show biz

ITV is to air an Australian series that viewers were hooked by when it aired last year

ITV is to air thriller that’s bound to appeal to fans of Harlan Coben‘s work.

Described as “gripping” and “nail-biting” by viewers and critics, The Family Next Door is adapted from Sally Hepworth’s novel of the same title and centres on Isabelle (Teresa Palmer), who develops a fixation with unravelling a mystery after she moves to a tranquil Australian street.

Her determination to crack the case places four neighbouring families under scrutiny, which leads to plenty of twists and turns, reports Wales Online.

The series, which also features Bella Heathcote, Philippa Northeast, Bob Morley, Catherine McClements and Ming-Zhu Hii, premiered in Australia last year and audiences were captivated. Now ITV viewers can discover what the excitement’s about, as the programme launches on the channel on Sunday (May 17).

Promoting the series on Instagram, actress Teresa posted: “Based on the best-selling novel by the brilliant @sallyhepworth so if psychological suburban thrillers where beneath–the–veneer–of–perfect–lawns–and–friendly–smiles–everyone–is–just–holding–on–by–a–thread kind of vibes are your thing, welllllll then, you’ll be VERY into this one.”

Many viewers have shared comments on social media describing The Family Next Door as “bingeable” while commending the “excellent” performances.

Others highlighted the “twists and turns” and “big reveals” throughout the series, with one declaring it “addictive”. “I watched all six episodes in one night,” one viewer commented on reviews platform Rotten Tomatoes.

“Soooo good!” another viewer posted on Instagram, while someone else declared: “Brilliant acting and divine scenery so beautifully filmed.”

“Amazing cast, incredible show,” praised another fan. A different viewer remarked: “I just finished and this series is amazing!!!! Intricate, funny, surprising, heartbreaking. A stellar ensemble cast.”

“Wow, this show was amazing!!” gushed another fan. “I had no idea what this show would be about, the story was truly unexpected. What a plot twist at the end, you had me in tears.”

“I absolutely loved it and unfortunately just finished it,” one person wrote on Reddit. “Please tell me there will be a season 2?”

“I just binged the new Australian series The Family Next Door. I thought it was really well done – I love Australian series like this,” shared another admirer.

The Family Next Door airs on ITV at 10.20pm on Sunday, May 17

On a recent weekday morning inside a studio in the heart of Hollywood, Rachel Lindsay and Van Lathan, co-hosts of The Ringer’s “Higher Learning,” were getting ready to roll.

By the time the podcasters came into the Spotify Sycamore Studios for their show, which covers all things in Black culture and politics, the overhead lights were set, and the cameras were precisely angled. Decorative books were propped up between their seats and a big red “Higher Learning” logo stood behind them.

As soon as everyone silenced their phones, the hosts began to banter like two old friends. Lindsay complimented Lathan on his recent foray into stand-up comedy at the Netflix is Joke Fest at the Laugh Factory.

“I just have to say … basically a star is born,” said Lindsay, grinning. “I have to talk about it. Now I never doubted you.”

The pair helms one of the many shows on The Ringer podcast network, known for its roster of A-list celebrity hosts and sports and culture commentators that recently moved into Spotify’s newest podcasting studios.

The 11,000 square-foot space on Sycamore Avenue was designed as both a home base for The Ringer’s production and a video podcasting hub for select Spotify creators.

Since its opening earlier this year, the space has welcomed more than 25 podcasters and shows, on top of the dozens of shows that still record at Spotify’s Mateo studios in the Arts District.

The company estimates that over the last five years it has contributed more than $10 billion to the podcasting industry, including payouts to creators and investments in new content.

Podcasts are just one arm of Spotify’s business, as the audio giant has over 100 million songs and 700,000 audiobooks on its platform. But video podcasts have become an increasingly important way for the company to keep listeners tuned in — and paying for subscriptions amid growing competition from Apple Music and YouTube Music. Despite a surge in profits in the first quarter, Spotify’s share price has fallen 25% this year as investors worry about a slowdown in subscriber growth.

Van Lathan and Rachel Lindsay record their podcast, “Higher Learning with Van Lathan and Rachel Lindsay,” at Spotify’s Sycamore Studios in Hollywood on May 7. The podcast is distributed on Spotify through The Ringer.

(Allen J. Schaben/Los Angeles Times)

One of the main drivers behind opening the Sycamore studios was to create a central hub for The Ringer, a media company Spotify acquired for $250 million in 2020.

Geoff Chow, Spotify‘s head of podcast studios and The Ringer’s managing director, said the investment is already paying off “in terms of the productivity and the quality of the content we’re able to produce from here.”

The Ringer is one of the streamer’s most popular assets. Spotify includes nine Ringer shows in its list of the top U.S. podcasts.

“They’re pouring into this space and their creators,” Lathan said, before recording a new “Higher Learning” episode. “We really have the freedom to do so much.”

He and Lindsay said the studio has elevated their show by switching up their workflow and increasing in-person work.

Thanks in part to its centralized location, tucked between the offices of SiriusXM and music and sports entertainment company Roc Nation, they say guests are more eager to visit and record in person. Lathan joked that even while walking down the street, he’ll run into radio personalities like Sway Calloway, who hosts his own successful “Sway in the Morning” show on SiriusXM, and convince them to come up for a tour of the space.

Sycamore has already seen guest appearances from Snoop Dogg on “Game Over with Max Kellerman and Rich Paul,” Pennsylvania Gov. Josh Shapiro on “Higher Learning with Van Lathan and Rachel Lindsay” and “Project Hail Mary” author Andy Weir on “House of R.”

“This street is so cool,” Lindsay added. “It’s just a different energy here.”

The duo first started recording at Spotify’s Arts District campus, which is more focused on audio-driven programs. But as the podcasting landscape evolves and video becomes a more important element, “Higher Learning” is now able to maximize on the new studio’s video-first capabilities.

Chris Thomas, studio operator, works in the control room on the podcast, “Higher Learning with Van Lathan and Rachel Lindsay.”

(Allen J. Schaben/Los Angeles Times)

Spotify also employs a combination of full-time employees and freelancers that staff each show, including sound engineers, lighting specialists and set designers who help keep the place running.

The Ringer, founded by media mogul Bill Simmons, exists online as a website, a podcast network and video production house, anchored in sports, pop culture and politics coverage. Some of its most popular programs include “The Bill Simmons Podcast,” “The Rewatchables” and the inaugural Golden Globe winner “Good Hang with Amy Poehler.”

Many of the hosts overlap within The Ringer’s podcasting ecosystem. Just between Lathan and Lindsay, they host and appear as regular guests on as many as five shows, so they work from the studio three to five times a week. By being in close quarters together, a greater sense of collaboration has enveloped The Ringer’s team. Chow said there are some days when Simmons will walk onto four shows a day, just to share his thoughts on a topic.

“This is my dream of what The Ringer is. We’re all here talking, we’re all existing together,” Lathan said. “We’re all popping in and out of different rooms all the time.”

Exterior view of the building that houses Spotify’s new Sycamore Studios. The company takes up one floor of the facility.

(Allen J. Schaben/Los Angeles Times)

The Ringer was first founded in 2016. At the time, Simmons had recently been ousted from ESPN due to a strained relationship with higher-ups. Simmons had spearheaded the network’s Grantland sports blog, which focused on cultural commentary that is similar to what The Ringer does today. The Ringer soon established itself as one of the fastest-growing independent podcast networks.

The brand still keeps its roots in fandom — whether it’s through football or “Game of Thrones,” said Chow. So, to have a space that reflects the diversity of its programming often makes recording more fruitful, especially during key moments like the NFL draft or awards season.

As The Ringer continues to expand its roots in Hollywood, the network remains focused on maximizing its content.

In January, The Ringer started airing select podcasts on Netflix to reach a wider audience. Chow said the partnership is off to a promising start. Each of the five recording studios at the Sycamore site is fully equipped with live-streaming technology — making the weekly Netflix live shows possible.

“Podcasts have become like a cultural hub and curator of things that are happening in the world,” Chow said. “We always want to innovate and test. That’s something that was exciting to us to think about bringing our audience new content in different places.”

IT’S no secret that Pete Davidson has been quite the ladies’ man in recent years, as evidenced by his string of high-profile partners and Hollywood hookups.

The 32-year-old comedian’s love life often made headlines for its unconventional stories, including impulsive weeks-long engagements and explosive cheating allegations from his famous exes.

It was thought that the Saturday Night Live alum was settling down for good with his latest girlfriend, Elsie Hewitt, after she got pregnant with their first child.

However, things took a turn following the birth of their daughter, Scottie Rose, in December, and the pair parted ways, The U.S. Sun exclusively reported on Thursday.

Now that Pete is back on the market again, interest has piqued about his dating history and the A-listers with whom he’s been romantically linked.

Cazzie David was one of the first well-known names to have dated the comic, and their relationship perhaps had the most surprising ending.

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Pete was romantically involved with the actress for two-and-a-half years from 2016 to 2018, but the decision to call it quits wasn’t exactly mutual.

Cazzie opened up about their split in her 2020 memoir, No One Asked for This, claiming that Pete’s mental health had taken a serious toll on her toward the end of their relationship.

Pete has been open about struggling with anxiety, depression, and borderline personality disorder.

She recalled eventually breaking things off after a long internal battle, but changed her mind days later and attempted to reconcile.

However, Pete said he was “the happiest he had ever been” and wanted to continue their time apart.

“This 180 wasn’t what I’d expected, but it wasn’t unfamiliar. I said okay, and that I loved him, tears streaming down my face, and he hung up quickly,” Cazzie wrote.

The screenwriter alleged that shortly after, she discovered on social media that Pete had covered up his tattoos dedicated to her.

She also spotted a startling image of Pete with his new girlfriend, pop star Ariana Grande.

Pete and Ariana had a whirlwind romance that neither Cazzie nor fans saw coming.

The couple began dating in May 2018 and fell head over heels for one another.

Their relationship blossomed so quickly that they got engaged just three weeks into dating.

However, just like Pete, Ariana was also freshly out of a relationship with her ex, Mac Miller, when they got together.

Ariana dated the rapper for two years before they split the same month she began her romance with Pete.

When Mac passed away in August of that year from an accidental drug overdose, Ariana’s heartbreak put a major strain on her and Pete’s relationship.

The duo eventually broke off their engagement in October after only five months.

This sparked the beginning of Pete’s long list of A-list partners, and more eyes were drawn to the Staten Island native.

In early 2019, the actor briefly dated Kate Beckinsale, who is 20 years his senior.

They were spotted getting cozy at a Golden Globes afterparty and at a New York Rangers game during their time together. 

At the time, Kate told Extra that she was most attracted to Pete for his humor, saying, “Funny. I like funny.” 

However, after four months of dating, they decided to part ways.

Sources told People that their long distance was the primary reason for their split, though they remained “friendly.” 

Months later, The King of Staten Island star struck up a romance with model Kaia Gerber.

While also a brief relationship, the couple were pretty hot and heavy in the beginning, especially during their PDA-filled trip in Miami.   

They dated from October 2019 to January 2020, when Kaia began to notice red flags about Pete’s mental state.

An insider told Page Six that Cindy Crawford’s daughter was “overwhelmed” by the relationship and by Pete’s concerning, “intense” behavior.

Multiple sources also claimed that Pete’s mental health and addiction struggles were too much for the young supermodel to handle. 

Pete reportedly checked himself into a treatment program shortly after their breakup. 

After taking some time away, he was soon back on the dating scene and sparked another unexpected romance with newly single Kim Kardashian.

Kim and Pete began dating in October 2021 after meeting on the set of SNL.

The beauty mogul was a guest star on the show and performed a memorable Aladdin skit with Pete, who was a cast member.

Their feelings intensified into a full-fledged romance, in which they regularly hung out with each other’s families, including Kim’s four children, whom she shares with her ex-husband, Kanye West.

Pete even got a tattoo commemorating their relationship, which read “My girl is a lawyer,” and a branding on his chest that read “KIM.” 

Kanye, however, wasn’t thrilled about his ex’s new lover and went on numerous wild rants on social media slamming the Pete Davidson Show host.

Their romance didn’t last much longer, as Kim and Pete split in August 2022 after their relationship “ran its course,” sources told People. 

A few months later, Pete fell into the arms of supermodel Emily Ratajkowski, who had recently separated from her husband Sebastian Bear McClard. 

Rumors circulated in mid-November 2022 that the pair were an item after reports surfaced that they were in the “very early stages” of a relationship. 

They confirmed the chatter later that month when they arrived arm in arm for a New York Knicks game.

Their romance was short-lived as they split in December 2022, around the same time that Pete began dating his Bodies, Bodies, Bodies co-star Chase Sui Wonders.

Pete and Chase met when they were shooting the film in August of that year, though things didn’t turn romantic until later.

The pair were seen at a New York Rangers game and shopping at a Whole Foods Market in Brooklyn in the first days of their relationship. 

Although they initially denied their relationship, Chase was caught near Pete’s apartment, and the duo was seen enjoying a date night in New York City in January 2023, further fueling romance rumors.

Chase was also a passenger in the Mercedes that Pete crashed into a Beverly Hills mansion in March 2023, which earned the Bupkis star a reckless driving charge. 

The couple eventually ended things in August 2023 after less than a year of dating. 

Pete had a few other romantic flings over the last decade, including Carly Aquillino, Margaret Qualley, Phoebe Dynevor, and Madelyn Cline. 

However, right now, his suspected closest connection is with his most recent ex-girlfriend, Elsie, with whom he’s navigating co-parenting their less than five-month-old daughter.

A source exclusively told The U.S. Sun that Pete’s hectic work schedule and constant traveling while Elsie was at home with their daughter led to their breakup.

Another insider said, “Finding the best co-parenting solution is their top priority.”

Last summer, The U.S. Sun exclusively revealed the former couple was experiencing challenges in their relationship while Elsie was in the early stages of her pregnancy.  

A source claimed that their arguments were “out of control” and that the pair were “secretly recording one another.” 

Pete and Elsie began dating in early 2025 and announced their pregnancy that July. 

Both have yet to address their split.

A Death in Paradise star has given fans a major career update.

A Death in Paradise favourite is teaming up with a Strictly star for a sinister mystery drama.

Ralf Little joined BBC‘s Death in Paradise in January 2020 as the anxious DI Neville Parker, whose romantic life was rather unlucky.

However, when he bid farewell in 2024, Neville departed hand-in-hand with DS Florence Cassell (Josephine Jobert), sailing towards a happy ending.

Two years following his exit, Little is preparing to feature in Channel 4‘s forthcoming psychological thriller, Hunting Alice Bell, described as a “whodunnit with shades of family drama and social satire”.

Based on its official synopsis, the six-episode drama promises to be considerably darker than what Death in Paradise viewers have come to expect from Little.

Hunting Alice Bell centres on the eponymous character, a former nurse and the romantic partner and accomplice of a “notorious anesthetist serial killer”.

She now resides in the UK under a fresh identity, but when Fran Da Silva is accused online of being Alice Bell, “her happy family life implodes into a wave of mob hate”.

The synopsis adds: “Then she discovers she’s not the only woman to suffer this fate. Fran and the other accused women band together to fight back and clear their names.

“But as they battle to prove their innocence, what if one of the group is lying – and is the real Alice Bell?”

Few details are known about Graham Hunter, the character Little will play, with additional information about his involvement in the Channel 4 series remaining under wraps.

He’ll be accompanied by Nightsleeper’s Alexandra Roach as Fran, Sherlock and Strictly Come Dancing favourite Amanda Abbington as Julie, Mobland’s Emily Barber as Vanessa, and Shaun of the Dead legend Simon Pegg as Dr Jason Nash.

Hunting Alice Bell, which will explore the “devastating effects” of rumours, is scheduled to broadcast later this year, though no specific release date has been announced.

Co-creator David Baddiel remarked, “Technology has created a whole new spin on the idea of mistaken identity.

“We are told that in the present culture, anyone can be who they want to be. But that also means that anyone can have who they are taken away from them: the hive mind can decide who you are.

“This happens to the five women in Hunting Alice Bell: in a world where identity is very fluid, they have lost control of theirs.”

Death in Paradise is available to stream on BBC iPlayer.

Saturday Kitchen presenter Matt Tebbutt joked with Rivals stars about a missing guest on this week’s show.

Matt Tebbutt explained why his Saturday Kitchen co-star was missing.

Saturday Kitchen returned this weekend, with presenter Matt Tebbutt hosting some of the stars of the newly released second season of Rivals.

He introduced Gary Lamont, Lisa McGrillis and Emily Atack from the series and asked them all about their characters and what they get up to in the Jilly Cooper adaptation.

After speaking to the Rivals cast, Saturday Kitchen’s Matt Tebbutt addressed viewers, explaining one star’s absence from the line-up.

Helen McGinn, wine expert and presenter, had not been able to take part in the show as Matt said: “Now, Helen McGinn had to stay at home today because last night she had a binge-watch party with her neighbours in the leafy gated community of Hampshire.

“And seriously, she is too much of a fangirl to sit here today; her jaw would be on the floor. She can’t believe she’s missing out on our Rivals special.”

“So guys, please say hello to Helen.” The cast then waved and blew kisses, with Lamont saying, “Wish you were here.”

“Are you hungover, Helen?” McGrillis added cheekily as Matt joked, “Probably is. Helen, drop us a text, let us know what you are up to.”

Viewers took to X noticing her absence, with one sharing: “Rivals dropped last night, and Helen is not doing the wine this morning. Coincidence? #SaturdayKitchen”

Will Murray, Jake Croft and Kate Jenkins were on hand to serve up some culinary delights inspired by 80s classics in homage to Rivals.

Ollie Smith served up some classic cocktails, which were also in tribute to the Disney+ “bonkbuster” series.

Tebbutt and Smith spoke to the Rivals cast about the new season with the show’s host bingeing the first two episodes.

“It’s absolutely brilliant,” Tebbutt said. “And I have to say, none of you looks anything like you do.” Later in the episode, Tebbutt expressed his surprise at the stars’ transformations in the series.

Saturday Kitchen airs on BBC One on Saturdays at 10am

THE 2026 Eurovision Song Contest final is officially here, as Brits prepare themselves for the inevitable ‘null points.’

Over the years, many A-list celebrities have had a go at the world’s most famous singing competition, with some of them more unexpected than others.

Olivia Newton-John

Before her Sandy days, Grease star Olivia Newton-John represented the United Kingdom at Eurovision.

Singing “Long Live Love” back in 1974, Olivia managed to secure joint 4th place behind winners, ABBA.

Celine Dion

A 20-year-old Celine Dion competed in Eurovision back in 1988, singing “Ne partez pas sans moi” for Switzerland.

The Titanic star quickly transformed from a French-language star to a global icon, winning the competition by just one point.

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Blue

British boyband Blue proudly represented the UK in 2011, singing “I Can” to audiences in Düsseldorf.

The band, comprising of Simon Webbe, Duncan James, Antony Costa and Lee Ryan, scored a respectable 100 points, finishing 11th in the competition.

Bonnie Tyler

Beloved Welsh icon Bonnie Tyler represented the United Kingdom in 2013, singing “Believe in Me.”

Bonnie should have been Holding Out for a Hero during the competition, scoring only 23 points and coming 19th.

Cascada

Dance and electronic act Cascada represented Germany in 2013 with the song “Glorious”

The Evacuate the Dancefloor and Everytime We Touch singer finished in a disappointing 21st place in the competition.

Flo Rida

American rapper and singer Flo Rida made one of the most unexpected appearances in Eurovision.

Representing San Marino in 2021, Flo Rida teamed up with singer Senhit to rap a verse of her song, “Adrenaline.”

ABBA

The most famous entry of all, ABBA’s debut at Eurovision catapulted them to global superstardom.

Singing iconic hit “Waterloo” for Sweden back in 1974, their winning performance in Brighton became the start of their legendary careers.

EUROVISION gets underway tonight in Vienna, as fans celebrate the 70th edition of the iconic music competition.

Here’s all you need to know about what time the competition starts and what to expect.

What time does Eurovision start tonight?

The Eurovision Grand Final gets underway at 8pm on BBC 1.

The final is taking place at Wiener Stadthalle in Vienna, Austria.

Austria are hosting this years edition after winning the 2025 contest in Switzerland.

What is the Eurovision 2026 running order?

The running order for tonight’s Eurovision 2026 Grand Final was confirmed after the conclusion of the second semi-final on Thursday.

The running order for tonight is as follows:

1. Denmark: Søren Torpegaard Lund – Før Vi Går Hjem
2. Germany: Sarah Engels – Fire
3. Israel: Noam Bettan – Michelle
4. Belgium: ESSYLA – Dancing on the Ice
5. Albania: Alis – Nân
6. Greece: Akylas – Ferto
7. Ukraine: LELÉKA – Ridnym
8. Australia: Delta Goodrem – Eclipse
9. Serbia: LAVINA – Kraj Mene
10. Malta: AIDAN – Bella
11. Czechia: Daniel Zizka – CROSSROADS
12. Bulgaria: DARA – Bangaranga
13. Croatia: LELEK – Andromeda
14. United Kingdom: LOOK MUM NO COMPUTER – Eins, Zwei, Drei
15. France: Monroe – Regarde !
16. Moldova: Satoshi – Viva, Moldova!
17. Finland: Linda Lampenius x Pete Parkkonen – Liekinheitin
18. Poland: ALICJA – Pray
19. Lithuania: Lion Ceccah – Sólo Quiero Más
20. Sweden: FELICIA – My System
21. Cyprus: Antigoni – JALLA
22. Italy: Sal Da Vinci – Per Sempre Sì
23. Norway: JONAS LOVV – YA YA YA
24. Romania: Alexandra Căpitănescu – Choke Me
25. Austria: COSMÓ – Tanzschein

How can I watch Eurovision 2026?

Coverage will start in the UK on the BBC and BBC iPlayer at 8pm, with Graham Norton returning to his regular commentary role.

The show will last for almost three hours, coverage ending at 11.50pm, when the BBC will switch to the news.

Who is UK entrant Look Mum No Computer?

Look Mum No Computer is the alias of Sam Battle, originating from the name of his YouTube channel dedicated to creative audio electronics projects.

The artist also uses it as his stage name when performing as a musician.

The name is inspired by the phrase “look mum, no hands”, used by kids when they are learning to cycle.

It highlights the artist’s bold, anti-digital approach to making music where he builds his own synthesizers and hardware, such as his famous Furby organ.

Richard Madeley has been married to fellow TV presenter Judy Finnigan for almost 40 years, but the couple have been sleeping in separate rooms due to one particular reason

Richard Madeley has revealed the heartfelt reason behind why he sleeps in a separate bedroom from Judy Finnigan. The 69 year old Good Morning Britain presenter shot to stardom alongside Judy during the 1980s when the couple fronted ITV’s This Morning, before launching their own show, Richard and Judy, on Channel 4.

The pair first crossed paths in 1982, while both were married to different partners, but their romance flourished and 39 years ago today (November 21) they tied the knot in Manchester. They share two children, Jack and Chloe Madeley, while Richard is also stepfather to Judy’s two eldest sons, Dan and Tom Henshaw, from her previous marriage.

Richard and Judy, who turns 78 today (Saturday, May 16), ran from 2001 to 2009 before declining ratings led to its cancellation by television channel Watch. Judy later became a regular panellist on ITV’s Loose Women while Richard joined Good Morning Britain. However, a decade ago, Judy made the major decision to step back from television – which has resulted in them sleeping separately.

And Richard says his wife is “really enjoying” her break from the cameras. Meanwhile, he continues presenting GMB alongside journalist Susanna Reid. Though he recently took time off from the programme, informing followers he was “operating at 80 per cent” after contracting Covid.

Hosting ITV’s flagship morning programme means early rises for Richard. With GMB broadcasting from 6am, he regularly retreats to the spare room so his wife can enjoy a few extra hours of sleep. The beloved presenter lifted the lid on their bedtime arrangements during an appearance on Kate Thornton’s White Wine Question Time podcast.

He explained: “When I’m doing Good Morning Britain I sleep in the spare room. I do probably sleep a little bit better in bed with Judy but I’m okay on my own.” When asked whether he’d consider waking Judy up early instead, he added: “I wouldn’t think of doing that to Judy. Apart from anything else, Judy and her sleep, you do not mess with,” reports the Manchester Evening News.

Kate revealed that fellow early-morning broadcaster Amol Rajan claims he “sleeps better” with his wife beside him — meaning the couple, who have four children all under the age of seven, must rise at the crack of dawn whenever he presents the Today programme. Richard quipped: “Amol Rajan’s wife must be a saint.”

He added: “We did This Morning, but the difference between me and Amol there is that Judy and I would get up at the same time. The alarm would go off, we’d both get up and roll into our jeans, get in the car, and drive to Liverpool to do the show, and then when we were in London, drive down to the Southbank.

So we went to bed at the same time and woke up at the same time.” Richard and Judy first crossed paths in the 1980s while working on separate Granada TV programmes. Richard recalls hearing that Judy was “dicing [an executive] into small cubes with her tongue” following his “something sexist” remark. Speaking to the Guardian in 2014, he said: “I thought, wow – I’m going to marry her.”

Richard has recently disclosed that Judy initially harboured doubts about his capabilities as a stepfather. Speaking to Busted’s Matt Willis on the On the Mend podcast, Richard revealed that Judy made clear she came as a “three-pack” alongside twins Dan and Tom. To thoroughly assess his feelings about the relationship, Richard jetted off to Greece for some soul-searching.

He spent a fortnight in the Mediterranean nation reflecting “quite deeply” on his future, though the tale would eventually reach a happy ending. Richard explained: “So, I went off on my own. I went off to Greece for two weeks on a kind of a solo holiday to think about it, because I didn’t want to rush – well, I wasn’t rushing – but I didn’t want to make that mistake.”

Richard says the period apart from Judy helped him recognise that he was “quite comfortable” taking on a role in the boys’ lives. He added: “I didn’t want to say airily and with super-confidence, ‘Oh, yeah, it’ll be fine. You know, I’m happy to be a stepfather’. I needed to know that I could deliver and that I meant it.”

Married at First Sight USA will hit UK screens next week, and it’s set to make history

A Married at First Sight bride has made history as the first contestant to fall pregnant just weeks into the experiment.

The American version of the dating show is coming to UK screens on Monday (May 18th), and it sounds just as dramatic as the popular Australian series. The premiere will air on E4 at 8pm, with fresh episodes dropping every Monday to Friday.

Season 19 aired in the US back in October 2025, which means its biggest bombshells have spread across social media. One standout storyline included bride Meghann Turner, who revealed she was pregnant in the ninth episode.

She married Derrek Wiedeman at the beginning of the show and they seemingly sparked a physical connection during their honeymoon.

Announcing the baby news on the show, Derrek said: “Where do we start? We found out some pretty crazy news today. Some miraculous news, unexpected news. I think we’re both nervous.”

Meghann then jumped in: “We’re pregnant! And we were not trying — to make that completely known.”

Although they were still early in their relationship, Derrek felt the pregnancy changed “pretty much everything,” while his wife added that they were both “shocked, scared and happy all at once.”

But Derrek was keen to keep the news a secret from the other couples because Meghann was still early in her term.

“It’s still really early in the whole pregnancy. It’s too early yet to have the first doctor’s appointment where they do the ultrasound. We haven’t gotten to that point yet,” he said.

“But that’s going to be in a few weeks, so we’re a little nervous to spend this close of, like, intimate time together around the other couples because we’re not ready to tell anyone.”

We won’t spoil the couple’s current relationship status here, but they appeared compatible to MAFS experts Pastor Cal Roberson, Dr. Pepper Schwartz and Dr. Pia Holec.

Dr Schwartz is a sociologist, sexologist and relationship guru who has been on the show since its very first season. She works alongside marriage counsellor Pastor Cal and sex therapist and psychotherapist Dr Holec.

The new series of MAFS USA kicks off on Monday, 18th May

Rivals has made a comeback and so has Lord Tony Baddingham.

Rivals Season 2 is here with stars teasing that it’s “even better” than before.

Fans couldn’t help but fall in love with the adaptation of late author Jilly Cooper’s Rutshire Chronicles series back in 2024 and thankfully, it’s back for more.

First time around, fans got absorbed into the ruthless battle between ex-Olympian Rupert Campbell-Black (played by Alex Hassell) and media mogul Lord Tony Baddingham (David Tennant).

After plenty of scandal, the 1980s comedy-drama returns and so does Baddingham as he seeks to get his revenge against Rupert and his former employee Declan O’Hara (Aidan Turner).

But what does he intend to do to bring them and their rival television company Venturer to the ground?

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Disney+ is offering a discounted subscription at £3.99 per month for three months when signing up by May 6. This provides cheaper access to hit series like Rivals, Only Murders in the Building and The Bear, plus countless titles from Marvel, Star Wars, Pixar and more.

Where to watch Rivals TV series in the UK

Rivals will be returning to its UK home on Disney Plus for Season 2 where all 12 episodes of the new series will become available.

The lowest price subscription for the streamer is £5.99 per month with adverts, followed by £9.99 for the standard ad-free plan.

Then there is the premium £14.99 per month subscription package which promises ad-free streamer and “top-tier audio/visual quality and offline viewing capabilities”.

As well as Rivals, Disney Plus is also home to an extensive library of other hit shows including The Bear, Grey’s Anatomy, Love Story and The Mandalorian, just to name a few.

So far, only the first three episodes of Rivals Season 2 are currently available to watch on Disney Plus. After this, the next three instalments are going to be released every Friday so episode four will be out on Friday, May 22.

However, as of yet, there is no official release date for the second half of Season 2 which will consist of a further six episodes. The streamer has only revealed that Rivals will be back sometime later this year.

Teasing what fans can expect from the new season, actress Victoria Smurfit said on Lorraine: “We shot 12 episodes, so it meant we could get deeper into the characters.

“We could get funnier, more outrageous, more heartfelt, more love – it’s really juicy, and it’s even better, if that’s possible.”

Rivals season two continues to air every Friday on Disney Plus.

LOVE Island’s Yasmin Pettet left fan’s jaws on the floor as she stripped down to a thong bikini and showed of her sexy pole dancing routine.

The ITV2 show alum, 25, was seen gracefully swirling around the bar in her tiny brown swimwear.

Yasmin nearly popped out of her bikini top as she arched her toned body.

She was seen jumping up onto the bar and wrapping her legs around it. Yas then carefully let go as she elegantly dangled in the air.

The telly star engaged her incredible abs as she pulled herself up to be completely horizontal.

Yas did her whole routine in the daring bikini but was careful not to flash her fans during the sizzling scenes.

Read more on Yasmin Pettet

ALL STARS SWIPE

Love Island’s Yas reignites feud with Helena as she takes brutal swipe

POLE POSITION

Love Island’s Yasmin strips off to tiny bikini for racy pole dancing class

Stunning former Islander Yas had her brunette locks tousled in loose waves as she put on quite a show on the pole.

She captioned the racy Instagram story: “Layback slay.”

Yas has been updating fans on her progress with her pole dancing hobby.

She often frequents London‘s Akila Pole Studio, which focuses on “movement, self-expression and community.”

Last month, she was spotted in the studio at another practice session.

Yas opted for a more casual look, donning a white sports bra from Gymshark and grey shorts from Garage Clothing.

She was snapped hanging of the bar and posing with her arm outstreched.

Yasmin skyrocketed into the spotlight after appearing on season 12 of the summer dating show Love Island.

She entered the famous Mallorca villa as a bombshell on day five and 25 days later she was finally happy in a couple with Jamie Rhodes.

They came in third place and left the show together; but it wasn’t meant to be as they called it quits just weeks after it ended.

The epic period war drama has enthralled critics and audiences world-over, earning glowing praise from all quarters, with viewers comparing it to the brilliance of Gladiator.

Fans of iconic filmmaker Ridley Scott and his cult classic Gladiator are in for a treat, because there’s another film by the director that viewers feel is giving his OG period war masterpiece a run for its money. With a screenplay penned by Ben Affleck, Matt Damon, and Nicole Holofcener, the 2021 epic historical war drama has enthralled critics and audiences world-over, earning glowing praise from all quarters — and it’s streaming on Disney+ and Amazon Prime Video.

Viewers can’t stop raving about Scott’s 2021 film, The Last Duel, which stars Jodie Comer ( Killing Eve ) in the titular role, alongside Adam Driver and Damon. Affleck also has a supporting role in the movie, and the stars are joined by Harriet Walter, Alex Lawther, and Serena Kennedy to round out a stellar supporting cast.

Filmed in France and Ireland, Scott’s epic period drama is one that most people haven’t heard of, owing to its release during the height of the COVID-19 pandemic in October 2021.

Based on true events, the film’s official plot summary states: “Jean de Carrouges is a respected knight known for his bravery and skill on the battlefield. Jacques Le Gris is a Norman squire whose intelligence and eloquence make him one of the most admired nobles in court. The two knights must fight to the death after Carrouges’s wife, Marguerite, accuses Le Gris of assault. The ensuing trial by combat, a gruelling duel to the death, places the fate of all three in God’s hands.”

Garnering largely positive reviews from both critics and audiences, The Last Duel has made its mark, especially when it comes to the period war drama genre.

One critic said of the film: “A brutal, harrowing, intriguing, stunningly well-made film that will linger in your thoughts for quite some time.”

While another reviewer lavished praise on the director: “Ridley Scott delivers one of his best works in years with this brutal, righteous, superbly acted historical drama.”

A third critic said of the historical epic: “With the stakes set so high, Scott rises to the challenge and delivers a brutal, visceral ‘last duel’ with complex narrative designs and a phenomenal carousel of performances.”

While one reviewer simply declared: “Trust us when we say this is a cinematic epic.”

Audience reviews follow in a similar vein, with one fan saying: “A classic Ridley Scott’s work. A masterpiece.”

While another viewer writes: “Brilliant historic epic, beautifully filmed and captivating characters. If you like historical dramas, this is a great film for you”

A glowing IMDB user review of The Last Duel states: “Ridley Scott is the Master of this Genre for a reason. Best director you can find for this kind of visual storytelling is Ridley Scott, and believe me, he’s still top of his game. To be honest, I don’t think that Gladiator was a best picture because of Ridley’s effort, I think it was Russel’s incredible performance. But this movie shines because of Ridley’s awesome visual style.”

While another impressed audience member commented: “[Ridley] Scott certainly gives us a big, bloody and savage movie. Indeed of all his films, this could be the one most likely to appeal to fans of ‘Gladiator’. It’s a fantastic-looking film. There is so much about ‘The Last Duel’ that is smart, funny and totally unexpected that it just might turn out to be the most unlikely multiplex movie of the year.”

Another IMDB review of the period drama (and Ridley Scott’s brilliance) states: “This is, I think it could be argued, in the absolute top tier of Ridley Scott’s filmmaking oeuvre. More than that — and this might be more controversial, but I stand by it — I think it’s his best film, and that it isn’t close.

“This is a Rashomon-style multiple-viewpoints epic with lavish production values, superb acting across the board from a powerhouse cast, and supremely subtle and skilful directing. It is thoughtful, impactful cinema that should be part of the conversation about the best outings in historical filmmaking.”

The Last Duel is available to stream on Disney+ and Amazon Prime Video.

Frenchman Olivier Assayas’ canvas is either highly personal (“Suspended Time”) or deliriously global (“Carlos”). He can be hard to pin down as a filmmaker, except when the material does the restraining for him, as the intermittently arresting but overplayed piece of political theater “The Wizard of the Kremlin” proves.

Operating off the same-named novel by Giuliano da Empoli, about a behind-the-scenes manipulator named Vadim Baranov helping to orchestrate Russian leader Vladimir Putin’s rise to power, Assayas and co-screenwriter-journalist Emmanuel Carrère have fashioned a whirlwind shadow biopic of 21st century tsardom that blends the real story (Jude Law is Putin) and an invented one (Paul Dano is Baranov) with all the wisdom-in-hindsight energy of an old-school epic dramatizing How Things Came to Be.

The problem, though, from its clichéd interview framing (Jeffrey Wright plays an American journalist visiting the retired Baranov at his estate) to the tediously narrated flashback structure, is that the movie never lives and breathes inside its stitched-together moments, preferring to be a relentless, country-hopping talkfest in which characters opine as if fully aware of the consequential era they’re in, fully ready to explain it.

That doesn’t apply to a scarily good Law, who makes the most of a curiously underwritten featured-player part. When given center stage, his Putin is commanding, reminding us of the real sinister power in the room. But everyone else in “The Wizard of the Kremlin” is mouthpiece first, character second. Post-Cold War Russia’s swerve away from clunky democracy is as fascinating a turn of events as geopolitics gets, but it’s been reduced to an extended lecture on power, divvied up into timeline hits (from Yeltsin’s nascent kleptocracy to Putin’s violent fearmongering) and speaking parts made of aphorisms and commentary. (“If you don’t grab power, power grabs you” or “Russia has always needed a strongman,” etc.)

The Zelig-like Baranov character — understood to be a liberalized avatar for inner circle strategist Vladislav Surkov — is an interesting mix of cynicism and opportunity. He goes from being an idealist directing avant-garde theater to honing his manipulation chops making reality TV and eventually helping a savvy business magnate (Will Keen as Boris Berezovsky) fashion Putin into a palatable, malleable politician for an electorate hungry for stability. But when the ex-spymaster’s cold lust to return Russia to imperial glory becomes vengeful and warlike, Baranov’s principles give way to a ruthless impulse.

If only the sorely miscast Dano had the weight to sell this guided tour of corruption — a role that could have been in the vein of one of Scorsese’s charismatic motormouth narrators. Affectedly hushed and conspiratorial in nearly every scene, his accent an afterthought, the normally evocative actor comes off more like a one-note Bond villain in training than someone whose smarts and complexities are meant to intrigue. There’s also little chemistry in his scenes with Alicia Vikander, herself struggling to find dimension in a trophy girlfriend, whose greatest skill in an ever-changing Russia seems to be as an oligarch whisperer.

As “Wizard” barrels along, content to be aimlessly scornful and sloppy, it’s hard not to be reminded of Assayas’ much more successfully finessed “Carlos” and how this effort feels like a truncated miniseries, trimmed of nuance and emotion. It’s sketched out for cynical skimming rather than deeper psychological consideration.

Lainey Wilson and Devlin “Duck” Hodges made a splash last weekend, getting married Sunday at a picturesque waterfall in Tennessee.

And unlike at Wilson’s recent headlining gig at the Stagecoach Festival in Indio, nobody had to evacuate because of dangerously high wind.

“You could hear the water trickling down and birds singing, and we had a nice spring breeze,” the country singer and “Yellowstone” actor told Vogue, which had an exclusive on the event. “I arrived in a white horse-drawn carriage and walked down the aisle with my Deddy to join Duck at the altar.”

Yup, she said “Deddy.” She also said at Stagecoach — once the wind had slowed down and she was performing as promised — that she hoped her fans “sat in your cars and drank some tequila” when they were hastily and temporarily evacuated.

On Sunday, a friend took the couple through their vows as they were standing on a cobblestone ledge at the foot of a waterfall on the 121-year-old Ruskin property about an hour out of Nashville.

The groom wore a bespoke mallard green suit and ornate bolo tie for the ceremony, per Vogue, while the bride rocked some 5-inch Louboutin heels under her Oscar de la Renta gown. She also kept some blinged-out, custom-made high-heeled cowboy boots nearby just in case. Perhaps for the reception?

There was a 12-piece jazz band, Wilson told the fashion publication, and a Cajun meal that reflected her Louisiana roots. The caterer? It was her very own Nashville bar, Bell Bottoms Up, which turns 2 years old at the end of this month.

Wilson and Hodges, an NFL quarterback-turned-entrepreneur, met on a blind date in 2021 that started with a dinner on the water in Hendersonville, Tenn., and ended up at a honky-tonk. “We’ve been pretty inseparable since,” the Grammy winner said.

They got engaged a couple of days before Valentine’s Day in 2025. The retired athlete, who played for the Los Angeles Rams in 2021, is now a Memphis-based real estate agent who specializes in land and recreational properties.

REALITY star Katie Price has hit back at rumours her marriage to Lee Andrews is on the rocks as she shut down speculation in a feisty move.

The couple, who tied the knot in January, were due to appear on GMB on Tuesday but Lee failed to reach the UK leaving Katie to face the interview solo.

Lee’s no show further fuelled rumours of his travel ban, which could explain his many unsuccessful attempts at arriving in England.

After “businessman” Lee ditched plans to fly in, Katie called him out on social media saying he’s made me “look a d**k.”

Fans watched as Katie publicly questioned her husband for the first time and they were convinced the pair were heading for divorce.

But, Katie has clapped back, making fun of those discussing her marriage.

Mixed messages

Katie Price backtracks on husband’s ‘travel ban’ as story doesn’t ‘add up’

PRICEY MISTAKE

I fell for Dubai millionaire’s scam says Danielle Lloyd in warning to Katie

She reposted a picture of a Bratz doll blowing a kiss, with the caption: “Glad I’m the girl being talked about not the miserable one doing the talking.”

Earlier today Katie was forced to put out a statement addressing rumours of her marriage collapse.

She said: “Due to all the madness of trolling, people’s speculation and media frenzy that as a married couple we have both decided @wesleeandrews is taking a break from social media.

“And we are keeping things between us for now as it’s our life and marriage and are very happy.”

It seems Katie made quite the U-turn since she offered Lee a damning ultimatum just days ago.

She explained on her podcast The Katie Price Show: “I said to him, ‘If you don’t turn up to England this time, what’s the deal? Tell me what’s going on because I’m not flying out to Dubai now. I’ve got family, my kids and my job here’.”

Katie said: “If you can’t come to the UK and you are on a flight ban, it’s fine. Just tell me. Does it matter if you can’t fly out of Dubai for whatever reasons, whether it’s two years, three years or never, just tell me.

“I want answers. Just a bit of respect. Just tell me what’s going on.”

While Lee is taking a social media hiatus, Katie is still very much online.

She recently reposted a cryptic quote amid the Lee drama, which said: “Someone asked me what my favourite place is.

“I said: I don’t have a favourite place. I have my favourite people, my kids.

“Whenever I’m with my kids that becomes my favourite place.”

Gogglebox star Ken Harwood from County Durham has died aged 77 following a short illness, with Channel 4 and fans remembering the beloved TV personality as a “legend”

The Gogglebox family is mourning the devastating loss of beloved former cast member Ken, but what do we know about the cherished TV personality?

Ken made his debut on the enduring Channel 4 series in 2021 during the opening episode of series 17, appearing alongside his wife Anne – and the pair swiftly captured viewers’ hearts.

The County Durham duo graced our screens for five series before departing in 2022. Tragically, this week brought news that Ken had passed away following a brief illness, at the age of 77.

But what’s the story behind Anne and Ken’s enduring marriage? And what touching moment did Ken create during their Gogglebox debut? Here’s what we know about Ken.

Born in Consett, County Durham in 1948, Ken dedicated three decades to working as a postmaster before transitioning into local council work. He eventually stepped back from public life in 2013, reports Chronicle Live.

While details about Anne remain relatively private, she shared more than half a century of marriage with Ken. Their inaugural appearance on the programme featured a particularly heartwarming scene when Ken surprised Anne with a stunning bouquet of roses.

During the episode, Anne graciously accepted the gorgeous arrangement, exclaiming: “God they are beautiful.” Ken then revealed there were 50 roses, representing each year of their life together.

Anne responded: “You have put me to shame now with a card and roses, and I got you nothing. But you have me and that’s all you need.”

In a separate episode, Anne had viewers in stitches with her brilliant reaction to Ken’s ill-timed sneezing bout. As the sneezes began, Anne attempted to halt them by reciting a rhyme, where each sneeze supposedly brought him something special.

Anne reckoned Ken had bagged a wish, a kiss, a letter and something better. But then she drew a blank on how it continued. In the end, she quipped: “Oh hell, here we go.”

Gogglebox announced Ken’s passing on Friday (May 15). In their statement, they shared: “Ken will be dearly missed by his wife Anne, sons Simon and Ross, daughter-in-law, Elle, grandchildren Freya and Tristram, and all who knew him.”

They added: “There will be a tribute to Ken at the end of Channel 4’s episode on Gogglebox tonight.” As word spread of the devastating news, fans poured out their grief. One wrote: “Sad news.” While another commented: “Rest easy legend.”

Gogglebox airs every Friday at 9pm on Channel 4

Coronation Street actress Nicola Thorp has revealed that she has been in tens of thousands of debt for 17 years after struggling to pay off her drama school fees

It’s perhaps every drama student’s dream to become an acclaimed actor in film or TV. But former Coronation Street star Nicola Thorp has revealed the downside to following her passion to work in the arts, as she racked up a £30,000 debt accrued from drama school fees.

The 36 year old ITV former soap star, who landed the role of Nicola Rubinstein, on the iconic TV show back in 2017, admitted to being in debt for 17 years. While on This Morning the actress claimed that students were missing their lectures as they were too tired from working to support their schooling.

Nicola studied at the Arts Educational School in London between 2007 and 2010. When asked by host Ben Shepherd about her school fees, she replied: “Yes I did. I had to pay. I am still in about £30,000 of debt now.” She added: “Even 17 years later.” Left in shock by her answer, Ben said: “And that’s the reality for a lot of these students. They don’t have a choice.”

Nicola played Nicola on the ITV soap for two years and left in 2019. Leaving the acting world behind, she has now become a journalist and presenter.

With regular spots on This Morning over the past six years, she has also co-hosted TalkTV’s Talk Today for four years, ending in 2024.

She has also delved into the world of reality TV as she appeared on Celebrity Hunted alongside her husband Nikesh Patel in 2023. The couple became parents to a baby girl the following year.

Speaking of her daughter she took to social media and wrote: “We are delighted to say that we recently welcomed our beautiful baby daughter into the world.” She added: “Everything they say about birth being a rollercoaster of emotions is true. We’re shattered and smitten and everything in between.”

Like this story? For more of the latest showbiz news and gossip, follow Mirror Celebs on TikTok, Snapchat, Instagram, Twitter, Facebook, YouTube and Threads.

A soap star being probed by cops for child sex offences against five teenage boys remains on bail despite being arrested more than 18 months ago

A soap star previously accused of child sex offences against five teenage boys still remains under investigation 18 months after being arrested. The household name was arrested in October 2024 but has been on bail since. It is understood he has been reinterviewed since then over the claims, which date back to the 1990s when the man had major roles in some of Britain’s most popular television shows.

The police force investigating the actor, who can’t be named for legal reasons, has confirmed that inquiries are ongoing, and he remains on bail. Guidance suggests suspects can generally be on bail between three to nine months before needing to be charged or released.

The original bail period can be extended to six months by an inspector, nine months by a superintendent, with further extension needing Magistrate court approval. Detectives have spent time since his arrest analysing computers and documents which they seized upon his arrest.

The star was initially held for several hours before being released on bail. His family, including his partner, were left stunned by his arrest and he is also understood to be shocked by the historic allegations, which he denies. The five alleged victims are now all adults.

A police spokesman initially said in October 2024: “A man has been arrested on suspicion of historical child sex offences involving five victims. Officers investigating allegations relating to the 1990s detained a man. He was arrested on suspicion of several sexual offences relating to five men who were teenage boys at the time of the alleged offending. He has been conditionally bailed while enquiries continue.”

Rivals Season 2 has landed with fans just discovering Dermot O’Leary’s personal connection to the saucy comedy-drama.

Dermot O’Leary may not be in Rivals Season 2 but he does have a close link to the Disney Plus hit.

Two years after Rivals exploded onto our screens, the raunchy Disney Plus drama is back for more with the first three episodes of Rivals dropping today, Friday, May 15.

As fans eagerly await for the rest of the series to become available, many are only just discovering This Morning star Dermot O’Leary has a close tie with the 1980s phenomenon.

He is married to Norwegian-British television and film producer and director Dee Koppang O’Leary who has worked behind the scenes on both seasons of Rivals.

She is also well known for her work on other major shows such as The Split, Bridgerton and The Crown, just to name a few.

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Dermot and Dee have been married since September 2012, having met at a TV production company where they were both working. They dated for nine years before getting engaged in New York in 2011 and married the following year.

The pair now share one son together, Kasper, who was born in June 2020. While the famous couple tend to keep their marriage out of the spotlight, Dermot did show his support on Rivals season two by hosting an “in conversation” event with its cast and producers earlier this month.

Following the success of the first series, Dermot also posted that he was “proud as punch” of his wife after winning two Broadcast Awards.

Dermot previously spoke to Fabulous magazine about the secret to having a happy marriage.

“We don’t have the recipe, but it’s going well.

“It’s a work in progress, isn’t it? The key for me is giving each other space, not giving each other a hard time and actually having fun together. And we do.”

He added: “It’s about the neighbourhood you live in.

“If you embrace the greengrocers, the local store, the dry cleaners, you just become a face and part of a community. And that’s how you have a normal life.”

Rivals Season 2 will continue to air weekly every Friday on Disney Plus.

Professional visual artists hate generative AI. This should come as no surprise, but a new survey released last month by a trio of researchers at Carnegie Mellon University breaks down just how much: 99% of respondents out of a pool of 378 verified professional visual artists noted their dislike for the technology, with 92% categorizing it as “strong dislike.”

Even more jarring, the survey found that 80% of respondents believe that they’re in competition with the technology. The artists expressed deep concerns about the impact AI is having on their careers, with 54% saying it has diminished their income, 75% their job and clientele security, and 90% their income opportunities. Another 77% said it had negatively impacted their career growth, 61% the future of their career, and 74% their career sustainability.

The jobs most heavily affected include commercial artists, graphic designers and concept artists in entertainment whose work is sometimes entirely replaced — or largely commandeered — by images generated using tools like Midjourney, Adobe Fireplay or DALL-E; but fine artists working in traditional media are also experiencing a devaluation of their work and a shrinking pool of employers.

“I’m working on getting out of the field and planning to get my PhD in something non-art related because I can’t see my current work as being sustainable when I see them actively replacing me [with] chatGPT,” a costume designer and illustrator said in the survey, which notes, “Demoralization, disempowerment, disrespect, stress, and fear are also commonly expressed, not only regarding individual careers but also extending towards the field at large.”

“It’s been pretty demoralizing at times seeing a lot of younger artists giving up because they don’t see a future in art. That they’re abandoning their creative passions because of AI,” another illustrator said. A comic artist, writer and painter noted that AI underscores that art is not important to the general public. “It has been demoralizing largely because generated AI images look like crap but there is a segment of the population who seem to not care,” the artist said.

Then there is the unnervingly meta task of artists trying to prove they are human, or that they did not generate their work using AI.

“I find users online to be more critical, looking at art less to enjoy it and more so to figure out if it’s AI generated or not. There’s a lot of pressure and anxiety in proving you are a real person now,” one illustrator and designer said. Another artist and sculptor said, “I have seen false accusations for use of AI in work from other artists who do not use AI and I am fearful of being accused of this as well, I now record the creation process of most things so that I have proof AI was not utilized.”

This study affirms the findings of a less formal ongoing survey conducted by Brian Merchant, a former Times technology columnist who now writes an indispensable newsletter on Substack called “Blood in the Machine,” which keeps razor-sharp track of the ways AI is affecting labor, and the pattern of Big Tech deflecting responsibility for harm. As part of an ongoing series titled, “AI Killed My Job,” Merchant invited visual artists to write to him about their experiences, and published the most compelling — and crushing — responses.

In that column, Merchant discusses the “good enough” principle of AI-generated art, noting, “Creative workers aren’t typically worried that AI systems are so good they’ll be rendered obsolete as artists, or that AI-generated work will be better than theirs. Their fear is that clients, managers, and even consumers will deem AI art ‘good enough’ as the companies that produce it push down their wages and corrode their ability to earn a living.”

An idea highlighted in the following letter published by Merchant from an anonymous source:

“I’ve been out of work for a while now. I made children’s book illustrations, stock art, and took various art commissions.

Now I have several maxed out credit cards and use a donation bin for food. I haven’t had a steady contract in over a year. two weeks ago, when a client who has switched to AI found out about this he gave me $50 out of ‘a sense of guilt.’ Basically pity for the fact that Illustrator, as a job, does not exist anymore.”

One thing Merchant is exceedingly good at is reminding readers that there is a surge of dissent swelling from the proletariat — and that after you’re done feeling the necessary despair, you can join the anti-AI resistance. For visual artists that can be as simple as utilizing a growing number of defensive tools when it comes to protecting art, most notably Glaze and Nightshade. The former adds the smallest pixel-sized changes to your artwork, which serves to confuse AI so it can’t train on your style; the latter — as the name implies — acts more like a poison that corrupts AI training data so it can’t scrape from a protected image.

I’m Arts editor — and proud Luddite — Jessica Gelt. This is your arts and culture news for the week.

The week ahead: A curated calendar

FRIDAY

Celeste Butler-Clayton as Coretta Scott King in “Experiencing the Dream: The MLK Musical.”

(Triple T Photography)

Experiencing the Dream: MLK the Musical
The show’s 26 songs will be recorded live with an orchestra of 27 musicians under the direction of Leon Lacy, with orchestrations by Felipe Paccagnella, vocal arrangements by Tony Jones and musical direction by arranger/producer William Taylor. The cast includes Eric Dawkins, Bishop Jonathan Mason, Yolanda Gibbons, Patricia Jackson, James Singleton, Melvin Crispell, Pam Blackmon Kendle and Celeste Butler-Clayton. Written by Kesha L. Ealy and Marcus S. Mason. Mason also composed the music.
7 p.m. Greater Emmanuel Temple, 3740 E. Imperial Hwy., Lynwood. MLKthemusical.com

Riverdance 30 — The New Generation
The Irish music and dance phenomenon marks its three decades with a special anniversary tour.
7:30 p.m. Friday; 2 and 7:30 p.m. Saturday; 1 and 6:30 p.m. Sunday. Segerstrom Center for the Arts, 600 Town Center Drive, Costa Mesa. scfta.org

SATURDAY

Ryuichi Sakamoto, left; Bang on a Can All-Stars.

(The Wallis)

Ryuichi Sakamoto
Contemporary music sextet Bang on a Can All-Stars pay tribute to the Japanese composer with works from his album “1996,” which included pieces from his film scores, including “Merry Christmas, Mr. Lawrence” (1983), “The Last Emperor” (1987), for which he won an Academy Award, “The Sheltering Sky” (1990) and “Little Buddha” (1993).
7:30 p.m. The Wallis, 9390 N. Santa Monica Blvd., Beverly Hills. thewallis.org

Vijay Iyer and Wadada Leo Smith
The longtime collaborators perform music from their 2025 album “Defiant Life” which Iyer noted “was shaped by our ongoing sorrow and outrage over the past year’s cruelties, but also by our faith in human possibility.”
8 p.m. UCLA Nimoy Theater, 1262 Westwood Blvd. cap.ucla.edu

Radiance + Reverie
Los Angeles Chamber Orchestra music director Jaime Martín leads the group in Mozart’s “Haffner” Symphony, “Selah,” a world premiere of a new Double Concerto by Christopher Cerrone performed by violinist Anthony Marwood and cellist Coleman Itzkoff, and Tchaikovsky’s “Mozartiana.”
7:30 p.m. Saturday. Zipper Hall, 200 S. Grand Ave., downtown L.A.; 4 p.m. Sunday. The Wallis, 9390 N. Santa Monica Blvd., Beverly Hills. laco.org

Mads Mikkelsen and Zlatko Burić in ‘Pusher II: With Blood on My Hands.”

(Jens Juncker-Jensen / NWR / Magnolia Pictures )

Pusher trilogy
Danish filmmaker Nicolas Winding Refn’s gritty triptych takes us through the violent criminal underworld of Copenhagen in three interconnected films, each with a different protagonist: “Pusher” (1996), starring Kim Bodnia; “Pusher II: With Blood On My Hands” (2004), starring Mads Mikkelsen; “Pusher III: I’m The Angel Of Death,” starring Zlatko Burić.
5 p.m. Egyptian Theatre, 6712 Hollywood Blvd. americancinematheque.com

Jodi Siegel
The singer-songwriter and guitarist is joined by guitarist Greg Porée and percussionist Justin Porée for an evening of blues, R&B, soul and jazz.
8 p.m. Sierra Madre Playhouse, Sierra Madre Playhouse, 87 W. Sierra Madre Blvd. sierramadreplayhouse.org

SUNDAY
Celebrating Photography
The Getty has a series of events inspired by the exhibition “Photography and the Black Arts Movement, 1955–1985” (which continues through June 14). It begins Sunday with a free, daylong Family Festival featuring live music, dance, storytelling and interactive workshops. On Wednesday evening, moderator Karen Grigsby Bates and authors Dr. Karin L. Stanford and Mark Speltz discuss the new book “Marching West: The Los Angeles Civil Rights Movement in Photographs.” Thursday morning, the panel “Backstage: An Unfurling of the JPC: Black Photography & Visual Culture” examines how the Johnson Publishing Company and its photographers impacted Black visual culture and the larger field of photography. Finally, on June 7, authors Jeanne Moutoussamy-Ashe (“Viewfinders: Black Women Photographers”) and Deborah Willis (“Black Photographers, 1840 to 1940: An Illustrated Bio-Bibliography”) discuss their work as artists and historians.
Family Festival, 10 a.m.-5 p.m. Sunday; “Backstage: An Unfurling of the JPC,” 10 a.m. Thursday (also online); “Marching West,” 7 p.m. Wednesday (also online); “Viewfinders,” 4 p.m. June 7 (also online). Getty Center, 1200 Getty Center Drive, L.A. getty.edu

F For Fake
A 35 mm screening of Orson Welles’ 1973 enigmatic docudrama profiles professional art forger Elmyr de Hory as a starting point for examining authenticity and authorship.
6 p.m. Brain-Dead Studios, 611 N. Fairfax Ave. studios.wearebraindead.com

Philip Glass and the Poets
The first major Philip Glass 90th birthday celebration (he was born Jan. 31, 1927) features Timo Andres on piano and spoken word performance by Taylor Mac, with special guest appearances by Lucinda Childs and the San Francisco Girls Chorus and their artistic director Valérie Sainte-Agathe.
7 p.m. UC Santa Barbara, Campbell Hall. artsandlectures.ucsb.edu

TUESDAY

Gustavo Dudamel will lead the L.A. Phil in Wagner’s “Die Walküre” in three parts, Tuessday-Sunday at Disney Concert Hall.

(Etienne Laurent / For The Times)

Die Walküre
Conductor Gustavo Dudamel and the L.A. Phil, along with director Alberto Arvelo, tackle the second installment in Wagner’s epic Ring Cycle in three stand-alone parts with opera stars Jamez McCorkle, Jessica Faselt, Christine Goerke and Ryan Speedo Green, and scenic designs by Frank Gehry.
Act I, 8 p.m. Tuesday and Friday; Act II, 8 p.m. Wednesday and Saturday; Act II, 8 p.m. Thursday and 2 p.m. Sunday. Walt Disney Concert Hall, 111 S. Grand Ave., downtown L.A. laphil.com

WEDNESDAY
Being There
Peter Sellers received an Oscar nomination for his portrayal of a simple gardener catapulted into the media spotlight and presidential politics in Hal Ashby’s prescient 1979 satire. Shirley MacLaine, Jack Warden and Melvyn Douglas co-star. Screening in 35 mm with an appearance by cinematographer Caleb Deschanel.
7:30 p.m. Academy Museum, 6067 Wilshire Blvd. academymuseum.org

Life of Mozart
The Pasadena Choral Society presents the composer’s unfinished “Requiem” within a dramatic framework using Mozart’s own words. Milo Brody plays Mozart, accompanied by pianist Tali Tadmor, with solos by soprano Erika Boychenko, alto Ali Frazzini, tenor Eric Wernerand bass Chris Tickner.
7:30 p.m. San Marino Community Church, 1750 Virginia Rd #0412. givebutter.com/lifeofmozart

Primary Trust
Times theater critic Charles McNulty described Eboni Booth’s 2024 Pulitzer Prize-winning play as “a quirky, small-scale, quietly reflective work that’s as tenderhearted as it is spryly comic and as poignant as it is ultimately uplifting,” when it had its West Coast premiere at La Jolla Playhouse. Once again directed by Knud Adams, it arrives in Los Angeles with a cast that includes Ugo Chukwu, Rebecca S’manga Frank, Petey McGee and James Urbaniak, with music by Luke Wygodny.
Through June 28 Mark Taper Forum, 135 N. Grand Ave., downtown L.A. centertheatregroup.org

Studio installation view from “A Palace in Time” at the Skirball beginning May 20.

(Courtesy of Robert Russell and Lisa Edelstein.)

Skirball Spring Exhibitions
The Skirball Cultural Center launches three new exhibitions next week: “Inventing America: The Comic Book Revolution”; “Outsiders, Outcasts, Rebels + Weirdos: Punk Culture 1976–1986”; and “Robert Russell and Lisa Edelstein: A Palace in Time.” All three open May 20, Skirball Cultural Center, 2701 N. Sepulveda Blvd., Los Angeles. skirball.org

THURSDAY

Ain’t Misbehavin’
Grammy Award-winning artist Ledisi headlines this Ebony Repertory Theatre production, in association with Fig Street Films, of the Tony Award-winning revue, a tribute to the music of Fats Waller. Directed by Wren T. Brown, with choreography by Dominique Kelley and music direction by William Foster McDaniel. Chester Gregory, Connie Jackson, Marty Austin Lamar and Natalie Wachen co-star.
May 21 through June 8. Nate Holden Performing Arts Center, 4718 W. Washington Blvd. L.A. ebony rep.org.

Arts anywhere

New and recent releases of arts-related media.

Shaina Taub, Jenna Bainbridge and the cast of “Suffs” during the 77th Annual Tony Awards in 2024.

(Theo Wargo / Getty Images for Tony Awards Productions)

Suffs
When the national tour of Shaina Taub’s musical about the suffragette movement marched through the Hollywood Pantages last fall, Times theater critic Charles McNulty wrote that it “is as informative as it is uplifting. It is above all a moving testament to the power of sisterhood. The struggle for equality continues to face crushing setbacks today, but Taub wants us to remember what can happen when people stand united for a just cause.” Captured on Broadway in December 2024, “Suffs,” starring Taub, who also wrote the book, music and lyrics for the show, debuted on PBS’ “Great Performances” earlier this month and is streaming online until the end of July. pbs.org

— Kevin Crust

Culture news and the SoCal scene

Johnie’s Coffee Shop in Los Angeles May 8.

(Ariana Drehsler / For The Times)

Artist Gary Baseman staged his first hometown show in more than a decade at the long-shuttered, but still iconic Johnie’s Coffee Shop along Miracle Mile on Wilshire Blvd. The Googie-style structure opened its doors for the exhibit, which featured a variety of Baseman’s drawings on menus from L.A.-area restaurants.

The critic Rex Reed died this week at the age of 87 and Times theater critic Charles McNulty wrote an appreciation of the often acerbic provocateur. “He didn’t mince words or allow nuance or second thoughts to stand in the way of a zingy phrase or a colorful wisecrack. Unbridled opinion was his stock-in-trade,” McNulty wrote.

McNulty also weighed in with a review of a revival of Eugène Ionesco’s “Exit the King,” directed by Michael Michetti at A Noise Within. Ionesco, a Romanian-born French playwright, is one of the pillars of the Theatre of the Absurd, McNulty writes, adding, “The existential philosophy of Camus and Sartre, self-evident truths for these absurdist writers, is conveyed less through the content than through the style of their plays. Language is no longer a means of communication but a mark of the unbridgeable distance between human beings.”

People play a satirical video game installation titled “Operation Epic Furious Strait to Hell,” created by guerrilla art group Secret Handshake.

(Heather Diehl / Getty Images)

You can order a Diet Coke, or bomb Iran in a new video game about the Iran war called “Operation Epic Furious: Strait to Hell,” which was installed near the National Mall in Washington, D.C. by the anonymous arts activist group Secret Handshake. For the past year and a half the group has secured permits to erect an ongoing series of satirical public sculptures — mostly about President Trump’s alleged ties to convicted sex trafficker Jeffrey Epstein — on and around the National Mall. This is the group’s first foray into video games.

Times classical music critic Mark Swed devoted a recent column to the genius of the American theater director, playwright and performer Robert Wilson, who died last year at the age of 83. “So far this year, there have been, or will be through the end of June, major Wilson opera and theater productions in Moscow; Paris; Ljubljana, Slovenia; Düsseldorf, Germany; Adelaide, Australia; Kaunas, Lithuania; Vienna; Rome; Tokyo; Luxembourg City, Luxembourg; Berlin; Riga, Latvia; and Sophia, Bulgaria. That is to say, pretty much Wilson business as usual,” Swed writes, before examining two new performances of Wilson’s work in Brooklyn and Houston.

Artist Todd Gray stands in front of his work inside the Wilshire/La Cienega Metro Station on May 1 in Los Angeles.

(Carlin Stiehl / For The Times)

Iris Kwok marked the opening of L.A. Metro’s new D Line extension by profiling four of the artists behind the public artwork in three new stations. Nine artists in total worked on site-specific installations: Mariana Castillo Deball, Eamon Ore-Giron, Ken Gonzales-Day, Todd Gray, Karl Haendel, Soo Kim, Fran Siegel, Susan Silton and Mark Dean Veca.

Julius Miller broke the news that a series of seven digital billboards promoting peace will go up across the city as part of the Broad Museum’s upcoming exhibit, “Yoko Ono: Music of the Mind,” which opens May 23. The billboards arrive nearly 57 years after Ono and John Lennon “erected a billboard near the Chateau Marmont emblazoned with the words, “WAR IS OVER! If You Want It.”

Culver City’s Wende Museum of the Cold War announced it will build a $16-million expansion in Hawthorne. It plans to transform a newly purchased Midcentury Modern building into a research institute and interactive storage facility for its collections — “a ‘living archive,’ as it’s calling the facility,” writes Deborah Vankin. The opening is currently set for 2028.

Alvin Ailey’s American Dance Theatre’s Chalvar Montei leaps for the stars. The troupe will perform as part of the Glorya Kaufman Presents Dance at the Music Center.

(Dario Calmese / Courtesy La Jolla Music Society
)

The Music Center announced its lineup this week for the 2026–27 season of Glorya Kaufman Presents Dance at the Music Center. Highlights include the Joffrey Ballet’s West Coast premiere of “The Sleeping Beauty,” Compañía Nacional de Danza’s North American premiere of “Don Quixote,” and the Los Angeles premiere of a Jerome Robbins ballet festival curated by Tiler Peck. Alvin Ailey Dance Theater is also part of the lineup, and choreographer Sonya Tayeh will unveil an L.A. premiere set to the music of Sinéad O’Connor.

The Los Angeles Philharmonic has announced the 2026 summer season at the Ford. The open-air venue across from the Hollywood Bowl is now in its seventh season under LA Phil leadership, and shows are set to run through Oct. 31. Grab your picnic basket and select a date from a wide variety of shows including dance, music and film. Stand-out acts include Bilal and DJ Rashida, Matteo Bocelli, Jacob Collier, Judy Collins and Bruce Cockburn, Ani DiFranco and Valerie June, Helado Negro and Reyna Tropical, Joe Hisaishi, Iron & Wine, the L.A. Phil, and Punch Brothers.

The Institute of Latino Art has opened in Pomona, with a grand opening reception scheduled for June 13. Occupying the former Latino Art Museum space, the new gallery was founded by artist Oscar Magallanes. A news release notes, “ILA represents a new artist-led institution in the Inland Empire, working to connect regional communities with contemporary Latin American and Chicano art. The inaugural exhibition, ‘Reclamation: Art in Contested Spaces,’ features NSRGNTS, Lapiztola, and Rubén Ortiz-Torres.”

— Jessica Gelt

And last but not least

Times columnist Mary McNamara went to Yorkshire and wrote that it was the bucket-list literary trip of her dreams. Mine too!

Monty Don says he often felt like ‘summer had arrived without me’ when spending time at boarding school as a child, a feeling he experiences now when filming a hit BBC show

Monty Don finds himself “restraining tears” as he opened up about a moment that makes him “resent” a BBC show. Monty, 70, says he has long realised that “home is the epicentre” of his world.

It came after he was sent to boarding school as a youngster and found himself feeling as though “summer had arrived without me”. Monty says that while the seasons shifted at school, home is where they “truly existed”.

He admits that his world now “spins” around his Longmeadow home, which he purchased in 1991. The property consisted of an abandoned field with a single tree in it when Monty bought it.

It now boasts a series of lovingly crafted gardens. It is at Longmeadow that Monty often finds himself feeling like he did when he was a small child, bursting into tears as he realised the seasons had come and gone.

Writing in the Gardeners’ World magazine, he said: “I still have a moment or two like that every year in the garden, although now, 67 years later, I do my best to restrain the tears.”

Monty says a garden often has a “watershed moment” where it seems as though one season becomes the next. The star believes it can often happen with “seemingly no transition” between the two.

On the whole though, Monty explains that in gardening, things “change constantly” through “slow mergings”. He says one moment he often notices the change at Longmeadow is when he goes to the RHS Chelsea Flower Show.

Monty presents the coverage alongside the likes of Rachel de Thame, Angellica Bell and Nikki Chapman. Monty says he leaves Herefordshire on the Sunday and returns a week later.

In that time, he jokes that his garden has “completely rearranged itself”. “Spring has toppled into summer and I was not there to see it,” he explains.

It brings a “complicated mess of emotions” for Monty, a hark back to his days as a boy at boarding school. He says he feels a sense of “betrayal” from his garden, as well as the delight at welcoming in the new season.

And in part, Monty says he blames the Chelsea Flower Show for taking him away from Longmeadow. He continued: “I do not want to miss out on the greatest garden extravaganza of the year and am delighted to and privileged to present the programme from there, and yet part of me resents being taken away from the garden at this critical moment.”

Monty will return to screens this evening from 8pm (May 15) on BBC Two with Gardeners’ World. He will be making a start on some of his amazing summer planters, including working on his leeks and making fertiliser.

Elsewhere, Frances Tophill will be in Berkshire learning about biodynamic gardening and the benefits it can bring. Adam Frost will be showing viewers around his new garden as it begins to take shape.

Benidorm star Crissy Rock has warned that political correctness has possibly “gone too far” for the beloved sitcom to make a comeback but has a new project that she says is perfect for fans of the show

Crissy Rock has warned that political correctness might put a stop to a reboot of Benidorm. The actress, 67, starred as Janey Yorke in the first four series of the sunny sitcom, which ran from 2007 until 2018.

Whilst the star would jump at the chance to go back to her role as the Solana hotel manageress, who was eventually replaced by Sherrie Hewson as Joyce Temple-Savage, she worries that certain attitudes these days might make a comeback impossible.

She told The Mirror: “There’s always whispers [about a reboot], this, that and the other. I’m sure there would be a place for it because it’s so in demand, but with all this political correctness you can’t say this and you can’t say that now.

“You can’t even smoke! I was watching something the other day and a thing came up saying ‘May contain smoking!’ What’s wrong? The world’s gone mad!”

READ MORE: Benidorm favourite Elsie Kelly dies as co-star pays heartfelt tributeREAD MORE: Sherrie Hewson shares bleak Benidorm update amid reboot rumours

The former I’m A Celebrity…Get Me Out Of Here! contestant, who starred on Benidorm alongside other TV favourites like Siobhan Finneran, Johnny Vegas and Sheridan Smith amongst a host of others, tries to stay away from politics when she performs her stand-up routines, but still thinks that it has all “gone too far” with what can and can’t be said these days.

She added: “In my own show, I don’t do politics. My act has been practically the same for years but I just think [political correctness] has all gone too far the other way. In pantomime, you can’t have the Prince kiss Snow White anymore but you can have a dog come on and lick her face, I mean, it’s gone too far! Someone said I couldn’t say ‘Alright, love’ anymore. It’s just gone stupid!”

Despite her willingness to make a comeback should the chance ever appear, Crissy doesn’t have all good memories from working on the set in the Spanish city.

She said: “It was lovely, and then the reality kicked in that you were stuck in a building with no air conditioning, really roasting with the lights and, half the time you couldn’t hardly breathe. Then you have to start turning the lights off and put the air conditioning on because it was really, really hot, especially when they’re doing all the indoor scenes in the club.”

But for now, Crissy, who shot to fame when she took on the leading role of the 1994 film Ladybird, Ladybird, is happy to be back on stage with a new production of Desperate Scousewives. She stars as Lily, who along with Susan and Vanessa, must navigate things when Trisha, a single mum from Manchester, arrives on their tight-knit backstreet in Liverpool.

All set during a hen do, where the bride is preparing to get married to man in prison she has never actually met, Crissy thinks it will be the perfect night out for fans of the ITV sitcom.

She explained: “Desperate Scousewives is a bit like Benidorm, because the reason Benidorm was so successful is people would watch it and go, ‘Doesn’t that remind you of that drunk around the corner, oh what about her? I know someone just like her!’

“So everyone recognised themselves as someone. And with Desperate Scousewives, everyone who goes will say, ‘I remember that,’ and ‘I recognise her!'”

Desperate Scousewives is written by Lynne Fitzgerald, who also stars as Susan in the production, and embraces the kind of Northern humour that has become synonymous with programmes like Coronation Street, The Royle Family and Shameless.

Liverpool-born Crissy was challenged by someone who wondered how that kind of humour would go down across the nation but she remained full of confidence that it is a universally funny piece of work.

She said: “I met someone who wasn’t from up north who said ‘How do you think this is going to travel?’ and I said ‘Perfectly!’ because we are the street anywhere in the country.

“There’s three or four women exactly like that in every other street in the county. It’s not about your voice or where you’re from, it’s… individuals, their lives, So it could be any street in any part of England.

“I play bit of a matriarch. Nosey, absolutely nosey. And she wants to know everyone’s business but she doesn’t want anyone to know her business and then when she meets anyone new she puts this telephone voice on, trying to talk posh.

“The others will be telling her to shut up and she’ll go ‘Oh, take no notice of those little b*****s!’ It’s been such good fun [in rehearsals], we can’t look at each other without laughing!”

Desperate Scousewives is on tour across the UK. For tickets and more information, go to www.scousewivesonstage.com