Nov. 7 (UPI) — A federal judge has issued a preliminary injunction barring federal authorities from using force against protesters, journalists and others in Chicago as the Trump administration conducts an immigration crackdown in the city.

U.S. District Judge Sara Ellis issued her ruling Thursday, in a case brought against the Trump administration in early October alleging that federal agents in Chicago have responded to protests and negative media coverage “with a pattern of extreme brutality in a concerted and ongoing effort to silence the press and civilians.”

The ruling explicitly states that the federal agents are prohibited from using crowd control weapons such as batons, rubber or plastic bullets, flash-bang grenades and tear gas against civilians unless there is “a threat of imminent harm to a law enforcement officer.”

In a bench ruling, reported on by The New York Times, Ellis said government officials, including Gregory Bovino, a top Border Patrol official leading the operation in Chicago, lied repeatedly about the tactics they employed against protesters.

The ruling comes amid growing criticism of the Trump administration’s deployment of federal immigration authorities executing Operation Midway Blitz, which began on Sept. 9, targeting undocumented immigrants with criminal records.

Videos circulating online, however, show masked agents hauling a woman, later identified as U.S. citizen Dayanne Figueroa, from her vehicle, which they crashed into, and forcibly detaining a teacher from a daycare in front of school children. Rep. Mike Quigley, D-Ill., said they detained the woman without a warrant, calling the actions of the immigration agents “domestic terrorism.”

Chicago Mayor Brandon Johnson earlier Thursday said during a press conference the daycare employee’s arrest “shocked the conscience of every single Chicagoan.”

In her bench ruling Thursday, Ellis, a President Barack Obama appointee, rejected the government’s description of Chicago as a violent- and riot-riddled city, saying, “That simply is untrue, and the government’s own evidence in this case belies that assertion.”

With pointed remarks at Bovino, she said the federal agent “admitted that he lied” about being hit in the head with a rock in October, which was his reasoning for deploying tear gas canisters.

“Video evidence ultimately disproved this,” she said, CNN reported.

Lawyers with Lovey & Lovey who brought the case before the court described it as protecting the right to protest.

Steve Art, a partner at the firm, called Ellis’ preliminary injunction in a press conference a “powerful ruling.”

“For weeks, the Trump administration has deployed Gregory Bovino and his gang of thugs to terrorize our community. They have tear gassed dozens of residential neighborhoods, they have abused the elderly, they have abused pregnant women, they have abused young children. On our streets, they have used weapons of war,” he said.

“We want to be clear every person who is associated with or who has enabled the Trump administration’s violence in Chicago should be ashamed of themselves.”

About 300,000 UNRWA pupils have been deprived of a formal education since Israel’s war on Gaza began in October 2023.

Gaza’s classrooms are slowly coming back to life, following two years of relentless Israeli war and devastation that has destroyed the Palestinian enclave’s fabric of daily life: Homes, hospitals and schools.

Four weeks into the United States-brokered ceasefire in Gaza, the UN Relief and Works Agency for Palestine Refugees (UNRWA) is in the process of reopening schools across the territory amid ongoing Israeli bombardment and heavy restrictions on the flow of aid.

Since October 2023, more than 300,000 UNRWA students have been deprived of a formal education, while 97 percent of the agency’s school buildings have been damaged or destroyed by the fighting.

What were once centres of education are now also being used as shelters by hundreds of displaced families.

Reporting from the central city of Deir el-Balah, Al Jazeera’s Tareq Abu Azzoum found families sharing classrooms with children striving to reclaim their futures.

Inam al-Maghari, one of the Palestinian students who has resumed lessons, spoke to Al Jazeera about the toll Israel’s war on Gaza has had on her education.

“I used to study before, but we have been away from school for two years. I didn’t complete my second and third grades, and now I’m in fourth grade, but I feel like I know nothing,” al-Maghari said.

“Today, we brought mattresses instead of desks to sit and study,” she added.

UNRWA is hoping to expand its educational services in the coming weeks, according to Enas Hamdan, the head of its communication office.

“UNRWA strives to provide face-to-face education through its temporary safe learning spaces for more than 62,000 students in Gaza,” Hamdan said.

“We are working to expand these activities across 67 sheltering schools throughout the Strip. Additionally, we continue to provide online learning for 300,000 students in Gaza.”

Um Mahmoud, a displaced Palestinian, explained how she and her family vacate the room they are staying in three times a week to allow students to study.

“We vacate the classrooms to give the children a chance to learn because education is vital,” Um Mahmoud said. “We’re prioritising learning and hope that conditions will improve, allowing for better quality of education.”

The war in Gaza has taken an immense toll on children, with psychologists warning that more than 80 percent of them now show symptoms of severe trauma.

The UN children’s agency UNICEF has estimated that more than 64,000 children have been killed or injured in Gaza during the fighting.

Edouard Beigbeder, UNICEF’s Middle East and North Africa regional director, said “one million children have endured the daily horrors of surviving in the world’s most dangerous place to be a child, leaving them with wounds of fear, loss and grief.”

SITTING in her ex-fiance’s car, Sydney Sweeney looked a far cry from her usual glamourous self as she screamed during a very heated row.

And now we can reveal that the secret meeting with Jonathan Davino sparked a huge row with her new boyfriend Scooter Braun, who was left feeling “furious” and “disrespected” – and the fallout could have grave consequences.

The 28-year-old Hollywood star had been enjoying dinner with friends and her ex in Santa Monica over the weekend when things appeared to turn sour.

She was later seen in Jonathan’s car and, according to reports from TMZ, she could be heard screaming and telling him: “I don’t believe you. Please leave, leave me alone.”

The unlikely scene raised eyebrows, even more so when just days later Sydney headed out for dinner again – this time with Scooter, putting on a united front after the pair held crisis talks.

“He’s made it clear that he wants her 100%, that she needs to compromise on some things, and that seeing her ex like that crossed a line.”

Scooter Braun insider

An insider close to the couple told us how Scooter, 44, made it clear to the actress that she had ‘crossed a line’.

They explained: “Scooter got really mad. He doesn’t like that kind of behaviour at all, especially knowing the history between her and Jonathan.

“He knows they had a serious relationship, were together for a long time, and even got engaged. So, seeing her with him again — and getting caught on camera getting into his car — really set him off.”

Scooter’s upset is said to stem from just how much he loves the Euphoria star, who we previously revealed he is planning to move in with.

The insider continued: “He’s not controlling, but he wants her to know that he truly cares about her and that his feelings are real.

“He’s deeply in love and serious about building a future together. Scooter’s a man with strong values and morals — and for him, it’s not acceptable for his partner to be seen with other men, especially exes.

“He thought what she did with Jonathan was disrespectful and not cool, and he didn’t want to stay silent about it.

“He was hurt and wanted her to know. What he wants is full transparency between them — and for her to be the same way, but also to act like someone who’s in a committed relationship, not single anymore.

“He’s made it clear that he wants her 100%, that she needs to compromise on some things, and that seeing her ex like that crossed a line.”

Scooter is said to be aware that, given their age difference, he could be considered “old fashioned”.

Our insider says he “does a lot” for the star, stating he’s “present, supportive, and fully committed”.

‘Public humiliation’

Sydney was due to marry businessman Jonathan, 41, earlier this year but called off their engagement after mounting speculation over the state of their relationship.

The pair met in 2018 and got engaged in February 2022.

At the time, the actress spoke at length about their wedding and future before things came to an end.

Our insider added: “It has to be a blow for Jonathan that she has moved on so publicly and seems really ready to settle down this time.

“He feels like he was a huge part of her career to start with, really building up her confidence but now she’s flying without him. It’s painful to see.”

At the time it was reported that they split so she could concentrate on her career.

“He thought what she did with Jonathan was disrespectful and not cool, and he didn’t want to stay silent about it.

Scooter Braun insider

She certainly did that – she’s currently promoting Christy – her new biopic about the female boxing trailblazer Christy Martin – and there’s already been some Oscar buzz round her role.

It hasn’t just been work and no play though… over the summer she was first linked to Scooter – the billionaire businessman and record executive who became public enemy number one for Swifties worldwide in 2019 after he bought pop megastar Taylor Swift’s master recordings.

They started dating back in August after being seen spending time together at Jeff Bezos’s wedding in Italy two months before.

In August they were seen together in public for the first time on a date after having dinner at Jon & Vinny’s restaurant in Los Angeles.

The romance has proved to be more than just a summer fling, and Scooter seems to have well and truly fallen for her charms, even after the public humiliation of her arguing with her ex.

Get the look: Expert tips to swoon like Sweeney

Looking to create that doe-eyed look at home? Here, pro make-up artist Sarah-Jane Froom shares her exclusive top tips on how to achieve Sydney’s signature eyes…

TOP TIPS

• Start with a good primer: This ensures the eye shadow stays in place all day and gives a smooth base for blending.
• Define the crease: Use warm, neutral shades such as soft browns or terracotta to add depth to the crease. This helps enhance the natural shape of the eye without it feeling too heavy.
• Smoky eyes: Sydney often favours a smoky eye, typically with dark eyeliner along the lash line. I recommend blending a dark brown or black shadow into the liner to soften it and create that sultry, lived-in look.
• Lashes are essential: To get Sydney’s eye-popping lashes, I always recommend a volumising mascara. For a more dramatic effect, you can add some natural-looking false lashes that provide length and lift, but without being too over-the-top.
• Highlight the inner corners: This little trick instantly brightens the eyes, making them look more awake and larger – perfect for achieving Sydney’s signature bright-eyed gaze.

RECOMMENDED PRODUCTS

It’s one of the largest surviving examples from the Roman occupation of Britain, and —hiding in plain sight — it is completely free to visit all year round.

History buffs are in for a treat as a massive Roman amphitheatre is hiding in plain sight right here in the UK.

Nestled next to Cirencester — the largest town in the Cotswolds — lie the earthwork remains of a gigantic amphitheatre, which at its height, was one of the biggest Roman amphitheatres in Britain.

History of the amphitheatre

Constructed in the early 2nd century AD – when Cirencester was known as the Roman city of Corinium and was second only to London in size and population – this amphitheatre could accommodate up to 8,000 spectators. The Cirencester Amphitheatre began life as a simple quarry, with the majority of the stone used to build the town believed to have come from it.

By the time most of the town had been built, its layout already closely resembled that of an amphitheatre, complete with tiered seating.

In modern-day Britain, the Cirencester Amphitheatre is considered one of the largest surviving examples from the Roman occupation of the island. After the Roman army departed Britain in AD 408, life in Cirencester quickly declined without their pay, which was a key support for the local economy and helped maintain order.

With no central authority to take the reins, the town’s urban heart was left lifeless. Private benefactors who had promised to fund public games were conspicuously absent. This led to the amphitheatre being abandoned as a place of entertainment, and in a brave bid to keep their community alive, the town leaders transformed the renowned structure into a fortress.

A trench was carved along the southern side of the building, and its entrances were made narrower. However, these efforts seemed futile, as by AD 577, a stronghold thought to be Cirencester was reported to have succumbed to the advancing Saxons. The amphitheatre then lay deserted for several centuries.

Archaeologists have since unearthed remnants of timber buildings from the 5th century at the once-celebrated site. During the Middle Ages, it is said that the Abbot of Cirencester enclosed the area to use it as a rabbit warren. Its local moniker, ‘the Bull Ring’, suggests that it may have later been used for bull-baiting – a potential nod to its original Roman-era purpose.

Architecture and Structure

Unlike the circular designs of the amphitheatres at Silchester and Dorchester, the Cirencester Amphitheatre was oval-shaped, with an entrance at each end of the structure’s longer axis.

The vast earth banks, the only remnants of the once towering structure, held rows of wooden seats built on terraced drystone walls. It’s thought that there was also a standing area for spectators within the building, reports Gloucestershire Live. The amphitheatre’s seating area alone could accommodate around 8,000 people — a figure not far off from the entire population of Corinium at the time (approximately 10,000).

A wall separated the audience from the arena, which was covered with sand and fine gravel. During a later renovation, two small chambers were built on either side of the entrance’s inner end. Indications suggest that one of them was dedicated to Nemesis, the goddess often honoured in amphitheatres from the Roman Empire.

Getting there

Cirencester Amphitheatre is free to explore as it’s not a ticketed site. However, visitors should be aware that some parts of the site are uneven, making them unsuitable for wheelchair users. There’s also a small flight of stairs at the entrance of the structure which may pose an accessibility challenge.

Dog owners are welcome to bring their pets to Cirencester Amphitheatre, provided they are kept on leads. Free parking is available in the car park at the eastern end of Cotswold Avenue, and shops, toilets, and food outlets can be found in the nearby Cirencester town centre.

The Denver Broncos ground out a narrow 10-7 win over the Las Vegas Raiders to maintain the best record in the NFL.

In a tight game, just three points scored in the whole second half but they were vital as Wil Lutz scored a 32-yard field goal to send the Broncos to an 8-2 record.

They had more penalties than first downs in a stop-start game at Mile High Stadium but are top of the AFC West after a seventh straight win.

Coach Sean Payton said his team can refine their style as they look to keep on winning games.

“We’ve got to clean up some of the penalties. We’ve got to clean up the execution and that is an ongoing thing that probably never ends,” he said.

Mexican President Claudia Sheinbaum is barred from Peru after her government granted asylum to Peruvian ex-premier.

Peru has declared Mexican President Claudia Sheinbaum a “persona non grata” who is unable to enter the country, days after severing ties with Mexico amid an escalating diplomatic dispute.

Peru’s Congress voted 63 to 34 on Thursday in favour of symbolically barring Sheinbaum from the country after her government granted asylum to former Peruvian Prime Minister Betssy Chavez, after she fled to the Mexican embassy in Peru’s capital Lima.

The designation of “persona non grata” is typically reserved for foreign diplomats and compels them to leave a host country, and is seen as a rebuke to their government.

President of Peru’s Congress Fernando Rospigliosi said the move was a show of support for the government and its decision to break off relations with Mexico, according to Mexico’s El Pais newspaper.

During a debate on Thursday, Ernesto Bustamante, an MP who sits on Peru’s Congressional Foreign Relations Committee, also accused Sheinbaum of having ties to drug traffickers.

“We cannot allow someone like that, who is in cahoots with drug traffickers and who distracts her people from the real problems they should be addressing, to get involved in Peruvian affairs,” Bustamante said, according to El Pais.

Chavez, who is on trial for her participation in an alleged 2022 coup attempt, earlier this week fled to the Mexican embassy in Lima, where she was granted political asylum.

Peru’s Foreign Minister Hugo de Zela called the decision by Mexico City an “unfriendly act” that “interfered in the internal affairs of Peru”.

Mexico’s Ministry of Foreign Affairs has maintained that it was acting in accordance with international law, and the move in “no way constitutes an intervention in Peru’s internal affairs”.

Lima has yet to offer safe passage for Chavez to leave the embassy and travel to Mexico.

Chavez, a former culture minister, briefly served as prime minister to President Pedro Castillo from late November to December 2022.

Charges against the former minister stem from an attempt by President Castillo in December 2022 to dissolve the Peruvian Congress before he was quickly impeached and arrested.

Chavez, who faces up to 25 years in prison if found guilty, has denied involvement in the scheme. She was detained from June 2023 until September of this year, and then released on bail while facing trial.

The short-range weapon is believed to have flown 700km (435 miles) and landed in the East Sea, otherwise known as the Sea of Japan.

North Korea has fired at least one ballistic missile towards its eastern waters, the South Korean military has said, just days after United States Defense Secretary Pete Hegseth visited South Korea for annual security talks.

South Korea’s Joint Chiefs of Staff confirmed the development on Friday, saying the short-range missile flew 700km (435 miles) towards the East Sea, otherwise known as the Sea of Japan.

The Japanese government also said North Korea had launched a missile, adding that it is likely to have fallen in waters outside of Japan’s exclusive economic zone.

Pyongyang’s latest launch comes four days after South Korea said its neighbour had fired 10 rounds of artillery into its western waters, and about a week after US President Donald Trump gave Seoul permission to build a nuclear-powered submarine.

Experts say the move, which will see South Korea join a small club of countries using such vessels, will greatly enhance its naval and defence capabilities.

South Korea wants to receive enriched uranium from the US to use as fuel for the nuclear-powered submarine, which it plans to build at home, a South Korean presidential official said on Friday.

Since they both took office earlier this year, Trump and his South Korean counterpart Lee Jae Myung have sought to restart dialogue with North Korean leader Kim Jong Un.

However, Kim has shunned any talks with Washington and Seoul since previous discussions with the US collapsed in 2019.

North Korea’s leader said in September that he was open to talks provided that the US drop its demand for Pyongyang to give up its nuclear weapons. He has repeatedly said his country is an “irreversible” nuclear state.

Last month, Kim attended a major military parade in Pyongyang, along with high-level officials from allied countries, including Russia and China. It showcased some of his nation’s most powerful weapons, including a new intercontinental ballistic missile.

North Korean and Russian military officials met in Pyongyang this week to discuss strengthening cooperation, North Korea’s official Korean Central News Agency (KCNA) said on Friday.

Pak Yong Il, vice director of the Korean People’s Army’s General Political Bureau, met a Russian delegation led by Vice Defence Minister Viktor Goremykin on Wednesday.

KCNA said the allies discussed expanding ties as part of the “deepened bilateral relations” agreed between Kim and Russian President Vladimir Putin.

Earlier this week, South Korea’s spy agency said it had detected possible recruitment and training activities in North Korea, noting this could signal a potential further deployment of troops to Russia.

So far, Seoul estimates that Pyongyang has sent 15,000 soldiers to Russia to aid it in its war against Ukraine, and large numbers have died on the battlefield there.

On Tuesday, the South Korean National Intelligence Service also said it believes that Kim has dispatched about 5,000 military construction troops to its ally since September to help with infrastructure restoration projects.

Renate Reinsve is the new face of Scandinavia: depression with a smile. Standing 5 feet 10 with open, friendly features, the Norwegian talent has a grin that makes her appear at once like an endearing everywoman and a large, unpredictable child. Reinsve zoomed to international acclaim with her Cannes-winning performance in Joachim Trier’s 2021 “The Worst Person in the World,” a dramedy tailor-made to her lanky, likable style of self-loathing. Now, Trier has written his muse another showcase, “Sentimental Value,” where Reinsve plays an emotionally avoidant theater actor who bounces along in pretty much the same bittersweet key.

“Sentimental Value” gets misty about a few things — families, filmmaking, real estate — all while circling a handsome Oslo house where the Borg clan has lived for four generations. It’s a dream home with red trim on the window frames and pink roses in the yard. Yet, sisters Nora (Reinsve) and Agnes (Inga Ibsdotter Lilleaas) aren’t fighting to keep it, perhaps due to memories of their parents’ hostile divorce or maybe because they don’t want to deal with their estranged father, Gustav (Stellan Skarsgård, wonderful), who grew up there himself and still owns the place, even though he’s moved to Sweden.

Trier opens the film with a symbolically laden camera pan across Oslo that ends on a cemetery. He wants to make sure we understand that while Norway looks idyllic to outsiders jealous that all four Scandinavian countries rank among the globe’s happiest, it can still be as gloomy as during the era of Henrik Ibsen.

More impressively, Trier shifts to a fabulous, time-bending historical montage of the house itself over the century-plus it’s belonged to the Borgs. There’s a crack in it that seems to represent the fissures in the family, the flaws in their facade. Over these images, Reinsve’s Nora recites a 6th-grade school essay she wrote about her deep identification with her childhood home. Having grown up to become terrified of intimacy, today she’s more like a detached garage.

Nora and Agnes were young when their father, a modestly well-regarded art-house filmmaker, decamped to a different country. At a retrospective of his work, Gustav refers to his crew as his “family,” which would irritate his kids if they’d bothered to attend. Agnes, a former child actor, might note that she, too, deserves some credit. Played in her youth by the compelling Ida Atlanta Kyllingmark Giertsen, Agnes was fantastic in the final shot of Gustav’s masterpiece and Trier takes a teasingly long time to suggest why she retired from the business decades ago, while her older sister keeps hammering at it.

Gustav hasn’t made a picture in 15 years. He’s in that liminal state of renown that I’m guessing Trier has encountered many times: a faded director who’s burned through his money and clout, but still keeps a tuxedo just in case he makes it back to Cannes. Like Reinsve’s Nora, Gustav acts younger than his age and is at his most charming in small doses, particularly with strangers. Trier and his longtime co-writer Eskil Vogt have made him a tad delusional, someone who wouldn’t instantly recognize his graying reflection in a mirror. Sitting down at a cafe with Nora, Gustav jokes that the waitress thinks that they’re a couple on a date. (She almost certainly doesn’t.)

But the tension between Gustav and Nora is real, if blurry. He’s invited her to coffee not as father and daughter, but as a has-been angling to cast Nora as the lead of his next film, which he claims he’s written for her. His script climaxes with a nod to the day his own mother, Karin (Vilde Søyland), died by suicide in their house back when he was just a towheaded boy of 7. Furthering the sickly mojo, Gustav wants to stage his version of the hanging in the very room where it happened.

His awkward pitch is a terrific scene. Gustav and Nora are stiff with each other, both anxious to prove they don’t need the other’s help. But Trier suggests, somewhat mystically, that Gustav has an insight into his daughter’s gloom that making the movie will help them understand. Both would rather express themselves through art than confess how they feel.

When Gustav offers his daughter career advice, it comes off like an insult. She’s miffed when her dad claims his small indie would be her big break. Doesn’t he know she’d be doing him the favor? She’s the lead of Oslo’s National Theatre with enough of a social media following to get the film financed. (With 10 production companies listed in the credits of this very film, Trier himself could probably calculate Nora’s worth to the krone.)

But Gustav also has a lucky encounter with a dewy Hollywood starlet named Rachel (Elle Fanning) who sees him as an old-world bulldog who can give her resume some class. Frustrated by her coterie of assistants glued to their cellphones, Rachel gazes at him with the glowy admiration he can’t get from his own girls. Their dynamic proves to be just as complex as if they were blood-related. If Rachel makes his film, she’ll become a combo platter of his mother, his daughter, his protégée and his cash cow. Nora merely merits the financing for a low-budget Euro drama; Rachel can make it a major Netflix production (something “Sentimental Value” most adamantly is not).

It takes money to make a movie. Trier’s itchiness to get into that unsentimental fact isn’t fully scratched. He seems very aware that the audience for his kind of niche hit wants to sniffle at delicate emotions. When Gustav’s longtime producer Michael (Jesper Christensen) advises him to keep making films “his way” — as in antiquated — or when Gustav takes a swipe at Nora’s career as “old plays for old people,” the frustration in those lines, those doubts whether to stay the course or chase modernity, makes you curious if Trier himself is feeling a bit hemmed in.

There’s a crack running through “Sentimental Value” too. A third of it wants to be a feisty industry satire, but the rest believes there’s prestige value in tugging on the heartstrings. The title seems to be as much about that as anything.

I’ve got no evidence for Trier’s restlessness other than an observation that “Sentimental Value” is most vibrant when the dialogue is snide and the visuals are snappy. There’s a stunning image of Gustav, Nora and Agnes’ faces melting together that doesn’t match a single other frame of the movie, but I’m awful glad cinematographer Kasper Tuxen Andersen got it in there.

The film never quite settles on a theme, shifting from the relationship between Nora and Agnes, Nora and Gustav, and Gustav and Rachel like a gambler spreading their bets, hoping one of those moments will earn a tear. Nora herself gets lost in the shuffle. Is she jealous of her father’s attention to Rachel? Does she care about her married lover who pops up to expose her issues? Does she even like acting?

Reinsve’s skyrocketing career is Trier’s most successful wager and he gives her enough crying scenes to earn an Oscar nomination. Skarsgård is certainly getting one too. But Fanning delivers the best performance in the film. She’s not only hiding depression under a smile, she’s layering Rachel’s megawatt charisma under her eagerness to please, allowing her insecurity at being Gustav’s second pick to poke through in rehearsals where she’s almost — but not quite — up to the task.

Rachel could have been some Hollywood cliché, but Fanning keeps us rooting for this golden girl who hopes she’ll be taken seriously by playing a Nordic depressive. Eventually, she slaps on a silly Norwegian accent in desperation and wills herself to cry in character. And when she does, Fanning has calibrated her sobs to have a hint of hamminess. It’s a marvelous detail that makes this whole type of movie look a little forced.

An Edinburgh institution

W Armstrong in Edinburgh is a true institution. There are several locations, but the Grassmarket spot is a treasure trove. Frequented by locals, students and tourists alike, there is a price point for all. Whether I’ve been on the hunt for vintage cashmere, denim, fabulous 1950s dresses, garb for a fancy dress party or even a kilt, this store has sorted me out. It is always a favourite for when friends visit the city, and whether you are looking to buy or not, it is worth a visit just to see its eclectic collection.
Amy

An Erasmus exchange took me to Budapest, where I discovered a city full of vintage shops and flea markets. The city is dotted with Humana shops for staple wardrobe finds; there’s the Ecseri flea market for the more unusual (interspersed with the occasional plastic Stalin bust); plus chic, rambling stores like Szputnyik and Retrock Vintage – think racks of leather jackets and tulle tops among giant monstera plants. Antiques shops are also found tucked away, their contents spilling on to the pavements outside. A particularly favourite find was a set of intricate hand-painted embroidery layouts on kraft paper from the 1930s, each signed by the artist.
Katie

Lyon’s canalside treasure trove

Brad Marchand scored two goals and Sam Reinhart got the go-ahead goal on his 30th birthday in the Florida Panthers’ 5-2 victory over the Kings on Thursday night.

Anton Lundell got a shorthanded goal in the third period and Sam Bennett also scored for the back-to-back Stanley Cup champion Panthers, who rebounded from a 7-3 loss against the Ducks to get their first victory on their four-game West Coast road trip.

Marchand has scored a goal in three straight games since returning to the Panthers from a one-game absence to travel to Nova Scotia to support a close friend who lost his daughter to cancer last month. The veteran tied the game late in the first period after taking the puck from Anton Forsberg behind the Kings’ net, and he added his ninth goal of the season in the third.

Sergei Bobrovsky made 24 saves.

Anze Kopitar got the first goal of his 20th NHL season and Corey Perry also scored for the Kings, who have lost three of four.

Forsberg stopped 19 shots for the Kings, who have started 1-4-2 at their downtown arena after being the NHL’s best home team last season.

Bennett put the Panthers ahead just 2:06 in, controlling and converting the rebound of Jeff Petry’s long shot.

Kopitar scored on the power play midway through the first, and Perry put the Kings ahead on a breakaway set up by a spectacular long pass from Mikey Anderson.

Reinhardt put the Panthers back ahead in the second, getting to the slot and firing a backhand for his seventh goal.

Lundell scored on a short-handed breakaway in the third after a turnover by Adrian Kempe.

Several members of the back-to-back World Series champion Dodgers were the Kings’ guests at the game, getting multiple loud ovations.

Up next for Kings: at Pittsburgh on Sunday to open a six-game trip.

Nov. 7 (UPI) — Republicans narrowly defeated a bipartisan bill in the Senate requiring congressional approval for military action against Venezuela as the Trump administration continues a military buildup in the region and attacks on alleged drug boats in nearby waters.

The GOP lawmakers rejected Senate Joint Resolution 90 in a 51-49 vote on Thursday evening, with Republican Sens. Rand Paul of Kentucky and Lisa Murkowski of Alaska casting ballots in favor of the measure with their Democratic colleagues.

The resolution was introduced by Paul, and Democratic Sens. Adam Schiff of California and Tim Kaine of Virginia in response to reporting that President Donald Trump was considering military ground strikes against Venezuela.

Venezuela has long been a target of Trump, who, during his first administration, launched a failed multiyear pressure campaign to oust its authoritarian leader, President Nicolas Maduro.

Since returning to the White House in January, Trump has used his executive powers to target drug cartels, including the Venezuelan Tren de Aragua gang. Trump has claimed, without providing evidence, that TdA has “invaded” the United States at Maduro’s direction, despite his own National Intelligence Council concluding in May that the regime “probably does not have a policy of cooperating” with TdA.

The vote was held as Defense Secretary Pete Hegseth announced a 17th known military strike on an alleged drug trafficking boat in Caribbean international waters. Since Sept. 2, the United States has killed around 70 people in the attacks.

The attacks have drawn domestic and international criticism and allegations of war crimes, murder and extrajudicial killings. Some Democrats called on the Trump administration to answer questions over the legality of the strikes without gaining proper congressional approval.

Following the Thursday vote, Kaine said the Trump administration told some members of Congress that it lacked legal authority to launch any attacks into Venezuela. Some worry that an attack could devolve into a full-scale war.

“Trump’s illegal strikes on boats in the Caribbean and threats of land strikes in Venezuela recklessly and unnecessarily put the U.S. at risk of war,” Kaine said in a statement.

In a separate statement, he criticized his Republican colleagues, stating: “If the U.S. is going to put our nation’s sons and daughters into harm’s way, then we should have a robust debate in Congress in front of the American people.”

Sen. Todd Young, a Republican of Indiana, voted against the bill on Thursday, and explained in a statement that he has been informed of the legal rationale behind the strikes and does not believe the resolution is appropriate right now, but that could change.

“My vote is not an endorsement of the administration’s current course in the Caribbean and Eastern Pacific. As a matter of policy, I am troubled by many aspects and assumptions of this operation and believe it is at odds with the majority of Americans who want the U.S. military less entangled in international conflicts,” he said.

US president says Gaza ceasefire ‘working out very well’ despite deadly Israeli attacks and severe aid restrictions.

The cost of a standard TV Licence rose this year, with the Government increasing the price to £174.50 in April

The cost of the standard TV Licence has seen a hike for many this year, with the Government jacking up the price to £174.50 in April. This annual fee is typically mandatory for households or businesses that watch live TV or use BBC iPlayer.

However, it might come as a surprise that certain people could be eligible for a free or discounted licence under specific conditions. These reductions could also apply to those with black-and-white TVs, which usually incur a yearly cost of £58.50 under the licence scheme.

Government guidance suggests that it’s primarily people over 75 years old who receive Pension Credit who can bag a free TV Licence. The same applies if you live with a partner who receives Pension Credit, as the licence covers everyone at a particular address.

It’s crucial to make clear that Pension Credit is different from the State Pension. It refers to a means-tested benefit for people over State Pension age on a low income, topping up weekly income to £227.10 if you’re single or £346.60 with a partner.

Those claiming Pension Credit can apply for a free TV Licence when they turn 74, but will still need to cough up until the end of the month before their 75th birthday. After this point, they will be covered by the free licence, according to the Express.

Additionally, the Government states that anyone who is blind or in residential care can apply for a discounted TV Licence. To be eligible for the residential care home discount, a person must be either retired and over 60 or disabled.

For those who are eligible, the TV Licence cost plummets to just £7.50. Housing managers at residential care homes can also make applications on behalf of residents.

Furthermore, anyone who is registered blind or lives with someone who is can get a 50% reduction on their TV Licence. This slashes the price of a colour licence to £87.25.

Government guidance explains: “The licence must be in the blind person’s name – if it’s not, you can make a new application to transfer it into their name. You’ll need to provide your existing TV Licence number when you apply.”

People over 75 who receive Pension Credit can apply for a free licence online or by telephone. The Government’s official numbers for this are 0300 790 6071 (telephone) and 0300 709 6050 (minicom).

Others who are registered blind can apply for a licence on the TV Licensing website. For more information, head to GOV.UK or the official TV Licensing website.

Why did the licence fee change?

Last year, the Secretary of State announced a 2.9% price rise, coming into force from April 1 2025, in line with annual CPI inflation.

The official TV Licensing site confirms this represented an increase of slightly more than 1p daily and marks only the second licence fee rise since April 1 2021.

The change has seen the annual colour licence fee rise to £174.50, while the black and white licence fee now stands at £58.50 per annum. Future increases in the licence fee will be tied to CPI inflation for the next four years, ending in 2027.

Now, according to a fresh Mirror report, several newspapers have speculated that the annual cost could reach £182 next year. However, the Department for Culture, Media and Sport reportedly told Sky Money: “No final decision has yet been made on the exact level of next year’s licence fee. We will set this out in due course.”

He added: “It’s something that definitely needs to be tackled. But that’s probably something that needs to be done in the background, I would imagine.”

Hamilton made an oblique reference to the 2021 championship decider in Abu Dhabi, where he controversially lost out on the title to Verstappen as a result of former race director Michael Masi failing to apply the rules correctly during a late-race safety car period.

At the time, race stewards declined to overturn Masi’s decisions. The Australian was later fired by governing body the FIA, before a report into the incident concluded that Masi’s decisions were the result of “human error”.

Speaking before this weekend’s Sao Paulo Grand Prix, Hamilton said: “I don’t know if they’re aware of the weight of their decisions. They ultimately steer careers. Can decide results of championships, as you’ve seen in the past. Some work needs to be done there, I’m sure.”

The FIA does not comment on stewards’ decisions as they are meant to operate independently from the governing body.

Colombian fighters Alexander Ante, 48, and Jose Aron Medina Aranda, 37 were each sentenced to 13 years in prison for serving with Ukrainian forces.

A court run by Moscow-installed authorities in Ukraine’s occupied Donetsk region has sentenced two Colombian nationals to 13 years in prison each for fighting on behalf of Kyiv.

The ruling, announced on Thursday, is the latest in a series of lengthy sentences handed to foreign fighters accused by Moscow-backed prosecutors of being “mercenaries”.

“For participating in hostilities on the side of the Armed Forces of Ukraine” – Alexander Ante, 48, and Jose Aron Medina Aranda, 37 – “were each sentenced to 13 years in prison”, the prosecutor’s office said on the Telegram messaging app.

According to reports, the pair fought for Ukraine in 2023 and 2024 before disappearing in July while transiting through Venezuela, a close ally of Russia, on their way home to Colombia after serving in the war.

Colombian newspaper El Tiempo reported in July 2024 that the men were detained in the Venezuelan capital Caracas while still wearing Ukrainian military uniforms.

A month later, Russian authorities said they had taken custody of the two, who both hail from the western Colombian city of Popayan.

Footage released by Russia’s FSB security service showed the men handcuffed and dressed in prison uniforms as masked officers escorted them through a court building.

News of the pair’s sentencing on Thursday was widely covered in Colombian media.

“I don’t know if we will see them again one day. That’s the sad reality,” said Medina’s wife, Cielo Paz, in an interview with the AFP news agency, adding that she had not heard from her husband since his arrest.

#Colombia 🇨🇴🇷🇺 Alexander Ante y José Medina fueron condenados por participar como “mercenarios” en las hostilidades del lado de las Fuerzas Armadas de Ucrania.

👉Lee la nota completa en: https://t.co/UrlDjv6Tnp pic.twitter.com/1kiEl1rlU2

— RTVC Noticias (@RTVCnoticias) November 6, 2025

Translation: Alexander Ante and Jose Medina were convicted for participating as “mercenaries” in the hostilities on the side of the Armed Forces of Ukraine.

In June, Russian state news agency TASS reported that Pablo Puentes Borges, another Colombian national, was handed a 28-year prison term by a Russian military court on charges of terrorism and mercenary activity for fighting alongside Ukrainian forces.

Earlier, in April, Miguel Angel Cardenas Montilla, also from Colombia, received a nine-year sentence for fighting with Ukrainian forces.

While Russian investigators have labelled foreigners who fight alongside Ukrainian forces as “mercenaries”, the Kyiv Post notes that most foreign fighters serving in Ukraine’s armed forces are formally enlisted and receive the same pay and status as Ukrainian soldiers.

That formalisation of their status in the Ukrainian army means they do not meet the legal definition of a mercenary under international law, the media outlet reported.

But Moscow continues to prosecute captured foreign fighters as “mercenaries” – a charge that carries up to 15 years in prison – rather than recognising them as prisoners of war who are protected under the Geneva Conventions.

Colombia’s government says dozens of its citizens have been killed fighting in Ukraine since the war began in February 2022.

Discrimination against black people is “baked” into the leadership, culture and governance of the Metropolitan Police, an internal review has found.

The independently commissioned review, authored by Dr Shereen Daniels, surveyed 40 years of evidence of how racism had affected black communities, as well as black officers and staff.

Baroness Doreen Lawrence, mother of murdered black teenager Stephen Lawrence, said that while the report was welcome, it “contains nothing I did not already know”.

Metropolitan Police Commissioner Sir Mark Rowley described the report as “powerful”, adding that it “calls out that further systemic, structural, cultural change is needed”.

The review, commissioned from the consultancy HR Rewired, concluded that darker-skinned Met staff were “labelled confrontational” while lighter-skinned employees might receive quicker empathy and leniency.

Dr Shereen Daniels said that systemic racism was “not a matter of perception”, adding that “true accountability begins with specificity”.

“The same systems that sustain racial harm against black people also enable other forms of harm. Confronting this is not an act of exclusion but a necessary foundation for safety, fairness and justice for everyone,” Dr Daniels said.

Baroness Lawrence said that discrimination “must be acknowledged, accepted and confronted in the Met”, adding that racism was the reason why her son had been killed and why the police had “failed to find all of his killers”.

She added: “The police must stop telling us that change is coming whilst we continue to suffer. That change must take place now.”

Imran Khan KC said that the report’s conclusions were “little surprise”, adding that Sir Mark Rowley should resign if he did not “recognise, acknowledge and accept” its findings.

He added: “This Report lays out in shocking clarity that the time for talking is over, that promises to change can no longer be believed or relied on.”

The report is the latest to highlight racism within Britain’s biggest police force, after Louise Casey’s 2023 review – commissioned after the murder of Sarah Everard – concluded that the Met was institutionally racist, misogynistic and homophobic.

Reviews conducted decades ago have criticised discrimination within the Met – including the 1999 Macpherson report that called the force “institutionally racist” after the mishandling of Stephen Lawrence’s case.

Earlier this year, secret BBC filming found serving Met Police officers calling for immigrants to be shot and revelling in the use of force.

Several officers have since been sacked, after Sir Mark Rowley pledged to be “ruthless” in getting rid of officers who are unfit to serve.

Following the publication of the latest report, Sir Mark Rowley said: “London is a unique global city, and the Met will only truly deliver policing by consent when it is inclusive and anti-racist.”

PREDATOR: BADLANDS

(12A) 107mins

★★★☆☆

WHAT happens when the hunter becomes the hunted? That’s the question in this latest outing for the marauding monster franchise.

And for the first time it’s a Predator and not a person who is our protagonist.

This fundamental plot twist takes the action into pure sci-fi territory, too.

While Badlands still has a cat-and-mouse chase at its core, director Dan Trachtenberg disposes of the previous man versus masked extraterrestrials that glued together all predecessors.

And not a single human lifeform features in this script.

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Forget Predator’s 1980s roots, which saw Arnold Schwarzenegger battling other-worldly beings in the jungle.

Decent curveball

Here an epic 22-minute opening explainer sees our lead Predator — young Dek (Dimitrius Schuster-Koloamatangi) — witness the murder of his brother Kwei by their Yautja father.

Cast out from his clan he takes flight to a far-flung planet with the intention of hunting down and slaying the gigantic apex hunter known as the Kalisk.

As well as this mutinous adversary, poisonous plants that can paralyse and lethal grass made of razor blades, here Dek also encounters Thia (Elle Fanning) — a Weyland-Yutani android left hanging from a tree after the Kalisk cut off her legs.

This becomes Dek’s cyborg-in-crime as they help each other across the Badlands with the aim of taking out their mutual target.

Thia’s spoken sentences after an awful lot of subtitled (uncannily Dutch-sounding) Yautja language are a welcome relief.

There’s an unexpected amount of humour too, mostly centred on an additional cute critter travelling companion called Bud.

But amusing segues aside, the idea that everyone is doggedly hunting something does still stand.

The Kalisk and Thia’s evil android twin Tessa are intent on trying to capture Dek, which enables all the heavyweight stand-off set pieces you could hope for.

The graphics are consistently excellent and there’s a decent curveball at the end to leave the door to the next instalment open.

Predator fans may feel dissatisfied by just how far-removed Badlands has travelled from the original.

But doing so does pave the way for some unadulterated futuristic action that can be enjoyed entirely on its own merits, and by a whole new audience.

ANEMONE

(15) 126 mins

★★☆☆☆

DANIEL DAY-LEWIS makes his big-screen return after seven years in this movie directed by his son Ronan.

On paper, that reunion sounds moving. In practice, the film feels heavy, distant and difficult to connect with.

It’s set in the late 1980s on a grey northern coast, and the movie commits fully to that gloom, as every scene reminds of the weight of past burdens the characters still carry.

Day-Lewis plays Ray, a recluse who has cut himself off from almost everyone.

His estranged brother (Sean Bean), seeks to bridge the gap, bringing with him long-buried resentment and unfinished conversations.

The performances themselves are strong, especially from Day-Lewis, who can still command a screen with the smallest gesture.

But the script – written by the actor and his director son – rarely gives the audience room to breathe.

Silence stretches on, metaphors pile up, and the film’s symbolism grows so thick it begins to feel jarring.

There are flashes of genius – a confrontation here, a quiet confession there – but the slow, sombre bits in between offer little or no reward.

The film wants to be profound about pain passed between generations, yet its emotional impact gets lost in its own seriousness.

LINDA MARRIC

THE CHORAL

(12A) 113mins

★★★★☆

YORKSHIRE royalty, writer Alan Bennett, is the recognisable voice behind the script of this feelgood World War One drama.

Set in his native God’s Own Country and with a stunning scenic backdrop, the movie is laced with Bennett’s trademark dry comedy and explores the hope and the horror of wartime Britain through the members of a local community choir.

Ralph Fiennes – superb as choirmaster Dr Guthrie – is brought in to help raise the roof for the ensemble’s annual performance.

Here he heads up a comforting cast of acting heavyweights including Mill owner Duxbury (Roger Allum), pianist Horner (Robert Emms) and Simon Russell Beale as the composer Elgar.

Initially regarded with suspicion thanks to pre-war years spent living in Germany and his fondness for reading naval pages (aka relationships with men) Dr Guthrie soon galvanises his motley mixed generational gang of voices, all dealing in their own way with consequences of war.

Lofty (Oliver Briscombe) and cheeky-chappy pal Ellis (Taylor Uttley) are about to be conscripted, others are grieving those who will not return.

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Poignant and heart-warming stuff.

LAURA STOTT

A California district attorney reposted on social media 9/11 images along with comments blasting the election of Zohran Mamdani as New York City’s first Muslim mayor. Despite the gory images and strong denunciation of Mamdani, Dan Dow insists that he has no issues with the Muslim community in San Luis Obispo County, where he is the top prosecutor.

He has “strong ties” with the community, Dow said in an emailed statement Thursday to The Times.

But his posts have drawn backlash, and a Muslim advocacy organization is demanding an apology and an investigation.

On Wednesday, Dow retweeted a post on X from a popular right-wing account that appeared to show a snapshot moments after flames jutted from the South Tower, the second of the twin towers struck by a plane on Sept. 11, 2001.

A second visual tweet, more graphic than the first, displayed footage from two angles of a plane barreling into one of the towers. That was posted by the leader of an activist organization, described as a hate group by some, that claims to “combat the threats from Islamic supremacists, radical leftists and their allies.”

Each was posted in the aftermath of the New York City mayoral election won by 34-year-old, self-described democratic socialist Mamdani.

The posts were retweeted and subtweeted days later and 3,000 miles away by Dow, drawing rebuke from some locals, in a story first broken by the San Luis Obispo Tribune.

Dow responded to a Times email for comment saying his issue was not with the county’s Muslim population, which numbers around 500, according to the Assn. of Religion Data Archives.

“I shared the posts because, in my opinion, Mamdani is going to destroy New York being a self-proclaimed socialist,” Dow responded. “I support the Muslim community and have strong ties to our Muslim community in San Luis Obispo.”

The first post Dow retweeted came from the account @EndWokeness, which vows to its nearly 4 million followers that it’s “fighting, exposing, and mocking wokeness.”

The second post came from Amy Mekelburg, founder of Rise, Align, Ignite and Reclaim (RAIR) Foundation, which is listed as a hate organization by the Council on American-Islamic Relations.

The council’s Los Angeles office demanded Thursday evening that Dow apologize and “retract his recent anti-Muslim social media posts.” CAIR-LA is also asking for an independent investigation into Dow’s conduct and “his fitness to continue to serve as DA.”

The organization is incensed at his retweeting of Mekelburg, whom they describe as “a known anti-Muslim extremist.”

Mekelburg wrote a sizable message on the video post, saying she’d “given my entire self” to warn the world “about the threat of Islam after 9/11.”

“And now … to see New York — my city — stand in this moment, where someone like Zohran Mamdani could even be elected,” she wrote. “My God, New York, what have you done?”

CAIR-LA said that Mekelburg “falsely equated the election of Mamdani with 9/11, reinforcing the harmful stereotype that Muslims are inherently tied to terrorism simply because of their faith.”

Dow subtweeted that specific post with a message that began by highlighting his 32 years of service in the U.S. Army and his four tours overseas.

“I remember like it was yesterday our nation being attacked by Islamic extremists on 9/11/2001,” he wrote. “I love this country and I do not in any way share the same views as the 33-year-old socialist Zohran Mamdani.”

He added in the tweet: “I am very sad to see the Big Apple torn apart by electing an un-American socialist who wants to trample on the values and freedoms that millions of Americans have fought and died for.”

“Dow’s decision to repost content that weaponizes bigotry and baselessly ties an elected Muslim official to terrorism is appalling and reflects the deeply rooted dehumanization and fearmongering in this country that American Muslims have had to endure for decades,” CAIR-LA Executive Director Hussam Ayloush said in a statement.

Dow’s posts also struck a nerve with one of his Muslim allies in San Luis Obispo, Dr. Rushdi Cader, who referred to the district attorney as “a personal friend” to the San Luis Obispo Tribune.

Cader told the Tribune the posts were “highly incendiary and puts Muslims at risk for harm, especially hijab-wearing Muslim women like my wife Nisha, whom Dan has himself described as ‘a kind and gentle lady’ who he ‘prayed would be blessed with peace.’”

Cader added he thought Dow’s “ugly post” was borne “out of disagreement with Mamdani’s politics” rather than any direct attack on Islam.”

Dow’s tweets drew other rebukes.

San Luis Obispo County Second District Supervisor Bruce Gibson called Dow a “Christian nationalist.”

He “occupies a powerful public office that requires decency and discipline,” Gibson said of Dow. “This post is yet another example that he has neither.”

San Luis Obispo Mayor Erica Stewart emailed The Times to say that the city was welcoming to all community members.

“Dan Dow, as the county’s District Attorney, by definition, should be objective and fair,” she wrote. “For someone in his position to express racism is unacceptable.”

Dow had his defenders too.

Orange County Dist. Atty. Todd Spitzer serves with Dow on the California District Attorneys Assn. Spitzer is the organization’s secretary-treasurer while Dow is the president.

Spitzer found no fault with Dow’s social media posts.

“Elected officials have a platform to share their views and be judged by their constituents,” he wrote in an email. “It is heartbreaking to see someone who has expressed such anti-public safety and anti-Semitic sentiments elected as mayor of New York, and we as the elected protectors of public safety have a right to express that.”

DALLAS — Leo Carlsson‘s short-handed goal midway through the third period proved to be the winner as the Ducks rallied to beat the Dallas Stars 7-5 on Thursday night.

Carlsson scored on a slap shot 10:38 into the third period to give the Ducks a 6-4 lead. Troy Terry had an assist on the goal.

Chris Kreider scored twice, Cutter Gauthier, Olen Zellweger, Ian Moore added goals and Mason McTavish added an empty-netter for the Ducks, who’ve won five consecutive games and seven of their last eight. Lukas Dostal finished with 21 saves.

Wyatt Johnston had two goals, Roope Hintz, Tyler Seguin and Mikko Rantanen also scored for Dallas, which lost for the third time in four games. Miro Heiskanen had four assists and Jake Oettinger made 18 saves.

Dallas had its seven-game points streak halted.

Up next for the Ducks: at the Vegas Golden Knights on Saturday.

Nov. 6 (UPI) — The United States on Thursday lifted a Biden-era arms embargo on Cambodia following several high-profile meetings between officials of both countries.

The notice filed by the State Department with the Federal Register that explains the Trump administration was removing Cambodia from the International Traffic in Arms Regulations list due to Phnom Penh’s “diligent pursuit of peace and security, including through renewed engagement with the United States on defense cooperation and combating transnational crime.”

The embargo was placed on Cambodia in late 2021 by the Biden administration to address human rights abuses, corruption by Cambodian government actors, including in the military, and the growing influence of China in the country.

It was unclear if any of those issues had been addressed.

“The Trump administration has completely upended U.S. policy toward Cambodia with no regard for U.S. national security or our values,” Rep. Gregory Meeks, D-N.Y., said in a statement criticizing the move to lift the embargo.

“There has been broad bipartisan concern about the Cambodian government’s human rights abuses and its deepening ties to Beijing.”

The embargo was lifted on the heels of Deputy Prime Minister Prak Sokhonn meeting with Michael George DeSombre, U.S. assistant secretary of State for East Asian and Pacific Affairs, in Cambodia on Tuesday.

On Friday, Secretary of Defense Pete Hegseth met with Tea Seiha, another Cambodian deputy prime minister, in Malaysia, where the two agreed to restart “our premier bilateral military exercise,” the Pentagon chief said in a statement.

President Donald Trump has received much praise from Cambodia for his involvement in securing late July’s cease-fire and then last month’s peace declaration between Thailand and Cambodia, which had been involved in renewed armed conflict in their long-running border dispute.

During Tuesday’s meeting between Prak and DeSombre, the Cambodian official reiterated Phnom Penh’s “deep gratitude” to Trump “for his crucial role in facilitating” the agreements, according to a Cambodian Foreign Ministry statement on the talks.

Meeks framed the lifting of the embargo on Thursday as the Trump administration turning a blind eye to Cambodia’s “rampant corruption and repression … because the Cambodian government placated Trump in his campaign for a Nobel Peace Prize.”

“That’s not how American foreign policy or our arms sales process is meant to work,” Meeks said.

Cambodia in August nominated Trump for the Nobel Peace Prize “in recognition of his historic contributions in advancing world peace,” the letter to the Norwegian Nobel Committee stated.