Loughborough Lightning overcame a “tough” opening to strike down Leeds Rhinos 70-43 in round two of the Netball Super League season.

The win at Canon Medical Arena, in Sheffield, puts the visitors top of the early standings with six points from their opening games.

Speaking on Sky Sports, Lightning coach Vic Burgess, said: “I’m really happy with the scoreline, really pleased with the win today.

“It’s been great to see such a solid team performance. Everybody that took the court did exactly what we asked of them.”

From 24-23 behind, Lightning went on a scoring streak to lead 37-24 at the midway point and never looked back.

“The first quarter was tough, I’m really pleased with all of the girls’ performances,” Burgess said.

Lightning co-captain Nat Panagarry, a three-time title winner with the team, made her 200th appearance in the NSL.

In the other Friday match-up, defending champions London Pulse held off off a late charge from Dragons at the Cardiff House of Sport, triumphing 51-50 to also make it two wins from two.

The licence follows a push from US President Donald Trump to open Venezuela’s resource sector to international investment.

The United States government has authorised a limited licence for the export of Venezuelan gold, following a high-level meeting to expand mining in the country.

On Friday, a notice appeared on the US Department of the Treasury’s website announcing the licence.

It allows Venezuela’s state-run mining company Minerven and its subsidiaries to export, transport and sell Venezuelan gold to the US, within the parameters set out under US law.

Under the licence, however, no Venezuelan gold will be permitted to be exchanged with Cuba, North Korea, Iran or Russia.

The licence also requires payments to sanctioned individuals to flow through Treasury accounts known as Foreign Government Deposit Funds, the same system that has been used to store the proceeds from Venezuelan oil sales.

Minerven and other state-owned industries have faced US sanctions for years, as a penalty for the push to nationalise Venezuela’s resources under former President Hugo Chavez.

But the US has been pushing for inroads into Venezuela’s oil and mining sectors since January 3, when it launched an operation to abduct and imprison the country’s then-president, Nicolas Maduro.

The January 3 military operation has been condemned as a violation of international law, and critics argue that US President Donald Trump has since sought to exploit Venezuela’s natural resources for his country’s gain.

Trump and his allies maintain that Venezuela’s oil resources were stolen from the US, citing the expropriation of assets from US businesses in 2007.

But international law guarantees that countries have permanent sovereignty over their own natural resources, which cannot be exploited by foreign powers without consent.

So far, the government of interim Venezuelan President Delcy Rodriguez has complied with Trump’s requests to surrender oil to the US and open the country’s oil and mining sectors to foreign investment.

Just this week, Rodriguez agreed to send a mining reform law to the country’s National Assembly, following a two-day visit from Trump’s Interior Secretary Doug Burgum.

And in late January, Rodriguez signed into law a separate reform that allowed for the expansion of private investment from abroad in Venezuela’s oil sector and lowered taxes on the industry.

Venezuela’s economy has struggled under tightening US sanctions and government mismanagement, forcing millions of citizens from the South American country to flee its borders over the last decade.

Proponents of the reforms say outside investment can help revive Venezuela’s ailing economy and fund upgrades to its outdated mining infrastructure.

On Friday, Venezuela’s central bank released its first inflation statistics since November 2024, showing that inflation skyrocketed to 475 percent in 2025, when the US placed an embargo on Venezuelan oil exports.

Gold production from Venezuela in 2025 amounted to nearly 9.5 tonnes, according to the government, and the country sits on some of the largest oil deposits in the world.

Civilian onlookers out in the street filming the air-to-air engagement rapidly unfolding in the bright blue sky above them, a trail of smoke, and the low rumble of fighter jet engines. This is the latest video to have emerged from the extraordinary incident earlier this week in which a Kuwaiti Air Force F/A-18 Hornet was responsible for shooting down three U.S. Air Force F-15E Strike Eagles.

As in the previous videos of the incident and its aftermath, the usual caveats apply as to the nature of its authenticity, which remains unconfirmed. However, everything points to this being genuine, and it clearly indicates a within-visual-range air-to-air engagement, likely involving a heat-seeking AIM-9 Sidewinder series air-to-air missile.

Check the video out here:

It was initially rumored that a ground-based air defense system, such as the Patriot, which is present in Kuwait, took the F-15Es out. However, the earlier video footage of one of the jets spiraling to the ground suggested it was an air-to-air engagement, based on the damage to the aircraft.

The new video is also in line with our original assessment of the likely cause of the shootdowns, namely, tail-aspect missile shots made by smaller-yield weapons. As we noted at the time, under certain circumstances, if the Hornet employed passive heat-seeking missiles (AIM-9), the F-15E pilots may not have known they were being engaged until the weapon detonated.

The video clearly shows one of the F-15Es after being hit, with part of its rear portion burning brightly, and the same aircraft in a flat spin toward the ground. You can also see the two crew members ejecting. The F/A-18 is also seen, toward the top of the frame.

For at least part of the engagement, the F/A-18 and F-15E are clearly in the same frame and are in close proximity.

An experienced former F/A-18 pilot TWZ talked to about the event and the new video concluded that the incident is, altogether, “very strange.”

“I have genuinely no idea how someone could make this mistake,” the ex-Hornet driver continued. “Unless it’s something procedural and GCI [ground-control intercept] has messed up, talked him on, and he’s seen what he wanted to see … but even that’s bordering on implausible.”

Undoubtedly, the challenge of deconfliction of friend from foe in a very complex war zone is a significant one, as we outlined previously. At the same time, the threat from Iranian aircraft was, at the time, real. Also this week, a Qatar Emiri Air Force F-15QA shot down a pair of Iranian Su-24 Fencer strike aircraft that were inbound to attack the sprawling air base at Al Udeid.

While the cause of the friendly-fire incident remains unclear, the chance to see such an aerial engagement is remarkable in itself, especially the very rare sight of a modern fighter firing one of its air-to-air missiles in an operational context.

A video shows a U.S. Air Force F-15C Eagle fighter jet destroying a towed target at very close range with one of its Sidewinder air-to-air missiles, during a live-fire exercise over the Atlantic Ocean on December 8, 2020:

F-15 Firing Training Sidewinder NATM-9M At Drone

The same former Hornet driver also explained exactly how a short-range AIM-9 Sidewinder missile would be fired from the jet in a WVR scenario:

“You’d be in air-to-air master mode and bring up the weapon using HOTAS [‘hands on throttle and stick’ controls]. You rock a castle switch that puts you in Sidewinder mode. From there, you can select your radar scan mode, again using HOTAS. Now you have a weapon looking for an infrared signature and a radar looking for a target. In a combat mode, the radar will latch/form a track almost immediately. The weapon system then cues the Sidewinder to the radar track, and so long as it’s within the weapon’s kinematic capabilities, you’ll get a SHOOT cue. The weapon then leaves on trigger press.”

“You can also just point and shoot with a Sidewinder, but then your radar isn’t giving you any info, so you risk a shot that can’t make it.”

In such a scenario, it is conceivable that the F/A-18 pilot might have accidentally launched a missile that then found its target, the same pilot agreed, but that would not explain the three friendly-fire kills.

“Once, yes. Twice, no way. Thrice?”

It is worth bearing in mind that there have been previous incidents of friendly-fire shootdowns, even when a visual ID had been conducted. This happened in 1994, when two U.S. Air Force F-15 Eagle fighters shot down two U.S. Army UH-60 Black Hawk helicopters over Iraq, killing 26. Perhaps the Kuwaiti pilot thought they had encountered Iranian MiG-29 Fulcrum fighters, but, again, to make the same mistake three times over seems highly improbable, especially at close range.

Another fighter pilot’s analysis, seen in video below, questions whether the Kuwaiti pilot might even have gone rogue against an ally. That actually seems possible based on the evidence, but it is hard to believe.

Accident or Crime? A Kuwaiti F/A-18 Hornet Shot Down Three U.S. F-15E Strike Eagles?

Ultimately, based on the latest video and the limited reports so far, it’s still far from clear how this costly incident happened. A friendly-fire kill involving a longer-range weapon would be more believable, but the within-visual-range nature of this engagement is bizarre, to say the least.

Contact the author: thomas@thewarzone.com

Ramadan is in full swing in Los Angeles, where a community of hundreds of thousands of Muslims is observing a month dedicated to fasting, prayer, reflection and service. With the unfolding war in the Middle East, the holiday holds even more significance for locals with ties to the region.

The Islamic holiday began Feb. 17 and ends March 19, during which observers fast from dawn to sunset to foster discipline, self-control and gratitude. Observers break their daily fast with an iftar, a festive meal shared with loved ones after sunset. Many also rise before dawn for a suhoor meal.

Halal, which translates to “permissible” in Arabic, pertains to the type of meat and the way it’s prepared. Pork and its byproducts are not allowed, and a Muslim must slaughter the animal while invoking the name of Allah. The animal must also be healthy and blood should be completely drained after slaughter.

This Ramadan season, several L.A. restaurants are offering late-night hours, special iftar menus and discounts for the holiday.

“The demand for iftar and halal food is skyrocketing,” said Assad Shalhoub, a member of MENA Creator Club, a community group for Middle Eastern and North African content creators that organized an iftar gathering at West Adams’ Maydan Market. “I think a lot of people are becoming more proud of their culture and their heritage, and with that comes a lot of people seeking things like this.”

Here are eight halal restaurants to break fast and share a meal with loved ones during Ramadan.

In its second week of release, the sophomore season of “Paradise” is already at its midpoint. And it just delivered one of the season’s shocking twists with the death of — don’t worry, we won’t spoil it for you.

The post-apocalyptic drama, which dropped its fourth episode this week, has ventured outside bunker life this season as our Secret Service protagonist Xavier (Sterling K. Brown) continues his journey through Atlanta to find his wife — and now, he’s got a baby to keep safe in the process. Meanwhile, back inside the idyllic simulated town in the depths of Colorado, which anchored the first season, things have started to unravel and the fight for control intensifies. And the mastermind behind it all — Samantha “Sinatra” Redmond (Julianne Nicholson), the tech billionaire who set up the bunker town after a massive catastrophe threatened the extinction of the human race — isn’t MIA anymore. Last seen unconscious in a hospital bed after being shot, she’s awake and ready to regain order and control. Nicholson stopped by Guest Spot to talk about what she finds intriguing about her character’s motivations.

Also in this week’s Screen Gab, our recommendations include an ever timely reminder from Anthony Bourdain on the gift and privilege of discovering a new culture and engaging it without judgment, as well as a suburban noir starring a trio of TV heavyweights that spins middle-age malaise, swinging and murder into an addictive tale.

Read on. Then press play and give your thumb a break from all the fast-forwarding you did while watching the wedding episode of this season’s “Love is Blind.” See you next week.

— Yvonne Villarreal

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Recommendations from the film and TV experts at The Times

Anthony Bourdain visits Havana in 2015 for an episode of “Anthony Bourdain: Parts Unknown.”

(David Scott Holloway / CNN / Turner Entertainment)

“Anthony Bourdain: Parts Unknown” (HBO Max)

It was Bourdain’s masterpiece, the last and best of his several series, and arguably the greatest travel show ever. Bourdain will occasionally fetch up at some fancy eatery, but the heart of any cuisine is formed on the street, or in the country, or along the sea. As a story of how people live, with a good bit of historical context thrown in, the series is explicitly and implicitly political, philosophical and autobiographical; Bourdain has no time for bigots, fascists or bullies — or, one would imagine, McDonald’s cheeseburgers — but he revels in complexity and contradiction. (See Season 4, Episode 6, “Iran.”) The episode on Massachusetts encompasses clambakes and heroin. “I visited and learned to love many places not my own,” says the host, “cultures and beliefs very different from the Upper East Side of Manhattan.” They include, among many other places, Cuba, Ethiopia, Beirut, Buenos Aires, Hanoi, Sri Lanka, Puerto Rico, Scotland, Borneo, Los Angeles and Hanoi, where he sits down with then-president Barack Obama in a family-run noodle shop. Gorgeously filmed, the series can be heartbreakingly beautiful, and sometimes plain heartbreaking. There are 12 seasons running from 2014 to Bourdain’s death in 2018, and I can’t help but believe that anyone who watches them attentively will come out a better person. — Robert Lloyd

Jason Bateman, Linda Cardellini and David Harbour in “DTF St. Louis.”

(Tina Rowden / HBO)

“DTF St. Louis” (HBO Max)

The true-ish crime series about a deadly love triangle is so wonderfully twisted and unexpectedly deep, it’d be criminal to miss this dark comedy starring David Harbour, Jason Bateman and Linda Cardellini. Initially inspired by a real scandal (covered in the 2017 New Yorker article “My Dentist’s Murder Trial: Adultery, False Identities, and a Lethal Sedation”), it evolved into something else. Set in the suburbs of St. Louis, the seven-part series follows fastidious local news weatherman Clark (Bateman), the TV station’s guileless sign language interpreter Floyd (Harbour) and Floyd’s calculating wife, Carol (Cardellini), as each grapples with a middle-age identity crisis. Seeking to spice up their sex life, the men join the discreet, eponymous hook-up app, and one of them ends up dead. Solving this peculiar whodunit is anything but predictable, and the case consumes seasoned detective Homer (Richard Jenkins) as well as young crimes officer Jodie (Joy Sunday). But it’s the quest for connection among all these misfit characters, including Floyd and Carol’s troubled son Richard (Arlan Ruf ) and an unlikely hookup (Peter Sarsgaard), that makes this series so powerful. — Lorraine Ali

Guest spot

A weekly chat with actors, writers, directors and more about what they’re working on — and what they’re watching

Julianne Nicholson as Sinatra in a scene from Season 2 of “Paradise.”

(Ser Baffo / Disney)

If you see Nicholson on screen, you know things are about to get good. She consistently and compellingly delivers strong performances in some of your favorite films and TV shows, whether she’s expressing both quiet strength and palpable desperation as a mother in “Mare of Easttown” or bringing comedic pizzazz as a social media star in “Hacks.” Her latest captivating performance, in Hulu’s “Paradise,” brings power to a complicated character. She plays Samantha “Sinatra” Redmond, a deeply emotional and eerily ruthless billionaire mastermind responsible for the underground bunker city that grounds the series. Driven by the intense grief of losing a son and a desire to control her environment to protect her family, the character is faced with trying to regain order of the simulated utopia after tension and chaos erupts. Over email, Nicholson shared her thoughts on the morally ambiguous character and the Dustin Hoffman film that brings her comfort. — Yvonne Villarreal

Sinatra is not the usual “villain” in a post-apocalyptic story. Despite her approach, there is an altruistic motive, at least initially, that drives her actions. Which version of her fascinates you the most: pre-global disaster Samantha, who is trying to figure out a way to protect her remaining family, or post-apocalyptic Sinatra, who is closer to facing a reckoning in the aftermath of what she’s created?

I am especially interested in Sinatra after she wakes from the coma. Finding the balance between vulnerability and control. Taking back her power while also recognizing no amount of it or money will necessarily keep herself/her family safe. And then the idea that the bigger picture she’s been working towards the whole time may actually be coming true with the introduction of Link [Thomas Doherty], and who he may be to her, cracks her wide open.

There have been real-life assessments of the power billionaires wield and their influence in the White House — those figures are primarily men. How have those conversations shaped your performance or how you think about the power dynamics of “Paradise’s” fictional world?

I love that Dan Fogelman wrote the most powerful person in the room as a woman. Normalizing women in power can only be a good thing. Even if we don’t necessarily agree with her tactics, she sure is fun to play. I love her take no prisoners/no apologies attitude.

This season Sinatra wakes from her coma and faces a new obstacle in Jane (Nicole Brydon Bloom). What intrigues you about how they play off each other and how Sinatra is navigating the threat Jane may pose?

One of the most fun scenes to play in Season 2 was when Jane is trying to find out what Sinatra remembers of the shooting. The wonderful director, Ken Olin, really encouraged us to make a cat and mouse game of it with neither giving anything away. And I love we don’t ever find out what Sinatra remembers. I think it’s a real case of keep your friend close here. Sinatra realizes Jane is much more valuable as an ally than an adversary.

In “Paradise,” Sinatra (Julianne Nicholson), left, was last seen in a coma after being shot.

(Ser Baffo / Disney)

You delivered a brilliant performance in Season 4 of “Hacks” as TikTok sensation “Dance Mom.” What’s a memory that stands out from filming those scenes? And did you find yourself giving a dance lesson on the set of “Paradise”?

I loved every moment of working on “Hacks.” I loved having dance/choreography sessions with Cory Baker in the run up to filming and the utter absurdity of the “boofing” scene. I also almost lost it when DM was passed out on the stoop on Wisteria Lane and Jimmy [Paul W. Downs] and Kayla [Megan Stalter] come driving around in the golf cart looking for her and shouting, “Dance Mom!” That name alone is so funny to me. Alas, there were no dance lessons in “Paradise.”

What have you watched recently that you are recommending to everyone you know?

I was blown away this year by the film “Sirât.” I recommend but also warn as it is a deeply affecting, intense film and not for the faint of heart. I love its exploration of a world I know nothing about (a traveling rave culture set in Morocco), the humanity in it and the real faces and performances of the actors. [And] its originality and bravery.

What’s your go-to “comfort watch,” the movie or TV show you go back to again and again?

“Tootsie” is one of my favorite films and I can watch that any time. It’s partially nostalgic as I remember watching it in the theater when it came out and I was so taken with NYC at that time. The tall buildings, yellow cabs and hustle and bustle. It’s such a smart comedy with brilliant performances across the board, starting with Dustin Hoffman but each actor is as perfect as the next! So much heart and depth without ever taking itself too seriously. And just very, very funny.

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We’re in the early weeks of Lent, the 40 days when Christians are called to rededicate themselves to good — and the Trump administration seems to be having a good time making its war with Iran seem like a bunch of tweens playing a game of “Call of Duty.”

Where Jesus called on believers to go through life as meekly as possible, the White House keeps pumping out social media posts mixing footage of American forces blowing up the Iranian regime with everything from SpongeBob SquarePants to Iron Man to “Grand Theft Auto.” While Proverbs warned “every one that is proud in heart is an abomination to the Lord,” Secretary of Defense Pete Hegseth — who loves to flash his bad tattoos that reference the Crusades — gives superlative-drenched speeches on the supposed glories of this war that make him sound more bloodthirsty than Count Dracula.

Even though Christ mandated that people not loudly pray in public “like the hypocrites,” President Trump gladly let a gaggle of pastors lay hands over him in the Oval Office this week as one intoned God “continue to give our President the strength that he needs to lead our nation as we come back to one nation under God.”

Which God: Yahweh or Trump?

During last month’s National Prayer Breakfast, the president bragged that because of him, “religion’s back now hotter than ever before.” Perhaps the most un-Christian man to ever serve as commander in chief has continually wrapped himself in the mantle of Jesus — and too many Christians have ignored the Good Book’s repeated warnings against false prophets and cheered him on.

Flannery O’Connor could have written an entire novel on Christian hucksters just from Year One of the second coming of the Trump administration.

As the Iran war ratchets up with no end in sight, this devotion to Trump is veering into idolatry.

Pastor Greg Laurie — most famous for holding Harvest Crusade revivals in Southern California for the past generation — wrote online that Trump’s Iran campaign “is cause for us to sit up and pay attention” because he feels it lines up with End Times prophecy about the Middle East descending into war just before the Second Coming. The nonprofit Military Religious Freedom Foundation revealed it has received hundreds of complaints from troops about their superiors claiming that what’s going on is biblically ordained.

Meanwhile, South Carolina U.S. Sen. Lindsey Graham told reporters that what’s happening “is a religious war” that “will set the course of the Middle East for a thousand years” — the exact time period that the Book of Revelation stated Christ will reign until Satan returns. Some Trump supporters have even compared their savior to Cyrus the Great, the Persian king who freed the Israelites from the yolk of the Babylonians and of whom the Book of Isaiah called God’s “anointed” and would “subdue nations before him and to strip kings of their armor.”

The Bible is not all kumbaya. But from the Old Testament to the New, it consistently preaches for the faithful to humble themselves, to help the poor and downtrodden. Trump’s version of Christianity instead preaches no mercy for those against him, demands followers exalt him above everything, celebrates the gaudy instead of the godly.

This Lent is magnifying his apostasy like never before.

Defense Secretary Pete Hegseth and Chairman of the Joint Chiefs of Staff Gen. Dan Caine speak during a press briefing at the Pentagon on Wednesday in Washington.

(Konstantin Toropin / Associated Press)

It’s a time to fast from our excesses; Trump continues to push forth a White House redesign that will make the Palace of Versailles look as flashy as a mud hut. Those of us who partake in Lent are asked to repent of our sins; Trump is doubling down on them like they’re McDonald’s fries. We are supposed to reflect on our wrongdoings and ask for forgiveness from the Almighty and those we wronged — has Trump ever done that?

We’re also supposed to practice almsgiving and assist those less fortunate than ourselves as a way of honoring Christ, who pointed out that giving so it costs you is the only way to give. Trump has always brayed that he’s ultimately looking out for the common man — but instead of helping the millions of people whom his economy was already leaving behind before the Iran campaign, he’s shrugging off their woes and asking Americans to buckle up and weather price spikes and simply believe in him.

Or is that Him?

Conservative Christian leaders have continually landed on the wrong side of American history, from slavery to imperialism, Jim Crow to women’s rights. That’s why it’s not surprising — but still disappointing — that a Pew Research Center poll released earlier this year found 69% of white evangelicals think Trump has done a good job. Fifty-two percent of white Catholics feel the same, compared with just 23% of Latino Catholics, even though Pope Leo XIV has consistently decried American foreign and domestic policy.

Lent also is the time that Christians remember that the pain of Christ’s death leads to the hope that is Easter. That’s why for this Lent, may Christians repent of Trump like never before.

War has always been a time for propaganda, of demonizing the enemy and pumping up your side. It is a sad, tragic affair, with death and carnage and endless mourning. Children die. War is not a thing to be celebrated, even if it were necessary. And there’s a big if around this latest one, even if Ayatollah Ali Khamenei deserved his downfall and Iranians in their country and abroad rightfully celebrate.

But history’s greatest warriors know — to quote the conclusion of the Oscar-winning biopic “Patton” — that glory is fleeting. Trump, Hegseth and their ilk are not them. They are the men that Psalms asked God to deliver us from, the warmongers who “imagine mischiefs in their heart” and “continually” seek violence. To see how this administration and its supporters are preening right now reminds me of what Johnny Cash once sung: sooner or later, God‘s gonna cut you down.

Let’s just hope the rest of us are spared when that happens. If you pray, please do. (And not to Trump).

INDIANAPOLIS — The UCLA women’s basketball team’s tear through the Big Ten continued on Friday, as the Bruins defeated Washington 78-60 to advance to the conference tournament semifinals.

Behind 26 points from center Lauren Betts, the No. 1 seed Bruins took down No. 8 seed Huskies with an explosive second half to stay undefeated in conference play.

Washington (21-10, 11-9), which defeated No. 9 seed USC on Thursday to advance to the quarterfinal, struggled to respond to UCLA’s second-half surge and trailed by 19 in the fourth quarter.

UCLA (22-1, 19-0), the second ranked team in the nation in the Associated Press top 25 poll, started slow, missing five consecutive shots in a five-plus minute scoring drought in the first quarter. The Bruins’ six first-quarter points were a season low.

The Huskies extended a 10-point lead into the second quarter. Betts, though, kept the Bruins’ deficit from growing with 10 points in the first half, sparking a 15-2 run during the final 6:10. UCLA, which boasts the best three-point percentage in the Big Ten, didn’t make any treys in the first half and didn’t hit one until Kiki Rice’s with 5:27 left in the third quarter.

It tied for the worst three-point shooting performance from the Bruins this season (one for 10).

UCLA led 27-24 at halftime.

Washington went up briefly in the third quarter, powered by 18 points from guard Avery Howell, but the Bruins scoring finally found their rhythm shortly after. UCLA shot 54% overall from the field.

It was UCLA’s 10th consecutive win against the Huskies. It was the Bruins’ 23rd straight win overall after last losing on Nov. 26.

UCLA will face the winner of No. 4 seed Minnesota and No. 5 seed Ohio State in a Big Ten tournament semifinal on Saturday, with a berth in the Big Ten championship game on the line.

From inside Iran to the diaspora, Iranians are deeply divided about their country’s future. With Ayatollah Ali Khamenei gone and Reza Pahlavi, the son of the former shah, waiting in the wings, what do conversations about regime change reveal about the spectrum of what Iranians really think?

In this episode: 

Episode credits:

This episode was produced by Noor Wazwaz, Marcos Bartolomé, and Catherine Nouhan, with Spencer Cline, Tuleen Barakat, Maya Hamadeh, and our host, Malika Bilal. It was edited by Alexandra Locke. 

Our sound designer is Alex Roldan. Our video editors are Hisham Abu Salah and Mohannad al-Melhem. Alexandra Locke is The Take’s executive producer. 

Connect with us:

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Lionel Messi has been criticised for meeting US President Donald Trump and applauding his latest brief on the Iran war at a White House event honouring the Argentinian superstar and his Inter Miami team.

A FLIGHT attendant has opened up on secrets of the trade and revealed how you can earn brownie points in the air to score freebies.

The flight attendant, who has been serving major airlines for two decades, said it is easier than you think to win the favor of those working on planes.

Sandra White has lifted the lid on her veteran experience serving the skies.

“You draw more bees with honey,” she said, meaning rude or impatient flyers will likely not get anything for free – especially not any “off-menu” items.

She shared several tips with Shermans Travel, ranging from how to get a free drink, how to score a better seat, and how not to be the most annoying person on the plane.

“Scoring a free beer on a flight is not all that hard,” she admitted.

EYES UP HERE

Your flight attendants are on ‘crotch watch’ – how it determines plane safety

According to White, there are a few reasons why she’ll give a customer a free drink, but it all comes down to one thing: being nice – really nice.

If a plane is having mechanical problems and passengers have been sitting on the tarmac for hours – without being rude – she’ll likely comp them a drink.

“I’m sure they need it,” she said.

She noted that if a flyer happens to only have cash on them, while most airlines only accept cards, she’ll just hand you the drink.

“Basically, kindness goes a long way,” she said.

And as far as a better seat goes, politely asking if there is any availability could help you to win big.

White shared that she’s more than happy to make sure a guest is as comfortable as possible.

When it comes to seats on the plane, that typically comes down to the gate agent’s discretion – but occasionally, flight attendants will send you up to first class if there’s space, and if they ask nicely.

It is not a guarantee, but it never hurts to be friendly to the person serving you peanuts.

The worst passengers, however, are those that come onto the plane having had too much fun while in the airport.

That is, flyers who are already drunk on the flight.

“Annoying drunks” are the bane of a flight attendant’s existence, according to White, thinking their funnier than they are and ordering more drinks before beverage service has even started.

White said these flyers should not even bother getting on the plane.

“I’ve only had to cut off two people – you really don’t want to make a drunk angry at 36,000 feet,” she said.

“They might defecate on the beverage cart. Yes, this really happened to a co-worker.”

Legoland is growing up.

The Carlsbad theme park will on Friday open Lego Galaxy, a new 2.4-acre themed land that will feature its most adult-focused attraction yet in the Galacticoaster. An indoor, space-themed thrill ride, Galacticoaster is brief but impressionable, a spinning race through a darkened landscape to save a Lego-infused galaxy from an “asteroid of probable destruction.”

At 40 mph, it’s the park’s fastest ride, but coming in at about 60 seconds and focusing on banking and turning means it still has full family appeal. Expect it to serve as an introductory, big kid coaster for many. It’s infused with lighthearted humor — floating farmers and barnyard animals cruise among the stars — lending it a rather relaxed atmosphere for a save-the-world, fast-paced attraction. In other words, it’s sleek, it’s hurried and it’s cutesy.

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“My favorite is the surfing alien,” says Tom Storer, North American project director for Merlin Magic Making, the creative team behind Lego experiences. “She’s my favorite thing to see in there. It’s right after the blast. It will sneak up on you.”

The Galacticoaster is the centerpiece of Lego Galaxy, which also includes two smaller outdoor attractions, a vintage-style shoot-’em-up video game and a play area for little ones. Its part of a $90-million investment in Legoland’s California and Florida parks on behalf of parent Merlin Entertainment (an identical Galacticoaster can be found in Lego’s Florida park). Lego Galaxy hopes to draw visitors — and perhaps new audiences — by focusing on slicker, more modern technology and injecting in the park the sort of excitable ride more commonly found at Legoland’s Southern California competitors.

Storer, for instance, isn’t shy about the Galacticoaster’s inspiration.

A view of the stars and scenery that surrounds the Galacticoaster track.

(Legoland / Merlin Entertainment)

“What is the space roller coaster of 2026? Space Mountain is a classic from back in the day,” he says, referring to the Disneyland Resort staple launched in 1977. “But this is kind of the new way.”

It is faster and brighter than Space Mountain, as the Galacticoaster is heavily populated with twinkling stars, planetary projections and many a Lego brick creation. But while Space Mountain tops off at about 32 mph, it likely still has Galacticoaster beat in the intensity factor due to its lift hill, sudden dips, jolting turns and near pitch-black darkness. No matter, says Storer, as here the objective was to place guests in a welcoming adventure with plenty to look at.

“When you think of outer space, you instantly think of stars and planets,” Storer says. “We have a really cool digital planet and we have stars everywhere.”

The Galacticoaster sits four per car, loading attendees parallel in a row via a moving platform. Once seated and locked in, it nearly immediately takes off, jetting riders into a darkened hallway with white lights before injecting them into a Lego galaxy. Lego aficionados or those who grew up with the sets will likely spy many an allusion to past toys. In the ride’s queue, for instance, guests in line will walk past a wall that features a timeline of many a Lego space set. Action comes fast, but surrounds guests, as the coaster cars rotate around a hurtling asteroid.

Legoland’s new Galacticoaster is an indoor space-themed roller coaster with twinkling stars and many Lego brick projections.

(Legoland / Merlin Entertainment)

While it twists from side to side, which has drawn light comparisons to Guardians of the Galaxy: Cosmic Rewind at Walt Disney World’s Epcot, with some referring to this as sort of a starter version of that more powerful coaster, it’s a smooth and relatively unobtrusive twisting. Those prone to motion sickness — and I am one of them — likely need not be too concerned here.

While Legoland has other coasters, many are known as what Storer refers to as “pink knuckle” coasters, slang for safe for kids and families. Galacticoaster, with a minimum height requirement of 36 inches, certainly is as well, but the creative executive hopes it falls somewhere between the pink and white knuckle level of force, the latter term reserved for the most thrilling of coasters.

“We’re known for having ‘pink knuckle’ coaster, where it’s not too scary,” he says. “It’s kind of, ‘My first coaster.’ This is family-friendly. We’d never do anything that’s not family-friendly. We want to make sure our guests from 5 to 12 have lots to do, but it’s a little more punchy and has that cool launch with a space blast-off feel.”

Theme park aficionados will be keen to know that this is the first attraction in the park to feature an animatronic figure. The character of Biff Dipper, an engineer, will be found in the ride’s preshow, familiarizing guests with the story of the asteroid that spells impending doom. Stout and slightly gruff, Dipper has a digital face that can approximate more than 40 expressions. The animatronic, says Storer, was an important investment for the park, as Legoland in Lego Galaxy was cognizant of guests becoming bored in what will surely be one of the park’s longest lines this upcoming spring and summer season.

There are interactive elements throughout Lego Galaxy. In the Galacticoaster, for instance, riders will build a virtual approximation of a spaceship from a touchscreen, selecting options for wings, cannons and more. Some are militant. Others look like burgers or rainbows. There are 625 variations, and the creation will then appear at the start and finish of the attraction, injected into the ride’s projectors via a guest wristband. Legoland officials like to refer to Galacticoaster as a 10-minute experience, a time that takes in the preshow with the Dippper figure as well as the construction of the spacecraft.

The character of Biff Dipper is Legoland’s first animatronic figure. Dipper is in the preshow of the Galacticoaster.

(Legoland / Merlin Entertainment )

Elsewhere in Lego Galaxy, there’s a full video game-like experience called the Rocket Assembly Bay. Here, guests will first build their own spaceship, and then have it scanned into the game for a cooperative shoot-’em-up. Rocket Assembly Bay is good fun, and rewarding even, to see a virtual scan of a hand-built ship injected into the game, this despite that fact that the play experience is largely a modern update of old coin-op “Asteroids.”

“There’s something about the simplicity of some of the things that have been done,” Storer says.

Two other core attractions dot the land. The G-Force Test Facility is a spinner that’s pitched as an astronaut training experience. Guests with a minimum height of 40” will be elevated off the ground via vehicles situated on rotating arms. There’s plenty of swinging and rotating action in this more standard amusement park-like creation, although Storer notes that riders won’t experience any actual G-forces. Still, here’s one that those with a propensity to motion sickness may want to take a pass on.

Lego Galaxy is rounded out with a play area and the preschool-focused ride Launch & Land. For those with a minimum height of 34 inches, this is a casual, patient experience, one in which seated guests will gently lift off into the air for a slightly elevated view of the land. Nominally designed as a spaceport, Lego aliens and spaceships populate the area. Press a button near one of the ships, and initiate, for instance, an engine test.

But don’t expect anything too serious. The Galacticoaster, after all, has a farting space cow.

The BBC soap will see the Mitchell brothers reunite to film poignant scenes for Nigel Bates’ dementia storyline, with Ross Kemp reprising his role as Grant Mitchell alongside Steve McFadden

EastEnders icons the Mitchell brothers have reunited to shoot moving scenes centred around Nigel Bates’ devastating dementia storyline.

New photos reveal the returning Walford favourite Ross Kemp stepping back into the shoes of Grant Mitchell, filmed alongside Steve McFadden, who portrays Grant’s elder brother Phil, on a coastal location near Portsmouth in Sussex, as they support their longtime mate as his condition progressively worsens.

Ross, now 61, was last spotted in Albert Square this past February during the soap’s landmark 40th-anniversary celebrations, returning to stand by his on-screen sibling during a harrowing suicidal crisis. He also heroically saved former flame Sharon Watts’ life, dramatically pulling her from the flames of the burning Queen Vic.

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Now he’s made another comeback to rally around dementia-stricken Nigel, portrayed by Paul Bradley, whose well-being is rapidly declining. The brothers are captured seated on a bench in a contemplative mood, both sporting their signature leather jackets. Phil is pictured enjoying a seaside walk with Nigel as well as sharing a brew beside a beach hut, in images obtained by The Sun.

Grant makes his way back to Walford following an urgent message from his son Mark, who has recently returned to the Square and has been staying with Phil, where Nigel is currently living with his wife Julie. Witnessing Nigel’s deteriorating condition firsthand, Mark pleads with his father to visit his longtime mate before it’s too late.

Nigel’s on-screen daughter Claire (Gemma Bissix) recently returned after an 18-year absence to be at her adoptive father’s bedside in the hospital. Discussing his forthcoming return to the BBC soap, Ross commented: “I’m truly delighted to be stepping back into Grant Mitchell’s shoes and returning to EastEnders later this year.”

In Thursday’s episode (March 5), Nigel ( Paul Bradley ) was thrown a going-away party at the Vic before moving to his new care home. While he was able to smile and laugh in the pub, as those around him reminisced, he was unable to remain completely in the present and struggled with his illness.

As he hopped in a taxi, Oscar Branning (Pierre Counihan-Moullier) noted that Nigel was unlikely to ever be back to Albert Square – and fans agree. When he arrived at the care home, Nigel became agitated and then unresponsive. His behaviour was deeply distressing for Phil (Steve McFadden), who had been caring for his friend. Breaking down in tears, Phil apologised to Nigel and gave his hand a squeeze, but Nigel did not move. As such, many fans think Nigel will die soon.

“I don’t know why, but I feel maybe next week, maybe Nigel’s final week,” one wrote. “I don’t know because seeing this episode made it feel like his time is near, and it’s so devastating and heartbreaking.”

Another added that Nigel’s unresponsive behaviour made it look like he was already dead. “Very much looked like he died at the end of the episode as he didn’t react to the door slamming or the card falling.” Others shared that they thought this would become a euthanasia storyline. “I genuinely thought Phil was gonna suffocate Nigel OMG,” one wrote.

A second said: “For a minute there I thought Phil was gonna ease his pain by suffocating him by putting the jacket on him, but I’m glad it didn’t happen as it would have been even more heartbreaking.”

They later added that they loved a conversation between Yolande Trueman (Angela Wynter) and Nigel’s wife Julie Bates (Karen Henthorn) and felt this was leading towards Nigel’s death too: “I thought they were gonna go down the route of euthanasia.”

As part of Nigel’s dementia storyline, his daughter, Clare Bates (Gemma Bissix) has returned to the Square for a short stint. Clare is Nigel’s adoptive daughter. They became family in 1994 when he married her mother, and he continued to care for her after her mother died a year later.

Though Nigel and Clare both left the show shortly after, Clare made a comeback in 2008 without him, and she has made a return again. Her return was not such a happy one, as she had been estranged from her father, and he failed to recognise her for most of the episode. Eventually, Julie helped Nigel remember his daughter in a touching moment.

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WASHINGTON — President Trump said Friday that the United States would accept nothing short of Iran’s “unconditional surrender,” signaling that the possibility of regime change may be emerging as an objective as the expanding war in the Middle East entered its seventh day.

In a post on Truth Social, Trump said negotiations with Iran were off the table and that he wants to have a say on who will be Iran’s next leader once they capitulate.

“After that, and the selection of a GREAT & ACCEPTABLE Leader(s), we, and many of our wonderful and very brave allies and partners, will work tirelessly to bring Iran back from the brink of destruction, making it economically bigger, better, and stronger than ever before,” Trump wrote.

The comments mark one of the clearest indications yet that Trump is contemplating regime change inside Iran even as administration officials have said that is not a goal of the war.

Mojtaba Khamenei — the son of the former leader Ayatollah Ali Khamenei — has emerged as a leading candidate to succeed his father. But Trump has said he would be an “unacceptable” choice, and in an interview with Politico, the president said he expects his administration will “work with them to help them make the proper choice.”

The comments come as the war continued to escalate across the region, with Israeli forces carrying out attacks on targets in Tehran and in Beirut and Iranian forces launching missile and drone attacks against Israel and Gulf countries. The Israeli military also said it hit an area in Tehran where it said Iran had secretly moved some nuclear activities to underground bunkers.

As the fighting intensified, the White House paired its policy statement on the war with an unusual online messaging campaign that featured Hollywood movies and video games to promote Trump’s war efforts.

In a 31-second video posted on the official White House account on X, a series of clips featured Russell Crowe in “Gladiator,” Mel Gibson in “Braveheart” and Tom Cruise in “Top Gun” with the caption: “JUSTICE AMERICAN WAY” with an American flag and fire emojis.

Another video montage to market the administration’s efforts in Iran used clips from the video game “Grand Theft Auto” with one of its characters saying: “Oh s—, here we go again.”

The tone of the social media campaign highlights the administration’s effort to frame the conflict in dramatic and patriotic terms as questions grow about its potential human toll.

In an interview with Time, Trump once again acknowledged the possibility of U.S. casualties — not just abroad but at home.

Asked whether Americans should be worried about retaliatory attacks at home, Trump said “I guess.”

“You know, we expect some things,”Trump said. “Like I said, some people will die. When you go to war, some people will die.”

Trump’s response drew swift criticism from congressional Democrats, a majority of whom have tried to rein in Trump’s efforts through legislative action to no avail in the Republican-controlled Congress.

Sen. Chris Murphy (D-Conn.), a member of the Senate Foreign Relations Committee, was offended by the president’s “I guess” retort to the question of domestic attacks.

“You’ve got to be kidding me. We have totally unserious, completely incompetent people taking us into mindless deadly war,” Murphy said.

It is unlikely to be a closed system like UFC-style leagues, where fighters are restricted to competing only within one organisation.

Seven-division champion Amanda Serrano, MVP’s marquee name, joined some of the fighters on stage at a news conference on Friday.

When asked if MVPW could introduce its own belt in the future, Bidarian said he wanted to give fans the “best possible match-ups” and work alongside the WBA, WBC, WBO and IBF.

“We’re interested in having as many world champions as possible being a part of the MVPW brand,” he said.

“Ultimately it’s not really about sanctioning bodies, it’s about our athletes. We respect the sanctioning bodies and their process, but they need to evolve as well to allow for consistent matchmaking that is logical in terms of growing the brand and fanbase.”

MVPW3 will take place on 30 May in El Paso, Texas, with WBA lightweight champion Stephanie Han facing Holly Holm in a rematch following a technical decision in their January meeting.

MVP are looking to capitalise on proposed changes, external to the Muhammad Ali Boxing Reform Act.

UFC-style leagues have been banned in boxing because of concerns over promoters controlling sanctioning, rankings, belts and fighter management.

Proposed amendments would allow league-style formats while claiming to maintain protections for fighters – a move initiated by Dana White’s Zuffa Boxing.

March 6 (UPI) — The public funeral for the Rev. Jesse Jackson began Friday morning, with state, religious and local dignitaries attending.

Former presidents Bill Clinton, Barack Obama and Joe Biden are scheduled to attend along with former Secretary of State Hillary Clinton and First Lady Jill Biden. Illinois Gov. JB Pritzker, Chicago Mayor Brandon Johnson, U.S. Rep. Maxine Waters, D-Ill., and Chicago Cubs owner Tim Ricketts are also scheduled to attend.

Musical guests scheduled are pop singer and actor Jennifer Hudson, and gospel singers Bebe Winans and Pastor Marvin Winans.

The event, called “The People’s Celebration,” is at House of Hope, a south side venue that can hold 10,000 people.

By 8 a.m. CT Friday, thousands were waiting outside the House of Hope to pay respects to Jackson, USA Today reported.

“This is an occasion for all of us – not only the African American community, but the rest of the world, to celebrate the accomplishments of a great man,” Eric Williams, a Chicago resident and member of the House of Hope church, told USA Today. “He will be greatly missed.”

Jackson died Feb. 16 at 84 of complications from progressive supranuclear palsy.

The civil rights activist lay in state in the Capitol Rotunda in Columbia, S.C., the state where he was born, and there were public and private services held in his honor there.

A service planned for Washington, D.C., has been postponed.

“The Jackson Family looks forward to honoring Rev. Jackson’s work and life in Washington, a city that held rich friendships and deep meaning for the Reverend,” Jackson’s family said in a press release.

A video has been released showing huge explosions near Tehran’s Azadi Tower. The US and Israel are continuing to target locations across Iran as the war enters its seventh day.

The Hollywood Pantages Theatre on Thursday announced its 2026-27 season, which contains a whopping seven L.A. premieres including “Maybe Happy Ending.” The hugely buzzy show about the complicated love between two humanoid helperbots was originally developed and staged in South Korea, and won six Tony Awards last year including musical, direction (Michael Arden), leading actor (Darren Criss) and book and original score (Will Aronson and Hue Park).

An early version of the show was first staged in Seoul in 2015, seven years before the rollout of ChatGPT and the ensuing AI doomsday alarm that platform sparked about the rise of hyper-intelligent robots. It will be interesting to watch “Maybe Happy Ending’s” lead robot characters, Claire and Oliver, contemplate their existence during a time when Elon Musk says his Optimus humanoid robots will be in widespread use by the end of next year.

Five shows will be staged at the Pantages before “Maybe Happy Ending,” starting with the season-opening L.A. premiere of “Water for Elephants.” Based on Sara Gruen’s 2006 novel, this musical about the dramatic life of a traveling circus performer during the Great Depression premiered on Broadway to mixed reviews in 2024 and closed after 300 performances.

Next up: The L.A. premiere of “The Outsiders,” based on S.E. Hinton’s iconic 1967 novel about the conflict between two gangs of disaffected youth. The show opened on Broadway in 2024 and was nominated for 11 Tony Awards — it ultimately won four including for musical and direction.

After that a new revival of the beloved rock opera “The Who’s Tommy” will take to the stage. Given the show’s 30-plus-year history of destroying audiences (in a good way) with its classic rock grooves, it’s sure to remain a steadfast crowd-pleaser.

Get your dancing shoes on for the L.A. premiere of “Buena Vista Social Club,” which was co-produced by John Leguizamo and opened on Broadway last year, garnering 11 Tony nominations and five wins, including a special Tony Award for the Buena Vista Social Club band. Based on the lives of musicians in Havana from the 1950s through the 1990s, and featuring plenty of infectious Latin music presented in Spanish, the show is set to launch its North American tour in Buffalo this fall before making its way to the Pantages.

The L.A. premiere of “Operation Mincemeat: A New Musical” is up next. The World War II-themed comedy about a British plan of deception premiered on Broadway last year and was nominated for four Tonys including musical.

Rounding out the L.A. premieres are a lavish production of “The Great Gatsby” and the season closer, “Death Becomes Her,” both of which are based on hot properties with plenty of audience recognition.

If you’re looking for a classic, fear not: “Hamilton” and “The Lion King” are returning next season to do what they do best: Thrill audiences and sell out shows.

I’m Arts editor Jessica Gelt contemplating a season pass. Here’s your arts and culture news for the week.

The week ahead: A curated calendar

FRIDAY
From John Doe to Lonesome Rhodes: Anti-fascism From the Archive
A double bill of “Arch of Triumph” (1948), a tragic romance set in 1938 Paris starring Ingrid Bergman, Charles Boyer and Charles Laughton, and “Voice in the Wind” (1944), a low-budget B-movie with Francis Lederer as a persecuted Czech concert pianist, opens this short series of films that were restored by the the UCLA Film & Television Archive. The series continues with Saturday’s pairing of “The Burning Cross” (1947) and “Open Secret” (1948) and “A Face in the Crowd” (1957) on March 20.
7:30 p.m. Billy Wilder Theater, UCLA Hammer Museum, 10899 Wilshire Blvd., Westwood. cinema.ucla.edu

SATURDAY
Nuun to Midnight
A 37-film, 12-hour festival that merges music and visual arts serves as a fundraiser for curated arts presenter Middle Ear Project.
Noon-midnight. Automata Theater, 504 Chung King Road, Chinatown. automatala.org

Sarah Davachi + Robert Takahashi Novak: New Commissions
The Broad lobby’s unique characteristics will be utilized to create a deep listening experience for newly commissioned compositions by electroacoustic and minimalist organist Davachi and conceptual sound and contemporary electronic music artist Novak.
8 p.m. The Broad, 221 S. Grand Ave., downtown L.A. thebroad.org

The Great Wall of Los Angeles
Judy Baca’s iconic mural inspired Gustavo Dudamel and Gabriela Ortiz to gather composers Juhi Bansal, Nicolás Lell Benavides, Viet Cuong, Estevan Olmos, Xavier Muzik and Nina Shekhar for this salute to the city, augmented by a video installation created director Alejandro González Iñárritu and cinematographer Emmanuel “Chivo” Lubezki.
2 p.m. Walt Disney Concert Hall, 111 S. Grand Ave., downtown L.A. laphil.com

Alexander Malofeev
The young Russian pianist performs a program featuring works by Sibelius, Grieg, Rautavaara, Scriabin, Stravinsky, Arthur Lourié and Prokofiev.
7:30 p.m. Broad Stage, Santa Monica College Performing Arts Center, 1310 11th St. broadstage.org

The Opera Buffs
Emerging musical artists from Southern California perform six mini-operas.
8 p.m. Saturday and Sunday. Sierra Madre Playhouse, 87 W. Sierra Madre Blvd. sierramadreplayhouse.org

Wild Up
The orchestral collective Wild Up performs “The Odes,” a program highlighting experimentation across the ages, featuring works by French Baroque composer Jean-Féry Rebel, English dramatist Henry Purcell and Soviet modern polystylist Alfred Schnittke, as well as modern artists. The group will be joined by guest vocalist and composer Julia Holter, students from the Herb Alpert School of Music at CalArts and special guests.
8 p.m. REDCAT, 631 W. 2nd St., downtown L.A. redcat.org

TUESDAY
Beetlejuice
The Broadway musical based on Tim Burton’s 1988 horror-comedy makes a local stop on its national tour.
Through March 22. Hollywood Pantages Theatre, 6233 Hollywood Blvd. broadwayinhollywood.com

Malice: Stories of Injustice
The Odyssey, in partnering with Mar Vista Voice and West Los Respuesta Rapida, presents a program of monologues based on the true stories of families and communities impacted by ICE, with proceeds benefiting the two charities.
8 p.m. Tuesday (in English) and Wednesday (in Spanish). Odyssey Theatre, 2055 S. Sepulveda Blvd. odysseytheatre.com

The Rilke Project
Piano Spheres presents pianist Vicki Ray performing works by Bernstein, Ives and Eötvös, as well as pieces from Los Angeles-based composers Steuart Liebig, Andrew Tholl, Joseph Pereira and David Rhodes, and the poetry of Rainer Maria Rilke.
8 p.m. 2220 Arts + Archives, 2220 Beverly Blvd. pianospheres.org

Six
The national tour of the Broadway musical by Toby Marlow and Lucy Moss, a modern pop take on the sextet of women who were the wives of Henry VIII.
7:30 p.m. Tuesday-March 13; 2 p.m. Saturday. Segerstrom Center for the Arts, 300 Town Center Drive, Costa Mesa. scfta.org

THURSDAY
Turning Points
Guest conductor Dinis Sousa leads the Los Angeles Chamber Orchestra in Huang Ruo’s “Tipping Point,” Schumann’s “Violin Concerto” with solo violinist Isabelle Faust, and Mendelssohn’s “Symphony No. 4,” a.k.a. the “Italian.”
7:30 p.m. Wednesday. The Wallis, 9390 N. Santa Monica Blvd., Beverly Hills; 7:30 p.m. March 6. Colburn School, Zipper Hall, 220 S. Grand Ave., downtown L.A. laco.org

Arts anywhere

Kevin Kline and Laura Linney in the series “American Classic” on MGM+.

(David Giesbrecht/MGM+)

American Classic
The limited series (eight 30-minute episodes) stars Kevin Kline as an out-of-control Broadway star who returns to his Pennsylvania hometown. Featuring a fine supporting cast that includes Laura Linney, Jon Tenney, Tony Shalhoub and Len Cariou, Times TV critic Robert Lloyd calls the show “a love letter to theater, community and community theater.” Streaming on MGM+ (free 7-day trial available).

KUSC
Local classical music fans know very well the treasure we have in Classical KUSC, one of the few all-classical music stations left on the planet. And, indeed, people from all over the world listen online. But what if you’re just “classical curious” and don’t know where to start? With round-the-clock programming, multiple specialized streaming channels devoted to movie scores, seasonal sounds and more, plus live concerts and knowledgeable hosts, this is the place for enjoyment, enlightenment and education. And remember, it’s listener-supported! If you can afford to give, please do. Listen at 98.7 FM and stream at kusc.org

The jacket of the book “True Color” by Kory Stamper.

(Knopf)

True Color
Kory Stamper chronicles the life of I. H. Godlove, an eccentric scientist who infused the midcentury Merriam-Webster dictionary with a shockingly kaleidoscopic array of colors using only words. The worlds of color science, color psychology and color production provide a vivid backdrop for a journey across the 20th century. Knopf (March 31 release): 320 pp. $32

Culture news and the SoCal scene

People gather outside for pre-show drinks before Public Assembly theater’s show at the Women’s Twentieth Century Club on Thursday, Jan. 29, 2026, in Los Angeles.

(Carlin Stiehl / For The Times)

The roving company Public Assembly Theatre, which develops three one-act plays monthly in unconventional L.A. spaces, got an up-close look via a fascinating story by freelancer Emma Madden. Madden spent the better part of a month tracking the development process, read-throughs and final show, and tells the story of a tiny company that is making major waves with a Hollywood-weary crowd.

Freelancer Solvej Schou tells the difficult but ultimately uplifting story of an Altadena shop owner who closed twice during the last year: Once because of the Eaton fire, and again because of heavy flooding the following year. In the wake of all the trauma, the owner, Adriana Molina, hired a local muralist to paint a colorful outdoor mural of Altadena as a way to boost morale in the neighborhood.

Dalia Stasevska, a Ukranian-born conductor who is making her L.A. Opera debut with Philip Glass’ “Akhnaten,” poses for a portrait at the Dorothy Chandler Pavilion.

(David Butow / For the Times)

The Ukrainian-born conductor Dalia Stasevska made her L.A. Opera debut last weekend, conducting Philip Glass’ opera “Akhnaten,” which runs through late March. Times freelancer Tim Greiving sat down with Stasevska to write an in-depth profile that delves into her early love of opera and classical music as well as her efforts to raise money for humanitarian aid in Ukraine.

Malia Mendez got the skinny on a Christie’s auction in New York that features the $1-billion guitar collection of the late businessman Jim Irsay. Items on the block included Kurt Cobain’s 1969 Fender Mustang and the Beatles drum head from the band’s legendary appearance on “The Ed Sullivan show.”

Artist Ulysses Jenkins is photographed at his studio in Inglewood on Tuesday, March 8, 2022.

(Christina House/Los Angeles Times)

Mendez also penned a lovely obituary for Ulysses Jenkins, a pioneer of Black experimental video who died last month at the age of 79.

Chiura Obata, “Full Moon, Pasadena, California,” (1930) Verso, Asian American art

(The Huntington Library, Art Museum, and Botanical Gardens, Gift of the Obata Family)

The new theme for the fourth edition of the Getty’s PST ART has been announced. The 2030 survey will explore “the artistic and cultural exchange between Los Angeles and the Pacific Rim,” according to a news release. PST ART launched in 2011 and has since established itself as one of the region’s most timely and expansive art showcases — with participation from every corner of Southern California.

“PST ART is now an established and central part of Southern California’s cultural landscape, with each edition exploring key aspects of our past, present, and possible futures,” said Katherine E. Fleming, president and CEO of the J. Paul Getty Trust, in a statement. “With our large diasporic communities from around the Pacific Rim, Los Angeles is the perfect place to explore the far-reaching and varied impact of transpacific culture.”

— Jessica Gelt

And last but not least

Who doesn’t love a good breakfast sandwich? I’m resurfacing this list of where to find the best in the city. You’re welcome.

MADISON, Wis. — A Wisconsin man who allegedly told police he tried to set fire to a Republican congressman’s office last year because he was angry that the lawmaker backed a bill requiring TikTok’s Chinese owner to sell off its U.S. operations was sentenced Thursday to seven years in prison.

In addition to the prison time, Fond du Lac County Circuit Judge Tricia Walker sentenced 20-year-old Caiden Stachowicz to seven years of extended supervision, court records show.

Stachowicz, of Menasha, pleaded no contest to an arson charge in November. Prosecutors dropped burglary and property damage counts in exchange for Stachowicz’s no contest plea, which isn’t an admission of guilt but is treated as such for the purposes of sentencing.

According to a criminal complaint, a police officer responded to a fire outside Republican U.S. Rep. Glenn Grothman’s office in Fond du Lac, about 55 miles northwest of Milwaukee, at around 1 a.m. on Jan. 19, 2025, and saw Stachowicz standing nearby.

He told the officer that he started the fire because he doesn’t like Grothman, according to the complaint. He initially planned to break into the office and start the fire inside. But he couldn’t break the window, so he poured gas on an electrical box behind the building and around the front of the building, lit a match and watched it burn, according to the complaint.

He said he wanted to burn down the office because the federal government was shutting down TikTok in violation of his constitutional rights and peace was no longer an option, the complaint states. He added that Grothman voted for the shutdown, but he didn’t want to hurt Grothman or anyone else.

Grothman voted for a bill in April 2024 that required TikTok’s China-based company, ByteDance, to sell its U.S. operation. The deadline was Jan. 19, 2025, but President Trump has issued multiple executive orders prolonging it. TikTok finalized a deal two months ago to create an American version of the social video platform. Trump praised the deal.

Danielle Gorsuch, one of Stachowicz’s attorneys, told the Associated Press after the sentencing that the incident was the culmination of a mental health crisis for her client and stressed that no one was hurt.

“Caden took every caution to make sure no one was present in the building at the time of the incident, as he only wanted to hurt himself,” Gorsuch said. “He took responsibility from night one.”

A spokesperson for Grothman’s congressional office didn’t immediately respond to a message seeking comment.

Richmond writes for the Associated Press.

Scotland last appeared at a major tournament in 2019 when they played at the Women’s World Cup in France and are aiming to take another step towards a return to the finals by defeating Luxembourg at Hampden on Saturday night (17:00 GMT), a game live on BBC Alba.

As a veteran of the 2019 campaign, Cuthbert hopes that the past experiences of the team can help them prepare for their current challenge.

“Everybody knows what it means to get to a World Cup being a Scotland player,” she said.

“But I think it’s important not to dwell too much because we’ve had good campaigns, bad campaigns. We want to now focus forward.

“We’ve got a new group here, a new manager, but of course. I think it’s important to instil the highs and lows of a campaign.”

Cuthbert knows that the qualities the squad have developed over their previous campaigns will be key if the side want to reach the finals in Brazil next year.

She said: “I think that’s the important part, is the resilience that it’s going to take over the course of a campaign to qualify.”

March 6 (UPI) — Former Justice Department official Lindsey Halligan is under investigation by the Florida Bar Association for her time trying to prosecute President Donald Trump‘s enemies while acting as a U.S. attorney.

Halligan, Trump’s former personal attorney, brought cases against former FBI Director James Comey and New York Attorney General Letitia James, both of which failed. On Nov. 24, U.S. District Judge Cameron Currie in South Carolina dismissed both cases and ruled that Attorney General Pam Bondi‘s installation of Halligan as interim U.S. attorney was invalid. But Halligan continued to work as a U.S. attorney in the Justice Department.

In January, Halligan stepped down from the position after a U.S. District Judge David Novak ordered her to stop “masquerading as a U.S. attorney in Virginia.

The Florida bar, of which Halligan is a member, sent a letter to the nonprofit Campaign for Accountability acknowledging the investigation.

The Campaign for Accountability had requested disciplinary proceedings against Halligan over her conduct while acting as a U.S. attorney in the cases against Comey and James. It sent a similar request to the Virginia bar about Halligan, who worked as an insurance lawyer in Florida before Trump’s second administration.

“We already have an investigation pending,” the Florida bar said in its letter, which was also sent to Halligan, according to a copy reviewed by The Washington Post.

If the Florida bar determines that she acted improperly, she could be disbarred in the state.

The Department of Justice on Wednesday proposed a change to federal regulations for state bar investigations of its attorneys. The proposal was posted to the Federal Register and said, “Before a current or former Department lawyer may participate in any investigative steps initiated by the bar disciplinary authority … in response to allegations that a current or former Department attorney violated an ethics rule while engaging in that attorney’s federal duties, the Department will have the right to review the allegations in the first instance and shall request that the bar disciplinary authority suspend any parallel investigations until the completion of the Department’s review.”

The rule change is necessary because “over the past several years, political activists have weaponized the bar complaint and investigation process,” the memo said.

Halligan, who had no previous trial experience, was appointed to replace Erik Siebert, who resigned the position in September amid concerns he would be forced out for failing to prosecute James.

Interim U.S. attorneys can only stay in their positions for 120 days, and Siebert had already exceeded his time without confirmation.