The victory marks one of the biggest wins in the show’s 17-year history, leaving host Bradley Walsh beaming

The Chase has delivered one of its most unforgettable episodes, with four contestants securing a jaw-dropping prize.

Earlier this week, The Chase returned to ITV with a brand-new series, with returning host Bradley Walsh at the helm, and it was Friday’s episode (September 11) that left viewers on the edge of their seats.

The four contestants competing for a cash prize were Tom, Beth, Rohit, and Chloe, all up against quiz master Paul Sinha, nicknamed The Sinnerman on the show.

Paul, a seasoned quizzer with a background as both a doctor and comedian, gave the game his all but fell short in the final moments.

The contestants began with a 19-point lead after correctly answering a broad range of questions, including naming Laurel and Hardy as the subjects of the film Stan & Ollie, and identifying “running” as the sport associated with the Shaftesbury Barnet Harriers.

Paul was tasked with answering more than 19 questions in two minutes, with the team successfully gaining four out of five pushbacks. The Chaser was eliminated after answering 16 questions before the timer ran out.

As the buzzer sounded, Tom, Beth, Rohit, and Chloe were declared the winners of the £80,000 pot, with each contestant walking away with £20,000.

The team hugged one another as one player could be heard saying, “I can’t believe it,” as Bradley congratulated them. “Well played, £20,000 each, congratulations”, the host added.

Chloe shared her wishes to spend her winnings on equipment for dogs at her local park, while Beth wants to share her cash with her grandparents on “lots of trips”.

Other huge wins on The Chase

Tom, Beth, Rohit, and Chloe’s win now stands as one of the largest in the show’s history. Last year, contestants Karen and Ian won an equal split of £100,000 after Paul failed to catch the players in the final chase.

The Chase saw another record-breaking moment when three contestants split £120,000, each taking home £40,000 after defeating Mark Labbett, also known as The Beast.

In 2018, another memorable wins, including a £100,000 victory in 2018 shared by a team of four consisting of Gayna, Tim, Luca, and Diane.

Meanwhile, Eden, a 20-year-old contestant, holds the record for the largest single-player win, having taken home £75,000 in 2021.

The Chase airs weekdays at 5pm on ITV and ITVX

WASHINGTON: President Donald Trump vowed Friday that the United States would never forget the September 11, 2001 attacks and suggested the country was continuing the “war on terror” 25 years later by fighting Iran.

Speaking at the Pentagon after skipping the main 9/11 commemorations in New York, Republican Trump also hit out at domestic “fanatics” in an apparent swipe at Democrats.

“Today we renew the sacred oath that we first swore in their names a quarter of a century ago. We will never, ever forget. That’s why we fight today,” Trump said in a speech.

“We don’t have a choice. There can only be victory. We fight hard. We fight to win,” added the president, who was accompanied by First Lady Melania Trump.

One of the jets hijacked on 9/11 hit the Pentagon in Washington, killing 184 people who were remembered by a single bell tolling as their names were read out.

But presidents have previously marked major anniversaries by attending several sites including New York, where the majority of the 2,977 victims were killed in the attacks on the World Trade Center.

Trump went on to link the fight against Al-Qaeda launched by his Republican predecessor George W. Bush to the US-Israeli war on Iran which is now in its seventh month.

“Today we salute every member of the United States military who served in the ‘War on Terror.’ It is a war on sick, horrible terror,” Trump said.

“And we salute the service members working right now to ensure the world’s number one sponsor of terror, the Islamic Republic of Iran, will never ever have a nuclear weapon.”

US Defense Secretary Pete Hegseth also lashed out at Iran in his remarks to the Pentagon ceremony.

“Over the past six months, we have laid waste to the world’s most prolific state sponsor of terrorism. Our warriors have fought an Islamic theocracy that has wished us death for nearly half a century,” Hegseth said.

The Iran war has slid into a stalemate with Iran largely maintaining its grip on the Strait of Hormuz, and keeping oil prices high, despite sporadic exchanges of fire with the United States.

Trump also turned to the domestic front, a day after a Republican convention for the US midterm elections in which Trump and Vice President JD Vance accused Democrats of sympathizing with the 9/11 attackers.

“A generation after 9/11, we also know that the final response to those atrocities and the ultimate victory over the perpetrators will not be found on a foreign battlefield,” Trump said.

Telling the story of a firefighter killed in the attacks whose son went on to become a US Navy veteran, Trump said it showed that “we can be a nation whose heroes are not fanatics for an abstract cause.”

In his speech to the Republican convention on Wednesday, Trump had used the same term: “With your vote in this election, you can tell these far-left lunatics and fanatics that America is not for sale to them or to anybody else.”

Republicans at the convention repeatedly trained their fire on left-wing Democratic senate hopeful Abdul El-Sayed over his previous social media posts about 9/11.

At a time of global upheaval, one man has redrawn Turkiye’s political map. In an exclusive interview with Al Jazeera, Turkish President Recep Tayyip Erdogan reflects on more than two decades in power.

His rise began in the early 1990s, when he was elected mayor of Istanbul. He founded the Justice and Development Party, or AK Party, in 2001 and has won every election since then. After three terms as prime minister, he was elected president in 2014 and remains in office to date.

Marking the 25th anniversary of the AK Party, Erdogan talks to Al Jazeera Arabic’s Ali Al Dafiri about Turkiye’s growing role in the shifting geopolitical landscape, highlighting the recent defence deal he concluded with Saudi Arabia and Pakistan. He addresses the US-Israel war on Iran, advocating for open maritime navigation in the Strait of Hormuz while identifying Israel as the primary driver of the regional conflict. He also affirms Turkiye’s solid support for Syria’s new administration and his unwavering solidarity with Lebanon and Gaza. On a domestic level, Erdogan reflects on Turkiye’s sweeping economic transformation and its future, stating that European Union accession is no longer a priority.

After Brian Koppelman and David Levien wrapped their hit Showtime series “Billions,” the co-creators were undecided about where they would go next. A more than hourlong visit from a Netflix executive settled it.

Netflix had been developing a Las Vegas drama with Martin Scorsese, who is executive producing through his Sikelia Productions. The streamer brought in Koppelman and Levien, and the pair pitched a present-day casino story. Jinny Howe, Netflix’s head of U.S. and Canada scripted series, went to their office to make the case.

“When she left our office, we looked at each other and said, ‘Well, whatever we do, we want to do it with her,’” said Koppelman, recalling their meeting from two years ago. Their new Las Vegas series, “The Roman” starring Oscar Issac as a casino president, is expected to be released year. Netflix ordered it in December.

Howe has one of the hardest jobs in Hollywood — finding must-see scripted programs that keep Netflix’s subscribers watching. The company said it had over 325 million paid subscribers worldwide at the end of 2025. Her instincts for creators, combined with years as an entertainment executive and a lifelong viewer have given her a track record of championing hits, including thriller “The Night Agent,” drama “The Diplomat” and Regency-era romance “Bridgerton.”

That led to her promotion last year as head of U.S. and Canada scripted series — her fourth advancement in four years. She succeeded Peter Friedlander, who left after nearly 14 years, and reports to Chief Content Officer Bela Bajaria.

“In my role, I feel I am really ear to the ground, really listening to what audiences are asking for, and really trying to understand where the culture is, where the conversation is, to really make sure we’re giving these audiences what it is that they want and they crave,” said Howe, 48.

The pressure is on. Key franchises are in their final seasons. “Stranger Things” ended in December, “Outer Banks” concluded with its fifth season last month and “Emily in Paris” finishes with its sixth season in December. Netflix has confirmed that the fifth season of legal drama “The Lincoln Lawyer” will be its last.

Wall Street has soured. Netflix shares, which closed Thursday $76.01, are down 39% over the past 12 months, a slide that began with its $83-billion bid for Warner Bros. Discovery in December — a deal it later walked away from — and continued through 2026 when the company lowered its growth projections.

Analysts have also flagged sluggish engagement growth. View hours rose about 2% in the first half of 2026 compared with a year earlier, even as content spending climbed.

After graduating from UCLA, Jinny Howe worked at Brillstein Entertainment Partners and John Wells Productions before joining Netflix in 2018.

(Jason Armond/Los Angeles Times)

Nonetheless, Howe is confident that Netflix continues to outshine its competitors, noting that the streamer is still in a “growth mindset” that bets on original ideas. The streamer also has franchises that continue to pull in large audiences, such as the fourth season of “Bridgerton,” she said.

“We’re not slowing down at all,” Howe said.

This year her department has a slate of 44 new and returning scripted series from the U.S. and Canada, excluding stand-up, comedy formats and adult animation. They span genres and mix seasoned showrunners and bets on emerging talent. Six are run by first-time female showrunners, a notable number at a time when the industry has cut back and women have historically had fewer chances to lead series. Those programs include “East of Eden,” a series based on the popular John Steinbeck novel; YA drama “The Body” and “A Different World,” a sequel series based on the NBC sitcom about Black students at a fictional college.

Howe leads a team of people spanning the U.S. and Canada, with hubs in Los Angeles and Toronto. While she is accountable for the U.S. and Canada scripted slate, the decisions are made in partnership with her team.

Scripted series out of the U.S. and Canada remain central to the business. Many of Netflix’s most-watched shows of all time come from the region, which accounts for about 40% of global revenue — the streamer’s largest market. Netflix reported 89.6 million memberships in the U.S. and Canada at the end of 2024, the last time it broke out regional numbers.

“There’s so many amazing creators and stories to be told from the U.S. and Canada and historically, English language scripted television for many, many years has traveled to lots of different countries around the world,” Bajaria said.

The region also drives Netflix’s awards profile. The streamer collected 111 Emmy nominations in July, second to HBO Max’s 122. Netflix says 83 of them came from scripted series and variety specials under Howe’s slate. “Beef” season 2 led Netflix’s titles receiving Emmy recognition with 16 nominations.

Competition for attention is fierce. Rival streamers are investing in live sports, and YouTube continues to take a significant share of TV viewing time in the U.S. Netflix has responded by adding video podcasts, sports and games to its lineup. It also lacks the deep historic library some competitors hold — the gap its failed Warner Bros. bid would have closed.

So finding new gems matters. In 2015 the streamer bet on Matt and Ross Duffer, then first-time showrunners, for “Stranger Things.” It became one of the biggest hits in the company’s history.

Then the Duffers agreed to produce a show created by Haley Z. Boston, the horror series “Something Very Bad Is Going to Happen,” about a woman who is cursed and could die if she doesn’t marry her soulmate. Other studios didn’t see Boston as the showrunner, but Howe and Netflix did.

“We need people to take chances on us,” 31-year-old Boston said. “There is still a glass ceiling … I’m excited about new future where you don’t have to have done the job already to do it. All you need is the right support.”

The series debuted at No. 2 on the streamer’s global top 10 English language shows and reached 20.3 million views on Netflix in the first half of this year, according to the streamer.

“Netflix had the confidence that we can find the right audience for this,” she said.

Connecting with a range of storytellers early is part of the strategy. Howe’s relationship with creator Molly Smith Metzler goes back about a decade, to when Metzler submitted her play “Elemeno Pea” while Howe was working at John Wells Productions. Howe was impressed and recommended her for the “Shameless” writers room. Metzler went on to lead the critically acclaimed 2021 limited series “Maid” for Netflix, her first job as a showrunner, and signed an overall deal with the streamer in early 2022.

One of Howe’s ideas was to build a series out of “Elemeno Pea.” That became the drama “Sirens,” starring Meghann Fahy, Milly Alcock and Julianne Moore. Released in 2025, it debuted at No. 1 on Netflix’s global top 10 and earned four Emmy nominations, including a surprise lead actress nod for Fahy.

“We spent so many cups of coffee and walks talking about what that could be and what it could look like, and we really built it from the ground up,” Metzler said. “She is very hardworking, and she’s extremely committed to the projects she does. That commitment and that rigor is contagious.”

Jinny Howe, who grew up in the San Gabriel Valley, is one of the few prominent Asian American content leaders in Hollywood.

(Jason Armond/Los Angeles Times)

In her soul, Howe said, she’s a producer first. Koppelman and Levien said she was instrumental in the casting “The Roman,” including speaking with some of the leading actors. Alongside Isaac, the series stars Betty Gilpin, Alec Baldwin, Jimmy O. Yang and Jason Schwartzman.

“This would not have come together had Ginny not rolled up her sleeves,” Koppelman said. “When we look at this cast, sometimes we can’t really believe what got put together.”

Howe and Netflix also supported showrunner Rebecca Sonnenshine’s push to make a version of “Little House on the Prairie” that includes more of the Osage perspective.

“She was very open to a vision that explored all the things that we wanted to explore in this show,” Sonnenshine said.

Howe grew up in Walnut, in the San Gabriel Valley, a self-described latchkey kid and the daughter of a residential real estate agent and a women’s clothing store owner. She was born in Seoul and immigrated to California when she was 15 months old.

“So I really am a California girl, I grew up just adjacent to the glittering lights of Hollywood, but close enough to know that there was a real business there,” Howe said.

While her parents worked, she and her brother watched a lot of TV, sitcoms like “Diff’rent Strokes” and “Small Wonder” and soaps like “Dynasty” and “Dallas.” That turned into a career. She graduated from UCLA with a bachelor of arts degree in theater, film and television, worked in the talent division at Brillstein Entertainment Partners and rose to executive vice president of television at John Wells Productions before joining Netflix in 2018.

She is one of the few prominent Asian American content leaders in Hollywood, in a position that helps shape what the world watches.

“I definitely do feel it’s not something I take for granted to be in these rooms and to know that my voice matters,” Howe said. “I get to be a decision-maker in a lot of these conversations. It’s really gratifying, and it’s something that I think is not lost on me at all.”

WHAT’S better than an annual trip to the theme park? Several trips, of course.

If your family is a big fan of rollercoasters, there are some brilliant value annual passes for parks across the UK that offer HUGE savings for repeat trips.

But which one should you go for? Instead of having to research them all yourself, we have gathered the annual pass prices for the most popular theme parks in the UK.

So here’s all the attraction passes you could get, and how many times you’d need to return to your favourite attractions to get your money’s worth.

Merlin Annual Pass

Starting off with probably the most famous annual pass in the UK, the Merlin Annual Pass gets you access to more than 20 attractions.

These include Alton Towers, Thorpe Park and Legoland Windsor, Cadbury World, Windsor Castle, Legoland Discovery Centres and much more.

An essential pass costs from £139 per year and allows members 339 days of access to Merlin’s top attractions.

For £239, you can get a Gold pass which also gets you free parking and 20 per cent off shopping and dining.

The Platinum Pass is then £299 per year, giving you all that plus four free bring a friend passes each year, one free fast track per visit and free Coke Freestyle cup & refills.

Tickets for Alton Towers alone start from £32 per person when booked in advance online, while Warwick Castle tickets cost from £25.38 online, so if you’re planning on doing several Merlin attractions each year there are big savings to be had.

To make the most of the £139 annual pass, you’d need to go to just four or five attractions across the entire year.

For example, if you booked Alton Towers (£32), Warwick Castle (£25.38), Thorpe Park (£32), Cadbury World (£18) and Legoland Windsor (£32) once each across the year, you’d make up the price of the pass.

Alton Towers

Alton Towers is the UK’s largest theme park with several thrill coasters.

There’s a CBeebies Land as well, ideal for younger children with themed rides and live shows.

The theme park also has its own waterpark with a tropical splash area.

You can stay onsite at the main Alton Towers Hotel, the CBeebies Land Hotel, Splash Landings Hotel, themed Woodland Lodges or at Stargazing Pods.

An annual pass costs £64, while day tickets start from £32 per person when booked in advance online,

You’d need to visit just twice across the year to get your money’s worth.

Thorpe Park

Surrey’s Thorpe Park is often considered the UK’s main thrill-seeker theme park.

The theme park itself sits on an island and has a number of record-breaking rides.

For example, you can head on Hyperia, which is the UK’s tallest and fastest rollercoaster, and in the autumn, the theme park is well-known for its Fright Nights.

The Thorpe Park Annual Pass costs £64 per person and allows you access to the park across 189 days over 12 months, as well as access to the Fright Nights.

Thorpe Park one-day tickets start at £32 per person when booked in advance online

Passes are only required for guests over 1.2metres tall.

Again, you’d need to visit just twice across the year to make the pass worthwhile.

Legoland

Legoland Windsor is aimed at families with kids aged between two and 12 years old.

You’ll find miniature worlds made out of bricks and family-friendly coasters, plus plenty of Lego building opportunities.

The Legoland Annual Pass costs £64 per person and allows you access to the park across 236 days, over 12 months. Day tickets start from around £34 when booked online.

Passes are only required for guests 90cm and over, and after two visits you’d have made your money back.

Crealy

Crealy theme park in Devon has a number of different annual passes.

The theme park is the largest in Devon with more than 60 rides and attractions including rollercoasters.

The cheapest is £99 per person, per year – which you can pay in one go or you can pay a £30 deposit, then £6.90 a month on direct debit for an annual pass (costing £112.80 total).

This annual pass gets you unlimited entry to the theme park, a 10 per cent discount across food and drink as well as in the shops and exclusive viewings of Crealy events.

The next level up is the Gold Pass at £120, which gets the same perks but you will get 15 per cent off food and drink, 30 per cent of entry for family or friends and 20 per cent off glamping and camping breaks at the park.

Get a Platinum Pass for £170 and you’ll get 20 per cent off food and drink, 50 per cent off entry for family and friends, 50 per cent off glamping and camping stay and even a free two-night camping break.

One-day tickets for Crealy Theme Park & Resort cost around £24 per person when you book online.

You’d therefore need to visit five times at least across the year to make the pass worthwhile.

Woodlands

Woodlands Theme Park, also in Devon, is home to massive indoor play areas including soft play, water coasters and a toboggan run.

There’s also a number of barns with farm animals in.

The annual pass, costing £110 per person over 1.1 metres and £86 for those under that height, includes unlimited free access to Woodlands Family Theme Park with outdoor rides, indoor soft play, an eight-acre zoo farm, and falconry.

You’ll also get 15 per cent off at the gift shop, 10 per cent off food and drink and 20 per cent off camping stays.

One-day tickets cost £29.75 for adults and kids over 110cm, and £21.95 for kids.

As an adult, you’d need to visit four times across the year to make the pass worthwhile, and the same amount of visits to make the kids pass worthwhile.

Drayton Manor

Drayton Manor in Staffordshire is ideal for families with kids aged four to 12.

The rides are tamer, with a Thomas Land including Thomas the Tank Engine himself and a Viking-themed area with spinning and rocking rides like the Thor Zampa Disco.

Drayton Manor has three different passes.

The cheapest is the Silver Annual Pass, which costs £75 per person (£45 per child aged two to three-years old) or you can pay for annual pass monthly, costing £35 for the first month then £5 a month for 11 months (£90 total).

This pass gets you unlimited visits to the park, 10 per cent off food and drink as well as the shop, free mini golf, 10 per cent off hotel bed and breakfast, 20 tickets for £20 for family and friends and discounts on photos.

The £99 annual pass (£65 per child aged two to three-years old) gets you all of the above, but discounts are 20 per cent on food and drink and the shop.

And last but not least is the ultimate pass costing £249 per person over the age of three (under this age no pass is needed).

With this pass you get all of the above, but also unlimited visits to West Midlands Safari Park and Waterworld, as well as discounts at each of those attractions.

Drayton Manor one-day tickets start at £25.80 for visitors aged 12 and over, and £14 for children aged 2 to 12 when booked online.

You’d need to visit three times across the year to make the annual pass worthwhile (four times for under three-year-olds).

The Big Sheep

The Big Sheep in North Devon has farm experiences as well as rides and live shows.

Season tickets for The Big Sheep cost £50 per person.

You then pay £1 each time you visit if you book online, or £2 at the door.

The pass includes a member’s day where you can bring a guest for free, discounts on events, a 10 per cent discount on food and drink, as well as a 10 per cent discount in the shop.

One-day tickets for the Big Sheep in North Devon start from £14.95 for adults and children over three feet tall when booked online.

You’d need to visit at least four times to make the annual pass worth it.

Gulliver’s World

There are a number of Gulliver’s World theme parks across the UK including Warrington, Matlock Bath, Milton Keynes and near Sheffield.

Each park is slightly different, with themed zones and attractions aimed at kids under the age of 13.

The parks often host events too such as Fright Fiesta for Halloween and the winter Land of Lights lantern festival.

For £99, you can get a 12 month pass allowing unlimited entry to all Gulliver’s Theme Parks (Warrington, Matlock Bath, Milton Keynes & Rother Valley).

You’ll also get entry to Gulliver’s Dinosaur & Farm Park in Milton Keynes, plus discounts on short breaks.

One-day tickets for Gulliver’s World Theme Park Resort cost £28 when booked as an online advance ticket.

You’d need to visit four times across the year to make your money back on the pass.

Flamingo Land

Flamingo Land Resort in North Yorkshire spans across 375 acres and features a zoo as well as rides.

For example, there’s Velocity, the UK’s first motorbike launch coaster.

You can also head to a Peter Rabbit Adventure area, ideal for younger kids.

An annual pass costs £199 to Flamingo Land and gets you unlimited access year round to the theme park and zoo.

Flamingo Land one-day tickets start from £46 per person when booked in advance.

You’d need to visit five times to make your money back on the annual pass.

Pleasure Beach Resort

Pleasure Beach Resort in Blackpool sits right by the seafront and is more than 125 years old.

Inside the park, there are a range of attractions including thrill rollercoasters.

There’s also a Nickelodeon Land, which has themed rides including Wallace and Gromit Thrill-o-matic.

The Platinum Annual Pass at Blackpool Pleasure Beach costs £125 per person and gives you unlimited entry for a full year.

But what makes it even better is that, included in the price, you get free entry to seven theme parks across Europe, including Efteling, Europa Park, Liseberg, PortAventura World, Emerald Park, Tripsdrill and Isla Magica.

All you need to do is show the Pleasure Beach Resort Platinum Pass Card when you arrive.

You are allowed one free entry to each attraction per pass holder, per year.

Blackpool Pleasure Beach one-day tickets start from around £30 to £34 when booked in advance online.

You’d need to visit between four and five times to make your money back on the annual pass.

Paultons

Paultons Park in Hampshire is spread across 140 acres and is home to more than 70 rides and attractions, including the official home of Peppa Pig.

The theme park has a number of different annual passes, but the cheapest is the Essential Pass which costs £172.

With this pass you get unlimited off-peak visits over 12 months.

And at the end of the year, if you renew, it will set you back £153.

The Star Pass costs £225 and gets you unlimited off-peak visits including some weekends (renewal would cost £203.50).

The Premium Pass costs £290 and gets you unlimited access to the park at any time, as well as discounts on food and drink and in the shop (renewal would cost £262).

Paultons Park one-day tickets start from £46.75 per person when booked in advance, and kids under 1m are free, so paying visitors would need to go at least four times to make the annual pass worthwhile.

Pleasurewood Hills

Pleasurewood Hills in Lowestoft, Suffolk, is home to more than 35 rides and attractions, as well as live shows.

The park’s main thrill ride is Wipeout, which boasts six inversions.

A Standard Season Pass for unlimited access all season, but with some blackout dates (dates where you cannot attend the park – usually during peak season) costs £79.

Alternatively, you can get a Premium Season Pass, which gets you unlimited visits all season as well as exclusive perks and discounts such as 50 per cent off entry for family and friends and free parking for £99.

One-day tickets for Pleasurewood Hills start from £16.41 per person when booked online.

You’d need to visit at least five times across the year to make the most of the £79 annual pass.

Chessington World of Adventures

Chessington World of Adventures, about 12 miles from central London, is home to more than 40 rides across a number of themed lands.

And next year, the park is set to open a new Minecraft World, which will be the world’s first Minecraft-themed land.

A Chessington Annual Pass allows visitors access to the park across 339 days, costing £64.

Passes are only needed for guests 90cm and over.

Chessington one-day tickets start from £32 online in advance.

Visit the park twice to make your money back on the annual pass.

Lightwater Valley

Lightwater Valley Family Adventure Park in North Yorkshire is ideal for families with younger children, with safari-styled areas, pirate-themed rides and classic fairground favourites.

A seasonal pass costs £89 and includes unlimited entry throughout the park’s open days, including special events and Bank Holidays.

One-day tickets for Lightwater Valley Family Adventure Park cost between £22.00 and £27.00 when booked online.

You’d need to visit between four and five times across the year to make the pass worth it.

M&D’s

M&D’s Scotland’s Theme Park is Scotland’s largest theme park and is in North Lanarkshire.

The park has more than 40 rides and attractions to explore, including rollercoasters and children’s adventures such as a sky trail and Scotland’s only indoor tropical rainforest.

A season pass to the theme park costs £75 and allows you unlimited access to the park when it is open.

You will also get other offers like discounts on food and drink and a day where you can bring a friend for free.

M&D’s Scotland’s Theme Park offers free entry with ride all day wristbands costing from £20.13.

Visit four times across the year to be quids in.

A BELOVED UK seaside town is set to get a new, faster train to London – slashing journey times by 15 minutes.

Visitors and commuters travelling to and from the coastal area will soon be able to make it to London in just over an hour.

The new rail service will connect the capital with the East Sussex town of Hastings and its set to launch in December of this year.

Hastings boasts a charming shingle and pebble beach and plenty of pubs, cafes and restaurants.

Journeys from London to the quaint seaside town can currently take as long as 1 hour and 47 minutes.

The new Southeastern Railway service will connect the two locations with a train that takes just 1 hour and 18 minutes to get to London Bridge.

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The new service will depart from London’s Charing Cross before calling at Waterloo East, London Bridge, Tunbridge Wells, Battle, St Leonards Warrior Square before arriving in Hastings.

The new transport project has been described as being in a “pilot” phase – and demand for the service will have to be shown for it to be made permanent.

It comes as part of an upcoming timetable shakeup that aims to better connect South East London, Kent and East Sussex.

The new service will run to London once in the morning, with a further return journey scheduled in the evening.

The morning train is set to depart Hastings at 8:05am and arrive at Charing Cross at 09:33am.

The evening train journey will set off from Charing Cross at 4:11pm and arrive in Hastings at 5:42pm.

Speaking about the introduction of the speedier service, Helena Dollimore, MP for Hastings, Rye and the villages, said: “Securing a faster train service for our town has been one of my top priorities as our local MP. When we are almost the same distance from London as Brighton, why should our train take twice as long?”

Highlighting the importance of the trains that serve both commuters and tourists, she added: “This new service is great news for commuters and for our local shops, hotels, pubs, and restaurants that rely on tourists coming down to visit us.

“This new fast train will be a pilot service. If we want it to stay, we all must use it to show the demand.”

Major corporations and law firms recently packed one of downtown’s most exclusive restaurants, paying $3,000 a table to attend a charity fund-raiser. The dinner honoree was Fran Savitch, a top aide to Los Angeles Mayor Tom Bradley.

The impressive turnout was no surprise to those who know Savitch. “I’ve sat with Fran at a lot of the major dinners for the mayor,” said Christopher Stewart, executive director of the Central City Assn., a downtown business group. “And as many people who go over to greet the mayor, go over to Fran.”

A longtime Democratic Party activist who has worked for Bradley since 1973, she has been a major political contact for Bradley, both in Los Angeles and nationally. From throwing a reception in her Bunker Hill condo for West Virginia’s then-Democratic Gov. John D. (Jay) Rockefeller IV, now a U.S. senator, to co-hosting a reception for Joan Mondale last summer, Savitch often plays the political hostess for the mayor’s office.

Savitch also acts as a trouble-shooter for the mayor. She represented Bradley during crucial negotiating sessions with Oxford Properties to work out plans for the half-billion dollar Citicorp Plaza, now under construction downtown.

Her specialty is behind-the-scenes lobbying. That became blatantly evident three years ago when several council members and aides revealed that Savitch had lobbied them on behalf of the mayor to vote for a less strict version of rent control. (Bradley denied his aides did any such lobbying, but several council members and aides flatly contradicted him.)

Savitch also monitors several city departments for the mayor. She has been known to refer to them as “my” departments.

She offers her influential friends access to the mayor, and she offers the mayor access to their money.

“There are some terrific people I see socially who can make substantial contributions, and they, of course, expect access and I think they should have it,” Savitch said. “That’s part of what their money buys them, is at the very least to have their phone calls returned. You have to keep that in balance though, everyone has to have his phone calls returned. Maybe theirs get returned first. . . .”

One of those who knows what that kind of access can mean is William Norris, who belonged to the committee that supported Bradley’s first mayor’s race in 1969.

A former Police Commission president and now a U.S. appellate court judge, Norris had worked with Savitch on Democratic campaigns before he was a judge. So several years ago when his wife, an art consultant, suggested the city should have a museum of contemporary art, he called Savitch.

“I knew I had to have instant credibility,” Norris said. “I knew if I could sell it to Fran, it would ease the way with the mayor. She set up the original meeting with the mayor. . . . We couldn’t have pulled it off without her.”

Got the Wheels Turning

The meeting set up by Savitch got the wheels turning, and the $22-million Museum of Contemporary Art is due to open in 1986 as part of the $1.2-billion California Plaza.

Although grateful for the Bradley administration support for the museum, his judicial obligations prevent him from helping Bradley politically, Norris said. “They don’t have me, but they have my wife,” he added, chuckling. Merry Norris was one of many new city commissioners recommended by Savitch and appointed by Bradley last year.

Her appointment was part of a controversial move by Bradley to increase his influence by naming city commissioners more closely allied with his political views. The mayor asked all 175 commissioners to resign and ended up replacing about 70%.

Savitch, known as the key Bradley adviser on appointments, got much of the credit and much of the blame.

Howard Nishimura, a former Community Redevelopment Agency commissioner, was one of many appointees who complained that Savitch did not warn him that he and others were about to be fired. “She’s always happy to see you as long as she wants something,” he said. “But, I saw her the day before it (the commission shake-up) happened, and I wondered why she seemed to be avoiding me. Her eyes met mine, and she looked away. I was on the board six years and not one word from her!”

‘Committed to Women’

Barbara Schlei, a police commissioner who has been friends with Savitch for several years, credited Savitch for the increased percentage of women among the new appointees. “She uses her position to advance other women,” Schlei said. “Fran has always been deeply committed to women and their political activities.”

In public, Savitch is usually guarded and given to occasional self-deprecation, which she attributes to a lack of confidence at an early age.

“My father thought girls were a waste of time,” said Savitch, the older of two children. “Nothing I did was ever really good enough.”

Savitch’s only ambition as a girl was “what else, to get married and have children,” which she did. She has been married for 34 years to Superior Court Judge Leon Savitch, who is the uncle of the late newscaster Jessica Savitch. Savitch and her husband have two daughters, ages 32 and 26.

Father Was a Judge

Fran Savitch’s father was the late Superior Court Judge Alfred Gitelson, who made the landmark 1970 ruling that ordered desegregation of Los Angeles schools. Labeled the “busing judge,” he was voted out of office that same year.

Her own upper-middle-class West Los Angeles background was sheltered, she said. “Servants in the house were black, and that was the only association I ever had with members of the minority community.”

While living in Baldwin Hills during the early 1960s, she met Herschel Rosenthal, who is now a Democrat from Los Angeles in the state Senate. He introduced her to Bradley, who was retiring from the Los Angeles Police Department to go into law practice.

When Bradley decided to run for the City Council in 1963, she volunteered to work in his campaign. “Tom Bradley,” said Savitch, who almost always calls the mayor by his full name, “was someone that white people could support as well as black people, and that’s what it would take to get someone elected.” Savitch also worked for Yvonne Brathwaite Burke, a black attorney first elected to the Legislature and then Congress.

Savitch made one try for elected office, a 1975 City Council race she was expected to win but lost to Zev Yaroslavsky. She said she has no further aspirations to elected office. “I think Fran is doing extremely well,” Yaroslavsky said. “Perhaps even better than she had hoped to do as a councilwoman.”

ABIDJAN: A senior official in Ivorian former president Laurent Gbagbo’s opposition party has been remanded in custody on charges including terrorism over electoral unrest in 2025, a prosecutor said Friday.

Violence left 11 people dead during the October 2025 election, won by President Alassane Ouattara, who has led the country since 2011.

Several dozen opposition party activists, including senior figures, were arrested or jailed over the unrest. Some have since been released.

A court opened a judicial investigation against Justin Kone Katinan, vice president of the PPA-CI party and a former minister under Gbagbo’s 2000-2011 presidency, prosecutor Oumar Braman Kone said in a statement on Friday.

He said it remanded Katinan in custody on several charges, including terrorist acts and conspiracy against the state.

Katinan’s lawyer, Roselyne Serikpa, told AFP: “These proceedings are irregular and unlawful. They are in complete violation of the penal code.”

The PPA-CI on Thursday denounced what it called a “judicial trap” targeting Katinan.

He was initially summoned by police on Wednesday over defamation accusations by the ruling party after he accused it of being behind the growth of illegal gold mining.

The mother of a Palestine Action prisoner has said she was refused a mortgage due to “adverse media”, as more pro-Palestine voices in the United Kingdom are opening up about their experiences of “debanking”.

Emma Kamio, a small business owner in south Wales, was denied a remortgage with Lloyds on her commercial properties in April due to “adverse media.”

The decision “devastated” her, she told Al Jazeera. “It has put me in a difficult position, one where I have relinquished my responsibilities [in the family business] and let my sister pick up the slack.”

Despite the setback, she said business was no longer central in her life.

“I’ve got one goal and that’s to get my girl out of prison,” she said.

Her daughter Leona “Ellie” Kamio has also been affected. In February 2025, while the 30-year-old nursery teacher was held on remand awaiting trial, Kamio was debanked by Lloyds Bank – meaning the financial institution suddenly closed her bank accounts without explanation.

George Galloway, the Scotland-born politician and broadcaster, said last week that Bank of Scotland, owned by the Lloyds Banking Group, closed his personal account without explanation or notice after 39 years.

“My parliamentary and old age pensions are paid into these accounts,” he wrote on X. “The mortgage on our family home is paid out of them. The mortgage is with them.”

In late June, when Lloyds debanked The Canary, the left-wing news outlet wrote that the bank “has not explained why it has taken this action … despite multiple communications from us”.

More recently, the Pakistani-British writer Tariq Ali on Wednesday said a bank, which he did not name, refused to receive a transfer from his account due to his “opinions”.

“My opinions can only mean those on one subject: Palestine,” he wrote on X.

In the case of Kamio, her account was closed before the UK proscribed Palestine Action as a “terrorist” organisation. It was also before she was convicted of criminal damage in connection with a raid on a factory operated by Israeli defence firm Elbit in Filton, Bristol, in August 2024 – and sentenced as a “terrorist”. Four of six Palestine Action activists convicted of criminal damage, including Kamio, are seeking to appeal their unprecedented sentencing.

Their appeal submission argues that the judge was wrong in law to find that the non-terrorism offence of criminal damage in their case had a terror connection.

Since Palestine Action was outlawed, more than 2,700 people have been arrested under the Terrorism Act at rallies and demonstrations in support of the group.

At the time of publishing, Lloyds had not responded to Al Jazeera’s request for comment.

“We have reached a point where debanking pro-Palestine voices has become systemic,” Anas Mustapha, at the campaign group Cage which advocates against legal abuses from UK counter-terrorism strategies, told Al Jazeera.

He said Cage was debanked more than a decade ago, “with no explanation ever given”.

“Since then we’ve watched the same pattern extend further, with activists being penalised for their politics, and now the families of people jailed for opposing a genocide.”

The issue last made the headlines in late 2023, when Muslims in the UK found a rare common link with Reform leader Nigel Farage.

Anas Altikriti, head of the London-based Cordoba Foundation think-tank, was among those affected by debanking, which he said was being used as a “tool of oppression.”

“This is happening on an industrial scale, to thousands upon thousands of people,” the British entrepreneur, who has also been debanked several times, told Al Jazeera on Friday.

More than 450,000 bank accounts were closed each year, according to The Telegraph.

Altikriti argued that the attack on the World Trade Center in New York on September 11, 2001, marked the beginning of the “commercialisation of the term terrorism”.

Twenty-five years on, the term “slides off the tongue so easily for any kind of adverse opinion,” he said. “The problem is that once that term is on record, it’s always on record. It’s fixed. It’s always there and it impacts your entire life.”

Altikriti was himself labelled a “terrorist” in a banking database following a claim from the United Arab Emirates that was never independently verified by UK authorities. The British citizen said the term has not made his country safer because it is being used “in order to satisfy certain political agendas”.

“If this can happen to me, it can happen to anyone,” he added.

The US-China G-2 concept is both normatively exclusionary and strategically constraining. The inherent limits of a G-2 framework—hierarchy, power structure, and systematic constraints—make it a non-starter in a multipolar reality. Here, I completely agree; the concept of a G2 is unworkable and constitutes a strategic exclusion of many international actors in a multipolar world order characterized by a complex distribution of power and multiple centers of decision-making. The Structural and Political Constraints, represented in:

· Unacceptable Hierarchy: This framework attempts to impose a bipolarity that ignores the rise of major regional and international powers such as the European Union, India, and Russia.

· Lack of Methodological Flexibility: This framework fails to accommodate global issues that transcend borders and require broad collective cooperation, not just bilateral understandings.

· Conflicting Interests: The current strategic and geopolitical competition between Washington and Beijing makes it impossible to manage the international system through joint governance. The structural conflict of interests between Washington and Beijing renders joint management of the international system impossible, amidst a fierce struggle for technological leadership, economic dominance, and the reshaping of national security rules. This manifests itself in:

– First: The Roots of the Strategic Conflict

A) The Challenge to Hegemony: China seeks to reshape international rules and challenge absolute American supremacy.

B) The American Shift: Washington adopts a strategy of confrontation and containment to reduce Chinese influence and supply chains.

– Second: Arenas of International Conflict

A) Technology and Trade: The chip war, tariffs, and control over advanced technology.

B) Regional Sovereignty: The escalating competition in the South China Sea and the Taiwan issue.

Trump’s China policy has shifted from confrontation to accommodation. If we wonder how true that is, to claim that Donald Trump’s policy toward China has completely shifted from confrontation to accommodation is inaccurate. It is merely a superficial shift toward de-escalation and managing disputes through deals, while the underlying geopolitical and structural competition remains intense.

– Manifestations of De-escalation and Deals (Tactical Accommodation)

· Diplomatic Summits: A state visit to Beijing in mid-May 2026 and frequent summits with President Xi Jinping to reduce escalating tensions.

· Trade Settlements: Temporarily reducing some reciprocal tariffs and concluding major deals, such as Boeing aircraft orders and easing chip restrictions for major companies.

· Regional Crisis Management: Seeking cautious coordination or neutralizing China’s role in some global energy and shipping crises.

– Constants of Conflict and Confrontation (Ongoing Competition)

· Technological Restrictions and Economic Structure: The complex core of the conflict over intellectual property and control of advanced technology remains unresolved.

· Legal and Institutional Pressures: Reciprocal restrictions and legislation continue, with China activating its blocking statute to counter extraterritorial US sanctions.

· The Taiwan file and military strategy: Divergent major strategic interests and military deterrence in the Indo-Pacific region.

China wants to be seen on par with Washington. The Chinese gave Trump everything he wanted but nothing of substance. Taiwan was off the table at the Beijing May 2026 meet. Here, political assessments of the Beijing summit held in May 2016 vary. Some believe China successfully established itself as a rival to Washington, while others consider the results to have ranged from symbolic gains to continued ambiguity regarding issues such as Taiwan and trade deals. The summit’s dimensions and outstanding issues can be summarized as follows:

· International parity: Beijing sought to solidify its image as a major power capable of competing with and managing the power struggle with the United States.

· Taiwan’s position: Taiwan was naturally absent from the direct bilateral talks between the two leaders, amidst strong Chinese warnings to Washington about the dangers of arms sales to the island.

· Mutual gains: Opinions differed regarding the extent of concessions. Analysts believe the Trump administration did not secure any decisive, substantive commitments on certain regional issues in exchange for a temporary easing of trade tensions.

Beijing has sought to solidify its image as a major power capable of rivaling and managing the struggle for influence with the United States. It aims to establish itself as a major power on par with Washington through a variety of economic, technological, and military tools, skillfully managed through a policy of gradual retaliation and the management of international competition. This is achieved through:

– First: Economic and Technological Tools

• Rare Earth Minerals: Controlling the production of raw materials vital to advanced technologies and imposing export restrictions on them.

• Trade War: Reciprocal and gradual retaliation against US tariffs to mitigate the effects of economic pressure.

• Supply Chains: Leveraging the Belt and Road Initiative to enhance global trade routes.

– Second: Geopolitical and Diplomatic Presence

• Multipolarity: Supporting a new international order that limits unilateral US hegemony.

• Partnerships and Alliances: Expanding diplomatic and economic influence in vital regions such as Africa and Latin America.

There were some raised questions related to whether US-China friendship is bad for India and whether their infighting is bad for India too. Here, I partially agree with this view, as the interaction between Washington and Beijing presents both gains and risks for India. The conflict grants New Delhi strategic room for maneuver and security alignment with the US, but sharp conflicts or a sudden rapprochement between the two giants could exert economic and political pressure on India’s interests.

– First: Risks of US-China Conflict and Friendship for India

· Bilateral Accords Between Washington and Beijing: If the two powers reach trade agreements or strategic stability without India’s involvement, it could diminish New Delhi’s importance as a crucial ally for containing China.

· Economic and Trade Pressure: Global conflicts, tensions, and reciprocal tariffs affect the stability of markets and supply chains upon which India depends.

· Regional Military Escalation: Direct conflict increases the likelihood of India’s regional involvement due to its direct border disputes with China.

– Second: Opportunities and Gains for India from Competition

· Strengthening Strategic Partnerships: US-China competition is driving Washington and Western countries to deepen military and technological cooperation with India to counterbalance Beijing’s influence.

· The strategy of multiple independence: India benefits from competition by implementing a policy of multiple alignment, protecting its decision-making independence without being completely dependent on any party.

The interaction between Washington and Beijing presents India with both opportunities and risks, most notably strategic room for maneuver, security cooperation with the US, and potential economic pressures. In terms of gains and risks, these can be assessed as follows:

– Strategic Gains

· Role for Maneuvering: New Delhi skillfully balances its relations between the two powers.

· Security Cooperation: Stronger cooperation with the US and the Quad countries to counter China’s influence.

· Economic Gains: Global companies are seeking to relocate their factories from China to India.

– Risks and Threats

· Military Escalation: A direct confrontation could force India to choose sides.

· Sudden Rapprochement: Any major deal between the US and China could marginalize India’s regional role.

· Economic Pressures: Markets and supply chains could be affected by any trade tensions between the two giants.

Beyond the US and China, India and others are building a G Minus Two for Indo-Pacific. Here, the fundamental error in the statement lies in describing India and other countries as building a G-2 alliance with the United States and China. The G-2 concept actually refers to a potential bipolar hegemony or joint management of the world solely by Washington and Beijing, while India and other regional powers are pursuing a strategy known as G-Minus Two to expand their options for independence. This can be understood through:

– Rejection of Bipolar Hegemony:

India adopts a policy of strategic independence and rejects any bipolar system or joint US-China hegemony that diminishes the role of emerging powers.

– The G-Minus Two Strategy:

New Delhi is working with partners such as Japan’s Ministry of Foreign Affairs, Australia, and Indonesia to build a network of flexible partnerships that balance influence and protect regional interests.

Here, the statement of Beyond US and China, India, and others building a G Minus Two for Indo-Pacific, accurately describes the shift of major regional powers like India towards building a network of independent strategic partnerships, moving away from the bipolar hegemony of the US and China. This is achieved through:

– Concepts of International Alliances

• The G2 concept refers to a shared global management or potential bipolar hegemony confined exclusively to Washington and Beijing.

• The G-Minus Two concept: expresses the middle power strategy of expanding its economic and defense cooperation with countries such as Australia, Japan, Indonesia, and South Korea to safeguard its strategic independence.

– Dimensions of the G-Minus Two strategy

• Diversifying partnerships: avoiding the trap of bipolar polarization between the two superpowers.

• Securing sea lanes and supply chains: building flexible regional blocs to enhance Asian stability.

When her home burned down in the Eaton fire, artist Susannah Mills felt lost and adrift — but never alone. Her home was part of an Altadena artists collective called JJU, or John Joyce University, named after a beloved carpenter who lived there for 26 years. And although the residents were forced to scatter in the wake of the January 2025 devastation, they remained in contact, looking for ways to support one another through what is still an ongoing process of recovery.

A few months after her loss, Mills was accepted into an artist residency at BKN, a retreat in the northern Stockholm Archipelago, where she expanded her watercolor practice from relatively small works to large scale, and explored installation. Like JJU, BKN prides itself on building community, and while there Mills began talking with BKN curator Anna Viola Hallberg about bringing other L.A. fire survivors to Sweden to experience the same sense of connection and relief Mills was feeling.

Hallberg had already been thinking along those lines and suggested they create another residency to do just that. In the fall of 2025, Mills and Hallberg, with the help of another L.A. artist, Rick Gradone, started an organization named Los Angeles Wildfire Survivors, or L.A.W.S., and raised the funds to send 13 Eaton and Malibu-based artists to BKN for two months.

The result was life-altering for the artists, most of whom were still working to rebuild from the devastating loss — and some of whom had been so occupied with the logistics of recovery that they had not been able to make time to work.

“It creates a network, and people who work together in the residency continue to help each other,” said Hallberg in a recent interview. “So there’s a really true new arts community that lingers beyond the residency.”

It soon became clear to the team behind L.A.W.S. that more needed to be done, and they solicited another round of applications for a residency, set to begin later this month at Pilchuck Glass School in Washington state. Eight Eaton fire survivors have been selected in a competitive process, and plans are in the works to bring another cohort of artists to Sweden next Spring.

“We want to expand this outside of Los Angeles ultimately, because there are fires everywhere and there is climate disaster everywhere,” Mills said, explaining that the group’s mission is growing as changing weather patterns result in escalating cataclysm and displacement of artists globally.

“The media focuses on the disaster really fast, and they don’t understand just how long the recovery takes,” Gradone said in a recent interview. “So this puts some kind of resource in place where people can continue to to get help, especially artists who lose everything that they’ve made, lose their studio spaces and homes. That can’t be recovered in six months.”

L.A.W.S. operates as a not-for-profit and has applied for official nonprofit status, a process that can take some time in California. It is also actively looking for fiscal sponsorship. Up until now the group has relied on its personal connections to raise money to support its artist residencies. Mills’ partner, Brian Huskey, is a comedian and actor who has rallied celebrity friends to auction off small pieces of art on cards in support of L.A.W.S. But there is a need for more help as the group grows.

“Word has really caught on with people who want to have this experience, which I’m really happy about,” said Mills.

I’m arts editor Jessica Gelt, wishing I could turn back time, Cher-like, to an era before the world fast-tracked climate change with its laissez faire approach to global warming. This is your arts and culture news for the week.

The week ahead: A curated calendar

FRIDAY

Bruce Willis, left, talks with director M. Night Shyamalan on the set of the 2000 film “Unbreakable.”

(Frank Masi / Touchstone Pictures)

Unbreakable
M. Night Shyamalan’s 2000 superhero thriller with a twist stars Bruce Willis, Charlayne Woodard, Robin Wright, Samuel L. Jackson and Spencer Treat Clark.
7 p.m. Vidiots, The Eagle, 4884 Eagle Rock Blvd. vidiotsfoundation.org

SATURDAY

“the wheat leaping constantly from the shute,” Marley Freeman (2026). Oil, acrylic on linen, 58 by 54 inches.

(Marley Freeman / Parker Gallery)

Marley Freeman
The artist’s new exhibition of paintings, “worthless serpentine,” takes its title from the writings of Joan Didion.
Opening, 6-8 p.m. Saturday; 11 a.m.-6 p.m., Tuesday–Saturday, through Oct. 31. Parker Gallery, 6700 Melrose Ave. parkergallery.com

SUNDAY

Doyle Lane: Master Of Clay
The first major museum retrospective of the Los Angeles ceramic artist features more than 100 works from the 1950s through the 1980s, from functional pottery to monumental murals, as well as archival documents.
Through Feb 22. The Huntington, 1151 Oxford Road, San Marino. huntington.org

Marie Atoinette
A 20th anniversary screening of the semibiographical period film with a postpunk- and new wave-fueled soundtrack with writer-director Sofia Coppola and star Kirsten Dunst in person. Coppola and photographer Andrew Durham will sign copies of their new book, “Making Marie Antoinette,” at the Academy Museum Store in a separately ticketed event prior the screening.
6:30 p.m. Academy Museum, 6067 Wilshire Blvd. academymuseum.org

TUESDAY

Andrea Bocelli performs live in Vienna on Aug. 22.

(Thomas Kronsteiner / Getty Images)

Andrea Bocelli
The Italian tenor arrives at the Hollywood Bowl for two nights on his Romanza 30th Anniversary World Tour. 8 p.m. Tuesday-Wednesday. Hollywood Bowl, 2301 N. Highland Ave. hollywoodbowl.com

WEDNESDAY

Elliott Hundley
“Book of Sand” is an exhibition of new paintings, sculptures and tapestries focusing on the artist’s “own exuberant internal universe” created through compiling paint, paper cutouts, string, encaustic and other found materials.
Artist led walk–through, 11 a.m.; opening reception, 6-8 p.m.; 10 a.m.-6 p.m. Tuesday-Saturday, through Oct. 24. Regen Projects, 6750 Santa Monica Blvd., Los Angeles. regenprojects.com

The Peterson Show
The world premiere of Janine Nabers’ play about a group of former child stars from a beloved TV show about a Black family come together after a scandal entangles their famous TV father. Directed by Michelle Bossy.
Previews, 8 p.m. Wednesday-Friday, opens, 8 p.m. Saturday (sold out), runs through Oct. 26. Atwater Village Theatre, 3269 Casitas Ave. echotheatercompany.com

THURSDAY

The Case-Book of C. Auguste Dupin
The world premiere of a new play adapted and directed by John Strysik, based on the stories of Edgar Allan Poe.
7:30 p.m. Thursdays-Saturdays, 2 p.m. Sundays, through Oct. 18. Mary Levin Cutler Theatre, 241 S. Moreno Drive, Beverly Hills. theatre40.org

The Ford/Hill Project
A Waterwell Production created by Lee Sunday Evans and Elizabeth Marvel, this documentary theater piece is based on the verbatim Senate testimony of Anita Hill and Christine Blasey Ford during Supreme Court confirmation hearings, 30 years apart. The cast includes Rosemarie DeWitt, Betty Gabriel, Dulé Hill and Jerry O’Connell.
8 p.m. Thursday-Saturday. REDCAT, 631 W. 2nd St., downtown L.A. redcat.org

The SoCal scene

A view of the Lucas Museum of Narrative Art in Los Angeles from a garden.

(Ariana Drehsler / For The Times)

Hey, have you heard? The Lucas Museum of Narrative Arts will open Sept. 22 and began member previews late last week. Just kidding. Of course you have heard, because hot takes currently abound on the new $1-billion museum. Love it or hate it, it’s here to stay, and Team Arts spent the week rolling out a spate of stories explaining how we got here, as well as what you can find in the shiny new 300,000-square-foot Ma Yansong-designed building.

Times film critic Amy Nicholson wrote about what “Star Wars” fans can expect from the new museum and contributed to a piece about 11 must-see things while you’re there. We also commissioned a handy artist-drawn map of the place that should help you navigate the 100,000 square feet of gallery space with its more than 30 discrete galleries arranged by theme. Finally, Times contributor Jane Horowitz wrote two stories: one about whether or not the museum’s disregard for established art hierarchies will upend the art world; and another on how the museum’s epic search for a forever home ended in L.A.’s Exposition Park.

I also wrote about a lawsuit that a contractor filed against the museum claiming unpaid work that shines fresh light on the Museum’s Exposition Park land deal.

Randolph Thompson, Desiree Mee Jung, Adam J. Smith, Nicole Javier and Julanne Chidi Hill in “Pericles” at Boston Court Pasadena.

(Brian Hashimoto)

Times theater critic Charles McNulty spent an evening at Boston Court Pasadena watching Ellen McLaughlin’s modern verse translation of Shakespeare’s “Pericles,” which takes place at a disaster relief center, where anxious evacuees improvise a play to escape their fear of the storm they are fleeing. “It’s hard to allow yourself to fully believe in the incredible turn of events when the prevailing attitude is so emphatically tongue-in-cheek,” McNulty wrote of the West Coast premiere.

McNulty also had lunch in Manhattan with playwright Samuel D. Hunter, who has two plays running in L.A.: “Grangeville,” which McNulty calls “Los Angeles’ most acclaimed theatrical offering of the summer” and has been extended at Ruskin Group Theatre through Sept. 21; and “A Case for the Existence of God,” in a recently opened Rogue Machine production at the Matrix Theater’s Henry Murray Stage. “Drama in Hunter’s hands is built around an encounter. He doesn’t force his characters to jump through hoops,” writes McNulty in a profile. “He listens to them, as they navigate their complicated feelings, closely tracking the way their intersecting paths lead them toward incremental revelation.”

Paintings from the private collection of the late music executive Clive Davis, estimated to fetch more than $35 million, are heading for auction at Christie’s in November.

Culture news

Lucien Smith attends the Hugo Boss Prize 2014 ceremony at Guggenheim Museum in New York City.

(Dimitrios Kambouris)

Lucien Smith, a Los Angeles–born multidisciplinary artist who garnered loads of attention in 2010s art scene, has died at 37.

IAMA Theatre Company is set to launch its ninth annual New Works Festival, which will take place Sept. 14-28 at Atwater Village Theatre, and will feature staged readings of six new plays. Tickets are $18 for each reading and can be found at iamatheatre.com. This year’s festival includes “The Half-Sibling Play” by Agyeiwaa Asante; “All Remaining Assets” by Serena Berman; “The Starters” by Laura Winters; “Betta Mus Come” by Alicia Carroll; “Werewolves” by Liba Vaynberg; and “The Great Florida Python Challenge” by John Lavelle.

Additional tumult is coming for the Smithsonian Institution as secretary Lonnie Bunch announced he will step down from his leadership position. The news comes in the midst of President Trump’s pressure campaign on the organization and his administration’s attempts to alter what Smithsonian museums include in their exhibitions.

— Jessica Gelt

And last but not least

Oh, no! In-N-Out is making tweaks to staples like buns and ketchup!

JERUSALEM: The Israeli military on Friday said it “categorically rejects” allegations made in a new documentary about Israel’s AI-powered mass killing of civilians in Gaza, which received a 25-minute ovation at its premiere in Venice the day before.

The Israeli-made film “NAZA” uses conversations with 24 different Israeli military or intelligence whistleblowers who spoke on condition that their identities be protected, with interviewees describing how they felt like they worked in a killing “factory” or a lethal video game.

The Israeli military criticized the use of anonymous testimonies in the film which it said “cannot be verified”, saying in a statement that it “makes unprecedented efforts to minimize harm to civilians” during its offensive in Gaza.

The Trump administration is proposing a dramatic overhaul of the once-a-decade U.S. Census head count that could leave out millions of immigrants based on status and key racial and ethnic data, jeopardizing the allocation of resources and the country’s voting map.

The potential changes, announced Wednesday, would exclude undocumented immigrants, asylum seekers and anyone without permanent status. Certain demographic questions from the traditional questionnaire would also be eliminated.

It echoes Trump’s previous idea to add a citizenship question to the 2030 census.

The U.S. Census Bureau, in a post on the Federal Register website, argued “illegal aliens (among others) should not be included in the apportionment count, as they are not true inhabitants, members of the body politic, or persons with a ‘usual residence’ in the United States due to their lack of a sufficient tie and allegiance to the United States.”

The census also “should be colorblind and should not be distorted in any way by questions about immaterial personal characteristics, such as race,” the agency said. It also is considering nixing questions related to people who identify as part of the LGBTQ+ community.

These changes would harm the quality of the data, said Beth Jarosz, a data researcher and vice president of the Association of Public Data Users. She called the proposals “unprecedented.”

“Not counting all of the people who reside here is actually where the real threat is,” Jarosz said. “If you think about all of the ways that census data are used.”

Census figures are traditionally used for an “apportionment count” to determine how many seats each state will have in the U.S. House of Representatives. That count also determines the number of votes in the Electoral College.

“You can imagine if we have undercounts or if we have people counted in the wrong place,” Jarosz said. “Then their political power or their political representation gets diluted.”

Immigrants of every status have historically been counted

Historically, the decennial census has not sought to conduct a full count of people by citizenship status, she added. It may come up in the Census’ periodic American Community Survey.

Getting an accurate count of immigrants of various statuses is useful when assigning resources for public health emergencies or natural or human-made disasters.

“If you don’t have a count of everyone who’s there, you’re not going to have the resources you need,” Jarosz said. “And that puts everybody at risk.”

Why race and ethnicity census data matters

Race-related questions have been on the once-a-decade census since 1790. Starting in 2000, the U.S. census began allowing people to identify by more than one race. A 2015 Pew Research Center study found that multiracial people in the U.S. were growing at a rate three times faster than the general population. By 2020, 33.8 million people in the U.S. identified as being more than one race, according to the census.

Race and ethnicity data is essential for researchers who gauge discrimination, crime rates and wealth gaps in communities of color.

Manjusha Kulkarni is co-founder of Stop AAPI Hate and executive director of AAPI Equity Alliance, two advocacy groups that rely on census counts of Asian Americans and Pacific Islanders. The proposed changes would have tremendous impact on the populations they serve, she said.

“It also seeks to exclude important demographic data from millions that enables lawmakers, health care providers, public safety officials and community advocates — really anyone who cares about the health, safety and well-being of all Americans — from having the necessary data to keep us safe and healthy,” Kulkarni said via text message.

Dropping race and ethnicity data as well as some immigrants sends a message that these communities don’t matter, she added.

Collecting data for the 2030 Census with all these missing elements would be detrimental, Jarosz said.

“These changes are like trying to land an airplane when you are in thick fog and someone has thrown paint across the front window and your instruments are also not working,” she said.

Tang writes for the Associated Press.

Hi, and welcome to another edition of Dodgers Dugout. My name is Houston Mitchell. I hope you all had a nice Labor Day and took the time to celebrate all the pregnant women around you. Wait, I am being told now that that is not what Labor Day is for. That explains all the strange looks at my local hospital’s maternity ward.

Teoscar is back

On Aug. 23, Teoscar Hernández went 0 for 4 in a victory over the Pittsburgh Pirates, striking out twice. That lowered his season numbers to .244/.305/.390, which, to go along with his poor defense, made him a below average player, with a WAR below zero.

The Dodgers were off the following day, and Dave Roberts gave Hernández the Aug. 25 game off for a mental reset. Which seems to have worked. Since Aug. 26, Hernández is hitting .440/.525/.660, going 22 for 50 with three doubles, one triple, two homers, 14 RBIs, seven runs, two steals and eight walks. His WAR has gone up to 0.7 and he is as responsible as anyone for the Dodgers’ seven-game winning streak.

And, strangely, his defense doesn’t seem quite as bad when he is hitting that well.

When asked about this resurgence by SportsNet LA’s Kirsten Watson after Tuesday’s win, Hernández did what he usually does, deflect the spotlight away from himself, saying:

“I feel really good at the plate. Now, it’s just being consistent with it, see good pitches and make contact. We’re going in a good direction, taking the right approach and it shows. I think everybody is doing what everybody expected us to do at the right time. Everybody is having good at-bats. The pitchers are throwing really good games. Everything is clicking right now for us.”

Hernández told reporters after the game that his injuries the last two seasons made him adjust his swing and he’s finally feeling close to 100%.

“Last year, I used [my regular swing] before I had the [adductor] injury. That’s the way I was hitting. Then when I came back, I was doing the same thing, but I was feeling it in my [injured] leg, so that’s why I stopped.”

“This year when I got my hamstring issue, I had to get rid of [the swing] because it was putting so much pressure on the hamstring. Little, little things that people barely notice or realize can change the swing and the results in games.”

And let’s point something else out. Despite the subpar season, who was the first Dodger to leap out of the dugout to celebrate a teammate’s success? Hernández. He didn’t sit around and brood and feel sorry for himself. He was there for his teammates. There are some things that aren’t measurable by OPS+, WAR or any other stats, and in some of those areas, Hernández is a superstar.

In 2024, there were two things that helped the Dodgers find a gear they never had been able to reach before: Shohei Ohtani and Hernández. They both rose to every occasion, where in the past it seemed the Dodgers would shrink in the big moments. Ohtani and Hernández had big hit after big hit during the season and postseason. The same last season, even with Hernández having a down year. This year, however, Hernández had been mainly a nonfactor. Until Aug. 26. The Dodgers can only hope it continues, because if it does, their chances to win the World Series get a lot better.

Ohtani heads to the IL

The Dodgers announced after Wednesday night’s game that they put Ohtani, who is dealing with soreness in seemingly every part of his body (left knee, right biceps, neck and left hip), on the injured list. Two-way players have to go on the 15-day IL, so he will be out until the final week of the season.

“Talking to Shohei, the doctors, the training staff, it’s the right thing to do,” Roberts told reporters after Wednesday’s game. “We tried to kick the can as much as we could. It’s more of let’s take the 15 days and get him reset, get him feeling better, and then build him back up to get the best of him for the postseason.”

With the Dodgers’ penchant to obfuscate when it comes to injuries, the fear here is he is hurt worse than they are saying. We won’t know for sure until he comes off the IL and starts playing again.

To replace Ohtani on the roster? In a bit of a surprise, the Dodgers are turning to their top prospect, Josue De Paula, who never has played above double A. The Dodgers never had promoted a player from double A to the majors since Andrew Friedman took over the front office before the 2015 season.

De Paula, 21, has spent the season with double-A Tulsa, hitting .303/.401/.547 in 588 plate appearances, with 37 doubles, 27 home runs, 104 RBIs and 31 stolen bases. That’s extra impressive considering he is about three years younger than the average double-A player.

He will start at DH tonight, so the Dodgers are throwing him right into the fire.

De Paula has walked 81 times and struck out 87 times this season, so he has a decent eye at the plate. He is considered a subpar fielder though, with one scout telling me during a game De Paula played with Rancho Cucamonga two seasons ago, “As an outfielder, he makes for a hell of a DH.”

The intriguing thing is — and I know I’m putting the cart about a mile ahead of the horse — that if De Paula plays well, he could be added to the postseason roster. Unlike the old days, you don’t have to be on the 40-man roster by Sept. 1 to be considered for the postseason, you just have to be with the organization by that date. The Dodgers would need to petition MLB to allow De Paula to be on the postseason roster, but that type of petition generally is approved.

The Dodgers will have to make room on the 40-man roster for De Paula, either by removing a player or putting someone, such as Dalton Rushing, on the 60-day IL.

Injuries R Us

The Dodgers have another injury concern as the season winds down: Freddie Freeman.

Freeman is bothered by a troublesome knee. He sat out Wednesday’s game.

“The right knee has been bothering him, and so just on the heels of an off day [Thursday], we felt it was best to just give him [the day off] and then see how he is on Friday,” Roberts said.

There are 16 games left in the season, and the Dodgers are without Ohtani, Freeman, Rushing and Andy Pages. That’s not ideal. It seems unlikely Rushing will be back, and you really need two of the other three back for the postseason.

The postseason race

The Dodgers’ magic number to clinch the NL West is six. Here are the postseason seedings as of Thursday’s games. The three division winners get the top three seeds, followed by the three teams with the best records. The top two division winners get a first-round bye.

Division leaders
1. Milwaukee, 91-56
2. Dodgers, 89-57
3. Atlanta, 86-61

Wild cards
1. Philadelphia, 82-65
2. Chicago, 81-66
3. San Diego, 78-68
4. Arizona, 78-69
5. Pittsburgh, 74-73

Remember, there are no extra games to break ties anymore. It all comes down to tiebreakers. Atlanta and Milwaukee both have the tiebreaker over the Dodgers. For the wild card, the Cubs have the advantage over the Phillies, having won six of seven games against each other. The Diamondbacks and Padres have split 10 games, but their final three games this season are against each other, so that very well could determine the final wild-card spot.

The Dodgers won it all last season without a first-round bye, but with all the injuries, it would be nice to get that bye this season. They have only three games remaining against a team with a winning record, so they really have no one to blame but themselves if they don’t get it.

These names seem familiar

How notable players who were with the Dodgers the last couple of seasons are doing with their new teams (through Wednesday). Click on the player’s name to be taken to their full stats page:

Anthony Banda, Twins: 2-0, 4.46 ERA, 2 saves, 34.1 IP, 31 hits, 15 walks, 33 K’s, 95 ERA+, out for the season

Cody Bellinger, Yankees: .264/.343/.418, 502 PA’s, 23 doubles, 3 triples, 13 homers, 63 RBIs, 111 OPS+

Walker Buehler, Padres: 8-6, 4.61 ERA, 138.2 IP, 135 hits, 53 walks, 121 K’s, 88 ERA+

Mike Busch, Cubs: .235/.345/.388, 647 PA’s, 26 doubles, 2 triples, 18 homers, 72 RBIs, 102 OPS+

Michael Conforto, Cubs: .242/.342/.489, 266 PA’s, 14 doubles, 14 homers, 40 RBIs, 126 OPS+

Justin Dean, Cubs: .375/.500/.625, 10 PA’s, 1 triple, 3 RBIs, 209 OPS+, in the minors

Caleb Ferguson, Cardinals: 1-0, 5.18 ERA, 1 save, 33 IP, 37 hits, 19 walks, 31 K’s, 81 ERA+

Jack Flaherty, Tigers: 3-8, 4.59 ERA, 86.1 IP, 80 hits, 42 walks, 102 K’s, 93 ERA+, on the IL

Kenley Jansen, Tigers: 4-6, 3.63 ERA, 18 saves, 39.2 IP, 24 hits, 22 walks, 44 K’s, 118 ERA+

Craig Kimbrel, Royals: 1-4, 4.43 ERA, 1 save, 44.2 IP, 39 hits, 20 walks, 40 K’s, 96 ERA+

Gavin Lux, Rays: on the IL

Dustin May, Brewers: 6-9, 4.69 ERA, 132.1 IP, 130 hits, 45 walks, 127 K’s, 84 ERA+

Zach McKinstry, Tigers: .211/.291/.311, 395 PA’s, 15 doubles, 4 triples, 4 homers, 26 RBIs, 69 OPS+

James Outman, Tigers: .172/.235/.318, 157 PA’s, 4 doubles, 2 triples, 5 homers, 17 RBIs, 54 OPS+, in the minors

Joc Pederson, Rangers: .234/.329/.481, 421 PA’s, 11 doubles, 2 triples, 25 homers, 50 RBIs, 133 OPS+

Luke Raley, Mariners: .225/.284/.439, 287 PA’s, 9 doubles, 1 triple, 15 homers, 39 RBIs, 105 OPS+, on the IL

Corey Seager, Rangers: .230/.325/.435, 366 PA’s, 14 doubles, 17 homers, 40 RBIs, 120 OPS+

Justin Turner, Tijuana (Mexican League): .295/.395/.469, 263 PA’s, 21 doubles, 6 homers, 28 RBIs

Trea Turner, Phillies: .243/.295/.391, 628 PA’s, 27 doubles, 1 triple, 19 homers, 56 RBIs, 82 OPS+

Miguel Vargas, White Sox: .249/.359/.479, 630 PA’s, 30 doubles, 1 triple, 30 homers, 79 RBIs, 133 OPS+

Kirby Yates, Pirates: 2-5, 3.40 ERA, 3 saves, 39.2 IP, 31 hits, 17 walks, 47 K’s, 125 ERA+, on the IL

Up next

Friday: Dodgers (TBD) at Miami (Ryan Gusto, 1-4, 4.23 ERA), 4:10 p.m., SportsNet LA, AM 570, KTNQ 1020

Saturday: Dodgers (TBD) at Miami (Tyler Phillips, 5-6, 3.51 ERA), 1:10 p.m., SportsNet LA, AM 570, KTNQ 1020

Sunday: Dodgers (TBD) at Miami (Eury Pérez, 7-11, 3.94 ERA), 10:40 a.m., SportsNet LA, AM 570, KTNQ 1020

All times Pacific

*-left-handed

In case you missed it

‘He’s not supernatural.’ Shohei Ohtani’s injury management raises tough questions

What Shohei Ohtani’s latest injury scare reveals about Dodgers’ late-season plans

Will Smith and Dalton Rushing among Dodgers activated as rosters expand for September

Plaschke: No two ways about it — Shohei Ohtani should not pitch again this season

Shohei Ohtani still ‘not 100%’ and will not pitch Sunday against the Tigers

And finally

Vin Scully calls Hank Aaron’s 715th home run. Watch and listen here.

Until next time …

Have a comment or something you’d like to see in a future Dodgers newsletter? Email me at houston.mitchell@latimes.com. To get this newsletter in your inbox, click here.

Donald Trump is set to arrive in Ireland on Saturday, but most Irish people aren’t happy about it.

A recent poll by the Sunday Independent and Ireland Thinks reported that 69 percent do not support the US president’s visit.

“Thousands of us will march on Saturday because we refuse to normalise a man who has facilitated genocide,” Sean Radcliffe, an economics undergraduate student at Trinity College Dublin, told Al Jazeera.

Taoiseach Micheal Martin “should say it clearly, firmly, and publicly: the United States is facilitating genocide,” added Radcliffe, who is a leader of the student body’s Boycott, Divestment, Sanctions campaign.

Sean Corcoran, an environmental artist based on the Copper Coast in Waterford, spent five hours with three others carving “No Kings” – a nod to anti-Trump protests under the same name in the US, along with “Gaza, Iran, Ice,” into the sand of Dublin Bay Beach.

“As an Irish artist and citizen, I believe it is important for me to use my voice to share my opinion about the Trump administration,” he told Al Jazeera. “Despite the diplomatic and security welcome that Mr Trump will receive when he lands in Ireland, the majority of Irish do not welcome him to Ireland.”

Trump is expected to meet with several figures in Ireland’s leadership, including Martin and antiwar President Catherine Connolly, who has previously said the US is, along with France and England, a nation Ireland “certainly cannot trust”.

Protests are planned throughout Ireland, including in Dublin’s Garden of Remembrance. Many are themed against Trump’s role in supporting Israel’s actions in Palestine.

Ireland, one of the West’s most vocal critics of Israel, was the first European Union country to ban imports from illegal Israeli settlements.

Roughly 4,000 security personnel will be enlisted to protect the US leader from protests and other risks during his visit, including roughly 1,000 US Secret Service agents and “anti-drone weaponry”.

Following his visits with Ireland’s political elites and the US ambassador to Ireland, resulting in the temporary shutdown of Phoenix Park, one of Europe’s largest parks, he is expected to visit the Irish Open golf tournament in Doonbeg, where Trump owns a resort.

Connolly, whose role is largely ceremonial, has said that she is “not afraid to stand against the consensus”. She secured a landslide victory in October 2025.

During her campaign, Connolly said she would meet the US president in her official capacity, but added that “I doubt that [genocide] would be the discussion, I doubt that [Gaza] would be on the agenda”.

“People expect a slightly more activist president who might speak out,” Johan Dornschneider-Elkink, professor of Computational Political Science at University College Dublin, told Al Jazeera. “The high level of consensus in the Irish population means that the president can also feel a bit comfortable pushing it a bit.”

Still, the limitations of Connolly’s role, and the economic obligations of the taoiseach are expected to overshadow the issue of Palestine during high-level conversations.

‘Ireland is very much aligned in spirit’

“I think [the protest] shows that Ireland is very much aligned in spirit and policy-wise with the Palestinian people; they very much identify with Palestine,” Stephanie Dornschneider-Elkink, associate professor of Political Science at University College Dublin, told Al Jazeera.

“But there’s also only so much space to be critical. Ireland depends on the US, and there’s an economic relationship at stake.”

Johan added that the visit is more an opportunity for Irish people who want to make known their stance on both Palestine and the Trump administration.

“There’s an understanding that Trump is one president among many, and there will be another president. There’s a longer history of the Irish-US relationship which nobody wants to see damaged.”

Leader of the Opposition Mary Lou McDonald of Sinn Fein, told journalists this week that she hoped Connolly would raise issues like “ongoing facilitation of a genocide in Gaza,” adding that the party will take part in Saturday’s protests.

The party’s spokesperson on foreign affairs, trade, and defence, Donnchadh O Laoghaire TD, shared on his Instagram that he would join the protest in the Garden of Remembrance, asking others to join him “to stand up against genocide and against war”.

The demonstration is organised by the Irish Neutrality League, in coalition with the Irish Anti-War Movement and social justice movement Tonn na Cle, and has received endorsements from the Social Democrats, Labour, People Before Profit-Solidarity, and the Green Party, in addition to Sinn Fein.

Student groups in Ireland have been among the loudest voices of pro-Palestine organising in the country, with Trinity College Dublin becoming the first university in the world to officially sever ties with Israel.

Radcliffe said there is no generational divide “of any significance” over the Israel-Palestine conflict in Ireland.

“Some of the best [pro-Palestine] activists I know in Ireland are pensioners,” he said.

Premier League club, Hull City, confirm car accident involving their player Sorba Thomas, but say no injury sustained.

Hull City winger Sorba Thomas ⁠⁠escaped “completely ⁠⁠unscathed” when he was involved in a crash near ⁠⁠their training ground, his Premier League club said on Friday.

British media reported that his car ended up on its roof on Friday morning in the village of Cottingham in the East Riding of Yorkshire. Images of his upturned car with shattered glass on a narrow ‌‌street went viral on social media.

“Hull City is relieved to confirm that Sorba Thomas is unharmed following a road traffic accident near to ⁠⁠the club’s Cottingham training ⁠⁠ground,” the club said in a statement.

“The club is aware of images of ⁠⁠Sorba’s car circulating on social media and ⁠⁠can reassure supporters ⁠⁠that he has sustained no injuries and emerged from his vehicle completely unscathed.”

Thomas, 27, joined newly-promoted Hull City from second-tier Championship club Stoke City on the transfer deadline day earlier this month.

The Wales international has made two appearances for Hull, ‌‌who are third in the league standings after three games and visit ‌‌Chelsea on Saturday.

“It felt like a movie” — that’s what we all said in the days and weeks after Sept. 11, 2001, when a Michael Bay action film slammed uncomfortably into real life. But with the perspective of 25 years, what’s lingered for the most part aren’t the most literal depictions of the day, but oblique dramas that capture something more subtle: the free-floating anxiety of a nightmare. In our list, you’ll find titles that confront Sept. 11 directly, but others that bring to mind a deeper, broader canon of trauma.

‘Donnie Darko’ (2001)

Jake Gyllenhaal in the 2001 movie “Donnie Darko.”

(NewMarket Films)

Going to the movies in the fall of 2001 was a solace and escape for many New Yorkers, though the films themselves often had an eerie, unplanned timeliness that made them resonate in an unshakable way. You could ache for the cozy city of the past in “The Royal Tenenbaums” or grapple with the schism of everything suddenly feeling different in “Mulholland Drive.” Or you could envelop yourself in Richard Kelly’s moody “Donnie Darko,” a teen drama touched by metaphysical doominess in which plane engines fall from the sky and death wears a rabbit costume. The movie has since become an unexplainable piece of comfort for a spooked generation. In its weather, its soundtrack and the haunted stare of Jake Gyllenhaal, it evokes the weeks after 9/11, even if it anticipated them. — Joshua Rothkopf

‘25th Hour’ (2002)

Edward Norton in the movie “25th Hour.”

(David Lee / Touchstone Pictures)

Only months after the attacks, Spike Lee took on 9/11 with a boldness that only 15 years of provocative filmmaking — and a lifetime of loving New York — could sharpen into an artist. This interpersonal drama, about the fallout of a drug dealer (Edward Norton) going to prison, was deep in development when real-life events altered its trajectory. Lee insisted on including the American flags dotting lawns, the general sense of unease and, in a somber touch, a credits sequence featuring the Tribute in Light. Overwhelmingly, one scene takes place in a Tribeca hi-rise with a view of ground zero, and even though the conversation itself concerns a friend in trouble, it quickly shifts onto metaphorical grounds of guilt, responsibility and rage. There still may not be a better 9/11 film than this one. — J. Rothkopf

‘Munich’ (2005)

A scene from the movie “Munich.”

(Karen Ballard / Universal Pictures)

On the surface, Steven Spielberg’s “War of the Worlds,” released earlier in 2005, may seem like his more obviously 9/11-coded film (“Is it the terrorists?” Dakota Fanning’s character asks). But “Munich,” which followed six months later, goes straight to the questions of terrorism and endless cycles of retaliation that hung over the period. Eric Bana plays Avner, a Mossad operative sent to hunt down the Palestinians whom Israel holds responsible for the 1972 Munich Olympics massacre. As the revenge killings mount, the mission begins to eat away at him — and Avner’s belief in closure is shaken. Spielberg makes the contemporary connections hard to ignore. In a final scene, set in mid-’70s New York, after Avner and his handler Ephraim, played by Geoffrey Rush, argue over what they have done, the camera pans across the Manhattan skyline southward, toward the Twin Towers, which Spielberg had digitally added to the shot. — Josh Rottenberg

‘United 93’ (2006)

A scene from the movie “United 93.”

(Jonathan Olley / Universal Pictures)

Five years after 9/11, it still wasn’t clear whether audiences were ready for a Hollywood movie that directly re-created the attacks. Director Paul Greengrass, then most recently of “The Bourne Supremacy,” took on the hijacked flight whose passengers fought back before it crashed in Pennsylvania. He used a largely unknown cast and shot with an almost documentary immediacy, cutting between the plane and air-traffic controllers trying to make sense of what was happening. There’s no movie star to take charge, and Greengrass doesn’t inflate the passengers into larger-than-life heroes. We simply watch as they piece together the situation from phone calls and scraps of information and realize what they have to do. We know from the beginning that none of them will survive. Watching them slowly come to that realization is what makes “United 93” so devastating. — J. Rottenberg

‘The Dark Knight’ (2008)

Christian Bale in the movie “The Dark Knight.”

(Warner Bros. Pictures)

It was probably inevitable that the anxieties of the post-9/11 era would find their way into a Batman movie. In “The Dark Knight,” Christopher Nolan fills Gotham with bombings, acts of mass surveillance and questions about how far is too far. Heath Ledger’s Joker is an enemy who doesn’t play by the rules, attacking the city with no clear political goal beyond creating panic and chaos. Christian Bale’s Batman, meanwhile, builds a Patriot Act-like system that turns every cellphone in Gotham into a tracking device and uses increasingly brutal methods to stop him. Nolan folds all of that into a hugely entertaining superhero movie without turning it into a lecture. — J. Rottenberg

‘Man on Wire’ (2008)

Philippe Petit, as seen in the documentary “Man on Wire.”

(Jean-Louis Blondeau / Polaris)

By the time James Marsh’s Oscar-winning documentary arrived in 2008, the Twin Towers had been gone for seven years. The film recounts French high-wire artist Philippe Petit’s astonishing 1974 stunt, in which he and a small band of co-conspirators secretly rigged a cable between the towers, allowing Petit to walk high above lower Manhattan. The movie never needs to mention 9/11 to feel devastating. We already know what became of those buildings. Watching Petit step onto the wire lets us see them differently, not as the site of catastrophe but as the setting for something beautiful and absurdly daring. A ghostly montage of the Twin Towers being constructed, set to composer Michael Nyman’s “Fish Beach,” brought New Yorkers to tears. For me, that feeling is also personal. I was living in New York on 9/11 and had been at an outdoor concert in the plaza beneath the towers just weeks before the attacks, so there was something especially moving about seeing them again as part of the city’s everyday life. — J. Rottenberg

‘The Hurt Locker’ (2009)

Anthony Mackie, left, and Jeremy Renner in the movie “The Hurt Locker.”

(Jonathan Olley / Summit Entertainment)

Has there ever been a better cinematic metaphor for the War on Terror than Jeremy Renner in a bomb suit, kneeling over a device in a Baghdad street while everyone around him scans the rooftops for danger? Kathryn Bigelow’s film narrows the Iraq War down to the nerve-shredding work of an explosives-disposal unit, with Renner’s Staff Sgt. William James almost eerily comfortable in situations that terrify everyone around him. The suspense often comes down to the simplest question: Is this thing going to blow up? Bigelow, the action expert behind “Point Break” and “Strange Days,” mostly leaves the larger politics offscreen and stays with the men doing the dangerous work, their detachment a survival tactic. Though initially little-seen, “The Hurt Locker” pulled off its own improbable feat, becoming, at the time, the lowest-grossing movie to ever win Oscar’s best picture — while Bigelow became the first woman ever to win best director. — J. Rottenberg

‘Margaret’ (2011)

Anna Paquin and Matt Damon in the movie “Margaret.”

(Myles Aronowitz / 20th Century Fox)

Kenneth Lonergan shot this seething, richly authentic New York City drama in 2005, when the rawness of post-9/11 NYC was already a part of everyday life. But the trauma feels ingrained in every frame, and there are shots of wary street life — an occasional flinch or look upward — that New Yorkers could watch and think: Yes, that’s what it felt like. The plot itself concerns a teenage girl, Lisa (Anna Paquin, never better), whose hyperdramatic tendencies are both recognizable and lovable. She is involved in a bus accident that results in a fatality and, with the crusading passion that so many people felt after 9/11, decides to get involved as a witness and truth-teller. The need to fix things — amid so much that was unfixable — is a marker of all the movies on this list. — J. Rothkopf

‘Zero Dark Thirty’ (2012)

Jessica Chastain, center, in the movie “Zero Dark Thirty.”

(Jonathan Olley / Columbia Pictures)

Perhaps the most explicit film on our list, Kathryn Bigelow’s daring military procedural about the 2011 midnight raid that took out Osama bin Laden was a political hot potato in its moment. Now with distance, it impresses as a skilled piece of political moviemaking, one that captures the era’s sense of moral compromise and queasy vengeance. It contains scenes of torture and goes deeply into the CIA’s planning and execution of the operation — choices that remain provocative. But the movie’s most lingering piece of drama is a silent shot of one woman crying in a cargo plane: a high-level analyst played by Jessica Chastain, who has accomplished the unthinkable but doesn’t feel relief. The fight will not end. Only a filmmaker who had just won Oscars and made history would have been granted the artistic freedom to make this movie, arguably Bigelow’s finest. — J. Rothkopf

GET into your liederhosen, your dirndls and grab your beer jug because it’s almost time for Oktoberfest.

If you want to celebrate the festival without the flight to Germany – these are some of the best ones in the country with fancy dress and even bratwurst eating competitions.

Albert’s Schloss

It’s go big or go home at Albert’s Schloss which calls itself the ‘UK’s ultimate Oktoberfest 2026 party.

It has venues across the country too from Manchester to Birmingham, Liverpool and London.

There are Bavarian feasts with generous helpings of crispy pork knuckle and juicy schnitzels to bratwursts and sauerkraut.

When it comes to entertainment, there are bratwurst eating competitions, traditional keg tapping and best Lederhosen Competitions.

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Enjoy live performances from Oompah Bands, Brass Bands and DJs.

For fans of beer (or bier) – it’s one of the only places outside of Munich you can try all six Oktoberfest beers.

If you want to taste them all, make sure to even book a Bier Masterclass for a beer-tasting experience hosted by in-haus tapsters.

Celebrations run from September 19 to October 25 – and book in advance to guarantee entry.

Finsbury Park Oktoberfest

If you’re a London local, Finsbury Park will be the place to be – it’s the biggest Oktoberfest celebration in London.

The huge Bavarian-style beer festival takes place inside a giant blue-and-white festive tent from October 1-3.

Enjoy authentic German food from bratwurst in bread, schnitzel to pretzels.

Make sure to wash it down with specially brewed Bavarian FestBeer in a traditional stein.

Of course there’s lots of live entertainment from German oompah bands and Schlager music – oh, and dressing up is highly encouraged.

General admission starts from £10.

Oktoberfest

The UK’s biggest Oktoberfest tour will return this year in cities across the country.

Enormous tents will be transformed into traditional bierkellers with long bench-style seating, and lots of German Bier.

Don’t forget about the live music and bands, competitions all with a party atmosphere.

The tours will head to Colchester, Chichester, Milton Keynes, Guilford, Southend, Beverley, Chelmsford, Plymouth and Portsmouth from October 2-31.

Tickets start from £16.95.

Brewhemia

Brewhemia is known as Scotland’s “beer palace” – so it’s no surprise it’s a top spot for Oktoberfest.

Have your costumes at the ready and enjoy an Oktoberfest beer from Paulaner, Hacker-Pschorr to Flotzinger Wies’n-Märzen and Bitburger Premium Pils.

There’s plenty of food to go around from fresh pretzels to bratwursts to smoky Käsekrainers and spicy Chilliwursts.

You can even try all three with Sausage Fest where you get a platter of all of them with all the trimmings.

The celebrations run from September 19 to October 4 – and of course there’s live music throughout.

You can reserve a drinks area for parties of 4-40 guests – if there’s less then just walk-in.

THE UK’s best theme parks have been announced and coming out on top is a little-known seaside spot.

Pleasurewood Hills in Lowestoft, Suffolk has been named the best theme park in the UK for under one million visitors by the UK Theme Park Awards 2026.

More than 260,000 members of the public voted on the awards that included 36 theme parks.

Pleasurewood Hills is a 59-acre coastal theme park that originally opened back in 1983 and today has more than 35 rides and attractions.

The biggest ride at the park is Wipeout, which stretches nearly 40 metres into the air and has six inversions.

There are also other rides such as Cannonball Express, Marble Madness wild mouse coaster and the Jolly Rodger drop tower.

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The park introduced some new rides for this year, which include a Big Wheel, Starflyer and a spinning coaster.

If you don’t mind getting a little wet, head on the Water Fun Factory log flume as well.

Little kids aren’t left out either as there is a double-decker carousel, miniature railway and a classic theatre.

Tickets cost from £16 per person when bought online in advance and kids under 90cm go free – though it is worth noting that the park closes at the end of October for the season.

One person who visited the park this week, said in a review: “Park has had a massive regeneration, new rides and a general tidy up.

“Place has improved loads and the staff were all super cheerful and polite.”

Another visitor simply said: “Great value for the money.”

Freddy Stokes, Director at Pleasurewood Hills, said: “To have all the hard work that’s gone into Pleasurewood Hills over such a short period of time recognised by people from across our own industry is a massive achievement for the park and the whole team.

“We’ve always believed in what Pleasurewood Hills can be, but to receive an award like this in our first season really shows what can be achieved and, more importantly, where we can take the park from here.”

Paultons Park was named the country’s best theme park for more than one million visitors, on the other hand.

It is the second year in a row the much-loved family theme park has won the award.

And it also scooped up awards for the best new attraction, best large theme park for families, best theme park for toddlers, best Christmas event and best customer service.

Lawrence Mancey, Marketing & Technology Director at Paultons Park and winner of Theme Park Personality of the Year said: “We are thrilled to have been awarded 11 awards at the UK Theme Park Awards, and honoured to have been crowned Theme Park of the Year once again.

“These trophies are a reflection of the hard work of the whole Paultons Park team.

“We couldn’t be prouder of what they’ve achieved over the past year; from the teams who brought Drakon and Valgard to life, to everyone across the park who works so hard to give families and toddlers unforgettable days out in Peppa Pig World and across the park.”

A MUCH-LOVED family experience that’s one of the world’s largest truck shows will be returning to the UK in just months.

Hot Wheels Monster Trucks Live is returning to the UK in early 2027 – and this time with a new feature.

The show will tour four cities across the UK – Glasgow, London, Manchester and Birmingham.

Yes, Hot Wheels Monster Trucks Live won the Pollstar Family Show of the Year award this year, in the prestigious awards by Pollstar magazine —which reports on global live entertainment and concert industry

Fans can expect “huge trucks, jaw-dropping stunts and an arena transformed by explosions of colour”, according to Family Entertainment Live and Mattel.

The show, called Colour Bash, will have paint splattered trucks that perform different stunts including wheelies, jumps, donuts and even crashes.

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The show begins with one of the trucks, Skelesaurus, taking all the colour away from Monster Truck Island.

Then Rhinomite, Mega Wrex, Tiger Shark, Bone Shaker and Bigfoot have to fight to win back the island and all its colour.

The big twist this year though is that they will be joined by a new truck ally, who will be revealed this autumn.

There will be FMX bikes flying across the arena and a fire-breathing robot as well.

The UK tour dates are as follows:

• The O2, London – January 9 & 10
• OVO Hydro, Glasgow – January 23 & 24
• Utilita Arena, Birmingham – April 10 & 11
• AO Arena, Manchester – April 17 & 18

The shows will have both matinee and evening performances and fans can also book VIP packages and pre-show party packages that allow you to get up close to the trucks.

Tickets go on sale on September 18 at 10am, with prices starting from £25 per person.

And there is a discount available for kids under the age of 13.

Ken Hudgens, CEO, Family Entertainment Live said: “Colour Bash is the most vibrant Hot Wheels Monster Trucks Live experience we’ve ever created.

“We took everything fans love about the show — the massive trucks, the jaw-dropping stunts, the can’t-look-away energy — and supercharged it with colour.

“It’s a brand-new way to experience the action live, and we can’t wait to bring it to families in the UK in 2027.”