SHOW BIZ

TO some, Tiffany Pollard is the ultimate reality queen, gracing Celebrity Big Brother and many other shows with her own explosive brand of drama.

But it is less well-known that she is now a recording artist as well, thanks to a cheeky sample on Zara Larsson‘s track Hot & Sexy.

Tiff — who dubs herself the Head Bitch In Charge, or HBIC — speaks the refrain “beautiful, fly, hot and sexy” on the pop princess’s empowering song.

Speaking for the first time about the collab, Tiffany said: “Zara is multi- talented, and for her to come for the HBIC to honour a track blows my mind.

“I was in that studio. It was like I was Beethoven because I wanted to get it right and iconic just for her.

“I was dedicated to the piece and a lot of people dance to it, so we’re happy.”

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The track from Zara’s multi-platinum album Midnight Sun was even played during last week’s Victoria’s Secret catwalk.

But we’re not going to see Tiff on tour with Zara any time soon.

She revealed: “I don’t want to crush dreams or anything like that, but our girl is going to handle it. I’m not gonna be on tour — I got bad knees, honey.”

Tiffany’s back on the reality beat as she begins a stint on ITV’s Celebrity Big Brother — a decade on from her career-defining appearance.

Fans will remember her spats with Gemma Collins and the “David’s dead” misunderstanding when housemate Angie Bowie was told her ex-husband had died, but Tiffany thought it was David Gest who had passed away — until others found him asleep in bed.

Today Tiffany heads into a divided house, with the self-proclaimed “hierarchy” of Rochelle Rackham and Philip Regan facing accusations of bullying — but she is ready to take them on.

The outspoken American said: “It’s Halloween week and I’m gonna put the whore in horror.

“I’m gonna listen to people, I’m gonna have an authentic experience but I don’t want to be on my best behaviour.

“It’s called the hierarchy? The king and the queen of the house? Oh, please. It’s time for me to knock down the bricks.

“I only go around this life one good time and I want to make sure I’m living it authentically.

“I don’t want to quiet a voice of something that should have been said.

“I have a lot of people who are betting on me to be real and to just say what it is.”

Tiffany will also make time while staying in the UK for some of her favourite British pastimes — including watching Towie, Hollyoaks and tucking into our good old fish and chips.

Just hours before heading on to Big Brother, she said: “Bring all that vinegar. People are so nice here.”

We’ll see if she feels the same following her stint in the spy-on-the-wall house.

• Big Brother continues tonight at 9pm on ITV2 and ITVX.

HOLLYWOOD superstar George Clooney revealed last week his plans to open a new restaurant in the tiny Provencal town of Cotignac.

The French fishing village, which is home to just 2,000 people, has seen an extraordinary influx of Hollywood celebrities in recent years.

Yet this latest development is the first likely to draw hordes of selfie-stick-wielding tourists to the quaint medieval town.

And residents are split over the move, with many fearing the commune is being transformed into a new A-list enclave to rival St Tropez.

While some welcome the creation of jobs in the area, others feel the town risks being overwhelmed by celebrity residents such as George, 65, and his wife Amal, 48.

Writing on a local Cotignac Facebook page, local resident Veronique Luisetti wrote that the town is being “taken over.”

The Canadian entrepreneur backing George’s restaurant, Graham Porter, also owns the Lou Calen hotel, which includes the Michelin-starred Le Jardin Secret restaurant, and the La Falaise art centre.

Another, Viviane Palumbo, added: “We don’t have any money left!”

Meanwhile a comedy mock-up cartoon showing the Ocean’s Eleven actor serving a platter at his new venue is being shared among neighbours.

Titled Cotignac: Hollywood Passe en Cuisine – or Hollywood hits the kitchen – it sees a caricature of George serving up a platter of pasta in an apron.

Jeany Cronk, who runs vineyard Maison Mirabeau, welcomes the jobs the venue will create for locals and said it will bring in much-needed cash.

But she said the residents hope they won’t be overrun by visitors desperate to ogle the actor, saying: “We are not St Tropez.”

Jeany, 53, told The Sun: “You can’t really escape the fact that people will want to come here to see George when his restaurant opens.

“It will impact people wanting to come and eat there.

“And he’s been a celebrity for a very long time, he understands that, you know.

“We’re expecting it to be over the top at first, but we’re hoping it settles down.

“Some people are negative about it, because not everyone likes change, but others are positive about the jobs it will create.

“We are just hoping that everyone will be respectful, and keep the spirit of our community alive.

“We are a former fishing village, we are not St Tropez.

“We don’t have a big Chanel villa or crowds of visitors.”

Jeany, author of the book At Home in Provence, has had plenty of chances to meet the celebrities who have moved into the area – from George and his wife Amal to Brad Pitt and Angelina Jolie, who bought the Chateau Miraval vineyard just minutes away from Cotignac in 2008.

The vineyard was later at the centre of a toxic legal battle between the couple, after actress Angelina sold her share in 2021.

Also within a 30 minute radius is John Lucas’s Skywalker Vineyard, while John Malkovich owns a private wine-making estate named Les Quelles de La Coste.

And Ridley Scott produces wine at his Mas des Infermieres vineyard in the heart of the Luberon National Park in Provence.

Jeany continued: “Cotignac has always been quite a famous place.

“I mean, it’s one of the most beautiful villages in France.

“And it is, you know, it has a long history with, you know, celebrities.

“Eric Idle’s lived there for many years.

“And hugely famous people, like David Bowie and Pink Floyd recorded albums in the Studio Miraval.

“George and Amal have obviously built a strong connection to our village.

“I think what’s very nice for him – and I really hope that this remains, now that the restaurant is so public – is that he’s been very free to move around and be amongst people who live in the village.

“He feels happy and safe here.

“I think the celebrities always love that people just go about their business while they’re there and don’t make a big fuss.”

But what of the rivalry among neighbouring vineyards?

She continued: “It’s generally very friendly.

“We all share a common goal – to bring our beautiful rose wines to the world.

“And these big names do lend a hand in raising our profile.

“We are doing very well at the moment, especially in the UK, and we have a great global partnership with Soho House.

“So it isn’t nasty in any way.

“However,” she added, “Of course, business is business.”

George’s latest venture comes as he recently became a French citizen after buying an estate in nearby Brignoles.

And he reportedly wants his restaurant ready to open next year, according to the local mayor.

Jean-Pierre Véran told the newspaper Nice-Matin: “He wants to create a well-designed restaurant, with a terrace and the option to reserve the dining room for private events when he hosts celebrities.”

He continued: “We discussed their restaurant, and I told them I wasn’t opposed to this project, which can benefit everyone.”

However, both the actor and his wife are likely to stay far away from the kitchen – after joking that they are not the world’s greatest cooks.

“I’ll tell you what,” Clooney said three years ago.

“My wife, who is a brilliant lawyer, she’s one of the advocates of the world.

“She takes on Isis.

“But I better be doing the cooking or we will all die.”

KIM Kardashian has baffled fans with a mysterious indentation on her back in new photos from her trip to Rome.

The Skims mogul, who just turned 46 this month, debuted what followers called a “backgina” in a polka-dot strapless dress worn at her All’s Fair photoshoot in Italy on October 26.

In her Instagram carousel on Monday, Kim showed off her daring cut-out gown by designer Galia Lahav and styled by Zendaya’s BFF Law Roach.

In one shot where Kim faced away from the camera, fans spotted a strange, deep dent in her back.

One follower cheekily called the mark a “backgina,” seemingly in response to her infamous “pitgina” in 2025.

“What am I looking at?!” one Reddit follower marveled.

“I’m so confused,” another chimed in.

But Kim’s friends, family and Instagram followers largely loved her unusual look.

“The queen diva has arrived!” Kim’s sister Khloe marveled.

“Really love this,” gushed friend Lala Anthony.

Last summer, Kim shocked fans with what they called a “pitgina” in a very tiny bandeau top.

As she waved to onlookers in Venice, a deep indentation in her armpit could be seen.

“Why does it look like a belly button?” one follower asked on a Reddit thread.

“What is that? I’m terrified!” said a second.

New York-based plastic surgeon Dr. Norman M. Rowe, M.D. told The U.S. Sun that the dent could be an “axillary hollowing.”

“An axillary hollowing is essentially a divot or indentation in the armpit area that can result from certain cosmetic procedures,” Dr. Rowe said.

“The most common causes include liposuction to the upper arm or armpit, an arm lift or brachioplasty, or breast augmentation when the implant is placed through the transaxillary route—that is, through an incision in the armpit.

“In these procedures, tissue is removed or repositioned in a way that can leave behind visible contour changes, especially in someone lean like Kim Kardashian.”

Kim has not commented on the “pitgina” or “backgina” talk, or accusations she underwent liposuction procedures.

FOR eight years, Sara Cox was forever the bridesmaid, never the bride.

At long last, then, on a bright, sunny Monday morning in July, the broadcaster got her big day, becoming the long-overdue host of Radio 2’s Breakfast Show.

The first two tracks played?

Lizzo’s About Damn Time and CeCe Peniston’s Finally.

Which tells you all you need to know about this brilliantly witty DJ: She says it as she sees it, and has fun along the way.

“Was it deliberate?”, she says, smiling. “Of course — I was being cheeky.

“On the day itself though, I actually felt fine, not that nervous. It was a job I’ve wanted for so long that it just felt like . . . finally.

“And when I thought about About Damn Time, it did make me smile.

“I thought, ‘Start as you mean to go on’. I just wanted to be me, which essentially is a little bit cheeky.

“Luckily, the reaction’s been great. We have the best listeners in the world and I have the best job in the world. I’ve got an incredible team, a brilliant bunch of people like me who are massive radio geeks, and I love it.”

While some may have crumpled under the pressure of hosting the ­biggest gig on the airwaves, the unflappable former model has taken it all in her leggy stride.

An instant hit with listeners — she was also a long-time favourite with devotees of her former gig, the Drivetime show — Sara has introduced new games and inter­active formats to keep things fresh.

Lucky listeners can win a pair of branded “Sara Sox” socks (clean) should they triumph in games such as Let’s Hear It For The Noise, a fiendishly difficult memory challenge.

(Behind the scenes, she is incredibly hands-on, WhatsApping her team with ideas around the clock, I’m told.)

Having been relentlessly badgering Sara’s team for an interview, today, then, is my Big Day. Finally.

Invited to spend a morning in the life of the Bolton-born 51-year-old, things kick off, rather unpleasantly, with a 4.50am alarm call.

Entering the BBC’s flagship London building in the dark, I am tired and grumpy. Sara is not.

In the studio, she dances to tracks, chats to her listeners before and after they call (apparently, many DJs don’t bother with such niceties), and cheerfully munches on an avocado wrap she brought in from home.

The super-fit mum of three — who last year smashed a gruelling 135- mile run across five consecutive days, raising £11.7million for Children In Need — also stands up for the entirety of her three-hour show.

I am exhausted just watching her.

I used to sit down doing the radio but not any more,” she says.

“I like to move around. But it’s also for the leg region. the late (TV health expert) Michael Mosley did a podcast on inflammation — if you sit down for too long, your cells start making the inflammation. So, sadly, it’s not for a rock ’n’ roll reason.”

On the subject of rock ’n’ roll, to a legion of geriatric millennials like me, and Gen Xers, Sara came to the fore as a “ladette”.

Former Breakfast show host Zoe Ball, Sara — back then on Radio 1 — Denise van Outen, Meg Mathews, Sadie Frost, et al, were entrenched in pop culture of the Nineties.

With a motto of “work hard, play hard”, Sara and her pals were endlessly papped hanging out at celebrity hotspots such as London’s Met Bar.

Yet those days are long gone — so much so, the charismatic star is now teetotal. Plus, constant cameras — filmed clips of the show are put out on the station’s official Instagram page — mean it would be nigh-on impossible to hide a hangover.

She says with a laugh: “I mean, you saw the Radio 1 pap shots of me leaving the building — I literally look like I’d slept in a skip. It was great.

“But yeah, it’s all visualised now, and I get it, we are evolving. I can get away with putting my make-up on during a record. A bit of mazzie (mascara) and I’m good to go.

“Today, though, I don’t drink. I’ve not drank since February after my last pina colada in half-term.

“I do feel better for it. To be fair, I was drinking so little, maybe one unit a week, that when I did drink, it was making me feel dizzy and weird.

“Plus, my husband Ben hasn’t drunk for four or five years so that makes it easier/wears you down.

“I mean, you feel a complete lush having half a glass of malbec of an evening otherwise.”

She has been married to marketing executive Ben Cyzer, who she met at Glastonbury Festival, since 2013. They are blissfully happy. Presumably, though, Ben was less thrilled with his wife’s career reawakening and the unsociable hours?

Sharing her new routine, she says: “I am in bed by 9pm. When I started the job, I was setting my alarm at five, but then I was really rushing about and I thought, ‘No, Sara, make it a tiny bit earlier’. So, at 4.50am off goes the first one.

“Then Alexa is on stand-by at 4.55, and if things have gone really wrong, 5.05am and 5.06am are also set on my phone.

“And my husband, bless him, checks the doorbell sometimes to make sure I’ve actually gone.

“I am a light sleeper, so a lot of the time I take myself off to the spare room, because I’m getting up so early and need to sleep well.

“And also because he doesn’t want to go to bed at 9.15pm, because he’s an adult male. He’s a normal person.

“Then Friday and Saturday, it feels like quite a treat and it’s quite nice to be back together.”

After feeding the couple’s three cats, Watson, Peggy and Miso, she takes a home-made breakfast to eat in the studio and glugs a coffee in the car on the way in. (“I eat very quickly, like a seabird”).

Her first-day guest was Hollywood’s Tom Hanks — and on the day I visit, Canadian comedian Katherine Ryan joins her.

So who would her dream guests be? “Daniel Craig — we’ve just had M, Dame Judi Dench, so we should have Bond too. Tom Cruise would be wild — we’ve had The Hanks, and I’d love to work towards completing the Hollywood set.”

“Also on the list is Beyonce — “I interviewed her when I was pregnant with my son and he’s 18 now, so we’re well overdue a catch-up.” And Madonna — “I interviewed her at Radio 1 and offered her my spare room ’cos she was house-hunt­ing in the UK . . . The offer’s still on.”

Sara got the Breakfast Show gig at a challenging time for the BBC.

Previous host Scott Mills was fired over a historical allegation of a sexual offence.

It has since emerged the axed DJ has enlisted lawyers and is planning to sue the corporation.

Not surprisingly, questions about him are off the table. And 72 hours after my visit, a story comes out in the Press, with insiders claiming to have felt “uncomfortable” due to her habit of calling mistakes out on air.

Well, having chatted to four of her team, including her producer, and seen Sara mucking about with colleagues, I can testify it appears to be a very happy ship indeed.

A perfectionist she may be, but a tyrant she ain’t.

And listener figures for the show in the last few years have stayed solid at around 6.37million weekly.

Elsewhere, though, it is a challenging time generally for legacy media, as audiences consume their content largely online, on streaming services and platforms like YouTube and TikTok.

So does Sara, who has written four Sunday Times best- selling novels, think radio will still be around in a decade? Yes.

“I think it’ll always be there be­cause people will always want that connection and that friendship that they have with their DJ,” she says.

“There’s a lot of people who listen who won’t speak to anybody else for the rest of the day, so it’s important.

“But at the same time, we’ve just got to keep being innovative. And for younger audiences as well, we film everything. We’ve got a brilliant young socials team who are constantly coming up with great ideas for TikTok and Instagram.

“I really enjoy it, I love being silly and having fun. You can’t take yourself too seriously, can you?

“I do feel lucky. I really do have ‘pinch me’ moments in this job. I love it, and I really hope it shows.”

It does, Sara, it does.

The tune of “Famous Last Words” reverberates throughout the Immanuel Presbyterian Church, a high-ceiling Gothic structure in Koreatown, on a rainy October morning.

The anthemic, life-affirming final track from My Chemical Romance’s 2006 album “The Black Parade” has taken on a new sound here. It’s being played on the church’s organ. Mallory Haney, the musician at the keys, also plays “Disenchanted “ and “Mama,” other songs from the same album celebrating its 20th anniversary, throughout the morning.

What connects this place of worship to a band known for its macabre aesthetic, however, is its music video for the song “Helena” from the album “Three Cheers for Sweet Revenge.”

Filmed here in 2005, the video sees frontman Gerard Way belt the sorrowful lyrics at the front of church with his bandmates and a group of dancers around him. Behind them is a black casket with the body of the eponymous Helena.

My Chemical Romance fans including Charlotte Calvert of Pensacola, Fla., top, attend Ghouls’ Day Out.

(Christina House / Los Angeles Times)

She eventually rises from the dead and dances her way through the congregation.

Now in 2026, several men wearing all black with red ties, like Way does in the music video directed by Marc Webb, trickle in as soon as the doors open. Later, a young woman in a black dress, mimicking what Helena wears on screen, makes an entrance and heads straight to the front to take photos with the casket and flower arrangements that re-create the scene.

“Helena: An Immersive Tribute,” as this experience is dubbed, also features multiple photo ops around the church’s premises that reference the band’s emblematic art (including a statue of Pepe, the marching skeleton on the cover of “The Black Parade” album).

Behind this fan-focused event are Sam Gomez and Kimmy Perez, a Mexican American married couple who make a living putting on pop culture-inspired events, and, in the case of Perez, selling her art under the brand SpooksieBoo at conventions around the country.

My Chemical Romance fans including Benji Godinez, left, and Jennifer Campos, both of Los Angeles, attend Ghouls’ Day Out at Immanuel Presbyterian Church in Los Angeles.

(Christina House / Los Angeles Times)

The festivities at the church will conclude Saturday with a larger event called Ghouls’ Day Out, featuring the same displays inside the space, plus food vendors, an artist market and a My Chemical Romance cover band, Sweet Revenge, out back for attendees to enjoy.

“We’re doing everything we can to give fans the best My Chem experience short of seeing the actual band,” Gomez says during a recent video call.

“I’ve heard some call it MCR Con, which that’s literally what it is!” Perez adds laughing:

Gomez and Perez held the first Ghouls’ Day Out in May 2021, making it an annual staple for My Chemical Romance fans. On top of the May event, this year they decided to bring it back in October to coincide with the band’s series of concerts at the Hollywood Bowl.

Their relationship with Immanuel Presbyterian Church started when its operations manager, Niambi Rendon, attended one of the pop-up events they organize throughout Southern California.

My Chemical Romance fan Cecilia Calvert of Alamogordo, N.M., is overcome with emotion while attending Ghouls’ Day Out.

(Christina House / Los Angeles Times)

Struggling financially, the church sought new partnerships to raise funds. In fact, part of the proceeds from the “Helena” tribute and Ghouls’ Day Out goes to help the church’s food pantry.

But though it wants to take advantage of the My Chemical Romance connection, the church has one key rule: Nothing on display can cross the threshold from “spooky” to “satanic.”

A little blood is fine, Gomez says, but nothing too gruesome. “The most important thing is nothing that’s going to either make fun of or cast a shadow on the clergy. We’ve had many cosplayers that want to come as an evil priest or evil nun. We can’t have that,” Gomez says.

Now in its seventh edition (since 2026 had twice the festivities), the event’s popularity has grown, bringing fans from across the country and even international visitors.

MCR fans including Jenelle Smith, left, and Joanna Glezakos, both of Toronto, attend Ghouls’ Day Out.

(Christina House / Los Angeles Times)

Megan Rose, 33, traveled from rural Virginia to Los Angeles with her partner to attend one of the shows. Looking for other My Chemical Romance-related activities to do while in the city, she learned about the “Helena” tribute on social media.

“The architecture is beautiful and I’ve been having as much fun looking at the church as I have the fandom set up and I think they’ve done a very good job with all the props,” she says.

Mayela González, 41, came all the way from Monterrey, Mexico. A fan of the band since her teenage years, she was in disbelief stepping into a location she’d seen countless times on screen. “I hope the band keeps going, and they don’t stop after this tour,” says González. “I hope they release a new album and keep on performing live.”

“The event has just grown over the years as we allow fans to tell us what they want it to be,” Gomez says. “And over the years, the feedback has been, ‘More MCR theming.’” Gomez and Perez take that commitment to fan satisfaction seriously.

Tracy Phillips who portrays the titular “Helena” poses with a young MCR fan at Ghouls’ Day Out.

(Jonathan Garcia)

“We found the company, which is still in L.A., that made the ‘Helena’ casket that’s in a music video and they said, ‘We can make you an exact replica,’” adds Gomez.

More importan, they also have the real Helena on site. Tracy Phillips, the actor and dancer who played the title role in the music video, takes photos with fans. She made her first Ghouls’ Day appearance in 2025.

“Outside of the church I’m no one, and then I walk into the church in this makeup and dress and people are crying,” says Phillips with a smile. “It’s kind of a bizarre juxtaposition of people knowing me and people not knowing me at all.”

The church is the site where My Chemical Romance filmed its music video for its 2005 hit song, “Helena.”

(Christina House / Los Angeles Times)

Post-Helena, Phillips worked with the band once more as an assistant choreographer on the “Teenagers” music video. That was nearly 20 years ago. Earlier this month it hired her again after all this time so she could choreograph 20 dancers in three numbers for the Long Live the Black Parade shows at the Hollywood Bowl.

“I was fortunate to get to work with them again,” Phillips says. “They’re all such kind people. Gerard is so kind and brilliant and it was really fun to get to circle back around. It felt like this full-circle moment in a different capacity.”

In the past, the band had posted about Ghouls’ Day Out on its official Instagram account, which led Gomez and Perez to believe at least someone in its team was aware of their event.

My Chemical Romance fans including Savannah Monrreal of Inglewood attend Ghouls Day Out.

(Christina House / Los Angeles Times)

This time around, the band sent them an official “The Black Parade” flag, following its first night at the Bowl, that they now have on display at the church as one of the photo-ops.

Ghouls’ Day Out has generated new opportunities for the church, which hopefully means Gomez and Perez will be welcomed back for years to come.

“Now that the church is known in the My Chemical Romance community, they’ve had people go to them saying, ‘I want to have my wedding there,’” adds Gomez with a joyful grin.

Imprisoned “That ’70s Show” actor Danny Masterson on Tuesday suffered a legal blow that ensures he will remain behind bars for at least another decade.

Three California appeals court judges rejected Masterson’s efforts to overturn his 2023 rape convictions and allegations that he did not receive a fair trial, deciding in an opinion filed in the state’s 2nd District Court of Appeals that “judgment is affirmed.”

The decision “ignores the extraordinary new evidence that has been before them for more than a year,” Masterson attorney Cliff Gardner said, referencing statements from “both complaining witnesses that their sexual experiences” with the actor were “both consensual and positive.”

“Danny is serving a life sentence for crimes he did not commit,” Gardner added in his statement. “No one in California — not defendants and not victims who have actually been the victim of a sex crime — is safer by virtue of today’s unfortunate decision.”

Masterson’s legal team is seeking further review in California Supreme Court and exploring additional legal action regarding evidence presented to the jury.

Attorneys for Masterson first filed their notice to appeal the actor’s conviction in November 2023, then filed a 242-page opening brief in December 2024. Key witness testimonies changed over time, the court excluded significant exculpatory evidence and judicial rulings skewed the jury’s view of the evidence against Masterson, his lawyers alleged at the time. The attorneys also argued that “jurors had significant reservations.”

A mix of errors by another defense attorney and a law enforcement investigation heavily biased against Masterson’s faith led to a wrongful conviction, the actor’s attorney Eric Multhaup alleged in another motion filed November 2025. Multhaup said Tuesday in a statement that the appeals court judges’ recent decision “are fundamentally wrong.”

“The Court of Appeal did not address any of the exculpatory evidence that was contained in the habeas corpus petition, and instead justified the denial with a one-paragraph summary of the one-sided evidence presented by the prosecution,” Multhaup alleged. “This cursory treatment reflects poorly on the administration of justice in the Court of Appeal, and will be rectified by a petition to the California Supreme Court.”

Los Angeles prosecutors charged Masterson in 2020 for three counts of rape involving three different women in the early 2000s. He denied all wrongdoing and maintained all sexual encounters were consensual. He also framed the accusations as an attack of the Church of Scientology. The women said they took years to report the rapes to police out of fear of retaliation from the church.

Masterson first went to trial in 2022, but jurors failed to reach a verdict on any of the three counts, leading the case to end in a mistrial. He was tried a second time in 2023 and found guilty of raping two women, both former members of the Church of Scientology. The jury was deadlocked on a third woman’s accusations. His attorneys argued in December 2024 that there was “no physical evidence supporting the state’s theory [of rape]” and the case was a “a pure credibility contest.”

The actor is currently carrying out his sentence at the California Men’s Colony prison in San Luis Obispo. According to a state database, he will be eligible for parole in June 2042, but is scheduled for a consultation in May 2038.

Times staff writers Clara Harter and James Queally contributed to this report.

The L.A. City Council took modest steps Tuesday to help the homegrown film industry as it struggles to keep production in California.

The City Council passed two film-friendly measures, one that creates free permits for so-called micro-shoot productions and another that limits parking fees on city-owned lots, yards and civic properties and staging areas to $1 a day, regardless of the size of the project.

The city currently charges $450 a day for base camp parking at city-owned parks and $100 to $300 a day for crew parking, according to FilmLA.

“Both efforts advanced today aim to support independent shoots and attract aspiring storytellers to our city,” Councilmember Adrin Nazarian, who introduced the initiatives, said in a statement. “As we work to protect established productions, we must also uphold Los Angeles’ reputation as a hub for the next generation of filmmakers. People need to believe that this is still the town to turn their filmmaking dreams into reality.”

Micro-shoot permits refer to sets with up to 10 filmmakers on site that have a minimal community impact. Under this new ordinance, student filmmakers, documentary crews and ultra-low-budget projects will be able to obtain free permits. City departments soon will report back to the Council on how they plan to implement this.

The idea behind the $1 permits is to turn more areas of L.A. into homes for all kinds of productions.

Nazarian is chairman of the Council’s recently formed Ad Hoc Committee on Film, Entertainment and the Creative Industry, aimed at making filming in L.A. more accessible.

The steps come as film and TV production in the area continues on a downward trend. FilmLA, the nonprofit group that handles film permits for the region, recently reported that shoot days between July and September were down 4.8% from the same period last year and nearly 29% below the five-year average.

“The stark reality is that California is on the brink of losing its position as the nation’s premier destination for production spending,” Nazarian said during a City Council meeting this month. “While we retain the Hollywood name, the data makes it urgently clear, crisis-level clear, that Los Angeles is fast losing its footing as the center of film and television production.”

TWO major stars have been ruled out as the mystery fourth actor currently vying to be the next James Bond.

The coveted role has been up for grabs following the release of 007 blockbuster No Time To Die in 2021, Craig’s fifth and final outing as the Martini-swilling secret agent.

Final screen tests were held with four remaining hopefuls at London’s Bray Studios over the weekend, but an official announcement is yet to be made by new franchise owners Amazon MGM Studios.

It’s understood that three of those actors – understood to be Jack Lowden, Callum Turner and Josh O’Connor – were joined by a fourth, currently unnamed star, as decisive auditions got underway.

But two British actors, both previously linked with the role, have been ruled out as the final candidate – widely thought to be Jack Barton.

“We’ve heard, reliably so, that Harris Dickinson and Nicholas Hoult are not the 4th person. Testing is said to be occurring today and going into the weekend,” read an article shared by The Hollywood Reporter on Friday.

READ MORE ABOUT BOND HERE

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James Bond fans ‘work out’ secret fourth actor up for 007 role

Dickinson, 30, is currently in the midst of back-to-back shooting schedules for director Sam Mendes’ ambitious four-film Beatles project, in which he will play John Lennon.

Meanwhile, Hoult, 36, has four major films in post-production – among them the eagerly anticipated DC adventure Man Of Tomorrow, which sees him reprise his role as Superman nemesis Lex Luthor.

Australian star Jacob Elordi is also out the running, while the much-fancied Idris Elba, Theo James and James Norton are believed to be out of contention.

Instead, Amazon MGM Studios are said to be keen on the lesser known Barton, 31, whose past screen credits include the popular Netflix drama Heartstopper.

Other than a handful of other minor TV roles, little else is known about the young actor, but he reportedly impressed producers enough to earn critical screen tests alongside his three Bond rivals.

Despite Barton’s emergence, fans remain convinced they have already worked out who the final star in the James Bond race is – and Taylor Swift fans will be very familiar with him.

The latest Bond theory suggests that the singer’s ex-boyfriend Joe Alwyn, 35, who she dated for six years until 2023, is the secret actor.

Fans believe the link to the actor and the 007 role is Bond casting director Nina Gold, 59.

Taking to Reddit to discuss, a fan wrote: “Nina Gold was one of the casting directors for Thor, too, and cast Joe in his first movie role. She knows him as far back as drama school”

Agreeing this person penned: “Nina Gold is doing the casting and knows Joe and cast him in the brutalist and Hamnet so he’s known by the department and may be on the radar of the casting team”

A third added: “Yeah, and he is supposed to be filming in NYC for a Rom com. but was in London this week for a friend’s wedding and potentially this audition.”

A fourth agreed: “Never thought about him as a contender before, but it makes sense.”

Daniel Craig’s fifth and final outing as James Bond was five years ago, and since then a whole host of high-profile actors have been linked to the famous franchise.

But Amazon MGM Studios, who paid $20million for full creative control of the franchise, is said to be picking a more “alternative” actor, rather than a mainstream Hollywood star.

Coronation Street star Catherine Tyldesley is reportedly set to leave The Good Ship Murder in the Christmas special after taking time out of her soap role to film her exit scenes

Catherine Tyldesley is reportedly set to leave The Good Ship Murder in the upcoming Christmas special.

The actress, 43, is best known for playing Rovers Return landlady Eva Price on Coronation Street but, since 2023, she has also played the part of First Officer Kate Woods on the hit Channel 5 drama series.

She stars alongside X Factor winner Shayne Ward, who previously played her partner Aidan Connor on Coronation Street and now plays cruise ship singer Jack Grayling on The Good Ship Murder.

A source said: “When Cath decided to leave it was a huge blow to The Good Ship Murder. Bosses had brought Cath and Shayne back together following their time together on Corrie.”

Within the story of The Good Ship Murder, Kate has had an on-off romance with Jack over the course of its three series so far and whilst writers are thought to have considered killing her off, it has now been claimed that she will in fact exit the series alive in case of a potential return.

Speaking to The Sun, the source added: “Initially they thought about killing her off but decided that it would be better to leave the door open for a possible return in the future.

“She filmed the Christmas special back in May and it will see her say a tearful goodbye to Jack ahead of the new series starting next year.”

Channel 5 commissioning editor Greg Barnett previously said: “Audiences have truly embraced the show’s unique combination of mystery, music and escapism, and we are excited to continue Jack’s journey with even more surprises and new faces in store

Executive producer Andy Morgan added: “It’s a bittersweet moment as we bid a fond farewell to a beloved character and friend, but we’re very excited about the next voyage for The Good Ship Murder.”

Shortly before joining Coronation Street as Eva in 2011, Catherine had appeared in Emmerdale and prior to that starred as Iris Moss in the BBC drama Lilies.

She left Coronation Street in 2018 and went on appear on Strictly Come Dancing and in the short-lived BBC sitcom

She was also set to star in a cancelled touring production of Bonnie and Clyde: The Musical and went viral over a social media scandal known as Cakegate in late 2023 before ultimately making her comeback to the cobbles in late 2025.

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GEORGE Ezra has given fans a glimpse into life away from the spotlight — revealing the recording studio he has built in his hometown.

The Shotgun singer has been quietly working behind the scenes on Hotel Québec in his hometown of Hertford, opening its doors to other musicians.

While his own social media accounts have been silent since July 2024, George has been pouring his energy into creating a space where artists can write, record and rehearse.

Originally created for his own musical projects, the studio has since become a business welcoming other performers and producers.

In a message on its website, George described his venture as a “truly special place” and shared his excitement about welcoming fellow musicians.

He said: “I look forward to hearing what you create here at Hotel Québec.”

EZ IT OVER?

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GEORGE’S JOY

George Ezra becomes a dad for first time as he’s spotted carrying new arrival

Set inside a restored 18th-century listed building near the River Lea, the studio features a huge live room, control room and lounge.

There is even a roof terrace where musicians can relax between sessions.

And visiting artists can get their hands on George’s personal guitar collection, alongside an array of keyboards and recording equipment.

The studio marks a new chapter for the singer, who became a household name with breakthrough hit Budapest.

The track reached No3 in the UK, while his debut album Wanted On Voyage topped the charts in 2014 and went on to sell more than a million copies here.

He followed it with Staying At Tamara’s in 2018, scoring another No1 album and spawning hits including Paradise and Shotgun.

The latter became his first UK No1 single, cementing his status as one of Britain’s biggest pop stars.

His success was recognised at the 2019 Brit Awards, where he was crowned British Male Solo Artist.

The dad of one completed a hat trick of chart-topping albums with Gold Rush Kid in 2022, which featured the hit singles Anyone For You and Green Green Grass.

George previously had to postpone gigs in London and Leeds in March 2023 after being diagnosed with acute vertigo.

His official website currently lists no upcoming live shows.

THE dreary Coronation Street cobbles were left behind on Tuesday as soap star Ryan Prescott prepared for a new role in a Hollywood film.

The actor, best known for playing Ryan Connor in the long-running ITV show, has won a part in director Rocky Rodriguez Jr.’s forthcoming comedy drama, Waif.

Currently filming on location in London, Ryan, 37, shared a selfie with established co-stars Jason Flemyng and Dexter Fletcher during a break between scenes.

Sharing the photos with Instagram followers, he wrote: “We are rollllliiiing, first week in to the WAIF shoot and loving it, thank you all for the amazing energy on set!” [sic]

The Mancunian actor will play ‘a drifting art collector living life on his own terms amid the skateparks, guitar shops and art openings of east London.’

Actress Helen Foster has been cast as Prescott’s romantic interest in the new film, writer-director Rodriguez Jr.’s third feature.

READ MORE ABOUT RYAN HERE

hard watch

Corrie actor breaks silence on acid-attack scenes after soap is slammed by fans

HORROR SHOW

Coronation Street’s Brooke Vincent and Ryan Prescott reunite in thriller

Commenting on the post, one enthusiastic follower wrote: “Love this!!!!!!”

A second added: “Love it .. smash it Ryan. Can’t wait to see it.”

While a third shared: “Top drawer actor my favourite on the cobbles at the moment.”

Ryan broke into acting with a short-lived role as Flynn Buchanan on ITV soap Emmerdale before winning a prominent role on Coronation Street in 2018.

Drafted in to play the returning Ryan Connor, a role previously played by Ben Thompson, and later, Sol Heras, the actor has tackled a series of turbulent storylines on the hit soap – among them a bitter feud with gangster Ronald Truman.

In 2023, Ryan was central to a harrowing new storyline that saw his character bear the brunt of a vicious acid attack.

Connor was left with horrific burns to his face and neck after protecting intended target Daisy Midgely from the attack, orchestrated by crazed stalker Justin Rutherford.

Discussing the storyline on This Morning shortly after the episode aired, Ryan said Coronation Street would be focusing on his character’s slow recovery long into the future.

“That’s one thing we wanted to include was to have some longevity within the parameters of soap, which obviously moves very quickly,” he confirmed.

“We wanted to have some kind of longevity in the aftermath.

“Acid attack survivors go through hundreds of operations, multiple skin grafts and quite often a lifetime of post-traumatic stress disorder.

“We want to show the different stages of his recovery.”

KELLY Osbourne was reduced to tears while spending quality time with her infant son on Tuesday – after brother Jack reunited with their estranged sister.

The TV personality choked up after son Sidney, four, her only child with ex-fiancé Sid Wilson, presented her with a thoughtful gift for her 42nd birthday.

Celebrating her second birthday without late father Ozzy, Kelly was overwhelmed after opening the present, a small keyring fashioned in the shape of a bat – a poignant reference to the legendary Black Sabbath rocker.

Reading the trinket’s accompanying message for social media followers, she said. “When life turns you upside down, look ahead and don’t look round.

“Even in stillness you can see, your strength awakened, alive and free.”

Sharing a video of the moment with Instagram followers, she wrote: “If today was not emotional enough already, but then my favorite little man in the world went and did this!

READ MORE ABOUT KELLY HERE

KELL TELLS ALL

Kelly Osbourne opens up on her weight & says ‘I’ve gained 2st in 6 months’

GLAM SQUAD

Kelly Osbourne & Nadiya Bychkova wow in glam gowns at star-studded gala

“I’m so lucky that I get to be his mummy! He truly is the best thing that has ever happened to me!”

Kelly’s birthday comes after younger brother Jack, 40, reunited with their estranged sister Aimee in Los Angeles.

Recent photos show the TV personality hugging his eldest sister, 43, as their mum Sharon watches on.

Jack – who took part in last year’s I’m A Celebrity… Get Me Out Of Here! – is also shown warmly embracing his mother.

Back in September, Kelly ended her relationship with sister Aimee – and says there’s no chance of reconciliation.

The pair have been feuding for years, with Kelly admitting she felt Aimee was “embarrassed” of the family.

Aimee, 43, who famously opted out of appearing on the family’s iconic reality show, The Osbournes, is accused of “never truly acknowledging” her siblings.

In an emotional interview on Paul C Brunson’s We Need To Talk podcast, Kelly, 42, expressed deep resentment over never having a supportive older sister, and explains why she has cut her out of her life permanently.

Asked of there was hope for a reconciliation, she said: “No… I respect her, I accept her, but we’re different, and that’s okay…

“If you’re not going to accept me for who I am, and constantly be trying to change me and say horrible things about me, and truly seem to thrive when I’m not doing well, I don’t want you in my life.”

The Osbournes aired on MTV from 2002 to 2005 and ran for four series.

Susan Saint James, the TV star who shared the screen with Rock Hudson as his on-screen wife in “McMillan & Wife” and co-led the heartfelt, blended family comedy “Kate & Allie” with Jane Curtin, has died.

The Los Angeles native died Monday after being diagnosed with pancreatic cancer, according to People, which first reported the actor’s death. She was 80.

Saint James’ family remembered the actor for her warm personality and kindness, writing in a statement shared with the magazine, “Every person she met became the most important person in the room at that moment, from a fellow board member to the clerk at the shoe store, who usually walked away knowing her entire life story.”

Her acting career spanned almost six decades — she broke out as Peggy Maxwell in NBC series “The Name of the Game” — from the mid-1960s to the 2020s across TV and film, but audiences know the actor best for starring as Hudson’s detective wife in “McMillan & Wife.” The NBC series, which aired from 1971 to 1977, centered on San Francisco police commissioner Stuart “Mac” McMillan and wife Sally McMillan as they solve a variety of crimes. Saint James earned four Emmy nominations for her work.

She pivoted to film and TV movies after the series ended, garnering roles in “Love at First Bite,” “The Kid from Nowhere,” and “Don’t Cry, It’s Only Thunder.”

After nearly a decade away from the TV series scene, Saint James returned in CBS’ unconventional sitcom, “Kate & Allie.” She starred as Kate McArdle, one of the series’ titular divorcées who decide to raise their children under the same roof. Saint James’ Kate was the modern and no-nonsense counterpart to Curtin’s old-fashioned, sweet Allie. The series aired from 1984 to 1989 and earned Saint James two additional Emmy nominations.

When the stars and creative team of “Kate & Allie” reunited amid the COVID-19 pandemic in 2021, Saint James reflected on how the show was representative of a same-sex household and how mothers raising their own children related to the show’s material. She and her co-stars also said they knew at the time that the series was something special.

“It wasn’t like we went back and said, ‘You don’t know what you got ‘till it’s gone.’ It was just fun,” she said.

Saint James mostly stayed away from Hollywood in the decades following “Kate & Allie,” save for brief appearances in series including “Law & Order: SVU,” “Suits” and “Upload.” She notably found herself in the spotlight again in the early 2000s, but for family tragedy.

Her son Edward “Teddy” Ebersol died at age 14 in a 2004 Colorado plane crash that also claimed the lives of two other people. Teddy Ebersol, whom Saint James shared with husband and former NBC Sports Chairman Dick Ebersol, was aboard a chartered Canadair CL-601 Challenger jet with his father and older brother, Charles, on Nov. 28, 2004, when it crashed during takeoff in light snow and freezing temperatures from the airport near Montrose, Colo. The pilot and a flight attendant were also killed in the crash. Dick and Charlie sustained injuries in the crash, and a copilot was critically injured.

“Here’s the bad part … I’ve never touched his clothes, I’ve never been able to move his things,” Saint James told Oprah in a 2006 interview. She continued to speak publicly about her grief in the following years.

“The thing that could move me on was that I could embrace Teddy finally in a way that was, ‘he’s my kid,’” she said during a 2009 panel on grief. “They can take his body, but I own that boy and I love that boy.”

Beyond her screen work and family tragedy, Saint James was also known for her longtime advocacy in the sports world. Saint James supported the mission of the Special Olympics since an early iteration of the games in California in 1972. The first Special Olympics was held in Chicago in 1968.

In a statement published Tuesday, Special Olympics said Saint James “believed deeply in the power of inclusion” and she served as a board member and a campaign co-chair for Special Olympics Connecticut. Her advocacy included founding the annual Susan Saint James poker tournament fundraiser. The organization’s Susan Saint James Leadership Award honors individuals who “embody her remarkable spirit of leadership, generosity, and dedication to our mission,” the post said.

“Thank you, Susan, for being an extraordinary champion of our athletes,” Special Olympics added in its statement. “Your legacy will live on through the lives you touched and the inclusive future you helped build.”

The actor, born Aug. 14, 1946 and raised in Rockford, Ill., received her star on the Hollywood Walk of Fame in 2008 and partially attributed her success in the industry to her connection with Special Olympics. Former California first lady Maria Shriver, daughter of Special Olympics founder Eunice Kennedy Shriver, attended the ceremony.

During that ceremony, Saint James said she managed to achieve her dream of becoming a Hollywood movie star “through the good works of a lot of wonderful people that created a loving and home-like environment for me all those years.”

“But the thing that really contributed to my success and happiness with my career was coupling it up with the work that I did with the Special Olympics,” she said, adding, “you can guess that being associated with them turned out to be getting to know some pretty amazing people since I’m now really cozy with the first lady of the state of California.”

Saint James was married three times, first to scriptwriter Richard Neubert from 1967 to 1968, according to People. She remarried in 1971 to makeup artist-turned manager Thomas Lucas. They share two children — daughter Sunshine and son Harmony — and divorced in 1977.

Saint James remarried to then-NBC executive Dick Ebersol after they met in 1981 when she hosted “Saturday Night Live.” They welcomed children Charles, William and Edward (Teddy.)

“Night Watch” has an easy hook, starting with its setting. The immersive monster show is staged inside an ominous white van.

Yes, a real van. It’s creepy, and pulls equal inspiration from immersive theater, video games, escape rooms and environmental design. At a little over 30 minutes or so, it’s refreshingly approachable, a bite-sized slice of interactive, participatory theater that lingered with me long after I saw it. And not just because there were moments that startled me. “Night Watch,” like any good monster story, has metaphors on its mind.

“Night Watch” is the creation of Sara Biel and KJ Knies, a husband-and-wife creative team with day jobs working for a themed entertainment design firm. On their own, however, they go by Bee’s Knees. There’s buzz around “Night Watch.” Its initial October dates sold out nearly instantly, but the couple is extending the run at least into mid-November. Additional tickets will go on sale Wednesday at 9 p.m., and those interested are advised to join the waitlist.

The couple’s experience in theme park design is evident in “Night Watch,” as its small cargo van is ripe for exploration, with TVs, monitors, filing cabinets and more outfitted with vintage tech and lore-building corporate paraphernalia. Before the show properly began, I started frantically combing through folders and flipping through notebooks.

KJ Knies and Sara Biel are the creators of “Night Watch,” an immersive horror story set in a van.

(Bee’s Knees)

Yet I soon learned my goal here was not so much to find clues, like in a typical escape room, but to build a personality profile. Participants are assigned the role of an overnight security guard to monitor a mysterious tech firm. You’re unaware, at least at the start, of what kind of business the company is in, but “Night Watch” wants you to get to know the person who held the job before you. The van is outfitted with posters of national parks, hinting at someone who was longing for a life with more freedom and travel than a working-class career provides.

“Night Watch,” off the bat, wants us to grapple with how personal dreams can clash — or become lost — with the corporate world. It feels personal, and that’s no accident, says Biel, as the show was informed by the couple’s own talks about their future.

Throughout “Night Watch,” attendees are tasked with examining security footage.

(Bee’s Knees)

“I moved to L.A. to become a writer. KJ moved to L.A. to become a filmmaker,” Biel says. “Now we’re on this different corporate path. Is this the path that we should be on or should we have listened to our gut and went a more artistic direction? I feel like all of our friends are going through this. You move to this city to do one thing, and you fall into a different path. That’s not bad. I’m of the opinion that you follow the doors that open as you go, but that’s what we were grappling with and what we wanted to bring into this show.”

With monsters, of course.

I completed “Night Watch” solo, but the show can accommodate up to four people (tickets for two start at $90). You’ll interact with an actor who plays your co-worker during the production, primarily via a two-way radio. At times, you’ll monitor the action outside of the van. Other moments have you digging into the digital files of the previous security guard, who is said to have mysteriously left his job. But mostly you’ll just talk with your unseen co-worker, who might push you into philosophical discussions about your hopes for a better life. This creates an inherent tension in “Night Watch.” You might know on one level that this is a monster story, and yet like me, find yourself opening up about personal details, trying to manifest a better day for yourself.

Details inside the van.

(Bee’s Knees)

With “Night Watch’s” emphasis on security footage and old computer logs, Knies says he was influenced by full-motion video games, citing the work of Sam Barlow and his voyeuristic crime game “Her Story.” It isn’t hard to see the show as a thinly veiled statement about our current tech-obsessed era, with each day bringing with it seemingly fresh announcements about some new site, social media add-on, gadget or AI tool that promises to improve our lives (but rarely, if ever, does). There’s a moment when you start to wonder if the business you’re providing security for is actually one of the “good guys.”

The project’s story, says Knies, began with a simple sketch from Biel: “The first idea that Sara pitched me was a monster sucking souls and pooping gold.” It spiraled from there, and the last half of “Night Watch” comes quick as we unravel its multiple mysteries. And that’s where the frights, heightened by the intimacy of the van, come in.

“We really wanted to play with having a confined space that we could manipulate to our advantage,” Biel says. “We wanted to play with the effects of moving the van and shaking the van and closing off your viewpoint.”

The confined venue — a dimly lit storage van — helps participants narrow in on the mission.

(Bee’s Knees)

The van has other benefits, too, especially in L.A. where it’s hard to find a unique venue for a limited-run show. “The cheapest and easiest places you can get are white walls with tile floor, but then you’re going to spend so much money decking that out to make it feel like a lived-in space,” Knies says.

“Night Watch” is currently staged outside of Hatch Escapes, home to some of the city’s finest escape rooms, in Arlington Heights. Biel says the two are talking to Hatch about hosting the show there long-term, but there is one hitch. The van is a rental, and at some point it will need to be returned.

“Don’t tell Enterprise that we painted on their walls,” Knies says.

This week in SoCal theme parks

An audio-animatronic Indiana Jones figure hangs above guests on Disneyland’s Indiana Jones Adventure.

(Myung J. Chun / Los Angeles Times)

• Indiana Jones is adventuring again. Disneyland’s popular Indiana Jones Adventure reopened after a six-week refurbishment on Friday with a number of changes. Most of them will be invisible to guests, but Disneyland engineers worked behind-the-scenes to make the attraction more reliable and found ways to increase its capacity. They also added some spiders. Read all the details here from my walk-through of the attraction last week.
• A bookstore for us immersive, theme park geeks. Coming next year to Los Angeles, near the corner of Melrose and Fairfax avenues, is Genres Book Society, boasting a design led by former Walt Disney Imagineer Ann Morrow Johnson. Genres is part bookshop, part speakeasy and part immersive venue. There’s a dragon, a secret bar and a tree with glowing books. Read more about this bookshop dreamed up by Clare Grant and Karissa Marston here.
• Nikki, meet Nikki. One of my highlights of this year’s Halloween Horror Nights at Universal Studios Hollywood was interacting with a scare actor playing the role of Nikki from the film “Obsession.” The other week, the actor who initiated the role in the movie, Inde Navarrette, visited the horror event and had her own dalliance with one of the park’s Nikki performers.
• Still need Halloween plans? The doors of downtown’s Clifton’s, a venue some say inspired Walt Disney (although this isn’t really confirmed by any official sources), will be open for an immersive theater dinner show. Expect roving actors, multiple storylines to follow and an otherworldly wedding that may or may not involve monsters. The current operators of the historic space have big plans for programming similar such events throughout the holiday season. “The Dark Wedding” runs Friday through Sunday, and tickets start at $65.

A farewell to Halloween season (but mostly just to Cars Land’s zombie car)

A mostly deceased “zombie car” struggles to come to life at Cars Land in Disney California Adventure.

(Todd Martens / Los Angeles Times)

The first Oogie Boogie Bash at Disney California Adventure was held this year on Aug. 18, which means Halloween season is coming to a close after a 2½-month celebration. Our local theme parks will be wrapping up Halloween festivities this weekend, and it was a good one. Universal Studios Hollywood shined with a “Sinners”-inspired maze, but the star of the event was its dedication to Ozzy Osbourne. And Knott’s Berry Farm was wise to partner with the Magic Castle.

But in terms of pure decor, the Disneyland Resort has everyone beat, and I wanted to take a moment to salute my favorite Halloween adornment. I was initially nervous, as when the resort debuted its Halloween look in August the zombie automobile in Cars Land was missing. I make a beeline to it each season because it’s such a demented tale that I want to make sure it hasn’t left the park. This mostly dead skeleton car sits outside Radiator Springs Curios, owned by the character of Lizzie. Lizzie is a widow, lovesick at the loss of her husband Stanley.

The shop was under refurbishment earlier in the season, hence the reason for the zombie car’s late arrival, but I was relieved when it finally materialized a couple weeks ago, its body trying to emerge from the ground from under a tree. It’s a morbid story. Lizzie, see, has created a “ghoul-ant” (coolant, get it?) in the hopes of bringing dead cars back to life. She wants to use it on Stanley, but not until its perfected. It’s not. This mostly lifeless car struggles every few seconds to get its engine going. Occasionally, it musters enough strength to get the radio powered on. But it’s mostly just trapped in a near-dead state.

This zombie car is nothing more than the result of a failed experiment, and the implication is there will be more, as Lizzie will not stop until she’s reunited with Stanley. It’s more than a little sick, but also a statement about the way a lost love can forever haunt us. In that sense, it’s perfect, and I adore it. See you, hopefully, next year, zombie car.

The best thing I ate at the parks this week

The short rib lasagna from the Hearthstone Lounge.

(Todd Martens / Los Angeles Times)

With the heat briefly lifting a little bit ago, it was time to revisit my favorite dish at the Disneyland Resort. It’s heavy, hence the reason I was eager to tackle it when things cooled down. I’ve ordered the short rib lasagna from the Grand Californian’s Hearthstone Lounge three or four times over the past year, and I’m now convinced it’s among the best items on the menu at any restaurant at the resort, including the high-end fine dining establishment Napa Rose. It’s that good. And yes, it’s pricey at $42, but it’s a large portion and could easily be split. In fact, I wish I had done the latter, but I was at the park solo and had to immediately end my night after feasting on this decadent dish because I was simply too full to continue exploring. The tender short rib easily peels apart with a fork, and it’s plentiful. A trio of cheeses, and a heavily creamy Bechamel sauce, coupled with a buttery Mascarpone, make this the perfect winter dish. I’ll be at Disneyland on Thanksgiving, and am half thinking of making this my holiday meal rather than turkey.

Tell us your stories. Ask us your questions.

Have a theme park tale to share? Whether it was a good day or less-than-perfect day, I would love to hear about it. Have a question? A tip? A fun photo from the parks to share? Email me at todd.martens@latimes.com. I may feature your note in an upcoming newsletter.

Ride on,

Todd Martens

P.S.

Morning crowds at Disneyland just after park opening, known as “rope drop.”

(Myung J. Chun / Los Angeles Times)

Late breaking theme park news arrived Tuesday morning courtesy of trade group the Themed Entertainment Assn., which released its 2025 global attendance report. The news for the theme park sector is … mixed? Here in SoCal, attendance at Disneyland Park and Disney California Adventure increased ever-so-slightly, at 0.4% each. Disneyland drew 17.4 million in 2025, making it once again the second most-visited park in the world, behind only Walt Disney World’s Magic Kingdom. Just over 10 million visitors took in California Adventure.

Universal Studios Hollywood fared less great, suffering an attendance dip of 8%. The report attributes the downtown to our devastating wildfires early in the year, as well as a decline in international tourism to the region. It’s worth noting that the park in 2023 opened Super Nintendo World, and it’s newness may have worn off a bit for local visits last year. Overall, the park drew 8 million guests.

Also suffering declines in attendance were Knott’s Berry Farm and Six Flags’ Magic Mountain, each dipping about 4%. Knott’s drew 4.3 million attendees while the Valencia park brought in 3.2 million visitors.

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Tom Jones has postponed two California concerts after coming down with a “bad case of the flu.”

Hours before he was expected to take the stage on Monday at the Greek Theatre, the Welsh crooner announced on Instagram that he was rescheduling his L.A. and San Diego concerts on doctor’s orders.

“I’ve had a great time these last few weeks, completing 20 shows and singing for wonderful audiences across the USA, but unexpectedly I’ve been hit with a bad case of the flu,” Jones wrote. “Following doctor’s advice, I unfortunately have to reschedule tonight’s show in Los Angeles and tomorrow’s show in San Diego.”

Monday’s Greek Theatre show will now happen on Nov. 4. His show at the Rady Shell at Jacobs Park has been postponed until Nov. 3.

According to the Instagram statement, all tickets for the original shows will be honored for the new dates. Those who are unable to attend the rescheduled concerts are advised to request a refund through the original point of purchase.

The 86-year-old “It’s Not Unusual” singer is on the tail end of his “Come Gather Round Tour.” His San Francisco show on Nov. 1 was expected to be the finale, but the tour will now wrap in L.A. Jones is scheduled to perform next at Yaamava’ Theater on Thursday.

“I’m truly sorry for any inconvenience caused,” Jones said. “I look forward to seeing you all soon.”

Pat McAfee, a co-host of ESPN’s “College GameDay,” doubled down on his criticism of the University of Utah on his sports talk show Monday, referring to the assassination of conservative activist Charlie Kirk and suggesting he would call in sick if “GameDay” returned to Utah.

“I’ll hopefully never go to that place,” McAfee said. “I think I’ll have COVID whenever ‘GameDay’ goes back, if I’m still a part of ‘GameDay.’ I did not enjoy the morning there.”

Utah issued an apology even as an avalanche of social media reaction was mainly critical of McAfee. The dominant meme theme focused on his perceived softness in reacting so strongly to a short video the university released Saturday ahead of the “GameDay” show from Utah’s Salt Lake City campus that preceded the Utes’ game against Houston.

The video posted on the university’s official social media accounts asked students to do an impression of McAfee. A microphone was handed to a handful of male students who roared while saying that although they were fans of the irreverent, theatrical analyst, he should stop his weekly “GameDay” routine of taking his shirt off while college students cheer and jeer behind him.

Another student called his antics “corny.” McAfee, apparently already reeling from a column in the Athletic that opined that “College GameDay” has become overwhelmed by McAfee’s “frat-rock prankster” personality, appeared deeply offended.

“The University puts that out as I’m about to go out and do an infomercial for the place?,” McAfee said. “And I’m walking in front of thousands of these people? This is how the university feels about it? It’s an uncomfortable feeling.

“I’m getting a lot of shrapnel from a lot of places. The university is putting this out? That’s something I just had never experienced, really in my entire life. So it kind of set me off a little bit. Made me feel a little bit weird.”

McAfee alluded to the shooting death of Kirk, the conservative activist who was killed in September 2025 during a speaking event on Utah Valley University, about 40 miles from the Utah campus.

“And I thought to myself, ‘Has anything, like, really scary happened at a college gathering in the state of Utah recently?,’” he said. “Do we think we should be amplifying reasons for why people hate my guts, as a university? I don’t know. There were a lot of mixed feelings for me going out there.

“It’s like, all right, I hate this place. I hate this place. They’ve got a good football team, though…. But I’ve never been more uncomfortable, honestly, in my life, walking in front of a group of people after watching their university put out a post, basically dogging me just moments before.”

The video was removed from Utah’s social media accounts and the university issued a statement Monday night saying the goal “was to create lighthearted engagement regarding Pat being back on campus,” but that the video “missed the mark.”

“University staff are responsible for reviewing and posting content on official social media accounts and we take full accountability for that decision,” the school said. “University officials have reached out to Pat to express appreciation and regret. We sincerely apologize for creating any perception that Pat was unsafe or unwelcome on our campus. Nothing could be further from the truth”

Social media was soon littered with memes of McAfee accompanied by rolls of a soft brand of bathroom tissue. But ESPN defended his concern about safety in a statement.

“The safety and security of our on-air team, crew and fans is paramount at ‘College GameDay.’ We are committed to ensuring a safe environment, and given the very real threats that members of our team face, we take issues involving their safety seriously. We support Pat and recognize the very real and valid concerns he has around safety and security.”

JAMES Bourne’s brother has issued a health update after donating his kidney to save the Busted singer’s life.

We told yesterday how Chris, James’ youngest sibling, helped extend his life by donating a kidney.

Following the revelation, Chris has now shared an old snap of him and James to Instagram and wrote in an update: “When you find out that everything’s going to be ok”.

The picture showed the siblings as children, both beaming with their hands in the air.

The brothers underwent the surgery earlier this month and are now in a six-week recovery period.

Chris said of the op: “I was told that the op was going to happen at some point this year, it was all dependent on James’s wellbeing. Suddenly, we were given a date for early October.”

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James, who has never spoken openly about the illness he is living with, is also said to be recovering well.

James was due to go out and perform on the Busted vs McFly arena tour in Autumn 2025, until he fell ill.

Not only did Chris volunteer to give an organ, but he also stood in for James in the tour.

Chris, who is younger than James, stepped in to play on the 35-date tour without a minute of rehearsals.

While he waited to find out if his kidney was a match to James, Chris started using music as therapy.

With his Call Your Friends bandmates, he started work on a new track, Selfless, which started out as a poem Chris wrote during the hardest moments of his health journey with James.

They have now released the song as a fundraising track, which is helping mental health charity Mind.

KATIE Price is continuing to fuel rumours she has secretly got back together with her conman ex-husband, as she flashed her huge engagement ring again.

The couple have been estranged since the summer, with Katie, 48, telling The Sun that she had dumped Lee Andrews, 43, after becoming fed up with his lies.

But over the last few weeks the pair of them have been dropping clues that they have secretly reunited.

While her ex, Lee, has been sharing cryptic messages, Katie has been suggesting they are back together by putting her sparkling engagement ring back on her wedding finger.

The Sun reported last week that the TV star was spotted wearing the huge bling again, and in latest social media posts, the ring has remained firmly on her left hand.

In a video posted on Snapchat from Sunday morning, Katie can be seen flashing the huge diamond rock.

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Then in a new Instagram post of the star wearing a fur coat, the ring is in full view for all to see.

It comes after Lee has also dropped several clues he is back with his famous wife.

Last Friday, the former jailbird was spotted liking Katie’s post about her son Harvey, 24.

Then the next day, Lee posted a cryptic love poem, suggesting they were getting back together.

The Sun previously revealed that Katie ended their marriage via WhatsApp last month.

It came after she found out he had been lying to her and had just £2.22 in his bank account.

OLIVIA Attwood has taken a swipe at her footballer ex Bradley Dack with a tongue-in-cheek new post.

The TV personality sparked engagement rumours with her new boyfriend Pete Wicks just last week, and has now dropped another hint that wedding bells are on the way.

Olivia and Pete have been dating since early this year, with the romance coming after she split from husband and partner of a decade Bradley Dack.

Now, Olivia has shared a new picture to Instagram which features a figure in a black cloak calling her – with the phrase: “Your ex the minute he sees you happy” written over the snap.

The swipe implies that Bradley may have gotten back in touch with Olivia after seeing her smitten with new man Pete.

Another snap in the post sees Olivia writing “Mrs Olivia Wicks” in a notepad – convincing fans that a wedding may not be as far off as they think.

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“Stop right now Mrs Olivia Wicks ❤️‍🔥,” commented one fan.

Another said: “MRS OLIVIA WICKS does have a good ring to it though”.

Last week, Olivia put on a stunning display as she took to the Pride Of Britain Awards.

At the bash, she was seen sporting a sizeable ring on her left hand.

This had many curious whether she and Pete – despite only being together around 6 months – were preparing to tie the knot.

In June, while appearing on Celebrity Gogglebox, Olivia revealed she would like to get married.

The star was joined by her mother Jennifer when the topic of marriage came up – and it appeared she has given it some thought.

Olivia jokingly said: “I’ve decided now I am going to get married a few times, or engaged, because I like the ring.”

The star ‘married’ ex Bradley Dack in a ceremony that was televised, but it was revealed this year the couple never actually signed on the dotted line to make things legally binding.

Olivia later admitted she was worried the footballer would take half of her money if they had officially wed.

Olivia told Cosmopolitan: ‘”My sister said to me, ‘If it was a man who was skeptical about their partner’s honesty, and they didn’t legally bind themselves to a person, everyone would be like, good for you, because she would’ve taken half your money’.

“I did the same thing and they wanted to burn me at the f****** stake. Where would I be now [if we had signed?]”.

Zoe Ball’s dad Johnny has accused the BBC of ‘ageism’ following her exit from Radio 2. She left the Breakfast Show after six years and returned later in a different slot but left after seven months

Zoe Ball’s dad Johnny has accused the BBC of ‘ageism’ after his daughter’s exit from Radio 2.

The radio star and presenter left the station’s Breakfast Show after nearly six years at the helm. At the time, she was believed to be earning £950,000. Following her exit from the show, she returned in a different slot.

She went on to present an afternoon Saturday slot in May 2025 but after seven months, she handed the show over to Emma Willis but continued to present special shows for the broadcaster.

Zoe’s dad Johnny – who also worked for the BBC – has now claimed that Zoe’s age had an impact on her exit, he shared: “I did Play School for 17 years, I wrote nearly all of Play Away then I did Think Of A Number and Think Again.

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“I loved every minute of it. But what happens when you are 50 at the BBC? Gone! Zoe was 54. Gone! You cannot believe it because we gave so much to the BBC.”

The Mirror has contacted the BBC for comment.

Zoe has also talked openly about how she missed out on the Strictly role and how it impacted her thoughts about work. It was later confirmed Emma Willis, Josh Widdecombe and Johannes Radebe as the new host.

Speaking at the Dorchester Literary Event, Johnny gave his verdict on the new presenters, adding: “Josh is not a Bruce Forsyth. He is a lovely bloke and I have met him a couple of times but he is not a domineering comedian as some comedians like Bruce Forsyth were. When I did Strictly, and I only did three shows.

“On each show I gave Brucie a joke and he used them and he said to me ‘I have got a writer here and he does b****r all so thanks very much’. And he said to me ‘You should never have gone out’ but that’s another story.”

Zoe had previously shared how she had to think about work once she realised she didn’t bag the Strictly role.

Speaking about her preparations for the “scary” next chapter of her career, she said: “I’m so excited. You know how it’s been, I lost my mum and I was like, ‘I want to take some time to be there for my girl’ because I’ve always worked and never been around.

“And, as I’ve sort of said on the podcast actually, I’ve been around and she’s a bit like, ‘What are you still doing here?’ And she’s finished her GCSEs now, she’s loving her freedom and I think also when the Strictly thing didn’t happen as well, I was a bit like, ‘Right, what am I going to do?’ I mean that was a long shot but having not worked, you suddenly start thinking, ‘Okay yeah I do need to go to work.'”

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Previous episodes have been branded as some of the most “harrowing” on TV

Another chilling episode drops tonight as the ‘best’ series returns to TV.

A “relentless pursuit of justice” and a world of “secrecy, control and fear” is at the heart of a harrowing investigation tonight as one of Channel 5’s “best” documentaries returns.

The perfect watch for fans of 24 Hours in Police Custody, the third instalment of Murder Scene: The Incident Room returned to Channel 5 last month, giving viewers unprecedented access into criminal investigations across the UK.

Dubbed by viewers as one of the “best”, previous episodes have left fans “angered” as they are plunged into real-world crimes that have shocked a community and beyond. One person branded an episode as “one of the most harrowing pieces of television i’ve ever watched”.

Another brutal episode is set to air tonight (Wednesday, October 28) at its usual 8pm slot on Channel 5, marking the fifth episode of the season. But it will be a chilling watch as one young woman has been reported missing.

However, it is not an ordinary missing persons case as detectives soon discover that the 20-year-old had already warned police that her life was in danger.

An official synopsis reads: “When 20-year-old Banaz Mahmood disappears from South London, detectives launch an urgent search. But this is no ordinary ‘missing persons’ case.

“Banaz had already gone to police, warning that her life was in danger. She claimed members of her own family were threatening to kill her.

“Newly-promoted Detective Chief Inspector Caroline Goode leads a high-stakes investigation that quickly uncovers a world of secrecy, control, and fear.

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“Banaz had fled an abusive marriage and begun a new relationship – a move that, within her tightly-bound community, risked devastating consequences.”

As officers retraces her final weeks, they soon uncover “escalating tensions, violent threats and evidence that suggests this disappearance may have been planned”.

The synopsis adds: “With suspects denying involvement and crucial questions unanswered, the investigation gathers pace. But without clear proof, the case risks slipping away.

“What follows is a relentless pursuit of justice that spans years, continents, and complex political barriers. At its heart lies a young woman who repeatedly tried to make her voice heard – and a team of detectives determined not to let her be forgotten. This is a story of honour, betrayal and an investigation that refused to give up.”

Murder Scene: The Incident Room returns tonight at 8pm on Channel 5. Episodes can also be streamed online.

Matt Baker returned to screens at the weekend to host coverage of the Gymnastics World Championships

BBC viewers were left feeling emotional over the weekend.

Matt Baker returned to screens on Sunday (October 25) to present live coverage of the concluding apparatus finals on the final day of the 2026 World Gymnastics Championships. Matt was joined in the studio by retired British gymnast Beth Tweddle.

The women’s floor discipline was among those taking place in Rotterdam, with USA athlete Claire Pease winning the title with a dominant score of 13.866. Algeria’s Kaylia Nemour won the gold in the balance beam final, while Artur Davtyan, Zou Jingyuan, and Tang Chia-Hung took home the final men’s titles.

During the coverage, Matt announced that his fellow commentators, Christine Still and Craig Heap, would be leaving the team after many years on air. Ahead of the men’s finals getting underway, Matt said: “I just want to take a moment to say a heartfelt and a massive thank you to two very special people, who are sitting either side of me right now.

“And for those of you who’ve enjoyed our gymnastics coverage on the BBC over the years, you will be very familiar with the wonderful voices of Christine Still and Craig Heap. Now, Christine was one of the first female commentators that BBC Sport has ever had, when she started back in 1993.

“And here we are, Christine, 33 years on. Craig, you joined the team just before Rio in 2016, and, along the way, we have witnessed some incredible moments together.”

An emotional montage of some of Christine and Craig’s memorable moments was then played, before the camera panned to the stars in the commentary box. “Wonderful pictures and wonderful storytelling,” Matt said.

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He went on: “I can’t believe I’m saying this, but this could be the last time that we all sit together and enjoy the gymnastics. Christine, we have worked together for 20 years. You’ve been like a mum to me, you really have, as we’ve travelled all over the world together. And may I say, I’ve loved every single second.”

Matt then turned to Craig, saying, “We’ve been friends for many, many years. I’ve loved your company, mate. Honestly, I’m so gonna miss you both, I really am.”

“We’ll miss you as well, Matt. I’ve been so lucky,” Christine replied, before Craig added: “All good things have to come to an end, I guess… I’m going to miss you all… I’ll stop right there before I start crying.”

BBC viewers were left feeling emotional after watching Matt’s tribute. “Gonna be so weird not hearing Christine Still and Craig Heap commentating on gymnastics on the BBC anymore,” one person wrote on X.

Another added: “Omg Craig and Christine are leaving.” A third said, “I’m actually in tears. End of an era.”

Someone else commented: “I am gutted. Gutted the trio are no longer together.” A fifth viewer similarly shared: “That is so sad. I watch the gymnastics in the Olympic Games and not hearing their voices will be different… They will be missed.”

Coverage of the Gymnastics World Championships is available to stream on BBC iPlayer