SHOW BIZ

IT was the row that erupted all over TikTok a year ago – with insiders insisting there was no way back for Charly Anne and the Welsh 5.

But for the first time in more than a year, The Sun can reveal how Charly is attempting to make a ‘return’ to the social media stars for a very savvy reason – and the real reason she’s still secretly fuming with Becki Jones.

The Sun were the first to lay bare the feud between Charly and the other four members of the Welsh 5 – Cory, Lea, Kane and Ieuan – last year and told how it had even led to a devastating fallout between Charly and her own mother, Trudi Anne.

The rift originally began with a row over Charly’s relationship with girlfriend Emily Woodfin, with the other four members claiming she was controlling – an accusation which both Charly and Emily deny.

But bridges were left officially burned when Trudi sided against her own daughter by uploading a series of dance videos she made with Cory and Lea as well as Becki Jones, who also fell out with Charly amid the feud.

Now it seems that Charly may finally be having something of a change of heart – but is it all for the right reasons?

Sources close to Charly have told The Sun how the Welsh influencer is secretly considering publicly reuniting with her sworn enemies as part of a savvy business decision.

Our insider told us: “Things have all gone quiet on the Welsh 5 feud front in recent months.

“Everything exploded last year and it seemed there was zero chance of reconciliation when Charly’s own mother snubbed her in favour of the others.

“But amid the silence in the months that have followed it seems that some very interesting conversations have been going on.”

One of Charly’s pals has conceded that, since separating herself from the group, potential work opportunities have begun to slowly dry up.

Industry experts suggest that, for brands, the appeal of the Welsh 5 as a group is what drew them in – with Charly now no longer having a piece of that pie.

Our source told us: “Charly views her life as a business – like many influencers do.

“She was at the top of her game amid the Welsh 5 hype but things have certainly been slower since then.

“After the split, it is almost like she has ended up becoming the ‘problem child’ – and it has put people in the industry off wanting to work with her.

“For the first time, she has quietly been considering if now could be a good time to publicly reunite with her former pals but not necessarily because she wants to build relations but in order to continue building her career.

“Charly knows deep down that if everyone is seen to be on friendly and amicable terms, the interest in her could ramp up again.

“Her followers would have a field day if she started sharing content with Cory and Lea again!”

Moreover, Charly is still feeling annoyed that her greatest rival Becki is continuing to get bigger and bigger.

Her pals admit it is a sting every time she sees Becki’s success as she always felt she was destined for the same fate.

They told us: “Charly is determined to become as well-known as Becki – even all these months on.

“If a reunion with the Welsh 5 is what it takes – she thinks she’d be ready to do it.

“But, ultimately, this is all just private talks at the moment.

“It is very much speculative thoughts that Charly is having – no one knows if it is something she will actually go through with.

“Plus, the others in the Welsh 5 might also not be ready to make amends.

“The channels for a reunion are definitely there though. They still have the same team around them, it wouldn’t take much for a few strings to be pulled behind-the-scenes.

“It has all been a bit of a mess but for the first time it seems that the mess may be ready to come to an end.

“Only time will tell but it is certainly closer than ever to happening.”

The Sun has reached out to the Welsh 5 and Charly’s reps for comment.

KIM Kardashian was single for five years as she needed time to “heal” following her traumatic divorce from Kanye West.

Apart from a brief fling with comedian Pete Davidson, the reality superstar shunned dating until falling for F1 ace Lewis Hamilton earlier this year.

Kim, 45, said: “I was really single for five years. And that felt great.
“I felt like I needed my time. I wanted to completely heal and just work on myself.

“I wasn’t ready to open up. I really wasn’t even thinking about it. The universe works in your favour when you just allow it to.”

The mogul filed for divorce from Ye, 49, in February 2021 following a turbulent period driven by his erratic behavior and public breakdown.

In a new interview with The Sunday Times, the Skims founder admits she worries about exposing her four children with the rapper – North, 13, Saint, 10, Chicago, 8, and Psalm, 7 – to her stratospheric fame.

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Describing herself as an “intermediate-strict parent,” Kim bans her kids from taking part in any storyline drama on Keeping Up with the Kardashians.

She said: “I do worry about it. Each kid does what they’re comfortable with.

“So, my little ones come around when I’m filming but they don’t really do storylines.

“North loves it a little bit more than the rest. I hold her back. All she wants to do is forward-facing projects.

“And with her, since it’s more music-related, that is something that her dad and I have better communication about. We make sure that we’re aligned and that she’s in projects that we both approve.”

The star, worth £1.9 billion, recently branched out into acting with a role in the popular but critically panned Hulu drama All’s Fair.

Addressing the backlash, she added: “I am so used to it, I have a really thick skin.

“I mean, at the beginning, to the girls, my cast, I was like, ‘Wait, are we OK? Did I ruin everything?’

“And they were like, ‘Listen, we are OK.’

“I didn’t realise that in the film business as well you get so much criticism. But we had so much fun.”

As Olivia Rodrigo kicked off the Unraveled Tour in support of her third album, “You Seem Pretty Sad for a Girl So in Love,” the internet had plenty to talk about—from her dissolving dress and flower-covered stage design to her custom-made, pink heart-shaped guitar.

The guitar was built by Luis Muñoz, a Mexican American guitar technician and luthier who operates out of a tiny repair shop in East L.A.

Originally from El Paso, Muñoz moved to Los Angeles in 2009 and took guitar repair classes in Hollywood, hoping to find his way into the music industry.

Music was always around Muñoz. He remembers discovering Slash after his family got cable television. Mesmerized by the Guns N’ Roses guitarist, who stole the spotlight with his top hat and searing guitar solos in videos for “Welcome to the Jungle” and “Sweet Child O’ Mine” on MTV’s Hot 100 music video countdown, Muñoz knew that was what he wanted to do.

He picked up his father’s old guitar and began learning to play, experimenting with the strings and teaching himself along the way.

His first opportunity came with singer-songwriter LP as a guitar technician. Muñoz admits he exaggerated his skill set to get his foot in the door, but he was determined to make the opportunity count.

“Once you’re in, you’re in,” he said.

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Over the years, Muñoz has toured with artists including Smashing Pumpkins, Deftones, Bush, Anthrax, Fall Out Boy and his most recent touring job was with Rodrigo, after his wife, the pop star’s former bassist, told him she was looking for a new guitar tech.

Rodrigo’s heart-shaped guitar was another opportunity to put his craftsmanship on display.

“I’m sure Olivia has every guitar company in the world in her DMs, and she still trusted a small shop in East L.A.,” Muñoz wrote on Instagram, alongside photos of Rodrigo with the guitar.

“Five prototypes before I got the body right. It had to look cool, play easy, feel comfortable, and most of all, sound good. Built completely by hand, late nights after shop hours.”

Muñoz recalled the moment Rodrigo’s team reached out to request a custom-made guitar. He knew he had one shot to get it right: “In the back of my mind, I’m like, I only got one shot and it has to be made with love.”

The guitar took several months to complete and was built entirely by hand. He later hinted that it is currently one-of-one for now. After Rodrigo shared the guitar with her fans, Muñoz’s one-of-a-kind creation quickly became part of the visual identity of the tour — but for him, the significance went beyond the instrument itself.

Now retired from touring to spend more time with his family, including his 18-month-old daughter, Rosie, Muñoz says moments like seeing young fans in the crowd are what stay with him.

“One of my favorite things being on tour was seeing all the little girls lose their minds. The power of seeing that. Immediately in their head it’s like, ‘I can do that too.’ Imagine if I’m playing a tiny little role in that, yeah … all day.”

Maria Astorini, a retired character actress and a minor star, is 37 years late delivering her memoir. But the project, which she has tried her best to forget, has been pulled out from under the rug by her publisher. Forced to deliver a manuscript, Maria writes an autobiography clocking in at a shade over 200 pages.

The result is Elizabeth Castellano’s second novel “Proof of Progress,” a wry, poignant and very funny twirl through a life that swerves past triumph and failure, boredom and joy, public life and private sorrow. I recently spoke with her about Bloomingdale’s, Calvin Trillin, and how cellphones are the enemy of good fiction.

✍️ Author Chat

”Proof of Progress” traces the life of your protagonist, Maria Astorini, from childhood to her mid-60s. It reminded me of something Bob Dylan wrote recently about growing older, which is that you finally get rid of the illusion that life is under your control.

For Maria, there is a lot of serendipity that feels like fate, of being in the right place at the right moment, or meeting the right person, which sends her off in a different direction. I like that in a novel. It was also helpful to be writing primarily about an era without phones, so that she’s able to meet a lot of people.

We’re seeing this a lot in contemporary narratives: writers setting their stories in pre-phone eras, so their characters can actually interact with each other.

She’s talking to people, she’s meeting people, so she’s able to be sent on different paths. Even meeting her husband probably wouldn’t have happened with the phone.

“Proof of Progress” is Elizabeth Castellano’s second novel.

(Harper Collins / Carl Timpone)

You have written a very funny book, and funny books don’t get the respect they deserve.

Anytime you have humor in a book, you’re not taken quite as seriously. Even in Barnes & Noble, when you look for humor, it’s on the back wall or on the floor. And that’s where you find the David Sedaris books, which is crazy. My last book was about a beach town, so I got lumped in with the beach read group. I had people who were looking for a fun beach read and then they picked up my book, and it’s about zoning code violations. I’m happy that this book is being marketed as literary and humorous. I’m in better shape in that sense.

It’s really hard to write funny. Or is it?

The best way I can describe it is like a stand-up comedian having a notebook full of jokes and anecdotes and she has to put together an HBO special. Sometimes I just had one line of something funny. I had all these ideas and thoughts and different things from old books that I was writing. I tried to put all of it together and find a character that could tell this story, and the through line that I could create from all of this material. So I wrote it backwards and out of order.

Who do you think is funny? Who do you like to read?

J.D. Salinger, David Sedaris, Maria Semple. I love Calvin Trillin. I think he’s a great writer.

Your protagonist is very late on a contract and has to rush to get the book written, which gives the narrative propulsion and momentum.

I had a two-book deal, so while I was working on the publicity for my first book, I raced to finish this book. And when I was finished, I realized it didn’t work and had to throw out the whole manuscript. I saved maybe six or seven little anecdotes from that original book. So it took another year to write. That was the inspiration for “Proof of Progress.”

Your writing career is a bit like Maria’s acting career, in that you chanced upon it.

I was a theater major. I don’t think I took one English course. Then I graduated right into the Recession of 2008. There were no jobs. Eventually, I applied to be an apprentice buyer at Bloomingdale’s, even though I hate shopping. That was the last resort. Then I decided, maybe I’ll be a writer, because it felt like something that I could do. I wrote a lot of things that were rejected before I wrote my first book, “Save What’s Left” [2023]. And that’s probably why I wrote Maria the way I did. We zig, we zag, we endure.

This Q&A was edited for length and clarity.

📰 The Week(s) in Books

Kyle MacLachlan’s new memoir is a funny, candid and self-aware reflection on his 40-year career in Hollywood.

(Christopher Patey / For The Times)

We loved him as Special Agent Cooper in “Twin Peaks” and as Jeffrey Beaumont in “Blue Velvet,” but according to Kyle Maclachlan’s new memoir, “Fictional Selves,” there is another unknown character: “Other Kyle,” the actor’s ever-present shadow figure. “There’s definitely another entity, an observer, the ego, the harder self,” MacLachlan tells Rachel Brodksy.

After a nine-year absence from fiction, John Green has returned with “Hollywood, Ending,” a darkly humorous show business cautionary tale that Green couldn’t have written “without spending a lot of time on film sets,” he tells Emily St. Martin. “I hope the book is a love letter to movies. But I also wanted to be honest about how difficult it is to make a work of art that, in order to be commercially successful, has to be loved by millions of people.”

Katya Suvorova’s memoir, “Ungrateful Immigrant Daughter,” is a “heart-wrenching tale of immigration” that “pulls back the velvety red curtain to reveal one story behind the oversexualized stereotypical post-Soviet mail-order bride narrative so ingrained in post-Cold War U.S. culture,” writes Diana Ruzova.

Finally, Vroman’s and Book Soup, two of L.A.’s most beloved bookstores, have been sold by longtime owner Joel Sheldon to tech executive Robert Hoffman, reports Suhauna Hussain.

📖 Bookstore Faves

Outpost Books is a new bookstore in South Pasadena.

(Simran Malik)

Walking into Outpost Books is like stepping into a smart book lover’s cozy den. With its southwestern-themed design and a well-curated selection of new and used books, the indie book store in South Pasadena already feels like home to this community of rabid book lovers. I spoke with owner Nicole Novembrino about her new store.

Why a bookstore?

I was a sales rep for a publisher of art books, but I looked at my life, wondering what I could do for a living that would give me real meaning and purpose. I love books, and so I decided to open a bookstore. It’s not easy, and you can second-guess yourself a million times along the way, or get a normal job. But I’m so glad I did it. Everyone in the neighborhood is so happy!

Why did you choose to open in South Pasadena?

I live in El Sereno nearby, and South Pasadena is such a great community. When we first opened, people were coming in and thanking us for opening in the neighborhood. There aren’t any other bookstores in this particular South Pasadena neighborhood. I definitely didn’t want to take any business away from other stores.

Pasadena loves its bookstores.

This is a very bookish community. The donations I’m getting from people are really smart volumes. I think I’ve had just one Nora Roberts book! The landlords are great, as well. They came to our opening and told me the store is all they could have dreamed of for the space, which is so sweet.

The kids section is really fun, with the tent and the fake tree stumps.

We have a lot of kids books with a southwestern theme. I’ve been collecting them over the years from my trips to the desert. You might find a book called “Armadillo Rodeo” in there.

How did you land on the western theme?

My mom is from New Mexico, so every family vacation was a trip to the Southwest, and I loved stopping and collecting things at the trading posts along the way. I wanted to give the store that kind of feel. I chose the name Outpost for that reason. It is a lived-in place where you can just hang out and find cool things and read.

Outpost Books, 1010 ½ Fair Oaks Ave., South Pasadena, (626) 399-0595

Strictly fans could see a change in the hosting format this weekend after complaints were made that it “didn’t work” last week.

While fans were happy to see Emma Willis hosting from the dance floor, they were unconvinced that Josh Widdicombe belonged in the role at her side.

“The Strictly producers will be in a bit of a pickle now,” one fan pointed out at the weekend. “The overwhelming view seems to be that Emma is perfect and should host downstairs alone, and Josh should be moved upstairs as he’s way more of a comedic, lighthearted chat sort of host.”

Former pro dancer Vincent Simone told the Mirror this week that he sees the upheaval in the presenting duties is a major “downside”.

“I think the only downside of this year is that there’s been way too many changes all in one go,” he said. “Some people like changes, like me. Some people don’t.

“I can imagine some people saying, ‘Oh, Tess and Claudia are not going to be presenting, I won’t be watching it,’ or, you know, some of the professionals that I used to love, they won’t be performing again, ‘I’m not going to watch it again.’

“So unfortunately, it is what it is. I think there’s been way too many new changes all at once.”

A couple of years ago, in a column about Father Greg Boyle, I noted that he is quite particular and even a bit preachy about the right way to eat a steak.

It should be medium rare, never well-done, and served with a proper elixir.

Doors drummer John Densmore took note. One thing led to another, and in July, Densmore, Boyle, former Times reporter Greg Krikorian and I went to dinner at the Smoke House in Burbank.

We did not necessarily follow Boyle’s meat and beverage protocols, but we jabbered away in a red leather booth, and a good time was had by all.

Then, in August, I got an email from Boyle.

“John walks into the Homeboy Art Academy,” he wrote, “and starts jamming as the homies are playing ‘Stand By Me.’”

Boyle sent a short video, and there’s Densmore, still keeping perfect time at 81.

John Densmore enjoys an upbeat moment while teaching a music class at Homeboy Art Academy.

I wasn’t surprised. Densmore’s a busy guy, with various charitable causes and artistic ventures. He and former Public Enemy rapper Chuck D just fused music genres on an album called “No Country for Old Men.” But he’s an admirer of Boyle and his decades-long mission of gang intervention and rehabilitation.

“Hey,” Densmore told the musicians he played with that day, “maybe I can do something here.”

He suggested that he return and stage a music workshop or a drum circle.

They said of course.

On Wednesday, before the music began, Densmore insisted that I see the Homeboy Art Academy, whose founder is artist Fabian Debora.

“I grew up in the projects when Father Greg first came in,” Debora told me, referring to Homeboy’s early days in the 1980s, when Boyle was pastor of Dolores Mission Church in Boyle Heights. “Through the arts, I found my way to healing and transformation. Then I said, ‘How can I fulfill a need that was missing in my life?’”

The answer is the academy he now runs with Dre Comers, located near Metro’s Chinatown station, providing art instruction to tens of thousands of people. On Wednesday, teachers were busy helping students with artwork in various stages of completion, including a painting of Boyle with a halo.

Most of the participants are young adults, many of whom were born decades after the Doors’ last album was released. One student, in his 20s, welcomed us and asked Densmore what he was known for.

“I’m a drummer,” Densmore said.

He was known to far more people in the music room, including longtime musician/instructors Joe Calderon and Martin Flores. They’re part of the Young Musicians Foundation’s Music Heals program, funded in large part by legendary songwriter Mike Stoller, who co-wrote dozens of hit songs including “Jailhouse Rock,” “Hound Dog,” “Poison Ivy” and “Stand by Me.”

The latter song appears on a brand new “Music Heals” album designed by art academy participants and released Tuesday, so with Densmore’s arrival on Wednesday, it was a big week for Homeboy arts.

“When you’re playing music,” Densmore told about 30 students and instructors, you can enter a state of timelessness. “It’s kind of like a meditation … A little bit of infinity creeps in … And everybody can get into that space. If you want to be a professional musician, cool. If you wind up playing the piano in a closet and nobody hears it, you’re still getting into this space that kind of heals and feeds you.”

And then it was concert time, with Densmore on drums and instructors Calderon on guitar, Flores on percussion and Mackenzie Azela on bass. Fabian Debora Jr. (bass and vocals) and Ralph Quintero (vocals) are both in the Homeboy rehabilitation program.

The band kicked off with a blues number called “Got My Mojo Working,” then it was Ben E. King’s “Stand by Me” followed by Cream’s “Sunshine of Your Love.”

It all went off pretty smoothly for a group that hadn’t worked together except for a quick minute on Densmore’s previous visit. The musicians were smiling, the spectators tapped and clapped, and that magical sense of timelessness was real, spanning multiple generations.

In a place filled with people confronting the challenge of rebuilding their lives, the lyrics of one particular song were a reverie.

No, I won’t be afraid.

Oh, I won’t be afraid.

Just as long as you stand by me.

Doors drummer John Densmore, right, leads a jam session while teaching a music class at Homeboy Art Academy in downtown Los Angeles.

Debora Jr., 27, told me it was pretty cool to be playing with a member of the Doors, a band he knew about through his elders. Quintero, 50, who is studying psychology and wants to be a drug counselor, said he still couldn’t believe he had just performed with a member of the Doors.

“It’s an honor,” he said.

Everyone in the room grabbed either shakers or a small drum, and with Densmore instructing and conducting, the ensemble conjured what he called the heartbeat of Mother Earth. The music rose and fell, rose and fell as the players became one, followed by an orchestrated hush that served as a silent accent.

“Like sex,” Densmore said.

He moved on to a brief Q&A, and one of the first questions was about what it was like to be around Doors lead man Jim Morrison.

“I miss his artistry,” Densmore said. “I don’t miss his self-destruction. So I’m 81. He died at 27. And there’s different ways to do this. Hopefully you guys will keep on breathing like I am.”

As Densmore packed up his things, a young man named Jeremiah asked the drummer if he’d record a short video for the family of his girlfriend. She had just lost her grandfather, a longtime Doors fan.

“That was their go-to music, every car trip,” Jeremiah said.

He sent the clip to his girlfriend and asked her what the family’s favorite songs were. “Riders on the Storm” was one. Along with “Break on Through,” “Touch Me,” and “L.A. Woman.”

John Densmore, right, congratulates musicians Joe Calderon, from left, Fabian Debora Jr., with bass, and Ralph Quintero after they performed.

At Homeboy, Boyle’s mission has been twofold, in a sense. To show love to his charges while preparing them for lives unlike the ones they’ve known. And through his books and teachings, to remind us all that we belong to each other.

There was a bit of that gospel in the note that Flores, program director at Music Heals, sent Densmore after his visit. He thanked him, telling Densmore he had “provided our students with not only an incredible artistic experience, but also a deep sense of connection, inspiration and hope as they navigate their journeys.”

Densmore answered immediately.

“I think I might have gotten more out of it than I gave.”

steve.lopez@latimes.com

SHE’s the nepo-baby that has already got everybody talking – now Scarlett Thomas’ bid for fame continues and this month proves to be her most pivotal yet.

The daughter of soap’s most fractious real-life couple, Ryan Thomas and Tina O’Brien, Scarlett, 17, has been hellbent on using her parents’ fame and status to turn herself into a star ever since she became a teenager.

Keen to soak up the spotlight and be more well-known than her parents could ever be, Scarlett has taken on various public-facing jobs since her early teen years – first as a TV actress on Waterloo Road and now she’s determined to make it as a popstar.

But the young star has already seen herself embroiled in plenty of controversies.

Having decided not to take ANY GCSEs in hopes of pursuing a showbiz career, she has also found herself at the centre of plenty of teenage TikTok drama that has seen her relationships questioned and even seen the star accused of being at the heart of a cheating scandal with a member of Simon Cowell‘s boyband, December 10.

But all this talk is secretly being used by Scarlett and her savvy team in order to give her career a major boost – and The Sun can reveal why October 2026 is pivotal for the budding fame wannabe as she looks set to make her biggest career move yet with a series of music singles.

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Scarlett Thomas brags about having no GCSEs as she performs at tiny gig

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Whilst Scarlett has been teasing a music career for the majority of the year – we can tell how she has been waiting until this month as she turns 18 years old before unleashing herself to the world.

Scarlett is due to enter adulthood on 26 October and is expected to go full-throttle – especially after dropping her first single, Onezies.

Our insider said: “Scarlett and her team have come up with a well-crafted plan.

“She knows she gets people talking – the plan is to capitalise on that as soon as she hits 18.

“Scarlett’s plan is to be more famous than her parents and has been keen to get a head start.

“She wants to be more than a cosy Brit TV star – she wants to be worldwide and eclipse that of the success of her parents.”

Our insiders have revealed that Scarlett’s 18th birthday will be a turning point for the star and she is aiming to have a full Miley Cyrus-esque rebrand from child star into a pop performer.

They tell The Sun: “Scarlett is planning to go fully wild when she hits 18.

“She wants to get everyone talking and is hoping to carve out something like Miley did when she left Disney behind.

“Scarlett looks at these popstars going all out and desperately wants a piece of the pie.

“Sabrina Carpenter is another inspiration of hers. She plans to emulate her showgirl-esque outfits and dance moves to help propel her career.

“Scarlett has never been a shy girl.

“She knows she can hold her own and crucially does not care what anyone says.

“She knows a lot of people will say she is acting beyond her years but she is laser-focused on her career goals.

“Controversey sells and Scarlett could care less what anyone thinks.

“Some may call it selfish but ultimately she does not care how she is viewed to the world – as long as people are talking about her, that is all thar matters to her.”

Already, she has bragged about having no GSCEs and underage drinking in one of her tracks.

Appearing at a gig last weekend, Scarlett’s lyrics included: “Baby do you like having no GCSEs in the alpha, but you’re gonna listen to it one more time.

“We’ve got buzzballs swimming in our tummy.”

She has also previously hit back at suggestion that she does not act her age in an appearance on her father and uncle’s podcast, The Thomas Bros.

Scarlett said earlier this year: “It’s a weird thing, people say you can pass for like 21 and like 12 at the same time.

“I’m 17. And I don’t know. I think my fan base is a little bit weird.

“People think I’m a lot younger than I am and I don’t think many people are ready that I’m growing up. It’s a bit weird.”

When directly asked if it frustrates her, Scarlett’s facial expression says everything as she rolls her eyes.

“It’s so frustrating. But a lot of like influencers my age, which is still the same kind of topic, don’t get the same kind of comments as I do.

“Like “why are you growing up so fast?

“But it can be a bit frustrating because, you know, I want to be taken seriously. I’m not a child.”

And it seems she mostly has the backing from her family when it comes to chasing fame and her dreams.

Our source says: “The Thomas side of the family have always backed it.

“They see Scarlett becoming famous and well-known a boost for their own brand anyway.

“The brothers have always had a very relaxed approach when it comes to parenting and family life.

“Ryan and his brothers back her completely – they are always cheering her on from the side.

“On the other hand, mum Tina has always been a bit more reserved.

“Whilst she does want Scarlett to be famous – she would have probably rather her stuck to the Waterloo Road and small scale TV circuit like her.

“Tina does not post about Scarlett as much as Ryan but it is a conscious decision.

“But she will always support her daughter and encourage her to do what makes her happy.”

The Sun has reached out for comment.

Oct. 3, 2026 3:04 AM PT

Like any other building from 1971, or a democracy created in 1776, the Kennedy Center could use some attention and possibly some structural repair. But I was a vice president at that arts center in Washington, and I can tell you that maintenance is almost certainly not why it closed its doors last month.

Officially, it’s closed because a section of the Grand Foyer ceiling gave way in a storm, plaster crashing to the floor, and the building needed to be shut down for safety. The Justice Department itself has argued in court filings that there is no real emergency requiring the closure. The board, meanwhile, has approved a quarter-billion-dollar renovation plan, put together without competitive bidding, while the president muses openly about tearing the building down altogether if his own name isn’t affixed to it. This administration is effectively bulldozing arts infrastructure in an attempt to abolish an infrastructure of the imagination.

I watch all of this from the outside now. When the new “leadership” took over last year, my team and I were among the first let go. My department worked on free public programming, on creative equity, on cross-sector community development and on measuring the social impact of art. That we were among the first out the door probably tells you everything you need to know about who was put in charge of the place.

As an American, as an artist and as a former member of its labor force, I understand that the Kennedy Center is more than a building. It is a living memorial to a president who was taken from us too soon, a man who had the audacity to aim for the moon before the science existed to get us there. To honor that kind of visionary, this country built a center for the creative impossible, and gave it his name.

And true to that name, my job at the Kennedy Center was to investigate the correlation between the arts economy and the economy of civic aspiration. As a team, we believed that inspiration erodes apathy and yields empathy. The building is a container of federal infrastructure, but the arts that imbue the Kennedy Center make the argument that inspiration itself is part of the infrastructure of our democracy. An arts center is built to ask: “What are the conditions necessary to dream together in public?”

Who, if not artists, are the authors of the public imagination? When a baby is born, or your daughter gets married, do you read a piece of legislation to commemorate the occasion or do you quote a poem, or dedicate a song? Who, if not artists, might light the path to a post-fear economy?

So why invade an arts center? What could possibly be gained by shuttering a national citadel for creative excellence? How perverse that a president whose policies have underfunded education and the arts would gut a national sanctuary for curiosity, and then demand that his name be emblazoned on the shell of what was. This president has used executive orders to intimidate artists, banned writers and journalists, sabotaged arts education, created oppressive red lines within the National Endowment for the Arts and threatened philanthropic organizations that fund arts and culture, and then he turns around and wants his name on our national cultural center.

When I worked there, the Kennedy Center wasn’t perfect. No institution is. But the business was viable, the staff was talented and reliable, and the work we made together would, often enough, touch something close to the sublime. Our job, like those of so many arts workers across the country, was to activate creative magic in service of social cohesion and well-being.

This is what gets lost in the noise of storms and lawsuits and renovation budgets: Entertainment is everywhere, but inspiration is rare. Sometimes you are sitting in a dark theater with strangers and the right note gets struck, and you hear it with your ears but you feel it somewhere else entirely. In the gut and heart. And the person next to you, a stranger, feels it too, at the exact same moment. You can practically feel the room change. All that magic can happen in one theater, and the Kennedy Center has nine of them. If a solar panel uses the energy of the sun to power a building, an intentionally run theater can use the energy of its inspired audiences to power a city.

Art holds memory. It also holds the horizon, the sense of what a country could still become. Patriotism as enacted by the creative community takes the American experiment seriously enough to question, examine, remember what we’ve forgotten and catalyze collective American dreaming. That is what the Kennedy Center was named for: a president who dreamed of a country unafraid of beauty, unafraid of grace.

Thankfully, America’s creative labor force tirelessly stewards that sense of creative provocation and patriotic inquiry. It is alive everywhere, including in the work of individual artists such as Carrie Mae Weems or in the work of collectives such as For Freedoms and their “America, the Beautiful” initiative.

We, the chronically underwhelmed citizenry of the United States, can’t afford one less pillar of creativity. We should be fighting to reconstitute any and all artistic institutions with an eye toward an inspired future.

Marc Bamuthi Joseph, a spoken-word artist and actor, was vice president for social impact at the Kennedy Center.

Saturday Kitchen Live underwent a huge schedule shake-up during the latest episode of the BBC One cooking show

Saturday Kitchen Live saw a new presenter on today’s episode.

The hit BBC One cooking show was back with a new instalment, welcoming chefs Jamie Oliver, Gennaro Contaldo and Julie Lin, as well as Stranger Things actor Gaten Matarazzo, in the studio.

However, viewers expecting host Matt Tebbutt got a surprise to see the presenter absent and instead Donal Skehan in presenting duties.

Addressing Matt’s, 52, absence, Donal, 40, said: “Welcome to the show, Matt is away, so Donal can play!”

It appears that Matt is busy on another project as he posted updates to his Instagram Story about working on The Go To Food Podcast, writing: “Did a fun thing with these two smashers! Coming soooooonnn!”

Prior to Saturday Kitchen Live airing, BBC Breakfast spoke to Donal to hear what the show had coming up, where Naga Munchetty spoke about Matt’s absence.

Naga, 51, said: “Donal! Good morning to you!” with Donal responding: “Good morning, Naga, this might be a nice little palate cleanser for you. You know, no Matt this week, but I’m here!”

With Naga joking: “Well, yeah, this is definitely a palate cleanser, in terms of no Matt!” the BBC Breakfast host then put Donal on the spot, asking if anyone had ever told him his recipe hadn’t worked after releasing an impressive 13 cook books.

A shocked Donal responded: “Never. Why?” with Naga admitting: “Because I don’t think… I don’t think they’re always accurate. Especially when it, you know, comes to time and whatever. What do you think?”

With Donal replying: “Naga! Well, I think you’re completely wrong, firstly, and we have Jamie Oliver in the house to prove you wrong, because we’re going to do 20 minutes of straight-through cooking, showing you can make anything delicious in no time at all!

“So, er, my cookbooks aren’t tested like that, but Jamie’s are, and we’re going to… we’re going to do great things, and hopefully prove you wrong.”

Donal then quipped: “I thought you were going to be nice to me after Matt’s out of the seat!” with Naga joking in response: “That was nice!”

Saturday Kitchen Live continues on BBC One and BBC iPlayer

“Tip Toe,” a fine new drama from Russell T Davies premiering Friday on Starz, begins at the end, with Leo Struther (Alan Cumming, phenomenally good), a gay Manchester bar owner, hanging dead from a streetlight outside his house, as a woman screams and his neighbor Clive Goss (David Morrissey) stands breathing heavily on his porch. Then, as so many series do nowadays, it goes back in time — 10 days here — to tell the tale that got them there.

And so you are prepared from the beginning for tragedy, though not everything that happens in its five episodes will be tragic — some of what we see will be sweet and even celebratory — and one might forget for a moment where this is all heading, and even believe that what we’ve already seen will turn out differently.

The series sets off in a comparatively light mood. Chasing a one-night stand who’s stolen his laptop, Leo finds he’s locked himself out of his house, and, dressed only in his underwear, goes next door to ask if he can borrow a phone to call his friend Stephanie (Elizabeth Berrington) to bring him a spare key; here we meet the Goss family, Clive, an out-of-work electrician; his wife, Marie (Pooky Quesnel), who doesn’t like Clive; 16-year-old son George (Jackson Connor), gay and closeted; and 25-year-old son Saul (Joseph Evans), an easygoing hunk who lives at home, secretly makes money on OnlyFans and accepts everyone for who they are. Leo and the Gosses have been living amicably at arm’s length for 14 years, though their lives are about to become closely entwined, with disastrous results.

In an act of something like willful, somewhat disturbing friendliness, or a desire not to have to deal with Leo the next time he’s locked out, Clive makes a copy of Leo’s key and installs a lock box by his door. (By the Chekov’s gun rule, a key copied in Episode 1 is bound to be turned in a lock in whatever later act Davies deems advantageous.) Then, Leo gives Clive work at his bar.

Alan Cumming and David Morrissey play neighbors whose relationship escalates to violence in “Tip Toe.”

(Ben Blackall / Starz)

Leo’s bar, Spit and Polish, sits on Canal Street in Manchester’s long-established “gay village.” It’s a safe space for his employees and regulars, including Zee (Iz Hesketh), who’s been sleeping hidden in the bar, frightened of new flatmates since coming out as a trans woman, and Melba (Paul Rhys, brilliant), a former drag performer who holds down the end of the bar like Norm from “Cheers” and carries a torch for Leo.

Things will go generally downhill from here, in a narrative of escalating misunderstanding — not in the sense of an innocent mistake, of simply getting the wrong end of the stick (though that’s part of it), but as a contemporary habit of mind, blinkered, closed to facts but open to conspiracies. (Clive, a consumer of social media disinformation, believes that AIDS and COVID are fake); he lives in fear.

Directed by Peter Hoar, it’s a rough watch, yet beautifully wrought and delicately performed, inspiring and depressing, hopeless and hopeful by turns Davies has points to make — hanging your protagonist is not subtle — but his dialogue carries a lot of weight lightly; long conversations ebb and flow and rise and fall like compressed playlets. If there is something schematic about the arc, the characters within it, Clive as much as Leo, are completely human. They stand for something bigger than themselves, but they also stand for themselves.

Davies brought gay life in its infinite variety to television with the 1999 series “Queer as Folk” (also set on Canal Street) and gender fluidity to “Doctor Who,” the series he revived in 2005 and returned to in 2023. (The Tardis is currently in limbo.) His “Cucumber,” about middle-age gay men, and “Banana,” about young LGBTQ+ people, are also set in Manchester, where Davies has lived since the late 1980s. “Tip Toe” has been crafted for an age of surging homophobia and anti-gay violence. “The president of America has given these men permission to attack us,” says Melba, as he sits with Leo late one night by the canal. The series’ dark prophet, he gives it its title.

“It’s a storm, it’s a tide, it’s a great big tsunami. We’re in the middle of it right now … If you’d asked me in 1996 what do you think 2026 will be like, I’d have said ‘glory days’ … But they tricked us didn’t they? They let us all come out, so now we’re standing in he open ready for them to shoot us down. I used to walk into a room and just go, ‘Ta-da!’ Now I tip toe, just in case.”

The 49th Kennedy Center Honors gala will go on despite the recent closure of the Kennedy Center, with the event moving to the Capital One Arena in Washington, D.C., on Dec. 7. The honorees and a broadcaster for the program will be disclosed at a later date.

The annual event will take place amid an ongoing legal battle as President Trump attempts to add his name to the building.

Hours after a federal judge blocked the president’s attempt to restore his name, the Kennedy Center’s board voted on Sept. 15 to shutter the venue for renovations. Trump, however, threatened on social media to block the $250-million renovation, which he initially proposed, if his name weren’t added to the facade.

In mid-September, a picture of the president aboard Air Force One reviewing plans that were titled “Kennedy Center Demo[lished]” prompted panic as architectural, preservation and civic organizations asked the court for a “neutral officer to protect the building and institution.”

A federal judge ordered Kennedy Center leaders to provide 30 days’ notice before any changes, including demolition.

Last year’s Kennedy Center Honors gala, which recognizes artists who have contributed to American culture, was hosted by Trump and televised on CBS and Paramount. The ceremony, honoring Sylvester Stallone, Kiss, Gloria Gaynor, Michael Crawford and George Strait, earned the lowest ratings in its history. It was not announced whether Trump would return as master of ceremonies for this year’s event.

What a surprise. David Ellison has decided to name the Frankenstudio media company created by the merger of Paramount Skydance and Warner Bros. Discovery simply Skydance.

And why not? “Massive Debt Funding Media” doesn’t really roll off the tongue (though “Ultra Leveraged” has a nice ring); “Ellison and Dad” is a bit too on the nose; and “Skydance” is, after all, the name he chose for the one company out of those four that he built rather than bought.

Skydance is a poetic term with some definite “Star Wars” overtones and perhaps unintentional symbolism. Before the aviation-loving Ellison claimed it, “sky dance” referred to the aerial mating of certain birds, most famously the American woodcock, also known as the timberdoodle or (I’m not making this up) the bogsucker.

(“Timberdoodle Media,” now that’s a splendid name, and “Bogsucker Productions” could work as well.)

In his attempts to acquire Warner Bros. Discovery, Ellison has certainly engaged in some high-flying … well, courtship might not be the right term for the dizzying mix of cajoling and threats he has employed to get the deal done, and it certainly does not seem fair to the American woodcock. I’m no expert, but I don’t think their mating rituals involve using the New York Times to plead their case or, when that doesn’t work, threatening to move en masse to Tennessee.

For those inexplicably hoping for ParaBros, Skydance seems a bit of a letdown, especially considering all the trouble Ellison went to. It’s been quite a show, the various razzle-dazzle versus strong arm tactics (not to mention the Middle Eastern money) he mobilized to turn two of Hollywood’s preeminent founding studios into ingredients in sub-brand stew that also includes CNN, HBO Max, CBS, DC Comics, Nickelodeon, MTV and Food Network.

Overseeing such a diverse mix is obviously too big a job for one person so Ellison added yet another flavor by drafting Ynon Kreiz as co-chief executive. Kreiz was previously chairman and chief executive of Mattel, where he facilitated the toy company’s big Hollywood push with “Barbie,” “Masters of the Universe” and the upcoming Hot Wheels movie. (Polly Pocket, now in development at Reese Witherspoon’s Sunshine Productions, should be preparing for her close-up.)

By sticking with Skydance, Ellison is not just making a large swath of Hollywood indisputably his own, he’s showing remarkable confidence in a name that first came to many people’s attention in 2019 when he hired John Lasseter.

Six months after Walt Disney Co. ended its relationship with the then-chief creative officer of Pixar and Disney Animation Studios following an investigation into multiple accusations of sexual harassment and workplace misconduct, Ellison hired him to oversee Skydance Animation.

Unsurprisingly, this led to all manner of protest, within and outside the company. When Emma Thompson learned of Lasseter joining Skydance, she withdrew from its highly anticipated upcoming animated film “Luck.” In a stinging letter she sent to the company at the time (and allowed The Times to make public), she wrote: “It feels very odd to me that you and your company would consider hiring someone with Mr. Lasseter’s pattern of misconduct given the present climate in which people with the kind of power that you have can reasonably be expected to step up to the plate.”

Lasseter was not Skydance’s only controversial hire. After merging with Paramount, the company made deals with or hired multiple men, including Brett Ratner, Max Landis and Jeff Shell, who had been accused of sexual harassment and/or misconduct.

Shell was made president of Paramount less than three years after losing his job as NBCUniversal chief executive following the disclosure of an “inappropriate relationship” with an NBC employee. He stepped down from Paramount in April after a monthslong legal battle with a Las Vegas gambler and self-described “fixer” who claimed that Shell had reneged on a deal to develop a series in exchange for free crisis control.

Now, of course, all of that is ancient history. Now Paramount is merely a sub-brand and Hollywood is less concerned with who Skydance hired as it is with who, and how many, Skydance will fire.

Also how exactly the CNN/CBS oversight committee Ellison agreed to create as part of the settlement with 12 states is going to work. And what will happen if Skydance does not release 30 new films each year, which Ellison has promised to do as part of the settlement deal. And how expensive the new Skydance streaming bundles are going to be. And if, perhaps, in some language Skydance translates to “the end of the entertainment industry as we know it.”

Most important, is it too late for the American woodcock to sue?

JESSICA Alba blew fans away with her ageless looks as she danced the night away with celebrity pals at a party thrown by Paris Hilton.

The Fantastic Four star, 45, shared a video of her dancing with Keke Palmer and Kelly Sawyer in a purple lit room.

Pictures from the same post showed Jessica embracing her Y2K style in a star-printed cut-off tank top, mini skirt and brown suede boots.

Completing her look with a half-up hairstyle, Jessica looked like she had stepped straight out of 2001 for a night of partying.

She captioned the video: “A @parishilton y2k end of summer party w my girls @keke @kellysawyer … that’s hot”

Keke clearly had a lot of fun as well, commenting on the post: “I found love when I found you two 😍”

Jenna Dewan posted: “I’m so sad to have missed this!! You look amaze”, while boyfriend Danny Ramirez simply posted a string of heart-eyed emojis.

But fans were blown away by the ageless star, with one writing: “wow she looks almost the same she did 20 years ago, real y2k legend 😍🔥”

“Natural beauty! You make it look easy,” wrote another.

“Baddest baddie in the history of baddies” said a third.

While a fourth wrote: “That woman who never grows old, always shines like a new coin.😍”

Jessica Alba shot to fame in the early 2000s, appearing in cult-smash movie, Dark Angel.

She later appeared in a string of blockbusters including Sin City and Honey, before becoming Sue Storm in the Fantastic Four movies in 2005.

She’s currently working on a new TV series, Confessions on the 7:45, starring as Selena Murphy, a woman whose life is turned upside down when she meets a stranger.

OLIVIA DEAN may be the queen of singing about self-worth, but she won’t be feeling the love right now.

The British chart-topper is facing a messy legal battle after being sued over her song I’ve Seen It.

A fresh lawsuit has been filed claiming she copied the melody of Bill Withers’ 1981 soul classic Just The Two of Us.

Publishers of the late singer’s catalogue allege Olivia’s track, which appears on her album The Art Of Loving, “shares musical features so striking” that they cannot be by chance.

Rather than going after Olivia or her co-writers directly, the lawsuit lists Olivia’s American record label Capitol Records and its parent company Universal Music Group as the defendants.

The song has been streamed 246million times on Spotify alone.

‘WHO HURT HER?’

Emotional moment Olivia Dean breaks down in tears during love song onstage

OFFER DEAN-IED

Olivia Dean turns down Glastonbury as other Brit set to be named headliner

In comparison, Bill’s hit has 948million global streams.

Talking about penning the emotional track, Olivia previously said: “I’d had a lot of red wine.

“When I heard it back for the first time, I burst into tears.

“It felt like the loveliest note to end on.

“Whether it’s within your friends, your family, or just the love that exists in the strangers around you, it’s there, and it’s inside of you, too.”

APPRENTICE DUO LAND SWEET GIG

IT may sound like a flaky idea, but Apprentice star Lawrence Rosenberg will dress up as a croissant to launch a new bakery.

He is reuniting with Kieran McCartney Jones, his fellow competitor on the BBC One show, at Tuesday’s opening of Signorelli Broadgate in London.

And the pair will replicate the street-trader energy they wowed with on TV.

They gained an army of fans selling out supplies of their team’s carbonara at Greenwich Market this year in Lord Sugar’s talent hunt.

I don’t doubt they’ll make this stunt a success, too.

At the bakery, Lawrence will swap the egg costume he wore during the Apprentice challenge for a croissant outfit. He told me: “We’ll be begging for tips like Lord Sugar’s watching.

“I’ll be dressed in a croissant costume and you can even pretend to be Baroness Brady and mark our performance.”

Sounds like a recipe for making dough . . . 

CONGRATULATIONS to Chris Martin and Coldplay.

Their 2000 hit Yellow has just passed 4 BILLION streams on Spotify. It’s their first song to achieve this, but I’m sure it won’t be their last.

Viva La Vida isn’t far behind on 3.5 billion. No wonder they sold out ten nights at Wembley last summer.

AUSSIE rapper Iggy Azalea is plotting a comeback.

Sliding into Instagram DMs, Iggy wrote: “I stepped away from music for a long time, but now I’m back in the studio, this felt like the right place to share my journey.”

Iggy has had huge hits with the likes of Rita Ora and Britney Spears previously.

LILY STEPS UP DOWN UNDER

LILY ALLEN is legging it Down Under.

The Smile singer shows off her pins in an arty shoot after wrapping up the UK and US legs of her West End Girl show.

Lily is enjoying a break before returning to the stage in Auckland, New Zealand, on October 21.

She will then play six shows across Australia – belting out the brutal album about her divorce from Stranger Things actor David Harbour.

Lily said: “Doing the shows feels like an act of storytelling.

“It’s almost like I’m in a play every night, because I have to brush myself down and take myself back to a time and a place that isn’t now.

“It doesn’t really feel like it’s about me any more. It’s about other women who have experienced something similar.”

PIXIE SHOWS A LOTTA STYLE

PIXIE LOTT looks fashionable as ever as she heads home from another night on stage.

Dressed in a quirky jacket and tiny hotpants, Pixie strutted through London’s West End.

She’s currently starring in Who Killed Marilyn? At the Emerald Theatre.
Pixie plays the lead role of movie legend Marilyn Monroe, who died in 1962 aged just 36.

Talking about Marilyn, she said: “I grew up loving her. She was very strong and intelligent and witty.

“This whole story is told from her perspective.”

SUPERSTAR Ariana Grande is rumoured to be releasing a remix of a track from her hit album Petal.

In February 2024, she teamed up with Mariah Carey for a remix of her hit single Yes, And?

Previously, Ari featured on The Weeknd’s 2021 remix of Save Your Tears.

If she does have something in the works, I see history repeating itself.

DECEMBER 10’S HAIRY NIGHT OUT

DECEMBER 10 are going from strength to strength, but four of the lads were in for a fright this week ahead of Halloween.

John, Hendrik, Cruz, and Nicolas were seen at the scare mazes at Thorpe Park’s Fright Nights.

Simon Cowell‘s boyband have a busy winter of gigs ahead including in London and Birmingham.

Not bad for a band many thought wouldn’t amount to much.

BROOKLYN Beckham seemed to snub his family again by attending a Paris Fashion Week event — then giving his mum’s nearby show a miss.

Brooklyn flew to the French capital with wife Nicola Peltz for a VIP bash just two miles from where designer Victoria was later unveiling her own collection.

As their feud with his parents continued, they were at the Messika Womenswear 2027 show at the Grand Palais on Thursday.

Meanwhile, in a ­display of unity from the rest of the family, ex-Spice Girl Victoria was yesterday joined at La Conciergerie museum by hubby David, sons Romeo, and Cruz, daughter Harper and Cruz’s singer-songwriter girlfriend Jackie Apostel.

Despite being a car journey of just a few minutes away, it appeared Brooklyn and Nicola stayed away.

Brooklyn has been estranged from his family for almost two years.

A&E DASH

Alison Hammond breaks silence after being rushed off This Morning clutching chest

‘VERY WORRIED’

Fans fear for Alison Hammond as she’s pulled off air during This Morning

In January, he wrote a savage statement on Instagram — telling the world he had no desire to make up.

After cruelly accusing Posh and Becks of treating him as a commodity to further their image rather than as a son, Brooklyn, 27, wrote: “I do not want to reconcile with my family.

Halle Berry is speaking out against her ex-husband Olivier Martinez, after he accused the actor of physically abusing their 12-year-old son and was granted a restraining order against the Oscar winner.

Marina Beck, an attorney for the 60-year-old “Catwoman” and “John Wick: Chapter 3” star, in a statement downplayed Martinez’s protective order, granted Thursday by a Los Angeles Superior Court judge.

“To say this filing is entirely meritless and deliberately misleading would be an understatement,” Beck said, later accusing Martinez of repeatedly violating court orders and interfering with “necessary therapeutic and educational interventions to the detriment” of his son with Berry.

The attorney added: “In a way, today’s filing is not entirely unexpected from an individual with a well-documented history of erratic, possessive and violent behavior. Fortunately, Halle is used to this kind of outrageous conduct from Mr. Martinez and, while she is deeply saddened, she will not allow it to deter her from fighting for Maceo’s best interests and providing him with the love and support he needs.”

Patrick Baghdaserians, an attorney for Martinez, did not comment on the statement from Berry’s legal team, but said the welfare and safety of Berry and Martinez’s child remains paramount.

According to the order reviewed by The Times, Berry is prohibited from contacting Martinez, 60, and their son Maceo beyond the terms of her August 2023 split-custody agreement. The judge also modified the actor’s visitation time, limiting her hours with her son to Mondays, Tuesdays and weekends between 10 a.m. and 8 p.m.

Berry and Martinez wed in France in July 2013, shortly after confirming they were expecting a baby together. They welcomed their son in October. Berry shares a daughter with ex-boyfriend Gabriel Aubry. The actor was also previously married to ex-MLB pro David Justice and singer-actor Eric Benét and is currently engaged to musician Van Hunt.

Berry filed to divorce Martinez in October 2015. Their divorce finally came to an end after eight years in August 2023, when they agreed to joint custody of their son and Berry agreed to pay Martinez $8,000 a month in child support. The “Monster’s Ball” actor was also ordered at the time to also pay Martinez 4.3% of any income she receives above $2 million.

Martinez’s request for a domestic violence restraining order centered on an alleged Sept. 26 incident involving Berry and their son. Martinez alleged the actor “physically abused our son, Maceo, by jumping on him, putting her hands around his neck, and choking him.”

The financial terms of their divorce also appeared to be central to another alleged incident in 2023, when Berry allegedly told Maceo, then 9, that his father is “ ‘a white b— trying to rob a Black woman’ due to child support issues,” the request said. Martinez’s filing included a declaration of Berry’s alleged history of abuse, screenshots of his text conversation with Berry following the alleged September incident in which she appears to have written, “I feel terrible about what happened last night.”

Martinez requested sole legal and physical custody of Maceo. He also asked that Berry refrain from drinking or partaking in other substances during her visitation time and asked that she complete sobriety testing “before, during and after” her visitation, according to court documents. The judge denied those sobriety testing requests until a further hearing for the order on Oct. 16.

Berry has been a vocal supporter for victims of domestic violence and a volunteer at the Jenesse Center, a nonprofit organization dedicated to domestic violence intervention and prevention. The actor has also spoken about her own experience with domestic violence growing up. She recalled her father’s abusive treatment of her mother during a gala in 2015.

“She stayed for too long and her children, my sister and I, saw far too much and I’ve suffered the damage of being a child of domestic violence,” Berry said at the time.

Former Times staff writer Jonah Valdez contributed to this report.

ACTOR Vinnie Jones has won a planning battle at his telly farm despite almost 5,000 objections.

The former footballer, starring in Guy Ritchie’s Netflix hit The Gentlemen, will be allowed to turn redundant buildings into seven guest units.

Campaigners argued he wanted to host shooting parties and raised fears over gunfire, traffic and protected wildlife.

Blackwool Farm in the South Downs National Park, West Sussex, features in the Discovery+ reality show Vinnie Jones in the Country.

Protect the Wild said: “National parks are . . . not for commercialised bloodsports or luxury shooting retreats.”

But Jones’s planning team hit back, accusing opponents of making “false assumptions and inaccuracies”.

A GENTLEMAN

Vinnie Jones on going toe-to-toe with new love & fears over Meghan ‘sex scenes’

hitting out

Vinnie Jones blasts ‘addictive’ tech for ‘fuelling mental health struggles’

Planners sided with Jones, 61, saying: “The application is not for a shooting use, simply ­visitor accommodation that may or may not include shooting.”

Jones has made no secret of his love of country sports. He plays Geoff Seacombe, the loyal gamekeeper on the sprawling Halstead estate at the centre of the show.

After the recent streaming success, Netflix has already confirmed The Gentlemen will return for a third series.

And Jones could reportedly be joined by Meghan Markle, who has been linked with a possible role in the next series.

Gogglebox has returned to screens for another episode – but one notable face was missing from screens

A Gogglebox legend was rushed to hospital this week, causing them to miss out on filming for the latest instalment.

The long-running Channel 4 show returned to screens on Friday evening (October 2) for another episode. Back to share their thoughts on the latest bits of telly were siblings Pete and Sophie Sandiford and Ellie and Izzi Warner.

Married couple Andrew and Alfie and best mates Danielle and Daniella from Leeds also made an appearance, as well as newbies to the show, good friends Jude and Sherry.

However, one couple that failed to make an appearance was Sue and Steve from South London. The pair joined the programme in 2019 and quickly became firm favourites with fans.

But this week, Steve was rushed to hospital, meaning they were unable to film this week’s episode. On Instagram, the couple issued an update and shared a photo of Steve in hospital.

In the caption, they wrote: “What a difference a week makes. Steve was a little poorly and had to spend a few days in hospital & but he is home now. Out for lunch and enjoying his first beer in a while. Just call me Nurse Ratched.”

Confirming their absence from the latest episode, Sue told a follower in the comments section of the post: “We won’t see you this week but hopefully next week.” Meanwhile, other fans and Sue and Steve’s Gogglebox co-stars flooded the couple with support.

Izzi Warner wrote: “Glad you’re feeling better Steve.” Meanwhile someone else wrote: “Sorry to hear Steve wasn’t well, glad to hear he’s home and feeling better.” Another then penned: “Sorry to see this. Hope you’re feeling better soon.”

South London couple Sue and Steve joined Gogglebox almost 10 years ago in 2019 – and it’s fair to say it didn’t take them long to become firm favourites with fans.

Over the years, Steve, a retired black cab driver, and Sue, who is semi-retired, have had viewers in stitches thanks to their hilarious one-liners and comical takes on the telly highlights.

Away from the programme, the pair – who have been married for over four decades – are also doting parents to two daughters and are also grandparents to grandson Roman.

Gogglebox airs every Friday at 9pm on Channel 4.

Paul Reubens’ larger-than-life stage presence as Pee-wee Herman carried over into the actor’s home-sweet-home — and this month, fans of the late actor can bid on 439 items from his collection.

Julien’s Auctions is hosting Paul Reubens’ Big Auction at the Groundlings Theatre in Los Angeles on Oct. 28 to celebrate the life and career of the late comedian, actor and writer. Tickets sold out within the day on Friday, but the public may participate in the auction online at juliensauctions.com. Anyone with a Groundlings show ticket can view the exhibition until Oct. 28.

The auction features Pee-wee’s iconic gray suit and other costumes, red Schwinn bicycles, dolls, puppets, claymation figures, scripts and more. The memorabilia comes from Reubens’ major features and TV shows, including “Pee-wee’s Playhouse,” “Pee-wee’s Big Adventure,” “The Pee-wee Herman Show,” “Big Top Pee-wee” and “Pee-wee’s Big Holiday.”

Reubens created the Pee-wee Herman character in 1978 while a member of the Groundlings company. “The Pee-wee Herman Show” began at the Groundlings Theatre, moved to the Roxy Theatre on Sunset Boulevard and aired as a 1981 HBO special. Reubens parlayed the show’s success into the 1985 hit film “Pee-wee’s Big Adventure.” Tim Burton’s feature film directorial debut, the movie had a $7 million budget and earned more than $40 million.

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Paul Reubens, the actor and comedian best known for portraying the character Pee-wee Herman on stage and screen, has died. He was 70.

Next came the Daytime Emmy-winning TV series “Pee-wee’s Playhouse,” which ran from 1986 through 1990 and helped kick-start the careers of now well-known stars including Phil Hartman, Laurence Fishburne and S. Epatha Merkerson. Feature films “Big Top Pee-wee” (1988) and “Pee-wee’s Big Holiday” (2016) followed. Before his death on July 30, 2023, Reubens recorded interviews for the 2025 Emmy-winning documentary miniseries, “Pee-wee as Himself.”

Here are six highlights of the auction:

“Pee-wee’s Big Holiday” Hero Pee-wee Herman Suit

“Pee-wee Herman” hero ensemble.

(Julien’s Auctions)

The iconic slate gray glen plaid suit worn by Paul Reubens in his 2016 Netflix film, complete with white shirt, red bow tie, pocket square, and white loafers. ($8,000-$10,000)

“Pee-wee’s Playhouse” Fridge Food

12 pieces of “food” found in Pee-wee’s fridge.

(Julien’s Auctions)

A collection of 12 prop food pieces from the “Pee-wee’s Playhouse” refrigerator, including a claymation red pepper and bacon with armature arms, olive barbells, frozen food boxes, and desserts. ($800-$1,000)

Pee-wee Herman 1989 JCPenney 40-Inch Limited-Edition Doll

Large Pee-wee Herman doll from the late 1980s.

(Julien’s Auctions)

The 40-inch doll made by Carousel for Reubens’ JCPenney-exclusive line in the late 1980s is one of the rarest Pee-wee Herman collectibles. Only 2,000 were made in 1989, and some were used as store displays. The doll is in its original box, with the original factory shipping carton. ($300-$500)

Paul Reubens’ “Pee Wee” Harmonica

A vintage “Pee Wee” brand harmonica, circa 1945-1951.

(Julien’s Auctions)

A vintage “Pee Wee” brand harmonica made in occupied Japan (circa 1945-1951) in its original box, personally owned by Reubens, who cited this brand as the inspiration for his character’s name. ($100-$200)

“Pee-wee’s Big Adventure” Replica Bicycle with 2011 Visionary Spike TV Scream Award

A full-scale replica of Pee-wee’s red Schwinn DX bicycle.

(Julien’s Auctions)

A full-scale replica of Pee-wee’s iconic red Schwinn DX, ridden by Reubens at the 2011 Spike TV Scream Awards where he accepted the honorary Visionary Award (also included in the auction). ($5,000-$7,000)

Production scripts and storyboards

“The Pee-wee Herman Show” 1981 production script with revision pages.

(Julien’s Auctions)

• “Pee-wee’s Playhouse” Season 1 scripts (a collection of 13, one for each episode of Season 1 in 1986)
• “Pee-wee’s Big Adventure” script credited to Phil Hartman, Paul Reubens, and Michael Varhol, containing minor differences from the final film including a deleted magic shop scene
• “Big Top Pee-wee,” featuring barnyard and farm animal artwork
• “Pee-wee’s Playhouse” Season 4 storyboards

(each lot range: $500-$700)

MAYA Jama looked incredible as she stepped out in Paris for Fashion Week – just moments after back in the UK she was being compared to the Honey Monster. 

The fashionista and Love Island host is currently making waves on Celebrity Traitors, but in the French capital Maya traded in killer instincts for a killer look in a black and white dress. 

Keeping her long locks poker straight, Maya wore a tight white dress with a black bodice as she arrived at the Louboutin show – wearing snakeskin shoes made by the iconic footwear brand to complete the look. 

Smiling and waving, Maya looked in great spirits as she made her way into the Womenswear Spring/Summer 2027 event. 

While she was rubbing shoulders with the fashion world’s elite, back in the UK she was on our screens sporting a very different look on Celebrity Traitors – one that definitely raised eyebrows in a way that was unexpected. 

Donning a thick, fluffy mustard yellow coat in the Scottish castle, she quickly drew comparisons with the Sugar Puffs mascot, the Honey Monster. 

FAN THEORY

Celeb Traitor fans predict shock Maya Jama twist after Richard E Grant blunder

IN A JAM

Traitors winner thinks Maya Jama and Richard E Grant have made ‘big mistake’

In a chat with Rob Beckett, the comedian couldn’t help but joke: “You look like the Honey Monster’s lost his head!” 

But he better be careful with comments like that – considering he’s one of the people who has his fate in her hands. 

Maya was chosen by host Claudia Winkleman to be one of this year’s traitors, joining Richard E Grant in the ultimate game of deception. 

On tonight’s episode, they were seen bringing comedian James Acaster into their murderous fold – with journalist Amol Rajan becoming their first victim. 

However, while Maya has flown under the radar, suspicion has already been raised around Richard, who foolishly declared he was a traitor within minutes of the roundtable where the killers were decided. 

Since then, he’s been working with Maya to try and keep the suspicion at bay, blaming his “excitement” at being on the show for the gaffe, and claiming he was trying to initiate a “Spartacus-like moment” that backfired.

Now viewers have to wait a week to see if his attempts to throw the faithful off the scent has been successful, with the roundtable which gives the faithful a chance to banish someone ending on a cliffhanger.

If he’s successful, he will rejoin Maya and James in the turret to decide who out of Professor Hannah Fry and Jerry Hall to kill off next.

All the other players had earned their safety in the daily challenge, with Ross Kemp opting to save everyone after they were buried alive rather than go for the prize money.

While they ended up walking away with only half the cash, it cemented his position as a faithful to most of the players – a move which backfired on the traitors, who had placed him as the only star to remain above ground in a bid to raise suspicion on him and his paranoid behaviour.

The Celebrity Traitors continues next Thursday at 8pm on BBC One and BBC iPlayer.

Walt Disney Co. laid off nearly 300 workers this week, the latest wave in an industry-wide consolidation that continues to reverberate throughout Southern California.

Several people close to the Burbank entertainment giant confirmed this week’s cuts, which came as Disney separately offered early retirement packages for older workers. The voluntary separation program is underway, and the number of executives who will exit later this year has not been determined, one of the knowledgeable sources said Friday.

The layoffs this week largely affected the human resources and the technology divisions — a belt-tightening that comes as Disney Chief Executive Josh D’Amaro seeks to put his imprint on the sprawling company and sharpen its focus.

D’Amaro took the reins from former CEO Bob Iger in March, and the former parks chief has begun to organize the company around a “One Disney” approach to break down corporate silos that sprouted with each large acquisition, including Disney’s 2019 takeover of much of 21st Century Fox.

Disney also has been working for the past year to make Disney+ the company’s central streaming hub. As part of that effort, executives have begun to diminish the Hulu service and brand, which sprung to life nearly 20 years ago.

Disney employees are bracing for further cuts. Many expect a significant television division restructuring early next year, which could result in hundreds of layoffs, according to the Wall Street Journal.

Disney’s legal government affairs department also will be downsized, according to a recent internal memo Disney Chief Legal Officer Horacio Gutierrez.

A Disney spokesperson declined to comment.

Disney President Dana Walden, during a Thursday appearance at Bloomberg News’ Screentime media conference in Hollywood, acknowledged the industry turmoil.

Traditional studios and TV networks have shed tens of thousands workers in recent years after the streaming bubble burst and twin labor strikes paused projects.

Production workers in Los Angeles have felt a double-whammy as other states and countries have offered generous tax subsidies that have pulled productions from L.A.

Separately, Warner Bros. Discovery workers are anxious that David Ellison’s planned takeover of their company next week will ultimately result in hundreds of layoffs as the tech scion and his team hunt for $6 billion in cost cuts that they promised investors and prospective debt holders.

The merger will leave the combined company, which will go by the name Skydance, with more than $80 billion in debt.

Walden suggested her company’s cuts would be more modest. She said restructurings were necessary as companies adapt to changing consumption patterns, which have eroded the more lucrative TV economics of yesteryear.

“There is a need to constantly evaluate how you’re structured,” Walden said. “It is extremely painful. We’ve exited colleagues who I’ve worked with for most of my career and it is, in many ways, a harsh reality.”

She described Disney’s voluntary retirement program as a “generous” program to give “long-tenured executives agency and the opportunity to make their own decisions around whether the timing was right to leave.”

“This evolution, it will never stop,” Walden added. “Technology set their sights on our business, and we must survive, and thrive and grow. And that’s what we’re going to do.”

THE heartbroken sister of Gypsy Rose Blanchard’s ex has slammed her over what she claims are lies about their relationship and his sudden death, The U.S. Sun can reveal.

Autumn Urker, 31, alleges her brother Ken had split from Gypsy weeks before he died and claims she WASN’T the one who raised the alarm before his body was discovered.

Ken, who shared one-year-old daughter Aurora with Gypsy, was found dead in his bed at his Louisiana home on Thursday, his 34th birthday.

Gypsy said her final message to Ken was a “Happy Birthday” text and claimed she became concerned when he failed to respond.

But speaking exclusively to The U.S. Sun, Ken’s sister Autumn blasted what she described as “lies” surrounding his death and relationship with Gypsy.

She said, “Gypsy had no right to lie and say that it was because of some text that she sent to him.”

A police report obtained by The U.S. Sun shows other family members contacted authorities.

Autumn claimed Gypsy had been telling people “they were engaged and planning a baby number two,” but “none of that was true.”

“They were not together,” Autumn said.

Asked when they split, Autumn said it was “over a month ago” and claimed Ken was the one who ended the relationship.

She said, “When he was like, ‘I’m done,’ she’d do a thing, and so it was a fight whenever they split.”

Following Ken’s sudden death, Gypsy shared an emotional tribute describing him as her “greatest love story” and saying he would “forever be my soulmate and my red string.”

But Autumn hit back, saying, “It’s a slap in the face. You don’t have to lie and make it seem like something.”

The U.S. Sun has reached out to Gypsy for comment.

Gypsy has also said she believes Ken died of an overdose, although she said she did not know whether it was intentional.

Police records obtained by The U.S. Sun list the incident as an “overdose,” but an official cause and manner of death have not yet been released.

A handgun was also found in a holster beside his bed.

Asked whether she believed her brother’s death was intentional, Autumn said, “Accident. So I have more details, so we’re just keeping [them] private.”

The police records also give a fuller account of how Ken was found.

The report says Gypsy’s half-brother Dylan Blanchard and his wife Anita decided to check on Ken and contacted the Lafourche Parish Sheriff’s Office after becoming concerned about his behavior the night before and learning from his boss, Justin Daigle, that he had not shown up for work.

Dylan reached an unlocked bedroom window and spotted Ken unconscious on his bed.

Dylan and Justin then moved the blinds and climbed through the window, where Justin touched Ken and discovered he was cold and not breathing, the report reads.

The records do not state that Gypsy was at the home when Ken was discovered or that she was the person who contacted authorities.

Deputies reported finding syringes and a spoon next to a “brown powdery substance” in the bathroom.

Another syringe was found on the nightstand beside Ken’s bed, along with a handgun, according to the report.

Autumn revealed she had spoken to Ken just hours earlier, with their conversation continuing past midnight.

She said, “He said he just had to work, he was going home, he was tired, so he was going to go to sleep, and then he had work in the morning.”

Their final conversation ended as their calls normally did.

Autumn recalled, “‘I love you’ — it just… That’s how we hang up the phone, you know, we say that we love each other. He didn’t say anything weird.”

Autumn also revealed Ken had been deeply troubled by the reaction to an old prison phone call between him and Gypsy that resurfaced online shortly before his death.

She said, “He asked me what I thought about the phone call that everybody’s been playing this past week, calling him the most sick things, and I told him he wasn’t that guy.”

Autumn said the cyberbullying Ken faced had taken a toll.

She recalled Ken asking her, “Is this call weird?” before she reassured him, “No, it was not weird.”

Autumn said they had plans to meet for dinner or “something” on his birthday before he was found unresponsive.

Paying tribute to her brother, Autumn said, “My brother was a great man. He was the kind of man that tried to love the broken. He was the kind of man that believed without demanding proof.”

She described Ken as a loving father, brother, son and friend who made people feel heard, adding that their mother was “devastated.”

Ken first contacted Gypsy in 2017 after watching Mommy Dead and Dearest while she was serving prison time for her role in the murder of her mother, Dee Dee Blanchard.

The pair later rekindled their romance and welcomed Aurora in December 2024.