Trump has vowed to unleash AI competitiveness, but removing state oversight riles members of his Republican Party.

United States President Donald Trump has said he will sign an executive order creating “one rulebook” for artificial intelligence (AI) development.

The announcement on Monday via Trump’s Truth Social account represented the US president’s latest effort to remove AI barriers, a priority of his administration that has raised concerns related to oversight of the transformative technology.

Trump said the so-called “one rule executive order” would override state approvals of AI, although the legality of such a presidential action remained unclear.

“There must be only One Rulebook if we are going to continue to lead in AI,” he said. “We are beating ALL COUNTRIES at this point in the race, but that won’t last long if we are going to have 50 States, many of them bad actors, involved in RULES and the APPROVAL PROCESS.”

“THERE CAN BE NO DOUBT ABOUT THIS! AI WILL BE DESTROYED IN ITS INFANCY!” Trump added, employing his typical use of all-capital letters.

The announcement comes as the White House has pushed for provisions creating a federal AI framework to be added to this year’s defence budget.

The initiative has divided members of Trump’s Republican Party, which has traditionally strongly supported the rights of states and a smaller federal government.

Opponents included Representative Marjorie Taylor Greene, formerly a staunch supporter of Trump, who has broken with him on several issues.

“States must retain the right to regulate and make laws on AI and anything else for the benefit of their state,” she wrote in November.

State lawmakers from across the political spectrum have also warned against federal actions that would override state policies.

“In recent years, legislatures across the country have passed AI-related measures to strengthen consumer transparency, guide responsible government procurement, protect patients, and support artists and creators,” they wrote in a letter to Congress in November.

“These laws represent careful, good-faith work to safeguard constituents from clear and immediate AI-related harms. A federal preemption measure on state AI laws risks sweeping these protections aside and leaving communities exposed,” they said.

Trump has maintained close ties with AI and tech leaders since taking office in January.

He has already signed an executive order calling for the removal of “barriers” to AI innovation. He has also published a so-called AI action plan and an AI “Genesis Mission”.

He compared the latter to the Manhattan Project programme, which led to the creation of the world’s first nuclear weapons.

Kate Winslet has opened up about the painful experience of reliving her mother’s 2017 death while making her directorial debut Goodbye June, which stars Helen Mirren

Kate Winslet has opened up about the emotionally challenging experience of “reliving” her mother’s death whilst working on her latest film, Goodbye June.

The Titanic star has stepped behind the camera for her directorial debut with this feature-length drama, offering a poignant portrayal of a family coming together around their dying mother over the Christmas period. The script was penned by her son, Joe Anders.

Arriving on Netflix on 24th December, Oscar-winning actress Helen Mirren takes on the role of matriarch June, whilst the ensemble cast features Toni Collette, Johnny Flynn, Andrea Riseborough and Timothy Spall.

Ahead of the film’s limited cinema release this Friday (12th December), Winslet discussed the loss of her own mother in 2017, admitting it “still feels like yesterday”.

During an appearance on Fearne Cotton’s Happy Place podcast, the actress explained she’d initially hoped to “keep that private experience separate” from the project, before recognising this wouldn’t be feasible, reports the Express.

“It wasn’t necessarily cathartic, but there were days when I was literally reliving what happened when I lost my own mum, even though our film is fictional. And I would find myself strangely trying to almost hide in a funny way.”

Winslet told Cotton she frequently found herself “sitting quietly” behind Max, the production’s focus puller, during particularly intimate moments featuring Mirren and Spall.

“I would just sit with him quietly watching his monitor and sort of crying on his back,” she recalled. The star described the crew member as a “great spirit” to lean on during the more demanding moments of filming.

Winslet also expressed her hope that the film will ignite family discussions about the harsh realities of loss, reflecting on several enlightening conversations that took place among the cast and crew during production.

“Actually in this country, I don’t think we’re very good at talking about loss. I don’t think we’re very good at processing grief,” she elaborated.

“And in an interesting way it did bring up a lot of those conversations and people were quite grateful to be able to have them, not just the cast, but sometimes the crew as well.”

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Discussing her shift from actress to director, Winslet noted that she has observed her male peers make the same transition “without any judgment or scrutiny”, a luxury not often extended to women in the industry.

“It feels like for you personally, not only is this an amazing challenge for you to make that switch, but also you’re doing it on behalf of women to help this cultural shift in the very male-dominated Hollywood directing scene,” she stated.

Goodbye June is in limited UK cinemas from Friday, 12th December and on Netflix from 24th December.

HAVE you ever fancied pulling a pint at the Queen Vic or stepping inside the Star Wars universe?

Well, at a brand-new immersive museum that’s set to open next year, you’ll be able to do exactly that.

Set to open next year in Borehamwood down the road from Elstree Studios is a museum, but not in the traditional sense.

It won’t be a stuffy room full of relics, but rather it is set to be an immersive experience which will allow visitors to feel like they’re on the sets of their favourite films and TV shows.

It was approved by the council in November 2025 and will honour 100 years of film and television production in Hertsmere.

The new experience is set to open in December 2026 on a vacant former Sky Studios space in Panattoni Park.

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Just down the road, Elstree Studios has been used to film shows like Indiana Jones, Star Wars, Harry Potter and of course, BBC soap opera, EastEnders.

These shows are likely to make an appearance at the museum – but nothing has been confirmed so far.

Other TV or film shows that could potentially appear in the museum are Alfred Hitchcock’s Blackmail, The Shining and BBC’s Holby City which was axed in 2022.

The opening aligns with the 100 year celebration of the UK’s first sound film, Alfred Hitchcock’s Blackmail, which was filmed at the studios in 1929.

The local council stated: “This isn’t just about looking back, it’s about creating an experience that can bring any story to life.

“From walking through the sets of EastEnders to standing in the middle of a historic scene like the Great Fire of London, or even taking part in the launch of a major new movie filmed right here in Borehamwood, the Immersive Experience will combine cutting-edge technology with creative storytelling.”

In December 2025, Hertsmere Council approved a £2million contribution towards the project.

Visitors can easily reach the studios from Elstree & Borehamwood Station, which is a 25-minute train ride from London St Pancras.

Currently, visitors aren’t able to take general public tours of Elstree Studios because they are working production sites.

However, the public are permitted to visit if they’re seeing shows like Strictly Come Dancing which requires a live audience.

Currently, the only other permanent tour experience is the Warner Bros. Studio Tour – The Making of Harry Potter, which is just a 20-minute drive from Elstree Studios.

Sun Travel recently visited Hogwarts and discovered everything you need to know about the experience.

We rated everything from its general experience, which is a self-guided tour, to discovering Diagon Alley and the creepy Forbidden Forest.

Other aspects we rated were whether it’s child-friendly, how much tickets are, food and drink options, and exactly how long you need to explore it.

Plus, here’s everything we know so far about the new Universal theme park set to be built in Bedfordshire.

And Head of Sun Travel (Digital), Caroline McGuire, visited the UK’s best theme park – with no queues for any rides.

Dutch paint maker Akzo Nobel is splashing into US with plans to buy Philadelphia-based rival Axalta Coating Systems for roughly $9.2 billion in stock. The move will create the world’s second-largest coatings company, trailing only Cleveland-based Sherwin-Williams.

The deal is part of a wave of consolidation that recently saw private equity firm Carlyle buy BASF’s coatings unit for €5.8 billion. Under the terms of the deal, Akzo Nobel will hold 55% of the combined company, with shares moving from Amsterdam to New York. The resulting company will have around $17 billion in revenue and a $25 billion enterprise value.

The companies have a history, with merger talks dating back to 2017, but they “could not negotiate a transaction” that met their “criteria,” Axalta’s then-CEO Charles Shaver said at the time.

Private equity firms circled Axalta in 2019; Clayton, Dubilier & Rice was among the firms considering a bid alongside PPG Industries. Platinum Equity reportedly partnered with Koch Industries Inc. to also make an offer.

Akzo and Axalta agreed to frame the transaction as a “merger of equals,” with Akzo Nobel investors receiving a special €2.5 billion cash dividend, while the new board will feature four directors from each company plus three independents. Current Akzo Nobel CEO Gregoire Poux-Guillaume will lead the combined firm, with Axalta Board Chair Rakesh Sachdev taking the helm at the new board.

“Management has its work cut out convincing investors this is the right step,” Bernstein analyst James Hooper noted wryly. “Revenue growth expectations need some serious color.”

The merger combines strengths in consumer brands like Dulux, Cuprinol, and Hammerite with Axalta’s industrial coatings, including powder coatings for cars. The unified company will operate in over 160 countries. It aims to realize $600 million in run-rate synergies, 90% of which are expected within three years.

The combined entity’s headquarters will remain in Amsterdam and Philadelphia.

CENTER Parcs has confirmed when its newest holiday park is opening in the UK.

Called Center Parcs Scottish Borders, works will finally start in spring 2026.

But you’ll have to wait a while to visit, with a planned opening date of summer 2029.

The resort – between the towns of Hawik and Selkirk in the south of Scotland – is the newest Center Parcs in the UK for more than a decade.

Inside the park will be a central village with 700 lodges and apartments.

The Village Centre will have all of the shops and restaurants.

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And the family-favourite waterpark, Subtropical Swimming Paradise, will also be part of the resort, along with the Aqua Sana Forest Spa.

They are also planting their first forest, to create a new woodland around the park.

Two lochs will also be created, which will host the water sports and activities.

New nature trails, flower meadows and wetlands will be part of the Nature and Heritage Centre.

It is expected to cost £450milllion to build, and eventually attract as many as 350,000 people a year.

Center Parcs’ CEO Colin McKinlay, CEO of Center Parcs, said they were “thrilled” to have planning permission for the new park.

He added: “This village will be truly unique. The scale of the site, the setting and the ability to plant and shape a brand-new forest give us the chance to take a bold step forward in both design and sustainability.”

He said it will also attract a new market, including both Scotland and the North of England.

Mr McKinlay explained: “We’re also pleased to confirm that the new village will be named Center Parcs Scottish Borders. We explored a range of options, but this was the name we kept returning to.

“Put simply, we want the village to be an anchor destination that draws visitors to this wonderful region – and we believe this name will help do exactly that.”

While it is the newest Center Parcs resort in the UK, the most recent one opened in Ireland‘s Longford Forest in 2019.

However the most recent one in the UK was Woburn Forest which opened in 2014.

And the newest Center Parcs currently to Scotland is Whinfell Forest, in Cumbria, which opened in 1997.

Center Parcs also recently revealed its first-ever new treetop adventure attraction.

Here are the new check in rules rolled out at Center Parcs.

Plus, here’s how to bag an affordable Center Parcs stay with your family.

SACRAMENTO — It’s almost like slapstick comedy — the budget act that California’s Legislature and governor perform every year.

OK, it’s not really funny. But it is a joke — all the gymnastics the politicians go through trying to hide their red-ink spending and convince us they’ve met their legal obligation to produce a balanced state budget.

“Balanced” means having enough money to pay for all the authorized spending. But it’s largely guesswork. And the budget often is balanced only on paper. The state pencils in whatever numbers are needed to “balance” the books.

“They always cook the numbers,” gubernatorial candidate Antonio Villaraigosa told me last spring.

Villaraigosa, former Los Angeles mayor, knows firsthand about “cooking.” He once was in the kitchen as a powerful state Assembly speaker.

“Every finance person does it,” he said. “But there’s got to be a limit. At the end of the day, you can cook [numbers] so much they’re not real.”

The nonpartisan Legislative Analyst’s Office reminded us of this in a recent report. It warned of a growing state budget deficit for the next fiscal year beginning July 1.

In polite language, the analyst basically said that the current “balanced” budget — as Villaraigosa might put it — isn’t “real.”

“The budget problem is now larger than anticipated, despite improvements in revenue, and the structural deficits are significant and growing,” Legislative Analyst Gabriel Petek wrote.

“Structural deficit” is governmentese for taxes and spending being out of balance.

“The Legislature faces an almost $18 billion budget problem in 2026-27,” Petek reported. “This is about $5 billion larger than the budget problem anticipated by the [Newsom] administration.”

“Budget problem” is Sacramento lingo for deficit.

Petek predicts even more red ink in the future.

“Starting in 2027-28, we estimate structural deficits to grow to about $35 billion annually, due to spending growth continuing to outstrip revenue growth,” the analyst wrote.

But that will be the next governor’s headache. It’s not uncommon for a departing governor to dump red ink all over his successor.

Right now, Gov. Gavin Newsom is finishing up the last budget proposal of his two terms. He’ll send it to the Legislature in early January.

Newsom’s deficit projection will be different from the legislative analyst’s, says H.D. Palmer, the governor’s budget spokesman. That’s mainly because Newsom will be using fresher data, the aide adds. The governor’s projected deficit size still hasn’t been determined, he says.

Translation: It’s still being cooked.

So far in Newsom’s reign, his budgets have mushroomed by 51% to $325 billion from $215 billion. But that’s not extraordinary growth under a California governor, Democrat or Republican.

Why does deficit spending matter? It’s akin to never fully paying off the credit card and wasting money on interest rather than retiring principal debt. In fact, it’s often just piling on more debt.

It’s kicking the can down the road and not ever tossing it in the trash.

The politicians employ various tricks to paper over deficit spending.

The state often borrows from itself — robbing Peter to pay Paul — by shifting money from one kitty to another, usually to the main checking account: the general fund. This often results in the delay or demise of a promised program that was to be funded by the tapped kitty.

Or lawmakers may raid bond money and use it for a purpose disguised as what voters thought they had actually approved.

They’ve even paid state employees on July 1 rather than June 30 so the spending could be counted in the next fiscal year.

All this gimmickry results in an unstable budget system.

The legislative analyst advised legislators to fix the problem with “achievable spending reductions and/or revenue increases” — cutting programs or raising taxes. Duh!

But the Democratic-dominated Legislature won’t do that because whacking certain programs would anger interest groups that support the lawmakers’ election campaigns. And raising taxes in this high-tax state is a political no-no for all but the most lefty Democrats.

Former state Controller Betty Yee, a gubernatorial candidate who once was state budget director, has long advocated reforming California’s outdated and very volatile tax system. It relies too heavily on rich people’s incomes, especially their capital gains fueled by Wall Street. Tax revenue booms in good times and goes bust during recessions.

Yee says if it were politically possible — which it never has been — she’d extend the sales tax to some services used by the wealthy, including country club memberships. She’d also cut back on corporate tax loopholes.

Petek, in his analysis, cautioned that “California’s budget is undeniably less prepared for downturns” than previously. He also said the stock market is “overheated” and “unsustainable.”

But it seems beyond the lawmakers’ ability to creditably balance taxes and spending.

“Legislators inherently think that balancing the budget is the governor’s responsibility,” says Rick Simpson, a retired longtime legislative consultant to several Democratic Assembly speakers. “And it’s way easier to spend than to cut.”

“The leadership in both houses also care a lot more about making the [legislative] members happy than fixing the budget.”

Simpson also blames term limits. They’ve caused legislators to focus less on the state’s long-term interests and more “on the next office they’re going to run for,” he says.

Democratic consultant Steve Maviglio, who also has been an advisor to speakers, says: “There’s no upside for a politician to tackle nagging budget deficits. It’s much easier — and offends fewer allies — to paper it over and dump it in the lap of your successor.”

He adds: “No one runs for office wanting to slash and burn, except perhaps a few Republicans. But even they have pet priorities.”

So, Sacramento’s comedy of errors plays on year after year.

What else you should be reading

The must-read: Newsom, seeking federal funds for L.A. wildfire recovery, is denied meeting with key Trump officials
CA vs. Trump: A Latino mom, daughter debate Trump: “ICE … would’ve netted Grandma”
The L.A. Times Special: To protect underage farmworkers, California expands oversight of field conditions

Until next week,
George Skelton

—
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Hi, and welcome to another edition of Prep Rally. My name is Eric Sondheimer. The state football championship games are this weekend, but there’s also another big moment happening Tuesday. The state basketball record for career scoring may be broken.

State record set to fall

Jason Crowe Jr. (left) and his father coach, Jason Crowe Sr. of Lynwood after winning state Division V championship in 2023.

(Eric Sondheimer / Los Angeles Times)

This is the week the four-year basketball career of Jason Crowe Jr. from Inglewood gets the respect it deserves. He’s on the verge of becoming California’s all-time career scoring leader. He has a game scheduled Tuesday against Beverly Hills at the old Morningside gym, and if all goes as expected, he’ll pass Tounde Yessoufou of Santa Maria St. Joseph, who scored 3,659 points from 2022-2025, according to the CalHiSports.com record book. Crowe is 29 points away from the record.

Crowe has been on fire in the last week, scoring 51, 50 and 41 points.

With his father, Jason Sr., serving as head coach, Crowe started his career at Lynwood before moving over to Inglewood last season. He averaged 36.0 points as a freshman when Lynwood won a Division V state championship, 37.4 points as a sophomore, 35.3 points last season at Inglewood and is averaging 43 points for 7-1 Inglewood.

He has signed with Missouri, where he and his family plan to move to after this year. His ability to score comes from his relentless ability to attack, draw fouls, make free throws and make shots.

He deserves a standing ovation Tuesday night when the record is his.

It’s championship weekend in Orange County with Saddleback College, Buena Park High and Fullerton High hosting state championship games. Here’s the schedule.

There will be an intriguing tripleheader on Saturday at Saddleback College. One of the best small-school matchups in recent years kicks off the day at 11:30 a.m. in a battle of unbeatens — Rio Hondo Prep vs. Sonora. Then Oxnard Pacifica faces Fresno Central East in the 1-A final at 3:30 p.m. followed by Santa Margarita taking on De La Salle for the Open Division championship at 8 p.m.

Dash Fifita of Santa Margarita is a 5-9, 195-pound All-CIF linebacker.

(Craig Weston)

Santa Margarita has linebacker Dash Fifita, a 5-foot-9, 195-pound senior who has risen up despite lacking the usual size for playing football at that position. The younger brother of Arizona quarterback Noah Fifita explains how he can be successful.

It was not a good week for City Section teams in the regional playoffs, with Carson, South Gate, San Fernando and Santee all falling. Here’s a report from Carson’s 35-33 loss to Delano Kennedy.

Los Alamitos High quarterback Colin Creason tries to evade the flying tackle attempt of San Diego Cathedral linebacker Cade Smith during the CIF Division 1-AA regional playoff game Friday night.

(Craig Weston)

Southern Section Division 2 champion Los Alamitos came up short in a 1-AA loss to Cathedral Catholic, but what a season it was for the Griffins. Here’s a report.

Signing day

Andrew Williams of Fremont is a 6-foot-5, 220-pound senior who committed to USC.

(Eric Sondheimer / Los Angeles Times)

Wednesday was early signing day for high school football players, and it was historic for Fremont defensive end Andrew Williams.

He was a member of USC’s No. 1-ranked recruiting class and the first inner city player to sign with USC since 2017. Here’s a report.

Boys’ basketball

Sierra Canyon and Santa Margarita, ranked No. 1 and No. 2, took a trip to the East Coast and each lost to the same team, Maryland’s Bishop McNamara. Here’s this week’s top 25 rankings by The Times.

San Gabriel Academy, led by freshman Zach Arnold, a had a break-through win over previously unbeaten Redondo Union. Harvard-Westlake’s Joe Sterling, a Texas commit, scored 36 points helped by seven threes in a win over Francis Parker.

Village Christian knocked off Crespi behind freshman Will Conroy, then traveled to Hawaii to finish runner-up to Crean Lutheran. Point guard Hunter Caplan was tournament MVP for Crean Lutheran.

Etiwanda (9-0), Corona del Mar (7-0), Chaminade (9-0) and Brentwood (10-0) are all moving up after impressive starts this season. St. John Bosco (4-0) hosts its tournament this week. A big league game is Wednesday when Arcadia hosts Pasadena in a Pacific League opener. Also Sherman Oaks Notre Dame plays Village Christian on Tuesday.

Jayshawn Kibble has provided a lift for Washington Prep in the City Section. Here’s a report.

Girls basketball

Kaleena Smith of Ontario Christian.

(Craig Weston)

What a start it’s been for defending Southern Section Open Division champion Ontario Christian, which is 9-0 and won the Troy tournament Saturday by routing JSerra. Here’s the report.

Junior guard Kaleena Smith scored 30 points to be tourney MVP and teamed with sophomore Tatianna Griffin to make the Knights pretty much unbeaten in the opening month of the season.

JSerra ruined a match-up of Ontario Christian vs. Sierra Canyon by upsetting the Trailblazers 67-63. Sierra Canyon is still waiting for standout Jerzy Robinson to return from an injury. Vivian Grenald had 19 points and Rosie Santos 18 in JSerra’s win.

Soccer

Peyton Trayer (left) and Cora Fry are Santa Margarita girls soccer players who will leave in January to train with their college programs.

(Eric Sondheimer / Los Angeles Times)

The opening weeks of the soccer season have been marked by players trying to finish up club seasons and join their high school teams.

Some won’t even play when January comes around because they’ve decided to get an early start in college.

It’s an intriguing story how coaches are trying to maneuver through uncertain times on who’s coming and who’s going.

Here’s a report.

Cathedral and Loyola renew their boys’ soccer rivalry with a nonleague game on Tuesday night at Loyola.

Palos Verdes looks strong in its early matches in boys soccer.

Southern Section history

A 45-minute documentary on the history of the CIF Southern Section will get its first public airing on Saturday after the Santa Margarita-De La Salle football game on Spectrum.

(Eric Sondheimer / Los Angeles Times)

The late Dr. John Dahlem, the volunteer historian for the CIF Southern Section, worked hard before his passing to put together information that would form a 45-minute documentary on the history of the Southern Section.

It will make its public television debut Saturday night on Spectrum at the conclusion of the Santa Margarita vs. De La Salle football game.

A preview was shown at a movie theater on Sunday in Santa Ana for friends and former workers in the Southern Section, and it looks thorough, interesting and well put together by executive producer Taylor Martinez.

Current statistics in 2025 about the Southern Section.

(Eric Sondheimer / Los Angeles Times)

One of the more humorous moments is Dahlem discussing the hand grenade throw, which used to be a Southern Section sport. Also a look at how girls were not real sport participants until 1974 when the Southern Section began sponsoring playoffs for girls.

Former commissioner Rob Wigod serves as the film narrator, and he might have a future in that endeavor.

Notes . . .

Erick Morales has resigned as football coach at La Puente. . . .

Standout Mater Dei girls basketball player Kaeli Wynn won’t play this season because of a knee injury that will require surgery. She has committed to South Carolina. . . .

Junior pitcher Charlie Fuller from Mater Dei has committed to Oklahoma State. . . .

Here’s the All-City girls volleyball teams. . . .

Whittier is looking for a new football coach after Jimmy Welker was let go following two seasons as head coach. . . .

In January, Palisades students are expected to return to their campus with sports teams being allowed to use facilities after the Palisades fire damaged the campus. Students will be housed in portable bungalows and have use of 70% of the campus. Here’s the report.

From the archives: Michael Wilson

Michael Wilson with the catch for Chaminade in 2017.

(Jay L. Clendenin / Los Angeles Times)

Former Chaminade receiver Michael Wilson, in his NFL third season with Arizona, has been coming on strong this season. He had consecutive games of at least 10 receptions and more than 100 yards receiving.

The former Stanford receiver caught 70 passes his junior season at Chaminade. He also was an outstanding point guard until giving up basketball. He was a third-round draft pick.

Here’s a story from 2017 describing how Wilson got his offer from Stanford.

Recommendations

From the Washington Post, a story on a high school football program that was best in Maryland, then the coach left, players transferred and now the team can’t win any games.

From the Los Angeles Times, a story on the life of former Morningside High and Lakers center Elden Campbell, who has died.

From the Wall Street Journal, a story on former Mission Viejo and Bishop Alemany receiver Phillip Bell, alleging possible CIF violations during his days in high school.

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Until next time….

Have a question, comment or something you’d like to see in a future Prep Rally newsletter? Email me at eric.sondheimer@latimes.com, and follow me on Twitter at @latsondheimer.

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Dec. 8 (UPI) — The U.S. Supreme Court is scheduled to hear arguments Monday about President Donald Trump‘s firing of Federal Trade Commissioner Rebecca Slaughter in a case that could upend 90 years of precedent.

The high court’s decision, which is expected in the summer, could allow presidents to remove independent regulators without just cause. If the Supreme Court sides with Trump, it would go directly against the court’s 1935 ruling in Humphrey’s Executor vs. United States, which upheld the FTC’s protections from removal as constitutional.

According to the 1935 Supreme Court decision, FTC commissioners may only be dismissed from their jobs “by the president for inefficiency, neglect of duty or malfeasance in office.”

In March, Trump fired Democratic FTC commissioners Slaughter and Alvaro Bedoya, both of whom claimed the terminations were illegal.

The FTC is a bipartisan, independent federal agency that works to protect consumers from questionable business practices. Slaughter said preventing the president from being able to terminate commissioners without just cause allows the FTC to remain independent.

“Independence allows the decision-making that is done by these boards and commissions to be on the merits, about the facts and about protecting the interests of the American people,” she said, according to NPR. “That is what Americans deserve from their government.”

Trump, meanwhile, insisted his executive power gives him the ability to fire workers at independent agencies. In September, the Supreme Court agreed with Trump, allowing him to fire Slaughter through a brief administrative stay on a lower court’s order blocking the termination.

Trump appointed Slaughter, a Democrat, to the FTC in 2018. Former President Joe Biden then appointed her to be acting chair of the agency before nominating her for a new term. The Senate confirmed that nomination, giving her a second seven-year term starting in 2024.

The Hill reported that U.S. Solicitor General D. John Sauer will represent the U.S. government in Monday’s Supreme Court hearing.

“The court should repudiate anything that remains of Humphrey’s Executor and ensure that the president, not multimember agency heads, controls the executive power that Article II vests in him alone,” Sauer said in court filings.

When the al-Assad regime falls, Ammar, a Syrian lawyer and former Sednaya prison detainee, is determined to uncover the truth about Syria’s missing. Haunted by the disappeared and his own imprisonment, he searches for answers in the ruins of Sednaya prison.

Among classified documents, he discovers records of enforced disappearances and deaths, exposing the regime’s brutality. With each case, Ammar pursues justice and closure, offering families a chance to grieve and heal.

His search is about more than closure – it provides a fragile hope and a path towards reconciliation and justice in a fractured Syria.

MUSIC fans are just realising the age of singer Brenda Lee when she recorded her famous Christmas song.

Festive favourite Rockin’ Around The Christmas Tree was released in 1958 and featured in Home Alone, one of the biggest movies of the 90s. 

Written by Johnny Marks, the rockabilly track Rockin’ Around The Christmas Tree was recorded by Brenda in 1958 when the singer was just 13.

To this day, it remains popular and has been recorded by everyone from John Travolta to Justin Bieber.

The single entered the UK singles chart at Number 30 in its first week in November 1962, according to the Official Charts Company.

It climbed into the Top 10 and earned its original peak of Number 6 a month later.

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Rockin’ Around The Christmas Tree secured its place as a festive classic after it was featured in the much-loved 1990 Christmas movie Home Alone.

In the memorable scene, Kevin McCallister – played by Macauley Kulkin – deterred would-be burglars from robbing his home by throwing a pretend Christmas party to make the house appear occupied. 

Yet when one TikToker posted a video of the song and asked what age people thought the singer was, many were stunned to discover it was recorded when Brenda was just a teenager.

One person wrote: “She sounds middle aged.”

Another fan replied: “Wait, I’m just finding this out too.”

A third person added: “Whaaattt?! I looked it up and still have a hard time believing it.”

A fourth person wrote: “Not even my dad knew and he’’s 60.”

Others who have covered Rockin’ Around The Christmas Tree include teenybop heroes Hanson and Cliff Richard. 

In 1987, Kim Wilde and Mel Smith released a version of the song for Comic Relief. 

In a 2019 interview, Brenda Lee – known by her nickname Little Miss Dynamite – said that she had no knowledge as to why Marks wanted her specifically to sing it.

She told The Tennessean: “I had not had a lot of success in records, but for some reason he heard me and wanted me to do it. And I did.”

Dave and Tracey Mani paid a visit to a lesser-known Christmas market with “incredible” food and claimed it’s the best one on the continent that “you’ve never heard of”

A hidden gem of a Christmas market, reportedly the best in Europe that “you’ve never heard of,” could be within reach of Brits for as little as £21. The recommendation comes from Canadian travel vloggers Dave and Tracey Mani, whose YouTube channel chronicles their adventures across the globe, from Poland to Cambodia.

During their festive escapade, the adventurous duo explored the Bratislava Christmas Markets in Slovakia’s capital. As self-proclaimed “Christmas foodies”, Dave and Tracey wasted no time sampling the regional delicacies on offer.

Running from 27 November 2025 to 6 January 2026 (excluding Christmas Eve and Christmas Day), the markets are divided between two locations: Hlavné Square (Hlavné námestie) and Hviezdoslavov Square (Hviezdoslavovo námestie), conveniently just a five-minute stroll apart.

Open daily from 10am to 10pm, the markets promise a “warm and joyful atmosphere,” according to the official website, featuring craft stalls, local and international cuisine, and an array of tempting beverages including grog, mead, fruit wines, and beer.

For Dave and Tracey, though, it’s clearly the food that steals the show at such events. Kicking off their visit at Hlavné námestie, Tracey declared in the video that this is what Christmas markets “are all about.”

She went on to spotlight the festive music and the enticing aromas wafting through the air, while a beaming Dave noted it was “packed” and that he’d “never seen that many food kiosks” at any Christmas market they’d previously visited.

One regional speciality that Tracey deemed essential was a cabbage soup served with bread, which she said resembled goulash. After tasting it, she announced she wanted it “all day.”

Dave was equally impressed, describing the broth as “so good” and noting the dish priced at €7.90 (roughly £6.90), was “so full of flavour.” Their next discovery was Lokša, a traditional potato pancake that Dave called “insane.”

The pair also sampled other treats, including a potato pancake topped with cabbage and smoked meat, as well as a strudel.

Dave and Tracey then headed to the second area of the markets at Hviezdoslavovo námestie, where Dave tasted what he proclaimed to be “some of the best ham” he’d ever encountered.

Their overall verdict on the markets was glowing, with Dave suggesting they’d be “hard to beat” and Tracey branding the food “incredible.” They expanded on their enthusiasm further in the video description.

Beneath their clip, titled Europe’s Best Christmas Market You’ve Never Heard Of, they wrote: “As Christmas foodies, this is one of our favourite European Christmas markets of all time.

“Of course, they had arts and crafts and different items that make perfect Christmas gifts, but food was truly the star everywhere you looked.”

A quick search on Skyscanner.com for a one-way ticket from Manchester to Bratislava for an adult in December showed the cheapest option was Sunday, 14 December, at £21, with a return the next day increasing the price to £68.

However, it’s worth noting that prices can fluctuate considerably depending on travel dates in December, so it’s recommended to plan ahead to secure the best possible deal.

Reporting from Washington — Almost six months after Saudi journalist Jamal Khashoggi was murdered, the man believed to have ordered the killing has cemented his position as President Trump’s closest ally in the Arab world.

Crown Prince Mohammed bin Salman, the de facto ruler of Saudi Arabia, has weathered the initial storm over the Oct. 2 killing in the Saudi Consulate in Istanbul, Turkey. Trump and his aides have made clear that they consider the prince an essential U.S. partner in the Middle East.

If they were thinking long-term about American interests, they’d see that he’s also one of their biggest problems.

MBS, as he’s widely known, is an autocrat, a hothead and a disruptor. He’s a younger, Saudi version of Trump — only with fewer checks and balances.

The 33-year-old prince hasn’t done much to stabilize the Middle East. Instead, he’s made the area even less stable — not only by ordering a savage crackdown against dissidents like Khashoggi, but also by bullying other princes, kidnapping Lebanon’s prime minister, imposing an economic blockade on one neighbor, Qatar, and launching a disastrous war against another, Yemen.

When Trump talks about Saudi Arabia under MBS, he extols the kingdom as a buyer of U.S.-manufactured weapons, pointing to deals he claims (with characteristic exaggeration) could reach $110 billion.

“I don’t want to lose an order like that,” he said last year.

Secretary of State Michael R. Pompeo describes the Saudis in more strategic terms, as important allies in counterterrorism and the U.S.-led campaign to pressure Iran.

“It’s a mean, nasty world out there, the Middle East in particular,” Pompeo said. “There are important American interests…. Saudi Arabia [is] an important partner.”

Both make it sound as if the United States faces a single, all-or-nothing choice: stand by MBS, or walk away from the relationship entirely.

“I want to stick with an ally that in many ways has been very good,” Trump said.

But there’s a third alternative, of course — one the United States has often used when leaders of client states acted against U.S. interests. Call it “tough love.”

“You don’t want to walk away from the relationship. What you want to do is improve their behavior,” Robert W. Jordan, a U.S. ambassador to Saudi Arabia under President George W. Bush, told me last week. “I don’t see much of a strategy in place to do that.”

Part of the problem, Jordan said, is that the Trump administration has ceded leverage to the Saudis. “We treat them as if they’re our most valued customer in the world, and the customer’s always right,” he said.

Instead, he said, the administration should make it clear that it’s not happy with some of MBS’ decisions and back up its words with action.

“You have to make it clear that you’re serious about it,” he said. “There are subtle ways we can make clear that they need us more than we need them. Take spare parts. Their F-15s would be grounded in weeks if we held up their spare parts.”

In the months since Khashoggi was killed and his body dismembered, the Trump administration has done nothing like that.

Instead, Trump has questioned whether MBS should be held responsible for the crime, despite a CIA finding (with “medium to high confidence”) that he ordered it.

The administration has been similarly muted about the kingdom’s imprisonment of dissidents, including women’s rights activists who have been subjected to physical abuse and threats of rape.

Even in the case of Dr. Walid Fitaihi, a Saudi American dual citizen who has reportedly been tortured, the United States has said little.

And when it comes to the Saudi intervention in Yemen’s civil war, which MBS launched three years ago, the administration has backed the prince — despite mounting reports of civilian casualties from Saudi airstrikes.

“The way to alleviate the Yemeni people’s suffering is … by giving the Saudi-led coalition the support needed to defeat Iranian-backed rebels,” Pompeo said March 15.

If the administration wanted to send a tough-love message, one way would be to get an ambassador to Riyadh. Trump didn’t nominate a candidate for the job for almost two years; the Republican-led Senate hasn’t yet confirmed his choice, retired Gen. John P. Abizaid.

Abizaid has said he’s willing to talk tough.

“We should speak frankly to our partners when they do wrong,” he said in his Senate confirmation hearing on March 6.

But once he gets to Riyadh, Abizaid will face a problem: MBS has gotten used to doing business directly with Jared Kushner, the president’s son-in-law.

“They have to empower Abizaid; he has to be seen as the president’s man,” said Barbara A. Leaf, a former ambassador to the United Arab Emirates. “You cannot have MBS thinking that all he has to do is call Jared.”

The U.S.-Saudi relationship “needs to be reset,” argues Aaron David Miller, a Middle East expert who worked in both Republican and Democratic administrations. “We are tethering ourselves to a regime that is undermining American interests and American values.”

He acknowledged that it won’t be easy. “How do you identify a policy between abandonment and embrace?”

But it won’t happen at all unless Trump and his aides resolve to try, and there’s no sign that they have.

In this test of statecraft, they’re failing.

The moment a deadly fire broke out at a nightclub in Goa, India, was caught on camera. The blaze killed at least 25 people, including four tourists. Authorities are investigating safety violations and the venue’s operators.

Getty Images

‘Never been abused like this’

Characters stepping out of their plays to address an audience is hardly a new phenomenon. Playwrights have been breaking the fourth wall ever since that invisible barrier separating the actors from the audience was raised.

Sophocles, of course, didn’t need Oedipus to chat directly with the audience. He had a chorus to provide running commentary. Shakespeare, whose theatrical sensibility was informed as much by Renaissance and Classical poetry as by those pageant wagons boisterously bringing miracle plays directly into the lives of townsfolk, had no compunction about a character slipping out of the frame to help audience members arrange their imagination. He even enlists Rosalind in ”As You Like It” and Prospero in “The Tempest” to bid their audiences farewell.

The fourth wall, encoded in the architecture of the proscenium stage, fosters the illusion that audiences are eavesdropping on a cordoned off reality. As the modern theater embraced realism, plays were carefully designed not to wrench their auditors from their waking dream. Maintaining a semblance of truth, as Samuel Taylor Coleridge pointed out in the context of poetry, was necessary to procure “that willing suspension of disbelief for the moment, which constitutes poetic faith.”

“Willing” is a key word. Art invites complicity, and in the theater, audiences are in on the game. As Samuel Johnson sagely points out in his “Preface to Shakespeare,” “The truth is, that the spectators are always in their senses, and know from the first act to the last, that the stage is only a stage, and that the players are only players.”

How could it be otherwise? As Johnson reminds us, “If we thought murders and treasons real, they would please no more.”

In the Neoclassical era, playwrights were exhorted to observe the unities (of time and place, in particular) to facilitate an audience’s belief. But modern playwrights, particularly those who see their roles as storytellers, have resisted such superficial strictures.

The memory play, perfected by Tennessee Williams in “The Glass Menagerie,” asks the protagonist to serve also as narrator, setting the scene, reflecting on the action and fast-forwarding the story at will. Irish dramatist Brian Friel, a born raconteur, was a master of this use of direct address, writing monologues for his main characters that not only launched his tale but engulfed his audience in the right lyrical mood.

These writers create an environment in which characters can enter or exit the main storyline as if from a magic door. Audiences are cognizant of this portal, but they are encouraged to forget its existence when the drama ramps up, thereby allowing them to have their cake and eat it too.

A friend of mine hates when a character goes rogue and starts chatting up the audience. “Why are you talking to me?” she mumbles in faux outrage. “I paid to watch you talk to each other.”

Perhaps she considers it a dramatic cheat, as though the writer were copping out of the hard work of dramatization. But I have the opposite reaction. I find that playwrights are often at their liveliest when writing in a presentational mood. What they sacrifice in illusionist power, they gain in freedom.

In “Love! Valour! Compassion!,” Terrence McNally, a master of direct address, intensifies the emotional climax of his play by having his characters step forward and explain how and when they will die. This poignant comedy, about a group of gay male friends spending summer holidays together during the height of the AIDS epidemic, gathered the audience in a communal huddle of collective grief while urging survivors — everyone in attendance — to keep the faith.

In times of emergency, it’s natural to want to draw the public’s attention to the shared moment. The theater affords a space — one of the few left in our digitalized world — for this kind of reflective gathering.

Breaking the fourth wall is a tried-and-true method of calling an audience to attention. But a new breed of dramatist, writing in an age of overlapping calamities — environmental, political, economic, technological and moral — is retooling an old playwriting device to do more than inject urgency and immediacy in the theatrical experience.

Characters are not just stepping out of the dramatic frame — they are blurring the line between art and life. Performers are dropping their masks, or at the very least shuffling them, to force us to think harder about what we’re all doing in the theater as the world around us burns.

Kristolyn Lloyd, from left, Irene Sofia Lucio, Betsy Aidem and Audrey Corsa in the Broadway production of “Liberation” by Bess Wohl, directed by Whitney White.

(Little Fang)

Bess Wohl’s “Liberation,” one of the best plays of the year, is having its Broadway premiere this season at the James Earl Jones Theatre under the direction of Whitney White (who matches her fine ensemble job with “Jaja’s African Hair Braiding”). The play, an imaginative account of a group of women banding together in a gymnasium during the early days of the women’s rights movement, begins with a performer checking in on us.

“Hi. Is everyone — is everyone good? Comfortable? Snacks unwrapped? Hello. Hi. Welcome.”

Lizzie, the author’s surrogate (luminously played by Susannah Flood), greets us with the skittish confidence that will turn out to be one of the character’s most charming qualities. She apologizes that theatergoers have had to lock their phones in Yondr pouches. (Cameras are off-limits in a production that has some nudity.) But she immediately confronts the question on everybody’s mind: How long is the play?

Honestly, it’s not even your fault, it’s like, this is the modern condition — not to sound grandiose, ‘this is the modern condition,’ but honestly — it’s like, you decide to come, you get dressed up — Well all right, you didn’t get dressed up — but you put on clothes, thank you for that. You put on clothes. You make your way through whatever you went through — the subway, the traffic, the hellscape that is Times Square — you finally get here, and then you hope that the entire experience will be as short as humanly possible.

Theatergoers seem thrilled that after all the effort they made to be there, they’re not being ignored as usual. But Wohl isn’t pandering to them. She’s connecting to them in the present before ushering them into the past.

Her project, as Lizzie explains in her introduction, is memory — memories belonging to her mother (who recently died) and to her mother’s friends, who set out to change the world. Blazing a trail for women’s equality, they help transform society, even if incompletely. A momentous accomplishment, but then why Lizzie asks, “Why does it feel somehow like it’s all slipping away? And how do we get it back?”

The play rewinds to the 1970s, to a local rec center in Ohio, where a few pioneering women with little in common, beyond the everyday sexism that has hemmed in their lives, form a consciousness-raising group. Lizzie’s mother, also named Lizzie (and also played by Flood) is the ringleader, but a tentative one — as apologetically undeterred as her daughter.

Wohl is writing a personal history that is not her own. She sets up her play to make clear that this theatrical re-creation is her attempt to understand what happened in those meetings of unlikely revolutionaries. She provides space for the women to object to her version of events and to challenge her interpretation of motives.

In one scene, in which Lizzie is about to meet the man who will become her husband, Lizzie the daughter and de facto author interrupts the play to enlist another actor (Kayla Davion, superb) to play her mother. Young Lizzie is understandably squeamish to enact a love scene with the man who will turn out to be her father.

The playfulness of Wohl’s style, while at times informal to the point of desultory, treats the past as an autonomous reality. The playwright can only engage her mother’s history from her position in the present. She can imagine, she can theorize, she can try to do justice. But she isn’t permitted to subjugate her characters to advance her own agenda, no matter how well-intentioned. The personal is political, as the feminist rallying cry has it, and Wohl has taken pains never to lose sight of this insight when imagining the complexities of the lives of others.

John McCrea, left, and Mihir Kumar in “Prince Faggot.”

(Marc J. Franklin)

“Prince Faggot,” by Jordan Tannahill, is built on the reaction to an effete photo of Prince George of Cambridge at the age of 4 that went viral. The play, originally produced by Playwrights Horizons and Soho Rep, is at off-Broadway’s Studio Seaview through Dec. 13. It imagines a queer life for William and Kate’s pride and joy as this young royal defiantly and decadently comes of age.

It’s a daring premise, full of presumption and not really defensible from the standpoint of a real-life boy who doesn’t deserve to be made the object of a sexual fantasia. But Tannahill doesn’t evade these tricky moral questions.

Performer 1 (Keshav Moodliar on the night I attended), who plays both the playwright’s surrogate and George’s future lover, debates the issues with the company. One by one, the queer and trans cast members share fictionalized personal stories, harking back to childhood moments before any declaration of identity was possible.

A thought experiment is under way in this seductively febrile production directed by Shayok Misha Chowdhury (whose play “Public Obscenities” was a 2024 Pulitzer Prize finalist). How might the lives of the characters (and by extension all our lives) be different if heterosexuality weren’t the default assumption?

Intellectual license granted, the company is allowed to run riot in a performance work that maintains a Brechtian distance between actor and role. A playwright’s note in the script clarifies that “with the exception of Performer 4’s final monologue” (which was “inspired by a rehearsal hall interview with actress N’yomi Allure Stewart”), the rest of the play, “including the direct address monologues, is fictional, written by the playwright, and any resemblance to real events is purely coincidental.”

The audience can’t help but be conscious of the daredevil performers impersonating these royal celebrities, intimate friends and overzealous handlers, exposing their bodies, if not their own biographies, in a work that realizes in performance Picasso’s assertion of art being “the lie that enables us to realize the truth.”

Gail Bean and Biko Eisen-Martin in “Table 17.”

(Jeff Lorch)

“Table 17,” Doug Lyons’ meta-theatrical rom-com, which ended its run at the Geffen Playhouse on Sunday, has its character routinely check in with the audience as Jada (Gail Bean) and Dallas (Biko Eisen-Martin) review what led to their breakup. The location for this amorous autopsy is a fashionable restaurant in which the host/pinch-hit server (gamely incarnated by Michael Rishawn) functions as the show’s bitchy chorus.

Lyons has the characters directly engage the audience in a production directed by Zhailon Levingston that incorporated the energy of British pantomime. Theatergoers were encouraged to express their feelings in a comedy that pays homage, as the playwright notes in his script, to such popular Black films as “Love & Basketball,” “Poetic Justice” and “Love Jones.”

The direct address monologues, Lyons stresses, should have “a stand-up comedy feel to them. In these moments the audience is no longer a spectator, but an active participant in the story.”

“Table 17” is more modest in its ambition than either “Liberation” or “Prince Faggot.” It mostly wants to divert. But there was something bracing about the circuitry it created with an audience. Theater wasn’t being imposed onto a paying public. It was instead a shared endeavor, mutually manufactured in yet another instance of a play letting down its guard to reach new levels of aliveness.

Five months after joining the U.S. Senate, Adam Schiff delivered a floor speech on what he called “the top 10 deals for Donald Trump and the worst deals for the American people.”

Schiff spoke of Trump and his family getting rich off cryptocurrency and cutting new development deals across the Middle East, and of the president accepting a free jet from the Qatari government. Meanwhile, he said, average Americans were losing their healthcare, getting priced out of the housing market and having to “choose between rent or groceries.”

“Trump gets rich. You get screwed,” the Democrat said.

The speech was classic Schiff — an attempt by the former prosecutor to wrangle a complex set of graft allegations against Trump and his orbit into a single, cohesive corruption case against the president, all while serving up his own party’s preferred messaging on rising costs and the lack of affordability.

It was also a prime example of the tack Schiff has taken since being sworn in one year ago to finish the final term of the late Sen. Dianne Feinstein, a titan of California politics who held the seat for more than 30 years before dying in office in 2023.

Schiff — now serving his own six-year term — has remained the unblinking antagonist to Trump that many Californians elected him to be after watching him dog the president from the U.S. House during Trump’s first term in the White House. He’s also continued to serve as one of the Democratic Party’s most talented if slightly cerebral messengers, hammering Trump over his alleged abuses of power and the lagging economy, which has become one of the president’s biggest liabilities.

Schiff has done so while also defending himself against Trump’s accusations that he committed mortgage fraud on years-old loan documents; responding to the devastating wildfires that ripped through the Los Angeles region in January; visiting 25 of California’s 58 counties to meet more of his nearly 40 million constituents; grilling Trump appointees as a member of the Senate Judiciary Committee; and struggling to pass legislation as a minority member of a profoundly dysfunctional Congress that recently allowed for the longest federal government shutdown in U.S. history.

It’s been an unusual and busy freshman year, attracting sharp criticism from the White House but high praise from his allies.

“Pencil Neck Shifty Schiff clearly suffers from a severe case of Trump Derangement Syndrome that clouds his every thought,” said Abigail Jackson, a White House spokesperson. “It’s too bad for Californians that Pencil Neck is more focused on his hatred of the President than he is on the issues that matter to them.”

“He’s been great for California,” said Rep. Robert Garcia of Long Beach, ranking Democrat on the House Oversight and Government Reform Committee who endorsed Schiff’s opponent, former Rep. Katie Porter, in the Senate primary. “He’s not afraid of taking on Trump, he’s not afraid of doing tough oversight, he’s not afraid of asking questions, and it’s clear that Donald Trump is scared of Adam Schiff.”

“While he may be a freshman in the Senate,” said Sen. Alex Padilla (D-Calif.), “he’s certainly no rookie.”

Attempts to legislate

Before he became known nationally for helping to lead Trump’s first-term impeachments and investigate the Jan. 6 storming of the U.S. Capitol by Trump’s supporters, Schiff was known as a serious legislator. Since joining the Senate, he has tried to reclaim that reputation.

He has introduced bills to strengthen homes against wildfires and other natural disasters, give tax relief to Los Angeles fire victims, strengthen California’s fire-crippled insurance market, study AI’s impact on the American workforce, reinstate a national assault weapons ban and expand federal tax credits for affordable housing.

He has also introduced bills to end Trump’s tariffs, rein in the powers of the executive branch, halt the president and other elected officials from getting rich off cryptocurrencies, and end the White House-directed bombing campaign on alleged drug boats in the Caribbean.

None of that legislation has passed.

Schiff said he’s aware that putting his name on legislation might diminish its chances of gaining support, and at times he has intentionally taken a back seat on bills he’s worked on — he wouldn’t say which — to give them a better shot of advancing. But he said he also believes Democrats need to “point out what they’re for” to voters more often, and is proud to have put his name on bills that are important to him and he believes will bring down costs for Californians.

As an example, he said his recent Housing BOOM (Building Occupancy Opportunity for Millions) Act is about building “millions of new homes across America, like we did after World War II, that are affordable for working families,” and is worth pushing even if Republicans resist it.

“As we saw with the healthcare debate, when Republicans aren’t acting to bring costs down, when they’re doing things that make costs go up instead, we can force them to respond by putting forward our own proposals to move the country forward,” he said. “If Republicans continue to be tone deaf to the needs of the American people, with President Trump calling the affordability issue a hoax, then they’re gonna get the same kind of shellacking that they did in the election last month.”

Rep. Nancy Pelosi (D-San Francisco), a staunch ally, called Schiff a “legislative genius” who is “giving people hope” with his bills, which could pass if Democrats win back the House next year.

“He has a vision for our country. He has knowledge of issues par excellence from all of the years that he’s served. He’s a strategic thinker,” she said. “I wouldn’t question how he decides to take up a bill just because what’s-his-name’s in the White House.”

Mike Madrid, a Republican consultant, said Schiff’s prominent position on Trump’s enemies list of course hurts his chances of passing legislation, but the hyper-partisan nature of Congress means his chances weren’t great to begin with.

Meanwhile, being seen as working for solutions clearly serves him and his party well, Madrid said, adding, “He’s probably accomplishing more socially than he ever could legislatively.”

Criticism and praise

For months, Trump and his administration have been accusing several prominent Democrats of mortgage-related crimes. Trump has accused Schiff of mortgage fraud for claiming primary residency in both California and Maryland, which Schiff denies.

So far, nothing has come of it. Schiff said that he has not been interviewed by federal prosecutors, who are reportedly skeptical of the case, and that he doesn’t know anything about it other than that it is “a broad effort to silence and intimidate the president’s critics.”

Schiff’s supporters and other political observers in the state either ignored the issue when asked about Schiff’s first year, were dismissive of it or said they saw it as a potential asset for the senator.

“Adam Schiff is a person of great integrity, and people know that,” Pelosi said.

“Probably one of the best things that could happen to Schiff is if Trump actually goaded the [Justice Department] to charge him for mortgage fraud, and then for the case to be thrown out in court,” said Garry South, a veteran Democratic strategist — noting that is what happened with a similar case brought against New York Atty. Gen. Letitia James.

“He’s really benefited from having Trump put a target on his back,” South said. “In California, that’s not a death knell, that’s a life force.”

Sen. John Boozman (R-Ark.), who chairs the Senate Agriculture, Nutrition and Forestry Committee, which Schiff sits on, said California represents a big part of the nation’s agriculture industry and having Schiff on the committee “is a good thing not just for California, but for our overall efforts to support farmers and producers nationwide.”

“I have known Sen. Schiff since we served in the House together, and we are both committed to advocating farmers’ and rural America’s needs in a bipartisan way,” Boozman said. “We look forward to more opportunities to advance these goals together.”

Sen. Chuck Grassley (R-Iowa), who chairs the Judiciary Committee, has “a cordial, professional relationship” with Schiff, a spokesperson said.

Corrin Rankin, chairwoman of the California Republican Party, declined to comment. Riverside Sheriff Chad Bianco, the leading Republican in the race for governor, did not respond to a request for comment.

Looking ahead

What comes next for Schiff will depend in part on whether Democrats win back a majority in Congress. But people on both sides of the political aisle said they expect big things from him regardless.

Garcia said Schiff will be “at the center of holding the Trump administration accountable” no matter what happens. “Obviously, in the majority, we’re going to have the ability to subpoena, and to hold hearings, and to hold the administration accountable in a way that we don’t have now, but even in the minority, I think you see Adam’s strong voice pretty constant.”

Kevin Spillane, a veteran GOP strategist, said he doesn’t make much of Schiff’s economic messaging because voters in California know that Democrats have caused the state’s affordability crisis by raising taxes and imposing endless regulations.

But Schiff is already “the second-most important Democrat in California” after Newsom, he said, and his hammering on affordability could propel him even further if voters start to see him as working toward solutions.

Rob Stutzman, another Republican consultant, said he can see Schiff in coming years “ascend to the Feinstein role” of “the caretaker of California in the U.S. Congress” — someone with “the ability to broker deals” on hugely important issues such as water and infrastructure. But to do so, Stutzman said, Schiff “needs to extract himself from the political meme of being a Trump antagonist.”

Schiff said he knew heading to the Senate as Trump returned to the White House that he would be dividing his time “between delivering for California and fighting the worst of the Trump policies.” But his efforts to fix the economy and his efforts to resist Trump are not at odds, he said, but deeply intertwined.

“When people feel like the quality of life their parents had was better, and the future for their kids looks like it’s even more in doubt, all too many are ready to entertain any demagogue who comes along promising they alone can fix it. They start to question whether democracy really works,” he said. “So I don’t think we’re going to put our democracy on a solid footing until we have our economy on a solid footing.”

Times staff writer Ana Ceballos in Washington contributed to this report.

Jewish mothers are proud when their son or daughter become successful in sports, but then there’s the greatest honor of all: their child appearing on a matzah box.

Former Rolling Hills Prep guard Benny Gealer, a senior at Stanford averaging 10.6 points this season, is a candidate for the L’Cheisman trophy, sponsored by Manischewitz looking to honor the top Jewish college sports athletes.

Forget the $10,000 prize money. The most important reward in the mind of his mother is that the winner gets to appear on a limited-edition cover of its matzah box.

So the Gealer family is all in.

Gealer was an All-CIF guard at Rolling Hills Prep who went to Stanford as a walk-on and is now starting.

Here’s the link to vote for your favorite Jewish college sports athlete.

This is a daily look at the positive happenings in high school sports. To submit any news, please email eric.sondheimer@latimes.com.

Damascus, Syria – In the basement of a nondescript building in Damascus is the Syrian Identification Centre’s forensic laboratory with storage units full of human bones.

One cabinet is entirely dedicated to ribs. Another contains skulls.

These are only some of Syria’s missing; their disappearances remain an unresolved legacy of the dictatorship under Bashar al-Assad.

A year on from the fall of the regime in December 2024, the Identification Centre’s head, Dr Anas Hourani, has examined the only mass grave that has been fully exhumed so far.

It could take his team up to four years to identify victims from that site alone, he said.

A long, painstaking process

It’s a daunting timeline. Across Syria, there may be as many as 66 mass graves, according to the International Commission on Missing Persons.

“These missing people may be our relatives, our neighbours, our families,” Hourani said. “We must hold accountable the person who did these things.”

Forced disappearances were a hallmark of the al-Assad regime, which operated a vast prison network where detainees were tortured, killed, and many were buried in mass graves.

When the regime collapsed, many Syrians were relieved, hoping to finally get answers about their disappeared loved ones.

Prisons were swiftly opened, and about 30,000 detainees were freed.

But for people who didn’t see their loved ones emerge, a devastating realisation set in: They’re most likely dead.

Mohammad Reda Jalkhi, the head of the National Commission on Missing Persons, believes the figure may be as high as 300,000, while the UN estimates it at about 100,000.

“According to some documents, noting that they vary in authenticity, the number is between 120,000 missing persons and 300,000,” he said.

“However, I expect that in reality the number is much higher, and the number of people affected by this loss exceeds millions of Syrians.”

Waiting for a DNA lab

As a forensic odontologist, Dr Hourani studies teeth to help identify victims.

“The teeth are one of the universal indicators,” he said.

He also looks at a victim’s bone structure and the clothes they were buried in to ascertain as much information about when and how a person died.

A winter jacket, for example, suggests the person was killed in the winter.

While these techniques can narrow down clues, real forensic work is hamstrung until Syria has a DNA centre with a functioning DNA bank.

“We hope to open several centres for DNA analysis, which will help us identify individuals,” Dr Hourani said, adding that they struggle to find specialised staff.

Jalkhi acknowledges these shortcomings.

“We are trying to do everything we can regarding this file,” he told Al Jazeera.

But dealing properly with crimes of this scale “does not happen overnight”, he said.

“If we look at Bosnia and Herzegovina, after more than 30 years – and up until now – they are still looking for missing people, and the same goes for Mexico and Argentina,” Jalkhi said.

Despite this, he says he is committed to delivering results.

“Failure in the file of missing people,” he said, “means failure to maintain civil peace and therefore disaster. We do not want to return to disaster again in Syria.”

EVERYONE has heard of St Ives in Cornwall, but did you know there was another St Ives in the UK?

Around 350 miles away is the town of St Ives in Cambridgeshire.

The medieval market town lies on the Great Ouse river, with a number of pubs and shops overlooking it.

It was named one of the best places to live in the UK in 2022 by The Times,. citing it for being “all the lovelier for being off the tourist trail”.

One local told them: “As soon as the sun comes out, the river fills up with rowers and lots of the locals have boats. It’s such a lovely way of life.”

When it comes to attractions, there is the St Ives Bridge which you will spot in most pictures.

BY THE RIVERSIDE

English town called the ‘Gateway to Cornwall’ with one of UK’s best pubs

TOWN SECRET

Quaint ‘under the radar’ English town that feels like a cheaper Cotswolds

Dating back to the 15th century, it is one of the last ones of its kind in the UK, and can be crossed by foot.

At the end is the St Ives chapel too, although this isn’t always open to the public.

One of the most popular pubs on the river is The Oliver Cromwell.

And there is a street market twice a week on Mondays and Fridays as well as Farmers Market on some Saturdays.

Make sure to find time for the art at VK Gallery as well as Norris Museum, showcasing the history of the region.

There is also a Holt Island Nature Reserve to go on wildlife spotting.

There is also a rather unusual way to travel through St Ives, with the Cambridgeshire Guided Busway.

The unique transport is the largest of its kind in the world, and is a mix of a bus and a train, with the bus running on a guided track.

And if you need somewhere to crash, there are a number of amazing hotels too.

The Dolphin Hotel is on the riverbank as well, with rooms from £60 a night,

Otherwise one of the highest rated is The Golden Lion Hotel, with rooms from £109.

So make sure not to confuse the St Ives town with the Cambridgeshire town – or you face a long six hour drive.

Otherwise we’ve also explained what you can do if visiting St Ives in Cornwall.