After oohing and aahing over “The Odyssey,” it’s time for the hot summer splash to make way for an intriguing fall lineup.

At the movies, Alexander Skarsgård plays a sexy wicker husband. Tom Cruise, a bizarro oil man. Jenna Ortega, a robot friend, and Kendall Roy, ahem, Jeremy Strong, is Mark Zuckerberg. Then we revisit classics of various stripes on the small screen, from a further-future “Blade Runner” to “A Different World” relaunch to “East of Eden” to “Pride and Prejudice.”

For new books, it’s an Emily fest. Emily St. John Mandel’s “Exit Party,” based in Los Angeles, is being called her best work since “Station Eleven.” And Emily Wilson, “The Odyssey” translator who launched 1,000 hot takes, lets us inside her process. As for arts, directors steal the spotlight: the Lucas Museum of Narrative Art opens with 20 inaugural exhibitions and a collection of David Lynch’s L.A. photography fills a local gallery.

Bookmark this page and come back daily this week as we share even more of the best of fall. — Brittany Levine Beckman

Wheat prices have risen sharply amid disruptions to Black Sea exports as the Russia-Ukraine war continues and as changing weather patterns cause droughts that have sharply reduced production.

Over the past month, Russia and Ukraine have stepped up attacks on each other’s grain terminals on the Black Sea. With Russia the world’s largest wheat exporter, and Ukraine among the top 10 grain-producing countries, these attacks have taken their toll on global wheat and grain supply.

Chicago wheat futures, the global benchmark for the grain market, hit a three-year high on Friday, before nudging down 0.54 percent on Monday to $7.79 per bushel by 02:00 GMT. Authorities in Russia’s Rostov region called a state of emergency on Friday after announcing that port closures and navigation disruptions in the Sea of Azov and Black Sea basin have led to a pile-up of agricultural products at farms.

Meanwhile, the rising temperatures and lack of rain have threatened to cut this year’s wheat harvest in South Africa’s Swartland, which produces about 20 percent of the country’s wheat.

Here’s what we know:

What impact is the Russia-Ukraine war having on prices?

Over the past month, strikes on ports, vessels and grain facilities amid the Russia-Ukraine conflict have disrupted grain terminals and forced shippers to delay or cancel cargo loadings during the peak export season.

While Russian missile attacks have impacted Ukraine’s grain exports, Ukraine’s drone attacks in the Sea of Azov have also sharply curtailed Russian shipments of both grain and wheat. At the same time, attacks on Russia’s Novorossiysk and Taman ports have increased shipping costs out of its Black Sea ports.

According to Ukraine’s Ministry of Infrastructure, in July, Ukraine suffered 35 Russian attacks on vessels in port, 22 at sea and 67 on port facilities. By comparison, the total number of vessel strikes for the whole of 2025 was just 14.

On Friday, Kyiv’s agricultural minister said recent Russian air attacks have destroyed around 90 percent of retailers’ food logistics. With transport of wheat curtailed, prices have risen, raising fears of food insecurity around the world.

Joe Glauber, a research fellow emeritus in the director general’s office at the International Food Policy Research Institute, said that the issue, therefore, is less the amount of wheat being produced and more about the cost of getting it to buyers and consumers.

“There’s plenty of wheat in Russia and Ukraine, and ultimately that wheat will make it out on to the market. But right now it can’t, or it comes out with a very high cost, and so wheat prices have reflected that,” he told Al Jazeera.

“There’s a lot of wheat in the world…it’s not a question of availability, it’s a question of affordability,” he added.

Egypt, the world’s largest wheat importer, usually spends around $3bn per year on importing wheat. In the first half of 2026, it sourced more than 82 percent of its stock from Russia and Ukraine.

In Asia, second-largest wheat importer Indonesia bought $361m of wheat from Ukraine and $102m from Russia between 2023 and 2024, according to the Observatory of Economic Complexity. Indonesia usually sources between 15 percent and 20 percent of its wheat from the two countries.

An official at Indonesia’s Flour Millers’ Association told Reuters last week that current stocks can meet immediate food-grade wheat requirements. “But we don’t have abundant or excess supply. We have to look at other origins such as Bulgaria, Australia, Romania and Argentina for cargoes that do not get shipped from Russia and Ukraine,” the official said.

How does climate change fit into this?

Besides the war in Ukraine, droughts and drier weather patterns have taken a toll on wheat production and contributed to rising prices.

According to the United States Department of Agriculture (USDA), as of July 1, the US, also one of the biggest wheat exporters, is forecast to yield “46.7 bushels per acre, down 0.1 bushels from last month and down 8.2 bushels from last year’s average yield of 54.9 bushels per acre”.

“If realised, the United States yield would be the lowest since 2015,” the USDA said.

In a report updated on August 14, the department wrote: “This year’s small crop is a product of long-term decline in US wheat acreage and widespread drought impacts on HRW [Hard Red Winter wheat] production in the Great Plains States. Total wheat supplies are forecast down 13 percent from the previous year, with larger beginning stocks dampening the effect of the smaller crop.”

For Canada, the world’s sixth-largest wheat producer, the USDA’s Foreign Agricultural Service found that for the 2026-2027 production year, total production is forecast to be 34.6 million metric tons (MMT) – also 13 percent lower than the year before – due to reduced planted area and a return to lower-than-average yields.

Amid the heatwaves that have hit European countries over the past three months, wheat production in the bloc has also reduced. According to COCERAL, the European association of trade in cereals, oilseeds, rice, pulses, olive oil, oils and fats, animal feed and agrosupply, the excessive heat is expected to reduce grain crops in 2026 by around 9 million tonnes to 286 million tonnes.

In a report published in July, COCERAL said: “The weather has started to affect corn pollination in the southern half of France and in Hungary. More damage is expected from the forecast heat in other parts of the EU.”

The El Nino weather pattern is also expected to bring drier-than-usual conditions to the Southern Hemisphere this year, with South Africa and Australia expected to experience droughts as a result.

What can be done to mitigate all this?

While the Russia-Ukraine war continues, in July 2022, the year the war started, a Black Sea Grain Initiative was brokered to allow for the safe exports of grain, food and fertiliser from Ukrainian ports to stabilise and lower global food prices.

While that agreement held, more than 1,000 ships full of grain and other foodstuffs left Ukraine, according to the EU. However, Russia ended the agreement in July 2023.

The answer to the current crisis is far from easy, experts say.

Bringing prices down now would necessitate a major shift in war strategy by both Russia and Ukraine, while the impact of climate change could be mitigated by governments implementing policies including improving water management on farms through the use of reservoirs to support drought-affected crops and reduce the loss of production.

Moreover, Glauber explained, while alternative routes exist to ship out grain from Russia and Ukraine, they are costly, adding that a return to a possible Black Sea Grain Initiative “would help calm wheat markets a lot”.

One answer may be for other countries to step in.

According to Glauber, during the 2022 global grain price surge, other wheat producing countries such as India exported more to make up for shortages.

“India, for example, had record exports in 2022. It’s probably less likely this year, just because of El Nino and other other factors affecting them, but they could also provide more wheat. I think the world wheat market proved very resilient in 2022, and I expect we’ll see the same in in 2026,” he said.

WHEN you think of a live show, you probably think of the West End or something happening on a stage.

But what if I told you there is a great show that merges the magic of the West End with an immersive experience? AND you can get discounted tickets?

That’s exactly what Secret Cinema’s, Grease: The Immersive Movie Musical is like, and you can get cheaper tickets through Sun Club.

If you sign up to Sun Club for £1.99 a month or just £9.99 for one year in our summer sale, you can get an extra 10 per cent off show tickets with London Theatre Direct.

Once you’ve signed up, head to the Sun Club Offers hub and find the London Theatre Direct offer, or simply click here.

Plus, you’ll get unlimited access to our award-winning articles, exclusive showbiz scoops, and a huge range of other offers and discounts too – from early access to book Hols From £9.50, free racing tickets to top UK racecourses and 2-4-1 tickets to theme parks.

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Found in Battersea Park in South West London, the show fully immersed me in the world of Rydell High – think lots of red, carnival lights and American-style food trucks.

I was back in 1959 and had just become another student alongside Sandy and Danny.

It wasn’t long before I was welcomed to my first day of school by a rather chirpy student.

One of the best things about the staging and setting, is that all guests dress up to participate – something I would recommend to make it really feel like you are part of Rydell High.

Upon entering, there is a huge outdoor area full of carnival attractions – guests can purchase carnival tokens, just like at a real fair to enjoy the different attractions.

Make sure to arrive some time before the show so you can enjoy the Ferris Wheel, Flying Chairs, Hook-a-Duck and even the iconic funhouse from Sandy’s unforgettable transformation scene.

In the fairground, you can also pick up food which is typical American-style fast food such as burgers and hot dogs.

There’s also a few bars to grab a tipple, with a Lillet Hugo Spritz (nodding to The Pink Ladies) setting me back £12.50.

When the show starts, all guests head to Battersea Evolution which has been transformed into the iconic scenes from the film including the school gymnasium, the movie drive-in and Frosty’s Palace – which is where my table was.

Filled with classic American booths in blue and white, the diner looked just like it does in the film.

Guests can purchase either roaming tickets or seated tickets – the latter having the benefit that you have a base but can also roam around the stage and sets.

The experience kicks off with the film itself, but as key scenes played out, actors bring the film to life, including those famous songs.

I couldn’t help but tap my feet and sing along.

Across the different scenes, characters will interact with guests.

One student dropped by our table to rant about being ‘left out of Frenchy’s sleepover’ – dragging us directly into the drama.

And then there are other scenes that are more like performances, such as when Danny is looking at his car as mechanic flip and dance around him.

For the finale – spoiler alert – the audience heads back outside to the carnival, with Sandy’s final transformation scene and song ‘You’re the One That I Want’ being the ultimate celebration.

I really did ‘have me a blast’ and definitely one to watch before the experience ends – definitely a five-star experience.

And of course, there are tonnes of photo opps.

The experience runs until September 13 in Battersea Park, London and standing tickets cost from £29 per person and seated tickets cost from £39 per person.

But if you sign up to Sun Club, you can get ‘ll get an extra 10 per cent off tickets.

Click below to sign up to Sun Club and bag yourself discounted tickets.

18+ England, Scotland and Wales residents only. Sun Savers multiple code collect 29/08/26-05/09/26 or subscription to Sun Club or digital subscription required. Online access required. Booking closes 23:59pm on 29/09/26. Non-transferable & non-refundable. Offer valid on a first time flyer experience only at all IFLY locations across England. Flights must be booked between August 29- September 29 and must take place before Friday January 1, 2027. Subject to availability. Not valid on voucher purchases. Cannot be used in conjunction with any other other offer, discount, voucher or promotion.  T&Cs apply, see sunsavers.co.uk or club.thesun.co.uk/sun-club. Sun Club new customer offer: £1.99 per month or £9.99 for the first year, then £19.99 thereafter unless you cancel at least seven days before your next billing date. Full T&Cs apply, see thesun.co.uk/club.

The series is based on a best-selling book

A book adaptation hailed a “masterpiece” by viewers is coming to ITV’s streaming service for the first time.

Nine Perfect Strangers, which debuted on Hulu in 2021, will arrive on ITVX in September. It’s not the only new launch landing next month, with all five seasons of Poldark also making its way to the streaming service.

Based on the best-selling novel of the same name by Liane Moriarty, the mystery drama has a star-studded cast list with big Hollywood names such as Nicole Kidman and Melissa McCarth.

Luke Evans, Christine Baranski, Bobby Cannavale, Michael Shannon, Annie Murphy and Mark Strong also star.

A synopsis reads: “Nine Perfect Strangers is set at a boutique resort which promises healing and transformation to nine stressed city dwellers.

“Watching over them during the ten-day retreat is resort director Masha (Nicole Kidman), a woman on a mission to reinvigorate their tired minds and bodies. However, these nine perfect strangers have no idea what is about to hit them.”

Nine Perfect Strangers was directed by David E. Kelley, known for Big Little Lies, and has been described as a “suspense-filled drama” with lighter comedic moments. The series explores how far people will go to face their personal demons and get well, shining a light on the world of health and wellness and our constant quest for self-improvement.

And while the drama is new to ITV, those who watched it on Hulu back in 2021 have a lot to say about it.

One viewer wrote on IMDb: “This show is amazing I honestly could NOT stop watching, Great casting very thrilling and suspenseful it definitely had me hooked. Going into this show I honestly did not expect much but boy was I wrong, I’m not gonna spoil anything but trust me you should definitely give this show a watch it will not let you down. 100000 out of 10 perfection, thanks Hulu.”

While another added: “Modern masterpiece.Perfectly relevant. Wonderfully acted across the board. This is top tier production of story.

“Filled with character and drama and poignant climax each episode. There is direction and building and thorough relation with everything. No disappointment episode to episode and an overall positive outcome that closes with satisfaction and optimism. Fiction steeped with reality.The music, cinematography, acting, animation, and overall direction really sends this into the upper echelon. Brilliant.”

Overall, Nine Perfect Strangers has mixed reviews, with some calling the plot “confusing”. Reflecting on this, one fan of the book wrote: “The TV adaptation follows the novel very closely. If you read the book you’ll enjoy it on the screen. If you haven’t read the book, sit back, shut up, and get ready for a bumpy ride. THEN leave your review.”

Nine Perfect Strangers will land on ITVX on September 27.

Drivers will be required to pay a toll to cross the bridge.

A new bridge connecting the city of Messina, in Sicily, to mainland Italy is set to become the world’s longest suspension bridge. The project, estimated to cost £11.5billion, has received the green light and is expected to be finished by 2032-2033.

The Strait of Messina Bridge will stretch a total length of 3,666 metres (2.2 miles), and is designed to accommodate six lanes of traffic and two railway tracks. It will have a maximum capacity of 200 trains a day and 6,000 vehicles an hour.

The world’s longest bridge is currently the Hong Kong-Zhuhai-Macau Bridge, spanning 34 miles.

The Strait of Messina Bridge sits at the point where the African and Eurasian tectonic plates meet, making seismic planning absolutely vital.

In 1908, Europe’s most powerful earthquake, with a magnitude of 7.5 on the Richter scale, struck southern Italy, centred in the Messina Strait. Moments after the earthquake, a devastating tsunami formed, causing 40-foot waves.

The population of Messina was reduced from 150,000 to only hundreds, and the total death toll in Italy was nearly 200,000.

The project plans state that “from a seismic viewpoint, the bridge is able to withstand an earthquake of 7.1 on the Richter scale”.

Motorists will be required to pay a toll to cross the bridge. The cost of a single crossing in a motor vehicle will be between €4 and €7 (£3-£6) per trip.

The project’s website explained: “The above rates will ensure that the cost of the project will be covered over the period of the concession term, as well as the related operating costs and routine and non-routine maintenance expenses.

“At the same time, the bridge will provide seamless travel between Sicily and Calabria with tolls far lower than the current cost of crossing the Strait.”

So the appeal is clear for those who manage the financial spreadsheets, but what about everybody else?

US Open organisers have not yet commented in the wake of the Williams-Kenin match, but they have previously argued late scheduling is a benefit to fans.

“Without question late-night matches were heavily discussed and reviewed after the 2022 US Open,” tournament director Stacey Allaster said in 2023, after opting to maintain the late schedule.

“We looked at starting the evening session earlier, instead of 7pm start at 6pm, but it’s not really a possibility because it’s hard for New Yorkers to get here even at 7pm.

“We talked about [changing to] one match at night, but we felt that’s not fair to our fans. One of the realities we have in tennis is that we are not defined by a start and an end time. We can have a short match or we can have a five-hour match.”

And that lack of certainty is where the problems arise. Organisers might not think all matches will run long, but they definitely know it’s a possibility.

A five-set men’s match can easily run for over four or even five hours and a women’s match that goes the distance can comfortably pass the three-hour mark. Put those two matches back-to-back on Arthur Ashe with a short break in-between and suddenly whoever is playing second isn’t finishing until about 3am.

The reason Williams and Kenin started their match so late is that Novak Djokovic’s defeat by Mariano Navone took five sets and over four hours to complete.

By the time Williams and Kenin were finished, the crowd in the 23,933-capacity stadium was sparse.

Greece signs $3.5bn deal with Israel to acquire its first multi-layered air defence network by 2029.

Greece has signed a $3.5bn defence deal with Israel to provide its first integrated “multi-layered” air defence network.

Israel said the agreement, negotiated over three years, is one of the largest in the country’s history..

Engineers will set up an aerial defence shield for the Greeks, integrating three Israeli systems, including the SPYDER system, produced by Rafael Advanced Defense Systems, the BARAK MX system, made by Israel Aerospace Industries and David’s Sling air defence technology, an Israeli defence ministry statement said on Monday.

The agreement comes as Israeli weapons’ exports are soaring, despite widespread criticism over its genocidal war against Palestinians in Gaza and other wars in Lebanon and Iran.

Israeli weapons exports reached record highs with more than $19bn last year, a 30 percent increase from 2024, according to official data.

“Modern conflicts have already altered the parameters of military defence and deterrence,” Greece’s Defence Minister, Nikos Dendias, said in a statement after the agreement was signed.

“Technology, ballistic missiles, satellite communications, unmanned systems, cyber threats, hybrid forms of warfare and the interconnection of fields of operations have long rendered pre-existing defence doctrines completely unrealistic,” he said.

Reporting from Athens, Al Jazeera’s John Psaropoulos said the systems could counter a range of aerial threats.

“The SPYDER and David’s Sling are short-to-medium-range air defence missile systems. They fire missiles to intercept incoming aircraft, cruise missiles and large drones. The BARAK can do all these things, but it also intercepts incoming ballistics,” he said.

Separately, Greece signed a $30m deal with Israel for Rafael’s Drone Dome system, “to defend strategic sites against UAVs and drones and to reinforce existing defences”.

Europe’s changing security landscape

Greece is the second European Union member to agree to buy the David’s Sling system, after Finland.

“This is Greece interpreting the lessons from the war in Ukraine, which has changed the nature of armed conflict and realising that it needs much stronger air defences to intercept whatever might come in from the East.” Psaropoulos said.

“Now that the war in the Gulf has reawakened Iranian animosity towards US allies in Europe, there is a perceived threat from there as well as from other countries in the East,” Psaropoulos added.

Greece spends nearly 3.5 percent of its gross domestic product on defence, a higher proportion than ⁠many NATO allies due to its long-standing dispute with neighbouring Turkiye.

Andrew Griffith has replaced Sir Mel Stride as shadow chancellor as part of Conservative leader Kemi Badenoch’s reshuffle of her top team.

Claire Coutinho, previously the shadow energy secretary, after her maternity leave will replace Griffith as shadow business secretary and act as his deputy in the ongoing shake-up.

Badenoch is forming a new shadow cabinet before the party’s conference in October.

Dame Priti Patel has also been replaced as shadow foreign secretary by Tom Tugendhat.

Badenoch paid tribute to Sir Mel’s work as shadow chancellor saying he helped the party rebuild economic credibility and become an effective opposition.

A senior Conservative source said: “Kemi is changing the way the Conservative Party approaches economic policy and creating a new economic leadership team for the next phase, focused on growth, higher living standards and fiscal credibility.”

Sir Mel, who was appointed to the role following Badenoch’s leadership election in 2024, described his time in the senior Tory role as a “great honour”.

“I am now looking forward to continuing to make a real contribution to the Conservative team in Parliament and beyond, to build and amplify our vision for Britain, from the back benches.”

New shadow chancellor Griffith said the Tories will deliver “an economic revolution” with lower taxes, Britain drilling again to bring energy costs down, slashing red tape and Labour’s Employment Rights Act.

“The Conservatives will always back the risk-takers and wealth creators who deliver growth, investment and jobs,” he said.

A senior Conservative source described Griffith as a “no-nonsense, pro-growth shadow chancellor with real business experience”.

Before he became MP for Arundel and South Downs in 2019, he served as a top executive at Sky and as chairman of Just Eat.

As Treasury minister Griffiths defended Liz Truss’ 2022 mini-budget. He also served as City minister responsible for financial services policy.

Liberal Democrat Treasury spokesperson Daisy Cooper said: “Griffith helped deliver the Truss mini-budget that sent mortgages soaring and the economy into turmoil.

“It’s clear Conservatives haven’t learned a thing. His appointment to shadow chancellor shows they’re happy to forfeit any claim to economic credibility in their race to the bottom with Reform UK.”

Badenoch will also need to select a new shadow health secretary after Stuart Andrew confirmed he will be returning to the backbenches.

Dame Priti, who had been shadow foreign secretary since 2024, said she will take on a new international role strenghtening the Tories relationship with sister parties and centre-right movements abroad.

On Saturday Sir James Cleverly quit the front bench announcing he wants to run for London mayor.

WITH the average museum or attraction entrance fee costing between £12 and £21 a day in the UK, you might expect annual passes to be budget-obliterating.

Yet there are tourist spots across England that let you pay for a day and return all year for free, which is a great option for families on a budget.

If you were to boomerang back to some of the below attractions once a month, the cost of a visit works out as little as 41p a time. 

So here are all of the best places across the UK – by region – where you can pay once, then visit again and again for the whole year, absolutely free…

North East 

Preston Park, Stockton on Tees

Centred around a 19^th century mansion on the banks of the River Tees, this 100-acre site features history galleries, a replica Victoria street, and gardens with a poison plot and honeybee hives.

Adults £12, children (3-16) £8. 

Magna Science Adventure Centre, Rotherham

Set within a former steelworks, this interactive science museum has four pavilions dedicated to the concepts of earth, air, fire and water. Plus, there’s a splash park for summer.

Adults £19, children (4 to 15) £17 or (2 to 3) £9. 

Beamish, The Living Museum of the North, County Durham

Spreading out across 350 acres, Beamish has revived dozens of 19^th and early 20^th century buildings like post offices, pubs, and sweet shops, and filled them with costumed characters to interact with.

Adults £35, children (5-16) £20.50. 

York Castle Museum, York

Plunge into 400 years of York’s history in the museum’s exhibition rooms, replica Victorian street, and the former cells of York Castle Prison.

Adults £18, children (5-16) £10.80. 

Yorkshire Air Museum, York

The UK’s largest independent aviation museum set on a former WW2 airfield with historic aircraft, displays, a cafe and shop.

Adults £17, children (4-17) £7.

The Deep, Hull

More than 2.5 million litres of water provide shelter to 3,000 fish, sharks, rays, and even penguins at this 24,000 square metre aquarium.

Adults £24, children (3-15) £18. 

North West 

Port Sunlight, Wirral

Built for soap factory workers in the 19^th century, this model village offers a history museum, art gallery, and 130 acres of parkland.

Adults £8, children (5-16) £5.50.

Jodrell Bank, Cheshire

The UK’s largest radio telescope, an immersive planetarium, and a series of hands on exhibitions about space and the universe await visitors to this Unesco World Heritage Site in the Cheshire countryside.

Adults £15, children £10.50. 

Eureka! Science + Discovery, Wirral

Walk through a pair of lungs, design your own toothpaste, and hug a heartbeat tree within four interactive zones themed around the science of bodies, homes, and nature.

Adults and children (3+) £15.95. 

National Football Museum, Manchester

Everything from trophies and football shirts to Subbuteo tables and VR games are on offer at this museum dedicated to the beautiful game.

Adults £16, children (5 to 15) £10. 

Fusiliers Museum, Bury

This museum documents 300 years of The Lancashire Fusiliers and the latter Royal Regiment of Fusiliers, with artefacts like Victoria Cross medals and replica First World War trenches.

Adults £4.95, children £2.95. 

Windermere Jetty Museum, Bowness-on-Windermere

Get to know the 200-year boating heritage of England’s largest lake through vessels, interactive displays, and oral histories.

Adults £12, children (5-15) £6. 

Ryedale Folk Museum, Hutton-le-Hole

A six-acre acre swatch of countryside with 20 heritage buildings such as a 1950s village store, Victorian cottage, and thatched Tudor longhouse.

Adults £12, children (4-15) £10. 

Yorkshire Museum 

Featuring displays on everything from the Vikings and Romans to Yorkshire during the Jurassic period – with iPads that showcase what the dinosaur skeletons on show really looked like when they were alive.

Adults £10, children (5-16) £6.  

Murton Park, Murton

Discover 14 acres of countryside exhibits including a farming museum, railway, farm animals, and a Viking village and Roman fort that are open on weekends and school holidays.

Adults £20, children (1-16) £17. 

East Midlands 

National Tramway Museum, Crich

Set around a recreated period village compete with tea rooms and a sweetshop, this museum displays more than 80 historic trams and features a working rideable tramway.

Adults £24, children (4-15) £15. 

Silverstone Museum, Northamptonshire

The two floors of exhibits at Silverstone Museum are crammed with racing memorabilia, F1 cars, immersive experiences like break tests, and photo ops.

Adults £24 online, children (5-15) £20. 

Lamport Hall, Lamport

Wander through period rooms dripping in antiques before ambling around 10 acres of gardens, which once boasted the first ever garden gnomes.

Adults £16, children (11-17) £9. 

Nottingham Castle, Nottingham

Brush up on your knowledge of Robin Hood, Nottingham lace, and the history of rebellion in Nottinghamshire at the hilltop castle that was first built by William the Conqueror in the 11^th century.

Adults £18, children free. 

Bakewell Old House Museum, Bakewell

11 rooms of exhibits spill the secrets of Bakewell’s oldest standing residence and its inhabitants from the past 500 years.

Adults £7.50, children (5-16).

King Richard III Visitor Centre, Leicester

Immersive exhibits recount how King Richad III’s body was discovered under a carpark in Leicester and backtrack through 500 years of history, feuds, and intrigue linked to the King.

Adults £12.50, children (5-15) £6.25. 

Eyam Museum, Hope Valley

This museum lifts the lid on how the residents of sleepy Eyam responded to the outbreak of Bubonic Plague in the 17^th century. Additional displays on local prehistory, mining, and the silk and shoe industry.

Adults £6, children (5+) £4. 

National Space Centre, Leicester

Amongst the 150 plus exhibits at this final frontier-themed museum, visitors will find two genuine rockets, real moon rock, and the UK’s largest domed planetarium.

Adults £22, children (5-15) £20. 

1620s House & Garden at Donington le Heath, Coalville

Explore the stone-walled home and gardens that once belonged to the relatives of Sir Everard Digby, who was executed for taking part in the Gunpowder Plot.

Adults £6.65, children (3-15) £3.95. 

Bosworth Battlefield Heritage Centre, Sutton Cheney

Nine interactive exhibition rooms walk visitors through the dramatic War of the Roses and the resulting battle that changed the course of British history.

Adults £10, children (3-15) £6.95.

Peak District Lead Mining Museum, Matlock Bath

Hundreds of rocks, minerals, tools, and three interactive mock mine tunnels evoke a time when lead mining was one of the Peak District’s most important industries.

Adults £8.50, children (4-17) £5. 

National Justice Museum, Nottingham

Five floors of exhibits on crime, the law, and punishment, including a Victorian courtroom and Georgian jail. Daily mock trials and free workshops.

Adults £16, children (5-15) £11.50. 

Wollaton Hall, Wollaton

Cocooned within 500 acres of parkland, this Grade I listed Elizabethan mansion is home to a 750,000 item Natural History Museum.

Adults £18, children free. 

Louth Museum, Louth

Learn about brickmaking, carpets, archaeology, the devastating Louth flood of 1920, and the ghost of the green lady at this four gallery town centre museum. Open April to October.

Adults £5, children free. 

City of Caves, Nottingham

Burrow through the caves beneath Nottingham, learning about the people who worked and even lived in them over the years as you go.

Adults £12, children (5-15) £9.50. 

West Midlands 

The Fusilier Museum, Warwick

Artefacts like drums, bearskin hats, uniforms, memorial plaques and even wedding gifts illustrate the personal stories of the soldiers of the Royal Warwickshire Regiment.

Adults £5, children (under 16) free. 

Coventry Transport Museum, Coventry

Cast your eyes over more than 300 cycles, 120 motorcycles, and 250 cars, including penny farthings, Triumphs, E-type Jaguars, and the world land speed record-breaking Thrust SSC.

Adults £15.50, children (5-16) £8.50.

Museum of Royal Worcester, Worcester

Starring the largest display of Worcester porcelain in the world, with a sensory trail and regularly updated temporary exhibitions.

Adults £11.95, children (5-17) £4.50.

British Motor Museum, Gaydon

More than 400 classic cars welcome visitors to the British Motor Museum. Free guided tours take place twice a day and there’s an outdoor play area for sunny days.

Adults £18, children (5-16) £9, when booked in advance. 

East of England 

Museum of the Broads, Stalham

This dog-friendly museum spotlights the natural and human history of the Norfolk and Suffolk Broads through more than 6,000 artefacts.

Adults £9.50, children (12-17) £5.50. 

Ely Musuem, Ely

Root around in Ely’s history through exhibits on the city’s prehistoric settlers, folk traditions, local trades, the importance of eel fishing in the area and plenty more.

Adults £7, children (5 and up) £3. 

Denny Abbey & The Farmland Museum, Waterbeach

This yawning site brings together a 12^th century abbey, a vintage village shop, rural trade exhibitions, a nun’s refectory, farming equipment displays, a 1940s farmworker’s cottage, and a clutch of gardens and play areas.

Adults £9.50, children (5-17) £6.50. 

Norfolk and Suffolk Aviation Museum, Flixton

More than 60 aircraft, 30,000 artefacts, and individual museums on Suffolk’s 446^th Bomb Group, RAF Bomber Command, and the Royal Observer Corps come together on this 11 acre site.

Adults £10, children (5-17) £5. 

Verulamium Museum, St Albans

Occupying the site of one of Britian’s largest Roman cities, Verulamium depicts what everyday life was like for the people who once lived here. Count on coin hoards, mosaics, and reconstructions of Roman rooms.

Adults £10, children (under 16) £5.  

Great London and Outer London

London Transport Museum, Covent Garden

Charting 200 years of transportation developments in London, including exhibits on riverboats, omnibuses, the underground, and the capital’s iconic red Routemasters.

Adults £27, under 18s free. 

Foundling Museum, Bloomsbury

Artworks by Tracey Emin and music scores by classical composer Handel are some of the surprising items on display at the UK’s only museum dedicated to the experiences of people who have been in care.

Adults £14.50, 21 and under free. 

The Postal Museum, Clerkenwell

See rare Penny Black stamps, dress up in postal uniforms, and have a ride on the narrow gauge underground Mail Rail railway at this museum that documents 500 years of postal history.

Adults £20.50, children (2-17) £11. 

Old Royal Naval College, Greenwich

The hub of Greenwich’s Unesco World Heritage Site, this former hospital treats visitors to an ornately frescoed Painted Hall, an elegant chapel, and an interactive visitor centre.

Adults £19, children free. 

The Royal Mews at Buckingham Palace

Discover what goes on behind the scenes at the stables responsible for all the road travel arrangements for the Royal Family, including a peek at the Cinderella-esque golden state coach.

Adult £18, young person (18-24) £12, children £9. 

Windsor Castle, Windsor

The largest occupied castle in the world, Windsor Castle welcomes visitors to explore its state apartments, ceremonial rooms, and castle precincts.

Adults £32, young person (18-24) £21, children £16. 

South East 

Milton Keynes Museum, Wolverton

With displays on prehistoric times, Victorian life, farming, printing, and a street of replica shops from yesteryear, this museum looks into the stories that have shaped Milton Keynes.

Adults £17, children (5-16) £12.   

Bletchley Park, Buckinghamshire

The former top-secret workplace of Britain’s World War Two codebreakers features 11 historic buildings, 12 hands-on exhibitions, recreated period rooms, and a cinematic experience.

Adults £28.75, children £7.50. 

Soldiers of Oxfordshire Museum, Woodstock

Exploring how conflict has shaped Oxfordshire, the permanent exhibition at this museum looks into everything from The Liberation of Bergen Belsen by the Oxfordshire Yeomanry to the county’s secret agents.

Adults £9, children (5-16) £5.50.

Wallingford Museum, Wallingford

This two-floor, wood beamed museum tackles almost 3,000 years of local history including Wallingford’s links to Queen of Crime fiction, Agatha Christie.

Adults £6, children free.  

Milestones Museum, Basingstoke

The replica streetscapes at this film set style museum chart the history of Hampshire from the Victorian era to the swinging sixties.

Adults £18.50, children (5-15) £12.50. 

Roald Dahl Museum and Story Centre, Great Missenden

Based in the village where Roald Dahl lived and worked for almost four decades, this museum celebrates the life of the BFG author through memorabilia, hands-on activities, moving images, and craft offerings.

Adults £13.95, children (5-18) £9.95. 

Aldershot Military Museum, Aldershot

Highlights at this local military history museum include tank collections, a rifle handling area, recreated army barracks, and a World War Two inspired outdoor assault course.

Adults £11, children (5-15) £8. 

Cowper and Newton Museum, House and Gardens, Olney, 

Deep dive into the lives and careers of writers William Cowper and John Newton, co-authors of the hymn Amazing Grace, in the restored 18^th century mansion where Cowper lived.

Adults £12, children (under 16) free. 

Jane Austen’s House, Chawton

This red brick cottage is where Jane Austen lived and wrote her novels. Highlights include Jane’s personal letters and first editions of her stories.

Adults £15.50, young people (17-26) £11, children (6-16) £7.25. 

SeaCity Museum, Southampton

Covering 2,000 square metres, SeaCity unveils Southampton’s links to the ill-fated Titanic and reveals how they city became known as The Gateway to the World.

Adults £5, children (5-16) £3.50. 

Leeds Castle, Kent

A favourite residence of King Edward I and dwelling place of Catherine of Aragon, this turreted castle treats visitors to a ‘1930s castle experience’, children’s playground and maze, 500 acres of parkland, and a bird of prey centre.

Adults £38.50, children £28. 

Huguenot Museum, Rochester

Britian’s only museum about the Huguenots – the French protestants who took sanctuary in Britain after fleeing religious persecution in the early 18^th century.

Adults £5.50, children £4.50. 

Museum of the Iron Age, Hampshire

This two-floor museum offers an insight into the history of the nearby Danebury Hill Fort and the people who lived there more than 2,500 years ago.

Adults £5, children (5-15) £3.50.  

South West

National Maritime Museum, Falmouth

15 galleries spread across five floors explore how the sea has shaped human history and culture with remote-controlled boat pool, play zone and more. 

Adults £19, children (five to 18) £10.

Cornwall Museum and Art Gallery, Truro

Swot up on all the elements that have helped forge Cornwall’s identity, from its ancient civilisations and geology to its myths and biodiversity.

Adults £10, under 18s free. 

Wheal Martyn Clay Works, Carthew

Learn about Cornwall’s 250-year clay mining history and find out how the industry contributed to the formation of landmarks known as The Cornish Alps.

Adults £17, children (5-15) £7.50. 

Newlyn Art Gallery and the Exchange, Penzance

A twin set of contemporary art galleries where the walls are hung with the works of regional, national, and international artists alike. Exhibitions change regularly.

Adults £9, children free.

The Eden Project, Bodelva

30 acres of indoor and outdoor gardens, including two iglu-like biomes filled with rainforest and Mediterranean flowers and plants.

Adults £35.50 online, children (5-15) £12.50.

Torquay Museum, Torquay

More than 400 artefacts on Egyptology – including a mummified body – accompany displays on natural history, archaeology, planetology, world cultures, and ceramics at this eclectic museum.

Adults £10, children (5-17) £5. 

Dorset Museum and Art Gallery, Dorchester

Four floors of displays spill the beans on Dorset’s natural history, 500,000 years of people’s history, Hardy’s Dorset, and the county’s artistic heritage.

Adults (26+) £13.95, young people (16-25) £11.70, children (0-15) free. 

The Tank Museum, Bovington

The world’s largest collection of tanks and armoured vehicles spreads out across six hangar-sized exhibition halls here, showcasing more than 300 artefacts from 26 nations.

Adults £19.60, children (3-15) £4.80. 

The Etches Collection, Kimmeridge

This modern space is filled with Late Jurassic marine fossils with a ‘sea-rex’ skull, a sea dragon skeleton, and CGI imagery that brings all the information to life.

Adults £9.50, children (5-16) £4.75. 

Museum of East Dorset, Wimborne Minster

The 11 galleries inside this Grade II listed house catalogue the social and local history of East Dorset, touching on subjects from childhood to agriculture.

Adults £12.50, children (5-16) £6. 

Lyme Regis Museum, Lyme Regis

Overlooking Dorset’s Jurassic Coast, this museum lays bare Lyme Regis’ geological heritage, history, culture, and literary connections using audio, touchscreen displays, and handleable objects. Adults £9.95, children (6+) £6.95. 

Bridport Museum, Bridport

The displays at Bridport Museum switch from Jurassic Coast fossils to local rope making history, Anglo Saxon history, and the ‘beastly Bridport’ topic of disease and the ‘deadly Bridport dagger’.

Adults £5, under 21s free. 

Somerset Rural Life Museum, Glastonbury

Scattered across the cow shed, farmyard, barn, and orchard of a former abbey farm, the exhibits of this heritage attraction shed light on the working life and rural crafts of countryside Somerset over the ages.

Adults £11, children (5-17) £5.25.   

Haynes Motor Museum, Sparkford

15 exhibition rooms showcase more than 300 vehicles here, whilst displays touch on topics from the birth of the internal combustion engine to sustainable transport.

Adults £22.45, children (4-15) £12.74, when booked online. 

The Food Museum, Stowmarket

17 historic buildings spread across 84 acres highlight how food is grown, made, and eaten. With daily talks and regularly changing exhibitions.

Adults £17.50, children £12. 

Lewes Castle, Lewes

An 850-year-old Norman Castle, where you can climb the keep for views of the South Downs, check out Medieval artefacts in the museum, and picnic in the grounds.

Adults £18, children (5-17) £6.50.  

Anne of Cleves House, Lewes

This timber-framed wonky-roofed building was gifted to Henry VIII’s fourth wife, Anne of Cleves, after their royal marriage ended. Wander through the Tudor style rooms to gen-up on this period of history.

Adults £7.50, children (5-17) £4.50. 

Fishbourne Roman Palace and Gardens, Fishbourne

See the remains of a once lavish Roman villa, complete with mosaics and artefacts, and mooch around the reconstructed period gardens.

Adults £15, children (5-17) £7.50. 

Michelham Priory House & Gardens, Upper Dicker

Get stuck into 800 years of history at this moated building with its period rooms and seven acres of grounds and gardens.

Adults £15, children (5-17) £7.50. 

Long gone are the days of Mexican Americans’ alienation from Mexico — at least, if the Mexican government can help it.

On Sunday, hundreds of spectators gathered inside the Orpheum Theatre in downtown Los Angeles to watch the United States semifinals for “México Canta,” a binational music competition for rising artists from the U.S. and Mexico, organized by the latter’s Ministry of Culture.

Seven participants of Mexican descent from across the U.S. braved the stage with original songs, in what can only be described as a heartfelt singing contest, without the scorn of nitpicky judges or behind-the-scenes melodrama, but rather a zealous crowd made up of all age groups.

Voting was handed over to the public, as the segment broadcast live on public television across the United States and Mexico. Over 300,000 individuals tuned in to cast a vote to advance the top three contestants: Tiffany Galaviz, Joshua Soto and Rosalba Valdez. They will go on to compete in the grand finale of México Canta on Sept. 13 at the Auditorio Nacional in Mexico City for a chance at a record deal.

“There’s always that saying that if you’re Mexican American, you’re not Mexican enough, but I think that’s wrong,” said 18-year-old Soto, a Bronx native whose musical theater background and deep R&B groove gave depth to the bilingual country-corrido “Terco Callejero.”

“Ever since I was little, my parents always showed me my culture, my roots. It’s in my blood. It’s in the traditions that I follow and the music that I listen to every day,” added Soto, who is enrolled in New York University’s vocal performance program in music theater.

For 27-year-old semifinalist Valdez — a Chicagoan whose signature red hair and bedazzled fringe fit distinguished her onstage, as she sang her merengue-infused tune “Por Bonita” — being Mexican American is both a huge privilege and responsibility.

“When I was younger, I used to think the opposite, because of what our community went through,” said Valdez. “Now I see it as a superpower. [Being Mexican American is] something that I want more people to understand has power. We can create a lot of change when we realize the power that we have.”

Over 300,000 individuals tuned in live to cast a vote for the top three contestants: Joshua Soto, Tiffany Galaviz and Rosalba Valdez

(Ronaldo Bolanos / Los Angeles Times)

Speaking to The Times, Mexico Secretary of Culture Claudia Curiel de Icaza, stressed the importance of binational programming — adding that she believed that the singing contest can unite young people across the U.S.-Mexico border.

“We cannot think that we are merely divided by territory. Culture transcends borders, music transcends borders,” she said. “We are separated, but ultimately there is an extremely intimate and rich cultural development because culture has been the space of resistance, of resilience.”

As host and singer, Majo Aguilar — granddaughter of Mexican film and music legends Antonio Aguilar and Flor Silvestre — ushered vocalists on and off the stage. Large screens lit up with educational stories of the legacy of Mexican nationals, such as Pedro J. González, one of the first Spanish radio broadcasters in the U.S.

The show also paid homage to American-born individuals who have elevated Mexican music: including Texas-born Gloria Ríos, who helped pioneer rock ’n’ roll in Mexico in 1956 and Arizona-born Linda Ronstadt, whose 1987 album “Canciones de Mi Padre” became the bestselling non-English language record in U.S. history.

This year, the contest placed an emphasis on música mexicana. According to Spotify, global streams of the genre have grown by 295% since 2021; in the U.S. alone, its popularity has grown by 162% since 2021.

In large part, its popularity has been driven by corrido tumbados, or songs which blend traditional Mexican folk with trap, often underscoring street life, “the hustle” and the riches that can follow.

Its most prominent acts include Junior H, Fuerza Regida and Peso Pluma. These were the biggest streaming Latin musicians in the U.S. in 2024, just below reggaeton superstar Bad Bunny — yet none of these popular música mexicana artists were recognized during the competition.

“Mexican music is among the most consumed worldwide and it’s a matter of choosing a genre where young people feel identified and music that transcends borders,” said Curiel de Icaza. “And no, we are not censoring it.”

México Canta began in 2025 as state-sponsored programming to promote musical narratives beyond themes of violence and drug-trafficking.

Besides banning the use of artificial intelligence and other audio alterations, the contest did not permit “songs that glorify violence or drug use.” Failure to comply with the rules would result in disqualification for contestants.

“More than banning, it’s about educating, guiding, and getting young people to stop listening to that music,” President Claudia Sheinbaum said in a news conference last year when the program was first introduced.

President of Mexico Claudia Sheinbaum speaks during the daily morning briefing at Palacio Nacional on Aug. 6, 2025, in Mexico City.

(Manuel Velasquez / Getty Images)

The singing competition comes at a time when 10 out of 32 Mexican states have implemented bans or limitations on corridos in public spaces; namely narcocorridos, or ballads that recount or glamorize elements of drug culture or organized crime.

Some lawmakers assert that the lyrics in these songs promote violence, including Mexico City lawmakers who, in May, passed a law barring the songs from being played at public events.

“The bans, which come amid President Trump’s hyper-focus on drug trafficking in Mexico, have sparked debates here about freedom of expression and state censorship and have raised provocative questions: Do narcocorridos merely reflect reality in a nation gripped by powerful drug gangs? Or do they somehow shape it?” wrote Times correspondent Kate Linthicum in a May 2025 article.

In May, the second edition of México Canta was announced during Sheinbaum’s daily news conference, generating online buzz when famed corrido tumbado singer Junior H vocalized support for the contest — while also lamenting his past musical choices.

“In my initial [career], some of the stories that I shared in my music didn’t add to the positive message that reflect my current compositions,” said Junior H, whose real name is Antonio Herrera Pérez, in the news conference. “I kept growing and I learned that music, besides being a form of expression, also implies a responsibility when millions of people hear you worldwide.”

The 25-year-old rose to fame through popular narcocorridos such as 2023’s “El Azul,” which is believed to be about Sinaloan drug lord Juan Jose Esparragoza Moreno; as well as his 2022 banda-fused track, “El Hijo Mayor,” which some speculate to be about the son of Joaquín “El Chapo” Guzmán.

“When you grow up, you have a career path and you see that you have an impact on young people, you start to mature and evolve your career,” Curiel de Icaza said of Junior H. “And you realize you want to go in a different direction, that’s when he understood and decided that it was better to focus on something else.”

During the news conference, Sheinbaum denounced the idea that the music contest was a form of censorship. Curiel de Icaza also refuted those claims: “We’re not prohibiting anything. Music will continue to exist, different voices exist and we’re not prohibiting or censoring songs.”

To help amplify the values of México Canta, organizers enlisted the help of Los Tigres del Norte, one of the most successful regional Mexican acts in the U.S. The night before the semifinals in L.A., Los Tigres performed with Gustavo Dudamel at the Hollywood Bowl.

The band closed Sunday’s competition with a performance of “México Sigue De Pie,” a new song that underscores the grit of the Mexican community. “They’re legendary,” Curiel de Icaza said of the band.

Coincidentally, the esteemed guests were early pioneers of narcocorridos: including their 1974 song “Contrabando y Traición,” which details a fictional drug trade tale of Emilio Varela and Camelia la Texana, as well as their 1978 track “La Banda del Carro Rojo,” which describes cocaine trafficking across the state lines.

But over the last decade, the band, too, has been advised by concert organizers in Mexico to avoid playing these types of songs when performing in certain venues, leading them to voice concern over the criticism of corridos — which they argue provide listeners with details over real-life truths, in the same way journalists engage in storytelling.

“We’re narrators of people’s lives,” bandleader Jorge Hernández told El País last year.

SACRAMENTO — California could have some zany theater this fall: county prosecutors charging federal postmasters with felonies for obeying President Trump’s order to withhold delivery of mail ballots to voters.

Does Trump then federalize the California National Guard to protect his postmasters from local sheriffs bent on hauling them off to the jailhouse?

Just wondering after reading legislation whipping through the state Capitol.

None of it seems likely to happen, but with this unhinged president and his conservative Supreme Court hardly anything is certain — except chaos.

Trump keeps making himself even more unpopular with Democratic voters and tarnishing the GOP image.

One glaring example is Trump’s hypocritical move to interfere with state elections and cripple voters’ ability to cast ballots by mail.

“Mail-in voting means mail-in cheating,” Trump asserted in March, while escalating his crusade against popular “absentee” voting. “Cheating on mail-in voting is legendary. It’s horrible what’s going on.”

It’s a big lie. There has never been any hard evidence produced by anyone, anywhere of significant mail-ballot cheating.

It’s also hypocritical because Trump routinely votes by mail himself in Florida elections.

Why is mail-voting OK for him but not for other Americans? “Because I’m president of the United States,” he told reporters. “I had a lot of different things” to do. As if the rest of us don’t. Voting apparently only needs to be convenient for him.

But Trump obsessively keeps trying to justify his false claim that Joe Biden’s 2020 election victory over him was rigged. It’s sick.

It may please his MAGA base, but Democrats and independents across America — especially in California — frown on Trump’s attack against their voting rights. They favor mail voting.

Overall, 58% of Americans support allowing ballots to be cast by mail, according to a recent survey by the Pew Research Center. But there’s a huge difference between the parties — 83% of Democrats and left-leaning independents favor mail voting while 68% of Republicans oppose it.

In California, 72% of all voters approve of balloting by mail, according to a recent poll by the UC Berkeley Institute of Governmental Studies. But there’s a big split ideologically: 93% of Democrats and 72% of independents approve, but 62% of Republicans disapprove.

Regardless of what GOP voters tell pollsters, they must be overwhelmingly voting by mail. That’s because 81% of all California ballots were cast by mail in the 2024 presidential election. In this year’s gubernatorial primary, it was up to 89%.

In March, Trump issued an executive order directing the Homeland Security Department to compile a list of eligible citizen voters in each state and commanding the U.S. Postal Service to handle only the ballots of people on the list.

Gosh? What could possibly go wrong with Trump’s Homeland Security agency — the overseer of divisive ICE — deciding who is entitled to vote in the pivotal midterm elections?

California, along with a coalition of several blue states, sued.

The nation’s Founders decreed in the Constitution that states could decide on “the times, places and manner” of federal elections — unless Congress wanted to alter the rules. Trump persuaded the House of Representatives to pass legislation restricting mail voting, but the bill died in the Senate, blocked by Democrats.

Trump’s executive order was an effort to bypass Congress and essentially enact a law by himself.

The Supreme Court decreed on a 6-3 vote last week that Trump could proceed with his planning. But since no precise regulations had yet been announced by the administration when the opposition lawsuit was filed, it was premature to rule on their constitutionality.

But now Trump’s draconian rules have been revealed. And California has joined other states in filing a new lawsuit.

“Donald Trump does not run elections. States do,” Gov. Gavin Newsom declared. “California will continue to lead the way in defending democracy.”

In the Legislature, a bill was introduced to make it a felony punishable by up to four years in prison for a person in authority to order the withholding of a ballot’s delivery to a voter or its return to a local election official.

A person like a postmaster? Who else could order mail carriers not to deliver ballots to some registered voters?

“That’s for law enforcement to decide,” says the bill’s author, Sen. Aisha Wahab (D-Hayward), who was just elected to finish the current term of resigned U.S. Rep. Eric Swalwell.

“My bill is trying to protect all voters. They may be on vacation, they may be ill. They may want to vote early or late. Whatever. They remain entitled to vote by mail.”

Her bill breezed through three Assembly committees in 24 hours — Democrats voting yes and Republicans no.

The measure is unlikely, however, to ever result in a postmaster being jailed for obeying the president.

For starters, it’s hard to envision the president’s executive order ever being ruled constitutional — even by this lackey court.

“Trump is trying to exercise control over elections when he has absolutely no authority to do so,” UC Berkeley Law School Dean Erwin Chemerinsky wrote in a Times opinion piece last week.

If the Supreme Court shockingly did rule that Trump has the authority, then could his postmasters be arrested under the new state law? Under the Constitution’s Supremacy Clause, the answer would seem to be “no.” Federal law generally supersedes conflicting state law.

“An executive order cannot supersede state law,” says UCLA law professor Rick Hasen, who specializes in election law. “But there are all kinds of immunity doctrines and other reasons why a state would have a hard time prosecuting a federal official for violating state law in the conduct of official duties.”

The real answer is for Trump to stop trying to concoct a solution to an election problem that only exists in his warped imagination.

What else you should be reading

The must-read: Will Trump interfere in the midterms? Democrats and their allies are preparing
California vs. Trump: Racist ‘Magic Deportation Bus’ isn’t the way for Trump to keep Latino voters
The L.A. Times Special: Two of California’s top law enforcement leaders trade barbs over state election integrity

Until next week,
George Skelton

—
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There was a moment, not so long ago, when Bradley Barcola’s career appeared to have stalled.

Having earned rave reviews after nailing down a regular starting place in Lyon’s starting XI under Peter Bosz, the 20-year-old winger was out of favour and in the reserves by the time the Dutch coach was replaced by Laurent Blanc in October 2022.

According to L’Equipe,, external Barcola was close to joining Swiss club St Gallen in January 2023 in order to get more game time before an act of petulance by a team-mate helped pave his return to the side.

Fans were unhappy with the team’s poor form – making first-choice forward Karl Toko Ekambi a target for their frustrations.

The relationship between the Cameroon international and Lyon’s ultras fractured further when he stormed down the tunnel and kicked a rubbish bin in frustration after being substituted during a 2-1 home defeat by Strasbourg.

The incident was caught on camera and Toko Ekambi never played for Lyon again.

That presented Barcola with an opportunity which he seized. He started the majority of the remaining matches that season, scoring five times, including a winner at champions-in-waiting Paris St-Germain in April 2023.

Five months after that goal at the Parc des Princes, Barcola was a PSG player.

His reported £38.5m move – two weeks after Brazil forward Neymar swapped Paris for Saudi Arabia – came with Lyon struggling in the table and also unable to sign replacements because of financial restrictions.

“Barcola’s first game for PSG was back at Lyon,” Pierre-Etienne Minonzio, football journalist for L’Equipe, told BBC Sport.

“He was booed by the Lyon fans because it was just after the transfer. PSG boss Luis Enrique asked Barcola, who was very young at the time, if he was ready to play.

“He said yes, came on as a substitute, and it was impressive.”

Barcola, nicknamed the ‘grasshopper’ because of his speed, agility and slight frame, has since gone on to win three Ligue 1 titles and back-to-back Champions Leagues in his three seasons in the French capital. He broke into the France side two years ago, and scored three times as this summer’s World Cup as they reached the semi-finals.

With Liverpool having now completed a £123m deal to sign him, Barcola is on his way to the Premier League.

It has been quite the journey from kicking a ball about as a schoolboy on the playing fields of Vaulx-en-Velin – situated to the east of Lyon – to becoming a superstar worth nine figures. But the path has not been without challenges.

“Barcola is hugely ambitious,” added Minonzio.

“He is from a generation of young French talent who are prepared to work hard and want to be a better version of themselves.

“They will do whatever they have to do to get there. They don’t ask questions – they just do it.”

Elias joins the Premier League club on a five-year contract, their sixth signing in the summer transfer window.

Manchester City ‌have confirmed the signing of 22-year-old Brazilian winger ⁠Allan Elias ⁠from Palmeiras on a five-year contract, the club’s sixth summer arrival.

“Allan is a really exciting player, ⁠and we think he will be a big addition to the squad,” City’s Director of Football Hugo Viana ⁠said in a statement on Monday. “He has shown throughout his short career so far that he will fight to be the best he can be.”

According to reports in British media, City have ‌agreed to pay around $47 million for the player who came through the academy ranks at the Sao Paulo club and made 96 first-team appearances.

Elliot Anderson, Geronimo Rulli, Ayyoub Bouaddi, Jeremy Monga and Pierce Charles have also joined the club during this transfer ⁠window.

“This is a surreal moment for ⁠me. Manchester City, with everything they have won over the past 15 years, are one of the most attractive clubs in the world ⁠for players,” Allan said.

“To be able to sit here today and say I ⁠have joined them is the proudest ⁠moment of my life. I love Palmeiras and always will — but the decision to come to City was an easy one.”

Florianopolis-born Elias said he ‌hoped to be “another good Brazilian” in the Premier League and follow in the footsteps of the likes of ‌Gabriel ‌Jesus, Ederson and Fernandinho, who all won Premier League titles with City.

WHEN most of us check into a hotel, it’s likely to have a restaurant, a spa and a bar – but around the globe are some VERY luxurious ones with suites costing as much as £30k per night.

In a new Channel 4 series, First Dates star Fred Sirieix heads behind the scenes to see what exactly makes these hotels the best of the best.

In the show called Fred‘s Ultimate Hotel, the charming maître d’ explores four hotels; The Royal Mansour in Marrakesh, The Royal Madikwe Lodge in South Africa, Les Barmes de l’Ours in France and Raffles Hotel in Singapore.

All of the hotels are five-star with Michelin-star dining and experiences that make them a step above the rest.

Thanks to his history of working in hospitality, Fred can definitely make a judgement on whether these hotels live up to expectation.

Fred explained: “I’ve been doing this work from the age of 15 in hotels and restaurants – so I speak the lingo.

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“Observing them, being a guest and then behind the scenes and working with the people there because this is all I’ve done all my life – and I wanted to see if these hotels were actually ultimate and why.”

Not only does Fred check-in at the hotels as a guest but he also goes behind the scenes as concierge and even bar staff – so here are the best ones he explored.

The Royal Mansour, Marrakesh

The first stop is at The Royal Mansour in Marrakesh which is owned by King Mohammed VI of Morocco.

It has 53 private riads with gardens, courtyard patio, roof terrace, swimming pools, hammams and each comes with a personal butler.

Fred said: “The most incredible thing is that this hotel was built from scratch and this started from the back of the house.

“They created the most efficient hotel, it’s aerodynamic – it’s like Formula 1 it makes for such fast service.

Fred continued: “I was an easy customer for the butler, by 6 o’clock I told him I was OK. I can call room service or make my own coffee from the machine in my room – but some customers use the butler for 18-hours a day.”

“These are the Premier League of hotels – and the way to be the best is to not say no. You have to deliver – they are working at the highest level.”

The Royal Mansour in Marrakesh ranked 13th globally and Best Hotel in Africa at the World’s 50 Best Hotels Awards last year.

Sounds incredible, right? If you’re looking to stay, you might need to start saving now as the top suite, the Grand Riad, costs over £30,000 per night.

The Royal Madikwe Lodge, South Africa

The next stop on his trip is safe to say one of Fred’s best, and possibly worst emotional experiences, at The Royal Madikwe Lodge in South Africa.

Fred explained: “The Royal Madikwe, out of all the places I have been in the world, I have never felt so emotional throughout.

“From the moment I arrived, I started to cry. It was so emotional – I almost died in the bush, sandwiched between an elephant and two rhinos.”

Luckily bush ranger Ernie came to Fred’s rescue: “He saved my life because of how he dealt with the situation.”

“The staff there were on another level – it was very touching. It was very different as well like when I was in the bush with Ernie because it was a very responsible job.”

The most expensive accommodation at The Royal Madikwe Lodge is The Sovereign House which racks up to £6,000 per night.

It sits by a well-travelled elephant path so guests are likely to see the creatures from the comfort of their room.

It has room for six guests across three spacious bedrooms, with a glass wine cellar, plunge pool and private boma.

Barmes de l’Ours, France

Tucked way in the French ski resort of Val-d’sère is the five-star luxury Les Barmes de l’Ours.

It’s safe to say that Fred, who was born and raised in France, had high hopes and luckily, they delivered.

Fred said: “These people are the embodiment of French hospitality – it’s a dying art that people do not practice anymore.

“From the moment I arrived, I was so impressed. It’s rare in life when you’re really impressed in life and you see excellence in people who want to do a good job.

“One thing about these hotels is that the five-star standard must be everywhere. If you’re walking down a corridor and you cross a member of staff – they must see, smile and say hello before you do that to them.”

The hotel in the mountains has North American-style lodges, alpine chalets and even contemporary lofts.

It’s the only hotel to sit at the foot of Face de Bellevarde – a black run which has a vertical drop of 850metres.

With the hotel guests can fly in via private helicopter and arrange paragliding flights from the slopes, it also has a two-lane bowling alley.

Here, the Bear Suite is the most expensive at over £3,500 per night – it has a private Jacuzzi, sauna, hammam and balcony overlooking the mountains.

When a hotel has former guests like Queen Elizabeth II, Prince William and Princess Kate, and Elizabeth Taylor – you know it’s going to be amazing.

Raffles Hotel, Singapore

Raffles Hotel in Singapore is found on 1 Beach Road, the colonial-style hotel is surrounded by lush gardens and it has a huge rooftop pool.

It’s the birthplace of the Singapore Sling cocktail which was invented at its Long Bar where Fred attempts to create the drink himself.

Its suites all have high ceilings with separate living areas. Guests get 24-hour butler service – and it’s in a league of its own with personalised itinerary and service.

Fred said the special touches from his butler makes the experience extra special.

He explained: “I arrived on Father’s Day and the butler there looked me up before I arrived.

“They prepared a Father’s Day card for me with pictures of my children and left it in the room – it was so special. I thought wow, this is a touch above the rest.”

Raffles Hotel started off as a 10-bedroom bungalow before being expanded into the grand hotel it is now with 115 suites.

The Presidential Suite in Raffles Hotel Singapore costs around £12,000 per night.

Fred’s Ultimate Hotel starts 31st August at 8pm on Channel 4.

Chris Hansen has not seen “Primetime,” the A24 film in which Robert Pattinson plays him, and he probably won’t anytime soon. He walked out of an Aug. 20 screening arranged for him at the studio’s Manhattan offices after refusing to sign a nondisclosure agreement, which he believed would prevent him from raising any legal objection to the way he is portrayed.

But Hansen’s company has purchased preshow advertising in theaters showing “Primetime,” which opens Sept. 25. The spots promote TruBlu, the subscription streaming platform where the former “Dateline NBC” correspondent presents his current sting operations under the title “Takedown.”

“It’s a movie that uses my name, image and likeness,” Hansen told The Times in a recent interview. “Why not direct people to what the real Chris Hansen is doing? Here’s where you can see it.”

Moviegoers, in other words, will be asked to have a seat twice.

The film revisits one of the most provocative and scrutinized franchises in the history of TV news. “To Catch a Predator,” which ran as a periodic “Dateline” investigation from 2004 to 2007, exposed men who used online chat rooms to solicit sex with minors. It accelerated the popularity of the true crime genre while raising lasting questions over journalistic ethics.

Directed by Lance Oppenheim in his narrative feature debut, “Primetime” is based on Luke Dittrich’s 2007 Esquire article “Tonight on Dateline, This Man Will Die,” about the suicide of a Texas prosecutor targeted by one of the stings. It premieres Sept. 5 at the Venice Film Festival.

Hansen, 66, is ready to ride the wave of notoriety the film is bound to generate. He is still pursuing online predators and a new generation of fans have found him on TruBlu, his YouTube page and on social media. “I’ve got to be the only 66-year-old man in America with 1.1 million TikTok followers,” he said.

Hansen first heard from A24 regarding “Primetime” when an executive reached out to him in late May to ask whether he would participate in promoting the film, according to emails obtained by The Times. Over the two months that followed, the journalist and his business partners repeatedly asked to see the film or a script before making any commitment. They also raised the possibility of compensation or a production credit, although Hansen said no formal request was made.

Hansen and his partners repeatedly raised concerns that he had never been contacted about the use of his name and likeness, even as a courtesy, before production was completed. The studio said it wasn’t necessary.

“Chris’s work was an important inspiration for ‘Primetime,’ which is a dramatized film inspired by true events,” according to an Aug. 8 email from A24. “While the film didn’t require individual consultation or permission during production, we’d love to have Chris’s support of the film to the extent he feels comfortable. If not, we certainly understand.”

An A24 representative declined to comment for this story. A person involved with the film who was not authorized to discuss the matter publicly said the nondisclosure agreement Hansen was asked to sign is standard for a movie screened ahead of release, so that viewers do not reveal plotlines or spoilers.

The trailer, released earlier in August, has generated buzz in media business circles for the appearance of Jeff Zucker, former NBCUniversal chief executive, who appears as himself in a small role as a ratings-hungry network executive. Pattinson’s Hansen is later seen in the trailer screaming, “I’ll be bigger than ‘Lost’!” in reference to the ABC hit.

Robert Pattinson in a scene from A24’s “Primetime.”

(Sinna Nasseri / A24)

Hansen said he is not looking for a payout from the filmmakers. But he would like a clearer statement that the film is fiction rather than “inspired by true events,” as it says in the trailer, and perhaps a financial contribution to organizations for victims of child predators.

“I want some recognition that they used my name, image, and likeness in a largely fictional story,” he said. “They used my name, my colleagues’ names and some family members. Based upon what I know about this, it’s an insult to the thousands of people who work diligently, often at great risk, every day to protect children from predators.”

The conflict is hardly the first involving a living celebrity objecting to a fictional depiction. But legal challenges are often futile.

“You don’t own your life story,” said Domenic Romano, managing partner at Romano Law. “If you’re a celebrity, the filmmaker doesn’t need your permission to dramatize it. Even if you’re alive and you don’t like how you’re being portrayed, the 1st Amendment gives broad protection.”

Actor Olivia de Havilland went to court in 2017 over the FX series “Feud: Bette & Joan,” claiming the portrayal of her as a vicious gossip damaged her reputation. The court ultimately ruled in FX’s favor.

Actor Daryl Hannah took a different route, publishing an opinion piece in the New York Times in March objecting to her depiction in FX’s “Love Story: John F. Kennedy Jr. & Carolyn Bessette.” Hannah, who dated Kennedy before he married Bessette, wrote: “In the weeks since the series aired, I have received many hostile and even threatening messages from viewers who seem to believe the portrayal is factual.”

“When entertainment borrows a real person’s name, it can permanently impact her reputation,” Hannah wrote.

The rise and fall of “To Catch a Predator” provides enough drama for a big-screen treatment.

During his run at NBC News, Hansen was an Emmy Award-winning correspondent delivering hidden-camera investigative stories on such topics as identity theft and sex trafficking. But his “Predator” franchise, which used online decoys in chat rooms to draw men seeking sex with minors into police stings turned him into a global sensation, albeit a polarizing one.

NBC News conducted the investigations with the help of a civilian watchdog group called Perverted-Justice and local police in the towns and cities where the stings were set up. The suspects arrested and convicted included a rabbi, a teacher and a doctor.

Decoys posing as young teens lured the men to sting locations, mostly set up at private homes in quiet communities. Hansen would then enter and confront the men with his signature line: “Have a seat.” After a chat with the correspondent (“You see how this looks, right?”), the men were arrested by local police, while a camera crew captured it all.

The tableau of Hansen going face-to-face with suspects seated in suburban kitchens became so familiar it was spoofed in a comedy sketch that opened the 2006 Emmy Awards.

“Predator” remained a giant hit until a November 2006 sting in Murphy, Texas, went awry. Bill Conradt, a Rockwell County assistant district attorney, had been exchanging online messages and photos with a decoy posing as a 13-year-old boy. Unlike other targets, he never came to the sting house. Police obtained warrants and a SWAT team came to his home with a “Dateline” crew in tow. He shot himself to death after law enforcement entered.

Conradt’s family sued NBC, which settled out of court. The incident sharpened the debate over Hansen’s tactics, and as the “Predator” franchise became more popular, he was criticized in journalism circles for collaborating with police and an outside group of private citizens in his investigative work.

There have been many accolades as well. Law enforcement organizations credited the program for shedding light on a new form of criminal activity in the then-emerging internet age. Over the years, Hansen has helped promote advocacy groups and legislation protecting the rights of sexual abuse victims.

“Dateline” continued producing “Predator” investigations for another year after Conradt‘s death, airing its final installment in December 2007 before NBC retired the franchise in early 2008. Hansen has long maintained that the show simply ran its course. The library of his episodes continued to air on cable news channel MSNBC, now called MS NOW.

Hansen left NBC News in 2013 after the network declined to renew his contract. He continued to orchestrate the sting operations on a short-lived syndicated series, “Crime Watch Daily.” He also became one of the first well-known TV journalists to use a Kickstarter campaign to raise money to produce his own work to present on web platforms, which eventually led to the TruBlu site he has now. He also has a podcast series distributed by Red Seat Ventures called “Have a Seat,” a true crime podcast where he interviews figures in law enforcement.

Manchester City have signed winger Allan Elias from Palmeiras in a deal worth up to £34.2m.

City have paid an initial £32m plus £2.2m in add-ons for the 22-year-old Brazilian, who has signed a five-year contract.

Allan is a direct replacement for compatriot Savio, who completed a £75m move to Tottenham Hotspur last week.

The right-sided winger scored nine goals and provided 12 assists in 96 appearances in all competitions for Brazilian top-flight side Palmeiras after progressing through the club’s youth system.

“This is a surreal moment for me. Manchester City, with everything they have won over the past 15 years, are one of the most attractive clubs in the world for players,” Allan said.

“To be able to sit here today and say I have joined them is the proudest moment of my life.

“I love Palmeiras and always will – but the decision to come to City was an easy one. I want to be the best footballer I can be and the conversations I’ve had with the people at City so far has convinced me there isn’t a better place for me to fulfil my ambitions.”

Allan is the latest addition to Enzo Maresca’s squad during a busy summer window.

City have spent over £230m so far this summer with Elliot Anderson arriving from Nottingham Forest for £116m and Ayyoub Bouaddi joining for £85.6m from Lille.

City are in talks with Liverpool over a move for Dutch forward Cody Gakpo and are keen to sign Chelsea midfielder Enzo Fernandez.

However, City have raised over £286m in player sales with 2026 World Cup Golden Ball winner Rodri making a £65m move to Barcelona, and Tijani Reijnders joining Al-Qadsiah for £52m.

Nico Gonzalez and James Trafford also commanded significant fees, while Omar Marmoush’s loan to Tottenham includes an obligation to make the move permanent next summer for £60m.

Aug. 31 (UPI) — Oil prices surged early Monday after fighting flared in the U.S.-Iran conflict for the first time in four weeks since U.S. President Donald Trump announced a “pause” in U.S. military strikes on Aug. 1.

The contract for the benchmark Brent crude for November delivery jumped by 3.4% to $91.09 a barrel and the October contract for American crude saw a similar-sized increase to $86.22 after U.S. forces hit rocket launchers on Larak Island in the Hormuz Strait on Sunday night and Iran’s military retaliated, targeting American bases in Jordan.

The hikes were driven by the renewed hostilities stoking fears ongoing supply disruption caused by a drastic curtailment of tankers traffic transiting the Strait of Hormuz would be made worse and persist for longer, according to experts.

“Supply risk will persist and oil inventories will continue to deplete in the coming weeks and months. The Iranian crisis has likely changed the security status quo in the Middle East,” said PVM Oil Associates’ London-based analyst Tamas Varga.

Investment bank Goldman Sachs, the impact of destructive attacks on refining capacity was responsible for upward pressure on margins.

“Rising strikes on refineries in the Middle East and Russia have further constrained already-stretched global refining capacity, pushing refined products margins to new highs,” the bank said in a note.

Prices at the pump in the United States on Monday remained broadly flat from the previous day, with the average price of a gallon of regular unleaded up 0.2 cents at 4.08 a gallon, and diesel down by a little over 0.3 cents at $5.60 a gallon, according to the American Automobile Association.

The developments came as the United States’ Strategic Petroleum Reserve has fallen to its lowest level since 1982.

President Trump said Sunday he would restock it with oil from his Venezuela deal giving the United States secure a stake in more than 65 billion barrels of oil despite the fact it could to produce take many years to before the agreements yields any significant volumes because the oil is reserves, as yet to be drilled.

The price of oil has seesawed over the past two weeks after rising in response to Trump’s Aug. 19 threat to wage a “crushing economic operation” against Iran that his officials said would cause the regime to collapse, and then retreating again in the hours before the mainly-sanctions package of measures were unveiled on Aug. 24.

What does the increasingly brazen US approach to Latin America mean for Venezuela, and what can Haiti’s experience tell us about what may come next?

In Episode 47 of the Venezuelanalysis Podcast, Ricardo Vaz is joined by Jacqueline Luqman of the Black Alliance for Peace and Jake Johnston of the Center for Economic and Policy Research (CEPR).

They discuss the so-called “Donroe Doctrine,” the use of disaster and aid as tools of external control, and the parallels between Haiti’s experience after the 2010 earthquake and the current challenges facing Venezuela. They also look at how US foreign policy is connected to domestic politics, the implications of this new era for Venezuela and the wider region, and how resistance can be built over the longer term.

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