It is often said that film directors are siloed off from one another, that they don’t get to watch how others work. So when you put a group of them together, as with the six participants in The Envelope’s 2025 Oscar Directors Roundtable, they are quick to share all sorts of ideas. Like where they prefer to sit in a movie theater — centered in a row or on an aisle? How far back is the best for sound, or so the screen runs up to the edges of your peripheral vision? Should you even take the worst seats in the house, since somebody will eventually be asked to pay money to sit there?

Guillermo del Toro, there with his adaptation of Mary Shelley’s classic novel “Frankenstein,” likes the top of the first quarter of the theater. Rian Johnson, who finds new twists for Benoit Blanc in his third “Knives Out” detective story, “Wake Up Dead Man,” says, “I look for wherever Guillermo’s sitting.” Nia DaCosta, who made the bold, adventurous Ibsen adaptation “Hedda,” likes the top of the first third. Mona Fastvold, who explores the life of the founder of the religious movement known as the Shakers in “The Testament of Ann Lee,” likes the center a little farther back. Jon M. Chu, who made the second part of a musical adaptation with “Wicked: For Good,” sits dead center — and has been known to talk to the theater manager if the sound isn’t loud enough. And Benny Safdie, who explores the rise and fall of mixed martial arts fighter Mark Kerr in “The Smashing Machine,” tries to find a spot where he can fidget in his seat and not bother anyone.

Read on for more excerpts of their conversation about the art of adaptation, navigating budget constraints at any scale and much more.

Jon, I’ve heard you say that with “Wicked: For Good,” you wanted the film to be deeper but not darker. And it doesn’t pull any punches as far as dealing with themes of antiauthoritarianism. What was it like to have those very serious ideas and yet still have this be a buoyant, crowd-pleasing musical?

Chu: The reason we made it was because it had that meat to it, and it was always a two-movie, yearlong experience that set up the fairy tale first. And Movie 2 is kind of where we all are, this moment of this fairy tale shattered in front of us.

I have five children now, so I’m thinking about how to present stories to my kids. Do I still believe in the possibility of dreams and the American Dream? “For Good” really gets to delve into that stuff. And because it was shorter than the first half, we get more room to do it. We added new songs to explore that idea. So it all felt really fitting. Movie 1 could be an answer. Movie 2 is much more of a challenge: Who are we gonna be now that we know the truth?

All of your films in their own way are speaking to right now. Rian, “Wake Up Dead Man” is specifically set in the year 2025 and all the “Knives Out” pictures have been dealing with our contemporary reality. What makes you want to do that?

Johnson: That kind of started for me with the first movie. This is a genre, the murder mystery genre, that I love and that I’m just seeing so much of growing up. But it’s also a genre where most of what I had seen throughout my whole life, murder mysteries are period pieces set usually in a cozy little bubble of a little “Queensfordshire” place in England.

And I guess my realization was, that’s not what Agatha Christie did. She was not writing period pieces. She wasn’t an incredibly political writer, but she was always writing to her time. It’s not trying to do anything radical in terms of making it new or updating it, but let’s set it very much unapologetically in the modern moment. … You have a group of suspects that have a hierarchy of power amongst them and the person at the top they all wanna bump off — it’s such a potent vehicle for building a little microcosm of society.

Benny, one of my favorite things in “The Smashing Machine” is that it’s funny to realize setting a story at the turn of millennium is a period piece now. What was it like crafting this very specific, recent time period?

Safdie: It’s a time period that I think everybody thinks is just yesterday. But when you actually get into the nitty-gritty, it’s a long time ago. And things were very different and everybody knows exactly what those things are too. Because it was heavily documented, there was so much footage of it, it’s so top of mind. And I think a large amount of people also want to go back there a little bit, to this time where the internet was just kind of happening. People want to go back to this simpler moment. But trying to re-create what that feels like is what I was really going after — just thinking about how you would live in that time, and then represent that in the movie. Because I did want it to kind of feel like time travel.

Guillermo, you’ve spoken so much about how “Frankenstein” has been a lifelong dream project for you. Now that it’s done, where does that leave you?

Del Toro: There’s a massive postpartum depression, No. 1, and it’s real. And it affected me more than I thought it would, to be candid. But fortunately, I’ve been very interested in two new themes that are going to be sure to produce blockbusters, which is memory and regret. The dynamic duo of past 60. And I always thought about that in the abstract, but now I try to make the movies not only about the moment I’m in, but about me.

And I’m seriously trying to express what makes me uneasy, what makes me believe in the possibilities of grace even in the most horrible circumstances. And I’m not talking only social, but personal or philosophical. Something happens when the six clicks in on the counter. And all you can do is [ask], “Do I feel I have something to say, genuinely?” And then you go to that. Cronenberg, I had dinner with him when he was turning 74, and he said you have to scare yourself into being young again.

Nia, “Hedda” is such a bold adaptation of the play “Hedda Gabler.” You switched the gender of one of the main characters. You aren’t afraid to inject issues of race and class and sexual identity into the story. Were you ever concerned that you were asking too much of this classic text?

DaCosta: I wrote it on spec, so I wasn’t thinking about anything besides letting my freak flag fly, basically. I just thought, “This character makes more sense as a woman.” OK, what does that mean now? How does that affect the rest of the story? And then I just go from there. And then it ended up being really bountiful and generative.

And then when I met Tessa [Thompson] three years later, I thought, “Oh, when I write this, eventually Tessa will play Hedda.” So now she’s Black. OK, what does that mean? And Tessa’s also mixed-race. So then you get that element of it as well. And then I chose the 1950s, and then I chose England and the country house. You just treat these things as truths, and the story has to go in a certain direction. So I never worry about those things. Maybe because I’m a Black woman, so my presence or my identity for some people will complicate the story. But for me, it just is life.

Guillermo, in adapting “Frankenstein,” did you feel like you were dealing with the Mary Shelley text and also all the Frankenstein movies that we know?

Del Toro: I put all the cinematic stuff on the side. I didn’t want to make an erudite cinematic movie or a referential movie. I have lived with the three iterations of the text for my entire life. And there’s a lot of the interstitial stuff that I took from her biography, fusing with my biography, because even if you sing a song everybody knows, you’re doing it with your lungs. And your passion and your pain and your throat. … It’s the difference between seeing a living animal and taxidermy. If you just want the text, then buy the text. You cannot be more faithful to that text than reading the text. But if you want to see how we interact and resuscitate something into being emotional again, then that’s what we try to do.

Mona, “The Testament of Ann Lee” is a story told with music, but is it a musical? Is that a question you asked yourself as you were making it?

Fastvold: I consider it a musical. I do. But it’s just a different kind of musical. No one’s singing dialogue. It’s not magic when they start to sing. I think, as I was writing the script with Brady [Corbet], we realized early on it had to be a musical because the Shakers worship through ecstatic song and dance. They would be moved by the divine spirit and then receive a song or a piece of movement, and then they would start to sing and dance. Their life was a musical, so that’s what it had to be. And that was exciting to me, to create the whole structure of that.

But it couldn’t be, “OK, here’s a story and then here’s an amazing musical number.” It had to come from this place of worship. So all the musical bits and pieces of the film, our moments of feeling moved by the spirit and having this sort of religious experience, it had to be grounded in that and it had to be really organic-sounding and -looking. So we had to ground it in live recordings and create the soundscape and the music in dialogue with my choreographers. Every body slap and stomp is part of the rhythm and the music of it, because it couldn’t just be where diegetic audio fades out and then there’s this great, wonderful piece.

Chu: In a weird way, we all make musicals. All the movies, everybody has a take on how music integrates with it.

Del Toro: I was aiming for opera.

Guillermo, Jon, both of your films have a sense of scale to them. What kind of challenges does that present? Is it wrangling all the extras? Is it having the sets built on time? Jon, just the number of florists credited at the end of “Wicked: For Good” is wild.

Chu: It’s like building Disneyland, essentially. We had the warehouses going — there’s first a recording studio, so we’re recording music while their dance rehearsals are going on. You have hundreds and hundreds of people. Then you go to the costumes department and then you have the hair, just the wigs alone. People are getting there at 2:30 in the morning. And that’s before you even start the day.

We were planning two movies at the same time. So we had 20-something musical numbers rehearsed and worked with our cinematographer and our team to understand everything and build sets around these pieces. And then you get there on the day and how do I say, “Hey, all that stuff we did, this is actually happening over here. Let’s move everything over here”? I felt the hardest thing was being OK with wasting money if it was the right thing to do at that moment. I needed to feel free and had everybody aware that if I’m moving all of a sudden, we’ve got to go and we’ve got to figure it out. And I think that’s where the magic is.

Del Toro: To me, it’s three things. The first one is tonal, meaning everything that you do, you’re not doing eye candy, you’re doing eye protein. You’re telling a story. So it’s not about looking good or looking big. It’s about, does the gesture happen at the right moment? Because you can make gestures on the wrong moment of the film, and they don’t have a dramatic impact. I say we designed the movie for the Creature to feel real, of a piece with the world. So that’s the first one.

The second one: Is it expressing something different every time we go to a bigger thing? It’s not about the scale. And the final one to me is, does it feel real in the world? So the way I go at it is, there’s no typeface, no paint, no photograph, nothing, that cannot be investigated and designed to within an inch of its life. Even great movies, I’m very fidgety. I go, “That’s not a painting from the 1930s. Somebody painted it much later.” Or a typeface or a carnival banner or something like that. So at the end of the day, if you do your job right, you have a world and people just get into it almost like a vibe. Nobody should notice, but if you do it right, they want to experience it over and over again.

Rian, you make a really bold decision in “Wake Up Dead Man,” where the signature character of the series, Daniel Craig’s Benoit Blanc, is offscreen for much of the first 45 minutes or so of the movie. Did you have to convince people that’s the way things should go?

Johnson: Not really. For this one, first of all, it is a little closer to actually a traditional detective structure. That’s kind of how most Agatha Christie books work, is you meet the suspects in the first act. You get a very good idea of who’s gonna get bumped off. And then, end of the first act, the murder happens, and then the detective shows up and starts to solve it. So there was a precedent for it. But the real reason I had done backflips in the previous two movies to get around that was so we could get Blanc in there earlier. The reason it made sense for this [is] because Father Jud, who’s played by Josh O’Connor, [is] kind of the protagonist of it because of the themes of religion, and so the whole lay of the land was more complicated and delicate in this one to set up. I felt like the audience would be best served by having that runway and getting the time before this powerhouse that is Daniel playing Benoit Blanc comes in and brings this whole new energy to it.

The other thing that I’ve landed on with them is you have to constantly resist the candy of the mystery. You have to always remind yourself [that] the mystery elements are not a load-bearing wall, that those are never going to keep an audience entertained or engaged. You need to do the same thing you do in any movie where you have an emotional, bold line going that’s thrown at the beginning, that lands at the end. And the mystery then has to support that.

Mona, with “Ann Lee,” but also with “The Brutalist,” it seems like the movies that you and Brady Corbet are collaborating on together, you’re doing so much with relatively limited resources. What is it that the two of you are doing in these films that you’re able to make them seem so grand?

Fastvold: I mean, there’s no trick. I had to prep for almost a year for this one, because I knew that no one was going to give me a lot of money to make a musical about the founders of the Shakers. It was not gonna be this sexy pitch. It was a hard pitch. So I knew that it was going to be a limited budget. But at the same time, I just desperately wanted “Ann Lee” to have a really grand story. And I wanted there to be a believable, lush world. And I wanted to tell a story about her whole life, not just a day in her life.

So I had to make it work somehow. It was so much about saying, “OK, I’m working with my [director of photography], my production designer, my costume designer every weekend and night for months and months before we started official prep. And same with my choreographer and composer and with all of the cast as well, just rehearsing. Amanda [Seyfried] was rehearsing at night while she was shooting something else. She would go and have dance rehearsals at night, on the weekends, so we could keep on adjusting.

So the only way that I could, to quote David Lynch, get dreamy on set, which was something I really wanted, was by having so much prep time, and then just really knowing what my Plan A and B was, and to sort of experiment in advance more. And because I knew there’s no way that you can try and build a world and then have the same flexibility on this budget, it’s all about knowing every line item in my budget, what everything costs in Hungary, what everything costs in Sweden. “OK, this is how much a cherry picker in Hungary costs, and therefore I’m gonna take out two shots and only build half the roof.”

The 2025 Envelope Directors Roundtable. Top row, left to right: Rian Johnson, Benny Safdie, and Mona Fastvold. Bottom row, left to right: Nia DaCosta, Jon M. Chu and Guillermo del Toro.

Chu: I think that’s one of the biggest lessons I learned being a director. You don’t have a right to make your movie, because it costs so much and you need so much help. You do have to earn the right to make your movie. That is a part of our job.

Nia, you come to “Hedda” having just made a Marvel movie. You’ve just also finished a sequel to “28 Years Later.” Is there a secret through line for you that connects all these projects?

DaCosta: Being a nerd, Marvel, horror, comic books, for me, those things that I’ve done that I haven’t written are worlds that I loved as a kid. So “Candyman” was hugely important to me when I was younger. I used to love Marvel comics as a kid. “28 Days Later” is one of my formative films that I watched. And so when the opportunities came up to be a part of those worlds, it was really exciting for me. And then “Hedda,” I’m a theater nerd too, so I just really go by my passion, and I’m really compelled by just interesting characters.

“Hedda” and “28 Years Later” are very different films, but for me, they were so similar because I learned from my experience jumping into the studio system after making a sub-million-dollar movie [“Little Woods”] what works for me and what doesn’t work for me. And what works for me is really being given authorship. And so I’m setting the tone early. We’re not here to battle. We’re here to make the vision that I have. And if you’re into it, cool and great, let’s work together. If you’re not into it, then it doesn’t have to exist or I’ll find another way for it to exist.

Del Toro: The ambition should always be beyond the budget. If they give you $130 [million], you want to make a movie that is $260 [million]. But the way to that I found by doing “Devil’s Backbone,” which is $3 million, or “Shape of Water,” which is $19.3. “Shape of Water” opened with all the different sets in the first 15 minutes. And then it’s two sets. Lab, apartment, lab, apartment, lab, apartment. I always tell the departments, let’s choose meatballs and gravy. Where do we put the real resources? You reach a plateau no matter what the budget. Never spend money on a plateau. It always needs to mean something.

Safdie: You pick and choose the moments when you’re gonna get big. We were doing the hospital scene and then we built the plane in the hallway of the hospital. Because that was the most affordable. But there was a column in the middle of the plane, and I would always joke that we should go through the column. I find those limitations exciting. Because you really have to figure it out.

Rian, “Glass Onion” had a more robust theatrical release than “Dead Man” has gotten. Do you feel like as filmmakers that all of you are being put in this position of fighting for the future of theaters and moviegoing?

Johnson: I actually feel incredibly optimistic at this moment about the future of moviemaking. I don’t feel that way because we’re all picking up signs and marching down the street and preaching to people that they need to keep this sacred. I feel optimistic about it because I go to movie theaters and I see them packed with young people who want to go to movie theaters and have that experience.

And I see them coming out for new movies. I see them at revival cinemas. I see theaters at 2 p.m. on a Tuesday showing a Melville film that are just full of young people who are excited. And then you see it with movies that have come out this year. You see it with something like Ryan [Coogler]’s movie, “Sinners,” or with so many films that have struck chords with audiences and created cultural events. You can’t wag your finger at people and say, “You should be going to the theater and having this theatrical experience,” but you feel it rising right now. And so for me, it’s less that I want to advocate for it. It’s more that I want to ride that wave of it coming up.

In January 2018, conservative Fox News host Laura Ingraham was having dinner at Toscana, an Italian restaurant in Brentwood, when she spotted the renowned Hollywood director — and unabashed liberal — Rob Reiner.

She asked him to come on her show, “The Ingraham Angle.” He was on set the next day.

After introducing him as “a brilliant director,” who made her favorite movie, “This is Spinal Tap,” Ingraham said: “Last night, the first thing Reiner says is: ‘Are they gonna shut the government down?’’ I’m like, wow, I’m here in L.A.; I wanna talk about Hollywood stuff. But he wants to talk about politics.”

Al Gore and Rob Reiner attend the Tribeca Film Festival in New York in April 2007.

(Scott Gries / Getty Images)

Ingraham and Reiner vehemently disagreed — about alleged Russian influence on the 2016 presidential election, about whether President Trump is racist, about the treatment of conservatives in Hollywood.

But Reiner also called Ingraham “smart as hell.” And Ingraham said Reiner “should be lauded” for being willing to spar with her, unlike many politicians on both sides of the aisle.

It was the kind of blunt but ultimately respectful exchange that added to Reiner’s widespread appeal off-screen, both because of — and in spite of — his views.

Reiner and his wife, Michele, were killed at their Brentwood home last weekend, allegedly by their son, Nick, who has been charged with murder. The couple’s deaths have sent a thunderclap through Hollywood and beyond, partly because the Reiners had so many friends and connections in creative and political circles.

Rob Reiner — who, in the role of Michael “Meathead” Stivic in the groundbreaking sitcom “All in the Family,” played the liberal foil to his bigoted, conservative father-in-law, Archie Bunker — seemed to relish his real-life role as a progressive celebrity activist. That made him a hero to many in blue California but a villain to others, especially the reality-TV-show-star-turned-president, Donald Trump.

In a highly criticized social media post, Trump attributed the deaths to “the anger he caused others through his massive, unyielding, and incurable affliction with a mind crippling disease known as TRUMP DERANGEMENT SYNDROME.”

But while Reiner, a blistering critic of the president, disagreed with many conservatives on policy, he also worked to build relationships with them — in media and entertainment circles, the California State Capitol, and beyond.

Ingraham this week called him “a legend.”

Actors Alec Baldwin and James Woods listen to director Rob Reiner in between scenes for the 1996 film “Ghosts Of Mississippi.”

(Columbia Pictures via Getty Images)

Actor James Woods, a longtime Trump supporter, said in a Fox News interview this week that Reiner saved his career by casting him in the 1996 film “Ghosts of Mississippi” over studio objections. He called Reiner “a great patriot” with whom he shared a mutual respect despite myriad political disagreements.

Andrew Kolvet, a spokesman for conservative powerhouse Turning Point USA, wrote on X that he “shared approximately zero in common with Rob Reiner politically, but I am so saddened by this news” and praying that “justice would be swift and without conspiracies [sic] theories.”

Kolvet said Reiner “responded with grace and compassion” to the September killing of TPUSA founder Charlie Kirk — a violent end that Reiner said nobody deserved, regardless of their views.

Hard-right Republican Rep. Marjorie Taylor Greene, of Georgia, called the deaths “a family tragedy, not about politics or political enemies.” And GOP Sen. Ted Cruz, of Texas, wrote on X that “The Princess Bride” was his favorite film and called Reiner “a comedic and story-telling master.”

Off screen, Reiner had a unique ability to connect with people of all persuasions, in various mediums, at the top of their careers or just starting. He was very much influenced by Norman Lear, the creator of “All in the Family,” who blended his Hollywood career with progressive activism.

Similar to Lear, Reiner didn’t just dabble in social causes and campaigns. He launched them, led them and brought people aboard. “He wasn’t building an operation the way Hollywood typically does, making donations, hosting fundraisers,” said Ben Austin, a former aide to Reiner who worked in the White House during the Clinton administration.

And all the time, he did it while making movies, some of them deeply personal, intertwined with his life as a parent.

Reiner was the driving force behind the successful 1998 California ballot measure, Proposition 10, a landmark policy that put a tax on tobacco products and pumped billions of dollars into preschools, teacher training, and support for struggling families. He enlisted help in that effort from such beloved figures as Steven Spielberg, Robin Williams and his own father, comedy legend Carl Reiner.

After the initiative passed, Gov. Gray Davis, a Democrat, appointed the younger Reiner chairman of the First 5 commission overseeing disbursement of the funds.

Rob Reiner co-founded the group that would help overturn Proposition 8, the 2008 ballot measure that banned same-sex marriage in California.

(Los Angeles Times)

And in 2009, Reiner co-founded the American Foundation for Equal Rights, which led the successful legal fight to overturn Proposition 8, the 2008 ballot measure that banned same-sex marriage in California. The group hired legal luminaries from opposite sides of the political spectrum to overturn the ballot measure: the conservative former U.S. Solicitor General Theodore Olson and litigator David Boies, a liberal who squared off against Olson in the U.S. Supreme Court ruling that gave George W. Bush the presidency in 2000.

Former Los Angeles Mayor Eric Garcetti, a Democrat, said in an interview Wednesday that Reiner successfully rallied people to the cause because he was so adept at humanizing the stories of the plaintiffs and other same-sex couples — and emphasizing love.

“I don’t think you can overstate how influential he was at the national, state and local level and how well-liked he was,” Garcetti said. “Politics and movies share this in common: They both need good stories … and he was such a gifted storyteller.”

Garcetti said that while many celebrities lend money and faces to political causes, prettying up political mailers and email blasts, “Rob built those causes. He wasn’t like the frosting on the cake. He actually was the baker.”

Garcetti, then a Los Angeles City Council member, joined Reiner in stumping for 2004 Democratic presidential hopeful Howard Dean, for whom the director was an early backer. Garcetti crossed paths with him often, including during the push to overturn Proposition 8 — and at the Los Angeles City Hall wedding of Paul Katami and Jeff Zarrillo, two of the plaintiffs in the federal case that struck it down.

Katami wrote in an Instagram post this week that Reiner and his wife “stood with us in court for 4.5 years” and that he and his husband sat at the couple’s table in their home many times.

Rob Reiner chats in 2012 with Paul Katami and Jeff Zarrillo, plaintiffs in the case that struck down Proposition 8, which banned same-sex marriage in California.

(Brian van der Brug / Los Angeles Times)

“Because of them, they were able to sit at our table, at our wedding, on a day and in a moment that would not exist without their belief in who we are and how we love,” Katamami wrote.

He added: “They are brave. They are funny. They are generous. They are deeply human. And they make everyone around them feel seen, protected, and encouraged to be more fully themselves.”

Former L.A. Mayor Antonio Villaraigosa, a Democrat now running for California governor, officiated Katami and Zarrillo’s wedding. He said in an interview that Reiner personally bankrolled much of the legal fight because he genuinely believed it was the right thing to do.

In 2008, Villaraigosa kicked off his successful reelection campaign with a private reception at the Reiners’ home.

“You know, the one thing about Rob Reiner: There was no pretense,” Villaraigosa said. “If you go to his house … he’s a very wealthy man — he has been a director, an actor, co-founder of Castle Rock Entertainment — and yet his house was like a home. It wasn’t a mansion. It was like a ranch-style house, very homey.”

Rob Reiner hugs then-Mayor Antonio Villaraigosa in January 2015. The director had just introduced Villaraigosa at a school as the mayor kicked off his Leadership Tour highlighting his support for universal preschool.

(Al Seib / Los Angeles Times)

Villaraigosa and others said Reiner had a granular knowledge of the policies he supported, garnering the respect — if not always the affection — of those with whom he disagreed.

Gale Kaufman, a veteran Democratic strategist who was a longtime advisor to the influential California Teachers Assn., clashed with Reiner over education policy but admired his commitment to — and knowledge about — the issue.

Kaufman told The Times this week that she was amazed by “his attention to detail and his dogged determination that he was right.”

“This was not just someone giving you a pot of money and saying, ‘Go do this.’ This was a guy who was … in every piece of it.”

Cinematographer Reed Morano was one of several in Hollywood whose career soared because of Reiner.

In the late 2000s, Morano was known for filming low-budget projects — often in a gritty, hand-held style. Many of them premiered at the Sundance Film Festival, including the Oscar-nominated “Frozen River.”

In the early 2010s, Morano got a chance to pitch her talents to Reiner and producer Alan Greisman, who were assembling a team to shoot 2012’s “The Magic of Belle Isle,” starring Morgan Freeman and Virginia Madsen and directed by Reiner.

Barely 15 minutes after leaving the meeting, Morano got a call telling her she had the job.

“The thing that strikes me is he could have had anybody he wanted,” said Morano on a call Tuesday from New York City, noting that “Belle Isle” was the biggest budget project she had worked on up to that point. “It’s just he was so open-minded and so forward-thinking, and I think he could see potential that other people couldn’t see.”

Morano then handled cinematography for Reiner’s “And So It Goes,” starring Michael Douglas and Diane Keaton, released to 2014. Reiner, she said, also wanted her to work on “Being Charlie,” the 2015 addiction drama co-written by his son Nick, but she was unable to because of scheduling conflicts. Separately from Reiner, she would go on to win an Emmy in 2017 for directing on the series “The Handmaid’s Tale” and a prize at Sundance for her second film as director, 2018’s “I Think We’re Alone Now.”

A decade before Morano connected with Reiner, Michael Trujillo, now a veteran campaign consultant, went to work for him as a young communications and policy aide for First 5. He was in his early 20s and was stunned to learn he would be working steps from Reiner’s office in the Beverly Hills headquarters of his legendary Castle Rock Entertainment.

Rob Reiner speaks in 1998 to a child development policy group about Proposition 10, which added sales tax to tobacco products to fund early childhood education.

(Robert Durell / Los Angeles Times)

“I show up to Castle Rock Entertainment as a 22-year-old, in Beverly Hills, off Maple Drive. I’m just a Mexican kid from the northeast San Fernando Valley. My dad was a construction worker. My mom was a secretary … and I’m like, ‘What the f— am I doing here?” Trujillo said with a laugh.

Castle Rock, he said, was simultaneously a Hollywood hot spot and “a classroom in politics.” Trujillo said he once played office golf — blue cardboard for water hazards; brown paper for sand traps — with actors Christopher Guest and Eugene Levy while the movie “A Mighty Wind” was being edited. Politicians were always there, too.

Trujillo regularly joined Reiner on his once-a-month flights from Santa Monica to Sacramento for First Five commission meetings and tagged along to news conferences and school classrooms. He usually carried a Sharpie, knowing fans would show up with DVDs or VHS tapes of their favorite Reiner flicks to be signed.

“Rob was able to have conversations with anyone and everyone,” Trujillo said. “If you’re a Republican or Democratic legislator nationally, or even local or in the state, you were still a fanboy. You still wanted to meet his character from ‘All in the Family.’ You still wanted to shake the hand of the guy that made ‘Princess Bride.’ You still wanted to talk to the guy that made ‘A Few Good Men.’”

A UK town dubbed the ‘Queen of the English Riviera’ is set to undergo a multi-million pound project.

Torquay in Devon is known for its many palm trees and sprawling beaches, leading it to being compared to the French Riviera.

And soon the town will undergo a number of projects to upgrade multiple areas as well as introduce new attractions.

Via the government’s ‘Pride in Place’ fund, Torquay’s Strand is one area that will be redeveloped.

There are also plans to introduce a ‘Festival of Torquay’ in 2027.

In total, 30 projects have been chosen for further consideration as part of the council’s 10-year aim to spend £20million on schemes that will make the town better, healthier and happier for those who live there.

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Other projects include restoring historic destinations in the town, such as The Royal Lyceum Theatre.

And for younger people, there are ideas of introducing a number of cultural spaces including a ‘Hidden High Street Creative Space’, a children’s society wellbeing hub, a creative and cultural space for young people and a Torbay Creative Exchange.

According to Torbay Weekly, Torbay Council interim place manager JonPaul Hedge said: “There have been so many brilliant ideas.

“And there are some super-quick wins in terms of delivery.”

Tracey Cabache of Torbay Communities said: “We need something to come forward in the first six months that is very visible for everyone to see.”

There will be a number of projects that aim to improve access to services in the town too, such as connecting different places, establishing a town centre drop-in for disabled and vulnerable people, opening a support and wellbeing hub, opening a number of community hubs and launching a homeless hostel.

The town will be tidied up as well, with more community bus information and opportunities to sponsor a path.

The Strand, which looks on to Torquay Harbour, could also see a large hotel in the future.

According to Willmott Dixon, the spot where a former Debenhams store stands could be transformed into an upscale hotel, with shops on the ground floor, a brasserie-style restaurant, a rooftop bar, fitness room and event space.

Willmott Dixon’s site states: “The food and beverage offering will showcase local produce, delivering a ‘Best of Devon‘ experience.

“The rooftop bar, accessible from The Terrace, is designed to become a destination in its own right, offering panoramic views of Torbay.”

Work is also being carried out on Torquay Pavilion, an Art Nouveau building that opened back in 1912 as an entertainment venue for concerts, theatre and cinema.

The Grade II-listed structure closed in 2012 and over the past months Torbay Council has been carrying out assessment works to understand the condition of the Pavilion.

That work is now complete and the council is now coming up with a proposal for the site.

Another site in Torquay that hopefully has a brighter future is where Living Coasts used to be located.

The tourist attraction, home to penguins and seals, closed back in 2020 and has been left abandoned since.

But now, ARC Marine – a reef technology company – has signed a long-term lease to use the site as a world-leading Marine Innovation Hub.

The projects in Torquay coincide with transformations in the other two towns that form the English Riviera – Paignton and Brixham.

For example, via the Brixham Town Centre Place Vision, Brixham is due to become a vibrant coastal community, according to Torbay Council, with a focus on its historic fishing heritage.

Proposals include more pedestrian links in the town, creating family areas and launching more street food and waterfront activities.

In other regeneration news, a popular London borough to get huge £10billion makeover with parks, restaurants and ‘flower amphitheatre’.

Plus, a historic city centre is set for £2.5billion revamp in the UK’s largest regeneration project.

SEATTLE — In a matter of minutes, the home of the Seattle Seahawks went from a painfully quiet Lumen “Library” to a rollicking madhouse that sent seismologists scrambling for their ground-motion sensors.

Call it the Sheesh-Quake Game.

In a historic comeback, the Seahawks dug their way out of a 16-point, fourth-quarter ditch to beat the Rams in overtime, 38-37.

Oh, the visitors will agonize over some of the bizarre calls, some deserving of further explanation from the NFL. An ineligible-man-downfield call that wiped out a Rams touchdown when they were a yard away from the end zone? That had people scratching their heads. Then there was that do-or-die two-point conversion that seemingly fell incomplete… but later was reversed. More on that in a moment.

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Gary Klein breaks down what went wrong for the Rams in their 38-37 loss to the Seattle Seahawks at Lumen Field on Thursday night.

When the Rams wincingly rewind the video of the collapse, they’ll be peering through the cracks in their fingers.

You’ve heard of a no-look pass? This was a no-look finish.

As soothing wins go, this was a warm bubble bath for the Seahawks, who secured a playoff berth and assumed the driver’s seat in the race for the NFC’s No. 1 seed.

“You hear people late in the year have losses, and you hear people come up here and say, like, ‘Man, this is going to be a good thing for us,’” said Seahawks receiver Cooper Kupp, a onetime Rams hero. “It’s much better to be up here right now saying this is going to be a good thing for us.”

Kupp atoned for his first-half fumble with a successful two-point conversion in the fourth quarter — the first of three in a row for the Seahawks — and a 21-yard reception on the winning drive in overtime.

“If you find a way to get a win when you do turn the ball over three times, you do end up down 16 points, or whatever it was, in the fourth quarter, just finding ways to win games when the odds are against you and things aren’t going right — finding a way to fight back — it’s going to be a good thing for us,” Kupp said. “A good thing for us to draw on.”

The Rams are sifting through the debris of a different lesson. It was a reminder that this charmed season, with Matthew Stafford in line to win his first Most Valuable Player honor, can come crashing down at any moment. There’s no more smooth glide path to Santa Clara for the Super Bowl.

As good as it was for most of the game, picking off Sam Darnold twice and sacking him four times, the Rams defense failed to hold up when it counted most. Shades of the three-point loss at Carolina.

Darnold will have a story to tell. He exorcised a lot of demons. The Rams sacked him nine times in the playoffs last season when Darnold was playing for Minnesota, and intercepted six of his passes in two games this season.

“It’s not great when you have interceptions and turnovers, you want to limit that,” said Darnold, the former USC star. “But all you can do is fight back. For us, I was just going to continue to plug away.”

Darnold came through when it counted, completing five passes on the winning drive, then finding the obscure tight end Eric Saubert — his fourth option — wide open in the end zone on the triumphant conversion.

Seattle Seahawks quarterback Sam Darnold looks to pass against the Rams in the first half Thursday.

(Lindsey Wasson / Associated Press)

The second of the three conversions was the game’s most controversial moment. The Seahawks needed it to forge a 30-30 tie with a little more than six minutes remaining in regulation.

Darnold fired a quick screen pass to his left, trying to get the ball to Zach Charbonnet. Rams defender Jared Verse jumped the route and knocked down the pass. Everyone thought the play was dead, including Charbonnet, who casually jogged across the goal line and picked up the ball as it lay in the end zone.

That proved critical because officials — after what seemed like an eternity — ruled that Darnold had thrown a backward pass and the ball was live when Charbonnet picked it up. Therefore, a fumble recovery and successful conversion, tying the game.

Asked later if it felt like a backward pass, Darnold had a half-smile and said, “Um, yeah. It felt like I threw it kind of right on the side. I’m glad Charbs picked it up, and that turned out to be a game-changing play.”

Was that designed to be a backward pass?

“It just happened to be backwards,” he said. “It wasn’t necessarily talked about. We were just trying to get it in down there on the goal line.”

The Seahawks were lined up to kick off when officials announced that, upon review, the previous play was successful. Suddenly, the most improbable of come-from-victories was within reach.

Earlier in the fourth quarter, when the home team was trailing, 30-14, the Amazon Prime crew had to do some vamping to keep viewers engaged. Al Michaels and Kirk Herbstreit told some Kurt Warner stories from the “Greatest Show on Turf” days. Hey, it had to be more interesting than this game.

Michaels delivered an obscure stat: When leading by 15 points or more in the fourth quarter, the Rams were 323-1.

Informed of that, Seahawks running back Cam Akers — once shown the door by the Rams — had a wry response.

“Now, they’ve lost two,” he said.

Celebration in one locker room. Silence in another.

Do you believe in meltdowns?

Russian leader underscores Kremlin’s hardline stance on peace talks as Trump pushes for deal to end war.

Russian President Vladimir Putin, speaking at his highly choreographed annual question-and-answer session in Moscow, has said his Ukrainian counterpart Volodymyr Zelenskyy refuses to discuss territorial concessions.

The comments were made on Friday during the “Results of the Year” event, where Putin fielded questions from millions of Russians on topics ranging from domestic policy to the war.

Putin’s remarks are the latest in a drumbeat of often-repeated maximalist Russian positions nearly four years after he ordered troops into the neighbouring country, as United States President Donald Trump intensifies diplomatic efforts to broker a peace deal between Moscow and Kyiv.

The issue of territory gained, lost, to be ceded or not, delves into the heart of the matter on one of the most contentious issues in the talks to end the war so far.

“We know from statements from Zelenskyy that he’s not prepared to discuss territory issues,” Putin told attendees at the event in the capital’s Gostiny Dvor exhibition hall. Zelenskyy has indeed stated that clearly, but Ukraine’s constitution also forbids the ceding of land.

Putin has demanded Ukraine cede all territory in four key regions his forces have captured and occupied, along with Crimea, which Moscow seized and annexed in 2014.

He also wants Ukrainian troops to withdraw from parts of eastern Ukraine that Russian forces have not yet taken in the eastern Donetsk region, where fighting remains attritional – conditions Kyiv has rejected outright.

Putin projected confidence about battlefield progress, saying Russian forces had “fully seized strategic initiative” and would make further gains before the year ends.

Moscow’s larger army has made steady advances in recent months, seizing between 12 and 17 square kilometres (4.5 and 6.6 square miles) daily in 2025, according to Western assessments.

The Russian president also attacked Western handling of frozen Russian assets, labelling plans to use them for Ukraine as “robbery” rather than theft because it was being done openly.

“Whatever they stole, they’ll have to give it back someday,” he said, pledging to pursue legal action in courts he described as “independent of political decisions”.

European Union leaders agreed to provide a hefty $105bn interest-free loan to Ukraine to meet its military and economic needs in its war with Russia for the next two years, EU Council President Antonio Costa said.

The leaders decided early on Friday ‍to borrow cash on capital markets to fund Ukraine’s defence against Russia rather than use frozen Russian assets, diplomats said.

The annual event, which Putin has held in different formats since 2001, drew about three million questions from Russians via phone, text and online platforms. An artificial intelligence system processed the queries to identify common themes.

Putin’s comments come at a pivotal moment, and are watched closely by Western officials who will want to get a read on how he intends to present the situation on the ground to the Russian public.

Trump has launched a major diplomatic push to end nearly four years of fighting, but negotiations have stalled over sharply conflicting demands from Moscow and Kyiv.

US officials estimate that Russia and Ukraine have suffered more than two million casualties since Moscow launched its invasion in February 2022. Neither side discloses reliable loss figures.

The most sought-after postcode in the UK has been revealed, with properties selling in this desirable town 15 times faster than the national average of 38 days

There are some charming areas nestled across the UK, but there’s one that has been crowned as the most desirable postcode. To such an extent that buyers looking to relocate to the destination must be quick, as homes sell almost immediately due to the high demand.

To reveal the UK’s most desirable postcodes, housing competition, security and crime rates, education quality, and employment opportunities were all analysed to create a desirability guide. The research, conducted by Origin, highlighted the top 10 postcodes that achieved balanced results across all evaluated factors.

This disclosed that the most sought-after postcode across England, Scotland and Wales was SP9 in Tidworth, Wiltshire. The quaint town, with its charming high street, is set within the sprawling countryside, with the Salisbury Plain and the River Bourne nearby, for that quintessential English allure.

One notable landmark includes St Mary’s Mortuary Chapel, which one visitor noted on TripAdvisor: “A lovely little church not far from Tedworth House. The building is beautiful, and you can look inside. I often take a look when walking in the area. There is a guest book you can sign, and it’s also really interesting to see where visitors have come from!”

There are plenty of sporting events and activities to enjoy in this small town, with the Tidworth Garrison Golf Club, Tidworth Polo Club and Saddle Club. It also boasts the 19th-century Tedworth House and a variety of shops catering to all necessities.

Moreover, it’s nestled among a stunning array of historical landmarks, such as Stonehenge, Salisbury Cathedral, Avebury Stone Circle, Old Sarum Castle and Sidbury Hill, further enhancing its appeal to potential buyers. Properties in this area typically spend an average of just a mere 2.5 days on the market before being snapped up, selling 15 times faster than the national average of 38 days.

Tidworth also boasts a low crime rate of 35.1 incidents per 1,000 residents and is home to top-notch local schools, with an impressive 89% achieving a ‘Good’ or ‘Outstanding’ rating. Additionally, the robust local job market is a magnet for professionals, especially those in the defence sector, with security hubs like Porton Down and Boscombe Down providing ample job prospects.

Top 10 most desirable postcodes:

1. SP9 – Tidworth, Wiltshire
2. GU46 – Yateley, Hampshire
3. G44 – Southside, South Glasgow
4. CA27 – St Bees, West Cumbria
5. LL78 – Isle of Anglesey, Wales
6. CF44 – Aberdare, Wales
7. SE2 – Abbey Wood, South East London
8. SW6 – Fulham, Greater London
9. S10 – Broomhill and Crookes, South Yorkshire
10. NE6 – Walker and Byker, Tyne and Wear

Victoria Brocklesby, COO at Origin, commented: “At its heart, a home is an investment in quality of life, and there are so many factors that contribute to making a property desirable, from the local community to the quality of the schools.

“Having helped homeowners elevate their properties for over 20 years, we also know that a beautiful home with a high-quality finish is equally as important to buyers. All the areas in the list boast a host of incredible properties, from idyllic country residences to ultra-modern luxury apartments, making them the perfect locations for those seeking their dream home.”

Do you have a travel story to share? Email webtravel@reachplc.com

New research has revealed the most sought-after postcodes in the UK, with homes in Wiltshire, South Glasgow and Wales typically selling in under a week, over 30 days faster than the average.

Scattered across the UK are numerous delightful locations, but there are 10 that have been named the nation’s most coveted postcodes. The areas are so desirable that properties are snapped up almost instantly.

To determine Britain’s most desirable postcodes, researchers examined housing competition, security and crime statistics, education standards, and job prospects to compile a comprehensive desirability ranking. The study, carried out by Origin, identified the top 10 postcodes that demonstrated well-rounded performance across all assessed criteria.

The findings revealed that SP9 in Tidworth, Wiltshire, emerged as the most desirable postcode throughout England, Scotland and Wales. The picturesque town, featuring an attractive high street, sits amid rolling countryside, with Salisbury Plain and the River Bourne close by, offering that classic English charm.

Homes in Tidworth are typically on the market for a fleeting 2.5 days before being snapped up, selling at a rate 15 times quicker than the national average of 38 days. It also prides itself on a low crime rate, with only 35.1 incidents per 1,000 inhabitants, and is home to first-rate local schools, with an impressive 89% achieving a “Good” or “Outstanding” rating.

The second most popular location was GU46 in Yateley, Hampshire, with properties in the town typically staying on the market for just 3.5 days before a “sold” sign is fixed on the lawn. The area boasts a low crime rate, 32.5 incidents per 1,000 residents, an array of top-notch schools, and convenient commuter links to London and other major cities.

Coming in third is G44 in South Glasgow, where properties are typically sold in under five days. The area boasts a strong job market, a low crime rate, excellent schools, and vast green spaces, including Queen’s Park and Pollok Country Park, making it an attractive destination for families, professionals, and students alike.

The CA27 North West village of St Bees is another postcode in high demand, with homes selling in an average of 2.8 days. With a crime rate more than 50% lower than the national average, it’s also one of the safest areas in the UK.

St Bees’ education standards are also above par, with 92% of schools achieving a “Good” or “Outstanding” rating. Its countryside setting has an allure that suits those seeking a quieter way of life, particularly for those who work remotely.

Elsewhere on the list, Origin found that properties in LL78, in the Isle of Anglesey, typically sell within a week, which is over 30 days faster than the UK average. This postcode shares the same low crime rate as St Bees, 30.2 incidents per 1,000 residents, and excels in education.

Moreover, its dramatic landscapes, idyllic beaches, and the historic UNESCO site of Caernarfon Castle, just a stone’s throw away, make this postcode the most sought-after in Wales.

Victoria Brocklesby, COO at Origin, commented: “At its heart, a home is an investment in quality of life, and there are so many factors that contribute to making a property desirable, from the local community to the quality of the schools.

“Having helped homeowners elevate their properties for over 20 years, we also know that a beautiful home with a high-quality finish is equally as important to buyers. All the areas in the list boast a host of incredible properties, from idyllic country residences to ultra-modern luxury apartments, making them the perfect locations for those seeking their dream home.”

Top 10 most desirable postcodes:

1. SP9 – Tidworth, Wiltshire
2. GU46 – Yateley, Hampshire
3. G44 – Southside, South Glasgow
4. CA27 – St Bees, West Cumbria
5. LL78 – Isle of Anglesey, Wales
6. CF44 – Aberdare, Wales
7. SE2 – Abbey Wood, South East London
8. SW6 – Fulham, Greater London
9. S10 – Broomhill and Crookes, South Yorkshire
10. NE6 – Walker and Byker, Tyne and Wear

Do you have a travel story to share? Email webtravel@reachplc.com

New research analysed nearly 500,000 ratings across more than 17,000 cities globally, with Italy claiming all three top positions.

When it comes to culinary delights, people often dream of indulging in pasta in Italy, savouring sushi in Japan or relishing tacos in Mexico. Indeed, for many holidaymakers, their trips seem to revolve around the local cuisine.

Now, a study by TasteAtlas has revealed the top destinations for foodies worldwide. The team analysed nearly half a million ratings from 17,073 cities listed on its database.

Interestingly, many of the top-rated locations are conveniently located not too far from the UK, with the majority of the top 10 situated in Europe.

Naples clinched the coveted top spot, thanks to its status as the birthplace of pizza, lasagna and macaroni. However, this picturesque city wasn’t the only Italian destination to make the cut, reports the Express.

Milan bagged second place, owing to its signature dishes such as risotto and panettone. And let’s not forget that Milan is also the home of Campari, perfect for those looking to wash down their meals with a refreshing tipple.

Italy dominated the top three, with Bologna securing third place. The city is renowned for its spaghetti bolognese, ragu and tortellini.

Despite the heavy Italian presence, other popular cities like Paris, Vienna and Mumbai also made it into the top 10.

However, the UK didn’t manage to secure a spot in the top 30, alongside other notable absences including Hong Kong, Barcelona, Ho Chi Minh, Bangkok, and Amsterdam.

Here are the top 30 best cities for food:

1. Naples
2. Milan
3. Bologna
4. Florence
5. Mumbai
6. Rome
7. Paris
8. Vienna
9. Turin
10. Osaka
11. Madrid
12. New York
13. Genoa
14. Nice
15. Lima
16. Jakarta
17. Kyoto
18. Gaziantep
19. Ferrara
20. New Orleans
21. Catania
22. Singapore
23. Venice
24. Istanbul
25. Tokyo
26. San Francisco
27. Lisbon
28. Guadalajara
29. Chicago
30. Philadelphia

Emma Groves, 35, from Belfast, was refused entry to Switzerland and detained at Zurich airport after making an easy mistake when packing

A woman was turned away from her holiday destination and held in custody after making one crucial error while travelling. Emma Groves, 35, from Belfast, made her way to Dublin Airport for a four-night break in Zurich, Switzerland on December 1 this year.

The pair dropped off their luggage and completed check-in before passing through security without any problems. Emma had reserved the Aer Lingus flight approximately three weeks earlier after spotting a hotel she fancied visiting on TikTok.

However, it wasn’t until the duo reached border control in Zurich that they discovered Emma had made a grave blunder which left her devastated. Following the loss of her passport several weeks beforehand, Emma had requested a replacement document, which arrived at her home.

Yet after discovering her original passport, she failed to destroy it and stored it in a drawer alongside her moisturisers and fake tan products.

Emma explained: “I had grabbed it [passport] the night before and give my passport to my boyfriend, he minds them because I do lose everything. Only the night before I thought ‘my goodness am I going to be able to travel, the gold has completely faded off’ this which is strange for it being a new passport. It was in a drawer with all my moisturisers and fake tans. So I did think it’s probably just rubbed off.”

Upon reaching the Swiss border, Emma discovered her passport had been flagged as cancelled. She recalled: “He just said ‘do you have another one’ and then it kind of clicked. The border police came and got me and my boyfriend.

“We went into this room and said we realised what had happened. I said I’ve got a new one but I’ve grabbed the old one so he said because it had been cancelled it was an invalid document.”

Emma was informed she would need to be flown back to Dublin before she could re-enter the country using her valid passport. Her boyfriend chose to remain in the country and await Emma’s return.

Emma found herself placed in a “weird” airport hotel, which she likened to a “mini prison”, containing roughly 20 beds separated by curtains.

She explained: “They put me in an airport hotel and I was in there for about three or four hours, but it was just like a room with a lot of beds in it separated by curtains. I just sat and watched Stranger Things get me through.

“It was scary enough in the hotel because there were a lot of people in there, and there kind of wasn’t really any security or even a locked door. It was a weird room.

“[In Dublin] we used a machine to drop off the luggage, but then we did have to go over to a desk to leave them, and she checked the passport and stuff. The passports were scanned so you’d think they would pick up if it was cancelled.

“Border security in Switzerland said I shouldn’t have been able to get that far. It wasn’t until like 6pm that they told me I’d be getting on the flight at 8pm.”

It’s understood that Aer Lingus verifies that a presented passport corresponds to the passenger’s identity and remains valid. In instances where a passport has been cancelled but remains in date, the discrepancy would be spotted upon entry to another country.

Emma was then accompanied around the airport by a chaperone before being boarded onto the aircraft first, as her passport had been seized. She was given a set of documents which stated she was denied entry and had her passport confiscated.

Upon her return to Dublin, her mother met her with her replacement passport, allowing her to purchase fresh flights to Zurich, which she described as an “expense she didn’t need”.

Emma explained: “When I flew over, I actually initially wasn’t going to bring the forms back, but my mum was like ‘just take them’, so I flew out fine but when I got to the Swiss border again the border control lady was like ‘oh this doesn’t make sense it says you’ve already been here but you haven’t left’.’I give her the forms and she was like ‘oh okay that kind of explains it’ and I got through.”

Emma was informed by border officials that she would face no future travel difficulties due to it being an honest mistake. A representative from Aer Lingus stated: “Passengers travelling with Aer Lingus are responsible for ensuring they have all relevant travel documentation and compliance with relevant laws and regulations of the countries they are flying to, from, or transiting through. Passports used for travel must be valid and in date. If a travel document is not valid for travel, passengers may be refused entry when they reach their planned destination, as was the case in this instance.”

Kelvin Fletcher and his wife Liz Fletcher shared a festive farm update just days before Christmas

Kelvin Fletcher has unveiled a “transformation” in an exciting farming update.

The former Emmerdale star and his wife Liz are known for their appearances on Fletchers’ Family Farm with their children Marnie, Milo, Maximus and Mateusz.

On Friday’s (December 19) episode of ITV’s Lorraine, the couple opened up on their festive plans for their 120-acre Peak District farm in a pre-recorded segment.

“Christmas is around the corner and we’ve got a lot to do. We have to decorate the entire farm for a magical Christmas at the farm,” Liz explained, with Kelvin adding: “It always starts with me and Liz bringing our ideas to life, so yeah, we’ve got quite a busy few weeks coming up.”

The couple began by reusing an old wooden pallet to make a welcoming Christmas sign. Kelvin chose black paint for the lettering, with the star jokingly admitting: “If it’s bad, I’m going to say the kids have done it!”

Liz then quipped: “I don’t think Meghan Markle will be getting you on her show, Kelvin.”

She added: “I’m supposed to be the creative one in the family, but it is really therapeutic to do and I can always tell Kelvin, although he’s like, ‘Yeah, you get on with that,’ he always wants to get involved. As you can see, he takes it quite seriously.

“When I met Kelvin, he was a proper lad’s lad. Drinking beers out with the rugby lads. Look at him now, taking painting a pallet really seriously.”

The pair then turned their attention to transforming the farm for an upcoming Christmas event, with “tonnes of decorations” being prepared to bring some festive cheer.

Kelvin said: “We’ve got a Christmas event coming up soon, so I think it’s going to be quite key for that. It’s a nice welcome notice. And then we’re going to transform the whole farm into a winter farm wonderland, if you like. There will be fairy lights galore and snowmen, it’ll feel very Christmassy.”

For the latest showbiz, TV, movie and streaming news, go to the new Everything Gossip website

Liz added: “We got a tonne to decorate and it feels like we’ve not even started.”

Kelvin then went foraging for holly, before Liz created a stunning wreath for their front door using Christmas tree stems, baubles and other decorations. “I like to have a wreath that’s already made and go quite big with it, or you can start from scratch,” she said.

“My favourite thing about Christmas is it’s the only time that you’ll get your brothers, the wives, the cousins, the aunties all together. You’ll have tables at all different heights because you’re using all the emergency tables, all the emergency chairs. But you’re all there, and that’s what I love. I love seeing all the children together with their cousins, that’s what’s special.”

If you’d like to see more of the Fletchers over Christmas, you can stream an exciting festive special called Fletchers’ Country Workshop on ITVX, which sees Liz showcase her newfound passion for upcycling, crafting and interior design, just in time for Christmas Day.

Lorraine airs weekdays on ITV1 at 9am, while Fletchers’ Family Farm is available to stream on ITVX

A UK city has been hailed as home to ‘one of the world’s most scenic winter train journeys’

A city in the UK has been hailed as the backdrop for “one of the world’s most scenic winter train journeys“. National Geographic experts have lauded the route as “breathtaking,” promising travellers an eyeful of unforgettable vistas. In their roundup of Europe’s top 10, they said: “The holiday season may be the best time to ride the rails on these iconic routes through Germany’s enchanted Black Forest, and Norway’s frozen waterfalls.”

But it’s Scotland that truly steals the show with its mist-shrouded hills, serpentine lochs, and stark winter landscapes. For those hunting for a festive or winter escape, this rail journey delivers an unrivalled experience.

So, where in Scotland can you find this picturesque railway journey?

Stretching around 180 miles from Glasgow to Mallaig via Fort William, the West Highland Line is your ticket to awe-inspiring scenery.

As the National Geographic expert elaborated: “Route: Glasgow to Mallaig. Often cited as one of the world’s most scenic rail journeys, the West Highland Line serves up raw, haunting beauty.

“It slices through Rannoch Moor, a sprawling peat bog, skirts Loch Lomond, and soars over the Glenfinnan Viaduct, (a spectacle long before the Hogwarts Express catapulted it to Hollywood fame).”

They added: ” Edinburgh and Glasgow both boast unique Christmas festivities worth checking out. Edinburgh’s markets spill across Princes Street Gardens under the watchful eye of the castle, while Glasgow is set to light up with a Christmas lights trail this year.”

Glasgow’s Christmas market

The Winter Wonderland Christmas market at St Enoch Square is set to run from 6 November to 24 December, boasting family rides, an ice rink, local vendors, and live music. As reported by Secret Glasgow, the event will feature the world’s first solar-powered observation wheel and a fully licensed festive bar.

Glasgow is also set to host its largest beer hall yet, accommodating up to 700 guests with pub quizzes, live music, and festive beverages on offer. The venue will be adorned with fairy lights and fire pits, serving mulled wine and winter cocktails in both indoor and outdoor spaces.

In lieu of the traditional Christmas Lights Switch-On, which has been cancelled due to redevelopment works at George Square, the city will instead showcase a festive light trail.

Key attractions include dazzling art installations along Sauchiehall, Buchanan, and Argyle Streets, as well as a grand Christmas tree and crib at the Cathedral Precinct, providing a perfect backdrop for festive photos.

Top 10 scenic train routes in Europe, according to National Geographic

1. The Glacier Express (Switzerland)
2. Romantic Rhine Route (Germany)
3. Harz Narrow Gauge Railways (Germany)
4. The Bernina Express (Switzerland to Italy)
5. The West Highland Line (Scotland)
6. The Rauma Line (Norway)
7. The Semmering Railway (Austria)
8. The Schwarzwaldbahn (Germany)
9. The Arlberg Line (Switzerland–Austria)
10. Munich to Salzburg (Germany to Austria)

The holidays have arrived once again. You know, that annual festival of goodwill, compulsory spending and the dawning realization that Santa and Satan are anagrams.

Even in the best of years, Americans stagger through this season feeling financially woozy. This year, however, the picture is bleaker. And a growing number of Americans are feeling Grinchy.

Unemployment is at a four-year high, with Heather Long, chief economist at Navy Federal Credit Union, declaring, “The U.S. economy is in a hiring recession.” And a new PBS News/NPR/Marist poll finds that 70% of Americans say “the cost of living in the area where they live is not very affordable or not affordable at all.”

Is help on the way? Not likely. Affordable Care Act subsidies are expiring, and — despite efforts to force a vote in the House — it’s highly likely that nothing will be done about this before the end of the year. This translates to ballooning health insurance bills for millions of Americans. I will be among those hit with a higher monthly premium, which gives me standing to complain.

President Trump, meanwhile, remains firmly committed to policies that will exacerbate the rising cost of getting by. Trump’s tariffs — unless blocked by the Supreme Court — will continue to raise prices. And when it comes to his immigration crackdown, Trump is apparently unmoved by the tiresome fact that when you “disappear” workers, prices tend to go up.

Taken together, the Trump agenda amounts to an ambitious effort to raise the cost of living without the benefit of improved living standards. But if your money comes from crypto or Wall Street investments, you’re doing better than ever!

For the rest of us, the only good news is this: Unlike every other Trump scandal, most voters actually seem to care about what’s happening to their pocketbooks.

Politico recently found that erstwhile Trump voters backed Democrats in the 2025 governor’s races in New Jersey and Virginia for the simple reason that things cost too much.

And Axios reports on a North Carolina focus group in which “11 of the 14 participants, all of whom backed Trump last November, said they now disapprove of his job performance. And 12 of the 14 say they’re more worried about the economy now than they were in January.”

Apparently, inflation is the ultimate reality check — which is horrible news for Republicans.

Trump’s great talent has always been the audacity to employ a “fake it ‘till you make it” con act to project just enough certainty to persuade the rest of us.

His latest (attempted) Jedi mind trick involves claiming prices are “coming down tremendously,” which is not supported by data or the lived experience of anyone who shops.

He also says inflation is “essentially gone,” which is true only if you define “gone” as “slowed its increase.”

Trump may dismiss the affordability crisis as a “hoax” and a “con job,” but voters persist in believing the grocery scanner.

In response, Trump has taken to warning us that falling prices could cause “deflation,” which he now says is even worse than inflation. He’s not wrong about the economic theory, but it hardly seems worth worrying about given that prices are not falling.

Apparently, economic subtlety is something you acquire only after winning the White House.

Naturally, Trump wants to blame Joe Biden, the guy who staggered out of office 11 months ago. And yes, pandemic disruptions and massive stimulus spending helped fuel inflation. But voters elected Trump to fix the problem, which he promised to do “on Day One.”

Lacking tangible results, Trump is reverting to what has always worked for him: the assumption that — if he confidently repeats it enough times — his version of reality will triumph over math.

The difficulty now is that positive thinking doesn’t swipe at the register.

You can lie about the size of your inauguration crowd — no normal person can measure it and nobody cares. But you cannot tell people standing in line at the grocery store that prices are falling when they are actively handing over more money.

Pretending everything is fine goes over even worse when a billionaire president throws Gatsby-themed parties, renovates the Lincoln Bedroom and builds a huge new ballroom at the White House. The optics are horrible, and there’s no doubt they are helping fuel the political backlash.

But the main problem is the main problem.

At the end of the day, the one thing voters really care about is their pocketbooks. No amount of spin or “manifesting” an alternate reality will change that.

Matt K. Lewis is the author of “Filthy Rich Politicians” and “Too Dumb to Fail.”

If you’re looking for a completely unique weekend away, there’s a hotel with colourful themed rooms and lots of fun surprises, and it’s set in the UK’s coolest city with plenty to do nearby.

While staying in a hotel for the weekend can be nice, one criticism you can level at them is that so many hotel rooms look the same. They may be comfy, but it’s easy to get bored of the same beige style you get in every hotel room.

However, whatever words you use to describe Hotel Pelirocco, “boring” is not one of them. This boutique hotel has 19 rooms, each one with a different theme, and each room is its own colourful little world.

Set on a quiet square in Brighton, the hotel is the perfect place to stay if you’re looking to enjoy the UK’s coolest city. Brighton recently beat competition from cities such as Edinburgh and Manchester to cinch the title, thanks to its independent shops, unique restaurants, and lively music scene.

The hotel is just a 15-minute stroll from the North Laines, famous for its colourful shops including vintage stores, bookshops, record shops, and quirky cafes. There’s also The Lanes area, which has a more historic vibe with narrow cobbled streets full of pretty jewellery stores and designer shops.

Historic Brighton Pier is also just a short walk away, with old-fashioned rides, amusements, and stalls. And of course, there’s the iconic Brighton Beach, a long stretch of shingle that has a promenade full of clubs and bars, and becomes a lively area for nightlife as the sun goes down.

Hotel Pelirocco is set inside two converted Regency townhouses, with its historic façade blending in with the other buildings in a pretty square. However, once you step inside, it’s a maximalist’s dream with colourful walls covered in vintage art and posters. Downstairs it has a bar that hosts live music and events, and opens until the small hours for guests returning from nights out.

However, it’s the rooms that the hotel has become famous for, and themes range from David Bowie to pin-up girls and local artists. The Mod-themed room is perfect for visitors to Brighton who are there to see the city’s filming locations for Quadrophenia, while Do Knit Disturb is a room dedicated to knitting and crochet, with accessories including a knitted telephone.

Brighton has long been a destination for couples’ weekends, and the hotel has a cheekier side to it too. The Botanica suite, for example, comes with a dancing pole and a mirrored ceiling, among other surprises, and there are rooms such as Taboo with more romantic vibes.

The hotel also offers a range of extras that are perfect for couples celebrating a special occasion, from Champagne to boudoir photography in your bedroom. And if you want to really surprise your other half, you can arrange for a hamper from independent store Lust!, which includes an array of toys for couples for a fun start to your break.

Find out more about the Hotel Pelirocco or book a room on their official website.

Have a story you want to share? Email us at webtravel@reachplc.com

OFFICIALS have called for the new EES system to be urgently reviewed with some passengers facing three-hour queues at passport control.

The new Entry/Exit system is set to be up and running by April 10, 2026 for non-EU citizens entering the Schengen area – but there has been a concerns due to huge delays at the border.

The new EES system started rolling out from October 12, 2025, in order to replace manual passport stamping with digital checks for non-EU travelers.

It was designed to eventually reduce airport wait times by automating border checks with biometrics.

But reports have recorded waiting times of up to three hours – and many travellers have taken to social media too.

On December 18, one person said about Lanzarote on X: “Landed at 14.30, over 2 hours later still at airport. This new EEs just is working. Hundreds of people in queue then they stamp passports. Ridiculous”.

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On the same day, The Portugal Post reported three-hour queues in the arrivals hall at Lisbon’s Humberto Delgado Airport due to a glitch with the EES system.

It even added that “officials are now weighing whether to switch the system off altogether during Christmas”.

Earlier in the month, one traveller said: “The new EU Entry/Exit System is off to a great start at Prague Airport, with a 3+ hour queue wrapped around the entire terminal right now.”

The Airports Council International (ACI) in Brussels is calling for an urgent review of the entry-exit system (EES).

ACI has said that the capturing of biometric data from third-country nationals entering the Schengen area has resulted in border control processing times at airports increasing by up to 70 per cent.

It added that this has impacted the passenger experience especially in airports across France, Germany, Greece, Iceland, Italy, Portugal and Spain.

The ACI has said that multiple factors have resulted in delays which include regular EES outages.

It reported persistent EES configuration problems, “including the partial deployment or unavailability of self‑service kiosks used by travelers for registration and biometric data capture”.

There is continued unavailability of Automated Border Control (ABC) gates for EES processing at many airports, and the unavailability of an effective pre-registration app.

Another factor is an insufficient amount of border guards at airports.

Olivier Jankovec, Director General of ACI EUROPE warned: “Significant discomfort is already being inflicted upon travelers, and airport operations impacted with the current threshold for registering third country nationals set at only 10 per cent.”

Currently, one in 10 travellers has to go through the digital registration.

But by January 9, 2026, the percentage is due to be raised to 35 per cent.

Mr Jankovec has warned that unless the issues are resolved this “will inevitably result in much more severe congestion and systemic disruption for airports and airlines. This will possibly involve serious safety hazards”.

He added: “We fully understand and support the importance of the EES and remain fully committed to its implementation.

“But the EES cannot be about mayhem for travelers and chaos at our airports. If the current operational issues cannot be addressed and the system stabilised by early January, we will need swift action from the European Commission and Schengen Member States to allow additional flexibility in its roll‑out.”

For more on EES checks, here’s everything you need to know about them from a travel expert.

Plus, here’s all the worst travel chaos predicted for the UK over the Christmas period.

Chelsea manager Enzo Maresca says reports describing him as a potential successor to Manchester City manager Pep Guardiola are “100% speculation”.

The 45-year-old is the former assistant to Guardiola at City and there have been multiple reports that his mentor could step down at the end of this season.

The Italian was appointed Chelsea manager in June 2024 and has a contract running until 2029, with an option to extend by a further season.

When asked whether there was any truth to the City reports, Maresca said: “It doesn’t affect me at all because I know that is 100% speculation. And at this moment, there is no time for these kind of things.

“First of all, because I have a contract here until 2029 probably. And my focus, I said many times, is just about this club and I’m very proud to be here. But again, it’s speculation. One week ago I was in Italy, the same with Juventus. So I don’t pay attention because I know that is not true.”

Fourth-placed Chelsea play Newcastle in the Premier League on Saturday at 12:30 GMT.

The commander of the U.S. Forces Korea (USFK) said Friday that the Demilitarized Zone (DMZ) should not be “politicized,” voicing opposition to a bill in South Korea that seeks to grant the government control of non-military access to the buffer zone.

The remarks by USFK Commander Gen. Xavier Brunson, who also doubles as commander of the U.N. Command (UNC), followed a recent UNC statement in opposition to the pending bill.

He said the armistice agreement that ended the 1950-53 Korean War should remain the barometer governing behavior. Under the armistice, the UNC currently has the authority to approve or deny access to the DMZ.

“What we want to try to make sure that we do is, number one, we don’t allow that area to become politicized … we signed an agreement to say that we will maintain this buffer here,” Brunson said in an episode of security-focused podcast series “War on the Rocks.”

Brunson noted that South Korea recently proposed military talks with North Korea to discuss how to clarify the Military Demarcation Line in the DMZ in a bid to prevent possible clashes near the inter-Korean border, but emphasized that all actions should be based on the armistice agreement.

“What governs our behavior is the armistice, and we’ve got to adhere to the standards put forward in the armistice. And as long as we do that, there won’t be any challenges,” he said. “What we can’t do is seek to change the way we do business in abrogation of a legal document, which is the armistice.”

The USFK commander’s call urging the need to adhere to the armistice came just days after the UNC issued a rare statement underscoring its role as the “administrator” of the DMZ, which stretches about 250 kilometers in length and 4 km in width, and has served as a buffer between the two Koreas since the end of the Korean War.

Speaking on Seoul’s plan to seek a conditions-based handover of wartime operational control from Washington within President Lee Jae Myung’s five-year term ending in 2030, Brunson said the United States has no intention to “hold this up at all.”

He still emphasized that the bilaterally agreed-upon conditions should be met for the transfer.

“We’ve got to make sure that we’ve met all those conditions whether they be operational, whether they be material based, whether it might be something as simple as protection that those things are all in place before we go and do this,” he said.

Against such a backdrop, Brunson touted how South Korea’s “thriving” defense industry and participation in multinational drills like Talisman Sabre, held in Australia, have strengthened its capabilities as well as role in the wider Indo-Pacific region and called on the country to further “pull away from the Peninsula and become more engaged.”

“I’ve talked a lot about the centrality and importance of the Republic of Korea to the entirety of the Indo-Pacific by virtue of their economy, by virtue of the size of their military, by virtue of their ability to continue to develop technologies,” he said, referring to South Korea by its formal name.

“They are just preeminently important to peace in the Indo-Pacific.”

Copyright (c) Yonhap News Agency prohibits its content from being redistributed or reprinted without consent, and forbids the content from being learned and used by artificial intelligence systems.

After travelling to nine Spanish cities over several years, two stole my heart with their ancient culture, stunning architecture and unique atmosphere – and you can explore them both by train

Over the years, Spain has become one of my favourite places to visit. Mallorca was the first foreign place I visited as a young adult in the 1990s – and I’ve returned there numerous times since. Mallorca’s capital city, Palma is a splendid destination for a winter break, but there are two lesser-known Spanish cities that have truly left an impression on me.

In total, I’ve journeyed to nine Spanish cities over several years, each one special and distinct in its own way. From inland Madrid to vibrant Seville or the coastal southern province of Cádiz, every location has been memorable and unique, reports the Express.

I’ve visited Barcelona a couple of times, even spending several months there once, and while it’s a fantastic city, it was two other Spanish cities that truly captured my heart. The first city that enchanted me is described by Lonely Planet as “truly one of Spain’s most magnificent cities” – and I wholeheartedly agree. It’s an ancient city not far from Madrid named Toledo.

I visited this historic place alone several years ago, outside of the busy season, so there were hardly any tourists. However, like many other places, Toledo can sometimes draw too many visitors these days.

This atmospheric place is an old walled city with a haunting aura of past lives; you can almost feel the layers of history that have unfolded in Toledo. This ancient city is perched on a hill, encircled by the Tagus River (El Rio Tajo in Spanish).

When I stepped off the train from Madrid, the sight of Toledo genuinely took my breath away – at first glance I mistook the river for a moat, though I’ve since learnt that it winds naturally around the hill upon which this city sits. Lonely Planet noted that Toledo “was known as the ‘city of three cultures’ in the Middle Ages” where “Christian, Muslim and Jewish communities peacefully coexisted”.

Yet even today, it’s that sense of diverse culture that feels compelling and somehow magical, as if it’s been absorbed into the walls of the ancient buildings here. There are mosques, synagogues and one of Spain’s “finest Gothic cathedrals” within this city.

Historically, Toledo is said to have been named by the Romans before later becoming an Arabic fortress. The old town area is brimming with history, featuring sights such as the “Puerta de Valmardon” – the oldest city gate within the walls.

The most ancient monument still standing in Toledo is believed to be the Cristo de la Luz Mosque, constructed in the year 999, though throughout this sprawling city, you’ll discover so much of interest spanning numerous eras.

Now onto my next most memorable Spanish city, perhaps even less well-known than Toledo – and you can actually catch a train from Toledo to get to this next beautiful destination: Córdoba. I’ve explored much of Spain via rail journeys – and I’d thoroughly recommend it.

You get to see so much of the countryside when you travel by train abroad. The Spanish city of Córdoba, nestled in the Andalusia province in the south of Spain, is a city I had the pleasure of visiting a few years ago – and it’s another very memorable place.

After spending two days in Seville, having initially flown into Malaga, Córdoba was less than an hour’s train ride away from Seville – and what a captivating place it turned out to be.

Set on the banks of the Guadalquivir River, which flows from Seville to Cádiz, Córdoba is brimming with nature and wildlife. The Sierra Morena Mountains provide a stunning backdrop to Córdoba.

I visited Córdoba in October when it was still quite hot, with daytime temperatures reaching 40C. While I would recommend visiting at a cooler time of year, the city was incredibly atmospheric.

Known as the ‘city of flowers’, Córdoba is adorned with floral decorations in its streets, on monuments and balconies. One particularly vibrant street is the Calleja de las Flores.

One of the city’s most awe-inspiring features is the Roman Bridge of Córdoba. Featured in series 5 of Game of Thrones as the “Long Bridge of Volantis”, it offers exceptional views and tranquil riverside walks.

The city itself is bustling, and at its heart lies the Mezquita Cathedral de Córdoba. This unique mosque-cathedral is an incredible structure that was once under Moorish rule centuries ago before being converted into a Catholic cathedral.

Córdoba, set amidst ancient surroundings, exudes a lively atmosphere. Every glance reveals something intriguing, from the whitewashed or vibrantly coloured homes to the unspoilt cobbled streets.

It’s an unforgettable destination, offering a blend of culture and delectable cuisine, such as the Córdoban Salmorejo soup – a delightful concoction of garlic, tomato and olive oil, even served at breakfast.

My journey through this city was part of a larger adventure that included visits to Malaga, Seville, Córdoba and the coastal city of Cádiz. Each of these places had its own unique charm.

Fringed by the Atlantic Ocean, it’s no surprise that Cádiz is renowned for its fried seafood selection – incredibly fresh and delicious.

The city’s central market (Mercado Central) is a treasure trove of stalls including local fish and irresistibly sweet churros. The market has a truly local feel; while tourists do visit, they’re not as prevalent as in other Spanish seaside locations.

In this city, which gazes out across the ocean towards Morocco and beyond, the daily and frequent tolling of bells from the Cádiz Cathedral adds to the continental ambiance.

A stroll along the coast here is simply beautiful, with sandy beaches lining the way. Although the sea was rough during my October visit, preventing me from swimming, the water temperature remained pleasantly warm.

Touring the cities of Andalusia was a fantastic way to experience this region of Spain and it’s something I’d certainly do again. In my view, it’s incredibly rewarding to see several different places in one exploratory holiday.

There’s another city worth mentioning at the opposite end of the country in north-eastern Spain, which I visited on a separate occasion – Girona.

Girona is less than an hour by train from Barcelona. I made the journey there from the beach resort of Lloret de Mar while on holiday – it’s another captivating city with a remarkable old town.

While in Girona’s old town, I explored the Passeig de la Muralla, which has numerous steps leading to high points offering stunning views of the surrounding province. Although this city is inland, there are several beach areas just a short drive or train ride away.

Girona is a blend of ancient structures and vibrant new buildings. Spain’s official tourism website describes this city as being “of Roman origin with medieval, Romanesque, Gothic and modernist architecture”.

This city also served as another Spanish filming location for Game of Thrones.

The Ford Mustang was built in Detroit, introduced to the world in New York and, according to a new exhibit on the border of downtown and Boyle Heights, romanticized by Los Angeles.

Part advertisement, part history lesson and part playground, “American Icon: A Mustang Immersive Experience” uses theme park-inspired trappings to celebrate a work of mechanical artistry. The car — first introduced in 1964 at the New York World’s Fair as a sporty, compact coup with just a little bit of an edge — is given a hero’s treatment. Inside the warehouse-like Ace Mission Studios, “American Icon” tracks the Mustang’s evolution from the suburban garage to the race track, and uses projections and a 4D theater experience to transform what could have been a showroom experience into something built more for a video game.

With installations focused on the fabled, traffic-free, open road “freedom” that car manufacturers like to so often tout, there’s something quaintly old fashioned here. The Mustang is presented as a car for young couples on the go, optimistically envisioning an America when home and car ownership were a given.

Visitors watch an immersive 4D short film.

(Ronaldo Bolanos/Los Angeles Times)

The seats inside a 4D theater vibrate and feature water and scent effects.

(Ronaldo Bolanos / Los Angeles Times)

In that sense, it’s a car enthusiast’s fantasy. But can it inspire a new generation of car dreamers, especially at a time when some data indicates younger audiences may be holding off on a car purchase?

While no cars are for sale at “American Icon” — there is an assortment of specially branded Mustang merch, however, much of it nostalgically focused on 1964 — such an immersive endeavor makes sense, says researcher Jason Jordhamo, a marketing director for Polk Automotive Solutions from S&P Global Mobility. Enticing audiences today, he says, involves a more personal touch than a big TV ad spend or a sponsorship deal.

“It’s less time in the dealership,” Jordhamo says of reaching younger consumers, especially Gen Z. “Those traditional things have to be let go of.”

Jordhamo notes that new vehicle registration among those aged 18-34 has dipped about 2% in recent years. Anecdotally, he cites a multitude of factors, ranging from growing environmental consciousness — hybrids and electric vehicles are big with the age bracket — to the ease of rideshare, especially in major cities.

But there are other causes for concern. “There’s a lot of things that are challenging in that space,” Jordhamo says. “One is affordability, which is huge. The cost for purchasing a vehicle — the monthly costs — have gone up 30% since the beginning of this decade. And the average loan payment nationally has been over $750 all calendar year.”

With the “Pick Your Pony” interactive feature, guests can listen to different Mustang engine sounds.

(Ronaldo Bolanos / Los Angeles Times)

Immersive experiences, which typically denote either some level of participation on the part of the guest or attempt to envelope the attendee in all-encompassing imagery, are common in Hollywood and often seen as a way of reaching a younger consumer weaned on interactive entertainment. They’ve been utilized heavily by studios such as Netflix for pop-ups themed to “Arcane,” “Squid Game” and more, but brands and personalities as varied as the Catholic Church, McDonald’s and even Mariah Carey have gotten in on the experiential action. Car companies, too, have dabbled, be it partnering with video game franchises such as “Gran Turismo” or “Rocket League” or, as Ford already does, offering real-life experiences such as off-roading in a Bronco at various U.S. locales.

“It’s more than just steel and rubber,” says Ford’s communications director Mike Levine when asked why Mustang was pegged for such an experience. “Mustang’s impact on America should be appreciated like an art exhibit.”

Seated before a crisply, powdered blue 1965 Mustang on a turntable, the exhibit’s first major room comes alive to simulate movement as the surrounding four walls use projections to place us on idealized versions of Venice Beach and Route 66. The glimmering rhythm of Martha and the Vandellas’ “Nowhere to Run” sets the tone as visions of cruise culture innocence aim to make us feel as if we’re on a ride through Southern California. All that’s missing to complete the mood is someone to deliver us a milkshake.

Several generations of Mustangs are projected behind a real vehicle.

(Ronaldo Bolanos / Los Angeles Times)

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Levine says Los Angeles rather than Detroit was chosen as the first of a planned many stops for “American Icon” in part due to the city’s iconography, pointing to historic drives such as Pacific Coast and Angeles Crest highways as scenic backdrops for our car-focused culture. While experiential marketing is all the buzz in recent years, Levine says this is the first installation of its kind for Ford.

“So far, so good,” said Enzo Sanchez, 22, when asked on a recent weekday if he was enjoying “American Icon,” which culminates in a 4D theater experience that serves as a mini motion simulator. Expect to get splashed with a drop of water as the smell of burning rubber fills the room. The mini film — about five minutes — has Mustang drivers saving a post-apocalyptic world from a rogue AI. “Terminator,” but if Mustangs came to the rescue.

Sanchez, named after famed racer and entrepreneur Enzo Ferrari, comes from a car enthusiast family. His father pointed to a wall dedicated to appearances of the Mustang in popular culture, and singled out a framed portrait of Johnny Mathis’ LP “Those Were the Days,” which features the automobile, and said he would have to track down a copy.

“It just transports you,” Sanchez says of his love of the Mustang, adding that he first became aware of “American Icon” on a recent trip to mid-Wilshire’s Petersen Automotive Museum, which helped curate the exhibition. Sanchez noticed one of its famed 1967 Mustangs, the so-called “Eleanor” from “Gone in 60 Seconds,” was absent, and when Sanchez inquired as to its whereabouts, he was told that it would be popping up at “American Icon.” The vehicle shares space with Mustangs from “The Mary Tyler Moore Show,” “Kick-Ass” and “Transformers” at the exhibition.

The Mustang, says Ford’s Levine, has been among the most popular movie vehicles, adding that “Gone in 60 Seconds” showcases the car as much as it does the city of Los Angeles. He, too, has seen the headlines that proclaim Gen Z is shifting away from car ownership. For now, he says, he isn’t concerned.

“I heard the same thing about millennials, who weren’t going to buy cars,” he says. “As a parent of two Gen Z children, they love cars. Their friends have cars. They want something they can enjoy.”

A rotating platform and video projections make a Ford Mustang look like it’s driving on a road.

(Ronaldo Bolanos/Los Angeles Times)

And as Ford bets on with “American Icon,” they want something they can experience.

“This is a different way to reach a Gen Z customer that is very much looking for or has seen engaging content online,” he says. “And when you come in to do that experience, it’s really every sense. When you do the 4D ride, it is every sense. You smell. You feel it. You hear it. You see it. And when you’re immersed on that level, you put the phone down.”

And that, of course, is an essential rule to enjoying the road.

LONDON Heathrow will undergo a series of developments next year starting with Terminal 2 and 4.

It will improve the passenger experience by using AI-technology and has plans to make flights more punctual along with better baggage facilities.

This morning, Heathrow Airport revealed it will start upgrading Terminal 4 next year costing £1.3billion.

The first step will be building a new multi-storey car park and upgrading its check-in area.

The works will be phased to ensure that there’s no disruption to the running of Terminal 4 – and these are expected to be completed in 2031.

Over in Terminal 2, Heathrow has announced that work will also begin on a new baggage system that will be able to handle 31,000 bags each day.

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In order to speed up flights and improve punctuality, it will install AI-powered turnaround tech.

This will involve a network of cameras being installed across Heathrow.

Using AI to analyse data, the airport will speed up turnaround times between flights, which will make journeys more punctual.

Coverage is expected to be across all terminals by the end of 2026.

Other upgrades will be to accessibility, which will have dedicated access to security for the first time.

Alongside new mobility equipment, Heathrow is investing in upgrades to assistance areas across the airport.

There will be a purpose-built assistance area and the UK’s first Tailored Travel Guide.

Passengers with various access needs can input their travel details and get a personalised step-by-step guide to navigate the airport.

Heathrow CEO Thomas Woldbye said: “Passengers should expect that every time they travel through Heathrow their journey is better than the last.”

He added: “I’m excited to unveil next year’s programme which will make Heathrow more user-friendly, more efficient and more resilient for our customers.

“This investment will flow directly into our nationwide supply chain helping to drive economic growth whilst we make Heathrow even better and more efficient for our customers.” 

The upgrades made in December 2025 are part of Heathrow’s current five-year investment plan.

Previously, Heathrow Airport announced its plan for a £49billion overhaul.

This includes increased passenger capacity at Terminal 5 with the number of aircraft stands set to rise.

It will open a number of new lounges, shops and restaurants within the existing terminals.

And to increase flights, it also hopes to build a third runway which will involve moving part of the M25.

This major airport could become the second biggest in the UK ahead of huge expansion plans…

A plan to expand one UK airport has been approved – meaning it could become the second busiest in the country.

In 2024, the airport saw almost 30million passengers, but with the new plans could see 20million more.

The airport in question is London Stansted in Essex which has plans for more flights, but no structural changes.

London Stansted could rise to become the UK’s second busiest airport, rather than the fourth, after councillors agreed to increase its annual passenger numbers to 51million.

The owner, Manchester Airports Group’s, latest plan is to increase passenger capacity at the airport to between 48 and 51million people per year by 2040.

In comparison, London Gatwick sees between 40 to 43million passengers each year.

While you might think that the airport would need an additional runway, there are no plans to build one.

There won’t be a second runway, or exceed the airport’s limit of 274,000 flights a year.

The way it will increase its passengers is by accommodating larger planes.

On December 17, 2025, Uttlesford District Council’s Planning Committee ruled in favour of the application.

Here’s more on the major airport to hike drop-off fee with strict new 10 minute stays.

Plus, the two major UK airports to be much easier to travel to – after thousands caught out with strict £100 fines.

In a territory where 81 percent of buildings lie damaged or destroyed, a small community of young Palestinians is fighting to preserve what remains of Gaza’s digital world.

Coders, repair technicians and freelance workers are labouring under impossible conditions to keep the besieged enclave connected to the outside world.

Against all odds, Gaza’s youths continue to adapt. They work offline, code in notebooks, store solar power whenever the sun is out, and wait for rare moments of connectivity to send their work to clients around the world.

In a war that has taken nearly everything, digital skills have become a form of survival – and resilience.

Many now also rely on online work to make a living. But even that fragile lifeline is now hanging by a thread after more than two years of Israel’s genocidal war.

According to the Palestinian Central Bureau of Statistics, Israeli forces have “deliberately and systematically destroyed” the telecommunications infrastructure.

“We just always look for another way to get connected, always find another way,” said Shaima Abu Al Atta, a coder working from a displacement camp. “This is what actually gave us purpose because if we didn’t do this, we would just die surviving and not doing anything. We would die internally.”

Before the war erupted in October 2023, Gaza had a modest but vibrant tech scene. Innovation hubs hosted coding bootcamps, and hundreds of freelancers worked remotely for international clients. Much of that ecosystem now lies in ruins.

Shareef Naim, an engineer who led a technology hub, described what was lost. His building housed more than 12 programmers with contracts for companies outside Gaza, he said. “The team was very active,” Naim told Al Jazeera.

Today, the structure is destroyed, though some team members are still trying to work from tents and emergency shelters.

Computer technician A’aed Shamaly says, “The main challenge is electricity. Today, electricity is not available all the time, and if it is available, it is unstable,  and there will be a lot of cuts. Prices are also high.”

Electricity, when available at all, is unstable and prohibitively expensive, $12 per kilowatt compared with $1.50 for 10 kilowatts before the war, he said. “There are no spare parts,” he added, so technicians must scavenge components from broken equipment pulled from bombed buildings.

The scale of destruction is staggering. According to the United Nations Satellite Centre (UNOSAT), approximately 198,273 structures across Gaza have been damaged, with 123,464 completely destroyed. The telecommunications sector has been particularly hard hit.

Data from the Palestinian Central Bureau of Statistics reveals that 64 percent of mobile phone towers were out of service as of early April 2025. In Rafah, coverage has collapsed to just 27 percent, down from near-universal access before the war.

During the war, connectivity watchdog NetBlocks documented repeated disruptions, including what it called a “near-total telecoms blackout” in January 2024 that lasted for days.

Israel has long restricted Gaza to outdated 2G mobile technology while allowing 4G in the occupied West Bank.

The telecommunications sector’s value has cratered from $13m in 2023 to just $1.5m in 2024, an 89 percent collapse. Estimated losses exceed half a billion dollars, while reconstruction is projected to cost at least $90m.

The consequences ripple across Gaza’s economy and society.

Remote work was a crucial income source in a territory where unemployment exceeded 79 percent even before October 2023. Now, erratic internet access has pushed many freelancers into joblessness just as Israeli-induced famine has sent food prices soaring.

The telecommunications collapse has also paralysed the banking system, preventing money transfers and leaving families unable to access cash. Healthcare has been disrupted, with the World Health Organization documenting deaths caused by the inability to contact emergency services in time.

Even during the fragile ceasefire that took effect in October 2025, Israel has blocked essential repair equipment from entering Gaza. The restrictions form part of what analysts describe as a deliberate strategy to maintain control over Palestinian digital infrastructure and suppress the flow of information to the outside world.

The future remains deeply uncertain, as efforts to push a fragile ceasefire forward appear to stall and Israel threatens the possibility of returning to full-scale war.

WHEN boxer Jake Paul decided to propose to speed skater Jutta Leerdam on a tropical beach in St Lucia, he secretly flew her parents in as an extra, loving surprise.

In a touching social media video watched by millions of fans, the US influencer can be seen embracing his future in-laws, with his new fiancée jumping for joy in the stunning Caribbean background. But as the couple excitedly plan their wedding, we can reveal the ice queen’s parents Monique and Ruud Leerdam have deep concerns about their future son-in-law’s controversial past – and why their fears could leave the romance in tatters.

Our insider admits Monique and Ruud have had to adjust to their daughter’s newfound fame, which went stratospheric after she began dating her celebrity fiancé, one of the most recognisable social media personalities in the world.

And it’s the ‘celebrity circus’ surrounding the couple that they fear could distract their daughter from remaining at the very top of her sport.

The insider explained: “They were really surprised when she started dating Jake – she went from being well-known to a huge star overnight.

“Things really changed, she became a celebrity as well as an athlete, which is something they are not used to. 

It’s been a bit of an adjustment for them getting used to it all.

An Insider

“The last thing they want is for her to be distracted by him and for it to affect her career.”

“Jutta is incredibly close to her parents,” added the insider of the close-knit relations. 

“They are both sport stars as well and are a very ambitious, clean-cut family.”

UNLIKELY MATCH

At first glance Jake, 28, and Jutta, 26, are from completely different worlds. 

Born in Ohio, Jake is one of the most infamous YouTubers of his generation, the notorious prankster who became a Disney child star after he gained millions of followers on the now defunct Vine app, thanks to his pranks and sketches with his equally famous big brother Logan Paul. 

Today, the multi-millionaire is focused on his boxing career, achieving notable wins against legend Mike Tyson and former world champion Julio Cesar Chavez Jnr.

British two-time heavyweight champion Anthony Joshua is lined up as Jake’s next opponent, in a lucrative bout which will take place in Miami tonight.

Born in the seaside city of ‘s-Gravenzande which sits in the south of The Netherlands, Jutta’s passion for sport became evident at a much younger age than her fiancé.

The sporting superstar began speed skating on the frozen tracks around her hometown when she was 11 and went on to specialise in long-track sprint events. 

Jutta won a speed skating silver medal in the 1,000m at the 2022 Beijing Winter Olympics, a distance in which she holds the Dutch record, and she is a seven times World Champion in her sport. 

And with her celebrity on the rise thanks to her engagement to Jake, the talented star this week announced a deal with Nike, SKIMS, the collaboration between the sporting giant and Kim Kardashian.

“Being one of the best speed skaters in the world requires an intense training regimen,” the brand wrote to accompany a polished TikTok video announcing the deal, which sees Jutta follow in the prestigious footsteps of tennis legend Serena Williams.

LOVE AT FIRST DM

Jutta’s career was already riding high when Jake slid into her DMs back in 2023, asking her to appear on his podcast.

The rest was history and no-one was more surprised than the speed skater.

“I never, ever expected to date him, like never,” she said of the unlikely love story in the Netflix documentary series Countdown: Paul vs Tyson. 

“Of course, I didn’t know a lot about him.

“I could only scroll on his Instagram and form an opinion like the whole world does.”

Jake was equally smitten, calling Jutta a ‘superwoman’ and the ‘most amazing woman there is’. 

And by March this year, he was ready to propose to his ‘gamechanger’ with a diamond ring worth a cool $1 million.

The besotted couple are expected to tie the knot next summer, following the 2026 Winter Olympics and Jake is said to be close to Jutta’s parents, with her dad Ruud calling him ‘my son’ and happily declaring ‘we’re related now’ at the proposal. 

“I come from a very loving family, with lovely parents, a brother, a sister and a younger sister,” Jutta once told the Masters Expo website, going on to explain the origin of her name.  

“I owe my name to my father. He used to be very good at windsurfing. 

“In his day, the German Jutta Müller was the It girl of windsurfing; blonde, pretty, a winner… 

“Everyone was crazy about her. That’s why my father liked that name so much.”

Jutta’s celebrity has been in ascendance since she met the love of her life, something which has caused her parents concern.

“Jutta has so much potential and while they can see Jake adores her, they are just worried about her getting caught up in the circus of it all,” says our insider.

A TROUBLED PAST

To fully explain the reason for the family’s concern, a look back at Jake’s past is needed, for unlike the Leerdams, the influencer cannot be described as ‘clean-cut’.  

Influencer Jake has previously told how his own parents Greg Paul and Pam Stepnick, who are divorced, were ‘very strict’ with their children growing up, alleging his father physically abused him.  

Jake was 16 when he began posting on Vine back in 2013, with his success bagging him a role in the Disney Channel’s series Bizaardvark, which saw him play a character called Dirk who took dare requests.

The teenager, who moved to West Hollywood when he became famous, was fired when a local news station interviewed his less-than-impressed neighbours about his YouTube stunts that included starting a massive fire in his backyard and building a waterslide to shoot people into his pool. 

Sued for $2.5 million by the company who owned his house and fired from his TV gig, Jake turned to other business ventures where he quickly got himself into hot water once more.  

He launched a series of paid for videos called Edfluence, which promised to give fans the secret to becoming influencers, but this was quickly branded a scam for money by fellow creators. 

Brash and outspoken, Jake has previously gotten into trouble for making content branded too sexual and violent for his young followers and in 2015, he was caught using racial slurs in a freestyle rap at music festival Coachella. 

Previous relationships have also proved controversial for the influencer, including two allegedly faked for publicity marriages, the first to his ex Erika Costell and the second to YouTuber Tana Mongeau.

Another fake girlfriend, Alissa Violet, accused Jake of emotional and mental abuse and in April 2021 influencer Justine Paradise and model Railey Lollie both came forward with allegations of sexual assault against Jake, which he vehemently denied in full.

The seemingly unrepentant star threw a huge party in Calabasas, California, at the height of the COVID-19 pandemic, later branded the deadly virus a ‘hoax’ in an interview with The Daily Beast and urged his followers to back President Donald Trump when he stood for re-election. 

“It is a concern,” says our source, referring to Jutta’s parents’ take on Jake’s shocking past behaviour. 

“They didn’t know much about Jake but are now very much aware of his past.

“He doesn’t always have the best press and no parent wants their child associated with that.”

Jake could very easily end up being cancelled and they don’t want her going down that path

An Insider

The influencer insists his ice queen has ‘brought the best out of me as a human’ but even if Jake’s bad boy image is firmly behind him, high-profile couples are notorious for struggling to stay the distance.

Jake is based in a stunning $13 million mansion in Puerto Rico, with a private jet and several pricey motors at his disposal, while Jutta’s sports frequently takes her around the globe. 

Despite their hectic schedules, the influencer has spoken of his desire to start a family with his future wife on his BS Podcast and she calls her fiancé the ‘man with the best heart’ and ‘the most romantic guy in the world’. 

Here’s hoping the unlikely pair have found their happy ever after – and they finally get a unanimous decision.