today

AS the countdown begins for the most complete solar eclipse in almost three decades, millions are expected to be watching the rare phenomenon.

But which beauty spots in the UK will provide the most impressive views?

With more than 90 per cent of the sun set to disappear from view from most parts of the UK, hills, parks and even dams will be some of the best places to catch sight of the celestial event.

The rule of thumb is to head somewhere with elevation to ensure an unobstructed view of the phenomenon – without skyscrapers or trees blocking the sight.

One such place is Exmoor National Park, which has a maximum elevation of 5586 sq ft (519 meters) and spans across Somerset and Devon.

The park’s Valley of Rocks and Countisbury areas in particular have been highlighted as offering the best views of the western horizon – crucial for seeing the phenomenon.

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In Wales, Elan Valley’s Craig Goch Dam features wide, sweeping views of the surrounding landscape.

Fully accessible by car, foot or bike through the scenic regional Elan Valley road network, stargazers will be able to look across the water for sights of the celestial event.

Galloway Forest Park in Dumfries and Galloway, Scotland remains Britain’s largest forest park, with more than 300 square miles of hills, trees, and more than 250 lochs.

From here, the tallest hill is The Merrick, standing at 2,766 feet high and with the lowest average cloud cover this month, it promises a crystal-clear view of the eclipse.

But for those in and around cities, there are a number of hills and viewpoints easily accessible to residents.

Greenwich Park, Telegraph Hill and Primrose Hill notably provide some of the most expansive views across London.

Those with tickets will be able to watch the spectacle from the historic Royal Observatory, while eclipse enthusiasts will be able to join any number of eclipse picnics taking place at these beauty spots later today (August 12).

THE UK will experience a spectacular solar eclipse tonight – the first of its kind since 1999.

If you’re headed to the coast today, you might want to stick around as some of the country’s beaches will have the best views – just don’t forget your glasses.

Tonight, the UK will experience a partial solar eclipse – and the best places to see the eclipse today are in the west and southwest of the country.

In parts of Devon and Cornwall, the eclipse will cover around 95 per cent of the sun.

If you happen to be there on holiday anyway, head to a west-facing beach to get the full effect – you’ll also get a fabulous sunset over the water too.

Some beaches you might want to bag a spot at in Cornwall include Watergate Bay, Perranporth, Gwynver Beach, Fistral Beach or Sennen Cove.

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If you head to Land’s End, there are set to be have incredible views there as well.

In Devon, beaches like Saunton, Woolacombe and Westward Ho will have clear views, or try out Slapton Sands and Thurlestone.

Along the Jurassic Coast top spots include Chesil Beach which is the longest beach in the UK.

Durdle Door is also recommended, although the cliffs above it is where you’ll get the best view – and it’s likely to be busy.

If you want an unobstructed view and are prepared to put in a little hard work, hike up to Golden Cap cliffs between Bridport and Charmouth.

Wales is an ideal spot to watch the eclipse too, in Cardiff, the moon will cover 93.2 per cent of the sun.

With some of the best views being in South Wales, bag a spot on the sands on Rhossili Bay, Three Cliffs Bay and Barafundle Bay.

Further north, the unspoilt coast on the Llŷn Peninsula will have clear skies as will spots in Pembrokeshire like Strumble Head and St Davids.

In Scotland, Machrihanish Bay is likely to have great views as it has low dunes with views across the Atlantic.

In fact, those on the Western Isles of Scotland along the west coast will see between 92 per cent to 94 per cent of the sun obscured.

Any of the beaches around places like Arisaig, Morar and Mallaig will have views of the eclipse – as long as there aren’t clouds in the sky.

In the North of England, Crosby Beach in Sefton is expected to be a busy spot.

Further up the coastline, St Bees has around a mile-long sweep of red sand that faces west looking over the Irish Sea and the Isle of Man.

If you don’t happen to be that side of the UK – try to find a beach that has unobscured views to the west.

You cannot look directly at the eclipse without risking eye damage so make sure to look through specially made glasses.

If you didn’t manage to get a pair, here are seven ways to safely watch the solar eclipse without glasses.

Here are the exact times the eclipse will be most visible in your area and how long it’ll last.

And here are some tips on how to take great photos of the eclipse without damaging your phone, camera or eyes.

The waxy scent that drifts up the escalators at the Los Angeles Central Library is immediately familiar to anyone who remembers the Mold-A-Rama.

The novelty vending machines mold souvenir sculptures — a train car, a gorilla, a bust of Abraham Lincoln — in under a minute, filling a two-sided mold with hot plastic, then hollowing it out with compressed air.

Christina Rice, the senior librarian who oversees the Los Angeles Public Library’s photo collection, made it her personal quest to find and install one in the Central Library after a patron asked for pictures of machines at sites across the city, which disappeared in 2006 after their operator exited the market and sold them to private collectors.

The Mold-a-Central fills a two-sided mold with hot plastic, which is then filled with compressed air, to make a sphinx souvenir.

(Eric Thayer/Los Angeles Times)

At first, Rice wasn’t sure what he was talking about, but when it clicked, “it was such a strong visceral response,” she said. “I loved these machines when we would go to the zoo. It was a must-have every time.”

In fact, the last mold she purchased was a black panther from the Los Angeles Zoo, shortly after she graduated high school. Other L.A. souvenirs included a replica bandshell from the Hollywood Bowl and a tiny pagoda from the Chinese Theatre.

Rice saw an opportunity in the retro tech to get new people into the library or encourage existing patrons to explore other departments or collections.

It was a hunch that took her six years to see to fruition, but the library’s very own “Mold-a-Central” now sits in the alcove of the lower fourth floor. Visitors can trade $5 for a small black sphinx, a replica of sculptor Lee Lawrie’s Belgian black marble and bronze sphinxes that flank the north staircase on the library’s second floor. Pittsburgh sculptor Brian McGuire custom designed the mold and is also working on a replica of the 1926 Central Library building.

It’s been a hit. Visitors who’ve been drawn by nostalgia or curiosity to see it — and smell it — for themselves have molded over 3,000 sphinxes so far. During the library’s Centennial Festival in July, the machine had a consistent wait, churning out 255 figures in a single day. J.H. “Tike” Miller, the Illinois inventor of the Mold-A-Rama, was inspired by a broken figurine in his nativity scene. Department stores only sold them in sets, so he and his wife Shirley began making individual figures for sale in the late 1930s.

The Mold-a-Central makes sphinx souvenirs modeled after the black marble and bronze sphinxes that flank the north staircase on the library’s second floor.

(Eric Thayer/Los Angeles Times)

Olivia Gill, left, Ryan Gill and Thomas Gill use the Mold-A-Central. The souvenirs cost $5.

(Eric Thayer/Los Angeles Times)

In the 1950s, Miller began making figurines — often of dinosaurs and space aliens — using plastic injection molding. When his company went bankrupt in 1959, Miller licensed the technology to Aramark, then known as Automatic Retailers of America Inc. It spun off a separate division for the venture and worked with Miller to produce the first Mold-A-Rama machines.

The concept debuted at the 1962 Seattle World’s Fair, with figures including the Space Needle and Alweg Monorail, then rolled out in several test markets, including Southern California. The Los Angeles Times described Mold-A-Ramas as “a diabolical cross between a jukebox and a pinball machine” that cost $3,600 apiece, or about $39,500 today.

After a bigger splash at the New York World’s Fair in 1964, Mold-A-Ramas proliferated across the U.S., popping up in zoos, museums and anywhere tourists might exchange a coin for a toy.

Though Mold-A-Rama President Ben A. O’Dorisio predicted a future in which they’d eventually sell household goods and even apparel, high maintenance costs led Aramark to dissolve its Mold-A-Rama division and sell its machines just a few years later.

Today, most operational machines are concentrated in the Midwest and the South, split between two companies that have amicably divided their territories: Illinois-based Mold-A-Rama Inc. and Unique Souvenirs Inc. in Florida, which operates machines branded Mold-a-Matic.

Unique Souvenirs owner Tim Striggow bought the family business from his grandfather, Eldin Irwin, who purchased several machines from Aramark and other operators starting in the late ‘60s and traveled with them to fairs and carnivals. It was Striggow’s uncle who operated — and removed — L.A.’s machines.

The Mold-a-Central has been popular, with more than 3,000 sphinxes made.

(Eric Thayer/Los Angeles Times)

Striggow sold Jack White two machines for his Third Man Records stores in Nashville and Detroit, and supplied the library with its machine. It cost $32,000 and is expected to pay itself through souvenir revenues within a couple years. As Mold-A-Rama and Mold-a-Matic are both trademarks, the library’s machine is called Mold-a-Central for the Central Library and features new graphics by Studios Number One, Shepard and Amanda Fairey’s design studio.

Though new to the library, the Mold-a-Central is still a vintage machine, and Rice knew that before she could persuade the library to invest in one she’d have to find someone who could service it. She asked Gary Hall, general manager of Angels Flight, L.A.’s 124-year-old funicular, who suggested one of its mechanics, Hirschel Riley.

“Hirschel agreed immediately, and I think it’s safe to say he has fallen in love with our Mold-a-Central machine,” Rice said. “When we first got the machine and opened it up, my head nearly exploded and I wondered if I had bitten off more than I could chew, but for Hirschel, it’s been a piece of cake compared to [Angels Flight].”

Though the library offers 3D printing — a far more modern sculpting method — at its Octavia Lab, Rice finds even teenagers are interested in slide projectors and older technology during her photo collection tours, proving there’s still space for the analog in today’s digital world. She hopes Mold-a-Central will inspire a “whole slew” of similar vintage machines to return to L.A.

They are out there. Quentin Tarantino told Variety he had a production designer track one down for an opening shot of “Once Upon a Time… in Hollywood” at the Chinese Theatre before he rewrote the script. After changing course, he stored it in his garage.

TRAVELLERS are facing a second day of travel headaches after a power outage brought train services across the North West and Midlands to a halt.

If you’re heading out on the rail network today (August 7), you might be wondering if your train is actually going to turn up.

While rail bosses have reassured the public that the worst of the chaos is over, there is still a hangover of delays and cancellations to navigate today.

Here is a guide to what you need to know about the current situation, ticket acceptance, and what went wrong to cause such widespread disruption.

What caused the chaos?

The delays stem from a power cut that happened at 1.40pm on Thursday afternoon.

According to SP Electricity North West, an “incident on our high voltage cable” in Harpurhey, north-east of Manchester city centre, caused a power outage that affected around 5,000 customers.

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While the electricity provider said that power was restored within 90 seconds, that brief window was enough to trigger severe rail chaos.

The outage hit more than 400 Manchester postcodes, including the Manchester Rail Operating Centre, which acts as the main control hub for the entirety of north-west England’s railways.

Network Rail also said that their backup power generators failed to activate immediately when the main grid went down.

The failure resulted in railway signals automatically switching to red for safety, bringing trains to a standstill and sparking widespread cancellations.

Network Rail has confirmed it has now launched an official investigation into why the backup system failed to kick in.

Are trains running today?

The vast majority of trains are running today (August 7), and Network Rail has confirmed that “most operators are running a full service” after signalling systems were restored on Thursday night.

Engineers then worked through the early hours of the morning to get displaced trains back to their correct depots before the start of today’s service.

But don’t assume your journey will be completely smooth sailing just yet.

Because trains and rail crews ended up in the wrong places yesterday afternoon, it may take some time for the complex daily timetable to get back into sync.

Network Rail notes that some disruption remains as “trains and crew return to their normal positions”.

According to National Rail, this residual disruption is expected to continue until at least midday today.

Can I use my train ticket on other services?

If your train is delayed or cancelled, you won’t be left completely stranded.

Various ticket restrictions have been eased by operators to help get passengers to their destinations as quickly as possible.

If you’re travelling in and around Greater Manchester, your train tickets are currently being accepted on alternative local transport.

You can use your rail ticket to hop on Bee Network buses and Metrolink trams at no extra cost to complete your journey.

Both Northern and TransPennine Express have temporarily lifted Advance Purchase and Peak restrictions, meaning anyone holding an Advance ticket today can board any available service along their booked route without having to pay an extra fee.

Operators are also accepting each other’s tickets across shared routes.

Passengers affected by cancellations can use their tickets on Northern, TransPennine Express, LNER, and East Midlands Railway trains running in the same direction.

TransPennine Express tickets are also being accepted on CrossCountry services across key eastern routes, including between Sheffield, York, and Newcastle.

Chris Wright, Network Rail’s North West route director, praised passengers for their patience following the disruption.

He said: “While some passengers may still experience disruption, we’re continuing to work closely with train operators to return services to normal as quickly as possible.

“Anyone planning to travel this morning should continue to check before they travel for the latest information.”

If you’re travelling today, use the National Rail Status and Disruptions website, or check directly with your train operator before you leave the house.

How can I get a refund?

If your travel was derailed on Thursday, you won’t lose out either.

Tickets dated for yesterday are being honoured for travel throughout today at no extra charge.

But if your plans were thrown fully into disarray by the disruption, you may be entitled to cash back.

If your train was delayed or cancelled and you chose not to travel at all, you are entitled to a full refund with no administration fee.

You will need to apply for this directly from the retailer where you bought the ticket, such as Trainline, TrainPal, or the station box office.

If you completed your journey but arrived late, you can claim compensation through the national Delay Repay scheme.

In this scenario, you must claim directly from the train operating company that ran the delayed service, rather than the ticket seller.

Claims can usually be submitted online by uploading a photo of your ticket, though paper forms are also available from station staff.

How much you receive depends on the length of the delay to your destination, rather than what time your train departed.

If you need to double-check exact arrival times to support your claim, you can look up your route on tracking websites like recenttraintimes.co.uk.

Season ticket holders are also covered and will receive a proportional refund based on the cost of their pass and the duration of the delay.

Make sure to log your claim as soon as possible, as most train companies enforce a 28-day deadline from the date of travel.

If your claim is initially turned down and you believe you’re still owed compensation, you have up to one month to submit an appeal directly to the train operator for further review.

The Angels traded reliever Chase Silseth and struggling catcher Logan O’Hoppe to the Texas Rangers for minor league third baseman Angel Arredondo on Wednesday night.

The deal, announced a few minutes before the Angels’ series finale against the Houston Astros, could mark the beginning of an extensive rebuilding process for the Angels, who entered play Wednesday with an American League-worst 42-66 record and 13 1/2 games behind the Rangers in the AL West.

“We know we have to start shaking up this roster, and today was day one,” Angels interim general manager John Mozeliak said. “Clearly, where the Angels are at right now, we need to do things differently.”

Silseth, 26, was one of the Angels’ top relievers, going 3-2 with a 2.72 ERA in 47 games this year. O’Hoppe, 26, appeared in 75 games, batting .209 with 23 RBIs.

Arredondo, 19, hit .247 with eight home runs, 15 doubles and 47 RBIs in 86 games for low-A Hickory this season. He signed with the Rangers as an international free agent out of Mexico in 2024.

BUDGET airline easyJet has just released its flights for next summer and you could grab a bargain.

EasyJet‘s Big Seat Release means travellers can now book flights up until September 26, 2027.

Travellers can choose from 140 destinations across Europe and North Africa and can fly from 22 airports.

And package holidays can be booked up to October 31, 2027.

Sun Travel looked at the current cheapest flights available and here are the best offers at the time of publication.

You could head from Newcastle to Amsterdam, The Netherlands, one-way on September 8, 2027, for £26.48.

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Alternatively, from the same airport, you could head to Nice in France for £26.48 one-way.

From Birmingham Airport, you could travel to Paris, France, on June 29 for £29.48 one-way.

Or head to Amsterdam for the same price, on June 15.

If you don’t mind spending a few more quid, there are several flights for £32.48 from the airport, including to Bordeaux on August 26, Berlin on August 30, Prague on June 16 and Geneva on September 8.

There are several flights from Manchester Airport for £32.48 one-way.

These include to Paris on June 22, to Amsterdam on September 7, to Copenhagen on June 15 and to Rennes on June 30.

For a bit of Spanish sun, you can head to Barcelona from Leeds Bradford Airport for £34.98 one-way on June 16.

Or you could head to Porto in Portugal on August 6 from Glasgow for £32.48 one-way.

If you can’t wait for a holiday until then, you can get 15 per cent off selected flights if you book by Friday, for holidays between August 1 and September 30, 2026.

Kevin Doyle, easyJet’s UK Country Manager, said: “Whether customers are dreaming of a beach holiday in the Mediterranean, a city break with friends or a family getaway during the school holidays, our Big Seat Release for next summer gives them the chance to get ahead and start planning.”

STRIKES at an airport in Spain have started today – with passengers being told to ditch cabin bags for hand luggage to avoid the chaos.

Walkouts from multiple unions will continue across the next couple of weeks affecting baggage handling and check-in.

Palma Airport on the island of Majorca is one of the busiest in Spain during the summer season – and lots of its workers are going on strike.

The first walkouts are by those working in technical maintenance, ground equipment and airport infrastructure roles.

These are being planned by three unions, which started yesterday and will continue until July 30.

Swissport – who handle check in and boarding – is also striking today, as well as on August 1, 4 and 8.

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On these days ground staff will walk out between 7am to 12pm, then again from 7pm to 10pm.

The airport has warned passengers that today could be particularly bad as the strikes coincide at the same time.

Airlines affected by the Swissport ground handlers’ dispute include TUI.

But others could be affected too, as a statement from the airport said that “its impact will stretch beyond Swissport-handled airlines”.

While flights are yet to be cancelled, according to Qsensor, the wait time at security in Palma Airport this morning has been 26 minutes longer than average.

Passengers going to the airport during this time have been asked not to arrive too early and even ditch check-in bags for hand luggage instead.

On its website, the airport issued advice to travellers who are heading through the terminal on strike days.

• Check in online: Complete your check-in online before heading to the airport to minimise time spent in queues.

• Travel light if possible: Travelling with hand luggage only allows you to bypass potential check-in and baggage carousel delays.
• Monitor your airline’s app: Keep a close eye on text alerts or app notifications from your airline for real-time schedule updates.
• Arrive on time (but not too early): Stick to the standard arrival window recommended by your carrier (usually two to three hours before departure). Arriving half a day early can worsen airport congestion.

On the strike, a TUI spokesperson said: “We are aware of planned industrial action affecting airline operators at Palma airport.

“At this stage, we do not anticipate any disruption to our customers. However, we are working closely with our local teams and airport partners to minimise any potential impact.

“As always, we will proactively update our guests if there are any changes to their itinerary. Customers should continue to check their flight details as usual before travelling.”

Meanwhile, Ryanair told Sun Travel that it will “operate as normal” with “no impact to operations”.

easyJet also said its flights will be operating as normal.

GETTING around the capital is about to get harder for three weeks of the school summer holidays.

Charing Cross and Waterloo East train stations will close today until the middle of next month.

It comes as both stations are set to get an upgrade, costing £20million overall.

The stations will then both reopen on August 16.

However, this won’t be the end of closures for the two stations as there will be further closures between August 22 and 23 and between October 10 and 11.

Across the initial first closure, travellers will need to head to London Victoria, London Bridge, London Cannon Street or London Blackfriars instead.

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Though, commuters will be able to use alternative routes, including on the Underground and on buses, for no extra cost.

Works on the stations include repairing the 175-year-old Hungerford Bridge, which trains head over the River Thames on.

A number of commuters have taken to social media to share their outrage at the closure.

One person commented: “All these upgrades they do, and yet their still rail replacement most weekends.”

Another person said: “With Charing Cross and Waterloo East closed for three weeks, this will inconvenience a huge number of passengers.

“The least Southeastern could do is provide more off-peak trains during the morning rush hour to help cope with the increased demand.”

A third person said: “R.I.P. my commute I guess.”

Scott Brightwell, train services director at Southeastern Railway, previously said: “The £20 million investment we are delivering will see 1990s track and platforms upgraded to make journeys safer and more reliable, and Victorian- era structures strengthened to remain fit for the future.

“By consolidating the work into a 22-day closure, supported by preparation and follow-up weekends, we can complete the work more quickly and with less disruption overall than the alternative options of 60 weekend closures or four to five, nine-day closures.”

He added: “We have planned the closure for the summer, when passenger numbers are around 20 per cent lower and schools are closed, to help manage the impact on customers.”

Travellers are urged to plan ahead and check before they travel.

Paramount Skydance has agreed to delay its purchase of Warner Bros. Discovery to as late as next June as David Ellison’s media company mounts its defense to the antitrust challenge brought by California Atty. Gen. Rob Bonta and his coalition of 11 other state attorneys general.

The major concession comes as Paramount was facing an Aug. 3 hearing to try to convince U.S. District Judge Araceli Martínez-Olguín that its proposed $111-billion deal — which would reshape Hollywood with the combination of two historic studios — would not violate U.S. antitrust laws.

The judge appeared to be leaning toward the arguments of the state attorneys general, who have alleged the proposed union of two big film studios and television networks including HBO, CBS, CNN, Comedy Central, Nickelodeon and TBS, runs afoul of the 112-year-old Clayton Antitrust Act.

In a stipulation filed Friday, Paramount agreed to hold off on closing its blockbuster purchase until after the states’ antitrust case can be decided in a trial before the Oakland-based judge or by June 1, 2027, whichever date comes first.

The move came after Martínez-Olguín issued a temporary restraining order earlier in the week — requested by Bonta and the others — which paused the deal until next month’s preliminary injunction hearing when she was set to decide whether a lengthy moratorium should be imposed.

Privately, Paramount officials were worried they might lose that round before Martínez-Olguín, so, during negotiations with the states, Paramount stipulated that it would not close the deal on its preferred timetable.

Paramount had wanted to finalize the takeover this month — or at least have it wrapped up by Sept. 30.

In a statement, Bonta celebrated the delay as “great news for audiences, movie theaters, and the many people who write, build, and create the art, news, and entertainment so many of us enjoy.”

“Our argument against this illegal merger is straightforward: When too few corporations have too much power in markets central to American life, it makes things more expensive, and it makes things worse,” Bonta said.

Now, Paramount will incur added deal costs and significant legal fees as it prepares the case for a full-blown trial. Paramount, in a statement, framed the delay as “a significant win” for the company.

“The result is exactly what we have sought from the outset: a direct path to a trial based on the evidence,” a Paramount spokesperson said in a statement. “This is the fastest and clearest way to prove that this transaction is good for competition, good for consumers, and good for creators, a conclusion dozens of competition authorities around the world have already reached. We look forward to proving our case at trial.”

On Wednesday, the European Commission gave its blessing, allowing the Paramount-Warner merger to move forward in European countries. More than 40 jurisdictions have given their consent. The U.S. Justice Department last month signed off — an approval that had been expected because of President Trump’s desire to see the Ellison family own CNN.

Paramount shares slipped on the news, falling 3.3% to $8.21 — marking the year’s lowest trading day. Warner’s stock gains since Monday’s restraining order ruling were suddenly erased. Warner shares finished at $25.77 — 17% lower than Paramount’s deal offer.

Now Paramount will have to pay Warner Bros. Discovery investors more than the $31 a share it previously promised.

In a show of confidence earlier this year, the company boasted it would quickly secure the necessary regulatory approvals to finalize the Warner purchase by late September. As an added incentive to win over investors, the company said it would pay so-called “ticking fees” should the deal encounter snags.

Those fees of $.25 a share per quarter begin Oct. 1, adding about $650 million to the pricetag each quarter until close. If Paramount is unable to close the deal by June 1, it would owe Warner Bros. Discovery a $7 billion breakup fee.

Larry Ellison, co-founder of software giant Oracle, is bankrolling his son’s ambitions to acquire a second major entertainment company in less than a year. The Ellison family acquired the smaller Paramount in August.

The Democratic state attorneys general, including from New York, New Mexico, Nevada, Colorado, Oregon and Washington, filed their lawsuit nearly two weeks ago.

The state attorneys general have alleged the deal would harm competition in three markets: films released widely (in more than 3,000 theaters); potential blockbuster films; and a concentration of cable TV channels.

Paramount insists that streaming marketshare be included in the market definition because a combined Paramount+ and HBO Max would still trail industry leaders, Netflix, YouTube, Amazon Prime and Disney+.

“Plaintiffs’ market definitions bear no relationship to the realities of today’s marketplace and cannot withstand scrutiny,” Paramount’s spokesperson said.

In her order earlier this week, Martínez-Olguín wrote that the plaintiff states presented “compelling evidence” that the merged company could wield too much control in theatrical distribution.

Friday’s agreement came after Martínez-Olguín on Thursday extended the restraining order for another 14 days — until Aug. 17 — in recognition the two sides needed time to hash out their scheduling requests. In addition, the Writers Guild of America has filed its own antitrust lawsuit, and the judge agreed to allow that case to move forward with the states’ case.

The Aug. 3 preliminary injunction hearing will be canceled as the two sides prepare for a trial.

“We are eager to continue to make our case in court …to ensure this unlawful merger never sees the light of day,” Bonta said.

The months-long delay is expected to affect Warner Bros. Discovery Chief Executive David Zaslav’s proposed $887-million exit package.

As part of a pact earlier this year, Warner board members agreed to cover Zaslav’s expected $335 million in tax obligations tied to his enormous payout, according to regulatory filings. However, Warner is not on the hook to cover Zaslav’s tax bill should the deal extend into 2027.

The merger has faced stiff resistance in Hollywood and beyond. More than 5,000 entertainment industry workers have signed an open letter calling on Bonta to block the merger.

Britain’s culture minister has also signaled that she may open a full inquiry into the proposed media consolidation, which could also bring other delays.

“This victory in putting the merger on hold belongs to the people who refused to treat the merger as inevitable,” Norm Eisen, a former ambassador and Obama White House ethics lawyer who is helping lead the #BlocktheMerger campaign.

“Artists, journalists, filmmakers, and consumer advocates spoke out despite the risk of retaliation, more than 5,500 people signed our open letter,” Eisen said in a statement. “This collective resistance is turning the tide.”

A NEW 34-mile coastal path linking two pretty English villages has opened today.

It will give hikers access to previously unwalkable routes and forms part of a huge coastal path project.

A major new 34-mile section of the King Charles III England Coast Path has officially opened today, Thursday July 23.

Running between Foxfield and Greenodd, the opening of the path is the latest milestone in completing the 200-mile coastal stretch from Gretna to Silverdale, on the Lancashire border.

The new opening now brings the grand total of walkable Coast Path in the North West to around 208 miles.

Those looking to walk the path will be treated to charming coastal communities, nature reserves and historic industrial landscapes.

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When fully complete, the King Charles III England Coast Path will become a 2,700-mile stretch around the entire English coast.

The National Trail route is set to be the longest managed coastal walking route in the world.

From today, walkers can now explore the new section of path located on the eastern edge of the Furness Peninsula.

The new section of path is a key milestone in the delivery of the 70-mile stretch of coastal route from Silecroft to Silverdale.

Winding through a number of coastal communities, visitors will pass by Kirkby-in-Furness, Askam-in-Furness, Barrow-in-Furness, Bardsea and Ulverston, before crossing the Leven Estuary.

The route also offers views of Morecambe Bay and passes the end of the Ulverston Canal.

Walkers can also spot a number of distinctive slag banks, sand dunes and an abundance of wildlife along the path.

The delivery of the new path will move visitors away from previously unavoidable shores, leading to a greater discovery of the area’s coastal landscape.

Natural England deputy director for Cumbria, Claire Argent, said: “The Furness Peninsula is one of those places that genuinely takes your breath away, whether you’re watching the light change across Morecambe Bay, listening for curlews over the estuary, or discovering the layers of history tucked into these coastal communities.

“This new stretch of the King Charles III England Coast Path gives people the chance to experience all of that on foot, safely, sustainably and responsibly, whilst learning about and caring for our wonderful landscapes and nature.

“We’re proud to see this route taking shape and look forward to completing the full 200-mile Cumbrian stretch.”

The path is located on a mix of existing public rights of way, permissive access routes and new access.

Councillor Adrian Waite said the project was a “huge job” which required “securing contracts and permissions, specifying work, getting quotes, managing the contractors and liaising with landowners”.

The cabinet member for Environmental Services and Transport at Westmorland and Furness Council said the teams had put in “more than 300 signs and waymark posts, 10 sets of steps, 23 bridges, around 60 gates” and five kilometres of fencing and surfacing.

Anyone looking to grab their hiking boots and try out the coastal path is reminded to follow the Countryside and Coastal codes when walking the route.

Travellers are also warned to exercise caution around Morecambe Bay, as fast-moving tides and quicksands in the area could be dangerous when venturing onto sands and saltmarshes without an experienced guide.

When Victor Marx was 3 years old, he was forced into a voodoo ritual involving a beheaded cat. At age 7, he killed a man.

Or so Marx says.

But he was not just a precocious child.

As an adult running a “high-risk” Christian ministry, Marx says he rescued 45,000 women and children from captivity and abuse. As a civilian, he supposedly called in a U.S. military airstrike that killed 70 ISIS fighters. He’s exorcised demons — and can do so over the telephone, he says, if need be.

True or, most likely, false, those woolly claims and epic tales of derring-do aren’t the weirdest thing about Marx.

The weirdest thing is that Marx is the Republican nominee for governor of Colorado, an actual part of these United States.

A political newcomer, Marx eked out his victory in a three-way race by less than 2,500 votes out of more than 520,000 cast. (It took almost nine days to declare a winner, but surely you knew that already, given the national outcry over how long it took Colorado to count its ballots. Oh, wait. Never mind.)

Although slender, Marx’s victory delivered a strong statement: about the grave condition of mainstream Republicanism; about the increasing embrace of oddity and extremism by a deeply disaffected slice of the American electorate; about the unsettled and unsettling nature of today’s politics.

“It’s almost cult-like,” Dick Wadhams, a former Colorado GOP chairman, said of Marx’s support. “You talk to some of these people, and there is no doubt in their mind he will be governor, because God has decided that he’s going to be governor.”

There’s fat chance of that. (Please don’t smite me.)

Colorado has elected only one Republican governor in the last 55 years, and that was back in 2002. It’s been 10 years since a Republican won any statewide office. The Democratic nominee, Atty. Gen. Phil Weiser, is as close to a November shoo-in — after stomping U.S. Sen. Michael Bennet in the primary — as it gets.

But Marx, 61, a former Marine and expert in martial arts, is nothing if not swaggering. His role model is, of course, the political disrupter and fabulist-in-chief currently occupying the White House.

Like President Trump, Marx relies heavily on personal charisma, a strong social media presence and the purposeful shunning of campaign norms which, to the politically alienated, speaks to his independence from the establishment and offers a welcome break from the same old, same old.

He casts himself as a problem-solver and negotiator par excellence. He skimps on policy and skipped most of the preprimary debates; at the one he did attend, Marx brought his dog, a Dutch shepherd, onstage. In lieu of a closing statement, Marx prayed.

When asked, he hasn’t backed off his fantastical claims. But Marx hasn’t done a very good job substantiating them.

As a young boy growing up in Louisiana, he says, his abusive stepfather — the one who supposedly involved him in a satanic feline decapitation — drove him to rural Mississippi, where Marx shot and killed a man. Police told Colorado Public Radio they had no record of any unsolved homicides from that time.

“How many people have you killed?” Kyle Clark, an anchorman on Denver’s 9News, asked the candidate in a persistent and revealing sit-down interview.

“I don’t think that’s important,” Marx replied. “It’s actually kind of — it’s an odd question to me.”

Actually, it’s not.

(Conceding the Republican race, state Sen. Barbara Kirkmeyer — the runner-up — conspicuously declined to endorse Marx, urging voters to “choose the path that is best for Colorado” in November. “For the record,” she added. “I still haven’t killed anyone.”)

In many ways, Marx is a mainstream conservative Republican. He founded All Things Possible Ministries, a Christian nonprofit that tends to refugees and other victims of trauma. His focus on law and order, tax relief, small government and deregulation are all standard GOP fare.

But his florid tales of youthful homicide, telephonic exorcisms, personally intercepting human smugglers on the U.S.-Mexico border — well, not so much.

Most voters will probably have a hard time getting past those autobiographical extravagances, which could spell trouble — depressed GOP turnout, guilt by association — for other Colorado Republicans, including freshman Rep. Gabe Evans, who’s fighting to hang onto a closely fought congressional seat in the north-central part of the state.

It’s a loss Republicans can ill afford as they desperately seek to preserve their bare House majority.

Despite its preference for Democratic governors, Colorado was, until not that long ago, a competitive two-party state. It was a presidential battleground as recently as 2012. Republicans held a majority in the state Senate as recently as 2018.

But the MAGA-fication of the state GOP has hastened Colorado’s evolution from political battleground to a solidly blue bastion.

“The Colorado Republican Party right now is impotent and irrelevant,” said Wadhams, who fought unsuccessfully against its takeover by Trump-worshiping zealots. “The ironic twist to this story is that polling has shown over the past several months that voters are getting restless about what they see as the decline of Colorado in terms of education, energy, roads and transportation.”

Just last week, the annual Colorado Health Foundation issued its annual Pulse Poll, a dour report card on the state of the state that found three-quarters of respondents were concerned they may not be able to live there in the future.

But don’t expect Democrats to lose their sovereignty anytime soon.

That’s what happens when a party and its voters stop seriously competing and instead indulge their passions and fever dreams. You get candidates, and political caricatures, like Victor Marx.

God help us.

In separate speeches delivered a few hours apart, California’s two gubernatorial hopefuls stuck to familiar themes — offering a preview of the issues that could define the November election to succeed Gov. Gavin Newsom.

Xavier Becerra, a Democrat, sought to tie Republican rival Steve Hilton to President Trump during his remarks Wednesday at the National Assn. of Latino Elected and Appointed Officials conference in downtown L.A.

Hilton focused on his immigrant roots and how to help small businesses in California, and ignored Becerra’s attacks.

California gubernatorial candidate Steve Hilton speaks at the National Assn. of Latino Elected and Appointed Officials conference at the InterContinental Los Angeles Downtown on Wednesday.

(Myung J. Chun / Los Angeles Times)

Their appearances at the conference marked one of the first times both candidates have appeared at the same event since the June 2 primary.

Becerra, the former U.S. Health and Human Services secretary and former California attorney general, placed first in the primary, winning 28% of the vote. Hilton, a former Fox News commentator, followed with 24.6%.

Republicans make up only a quarter of registered voters in the state, so Hilton may face an uphill battle to victory in November.

Democrats, including Newsom, have sought attention by attacking Trump and defending California policies, and Becerra appeared to lean into that approach on Wednesday.

Without mentioning Hilton or Trump by name, Becerra labeled the president a “false” prophet during his 10-minute address.

“We don’t need people who make a promise to end a war in one day, and today, we still fight it and others,” said Becerra, referring to the ongoing U.S. attacks on Iran. “We don’t need someone who said they will lower the price of gasoline and then raise it by starting a reckless, illegal war.”

California doesn’t “need those prophets and worse. And I tell you this — in California we will not accept their disciples,” said Becerra, seemingly referring to Hilton.

Hilton, who spoke for about five minutes, acknowledged he was endorsed by Trump. He then pivoted to the topic of immigration and alluded to the red tape and regulations in the state that he blames for hurting small businesses.

He recounted how his parents moved from Hungary to Britain, and then how he moved to California in 2012.

“That story of the immigrant aspiration, climbing the ladder of opportunity in a new country, that is my story,” Hilton said.

Hilton attended the University of Oxford and worked a senior advisor to former U.K. Prime Minister David Cameron before moving to the state. He also talked about his time running restaurants.

“That is a really tough business, and it is especially tough today in California for small business owners, for working-class Californians, and that’s what I’m fighting for in this campaign,” he said.

Hilton said he is “not an ideologue,” and doesn’t “want to tell anyone how to live their life or run their business.”

“I just want everyone to have a shot at climbing that ladder of opportunity,” he said.

Becerra also chastised Hilton over an incident in May, when Hilton filmed himself eating a Del Taco taco, which he called a “street taco.”

Becerra, looking amused, told the NALEO audience that you don’t get street tacos “in some establishment that’s been around for a long time.”

“You get it on the street from the guy who’s been making it for a long time in his little cart,” he said.

Newsom and U.S. Sen. Alex Padilla (D-Calif.) also previously spoke during the conference, which included discussion of the recent killings of immigrants by federal officers.

“The price of freedom, of democracy, of inclusion, is high,” said Becerra, adding that the price of “simply driving while brown” is “so high.”

Chunky platform sandals, fitted baby tees, butterfly clips on perfectly crimped hair, brightly patterned skirts and tons of sparkles. Pure Y2K-fueled nostalgia filled the Kia Forum on Wednesday night in celebration of all things Hilary Duff.

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Duff graced the stage at the Inglewood venue as part of her Lucky Me tour, her first global headlining tour in nearly two decades. And her fans couldn’t have been more thrilled. The pop singer and actor, who released her sixth studio album “Luck… or Something” in February, performed two back-to-back sold-out shows.

Before the final L.A. show, we caught up with fans to talk about their outfits (many of which were inspired by Duff’s most famous roles such as Sam in “A Cinderella Story” and the title role in “The Lizzie McGuire Movie”), the memories her music brings up for them and why her work still resonates with them. Here’s what they had to say.

(Kayla Bartkowski/Los Angeles Times)

Tristan Hallam, 36, of Chicago

Tell us about your outfit.

This is my wedding dress that I had stuffed in a suitcase. She’s been in a suitcase for 10 years, and I still fit into her, which is nice. People ask me why I keep stuff and this is exactly why: You might get divorced and use it as a costume. My outfit is inspired by “A Cinderella Story.” It’s my favorite Hilary Duff movie. She plays diner girl Cinderella. She disguises herself with a mask and a L.A. Dodgers cap. I did have a tiara, but I didn’t bring it because I didn’t want to be too much. So I figured, you know what, why not buy an apron and a little black crop top, and rep L.A.

I have a tattoo of her signature. It’s a little faded because it’s like 10 years old, maybe older than that now. It was at a book signing at Barnes and Noble at like the Grove or something. I asked her if she would initial my wrist, and I got it tattooed the same night. I literally drove to the tattoo shop on Hollywood Boulevard with my arm out the window because I’m so clumsy and I didn’t want to smudge it. Then the next time I saw her, she asked me, what did your parents say? I said, “My mom asked me how long I kept the Sharpie on so long.”

How long have you been a fan?

I think I was like 8 or 9 years old when I saw “Casper Meets Wendy” for the first time. My grandma took me to like a K-Mart or something, and told me that I could get any movie that I wanted. Then I was into “Lizzie McGuire,” but as soon as Hilary started doing all her like movies and independent work, obviously the music is great. I used to live in L.A., so I went to a bunch of her book signings. I’ve done a lot of meet and greets for her concerts, and right now I’m traveling around. I’m going to 18, technically 19 shows now, and I’m gonna see her in New Zealand, Australia and some other places. I’m actually really excited because one of my friends, I met her in a Hilary Duff fan club chat room in 2005 on MSN Messenger, and we are still friends, so we are going to a ton of shows together.

Why does her work still resonate with you today?

The fact that we’re around the same age, there’s been a lot of relationship similarities. I don’t have any kids, but the struggles with family, with your dad, with your siblings. She’s got some songs that are more mature and relatable for people our age. People who have gone through ups and downs in relationships, struggles with family and figuring out who your real family is, not just by blood but who your chosen family is. I think that’s really important.

(Kayla Bartkowski / Los Angeles Times)

Leilanie Martinez, 30, of South Gate

Tell us about your outfit and the inspiration behind it?

It’s my quinceañera dress. It’s supposedly very traditional to wear a white dress, like young women coming of age. For mine, I wanted to wear something that I didn’t see a lot of people wearing and I was very firm that if I didn’t find the love of my life, I was going to wear a white dress and this was my moment. My quinceañera was such a precious time. It really was a labor of love, and I think it’s one those memories I hold very near and dear. I think it’s an ode to her history, her legacy.

How long have you been a fan?

I remember I was 5 and I was running around in my neighborhood, playing with Barbies and watching “Lizzie McGuire.” I’m here today with my neighborhood and childhood friends. We used to watch it together and now we’re reliving our nostalgia and childhood.

Thinking back on when you first fell in love with her work, why does it still resonate with you today?

There’s a lot of power in her being a woman and she’s going through so many milestones that a lot of people my age are going through like having children and growing her career. Sometimes I think people “wash out” and I think it’s wonderful how she’s combating that narrative in so many ways, and that people are out here supporting her. I think there’s a lot of beauty in being able to be together as young women and relive some of these memories, but also cheer her on as she continues developing further.

(Kayla Bartkowski / Los Angeles Times)

Crystal Chesher, 33, of Mar Vista and Isabella Sanchez, 33, of Culver City

Tell us about your outfit.

Sanchez: We’re channeling “The Lizzie McGuire Movie.” My actual name is Isabella. She gives more Lizzie vibes and I give more Isabella vibes. It’s funny because I’ve literally saved [looks] of Isabella and Lizzie on my Pinterest board and I’ve always wanted to dress up like this. It’s not 100% of what I wanted, but it’s giving what it’s supposed to.

How long have you been a fan?

Chesher: Since I was little. I remember watching “Lizzie McGuire” since the age of 10 at the very least so I’ve been growing up with her movies and shows. She’s definitely my idol.

Sanchez: Same. Growing up, I was bullied so she was a very big part of me being more positive about myself. I can relate to her and she really helped me. It just feels full circle to be able to see her at 33 when I wanted to see her when I was like 10.

Thinking back on when you first fell in love with her work, why does it still resonate with you today?

Chesher: She has a heavy influence in the LGBT community as well especially with the [anti-gay speech campaign]. I loved that. With her movies and her music, it’s all relatable and it resonates with you, the lyrics, the storyline and even her new album that just came out.

Sanchez: She’s just that girl. I’ve never even met her, but I feel like she’s so genuine and real and she’s always stayed consistent with who she is. She’s not like your typical celebrity. She’s just awesome. I’m literally probably going to tear up seeing her on stage.

(Kayla Bartkowski / Los Angeles Times)

Lucca Petrucci, 33, of Santa Monica

Tell us about your outfit.

This is a last-minute choice. It’s very like ’70s or retro. I feel like I’ve seen her wear something like this. I’m wearing wide-legged pants, Doc Martens, platform, new haircut, facial. The inspiration for this fit was elegant pop star like confidence, grounded, a baddie. I’m a baddie who knows my worth and that’s what I wanted to embrace. I feel like she’s like doing that. She has a lyric that’s like ‘I look in the mirror, like I’m a bad b—.”

How long have you been a fan?

Since third grade. I thought she was my crush, but I think I just wanted to be her. So many of my core childhood memories are with her.

Why was tonight a non-negotiable for you?

I wanted to experience with my bestie and her sister. I feel like as a kid I didn’t allow myself to fully embrace it because it would be too girly, too much, too gay. So I feel like as a 33-year-old, I’m reclaiming that experience. I’m so excited just to hear everybody in the Forum sing “So Yesterday” and “Come Clean.” She has always been my number one pop star, to this day, and I’ve never seen her perform.

Why does her work still resonate with you today?

I feel like, especially when she was on “Lizzie McGuire,” she was figuring out who she was, but was open to being her authentic self. So I think that just like hit me when I was like in third and fourth grade, like figuring out myself. I felt so seen by her, and her music just brings back like such good feelings. Younger version of me, life wasn’t always great, but, I don’t know, she made things better.

(Kayla Bartkowski/Los Angeles Times)

Liv Guardado, 8, Priscilla Cruz, 38, Ava Guardado, 10 and Jezelle Velasco of Costa Mesa

Tell us about your outfit.

Cruz: We went thrifting for the first time for this. I’m plus-size, so thrifting is not easy in my size, so we did what we could. We got some overalls from Goodwill. And then we got some cowboy boots because we just wanted to be comfy.

Velasco: I probably stressed the most. I ordered so many pieces and it just kind of came together. I think the nails took the longest. One of my friends did my nails. It took some time but we got it done.

How long have you been a fan?

Velasco: Probably since I was their age. I never got to go to a concert, so this is my first time seeing her live.

Cruz: I definitely got inspired around middle school. I had a friend who was like Lizzie, and I was the best friend, Miranda. People would always say I was Miranda. I was a little older than [my girls], but I definitely have kept tabs on her life, and we love her.

Why does her work still resonate with you today?

Cruz: It definitely feels like memories and home when you think of her music from back then. And now she’s obviously stepped into a different phase of her life, and it matches where we’re at in our phase too so it’s nice.

Velasco: It just brings back the nostalgia from back when we were younger and now being parents, and being able to relate to her and her new music.

(Kayla Bartkowski/Los Angeles Times)

Paige Beard, 34, and Tayler Nelson, 27, of Bakersfield

Tell us about your outfits.

Beard: I was supposed to be wearing purple and she was going to wear green, and we were going to do the Isabella and Lizzie look at the end of “The Lizzie McGuire Movie.” It turned out more pink, but we ran with it.

Nelson: I was all about that performance, so I was like green. Gotta go green. We’ve been planning for a while, like two months.

How long have you been a fan?

Beard: I’ve been a fan for a long, long time, probably since “Casper Meets Wendy.” I was also a really big “Lizzie McGuire” fan, so I got into her acting as well as her music.

Nelson: Same. I was all about the Cinderella movie though, so it’s probably been 10 years for me.

Why does her work still resonate with you today?

Beard: I was telling my sister that I really liked “Lizzie McGuire” because it was one of the first times I saw somebody’s inner dialogue acted out in cartoon form. It showed me that I’m not too much. She’s a little bit older than me and I see her crying on stage and I’m like “OK, it’s OK.”

Nelson: “The Lizzie McGuire Movie” was a big turning point for me. I just loved how she expressed herself with what she wore and how she acted. I feel like I understood her in different ways. I enjoyed the dancing and the singing for sure. She felt free and I’m like, “Dang, I want that.”

(Kayla Bartkowski/Los Angeles Times)

Freddy Lopez, 38, and Raymond Lockwood, 36, of San Bernardino

Tell us about your outfits.

Lopez: Just a ’90s vibe. I guess a little old-school.

Lockwood: The outfits are a little last-minute because we were like we should’ve done diner girl [from “A Cinderella Story”] or one of her other movies, but we chose the little cartoon character from the show.

How long have you been a fan?

Lopez: I’ve been a fan since “Lizzie McGuire” and her movies.

Lockwood: For the past 20 something years. We grew up watching “Lizzie McGuire” and got introduced to Hilary Duff when she started singing.

Why was tonight a non-negotiable for you?

Lopez: We don’t know if she’s going to come back after this, so you’ve gotta take every opportunity. There’s other artists who cannot come back to perform right now. So when she said I’m coming back, we had to.

Lockwood: We’re healing our inner child. As a kid, we didn’t know she was having tours or we couldn’t afford to come out. Now, we’re like we don’t have to ask our mom and dad for anything.

Why does her work still resonate with you today?

Lockwood: For me, it’s being a teenager, watching the “Lizzie McGuire” show and watching the movie and then learning her songs. My favorite song is from the movie, “What Dreams Are Made Of.” It’s just us getting to live back in the past and kind of understanding it a little bit more. As a kid, our dreams are not what they realistically are today. I ended up becoming a nurse. As a kid, I didn’t sit on the couch like “Oh, I’m going to be a nurse,” but that’s what my dream ended up being.

(Kayla Bartkowski/Los Angeles Times)

Stephanie Rodriguez, 32, High Desert

Tell us about your outfit.

If you ask my fiancé, I was hunting for outfits and last-minute I was like, “I’m just gonna order something on Amazon.” When I saw this, I was like, “That’s it.” Total nostalgia with “13 Going on 30.” We went shoe shopping at the South Coast Plaza over the weekend. The metallic is pulling it all together and the butterfly clips.

How long have you been a fan?

Probably since I was like 8 or younger, pretty much very much obsessed. All of my holiday gifts were Hilary Duff. I had her K-Mart home products. Any magazines she was in, I got. Any outfits that I could try and replicate, I would. My first Hilary show was either Wango Tango or a Jingle Ball with KIIS-FM, so it was just a festival with a bunch of different artists but I went specifically for her.

Why does her work still resonate with you today?

I think a lot of us feel like we grew up with Hilary, so all of her music resonated with us then, and now, now that we’re older, through relationships or divorces or motherhood. It’s pretty cool to see just how we’re all kind of growing up together. The first time I think I found out about her was at the Glendale Galleria. I was recently telling my fiancé that my dad had me on his shoulders because she did a meet and greet and the entire mall was packed.

(Kayla Bartkowski/Los Angeles Times)

Kelsie Wagner, 35, of Temecula and Tyler Walsh, 35, of Long Beach

Tell us about your outfit.

Wagner: I’m channeling Lizzie McGuire. My favorite part is the butterfly clips.

Walsh: This is from Company D, which is a discount store for Disneyland. I was like let me get the biggest shirt and make it into a dress, but I’m wearing shorts — it’s still appropriate. I have like six authentic Disney pins here. This is about $200 on my hat. I was like I have to do something that represents. It’s a big hobby, pin trading, that I picked up in 2023. Then I wore my Lisa Franks. I figured I would channel everything from the ’90s and 2000s.

How long have you been a fan?

Wagner: Whenever the “Lizzie McGuire” show came out.

Walsh: I remember going to sleepovers with all of my friends and we would do Lizzie nights. I was on a soccer team and on Saturday nights, we’d go watch the newest episode. It was just so fun because I feel like I had a little clan that loved Lizzie. We went to her concert at the Grove together and it was back when you paid $50 to get in. We were front row and we like smelled her. It was wonderful.

Why does her work still resonate with you today?

Wagner: For me, especially her new album, she talks about marriage, relationships, motherhood, so it’s still relatable in that sense of that stage of life that we’re in.

Walsh: For me, it’s just nostalgia, because I’m not married, I have no kids, like I’m that fun aunt. And I will say, like, because she goes to Disneyland a lot, so I luckily got to meet her too. I asked her for a picture, and she’s like “Yeah, of course, honey.” It’s the most embarrassing photo of me ever though.

Wagner: I told her she should get it printed and wear it to the concert.

Walsh: I should have.

UK airports will now allow younger passengers to use the eGates, in a huge boost for families travelling this summer holidays.

From today, passengers aged eight and nine will be able to use the faster eGates at airports across the country.

Previous rules only allowed kids who were the age of 10 or over to use the eGates, meaning families had to wait in much longer queues at passport control.

The only other rule is that kids must be at least 120cm tall, so they can still access the screens.

The new rules are predicted to affect 1.5million kids.

There are more than 290 eGates at UK airports and ports, plus juxtaposed ports (where UK border checks take place in Europe).

OPEN UP

Full list of 48 EU airports letting Brit holidaymakers use faster eGates this year

GROUNDED

Airport eGates failure forces passenger to miss flight and buy £622 new tickets

This means borders like the Eurostar at London St Pancras and Eurotunnel in Folkestone.

Minister Alex Norris, Minister for Border Security and Asylum said:
 ”Today’s change will make journeys easier for families with small children and reduce the hassle of travelling home after a holiday.

“It will also free up more time for tourists to enjoy our fantastic country this summer and in the years ahead.” 

Karen Dee, Chief Executive of AirportsUK, the trade body for UK airports, added: “This is a welcome development as it will give more families the ability to take advantage of this technology, speeding up the border process and reducing waiting times for many.”

It’s not just Brits the new rules affect either.

Non-British residents including those from the US, Australia and Japan, along with non-Schengen countries in Europe will be able to use the eGates too.

On a recent summer day at Crossroads School for Arts & Sciences, students ambled through yawns, braces and acne into their creative writing class. The day’s lesson tackled “style,” that elusive, ultra-subjective choice of expression.

“Who was the first author you encountered to do something different on the page?” asked the teacher, Clarke E. Andros.

They named Dr. Seuss, Shel Silverstein and Lemony Snicket before moving on to a précis of Joy Williams’ flash fiction. “These stories are weird — she’s weird,” Andros warned.

In some ways, high school looks much the same as it did 20, even 100 years ago: sleepy eyes either light up or glaze over when a teacher poses a Socratic question. Nervous laughs and unexpected insights emerge as young people use stories to make sense of themselves and the world around them.

(Fingerprint; Penguin Classics; Pantheon)

The idea of the “Great American Novel” took shape in the aftermath of the Civil War, when a fractured nation looked to literature to define itself. As classrooms evolved, so did the canon that reflected America’s changing identity.

But the syllabus today is at a tipping point. Forces — some visible, some harder to see — are upending literature and education itself. American students are in a decade-long reading recession, while fewer students are reading for pleasure than in previous generations.

Reading scores among high school seniors are at their lowest in decades, according to federal testing data, while schools across the country are grappling with how to respond to waning attention spans and artificial intelligence. The Los Angeles Unified School District has begun a course correction, voting to limit student use of laptops and tablets during class — the first major American school system to do so.

We spoke with five high school English teachers across the city — three from LAUSD, one from a charter and one from a private school — to find out what literature belongs in today’s classroom, and which stories can help us understand America, past and present.

Interviews have been edited and condensed for clarity.

Raquel Olvera, Roosevelt High School, Boyle Heights

What books in the American literary canon are you teaching (old and new)?

In 11th-grade American Literature, as part of the LAUSD-approved Odell curriculum, we read four book options: “Friday Night Lights,” “Beloved,” “The Great Gatsby” and “The Warmth of Other Suns.” For my 10th-grade World Literature course, I like “Antigone” and “Things Fall Apart.” I also teach “In Cold Blood,” using it to explore Americans’ fascination with true crime and what the genre reveals about race, gender, class and the justice system.

(Simon & Schuster; Sky Publishing; Vintage)

What’s one work from the canon adults should revisit today?

“The Great Gatsby.” When I read it in high school, I wasn’t engaging with its undercurrents of racism, xenophobia, antisemitism, gender or sexuality in the way I do now. Its themes of power, wealth, consumerism and American identity remain as relevant as ever.

What are English teachers up against in the classroom in 2026?

Besides large class sizes and underfunding, I think public educators are largely battling apathy. Students and young people aren’t engaging with books like they used to. A side effect of that is a lack of empathy and curiosity. At the very least, you can model what it means to be a reader and a writer, and hope that years later, students remember that one nerd English teacher who showed them what humanity can look like.

Schehrezade Lodhy, Da Vinci Schools, El Segundo

What books in the American literary canon are you teaching (old and new)?

Students really enjoy Arthur Miller’s “The Crucible” — it’s all about the human condition and cancel culture, forbidden love and lies and deceit, with witches in the forest. In poetry, we explore a range of American voices, from Walt Whitman and Langston Hughes to Amanda Gorman, and sometimes even song lyrics. I also use “The Moth: Storytelling” podcast when students are working on personal essays. The goal is to make literature, poetry and storytelling as accessible as possible. At a charter school, we have quite a bit of autonomy with what we teach.

What’s one work from the canon adults should revisit today?

James Baldwin’s “Giovanni’s Room” and “Go Tell It on the Mountain.” I read Baldwin a few summers ago, and that was quite an education for me. Unfortunately, some of the content is a bit too mature for high school, but I do talk about Baldwin a bit in my classes when we cover African American authors.

(Reader’s Library Classics; W. W. Norton & Company; Simon & Schuster)

What are English teachers up against in the classroom in 2026?

Artificial intelligence, big time. I really pared back technology in my class, and we’ve pivoted back to paper and pencil. Going into my 18th year of teaching, my biggest goal is re-creating that experience of thinking critically for oneself and studying literature through a critical lens. We’re in this era of going back to the basics. With decreased attention spans, teachers are being forced to become even more creative. It feels like we’re reinventing ourselves every year.

Aiden Brown, John F. Kennedy High School, Granada Hills

What books in the American literary canon are you teaching (old and new)?

From an educationally traditional background, I still believe in canon disruption — mixing the new and old. In American Lit, I’ve taught “Their Eyes Were Watching God” 11 times now. It’s a hard one to get on the first try because the vernacular is so particular, but when we read it physically while also listening to the audiobook, it’s such a great novel to hear. I pair it with bell hooks’ “All About Love.” I teach “Macbeth” from a performance-based lens, making it less intimidating. My favorite book is “Frankenstein,” written by a teenage girl who invented science fiction. My ninth-graders’ favorites were “Fahrenheit 451,” “The Odyssey” (Emily Wilson translation) and “Persepolis,” a graphic novel about a girl discovering punk rock and rebelling against the established order.

What’s one work from the canon adults should revisit today?

All of the lonely young men need to reread “The Great Gatsby,” and anyone freaked out by the state of the world should read “Parable of the Sower.” One quote from the book hangs on a poster board in my classroom: “A community’s first responsibility is to protect its children — the ones we have now and the ones we will have.”

What are English teachers up against in the classroom?

Teenagers are still the funniest people on the planet. As the world around them becomes more atomized, I find that they’re increasingly interested in connection. In the classroom, we are seeing skill loss and a decreased ability to focus on a task. I don’t think that’s just because of AI or the pandemic — it’s also phones, screens and the world kids are growing up in. One thing teachers seem to agree on is a return to pen and paper.

Clarke E. Andros, Crossroads School, Santa Monica

What books in the American literary canon are you teaching (old and new)?

A newer addition I would recommend is “Hunger: A Novella and Stories” by Lan Samantha Chang. Especially in California, we have a lot of great Asian American literature, including works by Amy Tan, but I enjoy the writing level in Lan’s — it’s accessible to students but pushes them, all about intersectional identity and the first-gen experience. A lot of the Latino students I’ve taught in Los Angeles also connect with that book.

(Penguin Classics; Grand Central Publishing; Mariner Books Classics)

What’s one work from the canon adults should revisit today?

“Of Mice and Men.” Revisiting it today opens up deeper conversations about labor, social conciousness and power. Steinbeck creates a microcosm of American society, where disability, gender, race and class are all represented and shaped by an economic hierarchy. The characters are left navigating a world where people often turn on each other rather than challenge the systems around them. It’s novella-length, so you could read it in a Sunday morning.

What are English teachers up against in the classroom in 2026?

We’re up against systems that often prioritize ed-tech and third-party vendors over smaller class sizes and more teachers. When I was at LAUSD, it was clear from our superintendent — who just stepped down over his fraud investigation — was just in bed with tech. It’s hard for me to imagine the folks in power didn’t look at [the failed AI chatbot venture] and see it as a grift.

On the flip side, at hyper-competitive, elite schools like this, students are approaching high school with college in mind rather than with high school in mind. When students understand the value of the process, they’re less likely to look for an easy shortcut like AI.

Adam Tan, Los Angeles Center for Enriched Studies, Mid-City

What books in the American literary canon are you teaching (old and new)?

With independent reading, memoirs are big, like “Crying in H Mart” and Sylvia Plath’s fictionalized “The Bell Jar.” Younger kids gravitate to “Musashi,” a celebrated epic based on a famous samurai. We have a lot of Korean American students here, so they like “Pachinko,” dealing with racism and the Korean population in post-World War II Japan. I’ll also throw in “The Bluest Eye.”

In ninth grade, we read “Slaughterhouse-Five,” “Of Mice and Men,” “The Thief and the Dogs” and “Romeo and Juliet,” with the film adaptations to use media literacy. In American Literature, the major texts are “The Great Gatsby,” “The Things They Carried” and “The Crucible.” We also read nonfiction articles, including pieces on AI and robots, while focusing on rhetorical devices.

(Blackstone Publishing; Knopf; Little, Brown and Company)

What’s one work from the canon adults should revisit today?

“The Catcher in the Rye” benefits from the distance of adulthood. It’s a novel about disillusionment and the search for identity, but when you revisit it, you also see that it’s very much a love story. I often encourage students to look for forms of love beyond romance — love for family, friends and fellow human beings. Even today, students can tell you that the biggest phony in the book is Holden himself. The novel reminds us that while literature may not have answers to the world’s problems, it can help us examine our wounds and find solace in art.

What are English teachers up against in the classroom in 2026?

A lack of accountability in the modern world. In general, we have a school district focused on 100% graduation rates, no F’s. [LAUSD] wanted everything on computer, and now they want less computer time, which is great, but not everyone at top management is on the same page. Teachers are often trying to balance what the district wants with what we know our students need.

What I try to instill instead is an intrinsic desire to grow as a thinker. How do you make sure students are reading without taking the joy out of it? A lot of us are going back to pen and paper. Despite all the concerns about AI, I still think the soul and spirit of young people is as strong as ever. The core is not rotting.

Comedy saved Teruko Nakajima’s life.

In 2016, Nakajima received psychiatric care at Cedars-Sinai Medical Center, diagnosed with depression, PTSD and suicidal ideation. Her doctors searched for ways to manage her stress by exposing her to various activities, including video games, serene Icelandic landscapes and an aerial silks performance. The last brought her anxiety down, revealing that the arts were the answer. Her doctor prescribed the arts, comedy specifically, so she went to the Upright Citizens Brigade for class.

She found a calling and a safe space in comedy.

“I didn’t know I was born a comedian,” Nakajima said. “Finally, I really felt I was accepted as a comedian, validated for who I am.”

Nakajima shares her healing journey to the stage in “Made in America,” which just had an encore performance at UCB on Tuesday after its award-winning run in 2022 (it is also available for streaming on UCB’s website through Tuesday). The one-woman show arrives in time for the United States’ 250th anniversary on Saturday, documenting Nakajima’s search for the American dream as a first-generation Japanese American woman. “Made in America” premiered in 2022 at the Hollywood Fringe Festival during Joe Biden’s presidency and following the Jan. 6 United States Capitol attack. In 2026, its musings on identity and belonging pierce through today’s political landscape shaped by Donald Trump’s second presidency.

“I wanted to let people know this is an American story,” she said.

“Made in America” is about Nakajima’s life. It begins in her mother’s womb. She felt so safe there, she yearned to return. Growing up, she experienced an emotionally and physically abusive life at home, recalling her father breaking furniture and her mother’s alcohol-induced belittling comments. But her name, Teruko, translates to a “shining child.” Thus, she proclaims in the show, “I’m a superstar!”

The beauty in “Made in America” is Nakajima’s ability to find the humor in her trauma. When the show transitions to her life in America, she talks about her life as a dominatrix in New York City and her struggles with romance in Los Angeles. Her comedic jabs at the American economy and humorous reflections juxtapose somber moments of stillness in the midst of her struggles. This balance puts her life into perspective, revealing a positive personality beneath a dark saga.

Nakajima performs “Made in America” at Upright Citizens Brigade Theater.

(Nick Rasmussen)

“I look very happy-go-lucky and cheerful, but actually, I am a very dark person because I have a dark history,” she said. “I always wanted to leave my story behind. I wanted to leave my mark in this world before I died, so I needed to make something.”

The first class Nakajima took at UCB was John Flynn’s storytelling course. There, she started building pieces of the show without realizing it. As they added up, the idea for a show surfaced. After class one day, she asked Flynn to direct it. Flynn, who has been teaching at UCB in New York and L.A. for about 20 years, agreed.

“She disarms people,” Flynn said. “There’s something about her that is just so unique and so delightful that you won’t forget her.”

Flynn first met her at his storytelling open mic. She walked in with her emotional support dog Titi (also known as Tiny Teruko), wearing her signature red heart-framed glasses, without lenses. Soon, these glasses would make him double over in laughter when she performed and cried, dabbing her eyes with tissue through the frame.

“When you start to learn her story and the experiences she’s had, it is amazing that she is so positive,” he said. “She’s such a sort of undeniable positive energy that she just radiates all the time, which is so compelling and why people are so drawn to her.”

Revived at UCB amid Trump’s second term and the nation’s 250th birthday, Nakajima’s show doubles as a defiant immigrant love letter to America — and a refuge for audiences feeling alone.

(Nick Rasmussen)

Nakajima puts all of herself into the show. Aside from comedy, she has been a cheerleader in Japan, a salsa dancer in New York and a sculptor on the side — she loves sculpting MLB players’ butts; Derek Jeter is her favorite. In the show, she folds these aspects of her life into a single story, dancing from section to section. Comedy is more than just laughs; it’s storytelling.

“I am so good at cheering people up, since I was very little,” she said. “I had no competition with others because I’m the one and only. Nobody looks like me.”

Together, Flynn and Teruko parsed through her life stories to give the show an arc. For Flynn, it’s like carving away at what is already there to create something fun and cohesive, like a sculpture. “What’s fun about directing one-person shows like this is that it’s usually just two people in a room putting something together,” Flynn said.

Bringing the show back this year, the work gets sharper and tighter, but the biggest shift is in its conclusion. Once optimistic about the future of life in America, the show now has a stronger desire to make change. There was a sense of hope in 2022 for women like Nakajima, an immigrant who sought safety in a new country and struggled with abuse from her family and strange men. Today, as Trump’s immigration policies lean on deportation and discrimination, she simply wants to be seen.

“America, thank you for not giving up on me,” Nakajima said toward the end of the show. She is proud to be American, not just because she gets to have the same nationality as her dog Titi, but primarily because of the new life it offered her. America promised happiness. Whether it actually comes is another story, but in this one, the promise itself gave her a sense of purpose.

“After the show, people come to me in person and through messages,” she said. “A lot of people said, ‘I felt like I am not alone.’ That gives me so much hope and unity. I feel safe and like I have something to look forward to because I’m not the only one.”

Flynn realized how much he took for granted while working on the show with Nakajima. “I think, even though these are scary times and things seem to be going in directions that aren’t the best, there are still great people, and there’s something that is still there and is not dying and is still fighting,” Flynn said.

When she began her acting journey, Nakajima thought she’d turn to drama, but there’s something more unguarded in comedy.

Nakajima holding up her dog Titi during a performance of “Made in America.”

(Nick Rasmussen)

“I’m very authentic and invincible through comedy,” she said.

By the end of “Made in America,” Nakajima is no longer trying to find her way back to her mother’s womb. She is confident in her place in the world. She remembers that she is a star. She brings out her dog Titi, who was hidden on stage throughout the entire performance, and shares that UCB gave her a new outlook on life. Comedy breaks away her stresses and allows viewers to be vulnerable with her.

“I always wanted to feel safe,” she said. “I never had that. Finally, I found a safe space, and then I realized that I’m actually important. I’m actually worthy. I’m so happy right now to be able to express myself through comedy because it’s the truth.”

Just 16 miles north of the California border, enchanting Ashland, Ore., has drawn theater fans for more than 90 years. The city owes its modern tourism economy in large part to William Shakespeare.

The Oregon Shakespeare Festival runs from spring to fall annually, attracting many of the 350,000 annual visitors to the city of 21,000 residents. Locals and travelers gather to watch live productions in venues like the Allen Elizabethan Theatre — modeled after a 1599 London playhouse, with a three-story Tudor facade — where for one magical evening, they’re transported to Shakespeare’s heyday.

While it’s hard to escape the Bard’s reach in the downtown core, Ashland and environs offer much more than theater. Its outdoor wonderland especially is well worth exploring. Or as Shakespeare once put it: “One touch of nature makes the whole world kin.”

Within a short drive await wineries, hiking, cycling and white-water rafting on the magnificent Rogue River. Crater Lake National Park is about a two-hour drive, and the destruction of dams on the Klamath River reopened scenic rafting there last year for the first time in more than a century. As a designated Tree City USA community, Ashland is steeped in greenery. Parks abound. Lovely Ashland Creek meanders through the town.

Founded as a farm town in the 1850s, Ashland incorporated as a city in 1885 after rapid growth fueled by the railroad’s arrival. Many buildings in the downtown historic district date to the turn of the 20th century. Today, Ashland is home to a variety of shops — a couple of favorites include Bloomsbury Books with its ecology rack right out front and Mountain Provisions for high-quality outdoor gear. And with more than 100 restaurants, Ashland’s food and beverage scene runs the gamut from casual (try the porkstrami at Sammich) to inventive (check out the unique Alsatian menu at Nous).

These days, a cautious optimism prevails throughout Ashland, which had been hit hard by the pandemic and simultaneous wildfires. At downtown’s Village Baker, the scent of baking bread hints at the 1,400 loaves produced daily. They start at 4 a.m. and deliver for miles around. That broad reach, co-owner Gerardo Gutierrez says, has helped them weather challenging times.

“We’re coming back from the ashes,” he said.

Hi, and welcome to another edition of Dodgers Dugout. My name is Houston Mitchell. Today is one of those newsletters that we devote to only one topic.

Do you remember where you were 36 years ago today?

Fernando Valenzuela was a great pitcher. I think he should be in the Hall of Fame for his on-field talents and the fact he brought thousands of new fans to the sport, all across the country.

But by 1990, he was no longer a great pitcher. He was an afterthought on the 1988 World Series title team. In 1989, he was basically a league average pitcher, going 10-13 with a 3.43 ERA. Going into his start against St. Louis on June 29, 1990, he was 5-6 with a 4.09 ERA, had given up 97 hits in 94.2 innings and had given up eight runs in 5.1 innings in his last start.

Pitching a no-hitter, which seemed possible earlier in his career, was off the table. And then, well, who better to take us through that final inning than Vin Scully?

Covering the Dodgers then for The Times was Bill Plaschke. The rest of this is his words as written that evening:

Thirty minutes before the Dodgers faced the St. Louis Cardinals Friday, Fernando Valenzuela noticed on a clubhouse television set that Oakland pitcher Dave Stewart had thrown a no-hitter in Toronto.

“Fernando turned to some teammates and he said, ‘That’s great, now maybe we’ll see another no-hitter,’ ” Dodger Manager Tom Lasorda said.

It was the first time in the modern baseball era that two no-hitters have been pitched on the same day. It was the Dodgers’ first no-hitter since Jerry Reuss had one against the San Francisco Giants on June 27, 1980.

“And it couldn’t have happened to a tougher, more competitive guy,” Lasorda said. “You look at Fernando and he has done everything in his career except a no-hitter. And now . . . this.”

With Willie McGee on first base and one out in the ninth inning, former Dodger Pedro Guerrero hit a grounder up the middle that seemed destined for the outfield. But Valenzuela stuck out his glove, the ball nicked the leather and rolled to Juan Samuel, who stepped on second base and threw to first baseman Eddie Murray, who made the catch that sent Dodgers running to the mound.

“Do you think if I don’t touch that ball, it goes through for a single?” Valenzuela asked afterward. “Whoooa. I think it does. I think I don’t touch it, I’m in trouble.

“I was just glad to see Scioscia running to the mound from the plate. Only then did I know it was over. Thank goodness Alfredo Griffin made the catch and the throw.”

When reminded that it was Samuel who made the final play, Valenzuela laughed.

“That shows you how excited I am,” he said after improving to 6-6 with a 3.73 earned-run average. “This is a great moment for me.”

But in the final three innings, he threw 49 pitches, and was obviously tired.

“But this was a different kind of tired,” Valenzuela said. “This kind of tired did not bother me. You think I feel anything during those last inning? No way.”

“This is a different pitcher than in previous seasons,” catcher Mike Scioscia said. “This guy is not as quick as the old Fernando, but this guy still knows how to win.”

Back to your humble host here. If you want to read Plaschke’s entire article, click here.

When watching the final inning as called by Vin, I was struck by a tinge of sadness when Vin gave the day and time in case “Fernando wants to play this to his grandchildren one day.” Valenzuela died in 2024. He had seven grandchildren; let’s hope they all got to sit with him and hear it.

It was also amazing to hear Vin say that Fernando had thrown only 108 pitches through eight innings, so he has plenty of ammunition left. Now baseball managers and front office people are afraid a pitcher’s arm would fall off if they throw 108 pitches today.

And thanks, Fernando, for all the great memories.

Here’s another link to Vin’s call.

Up next

Monday: Dodgers (*Eric Lauer, 3-5, 4.87 ERA [2-0, 2.54 ERA with the Dodgers]) at Athletics (*Gage Jump, 3-1, 2.04 ERA), 6:40 p.m., SportsNet LA, AM 570, KTNQ 1020

Tuesday: Dodgers (*Justin Wrobleski, 9-2, 2.71 ERA) at Athletics (*Jeffrey Springs, 3-7, 5.52 ERA), 6:40 p.m., SportsNet LA, AM 570, KTNQ 1020

Wednesday: Dodgers (Shohei Ohtani, 8-2, 1.58 ERA) at San Diego (J.T. Ginn, 6-4, 3.15 ERA), 6:40 p.m., SportsNet LA, AM 570, KTNQ 1020

All times Pacific

*-left-handed

In case you missed it

Wife, kids of Dodgers’ Miguel Rojas in Caracas when earthquakes hit Venezuela

Mookie Betts is ‘back’ for Dodgers: Offensive takeaways from series win over Padres

‘He cares about people.’ How Dodgers’ Dave Roberts got to the cusp of 1,000 career wins

Shaikin: Did Padres curse themselves by messing with that anti-Dodgers FTD burger?

And finally

Vin Scully and Fernando Valenzuela throw out the first pitch before Game 2 of the 2017 World Series. Watch and listen here.

Until next time …

Have a comment or something you’d like to see in a future Dodgers newsletter? Email me at houston.mitchell@latimes.com. To get this newsletter in your inbox, click here.

WASHINGTON  — Prison inmates whose religious rights are clearly violated by guards and wardens may not sue them for damages, a divided Supreme Court ruled Tuesday.

In a 6-3 decision, the justices said federal law protecting religious liberty allows for suits against state prison systems, but not employees of the prison.

The decision came in the case of a devout Rastafarian in Louisiana. Damon Landor had grown dreadlocks for nearly two decades. He had three weeks left in a five-month prison term when he was transferred to another prison in Louisiana.

He had with him a copy of a federal appeals court opinion that said Rastafarian inmates had a protected religious right to wear dreadlocks.

Congress in 2000 adopted the Religious Land Use and Institutionalized Persons Act to protect religious liberty.

But the guards threw the appeals court decision in the trash, and the warden ordered the guards to handcuff Landor to a chair and shave his head.

Shortly after he was released, Landor sued the warden and the guards for violating the 2000 law, known as RLUIPA, which promised “appropriate relief” to those whose rights were violated.

But a federal judge, the 5th Circuit Court and now the Supreme Court have tossed out Landor’s suit.

Justice Neil M. Gorsuch wrote for the six conservatives.

He explained that when the federal government gives states money for prisons, education, healthcare and other matters, it can require them to follow the law but it does not authorize private lawsuits against their employees

“To know that is enough to know the Court of Appeals was correct. Mr. Landor does not have a federal RLUIPA cause of action against the officers,” Gorsuch wrote. “Congress lacks regulatory authority to impose liability on them directly.”

The three liberals dissented.

“Today’s decision magically transforms a federal statute into an invitation to be accepted or declined, deemed binding only if each particular defendant has explicitly agreed to be penalized,” wrote Justice Ketanji Brown Jackson. “Prisoners like Landor who suffer violations of their religious freedom in state prisons — no matter how blatant — will often be left remediless.”
Justices Sonia Sotomayor and Elena Kagan agreed.

Civil liberties advocates denounced the decision.

“Our justice system is built on the promise of accountability when rights are violated,” said Rachel Rossi, president of the Alliance for Justice. “If there is no remedy for such a transgression, then there is no justice. This ruling will further erode critical civil rights protections of the far too many incarcerated people in this country.”

Rachel Laser, chief executive of Americans United for Separation of Church and State, said today’s decision “endangers the religious freedom of incarcerated people, like Damon Landor, who are particularly vulnerable to abuse and having unnecessary burdens placed on their religious exercise. Once again, we see a court that will bend over backward for the religious freedom of Christians, but allows the government to trample the religious freedom of non-Christians.”

“Do you have an extra ticket?” a man shouted outside SoFi Stadium last Thursday.

The World Cup has been drawing fans from around the globe. But for many, getting a seat in the stadium has come at a steep price.

Some were lucky enough to nab $400 to $500 tickets through official World Cup lotteries, others paid thousands of dollars to catch the action IRL. Tickets for the upcoming USA versus Turkey match were selling for more than $1,400 on resale sites.

The demand has been so high that authorities have been warning fans about how to avoid ticket scams.

As crowds flocked into the stadium, we asked attendees about how much they paid to get into the most-watched sporting event in the world. Here’s what they shared.

Their responses have been lightly edited for length and clarity.

Luis Moreno, Luis Moreno Jr., Angelica Castellano, Diana Moreno and Ramon Aguilera of Orange County

Luis Moreno, Luis Moreno Jr., Angelica Castellanos, Diana Moreno and Ramon Aguilera sport Mexico gear.

How much did you pay for your tickets?

Diana: We don’t want to say because I don’t want our parents to know.

*Whispers* We paid retail. It was like $500 per ticket. For Father’s Day, we wanted to make sure he got to enjoy it.

Why did you want to attend the World Cup?

Castellano: We went in ‘86 in Mexico, ‘94 in Pasadena and now here. We’re excited because I want to enjoy it with my kids. If we didn’t come, I would’ve been sad because they need to see how it is.

Diana: Now, it’s our turn. Even though [today’s match] is not our country, we still had to come and experience it. We’ll watch our team play later on the big screen.

Did you have to give up anything to be here?

Diana: Work, but that doesn’t matter. This is more important. Time with family.

Luis Jr.: Sleep. [Laughs]

Diana: It’s Thursday. We’re out here watching the game, we’re drinking, so there’s no complaints.

Was it worth it?

Diana: Absolutely. No matter what happens today. The fact that we’re here, it’s already a success.

Tell me about your outfit. You’re rocking Paisaboys, an L.A. brand.

Diana: I got the Paisaboys shirt on, repping. I know they have a collaboration with Nike. I got my Nike shoes on and I’m just ready to have a good time. My mom sewed her top last night. She wanted to add a little touch to it.

Angelica: Yes! This is an old, old, old jacket.

Diana: My dad’s outfit is sponsored by me. All Adidas, Father’s Day gift.

Luis Sr.: I got lucky this year.

Adam Chapman and Sarah Harrell of Washington, D.C.

Adam Chapman and Sarah Harrell.

How much did you pay for tickets?

Harrell: We went to two games: USA versus Paraguay [in Los Angeles] and Senegal versus France in New Jersey/New York.

Chapman: The L.A. tickets were way more expensive. We bought them presale for like $1,940, but the [seats] were still very high in the arena and the resale prices are actually cheaper than the ones we bought on presale. It’s horrible. [Laughs]

Why did you want to come to the World Cup?

Chapman: This is my first men’s World Cup. I went to the women’s World Cup in Australia a couple years ago. The last time the U.S. had a men’s World Cup here was like forever ago. We’re probably not going to have another in our lifetime, so I really wanted to make sure we had a chance to go to some games.

Did you have to give up anything to be here?

Harrell: We’re moving the day we get back, so we were packing until the moment we got here. Some of this gear was last-minute purchasing in order to make that work. Also, we took a six-hour plane ride, middle seats. We really committed to get here. We got cat sitters, we both took days off from work, the whole thing.

Was it worth it?

Chapman: Yeah, just for the experience. It’s more money than we would’ve wanted to pay but yeah.

Harrell: We bought the tickets like a year and a half ago, so it’s been on the calendar forever. We ended up getting to bring my brother and his best friend to celebrate his 40th birthday, so it sort just worked out for all of us.

Laila Samimi and Elizabeth Cambage of Los Angeles

Laila Samimi and Elizabeth Cambage.

How much did you pay for your ticket?

Cambage: Nothing. Sorry.

Samimi: We were blessed.

Why did you want to attend the World Cup?

Cambage: This is my first fútbol game ever. I wanted to come cause it’s L.A. Yay sports! It’s a once-in-a-lifetime opportunity. Let’s get out there and get into it.

Samimi: I’m born and raised in L.A. so I’m happy to see the World Cup here.

Tell me about your outfit inspiration.

Samimi: I’m wearing Honor the Gift, Russell Westbrook’s brand, a Nike top, my shorts are from a random boutique in L.A. and Jordan shoes.

Cambage: I just went crazy at the Nike store. I’m not gonna lie. We just came from the Nike store. I’m reppin’ USA today. Yes, I am Australian, but I do live in America and USA is AUS. [Laughs]

Kenan Sahbaz of St. Louis and family

Bosnia and Herzegovina fans cheer on their team.

How much did you pay for your ticket?

I got mine directly through the FIFA website. We paid $500 a piece. I brought my son, my cousins and their kids.

Why did you want to attend the World Cup?

Sahbaz: This is our very first World Cup. It’s a historic event for our very small country, Bosnia and Herzegovina. This is a huge accomplishment in the past 12 years. This is going to be the first time we’ve made it here again. We’ve got a really good squad and I think we can do some amazing things for our country. This is a time when we really need some support and joy in the country, and no better way to do it than at the World Cup.

Who’s your favorite player?

Kids: Džeko.

Did you have to give up anything to be here?

Sahbaz: A lot. Work. Time. We were initially going to go on vacation to the Bahamas, but I asked him either the Bahamas or the World Cup. So when we found out that we made it, it was the World Cup. We canceled everything else. We even went to the qualifiers in Wales and that was a once-in-a-lifetime experience as well. There was just no way we were going to miss it.

Was it worth it?

Sahbaz: 100%. Win or lose, we still win today.

Daniel Henriquez and David Njenga of Seattle

David Njenga, left, sports Kenya gear, while Daniel Henriquez cheers for El Salvador.

How much did you pay for your ticket?

Henriquez: This match was $500 each. We bought it in like October of last year.

Why did you want to attend the World Cup?

Njenga: Because this is the World Cup. You have to go to a World Cup. This is my second one. I was in Qatar for the last World Cup.

Henriquez: The energy! World Cup baby!

Njenga: There’s people from all over the world. We are all assembled here to enjoy this moment.

Henriquez: This is what happens when all the world comes together. This is our utopia. We all love each other. We’re all here for one thing, to support our country.

Did you have to give up anything to be here?

Njenga: My job. I have to be at work right now, but I took the day off. I don’t mind.

Henriquez: I’m a nurse for the fire department. My boss was awesome. She gave me a day off. I love my boss Nancy. Go Nancy!

Was it worth it?

Njenga: It is worth every penny. It’s not even the money. It’s the experience. After this, we head to San Francisco for another game.

Henriquez: Then we’re heading to Vancouver and then we have another game in Seattle.

Njenga: We’re going to six games [in total]. Our Houston tickets were the cheapest. They were about $400.

Cindy Vazquez of Grenada Hills

Cindy Vazquez Zavala reps Mexico with her outfit.

How much did you pay for your ticket?

It was free.99. Shh!

Why did you want to come to the World Cup?

This is my first World Cup. The Jordan team invited me to attend this game, so lucky me. That’s why I’m wearing Jordans today. I’m in the industry so they invited a few employees from neighborhood stores to come.

Tell us about your outfit inspiration.

Today there’s a Mexico game, so I still gotta rep even though I’m attending this match [Switzerland versus Bosnia and Herzegovina]. The outfit is a Nike T90 jersey and my lace is from Amazon. I got the little [soccer] ball, the little World Cup and teddy bear from the gas station. I needed it.

Did you have to give up anything to be here?

I actually had to request PTO to attend, but the store is still running without me. Right after this game, I actually have to jet back. I work at Feature, which is a sneaker boutique in Studio City. S/O Feature for allowing me to come here!

Fabian Almiron of Spain

Fabian Almiron, originally from Paraguay but currently living in Spain, rides Metro to the game.

How much did you pay for your ticket?

I paid $1,100 for the first game [June 12], $290 for the Turkey game [June 19] and the last game with Australia was $170 [June 25].

Why did you want to come to the World Cup?

This is my first World Cup. I live in Spain, but I’m rooting for Paraguay. I’m very excited to be seeing them participate after 16 years.

Did you have to give up anything to be here?

I used like 20 to 25 days of vacation time to come see the World Cup.

Was it worth it?

Yes!

Sunny Kwong, Sam Mallari, Antonio Evangelista, Michael Evangelista of San Diego and Los Angeles

Antonio Evangelista, Sam Mallari, Michael Evangelista and Sunny Kwong are decked out in Bosnia and Herzegovina gear.

How much did you pay for your ticket?

Michael: We paid $400 each. We got lucky with the last chance lottery. They released the tickets a few months ago.

Why did you want to attend the World Cup?

Michael: We’re rooting for Bosnia this time. This is our first World Cup.

Antonio: It’s a lifelong dream. I’ve loved the sport ever since I was in the Philippines.

Did you have to give up anything to be here?

Michael: Most of us had the day off. I worked in the morning at like 6 a.m. and then I’m going to work afterward. I really wanted to carve out time to be there.

Mallari: I took time off because this is my first soccer game ever and I wanted to experience the World Cup with true fans.

Was it worth it?

Michael: 100%. It’s honestly a once-in-a-lifetime experience. It’s been awesome to be here with my dad. We watched the last World Cup finals and we were literally in tears. I know he’s been playing soccer ever since he was in the Philippines military.

Antonio: 20 years.

Becky Clift of Orange County and William Wagner of San Diego

Colleagues William Wagner and Becky Clift sport traditional festival inspired outfits to cheer on Switzerland.

How much did you pay for your ticket?

Clift: They were gifted to us.

Wagner: We’re a fortunate group.

Why did you want to come to the World Cup?

Clift: The World Cup in America is super fun, so we wanted to support it and be a part of it. This was the game that we got tickets for, so we decided to dress up a little bit and have some fun.

Wagner: We’re both soccer people. We both speak the world’s language, so we’re happy to be a part of it here.

Tell me about your outfit inspiration.

Wagner: I have a very close Swiss friend who was equipped for this. One quick phone call and here I am.

Clift: Then I had to get mine so I could support.

Did you have to give up anything to be here?

Wagner: A full day of work. We’re both engineers. We know each other through work.

Was it worth it?

Wagner: We’ll find out.

Clift: Heck yeah!

Jorge Morales of Topanga

Jorge Morales holds out a ball he got at the World Cup opener in Mexico City.

How much did you pay for tickets?

It was between $800 to $900 for my USA versus Paraguay tickets. I bought them through Seat Geek.

Why did you want to come to the World Cup?

I wanted to experience it not just in Los Angeles, but I also wanted to experience it in Mexico. I’m going to three games in Los Angeles and four in Mexico City. Going to my first World Cup in Mexico City was a whole different ballgame. Mexico played in their home country and they won. It was like pandemonium. Even though it was raining over there at the time, it was still a lot of fun. Everyone was hugging each other. I’m looking at you, New York Knicks fans. [Laughs]

Did you have to give up anything to be here?

I’m used to traveling, so I’m like this ain’t nothing. I just wanted to experience a World Cup game and the fact that it’s in three countries, you’re not going to experience that any other time. It’s the one and only World Cup where you’re going to see three countries hosting it.

Alexi Kulik, Marcella Harkness, Luke Kulik and Ian Harkness of San Diego

Switzerland fans Alexi Kulik, Marcella Harkness, Luke Kulik and Ian Harkness.

How much did you pay for your ticket?

Ian: $450 per ticket.

Alexi: We won the ticket lottery. That’s the only way ‘cause the resale is expensive.

Why did you want to attend the World Cup?

Marcella: This is our first World Cup!

Ian: I was at the Switzerland versus Qatar game. Similar outfit. We got it dialed this time. Lots of fun. Tough ending, but what are you going to do?

Luke: We wanted to support Switzerland. Everyone in the family is Swiss. It’s fun to go to a World Cup game. We were just excited to get tickets. I think it’s a great way for the family to spend time together and a good excuse to get out of work.

Did you have to give up anything to be here?

Luke: Time off work. Time to come here. We drove up here. I don’t think we gave up much. We just enjoy being here.

Ian: $450.

Alexi: And we woke up at 5 a.m., so that we could come up here and spend the day together.

Was it worth it?

All: Yes!

Anja Gegic, Dino Gegic, Benjamin Mustafic, Nordin Kapic, Armin Kapic of Los Angeles

Bosnia and Herzegovina fans Anja Gegic, Dino Gegic, Benjamin Mustafic, Nordin Kapic and Armin Kapic.

How much did you pay for your ticket?

Nordin: $3,000. We’re like literally on the field.

Anja: $450. In L.A., we got it like that.

Why did you want to attend the World Cup?

Anja: This is our second time ever qualifying for the World Cup. We are so proud to be here and support our country today.

Nordin: I mean, look around. Why would you not want to be here today?

Armin: We’re hoping for the win!

All: 2-0!

Bendicht Hügli and Lucia Grajales of Mexico City

Lucia Grajales and Bendicht Hugli, both currently living in Mexico City, hold a Swiss flag.

How much did you pay for your ticket?

Hügli: The ticket was $650. That’s stealing. That’s robbery. When I went in ‘86, I think the tickets were 10% of the price I paid for this year.

Why did you want to attend the World Cup?

Hügli: I had some business in San Diego. I saw Switzerland is going to be here, so let’s hit it and break the bank to get tickets. I went to the World Cup in Mexico City in ’86. I saw 12 games. I’m going to one this time.

Was it worth it?

Hügli: We’ll see. If Switzerland plays lousy, then I’m going to be pissed, but I think they’ll do better than in the first game.

Flavia Sacco and Isidoro Garcia of Washington, D.C.

Flavia Sacco and Isidoro Garcia root for Paraguay.

How much did you pay for your ticket?

Isidoro: I think it was around $500 per ticket. Again, we were very lucky because Paraguay was the first game.

Flavia: It was early bird without knowing who was going to play.

Isidoro: We’re also going to the Paraguay versus Turkey game in San Francisco and the third one in Mexico City.

Why did you want to come to the World Cup?

Flavia: We’re rooting for Paraguay. I’m from Paraguay, born and raised.

Isidoro: This is my second World Cup. I went to the one in Qatar. We were very excited about it. Actually, we were very lucky too because we bought Paraguay’s tickets when they were selling them blank. So we just bought the three tickets for Paraguay before knowing the group stage and then it turned out to be in the U.S., so it was awesome.

Flavia: We were hoping it would be on the East Coast because that’s where we live and it ended up being on the other side of the country, but we already had the tickets and we really wanted to go to a game, so we flew. We’re coming straight from the airport. We have our 5-month-old baby who is at the hotel with my mom.

Did you have to give up anything to be here?

Isidoro: I guess time with our daughter. Even though it’s only going to be a few hours, we miss her a lot. She’s very tiny. Every [moment] is precious with her.

Was it worth it?

Isidoro: Yes, even though it’s a few hours and hopefully Paraguay will pull it off.

Jorge Espinosa of Los Angeles

Jorge Espinosa of Los Angeles.

How much did you pay for tickets?

For the USA versus Paraguay ticket, I think I paid like $1,800, and for another match, I think I paid about $1,020, so a little less. I think that’s when the prices started to go down.

Why did you want to come to the World Cup?

I’ve always wanted to go. I missed my chance to go to Brazil in 2014. I really wanted to go, but I had just taken a huge trip to Asia, so I couldn’t really go. I didn’t have any money left and I’ve been thinking about the World Cup being here since it was awarded to the U.S. I was really bummed out when it was awarded to Qatar instead of the U.S. and also instead of Australia. I’m really excited about it. It feels unreal.

What does it mean for the World Cup to be in your hometown?

It means so much. I remember when they had it here in ‘94. I didn’t get a chance to go to any of the games, but the energy that you feel around the city is like next level. The events they’ve been hosting are so awesome. You get to meet more people from other walks of life and other countries.

Did you have to give up anything to be here?

I just pretty much had to pick up more debt, but I get points so it’ll help fly somewhere. Also, debt disappears when you die so they can try coming after me for that World Cup money, but they never will. [Laughs]

Was it worth it?

I looked at the price and was like, “It’ll never be this cheap in my life, ever.” It’s only ever going to go up, and, hey, it’s in my backyard.

A HUGE new lido has opened in the UK with saunas and a wellness space.

Found at Canary Wharf’s Eden Dock in London, Sea Lanes is a new ‘floating’ lido.

The 50-metre long and 1.3-metre deep pool is a year- round attraction and has two saunas.

In total there are six lanes for swimming.

Sea Lanes has dubbed it the city’s “leading destination for open water swimming,health and wellbeing”.

Next to the lido, visitors will also find a clubhouse, where wellness events are hosted.

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The first at the clubhouse is on June 25 and features an Open Water Masterclass with Olympian Katy Sexton.

There’s a spot to grab a bite to eat by the pool as well with breakfast dishes including mushroom and avocado flatbread (£11) and build-your-own-lunch bowls from £11.

The pool will be open from 6am to 9pm Monday to Friday and from 7am to 7pm at the weekends.

Make sure to check the website before you visit as well, for the latest details about the weather and water temp.

With this weekend’s weather expected to hit highs of 30C, the current 16.4C water makes for a refreshing dip.

There are a number of different memberships available including the Swim and Sauna membership, which gives unlimited access to the pool and saunas all year round.

It costs £90 per month.

Alternatively, visitors can pay-per-swim, which will cost £10 for a swim session, £10 for a sauna session or £18 for both.

If visitors want to rent a wetsuit, they can do so at a small store too.

The first visitor at the pool today said: “First one in the water on opening day.

“What a fantastic facility in the middle of Canary Wharf!

“The pool was the perfect temperature for swimming without wetsuit.

“The changing facilities were bright and clean with lovely hot showers, hairdryers and lockers.

“Love the two saunas with whole wall picture windows facing the pool.

“From the chats with other swimmers, I can picture a wonderful community developing here.”

Gene Shalit, the fast-talking funnyman who reviewed films, plays and books for NBC’s “Today” show has died. He was 100.

Shalit’s family confirmed the longtime critic’s death Friday, telling NBC that he “passed away peacefully after 100 years of an amazing life.”

According to a 2010 interview with Guy Ludwig, Shalit’s producer for more than 20 years, Shalit was hired as a contributor at “Today” in 1968. He reviewed books once a month or so, but audiences were so fascinated by his eccentric personality and equally unconventional looks that NBC ramped up the critic’s on-air appearances.

In January 1973, on the same day he was promoted to arts editor, Shalit debuted “Critic’s Corner,” the segment that would ultimately make him a household name. In 2010, Shalit retired as one of the last regular film critics on a major network.

Ludwig referred to Shalit as the “foxy grandpa” of the “Today” show.

Shalit cut his teeth in media as an entertainment columnist for McCall’s magazine, eventually landing the role of senior film critic for Look magazine in 1968 and writing a humor column for Ladies’ Home Journal. His quick wit, punchy puns and unique voice came through even on the page, and NBC took notice.

“No one at NBC had seen him. They’d only read his stuff. So he walked into this executive’s office and the executive took one look at him and said, ‘Mr. Shalit, have you ever thought of radio?’” Ludwig told “Today.”

“They didn’t know how the public would react to someone who looked so different from people who were typically on TV in 1967.”

On “Critics Corner,” Shalit favored humor over the highfalutin. He was an everyman’s critic. Of 1997’s action-thriller “Face/Off,” he said, “Now, ‘Face/Off’ is a literal title, because both of their faces are taken off. Then each face is put onto the other’s head. Even their voices are switched with microchip implants. In other words, this is an entirely reasonable, rational movie!”

“Many critics will give so much of the plot of a movie away that they destroy the movie for the viewer … I just don’t give away the story,” he told the Associated Press in 1993.

During his tenure, he was known to bust up his colleagues, and “Today” anchors ranging from Edwin Newman, Barbara Walters and Jane Pauley to Tom Brokaw, Bryant Gumbel, Katie Couric, Al Roker and Meredith Vieira.

But not everyone appreciated Shalit’s style. In 1989, a leaked in-house memo from “Today” show co-host Bryant Gumbel to Marty Ryan, the former executive producer of the NBC program, complained that Shalit’s film reviews “are often late and his interviews aren’t very good.”

Eugene Shalit was born March 25, 1926, in New York City and grew up in Morristown, N.J. He launched his elementary school’s first newspaper, “The Spotlight,” and purchased a fedora to seal his fate as a journalist. In Morristown High School he wrote the school newspaper’s humor column “The Broadcaster.” In 1949, he graduated from the University of Illinois at Urbana-Champaign.

Shalit was married to Nancy Lewis for 28 years until her death in 1978 and never remarried. The couple had six children: Peter, Willa, Emily, Amanda, Nevin and Andrew. Emily died from ovarian cancer in 2012.