Brian Lindstrom, a filmmaker whose documentaries shined a light on society’s underdogs and inspired social change, has died. He was 65.

Lindstrom’s wife, author Cheryl Strayed, confirmed the news on Instagram Friday.

“Brian Lindstrom died this morning the way he lived — with gentleness and courage, grace and gratitude for his beautiful life,” she wrote. “Our children, Carver and Bobbi, and I held him as he took his last breath and we will hold him forever in our hearts. The only thing more immense than our sorrow that Progressive Supranuclear Palsy took our beloved Brian from us is the endless love we have for him.”

According to the National Institute of Neurological Disorders and Stroke, PSP is caused by damage to nerve cells in areas of the brain that control thinking and body movements. The rare neurological disease progresses rapidly.

Strayed, who penned the bestselling memoir “Wild,” which was later adapted for the big screen and starred Reese Witherspoon, announced just weeks ago that Lindstrom had been diagnosed “with a serious, fatal illness.”

Lindstrom was born Feb. 12, 1961. The son of a bartender and a liquor salesman, he was raised in Portland, Ore. — which he and his family still called home.

He was the first member of his family to attend college, which he paid for by taking out student loans, landing work-study jobs and working summers in a salmon cannery in Cordova, Alaska. During a 2013 TEDx Talk, Lindstrom said that after he’d exhausted all the video production classes at Portland’s Lewis & Clark College, his professor Stuart Kaplan gave him a gift certificate to a class at the Northwest Film Center. There, Lindstrom made a short film about his grandpa that landed him a spot in the MFA program at Columbia University.

It was a train trip with his grandpa that inspired Lindstrom to tackle challenging topics with a lens that restored dignity to his subjects. His grandpa was a binge-drinker, and on day three of the trip, he woke up with a hangover and was missing his dentures. Lindstrom, only 5 at the time, noticed the way other passengers treated him and his grandpa differently.

“I think what my films are about is that search for my grandfather’s dentures, the humanizing narrative that bridges the gap between us and them and arrives at we,” he said.

Lindstrom said he returned to Portland after film school and “did several projects with the Northwest Film Center that had me putting a camera in the hands of kids on probation, homeless teens, newly recovering addicts, hard-hit people who had hard-hitting stories to share.”

“Those projects taught me so much about the transformative power of art, and they gave me permission I felt in my personal films to ask people if I might follow them, so that an audience could better understand what they were going through, and by extension, better understand themselves,” he said.

Lindstrom’s 2007 award-winning cinéma-vérité-style film, “Finding Normal,” followed long-term drug addicts as they left prison or detox and tried to rebuild their lives with the help of a recovery mentor.

“What I’m most proud about is that ‘Finding Normal’ is the only film to ever be shown to inmates in solitary confinement at Oregon State Penitentiary, and not, I might add, as a punishment,” Lindstrom said.

In 2013, he released “Alien Boy: The Life and Death of James Chasse,” a documentary that illuminated the life of a man who grappled with schizophrenia and examined his death, which happened in police custody. Discussing the film with LA Progressive in 2018, Lindstrom said that he doesn’t make films for audiences.

“I make them for the people in the film. It is my small way of honoring them,” he told the outlet. “That doesn’t mean I don’t delve into dark areas or that I ignore that person’s struggles. I’m much more concerned with trying to achieve an honest depiction of that person’s life than I am with any potential audience reaction.”

Lindstrom’s work aimed to inspire empathy and humanize those suffering in the margins of society, but it also catalyzed policy change. His acclaimed 2015 documentary, “Mothering Inside,” followed participants in the Family Preservation Project (FPP), an initiative helping incarnated moms establish and maintain bonds with their children.

Midway through filming the documentary, the Oregon Department of Corrections announced it planned to nix funding for the FPP. Lindstrom hosted early screenings of the film, which inspired grassroots advocacy that reached then-Gov. Kate Brown, who subsequently signed legislation that restored funding. The film’s release also helped make Oregon the first state in the U.S. to pass a bill of rights for children of incarcerated parents.

Partnering with Strayed, Lindstrom made the documentary short, “I Am Not Untouchable. I Just Have My Period,” for the New York Times in 2019. The film highlighted the experience of teen girls in Surkhet, Nepal, and the menstrual stigma they faced. Most recently, the filmmaker released, “Lost Angel: The Genius of Judee Sill,” which examined the folk-rock singer’s life from her traumatic childhood and drug-addled adolescence through her rise in the Laurel Canyon music scene and untimely death.

Lindstrom, discussing “Judee Sill” and his style as a filmmaker, told Oregon ArtsWatch, “It’s the chance to kind of focus on the question: What does it mean to be human? The person that the film is about, what can they teach us, what can we learn from them? What can they learn from themselves?”

In 2017, Lindstrom received the Civil Liberties Award from the American Civil Liberties Union of Oregon for his work advancing civil rights and liberties. That same year, he received the Distinguished Alumni Award from Lewis & Clark College.

In Strayed’s post announcing Lindstrom’s death, she described their more than 30-year partnership as a stroke of “tremendous luck.”

“We loved each other and our kids with deep devotion and true delight. He was a stellar husband. He was the most magnificent dad. He was a man whose every word and deed was driven by kindness, compassion, and generosity,” she wrote. “He saw the goodness in everyone. He believed that we are all sacred and redeemable.

“His work as a documentary filmmaker was dedicated to telling stories of people who, as he put it, ‘society puts an X through.’ He erased that X with his camera and his astonishing heart.”

Strayed’s memoir — which followed her as she hiked 1,100 miles along the Pacific Crest Trail in the wake of her mother’s death, a battle with drug addiction and divorce from her first husband — concludes with a happy ending. She finished the months-long hike and sat on a white bench near the Bridge of the Gods, a stone’s throw from the spot where, she writes, she’d marry Lindstrom four years later.

“His greatest legacy is Carver and Bobbi, who embody everything good and true about their father. Their extraordinary grace, courage, and fortitude during this harrowing time was unfaltering and grounded in the undying love Brian poured into them every day of their lives,” she wrote. “We do not know how we will live without him. We’re utterly bereft. We can only walk this dark path and search for the beauty Brian knew was there. It will be his eternal light that guides us.”

Ronda Rousey returns to the ring on Saturday to face Gina Carano at the Intuit Dome in a card that its promoters hope will prove that mixed martial arts (MMA) can generate the same excitement as boxing without the UFC.

The five-round, 145-pound bout airing on Netflix (6 p.m. PDT) will be the first MMA event promoted by Most Valuable Promotions (MVP), the company co-founded by Jake Paul and Nakisa Bridarian. According to Bridarian, the card is the most expensive in MVP history, with each fighter receiving at least $40,000 — a sum greater than what UFC rookies receive.

“I would say this is the most expensive MMA card ever put together,” Bridarian said Wednesday. “We can only do this because we have a partner [Netflix] that allows us to pull it off, and they deserve it.”

Rousey (12-2), a Riverside native, is returning to competition after a nine-year hiatus, during which she starred in movies, wrestled in the WWE and became a mother of two. Her informal retirement came after consecutive losses to Holly Holm in 2015 and Amanda Nunes in 2016. For the Californian, this fight is the career finale she never had.

Gina Carano participates in an open workout Wednesday at Venice Beach ahead of her Netflix MMA bout with Ronda Rousey at Intuit Dome.

(Sarah Stier / Getty Images for Netflix)

“It’s incredible, because I feel like, no matter what happens, I’m completely at peace with it,” Rousey said. “Before, winning was the most important thing in the world. Now, what matters most to me are my kids and my family.”

Rousey hopes the event will draw more than nine million viewers, a threshold that would help convince Netflix and MVP to invest in MMA on a sustained basis. The MMA ratings record belongs to the fight between Junior dos Santos and Cain Velasquez at UFC on Fox 1 on Nov. 12, 2011, which peaked at 8.8 million viewers and averaged 5.7 million during its broadcast.

Netflix has already demonstrated an appetite for combat sports, posting impressive numbers: it drew a global audience of 33 million for Paul versus Anthony Joshua, 41.4 million for the Canelo Álvarez-Terence Crawford bout and 108 million for the Paul-Mike Tyson fight. However, promoters are aware that MMA operates in a different league and that on Saturday they will have the top ambassador of women’s MMA in action.

Ronda Rousey lunges forward and punches during an open workout at Venice Beach on Wednesday ahead of Netflix MMA bout against Gina Carano at Intuit Dome.

(Sarah Stier / Getty Images for Netflix)

“I just want to convince MVP and Netflix that there’s something here worth investing in and that they should keep backing MMA,” Rousey said.

Carano (7-1), 44, also has a historic track record, having been part of the first women’s MMA fight on live television in 2007 and headlining the first Showtime card featuring two women as main event fighters, facing Cris Cyborg in 2009. Although Carano is unlikely to pose a competitive challenge for Rousey, both women are approaching the event more as pioneers than as rivals.

On Wednesday, Rousey trained at Venice Beach in front of dozens of fans, the same beach where she began her career. She was accompanied by Pauline Macías, a Brazilian judoka, MMA fighter and close friend since the age of 11.

“It’s the ending she deserves,” Rousey said of her special training session ahead of what could potentially be her final fight as a fighter.

Beyond her fight, Rousey has her sights set on becoming a promoter to improve conditions for fighters outside the UFC.

“It’s about giving the power back to the fighters and reminding people that we are the essence of this sport, not a brand or a belt,” said the 39-year-old fighter.

The match has been criticized for taking place more than 10 years late, well past the fighters’ prime. Carano disagreed.

“I think this fight is coming at just the right time,” Carano said. “Two years ago, you would have seen a different version of me. Right now, I’m in such a strong place that, well, I’ve had to go through all of this to get here.”

This article first appeared in Spanish via L.A. Times en Español.

May 16 (UPI) — The Trump administration is considering the creation of a $1.776 billion fund to compensate people allied with President Donald Trump who were investigated during the Biden administration.

The fund would be part of a settlement with Trump that would result in him dropping his lawsuit with the Internal Revenue Service over the leaking of his tax returns six years ago, ABC News and The New York Times reported.

The deal emerged after months of negotiations between the White House and Department of Justice, which had originally been aiming to directly pay Trump, but conflict of interest concerns steered toward the compensation fund.

Although Trump has the right to sue as a private citizen, his position as president means that he also can instruct agencies within the executive branch, which would make him both the plaintiff and defendant in a trial.

The concept is partially modeled on an Obama administration compensation fund for Native American farmers and ranchers that distributed $760 million from the Treasury Department’s Judgment Fund.

In addition to Trump allies’ legal fees linked to investigations during his first term, the fund also likely would be open to people charged in the Jan. 6, 2021, riot at the Capitol building that saw the building get ransacked by Trump supporters.

Critics of the plan have called it a “slush fund” for Trump and his allies.

“An insane level of corruption — even for Trump,” U.S. Elizabeth Warren, D-Mass., said of the plan earlier this week.

The television industry has changed dramatically over the last decade, but one tradition that won’t die is the annual gathering of ad-buying execs in Manhattan to hear the pitches of networks and streamers looking to sell their commercial time.

This past week’s lavish presentations, known as the upfronts, included the usual array of big-name actors (Arnold Schwarzenegger and Jennifer Lopez), NFL legends (Tom Brady and Mike Tomlin) and “Real Housewives,” past and present.

Jennifer Lopez and Brett Goldstein speak onstage during the 2026 Netflix Upfront at Sunset Pier 94 Studios on May 13.

(Dimitrios Kambouris/Getty Images for Netflix)

The selling buzzwords are far different from the days when the presentations were a vehicle for networks to boast about their ratings and present new program line-ups. The 2026 upfronts talked a lot about “connections” and “community” as the personalized nature of TV viewing brought on by streaming video-on-demand has been fully integrated into the buying and selling of commercials.

“Three of us could be watching the same show, maybe at a different time, maybe at the same time, but receive very different advertising based on what ad technologies, know about us as an audience segment,” said Josh Mattison, executive vice president of digital revenue pricing, planning and operations for Walt Disney Co. “The old model would be, hey, did 10 million people watch this ad? 
I think the new model is, which 10 million people watch this ad.”

Here’s a sampling of what ad executives were seeing and hearing this week:

Using new ad tools that target viewers

Every company presentation touted advancements in the ability to target consumers now that advertising has become the main source of revenue growth in the streaming business. They also played up new services — such as NBC’s Performance Insights Hub — providing advertisers with up to date information on the effectiveness of their advertising so they can adjust accordingly.

Streamers can take the consumer research collected by advertisers and align them with the viewing habits of their subscribers. The data are analyzed in a secure room to protect consumer privacy.

Netflix doesn’t ask subscribers for personal information in the sign-up process, as it can discourage people from buying the service. But the company does use the viewer habits on the platform to help advertisers reach the customers they seek.

“We are seeing where there is overlap and use that to help our advertisers target better,” Amy Reinhard, president of advertising for Netflix, told The Times. “It’s all based on viewer preferences.”

Every company is turning to AI to respond to the needs of advertisers. NBC now offers them the chance to insert commercials that relate to the action seen on the screen during live sports events.

Creators are going mainstream

YouTube’s annual upfront gatherings used to have the feel of an alternative show business universe, with personalities who built their rabid followings on the streaming platform far away from the audiences for traditional TV.

Now creators such as the sports stunt group Dude Perfect have their own studios. Beast Industries, the corporate home of MrBeast, held its own invitation-only breakfast for marketing executives at a high-end New York venue . YouTube stars, such as Jesser, are landing shows on other platforms.

At YouTube’s presentation at Lincoln Center, longtime favorites such as “Call Her Daddy” podcast mogul Alex Cooper and “SubwayTakes” host Kareem Rhama appeared on stage to announce new projects on the platform, looking more like established show producers rather than social media renegades.

Ten years ago, YouTube advertisers had to worry about their spots running next to Islamic State videos. Now it’s become common for marketers to embrace YouTube stars and fully integrate products and messages into their programs.

“When creators talk about your products on YouTube, viewers are 13 times more likely to search for your brands and five times more likely to buy,” said Paul Downey, president of Americas & Global Partners for YouTube.

Mary Ellen Coe, chief business officer for YouTube, told The Times that advertisers can determine if a creator is right for their brand by looking at audience numbers, subscriber data and comments from their communities of fans. But many have their own personal focus groups at home that introduce the hottest YouTube personalities.

“Most of these advertisers have children and teenagers and they go nuts for them,” Coe said.

YouTube is the most watched TV platform according to Nielsen, accounting for nearly 13% of all TV viewing. But that share is much higher among younger consumers.

“My kids don’t watch TV — they watch YouTube,” said Anthony Pedalino, vice president and head of media investment at the ad buying firm Giant Spoon. “So I think this is a bit of future proofing.”

Other companies are seeking creators for their platform.

Amazon Prime Video introduced an alternative feed of some of its NBA games on its streaming platform Twitch, which will turn them into a “CreatorCast.” The streamers who are regulars on the site call the action live in an effort to bring in younger fans. The format will be used in WNBA games in the league’s new season.

Fox touted its creator initiative that develops programs for Tubi, the company’s fast-growing ad-supported streaming platform that now has 100 million active users. The company also has a partnership with TikTok to support creators who want to turn their short-form clips into full-length programs.

There’s always room for comfort food

Amid all the innovations in ad buying and audience measurement presented during the week, many of the programs and personalities offered up by the major networks and streamers were extremely familiar.

“They may be resigned to the fact that people are going to go to emerging platforms for more niche and esoteric programs,” Pedalino said.

Oprah Winfrey made an entrance on the Beacon Theatre stage to promote the move of her podcasts to Amazon Prime Video.

Disney rolled out the cast of “Scrubs” to announce another 10-episode order of the early 2000s sitcom for Hulu. The series had a successful reboot as Gen Z viewers continue to devour vintage programs. Amazon Prime announced “The Greatest,” a Michael B. Jordan-produced mini-series on legendary heavyweight fighter Muhammad Ali, not exactly uncharted territory.

Fox introduced a reboot of “Baywatch,” which was canceled after a single season on NBC in 1990, but went on to become a worldwide hit in syndication over the decade that followed. The slow-motion shots of toned lifeguard bodies running into Venice beach waters are coming back without a hint of irony.

Netflix brought out the set of “Pop Culture Jeopardy” at its presentation at Sunset Pier 94 Studios, NBC previewed comedies with proven prime time stars and touted its 100th anniversary which will be celebrated with an old-fashioned variety special later this year.

This article provides a historical overview of International Women’s Day, tracing its origins from a 1910 proposal by activist Clara Zetkin to its global adoption. It highlights how the holiday transitioned from a socialist initiative in Europe and the Soviet Union to a United Nationsrecognized event celebrated by numerous countries. The text emphasizes the 2025 theme, which focuses on the urgent need to speed up progress toward total gender parity. Current data suggests that without decisive intervention, achieving full equality could take over a century. Ultimately, the source serves as a call to action to dismantle systemic biases and celebrate the societal contributions of women worldwide.

Mohamed Salah’s latest unprompted public outburst will ratchet up the pressure on struggling Liverpool head coach Arne Slot by several notches.

Salah first laid bare his frustrations with Slot and Liverpool after the 3-3 draw at Leeds United in December, claiming he had been “thrown under the bus” after being dropped following the Premier League champions’ poor start to the season.

This time the Egyptian, who is scheduled to play his final game for Liverpool against Brentford at Anfield on the closing weekend of the season, took to social media after Friday’s 4-2 loss at Aston Villa to launch a thinly-veiled attack on their style under Slot and the failures this season.

Slot has been losing credit fast since winning the Premier League in his first season after succeeding Jurgen Klopp.

The contrast was sharp between Unai Emery’s vibrant Aston Villa – who confirmed Champions League football next season with victory at Villa Park and who are in the Europa League Final – and porous, weak Liverpool.

And then came the latest twist in this troubled, turbulent Liverpool season.

This sort of pronouncement could justifiably be seen as Salah repaying his head coach by throwing Slot under the bus, the breakdown of their relationship providing a fractious backdrop to a season in which Liverpool‘s title defence has disintegrated.

If Salah’s attack clearly does not help Slot, who has lost the faith of many Liverpool fans as the Anfield atmosphere becomes increasingly toxic, then his analysis of “us crumbling to yet another defeat this season” hardly reflects well on his own team-mates either.

The sub-plot to Salah’s post is that a large number of those same Liverpool supporters see Xabi Alonso as Slot’s natural successor.

But the former Real Madrid manager now looks destined for Chelsea, who hope to announce the Spaniard as their new permanent head coach in the coming days.

Alonso has long been touted as a future Liverpool manager, having won the Champions League as a player and then impressed hugely during his time as Bayer Leverkusen boss.

Some hoped he would replace Klopp two years ago, but he instead opted to remain with Leverkusen and Slot came in instead.

It would seem again the timing just will not quite marry up for those dreaming of a fairytale return to Anfield.

A recent New York Times article highlighted the sexual violence suffered by Palestinians at the hands of Israeli forces. But the allegations have been documented for years by human rights groups and Palestinian organisations. So why does the world only seem to pay attention when a Western news organisation does?

This week on UpFront, Redi Tlhabi speaks with UN Special Rapporteur Francesca Albanese about sexual violence, Israeli impunity – and the double standards of Western attention.

For more than 40 years, Barry Walters has been closely watching the dance floors of New York and San Francisco, chronicling the ways in which LGBTQ+ culture has influenced mainstream culture. As a writer for the Village Voice, the Advocate and Spin, among others, Walters became one of music journalism’s most eloquent and crucial voices, championing artists like the Pet Shop Boys and Madonna during their formative years.

Walters’ new book, “Mighty Real,” draws on his deep firsthand knowledge, offering a comprehensive history of LGBTQ+ music from 1969 to 2000. I recently spoke with Walters about Babs, Madge and Bowie.

✍️ Author Chat

In the book, you make a distinction between pre-Stonewall LGBTQ music and post-Stonewall LGBTQ music.

Gay culture before Stonewall really had to be hidden, or at least secretive. I think of Barbra Streisand as a quintessential pre-Stonewall figure. Judy Garland, as well. These women are tough, and even though they sing songs written by men, it’s not in a submissive way. They are singing like they are the champions, even when they are suffering through what men do to women through the torch songs they perform.

What can you say about the encoded nature of certain songs that spoke to gay culture in a way that flew under the radar of hetero listeners in the pre-Stonewall era?

The music that spoke to gay culture, by necessity, had to be encoded. “Secret Love” by Doris Day is a good example. It’s about struggling to have something that’s otherwise forbidden. Sinead O’Connor covered that song. There was a song I loved as a young child called “Have I The Right?” by the Honeycombs, which was written by two British gay men at a time when homosexuality was illegal in England. You know, have I the right to be with whomever I want to be with?

What, in your view, was the big bang of post-Stonewall LGBTQ music?

David Bowie to a large degree. Right around the time that “Hunky Dory” was being released in 1971, he told the Evening Standard newspaper that he was gay, flat out just said it. And it was such a strange thing to say that many people doubted his sincerity.

Barry Walters, a writer for the Village Voice, the Advocate and Spin, among others, wrote a new book about the history of LGBTQ+ music.

(Kelly Lawrence for Walters)

I remember seeing Bowie wearing that dress on the cover of “The Man Who Sold The World,” thinking that was the most transgressive act any rock star had ever committed.

And then he performed “Starman” on Top of the Pops in 1972 and he put his arm around his guitarist Mick Ronson, who also looked gorgeous. They were displaying a familiarity men aren’t supposed to have.

I thought I knew everything about pop music, but you have uncovered so many fascinating stories. Tell me about Olivia Records.

Olivia Records was an independent record label in the Bay Area owned and controlled by lesbians for female artists. This is years before punk or indie rock, when so many small labels cropped up. They pioneered so much. They would recruit fans in different cities to man the merchandise and to help get their records in stores. The idea of a merch table was something new at the time. They also created the forerunner of Burning Man. They would go find a farm somewhere and create an impromptu village, with food, sanitation and the rest.

You have given the most space in your book to Madonna, whom you have written about extensively over the years. Why is Madonna such a huge figure in the history of LGBTQ music?

Her art is so queer. I feel like she is one of us. She’s very much like Grace Jones, in that her sensibility is so aligned with gay culture. I related to Madonna on multiple levels. In the early ‘80s, I would see her around town, dancing at the same New York clubs I was frequenting, like Danceteria. She was steeped in gay culture, and then she brought all of this into the mainstream, and that was profound. I also feel like she was misunderstood in many ways. When straight men called her a slut, things like that. That is so far from the truth. She is such a complex artist. If you are making that claim, you don’t know anything about her.

(This Q&A was edited for length and clarity.)

📰 The Week(s) in Books

(Javier Pérez / For The Times)

Pulitzer prize winner Elizabeth Strout has a new novel called “The Things We Never Say,” and Julia M. Klein approves. “[Strout] reprises her familiar themes: the mysteries of human personality, the perils of solitude, the occasional possibility of grace … in deceptively simple, occasionally mannered prose that draws readers in and immerses them in her fictional worlds,” Klein writes.

They’re on a boat! Paula L. Woods climbed aboard a 130-foot yacht in Marina del Rey to soak in the vibes of the Yacht Girls Book Club. “I wanted conversations with like-minded women that were intellectual but fun,” club founder Aloni Ford told Woods. “And talking about books seemed to be the ideal way to achieve that.”

“PEN15” co-creator Anna Konkle has written a memoir called “The Sane One,” and Rachel Brodsky talked to her about it. “In some ways, ‘PEN15’ was a reaction to loving memoirs,” she tells Brodsky. “Raw memory has always been very exciting to me.”

Finally, our Times critics take the measure of this summer’s hottest beach reads.

📖 Bookstore Faves

Kinokuniya bookstores sell Japanese manga, stationery and literature.

(Courtesy of Kinokuniya)

When Kinokuniya opened its first L.A. shop in 1977, it was primarily to provide Japanese expats with imported books and magazines to read in their native tongue. Forty years later, the store has become a locus of Japanese printed matter for Angelenos eager to scoop up Japanese literature and manga in Japanese and English, as well an expansive selection of imported stationery products that, in L.A., can only be found in Kinokuniya’s three stores. I spoke with Sakura Yamaguchi, who manages two of Kinokuniya’s stores downtown (the third is in Mar Vista) about its many-splendored pleasures.

How did the store travel from Japan to Los Angeles?

Books Kinokuniya was founded by Moichi Tanabe in 1927. Located in the Shinjuku district of Tokyo in a two-story wooden building, the first Kinokuniya started with five employees, including Mr. Tanabe himself. In 1969, Kinokuniya opened its first overseas bookstore in San Francisco. The first Los Angeles store opened in 1977.

Who are your customers?

We first started as a store for Japanese customers, so we imported Japanese books and magazines and sold them, mainly. But in the past 10 years, Japanese manga/anime, stationery and literature has been quite popular in the U.S. Therefore our customers are a mix of Japanese-speaking customers and non-Japanese speakers who are interested in Japanese culture.

What percentage of your clientele buys Japanese–language products?

Forty percent Japanese-language products versus 60% English books.

What specific titles are selling for you right now?

“Witch Hat Atelier Grimoire Edition, Volume 1,” “JoJo’s Bizarre Adventure: Purple Smoke Distortion” and the “Strange Houses” series.

Are you seeing more young people turning to printed matter? It seems like there is an analog revival at the moment.

We have been trying to make exclusive editions that come with freebies to make the printed manga more attractive, but without that our English manga sales have been increasing and our main target for the manga is young people. There are many titles that are published exclusively in e-book format, but we frequently hear from customers asking when they will be released in print form. Also, recently there has been a growing number of cases where titles that were originally available only in digital format have later been published as physical books.

Kinokuniya at the Bloc in Los Angeles is located at 700 W 7th St.

(Please note: The Times may earn a commission through links to Bookshop.org, whose fees support independent bookstores.)

SOUTHERN SECTION BASEBALL PLAYOFFS

FRIDAY’S RESULTS

SECOND ROUND

DIVISION 1

Pool A

#8 Sherman Oaks Notre Dame 4, #1 Norco 0

#9 Ayala 7, #16 Maranatha 6

Pool D

#4 Orange Lutheran 9, #5 Corona 6

#13 Corona Santiago 8, #12 Etiwanda 4

Pool C

#6 St. John Bosco 4, #3 Sierra Canyon 3

#11 Cypress 8, #14 Oaks Christian 2

Pool B

#2 Harvard-Westlake 6, #10 Huntington Beach 5

#15 La Mirada 9, #7 Temecula Valley 2

FIRST ROUND

DIVISION 3

Mira Costa 8, Arlington 6

Redondo Union 8, Ridgecrest Burroughs 7

Dos Pueblos 14, Burbank Burroughs 8

Edison 5, Damien 1

Palos Verdes 7, Orange County Pacifica Christian 1

Warren 8, West Ranch 3

Cajon 4, San Dimas 0

St. Francis 4, Crescenta Valley 1

Agoura 4, Oakwood 0

Garden Grove Pacifica 7, Chino Hills 0

Corona del Mar 2, Bishop Amat 1

Fullerton 8, San Juan Hills 3

Beckman 2, Charter Oak 1

Millikan 2, South Torrance 1

Summit 7, La Canada 6

Arcadia 3, Simi Valley 2

DIVISION 5

Citrus Valley 2, Paloma Valley 1

Irvine 4, Moreno Valley 2

Cathedral 4, Calvary Baptist 2

Long Beach Poly 3, Sunny Hills 2

Quartz Hill 12, Tahquitz 0

Kaiser 6, Oak Hills 5

Paramount 15, Heritage Christian 1

Santa Barbara 5, Loara 4

Long Beach Wilson 3, Montebello 0

Jurupa Hills 3, Santa Fe 0

Temescal Canyon 8, Arrowhead Christian 5

Riverside Prep 7, Capistrano Valley Christian 3

Culver City 8, Cerritos Valley Christian 6

St. Bonaventure 1, Mayfair 0

Bishop Montgomery 5, Cerritos 0

St. Bernard 4, Rancho Verde 3

DIVISION 7

New Roads 5, Palmdale 4

Carpinteria 2, Flintridge Prep 1

North Torrance 5, Baldwin Park 1

Grace 6, Beverly Hills 0

Santa Paula 5, Pasadena Poly 4

Fontana 13, Milken 12

Patriot 11, Viewpoint 10

Victor Valley 9, Placentia Valencia 3

Hemet 2, Riverside Notre Dame 0

South El Monte 3, Buena Park 2

Golden Valley 5, University Prep 1

Jurupa Valley 3, Campbell Hall 0

Arroyo 2, Miller 1

Carter 10, Adelanto 1

Garden Grove 1, Nogales 0

Norwalk 8, San Jacinto Valley 1

DIVISION 9

Dunn 16, Redlands Adventist Academy 4

Lennox Academy 18, Santa Monica Pacifica Christian 8

Crossroads Christian 16, Downey Calvary Chapel 7

St. Monica Academy 4, Coastal Christian 3

San Bernardino 17, Mesa Grande 5

Ojai Valley 16, San Luis Obispo Classical 0

Webb 10, Loma Linda Academy 5

Yucca Valley 8, Santa Maria Valley Christian 7

Rolling Hills Prep 18, Lucerne Valley 5

Ambassador Christian 5, United Christian Academy 4

Riverside Bethel Christian 11, Desert Hot Springs 10

Westminster 11, Anza Hamilton 1

Temecula Prep 25, Pomona 1

Cobalt 9, Environmental Charter 5

Garden Grove Santiago 17, Gorman Charter 1

St. Pius X-St, Matthias Academy 20, Animo Leadership 1

TUESDAY’S SCHEDULE

(Games at 3:15 p.m. unless noted)

THIRD ROUND

DIVISION 1

Pool A

Norco at Ayala

Pool D

Corona at Corona Santiago

Pool C

Sierra Canyon at Cypress

Pool D

Huntington Beach at La Mirada

SECOND ROUND

DIVISION 2

Elsinore at Santa Margarita, 2:30 p.m.

South Hills at Ganesha

Newport Harbor at Great Oak

Gahr at Aquinas

Servite at Foothill

Royal at Yucaipa

Chaminade at Loyola

Westlake at Aemany

DIVISION 3

Mira Costa at Redondo Union

Dos Pueblos at Edison

Palos Verdes at Warren

Cajon at St. Francis

Agoura at Garden Grove Pacifica

Corona del Mar at Fullerton

Millikan at Beckman

Arcadia at Summit

DIVISION 4

Saugus at San Marino, 3:30 p.m.

Rio Mesa at Claremont

Glendora at Katella, Wednesday

Upland at Anaheim Canyon

La Quinta at Marina

Palm Desert at Grand Terrace, 4 p.m.

Woodbridge at Laguna Beach

Moorpark at Monrovia

DIVISION 5

Citrus Valley at Irvine

Long Beach Poly at Cathedral

Quartz Hill at Kaiser

Paramount at Santa Barbara

Long Beach Wilson at Jurupa Hills

Riverside Prep at Temescal Canyon

St. Bonaventure at Culver City

St. Bernard at Bishop Montgomery

DIVISION 6

Brentwood at Ontario

Canyon Springs at Foothill Tech

Troy at Trinity Classical Academy

El Rancho at Northwood

Savanna at Western Christian

Covina at Alhambra

Muir at Santa Ana Calvary Chapel

Crossroads at Lakewood, 4 p.m.

DIVISION 7

New Roads at Carpinteria

Grace at North Torrance

Fontana at Santa Paula, 3:30 p.m.

Patriot at Victor Valley

Hemet at South El Monte

Golden Valley at Jurupa Valley

Carter at Arroyo

Norwalk at Garden Grove

DIVISION 8

Edgewood at Rancho Alamitos

Chadwick at Pasadena Marshall

Rio Hondo Prep at Wildomar Cornerstone Christian

Rosemead at Oxford Academy, Monday

Duarte vs. Santa Clarita Christian at Hart Baseball Complex, 7 p.m.

Nordhoff vs. Nuview Bridge at Mystic Field, Nuevo

Artesia at Magnolia

Anaheim vs. Schurr at Rio Hondo College

DIVISION 9

Dunn at Lennox Academy

St. Monica Academy at Crossroads Christian

San Bernardino at Ojai Valley

Webb at Yucca Valley

Rolling Hills Prep at Ambassador Christian

Westminster at Riverside Bethel Christian

Temecula Prep at Cobalt

St. Pius X-St. Matthias Academy at Garden Grove Santiago

Note: Quarterfinals in all divisions May 22; Semifinals in all divisions May 26; Finals in all divisions May 29-30.

Thousands of protesters marched through central London on Saturday to mark the 78th anniversary of the Nakba, the forcible displacement of 800,000 Palestinians during the creation of Israel in 1948.

Caracas, May 15, 2026 (venezuelanalysis.com) – Venezuelan oil production has moved past 1 million barrels per day (bpd) for the first time in over seven years.

The latest OPEC monthly report placed the Caribbean nation’s April output at 1.031 million bpd, as measured by secondary sources. The figure increased by 46,000 bpd compared to the previous month.

For its part, state oil company PDVSA reported April’s production at 1.136 million bpd, up from 1.095 million bpd in March. Direct and secondary measurements have differed over time due to disagreements over the inclusion of natural gas liquids and condensates.

With the oil industry under crushing US coercive measures, crude production plummeted from around 1.9 million bpd when the first sanctions were levied against PDVSA. Following the US imposition of an export embargo in January 2019, output fell under 1 million bpd, hitting decades-lows around 350,000 bpd in 2020 before a steady recovery in recent years.

Since the January 3 US military strikes against Venezuela and kidnapping of President Nicolás Maduro, the Trump administration has imposed control over the nation’s energy sector, with revenues deposited in US Treasury-run accounts before being partially returned to Caracas at US officials’ discretion. 

US Secretary of State Marco Rubio stated on Thursday that “for the first time in over a decade the wealth of Venezuela is benefitting the people of Venezuela,” though he did not mention the impact of US sanctions first imposed in late 2014.

While US coercive measures remain in place, the White House has issued a series of licenses allowing Western corporations to return to the Venezuelan energy sector.

BP, Chevron, Eni, Repsol, and Shell are among the companies to have struck oil and natural gas contracts with the Venezuelan government led by Acting President Delcy Rodríguez in past weeks, taking advantage of a recent pro-business legislative overhaul that slashed royalties and taxes, granted private partners increased control over operations and sales, and opened the way for disputes to be settled in international arbitration bodies.

Lesser-known companies Overseas Oil and Crossover Energy have likewise inked agreements for energy projects in the South American country. 

ExxonMobil and ConocoPhillips are also evaluating prospects for a return to Venezuela, according to the Wall Street Journal. The two oil giants saw their assets nationalized by the former Hugo Chávez government in the 2000s after refusing to accept the country’s reforms asserting sovereignty over the industry. Both corporations would go on to secure compensation via international arbitration, with an award of over US $10 billion to ConocoPhillips still outstanding. 

The recent rebound in oil production coincided with an increase in US-sourced diluent imports. Exports also surged in April to 1.23 million bpd, the highest figure in over seven years. Apart from a growing number of cargoes to US refineries, Indian refiner Reliance is receiving increased shipments after securing US Treasury approval.

In contrast, two tankers reportedly headed to China and Cuba, respectively, will return their cargoes to Venezuelan ports after being intercepted by US naval forces. Prior to the January 3 operation and US control over oil exports, China had been the primary destination for Venezuelan crude. Caracas had likewise been the main supplier of oil to Cuba in the last two decades.

Venezuelan and US authorities have offered no clarity on the return of export proceeds to the South American country, with US Secretary of State Marco Rubio stating that Caracas needs to submit a “budget request” before accessing its funds. The Venezuelan Central Bank’s handling of US-disbursed resources will be subjected to outside auditing, with Pentagon and CIA contractor Deloitte reportedly among the companies hired.

Despite the absence of official data on Venezuelan export revenues and the portion being returned to the country, the Rodríguez administration’s injection of foreign currency into exchange tables run by public and private banks increased in April and May. US authorities reportedly mandated that PDVSA revenues be funneled directly to private sector importers via forex auctions as opposed to having the Venezuelan Central Bank run foreign currency assignments.

Edited by Lucas Koerner in Caracas.

LOOK Mum No Computer is competing for the UK at the iconic Eurovision Song Contest tonight.

As one of Eurovision’s “Big Four” (formerly “Big Five”), the UK gets an automatic place in this Saturday’s final.

But the competition gets real this evening for Sam Battle, who is representing the UK with his single Eins, Zwei, Drei, because there can only be one winner.

Speaking about Eurovision in a press conference ahead of the final, the artist said: “It has been a lot of work, especially as I have just become a new dad at the same time as prepping for Eurovision.”

Who is Look Mum No Computer?

Sam Battle, widely known as Look Mum No Computer, is an English musician and electronics enthusiast from Peterborough, Cambridgeshire.

On his YouTube channel with more than 700k subscribers, he posts videos about making pro audio gear and synthesizers, as well as original music tracks.

Read more on Eurovision 2026

CLEMMIE MOODIE

Celebs calling for Israel to be axed from Eurovision are parroting Hamas

MILLS OUT

New Eurovision host revealed after Scott Mills axed from coverage

Battle is known for playing unusual musical devices made from vintage technology, such as a classic Raleigh Chopper bicycle and a Game Boy.

The YouTuber also runs This Museum Is Not Obsolete, a museum in Ramsgate, Kent, showcasing vintage devices repurposed for comic uses.

Sam has been curious about mechanics since early childhood, when he spent much of his time building rockets and robots.

After starting a university course in chemistry, he realised that he “was really not cut out for that” and switched to a music tech course instead.

However, he still quit his studies halfway through to join a music band in London for three years.

Stuck with an album that wasn’t being released and no gigs, Sam used this time to learn electronics.

He worked in numerous jobs, from fixing bicycles at Halfords to cooking in a restaurant, before before setting up indie-rock group ZIBRA with his three friends.

They performed at the Glastonbury Festival in 2015 as the final act on the BBC Introducing stage.

The musician launched his YouTube channel in 2013, primarily posting content for the the band — until its end in 2016 when he switched to his solo music project.

His younger sister Jodie Bartle, who appears in the music clip for Eins, Zwei, Drei by Look Mum No Computer, plays football for Wrexham.

In 2025, Sam developed a video game in collaboration with German indie studio The Bitfather and publisher Headup Games.

The game, called Look Mum No Computer, was nominated for the German Developer Award for Best Audio Design.

Who is Look Mum No Computer’s wife Melanie?

Sam Battle has been married to his wife Melanie for more than a decade.

On her Instagram, Melanie shared that she met Sam after “nicking a piece of plastic from outside of [his] house”.

The couple tied the knot in 2012 and have three children together.

Dr Melanie King is an awarded artist and curator based in Ramsgate who specialises in astronomy, alternative and analogue photography.

She works as a co-director of Lumen Studios, an art collective exploring the themes of astronomy and light, and super/collider, an independent agency that “celebrates and champions the connections between science, creativity and culture”.

In 2013, Melanie founded the London Alternative Photography Collective, which has grown from a small group of analogue and alternative photography practitioners to a collective producing large-scale symposiums, exhibitions and workshops.

Recently completing her PhD in Fine Art at the Royal College of Art, the mum-of-three also teaches Photography at Canterbury Christ Church University.

The couple welcomed their baby boy Max in April 2026, as Sam had been working hard on his performance in the iconic song contest.

On his Instagram page, the musician has recently posted more photos of the baby, adding: “Not long till he (Max) will be holding a soldering iron and helping!”

SOUTHERN SECTION SOFTBALL PLAYOFFS

FRIDAY’S RESULTS

FIRST ROUND

DIVISION 1

Murrieta Mesa 10, Valley View 0

Orange Lutheran 10, Millikan 0

Chino Hills 2, El Modena 1

Etiwanda 14, Agoura 13

Palos Verdes 3, Riverside King 2

Cypress 4, Fullerton 2

Ayala 11, Charter Oak 1

Riverside Poly 7, California 3

Norco 2, Marina 1

DIVISION 3

Rancho Cucamonga 9, Paloma Valley 1

Great Oak 5, West Torrance 2

Edison 8, El Segundo 5

El Toro 9, Colton 0

Murrieta Valley 9, Redondo Union 8

North Torrance 5, Beaumont 0

West Ranch 7, Trabuco Hills 6

San Juan Hills 8, Riverside North 7

Oak Park 10, Cerritos Valley Christian 4

Highland 7, Northview 2

La Serna 4, Carter 0

Dos Pueblos 5, Crescenta Valley 0

Liberty 10, Arcadia 3

DIVISION 5

Anaheim 11, Flintridge Sacred Heart 0

Patriot 11, Arrowhead Christian 9

Temple City 9, Rancho Christian 6

Grace 11, Buena Park 0

Crean Lutheran 3, Alemany 2

Shadow Hills 8, Cerritos 3

San Marcos 10, Leuzinger 0

South El Monte 7, Long Beach Wilson 5

Covina 11, Garden Grove Santiago 1

Muir 8, Rio Hondo Prep 7

Santa Monica 6, Katella 5

Ontario 6, Norwalk 2

Northwood 18, Duarte 11

DIVISION 7

Bloomington 9, Fillmore 8

Miller 11, Savanna 3

Santa Ana Calvary Chapel 11, Riverside Springs Magnolia 4

Faith Baptist 18, St. Pius X-St. Matthias Academy 4

Twentynine Palms 16, Rancho Alamitos 15

Riverside Notre Dame 12, Costa Mesa 2

Firebaugh 9, Pioneer 8

Chadwick 6, Desert Christian Academy 1

Cathedral City 2, Artesia 1

Orange 9, Bellflower 3

Santa Ana 10, Hawthorne 0

Culver City 9, Temecula Prep 8

DIVISION 8

Banning 20, Redlands Adventist 3

SATURDAY’S SCHEDULE

(Games at 3:15 p.m. unless noted)

SECOND ROUND

DIVISION 1

La Habra at Murrieta Mesa, noon

Chino Hills at Orange Lutheran

Etiwanda at Westlake

La Mirada at Palos Verdes, noon

Garden Grove Pacifica at Cypress, noon

Ayala at JSerra

Sherman Oaks Notre Dame at Oaks Christian, 1 p.m.

Norco at Riverside Poly

DIVISION 2

Bonita at Ganesha, 11 a.m.

Whittier Christian at Warren

Simi Valley at St. Paul

Moorpark at Lakewood St. Joseph, 11 a.m.

Temescal Canyon at San Clemente, 12:30 p.m.

Huntington Beach at Camarillo, Monday

Saugus at Vista Murrieta, 12:30 p.m.

Mater Dei at Gahr, noon

DIVISION 3

Great Oak at Rancho Cucamonga

Edison at El Toro, Monday

Murrieta Valley at North Torrance

West Ranch at San Juan Hills

Riverside Prep at Oak Park, 12:30 p.m.

La Serna at Highland

Dos Pueblos at La Salle, Monday

Villa Park at Liberty, 1 p.m.

DIVISION 4

St. Bonaventure at Harvard-Westlake, 11 a.m.

Apple Valley at Oxnard

Don Lugo at Monrovia, 1:30 p.m.

La Quinta at Mira Costa

Rio Mesa at Mission Viejo, 10 a.m.

Oak Hills at Sunny Hills

Ramona at Paramount

Burbank Burroughs at Rosary, Monday

DIVISION 5

Anaheim vs. Santa Clara at Beck Park

Temple City at Patriot

Crean Lutheran at Grace

Viewpoint at Shadow Hills

San Marcos at Irvine University, noon

South El Monte at Covina

Santa Monica at Muir, 10:30 a.m.

Northwood at Ontario, 1 p.m.

DIVISION 6

Irvine at Lakeside

Alhambra at Heritage

Eastside at Granite Hills, noon

El Monte at St. Genevieve

Sierra Vista vs. Southlands Christian at Brea Canyon Cutoff Rd

Hesperia Christian vs. St. Monica Prep at Memorial Park, 2 p.m.

Arroyo at Lancaster

San Jacinto at Jurupa Valley

DIVISION 7

Bloomington at Ramona Convent

Miller at Santa Ana Calvary Chapel

Faith Baptist at Twentynine Palms, Monday

Firebaugh vs. Riverside Notre Dame at Ramona

Chadwick at Cathedral City

Orange at Victor Valley, 11 a.m.

Santa Ana at Culver City, Monday

Windward at Edgewood, Monday at 3:30 p.m.

DIVISION 8

ACE at Avalon

Bolsa Grande vs. San Bernardino, Monday at San Bernardino College

Workman at Glendale

Cobalt at Santa Rosa Academy

Bell Gardens vs. Brentwood at John Anson Ford Park

Pomona Catholic vs. Capistrano Valley Christian at Laguna Hills, 2 p.m.

Fontana at Banning

Hawthorne MSA at Arroyo Valley, 1 p.m.

Note: Quarterfinals May 20; Semifinals May 23; Finals May 28-30 at Bill Barber Memorial Park, Irvine.

Heavy ship traffic and rising regional tensions fuel fears of a wider confrontation over one of the world’s most critical energy routes. Al Jazeera’s Tohid Asadi gets exclusive access to report from the Strait of Hormuz.

The first picture of the U.S. military’s new AIM-260 Joint Advanced Tactical Missile (JATM) has emerged. Flight testing of the JATM is known to have started years ago, but it has never been seen publicly before now. The missile is expected to augment and ultimately replace the venerable AIM-120 Advanced Medium-Range Air-to-Air Missile (AMRAAM) in U.S. service.

Photographer Jonathan Tweedy took pictures of several U.S. Navy test jets departing Eglin Air Force Base in Florida on May 13. This included an F/A-18F Super Hornet from Air Test and Evaluation Squadron 31 (VX-31) carrying the AIM-260 on the fuselage station outboard of its right engine intake. The jet also has a modified FPU-13/A drop tank with an infrared search and track (ISRT) sensor on its centerline station, as well as flight data pods on its wingtips. The Aviationist was the first to publish Tweedy’s pictures of the VX-31 jet with the JATM.

Eglin is routinely used as a staging point for U.S. military aerial weapons testing, as well as other aviation research and development and test and evaluation work. The base is situated right next to extensive over-water ranges over the Gulf of Mexico, off the coast of the Florida panhandle.

When it comes to the AIM-260, Tweedy’s picture confirms the design is very minimalist, at least externally, with only four fins at the tail. Unlike the AIM-120, it has no mid-body control surfaces, or even strakes running along the sides. The JATM’s overall configuration reflects optimization for maximum speed and range.

The JATM in this case looks to have a live high-explosive warhead, as indicated by a yellow band at the front end of the body. There are also two black bands toward the rear, which could point to the location of the missile’s rocket motor.

The nose cone has a distinct light gray color compared to the rest of the predominantly white body. There are square markings at various points at the rear of the body, which are often seen on aerial munitions and aircraft during testing to help with visual tracking, as well.

Overall, the AIM-260 seen in Tweedy’s pictures looks entirely in line with what had previously been depicted in official renderings of the JATM, both in terms of its design and markings.

The Navy is developing the AIM-260 in cooperation with the Air Force. In the past, officials have explicitly cited the growing reach of Chinese air-to-air missiles, and the PL-15 in particular, as key drivers behind the JATM program. China continues to develop and field more capable air-to-air missiles, as you can learn more about this past TWZ feature. A boost in maximum range is therefore known to be a central requirement for the AIM-260, which is reportedly designed to hit targets out to at least 120 miles, if not further.

Another known requirement for the AIM-260 is to have a form factor that is roughly the same as the AIM-120, making it easier to integrate on existing aircraft. Details about the JATM otherwise remain limited. As TWZ has previously written:

“An advanced rocket motor with highly loaded propellant has long been seen as a likely route to give the AIM-260A significantly greater range, as well as speed, over the AIM-120 without making the new missile larger. A core known requirement for the JATM is that it has to have the same general form factor as the AMRAAM, in large part to ensure that it can fit inside the internal bays on stealth fighters like the F-22 and the F-35 Joint Strike Fighter. In addition to crewed aircraft, AIM-260As are expected to arm future stealthy drones like the ones under development under the Air Force’s Collaborative Combat Aircraft (CCA) program.”

…

“The AIM-260A’s rocket motor is also likely to be a dual-pulse design that retains energy across the flight envelope to further extend range and help dramatically with endgame maneuverability. Thrust vectoring capability would also be a requisite to give the missile sufficient agility in the absence of additional control surfaces.”

…

“An active electronically scanned array radar (AESA) seeker is likely. Multi-mode seeker capability, potentially with imaging infrared and passive radiofrequency (RF) guidance capabilities, could be extremely valuable in the face of an ever-expanding countermeasure ecosystem, although we have no idea if this is a feature now or not. It’s also possible it could be introduced in later variants. Advanced networking capabilities would be a key feature, allowing the missile to get additional targeting information from an array of third party sources. This is especially imported for engaging targets beyond the reach of the launch platform’s own sensors and it can allow the aircraft firing the missile, especially a stealthy one, to avoid having to switch on its radar and increase its vulnerability to detection as a result. Multiple networked JATMs might even be able to prosecute engagements cooperatively.”

Overall, the JATM program, which traces back to at least 2019, remains largely classified. As noted, flight testing of AIM-260 has been underway for some time and has already included multiple live-fire shots. There has also been movement in recent years to get the missile into production and fielded operationally.

Navy Super Hornets, along with U.S. Air Force F-22 Raptors, are expected to be the first types to fly operationally armed with AIM-260s. The missiles will surely be integrated onto a host of other aircraft, including the Air Force’s future F-47 and whatever design the Navy might choose to become its sixth-generation F/A-XX fighter.

What the projected timeline might be for the AIM-260 entering operational service now is unclear. When the program first emerged publicly in 2019, the goal was for the missiles to be fielded in 2022. There were reports late last year that JATM had suffered a new three-month delay due to funding issues, based on a fact sheet distributed by some members of the U.S. House Committee on Armed Services. However, the committee subsequently said that the information was incorrect.

As an aside, the Navy announced back in 2024 that it had begun limited fielding of another, different very-long-range air-to-air missile, the AIM-174B, which is derived from the surface-launched Standard Missile-6. The AIM-260 is expected to be complementary to the AIM-174B, as you can read more about here and check out our video below.

How The Navy’s New Very Long-Range AIM-174 Will Pierce China’s Anti-Access Bubble

The first public sighting of an AIM-260 this week certainly points to new progress toward finally fielding this new air-to-air missile.

Special thanks again to Jonathan Tweedy for sharing the pictures of the AIM-260 on the VX-31 Super Hornet with us.

Contact the author: joe@twz.com

After Connor Cooper, 33, appeared on ITV’s Deal or No Deal, he said feeling like a ‘TV star’ lead him to become addicted to cocaine, with the contestant spending up to £600 a week on the substance

A former Deal or No Deal contestant has blamed becoming a “TV star” for him developing a £600-a-week cocaine habit. Connor Cooper, 33, claims to have come across a “huge pile” of the drug while partying near to the hotel he and the rest of the contestants of the ITV game show were staying in.

Connor explained that one night, he had been out drinking with the rest of the contestants, and after drinking shots and cocktails all night, decided to give the drug a go. But after taking it, he couldn’t sleep – having got back to his hotel room at 7am, he was picked up at 8am to film the show.

READ MORE: ‘I was on Stephen Mulhern’s Deal or No Deal and one moment made me feel physically sick’

He and some of the other contestants were exhausted, with Connor admitting he was “completely wired” during filming. But it didn’t put the dad-of-one off, with Connor saying he went on to become hooked, saying he was “living in the moment” and had a taste of “the showbiz life”.

Speaking to the Sun, Connor explained: “I was dreading that show going out. I was still completely wired when we filmed and we recorded three games that day.”

Contestants on Deal or No Deal can be living with each other for up to a month, as they return in their bid to win big on the game show. Connor said that this lead to him and the others drinking together, with the “party culture” sucking him in.

He said he would order it secretly to keep himself going, but then he wouldn’t sleep again and have to return to the studios to film the day after. Then they would drink again that evening and he would “do it all over again”, with each contestant allowed two free drinks per day.

But then when he started drinking he would continue out of his own money, adding: “I just thought I was a TV star and dived in with both feet. It was really stupid.”

Connor went on to win £13,500 on Deal or No Deal, and returned to Portsmouth where he worked as a tarmac layer. A month after returning, when Connor was still buying and using cocaine, he found out his long-term partner was pregnant with twins, something he describes as a “wake-up call”

He told her everything and with her support he managed to seek professional help to kick his dangerous and expensive habit. Connor said he didn’t seek help with ITV’s mental health services. The Mirror has contacted Banijay for comment.

In response to the paper, a Deal Or No Deal spokesperson said: “We have a zero-tolerance policy on drug use on all our productions. Contestants stay at the hotel for short periods of time whilst filming and are closely monitored by a specialist welfare team throughout. Having reviewed logs of activity and welfare assessments, we can find no record of any behaviour that would cause concern.”

Like this story? For more of the latest showbiz news and gossip, follow Mirror Celebs on TikTok , Snapchat , Instagram , Twitter , Facebook , YouTube and Threads .

SACRAMENTO — Citing reasons financial, emotional and political, hundreds of gays and lesbians around California took advantage of a new law Monday and began the process of registering with the state as domestic partners.

To some it seemed a giant step, to others a baby step, toward full recognition of their relationships.

“We are involved in a commitment with caring and loving and all the things I hear people say about their husbands and wives,” said Sam Catalano, a state employee who hummed the wedding march as he and his partner paid $10 to become registered couple No. 66 at the secretary of state’s office in Sacramento.

“But today I have gained one benefit, and those married couples have 1,400,” he said, citing federal studies that estimate more than 1,000 legal benefits of marriage.

Actually, the legislation signed into law last year by Gov. Gray Davis–AB 26 by Assemblywoman Carole Migden (D-San Francisco)–affords some same-sex couples two benefits: hospital visitation rights (which could otherwise be restricted to family members) and health insurance coverage for the dependents of government employees covered by CalPERS, the state retirement system.

With the new law, California became one of the nation’s pioneers in domestic partner policies. Twelve California cities and four counties, including Los Angeles, have their own policies giving health benefits to domestic partners, as do many corporations.

In Vermont last month, the state Supreme Court ruled that homosexual couples are entitled to all benefits and protections related to marriage. And in October, France became the first European nation to legalize civil solidarity pacts.

Across the country, 30 states have enacted laws to prevent same-sex marriages from being recognized, a Californians will decide on such a proposal in the March 7 primary election.

Tens of thousands of couples are expected to register under the domestic partners law. Same-sex couples are eligible, along with heterosexual couples over age 62, who sometimes hesitate to marry because of potential cuts in their Social Security income.

State analysts have no estimate of how much the registrations will cost the state and local governments.

State construction supervisor Billie Norman has been with her partner, Beverly Thames, for 14 years. Every year she has applied to add Thames to her health plan. Every year her application has been rejected.

“I could marry a man tomorrow and they’d give me insurance for him,” Norman said, flashing one of the matching diamond engagement rings the two wear. “We’re stable, we’re homeowners, we’re civil servants. There ought to be recognition of that.”

The state registration program signals a social shift, Norman said, that inches her and Thames closer to the Elvis-themed wedding they hope to have someday. Similar domestic partner bills passed the Legislature in 1994 and 1998 only to be vetoed by former Gov. Pete Wilson.

In March, California voters will vote on Proposition 22, the Limit on Marriages Act spearheaded by state Sen. Pete Knight (R-Lancaster), which would bar California from recognizing same-sex marriages. No state currently permits same-sex marriage, but some have court cases or legislation pending that could change the situation.

Proposition 22 spokesman Robert Glazier said the campaign has taken no position on domestic partnership registration, but “if someone wants to change marriage in California, they should do it in a very upfront way, not through a back door.”

Members of the “No on Knight” camp that opposes the measure predicted that publicity about partnership registration will work in their favor, highlighting the discrimination they believe gays and lesbians face in California and “how the Knight initiative will further discriminate against them,” said campaign manager Mike Marshall.

A small line of applicants greeted secretary of state employees when they arrived at 8 a.m. Monday to open the special filings desk, which falls under the ironically named “Limited Partnerships” division. All through the day couples wandered in, many having just learned of the opportunity in news accounts over the weekend.

By day’s end, spokesman Shad Balch said 71 couples had registered in Sacramento and at four branch offices around the state and hundreds more had taken out applications.

Among them were retirees and young people, middle class and poor, outspoken and shy. One couple has lived together for 29 years, another for three. For some it was the first official documentation of their relationship, for others one of a series of acknowledgments: city registrations, commitment ceremonies and corporate benefit extensions.

Ken Day, Catalano’s partner, said many gay couples they know are reluctant to even bother with the paperwork, a simple one-page form that can be mailed to the secretary of state but must be notarized.

Some think “it’s unnecessary and derivative,” he said. Others, he said, rolling his eyes, think the very idea is “too heterosexual.” A few were not ready for the commitment, which hinges on a pledge of joint responsibility for living expenses.

Among the many rights the state accords to married people but the new law does not extend to same-sex couples are Social Security benefits, inheritance provisions and health coverage after the death of the state employee. It does not give them any of the tax benefits of marriage, and they will not have the right to make medical decisions for each other.

Nor does the law untangle the complicated and expensive arrangements that gay and lesbian couples with children make to share health benefits with, and legal responsibility for, their children.

California Youth Authority counselor Cathyann Intemann spent $4,700 to adopt her partner’s daughter so she could count her as a dependent for her state health benefits. The couple rejoiced on learning Sunday that the new law would take effect in time to cover their second child, due this spring.

Intemann’s partner is a stay-at-home mother who estimated that she pays at least $3,000 a year for her own health insurance. “The bottom line is this saves us money in our household,” Intemann said.

(BEGIN TEXT OF INFOBOX / INFOGRAPHIC)

How to Register

The secretary of state’s office recommends that domestic partners mail registration forms to the Sacramento office, P.O. Box 944225, Sacramento, CA 94244-2250. Both partners’ signatures must be notarized and a fee of $10 enclosed. Forms are available at county clerks’ offices and online at https://www.ss.ca.gov, and can be filed in person at the secretary of state’s offices in these cities:

* Fresno: 2497 West Shaw Ave., Suite 101

* Los Angeles: 300 South Spring St., Room 12513

* San Diego: 1350 Front St., Suite 2060

* San Francisco: 455 Golden Gate, Suite 7300

The Chargers essentially lived on an airplane last season, traveling more miles than any other NFL team.

This season, they will have a long runway followed by a dramatically sharp ascent.

They open against three first-time head coaches in succession, then face four Super Bowl-winning head coaches in a row.

Their first three games are against Arizona (Mike LaFleur), Las Vegas (Klint Kubiak) and Buffalo (Joe Brady), before squaring off against Seattle (Mike Macdonald), Denver (Sean Payton), Kansas City (Andy Reid) and — after a week off — the Rams (Sean McVay).

And it’s not as if the Chargers will be homebodies, as they have four coast-to-coast trips with road games at the Bills, Baltimore, Tampa Bay and Miami. So they will still be racking up the frequent-flier miles.

The NFL made an effort to put some space between those cross-country games for the Chargers.

“We’re always being sensitive, trying to make sure we’re not pingponging a team across the country with travel to the East Coast and back,” said Hans Schroeder, the NFL’s executive vice president of media distribution. “So we try to make sure those trips are broken up where we can, and we’re not doing too much of that back and forth.”

This marks the third season under Jim Harbaugh, who has had remarkable success at every stop in his coaching career but has yet to win a playoff game with the Chargers. Same goes for quarterback Justin Herbert, who was drafted in 2020 and is still looking for his inaugural postseason victory.

SoFi Stadium will host the Super Bowl next February, and the Battle For Los Angeles in Week 8 when the Chargers play at the Rams, a rare meaningful matchup of the crosstown foes.

The Chargers will play three preseason games, all Thursday night games against opponents they will face in the regular season. They will play at Houston on Aug. 13, followed by home games against San Francisco (Aug. 20) and the Rams (Aug. 27). All will be broadcast on CBS-LA.

Here is a game-by-game look at the regular-season schedule (all times Pacific):

Sept. 13, ARIZONA, 1:25 p.m. (CBS): It’s a gentle start against the rebuilding Cardinals, who figure to have Jacoby Brissett at quarterback in place of the familiar Kyler Murray, who is now with the Minnesota Vikings. The last time these teams played was in Arizona two years ago, and the Cardinals won, 17-15.

Sept. 20, LAS VEGAS, 1:05 p.m. (CBS): Back-to-back home games for the Chargers, who opened last season in Brazil. The Chargers swept the Raiders last season. Could No. 1 overall pick Fernando Mendoza be starting at quarterback for the Silver and Black?

Sept. 27, at Buffalo, 10 a.m. (Fox): The first of four East Coast trips for the Chargers, who are stepping into a tough environment but at least won’t have to deal with a Buffalo winter. This is the start of a rugged seven-game stretch for the Chargers.

Oct. 4, at Seattle, 1:25 p.m. (CBS): The last time these teams played was 2023, so the rosters have pretty much turned over since then. Kenneth Walker III ran for 167 yards in that 37-23 win by the Seahawks. He was Super Bowl MVP last season and is now playing for Kansas City, so the Chargers will see enough of him.

The Chargers and quarterback Justin Herbert are set to play host to the New England Patriots on Thanksgiving weekend.

(Robert Gauthier / Los Angeles Times)

Oct. 11, DENVER, 1:05 p.m. (CBS): The Chargers and Broncos split last season, with each team holding serve at home. The Chargers won by three at SoFi, but the Broncos held their second-stringers to a mere field goal in the regular-season finale with Denver winning at home, 19-3.

Oct. 18, at Kansas City, 1:25 p.m. (CBS): As is the case with the Buffalo game, the Chargers are sidestepping some potentially harsh weather. They beat the Chiefs in Brazil in last season’s opener, then beat them by three points at Arrowhead in Week 15.

Oct. 25: Bye week. In recent years, the Chargers have almost always gotten their week off in the first half of the season. They had so many injuries last season, they could have used a week off every other week.

Nov. 1, at Rams, 1:05 p.m. (Fox): This is a home game for both teams, so the Chargers catch a break in terms of travel. It will be the third time these stadium-mates have met since the Rams returned in 2016. They split in the previous two meetings, with the Rams winning in 2018 and the Chargers in 2023.

Nov. 8, HOUSTON, 1:05 p.m. (CBS): Harbaugh’s Chargers are 0-2 against the Texans, losing by four to them at SoFi last season, and getting clobbered at Houston in the opening round of the 2024 playoffs, 32-12.

Nov. 16, at Baltimore, 5:15 p.m. (ESPN): This is a “Monday Night Football” game, and for good reason. It isn’t Harbaugh versus Harbaugh — as it would have been when brother John Harbaugh was coach of the Ravens — but Jim Harbaugh vs. Jesse Minter, his former Chargers defensive coordinator.

Nov. 22, JETS, 1:05 p.m. (Fox): Finally, something of a respite after a battering stretch of games. Of course, in the NFL, you can never breathe easy. The Chargers have beaten the Jets five times in a row, true, but those games were played over the past 14 seasons so those lopsided numbers aren’t relevant to this matchup.

Nov. 29, NEW ENGLAND, 5:20 p.m. (NBC): Back to the grind for the Chargers, who generated next-to-no offense in the playoffs last season against the eventual AFC champions. It was a low-scoring game all around, but the Patriots never looked concerned in their 16-3 victory.

Dec. 6, at Tampa Bay, 10 a.m. (CBS): The Buccaneers have beaten the Chargers four times in a row, although that’s dating to 2012, so much of that is ancient history. Baker Mayfield has revived that franchise — and his own career.

Dec. 13, at Las Vegas, 1:05 p.m. (CBS): Sure, the Chargers might face Mendoza in Week 2, but there’s an even greater likelihood they will see him the second time around.

Dec.17, SAN FRANCISCO, 5:15 p.m. (Amazon Prime): This is a Thursday night game, and Harbaugh will be facing the franchise he got to the Super Bowl in the 2012 season. If the NFC West turns out to be as competitive as expected, the Chargers could do the Rams a solid here.

Dec. 27, at Miami, 10 a.m. (Fox): The Chargers won at Miami last season on a last-second field goal by Cameron Dicker. December is a good time of year to play in South Florida.

Week 17, KANSAS CITY, TBD: This is where the schedule gets squishy and the NFL pushes games around to give the most exciting ones the most exposure. This game is TBA. It could be a good one, considering the rivalry.

Week 18, at Denver, TBD: Just like last season, the Chargers finish at the Broncos. A difficult final exam, and maybe another gateway to the postseason.