Oscar-winning Spanish director Pedro Almodovar called Donald Trump, Benjamin Netanyahu and Vladimir Putin ‘monsters’ during a press conference at the Cannes Film Festival on Wednesday, where he wore a Palestine solidarity pin.

Israeli attacks on Lebanon continue despite the ‘ceasefire’ that was recently extended until the beginning of July.

At least eight people have been killed in Israeli attacks on southern Lebanon, in the latest violation of an ongoing “ceasefire” agreement, according to Lebanon’s state-run National News Agency (NNA).

Israeli fighter jets struck in the village of Doueir on Wednesday, killing five people and injuring two others, NNA reported. Several homes were flattened in the attack, the agency said.

Another Israeli attack killed two people near a hospital in the village of Tibnin, while one person riding a motorcycle was killed in a drone attack on the village of Burj Shemali in the Tyre district, NNA said.

The Red Cross said it recovered the body of one person on the outskirts of the town of Shebaa in the Nabatieh governorate.

Israeli attacks across Lebanon continue despite the United States-mediated “ceasefire” that was recently extended until the beginning of July.

The fresh wave of Israeli attacks came hours after at least 16 people were killed in Israeli air attacks across southern Lebanon on Tuesday. The Health Ministry said three women and three children were among the victims.

Moreover, the Lebanese armed group Hezbollah said its forces clashed with Israeli troops trying to advance to the centre of the village of Haddatha late last night.

The group also reported clashes with Israeli forces in the town of Biyyada and the municipality of Rashaf.

Attacks on eastern Lebanon ongoing

Israeli forces continue to expand their military campaign beyond the country’s south into the western Bekaa Valley.

“For weeks, the Israeli army has been targeting Muslim Shia majority villages in the western Bekaa Valley where Hezbollah has support,” Al Jazeera’s Zeina Khodr reported. “They lie on the road that links the southern front-line villages to the east of the country.”

Yousef Hasan, displaced from the town of Yuhmor, called Israel “an expansionist state that kills women and children”.

“They don’t believe in borders. For them, the border is as far as Israeli soldiers can reach. It is a state that occupies others’ lands,” Hasan told Al Jazeera.

Since March 2, Israel has killed 3,073 people in Lebanon and injured 9,362 others, and displaced more than 1.6 million, about one-fifth of the country’s population, according to Lebanese authorities.

Israeli forces have also destroyed entire villages in southern Lebanon, prompting comparisons with the devastation caused by Israel’s genocidal war against the Palestinians in Gaza.

The Netflix show has found itself in the top 10 in multiple countries, bringing in over 13 million views this week

A controversial Netflix show dubbed “super dark” continues to break records in over a dozen countries worldwide.

The Roast of Kevin Hart livestream was finally released on Netflix earlier this month (May 10), having been hosted by Shane Gillis during Netflix is a Joke Fest. Featuring savage punchlines from the likes of Dwayne Johnson, Pete Davidson and Katt Williams, the show continues to divide fans.

Running for just under three hours, a Netflix synopsis reads: “Kevin Hart is in the hot seat and ready for all the smoke as roastmaster Shane Gillis and a dais of A-listers unleash a raw and ruthless night of laughs.”

Despite its controversy, the show has found its way onto Netflix’s Top 10 list, breaking records to sit in top place in 15 countries this week. According to Netflix’s Tudum, from May 11 to May 17, The Roast of Kevin Hart sits in first place in the Top 10 Shows with 13.5 million views.

But views continue to be divided as one person wrote on Rotten Tomatoes: “It’s no different than any other roast.. it’s light but super dark gut wrenching comedy. It’s an enjoyable watch.”

Another said: “This is the edgiest, funniest roast I’ve seen. It was not afraid to push the boundaries of comedy, something we need more of. I applaud the boldness and vision. I’d love to see more like this.”

A third added: “Omg!!! This was a proper roast, crying laughing, whilst walking around the room saying No! No! No! He didnt just say that.”

However, some viewers were unimpressed as one person wrote: “Easily the worst roast ever done. I love Shane, but he was so bad and unfunny. The Rock was the only one that did okay, everyone else was pretty poor. Just awful.”

Another said: “The cringe was high with this one. The few funny moments still didn’t make the 3 hrs worth it.”

A third penned: “Total waste of time. 3-4 funny jokes in 3hrs. Skip!”

Over on Reddit, one viewer stated: “Overall I enjoyed lots of the jokes but many felt like they were simply seeking to push the discomfort to extremes for the sake of edginess rather than for the sake of smart humour. It felt desperate to shock.

“I understand roast culture but this event had an edge I haven’t seen before and there seemed to be an air of discomfort amongst some people.”

The Roast of Kevin Hart can be streamed on Netflix.

A few weeks ago, Argentine journalist Martín Caparrós recalled at an event commemorating the 50th anniversary of Spanish newspaper El País that Venezuela, in 1964, was the first place in the world to abolish the death penalty. These were the times of Marshal Juan Crisóstomo Falcón, and the word “federation” had become the epitome of the supposed solution to all the nation’s ills in a young, devastated, and empty republic.

Although this was true on paper, in practice we had Antonio Guzmán Blanco, trained in the federalist ranks and who became the supreme leader of the Liberal Cause, decreeing in 1872 the execution by firing squad of his former ally, the caudillo Matías Salazar. In less than a decade, this declaration of principles had been easily overturned by one of its promoters.

The self-proclaimed revolutions continued to undermine national life until Cipriano Castro and his crony Juan Vicente Gómez defeated them all and proclaimed the restoration of liberal principles. “New men, new ideals, new procedures,” declared the man who moved the presidential office from the Yellow House to Miraflores Palace. But, having consolidated his regime and enjoying his days for vanity and festive revelry, in 1907, amidst delirium and a display of brute force, he ordered the execution of his great opponent, General Antonio Paredes, once the Army frustrated a supposed new revolution.

After sending him to the firing squad, Castro did not remain in power for long. At the end of 1908, Gómez toppled him with a palace coup, justifying the murder of Paredes as the reason his former crony was never allowed to enter Venezuela again.

The Gómez regime (1908-1935) was cruel. It tortured and imprisoned its opponents. However, he was careful to avoid such incidents. He defeated them in prisons and in the military fray to maintain his sepulchral order. It wasn’t until the next military dictatorship in the 1950s that news emerged of what we might call summary executions of members of the Acción Democrática resistance and union leaders. Thus, Leonardo Ruiz Pineda, Antonio Pinto Salinas, and Luis Hurtado remained in the collective memory when neighborhoods were named after them. The tortures inflicted by the fearsome Seguridad Nacional or the days spent in the Guasina concentration camp became literature or anecdotes in a historical thread woven by this type of political violence.

Perhaps the great Venezuelan tragedy has not only been the repetition of violence, but the inability to fully transform its tragedies into republican memory.

Later, the great unifying word was Democracy. Under this system, the country had achieved greater pluralism, freedoms, and social development. That said, excesses were committed during the counterinsurgency campaign, and thus, among others, the names of Alberto Lovera and Jorge Rodríguez Sr. remained, cases that were openly denounced in the media and for which some form of justice was sought.

In the 1980s, we witnessed the extrajudicial killings known as the “false positives” of the El Amparo Massacre and the repressive chaos of El Caracazo, a moment when the system should have been more deeply confronted with its errors and adopted more profound forms of reparation. Although political violence did not disappear with democracy, it had ceased to be accepted as a natural aspect of public life. The problem was that many of its wounds were poorly healed, if at all, and festered into resentment.

The return of horror

The 1999 Constitution was born with the idea of ​​refounding the Republic and making it “Bolivarian.” Initially, this meant defeating corruption, building a “participatory democracy,” and erasing all traces of what they began to call the “Fourth Republic.” This refounding ultimately meant reusing and multiplying the evils of the past and waging a systematic battle against democratic resistance.

The cruelty quickly became apparent: the impunity and flippant treatment of the April 11 murders; the shootings in Plaza Altamira in December of that same year; the political assassination of the controversial prosecutor Danilo Anderson and the subsequent witch hunt; the exponential increase in repression in 2014, 2017 and 2019, and the widespread fear following July 28, 2024. This cruelty is replete with numerous new stories of deaths under the indifference or custody of the State, from Franklin Brito to Fernando Albán, Raúl Baduel, Rodolfo González “El Aviador”,  the extrajudicial executions, and the cases we still don’t know about.

The ordeal Carmen Navas endured to learn about her son, Víctor Hugo Quero, and the cruelty with which his death was concealed have shaken Venezuelan society, which sees mothers as its embodiment of grief and national outrage, and which finds in women its greatest source of peaceful resistance.

As an old folk song, collected by Aquiles Nazoa and sung by Simón Díaz in his second volume of Tonadas (1976): “Little girl who embroiders the white cloth, little girl who weaves on your loom, embroider for me the map of Venezuela and a little handkerchief to cry with.” Perhaps the great Venezuelan tragedy has not only been the repetition of violence, but the inability to fully transform its tragedies into republican memory.

Every time pain becomes merely an anecdote or a slogan, the country remains haunted by the same monsters and ghosts. But, just as we have had this tradition of assassination and political cruelty, which today are multiplied in family tragedy and shared horror, on each occasion Venezuelans have been deeply moved by injustice, and this has led us to mobilize to transform darkness into brighter moments for our republic. May the future be not only bright, but much more lasting.

SOUTHERN SECTION BASEBALL PLAYOFFS
TUESDAY’S RESULTS
THIRD ROUND

DIVISION 1

Pool A

Norco 9, Ayala 2

Pool D

Corona 6, Corona Santiago 1

Pool C

Cypress 8, Sierra Canyon 0

Pool B

La Mirada 11, Huntington Beach 1

SECOND ROUND

DIVISION 2

Elsinore 6, Santa Margarita 4

Ganesha 5, South Hills 2

Newport Harbor 4, Great Oak 1

Aquinas 5, Gahr 3

Santa Ana Foothill 3, Servite 0

Yucaipa 17, Royal 2

Loyola 7, Chaminade 6

Alemany 9, Westlake 6

DIVISION 3

Mira Costa 6, Redondo Union 3

Dos Pueblos 10, Edison 7

Warren 10, Palos Verdes 1

St. Francis 5, Cajon 2

Agoura 3, Garden Grove Pacifica 0

Fullerton 7, Corona del Mar 6

Millikan 3, Beckman 1

Summit 5, Arcadia 4

DIVISION 4

Saugus 11, San Marino 10

Rio Mesa 4, Claremont 2

Glendora at Katella, Wednesday

Anaheim Canyon 4, Upland 1

Marina 11, La Quinta 4

Grand Terrace 4, Palm Desert 0

Laguna Beach 7, Woodbridge 2

Moorpark 8, Monrovia 6

DIVISION 5

Irvine 3, Citrus Valley 2

Cathedral 2, Long Beach Poly 1

Kaiser 5, Quartz Hill 4

Santa Barbara 12, Paramount 5

Long Beach Wilson 2, Jurupa Hills 1

Temescal Canyon 7, Riverside Prep 6

Culver City 6, St. Bonaventure 2

St. Bernard 4, Bishop Montgomery 0

DIVISION 6

Brentwood 9, Ontario 7

Foothill Tech 4, Canyon Springs 0

Trinity Classical Academy 5, Troy 3

El Rancho 8, Northwood 0

Western Christian 5, Savanna 3

Covina 15, Alhambra 5

Muir at Santa Ana Calvary Chapel, late

Lakewood 6, Crossroads 2

DIVISION 7

Carpinteria 7, New Roads 2

North Torrance 7, Grace 0

Santa Paula 11, Fontana 1

Patriot 3, Victor Valley 2

South El Monte 3, Hemet 2

Golden Valley 6, Jurupa Valley 3

Arroyo 4, Carter 3

Norwalk 4, Garden Grove 1

DIVISION 8

Rancho Alamitos 13, Edgewood 10

Chadwick 26, Pasadena Marshall 23

Wildomar Cornerstone Christian 7, Rio Hondo Prep 3

Oxford Academy 4, Rosemead 3

Duarte 4, Santa Clarita Christian 2

Nuview Bridge 3, Nordhoff 2

Artesia 10, Magnolia 5

Anaheim vs. Schurr at Rio Hondo College

DIVISION 9

Lennox Academy 6, Dunn 4

Crossroads Christian 9, St. Monica Academy 8

Ojai Valley 2, San Bernardino 0

Webb 5, Yucca Valley 3

Rolling Hills Prep 11, Ambassador Christian 3

Riverside Bethel Christian 6, Westminster 4

Temecula Prep 22, Cobalt 1

Garden Grove Santiago 7, St. Pius X-St. Matthias Academy 6

FRIDAY’S SCHEDULE
(Games at 3:15 p.m. unless noted)
QUARTERFINALS

DIVISION 1

Corona at Sherman Oaks Notre Dame

Norco at Orange Lutheran

St. John Bosco at La Mirada, Saturday at 11 a.m.

Cypress at Harvard-Westlake

DIVISION 2

Ganesha at Elsinore

Aquinas at Newport Harbor

Foothill at Yucaipa

Loyola at Alemany

DIVISION 3

Mira Costa at Dos Pueblos

St. Francis at Warren

Fullerton at Agoura

Summit at Millikan

DIVISION 4

Saugus at Rio Mesa

Glendora / Katella vs. Anaheim Canyon

Marina at Grand Terrace

Laguna Beach at Moorpark

DIVISION 5

Irvine at Cathedral

Santa Barbara at Kaiser

Temescal Canyon at Long Beach Wilson

Culver City at St. Bernard

DIVISION 6

Foothill Tech at Brentwood

El Rancho at Trinity Classical Academy

Covina at Western Christian

Lakewood vs. Muir /Santa Ana Calvary Chapel

DIVISION 7

Carpinteria at North Torrance

Santa Paula at Patriot

South El Monte at Golden Valley

Norwalk at Arroyo

DIVISION 8

Chadwick at Rancho Alamitos

Oxford Academy at Wildomar Cornerstone Christian

Duarte at Nuview Bridge

Schurr at Artesia

DIVISION 9

Crossroads Christian at Lennox Academy

HajI Valley at Webb

Riverside Bethel Christian at Rolling Hills Prep

Temecula Prep at Garden Grove Santiago

Note: Semifinals in all divisions May 26; Finals in all divisions May 29-30.

AUGUST flights don’t come cheap, but there are some serious savings to be found this summer as airlines slash prices to entice Brits who’ve been nervous about booking because of the Iran war.

Sun Travel has worked with Skyscanner to find some of the cheapest flights that are actually during the school holidays – with some as little as £23 each way.

Follow The Sun’s award-winning travel team on Instagram and Tiktok for top holiday tips and inspiration @thesuntravel.

Working with Skyscanner, Sun Travel has crunched the numbers and discovered where Brits can find the cheapest flights that are actually in the school summer holidays.

Some destinations have dropped prices significantly since last summer including favourites like Venice and Nice.

Starting with Venice, an economy return flight starts from £46pp in August this year – which is down by 14 per cent from August 2025.

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Famous for its waterways, the beautiful city is one of the most visited in Italy.

And if you travel out of the city, there are charming Italian seaside villages peppered along the Adriatic coast.

Don’t forget to stop by Burano an island in the Venetian Lagoon with pretty rainbow-coloured fisherman’s houses.

A little closer to home, return flights to the French city of Nice start from £48pp – which is a decrease of 19 per cent.

The city is perfect for Brits as it can be reached in as little as two hours and August has highs of 27C so it’s perfect for basking on its pretty beaches.

From Nice, it’s an easy train ride along the Cote D’Azur to some of France’s most beautiful seaside towns like Cannes, Villefranche Sur Mer and Antibes.

Return flights to the German city of Berlin start from £49pp this summer which is 10 per cent less than last year.

The city has plenty of history as well as vibrant murals and nightlife.

And while it isn’t very close to the seaside, Germany and neighbouring Switzerland which is easily reached by train, have stunning countryside and lakeside retreats that are the perfect temperature in mid-summer.

Although, just an hour’s drive from the city centre is Großer Wannsee – it’s a large lake and is actually considered one of ‘Europe’s largest inland lidos’.

It’s a popular summer swim spot and place for a summer daytrip.

When it comes to the flights with the biggest drop in prices return flights to Cape Town in South Africa are down 20 per cent with an average price from £689pp.

It’s not the warmest time of year to visit Cape Town, but in August visitors can enjoy whale-watching and views of Table Mountain.

It’s also one of the cheapest bucket list destinations, with everything from safari to vineyards and stunning seaside towns all easily reached from the South African capital.

Another destination that Skyscanner recommends as being cheap with affordable flights is Dortmund in Germany – with an average flight of £72.

The German city is famous for its football culture and highlights its huge Signal Iduna Park and the exhibits at the German Football Museum.

Thanks to its location, both Munster and Dusseldorf are around an hour in each direction by car for those who fancy other city daytrips.

Meanwhile, in the Calabria region in southern Italy, you’ll find the port city of Crotone – where return flights start as little as £62pp.

It once a Greek colony that was the home of Pythagoras.

Visitors should head to Crotone’s harbour which is central to the city and a lively spot for local seafood markets and restaurants.

The Old Town is the spot for nightlife too, with plenty of bars and a pint can be picked up for only €3 (£2.59).

It’s known for its floating fortress off Capo Rizzuto.

Prices correct at the time of publication

May 20 (UPI) — Talks between Russian President Vladimir Putin and Chinese President Xi Jinping on Wednesday failed to make progress on a long-planned 1,615-mile pipeline to supply China with an annual 50 billion cubic meters of natural gas from Russia’s Yamal field in Siberia.

The Power of Siberia 2 project negotiations on the final day of Putin’s two-day state visit to Beijing stalled due to differences over the timetable, financing and cost of the gas with Beijing holding out for a price of around 12-13 cents per cubic meter, in line with the cost in the domestic Russian market.

Moscow and Beijing signed a binding contract to develop the project during Putin’s last visit to China in September but left the details to be ironed out down the line.

Russia wants a similar deal to that for Power of Siberia 1, which experts projected would mean the price of the gas would be at least double the 12-13 cents figure.

The talks yielded 20 other trade and technology agreements and while a joint leaders’ statement talked of boosting their “comprehensive partnership” and shared vision “for a multipolar world and a new type of international relations,” the summit produced no breakthroughs of any great significance.

Analysts said the power imbalance in the Sino-Russia relationship — one where Russia needed China more than China needed Russia — was on full display during Putin’s visit.

Putin said that as one of China’s largest energy suppliers, Russia was ready to “reliably” meet fast-growing Chinese demand for oil, gas and coal.

“Russia and China are actively cooperating in the energy sector. Our country is one of the largest exporters of oil, natural gas, including liquefied gas, and coal to China. We are, of course, ready to continue to reliably ensure uninterrupted supplies of all these fuels to the rapidly growing Chinese market,” Putin said in comments that made no reference to the pipeline.

Kremlin spokesman Dmitry Peskov said the sides had “reached an understanding on the project’s main parameters” in Wednesday’s talks but that “some nuances remain to be ironed out.”

Beijing, which is looking to Russia to ameliorate the energy shock from the severe disruption to its supplies of oil and LNG caused by the Iran war and the closure of the Hormuz Strait, has already imported 35% more Russian oil in the January to March quarter than in the same period in 2025.

“Both China and Russia need each other, but Russia clearly needs China more than before at the global stage. Given today’s international environment, deep co-operation with China is extremely important for Russia in dealing with many of its current challenges,” Zheng Runyu, of the Centre for Russian Studies in Shanghai, told the BBC.

When Meow Wolf’s Los Angeles location opens later this year, one of its biggest residents will be a 20-foot-tall, 1,000-pound amoeba-like creature named WoWoW.

Created by the L.A.-based multimedia collective Everything Is Terrible, WoWoW is alternately described as a “cosmic entity” and a “cartoony, root vegetable floating alien god.” The multi-eyed organism will serve as the centerpiece of “the N.E.S.T.,” an EIT-designed section of Meow Wolf’s new 26,000-square-foot immersive exhibition space.

In-progress detail of Everything Is Terrible’s WoWoW sculpture for the forthcoming Meow Wolf Los Angeles, shown with multi-color eye lighting.

(Photo by Allyson Lupovich / Meow Wolf)

That acronym has yet to be explained, and is cloaked in Meow Wolf’s intentionally mysterious messaging about its latest incarnation, which is set in an old Cinemark movie theater in West L.A. and will tackle the ephemeral joys and hardships of Hollywood’s dream factory. The L.A. location will be the Santa Fe, N.M.-based immersive art and entertainment company’s fifth outpost after Denver, Las Vegas, Houston and the Dallas suburbs.

The L.A. space boasts 45 local collaborating artists including Gabriela Ruiz, David Altmejd and more. Each is building their own unique installation featuring a variety of sculptures, dioramas and new media.

Everything Is Terrible is one of Meow Wolf’s most prolific partners, creating a variety of psychedelic characters for various installations over the years. The collective dreamed up the N.E.S.T. about two years ago as a way of paying tribute to maximalist roadside attractions like Wisconsin’s House on the Rock or New Mexico’s Tinkertown Museum. It also tells the story of the Noothies, a made-up community of former below-the-line film workers who stumbled upon a god — and a hidden truth about the nature of reality.

The installation presents a paradox by being a Hollywood idea that is completely un-Hollywood. It may wink at the industry’s unseen heroes, but who can afford to make art for art’s sake in the entertainment industry anymore? That seeming contradiction makes it a very Everything Is Terrible idea.

Founded nearly 20 years ago by a group of friends who met at Ohio University, Everything Is Terrible was launched as a found-footage website that created wild and singular art pieces using thrifted VHS tapes. It found viral success with videos about cat massage, and a dancing dinosaur who warns kids about the dangers of pedophilia, as well as its lauded quest to amass as many VHS copies of “Jerry Maguire” as humanly possible. (The group has about 45,000 at the moment, all stuffed in boxes and waiting to be unleashed on the world — perhaps as a pyramid in the desert or maybe featured in some sort of coffee table book.)

“I think our outlook on life has become, ‘look at the worlds that these people created,’” says EIT co-founder Dimitri Simakis. “No one asked them to do this. Someone just wanted to do a kids puppet show in some garage in North Carolina and now they’ve created a simulacra.”

That’s also what the collective is doing with its Meow Wolf exhibit, adds Nic Maier, another EIT member. “It’s what we’ve done for the last 20 years, really. We’re just a bunch of kooks who got together to obsessively make things in celebration of life and in appreciation of each other’s time.”

The marriage of Everything Is Terrible and Meow Wolf is a match made in heaven. The groups first met in 2009, bonded by a shared commitment to interactive art experiences that twist reality using an ornate handmade aesthetic.

A few years later, Maier was hired to work on what would become Meow Wolf’s first large-scale installation, Santa Fe’s “House of Eternal Return.” As he spent hours sculpting large, foam trees for the group, he says he fell in love.

A mystical, neon-colored forest in Meow Wolf’s Santa Fe, N.M., exhibition, “The House of Eternal Return.”

(Meow Wolf)

“We always joke that ever since then, EIT has been a barnacle on the side of the Meow Wolf ship, just hanging on but also occasionally hopping in to contribute,” Maier says.

When Meow Wolf announced it was opening two new spaces, in Las Vegas and Denver, it called on EIT for ideas. Simakis and Maier threw out a few pitches for Denver and one landed: a McDonald’s-like retro freak-out known as Pizza Pals Play Zone, which went on to become one of the attraction’s most talked about, photographed and beloved spaces.

“Pizza Pals Play Zone is super character dense,” says Han Sayles, Meow Wolf’s director of artist collaboration. “It’s just one of those spaces that feels like Meow Wolf. There’s hundreds of different pieces of media framed all around, featuring all of these different characters they created. They even made a bible … that had the narrative backstory of every single character and every deliverable they wanted for that room.”

Pizza Pals Playzone, created by Everything Is Terrible, at Meow Wolf’s Convergence Station in Denver.

(Jess Gallo / Meow Wolf)

When Meow Wolf’s Los Angeles project became a possibility, Sayles says Everything Is Terrible was one of the first groups she pitched as a potential contributor. EIT ended up being offered a custom project, in which the group used Meow Wolf’s extensive production facilities and resources to create their vision for the space, weighing in on everything from the shape of their room to the merch it might inspire in the Meow Wolf gift shop.

“We had a super trusting relationship with them,” Sayles says. “We recruited them as partners and negotiated a deal without knowing what they were going to put in the room. Both Nic and Dimitri have such a beautiful, strong sense of the exact genre of whimsy that we go for and they always deliver super deeply, so we knew it would be amazing.”

Sayles says she also thought the group’s experience of Los Angeles would lend itself well to the overall theme of the venue. Shakti Howeth, a creative director at Meow Wolf, agrees, saying that while Meow Wolf attractions are typically pretty otherworldly, they’re always built around an overarching story.

At Meow Wolf’s “Omega Mart,” in Las Vegas, guests first enter a satiric take on a grocery store, where portals lead to otherworldly art exhibitions.

(Christopher DeVargas / Meow Wolf)

The N.E.S.T., Howeth teases, will relate to some of the L.A. attraction’s character groups and themes, as well as its overall story. How audiences first encounter WoWoW and the N.E.S.T. will depend on which door they use to enter the room. From there, the points of visual interest will compound upon each other.

“We’re just incorporating all the things we love,” says Maier, noting that includes roadside attractions, folk art and anything “outsider.”

“It involves everything from the importance of dirt and worms to video games to experimental film to worker uprisings to entering literal other dimensions where you can meet what might be God, all within a [553]-square-foot space,” Simakis adds. “There have been times when we’ve been in the N.E.S.T. and thought we crammed in too much … but then you realize it has to be like that, because we’re trying to tell the whole story of the universe in just that room.”

For example, Maier spent much of the last two years building 45 beautifully weird costumes for the attraction, only two of which will be physically in the N.E.S.T. The other 43, he explains, are there for “world-building” and to make the story feel lived in. Everything in the space will have been created by Everything Is Terrible and Meow Wolf, including what seems like real found footage.

Simakis calls the group’s vision for the space “unrelenting joy mixed with benevolent chaos,” as well as “a beautiful folk art museum that’s also a space rave.” He likens what the group is doing to “building a puzzle out of thousands of other puzzles, gluing it together to make a new thing.”

“It’s like we’re making a movie that’s not a movie,” Simakis adds. “It’s a video game. It’s a living space. It’s all of these things, but you get to walk around in it.”

If that’s confusing, it’s because it’s meant to be — at least a little. How each visitor absorbs or receives the space will be entirely up to them. And while that could be a bit terrifying for some artists, to pour everything into a piece only to have the public possibly misinterpret or even ignore it, Maier and Simakis say they’re open to whatever comes.

“Millions of people are going to potentially walk through our space, so it has to be really special,” Simakis says. “We’ve also thought about all the different ways people could enjoy it, whether they’re a baby or a stoner or someone who’s just really into immersive entertainment or escape rooms. Even if you just go to take selfies, great. We’re pro-that. But also, if you want to keep going back or you want to spend hours there, I promise we’ve made it worth your while.”

Meow Wolf L.A. opens later this year. You can catch both Meow Wolf and Everything Is Terrible in the Los Angeles County Museum of Art’s Art Parade on June 20, marching in some of Maier’s 45 costumes from the N.E.S.T.

WASHINGTON — Bold conservative thinkers with clear public records need not apply.

An increasing number of conservative activists fear that is the message President Bush is sending with his two choices for the Supreme Court.

This week’s nomination of White House Counsel Harriet E. Miers, following Bush’s earlier selection of John G. Roberts Jr. as chief justice, means that the president has chosen two Supreme Court nominees with limited — or virtually no — public records on the key constitutional controversies dividing the parties. In the process, he’s bypassed a long list of judges with consistent conservative records on state and federal courts.

“I don’t know that there is a deliberate message — I think he is just trying to avoid trouble — but the message comes through: Do not be controversial, do not express strong opinions that arouse opposition,” said Robert H. Bork, the conservative legal scholar and former federal judge. Bork’s extensive writings keyed an explosive confirmation battle that culminated in his rejection by the Senate when President Reagan nominated him to the Supreme Court in 1987.

During almost five years of bruising partisan warfare on issues from taxes to Iraq, few people have ever accused Bush of dodging a fight. But that’s exactly the charge he is now facing from disgruntled conservatives.

They contend that Bush has chosen Miers, and even Roberts, largely because he fears Democratic resistance to conservatives with more concrete public records, such as appellate court Judges J. Michael Luttig and Edith H. Jones.

“Is the president sending a message that these distinguished conservatives are too controversial to be nominated for the high court, even with a Senate containing 55 Republicans?” a Wall Street Journal editorial asked Tuesday.

White House officials and some Bush allies on the right deny the charge that he is gun-shy about promoting nominees with extensive public records. They note that the president has consistently appointed known conservatives, such as Janice Rogers Brown and Priscilla R. Owen, to the powerful federal appellate courts — even renominating them after they were initially blocked by Democratic filibusters.

“In the president’s mind, it is not disqualifying if you have a public track record of conservatism, and he has proved that through his appellate court appointees,” said White House counselor Dan Bartlett.

Bush, at a Tuesday news conference, sought to assure his supporters that Miers shared his conservative views and would remain steadfast to them.

“I know her well enough to be able to say that she’s not going to change, that 20 years from now she’ll be the same person, with the same philosophy, that she is today,” he said.

But Bush’s critics on the right maintain that his reluctance to nominate a known conservative for the Supreme Court sends a strong signal encouraging caution and consensus among conservative legal thinkers and judges.

“I suppose a lot of people are not going to want to join the Federalist Society,” said Bork, in a reference to a conservative legal group.

Both sides agree that the 1987 defeat of Bork marked a turning point in Supreme Court nominations. Since then, both parties have generally favored nominees without the detailed and controversial record he carried to the witness table.

“It’s almost become a qualification,” said Bork, a senior fellow at the conservative Hudson Institute think tank.

But Bush’s conservative critics say he has carried this tendency to a new height through his selection of Roberts, who had served just over two years as a federal judge, and Miers, who has never served on the bench or written publicly on major legal questions.

In contrast, both of President Clinton’s Supreme Court appointees — Stephen G. Breyer and Ruth Bader Ginsburg — had served for more than a decade on federal appellate courts. And Ginsburg had written widely as a law professor and general counsel for the American Civil Liberties Union.

Bush’s conservative critics acknowledge that Roberts’ limited public record made it more difficult for Democrats to organize against him, an advantage that Miers may also benefit from.

But the president’s critics maintain that Bush is underestimating his ability to win confirmation for a more clearly defined candidate while Republicans hold 55 Senate seats; only twice since 1930 has a president’s Supreme Court nomination been rejected while his party controlled a Senate majority.

“If Bush feels he could have put a Mike Luttig on there without a fight, he would have done it,” said Mark Levin, president of the conservative Landmark Legal Foundation and a former chief of staff to Edwin Meese III, who was attorney general under Reagan. “It’s a political calculation that he’s got enough on his table right now, and why instigate a fight?”

Luttig, of Virginia, is a favorite of conservative activists.

The critics on the right see two principal risks in choosing justices without a long pedigree. One is that without a firm anchor in conservative legal views, they will trend leftward on the court — the way almost all conservatives believe David H. Souter, appointed by President George H.W. Bush, has done. This fear is greater about Miers because Roberts’ advocacy for conservative positions in previous GOP administrations has left the right considerably more, though not completely, confident about him.

The other fear is that the nomination of candidates without lengthy public records will discourage conservatives from advancing controversial positions that challenge legal conventional wisdom — either in their writings or on the courts. The Wall Street Journal said that by appointing Miers, the president “missed a chance to send a message that taking firm sides in our judicial debates is not politically disqualifying.”

Bush advisors and allies say such conclusions misread his logic for the Miers appointment. They say his long personal relationship with Miers gives him more confidence about her judicial philosophy than he could obtain from reading a judge’s opinions or from a short interview.

“Harriet Miers reflects less a reticence to appoint someone with a record and more a commitment to appoint someone he knows shares his judicial philosophy,” said Leonard Leo, a former vice president of the Federalist Society now working with groups supporting the president’s court nominees.

Still, the uneasiness on the right about Bush’s decision-making has reached the point that two prominent legal conservatives this week joked that the best thing that ever happened to Roberts was the refusal by the Senate, then controlled by the Democrats, to confirm him after President George H.W. Bush nominated him to the Court of Appeals for the District of Columbia Circuit in 1992.

If Roberts had been confirmed then, his lengthy legal record might have dissuaded the current President Bush from nominating him to the Supreme Court this summer, said one of the conservatives, who asked not to be identified.

SAN DIEGO — The good people of New York like to consider themselves tough. If you can make it there, as Frank Sinatra crooned, you’ll make it anywhere.

Do not confuse hot takes with sounding tough. Two New York sports talk hosts this week took daft shots at Joe Davis and came off — in the last adjective with which any true New Yorker would want to be described — as soft.

Let’s rewind: Davis is the lead voice of the Dodgers on SportsNet LA. He is also the lead voice of the national baseball broadcasts on Fox. In the latter role, he called last Saturday’s game between the New York Yankees and the New York Mets.

At one point, Mets outfielder Carson Benge dropped an easy fly ball. Without missing a beat, Davis said: “Oh, no! Oh, no, the Mets!”

It was the perfect call. The foibles of the Mets are so many and so weird that Mets fans themselves have embraced a term for them: LOLMets. You can learn all about it in a 23-minute YouTube video narrated by a former Mets pitcher.

Commentator Stephen Nelson, Dodger Shohei Ohtani, interpreter Will Ireton, Dodger Roki Sasaki and broadcaster Joe Davis address fans during Dodger Fest at Dodger Stadium on Jan. 31.

(Jae C. Hong / Associated Press)

Firing one manager (Willie Randolph) at midnight in Anaheim? Dumping another manager (Carlos Beltran) before he could manage a game because he was the only player cited in the commissioner’s report on the Houston Astros’ cheating scandal? Opening this season with baseball’s highest payroll and spending some time with baseball’s worst record?

“This year, and in recent years, there have been so many moments where it looks like the Mets are right there, ready to make a run or win the division or win a championship, and then something just tends to go wrong,” Davis said in San Diego Tuesday.

“They were in a stretch right there where every single day, they were getting a stud hurt. They put together a winning streak against the Tigers, then Clay Holmes has the comebacker break his ankle.”

The next day, Benge totally clanked it, and Davis totally nailed it — in the moment, not with some scripted phrase waiting in his pocket.

“You hope that your reactions in those moments — in any moment in this job — are authentic,” Davis said. “You don’t have much time for it to be anything else.”

On Monday, Evan Roberts — a host on WFAN, New York’s top-rated sports station — unloaded on Davis for “mocking” the Mets.

“Joe Davis has become a clown for the Los Angeles Dodgers and we all hear it,” Roberts said, in remarks posted by the Awful Announcing website.

Got anything else?

“I think he’s a Dodger fanboy,” Roberts said. “I think he wants to just make love to Shohei Ohtani every time he talks about him … He’s a great broadcaster, and I’ll admit it. But, for now, I think Joe Davis is a Dodgers shill and it’s obnoxious.

“And I’d give him this advice, not that he cares, he doesn’t care: Don’t go to the Dodger parade and be the emcee. It’s a bad look. It just is. You’re sitting there as the national voice and now you’re pom-pom waving at the Dodger parade. Come on, man.”

Davis works for the Dodgers. When the boss wants you to emcee the World Series championship rally, you do. Would the Mets’ broadcasters do the same? When the Mets win their first World Series championship since 1986, we’ll find out.

Let’s hear from Sal Licata, formerly at WFAN and now working independently: “What’s up with Joe Davis, by the way? You Dodger homer. ‘Oh no, the Mets,’ that’s a national unbiased broadcast? You biased Dodger blue fool.”

There always will be people who claim Davis is biased toward the Dodgers, just as people claimed his predecessor, Joe Buck, was biased toward the St. Louis Cardinals. Buck worked for Fox on weekends and called Cardinals games during the week.

And, for the people who see only what they want to see, Davis is the voice of baseball’s evil empire. Maybe that aggravates New Yorkers, but consider how aggravated we are that we have to fight through hellish traffic to get to Dodger Stadium or a television set by 5 p.m. so we can see our team play in the World Series because the East Coast needs to see the game in prime time.

Or how annoyed we are that we get televised Yankees-Red Sox games shoved down our throats when Red Sox management has opted for irrelevance and the best rivalry in baseball is here, between the Dodgers and Padres.

Better yet, how about we all chill? It’s just a game. We could break bread with New York’s famous bagels, except the New York Times told us we have the better bagels.

SEOUL, May 20 (UPI) — South Korea’s Mirae Asset Securities said Wednesday it launched the “Sage Beyond” platform geared toward sharing its insights with young business leaders.

The Seoul-based brokerage house said Sage Beyond would pass on its philosophy of innovation-driven growth.

The platform came to light when Mirae Asset Group founding Chairman Park Hyeon-joo delivered a keynote speech to about 140 participants. He is often referred to as South Korea’s Warren Buffett, the legendary U.S. investor.

Park shared insights into the mindset and strategic vision needed for the next generation of leaders, stressing innovation and sustainable long-term growth, according to the company.

It said it plans to strengthen partnerships with young executives through various programs linked to Sage Beyond, including regular forums focused on macroeconomic insights.

The introduction of Sage Beyond is also part of the company’s broader effort to upgrade its premium wealth management service brand, “Sage,” it said.

While Sage Beyond targets young business leaders in their 30s and 40s, “Sage Jr.” is aimed at university-age children from client families as a next-generation leadership development program.

“Sage Beyond is a platform designed to build partnerships with young leaders who value innovation,” Mirae Asset Securities said in a statement. “By continuously providing insights on management and investment, we hope to help them achieve sustainable growth.”

The share price of Mirae Asset Securities dipped 6.63% on the Seoul bourse Wednesday, while the broader KOSPI edged down 0.86%.

Hotel operators avoid a ‘very real threat’ by signing a deal with 25,000 workers as the city hosts the 2026 tournament.

New York City hotel operators and ⁠unions have reached an eight-year labour deal covering about 25,000 workers, averting a strike over wages, workloads and staffing levels that had threatened to disrupt the city ⁠before the FIFA World Cup, said the head of the Hotel Association of New York City.

Vijay Dandapani, the association’s president and chief executive, said on Tuesday that the mood among owners was “overall positive” after weeks of negotiations, though the industry made significant concessions.

“We came ‌a long way from where things were,” Dandapani said.

The United States will cohost the tournament with Canada and Mexico from June 11 to July 19.

While FIFA, football’s global governing body and tournament organiser, was not involved in the talks, the prospect of an influx of fans raised the stakes.

A union campaign had warned of a possible strike and urged visitors to avoid affected hotels.

The potential walkout was a “very real threat”, Dandapani said, noting recent labour actions in US cities including Los Angeles and ⁠Boston.

Dandapani said a figure of about $200,000 reflected compensation at the end of the agreement, not at the outset.

Hotel owners entered the talks aiming to preserve profitability, arguing New York’s lodging market has not ⁠fully recovered from the pandemic. Occupancy remains below 2019 levels, and inflation-adjusted room rates have yet to catch up, he ⁠said.

He also cited broader pressures, including the US-Israel war on Iran, tariffs and visa issues.

The deal follows the withdrawal of a proposed city measure that operators said would have sharply raised labour costs by limiting room attendants’ workloads and requiring double pay beyond certain ‌thresholds. Owners estimated it could have lifted wage costs by about 40 percent.

The new pact will still add costs, though operators expect tourism demand and major events to ‌support ‌revenue.

Renfield, a movie based on characters from Bram Stoker’s novel Dracula, is airing tonight and fans have praised hailed the film “funny and deliciously entertaining’

A movie perfect for fans of Dracula is heading to the small screen.

American action comedy horror film Renfield was originally released in 2023 and Film4 is showing the film at 9pm on Wednesday (May 20) evening.

Inspired by characters from Bram Stoker’s 1897 novel Dracula and its 1931 feature film adaptation, the film features Nicholas Hoult as the titular character and co-stars Awkwafina, Ben Schwartz, Shohreh Aghdashloo, Brandon Scott Jones, Adrian Martinez and Nicolas Cage.

The story follows Renfield who, after decades as a grueling servant for Dracula, seeks a new purpose in life. Viewers who have already watch the movie have offered their review online.

One fan penned: “I came for Nicolas Cage and was not disappointed. He played an amazing Dracula in the modern world.” Nicolas Cage was born to play and he appropriately chews up the scenery whenever he is on screen. This movie is a lot of fun thematically and visually.”

A third person said: “Renfield hits all the right notes. The humour is dark, witty and at times profound. The film delivers plenty of gore and bloodshed to satisfy fans of the horror genre.”

A fourth agreed: “Funny, well-crafted, and deliciously entertaining, Renfield isn’t short of bite.”

According to reports, Cage prepared for his role as Dracula by observing the distinctive ways the character was portrayed on screen by Bela Lugosi, Frank Langella, and Gary Oldman.

“What can I bring that will be different?”, he said, “I want it to pop in a unique way. We’ve seen it played well, we’ve seen it play not so well, so what can we do?

“So I’m thinking to really focus on the movement of the character … and that perfect tone of comedy and horror.”

Cage mentioned An American Werewolf in London, Ring and Malignant as inspirations for the role.

The film is Cage’s first live-action film by a major studio since Ghost Rider: Spirit of Vengeance.

The film’s black-and-white opening scenes recreate the events of Dracula with Cage and Hoult respectively inserted in place of Bela Lugosi and Dwight Frye as Count Dracula and Renfield, with Helen Chandler and Edward Van Sloan appearing as Mina Seward and Abraham Van Helsing via archive footage.

A VICTORIAN seaside spot has doubled in size thanks to a £185 million promenade makeover.

The beachfront has now reopened to visitors after six months of work.

Southsea beach in Portsmouth is undergoing a huge redevelopment as work continues to increase the beach’s size and improve the promenade flood defences.

The Southsea Coastal Scheme is a £185 million project that was introduced to help reduce the risk of flooding to thousands of homes and local businesses.

Its planned defences will stretch along a 2.7 mile section of the seafront and is the UK’s biggest local authority-led coastal defences project.

The beach widening work, which covered the stretch between the Pyramid Centre and the Coffee Cup café began in October last year and was completed by March 2026.

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PARK PARADISE

The Algarve-like holiday park on a UK beach with a £1million upgrade

Increasing the beach’s width was achieved using shingle dredged from a nearby strait close to the Isle of Wight, with one million tonnes of shingle deposited on the beach using a pipeline from the dredger.

Widening the beach improves the area’s flood defences as the larger beach can now absorb more wave energy and will better defend the coastline.

While this process was underway, access to the beach was limited for safety reasons and certain sections were closed to the public, reopening section-by-section as work was completed.

Speaking on the decision to expand the beach, Southsea Coastal Scheme project executive, Marc Bryan, said: “We’ve chosen to build a larger shingle beach in this area because they’re great at absorbing wave energy which in turn helps reduce erosion and protects homes and businesses from coastal flooding.

“The new beach will adapt to rising seas and our changing climate while still providing the required standard of protection.

“It will be easily maintained and can be topped up if needed in the future.”

Other work that forms part of the scheme has already been completed including the demolition and creation of a new seawall around Long Curtain Moat.

Two new bridges were also built nearby and the promenade was made higher and wider with additional seating.

Rocks were imported to create new sea defences around Southsea Castle and improvements have been made to part of the promenade between Pyramids and Speaker’s corner, including new terraces, seating and play areas.

Currently, construction work is underway between South Parade Pier and Speaker’s Corner creating a new-look promenade and improving the defences.

Large precast concrete blocks have been installed onto 75 units on the sea frontage, cleverly disguised as tiered planters and seating.

The promenade level is also in the process of being raised using a mix of crushed stone and crushed concrete from the previous promenade.

When complete, the new promenade area will match the existing seafront paving.

Construction is expected to continue till May 2027, and while the work is underway, certain areas of the beachfront will be closed, however many local businesses will remain open.

The entire coastal defence scheme is expected to be completed by 2029.

The beach, made up of a mix of shingle and sand, has been a popular tourist destination since the 19th century and is located just a mile south of Portsmouth city centre.

Named after the nearby Southsea Castle, the beach first welcomed its South Parade Pier in 1879, originally the site of a passenger steamer service for travellers heading to the Isle of Wight.

The seafront has been described by visitors as “a little gem” on the South East coast, with a “wonderful” promenade full of shops and cafes.

It’s entirely possible — as hard as it may be to conceive in these deeply tribal, us-vs.-them times — for two competing notions to be true.

Tina Peters personally enriched herself and betrayed the public trust by perpetrating a harebrained scheme to “prove” the 2020 election in Mesa County, Colo., was rigged against President Trump. The former county clerk and MAGA warrior deserved to go to jail.

But the nine-year sentence she received was unduly harsh and, according to an appeals court decision, improperly meted out as punishment for the false and reckless public statements Peters made, a clear violation of her 1st Amendment rights. The court kicked the case back for resentencing.

That’s when Colorado’s Democratic governor, Jared Polis, stepped in.

And stepped in it.

Over the strenuous objection of fellow Democrats and many Republicans — including Peters’ prosecutor and a majority of Colorado’s election clerks — Polis commuted her sentence, clearing the way for Peters’ parole on June 1 after less than two years in prison.

Which just goes to show three wrongs don’t make a right.

Peters, 70, was convicted on multiple criminal counts, four of them felonies, for conspiring to let an unauthorized person access supposedly compromised voting equipment. She then lied to cover up her actions.

Trump carried Mesa County, a conservative stronghold, by nearly 30 percentage points, making Peters’ actions — apart from illegal — unaccountably stupid. But her conniving made her a belle of Mar-a-Lago and a celebrity on the election-denial circuit, jetting around the country and spewing cockamamie conspiracy theories.

Trump loudly agitated for her release.

His corrupted Justice Department sought to get Peters sprung from Colorado prison, presumably to set her loose from a federal facility. The president issued a symbolic “pardon,” though Peters’ conviction on state charges put her beyond his crooked reach. Trump insulted and belittled Polis, suggesting, among other things, he “rot in hell.” More significantly, the vengeful president waged economic war against Colorado.

Among the retributive acts, Trump slashed federal funds earmarked for the state, closed a climate research center in Boulder and moved the U.S. Space Command headquarters from Colorado Springs to Alabama.

Polis, who has a broad libertarian streak, insisted his freeing of Peters was not a capitulation to Trump, but rather a matter of principle, which seems plausible to the extent the governor could have anticipated the unshirted hell he’s gotten from fellow Democrats.

Among the great many infuriated by Polis’ decision are Colorado’s two U.S. senators, as well as other vocal critics up and down the ballot. (One of those indignant senators is Michael Bennet, who is running to replace Polis.) There have been calls, within his own party, to investigate and impeach the governor, who had been spoken of as a potential presidential candidate in 2028.

“He was aiming for a national profile,” said Floyd Ciruli, a pollster who’s been taking soundings of Colorado voters for decades. “This makes it much more difficult.”

Given Democrats’ molten outrage, that seems like an understatement.

The judge who sentenced Peters in October 2024 was unsparing.

“You’re as defiant … a defendant as this court has ever seen,” District Judge Matthew Barrett scolded her. “You are as privileged as they come and you used that privilege to obtain power, a following and fame. You are no hero…. You’re a charlatan who used and is still using your prior position in office to peddle a snake oil that’s been proven to be junk time and time again.”

Amen.

The problem, according to the Colorado Court of Appeals, was that Barrett wrongly punished Peters not just for her illegal actions but for speaking out about alleged election fraud.

“Her offense was not her belief, however misguided the trial court deemed it to be, in the existence of such election fraud,” the three-judge panel wrote in a unanimous April decision. “It was her deceitful actions in her attempt to gather evidence of such fraud.”

The judges — all Democratic appointees — upheld Peters’ conviction and denied her request to transfer the case from Barrett. They ordered him to come up with a new sentence.

And that’s where Polis, who placed Barrett on the bench, should have let things alone.

Instead, the governor interceded and essentially cut Peters’ sentence in half.

“The crimes you were convicted of are very serious and you deserve to spend time in prison,” Polis wrote in his commutation letter. “However, this is an extremely unusual and lengthy sentence for a first time offender who committed nonviolent crimes.”

In response, Peters thanked Polis, apologized and expressed contrition.

“I made mistakes, and for those I am sorry,” Peters wrote in a statement addressed to the governor. “I have learned and grown during my time in prison and going forward I will make sure that my actions always follow the law, and I will avoid the mistakes of the past.”

We’ll see about that. If Peters clambers back aboard Mike Lindell’s crazy plane — he of MyPillow and election denial fame — we’ll know Polis was duped.

It’s easy to see his actions as surrendering to Trump. If so, Polis’ cave-in was pointless. The president is a bully to his core, always demanding more.

But if you take the governor at his word, and his actions weren’t meant as appeasement, what he did was bad nonetheless. He emulated one of Trump’s worst habits, short-circuiting a well-established, independent process by substituting his own headstrong judgment.

Pride, the saying goes, comes before a fall. In Polis’ case, so does arrogance.

Dodgers beat the Padres

From Maddie Lee: Andy Pages’ game-winning at-bat was one of the “greatest” teammate Freddie Freeman has ever seen in person. Manager Dave Roberts commended his “will and determination.” Even Padres closer Mason Miller, the pitcher on the other side, tipped his cap: “Outstanding job by him.”

The Dodgers’ 5-4 comeback victory was sealed with a nine-pitch battle between Pages and Miller. And the Dodgers’ young All-Star candidate beat the best closer in baseball.

“I never thought he was going to strike me out or dominate me,” Pages said through an interpreter. “I was 100% certain I was going to move the ball forward.”

Forward and in the air to right field for the go-ahead sacrifice fly in the ninth inning.

The Dodgers (30-19) evened the series, pulled back into the top spot in the division standings, and handed Miller his first loss as a Padre.

Continue reading here

Shaikin: Pitching injuries are piling up again for Dodgers. Can the starting rotation hold up?

Dodgers box score

MLB standings

Angels walloped by the Athletics

Nick Kurtz had three hits and five RBIs, Brent Rooker and Zack Gelof homered and drove in three runs apiece as the Athletics beat the Angels 14-6 on Tuesday night.

The Athletics scored 12 of their runs with two out.

Kurtz, the reigning American League rookie of the year, sparked a six-run third inning with an RBI single, keyed a two-run sixth with a two-run single and added a two-run double in a four-run eighth.

Reliever Justin Sterner (2-3) escaped a first-and-third, two-out jam in the fourth and earned the win for the AL West-leading A’s, who snapped a three-game skid.

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Angels box score

MLB standings

Billie Jean King graduates

From Steve Henson: Long before Billie Jean King won dozens of Grand Slam tennis titles, founded the Women’s Tennis Assn., became part owner of the Dodgers and was awarded the Presidential Medal of Freedom, she enrolled in what was then called Los Angeles State College.

Three years later in 1964, King left without a degree to devote full attention to her burgeoning tennis career.

Failing to earn the degree bothered her, and King would correct anyone who said she had graduated.

“I said, ‘Don’t ever say ‘graduated.’ I haven’t earned it — yet,’” she said.

“Yet” became a reality Monday when King, 82, received her bachelor’s degree in history from the same school she attended more than 60 years ago — now called Cal State Los Angeles — walking across the Shrine Auditorium stage with the rest of the Class of 2026.

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This day in sports history

1897 — British Open Men’s Golf, Royal Liverpool GC: English amateur Harold Hilton wins 2nd Open title by 1 stroke from Scot James Braid.

1900 — The second modern Olympic games open in Paris.

1941 — Ten days after his Preakness victory, Whirlaway races against older horses for the first time and defeats four rivals in the Henry of Navarre Purse at Belmont Park in New York.

1950 — Heavily favored Hill Prince, ridden by Bill Boland, wins the Preakness Stakes by five lengths over Middleground.

1964 — Buster Mathis beats future world heavyweight champion Joe Frazer on points at trials in Flushing, NY to qualify for US Olympic boxing team; Mathis injures thumb, replaced by Frazier who wins gold medal.

1967 — Damascus, ridden by Willie Shoemaker, wins the Preakness Stakes by 2¼ lengths over In Reality.

1972 — Bee Bee Bee, a 19-1 long shot ridden by Eldon Nelson, wins the Preakness Stakes by 1½ lengths over No Le Hace.

1972 — Indiana’s Roger Brown scores 32 points to lead the Pacers to 108-105 to win over the New York Nets and the ABA championship.

1978 — Affirmed, ridden by Steve Cauthen, continues the battle with Alydar and wins the Preakness Stakes by a neck.

1983 — American heavyweight boxer Larry Holmes beats countryman Tim Witherspoon by split decision to retain his WBC title at the Dunes Hotel & Casino, Las Vegas.

1985 — Larry Holmes beats Carl Williams in 15 for heavyweight boxing title.

1990 — Monica Seles ends Steffi Graf’s 66-match winning streak and takes the German Open with a 6-4, 6-3 victory. Graf’s streak is the second longest in the modern era of tennis. Martina Navratilova won 74 straight matches in 1984.

1990 — The 18th triple dead heat in modern thoroughbred history takes place in the ninth race at Arlington International Racecourse. All Worked Up, Marshua’s Affair and Survival are timed in 1:24 4-5 over seven furlongs.

1991 — Chicago Bulls Michael Jordan is named NBA’s MVP.

1992 — 36th European Cup: Barcelona beats Sampdoria 1-0 at London.

1998 — 6th UEFA Champions League Final: Real Madrid beats Juventus 1-0 at Amsterdam.

2000 — English FA Cup Final, Wembley Stadium, London (78,217): Chelsea beats Aston Villa, 1-0; Roberto Di Matteo scores 73′ winner.

2005 — Nextel Cup rookie Kyle Busch becomes the youngest winner in Craftsman Truck Series history, holding off Terry Cook and Ted Musgrave in a three-lap closing sprint at the Quaker Steak & Lube 200.

2006 — Kentucky Derby winner Barbaro breaks down at the start of the Preakness, galloping a few hundred yards while his eight rivals pass him. Bernardini wins the $1 million race, beating Sweetnorthernsaint by 5 1-4 lengths.

2007 — Roger Federer ends Rafael Nadal’s 81-match winning streak on clay with a 2-6, 6-2, 6-0 win in the final of the Hamburg Masters. It’s Federer’s first clay-court title in two years.

2015 — NASCAR 2016 Hall of Fame inductees: Bobby Isaac, Terry Labonte and Jerry Cook.

2017 — Cloud Computing, ridden by Javier Castellano, runs down Classic Empire in the final strides to win the Preakness by a head. The 13-1 long shot runs 1 3/16 miles in 1:55.98 and pays $28.80 to win. Derby winner Always Dreaming and Classic Empire duel throughout most of the race before Classic Empire jumps in front midway on the far turn.

2018 — Sweden beats Switzerland 3-2 in a shootout for the gold medal at the world ice hockey championship in Copenhagen, Denmark.

2018 — The Tradition Senior Men’s Golf, Greystone G &CC: Spaniard Miguel Ángel Jiménez wins by 3 from American trio Joe Durant, Steve Stricker & Gene Sauers.

2018 — The Vegas Golden Knights punch their ticket to the Stanley Cup Final beating the Winnipeg Jets 2-1 on the road to win the Western Conference finals 4-1. The Golden Knights become the second expansion team in the NHL, NBA, NFL or MLB since 1960 to reach a championship series in their first season. The other team was the 1967-68 St. Louis Blues.

Compiled by the Associated Press

This day in baseball history

1919 — Babe Ruth won a game on the mound and at the plate. He hit his first career grand slam as the Boston Red Sox beat the St. Louis Browns 6-4.

1925 — The Cleveland Indians scored six runs in the last of the ninth to beat the New York Yankees 10-9. Tris Speaker scored the winning run from first on a single.

1932 — Paul Waner of the Pittsburgh Pirates hit four doubles in one game.

1941 — Lefty Grove of the Boston Red Sox won his 20th consecutive game at home, the longest home park streak in the major leagues. Boston beat the Detroit Tigers, 4-2.

1947 — The Pittsburgh Pirates beat the Boston Braves 4-3 in a game that featured 22 hits — all singles. The Pirates had 12 singles, the Braves 10.

1948 — Joe DiMaggio of the New York Yankees hits for the cycle and collects six RBI in a 13-2 victory over the Chicago White Sox. DiMaggio hits two home runs, a triple, a double and a single, and narrowly misses another extra-base hit when Chicago left fielder Ralph Hodgin makes a spectacular catch at the wall.

1953 — In the 13th game of the season, the Milwaukee Braves surpassed their 1952 attendance of 281,278, when they were in Boston.

1959 — The Detroit Tigers beat the Yankees, 13-6, to place New York in last place for the first time in 19 years.

1962 — Chicago Cubs rookie Ken Hubbs had eight singles in eight trips to the plate. The Cubs swept the Philadelphia Phillies, 6-4 and 11-2.

1978 — Willie Stargell hit a 535-foot homer off Montreal’s Wayne Twitchell — the longest home run in Montreal’s Olympic Stadium — to highlight the Pirates’ 6-0 victory. It was also Stargell’s 407th career homer, tying him with Duke Snider on the career list.

1983 — Philadelphia Phillies pitcher Steve Carlton passes Walter Johnson to move into second place on the all-time strikeout list. Carlton’s four strikeouts put him at 3,511, just 10 behind Nolan Ryan of the Houston Astros.

1984 — Boston’s Roger Clemens earned his first major league victory. The Red Sox beat the Minnesota Twins, 5-4.

1988 — Mike Schmidt belts the 535th home run of his career during 1st inning off Padres starting pitcher Andy Hawkins, moving Schmidt past Jimmie Foxx into sole possession of 8th place on the all-time home run list.

1991 — Jeff Reardon got his 300th save and Steve Lyons and Jack Clark homered as the Boston Red Sox beat the Milwaukee Brewers 3-0.

1999 — Robin Ventura became the first major leaguer to hit grand slams in both games of a doubleheader, leading the New York Mets to a sweep over Milwaukee, 11-10 and 10-1. He had two slams in a game for the Chicago White Sox on Sept. 4, 1995.

2001 — Barry Bonds hit two homers in the San Francisco Giants’ 11-6 loss to the Atlanta Braves, giving him a total of five in two games, becoming the 23rd player in history to do so.

2006 — Barry Bonds tied Babe Ruth for second place on the career home run list during San Francisco’s 4-2, 10-inning victory over the Oakland Athletics.

2009 — Boston center fielder Jacoby Ellsbury tied a major league record with 12 putouts by an outfielder in a nine-inning game, previously done by Earl Clark of the Boston Braves in 1929 and Lyman Bostock of the Minnesota Twins in 1977. He accomplished the feat in the Red Sox’s 8-3 win over Toronto.

2009 — Nick Swisher, Robinson Cano and Melky Cabrera hit consecutive home runs for the New York Yankees in an 11-4 victory over Baltimore. All three solo shots to right field came in the second inning off Orioles starter Jeremy Guthrie — with two strikes.

2011 — The Chicago Cubs make their first visit to Fenway Park since the 1918 World Series.

2018 — Rookie Jordan Hicks of the Cardinals ties Aroldis Chapman’s record for the fastest pitch ever recorded by pumping a couple of fastballs at 105 mph while facing Odubel Herrera of the Phillies. The first one goes for a ball, and Herrera manages to foul off the second before striking out on a pitched timed at 103.7 mph.

Compiled by the Associated Press

Until next time…

That concludes today’s newsletter. If you have any feedback, ideas for improvement or things you’d like to see, email me at houston.mitchell@latimes.com. To get this newsletter in your inbox, click here.

Football’s world governing body, FIFA, has framed the 2026 World Cup’s expansion from 32 to 48 teams as a watershed moment for inclusivity, opening the door for nations that have never qualified before.

Indeed, four teams will be playing at their first World Cup in North America this summer: Cape Verde, Curacao, Jordan, and Uzbekistan.

Here is Al Jazeera’s short guide to the debutants at this year’s competition.

Cape Verde

• FIFA world ranking: 69
• World Cup fixtures (Group H): Spain (June 15, Atlanta), Uruguay (June 21, Miami, US), Saudi Arabia (June 26, Houston, US)
• Player to watch: Garry Rodrigues

With a population of about 525,000, the small archipelago off the coast of Senegal will become the third-least populous country to participate in a World Cup after Curacao and Iceland.

Ryan Mendes is not even a household name in Turkiye, where he plays for second-tier Igdir, but Cape Verde’s 35-year-old captain was at the heart of their 3-0 win over Eswatini in October, which booked their place at the World Cup.

This was no freak occurrence as Cape Verde topped their group at the 2023 Africa Cup of Nations, which included Ghana, reaching the quarterfinals where they lost on penalties to South Africa.

Although they failed to reach AFCON 2025, they again topped their group in 2026 World Cup qualifying – this time finishing ahead of the once-mighty Cameroon.

“We have taken part in four African Cup of Nations tournaments, and we were also very close to qualifying for the 2014 World Cup,” Mendes told the AFP news agency.

“A lot has been achieved over the years. And today, we can say that this is the logical outcome.”

Cape Verde rely heavily on their Portuguese colonial past for a supply of diaspora talent, and also have several Dutch-born players, as well as one from Ireland – the Shamrock Rovers defender Roberto Lopes. The Dublin-born 33-year-old has a Cape Verdean father and Irish mother and was reportedly recruited for Cape Verde via LinkedIn.

The team’s best-known player, however, is probably 35-year-old winger Garry Rodrigues; now at Cypriot club Apollon Limassol, he has had stints at the likes of Galatasaray and Olympiacos.

But even without mega-star names, Mendes is certain that the Blue Sharks can make a mark at the tournament.

“One thing’s for sure: we’re not going there just to play three games and come home,” he said.

Curacao

• FIFA world ranking: 82
• World Cup fixtures (Group E): Germany (June 14, Houston, US), Ecuador (June 20, Kansas City, US), Ivory Coast (June 25, Philadelphia, US)
• Player to watch: Tahith Chong

“Small island, big dreams” reads a poster for the football team of the Caribbean island of Curacao – the smallest country ever, by population, to qualify for football’s World Cup.

Since Curacao clinched qualification with a hard-fought 0-0 draw against Steven McClaren’s Jamaica in November, the 160,000 inhabitants of the Dutch island famed for its eponymous sapphire liqueur are riding the crest of the Blue Wave, as the national side is dubbed.

The most famous person around the squad is Curacao’s boss Dick Advocaat, the 78-year-old former Netherlands, PSV and Rangers manager who guided the Curacaoans to qualification. He is set to become the oldest manager ever at a World Cup.

Meanwhile, as a self-governing entity within the Netherlands, the island owes its World Cup squad entirely to its Dutch-based diaspora, the president of Curacao’s football federation, Gilbert Martina, admitted.

“All the players on the national team play in foreign leagues,” he told AFP.

Perhaps the best-known player is former Dutch youth international Tahith Chong, now at Championship side Sheffield United. The only team member born on Curacao, Chong moved to the Netherlands at the age of 13.

The 26-year-old winger or attacking midfielder is known for his pace, dribbling and a wicked left foot.

The most famous Curacaoan is probably former Ajax and Barcelona star Patrick Kluivert, who was born to a Surinamese father and a mother from Curacao.

“It’s fantastic that the island is in the World Cup,” Kluivert, who coached the Curacaoan side between 2015 and 2016, told AFP.

“In my day, [football] was not that big on the island, but the players have given Curacao visibility. It’s important for the future, for the next generation.”

Jordan

• FIFA world ranking: 63
• World Cup fixtures (Group J): Austria (June 16, San Francisco, US), Algeria (June 22, San Francisco, US), Argentina (June 27, Dallas, US)
• Player to watch: Musa Al-Taamari

Jordan head coach Jamal Sellami has called on ⁠his players to emulate ⁠Morocco’s shock run to the last four of the World Cup in 2022 as they prepare for their first appearance at the tournament.

“In big competitions, many teams can surprise. My country, Morocco, ‌reached the semifinals in the last World Cup,” Reuters quoted him as saying during a training camp in Antalya, Turkiye in late March. “That gives us belief.”

Despite their underdog status, the players say they are not going to the World Cup just to make up the numbers.

“For us, we are not going just for participation,” midfielder Noor Al-Rawabdeh added. “We are aiming to go as far ⁠as we can in the tournament.

“To be honest, sometimes we don’t sleep when we think about it,” he added. “It’s a dream come true for us.”

The Rennes winger Musa Al-Taamari is probably the team’s standout player – he was the key creative force as Jordan ⁠secured an automatic berth at the World Cup after finishing ⁠second behind South Korea in their Asian qualifying group.

Sellami said the camp in Antalya, which involved games against Costa Rica and Nigeria, was a key stage in building experience before facing elite opposition.

“We ‌are ‌preparing step by step. We’ve played against different football cultures,” he said.

“We are collecting experience and, Inshallah [God willing], we will surprise many people.”

Uzbekistan

• FIFA world ranking: 50
• World Cup fixtures (Group K): Colombia (June 17, Mexico City, Mexico), Portugal (June 23, Houston, US), DR Congo (June 27, Atlanta, US)
• Player to watch: Abdukodir Khusanov

Uzbekistan FA Vice President Ravshan Irmatov is no stranger to the World Cup, having refereed at three finals, but believes the Central Asian country’s long-awaited qualification is merely the latest step in its football development.

“Qualifying for the World Cup has been a dream for 38 million people for 34 years,” Irmatov said. “You can understand how important it was for the Uzbek nation, we waited so long.”

Uzbekistan’s first qualification comes after seven attempts to secure a finals spot since the country was granted FIFA membership in 1994 following the break-up of the Soviet Union.

Slovenian coach Srecko Katanec guided a team built primarily on home-based talent to the cusp of the finals before health issues forced him to stand down, leaving Olympic team coach Timur Kapadze to secure the ticket for the 2026 tournament.

Captain Eldor Shomurodov, on loan at Istanbul Basaksehir from Roma, is the country’s top scorer with 44 goals in 90 games and scored 21 Turkish Super League goals this season.

But the team’s best-known player is probably Manchester City’s Abdukodir Khusanov. The 22-year-old centre back has become a key part of the defence this season, well-regarded for his positional play, pace, strength and quiet leadership.

Uzbekistan confirmed their place at the finals with a 0-0 draw against the United Arab Emirates in June, and since then, former Italian World Cup winner Fabio Cannavaro has taken over as coach.

“I’ll tell you what I always repeat to my players: for the first time you will play in a World Cup, you have nothing to lose,” Cannavaro was quoted as saying by The Mirror newspaper in March.

“Approach every match with maximum calm, enjoy yourselves as much as possible, and if you feel anxiety, let it be positive anxiety.”

DZYNE Technologies has shared new details about its recently unveiled lower-cost Blitz drone and the accompanying containerized BlitzBox launch system. BlitzBox, the largest version of which can launch a wave of up to 100 drones, is perhaps the more interesting development. There have been two separate calls for proposals from the Pentagon for exactly this kind of capability in the past four months.

Our Howard Altman talked with DZYNE’s Connor Toler, the project manager for Blitz, on the show floor at the annual SOF Week conference today. Blitz and BlitzBox were first unveiled last week.

DZYNE Blitz drone and BlitzBox container launcher

“It’s fitting that gap between multi-rotors [quadcopter-type drones] and then longer – a little bit larger Group 2s. So you’re really fitting that mid-range range [sic] and endurance, while keeping an operationally relevant payload,” Toler explained. “What really makes it special is its modularity. So, the ability to be able to swap out payloads at a time of need, not having pre-configured systems, and also allowing the end user to adapt those payloads and those modules themselves.”

In U.S. military parlance, Group 2 drones have maximum total weights between 21 and 55 pounds, can fly up to an altitude of 3,500 feet, and have top speeds of 250 knots or less. Group 1 covers everything below Group 2, capability-wise, including Blitz and the even smaller multi-rotor drones, Toler mentioned.

The Blitz drone itself is a small, highly modular fixed-wing design. It is propelled via a pair of electrically powered propellers, one in each wing. It can cruise at speeds between 40 and 75 Knots Equivalent Air Speed (KEAS).

There are two battery options for Blitz. The standard one offers a maximum range of 50 miles (80 kilometers) and total endurance up to one hour. The extended range type allows the drone to fly out to 93 miles (150 kilometers) and boosts its endurance to two hours. The drone is designed so that the choice of battery does not otherwise impact the total payload capacity, which does have additional impacts on range and endurance.

Blitz has a stated maximum payload capacity of five pounds. It has two payload bays in the main body, as well as nose and tail sections that can be readily swapped out. None of this requires special tools. The tail is notably where the drone’s communications package sits, making it easier to fit different specific radios to meet customer requirements.

One of the payload options is a two-pound fragmentation warhead from MMS Products based on that company’s Mjolnir design. Mjolnir was originally designed to be dropped from small drones.

In the press release it put out last week, DZYNE had also highlighted Blitz’s ability to be configured for intelligence, surveillance, and reconnaissance (ISR) and electronic warfare (EW) missions, as well as for “deception, and other mission effects.” Deception in this case could mean acting as a decoy.

“Blitz offers a lot of flexibility in the electronic warfare space, [and] some of the deception space, as well,” Toler, the Blitz project manager, reiterated today. “We’re able to run antennas out to the wing tips. So, there’s channels on the wings and mounting points on the wing tips.”

“One of the benefits is that it’s not tube-launched, and why is that a benefit is that you’re actually able to put things that are volumetrically unoptimized, per se, and you’re not constrained to a tube,” he also noted. “So you’re really allowed flexibility and creativity when it comes to what you can solve.”

In terms of guidance, currently, Blitz’s main means of getting to the designated target or target area is via satellite navigation using pre-set coordinates.

“We also do have a visual-based navigation module that basically allows you to navigate in a [GPS-]denied environment, which is optional,” according to Toler. This allows the drone to navigate by comparing imagery of the terrain below against an internal database preprogrammed in advance.

Using pre-set coordinates for targeting alone would preclude attacking anything on the move. Whether some degree of automated targeting capability is already available for Blitz, or on the horizon, is unclear. DZYNE says that Blitz can also be employed in an operator-in-the-loop mode, which would require an active control link to the drone during flight. Advances continue to be made in automated target recognition and engagement capabilities, driven by parallel developments in artificial intelligence and machine learning, as you can read more about in this past TWZ feature. This, in turn, could reduce the importance of having a mode of operation involving direct, if any, operator control. For its part, the U.S. military says it sees humans continuing to be involved, at least to some degree, in the operation of drones for the foreseeable future.

Whether the operator remains in the loop or not after launch, mission planning and control of Blitz drones can be done via handheld tablet-like devices. A software “plugin” to support the drones has already been integrated into the Android Tactical Assault Kit (ATAK) suite in service across the U.S. military, as well as with foreign armed forces.

However, right now, “typically, how they work is you predetermine what area you’re going to fly, that gets loaded onto the aircraft before you launch, and then we’re off to the races,” according to Toler. “Within the plugin itself, when you’re operating Blitz, you’re not flying an aircraft. What you’re doing is you’re planning effects over some area, and then you’re assigning aircraft to that mission.”

In its current form, Blitz is also designed to be lower-cost and, by extension, expandable, though a specific cost target has not yet been provided. Toler said today that there is a “path” to making the drone more recoverable and potentially reusable, but primarily for training rather than operational purposes.

“What’s really unique about Blitz is that, regardless of any of those different scenarios, it’s actually the exact same thing. You’re not modifying the aircraft to fit into any of those employment options,” Toler added. “So not only is it incredibly flexible from a payload perspective, but it’s also incredibly flexible from an employment perspective.”

Blitz takes off under its own power and is small enough to be hand-launched. It can also be deployed via four-rail launchers, which can be carried by small teams on the ground, as well as installed on ships and boats. Individual Blitz drones can be carried inside a container that provides an integrated charging station, as well.

And then there is the containerized BlitzBox launch system. As part of its announcement last week, DZYNE showed one example utilizing what outwardly looked like any other 10-foot shipping container. Up to 16 Blitz drones on four separate rail launchers can fit inside. Toler confirmed today that DZYNE has also been working on a 40-foot type, which can hold up to 100 of the drones.

BlitzBox opens up significant additional operational possibilities for Blitz. Containerized systems present inherent benefits for expeditionary or distributed operations as they can be readily deployed and redeployed via truck, as well as by cargo aircraft and ships. Groups of container launchers could be positioned far forward, or even behind enemy lines, and operated remotely. Since they look like any other shipping container from the outside, this also creates targeting challenges for opponents.

The containerized launch system “can be configured to be as autonomous as you liked [sic] it to be,” according to Toler. He said DZYNE has already demonstrated the ability to operate BlitzBox remotely at extended ranges via satellite communication. He specifically highlighted SpaceX Starlink and its government-focused cousin Starshield as examples of networks that could be used to manage the containers and the drones inside.

BlitzBox launchers could be loaded with dozens of drones in different configurations to perform various tasks as coordinated by a single user. Currently, there is no fully-autonomous swarming or cooperative capability, though DZYNE’s software can help deconflict operational plans prior to launch.

Toler described a notional scenario in which “Let’s say, if you’re operating a BlitzBox, I want to assign 30 aircraft for that mission. And the software will deconflict those aircraft and launch them in a sequence to make sure that you know there’s no mid-air collisions, and they time the effects appropriately.”

“Right now, what Blitz uses is basically pre-coordinated cooperation, and what I mean by that is the vehicles, once they launch, they’re not talking to each other,” he added. “One of the benefits of that is, that when you’re in [a] denied environment, you can’t ensure that the vehicles are going to be able to talk to each other. So our current implementation allows you to still have coordinated effects without relying on that.”

The way BlitzBox is designed, each one of the containers can also just be used to store drones, either for reloading other launchers or for use in other modes.

“So, you can imagine having a BlitzBox with aircraft in a ready-to-launch state, as you see them there, and perhaps a separate container with aircraft in their box state as this reloads,” Toler explained. “But now that container not only allows you to grab reloads from the BlitzBox itself, but let’s say your CONOP [concept of operations] changes and now you want to just throw a handful in the back of a Razor [Polaris MRZR] or in [the] back of a vehicle, and operate from somewhere else. You can just go grab those reloads and take them.”

Toler said DYZNE has already “worked with several customers across the DOW [Department of War]” in regard to Blitz and BlitzBox. However, it is unknown whether or not any branch of the U.S. military has moved to acquire these drones and launchers, or may have already begun fielding them.

That being said, as mentioned right at the start, this kind of containerized drone launch capability is something the U.S. military is very actively pursuing. In February, the Pentagon’s Defense Innovation Unit (DIU) put out a call for proposals for a Containerized Autonomous Drone Delivery System (CADDS). Last month, the Defense Advanced Research Projects Agency (DARPA) put out a separate contracting notice seeking concepts for drones with a high degree of autonomous operation, as well as containerized launch systems to go with them. DARPA also outlined a notional concept of operations involving a largely self-sustaining “autonomous constellation” able to support networked swarms consisting of as many as 500 drones at once.

TWZ has previously called particular attention to the threat that unassuming containerized drone launchers can pose, given their ability to hide in plain sight. Ukraine has already demonstrated the effectiveness of this kind of drone attack with its Operation Spiderweb last year, which succeeded in destroying prized bombers and other aircraft at several Russian airbases. Israel’s near-field attacks from within Iran during the opening phases of the 12 Day War are another example of how this kind of capability could be employed deep within enemy territory. DZYNE says Blitz and BlitzBox have been in development since before Operation Spiderweb, but there are clear similarities in the company’s proposed concepts of operations.

As we also previously wrote after DIU’s CADDS announcement:

“Even in an overt operational context, readily deployable containerized systems capable of acting as hubs for drone operations across a broad area with limited manpower requirements could offer a major boost in capability and capacity. Ships, trucks, and aircraft, which could themselves be uncrewed, could be used to bring them to and from forward locations, even in remote areas. If they can support a ‘heterogeneous mix’ of uncrewed aerial systems, a single container could be used to support a wide array of mission requirements, including intelligence, surveillance, and reconnaissance, electronic warfare, kinetic strikes, and/or communications signal relay.”

…

“Drone swarms are only set to become more capable as advancements in autonomy, especially automated target recognition, continue to progress, driven by parallel developments in artificial intelligence and machine learning, as you can read more about here. Future highly autonomous swarms will be able to execute various mission sets even more efficiently and in ways that compound challenges for defenders. Massed drone attacks with limited autonomy already have an inherent capacity to just overwhelm enemy defenses. In turn, electronic warfare systems and high-power microwave directed energy weapons have steadily emerged as some of the most capable options available to tackle swarms, but have their own limitations. Even powerful microwave systems have very short ranges and are directional in nature, and electronic warfare systems may simply not work at all against autonomous drones.”

It should be noted that a number of other companies in the United States and elsewhere globally have already put forward other concepts for containerized drone launchers. Many countries around the world have fielded containerized or container-like drone launchers, especially mounted on trucks, or are in the process of doing so. China has been particularly active in this regard. Israel has also long been a pioneer in developing these kinds of capabilities as part of its work on long-range kamikaze drones. As seen in the video below, Iran is now another major actor in this domain.

Баражуючий іранський боєприпас «Shahed 136»

DZYNE’s BlitzBox, coupled with its new Blitz drone, could still be reflective of a larger trend set to emerge now, especially in response to the clearly growing demand from the U.S. military.

Contact the author: joe@twz.com

Few would contend that Lerner and Loewe’s “Brigadoon” and Rodgers and Hammerstein’s “Flower Drum Song” represent the best work of these legendary duos.

Unlike Lerner and Loewe’s eternally popular “My Fair Lady,” “Brigadoon” hasn’t had a Broadway revival since 1980. “Flower Drum Song,” relegated to the shadows of Rodgers and Hammerstein’s “Oklahoma!” and “South Pacific,” didn’t last long when it received its first and only Broadway revival in 2002.

I assumed nostalgia was fueling the desire to give these Golden Age musicals a makeover. But when I sat in the audience for these shows and fell immediately under the spell of their scores, I had a different answer.

The music makes a case for why “Brigadoon,” now in a soaring revival at Pasadena Playhouse, and “Flower Drum Song,” making a less assured reemergence at the Aratani Theatre in Little Tokyo, should live again. I was particularly skeptical of “Brigadoon,” with its airy-fairy book and heavy dose of romantic hokum, but the Broadway-level production at Pasadena Playhouse may be the best local staging of a musical I’ve seen in my 20 years covering the scene for The Times.

Kylie Victoria Edwards and Daniel Yearwood in “Brigadoon” at Pasadena Playhouse.

(Jeff Lorch)

I knew both musicals principally from their film adaptations. I missed David Henry Hwang‘s original rewrite of “Flower Drum Song,” which was a storied success at the Mark Taper Forum in 2001 but fared less favorably when it moved to New York the following year. I suppose I first saw “Brigadoon” as a kid at my grandmother’s house, amused at the way she goofily sang along. When I recently watched both movies again, it was like falling into a musical comedy time warp.

The enduring love for these Broadway shows isn’t just about the standards they have bequeathed to the American songbook. It’s also about the yearning for a more optimistic era of musical storytelling, when goodness could be counted on to prevail and a happy ending might be delayed but only rarely denied.

“Brigadoon,” a romantic fantasy about two Americans who stumble upon a mystical Scottish village that magically comes to life for a single day once every 100 years, might seem to be irredeemably old-fashioned. The show, which premiered on Broadway in 1947, was Lerner and Loewe’s first hit after a string of flops and fizzles. Without the success of “Brigadoon,” “My Fair Lady,” “Camelot” and the movie musical “Gigi” might never have happened.

Betsy Morgan and Max von Essen in “Brigadoon” at Pasadena Playhouse.

(Jeff Lorch)

But how do you solve a problem like Alan Jay Lerner’s book, written for a sensibility markedly more wholesome than our own? Enter playwright Alexandra Silber, whose fresh adaptation works for the most part remarkably well. There are a few lumpy patches, moments when the revision over-explains itself or belabors a point. But the way Tommy Albright (Max Von Essen) and Jeff Douglas (Happy Anderson), the accidental American intruders, have been modernized is a fizzy delight.

Imagine if Vincente Minnelli’s screen version of “Brigadoon,” starring Gene Kelly and Van Johnson, was remade with Paul Rudd and John Goodman, and you’ll have some idea of the comic chemistry here. But I should preface this thought exercise by first extolling the musical theater prowess of Von Essen, who received a Tony nomination for his work in “An American in Paris” and has a voice that could make the angels swoon. Less is required of Anderson’s jaded, booze-sodden Jeff, but this smart-alecky sidekick is re-imagined with crackling comic vitality.

The production, directed and choreographed by Katie Spelman, saves its most assertive interventions for its female characters. Fiona MacLaren (Betsy Morgan), the unmarried heroine who catches Tommy’s amorous eye, still falls heedlessly in love but not before correcting some of her American suitor’s chauvinistic assumptions. Morgan might overdo Fiona’s fiery streak when she sings “Waitin’ For My Dearie,” but the driving impulse is to bring the musical’s out-of-time female characters into the 21st century.

“Brigadoon” ensemble at Pasadena Playhouse.

(Jeff Lorch)

Meg Brockie (Donna Vivino), no longer the town floozie single-mindedly out to bed Jeff, is now the proprietor of Brockie’s Pub and the keeper of Brigadoon’s traditional language and culture. She’s still a sensual wrecking ball, but she’s too formidable to be treated as comic relief.

Silber has transformed Mr. Lundie, Brigadoon’s schoolmaster and moral guide, into Widow Lundie. The casting of the great Tyne Daly in the role is reason enough to make the gender switch, but it’s all part of a recalibration of the values of this theatrical world.

The dynamism of the singing and dancing smooths out some of the adaptation’s rough edges. Spelman puts her own stamp on Agnes DeMille’s original choreography, which was as integral to the storytelling as the book, lyrics and music.

When Charlie (a phenomenal Daniel Yearwood), a genial groom readying himself for the big wedding day, performs with his buddies “I’ll Go Home With Bonnie Jean,” Pasadena Playhouse erupts in a stomping frenzy of Celtic ecstasy. And Yearwood’s gorgeous rendition of “Come to Me, Bend to Me” is so seductive, it’s no wonder that Jean (Kylie Victoria Edwards), Fiona’s sister, has chosen to marry him.

“Brigadoon” ensemble at Pasadena Playhouse.

(Jeff Lorch)

All, however, is not idyllic in time-forgotten Brigadoon. Casting a pall over the nuptials, Harry Beaton (Spencer Davis Milford), hopelessly in love with Jean, threatens to destroy Brigadoon’s miracle by leaving the town for good.

Silber deepens Harry’s character and gives his story more emotional weight. (Milford manages to be both convincingly menacing and pitiably heartbroken.) The movie tweaked Harry’s fatal ending, but the adaptation does something even more striking with his desperation. The change is absorbed naturally by the musical, even if the funeral dance that Maggie (Jessica Lee Keller) elaborately performs might be more moving on a reduced scale.

The adaptation doesn’t always get the dramatic proportions right. When Jeff bares his soul to Tommy after the two are back on barstools in New York, the revelation that he is a heartsick widower complicates our understanding of a character originally conceived as a cynical bachelor. But Silber tries to extract too much sympathy from the exchange and stops the action when it should be moving rapidly toward its big finish.

Marc Oka, foreground, and Esther Lee, from left, Gemma Pedersen, Ai Toyoshima, Sally Hong, Hillary Tang and Emma Park in Rodgers and Hammerstein’s “Flower Drum Song,” produced by East West Players and the Japanese American Cultural and Community Center.

(Mike Palma)

But nothing can derail the success of this extraordinary production, the high watermark so far of Pasadena Playhouse producing artistic director Danny Feldman’s ongoing reexamination of the American musical canon. Jason Sherwood’s ravishing scenic design, full of eye-catching texture and lush density, makes it impossible not to dream along with the characters. Even the stage curtain, graced with Brigadoon’s floral insignia, is a work of art.

A 22-piece orchestra, under the music supervision of Darryl Archibald, draws out the all the sublime color of Frederick Loewe’s music. Most spectacularly, the blend of Von Essen’s lyric baritone and Morgan’s assertive soprano gives eternal life to Tommy and Fiona’s numbers. Hearing “The Heather on the Hill,” “Almost Like Being in Love” and “From This Day On” in the majestic intimacy of Pasadena Playhouse is a memory that will last at least a lifetime.

It’s a bit harder to judge this update of “Flower Drum Song,” which is Hwang’s second crack at revising the book, originally written by Oscar Hammerstein II and Joseph Fields. A co-production between East West Players and the Japanese American Cultural and Community Center, the revival doesn’t have the resources of Pasadena Playhouse’s “Brigadoon” and likely doesn’t have the same goals.

Ai Toyoshima, from left, Brian Shimasaki Liebson, Grace Yoo and Scott Keiji Takeda in Rodgers and Hammerstein’s “Flower Drum Song,” produced by East West Players and the Japanese American Cultural and Community Center.

(Mike Palma)

The musical, which premiered on Broadway in 1958, was groundbreaking for the way it provided a showcase for Asian American performers. Henry Koster’s 1961 studio film adaptation followed suit with an even greater reach. The intention was to create musical theater entertainment built around generational conflict — a longstanding device of romantic comedy. But here the clash involves immigrants in San Francisco trying to reconcile traditional Chinese culture and modern American life.

Stereotypes, however, prevailed, leaving a community at once grateful for representation and uncomfortable with the reinforcement of old tropes. Hwang (author of the Tony Award-winning “M. Butterfly”) set out to re-imagine the characters from the perspective of a contemporary Asian American dramatist nearly 25 years ago. But times continue to change along with cultural sensitivities, and he wanted to revisit his work for East West Players’ 60th anniversary season.

Directed by EWP artistic director Lily Tung Crystal, who is of Chinese heritage, the production is on a quest for a deeper authenticity. This mission is to provide a more genuine reflection of Asian American experience — community members speaking directly to fellow community members.

Grace Yoo, left, and Scott Keiji Takeda in Rodgers and Hammerstein’s “Flower Drum Song,” produced by East West Players and the Japanese American Cultural and Community Center.

(Mike Palma)

The production is most effective when the actors are singing, especially Grace Yoo, who plays Mei-Li and had me entranced the moment she started singing “A Hundred Million Miracles.” Don’t let the traditional flower drum she totes around fool you. She’s no longer the quietly obedient daughter of authority. Having fled communism, she has arrived in the U.S. without papers and (unlike the original) her father, and isn’t too keen on anyone dictating to her what she can and cannot do.

Scott Keiji Takeda, who plays Ta, Mei-Li’s reluctant inamorato, has a sumptuous voice that captures the hues of Richard Rodgers’ music. But unfortunately his wooden characterization raises questions about what exactly Mei-Li sees in him.

There’s a tension between the update’s good intentions and the tendency of musical comedy to traffic in amusing caricatures. (Exaggeration and simplification are par for the course.) In trying to root out offensive Asian American stereotypes, Hwang imports swishing stereotypes for laughs in his creation of a new character, Harvard (Kenton Chen), who works at the theater owned by Ta’s father and seems a throwback to the campy, wisecracking gay characters that were a staple of 1980s big-budget movie comedies. Harvard may get a more empowering storyline than his florist-hairdresser-retail-clerk predecessors, but the humor is redolent of the same punishing cliches.

Krista Marie Yu in Rodgers and Hammerstein’s “Flower Drum Song,” produced by East West Players and the Japanese American Cultural and Community Center.

(Mike Palma)

Emily Kuroda as take-charge producer Madame Liang and Marc Oka as Wang, Ta’s old-school father, throw themselves into the revival with full farcical force. Crystal’s fluid staging, full of agile and vibrant design choices, smoothly maneuvers the action. But earnestness is the enemy of hilarity. Hwang can be very witty, but how can the production let itself go when it’s so often being called upon to make an important point?

Linda Low (Krista Marie Yu), no longer Mei-Li’s rival for Ta’s hand in marriage, is now her ally. When she sings a middling version of “I Enjoy Being a Girl,” the joke isn’t on her but a society that leaves women so few options. The problem is that for Hwang to rebuild Mei-Li and Linda into characters of credible modern-day complexity, he would have to start from scratch, not just retooling the book but commissioning a new score to flesh out his more complicated vision. In other words, leaving Rodgers and Hammerstein’s musical behind.

“Brigadoon” manages to transcend time, but this take on “Flower Drum Song” falters between eras.