This article contains spoilers from Season 5, Vol. 2, of “Stranger Things.”

What could be more gulp-inducing than trying to defeat a nightmarish vine-covered villain and wipe out an eerie and horror-filled alternate dimension? Maybe writing a satisfying conclusion to a mega-popular TV show built on that idea.

Ross and Matt Duffer, the sibling masterminds behind Netflix’s “Stranger Things,” are closer to finding out if they’ve achieved that in the eyes of the show’s fans. On this morning in early December, the duo are in their own alternate dimension limbo with the show’s final season release — Vol. 1 is out and they’re bracing for impact with Vol. 2.

“The day that [Vol. 1] was released, I paced around all day,” Matt says. “I did absolutely nothing, just waiting for reactions to come in and reviews to come in because you really never know how people are going to react. There’s pros and cons to the show growing in size in the way it did — people just take it apart to an insane degree. It’s scary, always scary. You never really get used to it.”

But the self-doubt keeps them sharp, he says. “It forces you to not get lazy.”

“It’s a balance between feeling very confident, then it swings to being very insecure about it — and it’s hard to keep sight,” Ross adds. “You watch these episodes dozens and dozens of times over and over again. And the strange thing about this show is that a very small group of people had seen the episodes, a really small circle, then suddenly you’re just blasting it out to millions of people all at the same time.”

The pair are sitting on a couch in the office they share — “E.T.,” “Alien” and “Batman Returns” posters adorn the walls — at their facilities, Upside Down Productions, in Los Angeles. While they were able to revel in fan reaction for a few days after the release of Vol. 1, they’re back in work mode. At this point, they still have to finalize sound and color, as well as some visual effects, on the series finale.

“Very boring visual effects,” Matt quips. “If I have to look at one more shot of spores and fog, I’m going to lose my mind.”

Nancy Wheeler (Natalia Dyer), Jonathan Byers (Charlie Heaton), Steve Harrington (Joe Keery) and Dustin Henderson (Gaten Matarazzo) in Season 5 of “Stranger Things.”

(Netflix)

For now, the drip-drop release around the year-end holidays continues, with Vol. 2 (Episodes 5 through 7) now streaming. The episodes contain some of the season’s bigger emotional beats, including one of TV’s most amicable breakups between teenagers, a mended friendship and a character finally living his true self openly. The Duffers discussed that and more in this edited conversation.

Let’s start with those final 10 minutes of Episode 7. Will [Noah Schnapp] shares a part of himself that he’s kept secret for a long time. He realizes that if he wants to be successful in defeating Vecna, he can’t feel afraid about this part of myself. How did you decide Will’s coming out would be revealed?

Matt: It’s something that we’ve been planning to do for a really long time. Initially, it was planned for Season 4, and we just felt it was unearned by the end of it. We wrote that scene with him in the back of the van and him talking to Jonathan [Charlie Heaton]. But I like the idea of Will slowly building to this moment. He has a breakthrough in Episode 4 in a major way, but he has this one final step to take in order to really unlock his full potential. Something we really wanted to do with the show is tie his emotional growth with these powers that he’s developed.

Ross: Putting it at the penultimate [episode] ultimately made sense because what we’re trying to do with the second volume is get our characters in a place where they all felt confident in themselves. Will being one of the major character arcs that carries through the season, but also with Dustin [Gaten Matarazzo] and Steve [Joe Keery] and Nancy [Natalia Dyer] and Jonathan — we wanted to get people, before they go into this final battle, having dealt with their internal fears and doubts.

Matt: Because that’s what Vecna weaponizes against you. If you don’t have that self-hatred or self-doubt or those insecurities, then he can’t hurt you. When Will purges himself of that, he becomes unstoppable — or that’s the hope.

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1. Noah Schnapp as Will Byers, the show’s central character. 2. With his mother, Joyce (Winona Ryder). In Season 5, Vol. 2, Will comes out to her and his friends. “It’s something that we’ve been planning to do for a really long time,” says creator Matt Duffer. (Netflix)

What did you want that moment to be? What didn’t you want it to be?

Ross: We were nervous about it because you want to get it right, particularly working with Noah, who had recently come out himself. When he read it and we got his blessing, we felt really, really good about it. For us, it clicked writing it when we started talking about, “What are Will’s actual fears here in the future?” When the show really works for us is when we can combine both our mythology and the supernatural with the emotional. In this case, it’s going: Vecna is taking these fears and weaponizing them against Will, so Will actually talking to the group about these fears, as opposed to keeping them to himself — that’s when the scene really clicked.

The original plan was for him to come out to Joyce [Winona Ryder], and we started writing it and it felt really wrong because if he’s really going to be confronting these fears, he has to open up to to his friends as well. Once we did that, and we put the group in there, and we had him talk about what he saw in his future, that’s when the scene felt, as a coming-out scene, like something very unique to this show.

Matt: It’s the scene we spent the longest on this season because we were so anxious about it and getting it right. It was the most important scene of the season. I can’t emphasize enough how much the actors influence the characters, and their journeys as people really feed into what we’re writing and how we write those characters. You’re trying to channel Noah and what he went through and his growth, which we’ve watched as a person, as he’s found himself. Most of what is in the show is the first take, the first close-up that we did of Noah. It was incredible to watch because it’s one of those moments where Noah was not acting. Those words were real that he was saying. It was very emotional. It felt so real to Noah, so truthful to him. Hopefully the scene feels like that to other people because a lot of kids are watching. You feel a certain responsibility, especially with scenes like that. You can’t be careless about it.

Shipping is a hallmark in every fandom. There’s a moment where Will mentions a crush he’s harbored. He doesn’t directly state it’s Mike, but Mike knows. The viewer knows. How would you describe their dynamic?

Ross: There is a lot of shipping that’s going on with this show. In terms of all the relationships — this goes with the Will storyline, it goes with Jonathan and Nancy — for us and the writers, what’s interesting is not who ends up with who. What’s interesting to us is, how are our characters growing as people? And most of the time, the answer to that is them finding strength within themselves as opposed to finding strength with someone else. When we were talking about Will, those are the conversations that we have. How do we get Will in a place that he feels confident and strong? And that, ultimately, is him confronting these fears and exposing himself to everyone, including Mike.

Matt: When we were growing up, shipping was not a thing. This is a new thing and it gets intense. Part of me likes it because it shows how passionate people are for the show. I don’t mind people interpreting things however they want. Obviously, Ross and I have what we intended. Ross touched on it thematically — in [Episode] 4, when Will finds his power, what we were intending was not that his love for Mike gives him these powers, but his love for himself and tapping back into how he felt when he was younger — that was the key to unlocking his full potential.

Ross: It’s more of an important message to put out to younger viewers. When I’m thinking about my younger self and our struggle growing up, to put out a message that’s “It’ll all be right if this secret crush you have works out” versus “You don’t need that.” Even if it disappoints some people, it’s the more important message to put out into the world.

Matt: Not one crush of mine worked out. It hurts you, though, right? If you feel feelings and it’s unrequited, it feels like an attack on you or makes you feel unwanted. So much of the show is two things: just our love for the supernatural in the movies that we grew up on, and the other part of it is dealing with all the feelings that we had growing up. The best thing for me in the world is when younger people come up to us, the very few that recognize us, and tell us how it helped help them through a difficult time in their lives. Even Robin’s speech to Will, giving him the confidence to come out, that makes it all worth it.

“To write them being back together and friends again was just such a relief,” says Ross Duffer of Dustin, left, and Steve.

(Netflix)

I want to move on to Dustin and Steve. The strain on their relationship comes to a head in these episodes, but also reaches a reconciliation. That moment between them on the collapsing stairwell —

Matt: It’s a very short moment, but incredibly emotional. We were really moved by Gaten and Joe’s performance. It wasn’t hard for them to get into that spot. They’re very close, they have a very sweet friendship that’s not entirely dissimilar from their friendship on the show. The one frustrating thing about the show being split in the way it is, is we didn’t put out a season of the show in Volume 1 — that’s half of a show. I’m excited for people to see Volume 2, mostly for the Steve-Dustin resolution.

Ross: It was hard even writing it, keeping them apart. We felt it was right, emotionally, but to write them being back together and friends again was just such a relief because we’ve missed them, and hopefully the audience has too.

And I love that Steve gets to have his a-ha moment where he comes up with what may be the plan that ends all this.

Ross: It’s funny, we’ve joked about this; he’s very convenient for us as writers because he’s always confused. He doesn’t know what’s going on. Dustin dings him for that in Episode 5, and it was so satisfying to have Steve come up with the final plan, or the linchpin for the final plan. That was such a thrill to write to finally give Steve a moment because the brainstorming almost always goes to Dustin.

Nancy and Jonathan, at one point, are bracing for imminent death and find themselves having this touching and tender moment, sharing confessions and hard truths. What was the lay of conversation for what you wanted from that moment — there’s the acknowledgment of their trauma bond and a slightly romantic unproposal?

Matt: It’s not dissimilar, in some ways, to the Mike-Will stuff. These are people who do love each other very much; it’s just a question of, “What does that mean? What does the future look like for them?” Whenever we talked about Jonathan-Nancy — there’s got to be this feeling that they feel like they must be together because of what they’ve been through, and how could you ever connect with somebody else who hadn’t been through the same thing? But are they right, in the long run, for each other? We wanted to express that as best as we can.

Ross: It was a challenging idea. We’ve been building to it, but to get it across in five-ish minutes, it’s a complicated thing. It’s not just a soap opera where it’s shipping and who’s going to end up with who. I’ve been through experiences similar to this, when you’re with someone for a very long time, you grow so close and you go through so many things together, and it reaches a point where you go, “Well, how could someone else understand?” But at the same time, is that suffocating to your own self-growth? So when we were talking about Nancy and Jonathan, and where do they go from here, it felt like for Nancy to really grow, it’s not about Steve, it’s not about Jonathan, it’s about giving herself the space.

Matt: And for Jonathan. They both felt the same way, they just weren’t expressing it. Especially when you’re young, you have trouble understanding or expressing those feelings. We wanted to put them in a life-or-death situation where it’s their last opportunity to confess. The reference for that scene was “Almost Famous,” when the plane’s about to crash and everybody, in the moment of near-death, tells everybody everything. And then the plane doesn’t crash and it’s awkward. This is the opposite.

Matt, left, and Ross Duffer are closer to releasing the “Stranger Things” series finale. Is it a happy ending? “Even in victory, it’s not confetti and dance parties,” Ross says.

(Jason Armond / Los Angeles Times)

To return to this idea of the characters wrestling with what life looks like after this is over, if it’s ever over — is a happy or triumphant ending possible? Do you even think of it in those terms?

Matt: It’s weird because we didn’t realize until we had finished writing it, how much was a reflection on the show itself. Everybody had a tricky year emotionally; it was a real roller-coaster in terms of dealing with the fact that something we had been putting everything into for 10 years was coming to an end. Ultimately, the show is more about childhood, coming of age and leaving that behind for a new part of your life. It’s not really a question of a happy ending versus a not-happy ending. It’s just a question of capturing what it feels like to move on. It’s a bittersweet thing, but I think it’s something that everybody goes through.

Ross: Even in victory, it’s not confetti and dance parties. It’s a little more complicated than that. I remember “Lord of the Rings,” reading it and watching the films as a kid — there’s that moment when they’re just back in the Shire, and there’s bit of like, “How can you understand? And how do you move on from this?” I remember at the time, when I was younger, feeling a bit of disappointment. I was like, “Can’t they just come back and everyone just celebrate and there’s a party and then we fade out?” But watching it older now, there’s something so much more resonant about it. That’s why we talk so much over the course of this season about “Even if we are able to defeat Vecna, what does that look like for all of us?” Because this Vecna and the evil in the Upside Down brought all these people together.

Matt: In terms of the parallels to the show ending, that’s really a complicated and confusing mix of emotions. Everybody’s sad to move on, but then there’s that sense that you have to move on. We try to capture that feeling.

I need you to tell me what the workflow is like on a show like this. It’s lore, science and nerd-heavy. What are the checks and balances of making sure you’re not messing things up?

Matt: The challenge, especially as the lore and mythology has gotten too complicated, is to ensure that it’s not weighing down the show and that there’s enough room for the characters. That is more important than anything. What we’ve been trying to do as much as possible with this season, because there is so much mythology, is tie it into characters and their growth.

Ross: For instance, the Jonathan-Nancy scene — the melting lab was not an idea we had and then thought, “Oh, we could put Jonathan and Nancy in the situation.” We know we want this conversation with Jonathan and Nancy. How do we get there? Then going, “Oh, what if the dark matter makes the lab unstable?” Most of the time, you’re starting character first, and then we’re adjusting the mythology in order to make those character moments work.

Matt: But also, a melting lab is cool! Everybody was super enthusiastic about that — Netflix, our production designer.

Ross: Other dimensions, everyone was fine with the wormholes. But when we suddenly go, “The lab is going to melt,” everyone was like, “Excuse me?” No one knew how to do it.

Matt: We had to fight for that melting lab, from a production and cost standpoint.

I thought we were going to have a “Titanic” situation.

Ross: Oh, “Titanic” was a reference. But we wanted them both on the table.

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1. Max Mayfield (Sadie Sink), left, and Holly Wheeler (Nell Fisher). 2. Jamie Campbell Bower as Vecna. (Netflix)

There’s a massive culture of forecasting and dissecting — it can be overwhelming to me as a viewer because I feel like I’m not watching closely enough. But I also love seeing how people interpret things.

Ross: Especially with the superfans, the tiniest of detail is picked up on. I think it’s fun for them because they’re rewatching this over and over again, so every little minute thing is seen as something significant even when that wasn’t our intention — not that we don’t plant things for later and do Easter eggs, but 99.9% of the writers’ room is just talking about these characters in the story they’re on. That is hopefully how you’re going to be watching the show because it can get overwhelming when you see this stuff online. But at the end of the day, we’re having people engage with a long-form story, so it makes us generally happy.

Matt: But you hit on something important, which is everybody experiences the show very differently. Sometimes I go, “What show are you watching?” Whatever show they’re watching is a completely different show than the show we thought we wrote. Then sometimes, some are on exactly our wavelength. And you see this with debates over the season. Season 3 is either the best season ever or the worst season ever. This is why you can’t write to fans, because which fan are you writing to? It would be impossible. Ross and I just try to write what we think is cool and what our writers think is cool.

There are so many theories out there about how the show is ending. Has there been one where the person got it or close to it?

Ross: I remember Season 4 someone early, very early, before we’d even released it, had figured out the Henry-Vecna-One thing, which was pretty impressive. This season, though, I have not seen anyone get the ending correct, which is, hopefully, a good thing.

Matt: I think it’s good. We’ll find out. I like that the ending is not obvious to people.

My understanding is the final scene of the series is one you’ve had in mind for about seven or so years. In the end, did you reach it the way you thought you would?

Matt: Yes. The show changed a lot in the course of seven years, so aspects of it certainly changed. But I think the fundamental state, more or less, the scene is what we always thought it was going to be.

Ross: I would say there was a key idea that we came up with, breaking [Season] 5, that wasn’t in there seven years ago. There was one element that we changed, but generally it is what we always hoped it would be. After the finale is out, we’ll be happy to tell you.

Matt: It didn’t change the scene, it just added something that I think was really important.

You spoke earlier about the circle of people that you share episodes with. How do you know you’re on the right path?

Ross: It’s such a small group. It really comes down to just our group of writers. What I love about our writers’ room is, even with Matt and I, people are very happy to tell us that an idea is not working. It’s usually everyone building off of each other, and then someone synthesizes those ideas, pitches it out to the room, and you feel this collective relief and excitement within that room. And when that happens, we go, “That’s it. That’s the idea.”

Matt: This is how we’ve always worked, once the draft is written, Ross and I will do multiple passes to the point where we’re really happy and confident. We don’t like turning in anything even remotely rough to Netflix. But the final episode, that was actually weird. We didn’t get any notes from Netflix or the producers. It is that first draft that we turned in. We did multiple drafts of it, but once we turned it in, that was it.

Were you on time with that draft?

Matt: We’re never on time, as you can tell with the gaps between seasons. Ross and I are not the fast. We were actually writing it in the midst of shooting, which was not a great idea. But Ross and I do the best work when we have a gun to our heads.

Ross: There’s not a single finale of the show that wasn’t written in the midst of production, but we like it because it allows us to get a sense of what the season is, what’s working, how the actors are performing, and we can really write to that. If you look at our season finales, generally, they’re some of our better episodes, part of it because the story is culminating, but also because we’ve learned over the course of the season what this season really is, what is really clicking. Then you can lean into that.

Matt: The only weird thing to have is because we were behind, and this has never happened before, is the Holly sequences that are in Henry’s mind, that’s in summer, so we couldn’t wait to shoot those. We were shooting any scene in the woods with Holly before the script was done. That was odd because we were handing actors scripts and scenes when they hadn’t even finished the episode. But it worked out quite well.

But now, I don’t know if it’s because of us, but Netflix won’t start shooting a season of anything until all the scripts are written. I do think they’re missing out on something because … like the sense of discovery that it allows. That’s the nerve-racking thing to me about doing a movie next, is we won’t have that ability to have it evolve.

What was the reaction at the table read for the series finale that stood out to you?

Matt: As nervous as we are of how the audience is going to react, it will never match the nerves we had in terms of how the actors were going to react to it. They’ve been in it with us since the beginning and they’re so invested in these characters. I think everybody was crying. Noah started crying first, then it just spread from there.

How do you feel you’ve changed since starting the show?

Matt: It’s hard to know. You have to try to remember back to how we were 10 years ago. We were really green. We had only directed one movie before. And we never directed television before. We’ve become, hopefully, better leaders and more confident and better at communicating. Ross and I, because we’re twins, we were really good at communicating with each other, but not with other people, and I think we’ve gotten a lot better at working with a large group of people, and hopefully we’ve evolved as as filmmakers.

Ross: There was a lot of fear making that first season. It was almost out of panic and fear both, if we get this wrong — our first movie was a failure — if we mess up, we’ll never be able to tell a story again. And the lack of experience, especially in terms of production. Production was scary because our production on the movie was such a challenge and it was a traumatic experience. Now, we know so much more. We keep making it hard for ourselves because we keep raising the bar in terms of the scale of the production [and] the number of people we’re hiring. But at this point, we can walk into a set, we’re much more flexible now if actors are coming in with ideas that are different from what we had planned, there’s a lot more ability to explore.

Caleb McLaughlin, left, Finn Wolfhard, Millie Bobby Brown and Gaten Matarazzo when they were much younger in “Stranger Things.”

(Netflix)

To expand on the learning curve, there was a recent report that said Millie Bobby Brown had filed a complaint of bullying and harassment against David Harbour. As first-time showrunners, how was it helming a show with young actors and figuring out how to balance the responsibility of making sure they feel safe and cared for on set?

Matt: Ross and I just love working with kids, and it was fun this season to go back to that, in terms of bringing in a new generation of kids. Mostly what we try to do is treat them respectfully and listen to them and listen to their ideas. I think you just get so much better work out of them that way. We’ve become very close because we got to know them when they were really young. It feels less parental and more like an older brother situation, and we try to make it very relaxed so they’re not nervous around us, and they certainly are not. I think what’s been challenging, and mostly challenging for the kids, who are no longer kids anymore, is when the show became bigger and [dealing with] social media. I think if something’s been damaging, it’s social media. I saw it happening with Jake [Connelly], who plays Derek this year.

Ross: And Nell [Fisher, who plays Holly], as well. That is something you feel more helpless about. But what has been beneficial for them, for Jake and Nell, [is] the kids that have been through it can help them through this more. Millie’s been through it. Finn’s been through it.

Matt: That’s the thing — yes, they have us, but they also have each other to get through this. I always think that that’s the key in terms of how they all turned out as grounded as they are. We were with all of them on this press tour, and I’m constantly impressed by how level-headed and grounded they are, and how ego-less they are; that they’re not broken by what they’ve been through. It’s been great with Jake to see it completely turn around. But that doesn’t excuse what people were doing before. It’s disgusting. I wish they had gone through this without social media.

A big talking point in Hollywood right now has been the bidding war for Warner Bros. Discovery. You have forged relationships with both Paramount and Netflix, the companies vying for it. How are you feeling about this moment and where things seem to be headed?

Matt: It’s just so hard to know what things are going to be like. It’s hard to say anything right now. Ross and I have been pretty open about wanting to make sure that the theatrical experience is preserved. For as long as stories have been told, it’s often in front of a group. There’s something about the communal experience and I just don’t want people being isolated. But as long as things are getting in theaters, I think it’s going to be OK. I’m trying to be optimistic about it.

Ross: I think the two fears are, with whatever happens, is you want to try to protect theatrical, which is in not the best state right now. And if you keep shrinking these windows, it just continues to de-incentivize people to go to the theater. That is not something we want to see. It’s a reason why we’re making a movie for theaters next; we believe in it and want to fight for it. The other is you need competition for artists because that’s the whole reason “Stranger Things” exists in the first place. If it’s too much consolidation, then shows like this are just going to become increasingly extinct.

Was it an easy sell, getting Netflix on board with releasing the series finale in theaters?

Matt: Yeah, actually. This is where the internet can frustrate me because something starts as a rumor and then goes around, then it’s fact. We pitched the idea to Netflix marketing — it was mine and Ross’ idea, then [Chief Content Officer Bela Bajaria] called us — it was only about five days [later] and [she] said, “Yeah, let’s do it.” We’re really grateful for them for supporting us. I cannot wait to go sneak into some theaters and watch it.

Ross: We’re definitely gonna go.

A man has been slammed for “bullying” a solo female traveller into swapping seats on a plane believing she’d be an “easy target”, and people have been left floored by the incident

When it comes to travelling on a long-haul flight, most people make sure to prebook their preferred seat for extra comfort on the journey. However, others risk it and board without paying extra to secure one of the best seats.

That’s exactly what one man decided to do when flying 40,000 ft above, but now he has been slammed for his “entitled” actions. Taking to Reddit, a dad explained: “My daughter recently took her first solo overnight international flight on a Delta A350 in a 2-4-2 Premium Select cabin. I used miles to book her an aisle seat in the two-seat section. The man in the window seat next to her asked if she would switch seats with his wife, who was seated in the middle four.

“After some persistence, she eventually agreed just to get him to stop asking. After swapping, she discovered the other person in the middle four was also a solo traveller.”

The solo traveller shared her experience with others, and every person she spoke to agreed she should have stayed put and refused the swap.

Disappointed she gave in to the “entitled” man, but pleased she travelled to her destination safely, the dad added: “Everyone she’s told this story to has pointed out – correctly – that if sitting next to his wife was that important, he should have swapped seats with the solo traveller in the middle four, not asked her to give up her seat.

“She said it ended up being fine because the people seated next to her were nice and entertaining. I told her the etiquette advice she received is absolutely right, and it was her seat to do with as she pleased but, if I’m paying for her ticket, she better not swap into a lower cabin.”

Commenting on her post, one user said: “Ugh, the entitlement these days is infuriating! Glad her neighbours ended up being nice but hate to hear that she felt she had to eventually agree because he kept asking!

“Make sure she knows for next time that it’s also polite to say ‘no and please don’t ask me again’ or just let the flight attendant know and deal with him.”

Another user added: “Yeah, young females… Oh, wait, females in general get treated like we are pushovers or disposable. Please… please… PLEASE… encourage her with love that she doesn’t have to bow down to this kind of c***.”

A third user said: “F*** the wife for letting her a******e husband bully a little girl into giving up her seat.

“She knows what it’s like to be a woman in this situation and she let it happen. Seriously who is this lady, straight to jail.”

In agreement, one more user added: “Exactly this! I would never allow my husband to do such an inappropriate thing. Of course she is going to say yes. She probably feels like she has to.”

Someone else also added: “I’ve raised my daughters to know that they aren’t obligated to accommodate anyone’s feelings at the expense of their own and/or their no. Your ‘no thank you’ does not need a justification. Period.”

One more said: “Those people irritate me! If you want to sit together, book your seats together. People who book separate seats, especially married couples expecting a solo traveller to move, are so rude and inconsiderate.”

Nikola Jokic recorded a 56-point triple-double and broke a record set by Steph Curry as the Denver Nuggets beat the Minnesota Timberwolves 142-138 on Christmas Day.

The Serb hit 56 points, recorded 16 rebounds and 15 assists – becoming the first player in NBA history to hit at least 55 points, 15 rebounds and 15 assists in a triple-double.

Three-time MVP Jokic hit 18 of his 56 points in overtime, breaking Curry’s record of 17 overtime points from 2016.

The Timberwolves took the game in Denver to overtime after clawing back a 15-point deficit in the final five minutes of the game.

Anthony Edwards top-scored for the Timberwolves with 44 points, including the game-tying three that took the game to overtime.

But the 24-year-old was ejected in the extra period for arguing over foul calls as the Nuggets clamed the win.

The Nuggets are third in the Western Conference, with the Timberwolves in fifth.

Last week, Republican Ohio gubernatorial hopeful Vivek Ramaswamy challenged other Republicans over their idea that ancestry or heritage is what makes someone truly American.

“The idea that a ‘heritage American’ is more American than another American is un-American at its core,” Ramaswamy, who was born to Indian immigrant parents, said during Turning Point USA’s annual conference.

Remigration — once a fringe far-right notion advocating the deportation of ethnic minorities — is now gaining traction in United States Republican circles as President Donald Trump’s second term enters the final weeks of its first year.

Earlier this year, reports said that the US State Department was considering creating a department of remigration. A few months later, the Department of Homeland Security posted in favour of remigration online.

But it is not just American far-right figures evoking the idea of remigration; European far-right leaders are also joining in.

Here is a closer look at what remigration means and what its origins are.

What is remigration?

Broadly, remigration refers to when an immigrant voluntarily returns to their country of origin.

However, in the context of far-right movements, remigration is a method of ethnic cleansing.

For white ethnonationalists, remigration is a process through which all non-white people are forcibly removed from traditionally white countries.

What are the origins of remigration?

Ideas of remigration trace back to Nazi Germany in the late 1930s. The Nazis attempted to “remigrate” the Jews in Germany to Madagascar.

But the concept got wind through the work of Renaud Camus, a French novelist who devised the Great Replacement conspiracy theory in his 2011 book, Le Grand Remplacement.

His widely debunked white nationalist theory suggests that elites are replacing white Christians in the West with non-white, primarily Muslim, people through mass migration and demographic changes. Camus calls this “genocide by substitution”.

Far-right nationalists in Europe and beyond have borrowed ideas from this theory.

Heidi Beirich, an expert on the American and European far-right movements, told Al Jazeera that the term remigration is “relatively new” in far-right circles.

Beirich said that the concept was popularised by Martin Sellner.

Sellner, 36, is the leader of Austria’s ultranationalist Identitarian Movement, a far‑right group known for anti-immigration activism and promoting ethnonationalist ideology. Ethnonationalists define the nation primarily by shared ethnicity, ancestry, culture and heritage.

“Remigration advocates the forced removal of non-white people from what Sellner and others with his beliefs view as historically white countries, basically Europe, Canada, the US, Australia and New Zealand,” Beirich explained.

Beirich said remigration in essence, is a “policy solution to the white supremacist ‘Great Replacement’ conspiracy theory”.

Do different groups have different ideas?

There are strands of nationalists beyond ethnonationalism.

Civic nationalists, who also called liberal nationalists or constitutional nationalists, define the nation by shared political values, laws and institutions, regardless of ethnicity. They believe that a person belongs to a country if they hold legal citizenship and are committed to the state’s principles.

While civic nationalists are less enthusiastic about remigration than ethnonationalists, to them, remigration means voluntary return migration. This could mean policies or incentives for immigrants to return to their country of origin if they choose, often for economic, family or cultural reasons.

Why is the idea of remigration becoming mainstream?

Beirich said that Sellner has been pushing this idea with far-right parties in Europe for the past two years.

“The astounding thing is not that a xenophobic political party like AfD in Germany would be open to this, but rather that a white supremacist policy position is now being pushed by the US government.”

The AfD is a far-right party called Alternative for Germany, which is designated an “extremist” organisation in the country.

In May 2025, Axios reported, quoting an unnamed State Department official, that the department is planning to create an “Office of Remigration”.

Then, in an X post on October 14, the Department of Homeland Security wrote “remigrate,” adding a link to its mobile application, which allows US immigrants to self-deport.

Where is the remigration movement picking up?

The idea of remigration has been revived by far-right leaders in Europe as well.

This includes Herbert Kickl, the leader of Austria’s far-right anti-immigration Freedom Party (FPO).

“As People’s Chancellor, I will initiate the remigration of all those who trample on our right to hospitality,” Kickl said in the FPO manifesto ahead of the election in September 2024.

While FPO won most seats in the election, other parties — the conservative People’s Party (OVP), the Social Democrats (SPO) and the liberal NEOS — came together to form a ruling coalition under an early 2025 deal which sidelined the FPO.

Across the border in Germany, Alice Weidel, the leader of the AfD, referred to “remigration” while supporting the closure of the country’s borders to new immigrants at a party conference in January.

In May 2025, a conference called the Remigration Summit was held in Italy. It was attended by far-right activists from across Europe. InfoMigrants, a website which covers migration issues in Europe, estimated that 400 right-wing activists attended the summit.

But Beirich said that remigration, if implemented as a policy, would in effect be an “attempt to create all-white countries through ethnic cleansing”.

BELIEVE it or not, some of Britain’s beaches are best enjoyed in the winter.

Beautiful coastal paths make for the best crisp winter walks – and the waters might not be as cold as you’d think.

Plus, with less tourists at this time of year, you’ll often have these beaches to yourself!

Whether you’re the type to brave an ocean dip, or are looking for a new stretch of sand to walk the dogs – here’s our top 5 beaches to visit this winter.

Camber Sands, East Sussex

Best for: Wide golden sands, sea swims

This five-mile stretch of sand has continuously been named one of the best beaches to visit in winter.

The East Sussex beach is known for its hilly dunes which overlook miles of soft golden sands.

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And with its mild temperatures, it makes for one of the best beaches to take a winter sea dip.

Camber Sands averages temperatures of 9.5°C in winter, and its waters can even reach highs of 11.5°C.

Beaches in the South East of England tend to have the highest amount of sunlight hours.

And Clacton is no exception – seeing two to three times the typical daily amount of winter sunshine hours in the UK.

The iconic beach is even popular in films and amongst celebs.

Camber Sands famously stars in the 1958 film Dunkirk, and even featured as the Sahara Desert in 1967 in a Carry On film.

Plus, celebs such as Lisa Faulkner, as well as Tom and Giovanna Fletcher have been spotted here.

Camber Sands is just two hours’ drive from London, making for a great day trip from the UK capital.

Brancaster, Norfolk

Best for: Wildlife, quiet coastal walks

Brancaster in Norfolk is a fantastic place to spend a winter’s day.

Brancaster Estate is a National Trust destination, home to a meadow come-Roman fort and a picturesque harbour.

Down the road in Brancaster Staithe you’ll find the Mussel Pod – a food truck serving up fresh local mussels.

And if you keep walking along the shore, you’ll make your way along the Norfolk Coast Path through towns and villages like Thornham, Holkham and Burnham-Overy-Staithe.

Plus, the North Norfolk coast is the excellent for wildlife spotting.

Nearby Titchwell Marsh is popular with twitchers, and spotting common seals is a regular occurrence.

Seal trips by boat can even be taken at nearby Hunstanton or Cley.

With Norfolk’s clear and starry skies, the Northern lights can even be seen over the beach.

And temperatures here aren’t too bad either – averaging about
9°C throughout the winter.

Kynance Cove, Cornwall

Best for: Dramatic scenery, warmest temperatures

Kynance Cove tops the list as the warmest beach in the UK in research undertaken by Parkdean Resorts – and it’s also one of the most beautiful.

Winter temperatures average at around 11°C, and water temperatures can even reach 13°C.

It even made last year’s list of the 50 Best Beaches in the world, chosen by 1,000+ travel influencers and experts.

It sits on Cornwall‘s Lizard Peninsula, one of the most rugged and dramatic-looking coastlines in the UK.

In the height of summer under the blazing sun, this beach looks almost tropical.

But in the winter, it transforms into a peaceful coastal escape – perfect for breezy clifftop walks, and soaking up sea views without the summer crowds.

When the tide is low, you can wander between sea caves and rocky islands.

And when the tide turns high, you can watch over the bay as it transforms into a swirl of wild foaming waves.

And after a windswept walk, nothing beats warming up with a hot drink at the Kynance Cove Cafe – perched above the bay with unbelievable views.

Clacton-on-Sea, Essex

Best for: Traditional seaside town, family days out

Essex‘s Clacton-on-Sea is a popular seaside resort that makes the perfect family trip this winter.

The Victorian pier, promenade and painted beach huts give this beach a traditionally British feel.

Clacton-on-Sea has winter sunlight hours above the national annual average, so you can make the most of a long day at the beach.

Plus in December, the pier hosts seasonal events that are perfect for kids, such as a magical Santa’s Grotto experience.

You’ll also find bowling and a family-friendly restaurant inside the Pavilion.

Plus there’s no better feeling than heading for a winter walk along the shores, before popping into a cosy seafront cafe for a warming hot chocolate.

And it’s good news for swimmers – the sea here is often noted as the fastest to warm up in the Spring.

It’s even recorded the highest temperature waters of any beach in England and Wales, at a toasty 18.2°C.

Barafundle Bay, Pembrokeshire, Wales

Best for: Crystal waters and softest sands

Nestled in the Pembrokeshire coastline, Barafundle Bay is a Welsh jewel that is well worth the walk to get to.

This bay was once awarded the Best Beach in Britain – and it’s easy to see why.

The isolated location has a rugged shoreline, soft, flat sands and some of the UK’s best sunsets.

With cliffs shielding the bay from cold winds, winter temperatures here can reach a comfortable 11°C.

It sits within the National Trust’s Stackpole Estate – an area rich in history with stone landmarks dating back to the Bronze Age.

Note that the nearest car park in Stackpole is half a mile’s walk away – but the views are absolutely worth it.

England’s Ashes tour teetered on another crisis as they were bowled out for 110 by Australia on an almost farcical first day of the fourth Test at the Melbourne Cricket Ground.

The 20 wickets to fall is the most on the opening day of an Ashes Test since 1909 and surpassed the 19 of the first day of the first Test of this series in Perth.

Steve Smith, standing-in as Australia captain, said the 10mm long grass on the pitch would mean batters had to be “on their game” in the Boxing Day Test.

Smith was right. His side were hustled out for 152, then England were decimated in a single session after tea.

There was still time for Australia to face one over of their second innings before the close, only the third time in Test history the third innings of the match has begun on day one. The hosts are 4-0, leading by 46 runs.

Perth was the first two-day Ashes Test in 104 years. Melbourne could be the second in the space of five weeks.

The havoc of the evening made England’s improved performance with ball and in the field a distant memory. Pace bowler Josh Tongue was excellent in claiming 5-45.

But England were bowling again before the end of the day as their batting was flattened in 29.5 overs.

England were 8-3 and 16-4. Harry Brook’s dance, swipe and miss at Mitchell Starc from his first ball seemed witless in the moment, yet it was Brook’s audacity that kept England from a complete implosion.

Brook swatted 41, including two sixes. Ben Stokes and Gus Atkinson were the only other men to reach double figures.

Michael Neser claimed four wickets, Scott Boland three, with the silliness of the day summed up by Boland then opening the batting as nightwatchman.

The film, based on a true story, is based on a daring mission to the moon

We all know the story of the first moon landing when Neil Armstrong became the first man to set foot on its surface but almost as dramatic is the story of three astronauts who almost lost their lives on the USA’s third attempt to stand on the surface.

The Apollo 13 mission in 1969 saw Jim Lovell, Jack Swigert and Fred Haise take off from earth on course for the moon. However, the mission almost ended in disaster and this 1995 blockbuster directed by Ron Howard and starring Tom Hanks and Lovell, Kevin Bacon as Swigert and Bill Paxton as Haise is being shown on ITV tonight.

After an unexpected explosion in space, NASA is running out of time to find a way to bring the three astronauts back to earth safely. The film was a huge commercial success when it was released, going on to become the third most successful film of 1995, behind Die Hard With A Vengance and Toy Story, which also starred Hanks.

Apollo 13 also went on to be nominated for nine Academy Awards and picked up two Oscars for Best Sound and Best Film Editing. It was also five BAFTAs and four Golden Globes.

It won over critics with an impressive 94 percent approval rating on the movie review aggregator site, Rotten Tomatoes. One critic described to film as Ron Howard’s “finest work”. They added: “In his finest directorial work, Ron Howard embraces everything that the astronauts of Apollo 13 aspired to be and ended up as. Unforgettable.”

Another said: “Director Ron Howard, who has built a career on easygoing, reassuring movies from Night Shift to The Paper, finally achieves true drama.” A third added: “For Apollo 13, the 1970 space mission, everything went wrong. But for Apollo 13, the movie, everything goes right. Director Ron Howard, who has a history of blowing hot and cold, is so far into his hot mode in this movie that he’s dang near on fire.”

Fans also couldn’t get enough of the movie. One wrote: “A phenomenal epic odyssey of the daring odds of the Apollo 13 crew trying to return back home against all odds after their space shuttle malfunctions. The cast is great, with Tom Hanks, Kevin Bacon, Bill Paxton, and Ed Harris all giving great performances.”

Another added: “Brilliant masterpiece!! It’s very gripping from start to finish!” While a third said: “All-time classic. An American masterpiece.”

Apollo 13 is on ITV4 at 6.35pm on Boxing Day, December 26.

‘For the latest showbiz, TV, movie and streaming news, go to the new Everything Gossip website‘.

The Denver Broncos eked out a 20-13 victory as they chase the AFC top seed the Chiefs have claimed so often in the last decade, but Travis Kelce was still the headline news in what could have been his final game in Kansas City.

The 36-year-old seemed to soak in his pre-game introduction more than usual then lingered on the field afterwards with plenty of Broncos players coming over to share a few words and show their respect to the three-time Super Bowl champion – with both his mother Donna and fiance Taylor Swift in the stands watching on.

Kelce and his Chiefs played hard despite being out of the play-offs and being two-touchdown underdogs without injured star quarterback Patrick Mahomes.

The home crowd and home defence made it tough for a Denver team looking to emulate Kansas City’s recent success, but the Broncos’ own star quarterback Bo Nix eventually got them over the line with a fourth-quarter touchdown.

Denver are certainly emulating last season’s Chiefs in winning tight games, with this their 11th one-score victory – four more than anyone else – while they’re the only team in NFL history to earn 12 comeback wins in one season.

But head coach Sean Payton will want a more explosive element to the offence, which dominated possession but struggled to make big plays and score touchdowns, making it a much closer game than it really should have been against a severely depleted Chiefs side.

While the Broncos are building there could be some upheaval in Kansas City this summer, whether that includes losing Kelce at the end of his 13th season remains to be seen.

Dec. 25 (Asia Today) — South Korea’s defense procurement agency is accelerating efforts to develop and certify defense-grade semiconductors, warning that reliance on foreign supply chains for critical chips could delay weapons deployment and weaken long-term competitiveness in arms exports.

Modern weapon systems increasingly depend on semiconductors for core functions including missile guidance and navigation, radar detection and tracking, encrypted military communications and autonomous operation in drones and unmanned platforms, defense officials and industry experts say.

Analysts say dependence on overseas sources for such components creates vulnerabilities that go beyond cost. If access is disrupted by export controls, manufacturing changes or supply discontinuation, military programs can face delays because defense-grade parts often require retesting and recertification even after minor design or packaging changes.

The Defense Acquisition Program Administration said it launched a task force in January 2024 to prepare for a Defense Semiconductor Center and has been building a roadmap for project planning and management along with a dedicated reliability evaluation and certification function, according to a notice posted on the government innovation portal.

In a December policy briefing, the agency said it began research and development projects tied to defense semiconductors, including high-power radio-frequency components for radars and semiconductors for space communications.

Defense semiconductor applications span a growing set of systems, including transmit-receive modules for active electronically scanned array radars, processing chips for synthetic aperture radar on unmanned aerial vehicles, satellite communications components for small satellites and tactical-grade inertial sensors, analysts said.

DAPA has pursued center establishment in parallel with research programs aimed at building a domestic ecosystem. The agency said it selected five core technology projects in May, with four expected to begin within the year. In December, it announced the start of projects including space semiconductors for small satellite communications, tactical-grade gyro sensors, chips for unmanned aerial vehicle synthetic aperture radar and chips for active electronically scanned array radars, emphasizing a goal of reducing reliance on foreign technology.

The agency also held a defense semiconductor development forum in November that brought together government officials, industry and researchers, according to the report.

Experts said the next hurdles are less about initial research and more about building an ecosystem that can certify reliability and support sustained production.

Defense-grade semiconductors must perform under extreme conditions including temperature swings, vibration, shock, electromagnetic exposure and long storage periods, requiring testing infrastructure and standards that differ from civilian certification methods.

Analysts also said South Korea will need an end-to-end supply chain covering design, manufacturing, packaging and verification. Because defense chips are often produced in small volumes across multiple specialized variants, they can be deprioritized on commercial foundry and packaging lines unless trusted production capacity is secured.

Specialized investment will also be needed in areas such as compound semiconductors and radiation-hardened components used in radars, electronic warfare systems and satellites, the report said.

To ensure research translates into deployment, experts said development should be structured around early joint design involving military users, system integrators and component makers.

Analysts said defense semiconductors should be treated as national security infrastructure that affects the speed of force deployment, operational sustainability and export reliability, rather than as an optional industrial policy goal.

– Reported by Asia Today; translated by UPI

© Asia Today. Unauthorized reproduction or redistribution prohibited.

Ramallah, occupied West Bank – The Palestinian economy is undergoing a severe downturn, driven by Israel’s continued assault on Gaza, intensified restrictions on movement and trade in the occupied West Bank, and a sharp decline in both domestic and external financial resources.

As the Palestinian government struggles to manage an escalating fiscal crisis, official data and expert assessments warn that the economy is approaching a critical threshold – one that threatens the continuity of state institutions and their ability to meet even basic obligations.

A joint report by the Palestinian Central Bureau of Statistics (PCBS) and the Palestine Monetary Authority (PMA), published in the Palestinian Economic Monitor for 2025, found that the economy remained mired in deep recession throughout the year.

According to the report, gross domestic product (GDP) in Gaza contracted by 84 percent in 2025 compared with 2023, while GDP in the occupied West Bank declined by 13 percent over the period. Overall GDP levels remain far below their pre-war baseline, underscoring the fragility of any potential recovery and the economy’s inability to regain productive capacity under current conditions.

The report documented a near-total collapse of economic activity in Gaza, alongside sharp contractions across most sectors in the West Bank, despite a modest improvement compared with 2024. It also recorded a decline in trade volumes to and from Palestine compared with 2023, while unemployment in Gaza exceeded 77 percent during 2025.

Withheld revenues and mounting debt

Palestinian Economy Minister Mohammed al-Amour said Israeli authorities are withholding approximately $4.5bn in Palestinian clearance revenues, describing the move as a form of “collective punishment” that has severely undermined the Palestinian Authority’s (PA’s) ability to function.

“The total accumulated public debt reached $14.6bn by the end of November 2025, representing 106 percent of the 2024 gross domestic product,” al-Amour told Al Jazeera.

The minister said the debt includes $4.5bn owed to the International Monetary Fund, $3.4bn to the Palestinian banking sector, $2.5bn in salary arrears to public employees, $1.6bn owed to the private sector, $1.4bn in external debt, and $1.2bn in other financial obligations.

“These pressures have had a direct impact on the overall performance of the public budget,” al-Amour said, contributing to a widening deficit and sharply reduced capacity to cover operational spending and essential commitments.

All of that has led al-Amour to conclude that the Palestinian economy is undergoing “its most difficult period” since the establishment of the PA in 1994.

Official estimates show GDP contracted by 29 percent in the second quarter of 2025, compared with 2023, while GDP per capita fell by 32 percent over the period. These figures align with a recent report by the United Nations Conference on Trade and Development (UNCTAD), which concluded that the Palestinian economy has regressed to levels last seen 22 years ago.

In response, al-Amour said the government was implementing an “urgent package of measures”.

“The government is rolling out a series of actions that include strengthening the social protection system, supporting citizens’ resilience in Area C [of the West Bank], and backing small and medium-sized enterprises and productive sectors, particularly industry and agriculture,” al-Amour said.

Official data show a sharp drop across nearly all economic activities. Construction contracted by 41 percent, while both industry and agriculture declined by 29 percent each. Wholesale and retail trade fell by 24 percent.

The tourism sector has been among the hardest hit. Following the start of Israel’s genocidal war on Gaza in October 2023, the Ministry of Tourism reported daily losses exceeding $2m, as inbound tourism nearly collapsed. By the end of 2024, cumulative losses were estimated at approximately $1bn.

The Palestinian Economic Policy Research Institute (MAS), citing PCBS data, reported an 84.2 percent drop in hotel occupancy in the West Bank during the first half of 2024 compared with the same period a year earlier. Losses in accommodation and food services alone amounted to roughly $326m.

Despite the downturn, al-Amour said the Ministry of Economy is focusing on sustaining the private sector, substituting Israeli imports across seven key sectors, developing the digital and green economies, and improving the business environment. He noted that about 2,500 new companies continue to be registered each year.

Tourism collapsing

Samir Hazbun, a lecturer at al-Quds University and board member of the Palestinian Federation of Chambers of Commerce and Industry, said repeated crises have hollowed out the economy.

“Over the past five years, all economic sectors have entered successive crises, starting with the COVID-19 pandemic and followed by the war on Gaza,” Hazbun said. “Tourism, one of the most important sectors, has been especially affected, exhausting the local economy and weakening its ability to recover.”

Hazbun said preliminary estimates indicate tourism has suffered direct losses exceeding $1bn, alongside extensive indirect losses resulting from the paralysis of hotels, souvenir shops, travel agencies, tour guides and street vendors.

He added that hotel investments alone are estimated at $550m, with no financial returns for owners, forcing many workers out of the sector due to the absence of job security and safety nets.

Economic expert Haitham Daraghmeh described Palestinian debt as “accumulated debt that increases monthly”, owed to banks, suppliers, contractors, and the telecommunications and health sectors.

“The withholding of clearance revenues is no longer a temporary financial crisis; it has become a factor of complete economic paralysis,” he said.

With external aid frozen and domestic revenues at historic lows, Daraghmeh warned that the government was “no longer able to cover salaries or operational costs”.

“The government is operating like an ATM, with no real capacity for investment or economic stimulus,” Daraghmeh added.

Economic warnings

Daraghmeh said World Bank reports warn that continued failure to pay salaries and meet obligations could trigger comprehensive economic collapse. While some countries, including France and Saudi Arabia, have pledged support, he said none of that assistance has materialised.

He outlined three possible scenarios; the most likely is a continued gradual decline, driven by ongoing revenue withholding and shrinking resources. The second involves international intervention to prevent total collapse, particularly at a decisive political moment. The third scenario could see a conditional breakthrough, tied to European demands for financial reform, anticorruption measures, curriculum changes and elections.

Taken together, the data and expert assessments suggest the Palestinian economy is approaching a dangerous tipping point. Analysts warn that without an end to revenue withholding, renewed international financial support, and a shift in the political context, the economy risks sliding from prolonged crisis into outright collapse.

The question facing Palestinian officials and economists alike is how long the system can endure under siege-like conditions – and whether political and economic shifts will arrive in time to halt what many now describe as a slow and deliberate economic unravelling.

Jimmy Kimmel swapped his suit and late-night desk for a cardigan and Christmas living room scene as he shared with British viewers an important holiday message: “Tyranny is booming over here.”

Kimmel appeared on public broadcaster Channel 4 Thursday to deliver an “alternative Christmas message,” counter programming to the British monarch’s annual televised address.

Kimmel’s message focused on his battle with President Trump, who reveled in his talk show’s September suspension. Kimmel was benched for roughly a week after backlash to his comments about Charlie Kirk — and an ominous threat by the Federal Communications Commission chair. Kimmel had criticized MAGA supporters for attempting to “score political points” after the conservative activist’s killing. He also poked fun at Trump boasting about White House ballroom renovations after being asked about Kirk’s death.

“You may have read in your colorful newspapers my country’s president would like to shut me up because I don’t adore him in the way he likes to be adored,” he said. He attributed the return of “Jimmy Kimmel Live!” to the “millions and millions of people” who fought to get him back on the air in the name of free speech.

“And because so many people spoke out, we came back. Our show came back stronger than ever. We won, the president lost, and now I’m back on the air every night giving the most powerful politician on Earth a right, and richly deserved, bollocking,” he said, referencing the British slang for scolding. Earlier this month, Kimmel signed a contract extension with ABC through May 2027.

Past hosts of the alternative Christmas message, which began in 1993, include Edward Snowden, Jesse Jackson and a deepfake of Queen Elizabeth II.

During his address, Kimmel called the president “King Donny the 8th.” “We don’t have a problem with your king, just the guy who thinks he’s our king,” he said, apologizing for the state of America and its democratic institutions.

“Don’t give up on us,” Kimmel said. “We’re going through a bit of a wobble right now, but we’ll come around.”

There was an element of fortune to start. Travis Head dragged on to Gus Atkinson and Jake Weatherald was strangled down the leg side by Josh Tongue.

But then the latter’s skillful knack of snaffling wickets came to the fore as he bagged two of Australia’s dogged top order.

Marnus Labuschagne received a full delivery from Tongue angled into the stumps and edged to slip, before the same bowler snared Steve Smith with one which nipped to bowl him through the gate.

Michael Neser and Scott Boland followed to Tongue in consecutive deliveries – bowled by a nip-backer and caught at second slip respectively.

CricViz’s stats showed Tongue finished with 5-21 off the 24 deliveries that he pitched in the area of the pitch classed as full (3-6m).

In the ball-tracking era, only one English seamer (before Tongue today) has ever picked up five wickets from a full length in a Test innings.

That was a memorable effort by Stuart Broad at Trent Bridge in 2015.

Tongue’s pace dropped from an average of 86.7 mph in Adelaide to 85.3 mph in Melbourne. This looked and felt more like the ‘Redditch Rhythmist’, rather than the ‘Redditch Rocket’.

“It was a case of pressure really: good constant pressure and Australia couldn’t get away. England bowled how Australia did on that very hot day in Adelaide,” Tufnell added.

“You could get behind the bowling unit and clap them instead of being carved through gully. We have bowled too short all series until today but that was a good performance.

“There were a few overheads too, a few clouds, but they put it in good areas. I am delighted for Josh Tongue, he’s been the pick, without doubt. It was excellent bowling.”

England bowled full, and as their bowlers put their feet up between innings their glasses – whatever the tipple – must have been a little more than half full.

Even if their respite was shorter than they might have liked.

Dec. 25 (Asia Today) — North Korea’s Rodong Sinmun on Thursday showcased what it described as the construction site of an 8,700-ton “nuclear-powered strategic guided missile submarine,” calling it a “revolutionary change” in the country’s war deterrence capability.

Photos of the vessel suggest the exterior is close to completion and may already include a small reactor, which would be required for operations, analysts said. The conning tower also appeared to show what could be launch tubes for submarine-launched ballistic missiles, or SLBMs, similar in concept to North Korea’s existing 3,000-ton Kim Gun Ok submarine, the report said.

North Korea has pursued nuclear submarine development as a key defense goal since the ruling party’s 2021 congress, when it set out what it called five major tasks for strengthening national defense capabilities, Rodong Sinmun reported.

During the site visit, Kim Jong-un said North Korea had built a “nuclear shield” to safeguard national security and had secured the ability to expand it as much as necessary, according to the newspaper. He said the country would continue pursuing naval nuclear armament on both strategic and tactical levels.

Kim also said there would be no change in North Korea’s security policy and warned that if an adversary threatens what he called the country’s strategic sovereignty and security, it would “pay the price,” the report said.

The disclosure drew attention to whether North Korea can actually operate a nuclear-powered submarine of that size. The report noted questions about whether North Korea has mastered small reactor technology and large submarine construction even as it maintains uranium enrichment capabilities. It said some assessments link the possibility of technological support to North Korea’s closer ties with Russia since the Russia-Ukraine war, including speculation that North Korea could have acquired relevant technology from Russia.

The public rollout also comes as South Korea’s own debate over nuclear-powered submarines has gained momentum, and some analysts viewed North Korea’s disclosure as a show of force aimed at Seoul, the report said.

Cho Han-beom, a senior research fellow at the Korea Institute for National Unification, said the visible SLBM tubes on the conning tower indicate North Korea’s technology remains limited and suggested the disclosure may have been rushed in response to South Korea’s discussion. Yoo Yong-won, a People Power Party lawmaker, said the altered conning tower appears designed to accommodate as many as 10 SLBMs and resembles the Kim Gun Ok submarine, which he said has drawn criticism for its unusual shape.

Rodong Sinmun also reported on a congratulatory message that Russian President Vladimir Putin sent to Kim on Dec. 18, saying Putin praised North Korean troops’ “heroic participation” and highlighted expanded ties across politics, trade and the economy and other areas.

— Reported by Asia Today; translated by UPI

© Asia Today. Unauthorized reproduction or redistribution prohibited.

Cheshire’s mini Matterhorn

Who needs the Swiss Alps when you have Macclesfield Forest on your doorstep? Walking from Trentabank car park, the 506-metre peak of Shutlingsloe is the gift that keeps on giving. The panoramic views from its summit, dubbed Cheshire’s mini Matterhorn, are breathtaking at any time of year. But it’s on the crispest of winter days you get the best views: the Staffordshire Roaches, Manchester’s skyline, the Cheshire Plain, the wonder that is Jodrell Bank, and even as far as the Great Orme in Llandudno. Head back to Trentabank where there is a food truck selling local specialities, including Staffordshire oatcakes.
Jeremy Barnett

Trip the light fantastic on Norfolk’s coast

No matter how many people you see on arrival at Holkham nature reserve, the vast beach, marshes and miles of pinewoods disperse them. Southerly winds here can bring balmy winter days but winds off the North Sea are quite brutal. The light is fantastic and the variety of walking routes huge, with a boardwalk and visitor centre enriching the experience. This north-facing coastline is a magnet for exhausted migrant birds making landfall, and the pinewoods offer welcome shelter in bitter conditions. Bird hides along the woods’ southern edge look over marshland – fantastic for winter wildfowl spectacles and birds of prey.
Jo Sinclair

Blow away the cobwebs on a Derry cliff walk

It’s officially called the Portstewart Cliff Walk but people call it the Nuns’ Walk because it snakes around the perimeter of the Dominican college. The walk starts overlooking Portstewart Strand and finishes in the town centre. It’s exposed to the Atlantic, so it’s always gusty and perfect for clearing the head after working too hard or overindulging. The sunsets here are to be savoured, so try to time it for dusk, and a post-walk pint by the fire in the Anchor Bar feels heavenly.
Ciaran

A perfect hike for a frosty day in the Chilterns

If it’s frosty, this is a cracker. From the Chilterns village of Ewelme (the famous watercress beds can wait) head east uphill through fields and beech woodland to Ewelme park, turn left and skirt Swyncombe House, which has excellent views of the Vale of Oxford, keeping north and right of the church as you go up. Cross the only main road, down and up into more classic Chilterns woodland complete with deer, pheasant and dappled sunlight before descending gently through ancient earthworks back to Ewelme as the sun sets. It’s 5 miles, 2.5 hours, and there’s no pub – but you won’t care because the countryside is perfect.
Rik Hallewell

A North Yorkshire amble for a foggy morning

Skipton Moor is wonderfully quiet despite having spectacular views, perhaps because it’s just outside the Yorkshire Dales national park. Only a mile up the hill from the edge of town, its high points offers panoramic views of Airedale and Pendle, and it is home to hares and curlew. Sparkling frost outlines all the spider webs in the gorse bushes. Go on a cold, foggy morning after a clear, calm night and you may well find yourself emerging from the misty woods above a sea of clouds.
Hannah Price

Follow the Skyline loop around Bath

Just outside Bath is the Skyline walk, a continuous 6-mile loop of the rolling hills surrounding the city. Mists rising over sandstone rooftops is a spectacular sight on a frosty morning. En route are panoramic views, ancient woodland, a sham castle, a cemetery clinging to the hills and the National Trust’s Prior Park, a magical 18th-century landscape garden designed for Ralph Allen, a key moderniser of the nationwide postal service. At the end, descend the footpath into Bath where you can cosy up by a pub fire – I recommend the Pig and Fiddle or The Crystal Palace.
Susanna

A short Lake District hike

Sale Fell near Cockermouth is my favourite short winter walk. Its grassy hillside feels safe to walk even when frosty. Climbed easily from St Margaret’s church, it offers amazing views over Bassenthwaite Lake towards Skiddaw. I love the descent via the quiet path through the woods towards the Wythop valley, passing the ruins of an old church where deer can be spotted. Finish the walk with a pint in the lovely Pheasant Inn or coffee and cake in the award-winning Bassenthwaite Lake Station cafe, both at the bottom of the fell.
Arthur

Black Mountains beauty

My favourite winter walk is in the Black Mountains of south-east Wales, in the Bannau Brycheiniog (formerly Brecon Beacons) national park. Park at Capel y ffin and follow the path along the valley of the Nant Bwch, with its waterfalls and steep-sided valley. Up to Rhiw y fan for spectacular views into Wales, returning along the Rhos Dirion ridge above the beautiful Vale of Eywas via a stone called the Blacksmith’s Anvil back to the start. Stop for an atmospheric pint in the cellar bar at Llanthony Priory.
Martin

Beaches, castles and pubs in Northumberland

A coastal stroll with a cosy pub that brews its own beer … Is there anything better? Starting at Embleton, head down the hill to the beach. Turn north, away from the cracking view of Dunstanburgh castle, and walk along the beach for about an hour to Low Newton, a National Trust-preserved square of fisher’s cottages and the Ship Inn, a dog-friendly, cosy pub with a strong food offering. Return either via the beach or head to the dunes and the coastal path. Recover from the walk up the hill into Embleton with a pint at the Greys Inn, a proper pub with decent real ale. Bliss.
Hannah

Winning tip: a Cut above west of Glasgow

Greenock Cut is near Glasgow yet transports you far away. It starts in mundane fashion, a walk through the edge of a town. But within a few minutes it opens out into majestic views across the River Clyde to the hills in Argyll and continues to wow for miles. The Cut’s visitor centre and cafe offer a warming break and good-quality paths keep it passable even on wet or icy days. Walkers can continue onwards along the hill to return via the spectacular Wemyss Bay railway station (11 miles), or loop back on a shorter route passing the calm Loch Thom (8 miles). Both are stunning. Nic

The US Department of War published footage of a missile being fired from a military vessel after Washington said it carried out a strike in northwest Nigeria. President Donald Trump said the attack targeted ISIL and was carried out at Nigeria’s request.

Netflix’s mega-hit Stranger Things first hit our screens back in 2016 and now, its fifth and final season is underway with the last ever episode dropping on December 31

Stranger Things’ final season is well underway, a decade after the residents of Hawkins first hit our screens and became a global phenomenon. The Netflix series begins in the small fictional Indiana town in November of 1983, with a cast of beloved characters played by talented actors at varying levels of their careers – and one casting choice has been lauded by fans.

The children at the front of the show were complete unknowns when they first donned 80s gear, accessories and dialogue, hooking viewers with nostalgia and intrigue back in 2016. They were joined by screen icons though, with Winona Ryder as Joyce Byers drawing in many viewers.

Ryder’s performance as the perpetually stressed, chain-smoking mother who refuses to listen to authorities when her son, Will, goes missing in the very first episode added a sense of heart and strength to the show.

The actor’s star power also helped attract viewers to the first season. Ryder shot to fame in a string of quirky, misfit-type roles in the 80s and early 90s, before taking on more dramatic and period roles too.

She’s been critically acclaimed for her acting prowess and has even bagged two Academy Award nominations.

Stranger Things fans have praised the casting choice, with one taking to Reddit to declare: “Winona Ryder being cast as Joyce Byers is one of the greatest casting decisions of all time. I couldn’t picture anybody else in this role.”

In the comments section, people were keen to share their thoughts. One Reddit user said: “I just rewatched season 1 a couple weeks ago and I was just blown away. I think her acting in that season is amazing!

“You see things differently during a re-watch and her acting really struck me and I don’t think I fully appreciated the first time around.”

Another asked: “Where is her Emmy for this role?!”

A third shared: “Winona is my favourite actress. People forget she was HUGE in the late 80s and 90s. I had been hoping for her to have a comeback for years and years and she is wonderful as Joyce Byers.”

A fourth said: “It was so smart to cast her because I didn’t know anything about the show. Just that this new show was coming out on Netflix and Winona Ryder was gonna be in it and I will watch anything with Winona and then it became one of my favourite shows ever.”

Someone else said: “Such a great comeback role for her.”

Another said: “I’ve always been a huge fan.”

One fan shared: “IMO [in my opinion] Season 1 NO ONE could top her acting. Millie was #2 for me…”

Reflecting on other casting choices, another said: “They also did great with casting her boys. They genuinely look like they could be related to her.”

And another added: “The casting of the whole show is brilliant and also is the yardstick for child actors as far as I’m concerned.

“A lot of movies or shows prioritise looks over the actual acting talent of the kids, but these kids can act.”

Dec. 25 (Asia Today) — North Korea said it conducted a first test launch of a high-altitude long-range surface-to-air missile system under development, but a South Korean defense expert said the launch appeared to be a flight test because no interception footage was released.

North Korea’s Korean Central News Agency said the Missile Bureau carried out the test Wednesday to evaluate the system’s tactical and technical characteristics. The agency said the missile hit and destroyed a simulated high-altitude target at a range of 200 kilometers.

The Missile Bureau said the test was part of routine work by the bureau and its research institutes to advance the country’s air defense capabilities. State media said Kim Jong-un observed the launch and praised the results.

The missile was first shown publicly at an event marking the 80th anniversary of North Korea’s air force last month, according to the report.

Shin Jong-woo, secretary general of the Korea Defense and Security Forum, said North Korea claimed it intercepted a simulated target but did not release footage of the intercept. He said that suggests the test focused on flight performance and reflects an effort to develop a new surface-to-air missile as North Korea’s SA-5 long-range system ages.

South Korea’s Joint Chiefs of Staff said it detected the launch Wednesday but did not disclose it publicly at the time.

The Joint Chiefs of Staff said it had detected indications of a launch in advance and was prepared. It said that around 5 p.m. Wednesday it detected multiple projectiles believed to be surface-to-air missiles launched from the Sondok area in South Hamgyong Province toward the East Sea.

The Joint Chiefs of Staff said it is closely monitoring North Korea’s activities under the South Korea-United States combined defense posture and remains ready to respond to any provocation.

— Reported by Asia Today; translated by UPI

© Asia Today. Unauthorized reproduction or redistribution prohibited.

A US judge has temporarily stopped the Trump administration from detaining British activist Imran Ahmed after he sued officials over an entry ban for alleged online censorship.

The founder of the Center for Countering Digital Hate is among five people denied US visas after the state department accused them of seeking to “coerce” tech platforms into censoring free speech.

The move brought a backlash from European leaders defending the work of organisations monitoring online content.

Mr Ahmed, a US permanent resident, had warned that being detained and possibly deported would tear him away from his American wife and child.

Praising the judge’s decision, he told BBC News he would not be “bullied”.

Secretary of State Marco Rubio had said online that the individuals were blocked over concerns that they had organised efforts to pressure US platforms to censor and “punish American viewpoints they oppose“.

Mr Ahmed filed a legal complaint on Wednesday against officials including Rubio and US Attorney General Pamela Bondi over the decision to have him sanctioned.

In court documents seen by the BBC, US District Judge Vernon S Broderick said on Thursday he had granted Mr Ahmed’s request for a temporary restraining order.

The judge also temporarily blocked the officials from detaining Mr Ahmed without the chance for his case to be heard.

The BBC has contacted the state department and White House for comment.

When approached by AFP news agency, a state department spokesperson was quoted as saying: “The Supreme Court and Congress have repeatedly made clear: the United States is under no obligation to allow foreign aliens to come to our country or reside here.”

Mr Ahmed said: “I will not be bullied away from my life’s work of fighting to keep children safe from social media’s harm and stopping antisemitism online.”

His lawyer, Roberta Kaplan, said the speed of the judge’s decision was telling.

“The federal government can’t deport a green card holder like Imran Ahmed, with a wife and young child who are American, simply because it doesn’t like what he has to say,” she said.

In 2023, Mr Ahmed’s centre was sued by Elon Musk’s social media company after it reported on a rise in hate speech on the platform since the billionaire’s takeover of the firm, now called X.

The case was dismissed but an appeal is pending.

WHAM! star George Michael has raked in almost £75million from beyond the grave — and is set to bank even more, accounts show.

The singer’s firm, Nobby’s Hobbies Holding Limited, has turned over £74.7million since he died aged 53 on Christmas Day 2016.

Royalties poured in after the band’s 1984 classic hit Last Christmas, which he wrote, was the festive No1 in both 2023 and 2024.

George’s estate earned £6.6million from the 2023 chart success alone.

Cash also came from the 2023 Netflix documentary Wham!.

The company’s latest accounts end in March 2024, meaning earnings from Christmas 2024 are yet to be included.

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George Michael’s incredible generosity revealed after handing singer £50k

George left a £98million fortune when he died, mostly to his sisters.

We revealed earlier in the year how George Michael’s dilapidated £10m London mansion is showing signs of improvement after major renovation work.

A bitter row with neighbours over the chopping down of a number of historic trees hasn’t deterred the late star’s sister from updating the property.

George’s only living sibling, Yioda Panayiotou, was handed ownership of the property following the singer’s tragic death on Christmas Day 2016 at the age of 53. 

There was outrage when Yioda’s design team asked the local council to remove a number of trees and prune others at the front and rear of the property, which is in a conservation area. 

One residents association was furious that the works were also going to occur during the peak nesting season, which runs from March to July. 

England’s innings gets off to a horror start, as Australia take three early wickets to leave the visitors on 8-3 inside the first five overs on day one of the foruth Ashes Test in Melbourne.

FOLLOW LIVE: The Ashes fourth Test – day one

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