VIEWERS tuning in to the 98th annual Academy Awards ceremony on Sunday night were left frustrated over a technical glitch in the show’s stream.

British fans could watch the Los Angeles bash live on ITV1, with coverage fronted by Jonathan Ross and a celeb panel live from London.

However, it wasn’t all smooth sailing for the transatlantic stream – which was seemingly hit with technical difficulties just minutes in.

As host Conan O’Brien kicked off the show with a joke-filled opening monologue, many ITV viewers could hear a loud beeping noise over the show.

Taking to X to check whether it was a universal issue, one viewer wrote: “Is the itv oscar’s feed glitchy and weird for anyone else or is my tv screeching at me?”

“Omg ITV sort the sound outttt #Oscars,” said a second user.

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A third wrote: “Is anyone else hearing an awful beeping sound on itv or are my speakers just f***ed #Oscars”.

“For everyone saying there are sound issues on ITV’s coverage of the #Oscars, it looks it’s not just us in the UK. People in other countries are complaining too so it must be,” said another.

The sharp beeping noise continued throughout Conan’s opening monologue, but appeared to be fixed by the time the first award came around.

During the show, presenter Jonathan was joined by a panel made up of presenter Elle Osili-Wood, actor Samson Kayo and social media star Fred Asquith.

They discussed the night’s red carpet and ceremony from the studio – providing commentary throughout the bash.

Stars such as Teyana Taylor, Elle Fanning and Jessie Buckley were amongst the glamorous red carpet arrivals.

The exclusive bash closes off awards season and is known as the biggest night in Hollywood.

From Leonardo DiCaprio to Timothee Chalamet, the night’s nominees were out in full force as they hoped to take home one of the coveted gold gongs.

Conan returned to front the show for the second time, as a host of famous faces appeared on stage to give out awards.

Amongst the night’s big nominees were films such as Sinners, Frankenstein and Hamnet.

Who won on Hollywood’s biggest night?

One Battle After Another ran away with the night with six Oscars, while Sinners, which was nominated for a record-breaking 16 awards, came away with four. See the full winners list below:

Best Picture: One Battle After Another

Best Actress: Jessie Buckley, Hamnet

Best Actor: Michael B. Jordan, Sinners

Supporting Actress: Amy Madigan, Weapons

Supporting Actor: Sean Penn, One Battle After Another

Directing: One Battle After Another, Paul Thomas Anderson

Adapted Screenplay: One Battle After Another, Paul Thomas Anderson

Original Screenplay: Sinners, Ryan Coogler

Documentary Feature: Mr. Nobody Against Putin

Documentary Short: All the Empty Rooms

Animated Feature: KPop Demon Hunters

Animated Short: The Girl Who Cried Pearls

Cinematography: Sinners, Autumn Durald Arkapaw

Costume Design: Frankenstein, Kate Hawley

Film Editing: One Battle After Another, Andy Jurgensen

International Feature: Sentimental Value – Norway

Life Action Short: 

The Singers (TIED)

Two People Exchanging Saliva (TIED)

Makeup and Hairstyling: Frankenstein, Mike Hill, Jordan Samuel and Cliona Furey

Original Score: Sinners, Ludwig Goransson

Original Song: Golden, KPop Demon Hunters

Production Design: Frankenstein, Tamara Deverell and Shane Vieau

Sound: F1, Gareth John, Al Nelson, Gwendolyn Yates Whittle, Gary A. Rizzo and Juan Peralta

Visual Effects: Avatar: Fire and Ash, Joe Letteri, Richard Baneham, Eric Saindon and Daniel Barrett

Casting: One Battle After Another, Cassandra Kulukundis

Sylt, Germany

Connected to the German mainland by a single rail causeway, Sylt is just over three hours from Hamburg by direct train. The largest of the North Frisian islands, it slices through the North Sea and the Wadden Sea, with salt marshes and mudflats to the east and 25 miles of white sands sweeping along the western coast, grassy dunes buffering the bracing winds.

Relatively unknown to UK visitors, the island has long been a popular destination for Germans and appeals to an affluent crowd, although not exclusively. Luxury hotels and pioneering health resorts sit side by side with multistorey apartment blocks, modest campsites and laid-back surfing schools.

Trains from Hamburg – soon to be upgraded with the new intercity (ICE L) fleet – arrive in Westerland, the largest town on the island, which expanded significantly during the 60s and 70s. Alternative bases include well-heeled Kampen or Keitum, the latter known for its maritime history and traditional thatched houses. Designated nature reserves cover other parts of the island, from the shifting dunes in List to the vast Braderup Heath, partly managed by a hardy breed of sheep.

Grab a coffee from Kaffeerösterei Sylt, order the herring sandwich from Hafenkiosk 24 and don’t miss the salty Sylter Royal oysters from Germany’s only commercial oyster farm. The restaurant Oma Wilma focuses on hearty fare, while the shop and bistro Käseklub, located on an old goat farm, serves a curated selection of cheeses.
Where to stay: Villa Klasen is a recently renovated boutique hotel in a charming art-nouveau style building with doubles from €120 B&B
Kate Mann

Sherkin, Ireland

It takes an hour and three-quarters by car, plus another 10 minutes by ferry, to get from Cork city, with its lively markets and revelrous pubs, to the relative tranquillity of Sherkin, one of the seven inhabited islands off the coast of West Cork.

None of these islands is especially large – the biggest, Bere Island, takes up about seven square miles – but they are all remarkably different, from sheltered little Garinish with its fine Edwardian gardens, to the ruggedness of Dursey, exposed to the elements at the tip of the Beara peninsula.

Sherkin is the one I know best. A few years back, I joined a group of friends who go there for a fortnight every summer, staying at a simple but appealing retreat called Sherkin North Shore. The kids do sailing courses down on Roaringwater Bay while the adults generally lounge around and enjoy life in a lower gear. There’s a sauna and a cafe where owner Michael O’Connor and his family cook terrific communal dinners. They also stage a (by all reports excellent) music festival, Open Ear, on the June bank holiday weekend.

Sherkin has three marked walking trails, taking you through the lush interior to white-sand beaches and a stunning horseshoe-shaped cove. Down towards the harbour, you’ll find the island’s only pub, the Jolly Roger, which serves chowder and toasties, and hosts music sessions in the busier months. And dotted around the island are artists’ studios (opening times vary, but you can call ahead to arrange a visit).

The buzzy mainland town of Baltimore is the gateway to Sherkin and also to Cape Clear farther south.

The other islands all have separate access points. For Heir or Hare Island, drive to Cunnamore Pier, half an hour west of Baltimore, and hop across on the ferry. You’ll be rewarded in the summer months by a brilliant restaurant and cookery school called Island Cottage – I had the good fortune to go for lunch in 2019 and the food was hearty and delicious.
Where to stay: Sherkin North Shore has rooms from €65 a night per adult, €30 for under-13s) and camping from €80 for a bell tent, €15 for a pitch
Killian Fox

Torcello, Italy

Venice is a city full of attractions, from its beautiful bridges to its Renaissance galleries and hidden spots to enjoy cicchetti or small plates. After a few days, however, the narrow streets and winding canals packed with tourists often spur a desire to escape the island. For many that will mean a trip to Murano, famous for its glass-making heritage, or even Burano, with its wildly coloured houses, both a short boat journey away. But for a real change of pace, switch to a smaller boat at Burano for the short ride to the sparsely populated island of Torcello, at the northern end of the Venetian lagoon.

The first thing that strikes you as you disembark is the sense of space. Following a wide path through the centre of the island, with water on one side and trees on the other, will bring you past green fields and quaint houses to the Ponte del Diavolo, or devil’s bridge, a rare example of an old Venetian bridge without parapets. If you find yourself feeling peckish, stop off at Taverna Tipica Veneziana, where you can get a selection of fried seafood and vegetarian meals. If you sit in the garden, you can see the restaurant’s goats and guinea pigs.

Continuing on the path will lead you to the main attraction: the Basilica of Santa Maria Assunta, founded in 639. It is unassuming from the outside, but the interior walls are decorated with stunning 11th-century mosaics, including a depiction of the last judgment.

Finish your visit by enjoying an ice-cream next to the church by the water’s edge, before retracing your steps back to the buzz of the city or, better still, stay overnight to enjoy the peace of the island once the day trippers have left.

Where to stay: Junior Suites Venezia has a restaurant, coffee shop, garden and doubles from £183 for a two-night stay
Kitty Croft

Frioul islands, France

Just 20 minutes by boat from the Vieux Port of Marseille, the Frioul islands, part of the protected Calanques national park, make a great day trip from the city – but it’s even better to stay longer to enjoy the wild beauty.

The two main islands, Rattoneau and Pomègues (each about 1.5 miles long), are linked by a 19th-century dyke, and hiking trails wind across the white limestone landscape to secluded swimming coves, pretty creeks and viewpoints back across the sparkling Med to town.

The ferry arrives at Rattoneau, where a few restaurants, shops and houses cluster around the harbour. Eat here or stock up on supplies, as there’s little elsewhere. Ou Sinon restaurant is a good choice for fresh seafood (try organic sea bass farmed on Pomègues).

About half an hour on foot from the port, Saint-Estève is the biggest beach on Rattoneau – sheltered, sandy and good for snorkelling (and there’s a small bar). Nearby, the 19th-century Hôpital Caroline, once used to quarantine travellers, is sometimes used for concerts today, while the old fort and second world war bunkers reveal the islands’ strategic importance. Across on Pomègues, it’s worth taking the long hike to the picturesque, remote cove Calanque de la Crine.

There are two other islands in the archipelago: tiny, rocky Tiboulen, used mostly for diving, and If island, home to a 16th-century fortress turned prison, the Château d’If (made famous by Alexandre Dumas’s The Count of Monte Cristo). Some ferries stop here en route to Rattoneau.
Where to stay: accommodation is limited to mainly rental apartments near the harbour. La Daurade du Frioul is a one-bed apartment right on the beach, from £70 a night
Jane Dunford

Cíes islands, Spain

For a Caribbean-like break on a camping budget, it’s hard to beat the car-free Cíes islands in north-western Spain. This archipelago off the Galician city of Vigo has the white-sand beaches, the turquoise sea and even the exclusivity – visitor numbers are limited as the islands are part of a national park, and overnight stays are allowed only at Easter and in summer (15 May to 14 September). Admittedly, the illusion is shattered when dipping a toe in the chilly Atlantic …

To reach the islands, visitors must request a free authorisation code up to 90 days in advance (at autorizacionillasatlanticas.xunta.gal), then use it to buy a boat ticket (details at turismodevigo.org). There are daily crossings from Vigo to Monteagudo island (45 minutes), which is linked to Faro island by a sandbar across a lagoon; the third island, San Martiño, can only be reached by private boat.

Rodas, the biggest beach, is a short walk from the pier, and has kayaks and snorkels to rent – there are no tropical fish, but plenty of octopuses, lobsters and crabs, and often bottlenose dolphins. Seven quieter beaches can be discovered along four hiking trails, which link lighthouses, viewpoints, forests and a bird observatory. The beachside Restaurante Playa de Rodas specialises in seafood – scallops, razor clams, Galician barnacles – and local albariño wine.
Where to stay: Camping Islas Cíes on Faro island has an excellent restaurant, tents with beds and pitches from €10.90, plus €10.90 per adult, €7.90 per child, booking essential
Rachel Dixon

England’s last-gasp defeat by France will have their fans discussing certain moments for years to come, but their indiscipline throughout the Six Nations came to the fore once again – particularly at the end of both halves in Paris.

Leading 27-17 with half-time looming, Ellis Genge was sin-binned after referee Nika Amashukeli ruled the prop had dragged down a maul, soon after two quick penalties had handed momentum back to France.

“After those three penalties in less than two minutes, England then conceded 21 points including that penalty try,” former Wales and Lions captain Sam Warburton said on BBC Rugby Special.

“Then with 14 men they conceded another 14 points, so that is 21 points in that period. It was a really crucial two minutes that they got wrong.”

Then in the dying moments of normal time with England 46-45 ahead, the referee gave France the option of a penalty kick from either of two positions, following infringements by Trevor Davison and Maro Itoje.

Thomas Ramos made no mistake to secure the title for France. Speaking on Rugby Special, former Scotland captain John Barclay said that short spell will be one England will regret.

“In the final two minutes after Tommy Freeman scored, France had a player in the sin-bin. When England look at how they managed this period, they had the game in their hands and threw it away.

“It was a really disappointing end for England. It will be a really tough debriefing on how they manage those crucial moments in the final bit of the game.

“Across the championship they are the top for penalties conceded, with eight yellows and one red, and the damage it did to them – they conceded 63 points with a player off the pitch.”

One Battle After Another was the big winner of the 98th Academy Awards, taking home six Oscars.

Paul Thomas Anderson’s black comedy about a has-been revolutionary won Best Picture, Best Director, Best Adapted Screenplay, Best Supporting Actor, Best Film Editing, and Best Casting.

Sinners, which entered the ceremony with a record 16 nominations, was the second-biggest winner of the night, with four awards.

Michael B Jordan earned Best Actor for his leading role, while director Ryan Coogler picked up his first Oscar for Original Screenplay.

In the acting categories, Jessie Buckley won Best Actress for Hamnet, marking her first Academy Award, while Amy Madigan was recognised as Best Supporting Actress for Weapons.

Elsewhere, the South Korean musical fantasy KPop Demon Hunters won two Oscars, while Frankenstein also secured two awards.

Here is the full list of winners:

Best Picture
One Battle After Another 

Best Actress
Jessie Buckley, Hamnet

Best Actor
Michael B Jordan, Sinners

Best Supporting Actress
Amy Madigan, Weapons

Best Supporting Actor
Sean Penn, One Battle After Another

Best director
Paul Thomas Anderson, One Battle After Another

Best Original Score
Ludwig Göransson, Sinners 

Best Animated Film
KPop Demon Hunters

Best International Feature
Sentimental Value

Best Documentary Feature
Mr Nobody Against Putin

Best Casting
Cassandra Kulukundis, One Battle After Another

Best Sound
Gareth John, Al Nelson, Gwendolyn Yates Whittle, Gary A Rizzo and Juan Peralta, F1

Best Original Screenplay
Ryan Coogler, Sinners

Best Adapted Screenplay
Paul Thomas Anderson, One Battle After Another

Best Documentary Short
All the Empty Rooms  

Best Live Action Short Film
The Singers and Two People Exchanging Saliva (tie)

Best animated short film
The Girl Who Cried Pearls

Best Music (Original Song):
EJAE, Mark Sonnenblick, Joong Gyu Kwak, Yu Han Lee, Hee Dong Nam, Jeong Hoon Seo and Teddy Park for Golden, KPop Demon Hunters

Best Film Editing:
Andy Jurgensen, One Battle After Another

Best Cinematography:
Autumn Durald Arkapaw, Sinners

Best Production Design:
Tamara Deverell and Shane Vieau, Frankenstein

Best Costume Design
Kate Hawley, Frankenstein

Best Makeup and Hairstyling
Mike Hill, Jordan Samuel and Cliona Furey, Frankenstein

Best Visual Effects
Joe Letteri, Richard Baneham, Eric Saindon and Daniel Barrett, Avatar: Fire and Ash

Gaza City, the Gaza Strip – On February 28, Lama Abu Reida was just a few hours away from what she hoped would change the fate of her sick infant daughter, Alma.

The family had finally been informed that the baby girl – fewer than five months old and unable to breathe without an oxygen machine – was eligible for medical evacuation.

The small travelling bag was packed, the medical documents in order, and Abu Rheida ready to go. All that remained was to exit the Rafah crossing between Gaza and Egypt and from there head to Jordan, where Alma could undergo a surgery that was not available in the Gaza Strip.

But just one day before the scheduled March 1 trip, Israel shut Gaza’s crossings “until further notice”, citing security reasons. The decision coincided with the launch of a joint military attack alongside the United States on Iran – and shattered Abu Rheida’s hopes.

“They told me the crossing had been closed without any warning because of the war with Iran,” the mother says in a choked voice.

Alma, who suffers from a lung cyst, has been at Nasser Hospital in Khan Younis, in southern Gaza, for more than three months now, with her mother staying by her side day and night.

“She cannot do without oxygen at all,” Abu Rheida says. “Without it, she becomes extremely exhausted.”

‘I don’t know what might happen’

The Rafah crossing, Gaza’s main gateway to the outside world, was closed for long periods during Israel’s genocidal war against Palestinians in the Strip that began in October 2023.

On February 1, Israel announced a limited reopening as part of a trial phase following a “ceasefire” with the Palestinian group Hamas. This allowed some movement under the agreement’s arrangements, particularly for medical cases.

But only a few patients were able to travel, and thousands remained on waiting lists until the February 28 closure, which stopped the transfer of wounded patients abroad, as well as medical evacuations of patients like Alma.

Doctors had told her family the only option for Alma, who was previously admitted to intensive care three times within a month, was to have surgery abroad to remove the cyst from the lung. While not particularly risky, such an operation cannot be done inside Gaza due to limited medical resources.

“My daughter’s life depends on a single surgery, and afterwards she could live a completely normal life,” Abu Rheida says.

“If her travel is delayed any longer … I don’t know what might happen. Her condition is not reassuring,” she adds in despair.

On Sunday, Israeli authorities said ⁠the Rafah crossing will ⁠open again on Wednesday for ”limited movement of people” in both directions.

‘The closure killed my children’

The very thing Abu Rheida fears is something Hadeel Zorob has already endured.

Zorob’s six-year-old son, Sohaib, died on March 1, 2025, while her eight-year-old daughter, Lana, passed away on February 18 last month. The two children suffered from a rare genetic disease that causes gradual deterioration in the body’s functions.

They were both waiting for medical referrals to travel abroad for treatment – but that never happened.

“I watched my children die slowly in front of my eyes, one after the other, without being able to do anything,” says Zorob, 32, breaking down in tears.

Lana was only a few days away from travelling before she passed away.

“My daughter’s travel had been scheduled around the same period when the crossing was later closed, but she died before that,” Zorob says.

“When the news of the crossing closure came, my grief for my daughter returned all over again as I remembered the many children who will suffer the same fate.”

Zorob says her children were still able to move and play relatively normally in the early stages of their illness.

Before Israel’s war on Gaza, both children were receiving specialised hospital treatment, which helped stabilise their condition to some extent. But as the Israeli attacks intensified, their condition gradually worsened until it reached a life-threatening stage. The collapse of Gaza’s healthcare system left the family struggling to access the medications they relied on.

“We even tried to bring the medicine from the West Bank, and I asked the Red Cross and the World Health Organization, but nothing worked,” Zorob says.

During the war, she and her family had to leave their home and move into a tent in the al-Mawasi area. The new displacament conditions made caring for the children much harder.

“Both were bedridden … in diapers, and their blood sugar needed regular monitoring. We had to give fluids and watch their food … all this in a tent with no basic necessities.”

Zorob says she feels like “going crazy” when she thinks that her children might have survived and improved if they were able to get treatment abroad.

“The closure of the crossings killed my children!” she adds, her voice filled with anguish. “The world gives no value to our lives or to the lives of our children … this has become something normal.”

Zorob says she is trying to stay strong for her third child, four-year-old Layan, despite the persisting pain.

“All I want is that what happened to my children does not happen to any other mother … that the crossing be reopened and that children and patients be allowed to travel.”

‘Is that too much to ask?’

According to the Health Ministry in Gaza, more than 20,000 patients and wounded people are waiting to travel abroad for medical treatment.

Among them are about 4,000 cancer patients in need of specialised care unavailable in Gaza, and roughly 4,500 children.

The lists also include around 440 “life-saving” cases needing urgent intervention and nearly 6,000 wounded people who require continued hospital care outside of Gaza.

The Al-Dameer Association for Human Rights has called the Rafah crossing’s closure a form of collective punishment for civilians in Gaza, warning that it “sentences more patients to death” and deepens Gaza’s humanitarian crisis.

For Amal al-Talouli, the closure of the Rafah crossing was another devastating blow in her battle with cancer.

The 43-year-old has been suffering from breast cancer for about five years. Although she underwent treatment before the war, the disease returned and spread to other parts of her body, including the spine.

“Praise be to God, we accept our fate,” the mother of two says. “Still, why should our suffering worsen because we are prevented from travelling and the crossings are closed?”

Al-Talouli is currently living with relatives after losing her home in the Beit Lahiya project area, in northern Gaza, during the war.

Displacement was not an easy choice due to her health condition, she says. The situation is compounded by a severe shortage of medications and specialised medical staff – a reality also experienced by other cancer patients in Gaza.

“There is a shortage of everything,” al-Talouli says. “I developed osteoporosis and eye fluid from chemotherapy. Chemo needs good nutrition, but malnutrition and famine made it much harder.”

Al-Talouli says the shutdown of the crossings made things worse.

“[It] affects us very, very much. No medicines are entering, and no essential treatments are coming in,” says al-Talouli, whose name was on a waiting list to travel outside of Gaza for treatment.

She stresses that cancer patients in Gaza urgently need support.

“Now I only want the crossing to reopen so I can have a chance to recover and continue my life with my children,” she says. “Is that too much to ask?”

RITA Ora put on a rather daring display as she attended an Oscars afterparty on Sunday night.

The Hot Right Now singer, 35, went completely braless and left little to the imagination in a daring sheer dress and massive feathered hat at Vanity Fair’s star-studded Oscars afterparty.

After Hollywood’s biggest night of the year, Rita could be seen posing up a storm on the red carper ahead of the celebratory event.

The British singer rocked a sheer embroidered floral gown from Tamara Ralph, which has the structure of a corset and the appearance of lingerie.

Though the dress had a high neckline, it was completely sheer with just a few embroidered flowers covering her modesty.

The dress then skimmed her figure with corset boning before baring her bikini line and then transforming into a black satin floor-grazing skirt.

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Trailing behind her, the skirt of the dress even had a train, which also boasted of some embroidery.

There was also a massive bow at the back of her dress, which appeared to be of the silk fabric.

She completed the look with a massive “camp” feathered hat, which dominated the entire look.

Rita wore minimal makeup, a light pink rosy-colored lip and a silver-hued eye look.

Her hair looked short and curled beneath her massive hat, and she added a pair of white pearl earrings.

Reacting to the stunning snaps of Rita’s outfit for the afterparty, one person penned on X, “Oh Rita Ora this is such a slay wow.”

“She ate this,” declared another.

“Sublime,” swooned a third.

While a fourth penned: “What a beautiful dress.”

“THE HEADPIECE IS CAMPPPP,” added a fifth.

Who won on Hollywood’s biggest night?

One Battle After Another ran away with the night with six Oscars, while Sinners, which was nominated for a record-breaking 16 awards, came away with four. See the full winners list below:

Best Picture: One Battle After Another

Best Actress: Jessie Buckley, Hamnet

Best Actor: Michael B. Jordan, Sinners

Supporting Actress: Amy Madigan, Weapons

Supporting Actor: Sean Penn, One Battle After Another

Directing: One Battle After Another, Paul Thomas Anderson

Adapted Screenplay: One Battle After Another, Paul Thomas Anderson

Original Screenplay: Sinners, Ryan Coogler

Documentary Feature: Mr. Nobody Against Putin

Documentary Short: All the Empty Rooms

Animated Feature: KPop Demon Hunters

Animated Short: The Girl Who Cried Pearls

Cinematography: Sinners, Autumn Durald Arkapaw

Costume Design: Frankenstein, Kate Hawley

Film Editing: One Battle After Another, Andy Jurgensen

International Feature: Sentimental Value – Norway

Life Action Short: 

The Singers (TIED)

Two People Exchanging Saliva (TIED)

Makeup and Hairstyling: Frankenstein, Mike Hill, Jordan Samuel and Cliona Furey

Original Score: Sinners, Ludwig Goransson

Original Song: Golden, KPop Demon Hunters

Production Design: Frankenstein, Tamara Deverell and Shane Vieau

Sound: F1, Gareth John, Al Nelson, Gwendolyn Yates Whittle, Gary A. Rizzo and Juan Peralta

Visual Effects: Avatar: Fire and Ash, Joe Letteri, Richard Baneham, Eric Saindon and Daniel Barrett

Casting: One Battle After Another, Cassandra Kulukundis

And a sixth said, “Finally an interesting serve!”

Rita was in attendance at the event solo and without husband Taika Waiti.

The couple tied the knot in August 2022 after they first met in 2018.

They reportedly began dating in early 2021.

This spectacular Victorian mansion is Britain’s original smart home and the world’s first hydroelectric-powered building, featuring historic gardens and starred as Lockwood Manor in Jurassic World: Fallen Kingdom

Nestled within a spectacular mountain setting, this Victorian property stands as a genuine architectural trailblazer and the very first of its kind.

Cragside in Rothbury, Northumberland, holds the title of Britain’s original smart home, and it’s utterly magnificent. From the exterior, the enormous mansion looms over the water beneath it, all asymmetrical and striking, resembling something straight out of a film.

Its multiple pointed roofs and curved brickwork give it a distinctly Tim Burton-esque quality, and indeed, it has featured in numerous productions thanks to its remarkably distinctive beauty.

It appeared in the 2018 blockbuster hit Jurassic World: Fallen Kingdom as the location for Lockwood Manor.

Yet it’s truly the fact this was the world’s first building powered by hydroelectricity and operated by hydraulics that makes it such an extraordinary marvel. Rivers, lakes and even waterfalls all work together to power the property and its enchanting gardens.

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History

Cragside was brought to life through the vision of William and Margaret Armstrong, with William serving as an engineer and industrialist responsible for numerous groundbreaking inventions.

Meanwhile, Margaret had extensive expertise in botanical life, which inspired the creation of the gardens.

What began as simply a sporting lodge in 1863 gradually evolved into a sprawling estate, developed over three decades. The architectural masterpiece was expanded in three principal phases between 1870 and 1884 by architect Richard Norman Shaw.

It quickly evolved into a hub of groundbreaking innovation as the married couple developed their revolutionary vision for electricity and power generation.

The property operates through hydraulics in an entirely unique manner, standing as the world’s first water-powered home. It pioneered central heating, electric lighting, gravity-fed plumbing, water-driven machinery and a hydraulic lift, delivering unprecedented levels of domestic comfort.

Contributing to the property’s pioneering spirit is the electric lighting, which was installed in 1878 using carbon-arc lamps in the Gallery room.

Working alongside chemist Joseph Swan, they advanced this further in 1880 by enabling the first residential installation of incandescent lightbulbs.

Following years of refurbishment and innovation, the property eventually passed to their great-nephew, William Watson Armstrong, after he inherited it.

As they had no children, he became the rightful heir to the estate, and following their passing, the home remained with his family for two additional generations.

Walking

Due to its breathtaking setting, Cragside provides an excellent location for extensive walks across and surrounding the grounds, featuring two particularly lengthy routes – one called the Hydro-power Trail and the other Views of Cragside.

Stretching a lengthy 6.5 miles, these trails are closer to a hike than a leisurely stroll and could occupy the majority of your visit, but the estate serves as an excellent launch pad for the adventure.

The Hydro-power Trail is one that guides you past every aspect of the technology used to harness water power.

On the other hand, the Views of Cragside route offers panoramic views of the Northumberland hills and beyond. It leads you past the Formal Garden, where you can pause to appreciate the meticulously arranged flower beds.

There are signposts scattered throughout the estate directing you to various trails suitable for a range of abilities. The most family-friendly and considered easy to moderate is Nelly’s Moss, which takes up to an hour to complete.

Visiting the estate

To fully enjoy all that Cragside has to offer, there’s no need to pre-book, and parking is included in your entry fee – National Trust members excepted, naturally. Adults are charged £27.00, whilst children pay £13.50 upon entry.

Families consisting of two adults and up to three children can opt for a family ticket priced at £67.50. The site opens its doors from 11am, with the house closing at 3pm and the remaining facilities open until 4pm.

Wales continue to play fixtures amid off-field turmoil, with the Welsh Rugby Union (WRU) not budging on their plan to cut from four men’s professional teams to three.

Tandy and captain Dewi Lake have had to be the face of Welsh rugby and have conducted themselves impeccably.

The hooker will have played his last Ospreys game before a summer move to Gloucester when the Wales squad link up again in the summer.

“That was a performance we have built towards and this group deserves it massively,” said Lake after the win against Italy.

“We have gone through a lot of emotionally tough things recently, whether that is on the field or off it.”

It remains a cause for concern as Wales build towards the World Cup, with Scarlets and Ospreys on a Professional Rugby Agreement (PRA) that expires in the summer of 2027.

Tandy’s squad next take to the field against Barbarians at Twickenham in June before three Nations Championship fixtures in July against Fiji, Argentina and South Africa.

By then the WRU will have held an extraordinary general meeting, with chair Richard Collier-Keywood facing a vote of no confidence, while there is also a legal battle with Swansea Council over the future of Ospreys.

Tandy has created a positive environment for his players after outlining his approach before the campaign.

“If they’ve got something to share, if they’re seeking more clarity or anything they want to talk about then we have to be open,” he said.

“One thing we can’t do is run away from it or pretend it’s not happening.”

Tandy has allowed his players to grow in their Vale Resort bubble and will aim to keep taking everything in his stride in the summer.

March 16 (Asia Today) — A bold bet by a South Korean shipping heir on ultra-large oil tankers is paying off handsomely as the war involving Iran disrupts global energy markets and drives tanker demand sharply higher.

Bloomberg reported that Sinokor Merchant Marine, a major South Korean shipping company, positioned itself to profit from the crisis after securing a large fleet of very large crude carriers (VLCCs) months before the conflict escalated.

The strategy was led by Jeong Ga-hyun, a director at Sinokor Petrochemical and the son of Sinokor Chairman Jeong Tae-soon, according to the report.

Bloomberg described the move as an unprecedented large-scale bet in the global tanker market, executed well before the outbreak of the Iran conflict.

Tankers deployed to Gulf before war

On Jan. 29, weeks before the war erupted in late February, Sinokor reportedly deployed at least six empty VLCCs to the Persian Gulf, positioning them to wait for cargo.

After disruptions in the Strait of Hormuz pushed tanker demand and charter rates sharply higher, the strategy began generating massive returns.

The Strait of Hormuz is one of the world’s most critical energy chokepoints, handling roughly 20% of global oil shipments.

Tanker rates surge to $500,000 a day

With oil exports disrupted and storage facilities across the Middle East filling rapidly, oil producers have increasingly turned to tankers as floating storage units.

According to Bloomberg, Sinokor is now chartering vessels for about $500,000 per day, roughly ten times last year’s average tanker rates.

Industry estimates suggest that by late February the company controlled around 150 VLCCs, representing roughly 40% of available tankers not already tied up in sanctions or long-term contracts.

Quiet heir behind massive shipping strategy

Jeong is known in the shipping industry as the low-profile heir to one of South Korea’s major maritime families.

Bloomberg reported that he rarely appears publicly and is known internally for a military-style management approach. Industry anecdotes even describe him challenging employees and business partners to arm-wrestling contests.

Oil supply disruptions reshape tanker market

The Iran war has dramatically altered global oil transportation patterns, forcing ships to reroute and increasing the need for offshore storage.

Under those conditions, Sinokor’s aggressive tanker acquisition strategy is now being viewed as one of the biggest winners of the crisis, Bloomberg said.

WSJ: Sinokor among winners of Hormuz crisis

The Wall Street Journal earlier identified Sinokor as one of the companies benefiting from the Strait of Hormuz tensions.

According to the newspaper, the company purchased dozens of oil tankers and deployed some of them to the Gulf region even before the conflict intensified.

Sources told the Journal that Sinokor is leasing several vessels to ADNOC, the United Arab Emirates’ state-owned oil company, to be used as floating storage facilities.

These vessels can earn up to $500,000 per day in charter fees, the report said.

As land-based storage in Gulf oil-producing countries approaches capacity, producers have increasingly stored crude at sea. Drilling firms in Iraq and Kuwait have even slowed production due to storage shortages.

The WSJ also noted that Greek shipping magnate George Prokopiou adopted a similar strategy, sending at least five tankers to the Strait of Hormuz through his company Dynacom, which is reportedly earning up to $440,000 per day – about four times pre-war rates.

— Reported by Asia Today; translated by UPI

© Asia Today. Unauthorized reproduction or redistribution prohibited.

Original Korean report: https://www.asiatoday.co.kr/kn/view.php?key=20260316010004394

As anticipated, it ended up being One Battle After Another’s night at the 98th annual Academy Awards, with the political thriller carting away six Oscars out of a total of 13 nominations.

But while Paul Thomas Anderson’s magnum opus continued its march towards award-season domination, there were moments of genuine surprise and subversion in Sunday’s ceremony.

Some of those moments had to do with the current political climate in the United States.

Host Conan O’Brien and his fellow presenters deftly avoided mentioning President Donald Trump by name, but their barbs took direct aim at his policies since returning to office.

Other surprises came from within the filmmaking community itself. For only the seventh time in Oscar history, a tie was announced: Two films had gotten an equal number of votes for Best Live Action Short.

As a result, both the surrealist thriller Two People Exchanging Saliva and the moody bar-room drama The Singers shared the Academy Award.

Here are six key takeaways from the night.

A two-horse race between Sinners and One Battle

The vampire film Sinners came into Sunday night’s ceremony with a record 16 Oscar nominations. But the big question of the night was: How many nods could it actually convert into wins?

Its biggest competition was, of course, Anderson’s One Battle After Another, which had the second highest tally of nominations.

Sinners director Ryan Coogler and Anderson were in direct competition in several top categories, including Best Picture and Best Director.

In both cases, Anderson came out ahead, though he acknowledged how fickle such awards can be.

“ I just want to say that, in 1975, the Oscar nominees for Best Picture were Dog Day Afternoon, One Flew Over the Cuckoo’s Nest, Jaws, Nashville and Barry Lyndon,” the four-time Best Director nominee said, listing films now considered to be Hollywood classics.

“There is no best among them. There is just what the mood might be that day.”

In the categories for Best Supporting Actor and Best Film Editing, One Battle After Another also triumphed, as well as for the inaugural award for Best Casting.

But in a sign of how well matched their two films were, both Coogler and Anderson emerged from the night with writing Oscars.

Anderson picked up Best Adapted Screenplay award for his use of the Thomas Pynchon novel Vineland, while Coogler made off with the Best Original Screenplay Oscar for Sinners, a work inspired by his uncle’s love of the blues.

Jordan dunks on Chalamet in Best Actor race

Sinners, which won four Academy Awards overall, earned some of the most emotional, nail-biting victories of the night.

In the Best Cinematography category, for instance, Autumn Durald Arkapaw became the first woman to top the field.

It was her first nomination and first win, with Arkapaw besting veteran cinematographers like Marty Supreme’s Darius Khondji and Frankenstein’s Dan Laustsen, both multiple nominees.

Another big win for Sinners came in the form of Michael B Jordan, the actor whom Coogler has cast in every film since his directorial breakout in 2013’s Fruitvale Station.

Jordan, 39, was in a tight race for Best Actor with another young performer, 30-year-old Timothee Chalamet of the 1950s ping-pong drama Marty Supreme.

But Chalamet’s aggressive campaigning may have ultimately sabotaged his prospects. Multiple cracks were taken throughout the night at Chalamet’s recent comments disparaging opera and ballet.

“Nobody cares anymore” about either art form, Chalamet said in an interview last month.

“We can change society through art, through creativity, through theatre and ballet and also cinema,” director Alexandre Singh said pointedly during his acceptance speech for Best Live Action Short.

O’Brien, meanwhile, acknowledged the backlash with a joke about heightened security at the night’s Oscar ceremony.

“I’m told there are concerns about attacks from both the opera and ballet communities,” O’Brien said, before turning to Chalamet. “They’re just mad you left out jazz.”

A conga line of snubs

Given the dominant performances from Sinners and One Battle After Another, plenty of critically acclaimed films left empty-handed, or nearly so.

Guillermo del Toro’s Frankenstein, as expected, earned three wins in technical categories, including Best Production Design, Best Costumes and Best Hairstyling and Makeup.

Netflix’s smash hit KPop Demon Hunters, meanwhile, also fulfilled expectations that it would dominate in its categories, Best Animated Feature and Best Original Song.

But then there were former frontrunners like Hamnet that failed to generate much traction, including for director Chloe Zhao, a past Oscar winner. Out of eight nominations total, it only came away with one win: a Best Actress trophy for Irish performer Jessie Buckley.

Marty Supreme and the Brazilian film The Secret Agent fared worse, however. Despite having nine nominations and being considered an early shoo-in for Best Actor, Marty Supreme scored no wins.

The Secret Agent, which swept the Best Actor and Best Director categories at the 2025 Cannes Film Festival, also earned nothing at this year’s Oscars.

Same was true for the quirky kidnapping drama Bugonia, from Oscar darling Yorgos Lanthimos.

Fears about artificial intelligence

The ceremony, however, did occasionally veer away from the competition between the films to discuss issues facing the film industry and the country as a whole.

Among those was the creeping growth of artificial intelligence (AI) in the creative sector.

In the weeks leading up to the 98th Oscars, an AI-generated video clip had gone viral, appearing to show Hollywood icons Brad Pitt and Tom Cruise in a rooftop brawl worthy of a James Bond movie.

The clip had been generated through AI software developed by the Chinese firm ByteDance, and Hollywood leaders quickly denounced it as a threat to their livelihood, not to mention a copyright infringement.

Those concerns reverberated on the Oscar stage on Sunday, with O’Brien and others addressing the growing use of AI.

“Tonight we are celebrating people, not AI, because animation – it’s more than a prompt,” actor Will Arnett said emphatically as he introduced the animation awards.

O’Brien, meanwhile, joked that, by next year, his hosting gig would be taken by “a Waymo in a tux”.

Trump skewered for threatening free speech

Another concern looming over the night’s Oscar ceremony came in the form of President Donald Trump, who has courted controversy by launching deadly military attacks in Venezuela and Iran, as well as leading a violent immigration crackdown in the US.

At no point was Trump mentioned by name. But his leadership was alluded to throughout the night.

O’Brien, the host, set the tone early on with his oblique jabs at the Republican president in his opening monologue.

“When I hosted last year, Los Angeles was on fire,” the two-time Oscar emcee said in remarks dripping with sarcasm. “But this year, everything’s going great.”

Fellow comedian Jimmy Kimmel was even more direct. Last September, his show was briefly suspended after Trump criticised the comedian.

The head of the Federal Communications Commission, a Trump appointee, subsequently threatened the broadcasting license of the TV channel Kimmel performs on.

“There are some countries whose leaders don’t support free speech. I’m not at liberty to say which. Let’s just leave it at North Korea and CBS,” Kimmel quipped, referring to another channel that cancelled a fellow late-night comedy show.

Several filmmakers honoured at the Oscars likewise waded into the controversies surrounding Trump.

Best Documentary Feature winner David Borenstein, for instance, implied a parallel between his film — an exploration of authoritarianism in Russia — and what is currently happening in the US.

“Mr Nobody against Putin is about how you lose your country,” Borenstein explained.

“What we saw when working with this footage is that you lose it through countless small little acts of complicity: when we act complicit, when a government murders people on the streets of our major cities, when we don’t say anything, when oligarchs take over the media.”

Political speeches avoid mention of Iran war

The Oscars come roughly seven months ahead of the pivotal midterm elections in the US, which could see Trump’s Republican Party lose its majorities in Congress.

But while several filmmakers did hint at their anti-Trump stances, few explicitly denounced his policies.

For example, Norway’s Joaquim Trier, the winner of the Best International Feature category, veiled his criticism in a James Baldwin quote about the duty to protect children.

“Let’s not vote for politicians who don’t take this seriously into account,” Trier said.

No artist during the night referenced the US and Israeli war against Iran either, though its effects were felt among the participants of this year’s Oscar crop.

Writer-director Jafar Panahi, whose work was up for two Oscars on Sunday, has already said he plans to return to his native Iran after the awards season concludes.

Meanwhile, Iranian politician Sara Shahverdi — the subject of a nominee in the Best Documentary Short category — was prevented from attending the Oscars at all due to Trump’s ban on visas for 39 countries.

Palestinian actor Motaz Malhees, star of the Oscar nominee The Voice of Hind Rajab, likewise told media outlets he could not be present at the ceremony due to the travel ban.

The most pointed acknowledgements of the US-led and US-backed conflicts in the world were brief. When Spanish actor Javier Barden took the Oscar stage to present an award, he offered up six words, “No to war, and free Palestine!”

Russian filmmaker Pavel Talankin, meanwhile, made a similar appeal to the audience. “In the name of our future, in the name of all of our children, stop all of these wars now,” he said.

But by and large, the Oscar winners and presenters kept their remarks vague, emphasising global unity over political criticism.

“If I can be serious for just a moment, everyone watching right now around the world is all too aware that these are very chaotic, frightening times,” O’Brien told the audience at the outset of the night.

“It is at moments like these that I believe that the Oscars are particularly resonant. Check it out. Thirty-one countries across six continents are represented this evening, and every film we salute is the product of thousands of people speaking different languages.”

Cinema, he and others argued, transcended borders. The talent on stage was not the US’s alone.

OSCARS viewers were left stunned when two winners were announced for one category – a rare occurrence in the awards show’s history.

Fans at home shared their confusion when two nominees nabbed the win for Live Action Short Film at the 98th annual ceremony.

Comedian and actor Kumail Nanjiani presented the award on Sunday at the Dolby Theatre in Los Angeles, where he announced the unexpected outcome.

Before revealing the winner in the prestigious category, the actor warned that two names would be called, and that it indeed wasn’t a mistake.

He explained that both recipients would come onstage separately to accept their awards and give their speeches.

The Singers was the first announced, followed by Two People Exchanging Saliva, which experienced an awkward blunder when the spotlight went dark, cutting off the winners’ mid-speech.

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After a few moments of silence and a perplexed reaction from host Conan O’Brien, the spotlight turned back on, and they resumed their speech.

Social media erupted with confusion among fans over whether it was normal to have two winners in one category.

“Today I learned that a tie at the Oscars is actually possible. I didn’t know that was a thing. Who knew?!” one viewer wrote on X.

“So far this #Oscars, we’ve got endless roasts about opera and ballet, an unusual amount of AI comments, and even an award that resulted in a tie… which I didn’t know was a thing (it’s only happened seven times in 98 years),” another said.

“A tie in 2026 is crazy,” a third reacted.

“We just had a tie in the #Oscars for best short film. I never knew that was a thing!” a fourth added.

There have only been six other times when a tie has occurred at the Academy Awards.

The first tie occurred at the 5th annual ceremony in 1932 when Fredric March (Dr. Jekyll and Mr. Hyde) and Wallace Beery (The Champ) both won the Best Actor award.

Technically, Fredric won by one vote over Wallace, but at the time, the rules stated that anyone within three votes of the winner would receive the award.

Today, ties only happen when two nominees receive the exact same number of votes.

A tie happened again in 1950 in the Best Documentary Short category, in which So Much for So Little and A Chance to Live both were awarded the trophy.

Who won on Hollywood’s biggest night?

One Battle After Another ran away with the night with six Oscars, while Sinners, which was nominated for a record-breaking 16 awards, came away with four. See the full winners list below:

Best Picture: One Battle After Another

Best Actress: Jessie Buckley, Hamnet

Best Actor: Michael B. Jordan, Sinners

Supporting Actress: Amy Madigan, Weapons

Supporting Actor: Sean Penn, One Battle After Another

Directing: One Battle After Another, Paul Thomas Anderson

Adapted Screenplay: One Battle After Another, Paul Thomas Anderson

Original Screenplay: Sinners, Ryan Coogler

Documentary Feature: Mr. Nobody Against Putin

Documentary Short: All the Empty Rooms

Animated Feature: KPop Demon Hunters

Animated Short: The Girl Who Cried Pearls

Cinematography: Sinners, Autumn Durald Arkapaw

Costume Design: Frankenstein, Kate Hawley

Film Editing: One Battle After Another, Andy Jurgensen

International Feature: Sentimental Value – Norway

Life Action Short: 

The Singers (TIED)

Two People Exchanging Saliva (TIED)

Makeup and Hairstyling: Frankenstein, Mike Hill, Jordan Samuel and Cliona Furey

Original Score: Sinners, Ludwig Goransson

Original Song: Golden, KPop Demon Hunters

Production Design: Frankenstein, Tamara Deverell and Shane Vieau

Sound: F1, Gareth John, Al Nelson, Gwendolyn Yates Whittle, Gary A. Rizzo and Juan Peralta

Visual Effects: Avatar: Fire and Ash, Joe Letteri, Richard Baneham, Eric Saindon and Daniel Barrett

Casting: One Battle After Another, Cassandra Kulukundis

This was the case in 1969 when Katharine Hepburn (The Lion in Winter) and Barbra Streisand (Funny Girl) both received the Best Actress honor.

The fourth tie occurred in 1987 when the award for Best Documentary (Feature) went to Artie Shaw: Time Is All You’ve Got and Down and Out in America.

It wasn’t until 1995 that another tie was called in the Best Live-Action Short Film category, with the statue going to Trevor and Franz Kafka’s It’s a Wonderful Life.

The last instance was in 2013 when the Sound Editing category had two Oscar winners: Zero Dark Thirty (Paul N. J. Ottosson) and Skyfall (Per Hallberg and Karen Baker Landers).

March 16 (Asia Today) — This commentary is the Asia Today Editor’s Op-Ed.

International oil prices and South Korea’s currency are rising sharply again as the Middle East conflict intensifies, raising growing concerns that the country could slide into stagflation.

On March 13, global crude prices climbed back above $100 per barrel, while the Korean won weakened beyond 1,500 per U.S. dollar in overnight trading. The simultaneous surge in energy prices and the exchange rate has heightened fears that South Korea could face a worst-case scenario in which economic growth slows while inflation accelerates.

Such developments threaten to derail the government’s economic targets for the year – about 2% growth and inflation in the 2% range – making emergency policy responses increasingly urgent.

Brent crude futures for May delivery closed at $103.14 per barrel, up 2.7% from the previous day. It was the first time Brent crude exceeded $100 since August 2022.

U.S. West Texas Intermediate (WTI) crude futures settled at $98.71 per barrel, approaching the $100 threshold. Meanwhile, Dubai crude, the benchmark most relevant to South Korea’s imports, surged to $123.50 per barrel, up $34.60 from the previous week.

As oil prices surged, investors turned toward the U.S. dollar as a safe-haven asset. The won-dollar exchange rate closed at 1,497.5 won per dollar in overnight trading, up 16.3 won from the regular daytime session. During trading, the rate briefly rose to 1,500.9 won, crossing the psychologically important 1,500 level for the first time in seven trading days.

The twin surge in oil prices and the exchange rate has been driven largely by escalating tensions in the Middle East.

Iran has openly threatened to block the Strait of Hormuz, a critical chokepoint through which about 20% of the world’s crude oil supply passes. Iran’s new supreme leader, Mojtaba Khamenei, declared a prolonged confrontation in his first official statement on March 12, saying Tehran should continue using the possibility of a Hormuz blockade as leverage against the United States and Israel.

Oil prices, which had briefly stabilized after U.S. President Donald Trump suggested the conflict might end soon, surged again following the statement.

Tensions escalated further after the United States launched airstrikes on Kharg Island, Iran’s largest oil export hub, on March 13. Iran retaliated by attacking the Fujairah port in the United Arab Emirates, a key oil-export route that bypasses the Strait of Hormuz, putting global energy supply chains on alert.

Trump has also urged five countries – including South Korea, China and Japan – to dispatch naval vessels to the Strait of Hormuz, pushing regional military tensions to a new peak.

Economic analysts warn the shock could have serious consequences for South Korea’s economy.

The Korea Development Institute (KDI) warned last week that rising oil prices linked to the Middle East conflict would increase inflationary pressure while weakening economic growth.

The Hyundai Research Institute estimated that if oil prices climb to $150 per barrel, South Korea’s economic growth rate could fall by 0.8 percentage points.

The government is considering a supplementary budget of 10 trillion to 20 trillion won ($7.5 billion to $15 billion) and temporary fuel tax cuts. However, these measures would only offer short-term relief.

A more fundamental solution lies in reducing South Korea’s heavy reliance on Middle Eastern crude oil, which accounted for 69% of total imports last year. Diversifying energy sources by expanding imports from countries such as Brazil and Norway should be pursued urgently.

The government must mobilize every available policy tool – including measures to stimulate domestic demand – to prevent what could become the fourth Middle East-driven oil shock from pushing the economy into stagflation.

— Reported by Asia Today; translated by UPI

© Asia Today. Unauthorized reproduction or redistribution prohibited.

Original Korean report: https://www.asiatoday.co.kr/kn/view.php?key=20260315010004332

ANNA Wintour showed there’s no bad blood when it comes to how she was portrayed in the hit 2006 film The Devil Wears Prada as she teamed up with leading lady Anne Hathaway during Sunday night’s Oscars.

Attending the 98th annual awards bash, which was held at Los Angeles’ Dolby Theatre, the former Vogue Editor-In-Chief took to the stage to present the Best Costume Design gong alongside Anne.

The Devil Wears Prada famously featured Meryl Streep as a scathing magazine editor, a role largely inspired by Wintour’s professional reputation.

And while the film, based on the 2003 novel of the same name, didn’t paint the character in a glowing light, it seems Anna holds no grudges.

Taking to the stage with Anne, the pair performed a hilarious spoof in apparent promotion of the upcoming Devil Wears Prada 2 coming out in May.

As Anne spoke about the importance of costume and fashion in movies, and in real life, she turned to Anna to ask what the fashion powerhouse thought of her ensemble for the awards show.

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Placing her famously oversized sunglasses on, Anna simply replied: “And the nominees are.”

When the pair returned to the stage, Anna hilariously said, “Thank you, Emily,” while addressing Anne.

The moment was a nod to the film’s character Emily, who is the long-suffering assistant to Meryl Streep, portrayed with Emily Blunt.

Despite it being widely accepted that Meryl’s role was based on Anna and her reign at Vogue, the latter failed to share her thoughts on the movie for almost a decade.

Who won on Hollywood’s biggest night?

One Battle After Another ran away with the night with six Oscars, while Sinners, which was nominated for a record-breaking 16 awards, came away with four. See the full winners list below:

Best Picture: One Battle After Another

Best Actress: Jessie Buckley, Hamnet

Best Actor: Michael B. Jordan, Sinners

Supporting Actress: Amy Madigan, Weapons

Supporting Actor: Sean Penn, One Battle After Another

Directing: One Battle After Another, Paul Thomas Anderson

Adapted Screenplay: One Battle After Another, Paul Thomas Anderson

Original Screenplay: Sinners, Ryan Coogler

Documentary Feature: Mr. Nobody Against Putin

Documentary Short: All the Empty Rooms

Animated Feature: KPop Demon Hunters

Animated Short: The Girl Who Cried Pearls

Cinematography: Sinners, Autumn Durald Arkapaw

Costume Design: Frankenstein, Kate Hawley

Film Editing: One Battle After Another, Andy Jurgensen

International Feature: Sentimental Value – Norway

Life Action Short: 

The Singers (TIED)

Two People Exchanging Saliva (TIED)

Makeup and Hairstyling: Frankenstein, Mike Hill, Jordan Samuel and Cliona Furey

Original Score: Sinners, Ludwig Goransson

Original Song: Golden, KPop Demon Hunters

Production Design: Frankenstein, Tamara Deverell and Shane Vieau

Sound: F1, Gareth John, Al Nelson, Gwendolyn Yates Whittle, Gary A. Rizzo and Juan Peralta

Visual Effects: Avatar: Fire and Ash, Joe Letteri, Richard Baneham, Eric Saindon and Daniel Barrett

Casting: One Battle After Another, Cassandra Kulukundis

In 2025, she finally revealed her thoughts on the film.

She said: “I found it highly enjoyable. It was very funny. Miuccia [Prada] and I talk about it a lot, and I say to her: ‘Well, it was really good for you.’“

Anna added that the film “had a lot of humour to it.”

She said: “It had a lot of wit. It had Meryl Streep. I mean, it was Emily Blunt, [and] they were all amazing. In the end, I thought it was a fair shot.”

The fishing village sits magnificently in a stunning cove on a peninsula, offering fresh seafood, timeless charm and an escape from typical tourist crowds

Cornwall harbours a hidden gem which truly seems frozen in time.

Encircled by stunning scenery and overflowing with authentic Cornish charm, this South Cornwall fishing village stands amongst the area’s most exceptional locations.

Described by Secrets of Cornwall as “a great secret frozen in time”, this tiny harbour village nestles magnificently at the foot of a steep, dramatic valley that opens out onto the splendid Veryan Bay.

Considered the crown jewel of Cornwall’s Roseland Peninsula, this coastal village provides quintessentially Cornish views, yet remarkably stays free from the usual tourist masses.

The late Sir John Betjeman – Poet Laureate and famously the campaigner who saved St Pancras Station from destruction during the 1960s – once described this little hamlet as “one of the least spoiled and most impressive of Cornish fishing villages”, and it’s safe to say Portloe has fully lived up to such acclaim.

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Timeless Cornish treasure

The village derives its name from the Cornish ‘Porth Logh’, meaning ‘cove pool’ – a fitting description reflecting its picturesque position within a cove surrounded by dramatic hillsides.

This naturally sheltered spot established its role as a flourishing pilchard fishing harbour throughout the 17th and 18th centuries.

In fact, until the 20th century, over 50 fishing boats operated from the village’s protected cove harbour, a number that has since dropped to just two.

These remaining operational vessels continue their work, hauling in lobster and crab which is then supplied to the village’s two venues – The Lugger and The Ship Inn.

Considered among Cornwall’s most delightful villages, Portloe stands as a true hidden gem, preserved from the passage of time and modern development, reports Cornwall Live.

The steep valleys encircling the village have guaranteed Portloe’s protection from urban sprawl over the years, leaving the settlement and its buildings practically unaltered since their initial construction during the 17th and 18th centuries.

Like much of Cornwall, Portloe’s past is linked with smuggling, with French brandy being the main contraband transported through the village in a bid by locals to supplement the hamlet’s dwindling fishing trade.

Famous connections

Portloe provides a genuine escape from Cornwall’s well-known summer crowds, offering simply a scenic historic harbour and a small beach which exposes a limited stretch of sand at low tide – its picture-perfect surroundings undisturbed by tourist commotion.

The village’s unspoilt appeal has also rendered it a popular filming destination over the years, most notably appearing in Forever England (1935) starring John Mills, Treasure Island (1949), The Camomile Lawn (1991), and more recently in Richard Curtis’ rom-com blockbuster About Time (2013), the BBC’s Wild West television series, and Irish Jam (2006).

What to see and do in the picturesque coastal village

Tourists should not overlook Portloe’s two most renowned establishments – The Lugger hotel and The Ship Inn.

Situated right at the top of the harbour slipway, The Lugger provides diners with the opportunity to relish freshly caught lobster, crab and fish while taking in unmatched views of the Cornish coastline.

Immersed in Portloe’s history, The Lugger was once a notorious smuggler’s refuge, with its landlord even meeting his end at the gallows during the 18th century for smuggling French brandy.

For those favouring a valley-facing view and a more traditional pub atmosphere, the much-adored Ship Inn awaits – originally a 17th-century fisherman’s abode that remains decorated with maritime memorabilia.

Serving delicious meals, The Ship Inn has established its reputation on fresh seafood whilst also accommodating lovers of more typical pub favourites.

One Tripadvisor review of this beautiful village reads: “One of those hidden treasures that we love. Tucked away and not easy to find, but so well worth the trip.

“There is no beach to speak of, this is still very much a fishing village. One hotel, one pub, lots of fancy pants second homes and a handful of old fishing boats plying their trade.

“A great place to start a section of the coast path also. Or just sit and be, and let the day drift by.”

Another visitor said about Portloe: “Lovely, timeless location, where they still winch small fishing boats up on the beach. The only other place I know of like this is Cadgwith Cove on the Lizard peninsula. Simple and unspoiled – thankfully not inundated with tourists like Polperro. There are beautiful clifftop walks to enjoy, or you can just sit and listen to the waves lapping on the shore.”

There’s remarkably little else to keep you busy in this charming Cornish fishing village apart from dining, enjoying a drink and absorbing the breathtaking coastal views – and frankly, we can’t think of a better way to spend your holiday time.

It is a first title of the year for Sinner, who had his Australian Open title defence ended by Djokovic in a thrilling five-set semi-final in January.

Sinner also extends his head-to-head record against Medvedev, having won nine of their past 10 meetings.

Despite the loss, Medvedev will re-enter the top 10 when the rankings are updated on Monday.

The former US Open champion almost missed the tournament, having been stuck in Dubai because of the ongoing conflict in the Middle East.

After arriving in the USA, Medvedev showed why he was previously at the top of the men’s game, with a fine semi-final victory over world number one Carlos Alcaraz.

However, it was Sinner who edged the tight moments on Sunday, helped by his imperious serve.

Sinner won 43 of 47 first-serve points, hit 10 aces and won 60% of points behind his second serve to remain in control of the match.

Medvedev saved the only two break points of the final and came close to forcing a third set when he went 4-0 up in the tie-break.

However, Sinner reeled off seven points in a row to close out the match and win back-to-back Masters 1,000 titles without dropping a set.

Elsewhere, world number three Djokovic has withdrawn from this week’s Miami Open with injury.

The Serb great has won the title six times and finished runner-up to Jakub Mensik last year.

However, the 24-time Grand Slam champion said a right shoulder injury had stopped him competing at the hard-court event, which begins on Monday.

March 15 (Asia Today) — North Korea conducted a large-scale rocket artillery test shortly after key U.S. air defense assets stationed in South Korea were redeployed to the Middle East, a move analysts say may have been intended to test potential security gaps on the Korean Peninsula.

North Korea fired more than 10 ballistic missiles and conducted a saturation strike drill using 600-millimeter multiple rocket launchers, according to state media.

The Korean Central News Agency said the exercise took place Friday under the supervision of leader Kim Jong Un, who was accompanied by his daughter Ju Ae.

The rockets struck targets on islands in the East Sea roughly 364 kilometers away with what the report described as “100% accuracy.”

The launch involved the simultaneous firing of 12 rockets from the super-large multiple rocket launcher system, one of Pyongyang’s most powerful short-range strike platforms.

Kim said the weapons were capable of striking hostile forces within a 420-kilometer range and emphasized their potential to deliver the destructive power of tactical nuclear weapons.

Military analysts said the drill also showcased improvements to the launcher system.

A new five-tube wheeled launcher appeared designed to reduce vibration during firing, while the time required to raise the launcher to firing position was reportedly shortened to less than one minute.

The changes would allow faster deployment and rapid relocation after firing, a tactic commonly known as “shoot and scoot.”

The approach is intended to help launch units evade detection and counterstrikes by South Korean and U.S. forces.

Experts say the tactic could complicate efforts by the allied kill chain system designed to detect launches and rapidly strike missile sites.

The missile launches came after reports that key U.S. missile defense systems previously deployed in South Korea – including the Terminal High Altitude Area Defense system and Patriot batteries – were partially redeployed to support U.S. operations in the Middle East amid the conflict with Iran.

Analysts say the timing suggests North Korea may be attempting to test the readiness of South Korean and U.S. forces during a period when U.S. assets are being shifted to other theaters.

Yang Moo-jin, a professor at the University of North Korean Studies in Seoul, said the exercise appeared designed to assess South Korea’s military preparedness while amplifying concerns about regional security.

The missile launches also occurred ahead of U.S. President Donald Trump’s scheduled visit to China later this month.

Some analysts say Pyongyang may be signaling its preference for direct negotiations with Washington rather than talks mediated by Seoul.

North Korea has increasingly framed relations with South Korea in terms of “two hostile states,” a position that reflects its strategy of engaging the United States while sidelining the South Korean government.

Lim Eul-chul of Kyungnam University’s Institute for Far Eastern Studies said North Korea may view the shifting deployment of U.S. forces as evidence of a more transactional alliance structure under the Trump administration.

“If Pyongyang believes U.S. forces can be redeployed elsewhere depending on strategic priorities, it may attempt to exploit that perception by conducting more aggressive military tests,” Lim said.

— Reported by Asia Today; translated by UPI

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Original Korean report: https://www.asiatoday.co.kr/kn/view.php?key=20260315010004203

The 2026 Oscars featured surprise wins, emotional speeches and some comical moments as stars gathered for Hollywood’s biggest night.

The ceremony saw action thriller One Battle After Another win the most Oscars of the night with six wins, including best picture. But there were a number of historic moments – including Jessie Buckley becoming the first Irish star to win best actress.

And in a shock win amid tough competition from Leonardo di Caprio and Timothée Chalamet, Michael B Jordan took home the best actor prize – the sixth black actor to win in the Academy’s nearly 100-year history.

Follow the BBC’s ongoing coverage of the Oscars here.

“Sinners” entered the night with the record for the most Oscar nominations for a single film, with 16.

It leaves with four awards, won by Ryan Coogler for original screenplay, Michael B. Jordan for lead actor, Autumn Durald Arkapaw for cinematography and Ludwig Göransson for score. Arkapaw became the first woman to ever win in her category.

It seemed every time the film’s title came up during the broadcast there would be cheers and a swell of emotion from the audience. The live performance of the nominated song “I Lied to You” re-created the fantastical moment from the film in which generations of musicians collide, weaving together past, present and future.

Since its release in April of last year, the film has been a cultural touchstone and point of extended conversation on its way to some $370 million in worldwide box office. Among this year’s best picture nominees, only “F1” earned more, with $631 million. When Oscars host Conan O’Brien mentioned the name of the film in his opening monologue, it generated a huge ovation from the room.

Directed and written by Coogler, the film tells the story of twin brothers, Smoke and Stack, both played by Jordan. On the opening night of their juke joint in 1930s Mississippi, they are beset by a small band of vampires, intent on turning everyone inside into bloodsuckers.

In accepting his lead actor award, Jordan thanked Warner Bros. executives Mike De Luca and Pam Abdy “for believing in this dream, this vision of Ryan Coogler and betting on the culture and betting on original ideas and original artistry.” (Including its Oscars for “One Battle After Another” and “Weapons,” Warners Bros. ended the night with an 11-Oscar tally, tying the record for most wins by a single studio.)

Across what seemed an extremely long awards season — a run that was even longer for “Sinners” due to its spring release date — the film had many ups and downs. But its momentum seemed to be peaking at just the right time, as seen with the crucial wins for Jordan and the cast at the Actor Awards on March 1.

Regardless of how one feels about its final tally at the Academy Awards, the movie has already firmly established its continued relevance. As The Times’ Greg Braxton recently wrote, “‘Sinners’ is now being increasingly hailed in Hollywood as a groundbreaking symbol of Black artistic excellence, as well as a timely pushback to the divisive political climate that has reached fever-pitch proportions.”

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