show biz

Jon Snow went into a “deep depression” after retiring from Channel 4.

Jon Snow’s wife has revealed they felt he was “struck off” following his dementia diagnosis.

The veteran broadcaster will feature in the one-off 90-minute documentary Jon Snow: A Last Big Story, as he exposes injustice while fighting for a Zambian community whose homes have been demolished by mining operations.

The Channel 4 News presenter will also speak candidly about his Alzheimer’s diagnosis in 2023, two years after stepping down from his long-running career.

Audiences will also be introduced to Snow’s wife, who joins the renowned journalist on his journey to Zambia as he “rediscovers his purpose”.

Who is Jon Snow’s wife?

Former Channel 4 presenter Jon Snow is married to Dr Precious Lunga, a Zimbabwean epidemiologist and neuroscientist.

Born in Rhodesia, she pursued her studies in the UK, obtaining a PhD from the University of Cambridge.

Currently, she serves as CEO and co-founder of Baobab Circle, an award-winning health technology firm utilising AI to tackle the rising challenge of chronic diseases such as diabetes throughout Africa.

Jon, 78, and Precious, 51, first crossed paths on the Caribbean island of Mustique in 2001, tying the knot nine years later in 2010.

The couple went on to welcome a son via surrogacy in March 2021, marking the third time Jon has become a father, having previously had two daughters with his former partner of 35 years, human rights lawyer Madeleine Colvin.

Prior to Jon Snow: A Last Big Story, Precious described how her husband fell into a “deep depression” for six months following his retirement.

Speaking candidly with Anita Rai on Woman’s House, she revealed why Jon has chosen to go public about his condition.

“He said ‘if I don’t speak out who will?'”, Precious began.

“It is something that affected his own mother and affects so many people.

“He felt that when someone is diagnosed with Alzheimer’s they are written off, but it’s not like you fall off a cliff.

“It’s a gradual degradation of the brain. It doesn’t mean you still can’t contribute to the world and he felt he still had so much to give, which is why he decided to make this documentary.”

Precious also revealed that she was initially hesitant about appearing in the Channel 4 documentary, but quickly had a change of heart.

She said: “What helped me overcome it was the fact I am one of over one million people affected by dementia.

“That helped me get over the nervousness of telling our story. It is not the end and we are looking for opportunities to enjoy our life.”

Jon Snow: A Last Big Story airs tonight, Sunday, June 21, at 8pm, on Channel 4.

Nick Robinson currently stars in Netflix’s hit rom-com Voicemails for Isabelle, but who is he dating right now?

He has been in a relationship since 2019.

Voicemails for Isabelle is a brand new rom-com that dropped on Netflix yesterday (Friday, 29th June) and is already shaping up to be another huge hit for the streaming giant.

Zoey Deutch plays Jill, an ambitious pastry chef whose talents are suppressed by the insufferably pretentious San Francisco chef Bastien (played by Nick Offerman).

When her sister Isabelle (Ciara Bravo), who has battled cancer for the majority of her life, tragically dies, Jill attempts to process her grief by leaving voicemails on Isabelle’s old number.

What she doesn’t realise, however, is that the number has since been reassigned to Austin-based estate agent Wes (Nick Robinson), reports Wales Online.

Robinson, 31, is one of the most recognisable faces of his generation, yet he guards his private life closely. Here’s what we know about his romantic life.

Who is Nick Robinson dating?

The Hollywood star has reportedly been in a relationship with Samantha Urbani, 39, since 2019.

Urbani is a singer, model and DJ who co-founded the band Friends in Brooklyn in 2010, before they went their separate ways in 2013.

Since then, she has launched her own record label, URU, worked alongside fellow artists and put out a single and EP as a solo performer, while also securing modelling and DJ work.

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The pair are thought to still be together, although they rarely appear in public as a couple and haven’t shared any joint social media posts since 2024. Their most recent post together was a photo shared on Urbani’s Instagram in March 2024, showing the pair attending the premiere of Robinson’s previous Netflix project, the fantasy-action film Damsel, starring Millie Bobby Brown.

In addition, a post shared the month before saw Urbani give fans a heartfelt glimpse into how they first met, marking their fifth anniversary together.

“Hello fyi exactly 5 years ago on this very day yes the day of valentines I played spin the bottle with some friends and then a very special one of them- who I’d met a couple years before in berlin- asked me if I wanted to go to SNL…” she wrote.

“Which became adventure all night > which turned into lighting tiny fireworks stolen from afterparty, outside the Plaza, in chilly NYC sunrise > and perfectly magically became morning borscht at veselka… aka top tier heart thawing revitalizing joyful times / ultimate nyc dream date / a # 1 best memory ever.”

Robinson’s past romantic history has largely remained out of the public eye, though he has previously been linked to two of his co-stars.

Rumours circulated in 2016 that he was in a relationship with his The 5th Wave co-star Chloë Grace Moretz following their appearance in the sci-fi thriller together, though this was never confirmed.

Fan speculation also connected Robinson to his Melissa and Joey co-star Taylor Spreitler, however this too was never substantiated.

Voicemails for Isabelle is available to stream on Netflix.

Two of the biggest box-office standouts of 2026 so far were not made by established studio directors or built on franchise IP.

“Obsession” and “Backrooms” — horror films from internet-native directors in their 20s — have outperformed far more expensive studio releases.

The breakout success of these films has ignited debate across Hollywood about what made these movies so popular, especially among Gen Z moviegoers who haven’t been flocking to cinemas in recent years. Here’s what to know:

The numbers

”Obsession” was directed by 26-year-old Curry Barker, who got his start on YouTube with sketch comedy and horror shorts. Released May 15 by Focus Features, the film was made for just $750,000 but opened to a staggering $17 million and has improved on its debut every weekend since.

“Obsession” set an all-time horror record for the biggest fourth weekend for a film at the domestic box office, raking in $25.4 million. It now ranks as the year’s fifth most popular film, nearing $200 million domestically and roughly $295 million worldwide — ahead of Pixar’s “Hoppers” ($166 million) and Paramount’s “Scream 7” ($121 million), per Box Office Mojo.

“Backrooms,” from 21-year-old Kane Parsons — known on YouTube as Kane Pixels — drew on an online fascination with liminal spaces, leading audiences through an endless run of nearly indistinguishable rooms.

Released May 29 by A24 (known for such acclaimed films as “Moonlight” and Everything Everywhere All at Once”) on a reported $10-million budget, it opened to $81 million and crossed $100 million in under a week.

Within two and a half weeks, it had outgrossed the entire theatrical runs of horror films “Five Nights at Freddy’s 2,” “Smile” and “Scream 7.” It sits as 2026’s eighth-highest-grossing film.

Who is watching?

The audiences are young. In recent weeks, nearly 90% of “Backrooms’” viewers were under 35, with more than half under 25. Over “Obsession’s” first few weekends, 75% of the audience was 17 to 34, which is significant at a time when major studios have struggled to consistently get younger viewers to trek to the multiplex.

Why it’s working

Audiences have clearly latched onto the stories, said Jason Blum of Blumhouse–Atomic Monster, who worked on both films.

“There’s been an audience kind of waiting to get back to the movie theaters, and we in Hollywood really have not landed on what would get them back,” he told The Times in an interview this week.

Blum, who upended horror genre with the “Paranormal Activity” franchise, ties the success of “Backrooms” and “Obsession” to a connection to the directors’ origins.

Because the films were made by creators who speak to younger viewers daily on YouTube, he said, that generation “feels like they’re being spoken to.”

David Gross, an analyst at FranchiseRe, framed it as a new pipeline of talent and material. Creators can build large followings very inexpensively, he said, and their stories arrive further developed — which expedites the development and discovery process. He called internet-based storytelling “another additive source for material for movies.” Blum added that the films’ success could make studios more willing to bet on undiscovered directors who “might not have been considered” before.

Rosie Ramirez, chief marketing officer at Galaxy Theatres, said a young first-wave audience tends to generate buzz. More than a month after “Obsession” was released, she said, the Nevada chain’s four California locations are only now seeing a second wave of moviegoers curious about the hype.

Notably, the rise of these two films has unfolded in the shadow of major releases like Disney’s “Star Wars: The Mandalorian and Grogu,” and Mattel’s “Masters of the Universe,” both of which returned underwhelming numbers in their respective opening weekends.

Is it a trend or an anomaly?

Whether this marks a lasting shift or a fluke is unclear. May crossed $1 billion in box office — with “Backrooms” and “Obsession” doing much of the heavy lifting. Despite the improvement, the box office has yet to full return to pre-pandemic levels, with the summer tracking roughly 3.5% behind summer 2019, said Comscore’s Paul Dergarabedian.

And Dergarabedian questioned how the industry could replicate a success that, in his words, was “authentically and organically created” rather than manufactured: “It just happened,” he said.

Ramirez argued the broader summer slate — franchise tentpoles like “Toy Story 5” alongside some original surprises — points to a healthy box office regardless, a reminder that “it doesn’t always have to be the big summer blockbuster.”

PERRIE Edwards is already booked and busy following her stunning wedding to Alex Oxlade-Chamberlain.

The former Little Mix songstress, 32, and her footballer husband tied the knot in an intimate ceremony less than a week ago after after nine years of dating.

But it appears Perrie is already getting back to work, and was pictured dressed up behind the scenes at the Isle of Wight Festival yesterday.

The singer got up on stage and performed for a buzzing crowd while wearing an all black skintight outfit.

Though she couldn’t help but take a moment to gush about her wedding to everyone, sharing how she is utterly “obsessed” with being able to call Alex her husband now.

Perrie and Alex jetted off to Portugal for their big day alongside friends and family.

Bridal beauty

Perrie Edwards stuns in her THIRD wedding dress at Portugal wedding

IN THE MIX

Perrie Edwards stuns in unseen wedding clip – as Little Mix bandmate spotted

Insiders said the pair married in a low-key ceremony before hosting their closest family friends at the posh Parrilla Natural restaurant.

The pair said their vows in the Igreja Matriz de Estoi church in the village of Estoi in Faro, close to where they own a villa.

Perrie, who had six bridesmaids including her sister Caitlyn wore a long-sleeved, lace gown, while Alex looked smart in a tux.

Her bandmate Jade Thirlwall missed the celebrations as she was booked to perform at Primavera Sound Festival on the same day.

A source said: “Perrie and Alex’s wedding day could not have been more special.

“It was intimate and emotional.

“Perrie and Alex’s son Axel had a special role to play in the ceremony. It was adorable to see.

“She looked absolutely radiant and Alex didn’t stop smiling. It was a truly beautiful day.”

In the days after the wedding Perrie debuted two more wedding dresses in Portugal, including a gorgeous sparkly mini dress with a detachable jacket.

Former Little Mix bandmate Jesy Nelson is said to have not received an invitation.


NICKY Campbell’s daughter was rushed to hospital after she was hit by an e-bike.

The broadcaster announced that Lilla, 26, was badly injured while out in Peckham with her sisters last night.

“It’s been a long and emotional night,” he said on Instagram.

He added that he hoped CCTV footage would be able to track down the rider, who allegedly “scarpered” once the ambulance arrived.

She is now recovering at home.

“It could have been so much worse. We are incredibly lucky,” said the BBC radio host.

He thanked the staff at King’s College Hospital for their “superb” treatment.

The prominent Scottish broadcaster, journalist and author is best known for hosting ITV’s Long Lost Family and BBC Radio Live.

He rose to prominence in the late 1980s, with a ten year stint as a DJ on BBC Radio 1.

His personal life has been shaped by his experience as an adoptee and his advocacy work for children in care.

He was awarded an OBE in the 2015 Queen’s Birthday Honours for services to children, adoption and fostering.

The radio star is married to journalist Tina Ritchie and has four daughters, Breagha, Lilla, Kirsty and Isla.

As the noise-rap-electro act Jane Remover shrieked and pleaded through a 90-minute marathon set at the Fonda on Thursday night, one very young couple dressed right out of a conservative‘s nightmare — gender-ambiguous, purple hair, facial piercings — tapped me on the shoulder. They politely asked if I could mind their newly bought vinyl for a bit as they thrashed in the heaving crowd. Of course, this unc obliged them.

Anyone who laments that L.A. crowds don’t dance should go to one of the last sets of Jane Remover’s three-night stand at the Fonda this weekend. It had the most genuinely raucous pit I’ve seen in 2026, made all the more feral for how sweet and earnest it was. After a hotly tipped Coachella set, this Live Exhibit tour affirmed that the subculture Jane Remover built may or may not have wider pop potential, but it’s getting big enough to count for stardom in the fractured music world of today.

Jane Remover is a trans polymath producer and singer-songwriter with influences across rave, shoegaze, trap and beyond. They’ve built up a ferocious elaboration on the hyperpop of predecessors like Sophie, who similarly packed so many good ideas into songs they became talismanic to fans, a tonic to reinvent yourself (new Charli XCX opener Underscores is another fellow traveler).

The music itself sounds like reverse-engineering the moment in the 2000s when metalcore kids discovered EDM. Only now it’s Discord-disaffected youth ramping up hardstyle techno, autotuned girlypop ballads and rage-rap to an explosive fusion point. “Census Designated,” Jane’s brash and dramatic 2023 coming-out LP, tipped them as a force beyond the underground. But they soon eclipsed it with 2025’s “Revengeseekerz,” a deliriously overheated mix of romantic yearning, internet score-settling and virtuosic production prowess.

Backed by just a DJ (Dazedgxd, who opened the set) and a retina-scorching light rig up front, Jane acknowledged on Thursday that the stakes were getting much higher. They joked that they’d played the El Rey like three times before this tour, and to judge by the wild-eyed passions out in the audience, the Fonda will probably be the smallest venue they’ll play for some time. “It gets so cold this high up,” Jane sang on “Turn Up or Die.” “Can’t go to hell but I can drop you off.”

The sentiments driving the music are ultramodern: self-aware, vicious and desperately vulnerable. The hilariously zesty “Angels in Camo” (home to the all-time banger of a line: “Jesus never had it with a freak b—”) wrapped up with a bloodletting plea that “I can’t let you b— win.” Jane wields that word like the flaming sword on the “Revengeseekerz” album cover, with all the casual lustiness of Future but also the wrath of a reclaimed slur.

On “Professional Vengeance,” they grappled with the weird lures of celebrity and intimacy, where no one really knows anyone but desire still courses; “Experimental Skin” found them craving and fighting off God and nihilism and technology and addiction all at once.

The tension in these tracks are the binding agent for Jane’s fan base — the music is full of contradictions and incompatibilities smashing together that just feel like being young right now. Other than a quick affirmation that fans of all identities and backgrounds will always be welcome at their shows, they let the contorting, violent music speak for itself about the way queer fans are feeling about life under siege in the United States.

If the set was a bit too long for the limited setup onstage, it was because Jane simply had that much music to let out — that caliber of emotion to unburden, that much want to acknowledge. It seemed like the set was closing with “In the Dark,” an aching ballad from their Venturing side project, plainly declaring “I still dream of us” through a fog of effects. But instead they ramped it back up for one last cathartic blast to close, sending their faithful out onto Hollywood Boulevard, sweaty and filthy and fundamentally known.

TOM Parker’s pregnant widow Kelsey has revealed her emotional struggle ahead of the first anniversary of her stillborn baby’s death.

Kelsey, 36, tragically lost her son Phoenix in June 2025 after he was born sleeping.

Kelsey has two children with The Wanted singer Tom, who died in 2022 aged 33, – Aurelia, six, and Bodhi, four – but had been expecting her third child with new partner Will Lindsay.

In May, she announced she is pregnant with her rainbow baby but she explained she is now set to tackle a bittersweet weekend.

Amid her pregnancy joy, it will be the one-year anniversary of Phoenix’s passing and in a candid Instagram upload, she admitted she “deeply misses my little boy and wish things had been different”.

Kelsey uploaded a selfie showing her in the sunshine, wearing a white vest top and sunglasses with a gold chain.

bump’s day out

Kelsey Parker shows off growing baby bump in first public appearance

MUM’S PAIN

Kelsey Parker opens up about the moment ‘she knew’ son would be stillborn

In a frank message posted alongside it she put: “I’ve been really quiet on here the last couple of days.

“Truthfully, I’ve been working a lot, trying to keep busy and just processing the fact that Sunday is a big day.

“It’s Phoenix’s first anniversary and it’s Father’s Day too.

“Grief is a strange thing. Some days you can keep going and stay busy, and other days it all catches up with you.

“I’m learning that both things can exist at once. I can feel excited about this next chapter of life, be grateful for everything I have, and still deeply miss my little boy and wish things had been different”.

Giving advice to her followers, Kelsey added: “If you’re navigating grief, anniversaries or simply carrying something heavy right now, please know you’re not alone.

“As always… stop waiting, start living. But also, give yourself permission to feel it all”.

Recently, the brave mum appeared on ITV daytime series Good Morning Britain to reveal her home was “treated like a crime scene” after Phoenix arrived into the world.

Kelsey’s spouse Tom died in 2022, aged 33, following a brain tumour battle.

She previously admitted that that grieving Phoenix was “harder than grieving Tom” as she spoke on the Mum’s The Word podcast.

She shared: “It was so hard. I think with Phoenix, it was harder than it was with Tom.

“I think because they [her kids] were so much younger, it’s like I could just be like, ‘daddy wasn’t coming back.’ 

“And you know, when I said about the angels taking daddy, ‘we won’t see daddy again’, it was like they accepted that and we sort of moved on. 

“And now as time’s gone on, they asked me more questions about their dad and stuff, but that initial I suppose with Bod as well. He was 18 months old. It wasn’t a question that he even thought.”

At the time of Tom’s death, Aurelia was around three, and Kelsey’s co-host Georgia pointed out: “They were almost ages where they didn’t understand. 

“So you almost didn’t have to explain it too much. You obviously have to explain it, but it’s very different to having a child that completely understands, knows what death is”.

A LITTLE-known band were left totally gobsmacked after a rock legend turned up in the audience at one of their shows.

The Rolling Stones cover band were playing to a small crowd in a bar when the iconic musician revealed himself as a fan, dancing alone in the bar.

The mystery figure was none other than Noughties nu-metal megastar Fred Durst, frontman of Limp Bizkit.

Fellow punters couldn’t believe their eyes and quickly pulled out their phones to capture the surreal moment as the Rollin’ singer rocked out to their set.

Musician Jenny Teator, who was singing on stage shared the clip on TikTok, writing: “This was unexpected. Get it, Fredddd!! We had so much fun at @GRAYSonMAIN.”

The unlikely scene unfolded at Grays on Main, a bustling music venue and dining room in downtown Franklin, Tennessee – the town Fred now calls home.

rock of ages

Can YOU tell who this 90s rock icon is? Fans say he looks like Richard Gere!

doped up

Shaggy 2 Dope fails as he tries to dropkick Limp Bizkit’s Fred Durst on stage

The star looked almost unrecognisable with a full white beard, although he still sported the signature baseball cap fans will remember from the band’s heyday.

Other diners appeared oblivious to the famous face in their midst, continuing with their meals unaware they were in the company of rock royalty.

One viewer commented: “The people sitting there eating, completely unbothered that Fred Durst is getting down right beside them, is killllling me!”

Fred and Limp Bizkit were one of the biggest bands of the late Nineties and early Noughties, with hits including Break Stuff, My Way and Rollin’.

Their album Chocolate Starfish and the Hot Dog Flavoured Water debuted at number one on the Billboard 200 and sold over one million copies in its first week.

The singer was also linked to a string of high-profile romances, including rumoured relationships with pop stars Christina Aguilera, Britney Spears and Avril Lavigne. He has been married four times and has two children.

Despite stepping out of the spotlight in recent years, Fred, now 55, continues to record and perform with Limp Bizkit.

Limp Bizkit’s last official UK tour was last year, with the band appearing at the Reading and Leeds festivals.

Besides continuing to tour and perform with the band, Fred has made his mark as a film director with movies like The Education of Charlie Banks and The Longshots.

He also directed the film The Franatic in 2019 which starred John Travolta.

Vanessa Feltz has addressed some of her struggles in the early 2000s and argued that while people were very excited by the introduction of reality TV, vetting is now too ‘sketchy’

Vanessa Feltz has called for an end to “sordid” reality TV shows which she said gave her some of her lowest moments in her career.

The broadcaster, 64, shared her thoughts on how the format has changed over the past two decades, while reflecting on some incidents involving reality stars. According to Vanessa, vetting processes on some shows were “sketchy at best.”

In an article for You, the journalist said reality shows often recruit “individuals desperate for exposure” from social media – with women often asked whether they are looking for love, and men asked whether they are hoping to have some fun. Describing the reality genre as “sordid,” Vanessa said things have significantly changed since the early 2000s.

At the time, the idea of having “real people, doing real things, in real time” on TV seemed “revolutionary”, she argued, as demonstrated by the success of Big Brother. “We wanted ‘ordinary’ people scratching their armpits, pairing socks, quarrelling, vying, lying, picking their toenails and getting their rocks off,” Vanessa, who famously broke down and told Big Brother to “f*** off” during the first-ever Celebrity Big Brother in 2001, wrote.

Back then, mental health wasn’t given the same importance it has now, Vanessa said, meaning that many people – including herself – didn’t realise that reality TV posed any risk to participants. But she wrote: “When I said I’d had enough and please could I pack my case and go – we weren’t being paid, we were doing it free for Comic Relief – Big Brother replied: ‘If you leave, Vanessa, you’ll be the most hated woman in Britain.'”

She said that after being evicted, she “shook uncontrollably” and was “disorientated, trembling” until she was able to reunite with her daughters, which made her “remember how it felt to be myself.” She said: “A quarter of a century later people still ask, what the beep happened? I tell them, when you are on a reality TV show it isn’t a game.

Opening up on her experience of filming Celebrity Fit Club in 2004, Vanessa said she was “so scared” of letting her team down that she “stopped all food and water on Friday mornings” and after the weigh-in on Saturday afternoon, contestants “were all shaky and faint with hunger.”

She said that after drinking a glass of water and eating a couple of Ryvita crackers, they would go back on the scales and find they had already gained back the weight presenter Dale Winton had announced they had lost. “It was hell,” Vanessa reflected.

Giving the example of reality star Sinitta, who appeared on her Channel 5 show Vanessa on June 1 and said she needed therapy after I’m A Celebrity…South Africa due to the amount of trolling she faced, the broadcaster said reality TV is capably of leaving people damaged.

Vanessa’s reflection comes after her Channel 5 daytime chat show was cancelled only a year after its debut. According to reports, the presenter was blindsided and left furious by the news. The chat show sees Vanessa talk to guests and people at home who had called in to share their experiences of whichever topic was on the agenda.

But this week, a 5 spokesperson confirmed to the Mirror that the show would be coming off air, saying: “Due to afternoon scheduling changes, ‘Vanessa’ will be rested from July 17th. We thank Vanessa and her team at ITN for 18 months of warm, witty, wise and searingly honest shows. Vanessa remains a valued member of the 5 family and we are discussing future projects together.”

Following the cancellation, a source told the Mail that Vanessa was blindsided when she was told that the show had been axed. They said: “Vanessa was brought into a meeting after her show came off air this week. She had no idea what the meeting was about and certainly didn’t expect to be told it was not being renewed. She feels so blindsided but also let down by bosses.”

The cancellation is thought to be linked to low ratings for the programme, as well as an inability to get the scam callers under control. The source said that producers “tried their best to crack down” on the pranks, but it couldn’t be done.

Like this story? For more of the latest showbiz news and gossip, follow Mirror Celebs on TikTok, Snapchat, Instagram, Twitter, Facebook, YouTube and Threads.

ASHLEY Cain’s axed BBC documentary is still available to watch on iPlayer.

The reality TV star, 35, came under fire this week after historic tweets were exposed, in which the reality star allegedly made degrading comments about women.

The second series of Ashley Cain: Into The Danger Zone, which was filmed earlier this year, will not air on the BBC – yet the first series remains on the channel’s catch-up service.

It’s after the BBC acknowledged that its vetting process had “clearly failed”.

The Twitter posts made in 2011 and 2013 are said to have referenced extreme sex acts and appeared to make light of consent.

He reportedly used offensive, sexualised and aggressive language about women.

VETTING FAILURE

Ashley Cain’s show axed by BBC after ‘unacceptable’ posts about women

STAR PROBE

BBC launching investigation into Ashley Cain ‘failings’ after his show is axed

Despite this, series one of Ashley Cain: Into the Danger Zone aired in April 2025.

It followed his journey to the world’s most dangerous places, interviewing young men who live on the fringes of society.

Filming for a second series took place earlier this year however, it will no longer air following The Guardian‘s report accusing Ashley of writing derogatory terms in 2014 and 2015 including “sl**s”, “b***hes” and “psychos”.

The newspaper also revealed Ashley was secretly sacked from a BBC job last year for being “drunk on set”.

After the success of his documentary, he was picked to host, Sin City: The Real Las Vegas.

Ashley was flown out to Nevada to film the show but concerns were raised about his conduct.

Appearing to be drunk during filming of the show, the production was suspended and Ashley was ultimately dropped from the project and replaced by another presenter.

Despite this, the incident went largely ignored as Ashley returned to filming with the BBC earlier this year for the second series of his Into The Danger Zone series.

A BBC spokesperson told The Sun:  “The posts by Ashley Cain, albeit from many years ago, are completely unacceptable.”

“The BBC has clear requirements around vetting and social media checks, which are undertaken by the production company.

“In this instance, the process clearly failed and we are investigating why.

“We are continuing to strengthen our processes to ensure everyone working for, and on behalf of, the BBC meets our values and standards.

“We have no plans to broadcast the new series of ‘Into the Danger Zone’, and no future projects with Ashley Cain.”

Netflix Inc. is under contract to buy Radford Studio Center, a historic Los Angeles movie studio space, for a fraction of its 2021 $1.85-billion sale price after lenders including Goldman Sachs Group Inc. repossessed the property.

The price is close to $400 million, according to two people with knowledge of the transaction, which is expected to close in the third quarter.

The Times reported in April that Netflix had plans to buy the studio property.

The one-time silent movie lot has been home to many popular TV series over the decades, including “Gunsmoke,” “Gilligan’s Island” and “Seinfeld.”

Netflix wants to consolidate its real estate footprint in one place and has been considering relocating from a group of Hollywood buildings it leases from Hudson Pacific Properties Inc. The Hudson Pacific leases expire in 2031.

Radford’s current owner, Hackman Capital Partners, defaulted on $1.1 billion of bondholder debt and turned the property over to lenders led by Goldman after it was unable to reach a refinancing deal last year. The sale will wipe out close to two-thirds of the debt.

The value of Los Angeles studio real estate has tumbled since interest rates climbed and production plummeted following strikes in 2023 by unions representing writers and actors. Landlords unaffiliated with studios, such as Hackman, have been hit particularly hard as production moved to space owned by the entertainment giants. Occupancy of L.A. soundstages fell to 62% in the first half of last year, according to FilmLA, a local permitting group.

Representatives of Goldman and Netflix declined to comment. A Hackman representative didn’t immediately provide a comment.

Netflix, which has historically leased rather than owned real estate, has stepped up investing in studio lots. It’s currently developing a $1-billion production center in Fort Monmouth, N.J. The streaming service reported $12.3 billion in cash and equivalents in its most recent quarter. Netflix was paid a $2.8-billion breakup fee by Paramount Skydance Corp., which won a bidding war for Warner Bros. Discovery Inc.

Before the recent slowdown, Hackman went on a buying spree of movie lots, banking on ever-growing demand for streaming TV production. In March, Deutsche Bank AG sued Hackman to foreclose on its Kaufman Astoria Studios in New York. Hackman-owned Television City in Los Angeles and Manhattan Beach Studios in nearby Manhattan Beach are both being marketed after lenders led by Deutsche Bank pushed for the sale, Bloomberg reported in May.

Brokerage Cushman & Wakefield Ltd. is selling the $240-million loan on the 22-acre Manhattan Beach property, which it describes in a marketing document as “one of the most strategically positioned opportunities in coastal Los Angeles, combining an institutional-quality operating asset with some of the most irreplaceable underlying land in the South Bay.”

The Radford Studio lot was only 71% leased as of March, according to mortgage filings.

Gittelsohn writes for Bloomberg.

Coronation Street fans were left gobsmacked after discovering that Ryan Connor star Ryan Prescott previously appeared on rival soap Emmerdale

Coronation Street viewers have been left stunned after only just discovering Ryan Connor actor Ryan Prescott previously featured in rival soap Emmerdale.

On Thursday, ITV’s Instagram account posted an entertaining soap crossover feature, highlighting all the Coronation Street and Emmerdale stars who’ve graced both programmes.

While fans recognised familiar soap-hopping actors including Claire King, who portrays Kim Tate on Emmerdale and played Erica Holroyd on Corrie, alongside Chris Bisson, who plays Jai Sharma in Emmerdale and portrayed Vikram Desai in Corrie, audiences were astonished to spot a ‘forgotten’ performer.

The post featured Corrie’s Ryan Connor actor Ryan Prescott, who played Flynn Buchanan in Emmerdale back in 2011.

Throughout Flynn’s stint in the village, he briefly romanced Aaron Dingle, portrayed by Danny Miller, though Aaron remained hung up on his former boyfriend Jackson Walsh, played by Marc Silcock, reports the Daily Star.

Reacting in the comments section, soap enthusiasts were left astounded by the revelation, with some having completely forgotten Ryan’s Emmerdale appearance while others were unaware of the soap crossover altogether.

One viewer exclaimed: “Omg I forgot Ryan was in emmerdale!” to which another account responded: “Such a throwback!”.

Meanwhile, another account posted: “Wow x” with a different fan contributing shocked emojis.

Another enthusiast wrote: “The only one I remember being in another soap is Jai!” while a separate viewer commented: “Wow that’s insane to look at in the Past and the Future.”

Coronation Street’s Ryan first appeared on the ITV soap back in 2006, with the character originally played by Ben Thompson – Ryan Prescott, 37, stepped into the role in 2018. As the son of Michelle Connor (Kym Marsh), it wasn’t long before Ryan became entangled in a host of dramatic storylines.

In forthcoming scenes, Ryan heads out on a date with fellow Weatherfield resident Jodie Ramsay (Olivia Frances Brown) – who has caused quite a stir since making her soap entrance earlier this year.

According to spoilers for next week, Jodie lets slip that she’s lined up a date. When David Platt (Jack P. Shepherd) inadvertently mentions he’s due to meet Nick Tilsley (Ben Price) at the bistro, Jodie devises a cunning plan.

Jodie meets her date, Ryan, at the bistro, and when David arrives, Jodie turns on the charm in a bid to ignite David’s jealousy…

Coronation Street airs Monday to Friday at 8:30pm on ITV1 and ITVX

MAFS Australia stars Bec Zacharia and Awhina Rutene have revealed they’re going under the knife to have their ribs “recontoured” in a procedure that’s illegal in Australia.

Bec, who became one of the most controversial stars of the latest series, said she had been flooded with hate by nasty trolls commenting on her appearance.

The reality star, who tied the knot with Danny Hewitt on the show, has previously been open about her drastic weight loss, losing over 4st.

In a new video with influencer Joshua Fox, Bec admitted she still had a lot of loose skin that she was desperate to get rid of as she flew to Bali for the procedure.

Speaking to the influencer, she said: “I’ve got a lot of loose skin, this is the most vulnerable I’m ever going to be because there are parts of me that I can’t stand looking in the mirror.

“Your body, your choice, what you feel confident with and what you feel comfortable, f***ing do it.

“So why are all these Karen’s coming at me. Let me get my ribs done.”

The TV star said: “No one wants to look like me, see this sloth over here.

“Get your teeth done, get your jaw done, get your skin done, get your nose done, trust me if I could I would.”

Joshua shared his fears, saying: “It’s not available in Australia yet because it take a long time for things to be approved there.

“I just worry it sets this new standard.”

Meanwhile, second bride Awhina, who starred on the show in 2025, said she was also planning to undergo the same procedure to achieve a more “hourglass” figure.

She said: “There was no way I was going to be removing ribs from my body where it’s protecting vital organs, I was really worried about all of that.

“But I looked into it, it’s rib contouring, where they are going to angle my rib inwards to give me that natural hourglass silhouette.

“I’m not worried that I’m a blue print for anyone else.”

Joshua captioned the post: “In a matter of hours, Bec, Awhina and the other influencers on this trip will all undergo the ‘rib recontouring’ procedure here in Bali. But why are they doing this? And do they think they’re setting a dangerous example?

“Ep 2 of the investigative pod series out now. Follow here for part 3 and our journey in the hospital.”

In May, Bec returned to social media after her ‘ban’ over a dress scandal as she’s mocked by her show rival.

The TV star endured an explosive time during her Married At First Sight stint with groom Danny amid clashes with bride Gia Fleur.

Just weeks after Bec was dumped at Final Vows her actions caused her Instagram account to be deleted from the platform entirely.

Bec claimed that her main profile was removed after she was reported by other users because she was involved in drama with an Australian designer bridal rental company reports Heart.

Now, Bec is back on Instagram and captioned a series of images: “Sticks and stones may break our bones, but names will NEVER hurt us.”

The images included a smiling Bec posing alongside MAFS bride Alissa Fay who was also blindsided at the end of the series.

Brides Gia and Bec clashed several times throughout the season after failing to hit it off just minutes into meeting during the hen party.

And after the dress scandal, Gia took to social media and mocked Bec saying: “In the light of what’s going on just now with some people losing their Instagrams and people acting at fashion week above people.

“Let’s be humble.”

Gia then modelled a $12 dollar outfit and explained that nobody knew them before the show as she appeared to then impersonate Bec.

Gia’s followers flocked to comment and one said: “Still attacking Bec.”

Another said: “Let’s be humble. Then goes on to talk about someone else… that’s also not being humble.”

A third added: “The impression at the end was funny.”

Awhina and show husband Adrian had a highly turbulent relationship.

They chose to stay together at final vows, but split just a few days later.

GEMMA Collins looked great in a bikini as she makes a bit of extra cash by selling her old clothes for just a tenner.

The former Towie star, 45, took to her Instagram story to tell her 2.3 million followers that she’s uploaded some bits from her wardrobe on app Vinted.

The GC wowed in a blue paisley bikini and matching sarong.

She completed the look with long beach waves.

“Make me crazy prices on Vinted today, it’s all got to go,” she captioned the post.

In the next post she shared a screen shot of her Vinted profile, named “gcwardrobe1”, to display the clothes that she has on the platform for sale

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Gemma has some white shorts, a top and some trousers all on her account for £10.00 each.

She also has an oversized t-shirt dress on there for £15.00.

The self-confessed diva also told fans: “All orders by 3pm before we close the account for summer holidays.”

The reality star has 279 reviews on her profile and has an average of 4.9 rating.

“The wardrobe of the GC items worn once for filming or for a shoot. Enjoy,” the profile bio states.

And now the profile has been closed.

It’s not the first time that Gemma has taken to Vinted to sell her unwanted clothes.

Back in February, there was plenty to pick – from brightly coloured tops to swimsuits and dresses. 

Items ranged from sizes 20 to 30 and prices range from just £3 up to £40.

Just last month Gemma oozed beauty and body confidence rocking a skin-tight swimsuit by the water.

The TV personality posted the stunning snap to her Instagram grid today, alongside an inspirational message for her followers.

In the photo Gemma is sitting on a sun lounger wearing the off-the-shoulder swimwear.

The pink outfit perfectly hugged her curves and featured a sweet bow detail at the bust.

She captioned the post: “Loving the sun. Wishing you all a lovely bank holiday.

“Get your body in the sun, let your soul exhale

“Own your glow, take up space, wear the swimsuit, dive in the pool, laugh louder, live softer.

“The sun was never asking for perfection… only presence.”

SHARON Osbourne was forced to miss her late rocker husband Ozzy’s statue unveiling after being rushed to hospital.

The 73-year-old returned to social media to explain her absence at the event this week.

Sharon was notably missing from the French metal festival Hellfest where the tribute to Ozzy was revealed, which stands at 20ft tall.

His widow Sharon told fans on social media: “I’m sorry I couldn’t be at Hellfest for the unveiling of Ozzy’s statue.

“Unfortunately I had an unexpected trip to the hospital earlier in the week. 

“A big thank you Olivier Garnier, Ben Barbaud and everyone at Hellfest. Special thank you to @philippe_pasqua_officiel for the absolutely stunning statue!”

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Black Sabbath singer Ozzy died aged 76 last July following a long battle with Parkinson’s.

Sharon recently put the LA mansion she shared with her late husband up for sale for $17m (£13m), and will be moving into an apartment.

The X Factor legend still has her Grade-II listed Georgian mansion in Buckinghamshire, where Ozzy is buried.

Ozzy’s final performance in Birmingham last summer completely sold out and raised millions.

But it was all donated to three charities: Cure Parkinson’s, Birmingham Children’s Hospital and Acorns Children’s Hospice.

His other earnings have now gone to his family, who revealed this week that they are trying to buy back the Beverly Hills mansion where they shot their MTV reality show The Osbournes in the Noughties.

A beloved Celebrity Gogglebox pair have made their return to the Channel 4 show

Celebrity Gogglebox fans were over the moon after two beloved stars made their comeback to the programme.

The Channel 4 spin-off show returned to screens on Friday (June 18) for a brand new episode, welcoming back firm favourites, such as Vernon Kay and Paddy McGuinness, Nick Grimshaw and niece Liv, and Denise Van Outen and Johnny Vaughan.

There are several new additions to the new series too, including Olivia Attwood and her mum Jennifer, Harry and Matt aka Nitro and Legend from Gladiators.

Finishing off the line-up are Strictly star George Clark and content creator Max Balegde comedian and actor, Julian Clary and actor and television presenter, Nigel Havers.

And for the latest instalment, show favourites Stephen Mangan and his sister Anita were back on the sofa – and fans were over the moon. On X, one person declared: “So glad Stephen and Anita are back!” Someone else wrote: “My favourites!” A third chimed in: “Love these two.”

Stephen is a presenter and actor who found fame playing Nathan Stern in The Split, alongside Nicola Walker, Fiona Button, Annabel Scholey, and Barry Atsma.

Beyond his acting credentials, the star also hosts Artist of the Year on Sky Arts. He also fronted the ITV game show The Fortune Hotel. Meanwhile, his sister Anita is an artist, illustrator, and designer. The brother-sister duo frequently collaborate on popular children’s books, with Anita illustrating the stories that Stephen writes

In 2023, Anita opened up about working with her brother on the books. When asked whose idea it was to work together, she told The Bath Magazine: “Mine! I’ve been an illustrator and designer for years and have wanted to work with Stephen for a long time.

“Stephen is brilliant at writing but can’t draw (his words!), so it’s a great match! I convinced him to consider it. Initially he thought we’d be doing picture books, where I did most of the work … but no, I said ‘40,000 word chapter books please!’ I got my way, mwahahahaha.”

Talking about their relationship, Anita added to the publication: “We have always been close and have been making each other laugh since we were children. Now we’re still making each other laugh – and our readers too (hopefully!). I always look forward to reading the first draft of Stephen’s books to see what drawing challenges there will be. I once told him that drawing horses is hard, so he put horses in The Fart that Changed the World, goats in The Unlikely Rise of Harry Sponge and The Great Reindeer Rescue is full of reindeer.”

Stephen added: “Well, I am the big brother – that’s what we do. I love working with Anita. It’s a treat to see how she illustrates my characters, and she always makes me laugh.”

Celebrity Gogglebox airs every Friday at 9pm on Channel 4

Former EastEnders actress Gurlaine Kaur Garcha, who previously played Ash Panesar on the long-running BBC soap, has married her partner Max after a year-long engagement

EastEnders star Gurlaine Kaur Garcha has married her partner after a year-long engagement. The actress, 32, is best known known for having previously played Ash Panesar on the long-running BBC soap, but she left the programme just over three years ago.

On Friday, she took to social media to announce the news that she and her partner Max had tied the knot. Alongside a selection of snaps from the big day, she wrote on Instagram: “17.6.26.”

A slew of Gurlaine’s former co-stars were quick to congratulate her. Former Strictly Come Dancing star Balvinder Sopal, who plays Gurlaine’s on-screen mum Suki, wrote: “Gorgeous baby. Congratulations.”

Emma Barton, known for her role as Honey Mitchell, wrote: “Gorgeous… congratulations beautiful,” whilst Denis Fox actress Diane Parish simply said; “Congrats”

Last year, the actress, who last year was seen in an episode of the Amazon Prime hit The Girlfriend, shared the happy news of her engagement with fans on Instagram, flashing a huge diamond ring while sipping a cocktail abroad.

“v happy & v engaged!!!!!!” she wrote, keeping the caption short and sweet. Although Gurlaine’s kept her partner’s identity private, she confirmed the romantic proposal took place while on holiday in Ibiza.

Gurlaine made her debut in Albert Square back in 2019 as Ash; a confident, no-nonsense doctor who immediately made an impression. She arrived as the first member of the Panesar clan, with her brothers and mum Suki introduced shortly after.

Her character quickly became a key figure in several dramatic storylines from tense family fallouts and fractured relationships to fast-paced scenes at the hospital. She was also part of a same-sex romance with Iqra, making Ash one of the few LGBTQ+ South Asian characters in soap at the time.

Ash wasn’t afraid to speak her mind, often clashing with her mum Suki, whose controlling nature added even more fuel to their fiery dynamic. Her arrival was also seen as a big moment for representation, with viewers praising EastEnders for spotlighting a British Sikh woman in a lead medical role – something rarely seen on mainstream TV.

Gurlaine took a short break from the show in 2022 before officially bowing out in early 2023. At the time, soap bosses thanked her for her contribution, while the actress told fans she was “excited for what’s to come”.

Since then, Gurlaine’s kept a low profile but still shares snippets of her life online – posting travel pictures, moments with friends, and positive messages with her followers.

And while she’s stayed off-screen for now, fans will no doubt be thrilled to see her celebrating such a personal milestone.

Like this story? For more of the latest showbiz news and gossip, follow Mirror Celebs on TikTok, Snapchat, Instagram, Twitter, Facebook, YouTube and Threads.

HARRY Styles dramatically stopped his Wembley gig midway through a song to help a fan in distress.

The 32-year-old halted singing Taste Back when he realised a concert-goer needed support.

“You can’t find your sister?”, Harry said over the mic as he spoke to a member of the audience.

He then beckoned over security who rushed to their aid.

Harry added: “You looked very concerned.”

Asking if everything was OK, Harry said: “You’re good? We’re good.”

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He then made a thumbs up to security.

Harry kicked off a record-breaking 12-night run at Wembley Stadium on Friday for his Together, Together tour.

Harry released his latest album — Kiss All The Time. Disco Occasionally — in March and it immediately shot to No1 in the charts.

Addressing crowds, this week the pop star said: “Just outside of this building 16 years ago, my sister brought me to London for the very first time for my X Factor audition.

“So driving here today, and anytime I come through Wembley, means so much to me.

“It was in that building that I was put into a band, my sister is here tonight. It means a lot to be here tonight.”

He added: “My mum entered me into the X Factor without me knowing and I wouldn’t be here today if she hadn’t done that, so thank you so much.

“You changed my life, all of you, so thank you so, so much.”

Comedy director James Burrows, the 11-time Emmy-winning director who co-created “Cheers” and helped turn such long-running sitcoms as “Taxi,” “Friends,” “Will & Grace” and “The Big Bang Theory” into fan favorites, has died, his family confirmed to People. He was 85.

“We celebrate the extraordinary life and enduring legacy of James ‘Jimmy’ Burrows, who passed away peacefully today surrounded by his loving family,” his family said in a statement to People. “For more than five decades, Burrows was one of the most influential and beloved directors in television history. As a legendary director, mentor, and creative force, he helped shape generations of comedy and brought immeasurable joy to audiences around the world.”

A master of the multi-camera sitcom, Burrows started his career shooting episodes of “The Mary Tyler Moore Show” in 1974 and “The Bob Newhart Show” in 1975. He soon joined the quality-oriented production company, MTM, which counted James L. Brooks, Steven Bochco and Gary David Goldberg among its alumni.

“They were smart enough to know that it’s better to have a director who can talk to actors rather than a director who can move cameras. You can’t really learn how to make something funny, but you can learn to move the cameras,” Burrows said in a 1995 interview with The Times.

Burrows was born in Los Angeles and later moved to New York with his family where he attended the High School of Music & Art. He graduated from Oberlin College and completed a graduate program at the Yale School of Drama. He worked years as a stage manager with his father, a playwright and director, assisting on shows such as “Breakfast at Tiffany’s” starring Moore and Richard Chamberlain.

He solidified his name in television with “Cheers,” co-creating the lively Boston travern “where everybody knows your name” with Glen and Les Charles. Over its 11 seasons on the air, Burrows directed 237 of its 275 episodes, emerging as a behind-the-scenes comedy legend.

“You bring ‘em in, you sit ‘em down and they talk. That’s all ‘Cheers’ was,” Burrows told The Times. “The word is more important than the goofiness. It was all about the words — which is how I was trained, how my father was trained, how anybody who reads books is trained. It’s the word.”

His father, Abe Burrows, was a Pulitzer Prize-winning playwright, screenwriter and director who performed in radio comedies and co-wrote the books for the Broadway musicals “Guys and Dolls” and “How to Succeed in Business Without Really Trying.” The younger Burrows said that growing up on radio comedies helped him hone his ear for humor.

“I know what’s funny, and I probably know the best way to deliver the joke. Whether it’s walking out of a room, facing that way, facing this way,” Burrows said in a 2010 interview with The Times. “I just have a sense of that.”

Another skill he learned from his dad? was working on his feet.

“He’d run the scenes over and over. He created this wonderful camaraderie, which I always try to do. I love to do ensemble shows because that’s where you get the camaraderie.”

Burrows, often considered a fatherly manager, tried to bridge the gap between actors and writers and notably took the cast of “Friends” on a trip to Las Vegas before directing 15 episodes of the blockbuster comedy. He also threw a party for the “Mike & Molly” cast to build rapport because he believed when everyone liked each other, it showed onscreen.

Actors would know when a joke landed when they would hear Burrows giggle as the scene unfolded.

“I’m the guy that wants you to walk the comic plank for me,” he said. “Take it as far out as you want to take it and I’ll bring it back. Sometimes I’ll take it further. But trust me.”

With his slate of hits — he’s credited for directing several shows in NBC’s primetime “Must See TV” lineup of the 1990s — Burrows amassed sizable wealth and, from an early age, was in constant demand by those seeking his magic touch for their show. However, he also saw his fair share of flops: Henry Winkler’s “Monty, “Cafe Americain” with Valerie Bertinelli and a slew of promising pilots that never got off the ground. He also felt that ABC’s “The Associates” and “The Class” on CBS were canceled too soon.

From 1998 to 2006, Burrows helmed every episode of “Will & Grace,” the Emmy-nominated sitcom about a woman and her gay best friend that aired on NBC for eight seasons during its original run. To Burrows, it was the funniest show he ever worked on. He was also behind the camera for the comedy’s 2017 revival, which brought the envelope-pushing antics of Will, Grace, Jack and Karen back for three more seasons.

“It was a fairytale literally and figuratively,” he said in a 2016 Hypable interview. “It was not of the real world in a strange kind of way. These were exaggerated characters. Although they were grounded with Will and Grace, there was this exaggeration that made the stuff you could do and get away with on that show so extraordinary.”

He won his 11th Emmy Award serving as an executive producer on 2019’s all-star re-staging of “Live in front of a Studio Audience: ‘All in the Family’ and ‘Good Times.’” A year earlier, he was nominated for directing the “‘All in the Family’ and ‘The Jeffersons’” TV special.

James Burrows behind the scenes.

(Chris Pizzello / Invision / Associated Press)

Throughout his career Burrows had a penchant for directing pilots because it meant “you’re better than an episodic director” and could create something new in the writer-driven medium of television. He was also drawn to “more uptown, the more urbane, the more sophisticated” comedies. He tried doing cinema once — 1981’s “Partners” with Ryan O’Neal and John Hurt — and said the result confirmed his belief that he was built for television.

“I’m not a cinematic guy. I’m a theater guy. For what I do, I need a live audience,” he said in a 2016 interview with the Television Academy.

Among his favorite TV moments were the pilots for “Frasier” and “Third Rock From the Sun,” the long-awaited kiss between Sam (Ted Danson) and Diane (Shelley Long) and Woody’s (Woody Harrelson) wedding on “Cheers,” Rev. Jim (Christopher Lloyd) taking his driving test in “Taxi,” Ross (David Schwimmer) being attacked by a cat in “Friends” and Will, Grace, Jack and Karen getting in the shower together on “Will & Grace.”

Late into his career, Burrows continued to work in the multi-camera sitcom format, which is shot in a studio, usually before a live audience. In 2013, he was honored by the Television Academy, and, in 2016, he celebrated directing his 1,000th episode of television programming, crossing the milestone with an episode of “Crowded.” NBC marked the milestone with “Must See TV: An All-Star Tribute” special. According to critics, the show — billed by several outlets as the elusive “Friends” reunion and came off as a living eulogy to Burrows — fell short and did not do the legendary director justice.

In all, Burrows was nominated for 45 Emmy Awards and 17 Directors Guild of America Awards.

Hello! I’m Mark Olsen. Welcome to another edition of your regular field guide to a world of Only Good Movies.

Recently, I don’t exactly know why, I was overtaken by a concern that because of the impending merger of Paramount and Warner Bros., Olivier Assayas’ 2022 series adaption of his own film “Irma Vep” would be removed from the HBO Max streaming platform. With no official physical release, the series — starring Alicia Vikander as a Hollywood movie star making a project in Paris — could be effectively vanished from existence.

This is sadly inevitable, though some superfans have gone to extra-legal measures to ensure otherwise (not that we would ever endorse this). Most famously it’s happened with the original “Star Wars” trilogy. Billed as the “Grindhouse Edition,” these are discs of the first three “Star Wars” films sourced from scans of original film prints before the digital fixes and polish of the more recent official releases. Reengaging with these works in this way, scratches and all, is (I’m told) a strong reminder of why they hit so hard in the first place, similar to how it might be to reread a text in the original language instead of a more recent translation.

‘Indiana Jones’ marathon

Harrison Ford and Karen Allen on the set of 1981’s “Raiders of the Lost Ark.”

(Lucasfilm Ltd.)

The same deep understanding of genre filmmaking that went into the original “Star Wars” also went into “Raiders of the Lost Ark,” the first adventure of the character of Indiana Jones. Directed by Steven Spielberg from a script by Lawrence Kasdan and story by George Lucas and Philip Kaufman, the film is playful, thrilling and self-aware. It is made with such care, attention to detail and sense of fun that I remember how disappointed I was to discover not all movies would be like this.

There have of course been diminishing returns with the more recent run of Indiana Jones sequels, but the first three installments all have a real spark. And so the Secret Movie Club will present “Raiders,” 1984’s “Indiana Jones and the Temple of Doom” and 1989’s “Indiana Jones and the Last Crusade,” all on 35mm at the Million Dollar Theater in DTLA on Sunday in celebration of Father’s Day.

In her original review of the first film, Sheila Benson described that while watching it, she felt “a rush of gratitude which almost brought tears of contagious joy and — not to be corny about this — the strength of the film’s positive vision. If this is an era in which the heroic is lacking and the mediocre threatens us from every side, then ‘Raiders,’ which has no pretensions to importance, which is unabashedly wide-eyed and exaggerated and true blue but somehow cherishes the best in life and filmmaking — is a high-water mark.”

Plenty of jokes could be made about the movies having settled into what might be thought of as part of the dadcore canon: action-adventure movies that play well on TV and maybe you can take a short nap and not miss anything. So be it.

From one master to another

Cary Grant and Eva Marie Saint in Alfred Hitchcock’s 1959 thriller “North by Northwest.”

(Sunset Boulevard / Corbis via Getty Images)

Filmmaker Guillermo del Toro has been making waves of late for his strong public stance against the use of AI in feature filmmaking. But it is worth remembering that he is also a deep and incisive thinker about older movies, a true fan, which makes his upcoming appearances at the Academy Museum a special occasion.

Del Toro will present five films by Alfred Hitchcock — 1946’s “Notorious,” 1943’s ‘Shadow of a Doubt,” 1959’s “North by Northwest,” 1953’s “I Confess” and 1972’s “Frenzy” — along with delivering a lecture on each of them. To see one great filmmaker reflect with such depth into the work of another is just remarkable. This is some genuine only-in-L.A. type stuff.

Comedy + politics = good fun

A scene from the 1976 movie “Car Wash.”

(Margaret Herrick Library / Academy of Motion Picture Arts and Sciences)

A raucous comedy set around the location of the title, “Car Wash” is also a sharp, politically minded satire about labor and money. Directed by Michael Schultz from a screenplay by Joel Schumacher, the film has an extended ensemble cast that includes Richard Pryor, Franklyn Ajaye, George Carlin and many others.

In his original review Charles Champlin compared “Car Wash” to films such as “American Graffiti” and “Nashville” and called it “light but not foolish. … The experience is exhilarating.”

A 50th anniversary screening at the Academy Museum on Saturday of a new 4K restoration will include a panel with Schultz and actors Bill Duke, Antonio Fargas, Melanie Mayron, Garrett Morris and Pepe Serna.

Collision report

James Spader in the 1996 movie “Crash,” directed by David Cronenberg.

(Jonathan Wenk / Fine Line Features)

The controversy that surrounded David Cronenberg’s “Crash” when it premiered at Cannes in 1996 and received a U.S. release in 1997 tended to overwhelm the actual movie. Shockingly explicit, the film is about a secret underground world of people who create a sexual fetish out of car crashes. An adaptation of the novel by J.G. Ballard, Cronenberg’s movie explores the cinematic obsession with sex and violence.

Over time, “Crash” has been evolving from a seemingly cursed object dogged by scandal into something that audiences can come to appreciate and admire — even if it is not a movie you can ever exactly fully understand. Part of Cronenberg’s brilliance is how enigmatic and unknowable his work can be: strange, inviting and enveloping while refusing easy or direct analysis.

The movie is playing twice locally this week, on Saturday at Vidiots in partnership with the Cinegogue, with special giveaways and exclusive merch, and again on Monday at the Academy Museum in 4K. Who will be brave (or perverse) enough to go twice?

A different view of Rio

Milton Gonçalves, center, in the 1974 movie “The Devil Queen.”

(Kino Lorber)

A drag queen (Milton Gonçalves) rules the criminal underworld of Rio de Janeiro in Antonio Carlos da Fontoura’s 1974 gangster drama “The Devil Queen,” an unlikely mix of camp aesthetics and gritty violence. Among the film’s many fans is Kleber Mendonça Filho, the filmmaker behind the recent Brazilian hit “The Secret Agent,” who referred to “The Devil Queen” as “bloody, nasty and full of personality.”

The movie is playing in a new 4K restoration at the Lumiere Cinema in Beverly Hills.

A musical melodrama returns

Raul Julia, left, and Teri Garr in Francis Ford Coppola’s 1981 movie “One From the Heart.”

(Rialto Pictures / American Zoetrope)

We have talked before about Francis Ford Coppola’s “One From the Heart,” a movie of such delirious audacity that it nearly ruined the filmmaker‘s career. A throwback musical about two lovers who break up in search of more excitement, the film stars Teri Garr, Frederic Forrest, Nastassja Kinski and Raul Julia.

On Saturday the film will screen at the American Cinematheque’s Aero Theater in a 70mm print for the first time in L.A. since 1990. The event is being dedicated to Dean Tavoularis, Coppola’s longtime production designer, who died in April. For “One From the Heart,” Tavoularis re-created the Las Vegas Strip on a studio back lot.

New this week

• Amy Nicholson is not a fan of the new “Toy Story 5,” writing in her review, “Pixar has continued adding shades to the same plot outline like a child with a box of 128 crayons (or a company clinging to its billion-dollar idea).”
• Glenn Whipp cast back into the “Toy Story” universe for a highly personal ranking of his 10 favorite “Toy Story” toys.
• Two gay teenage boys attempt to survive a supernatural entity and conversion therapy in Adrian Chiarella’s debut feature “Leviticus.” Jen Yamato spoke to the filmmaking team.
• I spoke to writer-director Michael Sarnoski about his new “The Death of Robin Hood,” starring Hugh Jackman in a subversively revisionist telling of the last days of the medieval bandit.

Things seem to be taking their toll on Amanda Owen as she admits to feeling rather ‘stressed’ during an episode of Our Farm Next Door

Our Farm Next Door star Amanda Owen appears to feel the heat as she makes a frank admission moments into the show.

In a repeat episode from series three of Our Farm Next Door: Amanda, Clive and Kids, which airs tonight (Friday 19 June), work continues on the farmhouse renovation as builder Richard starts plastering the interior walls and joiner Dan delivers and fits the custom-made doors.

As the project progresses, Amanda begins to feel the strain of the ambitious build, particularly when it comes to making key design choices for the kitchen, which proves to be one of the most challenging parts of the renovation.

Balancing modern practicality with strict historical preservation, Amanda expressed her confusion, admitting she was unsure where things would go.

When asked where she would like a certain socket to be placed, the mother of nine put her hands on her and said: “I don’t know, I’m beginning to start feeling really stressed about this.”

Talking directly to the camera, she then said: “I don’t want to start throwing impossible ideas around. I mean the whole project looked impossible from a start off so I think I’ve done well!”

Broadcast on Channel 4, the spin-off series from Our Yorkshire Farm sees the Owen family undertake the ambitious restoration of a long-abandoned farmhouse in the Yorkshire Dales. The project centres on a centuries-old property known locally as Anty John’s, which has fallen into disrepair after years of neglect.

Set high above Swaledale, the historic building holds a special place in the area’s heritage, and the Owen family is determined to bring it back to life.

Throughout the programme, viewers follow the extensive renovation as builders, family members and local tradespeople work to restore the structure while preserving its original character. From rebuilding walls and repairing roofs to installing modern amenities, the project proves to be both demanding and rewarding.

The show also explores the history of the property itself, with Amanda researching the people who once lived there and uncovering stories that shed light on life in the Dales across generations.

However, away from the building site, the programme continues to document life on the family’s nearby farm, Ravenseat. As ever, farming remains a full-time commitment, with the cameras capturing everything from lambing season to the day-to-day challenges of caring for livestock.

The show arrives as the Owen family enters a new phase, with their children taking on greater responsibilities and becoming more involved in both farming and the renovation project.

Our Farm Next Door: Amanda, Clive and Kids airs tonight at 8pm on More4.

JUST two weeks ago, Tina O’Brien was waxing lyrical about going on her first solo holiday as she embraced single life for the first time in years.

It turned out to be rather short-lived, though, as yesterday the Corrie star was spotted kissing a hunky new man in the street.  Now, insiders tell us why her latest fling – with Irish TikToker Rory Martin – has sparked concern amongst her inner circle, who fear her new beau might have an ulterior motive.

Our insider said: “Tina was genuinely trying to enjoy some time on her own after her recent split, but she has really fallen for Rory’s Irish charm. 

“Rory is no stranger to hanging out with famous women – he was linked to Una Healey last year and has gained a bit of a reputation for being a ladies’ man.

“He loves TikTok fame and will really be enjoying the attention he’ll be getting off the back of dating Tina.

“It’s worrying for her friends, because they don’t want to feel like she is being used.

“Tina is someone who loves love and enjoys being caught up in the whirlwind of it all, and they just don’t want her to rush into anything.”

While her last ex, Adam Fadle, disliked the limelight, Rory, in contrast, is said to be very taken with her high profile.

We’re told Tina now lives in a very well-known area where paps often frequent, so it’s unlikely to have come as a surprise to her that they were photographed.

It’s thought Tina, 42, actually met Rory, 30,  through her daughter, 17-year-old Scarlett, who she shares with ex Ryan Thomas. 

They are said to have connected through the music world. Rory also dabbles in singing and guitar playing, as well as doing social media.

He also works for the ambulance service – but is believed to be in the call centre rather than working as a paramedic, as his social media would suggest.

Our source continued: “People think Rory is some kind of sexy paramedic, but the reality is much less glamorous.

“He really plays up to it in his social media because he knows his thirst traps in his uniform attract both women and men to him.”

Last June, Rory surprised fans by posting a video of him singing with Saturday’s star Una in a kitchen.

We’re told the pair were casually dating for some time and really enjoyed making music together. 

Tina’s new romance comes seven months on from her splitting from her millionaire boyfriend Adam Fadle, whom she met in Cheshire following her move there.

The actress, who is known for playing Sarah Platt on the Cobbles, is thought to have been single since her split from millionaire businessman Adam.

At the time, we revealed that it was interior designer Adam who ended things with the star. Rather than being taken with her glam life in the public eye, we’re told it ended up being a huge turn-off for him.

Our insider said: “He was the one who wanted out and ended it. In a brutal swipe, he said it ended up being like something out of a Coronation Street storyline.”

That relationship was hot on the heels of the end of her marriage to personal trainer Adam Crofts. They got together just four months after it ended. 

Tina and Adam Crofts were married for six years and share a son, Beau, together.

Tina also, of course, has her daughter from her relationship with her former Corrie co-star Ryan Thomas.

Her romance with Ryan lasted from 2003 to 2009, with the pair’s very public split fraught and involving a number of public spats. 

Most recently, the pair have been navigating their daughter’s burgeoning singing and social media career together. 

While Ryan has fully embraced that world, Tina’s had a love-hate relationship with social media over the years, vowing to take a break from Instagram in 2020 after calling the site “toxic” and admitting she felt like a “fraud” trying to present a “filtered version” of her life to gain validation. 

But six years on, things are completely different, and she has big plans for the future after signing up to an agency – Alpha Talent Group – which will be helping her land a series of brand partnerships.

Alpha already has a string of celebrity clients. They look after boxer Tommy Fury, The Wanted star Max George, Made in Chelsea’s Miles Nazaire, and Love Island stars Paige Turley, Helena Ford, and twins Eve and Jess Gale.

While Tina is set to branch out on socials, fans shouldn’t expect to see her all over TikTok, like Scarlett and her dad Ryan and his brothers Adam and Scott Thomas are.

Our source previously explained: “She won’t be doing cringe TikTok trends, but there are some exciting brand deals on the horizon.

“And don’t be surprised if she steps out of her comfort zone and does some reality TV – she did Strictly over a decade ago and feels like she wants the public to see her personality.”

And dating another social media star, who has half a million followers on TikTok, is probably not a bad place to start.