Merlin’s annual pass offer ends this weekend where you can get a free annual pass if you book a £95 stay at the likes of Alton Towers, Legoland, Thorpe Park, Chessington and more

A deal where theme park fans can ‘stay for a night, play for a year’ at Merlin’s attractions across the UK ends this weekend.

Merlin Entertainment, whose attractions include Alton Towers, Thorpe Park, Warwick Castle, LEGOLAND, and Chessington World of Adventures currently has a deal running where families who book an overnight stay on selected dates in March get a free Essential Merlin Annual Pass (MAP) for each guest, giving them 339 days of unlimited access to over 20 of its theme parks and attractions.

However, theme park fans will need to hurry as the bookings need to be completed by Sunday (March 1), so there are only a couple of days left to take advantage of the offer. Eligible stay dates include:

• LEGOLAND and Alton Towers – stays between March 14 and June 26
• Chessington – stays between March 20 and June 26
• Thorpe Park and Warwick Castle – stays between March 27 and June 26

When making a booking, simply look for a banner that says ‘Merlin Pass Included’ that indicates whether the stay is eligible for the offer. Facilities at each theme park resort vary, but many have themed accommodation, breakfast included in the price, plus two days of theme park entry included in a one-night stay. Alton Towers’ hotel guests enjoy access to a 9-hole golf course, while those staying at Chessington can enjoy access to its SEA Life Centre.

As soon as you book your stay, you’ll be emailled your Merlin Annual Passes and can start using them as soon as they are activated, even before your overnight break if you like. The Essentials tier pass offers 339 days of fun, and in addition to theme parks it includes attractions such as the London Eye, Madame Tussauds, and The London Dungeon.

Passholders can also access SEA Life centres across the UK, Cadbury World, Shrek’s Adventure! London and LEGOLAND’s Discovery Centres, so it’s easy to fill up the calendar in the Easter holidays and May half term without needing to pay a penny extra on entry fees.

It’s worth checking Merlin’s exclusions calendar for dates when the Essentials pass cannot be used. Restricted dates include some bank holidays and Saturdays in August. However, no dates in July are restricted, and you can still use your pass freely on other days during the six week summer holidays.

So, how much could families save? It depends on which hotel stay you book and how much you use the pass. A family of four could book a night at the Warwick Castle Hotel on May 16 for £429 and get four free passes included. Buying Merlin Essential passes would usually cost £139 each at full price, adding up to £556 for four people, so this is already a cheaper option if you’ve been considering buying the passes anyway.

Day passes to Alton Towers, as an example, cost £32 online and as much as £68 if you buy on the gates, so if you plan just a handful of theme park visits, this offer could save you hundreds over the year.

Full list of attractions where Merlin’s annual pass can be used

• Alton Towers Resort
• Chessington World Of Adventures Resort
• LEGOLAND® Windsor Resort
• The London Eye
• Thorpe Park
• SEA LIFE London
• National SEA LIFE Centre Birmingham
• SEA LIFE Manchester
• SEA LIFE Blackpool
• SEA LIFE Brighton
• SEA LIFE Weymouth Adventure Park
• SEA LIFE Great Yarmouth
• SEA LIFE Sanctuary Hunstanton
• SEA LIFE Scarborough
• SEA LIFE Loch Lomond
• Warwick Castle
• Madame Tussauds London
• Shrek’s Adventure! London
• LEGOLAND® Discovery Centre Birmingham
• LEGOLAND® Discovery Centre Manchester
• The London Dungeon
• The York Dungeon
• The Edinburgh Dungeon
• Cadbury World

You can find out more at merlinannualpass.co.uk.

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IMAGINE if the Eden Project had a Disney makeover – well, one theme park in Europe achieves this and will be getting a new ride for 2026.

Terra Botanica theme park in Angers, France is often compared to the Eden Project in Cornwall due to its focus on plants.

But it also has rides…

And now the theme park has announced two new experiences for this year – Cleamolette’s tractor cabins and a new Terra Nocta show.

Cleamolette’s tractor cabins will be an immersive experience where visitors climb onboard the tractors and set off to meet Cleamolette, who is a ‘passionate inventor’.

There will be 10 tractor cabins in total, which will be able to host up to 500 people an hour.

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During the experience, visitors will get to discover Cleamolette’s botanical experiments.

The park will also have a redesigned discovery trail that sprawls across 1,200sqm.

The trail is entirely dedicated to vegetable plants and over the course of the season, visitors will be able to see more than 10,000 vegetable plants, 4,000 flowering plants, 500 perennials, 200 shrubs and 40 trees.

You might even get a glimpse at some rare species including pistachio trees, Brazilian guava trees, Japanese pickling eggplants and snake gourds.

Then, Terra Nocta – an evening event at the park with light and sound – will return from April 11 but with a new 150metre area that is an immersive water display with mist, waterfalls, sounds and lights to create the ultimate sensory experience.

This new area will allow visitors to discover aquatic biodiversity and learn about the role of water in ecosystems.

The show will also include eight performers from the National Institute of Music Hall Arts in Le Mans.

The theme park will be hosting Terra Spring Festival between March 28 and 29 as well, where attendees can see the theme park’s large plant market and meet lots of local sellers and makers.

The theme park is set to fully reopen for the 2026 season on April 4.

Connexion France previously described the park as “Cornwall’s Eden Project on steroids”, adding that it has “environmental ideas with a Disney twinkle”.

Other rides at the park include giant walnut shells, and a Canopy of Birds experience where you fly virtually through the air and a miniature land train.

You might also want to check out the Garden of Legends, where you will be greeted by a vegetable ogre as he takes you into a mysterious universe.

Other ‘lands’ at the park include a dinosaur reserve, where you can watch a 4D film where you can get behind the wheel of a Jeep and drive among dinosaurs – just like in Jurassic Park.

There are even boat trips, a greenhouse with over 100 butterflies from across the planet and a high ropes course with over 3,000sqm of netting to explore as well.

One person commented on TripAdvisor: “Great place, a bit like England’s Eden Project, only better.”

It is also cheaper than the Eden Project with tickets costing from €21 (£18.38) per adult and €17.50 (£15.32) per child.

In other theme park news, the world’s first Bluey rollercoaster is set to open in the UK next month.

Plus, a top US attraction is set to open its first indoor adventure park in the UK – with 16 slides and a ‘flying’ coaster.

As a powerful blizzard blankets the East Coast in snow, another force of nature is preparing to take over the chilly streets of Manhattan.

Los Angeles-based singer-songwriter Gaby Moreno will make her Broadway debut as Persephone, the leading lady of Anaïs Mitchell’s Tony Award-winning musical “Hadestown,” beginning Tuesday at the Walter Kerr Theatre in New York City.

Exploring themes of climate change to a New Orleans jazz- and American folk-laden soundtrack, “Hadestown” — a retelling of the Greek myths of Hades and Persephone, as well as Orpheus and Eurydice — will open just as New York transitions out of the harsh winter. Moreno, 44, takes a video call from The Times during her second day of rehearsals, as she is learning how to play Persephone, goddess of spring — and in this play, a wine-drunk lush.

“For the first few minutes I was like, ‘Can I do this? I feel like a klutz,’” she says of her character’s flailing steps, meant to distinguish the inebriated goddess, who splits her time between the underworld and the surface of the Earth.

“I’ve never been drunk because I don’t like the taste of alcohol,” says Moreno, giggling. “But there’s a lot of numbers where I’m drunk-singing and dancing around, so that’s the acting part.”

As a theatrical performer of her own songs, Moreno feels firmly in her element on Broadway. But she arrives as a decorated musician who has woven Latin American, blues and soul traditions into nine bilingual albums — including her 2024 Grammy Award-winning acoustic album “X Mí.”

For Moreno, who was born in Guatemala City, passion for musical theater was seeded during a trip to New York City with her family when she was 13 years old. That’s when they saw “Les Misérables” and “The Phantom of the Opera” on Broadway.

“I went back home [to Guatemala] thinking, this is a dream of mine,” she recalls.

But the trip to the Big Apple also illuminated another path for Moreno. Then just a starry-eyed Catholic schoolgirl, she remembers walking down Times Square and hearing a woman singing in the streets in a style unknown to her. Curious, she went up to the busker to ask her what type of music she was singing; it was the blues, she says.

Moreno scored blues compilation albums she would bring back to her native Guatemala. Locked in her bedroom, the first track that played was Koko Taylor’s 1965 rendition of “Wang Dang Doodle,” the party anthem originally composed by Willie Dixon.

“That’s the moment I’ll never forget,” says Moreno.

She would absorb every cadence of the African American folk genre, transfixed by the bewitching vocals of 1920s blues icons like Bessie Smith and Ma Rainey, as well as luminous jazz ballads by  Ella Fitzgerald,  Billie Holiday and Nina Simone.

“Every musician should always try to find the roots to see where all that comes from,” says Moreno of her early musical explorations. “You might discover something completely new.”

Growing up as the proud daughter of Lucy Bonilla, one of Guatemala’s most charming radio broadcasters, Moreno starred alongside her mother and sisters in a series of cheeky Salvadoran seasoning commercials. She even recorded voice-overs for Central America’s most beloved chicken restaurant chain, Pollo Campero.

At 10 years old, she performed as an opening act for Ricky Martin in 1991, to the credit of her father, a concert promoter who reeled international stars to Guatemala.

“It was such a wonderful experience. I got to discover that I loved singing on stage,” says Moreno, who sang Disney songs as well as her own compositions. “I felt right at home.”

Yearning to start a music career in the States — “that’s where the [music I like] comes from,” she says — Moreno recorded a cover of a popular Guatemalan waltz called “Luna de Xelajú.” Her mother sent her demo to a producer in Miami, who then linked the young singer to a music manager in Los Angeles.

At 18 years old, she signed a recording contract with Warner Brothers and moved to L.A. There she enrolled in the Musicians Institute’s Vocal Certificate program, which allowed her to apply for a student visa and remain in the U.S.

With a deep passion for American blues and folk traditions, Moreno wondered if she could integrate those sounds with elements of Latin American folk music. But her label discouraged her from doing so, believing it would “confuse [the] audience,” she says.

“It took a while for me to find my own voice and to find where I belonged in this music world,” says Moreno. “Because at the beginning, [labels] were telling me you can’t sing in both languages — you gotta pick a lane.”

Following a disastrous 2001 merger between AOL and Time Warner, Moreno’s recording contract fell through. She later signed with Epic Records under Sony Music Entertainment — then run by Chairman and CEO Tommy Mottola — but they dropped the singer, following the decline in CD sales and rise of digital file-sharing sites like Napster and Limewire.

“I didn’t even get past recording an album,” she says of this period in her life.

Behind the scenes, Moreno formulated her own Spanish-language takes on jazz, which listeners can hear in the 2006 funky, spy-like chromatic track “Escondidos” — which includes a kazoo solo in its outro. The enigmatic song earned her the Grand Prize in the John Lennon Songwriting Contest that year, making it the first time a Latin category took home the top prize.

“People kept telling me what to do, how to sound, what kind of music I should do, how I should dress. Blah, blah blah,” says Moreno when she was under a label. “At some point I said, ‘Screw it.’”

With nothing to lose — and no label looking to strip her of tender heart and free spirit — Moreno saw an opening to release music independently on MySpace, where she uploaded her 2008 debut album, “Still The Unknown.” (Much of Moreno’s music is still archived on the social network.)

“If all should fail you, there’s still the unknown,” sang Moreno with a warm, coffeehouse-friendly cadence in the title track.

“Maybe it’ll work out, maybe it won’t, but at least I’ll be doing something that I really love,” she adds, looking back on that time. After its debut, she says she gave a copy to her friend, composer Patrick Warren, who was touring with Tracy Chapman. The “Fast Car” singer heard the LP and asked Moreno to open for her Our Bright Future tour in the summer of 2009.

“It was just me and my acoustic guitar, going with [Chapman] for three weeks all over the U.S.,” says Moreno.

Moreno’s ingenuity as an independent bilingual creative allowed her to freely partake in various opportunities in entertainment. Some might recognize her bubbly folk theme from the NBC mockumentary sitcom “Parks and Recreation,” which stretched across seven seasons between 2009 and 2015.

Others might recall her smokey vocals in the song “Mal Hombre,” as featured in Guillermo del Toro’s “Cabinet of Curiosities” — or in the final season of Netflix’s “Orange is the New Black” which featured her heart-wrenching cover of the traditional Mexican huapango “Cucurrucucú Paloma.” She can also be heard in the 2022 animated film “Puss in Boots: The Last Wish,” singing a swooning ballad titled “Por Que te Vas.”

Still, Moreno declares she hasn’t found mainstream success as a musician.

“I’m perfectly fine with that. I am so happy at this point in my life where I can make music for a living, [which is] hard to do as an independent artist,” she says.

For an indie artist, Moreno boasts an impressive slate of accolades. She’s earned three Grammy nominations, including in the category of Latin pop album in 2017 for “Ilusión” and Latin rock/alternative album in 2022 for “Alegoria.” In 2024, she finally took home the gramophone for Latin pop album for her album “X Mí (Vol. 1),” an acoustic medley of all her previously recorded songs, including the song that started it all: “Luna de Xelajú.”

“She’s powerful the way that water is flowing and it’s light, but it’s unstoppable and effervescent,” says award-winning actor Oscar Isaac.

A Guatemalan-born musician himself, Issac befriended Moreno in 2013. Emmy-nominated for his role in “Scenes From a Marriage,” the actor was in town for the 2022 awards show when he and Moreno recorded “Luna de Xelajú” at the Palace Theater in downtown L.A. The two would later perform the ballad live on The Tonight Show Starring Jimmy Fallon in 2024.

For Isaac, the stresses of everyday life melted away when the two got to jam together. They’ve performed a handful of times over the years, including live at the Lincoln Center for its American Songbook series in 2019.

“When I think of her, she feels very much like home,” he adds.

Guatemala — which is also known as the “Land of the Eternal Spring” — is always on Moreno’s mind.

Last year, she starred in “Lamento,” a musical short film made inside an abandoned Guatemalan beach resort; once a popular seaside destination known as Turicentro Likin, it is now tucked away behind the mangroves. Starring a stacked Guatemalan cast, including actor Tony Revolori, the project underlined the encroaching impacts of climate change that corrode once treasured memories, including those of Moreno, who grew up visiting the vacation destination.

“It’s something that brings me joy to work with people from my country,” she says.

It was only fitting that the folk-soul singer would be selected to represent Persephone in “Hadestown” — a victim of environmental destruction, yet whose duality brings life and prosperity back to a world that is constantly freezing or aflame.

Yet before she can truly represent both the queen of the underworld and goddess of spring, Moreno must first survive the gauntlet that is the New York winter.

“One thing I can tell you is: I cannot wait to bring on the spring,” she says.

WASHINGTON — Former President Clinton is testifying Friday before members of Congress investigating convicted sex offender Jeffrey Epstein, answering for his connections to the disgraced financier from more than two decades ago.

The closed-door deposition in Chappaqua, N.Y., will mark the first time a former president has been compelled to testify to Congress. It comes a day after Clinton’s wife, former Secretary of State Hillary Clinton, sat with lawmakers for her own deposition.

Bill Clinton has also not been accused of any wrongdoing. Yet lawmakers are grappling with what accountability in the United States looks like at a time when men around the world have been toppled from their high-powered posts for maintaining their connections with Epstein after he pleaded guilty in 2008 to state charges in Florida for soliciting prostitution from an underage girl.

Hillary Clinton told lawmakers that she had no knowledge of how Epstein had sexually abused underage girls and had no recollection of even meeting him. But Bill Clinton will have to answer questions on a well-documented relationship with Epstein and his former girlfriend Ghislaine Maxwell, even if it was from the late 1990s and early 2000s.

Hillary Clinton said Thursday that she expected her husband to testify that he had no knowledge of Epstein’s sexual abuse at the time they knew each other.

Republicans were relishing the opportunity to scrutinize the former Democratic president under oath.

“The Clintons haven’t answered very many, if any, questions about their knowledge or involvement with Epstein and Maxwell,” Rep. James Comer, the Republican chair of the House Oversight Committee, said Thursday.

“No one’s accusing, at this moment, the Clintons of any wrongdoing,” he added.

Republicans finally get a chance to question Bill Clinton

Republicans have wanted to question Bill Clinton about Epstein for years, especially as conspiracy theories arose following Epstein’s 2019 suicide in a New York jail cell while he faced sex trafficking charges.

Those calls reached a fever pitch late last year when several photos of the former president surfaced in the Department of Justice’s first release of case files on Epstein and Maxwell, a British socialite who was convicted of sex trafficking in December 2021 but maintains she’s innocent. Bill Clinton was photographed on a plane seated alongside a woman, whose face is redacted, with his arm around her. Another photo showed Clinton and Maxwell in a pool with another person whose face was redacted.

Epstein also visited the White House several times during Clinton’s presidency, and the pair later made several international trips together for their humanitarian work.

In the lead-up to the deposition, Bill Clinton has insisted he had limited knowledge about Epstein and was unaware of any sexual abuse he committed.

“I think the chronology of the connection that he had with Epstein ended several years before anything about Epstein’s criminal activities came to light,” Hillary Clinton said at the conclusion of her deposition Thursday.

Comer has pledged extensive questioning of the former president. He claimed that Hillary Clinton had repeatedly deferred questions about Epstein to her husband.

Has a precedent been set?

Democrats, who have supported the push to get answers from Bill Clinton, are arguing that it sets a precedent that should also apply to President Donald Trump, a Republican who had his own relationship with Epstein.

“We’re demanding immediately that we ask President Trump to testify in front of our committee and be deposed in front of Oversight Republicans and Democrats,” Rep. Robert Garcia, the top Democrat on the committee, said Thursday.

Comer has pushed back on that idea, saying that Trump has answered questions on Epstein from the press.

Democrats are also calling for the resignation of Trump’s Commerce Secretary Howard Lutnick. Lutnick was a longtime neighbor of Epstein in New York City but said on a podcast that he severed ties with Epstein following a 2005 tour of Epstein’s home that disturbed Lutnick and his wife.

The public release of case files showed that Lutnick actually had two engagements with Epstein years later. He attended a 2011 event at Epstein’s home, and in 2012 his family had lunch with Epstein on his private island.

“He should be removed from office and at a minimum should come before the committee,” Garcia said of Lutnick.

Comer on Thursday said that it was “very possible” that Lutnick would be called to testify.

Groves writes for the Associated Press.

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One UK mum who is raising her kids in Spain has shared the ‘things no one warns you about’. She shared the three big differences she’s noticed since moving her family abroad

Many people are prepared for a few culture clashes when they move abroad. However, one UK mum who is raising her kids in Spain has shared the ‘things no one warns you about’. Jodie, known as @jodiemar1ow on Instagram, shared details about her new life in Spain with her 6,400 followers on the app. In one of her latest reels, she shared the three big differences she’s noticed when it comes to raising her kids abroad.

Diving into the first issue, Jodie said it was bedtime. She explained: “Bedtimes… they just aren’t a thing. We have been to parties until 10pm, in fact Jayden had a party that was going to end at 12am.

“I actually did pick him up at 11pm because I was like he’s 6-years-old. This is so late.”

She added: “Kids are playing on the street until 11pm is just normal. Bedtimes just don’t exist. What is bedtime?”

The second issue she raised was that kids in Spain finish school at 5pm. She said: “It makes no sense to us Brits that they finish at 5pm, and for their dinner breaks they have 2.5 hours to have their food and play.

Like they have a sit down three course lunch at lunch time. If I did that, I’d be done for the day. I can not do a three-course lunch.

“People in Spain find it mad I just have a sandwich, it’s crazy.”

Jodie said that if ever kids then do after-school activities they finish even later.

The third thing the mum had noticed is that her kids are ‘definitely more Spanish’ than her.

“If you ask them they’ll say they’re Spanish-English,” she said.

“They correct me now if I say things in Spanish wrong and they’re basically fluent.

“I wasn’t prepared for all these correction and how they pronounce things [so well].”

Many people could relate to Jodie in the comments, as one person wrote: “I’m a Canadian living in Spain, so nice to meet you! The lunch is insane, haha I mean I love it for my son but I was blown away by it.”

While another added: “Taking Iyla to her friends soft play party at 5yrs I was in shock. I said, ‘I’m leaving now as Iyla has bedtime’. Everyone was looking at me weird haha.”

A third chimed in: “I’m in Alicante with a 6 month old baby and everything is baffling me already. Sensory classes for babies simply don’t exist, wild.”

However, one other person wrote: “Our school day has always finished at 2, both primary and secondary school. I think it depends on area.”

Dr Hussam Abu Safiya has been held in an Israeli prison for more than a year without charges or trial. Recently, he’s been subject to a smear campaign claiming he is a Hamas colonel. Al Jazeera’s Yasmeen Aboujabal looks at how such campaigns are being used to discredit Palestinian health workers.

Thousands of worshippers attend prayers at Al-Aqsa Mosque, with others turned away despite carrying required permits.

About 100,000 Palestinian worshippers have prayed at the Al-Aqsa Mosque compound in occupied East Jerusalem for the second Friday of the Muslim holy month of Ramadan, despite Israel imposing severe restrictions on access to the holy site.

Worshippers were subjected to thorough security screening on Friday as they made their way through the Qalandiya checkpoint in the occupied West Bank north of Jerusalem to pray, an Al Jazeera team reported, amid a heavy deployment of Israeli forces around the city.

Israeli authorities imposed rules at the start of Ramadan to limit entry for Friday prayers to just 10,000 Palestinian worshippers with daily permits – a small fraction of the hundreds of thousands who would attend in normal years.

Under the Israeli rules, only men over 55, women 50 years or older, and children under 12, accompanied by a relative, are permitted to enter.

Visitors are also required to complete digital verification procedures at crossings when returning to the West Bank.

Bans on individuals

As well as the restrictions, Israeli authorities recently announced bans on 280 Jerusalem residents, including religious figures, journalists, and released prisoners, from attending prayers at Al-Aqsa Mosque.

The push to limit Palestinians’ access to the holy site during Ramadan is widely seen as part of an effort to pressure Palestinian communities and erase the Palestinian cultural identity of occupied East Jerusalem, which Palestinians view as the capital of their future state.

The restrictions have further increased since the genocidal war on Gaza began in October 2023.

Turned away despite permits

Despite the restrictions, attendance at the mosque was considerably higher than the supposed cap of 10,000 visitors, as it was the previous week, when Jerusalem’s Islamic Waqf, the religious authority that administers the compound, said 80,000 people attended the first Friday prayers of Ramadan.

Yet many Palestinians who attempted to attend, including some who said they had the necessary permits, found themselves turned away by Israeli authorities.

Najati Oweida, who travelled from Hebron, told Anadolu that Israeli soldiers turned him back despite presenting a permit.

“The occupation claims it has provided facilitation, but the procedures are strict,” he said. “I only want to pray at Al-Aqsa. Why am I being prevented?”

Another man, Ali Nawas, 58, told the news agency that he and his wife had travelled for more than an hour from Nablus in the occupied West Bank, only for his wife to be turned back at the Qalandiya checkpoint, despite her having a permit.

“I was forced to return with her. How could she go back to Nablus alone?” he said.

When Dalia Stasevska heard opera music for the first time, it was a moment of profound self-revelation. She was 13, growing up in the factory town of Tampere in the south of Finland, and her school librarian gave her a CD of Puccini’s “Madama Butterfly” along with a translation of its Italian libretto.

“As a teenage girl, this dramatic story touched my soul,” Stasevska says, adding that she still remembers the experience and thinking, “ ‘This music understands me, this is exactly how I feel.’ And that was…when I knew that I wanted to become a musician.”

Stasevska is now chief conductor of Finland’s Lahti Symphony Orchestra and a prodigious conductor of orchestral music in all forms. A busy guest baton with companies around the globe, she will make her L.A. Opera debut this Saturday with a production of “Akhnaten” by Philip Glass, running through late March.

John Holiday in the title role of L.A. Opera’s 2026 production of “Akhnaten.”

(Cory Weaver)

The seminal work by Glass lands at L.A. Opera just a month after the world-famous composer abruptly canceled June’s world premiere of Symphony No. 15 “Lincoln” at the John F. Kennedy Center for the Performing Arts. “While Philip Glass has pulled out of Kennedy Center, his music will be front and center at our production,” a rep for L.A. Opera wrote in an email.

Stasevska, with her razor-sharp appreciation of the power of Glass’ work, is the ideal conductor to bring it there.

Stasevska, 41, walks from the ornate foyer of the Dorothy Chandler Pavilion, with its emerald green carpets and gleaming chandeliers, to the more ordinary hallways and cubicles of L.A. Opera’s offices. She’s been in town rehearsing for a few weeks and jokes with some of the show’s jugglers in a kitchenette, where she makes herself a machine pod coffee.

The conductor is petite with large, expressive eyes and a Cheshire cat’s smile. Her mouth often pulls to the right when she speaks, her admirable non-native English tugged easterly in a Finnish accent.

Opera remains her great love, and it seems a perfect twist of fate that Stasevska was tapped to conduct “Akhnaten.” She saw it for the first time in 2019 at a Helsinki cinema, in a global broadcast of a production by the Met. She couldn’t believe her friend dozed off.

“I was like, ‘How could you fall asleep? This was the best thing I’ve ever seen in my life. I would do anything to conduct this opera,’ ” she recalls saying.

Stasevska was born in 1984, the same year that Glass’ hypnotic, ritualistic opera, about an Egyptian pharaoh who dared to push monotheism onto his polytheistic culture, debuted in Stuttgart, Germany. Eight months later, Stasevska entered the world in the Soviet-controlled city of Kyiv, the child of a Ukrainian father and Finnish mother.

Conductor Dalia Stasevska, who is making her L.A. Opera debut with Philip Glass’ “Akhnaten,” says that opera is her first great love.

(David Butow / For the Times)

It was a fluke that she was born in Ukraine. Her parents, both painters, were living in the Estonian capital of Tallinn, also under Soviet rule, but found themselves in a Kyiv hospital close to family when Stasevska arrived. She’s never lived in Ukraine — she spent her first few years in Tallinn before moving to Finland at age 5— but her life has been infused with its heritage.

Her father, who as a teenager in Tallinn began to rebel against Sovietization, insisted on teaching Stasevska and her two younger brothers to speak Ukrainian at home. Her grandmother, Iryna, lived with the family and was an important caretaker for much of her childhood. Stasevska grew up hearing fantastic stories filled with dreamlike imagery of the homeland.

“She was such a civilized, cultural person,” Stasevska says of her grandmother, adding that she taught her grandkids everything she knew about her home country. That’s why, even though Stasevska was raised in Finland, she grew up eating Ukrainian food and hearing Ukrainian folk tunes. “I know the language and understand the culture,” she says.

Stasevska grew up poor, but music education was mandatory for her and her brothers: “My father said, ‘This is going to be your profession.’ It was no question that this is not a hobby. So we started practicing immediately, very determined. There was maybe some forcing involved,” she says, laughing.

She played the violin from age 8, but it was only after she heard Puccini at 13 that she fell in love with classical music. She became obsessed with the opera and orchestral repertoires and was immediately determined to play in an orchestra. She approached the headmaster at her conservatory who placed her in a string ensemble before advancing her to the symphony orchestra as a violinist.

At 18, Stasevska entered the Sibelius Academy in Helsinki, which is named after Finland’s most famous composer, Jean Sibelius. She couldn’t stop herself from stealing a peek at the school conductor’s score, copying bowings and poring over the details, but she didn’t indulge any dreams of taking the podium herself. “I was going every week to the concerts,” she says, “but it took me so long to see somebody that looked like me.”

She was 20 when she saw a female conductor for the first time, calling it “the second big moment in my life.” When Stasevska expressed interest in trying it herself, she was referred to Jorma Panula, a legendary conductor and teacher in Finland. Panula invited her to attend one of his masterclasses, and on the first downbeat of her first experience conducting, “I knew immediately that this was beyond anything I’ve experienced in my life,” she says. “It became this kind of madness moment.”

She loved the sheer physicality of it, she says, but also “that I can affect the music, and that I can affect the interpretation, because I had so much in my heart that I felt about the music.”

After completing her conducting studies in 2012, Stasevska assisted Panula — who emphasized discovering unique “gestures in such a way that the orchestral musicians know what you mean,” she says. She also worked with her fellow Finn, Esa-Pekka Salonen. Stasevska became principal guest conductor of the BBC Symphony Orchestra in 2019 and chief of the Lahti Symphony in 2020.

When she’s not globetrotting, Stasevska lives in Helsinki with her young daughter and her husband, Lauri Porra — a heavy metal bassist who is also the great-grandson of Sibelius.

She likes to champion new music — her 2024 album, “Dalia’s Mixtape,” featured works by Anna Meredith, Caroline Shaw and other contemporary composers. She is also a vocal supporter of the land where she was born and has spoken out against Russia’s war in Ukraine.

John Holiday as Akhnaten, with So Young Park, at right, as Queen Tye, in L.A. Opera’s 2026 production of “Akhnaten.”

(Cory Weaver)

Stasevska’s L.A. Opera debut arrives on the same week as the fourth anniversary of Russia’s invasion. Both of her brothers — one a film director, the other a journalist — moved to Ukraine and have borne witness to the war, which has given her “another level of experiencing this horror,” she says.

Stasevska has made it her mission to raise funds — more than 250,000 euros to date — to provide basic supplies particularly for children and elders who are without power and huddling in freezing cold homes. She has even driven in supplies herself by truck.

She has also conducted concerts there — and her next album will celebrate the country’s composers in a meaningful way. “Ukrainian Mixtape,” which she recorded with the BBC Symphony Orchestra in London, features works by five composers who range from the 19th century to the 1960s. Three are premiere recordings of artists who have been completely forgotten, which required a year of searching for materials.

“I think that it will not leave anybody cold,” Staveska says, “and I hope that it will inspire everybody to discover Ukrainian music more, and that we will hear it more on main stages of the world — where it deserves to be.”

For now, though, her focus is on ancient Egypt and Philip Glass — and opera. She says her goal, in every concert, is to give audiences the same experience she had when she was 13, that remarkable feeling that the music uniquely understands them.

THINKING about your next holiday? Well you might want to consider the three destinations Jet2 will be flying to next year.

From next summer, Jet2 will fly to new destinations from Bournemouth and Edinburgh Airports.

There will be a route from Bournemouth to Reus, Spain and then there will be routes from Edinburgh to Pula, Croatia and to Crete, Greece.

The Reus route will operate every Sunday, from May 2 to October 31.

As for the Edinburgh to Crete route, this will operate every Wednesday, from May 5 to October 27.

The Pula route will then operate on Sundays from May 2 to October 17.

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Steve Heapy, CEO of Jet2.com and Jet2holidays, said: “Reus, Crete (Chania) and Pula are magical destinations, and we know their appeal, coupled with our award-winning customer experience, will make them much sought-after from Bournemouth and Edinburgh Airports.

“We look forward to taking holidaymakers to these new summer hotspots.”

Travellers heading to Reus can expect Modernist architecture across the city, including the Pere Mata Institute – a grand building home to a psychiatric hospital.

In fact, famous architect Antoni Gaudi – who designed the Sagrada Familia in Barcelona – was born in the city.

You can even go to the Gaudi Centre in the city, which is dedicated to the architect.

Make sure to also visit Casa Navas, which is a preserved Modernist building that is often thought to be one of the best examples of Art Nouveau in Europe.

It was built between 1901 and 1908 and inside, everything is original including the furniture, stained glass and mosaics.

For amazing views of the city and beyond, head up the 62metre Prioral Sant Pere Bell Tower.

Then for a bit of retail therapy, there is the shopping district which offers both brand names and more independent boutiques.

Over in Pula, Croatia, visitors can explore the coastal city which is well-known for its preserved Roman ruins.

These include Pula Arena – a large Roman amphitheatre that hosts concerts and festivals.

Make sure to not miss the old town as well, with the eight-metre high Triumphal Arch of Sergii and the 2,000-year-old Temple of Augustus which was dedicated to the first Roman emperor, of the same name.

Of course, thanks to the city being on the coast there are also a number of beaches.

For example, you could head to Beach Valovine which is about 15 minutes from Pula and you’ll find crystal clear waters.

One recent visitor said: “The views and scenery here were unrivaled – loved walking over the rocks at the ocean’s edge.”

And last but not least, if you choose to head to Chania, Crete in Greece, you can explore a stunning 14th century Venetian harbour and vibrant old town.

In the old harbour, which is in the heart of the city, you can explore streets lined with Venetian-era buildings and a 16th century lighthouse.

Then in the old town, you will find a variety of Venetian, Ottoman and Greek architecture with cosy cafes such as Cvajner Gallery, which is found in former bank.

Crete is full of stunning beaches and close to Chania town you can relax at Chrissi Akti, also known as the ‘Golden Beach’.

From the town it is about a 40 minute walk or a short bus ride.

The beach has golden sand as its nickname suggests and visitors can hire sunbeds and umbrellas.

There’s even a small playground for little ones.

Perhaps one of the most famous beaches to visit though, is Elafonissi Beach which is known for its pink sand.

It is an ideal spot for families due to its shallow waters and is often named among the most beautiful beaches in the world.

In other flight route news, the best airlines in the UK have been revealed – with the number one carrier having the fewest flight cancellations and free luggage for passengers.

Plus, British Airways has launched a business class sale with £500 off flights.

It started as a gift for their daughter’s 9th birthday. Jennifer and Michael Reese wanted to surprise their gymnast-in-training with a trip to Westwood to see the UCLA women’s gymnastics team.

From that moment on, they became fans. They were captivated by the choreography on the floor and the balance on the beam, by the work each gymnast puts into their routine and by the thrills of the best show in Los Angeles.

Ten years later, while their daughter cheers from a distance at Oregon State, the couple remain loyal to the Bruins and are a staple of Section 103 at Pauley Pavilion as season-ticket holders. And their devotion isn’t grounded in Southern California. When the team travels for meets away from home, the Reeses often follow to cheer on the Bruins.

“They just welcomed us with open arms just as if we were a part of them just because we became so faithful and true fans,” Jennifer said. “They called us their super fans.”

Michael and Jennifer Reese, from Victorville, join parents and friends of the gymnastics team at a rally before the Bruins’ meet against Michigan at Pauley Pavilion on Feb. 14.

(Genaro Molina/Los Angeles Times)

That sense of belonging has been their favorite part of supporting UCLA women’s gymnastics. The Bruin Bubble — an affectionate term for the close-knit, insulated community, culture and social scene among UCLA students, alumni and sports fans — added them to their email chains, inviting them to banquets and fundraisers.

“We just love it,” Jennifer said.

With every pike in midair, every perfect landing, every Yurchenko off the vault, the Reeses’ connection with each gymnast grows and their commitment to the team becomes deeper.

Watching it from the comfort of their Victorville home is an option, but the energy in Pauley is unmatched, Michael said.

“You have tons of people doing the same thing and being on the same accord for that one athlete,” he said. “Whether it’s Jordan [Chiles] or whether it’s freshman Ashlee Sullivan or whether it’s, back in the day, Kyla Ross, it’s just amazing to feel that thrill there.”

But if they must watch from their living room, they make sure to bring the same energy as if they were watching in person.

UCLA super fan Michael Reese gives high-fives to members of the Bruins gymnastics team at a send-off before a meet against Michigan at Pauley Pavilion on Feb. 14.

(Genaro Molina/Los Angeles Times)

“We’re hopping and hollering in our living rooms,” Michael said, “but it’s nothing like being in person.”

Before every meet, the Bruins and their family members convene outside the arena a few hours early for a send-off. Think of it as a pep rally where family members hype the gymnasts. They cheer as the team makes its way to the arena.

“It lets us go into competition with a lot of energy,” coach Janelle McDonald said.

In 2018, during a meet in Michigan, their Bruins’ previous coach, Valorie Kondos Field, started chanting “We’re ready,” which Michael gravitated toward. As a former military man, he picked up the cadence of the cheer and started to hype the team with the chant. Now, anytime he’s available, he makes sure to be there and send off his favorite team.

Throughout the years, he’s added his own flavor to it by adding the acronym W.I.N. to the end of the rallying cry — Work, Intensity and Never quit.

“We just have fun with it, whatever pops at the time,” he said.

When the Bruin Bubble gets together to send off the team, whether it’s with the UCLA eight-clap, silly wigs or pom-poms, the energy passed sets the gymnasts up to be the best they can be, junior Katelyn Rosen said.

“Gymnastics is really hard to make it go perfect every single time,” she said. “So if you can kind of get similar pieces of each day to anchor to, to make you feel calm, to remind yourself that it’s still you, and you’re still in your own body, and you still have control over it, is something really helpful.”

Having familiar faces of friends and family in the crowd, even when they are competing away from Pauley Pavilion, means a lot to the gymnasts, McDonald said. Fans like Jennifer and “Big Mike,” as the team calls him, are part of the consistency they have throughout the season.

With the help of the Reeses, UCLA is breaking records. So far, the Bruins have been a part of four meets with record attendances in Illinois, Michigan, Minnesota and Washington. Their Feb. 22 meet at Illinois had to be moved to State Farm Center to accommodate the larger crowd.

Bruins fans don’t see the travel as a sacrifice.

It’s “the thrill of your life,” Jennifer Reese said.

Feb. 27 (UPI) — Netflix has decided to let go of its attempt to buy Warner Bros. Discovery after Paramount Skydance raised its purchase offer.

On Wednesday, Paramount raised its cash offer from $30 per share to $31 per share. On Thursday, WBD decided the offer was superior to Netflix’s offer, prompting the drop out.

“This transaction was always a ‘nice to have’ at the right price, not a ‘must have’ at any price,” said co-CEOs Ted Sarandos and Greg Peters in a statement.

Netflix’s bid was for $27.75 per share for the studios and streaming, while Paramount’s bid is for the entirety of the company.

“We’re super-disciplined buyers,” The New York Times reported Sarandos said earlier this month. “I’m willing to walk away and let someone else overpay for things.”

Netflix and Paramount have been duking it out over WBD since October. They had a bidding war, and WBD accepted Netflix’s offer on Dec. 5. Soon after, Paramount launched a hostile bid to buy WBD, but the board wasn’t interested. Then, Paramount announced that billionaire Oracle creator Larry Ellison would back the deal with $40 billion in equity. On Jan. 20, Netflix changed its offer to all cash, then on Feb. 10, Paramount did the same and added some extras.

Netflix granted WBD a seven-day pause on the deal to evaluate Paramount’s offer, and during that time, Paramount raised the bid even more to $31 per share.

If the deal doesn’t pass federal regulatory scrutiny, Netflix could come back and try again.

“We are pleased WBD’s Board has unanimously affirmed the superior value of our offer, which delivers to WBD shareholders superior value, certainty and speed to closing,” David Ellison, Paramount CEO, said in a statement Thursday.

Warner Bros. CEO David Zaslav expressed gratitude to Netflix.

“Netflix is a great company, and throughout this process Ted [Sarandos], Greg [Peters], [CFO Spencer Neumann] and everyone there have been extraordinary partners to us. We wish them well in the future,” CNBC reported Zaslav said in a statement. “Once our Board votes to adopt the Paramount merger agreement, it will create tremendous value for our shareholders. We are excited about the potential of a combined Paramount Skydance and Warner Bros. Discovery, and can’t wait to get started working together telling the stories that move the world.”

Netflix stock rose 10% in extended trading Thursday, while Paramount stock jumped 5%, CNBC reported. Shares of Warner Bros. Discovery dropped 2%.

Kyiv, Ukraine – Posters advertising “The Azov school of landscape design” can be seen inside subway cars and on billboards in Kyiv.

But instead of a smiling gardener surrounded by blossoming trees and flowers, the poster depicts a bearded, smiling soldier with the Azov Corps walking away from a howitzer that spews out a shell to “design” the landscape on the Russian side.

As Ukrainian soldiers keep getting killed and wounded along the crescent-shaped, 1,250-kilometre (777-mile) long front line, Kyiv faces a dire shortage of servicemen.

Individual military units compete for potential recruits and lure them with catchy slogans, witty campaigns, text messages and social media posts that promise thorough training that reduces the risk of getting killed or jobs behind the front line.

Many Ukrainian men of fighting age – 25 to 60 – who cannot refuse the draft choose to join them. Otherwise, they could be rounded up by “conscription patrols” and undergo perfunctory training to end up as storm-troopers – a role which comes with a high risk of death.

“There’s zero training. They don’t care that I won’t survive the very first attack,” Tymofey, a 36-year-old office worker who was forcibly conscripted last year but broke out of two training centres, told Al Jazeera.

Hundreds of thousands of men dodge the draft, pay bribes to flee abroad or illegally cross into European nations amid corruption and coercion on the part of conscription officers, as documented by government officials, media and rights groups.

In the first year after Russia’s 2022 full-scale invasion, men of all ages volunteered in droves, standing for hours outside conscription offices and even travelling to other parts of Ukraine to find a less crowded conscription office that would enlist them.

“The first wave very massive, they were motivated,” a senior serviceman told Al Jazeera on condition of anonymity.

But volunteers are rare these days. The average age of conscripts has risen to above 40, and their fitness levels have dropped.

“We get what is left of what is left,” he said of the new recruits in his military unit – adding that infantrymen are “hardest to recruit”.

“They can and will be trained, but there’s a matter of condition. A man in his 50s with a white-collar job and several chronic diseases is not exactly fit,” he said.

Azov’s hiring spree

While recruitment campaigns are very visible, the hiring process is largely non-transparent.

Most of the applications should be filled online, and only prospective candidates are invited to recruitment offices whose locations are not disclosed because Russia targets them with drones, missiles or attacks by people recruited via messaging apps or the dark web.

And when it comes to picking the cream of the crop, Azov, now known as the First National Guard Corps, and its offshoot, The Third Storm Brigade, reign supreme.

Apart from the “school of landscape design,” Azov has billboards and online advertisements offering sarcastically named “courses” in “content making,” “event management” and “cross-fit”.

Azov has, for years, been one of Ukraine’s most outspoken military units, and its servicemen were dubbed “300 Spartans” for their months-long defence of the southern Ukrainian city of Mariupol in early 2022 that ended only when top brass ordered them to surrender.

Some 700 of Azov fighters are still behind bars in Russia, facing torture and starvation, according to swapped servicemen and Ukrainian officials.

They have become the bogeymen of the Kremlin propaganda machine that calls them “neo-Nazis” and claims they “terrorise” civilians and stage their killings to blame Russian “liberators”.

Azov had far-right origins, but the current leadership claims to have cleaned up the brigade, denying any links with “extremist” groups. Al Jazeera is unable to independently verify these claims.

The publicity and halo of martyrdom have raised Azov’s domestic profile.

And what its recruiters offer is a “soldier-centred” approach that takes into account each potential serviceman’s background, shape, medical history and military experience – or lack thereof.

“We are building a system centred around a soldier, because a soldier is not a resource, it’s the basis of the whole system,” a senior Azov recruiter who identified himself by his call sign, Tara, told Al Jazeera in one of Azov’s open spaces in central Kyiv.

The open space is a far cry from average Ukrainian conscription centres usually located in gloom, claustrophobic Soviet-era buildings with drafty corridors and creaky floors.

It has a cafeteria with a menu most hipsters would find palatable, and a shop with trendy T-shirts, hoodies and souvenirs.

“A nation that doesn’t stand up for its heroes kneels before the enemy,” a handwritten sign on a wall reads.

Tara said that aspiring Azov servicemen undergo tests and interviews – and choose a job “with the highest efficiency

“We, for our part, guarantee that [the recruits] will serve in the exact position for which they have been approved.”

All of Azov’s recruiters are battle-tested servicemen, said Tara, who volunteered to join nascent Azov in 2014.

With a tidy moustache and at the towering height of six feet, five inches (1.95 metres) tall, he took part in Azov’s transformation from ragtag volunteer crews of football fans and nationalists who were instrumental in repelling the onslaught of Russia-backed separatists in southeastern Ukraine, into a primary military unit.

Meanwhile, smaller, less outspoken units can barely find enough recruits to replenish their losses.

“We ask around, we tell friends, we say that we can make sure they get trained properly, but it’s never enough,” Oleh, a senior officer with a military unit stationed in eastern Ukraine, told Al Jazeera.

And some are adamant that Ukraine should introduce a system of compulsory and universal military service.

“All privileges must be cancelled, all men of fighting age should undergo training and be ready for service. Otherwise, we’ll keep on losing ground,” retired Lieutenant-General Ihor Romanenko, former deputy head of Ukraine’s general staff of armed forces, told Al Jazeera.

For the trendiest tenants in Hollywood office buildings, it’s the latest fad that goes way beyond designer furniture and art: mini studios

To capitalize on the never-ending flow of stars and influencers who come through Los Angeles, a growing number of companies are building bright little corners for content creators to try products and shoot short videos. Athletic apparel maker Puma, Kim Kardashian’s Skims and cheeky cosmetics retailer e.l.f. have spaces specifically designed to give people a place to experience and broadcast about their brands.

Hollywood, which hasn’t historically been home to apparel companies, is now attracting the offices of fashion retailers, says CIM Group, one of the neighborhood’s largest commercial property landlords.

“When we’re touring a space, one of the first items they bring up is, ‘Where can I build a studio?’” said Blake Eckert, who leases CIM offices in L.A.

Their studio offices also serve as marketing centers, with showrooms and meeting spaces where brands can host proprietary events not open to the public.

“For companies where brand visibility is really important, there is a trend of creating spaces that don’t just function as offices,” said real estate broker Nicole Mahalka of CBRE, who puts together entertainment property leases and sales.

Puma’s global entertainment marketing team is based in its new Hollywood offices, which works with such musical celebrity partners as Rihanna, ASAP Rocky, Dua Lipa, Skepta and Rosé, said Allyssa Rapp, head of Puma Studio L.A.

Allyssa Rapp, director of entertainment marketing at Puma, is shown in the Puma Studio L.A. The company keeps a closet full of Puma products on hand to give VIP guests. Visits to the studio sanctum are by invitation only, though.

(Kayla Bartkowski / Los Angeles Times)

Hollywood is a central location, she said, for meeting with celebrities, stylists and outside designers, most of whom are based in Los Angeles.

The office is a “creation hub,” she said, where influencers can record Puma’s design prototyping lab supported by libraries of materials and equipment used to create Puma apparel. The company, founded in 1948, is known for its emblematic sneakers such as the Speedcat and its lunging feline logo, and makes athletic wear, accessories and equipment.

Puma’s entertainment marketing team also occupies the office and sometimes uses it for exclusive events.

“We use the space as a showroom, as a social space that transforms from a traditional workplace into more of an experiential space,” Rapp said.

Nontraditional uses include content creation, sit-down dinners, product launches, album listening parties and workshops.

“Inviting people into our space and being able to give them high-touch brand experiences is something tangible and important for them,” she said. “The cultural layer is really important for us.”

The company keeps a closet full of Puma products on hand to give VIP guests. Visits to the studio sanctum are by invitation only, though. There’s no retail portal to the exclusive Hollywood offices.

Puma shoes are on display in the Puma Studio L.A.

(Kayla Bartkowski / Los Angeles Times)

Puma is also positioning its L.A studio as a connection point for major upcoming sporting events coming to Los Angeles, including the World Cup this summer, the 2027 Super Bowl and 2028 Olympics.

In-office studios don’t need to be big to be impactful, Mahalka said. “These are smaller stages, closer to green screen than a massive soundstage.”

Social media is the key driver of content created by most businesses, which may set up small booth-like stages where influencers can hawk hot products while offering discounts to people watching them perform.

Bigger, elevated stages can accommodate multiple performers for extended discussions in front of small audiences, with towering screens behind them to set the mood or illustrate products.

Among the tricked-out offices, she said, is Skims. The company, which is valued at $5 billion, is based in a glass-and-steel office building near the fabled intersection of Hollywood Boulevard and Vine Street.

The fashion retailer declined to comment on the studio uses in its headquarters, but according to architecture firm Odaa, it has open and private offices, meeting rooms, collaboration zones, photo studios, sample libraries, prototype showrooms, an executive lounge and a commissary for 400 people.

Pieces of a shoe sit on a workbench in the Puma Studio L.A.

(Kayla Bartkowski / Los Angeles Times)

The brands building studios typically want to find the darkest spot on the premises to put their content creation or podcast spaces, Eckert said, where they can limit outside light and sound. That’s commonly near the center of the office floor, far from windows and close to permanent shear walls that limit sound intrusion.

They also need space for green rooms and restrooms dedicated to the talent.

Spotify recently built a fancy podcast studio in a CIM office building on trendy Sycamore Avenue that is open by invitation-only to video creators in Spotify’s partner program.

“Ambitious shows need spaces that support big ideas,” Bill Simmons, head of talk strategy at Spotify, said in a statement. “These studios give teams room to experiment and keep pushing what’s possible.”

The digital euro is facing fresh delays in the European Parliament after the file’s lead rapporteur, Spanish lawmaker Fernando Navarrete Rojas of the European People’s Party (EPP), formed a minority bloc with far-right groups — leaving shadow rapporteurs unable to secure a workable majority around the draft.

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The latest compromise text seen by Euronews would also narrow the project’s scope in a way that goes to the heart of the Commission’s plan.

Brussels proposed a digital form of cash that could be used both online and offline. Navarrete, by contrast, is pushing for an offline-only model.

As rapporteur, Navarrete is responsible for steering the legislative text and building agreement across political groups through negotiations with shadow rapporteurs — a process designed to produce a majority-backed position in Parliament.

The Parliament has already signalled broad support for a digital euro.

On 10 February, lawmakers adopted the European Central Bank’s annual report and backed two pro–digital euro amendments, with opposition mainly coming from some centrist and far-right MEPs.

The EPP itself is split on the file. The German delegation is strongly in favour, amid pressure from Berlin. In mid-February, Vice-Chancellor Lars Klingbeil told journalists that those opposing the digital euro were harming Europe.

Two sources familiar with the talks told Euronews that amendments tabled by Navarrete in the latest compromise text are a non-starter for groups backing the Commission’s plan, pushing the file into a legislative deadlock.

Euronews contacted lead rapporteur Navarrete for comment but had not received a response at the time of publication.

The impasse surfaced again at a meeting on Thursday, when lawmakers attempted to bridge differences after a heated discussion, claiming “the text is going nowhere”.

Another meeting is scheduled for 10 March, but sources expect a vote currently pencilled in for May to slip.

EU countries have already agreed their position in the Council. Without a Parliament mandate, the legislation cannot move to the next stage.

What is digital euro?

The digital euro has taken on new political weight as economic tensions between the EU and the US sharpen the debate over Europe’s reliance on American payment giants.

Visa and Mastercard, both US-based, underpin much of day-to-day card spending in Europe. ECB data for 2025 shows the two networks account for 61% of card payments in the EU and nearly all cross-border card payments.

The project would create an electronic form of cash issued by the European Central Bank, designed to sit alongside banknotes and the payments services offered by commercial banks.

Supporters argue it would give citizens direct access to digital “public” money — something that, for now, largely exists only in the form of cash.

Under the Commission’s proposal, users would have a digital wallet for both online and offline payments, with transactions designed so they are not trackable.

Critics say the latest compromise text in Parliament risks stripping out key parts of that vision.

“This first taste of a compromise from Mr. Navarrete sadly shines little light on any actual shift in his direction for the digital euro,” Laura Casonato, head of policy at Positive Money Europe, told Euronews.

Casonato said the draft does contain some welcome elements, including language recognising that the digital euro “should be a sovereign and secure digital means of payment that safeguard public access to central bank money” alongside clearer provisions on privacy and data security.

Here’s what I think about the so-called Hillary Clinton cleavage controversy: She looked fabulous. Unfortunately, thanks to the vigilance and stridency of Clinton’s legions of feminist supporters in the media, who rose to collectively denounce a Washington Post fashion writer who dared to notice that Clinton had displayed an inch of cleavage while speaking on the Senate floor, we are unlikely ever again to see her looking so forthrightly feminine, so classily sexy, so zaftigly maternal — so downright attractive.

Even the most Clinton-smitten of political liberals admit that the New York senator is often fashion-challenged. During her husband’s presidency, she was known for her garish-hued suits featuring doorknob-size buttons and less-than-flattering hemlines.

Now running for the nation’s highest office, she’s switched to garish-hued boxy jackets over sleek but essentially shapeless black pants. For example, check out the salmon-orange jacket with stiff mandarin collar that she wore for the July 23 Democratic presidential debate. “I don’t know about that jacket,” said the Democratic presidential field’s style maven, John Edwards, he of the $400 haircut.

So, it was a refreshing break to see Clinton attired in clothes that actually looked good on her when she was captured by C-SPAN2 on the Senate floor July 18. She has, ahem, put on a few pounds since she ran for the Senate in 2000, and as all gorgeous women of a certain weight know, from Cecilia Bartoli to Mo’Nique, the name of the game is to concentrate the viewer’s attention on your above-the-waist assets, which, thanks to that nourishing layer of subcutaneous you-know-what, typically include lustrous skin and luxuriant hair. Clinton has both, and she also has a bust line that larger women don’t have to pay a plastic surgeon to possess.

Everything that Clinton wore that day on the Senate floor — the soft rose-pink jacket, simple and tasteful, that highlighted her pearlescent complexion; the matching pink necklace; and the black shirt with a slight V-neck that revealed a “small acknowledgment of sexuality and femininity peeking out of the conservative” (to quote Post writer Robin Givhan) — brought out her female best.

My own theory is that Clinton was indulging in a visual retort to Elizabeth Edwards (those Edwardses!), who was quoted in a July 17 article in Salon magazine saying that Clinton, obliged to prove her toughness as a potential world leader, wouldn’t be as effective as her husband on women’s issues. Bill Clinton’s response to Edwards — “I don’t think [Hillary’s] trying to be a man” — was captured on a now-famous YouTube video.

Givhan’s comparison of Hillary Clinton’s decolletage to “catching a man with his fly unzipped” wasn’t an analogy I would have used, but Givhan incurred the wrath of political feminists because her article violated this basic double standard of the women’s movement: It’s fine to aver, a la feminist psychologist Carol Gilligan,that women are the kinder, gentler, softer sex — and also to advertise one’s softer sexuality by declining to dress in the covered-up uniform of men. But if you dare call people’s attention to that fact, as Givhan did, you’re a sexist pig.

The reliably neurasthenic New York Times columnist Judith Warner got the ball of outrage rolling: “I always thought that middle age afforded some kind of protection from prying eyes and personal remarks.”

Syndicated columnist Ellen Goodman divulged more details than one would care to know about her own sartorial peculiarities: “And what to make of my lime-colored Crocs with their peek-a-boo holes? Do they express a certain post-feminist funkiness? Or do they expose a feminine (if chipped) pedicure?”

An irate woman left a voice-mail message with Post ombudsman Deborah Howell demanding that the newspaper “do more stories on the private parts of male candidates.”

And the over-the-top finale came from Clinton advisor Ann Lewis’ use of Givhan’s article in a fundraising letter designed to stir up the wrath and dollars of Clinton’s supporters: “Frankly, focusing on women’s bodies instead of their ideas is insulting. It’s insulting to every woman who has ever tried to be taken seriously in a business meeting. It’s insulting to our daughters — and our sons — who are constantly pressured by the media to grow up too fast.”

So, I guess it’s back to mandarin collars for Clinton. That’s too bad, because she would do better to take a leaf from the book of the powerful women in history who boldly used every weapon in their arsenals to hold their own in a world dominated by men: not only their brilliant minds but also their looks and their sexuality. They include Elizabeth I, who decked herself with every pearl that could be fished out of the Indian Ocean, and Cleopatra, who seduced two Roman rulers.

As for cleavage, Catherine the Great displayed five times as much bon point as did Clinton. Empress Maria Theresa of Austria wore dresses cut so low that it’s hard to figure out how they stayed up — even after bearing her 16 children. Her husband, Francis I, was originally the emperor, but after a while, Maria Theresa just took over and ran the Habsburg domains herself. Sounds like a good role model for Hillary Clinton.

Charlotte Allen is an editor at Beliefnet and the author of “The Human Christ: The Search for the Historical Jesus.”

William Hudson, a 14-year-old freshman golfer, shot 71 on Monday at Western Hills Country Club in Chino Hills to win the Servite Invitational.

“It was very important to me and my school,” Hudson said.

Some think it’s the first time a St. John Bosco student won an invitational title.

Hudson is a straight-A student who picked up his first golf club when he was 3. He has a daily routine involving practicing at 6 a.m. before heading to school. He’s also enrolled in a school entrepreneur program that involves taking classes at a junior college that will qualify for college credits.

“They are long days, but I get through it,” Hudson said.

He comes from a family that enjoys golf. His great-grandfather played until his death at 98 last year.

“I love how it can take me to interesting places and meet interesting people,” Hudson said. “I can play for the rest of my life. It’s a lifelong sport.”

It’s looking like another strong year for golfers in Southern California, with several individual champions returning, including Jaden Soong of St. Francis and Grant Leary of Crespi.

Now Hudson has thrust himself into the conversation.

This is a daily look at the positive happenings in high school sports. To submit any news, please email eric.sondheimer@latimes.com.

Feb. 27 (UPI) — Britain’s Green Party won the Gorton and Denton byelection in southeast Manchester with a more than 4,000-seat majority, beating the ruling Labour Party into third place, and 12 points clear of Reform UK.

The Greens’ new Member of Parliament, Hannah Spencer, a plumber from a neighboring suburb of Manchester, produced a convincing win in Thursday’s poll, overturning the 13,000-seat majority won in the 2024 general election by the previous Labour holder of the seat who is standing down due to ill-health.

Spencer won 14,980 seats, or 40.7% of the vote, Reform’s Matt Goodwin, 10,578 and Labour’s Angeliki Stogia trailing in third place with 9,364. The Conservative Party’s candidate came in a distant fourth with just 706 votes. Turnout was 47.6%.

The win, a first for the Green Party in a byelection, takes the party’s contingent in the House of Commons to five.

Speaking in the early hours of Friday after the results were announced, 34-year-old Spencer vowed to “fight” for the people of Gorton and Denton “who feel left behind and isolated.”

“There is an appetite here for change, and there are people across this constituency and much further beyond who are rejecting the old political parties and who are coming together to fight for something better, but who are doing it positively and in a really hopeful way.”

Spencer said her victory proved there was “no longer any such thing as a safe seat” and that there was “no part of the country where the Green Party cannot win.”

Asked if the Greens’ intention was to “eviscerate” Labour, Party leader Zack Polanski said that taking a seat Labour had held for more than 100 years showed it was “beginning already.”

“If we see a swing like this at the next general election, there will be a tidal wave of new Green MPs. This is an existential crisis for the Labour Party,” he said.

Labour’s second-straight loss of a byelection with Prime Minister Keir Starmer at the helm, and with local elections just around the corner in May, could prove highly consequential for his future.

Speaking to reporters Friday, a defiant Starmer rejected any suggestion he might be considering his position, saying he would never quit.

“I came into politics late in life to fight for change for those people who need it. I will keep on fighting for those people for as long as I’ve got breath in my body,” he said.

Starmer played down the loss saying that while it was “very disappointing,” voters often took out frustrations on sitting administrations in mid way through their terms.

However, Strathclyde University Politics Professor John Curtice said the Green Party was now challenging Labour’s stranglehold on the left of British politics in a way that would cause the parliamentary wing of the party to seriously question whether Starmer was still the right person to lead the country.

Reform UK chairman David Bull, telling the BBC he was “absolutely thrilled” with his party’s performance,” echoed that analysis.

“Keir Starmer is in big trouble now — it is not a matter of if he leaves office, it’s when he leaves.”

Party leader, MP Nigel Farage, warned the Greens’ win would embolden the radical left and said opposition Conservative Party leader Kemi Badenoch should apologize for leading the party to the worst result in its history.

“Roll on the elections on May 7. It will be goodbye Starmer and goodbye to the Tory [Conservative] party,” he wrote on X.

Badenoch, who is Black, called on Starmer to quit immediately.

“Our country is not broken, but this byelection showed that Labour, Reform and the Greens are trying very hard to break it. Labour trying to buy people off with more and more benefits spending, Reform telling people you can’t be British if you’re not white. The Greens running a nasty, sectarian campaign while simultaneously wanting to legalize crack-cocaine,” she wrote in a statement.

“The result shows Keir Starmer’s premiership is finished. He lost authority a long time ago, a mere hostage at the mercy of a divided Labour Party that cannot decide who to replace him with. He has lost the support of his MPs and the country. He is in office but not in power. If had any integrity he would go,” said Badenoch.

A number of changes have been made to passport rules since Brexit, and while most of us have got to grips with the basics, there are still things that catch holidaymakers out year after year

Since Brexit, a raft of changes have been implemented to passport regulations, and whilst the majority of us have got our heads around the basics, there are still elements that trip up holidaymakers each year.

From ensuring your passport was issued within the last ten years, to verifying you have at least three months validity on your passport when entering the EU, there are several passport checks you should carry out before booking your getaway. Now is the prime time to scrutinise your passport, as renewing it at this point in the year helps you dodge the summer rush.

Whilst you may have double-checked details such as the dates and confirmed there’s no physical damage to your passport, one aspect many people overlook is the number of blank pages they have left, particularly given today’s digital age.

A standard UK passport contains 34 pages, and typically, you receive an entry and exit stamp when you go through passport control. This practice is likely to be phased out soon for holidaymakers visiting Europe due to the introduction of the EU’s Entry/Exit System (EES), but for the time being, you can assume most countries will continue adding their stamps.

Numerous countries have precise requirements regarding the number of blank pages needed for passport stamps. For EU nations, one to two pages is typically adequate, whilst destinations such as South Africa demand two, reports the Express.

Certain countries will also insist that the two blank pages are consecutive, as one page is used for the entry stamp, followed by one for departure.

Some nations that require visas for entry still utilise stickers, which are attached to blank pages, though these are generally being replaced by e-visas.

There are places that demand four pages, but the record belongs to Namibia, with reports that travellers can be required to present six blank pages upon arrival. Brits ought to verify requirements for their destination when organising their travels.

It’s important to note that not all pages can receive stamps. British passports contain an ‘observation page’ at the back reserved for official notes.

This may feature information about the holder’s dual nationalities or alternative names, but most often it remains empty. However, it doesn’t qualify as a blank page as it cannot be stamped.

So, what should holidaymakers do if they lack sufficient pages?

You’ll need to renew your current passport prior to your journey, as extra pages cannot be added. This means paying the standard passport renewal fee, which for an adult passport is £94.50 according to the UK government website.

If you’re a regular globetrotter, it’s worth considering a 54-page frequent traveller passport when you next apply. Whilst it costs slightly more at £107.50, it can prove more economical than renewing your passport in a couple of years simply because you’ve exhausted all the pages.

Children under 16 can also obtain a frequent traveller passport for the reduced price of £74.50. Frequent traveller passports for adults are additionally available through the one-day premium or one-week fast track services, though these cost £235 or £191 respectively.

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MAJOR airports in Spain are introducing Brit-only border control to avoid travel chaos this summer.

New EES requirements have resulted in large queues at airports for British holidaymakers.

According to local media, the Spanish operator Aena has revealed that four airports will adapt their security and border control for Brits.

These airports are in Ibiza, Menorca, Malaga and Palma, Majorca.

It’s set to be put in place to ease the queues caused by new EES rules.

These will have a single access point to non-Schengen boarding zones to be used only by UK and non-EU passengers.

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There’s concern that the new EES requirement is causing delays in airports and will only grow during peak travel times, like the summer holidays.

Officials have expressed their worry that queues could be up to four hours or more.

The changes form part of Aena’s huge investment plan to its airports set to take place between 2027-2031.

These airports will use the investment ‘redesign control areas to improve passenger flow’.

They will allocate 29 per cent more space for passengers to ‘ensure smoother processing and better service quality’.

Malaga Airport could receive €1.5billion (£1.3billion) which could see it double the size of the terminal and increase capacity to handle 36million passengers each year.

Palma Airport (called Son Sant Joan) could receive €621.6million (just over £544million) for upgrades.

The investment is set to go towards the airport’s platforms, runway and taxiway pavements, taxiways, and renovation of boarding bridges.

In the case of Ibiza, the investment is set to be €229.7million (£201million), and in Menorca, the investment will reach €170.7million (£149million).

It will also include the adaptation to border control regulations to improve its efficiency.

At all four of the upgrade plans at these airports include allocated areas for Brits and non-EU passengers.

In order to fund the investment, Aena has proposed an average annual increasing its fees for airlines.

This hasn’t been well-received by the likes of Ryanair which has planned to axe over a million seats to certain Spanish routes, with some being cut down or cancelled completely.

Here’s more on the Spanish city which is getting MORE Ryanair flights after budget airline scrapped millions of seats.

And here are the cheapest destinations to fly to from six major UK airports including Spanish resorts to Greek islands.

President Donald Trump has repeatedly touted the U.S. economy as “roaring” and declared inflation “defeated” since returning to office in January 2025. In his recent State of the Union address, he called it “the golden age of America,” claiming unprecedented economic prosperity.

However, a new Reuters/Ipsos poll suggests that most Americans across party lines do not share that view. The poll, conducted online with 4,638 adults and a two-point margin of error, finds that 68% of respondents disagree with the statement that “the U.S. economy is booming.” Even among Republicans, who form Trump’s political base, opinion is sharply divided: 56% agree the economy is booming, while 43% disagree.

Cost of Living Remains Top Concern

Americans interviewed cited rising costs as their primary worry. In Tennessee, manufacturing worker Marcus Tripp said: “Even as a two-income household, we are struggling… I am worried more about how much my rent and everything is going up than I am about whether the guy down the street has citizenship documents or not.”

Poll respondents overwhelmingly rejected Trump’s claim that inflation has been defeated. Only 16% agreed with the statement that “there is hardly any inflation in the U.S.,” while 82% of independents and 72% of Republicans disagreed. Democrats were even more skeptical, with a strong majority rejecting the notion of a booming economy.

Awareness of Trump’s Economic Policies

The poll also revealed limited public knowledge of Trump’s specific proposals:

• 44% had never heard of the plan to restrict large investors from buying single-family homes.
• 48% were unaware of the proposed cap on credit card interest rates at 10%.
• By contrast, 78% were aware of tariff increases on imported goods, with many expecting the tariffs to raise the cost of living 54% overall, including 69% of Democrats and 42% of Republicans.

Some voters expressed frustration that policies emphasizing tariffs may not address the issues they feel most acutely. Independent voter Tiffany Ritchie of Corpus Christi said, “We’re not going to tariff our way out of this.”

Political Implications Ahead of Midterms

The poll’s results are a warning for Trump and the Republican Party as they head into the November 3 midterms, defending majorities in both the House and Senate. Cost-of-living concerns are emerging as a decisive factor for voters, potentially outweighing immigration and other campaign issues that Trump has emphasized.

Primaries are already underway in states such as Texas, North Carolina, and Arkansas, with both parties beginning to select candidates for the midterms. Economists predict modest growth this year, but few expect the kind of “booming” economy Trump describes.

Analysis

From my perspective, the poll highlights a growing disconnect between Trump’s rhetoric and the lived experience of many Americans. While the administration touts economic successes, households are still struggling with rising rents, groceries, and energy costs.

The division among Republicans is also notable. While Trump’s base remains partially supportive of his economic claims, nearly half of the party’s voters see little evidence of a boom. This split could weaken the Republican message in key battleground districts, especially where cost-of-living pressures are most acute.

Moreover, the limited public awareness of some Trump policies suggests that policy communication is lagging. Tariffs are well-known, but policies targeting housing and credit remain obscure, potentially limiting their political impact.

In short, while Trump frames the U.S. economy as a “golden age,” the reality for many voters is very different. Rising living costs, skepticism among independents, and division within his own party suggest that economic messaging alone may not be enough to secure midterm victories.

With information from Reuters.