week on Coronation Street have revealed huge twists, including clues about who killed Theo Silverton.

One villain faces her comeuppance finally, while another’s fate is revealed after murder week. One character is plotting an exit and some new evidence is teased as Theo’s murder suspects fall under the spotlight.

Sam Blakeman sparks concern, and Tim Metcalfe must face his past. Kicking things off, Will secretly meets Megan, having stolen £2,000 from the pub safe.

They plot to flee to France, while Will pretends he’s moving to Scotland with his mum. As he leaves in Tim’s taxi, Tim is suspicious about Will’s plans when he realises the Glasgow train is cancelled.

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The Driscolls also realise something is up when Will’s passport is gone, and they can’t get through to him. Tim tells Will all about his relationship with Tricia, how much he enjoyed it at the time but how he’s come to realise that technically he was a victim of rape, but will he get through to Will?

Will returns to Weatherfield, and reports Megan to the police. Lisa interviews Megan but she denies everything. After his chat with Will, Tim confronts Trisha and spells out that like it or not, she abused him when he was 14 years old.

Back at the Rovers, Ben gets a call from Melanie, and Maggie’s thrown into panic, telling Ben they need to talk. David kicks Jodie out, leading to her sowing seeds of doubt in Shona’s mind about what happened between them.

Soon, Jodie comes across Daniel, who is still lying about being at the Lakes, and the pair share their secrets. As Jodie later collects her things from Shona’s, her face darkens.

Sam is left panicked when he’s threatened by Will at the Red Rec, causing him to break his telescope. Hope urges Sam to tell Leanne about Will, but Sam loses it.

As Sam prepares for his exam, he overhears Nick and Toyah talking, but doesn’t hear their true words. Soon, Roy finds an agitated and distressed Sam surveying a tracking device he found in his school bag.

Kit and Lisa don’t believe Gary’s alibi after the recent murder, but they soon suspect Todd is hiding something. As the police call at the builder’s yard and start gathering potential evidence, it includes some scaffolding poles.

After some evidence is deleted, Kit makes it clear that Gary is still his prime suspect. Finally, Summer reveals that she’s been offered a place at an American university – but is her possible exit her attempt at fleeing?

Coronation Street airs weeknights at 8:30pm on ITV1 and ITV X. * Follow Mirror Celebs and TV on TikTok, Snapchat , Instagram , Twitter , Facebook , YouTube and Threads.

Emmerdale spoilers for next week have revealed danger for some characters, big scenes and Dr Todd is targeting a character again, while also romanticising another resident

There’s some big twists and turns on Emmerdale next week according to new spoilers.

It’s a big week for Cain Dingle as he prepares for his cancer surgery, but a bombshell leaves him reeling. Soon one favourite is attacked, but how far will it go?

Dr Todd is back up to her old tricks, still tormenting Jacob Gallagher while issuing a new threat to Charity Dingle too. When she turns her attentions towards Vanessa Woodfield, how will Charity react?

Then there’s the usual village drama too, with secrets under threat and Bea Wolf’s court fate appears to be confirmed too. Here’s all the big spoilers for next week’s epic episodes…

READ MORE: Coronation Street fans ‘rumble’ what happened to Maggie – and it wasn’t a heart attackREAD MORE: Coronation Street: Carl’s attack ‘will be life-changing’ as villain’s fate revealed

Cain undergoes his cancer surgery, and confronted with the reality of his catheter post-operation, he fakes pain to be kept in the hospital. When he does head home, with the operation going well, he picks up on tension with Aaron and Robert.

When Moira is forced to admit it was Robert who planted the identity documents that got her arrested, Cain wants revenge. Asking Sam for a favour, the pair attack Robert and tie him to a chair.

As Robert regains consciousness he sees Cain wielding a hammer, wanting Robert ‘to pay’, but what will he do to him? Elsewhere, Jacob fears his feud with Dr Todd has gone too far.

He feels guilty about how nasty things got, and in an attempt to move on he visits Todd. Offering her his condolences on the day of her father’s funeral, Todd accepts his apology.

Soon, Mary plays matchmaker and pushes Vanessa to ask out Dr. Todd, and the pair agree to a date. But Charity is left panicked that Todd will expose her baby lie, as Todd suggests to Jacob that she’s privy to a secret that could make his life hellish.

After some news about Todd’s father’s will, Vanessa decides they should just be friends. Todd needs money though, and a plan begins. Todd warns Charity she has definitive proof Charity and Ross are Leyla’s genetic parents and demands she pay her £10,000 to keep the secret.

Charity fears the worst, and panics further when she sees Todd and Vanessa kissing. Elsewhere, Bear and Mandy join the depot, but Jai’s words trigger Bear’s trauma from the farm.

Finally, Bob panics to discover he’s a player short for the men’s darts team. He’s soon relieved to hear Lewis has joined, claiming to have played a lot of darts in the past.

Emmerdale airs weeknights at 8pm on ITV1 and ITVX. * Follow Mirror Celebs and TV on TikTok , Snapchat , Instagram , Twitter , Facebook , YouTube and Threads .

Paramount Skydance Chairman David Ellison defended his commitment to release 30 movies a year once his media company swallows Warner Bros. Discovery — a goal that some industry observers view as overly ambitious.

During a Monday call with analysts to discuss Paramount’s first-quarter earnings, the tech scion said the target was achievable because his management team would maintain current levels of production. Paramount has doubled its film release capacity to 15 films this year, matching the number of theatrical releases planned by competing Warner Bros.

“The two companies are actually making 30 films to date,” Ellison said. “We really view our pending acquisition of Warner Bros. Discovery as a powerful accelerant to our strategy.”

The company said it was on track to finalize its Warner takeover by the end of September. The $111-billion deal would transform the smaller Paramount into an industry titan with prestigious programming, including Harry Potter, “Game of Thrones,” “Euphoria,” as well as its current slate of Taylor Sheridan-produced franchises, including “Yellowstone” and “Landman.” The combined company also would own dozens of popular TV networks, including CBS, CNN, Comedy Central, Food Network and HGTV.

But the proposed merger would saddle the combined company with $79 billion in debt, stoking fears that Paramount would need to make steep cost cuts to balance such a large debt load. During the quarter, Paramount lined up banks and other institutional investors to provide bridge financing to help pull off the transaction, the company said.

“We’re pleased with the momentum and will continue to take the necessary steps to bring this deal to completion,” Ellison told analysts.

Late last month, Warner Bros. Discovery stockholders overwhelmingly voted in favor of the deal, which will pay $31 a share to Warner investors. The company now must secure regulatory approvals in the U.S. and abroad, and that process is well underway, Paramount said.

Paramount has asked the Federal Communications Commission for permission to exceed a cap on foreign ownership for U.S. media companies. Ellison’s company is expecting $24 billion from three Middle Eastern royal families, who would become part owners of the combined entity. Those total funds will represent about 49% of equity in that new company, exceeding the current foreign ownership cap of 25%.

More than 4,000 filmmakers, actors and industry workers, including Bryan Cranston, Connie Britton, Kristen Stewart, Jonathan Glazer and Jane Fonda, have signed an open letter asking California Atty. Gen. Rob Bonta and other regulators to block the deal, saying it “would reduce the number of major U.S. film studios to just four.”

Late last week, a small group of consumers sued to block Paramount Skydance’s acquisition of Warner Bros. Discovery and unwind Ellison’s Skydance Media’s takeover of Paramount, alleging that both deals reduce marketplace competition.

For the January-March quarter, Paramount’s earnings beat Wall Street’s expectations. Revenue grew 2% to $7.3 billion compared with the first quarter of 2025.

Adjusted earnings before interest, taxes, depreciation and amortization (EBITDA) reached $1.1 billion, helped in part by growth in its streaming services unit. Paramount+ increased its revenue by 17% to nearly $2 billion, compared with the year earlier period when it generated $1.7 billion. The service added 700,000 subscribers, bringing the total to nearly 80 million.

With Warner’s HBO Max streaming platform, the combined service would boast more than 200 million subscribers.

Paramount reported first-quarter net earnings of $168 million, or 15 cents per share, compared with $152 million in 2025, which occurred before Skydance acquired the media company in August.

Executives pointed to “Scream 7,” a late February release that has topped $200 million in global ticket sales, as a success story. Studio revenue grew 11% to $1.28 billion for the quarter.

Television networks revenue declined 6% to $3.7 billion as Paramount’s cable channels continue to contend with the loss of cable cord-cutters, which reduces the company’s collections from pay-TV providers. Nonetheless, Paramount pointed to the strength of Sheridan’s “Landman,” starring Billy Bob Thornton, Ali Larter, Sam Elliott and Demi Moore, and the strength of the CBS television network, which currently has 13 of the broadcast industry’s top 20 prime-time shows, including “60 Minutes,” “Marshals,” and “Tracker.”

The company told analysts it would achieve $30 billion in revenue for the full year and $3.8 billion in adjusted EBITDA. Paramount said it would also make $2.5 billion in cost-cuts by the end of this year and reduce expenses by $3 billion in 2027.

Paramount said it ended the quarter with $1.9 billion in cash and cash equivalents. It also was carrying $15.5 billion in debt. The company had to draw $2.15 billion from its revolving credit facility to pay Netflix a $2.8-billion termination fee that Warner Bros. Discovery had agreed to pay under a previous deal to sell the company to Netflix.

Paramount released its earnings after Monday’s trading day. Its shares closed at $11.13, basically unchanged.

KYLIE Jenner has once again gotten fans talking with her daring looks as she rocked a curve-hugging “nipple dress” on the 2026 Met Gala red carpet. 

The reality star wore the sexy look for a solo night out in New York City despite fans hoping that boyfriend Timothee Chalamet would be her date for the first Monday in May. 

Kylie, 28, stunned in a formfitting Schiaparelli strapless nude corset that pushed up her chest with cups that included nipples poking out. 

The corset went down to her hips, where a long lace skirt draped down to her feet. 

She completed her look with a diamond necklace and smokier glam makeup. 

The mom-of-two rocked a side part with old Hollywood curls and a long piece of hair going over her forehead. 

INTERGALACTIC STYLE

Katy Perry rocks astronaut mask at Met Gala 1 year after space trip

Timothee, 30, chose to skip the Met Gala red carpet but was just down the street at Madison Square Garden to support his beloved New York Knicks as the team competes in the NBA playoffs.

While his girlfriend was serving looks for the cameras, the Oscar-nominee was pictured court-side at tonight’s Knicks game against the Philadelphia 76ers for Game 1 of the conference semifinals.

Kylie, 28, has become one of the Met Gala’s most talked-about regulars however, it’s not always for the right reasons.

From her dazzling debut to viral backlash over a baseball cap on the red carpet, the beauty mogul has built a reputation for bold glam – and also for occasionally missing the theme entirely.

She made her Met Gala debut in 2016 in a heavily embellished silver gown by Balmain.

The futuristic look, complete with a blunt bob wig, instantly put her on the fashion map.

Fans praised the bold entrance, though some questioned whether the edgy look felt too mature at the time.

In 2017, Kylie stepped out in a sheer, feathered gown by Versace for the avant-garde Comme des Garçons-inspired theme.

Kylie returned in 2018 just months after welcoming her daughter, Stormi, wearing a sleek black gown by Alexander Wang.

The moment grabbed headlines – but not everyone was impressed.

Fans applauded her confidence, while others slammed the outfit as “underwhelming” and off-theme for the religious-inspired night.

Her 2019 look remains one of her most iconic.

Kylie stunned in a lavender feathered gown by Versace, complete with a matching purple wig, fully embracing the “camp” theme.

Fans were overall obsessed, with many still ranking it as her best-ever Met Gala moment.

After a three-year hiatus, Kylie returned in 2022 in a white bridal-inspired gown by Off-White as a tribute to the late designer, Virgil Abloh.

However, it was her backwards baseball cap that stole the spotlight.

The unexpected accessory sparked backlash online, with critics calling the look confusing and “disrespectful” to the theme – though others defended the sentimental tribute.

In 2023, Kylie opted for a more refined look in a red gown by Jean Paul Gaultier honoring Karl Lagerfeld.

Kylie leaned into romance at the 2024 gala with a sculptural, corseted gown featuring floral accents.

The feminine look was well received, though some critics said it lacked the wow factor of her earlier appearances.

In 2025, Kylie returned in a sheer, corseted design that highlighted her signature hourglass shape.

Fans praised the fit – but others complained the style felt repetitive of her past red carpet choices.

EastEnders’ Ronni Ancona has warned that a “deeply malevolent” storyline will become “so much darker” for Honey and Billy as Bea “blacks out with anger” and “spirals”

EastEnders‘ Honey Mitchell is about to be put in danger, as creepy Bea Pollard finally snaps. According to star Ronni Ancona, Bea’s life in Walford is about to come crashing down, leading to a “deeply malevolent” atmosphere that will get “so much darker” for Honey.

Over the past few months, Bea has wormed her way into Honey’s (Emma Barton) life. She’s living in Honey’s house, buying the exact same clothes as her friend and has even taken out a credit card in her name.

As Honey and her husband Billy (Perry Fenwick) become more and more suspicious of Bea, Ronni says that her character is set to “spiral” – and it won’t be good for Honey.

READ MORE: EastEnders star reveals devastating death of family member in heartbreaking tributeREAD MORE: Soap star’s heartbreak as beloved mum dies four years after comedian dad

“It’s going to get so much darker for Honey and Billy. I would say that Bea increasingly spirals, and she becomes more dangerous as a result,” Ronni says.

She adds: “I think Bea almost blacks out with anger. There is something in her that switches when she is triggered, and at that point her actions become deeply malevolent.

“I think there’s a really interesting point here that she is very desperate. She knows time is running out for her, and I think that fuels her. It’s like a warped sense of self-preservation. I think she is horribly lonely, and I think it’s catastrophically damaging for her. She sees in Honey a chance of something real, and she’s not ready to give it up.”

Honey is set to find out about the credit card Bea has gotten and the enormous debt it has put Honey in. Ronni explains that Bea will initially try to get herself off the hook, but ultimately has to admit that what she did was wrong. Honey is just about to give in when Billy arrives home and orders Bea to leave.

Bea hasn’t liked Billy for a while, and some wondered if she had nefarious plans to replace him in Honey’s life. But Ronni has insisted that while Bea “loves Honey too much”, it’s not romantic and Bea’s dislike of Billy actually comes from how he can “see through her”.

“She finds him coarse, and she doesn’t respect him,” Ronni says. “I think initially she did, because she didn’t want to replace Billy; she wanted to be part of that family unit, and that’s all she wanted. But, I think the tide changed towards Billy for Bea when she realised he was not going to let that happen.

“He’s now in Bea’s way and all of this had added to fuel to her situation with Billy. In addition, the biggest thing for Bea is she knows that Billy can see right through her. That’s why she can’t stand Billy. Billy is a perfectly nice, hard-working guy who just wants a simple life with his family, but he can see through her, and therefore he’s a problem. “

But what about Ian Beale (Adam Woodyatt)? For the past couple of weeks, Bea and Ian have been dating, and she has thrown herself into getting him elected as a councillor for Walford. She seems intent on being his Mrs, but Ian is not so invested in the relationship.

Ronni says: “I tragically think she is alarmingly ecstatic about the very small steps in her relationship. This is quite Bea. She is a comic, tragic character, but her strange, warped optimism knows no bounds. Bea has this element of being an excited child, and she’s a bit of a dreamer like a Blanche Dubois character, and I think she has always imagined herself in a position and situation like this. It suits her just perfectly. Even though she’s gone through such terrible times, and is constantly rejected, this is a little clink of light.”

So how will she react when the newly minted Councillor Beale breaks up with her? “Bea switches so quickly. She’s mercurial, and she can’t seem to regulate her emotions. Bea suddenly gets very angry very quickly instead of processing the situation.

“She suddenly becomes vengeful about the situation with Ian. I do think Ian is a little hasty in his rejection of Bea. Evidently, I’ve heard that Bea is the only person who has been rejected, soundly, by every person in Walford!”

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Like most of his música mexicana contemporaries, Diego Millán, better known artistically as Calle 24, sang about the excesses of living the rock star life — the money, the cars, the booze and the women.

Since signing with Street Mob Records — the independent label founded by Fuerza Regida frontman Jesús “JOP” Ortiz Paz — in 2020, the singer-songwriter has been responsible for hits like “Que Onda, ” which featured labelmates Chino Pacas and Fuerza Regida. The trombone-laced earworm about a deboucherous tryst was a breakthrough for Millán, reaching No. 61 on the Billboard Hot 100 after it debuted in August 2023.

These days, the 23-year-old Chihuahua-born artist is dialing down the glitz, opting for songs that aren’t about living the luxurious life.

“Money brings more problems,” Millán tells me inside an Italian restaurant at the Americana at Brand, Glendale’s monument to opulent consumerism. “Because the more money you have, the more things you have to support.”

In April, Millán released “Eterno,” his fourth studio album. The 15-track LP largely forgoes the boisterous brass section that’s become a staple in the genre in favor of stripped-down tracks about being disillusioned with newfound wealth (“10 de mayo”), his mental health (the gritty “Si Me Ven”) and romantic heartbreak and anguish (“Solo”). He also touches on a topic that might be too taboo to discuss: Mexico’s widespread systemic relationship of organized crime (“El Sentrita”).

Millán says this is the most authentic he’s ever been in his music, something he attributes to moving back to Mexico, a country he believes is deeply misunderstood and has profoundlyshaped his personality.

“[Mexico] is filled with deep values, strong ethics and a profound sense of social understanding,” he said.

While música mexicana artists might feel compelled to move to the states in search of fame and fortune, Millán now finds freedom in his native country — and through “Eterno.”

“Now, I can be myself,” he said.

The follwing interview was conducted in Spanish, and has been condensed and edited for clarity.

In “Solo” you talk about romantic loneliness. Why was that vulnerability important to include in this album?

I prefer to approach those themes from a more grounded perspective. With that song, I wanted to really open myself up to that feeling and express regret, that sense of loneliness that comes with saying “I screwed things up.” I feel that’s how you establish a deeper connection with your audience. After all, so many people out there don’t have luxuries or material things like that so how do you get to them? With emotion. A feeling that expresses regret, including with the phrase: “I know I’m a piece of s—, but you know that I love you.”

It reminds me of Joan Sebastian’s “Un Idiota,” in which the singer admits he still loves the person he wronged, and that he knows he messed up.

That’s what I wanted to do too, talk about the human experience and what it is. I wanted people to listen to it as they’re drinking, and all of a sudden that wave of feelings just hits you like a slap to the face.

The song “Si Me Ven” talks about burnout and the idea that money isn’t as fulfilling as one might think. Did you base it out of your own personal experiences?

This song fits like a ring on my finger. They say that money won’t make you happy and it’s true. In my case, I spent five years without seeing my family and missed many things.

On Instagram, you told fans: “I feel like I am more human than artist, I hope you all can understand. Sometimes I wake up wanting to do nothing, or sometimes asking myself what am I doing? Where am I going?” Do you feel drained by this career?

Of course [being a successful musician] is my dream, but I didn’t know all that it would entail. To this day, it has been draining, and there’s some days where I don’t feel like doing anything because I’m more of a person than an artist. There are some colleagues that do live life as if it were a movie, but I’m more of a homebody.

How do you make sense of the industry where part of the allure is tied to wealth, fancy cars and material goods?

I obviously love cars. Any normal person would love those types of things. And when you work hard, of course you fill the gaps you had when you were younger. But I don’t like putting it in people’s faces.

You say this, but your “Eterno” album cover shows you with a stack of money.

[Laughs] But there’s something curious about that cover. I was feeling down that day, there was just a lot of sadness around that time. Yet there I am, surrounded by all that stuff and that’s where the clash lies, you know? That contrast is what gives my album cover its depth.

Let’s talk about “El Sentrita.” The song contextualizes organized crime as a systemic issue. What prompted you to write about this topic?

I wanted to frame it as social commentary, addressing what has been going on in Mexico for decades, as well as the obstacles we face as artists who aren’t allowed to express ourselves or certain themes through music. Just as we were discussing right now, rap used to be how artists delivered social commentary through the medium of music. I would like to do that as well.

I figured if the government tells me I can’t sing a corrido, then I’ll use a corrido to offer them some criticism instead. You have to pay close attention to follow the character’s storyline as it unfolds. At the end of the song, it hits you, none of this would have happened if someone would have given him a chance. The goal was to raise awareness, to show that there are so many dreams within [Mexico] but they need to be given the opportunity to pursue them so that they don’t end up on the wrong path.

The music video for “El Sentrita” shows how one young boy gets roped into organized crime. It feels less of a choice and more a result of the system. Tell me more about this decision to give dimension to the character.

That’s the question: Who is the victim in this system? The way I saw it was that he was a good person who fell in with bad people and ended up becoming a bad person himself. If we look at it from a different angle, one where you don’t judge whether a person is good or bad, he was simply someone operating in that world out of necessity.

That’s when you have to question yourself and ask: how can we call someone a bad person when society leaves them with no other choice. I also wanted to do this to show young people that life in that world isn’t easy. Society right now is deeply damaged. This new generation of youth needs a lot of attention.

There is a phrase at the end of the song where you say, “You don’t sing about what you do, you sing about what you see.” What did you mean by that?

Because it’s not like we’re out there doing those things, you know? We aren’t engaging in any kind of criminal activity whatsoever. We simply sing, literally, about what we see, about what goes down in [Mexico] every single day. Because it’s not just some isolated incident; it’s something that happens constantly — day in, day out, without fail.

LENA Mahfouf nearly bared all in a shocking Met Gala look that sent cameras flashing.

The French star appeared to go braless in a daring gown as she stepped out for fashion’s biggest night.

Mahfouf is wearing a daring Burc Akyol look for the 2026 Met Gala.

Her outfit leans fully into the night’s dress code, “Fashion Is Art,” which reflects the ethos of the “Costume Art” theme.

The theme explores the “centrality of the dressed body” through depictions and interpretations of the human form in the Met’s collection.

Her gown featured a sculpted metallic bodice shaped like two silver hands across her chest.

READ MORE ON ENTERTAINMENT

MET MADNESS

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The daring top left her shoulders, stomach, and back exposed.

She paired it with a pale blue draped skirt that sat low on her hips.

The skirt featured thin side straps and high cutouts, creating a barely-there effect as she posed.

Photos showed Léna leaving The Mark Hotel before heading to the high-profile event.

The hotel is one of the main celebrity hotspots before stars make their way to the Met steps.

The outfit appeared to create a near-naked effect as she posed ahead of the gala.

More to follow… For the latest news on this story, keep checking back at The U.S. Sun, your go-to destination for the best celebrity news, sports news, real-life stories, jaw-dropping pictures, and must-see videos.

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Blake Lively and Justin Baldoni have reached an agreement to resolve their legal dispute, bringing an abrupt end to a high-profile and increasingly contentious battle that had been set to go to trial in two weeks.

“The parties in the Blake Lively and Wayfarer Studios litigation have reached an agreement to resolve the matters,” lawyers for both sides said in a joint statement Monday in a case that has drawn outsized attention for more than a year.

“The end product — the movie ‘It Ends With Us’ — is a source of pride to all of us who worked to bring it to life. Raising awareness, and making a meaningful impact in the lives of domestic violence survivors — and all survivors — is a goal that we stand behind. We acknowledge the process presented challenges and recognize concerns raised by Ms. Lively deserved to be heard. We remain firmly committed to workplaces free of improprieties and unproductive environments. It is our sincere hope that this brings closure and allows all involved to move forward constructively and in peace, including a respectful environment online.”

The statement did not disclose the terms of the agreement.

The bitter dispute, which grew out of the production of the 2024 romantic drama “It Ends With Us,” had sprawled over months into a series of lawsuits, countersuits and public claims, with both sides offering sharply different accounts of what took place during and after filming.

Lively sued Baldoni, his production company Wayfarer Studios and others in December 2024, alleging sexual harassment, retaliation and other claims tied to her experience on the film. Baldoni denied the allegations and pushed back in court filings, arguing that the dispute had been mischaracterized.

Last month, U.S. District Judge Lewis Liman dismissed most of Lively’s claims, including her sexual harassment allegations, significantly narrowing the case ahead of a trial that had been scheduled to begin May 18 in New York.

The remaining claims, centered largely on alleged retaliation, had been expected to be the focus of the trial, which was likely to last two to three weeks and risked reputational damage to both parties.

It was not immediately clear whether the court had formally vacated the trial date.

SPICE GIRLS fans might not be getting a reunion tour for their 30th anniversary — but they could be enjoying something a lot more futuristic.

Victoria Beckham has confirmed they are in discussions about a hologram spectacular, a year after I revealed talks were under way with former manager Simon Fuller.

With a full-blown comeback looking unlikely, Posh said the girls all reckon a digital show would be “great” — and have already been chatting about it over dinner.

The concept would follow in the footsteps of ABBA Voyage, which turned the Swedish band into digital avatars and has been raking it in since launching in East London in 2022.

Victoria said on SiriusXM radio: “I think it would be a great idea.

“The principle of it would be great.

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“We were talking about it at dinner, but we’ll see.”

It comes after Melanie C poured cold water on reunion hopes, insisting a tour “is not happening”.

So fans shouldn’t hold out for the band hitting the road together anytime soon.

Still, a Spice Girls show without the stress of rehearsals, travel or arranging five schedules sounds very on- brand.

And if anyone can make Girl Power go digital, it’s music boss Simon, who first dreamed up ABBA’s avatar take

My insiders first told me of the girl-group’s plans last May, with Simon keen to celebrate their greatest hits with the show.

A source added: “Simon is desperate to have one last hurrah with the Spice Girls and this is his latest idea.

“He was the person who came up with the original idea for Abba and their digital show and he thinks this model could work perfectly for the group.

“Simon knows this plan would mean the band would be making money in their sleep and it would open up their music to a whole new generation.

“It’s a really exciting concept and he thinks he could make it work.”

Now he’s got Posh on board, I don’t think there is anything stopping them.

DAMON: TOO BUSY TO WIPE

SUCCESSFUL musicians can be lazy sods after years of having lackeys looking after their every whim.

And Damon Albarn has revealed he’s become so high and mighty, that he’s decided to stop doing anything not worth his time.

The result, my friends, is absolutely disgusting.

The Blur frontman said: “Sometimes I don’t even really wipe my bum properly.

“No, it’s not all the time, but you know what I mean. I just don’t allow many of the conventions that slow the day down to get in my way.”

Defending his toilet habit, Beatlebum singer Damon, insisted: “It’s more of the principle of the thing.

“If I’m in a hurry, I won’t waste extra time doing something that is not necessary to do at that moment.”

Remind me to never sit down wind of him at a party.

DUA TO LINE UP TOUR FILM?

HOLIDAY-loving Dua Lipa wore denim and stripes as she zipped off on another trip with her actor fiancé Callum Turner.

They have just returned from a romantic getaway to Copenhagen and she shared snaps online of them together and him tucking into a burger.

But it sounds like she may soon have a surprise up her sleeve, after sending fans wild with a message about a potential film of her Radical Optimism tour, which kicked off in November 2024 in support of her third album.

Dua shared a video on WhatsApp of herself performing and people screaming in the crowds.

In an accompanying note to fans, she wrote: “Happy 2 years of Radical Optimism . . . how should we celebrate?”

Her song End Of An Era features in new flick The Devil Wears Prada 2 and with the singer already hard at work on her next album, now would be the perfect time to close the book on her previous one.

OLIVIA’S STRIP TEASE BEFORE BARCA GIG

THE World Cup kicks off in just over a month and Olivia Rodrigo is already proving she’s on the ball when it comes to the beautiful game.

But rather than getting behind the US team, she’s more focused on La Liga champs Barcelona, teaming up with the Spanish club and Spotify to create a limited-edition jersey.

Perhaps we just forget about her trip to Stamford Bridge in 2023 to see Chelsea when it was proudly claimed she was a Blues fan.

The women’s team will wear the tops in their home match against Levante on Thursday. On Saturday, Olivia will play a Spotify Billions Club Live gig there.

Olivia, who follows acts such as Ed Sheeran, Drake and The Rolling Stones by featuring on the club’s kit, said: “Seeing ‘OR’ on a Barcelona jersey, I don’t even know how to process that.

“Getting to perform for the fans who’ve been listening since day one, in a city like Barcelona, is going to be special.”

EUPHORIA actor Jacob Elordi has broken his foot.

The Page Six gossip column in the US said the Aussie heartthrob’s injury means he is out of the running to be on the Cannes Film Festival jury, which he was expected to be part of.

The festival starts next Tuesday, but the injury means we are unlikely to see him striding down the red carpet.

HELL OF A START FOR DEVIL 2

THERE were plenty of doubters and mixed reviews – but The Devil Wears Prada 2 certainly hasn’t fallen out of fashion.

It has topped the box office worldwide, and over the weekend banked $233.6million, including $77million in North America.

That’s more than double the $27.5million the original 2006 flick made in its opening weekend.

It’s finally proof there is demand for female-fronted films, after male movies such as Michael and Project Hail Mary dominated in cinemas.

Meryl Streep, Emily Blunt and Anne Hathaway reprise their roles, with all eyes back on Runway magazine and its editor Miranda Priestly.

Unlike the fictional mag, there’s nothing to worry about with these bumper figures.

CAMERON DIAZ has become a mum for the third time, aged 53.

She and hubby Benji Madden, of rock band Good Charlotte, have welcomed a baby boy called Nautas.

The Charlie’s Angels actress, who had daughter Raddix and son Cardinal by surrogate, previously said she was conscious about being an older mum.

FUTRA LIGHT

RIHANNA gets fruity in an new shoot for her Savage X Fenty’s latest undies range.

The singer, who looked stunning in sett decorated with strawberries, wrote on X: “It’s giving everything but basic for your everyday basics.”

Rihanna has been really quiet lately, with all whispers of new music once again dying down – a decade after the release of her last album, Anti.

C’mon girl, it’s what we RiRi want.

KATY AND JUSTIN GET PICKLED

KATY PERRY and Justin Trudeau have got themselves in a right little pickle.

The singer proved her unlikely romance with the former Canadian Prime Minister had gone from strength to strength – when she shared loved-up photos on Instagram, including one of their personalised jar of pickles.

The label shows the couple under the name “Katy & Justin’s Pop + Policy Pickles.”

Customised jars like theirs set customers back £22, but she clearly enjoyed the savoury souvenir, given that she shared the photo with her 200million followers.

Katy, pictured with her arms wrapped around her boyfriend, will head out on a six-week tour next month with stops in Dublin, Cardiff, and Isle of MTV festival in Malta.

At least with this momento stashed in her suitcase, she will have a reminder of home.

BOBBY’S BOO TO ROCK SIRS

PRIMAL SCREAM frontman Bobby Gillespie has taken a swipe at rock royalty, accusing some of music’s biggest names of getting too cosy with the Royal Family.

The singer didn’t hold back as he blasted those who accept honours, taking aim at the likes of Sir Brian May, Sir Paul McCartney and Sir Rod Stewart.

At the launch of the David Bowie: You’re Not Alone immersive experience in London, Bobby said: “David Bowie was one of the few admirable rock stars who never took an honour from the Royal Family, which I think is incredibly cool.

“Maybe the coolest thing he ever did.

“The rest of them grovel on their knees, Bowie was like, nah. Too cool.”

Bobby made it clear his admiration for Bowie goes far beyond just snubbing a title, though.

He added: “I was a teenager in the Seventies so I’d be going to school in the morning and my mum would have the radio on and The Jean Genie would be blasting out, or Suffragette City or Golden Years.

“So since I was a conscious kid, a teenager, a pop music fan, he’s always been there.”

Bobby also praised Bowie’s constant reinvention, which he says helped shape his own band’s sound.

He added: “The way that he changed as an artist from album to album – he did different styles, as did The Beatles – that’s been a big influence on Primal Scream.”

ROBBIE WILLIAMS had to grin and bare it after breaking off half of his front tooth.

He shared this smiley selfie with the damaged gnasher on full display, telling his Instagram followers he hadn’t noticed it was missing until getting into bed with his wife Ayda Field.

Robbie revealed: “She said I look like Dumb And Dumber. Fair enough, I guess I do.”

But Rob is in Miami and his dentist is in Los Angeles, so he’s in a quandry over whether to fly five hours to get it fixed before his upcoming shows.

Whatever he does, I doubt he will be taking PALOMA FAITH’s advice.

She commented: “Knock them all out to match.”

That sounds more like a threat than a solution.

Ardal O’Hanlon was a firm favourite on Death in Paradise as DI Jack Mooney before leaving in 2020

Death in Paradise star Ardal O’Hanlon has taken a savage swipe at the show, three years after his exit.

The actor portrayed DI Jack Mooney in the popular BBC crime drama, after joining in 2017. And during his stint, he became a firm favourite with fans, who often dubbed him the programme’s ‘best’ detective.

However, in 2020, Ardal left the cherished Caribbean-set show after three years. During his appearance on The One Show this week, the Irish star reflected on his time on the programme.

Revealing how filming Death in Paradise inspired his new book, A Plot to Die For, Ardal said: “I did 24 episodes. It must have been at least 30 murders. I didn’t even have to read the script, I knew who did it.”

Ardal went on: “When I was there I was always trying to dream up imaginative kind of murders.” Although he then said he “loves” the show, Ardal made a savage swipe at it’s storylines.

“But you would be thinking to yourself, ‘have we not done this plot before?’ You know, someone falling off a balcony again!” as his co-stars and show hosts laughed along with him.

Ardal was previously asked whether Jack Mooney leaving the show was a mutual decision. He told the Mirror: “From day one, it was always going to be like three series.

“As it turned out, I ended up doing part of a fourth series as well, before the handover to Ralf Little’s character [Neville Parker]. So to be honest with you, like you just wouldn’t be fit to do any more than that.”

He added: “It’s very gruelling, and you’re away from home for a very long time. So, you know, that was always the plan, and there was really very little that was going to change my mind about that.”

Ardal also went on to say that he believes the reason for the show’s success is the constant rotation of detectives. He stated: “I think the secret of the show’s success is constantly changing the lead detective, you know, before people get bored with them.”

What’s more, despite enduring “very harsh” weather conditions during filming of the show, Ardal branded the experience a “lovely job to do”.

Death in Paradise airs on BBC One and iPlayer