show biz

The gripping new show has been dubbed “absolutely brilliant” by viewers

Viewers watching BBC’s newest psychological thriller The Rapture were all left saying the same thing.

Adapted from Liz Jensen’s bestselling novel, the show follows a teenager who has been accused of killing her mum, and who claims to be able to predict natural disasters.

The Rapture boasts a stellar cast including Ruth Madeley, India Amarteifio, Gavin and Stacey‘s Ruth Jones, The History Boys’ Stephen Campbell Moore, Lisa Palfrey from Sex Education and Siena Kelly from Black Mirror.

Set in a heatwave, it follows psychologist Dr Gabs Fox (Ruth Madeley), who, after a life-altering car accident killed her husband and left her paralysed, starts a new job at a psychiatric hospital where she is assigned 17-year-old inmate Bethany Krall (India Amarteifio).

Two years before, Bethany was sectioned for the brutal murder of her mother, Carys Krall. The case shocked the nation, not least because Bethany’s father, Leonard Krall, is the charismatic leader of the Faith Way, a spiritual movement with millions of online followers.

Bethany seems to know private details about Gabs’ life and insists she can see visions of the future, which she communicates through disturbing sketches of disasters: storms, fires and floods. Bethany’s nurse Rafiq insists Bethany’s predictions always come true, but Gabs is sceptical, determined to find a clinical explanation.

As the heat intensifies, Gabs begins to notice unsettling connections between Bethany’s prophetic drawings and the world outside, forcing Gabs to re-examine her assumptions about Bethany’s innocence.

Reacting to the first episode, fans had a lot to say. One person declared on Facebook: “Absolutely brilliant series I blitzed it in one sitting it was so enthralling.” Another added: “Binge watching it, so far so good.” A third chimed in: “Enjoying it so far.”

Lindsay Salt, director of BBC Drama, previously remarked on the series: “This thriller brings Liz Jensen’s compelling novel to life with a truly talented cast led by the brilliant Ruth Madeley and India Amarteifio.

“The Rapture features two complicated and captivating characters, blended with a story of climate change, to create a gripping narrative and I can’t wait for BBC viewers to see it.”

“The Rapture is a hugely powerful and entertaining female-led drama, which is charged with timely, important and deeply resonant themes,” said Rebecca Durbin, series executive producer for Mammoth Screen.

The Rapture airs on BBC One and iPlayer from 9pm on Sunday, July 26.

The summer sun has set on “Love Island USA” fan favorites Olandria and Nic Vansteenberghe‘s romance, a year after their time on the hit series.

People, citing an unnamed source, reported on Wednesday that the pair of reality TV stars — known among fans as “Nicolandria” — agreed to go their separate ways. The outlet reported that the amicable split comes as “the distance between them and their busy schedules made it challenging to maintain their connection.” The “Love Island USA” Season 7 stars remain friends and “will always support one another.”

Neither of the stars have publicly addressed their separation on social media.

Olandria and Vansteenberghe entered the “Love Island USA” villa in Fiji in June 2025 and officially coupled up weeks into the production. “Love Island USA,” the American version of the U.K. series, streams on Peacock and follows a cast of singles as they search for love and test their connections. Olandria and Vansteenberghe were among a handful of day-one contestants who advanced to the competition’s final episode.

The pair were runners-up to winners Amaya Espinal and Bryan Arenales.

Since leaving the villa together, “Nicolandria” have taken their relationship into the real world, to Glamour Magazine and to numerous brand deals. Olandria has become a staple at red carpet events including the VMAs, CFDA Fashion Awards and the Golden Globes.

Amid their post-”Love Island USA” fame, Olandria and Vansteenberghe spoke candidly to Glamour about handling the newfound deluge of popularity, demand and fan love — and how they support each other through it.

“It’s so draining. We always have check-ins, like, ‘How’s your mental? How are you today? I’m always here,’” Olandria recalled to the magazine. “I wish we didn’t have to do that as much as we had to. Thank God we’ve got each other, because I don’t know what we would do without each other, literally, when it comes to that.”

Vansteenberghe said elsewhere in the interview: “Everything that came from [“Love Island USA”] is so beautiful and amazing. I feel like that’s why we did well. We enjoyed ourselves and had fun with it.”

“Love Island USA” crowned its latest winning couple earlier this month. Fan favorites and day-one contestants Bryce and Trinity were declared winners and won the $100,000 grand prize, after a season rocked by racial-slur scandals and with local roots in a surf and coffee shop in Mar Vista.

Tax incentives for film and television productions have not been enough to counter a still-sluggish environment for filming in the greater Los Angeles region, according to a new report.

For the three-month period that ended June 30, there were a total of 4,711 shoot days in the greater L.A. area, a nearly 13% decline from the same time last year, according to second-quarter data from FilmLA, a nonprofit that tracks local filming.

Compared to the five-year average, that second-quarter figure is a drop of about 36%.

Feature film shoots were down 20% in the second quarter compared to last year, while TV production decreased by 30%.

Incentivized productions are, however, making up a growing number of shoot days. For instance, 33% of the 443 total shoot days for feature films in the second quarter came from productions that received a tax credit. For the TV category, roughly 28% of the 1,607 shoot days last quarter were for projects that benefited from the tax incentive, particularly for dramas and comedies.

“While there is still much work to do, FilmLA’s quarterly report is proof that incentives are working: local incentivized productions are on the rise,” said L.A. Mayor Karen Bass in a statement.

Shoot days for TV dramas were down 6.4% to 732 days this past quarter, with just over 38% of those days coming from incentivized projects. TV comedy production saw a 43% decline to 57 days, with 21 of them coming from projects that received a tax credit. FilmLA noted that many local comedy productions are based on stage and not accounted for in the latest research.

“Because scripted television production supports more industry jobs than any other production category, helping to attract these types of productions is an important step towards bringing filming back to the region, restoring jobs and strengthening our local production economy,” said FilmLA Chief Executive Denise Gutches in a statement.

But any boost from the incentives was offset by serious declines for productions that are not eligible for the state’s film and TV tax credit program.

Shoot days for reality TV, for instance, were down 40% to 676 days compared to the second quarter of 2025. While large-scale competition shows are eligible for the state’s tax credit, such as Jimmy Kimmel’s “Schooled!” science experiment series for kids, other kinds of popular reality TV shows cannot apply for production incentives.

Filming for commercials in the second quarter was down nearly 22% from last year to 543 days. That total marked a 46% decline compared to the five-year average.

In a bright spot, FilmLA’s “other” category, which captures shoot days for student productions, still photography, documentaries and music videos, climbed 10% in the second quarter to 2,118 days.

That boost came largely from online content shoots, which rose by 47%. Filming for short films and documentaries were also higher in the second quarter, though those two segments had much smaller numbers of shoot days, FilmLA said.

Comedian Chris Ramsey, who previously competed on Strictly Come Dancing, has reportedly signed up for the upcoming celebrity edition of BBC hit series Gladiators

Chris Ramsey has reportedly signed up for Celebrity Gladiators. The comedian, 39, could be about to join the star-studded lineup of an upcoming special of the BBC hit.

All hosted by father-and-son duo Bradley and Barney Walsh, the celebrity edition of their Saturday night series has previously other big names from the comedy world and now it’s thought that Chris, who around his stand up career has competed on Strictly Come Dancing and previously hosted The Chris and Rosie Ramsey show with his wife, is about to enter the strength-endurance game.

A source said: “They love having a comedian on Celebrity Gladiators to ramp up the fun factor, which is why they’ve always tried to sign someone like Chris.

Speaking to The Sun, the source added: “Previous names have included stand up stars Rob Beckett and Joel Dommett who were on the first ever series of the spin-off show in 2024, and they certainly delivered on laughs.”

The outlet previously reported that YouTube star George Clarke, who reached the final of Strictly Come Dancing last year, had also signed up to appear on the programme, along with Big Brother host AJ Odudu.

Both the celebrity edition and the non-celebrity edition will commence production at Sheffield sometime soon, although whilst the regular edition of is expected to air in 2027, the star-studded special is normally broadcast over the festive period.

It’s thought that Bradley and Barney will be back to front the next series as well as the special edition of their programme, which serves as a revival of the 1990s classic, just like they did last year when fitness coach Joe Wicks and I’m A Celebrity… star Vogue Williams reigned supreme when the episode aired on Christmas Day.

The pair succeeded after facing off against other celebrities, Made in Chelsea star Sam Thompson and boxing champ Nicola Adams. After winning, Joe, 40, explained that he was truly challenged by the physicality of the special.

He said: “Even though I had a bit of a breather, I still found that travelator hard. It’s much harder doing it in real life than watching it on TV. I’m really chuffed that I won but I have to say Sam has been an amazing partner.”

In defeat, Sam remained gracious and laughed about the self appointed Gladiators name he had awarded himself. He told the Utilita Arena in Sheffield: “El Cockroacho, baby – you can’t stamp him out!”

Meanwhile, Vogue, who won after only being two-hundredths of a second ahead of her opponent Nicola, gushed: “I honestly cannot believe it, I’ve had the best day ever. The crowd when I was doing so badly were so nice to me so thank you.”

And the Olympic gold medallist said in defeat: “I came down on the zipline and landed funny on my ankle and I just couldn’t get it going again. This is the first silver medal I’ve had!”

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ACTRESS Emma Roberts has tied the knot with her fiancee Cody John in a lavish Idaho wedding.

The American Horror Story star, 36, said “I Do” in front of close friends and family including the “Nerve” actress’s A-list aunt, Julia Roberts.

A source told Page Six that the ceremony took place in 95-degree weather and lasted about 45 minutes.

Emma looked gorgeous in a white chiffon wedding gown that featured a high slit as she held onto her son Rhodes’ hand as they walked down the aisle.

Cody, 29, looked stylish in a black tuxedo as he stood at the altar reading his vows to his new wife.

The couple got engaged back in July 2024, after nearly two years together.

At the time, Emma shared a photo of herself and Cody with the caption, “putting this here before my mom tells everyone.”

In the selfie, she was shown hugging her new husband while showing off her engagement ring on her finger.

Emma shares a son, Rhodes, with her ex-boyfriend, actor Garrett Hedlund.

The pair have co-parented Rhodes since the news of their breakup came out in January 2022.

“It’s been easy for Emma to co-parent with Garrett in a healthy way because she is so happy,” a source told Entertainment Tonight in October 2022.

Emma hails from New Jersey and is an American singer and actress.

She is the niece of Hollywood actress, Julia Roberts, and spent time on the sets of her aunt’s films when she was growing up, which inspired her to pursue a career in acting.

Her Hollywood debut was in the 2001 film, Blow, a role that gained her recognition and landed her an opportunity in Nickelodeon’s series, Unfabulous.

Emma has appeared in numerous films since her debut including Aquamarine, Nerve, Nancy Drew, and Hotel For Dogs and has starred in American Horror Story since 2013.

FREDDY Brazier’s ex-girlfriend Holly Swinburn has issued a statement after his dog mauled him – claiming the canine was “mistreated” before the attack.

Freddy, 21, spoke exclusively to The Sun on Sunday about his terror after pocket bully Pablo attacked him and ripped a hole in his arm.

His gran Jackiey, 68, was also savagely attacked by Pablo twice in four days before the dog turned on Freddy.

On Sunday, Holly – who shares daughter Isla with Freddy – took to Instagram and penned an emotional message.

Sharing a photo of the pocket bully, she captioned: “This is Pablo.

“I had to give him to someone as I was struggling with a baby and a dog, he has been mistreated there and attacked them to protect himself.

Read more on Freddy Brazier

‘HE’S LIKE MY SON’

Emotional Freddy Brazier breaks silence after being mauled by his dog

dog days

Freddy Brazier’s nan Jackiey struggles to control her own dog after being attacked

“He’s the nicest dog and this is totally out of character for him. He wouldn’t hurt a fly.”

Freddy previously revealed he had received a formal letter from the police that his dog would be put down after seven days if he could not find a suitable place for it to live. He has until Tuesday to do that.

With this in mind, Holly added: “Please if anyone has a good home for Pablo message me!

“I don’t want to see him being put down and I can’t look after him and a baby by myself :(.”

The alarm was first raised during an attack on July 16 by a concerned neighbour who heard screams of agony as Pablo gripped onto Jackiey, leaving her requiring medical treatment.

In addition to this, Freddy spent around eight hours in hospital getting stitches after he collected the dog from Jackiey’s property following the attack.

He later told The Sun on Sunday about the mauling, saying: “I’m scratching his back, but then he hooked on to my arm. The dog was hanging off me.

“I couldn’t feel anything in my right arm. But then I saw blood coming out of my tracksuit.

“I opened it to see a 3cm hole in my arm. It was terrifying.”

Pablo was living with Jackiey’s two female dogs — an Italian spinone and a pitbull crossed with an XL bully, called Echo, at her home in Bermondsey, South London.

Freddy said: “He’s always had a good relationship with the other two dogs. I’ve never known Pablo to attack.”

The Sun has reached out to Freddy’s reps for comment relating to Holly’s post.

A detective series set in the 1940s is returning for a second series and viewers will be hooked

The star of a detective drama perfect for Sherlock Holmes and Agatha Christie fans has teased what viewers can expect from the new series.

Created by and starring Mark Gatiss, Bookish follows an unconventional book shop owner who helps police solve crimes in 1946.

It started last year, with viewers charmed by the “excellent” and “cosy” U&alibi drama, and is set to return for a second series next month.

Mark, who plays main character Gabriel Book, has shared a few details with Radio Times ahead of the show’s second run, hinting at some “dangers” ahead.

Gabriel is gay and married to his best friend Trottie, who is played by Bridgerton star Polly Walker, and the relationship has worked out.

But Mark has now hinted that there will be some bumps in the road when Bookish returns to screens in August.

“Their arrangement suits them both, but it’s not without its dangers,” he said. “We’ll see a bit of that, and we do see a bit more of it fraying at the edges.”

The star also teased that the new series will be “more intriguing emotionally”, adding: “Some of the secrets are unlocked and some questions are answered.”

Fans can expect more mysterious cases, with a synopsis for the upcoming episodes revealing: “In series two, the bibliophile sleuth investigates the world of spiritualism as he helps to solve a baffling case involving medium Harold Sneed (Jason Watkins) and a séance full of secrets.

“Off Savile Row, Inspector Bliss (Elliot Levey) asks Book (Connor Finch) to help in a puzzling crime at a gentleman’s outfitters – the elderly tailor Maxie Kleinmann (Allan Corduner) is keen to confess to murder but the evidence doesn’t quite stack up and points to something much more complex and sinister.”

Book and Jack are also sent to the seemingly charming German village of Würl by the mysterious ‘E’, who is played by Simon Callow, in order to thwart a thieving duchess who is portrayed by Miranda Richardson.

“However, festivities take a deadly turn when Book and Jack uncover secrets of their own in a castle brimming with shady characters,” the synopsis continued.

Bookish returns on U&Alibi in August

After devouring 13 series and over a decade of Love Island, one glaring problem has become clear: Each series there is a female villain, pitted against the others… but who is really to blame?

Love Island is almost over and with that, the 2026 summer of love (or influencers building their brand in a Spanish villa) has come to an end. Every time it happens, I am left devastated by the loss of the ITV2 show, despite complaining to anyone who would listen about how angry that year’s season made me.

My love for the show and the bereavement I feel when its gone has not only had me going back and watching the seasons I was too young to watch the first time, but had me watching them again and again. One thing has become clear – our female villains are often born when men misstep and aren’t allowed to bounce back in the same way.

We keep entering an era where our bad girls are pitted against each other until they are relegated to the depths of obscurity after the show ends and not even allowed to be iconic anymore.

Yes, these woman’s actions are often undeniably bad. But compared to those of the men around them, who get redemption arcs, huge social media followings and get to continue working within the Love Island world, the women’s punishments rise to the top of villain lists seem unbefitting of their crimes. To illustrate my point, here is a timeline of the seasons and who their biggest villains are…

Series 1 – Naomi Ball

Bombshell Naomi is largely considered the biggest villain from the first series that aired when Love Island was rebooted. She was sharp-tongued and her confrontations with Jess Hayes were one of the reasons the latter girl won the series with Max Morley.

Her intense rivalry with Jess was was fuelled by a love triangle between the two and Josh Ritchie, especially when Josh dumped Naomi for not being willing to sleep with him.

He then brazenly asked: “Do I now carry on with Jess, get my end away, have a good three-weeks sh*gging, or do I start something with Naomi, where something can be long term and something maybe outside of the villa but not have sex, not have as much of a laugh? It’s a genuine penis/head dilemma.”

With a love interest like that, who needs enemies? Though Naomi still consistently crops up as the Villain of Series One, Josh has gone on to redeem himself on All Stars.

Series 2 – Olivia Buckland

Thankfully, Olivia is now mostly beloved, but for years after her series was released, she was painted by fans as manipulative and mean. She was blamed for Javi Shephard and Dan Lukakis fighting over her, even though that’s the nature of the game. She was blamed for hurting Dan when Terry Walsh came along, even though they’d only known each other three days by that point.

Worst of all, she was blamed for sleeping with Rykard Jenkins when he was getting close to Rachel Fenton, when it was Rykard who was pursuing a relationship, not Olivia. Olivia was not only free from any romantic attachments, she was in a couple with Rykard.

Olivia was able to regroup and rebuild after Love Island, especially since she and now husband Alex Bowen stayed together. The same cannot be said for all the women on this list.

Series 3 – Jonny Mitchell

Series three is the first where our main villain is a man. Jonny arrived on day four and was in a couple with Camilla Thurlow for most of his time on the show. Whilst in a couple, he clashed with Camilla, telling her that he thought feminists “believe in inequality” and would feel emasculated if a woman tried to pay on a date.

Jonny then went on to make Camilla cry by dumping her for Tyla Carr – and he wasn’t even going to be honest about it. Very manly, macho Jonny was too chicken to be upfront and instead decided to try and do a gradual fade out instead, until he was forced to fess up by Dom Lever. And yet, while Naomi never got her redemption and Olivia had to wait until after the show, Jonny ended his run on the series on good terms with everyone.

Series 4 – Adam Collard and Megan Barton-Hanson

Love Island has never known a villain like Adam Collard. He moved from girl to girl to girl and blamed some of them for “pushing him away” and into the arms of another. When he accused Rosie Williams of being jealous of his connection with Zara McDermott, he smirked as she cried in front of him and Women’s Aid came out with a statement against him.

Despite Adam sparking a huge national conversation about gaslighting, he was brought back for series eight, in which he was given the opportunity to prove himself a good guy after all.

Meanwhile, Megan, who also moved from guy to guy but without gaslighting them, was also labelled a villain and constantly shamed by the public for her career as a stripper.

Series 5 – Michael Griffiths

Michael is another instant where the villain ultimately crowned the winner. Prior to coming back from Casa Amor with another girl, his partner Amber Gill wasn’t viewed favourably by the public. But when he not only played away at Casa but then started calling her “childish” for being upset, Michael became the bad guy and Amber became a champion.

Since the show ended, Michael has gone down in history as one of the most iconic islanders. He spawned the ‘Destiny’s Childish’ memes, in which people who seem like players on the show are all put in a group with Michael. It’s helped him get roles on Celebrity Ex on the Beach, Eating with my Ex and MTV’s Living the Dream. He has been rewarded for his actions, in a way the women on this list rarely are.

Series 6 – Connor Durman and Rebecca Gormley

Connor had everyone talking during the first winter Love Island with his rather questionable behaviour. To the shock of his partner Sophie Piper, he bragged about having a threesome with a girl and her housemate after a first date in a game of Truth or Lie. When Sophie made a joke about it, Connor then folded his arms and backed away, telling a confused-looking Sophie “You hate me tonight. You’re hating me.”

And when she tried to keep things light, he angrily insisted, “You’re digging me out already, you are,” leaving fans begging her to head for the hills. Despite this, its Rebecca that fans remember as a villain. She a rivalry with Siannise Fudge over her interest in Luke Trotman, a storyline that is not uncommon on this show and yet was enough to make Rebecca a villain.

Series 7 – Faye Winter

Faye has received the most Love Island complaints in the show’s history after yelling at Teddy Soares. The argument followed the first ever Movie Night, in which Teddy was seen having a flirty exchange during Casa Amor.

The public knew the clips were taken out of context and that Teddy had been faithful to Faye. 25,000 complaints were made to Ofcom and Faye’s family had to release a statement, reminding the public that the show was edited for entertainment.

Faye received online abuse and death threats after the incident. What makes it so infuriating is that much of the public were angry with Faye for reacting to Teddy’s actions as they knew the clip was taken out of context and fumed that she should have known he was a good guy. To summarise: Fans who knew what Faye had seen wasn’t the whole truth were angry with her for reacting to it rather than those who took the clips out of context.

Series 8 – Tasha Ghouri

Tasha’s series was largely defined by both Islanders and the public deciding she was stringing her partner Andrew Le Page along. She was subjected to constant online vitriol about how she was just waiting around for someone else to sweep her off her feet, and using Andrew to stay safe.

Yet when it came to Casa, it was Andrew who played away. “I licked her t*t, or whatever,” he told Tasha after being forced to come clean about his bedroom antics with Coco Lodge. Notably, Andrew wasn’t as hated for actually doing something as Tasha was for what people thought she wanted to.

Series 9 – Olivia Hawkins

Olivia was branded as a villain after clashing with several islanders, particularly those she had coupled up with before like Kai Fagan and Tom Clare. She was branded as messy and a hypocrite for being upset with Kai for recoupling in Casa, even though she’d done the same.

By the time she joined series two of All Stars, Olivia was so known as a villain that she had to hit back at the title, telling the Mirror that she thought it was “tiring”. She was called a bad guy again when she clashed with Grace Jackson, catching heat despite no longer being on the show anymore. She has since seemed to prefer sticking to a quiet life away from reality TV and I’m not sure anyone can blame her.

Series 10 – Molly Marsh

Molly was villainised after being honest with partner Mitch Taylor. Her crime was telling him that she wanted to talk to other people just days into knowing each other. From then, both Mitch and Jess Harding accused her of using him and being two-faced… despite the fact that she’d been upfront about her feelings.

This was the start of the Love Island “divides”. In series since, we’ve seen time and time again how there is a divide among the girls as they are pitted against each other by the men and form two camps. This time it was Molly vs Jess, a battle that Jess ultimately won, as she won the whole series.

The hate Molly received has since been viewed as unwarranted, and Molly has faded into the background of many Love Island conversations, while Mitch, whose behaviour towards Molly was very possessive, has become one of the show’s icons.

Series 11 – Harriett Blackmore

Harriett Blackmore, much like Olivia Hawkins, was labelled a villain and a drama queen when she clashed with Ciaran Davies. But why did they clash? Well, just before, Harriett had told Ciaran, whom she had been coupled up with since the start, that he was her top boy.

After that, he took Nicole Samuel to the Hideaway, leaving Harriett in tears. Was Ciaran a bad guy for this? Of course not! Our sweet Welshman made it to the final of the show.

Series 12 – Meg Moore and Helena Ford

This was a season filled with villains. Meg Moore and Helena Ford were two of the biggest, with fans slamming Meg for her rude and aggressive attitude towards girls her partner Dejon Noel-Williams was talking to and Helena for constantly going after boys Shakira Kahn and Toni Laites were talking to.

Though neither behaved well, Meg’s behaviour often came amid Dejon telling her that the girls were obsessed with him and that he wasn’t open to getting to know them, even though he was. Similarly, Helena’s came as Harry Cooksley and Harrison Solomon both told her that she was their number one.

The behaviour of all three men caught the attention of the public, who slammed them as toxic. Dejon undeniably came off the worst and seems to have shrunk back from the limelight, but despite this, the season became about the divide between the girls. It was defined by Shakira and Toni’s camp vs Meg and Helena’s.

Helena did appear on All Stars, hoping for a redemption. So did Harrison, even though Women’s Aid had put out a statement about his behaviour. Since both shows, Helena and Meg have faded away, while Harrison and Harry have both gained a huge social media following for their Love Island commentary.

Series 13 – Every woman on the show

Then we have series 13. In this series, pretty much every woman has been villainised at some point, often when a man was also involved and received much less hate.

Priya Jaswal was demonised for saying Samraj Toor’s behaviour was “pathetic”, even though he was also attacking her and never apologised. Jasmine Muller was hated on for her interactions with Kavan Murphy, when his brother Aidan kept stirring the pot and again when it was Kavan who brought someone else back from Casa Amor.

Lola Deal and Julia Majchrzak have both received hate amid their feud, which was all started by Sean Fitzgerald’s conversations with people in Casa Amor. Elicia Chadwick has also been on the public’s bad side for her reaction to Aidan picking Priya, despite him having kissed his way up her body while on their date.

Even former Islanders turned debriefers Shakira, Toni and Yasmin Pettet have received more hate this season than the men on the show. And if this doesn’t summarise the modern divide between men and women, I don’t know what does. Men think they can get away with anything, while women have to micromanage every emotion so as not to come off wrong.

No wonder, when men’s bad behaviour is caught on camera and still excused, while the slightest comment or odd look from a woman is enough to make her the nation’s most hated.

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A piece of iconic Los Angeles architecture and one of pop culture’s most recognizable exteriors is on display as the Pasadena home featured as Wayne Manor in TV’s original “Batman” hits the market this month for $32 million — less than a year after it was last sold.

The seven-bedroom, 11-bathroom Jacobean Tudor Revival home on 5 acres of gated land was built in 1928 by the L.A.-based architectural firm Morgan, Walls & Clements. This is the same firm responsible for some of L.A.’s most fantastical and beloved architectural creations including the Wiltern, El Capitan and Mayan theaters. It’s located at 380 S. San Rafael Avenue in Pasadena, in a lush, wooded area above the Arroyo Seco near the Rose Bowl.

The home, which features a stately mahogany main staircase and a genuine butler’s pantry worthy of Alfred Pennyworth, was made famous by the “Batman” TV series, which originally aired on ABC from 1966-68. During that time a man named Norman Preston van Valkenburgh lived there with his family. Film crews shot at the home for three days in 1966, but only external shots ended up being used as stock footage for Wayne Manor.

Over the years fans began to confuse the mansion with another nearby estate — the work of one of the city’s most prominent Africa American architects Paul R. Williams . The home, which The Times cheekily called an “imposter” in a 1989 article, burned down in 2005 while being renovated by its owner, Michael Hammer, grandson of the late oil tycoon Armand Hammer. At that time, crowds of “Batman” fans gathered before the smoldering ashes lamenting the loss only to discover they had the wrong house.

If the real Wayne Manor sells for its $32 million asking price it will break its own record for a residential sale in Pasadena. That record was set only last year when the current owner bought it for $20.5 million.

It will take just one super fan with Bruce Wayne-deep pockets to snap up this dreamy estate. Spoiler alert: There is no Bat Cave, but there is a pickleball court, a resort-style pool, a private theater and an Architectural Digest pedigree.

I’m Arts editor Jessica Gelt counting the money in my swear jar and dreaming big. This is your arts and culture news for the week.

The week ahead: A curated calendar

FRIDAY

Jeff LeBeau, left, and Tim Cummings in the West Coast premiere of Samuel D. Hunter’s “Grangeville” at the Ruskin Group Theatre Arts Center, directed by John Perrin Flynn.

(John Perrin Flynn)

Grangeville
The West Coast premiere of Samuel D. Hunter’s two-hander about a pair of estranged brothers concludes its acclaimed run at the Ruskin next weekend. In his review, Times theater critic Charles McNulty wrote that the playwright “turns his characters inside out in a play that powerfully illuminates a subject that has rarely been treated onstage with such unflinching honesty and sensitivity: How does one integrate a past that took everything to escape?”
8 p.m. Fridays and Saturdays; 2 p.m. Sundays through Aug. 2. Ruskin Group Theatre, 2800 Airport Ave., Santa Monica. app.arts-people.com

Sounds of LA County
Country music in Sylmar and Quartz Hill; disco, soul and R&B in South L.A.; regional Mexican music in Florence-Graham and La Puente; deep house, Afrobeats, hip-hop and funk in East Compton; global acoustic in Willowbrook; and live salsa in East L.A. are this week’s offerings in the free summer series from LA County Parks and Nextfest LA. The program continues through August.
6-9 p.m. Friday, Saturday and Thursday. Check website for exact days and locations. soundsoflacounty.com

SATURDAY

Joe Hisaishi presents Music Future
Coming off three nights at the Hollywood Bowl, the Japanese composer moves to a more intimate setting to celebrate the work of contemporary composers, including Nico Muhly, Bryce Dessner and Max Richter, with the LA Phil New Music Group.
8 p.m. The Ford, 2580 Cahuenga Blvd. East theford.com

The Hour of the Star
Brazilian actor Bruna Fachetti stars in the world premiere of a stage adaptation of the novella by Clarice Lispector about an impoverished woman dreaming of a better life in Rio de Janeiro. The limited, five-performance engagement was conceived and will be directed by Alex Tietre from the English translation by Pulitzer Prize-winning author and Lispector biographer Benjamin Moser.
7 p.m. Saturday, Sunday, Thursday, July 31 and Aug. 1. The Broadwater Black Box Theatre, 6322 Santa Monica Blvd., L.A. eventbrite.com

SUNDAY

Boris Brejcha performs during the 2023 Coachella Valley Music and Arts Festival .

(Matt Winkelmeyer / Getty Images for Coachella)

Boris Brejcha with the Hollywood Bowl Orchestra
The masked German DJ makes his global orchestral debut. The techno DJ duo Frieder & Jakob open the show. Be prepared to dance.
7 p.m. Hollywood Bowl, 2301 N Highland Ave. hollywoodbowl.com

Murder on the Orient Express
Sidney Lumet’s 1974 version of the Agatha Christie mystery, adapted by Paul Dehn, earned six Oscar nominations. Alfred Finney, nominated for leading actor, stars as the meticulous Belgian detective Hercule Poirot investigating a killing aboard the famous train. Also starring Lauren Bacall, Martin Balsam and Ingrid Bergman, who won the Oscar for supporting actress. Part of the Oscar Sundays series.
2 p.m. Academy Museum, David Geffen Theater, 6067 Wilshire Blvd. academymuseum.org

TUESDAY

Rhapsody in Blue & Shostakovich
Marin Alsop conducts the Los Angeles Philharmonic in Anna Clyne’s “Masquerade,” Gershwin’s soaring American classic (with pianist Conrad Tao) and Shostakovich’s Fifth Symphony.
8 p.m. Hollywood Bowl, 2301 N Highland Ave. hollywoodbowl.com

THURSDAY

Peter Finch in ‘Network.’

(TCM)

Network
“I’m mad as Hell and I’m not going to take it anymore!” shouts Peter Finch as news anchor Howard Beale in this 1976 satire directed by Sidney Lumet and written by Paddy Chayefsky. The film was nominated for ten Academy Awards, winning four: leading actor, posthumously, for Finch, leading actress for Faye Dunaway, supporting actress for Beatrice Straight, and original screenplay. Fifty years later, it feels as prescient as ever.
2 p.m. Vidiots, Eagle Theatre, 4884 Eagle Rock Blvd. vidiotsfoundation.org

Arts anywhere

André De Shields, left, Reeve Carney, center, and the cast of Hadestown perform onstage during the 2019 Tony Awards at Radio City Music Hall.

(Theo Wargo / Getty Images for Tony Awards Productions)

Hadestown: The Musical
The hit Broadway show, winner of eight Tonys and a Grammy, comes to movie theaters for a special five-day engagement. “The show travels to the underworld and back again with liquified grace,” wrote Times theater critic Charles McNulty. “Unfurling like a dream, ‘Hadestown’ speaks most eloquently through its sultry jazz score.” With Reeve Carney as Orpheus André De Shields as Hermes, Amber Gray as Persephone, Eva Noblezada as Eurydice and Patrick Page as Hades.
Friday through Wednesday, theaters everywhere. bleeckerstreetmedia.com

— Kevin Crust

Culture news and the SoCal scene

The Hollywood Bowl during a summer concert.

(Myung J. Chun / Los Angeles Times)

The Hollywood Bowl recently debuted its biggest sound system upgrade in decades (featuring AI-powered vocal isolation and immersive, surround-sound), and Times classical music critic Mark Swed weighed in on why audiences should be careful of what they wish for. Still, the jury is out: “It is far too soon to say what ways the fabulous new Bowl sound system, which happens to be AI-endowed, might become friend and/or foe. In the first two L.A. Phil classical concerts, the white speakers brought out wonders and caused problems. But the minimal Bowl rehearsal time allows little opportunity to fine-tune,” Swed writes.

Swed also attended a showing of two of Yoko Ono’s famous performance pieces at REDCAT (in collaboration with the Broad, which is currently showing a major Ono retrospective). Titled “Sky Piece” and “Cut Piece” the music-driven works featured compositions by Ono’s friend and collaborator John Cage (Swed writes about the pair’s complicated relationship in New York during the 1960s). Swed also extols “Cut Piece” as performed bythe artist known as MPA, who sat stoically as the audience lined up to cut patches of her clothing off piece by piece.

Sean Luc Rogers and James Tupper in “F— Strangers” at the Echo Theater Company.

(Cooper Bates)

Times theater critic Charles McNulty headed to Echo Theater Company to see playwright Erik Patterson’s “F— Strangers,” directed by Echo Theater Company founding artistic director Chris Fields. McNulty found the show, which features scene after scene of intimate encounters, “intriguing and frustrating in equal measure.”

“It’s over 8 feet tall, nearly 11 feet wide and travels by 53-foot semitrailer. It’s covered in more than 20,000 beads and weighs almost 1 ton — or about 2,000 pounds,” writes The Times’ Eloise Rollins-Fife in her charming profile of “Gillian,” the chandelier featured in “Phantom of the Opera’s” current North American tour.” “And eight times a week, it’s dropped atop the heads of people who pay for the privilege — just a few feet short of actually hitting anyone.” “Phantom” is currently playing the Hollywood Pantages Theatre before it moves on to Segerstrom Center for the Arts in Costa Mesa.

Kihun Yoon, Michael J. Hawk, Nicholas Brownlee and Salmir Pirgu, from left, perform during an L.A. Opera dress rehearsal for Barrie Kosky’s “La Bohéme” at the Dorothy Chandler Pavilion on Sept. 12, 2019.

(Dania Maxwell / Los Angeles Times)

Bernard A. Greenberg, a founding board member and former chairman of L.A. Opera, has died at 95. Throughout his life Greenberg was a devoted opera fan and a champion of establishing a dedicated opera company in the city, which ultimately led to the 1986 creation of L.A. Opera. As a philanthropist, civic leader and arts advocate, Greenberg dedicated more than seven decades to steering L.A. Opera and creating the renowned company that it is today. He served on the board of directors for 40 years and held almost every major leadership position during that time. He and his wife, Lenore, also founded the Bernard A. and Lenore S. Greenberg Opera Fund — an endowment that continues to support some of the company’s most vital work.

“If anyone could be called the founder of LA Opera, it is Bernie Greenberg,” said Keith R. Leonard, Jr., Chairman of LA Opera’s Board of Directors in a statement about Greenberg’s death. “For more than 70 years, he devoted his extraordinary wisdom, leadership and generosity to building this company into the institution that serves our audiences today. Bernie believed deeply that opera could enrich lives and strengthen our community, and he worked tirelessly to make that vision a reality. His legacy is woven into every chapter of our history, and all of us at LA Opera are profoundly grateful for his friendship, his guidance and his unwavering commitment to this company.”

IAMA Theatre Company has announced its 2026-2027 season, including three world premieres, as well as its ninth New Works Festival, featuring a variety of new plays by fresh talent. The season kicks off with “Bobby Robotowitz” by Matt Schatz and directed by Casey Stangl, which will be performed from Oct. 15-Nov. 23 in two secret venues — one on the Westside in October and one on the Eastside in November. (When you buy a ticket you find out the location.) The season will end with IAMA’s first collaboration with Geffen Playhouse: the world premiere of “Closing Costs” by Grace McLeod, which was originally developed during IAMA’s 2024-2025 Emerging Playwrights Lab. For the full season lineup, and to buy tickets, click here.

— Jessica Gelt

And last but not least

This adventurous family of four is raffling off their $2 million home just outside of London in order to travel the world. I tip my hat to them because this is something I would think of doing but never actually do. Instead, I think I’ll buy a ticket or two.

Aitch has released a brand new documentary and it can be streamed today

Manchester rapper Aitch has shared his heartwarming relationship with his family as he embarks on his toughest challenge yet.

Aitch: Don’t be afraid has today (Sunday, July 26) been released on Netflix as it chronicles the rapper’s journey up Africa’s highest peak with friends and family. Aitch has climbed Mount Kilimanjaro to raise awareness for the Down’s Syndrome Association in honour of his sister Gracie.

An official synopsis reads: “Inspired by his sister, rapper Aitch scales Mount Kilimanjaro to raise funds for people with Down syndrome and to fight for greater inclusivity.”

Already, Netflix subscribers are tuning in as one person wrote on social media: “Defo be watching @OfficialAitch netflix documentary! Such a great guy.”

Another replied: “Can’t wait to see this. Congratulations team!” As the brand new documentary airs, here’s all you need to know about Aitch’s sisters as well as the star’s incredible net worth.

Aitch’s relationship with his sisters

Aitch, whose real name is Harrison Armstrong, has an inspiring bond with his younger sisters Hattie and Gracie, often stating he makes music to support them. With a strong bond with both of his siblings, he has a publicly documented relationship with one sister, Gracie, who has Down syndrome.

In the brand new release, Aitch shares his special relationship with Gracie as he tells the cameras: “It’s just the best relationship ever. If there’s a blueprint of what a human should be, it probably is her.

“She couldn’t love the people around her more if she tried, she smothers you with love.”

Hattie and Gracie are non identical twins, but equally have a loving bond with their older brother, who worships everything they do.

Previously speaking at the Pride of Britain, the star said his sisters were his personal heroes, before paying special tribute to Gracie who he said was an “absolute soldier”.

Previously appearing on I’m a Celebrity Get Me Out of Here last year, he held pictures of his younger siblings near his camp bed as he said his sisters were his “whole heart”.

In one episode, speaking about Gracie he told his campmates: “She’s the GOAT honestly. There’s not one person that’s ever met her that’s said a bad word.”

In his 2022 song My G, featuring Ed Sheeran, there was a touching tribute to Gracie as all profits went to the DSA, which Aitch is also an ambassador for.

The star often takes to social media to share heart-warming videos, with fans loving his close bond with his siblings.

Just recently, teasing the new documentary, Aitch wrote on Instagram: “GRACIE, THIS IS FOR YOU AND THE OTHER 40,000 BEAUTIFUL PEOPLE JUST LIKE YOU DONT BE AFRAID! 26/07/26 @netflixuk.”

The support came pouring in as one person replied: “GRACIE WE LOVE YOU”, as another echoed: “You’re an inspiration . Your sisters are so lucky to have such an amazing big brother.”

Aitch’s net worth

Aitch’s net worth was estimated to be around £3.5million in 2025, which has been accumulated through his skyrocketing career as a rapper.

However, Heat’s 2025 Rich List, as reported by Bauer Media, Aitch found himself number 9 with an estimated £14.4m.

Aitch: Don’t be afraid can be streamed on Netflix now

Netflix has just released a trailer for a brand new period drama, but some are not impressed

Netflix trailer for a remake of a “brilliant” Sam Neill film has left some fans fearing the worst.

Sumptuous six-part period drama My Brilliant Career will be launching globally on Netflix next month and takes its cue from Australian author Miles Franklin’s 1901 classic novel of the same name, reports the Express.

The autobiographical book follows Sybylla (played by Philippa Northeast) as she rails against her family’s wishes to marry and instead pursues her dreams of becoming a published author.

My Brilliant Career also stars Pride and Prejudice icon Anna Chancellor, Genevieve O’Reilly from Andor, and Slow Horses actor Christopher Chung.

Netflix recently shared a trailer from the tongue-in-cheek show that sees Sybylla pushing back against society as she daydreams, writes and spends time with the swoon-worthy Harry (Chung).

The new adaptation comes after the beloved 1979 film version of My Brilliant Career starring Judy Davis as Sybylla and Sam Neill as Harry.

Many fans of the 1979 movie shared their thoughts about the forthcoming iteration of My Brilliant Career on YouTube.

One person said: “Nice try Netflix, but the original movie version with a young Judy Davis portrayed this brilliant novel written in 1901 Australia with way more authentic adolescent sass and much less millennial pop star angst.”

A second wrote: “I’m scared this new one will butcher a beloved story, like ’Anne with an E’ did for me.”

A third commented: “Nothing beats Julie Davis and Sam Neill. I wish that remakes would stop being made unless you’re going to adhere to the original story.”

However, others hit back at the detractors as one person noted: “The original will always have its place. This is just another take on it. Like all the other classic remakes. You don’t need to watch it if it’s not your cup of tea.”

Someone else said: “This series going adding more details that Miles Franklin wrote [sic].”

A third wrote: “I look forward to this. I so enjoyed the ’79 version with Judy Davis…this looks to be just as entertaining. ”

A fourth compared it to many other costume dramas: “This is like if they combined every single period piece into one movie it’s got little women, pride and prejudice, Bridgerton etc. I don’t know how they managed to fit every single trope into one.”

Yet another added: “Looks great. Loved the 1979 adaptation and not gonna miss this one.”

My Brilliant Career has been adapted numerous times, with the 1979 movie only being the first one.

The story was also adapted for the stage in a 2020 play and later turned into a musical in 2024.

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This lets members watch live and on-demand TV content without a satellite dish or aerial and includes hit shows like Stranger Things and The Last of Us.

Netflix’s TV series is just another retelling of the well-loved story of following one’s heart over the strict rules of society.

Treasured star Neill died aged 78 from pneumonia on July 16. His career spanned back to the 1970s and some of his biggest roles include Jurassic Park, Peaky Blinders, ITV’s Tutankhamun, and Event Horizon, among many others.

My Brilliant Career will be released on Netflix on August 13

As performers protest and studios sue in their war on artificial intelligence, the entertainment industry is deepening its dependence on it.

Although few places are better than Hollywood at crafting a narrative and concealing what happens off-frame, a Los Angeles Times survey of job postings sheds light on what is happening offstage.

Among hundreds of job postings in late June, more than one in 10 was likely connected to AI. The top studios’ public postings suggest they have been recruiting people to build AI tools. They are also recruiting teams to defend their intellectual property against unauthorized AI use.

“There are plenty of studios that are hiring [for AI] but never talk about it in public,” said Yoland Yan, a co-founder of ComfyUI, a company that helps studios juggle different AI tools.

Companies have been hesitant to detail how they use generative AI in film production — partly because they are concerned about consumer and union backlash.

The Walt Disney Studios complex on May 3 in Burbank.

(Eric Thayer/Los Angeles Times)

Some in Hollywood described AI use as the new cosmetic surgery, where everyone knows it is happening, but few will admit to it.

Recent want ads show Amazon MGM Studios trying to find a principal AI executive and Walt Disney Studios advertising for a production innovation technologist job.

“What you’re seeing in those job postings is that adoption is already happening,” said Bryn Mooser, chief executive of Asteria, an AI film studio.

Netflix recently posted a job that didn’t exist a year ago.

The streamer was hiring for the role of “Manager, Generative Workflows,” a job to help integrate more AI into Netflix films. It promised hands-on experience with the cutting-edge technology.

“The industry is flooded with speculative GenAI roadmaps, but few are battle-tested in production,” the post said, referring to generative AI. The post said the role will work on introducing AI into Netflix’s slate of films being released in the U.S. and Canada.

Although some companies may be shy about sharing their AI plans, big stars who don’t have to answer to others have been more open about their embrace of the new technology for storytelling.

An exterior view of the Netflix sign at Netflix on Vine in Hollywood in 2025.

(Allen J. Schaben/Los Angeles Times)

Rejecting AI is like picking a horse and buggy over a car, said “Star Wars” creator George Lucas.

“Artificial intelligence means it’s much easier for us to make movies,” he told a trade magazine earlier this year. “There’s nothing you can do about it. That’s progress. It’s the future.”

Some in Hollywood have a softer stance on artificial intelligence, with studios cutting deals with AI companies, and filmmakers like Martin Scorsese backing AI companies.

Ben Affleck launched an AI film tech company then sold it to Netflix for half a billion dollars.

When launching InterPositive, Affleck said he wanted to keep “storytelling human” by building AI tools that could fix lighting, generate missing shots and other things while “keeping creative decisions in the hands of artists.”

The Times’ survey turned up two senior InterPositive roles to update the programming to apply AI to visual effects .

The Culver Studios on Feb. 12 in Culver City.

(Kayla Bartkowski/Los Angeles Times)

To gauge what is happening behind the scenes, The Times used Claude Code to build a scraper to identify job postings at Disney, Universal, Paramount, Warner Bros., Sony, Netflix and Amazon MGM. It found around 250 film studio job postings that were still public as of late June. Around 30 of those seemed to be connected to AI.

Disney, Netflix and Amazon had job postings that were about using AI on the creative side of the business. Universal, Paramount, Warner Bros. and Sony had job ads suggesting they were also using AI but for marketing, distribution and audience analytics.

The postings suggest the Disney, Netflix and Amazon studios are building repeatable AI workflows for visual effects, animation, sound and dubbing. The companies also seem to be building in-house teams to develop custom generative-AI models, while also using third-party software.

None of the jobs advertised were to create AI that wrote scripts or created AI actors.

Disney’s ten or so AI jobs showed the century-old studio building out its AI research and production muscle, while protecting its vault of beloved characters.

Mouse House is hiring PhD-level talent to study “computer graphics and AI” for Pixar and Disney films, people to “bridge the gap between research and practical studio application.”

Industrial Light & Magic, the Disney-owned visual effects shop, was searching for supervisors to “explore emerging technologies (including AI/Machine Learning)” to develop new production workflows.

The company’s audio post-production unit, Skywalker Sound, seemed to be recruiting to build proprietary AI models for soundtracks, voice separation, and voice transfer, the process of taking a speaker’s tone and pitch, and applying it to new content.

Disney was also hiring to defend itself. Three of its jobs were for “content security” to assess AI tools and guard against piracy, watermarking and rights-protection work.

The company’s public posture has so far been pursuing lawsuits against AI companies for inappropriate use of copyrighted material, and it pulled out of its plans to invest $1 billion in an equity investment deal with OpenAI.

Netflix’s posts suggested it is bringing more AI to the creative side of its business.

Netflix’s senior director of creative innovation, Girish Balakrishnan, outlined at the Runway AI film festival how AI was used to create soccer fans in “Brazil ’70” and establish shots for fight scenes in “Glory.”

Amazon, an early adopter, was hiring a principal AI executive to drive AI-tool adoption across production, plus roles in operations automation and LLM content classification, the listings revealed.

The Seattle-based streamer has been the most aggressive AI adopter in studios, and commissioned three AI animation series through its GenAI creator fund in May. Amazon has also bankrolled a Manhattan Beach production services company, Innovative Dream.

Even as studios build bigger AI teams, many in the industry are resisting, and some film fans are concerned.

The actors’ guild SAG-AFTRA in June ratified a new four-year contract with special protections against synthetic performers, and the union has backed a national bill designed to protect individuals from unauthorized, AI-generated digital replicas.

Studios have met with the union twice a year since 2023 to provide a confidential report on their AI-related activities. The studios tell the union they aren’t yet using AI that would entirely replace humans, said a person familiar with the discussions.

The union says it has no evidence that generative AI is being used to create performances, and the studios are supposed to notify the union if that happens.

Actors, writers, production staff and movie fans are still resistant to the overuse of AI and defining when and where it is acceptable, so studios are treading lightly, said AI film studio CEO Mooser.

“It’s been really a challenging thing to adopt both socially, ethically and legally, but we are seeing more adoption of it than we’ve ever seen before,” he said.

OLIVIA Attwood’s plan to beat Pete Wicks’ ‘friends to lovers’ curse has been revealed as the couple’s romance becomes ‘special and serious’.

Pete, 37, has long been close to various high profile women, but it seems his relationship with ITV golden girl Olivia, 35, is far different from the rest.

Pete and Olivia’s eight-year-long friendship has recently developed into a romantic relationship, and there’s a clear sign that she is keen to protect herself from the “friends to lovers to exes” arc that Pete has often become embroiled in.

In a bid to ensure their relationship doesn’t end in the same way as his splits from other high profile women, Olivia has protected herself by doing one key thing.

Olivia hasn’t hard-launched Pete on social media, and is clearly letting him do all the leg work – with her keen to focus on herself, her career and the empire she is building.

Although there have been very subtle hints here and there, like when they went on a staycation together, and when they walked their dogs in the same place – Olivia has been reluctant to reveal, outright, that they are in a relationship.

LOVED UP

Pete Wicks opens up on ‘magical’ holiday with Olivia Attwood after passionate snog

LIV-ING LIFE

Olivia Attwood strips to pink bra & thong as she makes cheeky joke to stylist

Pete hard-launched their relationship on July 16, with Olivia not returning the favour with a blatantly obvious post since.

Unlike Liv, he’s also spoke candidly about his romance – with his pal Sam Thompson on their Staying Relevant podcast.

Last week, Sam cheekily asked Pete: “You were on your holidays?”

“Yes, I hadn’t seen Liv for two and a half weeks, so I went to see Liv,” replied Pete.

He quickly added: “Don’t make this a thing,” with Sam jokingly feigning shock.

“So I went to see Liv, it was wonderful to see her, been two and a half weeks. We had a fabulous time. I have really hurt my back because I was backflipping off boats.

“We went for lovely dinners, we went to clubs, we drank a lot, it was magical in probably the best way to describe it.”

Olivia has however only posted a video on TikTok, which features her and Pete’s dogs being fed on a rooftop, with Pete’s tattooed arm coming into shot momentarily.

She also shared a photo of their dogs together on her Instagram stories, which Pete reposted to his and penned: “Hard launch no.2.”

Speaking to The Sun about Olivia’s decision to keep things as private as possible, a source revealed: “What they have right now is special.

“Because her other relationships have played out so publicly, she’s making a conscious effort to keep it close to her chest.

“She’s aware that in the industry she’s in, people want to know details, but this time she wants to keep something back, to herself.

“It’s serious and a more grown up relationship.”

In contrast, PeteHe has also said rather a lot about Olivia, which is something he would never normally do with girlfriends.

Throughout his several years of fame, Pete has gotten close to a number of stunning reality stars.

In his days on The Only Way Is Essex, Pete was close to Chloe Sims, with them publicly known as “best friends”.

Pete and Ella Rae Wise also had a close bond on Towie, with them even referring to one another as “special friends”.

He also struck up a very close relationship with Maura Higgins, which transitioned from a long-time friendship into a private romance.

But they parted ways after she publicly spoke about their romance while appearing on I’m A Celebrity, and later worried that he might have been “messing around behind her back”.

Meanwhile, Olivia was in a relationship with Bradley Dack for an on-and-off period of 10 years, from when they first met in 2015 until their final split in January 2026.

Olivia and Pete met in 2017 at the Specsavers Awards in London, which was six years before she married Brad.

On the night she and Pete met, they were seated at the same table and spent the entire night chatting and joking around.

They remained friends for years before they launched their radio show, The Sunday Roast, on KISS FM.

But things heated up between them in 2025 when they went on holiday to Ibiza, and people started to get suspicious of their bond.

At the time, photos emerged of Liv and Pete looking close and cuddling on a yacht, which sparked rumours they were more than friends.

It was later revealed, following Olivia’s marriage split, that Bradley had long suspected something.

“He’s suspected things for the past year but she’s always denied it,” a source told The Sun in March 2026.

When cosy pictures of the pair on an Ibiza yacht trip first sparked rumours of something more than friends, Olivia brushed off speculation by saying: “I think it’s to be expected when you’ve got two straight people working together.”

She added at the time: “It happened when I first joined Towie and Pete and I became very close. We spent a lot of time together and there was a rumour mill spinning back then.”

Olivia had always downplayed her friendship with Pete, and even branded him “repulsive” two years before they got together.

Speaking on Olivia’s podcast Olivia’s House with her ex Bradley, the pair discussed some of the listeners’ dilemmas.

One listener shared how they were worried about how their boyfriend was texting one of their female friends every day.

Olivia shared her thoughts on the situation and said: “I am very sceptical about female and male relationships when they are both straight.

“I just feel like one side would always let it be more.

“One exception to this rule is Pete. No because we both find each other repulsive.

“But at the same time, Pete and I are friends. We don’t talk every day.”

She added: “I don’t like it personally.”

The Marvel faithful gathered in Hall H once more as San Diego Comic-Con yielded breaking news on Saturday: Ryan Gosling will join the Marvel Cinematic Universe as motorcycle-riding superhero Ghost Rider.

Marvel Studios’ president and producer Kevin Feige announced the new title Saturday at the annual fan and industry event.

“Ghost Rider” will be directed by Shawn Levy, who made the 2024 crossover “Deadpool & Wolverine,” notable for being the highest-grossing R-rated movie ever. Gosling and Levy are currently working together on “Star Wars: Starfighter,” along with Jonathan Tropper, who is writing the script.

In equally auspicious news, “Sinners” director Ryan Coogler announced he will return to direct “Black Panther 3,” slated for release in 2028. English actor David Jonssson, best known stateside for his work on the series “Industry,” will star as the next King of Wakanda, previously played by the actor Chadwick Boseman, who died of cancer in 2020.

From left, “Black Panther” actors Letitia Wright, David Jonsson and Winston Duke speak at the Marvel Studios Panel at 2026 San Diego Comic-Con.

(Jesse Grant / Getty Images for Disney)

WILDCARD Arthur Fery captured the nation’s hearts when he powered his way to the Wimbledon semi-finals.

And now it seems he is looking for the perfect match off-court after signing up to celebrity dating app Raya.

Arthur has made sure his sporting prowess is front and centre on his profile and lists his job as a professional tennis player.

The British singles No1 also added a snap of him shaking hands with Kate Middleton on the day of the men’s final.

Arthur even offered to coach Prince George and Princess Charlotte, saying: “If you guys want to hit some balls any time, just let me know; that would be great.”

However, he has chosen to crop the Princess of Wales out of the frame on his dating profile.

THANKS FERY MUCH

Arthur Fery gets birthday gift from Princess Kate after Wimbledon run

FERY TRIP

Arthur Fery forced to cancel Greece holiday after fairytale Wimbledon run

A source said: “Arthur became a household name in a matter of days after reaching the Wimbledon semi-final as a wildcard entry.

“He is hoping to follow in the footsteps of Andy Murray, who made history when he won at Wimbledon in 2013 and 2016. Arthur has also become a heartthrob among Gen-Z and his professional sports background makes him a catch.”

On Raya, the tennis ace has included a snap of him waving to the crowd on Wimbledon’s Centre Court following his crushing semi-final defeat to Germany’s Alexander Zverev earlier this month.

He has also added a pic showing him in action on the famous grass court along with a post-match interview during the tournament.

Meanwhile, Arthur mentioned he was educated at prestigious Stanford University in the US, where he studied science, technology and society on a tennis scholarship.

The French-born player has linked his profile to We Are The People by Australian electronic music duo Empire of the Sun.

Speaking about his music taste, Arthur previously said: “I like [Aussie dance music act] Rufus Du Sol. It gets me in the zone.

“I like British rappers as well. Dave, Central Cee.”

Arthur was thought to be dating former schoolmate Honor Millard, a foodie influencer known online as The Honorable Chef.

But it definitely seems he is searching for a new doubles partner.

Who says love means nothing in tennis?

ANYONE KNOW A GOOD TYLA?

TYLA looks cappy-go-lucky, as she performs on US telly.

The South African singer wore the leopard-print hat with a metallic bralette for her set on NBC’s Today show at New York’s Rockefeller Plaza.

It came as she released her second studio album, A*Pop, which includes hot tracks That Girl and Kiss.

Meanwhile, fans can also snap up a £63 Tyla Bratz doll, decked out in the same dress Tyla wore to the Met Gala in New York in May.

Oh, and I’ve been told the singer will be making her way to London this week.

If you fancy a cuppa, Tyla, you know where to find us.

LIL BIT OF HAPPINESS FOR JESSIE

JESSIE J announced her split from former basketball player Chanan Colman this week – but hopefully a catch-up with her showbiz pal Lily Allen gave her reason to Smile.

The pair were seen putting the world to rights just days before Price Tag singer Jessie confirmed the end of her four-year relationship.

They were deep in conversation at London’s Royal Albert Hall, where they attended the Silver Clef Awards and were both recognised for their contribution to music.

Earlier in the night, Jessie told Biz on Sunday’s Emily that she is “living in the moment”.

The star, who has three-year-old son Sky with Chanan, announced she was cancer-free in May after her diagnosis with early-stage breast cancer last year.

She said: “There is always a risk of it coming back, so I want to celebrate every day that I don’t have it. I would love to learn how to ride a bike – I can’t, which is sad, isn’t it? I want to learn Danish and how to play the piano.

“Living in the moment and having a bit of perspective – my son is the core of my world so everything stems from him.”

Jessie also told how she loves touring, adding: “My touring family . . . get through whatever challenges we have.”

LOTTIE’S IN HER HOLISTIC PHASE

LOTTIE MOSS is following in the footsteps of Gwyneth Paltrow by setting up her own wellness brand.

I can reveal that the younger sister of supermodel Kate Moss has set up a holistic community that will offer sound baths, yoga and breathwork events.

US actress Gwynnie has made millions from her wellness and lifestyle brand Goop, which she set up in 2008.

I am told Lottie has also taken inspiration from actress Pamela Anderson and wants to “strip back” her image after she started modelling at 16.

The brand – Phase II – has recently set up an Instagram page and promises, “a wellness concept for discovering the next phase of your life”.

A source said: “Lottie wants to create a community that has wellness at the core.

“She wants it to be accessible for everyone and wants to help people find balance in their life. A lot of wellness challenges set unrealistic expectations and that is what Lottie wants to avoid.

“Her main message is that she wants people to have fun and go out but also enjoy yoga on the weekend.

“It does not need to be one or the other.”

It comes after her sister Kate closed down her wellness and beauty brand Cosmoss last June after three years.

It sold products including a £125 Sacred Mist perfume and £95 pots of face cream.

Lottie, who is currently dating art dealer Themy Kalaitzis, has previously opened up about her battle with addiction and how the toxic culture of the modelling industry affected her mental health.

Sounds like she is stepping into this next chapter of her life with a yoga mat in hand.

IT’S ALL CHA-CHA-CHANGE

STRICTLY Come Dancing bosses have unveiled the five new professional dancers that will be hitting the dancefloor this autumn.

Ukranian dancer Aleksandra Isaeva is ranked in the world’s top 21 Latin dancers.

She has been dubbed the new Nadiya Bychkova as the blonde pair both hail from the same country.

Speaking about her new BBC role, Aleksandra said: “I’ve been living and breathing dance for as long as I can remember, so joining the Strictly family is a true honour.”

She will be joined by her Italian dancer partner Cristian Priori, who has revealed that he is “excited to begin this new chapter”.

South African Latin Champion Lethabo Monametsi – who has been on stage with Diana Ross and composer Hans Zimmer – also joins the line-up after starring on The Masked Singer SA.

And Canadian champ Mark Karmalita and Bournemouth-born Maddie Ingoldsby will make their debut on the show this September, too.

I bet they can’t wait to hit the ballroom in their sequins.

PRICE OF FAME FOR PRINCESS

KATIE PRICE’s love life has been nothing short of a soap opera.

But that has not stopped the former glamour model – who, in January, married conman Lee Andrews ten days after she met him in Dubai – from giving her kids some dating advice.

Katie stars on ITV2 series The Princess Diaries alongside her daughter Princess and son Junior who she shares with her ex-husband, Peter Andre.

In scenes set to air, Katie says: “When you are in the public eye and you meet someone and want a relationship with them, you’re so proud to be with them but try to keep it as private as you can for as long as you can.

“Because there will be a point where someone will get a picture or something like that and I find that hard.”

Princess added: “If I was seeing someone, I would want to make sure it was a long-term thing before I make it known.

“My mum’s love life has been all over everywhere and yeah, I probably wouldn’t want mine to be like that.”

The third series of The Princess Diaries airs is due to air on July 28.

RACHEL BAGS GIFT FOR TOUR

RACHEL CHINOURIRI has revealed that Sabrina Carpenter bought her a designer handbag to say thanks for joining her on the road.

The British singer-songwriter supported the Manchild hitmaker on the UK and European leg of her Short n’ Sweet Tour last year.

Speaking to Biz on Sunday’s Emily at the Silver Clef Awards, Rachel said: “She did get me a gift. I got her one then she got me one.”

Rachel remained tight-lipped on the brand but said: “She got me a handbag. It was on the wishlist. It was so iconic.”

She admitted: “I haven’t used it yet and it is perched on the side because I don’t want anything to happen to it.”

We all need a friend like Sabrina . . . 

MAYAN GOLD

MAYA JAMA looks a gem – as she reveals her newly golden hair.

The Love Island host posted the shot of her highlights ahead of the dating show’s grand final in Majorca tomorrow night.

She showed off her figure in a white tank top and snakeskin trousers, and playfully teased in the caption: “Who is she.”

The winning couple of the ITV2 dating show will get £50,000 – but we reckon Maya looks a million dollars.

HAIR’S TO YOU, LORENZO

LOVE ISLAND’S Lorenzo Alessi has become the stand-out star of this year’s ITV series.

The businessman, who has Italian and Turkish-Cypriot heritage, has already been inundated with offers from talent agencies – and he hasn’t even left the villa in Majorca yet.

I hear that agents are eyeing up Lorenzo, right, to attend Milan and London Fashion Week in September.

It comes after former UK Vogue editor Edward Enniful hinted he could be the next Molly-Mae Hague.

A source said: “Lorenzo is going to face a bidding war when he comes out of the villa.

“He has a great head of hair, which would make him perfect for a men’s haircare brand, and he ticks a lot of boxes in the style stakes.”

Lorenzo is also the favourite to take home the £50,000 prize in tomorrow night’s Love Island final, following his romance with Polish-born insurance broker Julia Majchrzak.

Sounds like he will be a winner whatever the outcome.

Casualty fans are heartbroken as they are convinced the show is killing off a beloved character for the 40th anniversary

Casualty could be killing off a show legend after more than 10 years, and fans are not best pleased about it.

The beloved BAFTA-winning BBC show has been a staple on screens for 40 years. As the world’s longest-running medical drama, Casualty has captivated audiences thanks to its powerful storytelling and characters.

And to celebrate its 40th anniversary later this year, a special double-bill episode will air on Saturday 5th. And as expected, it’s going to be seriously dramatic.

In a trailer that was aired at the end of Saturday’s (July 25) episode, viewers were shown a sneak peek at the episode, in which a high-stakes explosion throws Holby into chaos.

Lives are left hanging in the balance, and the ED team are pushed to their limits in a tense and emotionally charged story. And now, after watching the trailer, fans are convinced that the show is going to kill off Dylan Keogh (William Beck).

“I think the building will explode to kill Dylan! I think that’s his final episode,” mused one person on Casualty’s Facebook page. Someone else agreed: “I thought this as well.” A third chimed in: “Dylan better not go. He’s the best – I just love his character.”

Viewers will know Dylan made his debut on the show back in 2011 when he was introduced as a replacement for fellow emergency medicine doctor Ruth Winters (Georgia Taylor).

And over the years, he has played a part in several big TV moments. What’s more, since the departure of Charlie Fairhead (Derek Thompson) in 2024, Dylan has been the longest-serving character on the show.

Meanwhile in 2024, Dylan actor William spoke about the handful of cast exits at the time including Charlie. He told Digital Spy: “When Derek [Thompson] left, it was surreal. For me, it was just an absolute privilege to be there.

“I said a few words on Derek’s last day, and it was only in saying it, that I really appreciated that for everybody that was there at that time.

“Without Derek, Casualty would never have been the show that it has become and the opportunity to mark that and to celebrate it and to celebrate a unique achievement of being the lead in a continuing drama for that length of time, is a one off. To be there and to be present, and to acknowledge that, was such a privilege that in a sense that I haven’t even had time to miss it yet.

Watch Casualty on BBC One and iPlayer

Holby City Hospital will see an explosive “high-stales major incident” that will have viewers on the edges of their seat as Casualty gear up for the 40th anniversary episode

Casualty has dropped a first look at its explosive 40th anniversary episodes, with Holby City Hospital thrown into chaos after a devastating blast.

The BBC released a teaser trailer ahead of the landmark special, which will air in September, giving fans a glimpse of the high-stakes drama facing the emergency department.

The anniversary story will be told across a two-part special centred on fan favourites including Dr Dylan Keogh and Flynn Byron.

The trailer opens with a huge explosion as emergency medicine consultant Flynn Byron, played by Olly Rix, looks on in shock. As the scenes unfold, a haunting chorus of children singing Happy Birthday Dear Dad plays over the footage while members of the emergency department, including clinical lead Dr Dylan Keogh (William Beck), gather outside the hospital.

Viewers also get a glimpse of familiar faces including paramedic Jan Jenning (Di Botcher) and consultant Stevie Nash (Elinor Lawless).

A map of Holby quickly fills with emergency incident alerts before the hospital is plunged into turmoil. The trailer shows a fight breaking out inside the hospital, while a visibly emotional Dr Keogh is seen in tears.

Elsewhere, ambulances line up outside with blue lights flashing as patients are rushed through the hospital on stretchers. A firefighter is also seen making their way through a room filled with exposed wires as sparks fly around them.

The preview keeps many details under wraps, ending with what appears to be armed police officers approaching Holby City Hospital.

According to the BBC, the anniversary episodes centre on a “high-stakes major incident that throws Holby into chaos”, leaving lives hanging in the balance as the emergency department team are pushed to their limits.

The special will also feature a major rescue operation, while Dr Keogh faces a personal tragedy during what the BBC describes as the team’s “darkest hour”. Stevie Nash and Flynn Byron will also find themselves fighting for survival in a race against time.

The episodes celebrate 40 years of the world’s longest-running medical drama while marking what the BBC has described as an “exciting new chapter” for the series.

First airing in 1986, the BAFTA-winning drama later spawned spin-off series Holby City. Since 2011, Casualty has been filmed at BBC Roath Lock Studios in Cardiff and is expected to move to a new fictional hospital in Wales next year.

The Casualty 40th anniversary episodes air on September 5 on BBC One and BBC iPlayer.

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There are many dedicated figures devoted to Chicano empowerment in America. But in the arts, playwright-director-impresario Luis Valdez — the migrant farmworkers’ son behind the defiantly consciousness-raising El Teatro Campesino and the historic hits “Zoot Suit” and “La Bamba” — holds a singular place, achieved with remarkable perseverance. It’s a trajectory that the immensely appealing, rollicking documentary “American Pachuco: The Legend of Luis Valdez” tracks with a vitality and purpose befitting its subject.

Anchored by Valdez himself, now in his 80s and filling the camera frame like a grandfatherly lion, the film supplements his vivid biographical details with rich archival footage and testimonials from family members, collaborators and peers. There’s also the bold but sneakily effective narrator choice in Edward James Olmos, reviving his snarling, star-making El Pachuco growl from “Zoot Suit” to remind us of one of Valdez’s essential contributions to the theatrical canon. (Olmos is also an interviewee, as is Cheech Marin, Taylor Hackford, Lou Diamond Philips and labor leader Dolores Huerta.)

Born in Delano, Calif., and drawn to literature and language as a way to combat racist assumptions about a Mexican American’s destiny, Valdez found his gifts sharpened by puppet shows, school plays and finally, the union movement in his hometown. Valdez saw that pointed, raw satire was not only necessary but a recruitment tool for the fight. We hear the underdog aesthetic term rasquachismo used to describe these early impromptu performances: essentially a colorful funkiness, “so funky that nothing can undermine you,” Valdez says. As if something earthier and stronger had been harvested in the fields with all those valuable grapes.

After the labor battles of the Vietnam War era, Valdez took El Teatro Campesino’s mission nationwide. Excerpts from a televised adaptation of his play “Los Vendidos (The Sellouts)” — about a shop selling automatons representing Chicano stereotypes — underscore the continuing tensions of assimilation, a trap disguised as acceptance. But the piece also reflected feelings Valdez had about his long-estranged brother Frank, an engineer whose alienating efforts to deny his own background and fit in formed a heavy undercurrent in Valdez’s life.

“Zoot Suit,” an ambitious, musicalized, slang-flavored staging of the violent injustice behind L.A.’s notorious 1943 Zoot Suit riots, became a smash in 1978 (its narrow-minded New York reception notwithstanding). The story of how the Ritchie Valens biopic “La Bamba” came to be — a delicate mix of legacy tending and savvy casting — is similarly rousing and illuminating, even if it seems like an omission not to dig into why, after such a big hit, more movies didn’t follow. (Although, since this is Hollywood, we can guess the reasons.)

There’s so much to chew on in David Alvarado’s portrait of life, art and activism that “American Pachuco” plays like a joyful challenge to those searching for their own voice or meaning. As engaging a chronicler of his own life as Valdez is, his lessons in how to be seen and heard — and how to stay that way — feel especially timely. In our demonizing present, the story of such a pioneering truth-teller speaks powerfully to the needs of our blended American future.

He said the quiet part out loud. As the artistic director of New York’s Public Theater and one of the art form’s most prominent leaders, Oskar Eustis is known to do that. And as always, he got the art world talking.

When Eustis, 67, announced Wednesday that he would step down from his role at the Public in 2028 — after 23 years — he said in a New York Times interview that “the American nonprofit theater movement is over.” This has been whispered about and lamented since the COVID-19 pandemic led to temporary theater closures across the country that have since become permanent, but it is rare to hear it expressed so candidly.

Did Eustis, one of the key players in that vaunted movement — the man who helped foster “Hamilton” — really mean what he said? And if so, how does theater move on in the face of obstacles that at times feel as though they are scattered across an increasingly difficult course? In a wide-ranging follow-up interview with the Los Angeles Times, Eustis addressed the path forward.

Lin-Manuel Miranda and Phillipa Soo portray Alexander and Eliza Hamilton in “Hamilton.” The megahit premiered off-Broadway at the Public Theater under Oskar Eustis in 2015.

(Disney+)

It’s not an easy one, but Los Angeles theater leaders working in the trenches, including Tarell Alvin McCraney at Geffen Playhouse, Danny Feldman at Pasadena Playhouse and Snehal Desai at Center Theatre Group, already knew that. They talked with the Los Angeles Times about their plans at the crossroads reached by American theater in light of Eustis’ imminent exit.

Eustis traces the rise of the American nonprofit theater movement to the late 1950s when W. McNeil “Mac” Lowry, director of the arts and humanities program at the Ford Foundation in New York, began organizing existing regional theaters into a national movement.

“What happened during that period was that a consensus emerged,” Eustis said, noting that it was expressed in the form of national endowments, state arts agencies, public policy institutes and corporate philanthropic departments. “An idea of the common good was held throughout the country, and there were many stakeholders. And part of that idea of the common good was a broadly held belief that Americans deserved serious, non-market-driven performing arts.”

With no feudal background, America lacked a capital city like London or Paris designed to showcase the arts, so the idea spread across all 50 states. This led to the proliferation of the regional theater movement, said Eustis, as well as that of symphony orchestras and ballet companies.

“The explosion of the regional theater movement is actually, in retrospect, astonishing,” Eustis said. “From a few scattered theaters in the 1950s, by the early ‘70s, there were over 400 professional nonprofit theaters in every state of the union. Tens of thousands of people were employed. Millions and millions of audience members every year. That’s the field that I walked into in the early ‘70s.”

Fifty years later, those stakeholders have “absolutely zero consensus on whether theater should exist as a nonprofit performing arts field or whether we should exist at all,” Eustis said. “It’s gone.”

“We’ve kind of been living, in a way, off inertia of this old idea,” he added.

The great pandemic pause, along with the racial reckoning in the wake of George Floyd’s murder and the continued fracturing of a shared reality under President Trump, served to reveal how fragile that consensus was, Eustis said, and, “It’s not coming back.”

Where does that leave American theater in 2026?

“We’re faced with the need to prove to the people in our individual communities that we matter enough to them that they should support us,” Eustis said. “Now, that’s not a very bad demand to put on an art form.”

Except, as every theater that has lately dared put on a show created by new, experimental or unknown artists knows, it can feel like an insurmountable task.

Danny Feldman, artistic director of Pasadena Playhouse, said that the days of theaters underpaying talent are over.

(Brian van der Brug / Los Angeles Times)

Smaller theaters across the country, including many in L.A., have shuttered with staggering regularity in the last six years, which puts even greater pressure on the city’s most prominent nonprofits to shine a light on a sustainable model moving forward.

Feldman, Pasadena Playhouse’s artistic director, noted that Eustis represents the second generation of leaders of the “first chapter” of the nonprofit regional theater movement. “And that to me is what is now undeniably at the end.”

He said he and Eustis have discussed the subject at length. “We are now in a very different era. And the things that got us to this point are not the things that are going to get us to the next chapter.”

McCraney, Geffen Playhouse’s artistic director, said forging a path forward in nonprofit theater without succumbing to commercial pressure to produce only guaranteed hits requires the delicate balance of surfing.

“And there’s no better place to surf than in L.A.,” McCraney said over the phone from the Public, where he was meeting with Eustis and other theater leaders to share ideas. “I feel very connected to a bunch of folks who recognize that the regional theater model has always had to have radical vision, and that those radical visions need revision, because our most practical job is to make sure that communities have stories.”

Tarell Alvin McCraney, artistic director of Geffen Playhouse, compared the balancing act theater leaders must perform to surfing.

(Jay L. Clendenin / Los Angeles Times)

It’s not just the way theater tells — and funds — stories that must evolve. It’s the entire business model, the leaders note.

The beauty and the founding of the original regional movement, said Feldman, was artists saying, “New York is not just where it’s at. We’re going to go to our communities. We’re going to make things with and for them, and really build these ecosystems that are deeply entrenched in these local communities around the country. … And I think the underbelly of that — that maybe has not been discussed as much — was always an element of subsidized labor involved.”

In L.A. and elsewhere that meant a lot of artists in the front and back of the house working for incredibly low wages. The pandemic effectively put an end to that, and as workers demanded fair compensation, the cost of producing shows skyrocketed. Most theater leaders agree that part is as it should be. Eustis points to the recent unionization of the Public’s production department as a case in point.

“For the first time in history, everybody who’s swinging a hammer on our productions has health insurance,” he said. “They have it through the union. That’s a good thing. And it’s put a shock wave through the whole industry, but you know what? We figured out how to pay development directors. We should figure out how to pay carpenters. That’s part of growing up.”

Center Theatre Group Artistic Director Snehal Desai said Oskar Eustis’ departure from New York’s Public Theater represents a “pass the mantle” moment.

(Etienne Laurent / For The Times)

Desai, CTG’s artistic director, said he views Eustis’ decision to step down as a “pass the mantle moment.”

“Oskar has been a huge mentor to so many of us,” Desai said. “It’s up to us, the next generation of leaders, to figure it out, just as his generation did in the ‘60s, ‘70s and ‘80s when they built these institutions for us.”

At CTG that means exploring a new way of doing things including touring shows, intensive work in various communities and site-specific productions, all of which “can change the financials and the model of how we’re doing business.”

As for Eustis? He plans to leave the Public in the best possible shape for the next generation of artists, and never wavers from its core mission. “This is a theater of democracy that believes that the culture belongs to everybody,” he said.

KATIE Price has shared a sweet snap from a day out with her boys after Princess broke her silence on the former glamour model’s truce with their dad Peter Andre.

Katie, 48, Junior and Harvey looked as though they were having the best time as they soaked up the sun.

The trio appeared to be spending some quality time together at the stables amid Katie’s rocky relationship with conman Lee Andrews.

Podcast host Katie posed resting her arm affectionately on Harvey’s shoulder as they smiled at the camera.

Junior, who is following in his dad’s footsteps as a musician, was seen grinning ear-to-ear in the background of the pic posted on Instagram.

Harvey, 24, recently moved back in with Katie after “hating” living in his own flat.

ready to lee-ve

Katie Price ditches wedding ring from Lee Andrews after lies are exposed

PRICEY’S POV

Katie Price slams Madonna as ‘rigid’ and ‘not all there’ at World Cup final

She confessed her son was “happiest” living at home and that certainly rang true as he enjoyed the fresh air with his family.

Katie captioned the sweet post: “Summer,” followed by a horse emoji, sun emoji and a yellow love heart.

This comes as it was revealed that both Katie and Peter are set to appear on their daughter’s reality show The Princess Diaries.

The formerly warring pair – who were married between 2005 and 2009 – called a truce earlier this year for the sake of their kids.

They announced the new chapter in a bombshell joint statement on Instagram back in February.

It said they’d reached an “understanding” and they wanted to focus on “creating a calm and supportive environment” for Junior and ­Princess.

Katie will appear in the first episode of Princess’ show, taking a glamping trip with her children to celebrate her birthday.

But, we are some way off ever seeing the former glamour model and her singer ex on screen together.

Princess said: “To be honest, I don’t think that would happen anyway. I don’t think divorced parents would sit in a room and have a conversation, but it’s not to say it would never happen.”

Junior, 21, went on: “The main thing is, it’s amicable. They’ve got a truce, but they’re not best friends and they don’t need to be.

“The fact that they’re both in it is great because it’s our parents. We love them, and want everyone to be involved. But yeah, they don’t need to cross paths.”

Princess told how she values ­having her loved ones on the show, adding: “It is way more fun for me . . . because I like having my family there.

“I guess it shows people they are calm — that yes, they’re not best friends but they don’t need to be.”

The BBC aired a special tribute to Bonnie Tyler on Saturday, July 25, just weeks after the Welsh singer’s death at the age of 75, leaving fans in floods of tears

BBC viewers have been left devastated and in floods of tears following a heartfelt tribute to Bonnie Tyler.

The iconic Welsh singer died aged 75 on July 8 at a hospital in Portugal, with a statement from her family and team saying they were “heartbroken” to announce her “unexpected” death, reports Wales Online.

The star, who split her time between South Wales and her home in Faro, Portugal, had been due to embark on a European tour later this year but was hospitalised in May.

Bonnie was initially said to be stable and recovering well from her surgery, but less than 24 hours later, she was placed into an induced coma.

In the wake of her passing, the BBC announced a special tribute programme would broadcast on Saturday, July 25. It showcased highlights from her 50 year career, including interview segments and electrifying performances.

Tuning in to the show on BBC Two, viewers were moved to tears. One fan wrote: “What a distinctive voice Bonnie Tyler had. It’s a heartache is a banger. Even if I can only hear it’s a hard egg.”

Another said: “Bonnie Tyler was brilliant.” A third wrote: “Crying at Bonnie Tyler at the BBC, RIP Queen.”

The BBC had earlier announced: “This special tribute compilation celebrates the great Bonnie Tyler’s incredible 50 year career, as fans come to terms with the sad news of her death earlier this month.

“The only Welsh performer to have a US Number 1, Bonnie’s distinctive husky vocals and powerful performances made her one of Britain’s best-loved and most enduring artists.

“This collection from the BBC archive showcases some of her biggest and very best moments from over the decades.”

Bonnie Tyler’s funeral and celebration of live service will also be available for fans to watch in an online broadcast. The service will be held at St Mary’s Church in Swansea on August 17, and will be streamed on the singer’s website.

Bonnie Tyler at the BBC is available to watch on BBC iPlayer.

ITV has issued an apology after accidentally airing an unedited clip of Gordon Ramsay swearing on a repeat of Food Stars USA more than 12 hours before the watershed

ITV has issued an apology after accidentally airing an unedited clip of Gordon Ramsay swearing on a repeat of Food Stars USA more than 12 hours before the watershed. The TV chef, 59, is well known for his use of profanity but in an edition that was broadcast at 8:25am on ITV2 in May, a blunder with the subtitles saw that the bad language had not been edited out and appeared in text form on the screen.

The swearing had been removed from the audio of the programme and replaced with the typical bleep sound but the censoring had not made it as far as the closed captions, The Sun reports.

The channel claimed that the subtitles were created before the “the implementation of new checking processes,” which now includes “steps to ensure that any mismatch” between versions within the scheduling system is “apparent and corrected” ahead of broadcast.

According to the outlet, the mistake was found to be “a clear breach” of Ofcom guidelines, which strictly prohibits the airing of swearing before 9pm. Viewers with the subtitles on would have realised that heavy use of the F-word from Gordon, and the Ofcom had to take into account that ITV2 did not apologise after the programme has finished.

A ruling from the broadcast read: “In this case, the broadcast of the words at 08:25 was a clear example of the most offensive language being broadcast before the watershed.

“This was a pre-recorded programme, which ITV2 would have had the opportunity to check prior to broadcast, and that it included two instances of the most offensive language before the watershed.

“Further, we considered there was no on-air apology made by ITV2 following the broadcast. Ofcom took into account the steps that the Licensee said it had taken since being notified of the incident to prevent future recurrence.

“However, in Ofcom‘s view, these steps would not have impacted on the offence caused to viewers as a result of this particular broadcast.”

Earlier this year, This Morning’s Ben Shephard had to issue an apology after Gordon swore during a live cooking segment while bickering with his daughter Tilly on the set of the ITV Daytime show.

The chef had been talking about his daughter Holly’s wedding to Olympic swimmer Adam Peaty and arguing with his eldest Tilly on This Morning when he knocked over a container of soy sauce.

“Oh s**t,” he said, while Ben quickly jumped in: “Just in case that spilled into the classic Ramsay work, apologies. We are live. I’m just pre-empting a strike.” Gordon argued back: “I said shoot! Ben – come on, Ben!”

The Mirror has contacted ITV for comment.

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