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IN one of my encounters with Pink Floyd’s Nick Mason, he cast his mind back to his first dealings with the “crazy diamond”.

This would have been late 1964, early ’65, when the band still called themselves The Tea Set because they rehearsed in a basement tearoom at Regent Street Polytechnic in London.

The drummer recalled with great affection the addition to their ranks of Syd Barrett with his mop of dark curls and pop star good looks.

Mason, Roger Waters and Richard Wright had found themselves not just a singer and a guitarist but a charismatic frontman, all set to “shine on”.

“Syd was the most delightful man, absolutely charming,” Mason told me. “He wrote wonderful, whimsical, pastoral English music.”

Barrett, a childhood friend of Waters in Cambridge, came up with Floyd’s first single, the eyebrow-raising Arnold Layne, about a pervert whose hobby was stealing women’s underwear from washing lines.

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He composed the top ten follow-up, See Emily Play, a classic slice of Sixties psychedelia, and most of the debut album The Piper At The Gates Of Dawn.

But then, fuelled by psychoactive drugs, most notably LSD, Barrett’s world fell apart.

Before the second album, A Saucerful Of Secrets, was even completed, the troubled star had no choice but to leave and guitarist David Gilmour was already in place.

“It’s still not entirely clear what happened with Syd,” Mason continued. “There is a belief that maybe he didn’t want to be a pop star. You have to know that, in 1967, the rest of us DID want to be on Top Of The Pops.

“Maybe Syd realised it wasn’t what he wanted, but didn’t know how to get out of it.”

As students of Pink Floyd know, the band crossed paths with Barrett several years later in haunting, uncomfortable circumstances.

On June 5, 1975, a shambling figure — shaven-headed, overweight, largely incoherent and clutching a plastic shopping bag — pitched up at EMI Studios (Abbey Road), stomping ground not just of The Beatles but also Floyd.

Years later, keyboard player Wright described the scene: “I remember going in and Roger was already in the studio working.

“I came in and sat next to Roger. After ten minutes, Roger said to me, ‘Do you know who that guy is?’

“I said: ‘I have no idea. I assumed it was a friend of yours.’ Suddenly I realised it was Syd!”

Art director Storm Thorgerson, responsible with Aubrey “Po” Powell for the band’s iconic album covers, also witnessed the scene.

“Two or three people cried,” he said. “Syd sat around and talked for a bit, but he wasn’t really there.”

On that very day, the band were mixing their nine-part, 26-minute homage to Barrett, Shine On You Crazy Diamond.

To many, it ranks as the band’s greatest single composition, matching Gilmour’s elegant, fluid guitar, Wright’s serene keyboards and Mason’s perfectly weighted drumming to some of Waters’ most touching lyrics.

“You were caught in the crossfire of childhood and stardom. Blown on the steel breeze.”

The song would be split into two sections, Parts 1-5 and Parts 6-9, to bookend Wish You Were Here, the follow-up to a cultural phenomenon, The Dark Side Of The Moon.

Now, to mark its 50th anniversary, the album is appearing in expanded formats, adding alternate takes to the original release.

Poet Laureate and Floyd superfan Simon Armitage has written a stream-of-consciousness love letter to the band and, in particular, Wish You Were Here.

I’m very sad about Syd. I wasn’t for years. For years, I suppose he was a threat because of all that was written about him and us

Roger Waters

It has no capital letters or punctuation, but these lines give you the drift: “it’s the forty four minute five second guide to eternity — it’s infinity measured in five songs.”

And for the first time, Shine On You Crazy Diamond is also presented as one continuous piece thanks to a new remix by James Guthrie.

It stands as an emotional remembrance of Barrett, who died a recluse in 2006, aged 60, at his home in Cambridge.

Poignantly, as the track fades to nothing, you hear strains of the See Emily Play keyboard melody.

Waters once reflected: “I’m very sad about Syd. I wasn’t for years. For years, I suppose he was a threat because of all that was written about him and us.

“Of course, he was very important and the band would never have started without him but, on the other hand, it couldn’t go on with him.”

As for Shine On, he added: “It is not really about Syd. He’s just a symbol for the extremes of absence some people have to indulge in because the only way they can cope with how sad it is — modern life — is to withdraw completely.”

On the song’s scale in musical terms, Mason likened it to another lengthy set piece, Echoes, from 1971’s Meddle album. “Echoes,” he said, “was Shine On’s grandfather.”

Now let’s rewind to 1974 when Pink Floyd set about devising an album in the wake of the juggernaut that The Dark Side Of The Moon had already become.

Their initial attempt, using everyday objects as instruments, was not very encouraging, to say the least.

When I reminded Mason of it, he replied: “Some things I’ve been trying to obliterate from my brain — and I’m afraid you just brought that one up!

“The problem was that we ended up spending an awful lot of time grinding away, developing the sounds.

“We hadn’t even got any real music. Things like plucking rubber bands slowed down to quarter-speed.”

He added: “It was a fantastically fruitless exercise, really a way of putting off the ghastly business of what the hell were we going to do next.”

So, did the whole band buy into the daft idea? I ventured.

“We did,” Mason sighed. “If only two people at least had had the gumption to go, ‘F*** this! Let’s work on a record’.”

One of the extra Wish You Were Here tracks, Wine Glasses, offers listeners a taste of the project that became known as Household Objects.

And, as Mason reported, “The wine glasses did make it on to the beginning of Shine On.” (Listen carefully and you’ll hear the tinkling sound.)

So what about the three tracks, further exploring themes of absence and alienation, which were sandwiched between Shine On’s lengthy sections?

Synthesiser-heavy Welcome To The Machine was a product of Floyd’s infatuation with latest technology, and the others came with fascinating back stories.

If Barrett had been a surprise visitor to the Abbey Road sessions, so were two virtuoso violinists just as Floyd were recording the album’s title track, Wish You Were Here.

Mason picked up the story: “If someone was down the hall recording at Abbey Road, it was OK to pop in and say, ‘Hello’.

“Suddenly the door opened and Yehudi Menuhin and Stephane Grappelli were standing there, going, ‘Hello boys’.”

Menuhin, an American-born Brit, was widely regarded as one of the greatest 20th Century classical violinists. Grappelli, a French jazz violinist, was noted for an intuitive, more improvisational approach.

Mason added with English understatement: “By ’75, we were reasonably well known and Grappelli being French would have heard about us because we always had a standing in France.

“I think we invited them both to play with us. Menuhin wanted to but wasn’t comfortable improvising, whereas Grappelli could do it like stepping off a log.”

So the Frenchman went up to one of Pink Floyd’s mics and added gorgeous violin flourishes to a take of the acoustic guitar-led Wish You Were Here.

Ultimately, his contribution didn’t make the finished album, but it can be heard on the expanded editions.

Mason said: “I’m really astonished by it. We thought it had been recorded over, that we’d lost it for ever. I don’t know why we didn’t use it — it would have enhanced the record, but maybe it sounded too folky.

“Or maybe, in a pre-Euro world, we thought, ‘It’s a bloody Frenchman and he shouldn’t have anything to do with it!’”

Grappelli was paid £300 (a princely sum in those days), but went to his death in 1997 oblivious to this unlikely footnote to the Wish You Were Here story.

People did say to us: ‘Which one’s Pink?’ They thought Pink Floyd was the lead singer!

David Gilmour

Another outsider at the sessions — Floyd’s friend, folk-rock troubadour Roy Harper — felt “hard done by” when it came to payment for his lead vocals on Have A Cigar.

After numerous failed attempts by Waters to nail his withering put-down of music industry executives “on the gravy train”, he turned to a singer who loaded his delivery with the perfect sneering tone.

“Roy was recording in the studio anyway,” remembered Waters, “and was in and out all the time. I can’t remember who suggested it, maybe I did, probably hoping everybody would go, ‘Oh no Rog, you do it’, but they didn’t!

“They all went, ‘Oh yeah that’s a good idea’. And he did it and everybody went, ‘Oh, terrific!’ So that was that.”

We know how single-minded Waters can be and he still gave it one final go — but to no avail.

Tape engineer John Leckie recalled Waters saying to Harper that they should reward him for his efforts.

“And Roy said: ‘Just get me a season ticket for life at Lord’s.’ He kept prompting Roger, but it never came.”

Many years later in 2013, when Harper released his comeback album Man & Myth, I met him for coffee near Lord’s, just before the avid cricket fan watched England play Australia for The Ashes.

Best known for When An Old Cricketer Leaves The Crease, he bemoaned his lack of payment for Have A Cigar but talked about his close ties to three of Britain’s biggest rock bands.

“I was an interloper really,” he said. “I was the one who didn’t have a band. I drifted between Led Zeppelin, Pink Floyd and The Who basically.

“At the time, they were big and here was this strange interloper moving between all three.

“One thing I never did, for which I deserve credit, was to transfer what one said about the other. Keep it discreet!”

On the recording Have A Cigar, he said: “I listened to the song at home for a night. I came back the following day and didn’t quite nail it. But then, on the day after that, I did — and they had a song.”

The track’s most memorable line is, “Oh by the way, which one’s Pink?”

Gilmour once admitted: “People did say to us: ‘Which one’s Pink?’ They thought Pink Floyd was the lead singer!”

As you may have gathered, Wish You Were Here comes with a rich history and timeless, captivating music.

Emerging as it did from the mighty shadow cast by The Dark Side Of The Moon, it still shines on 50 years later.

PINK FLOYD
Wish You Were Here
50th Anniversary

★★★★☆

For all those in search of pop star-infused festive cheer, Mariah Carey’s Holiday Bar opened earlier this month at the Mondrian Hotel’s Skybar.

The pop-up’s Los Angeles debut is steeped with the signature seasonal touch from the Queen of Christmas — neon signs of her lyrics light up the room, massive portraits of the star fill the space and every single song that plays — holiday-themed or not — is from Carey’s discography. (Disclaimer: “All I Want For Christmas Is You” does play every 30 minutes.)

“For as long as I’ve known Christmas, Mariah has always been there. It signals to me that childlike wonder and excitement of Christmas time that kind of harkens back to when I was a kid,” said Cathy Kwon, who was posing for a photo on the decorative sleigh. “The fact that the song itself [‘All I Want For Christmas Is You’] has stayed this popular for this long is remarkable.”

Ever since releasing her holiday album, “Merry Christmas,” in 1994, Carey has established herself as a permanent fixture in the holiday season. Every year, the 56-year-old singer has gift-wrapped a new festivity for her fans.

Last year, she embarked on Mariah Carey’s Christmas Time tour to celebrate the album’s 30th anniversary and this year, she’s doing a Vegas residency called “Christmastime in Las Vegas.” She’s also previously hosted several holiday specials for Apple TV and CBS. And nearly every year, her modern holiday classic, “All I Want For Christmas Is You,” climbs to the top of the charts.

Mariah Carey’s Holiday Bar will be open until Dec. 28.

(Eric Thayer / Los Angeles Times)

For her holiday bars, she partnered with the event company Bucket Listers to open four locations across the country, in Los Angeles, New York City, Miami and Las Vegas. The WeHo bar is complete with endless photo ops, including life-size cutouts and large-scale holiday-themed portraiture of the “Obsessed” singer, as well as cocktails featuring her own liqueur company, Black Irish. The bar’s pool is filled with candy cane floaties, twinkling Christmas trees decadently line every walkway and bursts of soapy snow fly through the air (occasionally landing in a cocktail or two).

Bucket Listers founder Andy Lederman says the demand for this experience has “surpassed every expectation” that the company had.

“She’s the queen of Christmas. Outside of Santa Claus and the Grinch, I don’t know if there’s anything more iconic,” Lederman said. “There’s really nothing like her during this time of year. It gives you such a great feeling to be able to celebrate her and to be a part of her wonderland with the people you love.”

Though Carey has since built out her holiday world far beyond its original soundtrack, many of the bar’s patrons came to indulge in the nostalgia provided by the 1994 holiday album. The record is a 10-track collection of reworked classic holiday covers and a handful of originals, offering a diverse selection of love songs, traditional festive tunes and modernized religious hymns.

Shannon Armah was sitting in the bar, catching up with a group of friends. The Miracle Mile resident grew up with the Mariah Carey Christmas album on repeat and describes early memories of listening to its songs in a car seat. To her, it’s the perfect balance of “fun and playful music” and music that is rooted in the religious “reason for the season.”

“We went to a Baptist church growing up, so hearing the gospel influence in the album is reminiscent of our usual Sunday experience,” Armah said. “It was very relatable. It also taps into the ‘90s nostalgia and brings back that feeling of simpler times.”

Maria Castillo takes a picture of Amanda Rico at the pop-up Mariah Carey Holiday Bar at the Mondrian Hotel.

(Eric Thayer / Los Angeles Times)

Beyond being played in almost every festive setting, the eternally cheery earworm has tied for yet another record this year. Despite its release 31 years ago, the single currently sits at the top of the Billboard Hot 100 chart. It is now tied with Shaboozey’s “A Bar Song (Tipsy)” and Lil Nas X’s “Old Town Road” featuring Billy Ray Cyrus for most weeks on top. The track is also Carey’s 19th No. 1 on the Hot 100, the most for any solo artist.

Anthony Escalante, a real estate agent and manager of a luxury retail store, came to the Christmas bar dressed in his holiday best — a well-fitted, all-white vest and matching pants. He says he admires Carey’s holiday music for its ability to tell a story beyond the typical seasonal festivities.

“She’s the pioneer of reinventing modern Christmas songs,” said Escalante. “She speaks beyond a generic Christmas. [‘All I Want For Christmas Is You’] is about experiencing a holiday without the love of your life. She sets a tone for something that is more than just another Christmas song.”

People attend the pop-up Mariah Carey Holiday Bar at the Mondrian Hotel.

(Eric Thayer / Los Angeles Times)

The track’s ability to amass popularity year after year is what makes it one of the few contemporary holiday classics. Decked out in their Carey holiday apparel, Sara Rushton and Benji Flowers credit the singer as being one of the few pop stars to successfully put a modern twist on Christmas.

“Growing up, everything Christmas was old-fashioned. Christmas movies were really old, and there wasn’t really a new version of Christmas for millennials, or postmillennials,” said Rushton, who received her first Carey record in her stocking as kid. “But Mariah was someone who celebrates Christmas in a different festive way.”

Flowers, who works as a yoga instructor, looks to the pop star as one of the last exciting elements of the season. He proposes that the Mariah Carey bars should stay open all year, as Carey’s discography can lend itself to more than just the holiday season.

“I do think that it could be like a year-round thing, and they could have seasonal changes to it. She has a song for every moment in life. She’s got slow romantic songs and heartbreak. She’s got hip-hop and old disco. I mean, I can go on and on,” Flowers said. “It’s not a bad idea. At night, it could be all about the EDM remixes of her songs.”

Mariah Carey’s Holiday Bar will be open until Dec. 28.

BBC Question Time host Fiona Bruce had some important news to share during tonight’s show – Fiona paused a debate surrounding the lifting of the two-child benefit cap to make the announcement

Question Time host Fiona Bruce made a huge announcement about the BBC show’s future during tonight’s episode.

Thursday evening’s panel consisted of Stephen Flynn, Anas Sarwar, Russell Findlay, Angela Haggerty and Lord Malcolm Offord, who has defected to Reform. The current affairs debate was coming from Paisley in Scotland.

After discussing the two child benefit cap Fiona said: “It’s been quite hard work this programme really to get a word in edgeways with you guys but we’re going to try aren’t we.” She then shared some important news about the programme’s future.

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She said: “Before we get to the next question, we want to say this is our last show of 2025. We’re back on January 22 in Macclesfield. So if you live in or around Macclesfield and you would like to come and be part of the audience, apply (on) our website, and hopefully we will see you there on the 22nd of January.”

After the brief announcement the panel continued answering questions from audience members. James Sinclair put a question to the panel about the percentage of children in schools who don’t speak English as a first language.

When does the show take breaks throughout the year and why?

This break is just one of the usual breaks which the show takes as they work around Parliament’s schedule. Since the MPs will not be sitting over the festive season the show takes the opportunity to go off air.

They also break for a couple of weeks at Easter, the dates vary depending on when the holiday falls. There is a further and longer break of around 6 weeks during Parliament’s summer recess.

BBC Question Time returns on January 22 in Macclesfield and then on January 29 in King’s Lynn.

HOLLYWOOD actress Sydney Sweeney unmasks herself as a secret tourist during a whirlwind trip to the UK.

The Euphoria star enjoyed a sightseeing tour around London before heading to Soho Farmhouse in Oxfordshire for some relaxation.

Sydney, 28, shared pictures from her whistle-stop visit — including putting on a facemask with a pal in a hot tub and horse riding.

The trip was organised by designer brand Miu Miu, which recruited Sydney as an ambassador in 2022.

Sharing the snaps online, Sydney, whose psychological thriller The Housemaid is released later this month, told her fans: “Little London getaway.”

Last week Sydney broke her silence over her American Eagle advert backlash. 

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Speaking out about the ad, which saw her backed by President Donald Trump, Sydney said: “I was honestly surprised by the reaction. 

“I did it because I love the jeans and love the brand. 

“I don’t support the views some people chose to connect to the campaign.” 

The star added: “Many have assigned motives and labels to me that just aren’t true. 

“Anyone who knows me knows that I’m always trying to bring people together. I’m against hate and divisiveness. 

“I have come to realise my silence regarding this issue has only widened the divide, not closed it.

“So I hope this new year brings more focus on what connects us instead of what divides us.” 

Jim Ward, a prolific voice actor whose work spans Nickelodeon shows “Fairly OddParents,” “Danny Phantom” and video games including “Ratchet & Clank,” has died. He was 66.

Ward died Wednesday, his former radio co-host commentator Stephanie Miller announced. “Our Good friend, Jim Ward passed away yesterday,” she tweeted Thursday. “We’re going to spend the morning remembering his brilliance.”

She first broke the news Wednesday, informing her followers on X (formerly Twitter) of “one of saddest messages I have ever received from the amazing Mrs. Jim Ward.” The voice actor co-hosted and often appeared as a guest on Miller’s eponymous syndicated talk radio program from 2004 to 2021.

Ward’s wife, Janice Ward, confirmed to TMZ that he died because of complications from advanced Alzheimer’s disease and was receiving treatment in Los Angeles before his death.

Though Ward often imitated public figures on Miller’s show, he is best known for voicing a wide variety of characters, including real estate tycoon Doug Dimmadome (the famed owner of the Dimmsdale Dimmadome) and dogged news anchor Chet Ubetcha on “The Fairly OddParents.” He also voiced various roles in series “My Life as a Teenage Robot,” “Danny Phantom,” “Ben 10,” “The Replacements” and dozens of other animated shows. In 2009, he earned a Daytime Emmy for his performance in the revival of “Biker Mice From Mars.”

Butch Hartman, the creator and animator for “Fairly OddParents” and “Danny Phantom,” mourned his longtime collaborator on social media. “To say the voice over world has lost a giant is an understatement,” Hartman said on Instagram, hours after Ward’s death.

“Rest in peace, dear friend and thank you for blessing us with your incredible talent and charm,” Hartman added. “Love you, brother.”

In the realm of video games, Ward’s voice acting credits were plentiful and ranged from the adventure classic “Escape From Monkey Island” in 2000 to the anti-Nazi shooter “Wolfenstein” in 2009 to the western-themed “Red Dead Redemption II” in 2018. Most notably, Ward voiced camera-ready space hero Captain Qwark in Insomniac Games’ “Ratchet & Clank” franchise, from the original game’s release in 2002 to its re-release in 2016, and the sequels and various shorts in between.

Ward’s video game voice credits also include the inaugural “Call of Duty,” “Resident Evil 4,” “Final Fantasy XIII,” “BioShock 2,” “Fallout: New Vegas” and numerous gaming tie-ins for TV and film projects.

Stephen Flynn, leader of the SNP at Westminster shared his outrage at Donald Trump’s comments about Europe “decaying” on BBC Question Time’s discussion from Paisley tonight

Panelists and audience members on BBC Question Time tonight were fuming with Donald Trump’s claims about Europe “decaying”.

On the panel tonight was Stephen Flynn, leader of the SNP at Westminster, Anas Sarwar MSP, leader of the Scottish Labour party, Russell Findlay, leader of the Scottish Conservative and Unionist Party, Reform UK member, Malcolm Offord and Journalist Angela Haggerty.

After making an important announcement about the show’s future Fiona swiftly moved on to discuss Donald Trump‘s comments towards Europe with the wider audience and the panel. She said: “Donald Trump said about European leaders ‘I think they’re weak and I also think they want to be so politically correct I think they don’t know what to do’. That’s pretty unflattering about Kier Starmer isn’t it?”

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Stephen Flynn said: “I’m pretty outraged at the fact that when we’re at war on our continent, and we are at war with Russia, our most trusted ally is choosing proactively to try and divide Europe. I think that does the United States of America a massive disservice and I also think it does all of us a disservice.”

An audience member said: “My problem with Donald Trump is we give him too much respect, he doesn’t give us any respect. As the most powerful man in the world supposedly, his behaviour is appalling… to me he’s an absolute disgrace to be the President of the United States.”

Another audience member chimed in saying: “Donald Trump is driven by money, nothing else. He is busy trying to cosy up to Putin because he reckons he’ll get a good deal there… everything he thinks about is money, money, money, how much can he make and apparently he has made an absolute fortune, him and his family.”

Malcolm Offord said: “The American point of view on this is that Europe doesn’t seem to want to defend its own borders and how long does America keep paying for that?”

Russell Findlay refuted Trump’s claims Europe is “decaying” but did address his concerns about the future and the safety in the UK. He said: “Well, the world is incredibly dangerous and volatile, and we should all think very seriously about our safety in this country… I’m deeply, deeply,deeply concerned about the future.”

BBC Question Time returns on January 22 in Macclesfield and then on January 29 in King’s Lynn.

ROBBIE Williams has revealed he’s planning to get a WIG as he admits he’s going bald – weeks after claiming fat jabs were ‘making him blind’.

The Angels singer, 51, has always been something of an open book, and during his latest appearance on a popular podcast, he opened up about his hair woes.

Robbie, who is sporting a salt and pepper stylish spiked hair do at the moment, said: “I’m losing my hair… This is all powder and scaffolding now.

“I’m thinking about getting one of them hair systems.”

He continued on the Games Gone: The Steve Bracknall Podcast: “So I’m a pop star. That’s what I do for a living, you know…you’re supposed to have some sort of looks and some sort of hair.

“I’ve got powder in. That’s why it looks alright now. But it’s on its way out. And I’m thinking about getting one of them hair systems.

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Fat jabs are making me blind, fears Robbie as he vows to keep using them

“Have you seen the hair systems? You go to a guy and he sort of shaves it here, and then you get a wig that’s shaped for that bit.

“And then you get some, um… glue. And then you glue it on and it stays on for a couple of weeks, but you have to get it fixed.”

Robbie’s latest admission comes after he told The Sun he feared fat jabs were making him blind.

He said: “I was quite an early adopter of the jabs but what I’m also noticing is that my eyesight’s not very good.

“It’s been blurry for a while now, and it’s only getting worse. I don’t believe it’s age; I believe it’s the jabs.

“Everybody’s experiencing it, because I’ll say to people, ‘Blurry, right?’. And they go, ‘Oh s**t, that the thing?’.

“Of course it’s worrying and by being honest today, obviously I want to warn people reading this of the potential risks, to make sure they do their research.

“But seriously, I’m that sick I’d probably stay on it until the sight in one eye has completely gone.”

Last year a US study found patients using some fat jabs for Type 2 diabetes were four times more likely to be diagnosed with non-arteritic anterior ischemic optic neuropathy (NAION) — a lack of blood flow to the optic nerve which may lead to sight loss.

Meanwhile, the UK’s Medicines and Healthcare products Regulatory Agency has received 296 reports of eye disorders thought to be linked to Mounjaro.

Of those, 164 specifically claimed the drug had damaged their vision.
But scientists have not agreed that the medicines actually cause the condition — or by how much they increase the risk.

Leave it to Leslie Jones and menopause to turn “The View” into a more entertaining program.

The “Saturday Night Live” veteran was halfway through a chat Tuesday with Whoopi Goldberg, Joy Behar and the rest of the “View” crew when she suddenly began to sweat — visibly. She coped by dabbing at her face with a small navy blue towel that magically appeared from under the table.

“You’re — you’re hot,” Behar stammered, breaking up a conversation in which she had opined that comics are truth-tellers who undermine propaganda.

“I’m always hot, babe,” Jones replied, continuing her blotting adventure before explaining — perhaps unnecessarily — “I’m having that menopause. That pause, that pause.”

The performer continued. “I am in it,” she said. “I am ‘pause.’ The heat that comes off of me can light a small city in Guadalajara.”

Forget that Guadalajara itself is a city, and not a small one. Jones’ deadpan demeanor at that moment prompted Sunny Hostin to begin fanning her with a large notecard. Behar joined in with her own card.

“Let’s talk about your latest comedy show because it is funny and it’s called ‘Leslie Jones: Life Part 2,’” Hostin said, attempting to get the segment back on track.

She did not completely succeed.

“I’m spritzing!” Jones said as she once again dabbed her moist face with the magical towel.

The show played a clip from her special where she talked about everyone needing to go to therapy, after which Hostin steered “The View” conversation toward dating.

Then Goldberg stole the spotlight, having left her seat to take over dabbing duties from their guest. “I could die now,” Jones said, holding her hands out, palms up, and looking to the heavens with a peaceful smile as she basked in Whoopi’s careful attention. “This is a little — this is a dream. This is a dream come true.”

At that point, Hostin seemed to give up on talking about guys with Jones and started once again fanning her with the notecard.

“Whoopi Goldberg wiping my sweat,” Jones declared, relaxing into the experience.

“Yes, it’s a beautiful moment,” Behar snarked.

Oh, but wait. Hostin was not to be denied. Or perhaps whatever producer was hollering into her earpiece wouldn’t be denied.

“You talk a lot about the men you’ve encountered … so tell us, how’s the pool out there?” she asked, not clocking that the audience was far more interested in Whoopi now fanning Jones by waving the magical towel. “Have you found any men,” Hostin wondered, “who would do that for you?” Fan you? Wipe your sweat?

“Unfortunately, no,” Jones replied. “Listen, I’m 58 now, so I’m past the BS.”

“You’re also post-menopausal at 58,” Dr. Behar interjected, revealing herself to be an armchair expert in female endocrinology. “It should be over by now.”

Jones turned from her reverie and looked at Behar as if the latter were a bag of dog poop burning on her doorstep. But she did not stomp on the bag to put it out. “It’s different for everyone,” Alyssa Farah Griffin chimed in cheerfully.

“Have we got a beef?” Jones asked Behar, looking at her with that stone-faced gaze only Leslie Jones can deliver.

“Not that I know of?” Behar said. “You know what, we respectfully disagree.”

Good to know that Behar thinks Jones isn’t capable of experiencing menopausal symptoms despite Jones experiencing menopausal symptoms right in front of her face.

Meanwhile, Whoopi stepped up the blotting, offering comforting words to Jones while Behar babbled on in her own defense.

“You comin’ at me,” Jones told Behar.

“Let me get your face,” Whoopi said.

“Thank you, baby,” Jones told her personal sweat-swabber.

And the conversation turned back to the dating scene, which Jones correctly told Hostin “is not bleak. It’s diabolical.” As she spoke, Whoopi folded the magical towel, laid it down in a magical resting place and backed away, blowing on Jones as she took slow steps toward her abandoned chair.

“Just blow yourself all over me, babe,” Jones said, and Whoopi stepped back and obliged. Behar, looking uncomfortable, asked someone to grab a hand towel.

“It’s so sad,” Jones said, “that my whole spot is going to be about me sweating.”

After a commercial break, Behar had in hand a small electric fan, which she promptly aimed at Jones. “This one will take care of all your issues.”

“Thank you, darling. I’m good,” Jones said. “Now I’m freezing.”

Nah girl. When it came to Joy Behar in that moment, you were just cold.

Emmerdale fans are convinced they know who will take down Celia Daniels and Ray Walters in a shocking turn of events – and it’s not Cain Dingle

Emmerdale fans have rumbled who will take down villainous Celia Daniels and Ray Walters in a surprise twist. Many had been hopeful that Cain Dingle might finally be the one to see to the end of the two village villains.

Celia and son Ray have been running a huge drugs and human trafficking ring from the farm near Moira’s including keeping Bear and others as modern slaves.. As well as this, the pair have been getting April to run drugs for them.

Marlon and Rhona, desperate to get Rhona out of the ‘game’, have insisted they can pay Ray money to make sure she’s relieved of the job, but things went from bad to worse when Ray made more demands.

In tonight’s episode, Marlon got some surprise news from Paddy about young Dylan’s future. Fans will remember Dylan was deliberately run over by Ray in shocking scenes last week.

“I’ve just seen a doctor and you’re not going to believe this. After being told to prepare for the worst, they’re now saying he’s turned a corner and he’s doing really well,” Paddy told Marlon.

“In fact, he’s doing that well, they reckon that if he keeps improving they might be able to wake him up in the next day or two. I can’t tell you how relieved I am.”

It’s clear Marlon thinks Dylan waking up is the end of their problems and they can finally get Ray caught for all that he’s done so far, ending the shocking drugs ring he and Celia are running.

“When Dylan wakes up, we can persuade him to tell the police what happened – what Ray did,” Marlon told Rhona, who replied: “He will realise that the only way out of this is to go to the police and tell the truth.”

However, is Dylan the one to bring down Ray finally, or will the family still be under his clutches? The storyline comes amid an exit for Celia Daniels star Jaye Griffiths, who confirmed she’d be leaving the ITV soap.

Speaking to The Mirror, she said: “I knew it was finite from the start, which I am very sad about. I would like to stay forever, but it’s such a strong arc … The reason Celia works is because she has no little voice in her head. You know that little voice that tells women, particularly, that you’re not enough, you’re too tall, you’re too short, you’re too fat, you’re too thin, you’re too old, you’re too young.

“That self-critical, nasty voice that stops us doing many things. Celia doesn’t have one of those. That is very freeing. If there are no consequences internally, if there’s no conscience, you can do anything you want.”

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SHE’s the ultimate Queen of Christmas, best known for her soulful pop tunes, but I can reveal Mariah Carey’s next record will surprise fans.

After years of speculation, I’m told the Hero singer will release her long lost GRUNGE album next year.

While the exact date is still being worked out by the label, I hear it will drop in the second half of 2026.

The record, which is called Someone’s Ugly Daughter, was secretly recorded by Mariah back in the Nineties.

A source said: “Ever since she let slip about the existence of the record, fans have been desperate for it to be officially released and put on streaming.

“After years of casual talks about what to do, everyone has now agreed the album will be released in the second half of 2026.

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IT’S BLINK FLOYD

People blink in time to music without realising they are doing it

“It’s been a long time coming, but hopefully fans think it’s worth the wait.

“It’s certainly Mariah as you’ve never heard her before.”

The first anyone knew of the record was when Mariah let slip about it in 2020 memoir, The Meaning Of Mariah Carey.

She said: “I think this unearthed version will become, yes, something we should hear. I’m working on a version of something where there’ll be another artist working on this with me as well.”

‘So carefree’

Mariah says the reason she made the album was to push back at being over-controlled by her record label, adding: “I had no freedom during that time. That was my freedom, making that record.”

In the book, she said: “I was playing with the style of the breezy-grunge, punk-light white female singers who were popular at the time. You know, the ones who seemed to be so carefree with their feelings and their image.

“I honestly wanted to put the record out back then under, you know, the same pseudonym, just put it out and be like, you know whatever, let them discover that it’s me.

“But that idea was kind of stomped and squashed.”

I wait with bated breath . . . 

Hardworking Rita worth even m-Ora

EVEN if you’re not a fan of her music, it’s impossible to deny that Rita Ora is a hustler.

The I Will Never Let You Down singer is busy landing jobs doing everything from acting and presenting to modelling and working as a charity ambassador.

Which is why it comes as no surprise to us that the latest accounts for Ora Live and Ora Multi Services reveal she’s topped up her fortune with £4.8 million in profits.

It’s a sure sign Rita is going nowhere anytime soon as the figure is more than double the £2.3 million she made the year before.

Her companies manage her various income streams and reflect her broad career beyond singing.

Multi-talented Rita has also served as a judge on The X Factor and The Masked Singer and even had a film role in the Fifty Shades movie series.

Rita’s takings – which work out at £13,000 per day over the year to April – has helped to increase her net worth to £31 million.

It’s not a bad life, eh?

Kath: LA life not for me

CANADIAN comedian Katherine Ryan has ruled out moving to Hollywood after admitting she hates everything about Tinsel Town.

Letting rip, she said: “I would love some opportunities to do some comedy acting but I will never move to Hollywood because people seem quite sick there . . . in the head.

“I like England. I like people who aren’t positive all the time.

“I like the British way of telling the truth. I like a bit of taking the mick out of one another without getting offended.”

Not stopping there, Kath added: “Hollywood to me seems too sanitised. I would not be welcome.

“I’ve already not been welcome. I had a glass of vino in the morning when my daughter was swimming, they were like, ‘Maam, orange juice?’.

“I was like, ‘No, alcohol’. They nearly called the police.”

Taylor in her stride

TAYLOR SWIFT has hit back at critics who say she should take time out from the industry to give other artists space to shine.

The superstar seemingly breaks every possible record with each new track, causing some music fans to get Taylor-fatigue.

Appearing on The Late Show with Stephen Colbert, Taylor said: “There are corners that are like, ‘Give someone else a turn! Can’t you just go away so we can talk about how good you were?’.

“And like . . . ‘I don’t want to’.”

This morning, the first two episodes dropped of The End Of An Era – a six- part Disney+ docuseries that goes behind the scenes of her record-breaking Eras Tour.

You can bet come next week the show will have broken a few more records.

Tate: Why I can be a pop girl

TATE McRAE has opened up about her on-stage alter-ego Tatiana.

The Canadian star explained: “I started to black out onstage and become this person that I couldn’t explain, nor could my family or my friends, and I needed a reason for it.

“And I think it helps me grasp the strange theory of why I’m not nervous in front of 15,000 people, and why I can be nervous at a dinner party with four people.”

She added to Rolling Stone magazine: “Tate is this very introspective, very sensitive, very introverted, awkward Canadian.

“Maybe more on the shy side. I’m observant, and I feel very internal, all the time.

“And then, this persona that I’ve created is my way of being this confident pop girl.”

Sam: Stay with me, Ed

SAM SMITH made sure the final of their To Be Free: New York City residency went off with a bang.

The Stay With Me singer was joined on stage at Warsaw in Brooklyn by Ed Sheeran and Brandi Carlile.

Brandi and Sam duetted on her song Party Of One, while Sam and Ed gave a rendition of Who We Love – a track on Sam’s 2023 album Gloria.

The show was watched by American Vogue’s ice-queen former editor-in-chief Anna Wintour.

In February, Sam’s residency will move to San Francisco and will play at the historic Castro Theatre for eight nights.

While nothing has even been hinted at, I wouldn’t be surprised if a run of shows in London is announced in the New Year.

Liam’s trackie record

HIS dress sense is similar to my own, so I was shocked to see Liam Gallagher named in Vogue’s inaugural 50 best dressed list.

The Oasis rocker was mentioned in the Dedicated Dressers category alongside Iris Law, Miquita Oliver and Amal Clooney.

Meanwhile, my favourite pop star Dua Lipa was in the Music Makers category alongside a line-up of stellar talent including Skepta, Central Cee, Lily Allen and Charli XCX.

Even those with a slightly eclectic taste were catered for, with The Traitors host Claudia Winkleman, and actors Cynthia Erivo, Richard E Grant and Emma Corrin all getting a nod.

I never knew my Adidas tracksuit and tatty old Parka were so cool.

Xmas hit battle

THE official race for Christmas No1 kicks off today – with a new single from Kylie Minogue and WHAM!’s Last Christmas tipped as the front-runners.

Kylie’s song Xmas, which is on track to become her highest entry in the UK charts since 2010’s All The Lovers, leads the pack, while Denise Welch’s Slayyy Bells and Tom Fletcher’s One Of Us, from Paddington The Musical, are also in the running.

Classics including Shakin’ Stevens’ Merry Christmas Everyone, The Pogues’ Fairytale Of New York, and Kelly Clarkson’s Underneath The Tree are also expected to climb the chart.

There are a load of non-festive tunes vying for a shot too, with Raye’s Where Is My Husband, Cynthia Erivo and Ariana Grande’s For Good and Labrinth’s Where Love Lives.

Once again Mariah Carey’s All I Want For Christmas Is You is tipped to finish in the top five.

The winner of the Christmas No1 will be revealed live on Radio 1 next Friday.

Change may be the only constant, but blazing infernos tearing through Pacific Palisades, Kaskade’s home for the last 15 years, was a new kind of change for him.

After 24 days of burning, his entire life looked different. Between tours, the famed DJ and dance music producer, born Ryan Raddon, spent the majority of his time at Palisades hot spots like the Village. Now he frequents Santa Monica and Brentwood by force. Of the 30 families in his church, only four of their houses remain standing, including his. Unfortunately, his brother’s house was lost to the fires.

“The community is destroyed. It doesn’t exist anymore. It’s hard not to be angry,” Raddon says, remarking that he’s been wondering if he should stay in the Palisades. His three daughters grew up there. Does he take away their childhood home?

When asked how this sudden and unprecedented shift affected the music he made for “undux,” his first album since 2015’s “Automatic,” Raddon takes several moments to collect his thoughts.

“I’ve done quite a bit of press for this record, and you’re the first person to bring that up,” he admits. He made two attempts to write a new album in the last three years, but he was already going through personal struggles before the fires. Divorcing his wife of nearly three decades and watching two of his daughters leave home led to melancholy songs that didn’t feel right to release. Eventually, he decided to finish the body of work, no matter what.

“I need to just make this, see what it is and get through it,” Raddon says. He was able to complete it with the help of songwriters he’s known for years, such as Cayson Renshaw, Finn Bjarnson and Nate Pyfer. “It is therapeutic to sit down and work with another songwriter. [Telling them] I have a lot going on I want to write about.”

The title of the album is “undux,” pronounced “undo,” because everything going on left him feeling undone. The result is a collection of tracks that skews deeper and less euphoric than previous Kaskade albums.

Raddon ventures away from his standard four-on-the-floor house music and into broken beats on “Started Over.” Warm orchestral strings and Renshaw’s ghostly vocals serve as vehicles for big emotional builds over the scattered drums, painting a sonic picture of how messy the heavy moments can feel.

“If Only” is a clean, guitar-driven indie dance tune that directly recounts Raddon’s experience in the aftermath of the blaze: “It’s all ashes / What the hell just happened? / Somehow I’m still standing / But I’m asking what for?”

The title of Raddon’s album is “undux,” pronounced “undo,” because everything going on left him feeling undone.

(Allen J. Schaben / Los Angeles Times)

There is still music on the album befitting of Raddon’s dozens of main-stage sets he plays every year. The lead single, “DNCR,” coasts on banging piano chords and an energetic kick. But he wrote the upbeat songs after working through the taxing emotions he brought into the process.

“Any time you’re being honest, and you’re going into the studio, you can’t avoid that stuff,” Raddon says. “This was a hard record for me to make.”

When Raddon’s manager heard “undux,” he was glad Raddon was feeling better, but he also delivered a stern warning: Only die-hards would appreciate the softer approach. Labels echoed this impression before the Vancouver-based electronic powerhouse, Monstercat, signed the album.

“When I sent the record out, people generally weren’t having it,” Raddon says. “Labels that I had worked with in the past, and some other people that are making noise in the space right now, said, ‘Call us back when you’re doing dance music.’”

“Undux” includes dance music. But it’s not all peak-time bangers like his biggest hits, such as “I Remember” and “Atmosphere.” In the years following “Automatic,” most of Raddon’s output was that kind of music. Streaming shifted listening habits away from long players and toward playlists and algorithms, both of which favor singles. Singles in the dance realm historically do the best numbers-wise when they’re primed for live.

Raddon’s most extensive releases in this period were his five “Redux” EPs. The Redux project channels his earliest years of DJing, when he was focused on keeping the dance floor moving. Kaskade releases get people moving, too, but songwriting defines that music. Using lyrics and melodies to tell the type of stories he needed to share after the fires.

“Making a single’s neat, but when you sit down in the studio, there’s so much pressure. I need to be able to play this at 2 a.m. in my set. That’s a weird box to work in,” Raddon shares. “When I’m making an album, there’s no thought of that. Let me just write and create.”

“The coolest thing for me is seeing dance music get a little bit of respect. [There’s been] so much success in bringing the music to a wider audience. It’s been a long road,” Raddon says.

(Allen J. Schaben / Los Angeles Times)

It makes sense that Raddon spent so many years producing for the live space. Right around the release of “Automatic,” he started a historic run on stage. In 2015, he brought the largest audience to an EDM act in the history of Coachella. In 2021, he was the first artist to play for a public audience at SoFi Stadium. In 2022, he broke the record for the biggest electronic music headlining concert in North America at the L.A. Coliseum with Kx5, his collaborative project with deadmau5.

Raddon has also been called upon to bring his art form to professional sports. In 2024, he became the first Super Bowl in-game DJ, and that May, he was the first-ever starting grid DJ at a Formula 1 race during Miami’s grand prix.

Despite so many individual wins, Raddon is most thrilled about the positive change this “decade of triumph” represents for the entire scene. He became one of the first figures of dance music legitimacy when he broke through with his 2004 hit “Steppin’ Out.” Now dance music has three Grammy categories.

“The coolest thing for me is seeing dance music get a little bit of respect. [There’s been] so much success in bringing the music to a wider audience. It’s been a long road,” Raddon says.

Raddon has been on top of the genre throughout that long road, making him one of dance music’s only consistent superstars.

Raddon especially emphasizes the ability to adapt. He started DJing when vinyl was the only option, and he recalls when certain DJs refused to play CDs when that technology developed. Now everyone uses digital files. The same principle applies to making music. He is rather calm in the wake of AI tools (though he admits he feels at ease about it because he’s already found established success with his music).

“This train is moving. You’re getting on, or you’re not. There’s no fighting it,” Raddon says.

The loss of his community in the Palisades and the shifts in his family life may be the most difficult changes he has ever faced. But he’s still on the train moving forward with the help of the music.

As David Walliams looks ahead to a lonely Christmas, a PR expert has shed light on the transitional period he faces, against a backdrop of lost friendships and shifting tastes in comedy

Once the toast of talent show television, David Walliams is now looking ahead to a lonely Christmas, and a PR expert warns he could be in for a “brutal reset”.

While discussing his new children’s book, Santa & Son, the former Little Britain star spoke about spending Christmas Day away from his 12-year-old son, Alfred, whom he co-parents with ex-wife Lara Stone.

David, 58, shared: “I don’t have him for Christmas. I was thinking a bit about sometimes the pain you feel as a parent when you don’t have your child at Christmas.”

This comes at a transitional time for David, three years on after disparaging off-camera comments he made about Britain’s Got Talent contestants were leaked. This included one incident where he referred to a pensioner as a ‘c***’ while filming the 2020 series.

READ MORE: David Walliams’ lonely life after being ‘cancelled’ as he spends Christmas without son

Comedian and writer David apologised for the “disrespectful comments”, which were made during filming breaks, and subsequently announced his departure from the long-running ITV show, where he’d been a fixture for ten years.

Remarking upon this relatively quiet new chapter in David’s career, PR to the stars Mayah Riaz told the Mirror: “When it comes to David Walliams, this is a classic case of a public figure going through a period of reset. Fame can be incredibly loud, then suddenly very quiet, and that shift can feel brutal.”

With the dust from the initial controversy somewhat settled, David is reportedly still rather distant from his old showbiz pals, including his once-close friend, Simon Cowell, whom a source claims he no longer speaks to “at all”. But what effect will this distancing have on his future prospects in the limelight?

On this note, personal branding expert Mayah reflected: “The distance from Simon Cowell is interesting because that relationship once acted as a powerful engine for David and his visibility.

“When a star steps away from a partnership like that, it is not just a personal shift. It has a ripple effect on their public momentum, too. Losing that sort of alliance will have the industry wondering what the next chapter for him will look like.”

Of course, audience tastes have changed dramatically since the first episode of Little Britain first aired back in 2003, and jokes, particularly those which feel as though they might be punching down or otherwise insensitive, are viewed through a much different lens.

Indeed, back in 2020, the BBC removed Little Britain from iPlayer altogether after citing that “times have changed” since it was first broadcast. Both David and his co-star Matt Lucas expressed regret at the time for portraying people from other races, including sketches which saw them using Blackface.

According to Mayah: “The comedy world has changed so fast, and I’m not sure many performers were ready for that. What audiences once brushed off as cheeky or edgy now lands very differently. I think David was hit hard by that shift.

“He came from an era where the boundaries were looser, but now the cultural temperature is very different. Comedy has moved towards compassion and awareness, and he was caught in the middle of that evolution.”

However, Mayah believes there is still an opportunity for David to “write a new chapter for himself”, highlighting his talent for storytelling which audiences have long since admired.

Predicting a potential “redemption arc” ahead, Mayah considered: “I think there is always room for a comeback. The public can and do forgive, but they will want to see growth first. If David shows that he understands why the landscape has changed, he could easily write a new chapter for himself. People love a redemption arc.

“There is something very British about rooting for someone to get back up after a fall. Right now, though, he feels like a man in transition. It is a lonely place when the spotlight moves on, especially for someone who has lived inside it for so long. But isolation can also refocus a career.”

She continued: “Plenty of big names have stepped back, rebuilt quietly and then we see them return stronger. David is still a talented storyteller, and audiences have not forgotten that.

“If he uses this quieter period to reintroduce himself in a more grounded and contemporary way, then a comeback is absolutely on the table. The door is never truly closed in this industry. It just depends on how he chooses to walk back through it.”

Do you have a story to share? Email me at julia.banim@reachplc.com. Follow Mirror Celebs on Snapchat , Instagram , Twitter , Facebook , YouTube and Threads .

READ MORE: Taylor Swift’s new Eras Tour film and documentary release date, time and where to watch

CHARLOTTE Church has confessed she ‘stinks’ after shunning deodorant and even admitted she no longer shaves. 

The frank confession from Charlotte, 39, came during an appearance on the Walking The Dog podcast. 

When host Emily Dean commented on how “lovely” she smelt, Celebrity Traitors star Charlotte was caught off guard. 

She candidly said: “Do I? That’s surprising. I never smell nice.

“I don’t wear any deodorant or anything, so I generally stink. I don’t shave anymore. I don’t shave anything.”

The former classical music singer went on to explain her reasons for shunning the product and revealed she loves showing off her hairy legs. 

BETRAYED!

Gobsmacked Charlotte Church discovers true identities of the Celebrity Traitors

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She said: “I stopped shaving probably about 18 months ago, maybe even longer than that, maybe two years. 

“And I stopped wearing deodorant… I just started thinking, do you know what? This underarm area, there’s so many receptors there, lymph and all sorts of stuff going on there.

“I’m just not sure about sticking all of this chemical stuff in these pores, because your skin is so… you know, it’s the largest organ in the body.

On the subject of shaving, Charlotte continued: “Each to their own. 

“Do you know what I mean? Crack on and have a lovely time and do whatever feels good – dye it, shave it, whatever – but for me I’m just like ‘Nah!’

“I sort of love it, I love the contradiction of it. So I love wearing dresses, beautiful dresses, with my really hairy legs and heels and nails. It’s so confusing for people.”

It’s Charlotte’s latest very honest confession, after she said Alison Hammond “p***** her off” during an appearance on This Morning.

She spoke about the moment on Elizabeth Day’s podcast after clips from her appearance went viral on social media.

During the segment, Charlotte was invited on to This Morning to lead a five-minute sound bath session.

However, unfortunately for Charlotte, Alison found it all a bit too much and found herself laughing and cringing through the entire segment as Charlotte did her best to carry on.

When asked by Elizabeth if she was left “bothered” by Alison’s reaction to her doing a sound bath, Charlotte said: “Oh, that p****d me right off.

“That p****d me right off.”

Elizabeth then added: “Yeah. I felt for you.”

Charlotte continued: “I’ve met Alison Hammond a number of times and she’s a wonderful woman.”

In a further candid confession, Charlotte added: “That really did actually touch quite a deep wound for me.

“I was like, ‘ugh I really like you, Alison, but f*** you’.”

Walt Disney Co. agreed to invest $1 billion in OpenAI and license iconic characters like Mickey Mouse and Cinderella to Sora, OpenAI’s short-form, artificial intelligence video platform.

As part of the three-year licensing pact, Sora will be able to generate short, user-prompted social videos that can be viewed and shared by fans, drawing from a library of more than 200 animated and creature characters from Disney, Marvel, Pixar and Star Wars, according to a statement from Disney on Thursday. The deal doesn’t cover any talent likenesses or voices.

At the same time, Disney will become a major customer of OpenAI, using its tools to build new products and experiences and deploying ChatGPT for its employees.

“The rapid advancement of artificial intelligence marks an important moment for our industry, and through this collaboration with OpenAI we will thoughtfully and responsibly extend the reach of our storytelling through generative AI, while respecting and protecting creators and their works,” Disney Chief Executive Officer Bob Iger said in the statement.

Hollywood studios have been reluctant to get into business with an AI company, wary of how it might use their data and of angering the labor unions with which they work every day. But OpenAI has been talking to the industry’s largest studios, including Disney, Comcast Corp.’s Universal Pictures and Warner Bros. Discovery Inc., about the creative and commercial potential of Sora, Bloomberg News has previously reported.

The AI developer unveiled a new version of Sora in September as a standalone social app, available by invitation. As with the original Sora, released last December, users can generate short clips in response to text prompts, but the new app allows people to see videos created by others. Beyond that, users can create a realistic-looking AI avatar and voice of themselves, which can be inserted into videos made with the app by the user or their friends, with the avatar owner’s permission.

Schuetz writes for Bloomberg.

Outgoing Celebrity MasterChef presenter John Torode and his wife Lisa Faulkner have issued a career update

Celebrity chefs John Torode and Lisa Faulkner have revealed exciting news for their devoted followers, announcing the launch of their very own YouTube channel straight from their home kitchen.

In an introduction filmed at their residence, John – who can currently be seen in his final-ever series of Celebrity MasterChef – welcomed viewers: “Welcome to our new YouTube channel, and to our home kitchen.”

Lisa added: “This is in our home, we are cooking all our recipes from home, in our kitchen – which is great, because we know where everything is – and we really hope you’re going to join us to see our family favourites.”

He teased a diverse menu, promising “celebratory food, food from all round the world, whether it be spaghetti with a tomato sauce, Korean fried chicken and a sticky sauce to go with it, all the way through to scones and jam and cream.”

His ITV presenter wife continued: “Yes, lovely puddings. You will get proper family favourites, old-fashioned things that just remind us of our childhood, and new and exciting food.”

Offering reassurance to aspiring home cooks, the couple guaranteed: “We promise you that every single recipe we make, if you follow it, it will work every single time.”

John clarified: “You know that because we test them, we try them and we cook them at home. If they don’t work, they don’t make the channel,” reports the Express.

Lisa confirmed their commitment, revealing: “We’ll be dropping new recipes every single week and we’ll be cooking them here so you can see that they work.”

In a heartwarming moment between the couple, John celebrated Lisa’s contribution to their culinary venture “as a mum cook”, whilst she returned the compliment with equal enthusiasm.

Lisa beamed: “We’ve got the old monsieur chef here who’s so brilliant at what he does.

“You’ve been a chef for years and years, you’ve had restaurants, there is nothing you don’t know about food and nothing you don’t like about food. All of your knowledge is coming to this channel.”

The duo wrapped up their message with an appeal to viewers, urging them: “Please subscribe and don’t forget to hit the bell icon – that’s it!”

Celebrity MasterChef is on BBC One and BBC iPlayer

KATIE Price has vowed to give up vaping, despite previously admitting she was addicted to the handheld smoking devices.

The former glamour model, 47, promised to make it her New Year’s resolution after the health scare.

Katie made the revelation on her eponymous podcast after she had shared an x-ray image of damaged lungs to her Instagram stories and the caption, “I have to stop.”

The x-ray of the diseased lungs was accompanied by research findings that showed, “vaping has officially been linked to rare and irreversible lung disease.”

“I saw it [the x-ray]. It’s so bad the vaping, it’s so bad for people,” Katie said on Thursday’s edition of her podcast.

She also revealed she’d made the promise to her mum, Amy, 73, who has terminal Idiopathic Pulmonary Fibrosis (IPF) and underwent a lung transplant in 2022.

mucky top

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sleigh bells

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“I had a word with mum and Paul and said my new year’s resolution is to give up vapes,” Katie said.

“I’m lucky I’ve had my lungs checked so there’s no damage to my lungs.”

Katie’s family, including boyfriend JJ Slater, have reportedly voiced their concerns over her vaping.

“Katie needs to stop for health reasons and, obviously, her family members have been very worried,” an unnamed source told The Mirror.

Katie came under fire last year for vaping on a train, despite e-cigs being banned on transport, and also risked being fined after using her vape backstage at panto before Christmas the year before.

In 2023, Katie revealed she was addicted to vaping – claiming it made one of her teeth fall out.

At the time, Katie had also said she was determined to stop and claimed she only does it because vapes “smell nice”.

Katie’s vow to drop the vapes comes after she was put on medication following concerning weight loss.

The star previously said she didn’t know why she was losing weight and doctors had began tests to investigate.

Katie has drastically lost weight over the past 12 months amid ongoing fears for her frail frame.

She’s now revealed she’s been placed on HRT (hormone replacement therapy) – the traditional treatment for perimenopause.

Stranger Things season 5 showed the return of Kali after she was last in the series back in the second outing

WARNING: This article contains major spoilers from Stranger Things season 5, volume 1

Stranger Things recently returned for its fifth and final outing. The season has been split into three volumes to make the story last a little bit longer as fans are eagerly champing at the bit for episode five and volume two to land with fans promised feature-length episodes, reports the Express.

Season five, volume one of Stranger Things featured a big reveal with Eight/Kali Prasad (Linnea Berthelsen) being held captive by the USA military and the nefarious Doctor Kay (Linda Hamilton), who was exploiting her powers. Eleven (Millie Bobby Brown) was left shocked and fans will have to see what happens with Kali.

However, some fans have been wondering about one big plot point from season four, which showed the origins of One/Vecna/Henry Creel/Mr Whatsit (Jamie Campbell Bower) and Dr Martin Brenner’s (Matthew Modine) experiments. During the fourth series, One finally broke free of Brenner’s Soteria chip with the help of an unwitting Eleven and went on the rampage, killing almost everyone at Hawkins Lab in the process.

How did Kali survive the Hawkins Lab massacre?

During the massacre scene, it seemed that all of Dr Brenner’s child experiments fell victim to Vecna.

Graphic scenes depicted lifeless bodies left in Vecna’s aftermath, with the villain then turning his focus to Eleven for a showdown.

Eleven astonishingly overpowered Vecna and banished him to the Upside Down after inadvertently tearing a hole in time and space.

Interestingly, Eight/Kali wasn’t seen among the casualties of the Hawkins Massacre, but how could she have evaded Vecna’s onslaught?

This appears to create a bit of a plot hole, as the implication from the massacre was that Eleven was the sole survivor.

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However, as viewers will recall, Eleven discovered her sister Kali following a row with Jim Hopper (David Harbour).

Kali and Eleven formed a bond whilst the younger girl spent time with her sister’s motley crew of companions.

Audiences witnessed how Kali possessed different abilities to Eleven, enabling her to conjure illusions that appeared incredibly realistic.

To Eleven’s dismay, Kali summoned a vision of Dr Brenner to torment her, and at one stage even manifested spiders to terrorise one of her mates.

This creates a massive plot hole that the programme’s writers will need to tackle eventually, and it appears peculiar to leave it hanging.

Kali reportedly escaped from the facility after she managed to develop her abilities and used them to break free.

Might Kali have fled Hawkins Laboratory before Vecna began manipulating Eleven?

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If that’s the case, this could explain her absence during his murderous rampage.

Numerous Stranger Things fans at the time flocked to X (formerly Twitter) to discuss this apparent continuity error, with user @_yoboistan writing: “I could not be the only one who expected Kali/Eight, the sister of Eleven from previous season, to appear on Season 4. It seems a major plot hole to me. #StrangerThings.”

While @ayoodole penned: “Expecting to see more of Kali in season 4 of stranger things. She can’t just go like that.”

Viewer @itsaaudraw tweeted: “Where is Kali, Netflix? Where are you hiding her? ? ! ? ! ? ! #strangerthings.”

Another audience member, @jespertalent, quipped: “remember Kali from stranger things season 2? neither do the writers.”

An irate fan, @calmheedattea_, posted: “stranger things s4 spoiler. WHY IS KALI NOT SEEN IN THESE SUPPOSED MEMORIES OF EL THIS IS P***ING ME OFF LIKE ARE WE JUST FORGETTING KALI EVER HAPPENED WHAT [sic].”

Another viewer, @legocereal, added: “#StrangerThings spoiler why was kali the only one with different abilities tho :/ the concept of all of the kids powers developing differently was so cool whyd they just completely ignore it this season [sic].”

Given that Kali featured in the crucial flashback scene when Terry Ives (Aimee Mullins) infiltrated the rainbow room in the lab and attempted to rescue her daughter, it seems a significant oversight if she has now been forgotten.

The writers are now likely to address this plot hole either in the second volume of season four or even in the fifth and final season when the story will be wrapping up.

Stranger Things season 5 volume 2 is released on Netflix UK & Ireland on December 26

CAMRYN Magness, the singer who toured with One Direction, has died aged 26 after being struck while riding an electric scooter.

Her death was confirmed this week in a statement on her official social media pages, describing her as a “radiant force”.

It read: “Our hearts are heavy as we mourn the loss of our beloved Camryn, a radiant force whose voice, coy, and bright spirit touched so many.

“Whether beneath the waves or on stage, she met life with fearless energy and boundless kindness.

“In the quiet between waves, her memory will surface—bright, bold, unforgotten.

“Rest in endless blue, our sweet girl. You are deeply loved and forever cherished.

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“Please keep her family and friends in prayer as they navigate this difficult time. Camryn will live on in our hearts forever.”

Camryn died last Friday after being struck in Fort Myers, Florida, according to multiple reports.

Born in Denver, Colorado, in 1999, she began her career at eight, posting YouTube videos that led to a record deal and a move to Los Angeles.

Her debut single Wait and See featured in the 2011 film Judy Moody and the Not Bummer Summer.

She toured with Cody Simpson and Greyson Chance in 2011 before joining One Direction as a support act for seven US dates on their 2012 Up All Night Tour.

The band then brought her back for 63 shows on their 2013 Take Me Home Tour.

Reflecting on that breakthrough, she previously told Teen Vogue: “Going into the tour, I was an unknown artist.

“It’s a great feeling to be walking around and someone coming up to me and saying, ‘Hey, you did so well!’. It was really exciting for me when that happened for the first time.”

Camryn later supported Fifth Harmony and released a run of singles, along with her 2017 album Glow.

Her official obituary described her as “beloved” as a “daughter, sister, fiancée, granddaughter, and friend” who died “far too young, and long before her light was ever meant to leave this world”.

It remembered her as a “vibrant, fearless, and deeply loved young woman whose compassion, humour, and bright spirit touched every person blessed to know her.”

It added: “A gifted performer, Camryn’s voice and music were extensions of her soul.

“Whether she was on a stage, at a family gathering, or sharing a song with someone who needed it, Camryn’s music was a reflection of her heart, her courage, and her endless creativity.”

Camryn Magness is survived by her parents, Sarah and Gary; siblings Chelsea and Cable; and her fiancée, Christian.

More to follow… For the latest news on this story keep checking back at The Sun Online

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