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Thirty years ago a teenage boy, traveling abroad and without parents for the first time, came upon a scene of staggering destruction.

At Pompeii, when Tom Hiddleston saw the casts of the bodies killed by the explosion of Mt. Vesuvius in AD 79, he wasn’t just horrified, he was mesmerized, even excited; amid all that death it felt like the past was alive.

“Until that point, it had existed in books in the classroom, but I felt like was going back in time, walking into the past,” he said in a recent video interview about “Pompeii: Out of Time With Tom Hiddleston,” his new series that’s a hybrid of travelogue, documentary and extensive dramatic reenactments (with a meta touch).

“I was knocked sideways by the quality of the preservation,” he recalled of that teenage visit. “You can hear that these buildings carry the echoes of the lives they contained because of the frescoes, the mosaics, the furniture. You feel 2,000 years compress and collapse. It’s like magic.”

Hiddleston knows something about magic and time travel. After studying classics at Cambridge, his acting career led to the Marvel Cinematic Universe and the role of Loki, the god of mischief and “the boundary crosser.” Loki’s movie misdeeds get him “removed from the timeline of history,” and in the “Loki” spinoff TV show, he faces his past while bouncing through time.

One place Loki lands is Pompeii. Hiddleston was actually on a set in Atlanta, but there he was speaking Latin and revisiting his own past. “I felt this extraordinary confluence of my passions.”

Tom Hiddleston in a scene from the series, where he speaks to experts about Pompeii and how the eruption of Mt. Vesuvius unfolded.

(Christian Black / National Geographic)

Hiddleston had been talking with producer Kevin R. Wright about his fascination with the ancient world, and after seeing Hiddleston in fictional Pompeii, Wright got the ball rolling on “Out of Time,” co-writing and helping to produce the series, which debuts Wednesday on NatGeo and Thursday on Hulu and Disney+.

On the show, Hiddleston travels back to Pompeii and the lip of the volcano, speaking to experts of Pompeii’s history and volcanoes but also one in surviving disasters to help him understand people’s behavior as the sky was falling on them. “It’s about trying to gather as much evidence from different disciplines,” he explained.

Hiddleston’s enthusiasm for the project is evident throughout our interview: Each question earned a five-minute response, all delivered with passion (and incredibly articulate with no verbal fillers or talking in circles) and fascinating digressions — he broke down the Greek and Latin roots of the words “democrat” and “republican,” mentioned the classical references in the architecture of the New York Stock Exchange and British Museum, and tied in the relevance of Christopher Nolan’s “The Odyssey.”

Here, for instance, is a portion of his answer to my first question about whether the driving force of the series was the importance of facts in understanding history, using storytelling and imagination to create empathy for the people of Pompeii, or to show the way our past still has lessons to offer today:

“I wanted a series with an original dynamism, which could be immersive and propulsive and emotional, and bring the story of Pompeii and its people back to life in a way that could be different and innovative. I wanted to evoke for the audience the feeling that I had when I first went to Pompeii.

“At university, I had teachers who taught me to live in the question and that our relationship with the past is a two-way street. One cannot examine the past without acknowledging that we look back from the perspective of where we stand. We tell stories to understand something about ourselves — we need to know who we were to think about who we are now.

Darius Arya, an archeologist and historian, with Hiddleston in the ancient city of Herculaneum. (Paolo Verzone/National Geographic)

Human remains inside of boat sheds, where people took shelter from the eruption of Mt. Vesuvius. (Paolo Verzone/National Geographic)

“The engine of my commitment was centered on empathy, trying to honor the lives of the people of Pompeii. If we could gather enough evidence, enough fragments of truth, they might add up to a picture of history, which would generate great reserves of feeling and compassion so we could see ourselves in their predicament, their instincts, their choices, their capacity to help each other. And that experience of empathy and compassion would connect us to a thread across time to people experiencing a terrifying and traumatic event, and to see that in our world now.

“But we were very careful about the idea that the truth matters. In writing history, there must be intense rigor — evidence is important and if you have evidence that should counteract any bias or hypothesis.

“But the evidence here is incomplete so at some point, you have to take an educated guess, a leap of imagination. The past is a two-way street with the present, but it’s also an eternal mystery and all of our questions will never be answered so there’s that joy of living in the question.”

When the publicist said our time was up, Hiddleston stepped out of time and took one more question. And then another and another, nearly doubling the time allotted, thrilled to be exploring the connections between past and present.

While many people think that the city’s population was wiped out, the vast majority actually escaped and modern research has found the names and details of hundreds of survivors. Hiddleston notes that “one great gift of Pompeii is that the Romans didn’t have paper, so the walls, the columns, the houses, the public buildings are covered in writing: deeds, business contracts, advertisements, gossip, doodles.”

In this behind the scene photo, director of photography Jim Jolliffe runs with a camera, following Frankie Treadaway playing Avianius, a teenage boy whose story is reenacted in the series.

(Darrin Zammit Lupi / National Geographic)

The three episodes track the stories of a teenage boy, a successful businesswoman and a soldier in the nearby town of Herculaneum, with a sprawling cast and special effects bringing those scenes to life. “We thought that in the words of Pliny the Younger, ‘their lives were worthy of our memory.’ ”

While there have been other more traditional Pompeii documentaries, Hiddleston felt he had something distinctive to offer, thanks to his “day job.”

“I take a piece of writing and a character, real or imagined, and research as much as I can, and then imagine it and try and breathe life into a person,” he says. “Even when I’ve played real people, I’ve run out of evidence. That’s when you just have to extend your empathy and compassion, your knowledge of human beings and the breadth and range of human experience, the things we all share and can connect with to find an internal world of variety and depth.”

Hiddleston wanted to extend that to the people of Pompeii. “They were three dimensional people with rich lives,” he says. “We follow the trail of breadcrumbs as far as we can, and then try to bring them to life with empathy and compassion.”

MUNICH, Germany — Nicholas Brownlee had just fallen in love with opera and was eager to see if his emerging bass-baritone voice could handle Richard Wagner’s music. It did not go well.

“I kept reading how you have to wait to sing this big repertoire,” Brownlee said. But there was one bit of Wagner — Wolfram’s “Song to the Evening Star” from “Tannhäuser” — that’s “a little bit lighter. I figured it was more appropriate.”

So he brought it to his teacher, Thomas Rowell, at the University of South Alabama and asked what he thought.

“I just laughed at him and told him to go away,” Rowell recalled. “He knew that big voice was there, and he was so eager to try on the clothes, but they didn’t fit for a while. It was still a very young instrument.”

Reminded of that exchange nearly 20 years later, Brownlee smiles. “I was a bit ambitious,” he said. “But this was just me.”

Now that ambition — what he calls “a fire in my belly that burns brighter every day,” — has helped propel Brownlee to the very top of his profession at age 37. And he’s done it by singing a lot of Wagner.

Brownlee recently made his debut as Wotan, embattled king of the gods, in “Die Walküre” at the Bavarian State Opera House, part two of a complete “Ring” cycle directed by Tobias Kratzer. He had previously sung the role in “Das Rheingold,” the opera that opens the cycle.

The critics reached for superlatives. “A heroic baritone straight out of a textbook,” wrote Markus Thiel in Merkur, “with a powerful, resonant voice, a force of nature.” Carlota Moseguí in Platea Magazine praised his voice and said Brownlee “possesses all the qualities to become the definitive Wotan of his generation.”

Next, Brownlee heads to the Wagner shrine in Bayreuth, Germany, where he will star as the title character in “Der Fliegende Holländer” (“The Flying Dutchman.”) And his upcoming season is one Wotan after another.

“It’ll be ‘Siegfried’ time in Munich, then ‘Walküre’ time in Buenos Aires, then ‘Rheingold’ time in Barcelona,” he said. Add to that two of the “Ring” operas in Frankfurt and then two complete cycles next summer back in Munich.

“It’s a once-in-a-lifetime thing to have a student who goes that far, especially from a small regional state university like ours,” said Rowell, who remains close friends with Brownlee and officiated his wedding to mezzo-soprano Jennifer Feinstein. “I have to pinch myself. I’m enjoying it vicariously.”

Does Brownlee worry at all about damaging his voice from so much heavy singing?

“I don’t think you’re supposed to say this, but no, not really,” he replied. “We like to put this big stamp on Wagner and say ‘Be Careful!’” But he said he finds the demands of each opera different enough to help him avoid burnout.

Still, he promises that his roles the following season will be more varied, including a return to one of his favorites — Baron Scarpia in Puccini’s “Tosca.” And down the road are two Verdi roles — the villainous Iago in “Otello” and the comic Falstaff.

Of the latter, he said, “I want to flex a different muscle. I talk fast, I’m a bubbly, fun guy, but what I do on stage is so serious all the time. Boy it would be fun to just be a jolly fat guy!”

Just how did a boy from a working-class family in a small town outside Mobile, Ala., become one of a handful of go-to singers in the world for these demanding roles?

His first success as a vocalist actually came as the youngest grandchild in a large extended family, performing Conway Twitty imitations to grab attention. Classical music had to wait until he fell under the spell of his high school choral director.

When he went to college, he planned to study conducting, but Rowell heard him sing and cajoled him into joining the Mobile Opera chorus.

“I went in the first day and I hated it,” Brownlee recalled. “I said, this is in Italian, who cares? That’s for stuffy elite people, not for us blue-collar fellas.”

Still, his curiosity made him determined to figure out why some people loved the art form. So he sat by the side of the stage one night to watch the emotional final scene of Verdi’s “La Traviata,” when the heroine dies after being reunited with her lover.

“When she said, ‘O, gioia!’ and she fell into his arms, and now she’s dead, Alfredo’s weeping over her, and Germont is feeling half-responsible, I was weeping uncontrollably,” he said. “And I didn’t even know what they were saying.”

That’s when he started taking voice lessons, and from there followed years of study and apprenticeships both in the U.S. and later in Germany. Along the way he competed twice in the Metropolitan Opera’s National Council Auditions.

The first time, still in his early 20s, he made it to the semifinals in New York. “I did not go on to the finals, which was absolutely correct,” he said. “Failure is a great lesson.” (Coincidentally, one of the winners that year was Ryan Speedo Green, who performed Wotan in May at Walt Disney Hall and will bein the Met’s upcoming “Ring” cycle.)

Brownlee returned in 2015, and this time he took home one of the top prizes. Other awards have followed, including in 2025, best male singer at the International Opera Awards and the Richard Tucker Award for most promising American singer.

Yet this American singer is still barely known to most opera audiences in his native country. Brownlee’s career has so far been largely in Germany, where he and Feinstein are raising their two daughters and are currently applying for dual citizenship.

“I can perform anywhere in Europe and be home in two hours to see my girls,” he said. “In America that’s just not something you can do.”

He may be rooted in Europe for now, but major U.S. houses are beckoning with increasing urgency.

When he appeared at Chicago’s Lyric Opera this past spring as the prophet Jochanaan in Richard Strauss’ “Salome,” general director John Mangum called his performance “absolutely thrilling.” He said Brownlee is “definitely going be at the top of our list” as the company charts its future Wagner performances.

And Peter Gelb, the Met’s general manager, who heard him sing a major role for the first time during the Munich run of “Walküre,” said “I was blown away. … We’ll definitely be offering him big roles at the Met in upcoming seasons.”

Silverman writes for the Associated Press.

Freelance writer and editor Lucy Schiller bumped up against the issues of aging, eldercare and loneliness through her grandmothers. When the family pulled her maternal grandmother, Mary Ann, from assisted living during the pandemic, Schiller became her primary caregiver. Her paternal grandmother, Anita, was less fortunate; she contracted COVID-19 from a home healthcare aide and died in a hospital.

As she relates in “Aging Out,” the shock of Anita’s death was a factor in Schiller’s abrupt relocation from a central New York college town to Pittsburgh, where she knew no one. Schiller calls the move “a half-desperate plan to simply change the background scenery of my life for the millionth time.”

While grieving, scrambling to make a living, taking long walks with her dog and wrestling with her chosen solitude, Schiller embarks on a quest to understand the institutions and attitudes that shape old age in America. “What was the relationship between personal fear of oldness and the ways in which oldness was structured in society?” she asks.

The resulting book, a deliberately meandering account of her Steel City sojourn, weds memoir, travelogue, philosophical rumination and journalistic investigation. Schiller, an MFA graduate of the University of Iowa and now an assistant professor of nonfiction at Texas Tech University, is a fluid writer. But most of what she covers is well-trod ground.

It’s worth asking whom she envisions as her audience. Most older readers know this territory; younger ones have other, more pressing concerns, including how to afford life in the here-and-now.

Perhaps Schiller, a millennial in her 30s, hopes they will identify with her personal struggles. But her loneliness seems largely self-imposed, perhaps compounded by what she describes as “a severe strain” of obsessive-compulsive disorder. “It turns out, laughably, that an interest in privacy, and staying quiet about internal feelings, are hallmarks of this condition,” she writes, offering a partial explanation for her wariness of company.

Pondering the American way of aging, Schiller initially adopts a posture of ignorance and naivete so extreme that it seems like a pose. She puzzles out the distinctions among nursing homes, assisted living facilities and continuing care retirement communities, as well as home healthcare. And she underlines the fact that, when it comes to long-term care in the United States, only the relatively well-off have good choices. This isn’t exactly news.

Another Schiller inquiry involves the familiar complexities of Medicare. She notes that, as a public program for seniors, it is so inadequate that it requires private options, such as Medigap and Medicare Advantage, to paper over coverage gaps. Picking the best plan for one’s needs can be a daunting option, requiring trained help or careful study. Schiller attends an informational seminar by a broker for Medicare Advantage plans and decides, unhelpfully, that they are neither “a solution or a problem.”

Schiller’s reporting methods rely, to some extent, on serendipity. “I tended toward … a kind of diffuse sallying through the world, staying open to the coincidence, digression, and movement,” she writes. She calls the method “antinarrative.”

All that sallying takes her down some unexpected byways. She returns to a western Pennsylvania town called Harmony, where she once had “a horrible, endless date over crepes,” to investigate a strike over pay and working conditions at a troubled nursing home. That leads to a long discussion of the use of restraints on the elderly.

At one point, Schiller finds a company called Papa that employs younger “Pals” to assist older adults. With the backing of health insurance companies, the Pals provide companionship, transportation, housecleaning services and more. Schiller tries something similar as a volunteer for a health insurance company, reaching out to an elderly Black woman by phone. They stumble over time into an unlikely friendship.

One problem with all these efforts to mitigate old-age loneliness, Schiller notes, is that the loneliest generation is actually Gen Z. And the loneliness surveys themselves, she suggests, may be suspect.

Schiller delves, inevitably, into the history of AARP, an organization that even in its earliest days was entangled with the health insurance industry. And consumer advocate Ralph Nader, for whom she does some editing work, tips her to the story of activist Maggie Kuhn, founder of the Gray Panthers.

Kuhn, Schiller writes, understood “the tension between the social so-called nothingness of old age and its vibrant realities.” Which brings Schiller to the intersection of aging and disability, and to Programs for All-Inclusive Care for the Elderly (PACE), which provide community-based care as an alternative to nursing homes.

In the end, Schiller has a go at parsing her own motivations. “I had descended into the strange subterranean structures of aging, almost as a way to avoid the contemporary world … ,” she writes. “Age … was a helpful distancing tool: older people’s vulnerabilities, including those of my own grandparents, helped to distract me from my own present and future. … I still did not know how to seal over the gaping wound of the pandemic, how to move forward.”

For all her verbiage, she can find no easy fix, nor even a complicated one. “It was not possible for me to imagine a solution to the level of fragmentation, pain, and dysfunction I saw,” she writes, leaving readers without much justification for having followed her rambling, idiosyncratic quest.

Klein, a cultural reporter and critic in Philadelphia, has been a three-time finalist for the National Book Critics Circle’s Nona Balakian Citation for Excellence in Reviewing.

This month, “Cool Machine,” a riff on 1980s New York in the form of a tightly plotted crime novel, arrives from Colson Whitehead. It concludes his Harlem trilogy, they say. If you’d told readers two decades ago that Whitehead would become a bestselling crime novelist, they might have thought you were kidding. He started out writing innovative novels with such intellectual and stylistic punch that the MacArthur Foundation gave him a fellowship in 2002.

His written output is fun, fearless and fantastic. Where to start? Here’s a cheat sheet.

For N.Y. lovers

With “Harlem Shuffle,” Whitehead begins his crime trilogy in the 1960s in a furniture store with stylish midcentury stock whose owner, Ray Carney, is trying not to be a fence. Love the evocation of Harlem as a place with a cool interconnected community. Worry about that cousin who’s always trouble. The follow-up, “Crook Manifesto,” is set in the 1970s. All of New York City is at a nadir; Ray is on the straight and narrow, but needs an influx of cash (for Jackson Five tickets for his daughter). Then comes “Cool Machine,” secrets to be revealed when it hit shelves this week . And as a bonus, his essay collection “The Colossus of New York,” which is vivid, episodic and yet still a story: “Talking about New York is talking about the world.”

To break your heart

The novel “The Underground Railroad” comes from an imagined misunderstanding, logical for anyone who grew up riding subways: that the path to freedom for enslaved people that we call The Underground Railroad was in fact underground. In Whitehead’s hands, that imagining takes us through both time and place while making visceral the horrors of enslavement. The book won the National Book Award and the Pulitzer Prize and was adapted by Barry Jenkins into a limited series.

In a rare feat, Whitehead won the Pulitzer Prize a second time for his novel “The Nickel Boys,” another work of historical fiction dealing with the devastating effects of American racism. Based on the true story of a reform school where Black boys went missing, the novel pairs the stories of two teens, one a troublemaker and the other caught up by mistake. Barack Obama called it “a necessary read.” Cleverly structured, it seemed difficult to adapt, but director RaMell Ross made it into a brilliant film.

To blow your mind

In Whitehead’s debut novel, the not-realistic “The Intuitionist,” a Black female elevator inspector faces powerful forces aligned against her. Inflected with Thomas Pynchon-like wordplay and situations, it’s both ambitious and funny. So is “John Henry Days,” mixing narrative forms while telling the story of a Black journalist around the year 2000 going to every press junket he can, unmaking the myth of John Henry all the while. And “Apex Hides the Hurt” is a comic novel about the conflicts that arise in a small town when they hire a name consultant for a possible rebranding.

To eat your mind

Just around the time they started staggering onto TV, Colson Whitehead published a zombie novel. “Zone One” is a smart take on the shuffling hordes and pandemic survivors who try to take Manhattan back.

To beat the odds

Whitehead, an enthusiastic amateur poker player, wrote the nonfiction book “The Noble Hustle” about his entry into the World Series of Poker in Las Vegas. It was a luxurious time in media, circa 2011, when ESPN’s Grantland paid his $10,000 entry fee and said he could keep his winnings. The book, expanded from what he wrote for them, includes his training, pending divorce, joking asides and playing for high stakes.

To take to the beach

“Sag Harbor,” set in the mostly Black, affluent beach community in the Hamptons, is the closest Whitehead has come to writing a coming-of-age story. Taking place during the summer of 1985, Benji and his teenage friends banter about culture and get their first taste of freedom.

Colson Whitehead’s latest foray into the bent world of “reluctant fence” Ray Carney — “Cool Machine,” the third and final installment of his Harlem Trilogy — is an American epic disguised as a heist novel. It’s a dizzyingly brilliant measure of the versatility and depth of the acclaimed author’s literary talent.

After writing two books dealing with monstrous historical trauma and institutional abuse — “The Underground Railroad” and “The Nickel Boys,” for which he won two successive Pulitzers — Whitehead pivots to an entirely new genre, subverting it, toying with it, making it wholly his own. And while the Harlem novels, too, have a great deal to say about serious subjects such as systemic racism, corruption, and crimes and misdemeanors of various proportions, they often lean on humor to get the message across.

In fact, it’s easy to envision the author at his laptop, as exhilarated as his prose, cracking himself up over how he bends language, employs slang, and forges descriptions like this one about a bar where Carney and a partner in crime conspire over how to fence a stolen diamond necklace: “He met Flinch Wilson at the Marlin, a narrow dive on 110th and Broadway with a decor inspired by an old leather shoe that lived in a drainage pipe.” Or this about a rival who has it out for Carney and his cohorts: “Buzz struck him as a plumber, one who comes back when you aren’t home to strangle your parakeet if you stiff him on the bill.”

“Cool Machine” is set in the 1980s, and Carney is still in the picture. It’s the Reagan era, and predatory capitalism rules, as does Mayor Giuliani, who’s waged war on the mafia and the homeless. What Whitehead dubs the “churn” roils the city and his protagonist. It’s that “churn” that beckons Carney to break his promise to himself and once again divert from his legit furniture store business. The excuse this time is that his wife Elizabeth wants to open her own travel agency, and can’t get a bank loan. Despite the couple’s closeness, for all these years her husband has managed to conceal that he’s a part-time crook. He desires respectability, but savors the buzz, the camaraderie — the honor among thieves. Carney falls in with criminal mastermind Uncle Rich and signs on to his outrageous plan to break into the Waldorf Astoria; the goal is to liberate Jesse Owens’ Olympic gold medal from those who forced him to cash it in.

The intricacy with which Whitehead details the planning and execution of this caper marks him as a top-tier researcher — he’s drawn on many primary sources to ground this work of fiction in historical fact. (There’s also his obsessive use of Pinterest.) The scenes set in the bowels of Grand Central, where there’s a secret train track leading to the Waldorf, are thrilling enough to read for their action, but the atmospheric descriptions are equally delectable: “Track 23’s next departure pulled into the station. One commuter joined Carney and Uncle Rich on the platform, a deflated man in a pinstripe suit with shiny elbows, then another businessman who sagged on one side, as if his briefcase was filled with lead weights.” One of the marvels of this novel is how effortlessly such sentences land, despite being honed to perfection. It would be a spoiler to say anything further about whether the thieves’ mission impossible yields their reward.

Part two of the novel shifts downtown, into the heart of the ’80s East Village art scene. A preoccupation of Whitehead’s — Jean-Michel Basquiat — is the inspiration for a fictional graffiti artist whose omnipresent scrawls capture the pretensions of the burgeoning wheelers and dealers, who, like uptown crooks, are relentless strivers, albeit with sleeker facades. Their snobbery is juxtaposed with Carney’s friend and colleague Pepper’s unsettling bluntness and eyeball to eyeball stare. He’s on the trail of a psychopath-for-hire dubbed “the Melancholy Hitman,” while battling stomach issues that have him downing Pepto-Bismol and coughing up blood in random bathrooms. In this section, Carney plays a supporting role to Pepper’s lead; “Escape from New York” is the enveloping soundtrack.

In the novel’s final act, Carney reemerges from straight life and Pepper from retirement in Delaware to rescue Carney’s nephew, Robert, who’s on the mob’s hit list for a murder he witnessed. Political corruption is rampant, and the revelation of who’s on the take has rattled a lot of cages. Robert is unwittingly entrapped, and has absconded with something mob bigwig Lombardi wants revenge for. Carney dons his best furniture salesman hat to make the pitch of a lifetime, a deal that could save Robert’s life, or take Carney’s. As Carney drives to the meet-up, he reflects on New York’s evolution: “Crime transformed the city by degrees. He thought of what John [his son] told him about rap music, where it came from. Rap was part of the New York environment now, barging from boom boxes and windows. They created something new from the spoils, the theft of turntables from record shops, the rip-off of a musical line or riff from another song — a crooked art.”

For those who enjoy knowing how an author’s inspiration arrives, it’s amusing to note that in the case of the trilogy that kicked off in 2021 with “Harlem Shuffle,” Whitehead told the New Yorker: “I was staring off into space and thinking about how much I like heist films and how much fun it would be to write a heist.” That sounds simple enough, but “Harlem Shuffle” turned out to be years in the making. The idea initially came to him around the same time he was writing “The Underground Railroad,” which was published in 2016. It wasn’t until after the release of that book, and then “Nickel Boys,” that Whitehead decided to lighten the mood by composing a crime novel set in New York City in the 1960s. And while he usually avoids staying on the same topic or voice from book to book, in the midst of writing “Harlem Shuffle,” Whitehead found he was still imagining further escapades for his main character, this time in the 1970s, with the city on the verge of bankruptcy, and incendiary conflagrations between the NYPD and the Black Liberation Army trending. As he envisioned what would become “Crook Manifesto,” Whitehead thought: “Why not make it three?”

Carney is part poet. Part crook. Part salesman. Part philosopher. To my knowledge, Carney’s creator is neither crook nor salesman, but Whitehead can lay claim to those other two mantles. His vocabulary appears boundless, as does his apparent love for the city he grew up in, where he still lives. “Cool Machine” is a modern masterpiece and an ode to New York, no matter that rats skitter and cockroaches scamper underfoot. When Carney has the chance to move anywhere in the world he wants, he ponders the appeal of fresh air. “Fresh was nice,” he reflects, “but so was other stuff. Noise, dirt, and struggle.” After escaping Manhattan, he wonders, “Where do you go? There’s no place else. It was like going on the lam from yourself.”

Whether or not New York is your jam, or a place you have escaped from or to, Whitehead’s Harlem Trilogy is destined to live on as an American classic. Never mind the rats and cockroaches — it’s the churn.

Haber is a writer, editor and publishing strategist, and co-founder of the Ink Book Club on Substack. She was director of Oprah’s Book Club and books editor for O, the Oprah Magazine.

Hollywood’s biggest deal in decades is on hold.

On Monday, a federal judge temporarily blocked Paramount Skydance’s efforts to complete its purchase of Warner Bros. Discovery, ruling that the proposed $111-billion merger “raises serious questions” about whether the combination violates U.S. antitrust law.

District Judge Araceli Martínez-Olguín, based in Oakland, granted a request for a temporary restraining order from a coalition of 12 state attorneys general, led by California Atty. Gen. Rob Bonta, to freeze the deal while the court delves more closely into its impact on markets.

The order pauses the deal for 14 days. Martínez-Olguín’s ruling sets up a showdown for Aug. 3, when she considers a motion for a preliminary injunction — which, if granted, could tie up the deal for months in advance of a trial.

“This is a critical first win in our case to ensure this megamerger never sees the light of day,” Bonta said in a statement. “History tells the tale of what happens when a few people have great power over markets that are central to Americans’ lives: fewer opportunities for more people, worse products and services for all people.”

Two century-old film studios — with rights to Harry Potter, Batman, Scooby-Doo, “Top Gun,” “Ted Lasso” and “Game of Thrones” — would be combined, and HBO, CNN and HGTV would come under new ownership.

“The judge basically said, ‘Look, let’s not race to the finish line here,’” Eric Talley, a Columbia Law School professor, said in an interview. “At the end of the day, maybe this thing gets signed off on, but I think the AGs are going to be given a fair chance to bring their claims forward.”

The ruling dealt a blow to tech scion David Ellison’s efforts to quickly finalize his massive merger, which has the support of President Trump. Ellison wants to complete the deal by September to avoid a higher payout to Warner Bros. Discovery shareholders.

Paramount, in a statement, said the restraining order simply preserves the status quo, which Paramount had already pledged to do in court papers last week that offered to hold off on finalizing the transaction.

“We are confident the evidence will demonstrate that the State AGs’ antitrust arguments are without merit as their alleged markets and claims of anticompetitive effects are without any basis in modern market realities,” Paramount said in the statement.

Larry Ellison, co-founder of software giant Oracle, is bankrolling his son’s ambitions to acquire a second major entertainment company in less than a year. The Ellison family acquired the smaller Paramount in August.

The Democratic state attorneys general, including from New York, New Mexico, Nevada, Oregon and Washington, filed their lawsuit a week ago.

The 37-page lawsuit alleges that Paramount’s proposed takeover — the largest Hollywood deal in decades — would violate the U.S. Clayton Antitrust Act, a century-old law to prevent mergers that weaken competition and raise costs for consumers.

The lawsuit represents the stiffest challenge to a deal that had been swiftly clearing its various regulatory hurdles. Nearly two dozen regulators from around the globe, including Australia, Austria and Saudi Arabia, have already signed off.

The U.S. Justice Department last month approved the merger, saying the combination would probably bolster competition — not harm it. That decision wasn’t a surprise because Trump has been rooting for a CNN shakeup. The president told the network’s Jake Tapper earlier this month: “We’re trying to have CNN go on a normal path.”

“This merger is lawful, pro-competitive, and will benefit consumers, creators, workers, and the entertainment industry,” Paramount said. “We will continue to vigorously defend the transaction and will look forward to the hearings on the substance of the State AGs’ action.”

Paramount shares slid 2% to $8.57 on Monday. Warner shares tumbled nearly 4% to $25.86 — the stock’s lowest mark this year.

Martínez-Olguín’s order came after a hearing in Oakland on Friday that represented an opening salvo between the two sides in the fight over a merger that would dramatically reshape the entertainment industry.

“In many ways this case is a poster child for a much larger set of questions — some of which are specific to the entertainment industry but many are more specific to our regulatory state in general,” Talley said.

Because of the case’s expedited status, the judge said she looked closely at only one of the three markets where the plaintiff states allege the merger could bring anticompetitive harms — wide-release Hollywood films.

“Plaintiffs present compelling evidence that the combined firm resulting from the transaction will possess substantial market share in the wide-release theatrical distribution market,” Martínez-Olguín wrote in her 10-page order.

If allowed to merge, Paramount-Warner Bros. would control about 27% of the market of films that are initially released into more than 3,000 theaters.

“On this combined firm market share alone, the Court is persuaded that it can presume the proposed merger is likely to violate antitrust laws,” the judge wrote.

The ruling doesn’t signal that the states will win but, Talley said: “This is an important mark in the road that suggests that, in the eyes of the judge, at least one of their allegations has the seeds of a valid case.”

Paramount and Warner Bros. Discovery are “temporarily enjoined and restrained from closing or consummating the transaction or taking any steps, directly or indirectly, to integrate or consolidate their operations pursuant to the transaction,” the judge wrote.

The order extends to all officers, attorneys, and “other persons who are in active concert or participation with Defendants,” Martínez-Olguín wrote.

The merger is far from dead, Emarketer senior analyst Ross Benes said in a statement after the ruling.

“The order is likely to be a speed bump,” Benes wrote. “Thanks to the company’s symbiotic relationship with Trump, most challenges ahead that could stop the deal will be steamrolled.”

“The Real Housewives of Salt Lake City” star Angie Katsanevas and her husband, Shawn Trujillo, are calling it quits.

According to Page Six, the reality television personalities have separated after 27 years of marriage. The news comes after years of rumors, starting during Season 4 of “RHOSLC,” that Trujillo was involved in affairs with numerous men. The drama played out onscreen and bled into Season 5 of the reality series.

The former couple denied the rumors repeatedly.

During a 2023 appearance on the “Behind the Velvet Rope Podcast,” Trujillo called the rumors “pretty ridiculous.” The same year, he and Katsanevas spoke with Andy Cohen on “Watch What Happens Live,” and Trujillo said it wasn’t the rumor that he was gay that offended him, but the rumor that he’d been unfaithful.

“It’s not a gay/straight thing,” Trujillo said. “It’s an infidelity thing. We love our gay community. We’ve been embedded in it for 30 years now, just based on what we do for our business.”

“I’m here to support Angie, and I’ll take the hits,” he added.

Katsanevas noted that Salt Lake City had “come a long way,” and that stereotyping a man for being a hairdresser might have been commonplace 15 years ago but that there had never been infidelity rumors around her marriage “in Salt Lake City or anywhere.”

The former couple tied the knot the same year they launched their business, Lunatic Fringe Salon, in 1999. The husband-and-wife team ultimately expanded the luxury beauty business into a successful franchise that operates across Utah, Idaho and Ohio, with the flagship store located in Salt Lake.

As recently as January, Katsanevas was gushing about Trujillo on “The Viall Files” podcast. The businesswoman and housewife told hosts Nick Viall (of “The Bachelor” fame) and his wife, Natalie Joy Viall, that she and Trujillo met in a hair salon when she stopped by for a haircut more than three decades ago.

“He was working there with his big muscles and his long hair and his hoop earrings and he was so good looking and he was a bodybuilder and a hairdresser,” she said. “You didn’t see straight men doing hair at that time, which I know sounds crazy. Obviously things have changed since then; there are a lot of straight men that are hairdressers, but he was so kind and so sweet, and not really a macho guy. He was soft-spoken, quiet, very focused on his career and shy. And I just love that about him.”

The two became an item when Katsanevas started working at the salon when she was 21 and Trujillo was 24. “He would flirt with me in the back room and hold my hand under the table, and then he asked me to dinner one Valentine’s night,” she said.

According to the salon owner, when she was invited to join the cast of “RHOSLC” in 2021, she wasn’t prepared for the jabs that would be aimed at Trujillo or the toll it would take. “I had no idea what I was signing up for. I had no idea people would say or question my marriage after 30 years,” she said.

Bravo has not yet announced a release date for Season 7 of “RHOSLC,” but the forthcoming season wrapped filming in May and is expected to air this fall. Whether the former couple’s split will play out in the new season remains uncertain.

Katsanevas and Trujillo did not immediately respond to The Times’ request for comment.

KATIE Price has today threatened her “truce” with her first husband, Peter Andre.

It came after four-times wed Katie, 48, reposted a series of social media swipes at the “controlling” star, 53, as fans continue to react to her explosive Sky documentary.

Today, the former pin-up shared two TikTok videos that were sympathetic to what she had been through with men.

One of the clips showed a snippet from her documentary where Katie was alleging that she “wasn’t allowed to go out” during her relationship with Peter, implying that he “controlled” what she did.

Over the short video was written: “Nothing could ever make me hate Katie Price after watching her new documentary.”

The second TikTok clip that Katie re-posted was a fan’s statement which read: “The Katie Price documentary is just a prime example of how a man can manipulate you, make you thinkyou’rer weak and basically knock any confidence that you had outoff.

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“That poor girl has been ruined by men over and over; we let them get in our heads and believe every bad word they say about us.”

What made it even more clear that the TV star was taking a swipe at her ex, was they were the only two videos that she has shared that aren’t plugging her CBD brand.

The fresh swipe threatens to derail their famous “truce”, which was called earlier this year.

Katie and Peter’s love story started in the I’m A Celebrity jungle in 2004.

After a whirlwind romance, they had an extravagant wedding the following year.

However after numerous reality shows following their lives, the relationship ended in acrimonious divorce in 2009.

Relations between the pair were fraught until they released a shock joint statement in February this year, agreeing to a truce.

Katie and Peter posted on social media: “We are both focused on creating a calm and supportive environment for our children. W

“e are hoping this is the start of a positive relationship.”

Speaking to The Sun earlier this month about the truce, Katie said: ““Do you know what, I’m at peace with myself.

“It doesn’t mean to say I’ll ever forget anything. But I’ve just got better things in my life. What’s the point in reminiscing about the past like that? I’ve got no energy for it.

“I want to put all my energy into me and the future. I’ve seen all the TikToks of us [fans often share clips of Pete berating Katie on their reality shows], so I don’t have to say anything.”

The hidden-gem comedy is returning with a one-off special later this year, it’s been announced.

A “perfect British comedy” is set to make its return with a one-off Christmas special.

Greg Davies’ sitcom The Cleaner is returning to screens, the BBC has confirmed.

The Taskmaster star will return as crime scene cleaner Paul ‘Wicky’ Wickstead in the special, The Cleaner in Italy.

The BBC teased: “The hit comedy once again follows Wicky’s misadventures as a state-certified cleaning technician whose unusual day job involves scrubbing away the grisliest remnants of crime scenes.”

Alongside Greg, the cast will include Robert Webb, Peter Serafinowicz, Kevin Eldon, Tori Allen-Martin, Veronica Ferres, Zita Sattar, Milanka Brooks and Dylan Blore.

Filming has already begun, with Greg revealing: “I think Wicky has got to the stage in life where he only likes three things: his job, going to the pub and beer.

“To get the opportunity to force him to go to Italy on a hiking holiday is the perfect opportunity to test his breaking point. I can’t wait to show everyone how horribly wrong a holiday can go…”

Vivien Muller-Rommel, executive producer, also said: “We’re absolutely delighted to be back with Greg, our brilliant guest cast and our fantastic crew for this very special episode of The Cleaner.

“There’s a real excitement about this one, and everyone involved is determined to make it our funniest adventure yet. We can’t wait for audiences to see it.”

Ben Caudell, commissioning editor for the BBC, added: “As filming begins on this new The Cleaner special, it’s a pleasure to see Greg Davies return to one of his most memorable creations.

“Wicky has become a standout character in British comedy, and Greg’s ability to place him in extraordinary situations is always a delight.

“This one-off episode brings together a terrific cast and an inventive new setting, and we’re very much looking forward to sharing it with viewers over the festive period.”

The special episode follows Wicky reluctantly joining his girlfriend Ruth on a hiking holiday in the Italian dolomites with her friends.

However, after an accident, he faces the rest of the trip alone in a remote mountain hotel, and his boredom quickly turns to paranoia when he’s surrounded by an eccentric hotel manager, an array of peculiar guests and suspicious staff.

Fans previously hailed The Cleaner the “perfefct British comedy”, with one person writing: “Haven’t laughed so much in a long time. Just happened upon this little gem. Was in stitches within minutes….brilliant!”

One fan said they were “hooked” as another added: “The Cleaner is unexpectedly quirky and original. I have never seen anything like it. I laughed so hard that I had to pause the show to collect myself as I was losing the dialogue. Greg Davies is a comic genius.”

“Easily bingeable,” someone else wrote, as one person said: “Every episode a gem. Just one of the best TV series this year.”

The Cleaner is available to watch on BBC iPlayer.

A SLEW of Howard Stern Show stars have confirmed they’re still employed just days after a dozen staffers were sacked in a series of layoffs last week.

In a video posted before the World Cup final on Sunday, several employees are seen inside the Stern wing of SiriusXM studios playing a very uncoordinated soccer game.

The Instagram post tagged several staffers, many of whom have played an on-air role on the show.

JD Harmeyer, Jon Hein, Steve Nowicki, Jason Kaplan, Will Murray, Sal Governale, Richard Christy and Mike Pearlman were tagged in the video.

On July 13, at least a dozen Stern Show staffers, including on-air personalities, were shown the door, after it was announced in a Zoom call that Stern would only be doing just one live show a week after his long summer break.

The layoffs included several on-air fan favorites such as Benjy Bronk, Jon Blitt, Memet Walker and Mike Trainor.

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Insiders are calling the severance packages handed to these longtime staffers downright insulting, especially since some had been with Stern for his entire two-decade run at SiriusXM.

One source revealed that workers received barely more than a single week of pay for each year they put in.

“You would think Stern would have taken care of these guys after decades of loyalty,” the source said.

Every ten years on the job only earned them two months of pay, plus a strict NDA threatening to strip away even that tiny payout.

In the media world, standard severance usually runs closer to two weeks of pay per year worked.

The shocker comes right after the radio host locked in his latest SiriusXM extension in late 2025, after even admitting on air that he was not entirely sure he would sign on again.

During the announcement, he assured listeners the new agreement would give him more free time while keeping him on the airwaves.

Under the 2026 schedule, he was supposed to broadcast live Monday through Wednesday from 7 a.m. to 10 a.m. Eastern.

Back in August 2025, sources indicated that Stern and Sirius management were unlikely to come to terms on his massive $100 million yearly deal, leaving many to believe the legendary show was finally coming to a close.

Although he did end up renewing with the network, this severely reduced broadcast schedule signals that Sirius is no longer throwing around that kind of massive payday.

HOLLY Willoughby has admitted she knows “what real fear is” after a terrifying kidnap plot as she opens up on experiencing a “really difficult time”.

The presenter, 45, is gearing up to relaunch her career with her brand new show on YouTube.

But the last few years of her life haven’t exactly been plain sailing after she was the victim of a horrific kidnap, rape and murder plot back in 2023.

Security guard Gavin Plumb was charged in October of that year for soliciting murder and inciting kidnap and rape and was sentenced to life in prison with a minimum term of 16 years.

Speaking about the difficult time of her life, she told Grazia in a new interview: “Everybody knows what happened and it was difficult. It was a really difficult time.

“It did set me back and made me realise, ‘Right, well of course you haven’t got everything figured out. Of course life is going to keep throwing challenges at you.”’

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“When something like that happens, suddenly everything else gets put into perspective and you know what?

“I don’t fear what people think because I know what real fear feels like.”

Last month, The Sun on Sunday reported that Gavin was caught with a sinister stash of pictures of her in his prison cell.

The disturbing haul was found by prison officers hidden under a mattress.

A source said: “Plumb is still obsessed with Holly. The pictures were taken from magazines.

“He should not have been allowed access to images of her.”

Despite everything she’s been through, Holly is focusing on the next chapter of her life as she moves on with her career relaunch.

Her new YouTube show ‘Holly Willoughby Together’ is set to launch on July 28.

Speaking at her launch event earlier today, she said: “The YouTube idea obviously I’ve been away for a little while and my kids, watching my kids how they use stuff now, you know they watch stuff on YouTube they watch stuff on Netflix that’s how they do things.

“I was like right how am I watching stuff now and I was walking the dog and I’d be listening to Spotify or a podcast and I’d come in and I’d start cooking lunch and then I’d be like oh watch that now.”

“You suddenly realise that the way you see and view things and watch things is very very different.

“I don’t feel like it’s just me, I feel like everybody’s doing the same sort of thing,” added Holly.

The mum-of-three explained she feels as though mainstream TV isn’t the only place that can breed success.

She said: “You see what Gary Lineker has just done with the World Cup, you know collaborating with Netflix and with music, people will go on Radio 2 but then they’ll also go on a podcast.”

Holly added: “I think being a little bit braver and not just going for the obvious options, is the thing that really got me and then I thought ‘yes.’

“I thought ‘that’s it, that’s what I want to do.’”

Holly stepped down from This Morning in October 2023 and despite appearing briefly on Dancing On Ice the following year, she has largely taken a break from the spotlight.

Her glitzy lifestyle YouTube series, which starts on July 28, has a similar format to ITV‘s This Morning.

She will drop two episodes every week, and they will include sections on cookery, lifestyle, fashion, beauty and real life stories, as well as celebrity guests.

The telly legend has already confirmed appearances from actor Stanley Tucci, Spice Girl star Emma Bunton, All Saints singer Nicole Appleton, and comedians Joanne McNally and Katherine Ryan.

A CONTROVERSIAL US rock star has cancelled his European tour after revealing he’s “wildly sick”.

Singer Ryan Adams, 51, also shared that he is selling all of his prized possessions after falling on hard times

Announcing the news that the star had pulled out of his tour dates, his promoter posted: “Due to circumstances beyond our control, the upcoming Ryan Adams European Tour has been cancelled.

“We apologize to all those who bought tickets and were excited for these shows.

“Refunds will be processed automatically and if you have any questions please contact your point of purchase.

“Ryan is doing ok and working hard to finish the new album trilogy. New music on the way.”

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Ryan re-posted the statement and wrote: “Tough times. Been sick. Fall tour cancelled.”

Shortly before he revealed that his tour was cancelled, Ryan also shared a post on Instagram where he revealed he was selling his belongings, as he was “broke”.

The singer announced he was putting guitars, studio equipment, and a Cadillac up for sale, among other things,

The emotional statement read: “I’m broke and sick and tired and defeated but my heart is blasting with hope and love and riff optimism and I appreciate anybody who can give these treasured things a new life.

“I’m proud that I did this. That I remain transparent. This business is vile and full of snakes.

“But I’m proud to call it and man up to this. I’ll keep making records as long as I can afford to.

“Now I’m going to go sit in the sunlight with my cats and cry because I need to and I’m not sure how many more times I can hit this wall. When is it enough?”

Ryan has released 30 albums and sold millions of records worldwide.

But despite his fame, he has often hit the headlines for the wrong reasons.

In 2019, seven women came forward, including his ex wife, actress Mandy Moore, with accusations of inappropriate behaviour from him.

At first he denied the allegations, however, the following year he issued a statement where he apologised.

TikTok star Trewley-Precious has opened up about her private life in her new Channel 4 show Secret Lives of Gypsy Wives

Secret Lives of Gypsy Wives star Trewley-Precious Temple couldn’t contain her emotions.

The social media sensation made an appearance on our TV screens tonight (Monday, July 20) as she let cameras into her family life in the brand new Channel 4 series.

The reality show follows the 26-year-old influncer as she pursues her ambition of becoming a social media sensation while juggling the demands of her traditional traveller family.

Not long into the show, things took an emotional turn as Trewley opened up about her devastating loss. Trewley’s late father, Sidney “Siddy Boy” Temple passed away in November 2022.

He was a traditional, prideful Romany Traveller and Trewley credits him with giving her a proud and rich cultural heritage.

While setting up for her mum Tina’s birthday celebration, Trewley was visibly moved as she revealed: “I like to get her stuff from my dad. My dad passed away three years ago in November.

“Ever since then I always get mum a present from him, whether that is mothers day or valentines day – I’ll get her something from him.”

She added: “He was ill so he couldn’t move so he was like ‘go out and get your mum something from dad will yeah.”

Speaking to the camera, Trewley broke down in tears as she said: “My dad died three years ago of cancer and it was the worst thing. I can’t even talk, I feel like I’m in a different world.”

Wiping away her tears, she continued: “It was absolutely horrible and I was really young, I was only 22 when it happened.”

Tina was emotional as she explained: “That’s been the hard thing, I’ve not even had time to grieve because there has been so many people who are more important than me that I had to keep together because they were absolutely devastated.”

She continued: “I feel like everyone had turned into balloons and they’re all trying to float away and I’m trying to grab the strings and hold onto them and pull them back so I pulled them in and put my arms around them so they wouldn’t go anywhere.”

Speaking to one of her sisters, Trewley said: “Dad was the biggest loss that the whole family has had”. As everyone gathered to celebrate Tina’s birthday, Trewey gave her the gift she bought from her dad. Before Trewley’s mum could even open the present, she broke down in tears.

The family was overcome with emotion as Trewley’s brother Jamie John read the sweet message written on the ribbon, it read: “To my Tinny happy birthday me old girl. Thank you for looking after our babies. I love you in this life and the next.” Attempting to lift the mood, Trewley’s brother joked: “You’ve ruined the whole day, Trewley.”

You can catch up on The Secret Lives of Gypsy Wives on Channel 4

The first proper “Avengers: Doomsday” trailer is finally here — though it remains a bit light on the movie’s plot.

After releasing multiple short teasers to promote its upcoming superhero crossover, Marvel Studios on Monday unveiled its official trailer for “Doomsday.” The new clip shows Thor (Chris Hemsworth) taking on the mysterious Doctor Doom (Robert Downey Jr.), reuniting with Steve Rogers (Chris Evans) and trying to persuade various superhero teams — including the Avengers, the New Avengers (a.k.a. the Thunderbolts) and the Fantastic Four — to join forces.

“Something’s coming,” says a mysterious voiceover. “Something we may not be able to deter. Before this day is done, we shall be faced with an unthinkable decision.”

The speaker is presumably Doom, who makes an appearance as the voiceover ends. In the comics, Victor von Doom hails from the fictional southeastern European country of Latveria. The name of the country was briefly shown in last year’s “The Fantastic Four: First Steps,” which featured the character’s Marvel Cinematic Universe debut in its post-credits scene.

The trailer then shifts its focus to Thor, who speaks of an unnamed powerful foe as he asks the members of various teams to “put aside [their] petty squabbles” in order to try to thwart this frightening threat together. The new clip concludes by showing Thor’s reunion with Rogers.

“We’re going to need a miracle,” the Asgardian says before he is shown coming face to face with his old friend. Thor then makes the former Captain America take hold of his hammer, Mjölnir, to prove his identity. The hammer can only be lifted by someone it deems worthy, which Rogers did during the events of “Avengers: Endgame” (2019).

The trailer also includes glimpses of Gambit (Channing Tatum) battling Shang-Chi (Simu Liu), Yelena Belova (Florence Pugh) facing off against Mystique (Rebecca Romijn), Loki (Tom Hiddleston) handling his Time Variance Authority ID card, M’Baku (Winston Duke) and Shuri (Letitia Wright) greeting Ben Grimm (Ebon Moss-Bachrach) and Sue Storm (Vanessa Kirby), Charles Xavier (Patrick Stewart) sharing a moment with Magneto (Ian McKellan) and Scott Lang (Paul Rudd) embracing Cassie Lang (Kathryn Newton).

“With much love … here is the trailer you’ve been waiting for,” directors Anthony and Joe Russo wrote Monday in an Instagram post sharing the new footage.

According to Marvel’s logline, “Doomsday” will involve “beloved heroes from three distinct universes … set on a deadly collision course and fac[ing] an existential threat unlike anything they’ve ever encountered.”

The cast also includes Pedro Pascal (Reed Richards), Anthony Mackie (Sam Wilson), Wyatt Russell (John Walker), James Marsden (Scott Summers), Joseph Quinn (Johnny Storm), Sebastian Stan (Bucky Barnes), David Harbour (Alexei Shostakov/Red Guardian), Lewis Pullman (Bob Reynolds), Kelsey Grammer (Hank McCoy/Beast), Danny Ramirez (Joaquin Torres), Alan Cumming (Kurt Wagner/Nightcrawler), Hannah John-Kamen (Ava Starr), Mabel Cadena (Namora) and Tenoch Huerta Mejia (Namor).

The “Avengers: Doomsday” trailer arrives in advance of this weekend’s San Diego Comic-Con. After sitting out last year’s event, Marvel Studios will return to Hall H on Saturday to showcase its upcoming slate. (It was during its Hall H presentation in 2024 that Marvel revealed its next big villain will be Doctor Doom, played by Downey).

“Avengers: Doomsday” will hit theaters Dec. 18.

MELANIE C has shared a first look at her wedding after tying the knot with her boyfriend of three years, Chris Dingwall.

The couple got married in a stunning ceremony in the grounds of The Country House Cumbria on Saturday and were joined by their loved ones, including her Spice Girls bandmates.

In new pictures, the pair are seen walking down the steps after getting married as they look like the epitome of happiness.

In one snap, Melanie beams from ear to ear as she and Chris hold hands.

Another photo shows the two looking into one another’s eyes as they pose in the grounds of their wedding venue.

Mel B, Geri Horner and Emma Bunton were all in attendance as Victoria Beckham was noticeably absent from the big day.

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She was unable to attend as she was in the US with husband David for yesterday’s World Cup final.

Despite not being able to be there, she designed her pal’s beautiful backless, white wedding gown.

The chic gown, which oozed elegance and featured a swooping backline, was plucked straight from Posh’s collection of her own Victoria Beckham gowns in her wardrobe.

Melanie C wore a custom Adidas robe to get ready for the ceremony, made from ivory silk with white silk stripes.

The look was completed with custom white and gold sliders featuring the wedding date in gold on the side.

After the meal, Melanie C changed into another custom Adidas look — an elevated interpretation of a tracksuit, with high-waisted, wide-legged trousers and a cropped jacket featuring a peaked lapel and deep ribbed waistband.

This look was again made from ivory silk with white silk stripes, worn with custom Superstar trainers.

Insiders said Mel B and Geri, who have not seen eye to eye since Scary accused Baby of lying about her age in 2022, put on a cordial display.

A source told The Sun on Saturday: “Mel and Chris’ wedding was perfect, they couldn’t be happier.

“They chose a classy, laid-back ceremony before a reception with their closest friends and family.

“Mel B gave a speech which got a lot of laughs, as well as some tears — it was really beautiful.

“Geri was there but there was no awkwardness between her and Mel B.

“It was a day for celebrating Mel and Chris’s love for each other and that was all anyone wanted to do.”

Insiders said the reception at the venue, in Castle Carrock on the edge of the Pennines, went on until the early hours of yesterday.

Melanie C, 52, told British Vogue the wedding was “low-key, relaxed, romantic and chic”.

She added: “I’m so excited for the world to know he’s my husband.”

Melanie said of her wedding dress: “Victoria’s dress was my something borrowed. It was very special, having her there.

“Victoria wanted to make it much more personal to me.

“She found some ­gorgeous vintage lace, and everything was really delicately dyed to the perfect shade. It’s very flattering, open at the back.”

Melanie’s daughter Scarlett, 17, from her relationship with Thomas Starr, was bridesmaid at her special day.

Melanie is the last of the girls from the pop group to tie the knot, having met Australian model Chris back in 2023 on celeb dating app Raya. 

Melanie and Chris have kept a lot of their romance under wraps with fans desperate to know about her relationship with the Aussie star.

She told The Times back in January: “It’s something I didn’t think would be part of my story [marriage], but I’m so happy with Chris”.

LEE Andrews has been FREED from jail for a second time – but his dad remains behind bars in Dubai.

Conman Lee’s father Pete joined him in the notorious Al Awir prison last week after being reported to officials by a third party.

But according to our sources, Katie Price‘s husband has now been let out.

An insider told The Sun: “Lee Andrews has today been released from Al Awir prison.

“He was set free this afternoon following a short-stint behind bars.

“His dad Pete, who has been caught up in Lee’s misdemeanours, remains behind bars.”

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During their stint in jail, together, father and son were understood to have seen one another inside the jail, with both believed to be facing allegations of fraud.

Sources said that Lee had to raise funds to pay off his debts, before he could be released, from where he faces extradition.

He now hopes to return to the UK, to be with his wife.

Last week The Sun revealed how sources said patient Katie has finally snapped – and is now “at the end of her tether”.

A pal said: “It is quite astonishing – you really couldn’t make this up.

“Whether poor Katie will be there to greet him on the other side remains to be seen.

“Right now she is furious with it all, and fed up with all the drama and white noise her husband is bringing.”

Lee has had a raft of damning allegations levelled against him, including ex-girlfriends who have gone on the record to share their horror stories at his hands.

He has also been accused of conning people out of thousands of pounds – claims he denies.

Lee and Katie married in January, just 10 days after meeting.

In May, he was taken by cops and, he claims, taken to a black site for questioning.

It was later discovered he was in Al-Awir prison, where he remained for one month before being released and having an emotional reunion with wife Katie.

Former champion of the World’s Strongest Man competition, Tom Stoltman, has announced he will be joining the fourth series of hit BBC show Gladiators, with filming due to begin next month.

The former World’s Strongest Man champion Tom Stoltman is becoming a Gladiator after it was announced he has joined the car of the hit BBC show.

While Stoltman’s Gladiator name is yet to be announced, the fourth series of the primetime show will begin filming in Sheffield next month before airing on BBC One in 2027. Speaking on joining the show, the 32-year-old said: “This is a dream opportunity and I’m incredibly proud to become a Gladiator.

“I’ve spent my life pushing myself to see what I can achieve and joining this incredible show is the next challenge.

“I’m excited to bring my strength, determination and personality to the arena but, most importantly, I want people watching to feel inspired to believe in themselves and take on their own challenges.”

Standing at 6ft 8in, Stoltman from Ivergordon in the Highlands was the first Scot to win the title when he was first crowned champion back in 2021.

He retained his World’s Strongest Man title through 2022 before winning the competition for a third time in 2024.

Officially, he is still Britain’s Strongest Man after winning the title for a fourth time in February this year, beating Adam Bishop and Paddy Haynes.

However, a hand injury stood in the way of his chances of being named strongest man in the world in 2026 before he was knocked out in the qualifying rounds.

In addition to returning in the classic format next year, there will also be an all-new Gladiators Celebrity Special with hosts Bradley and Barney Walsh at the helm.

Kalpna Patel-Knight, head of entertainment at the BBC, said: “With a brand-new series confirmed and another Celebrity Special on the way, audiences can look forward to even more colossal clashes, even more edge-of-your-seat excitement and plenty of opportunities to raise those foam fingers high one again.”

Stoltman’s addition to the show comes after controversy surrounding the departure of Gladiator Jamie ‘Giant’ Biggs. The TV personality took to Instagram to share a message telling fans he wouldn’t be back for series four, citing “this wasn’t a decision I made to step away” and that he “was faced with a choice that didn’t align with my values”.

He since told The Sun that the issue was his girlfriend Taylor Ryan’s OnlyFans career, claiming he was given an ultimatum to either end his relationship with Taylor or forfeit his role on Gladiators.

“I had to choose between dating Taylor and keeping my job,” he said. “I was shocked and very saddened about their choice to sack me.”

A Gladiators spokesperson said at the time of Jamie’s departure: “After three formidable series, Giant is leaving Gladiators. We’d like to thank him for everything he has contributed to the show and wish him well for the future.”

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