SAN FRANCISCO — Freshman Jazzy Davidson scored a go-ahead layup with 4:05 remaining and finished with a season-best 24 points, leading the No. 19 USC women past California 61-57 on Sunday in the Invisalign Bay Area Women’s Classic.

After Davidson’s basket, Londynn Jones hit a jumper the next time down as USC used a 6-0 burst to take control. The Trojans answered each Cal threat with a key defensive play or big basket.

Cal called time out with 43.8 seconds left and trailing 56-54, but as the Golden Bears tried to set up a play, USC’s Kennedy Smith made a steal of Sakima Walker’s bad pass.

Davidson, one of four Trojans averaging double digits in scoring, shot nine for 21 with three three-pointers. She scored 14 points by halftime as USC led 31-28 and held Cal to five three-point attempts while forcing 11 turnovers.

The Trojans scored 15 points off 18 turnovers by Cal (8-5).

Walker led the Golden Bears with 13 points and 10 rebounds. Lulu Twidale and Taylor Barnes each scored 11.

The longtime Pac-12 rivals reunited at Chase Center, home of the Golden State Warriors — and fans hurried down the stairs for a glimpse of injured USC star JuJu Watkins walking in with the Trojans (9-3).

The game featured fifth-year USC coach Lindsay Gottlieb against her former Cal program that she led to its first Final Four after the 2012-13 season. Gottlieb coached the Golden Bears from 2011-19.

Cal’s Gisella Maul went down hard in the closing moments of the third quarter and walked to the locker room.

After the Bears shot five for 20 from three-point range in a 78-69 loss at Stanford on Dec. 14, they were just one for 11 from deep.

The Trojans completed their nonconference schedule, which included wins over top-25 opponents North Carolina State and Washington.

Up next for USC: Trojans open Big Ten play Monday at Nebraska.

US Special Envoy Steve Witkoff has hailed talks on ending Moscow’s war in Ukraine as “productive and constructive”, after holding separate meetings with Ukrainian, European and Russian negotiators in the state of Florida.

The talks in Miami on Sunday were the latest in a series of meetings between the US, Russia and Ukraine on a 20-point plan touted by US President Donald Trump to end the nearly four-year-old war.

Despite the optimism from the US, there have been no clear signals of imminent resolutions to key hurdles, including on the issue of the territory Russia has seized during the conflict.

Witkoff, who met with Russian President Vladimir Putin’s special envoy Kirill Dmitriev on Saturday, held talks on Sunday with officials from Ukraine and Europe. He then held separate talks with the Ukrainian delegation, led by senior official Rustem Umerov.

Trump’s son-in-law, Jared Kushner, also joined the meetings.

Witkoff, in a joint statement with Umerov, called Sunday’s talks “productive and constructive”, saying they focused on a “shared strategic approach between Ukraine, the United States and Europe”.

“Particular attention was given to discussing timelines and the sequencing of next steps,” they said.

Witkoff and Umerov said that bilateral discussions between Ukrainian and US officials on Sunday focused on developing and aligning positions on four key documents: the 20-point plan, a “multilateral security guarantee framework,” a “US Security guarantee framework for Ukraine”, and an “economic & prosperity plan”.

In a separate X post that ‍used some of ⁠the same language, Witkoff said his talks with Dmitriev were also “productive and constructive”.

“Russia remains fully committed to achieving peace in Ukraine,” Witkoff said in the post. “Russia highly values the efforts and support of the United States to resolve the Ukrainian conflict and re-establish global security.”

Earlier on Sunday, Putin’s top foreign policy aide, Yury Ushakov, said that the changes requested by Ukraine and its European allies to the framework put forth by the US were not improving prospects for peace.

Ushakov said that Dmitriev was due to return to Moscow on Monday and would report to Putin on the outcome of his talks.

“After that, we will formulate the position with which we will proceed, including in our contacts with the Americans,” he said.

Russia, which launched a full-scale invasion of Ukraine in February 2022, sees Europe as “pro-war” and argues that its participation in the talks only hinders them.

Separately on Sunday, Kremlin spokesman Dmitry Peskov said that Putin was ready to talk with his French counterpart, Emmanuel Macron, after the latter said Europe should reach out to the Russian president to end the war.

Putin has “expressed readiness to engage in dialogue with Macron”, Peskov told Russian state news agency RIA Novosti. “Therefore, if there is mutual political will, then this can only be assessed positively.”

Macron’s office welcomed the Russian statement.

“It is welcome that the Kremlin has publicly agreed to this approach. We will decide in the coming days on the best way to proceed,” it said.

Trump first shared his plan consisting of 28 points to end the war in Ukraine last month, triggering immediate criticism from European leaders who said it echoed the Kremlin’s demands.

Zelenskyy has since said that Ukraine and its European allies have shared their own version of a 20-point plan, which was based on the initial plan put forward by the White House.

One of the key sticking points between Russia and Ukraine remains Russia’s demand to retain some of the land it has captured in Ukraine since launching its full-scale invasion after years of fighting in Ukraine’s east.

Zelenskyy has described the talks as “constructive” and said they were “moving at a fairly rapid pace”. He nevertheless cautioned that “much depends on whether Russia feels the need to end the war for real”.

He also hailed this week as “historic” for Ukraine, thanking Europe for pledging $100bn of funding over the next two years.

US and Ukrainian envoys say “productive and constructive” talks have taken place in Miami, but there still appears to be no major breakthrough in efforts to end Ukraine’s war with Russia.

Donald Trump’s special envoy, Steve Witkoff, issued a joint statement with the top Ukrainian negotiator, Rustem Umerov, after three days of meetings with European allies.

The pair said the meeting focused on aligning positions on a 20-point plan, a “multilateral security guarantee framework”, a “US Security guarantee framework for Ukraine” and an “economic & prosperity plan”.

Separate talks have been taking place in Miami between the US and the Russian envoy, Kirill Dmitriev.

“Our shared priority is to stop the killing, ensure guaranteed security, and create conditions for Ukraine’s recovery, stability, and long-term prosperity,” Witkoff and Umerov said in a statement.

The meetings are the latest step in weeks of diplomatic activity, sparked by the leaking of a 28-point US peace plan which shocked Ukraine and its European allies for appearing to favour Russia, which launched a full-scale invasion of Ukraine nearly four years ago.

Witkoff said representatives from Russia had met himself and other US officials in southern Florida, including Trump’s son-in-law Jared Kushner.

Witkoff said the meetings with Russian envoy Dmitriev were also “productive and constructive” and that “Russia remains fully committed to achieving peace in Ukraine”.

Trump has been pushing Ukraine and Russia to come to an agreement on ending the war, but so far the two countries have been unable to agree on major issues, including Moscow’s demand to keep land it has already seized.

US intelligence reports continue to warn that Russian President Vladimir Putin still wants to capture all of Ukraine and reclaim parts of Europe that belonged to the former Soviet empire, six sources familiar with US intelligence told the Reuters news agency.

This comes says after Putin told the BBC’s Steve Rosenberg that there will be no more wars after Ukraine, if Russia is treated with respect.

“There won’t be any operations if you treat us with respect, if you respect our interests just as we’ve always tried to respect yours,” he said.

Meanwhile, a Ukrainian drone attack damaged two vessels and two piers in Russia’s southern Krasnodar region, Russian officials said on Monday.

The damage led to a big fire, but Russian authorities say all crew were safely evacuated. Some reports say oil infrastructure was targeted.

Kevin Hart is almost impossible to avoid.

The stand-up comic turned actor has spent the past decade as one of Hollywood’s most bankable and visible stars, headlining megahits like the “Jumanji” films alongside a steady output of comedies and animated features, while still selling out arena tours and releasing hit Netflix comedy specials. Off-screen, his face turns up everywhere: pitching banking apps, tequila and energy drinks.

For a long time, that kind of omnipresence carried real security in Hollywood.

In the era of artificial intelligence, though, that guarantee has begun to erode. A quick Google search for “Kevin Hart AI” turns up unofficial versions of his voice, available with a few clicks.

A series on how the AI revolution is reshaping the creative foundations of Hollywood — from storytelling and performance to production, labor and power.

That helps explain why, one evening last month on the Fox lot, the head of Hart’s entertainment company, Hartbeat, was on an industry panel talking not about box office or release strategies but AI. Jeff Clanagan painted a picture of a landscape in which movie stardom is no longer protected by traditional channels, as attention splinters across platforms and audiences fragment. In that environment, AI can be both a risk and a lever.

“The most valuable resource right now is attention,” Clanagan told the audience of 150 studio executives, filmmakers, investors and technologists gathered at Hollywood X, an invitation-only event focused on responsible adoption of AI. “You’re competing for it everywhere — everybody is always on a second screen. That fragmentation is where the disruption is.”

Hollywood was built on the idea that a small number of stars could reliably command attention and turn it into leverage. As AI and algorithm-driven platforms reshape how attention is created and distributed, even the most recognizable names are newly exposed — not only to dilution but to the prospect of being replaced altogether.

Jeff Clanagan, right, president and chief distribution officer of Kevin Hart’s entertainment company, Hartbeat, speaking on a panel at last month’s Hollywood X event.

(Randall Michelson)

In parts of Asia, synthetic performers are no longer hypothetical. In Japan, the anime-style virtual pop star Hatsune Miku has sold out concerts and headlined festivals. In China, AI hosts run shopping streams on the video platform Douyin. And in the U.S., Lil Miquela, a computer-generated influencer created by the Los Angeles startup Brud, has amassed millions of followers and appeared in major fashion campaigns, including a Calvin Klein ad with Bella Hadid.

For studios, brands and producers, the appeal isn’t hard to see. A virtual performer doesn’t call in sick, miss a shoot or carry off-screen baggage. There’s no aging out of roles, no scheduling crunch. They don’t need trailers, negotiate contracts or arrive with riders, entourages and expense accounts in tow.

The old mythology was that a star might be discovered at Schwab’s lunch counter or in an audition room. Hollywood has always chased the “it factor.” What happens when the performer is, quite literally, an it?

That question came into sharp focus this fall with the appearance of Tilly Norwood, a photorealistic, AI-generated character that took the guise of a rising British actor, styled to read mid-20s and approachable — exactly the kind of star Hollywood is always looking for.

It landed in an industry already on edge. Hollywood was still reeling from strikes, layoffs and a prolonged contraction, with anxiety about AI simmering just below the surface. The response was immediate and visceral.

SAG-AFTRA warned that projects like Tilly risked relying on what the union called “stolen performances,” arguing that AI-generated actors draw on the work of real performers without consent or compensation, concerns that were central to the union’s 2023 strike. On a Variety podcast, Emily Blunt was shown an image of Tilly and paused. “No — are you serious? That’s an AI?” she said. “Good Lord, we’re screwed.”

SAG-AFTRA members march in one “Unity Picket” on strike day 111 at Walt Disney Studios in Burbank on Nov. 1, 2023.

(Myung J. Chun / Los Angeles Times)

Even some of Hollywood’s most tech-forward figures have drawn a line. On the press tour for his latest film, “Avatar: Fire and Ash,” James Cameron — the director who once warned of Skynet in “The Terminator” — called the idea of AI replacing actors “horrifying,” arguing that human performance would become increasingly “sacred.”

Yves Bergquist, an AI researcher who directs the AI in Media Project at the USC Entertainment Technology Center — a think tank supported by major studios and technology companies — expects AI to continue to encroach on territory once reserved solely for humans.

“Will we see AI movie stars?” Bergquist asks. “Probably.” But he draws a line between what the technology can generate and what audiences are willing to invest in emotionally.

“Prince writing his songs is a great story,” he says. “Pushing a button and making music is not. Very soon — it’s already starting — we’re going to have this us-versus-them mentality. These are the machines and we’re the humans. And we’re not the same.”

The actor that didn’t exist

“Are you allowed to speak to me from L.A.?” Eline van der Velden, the creator of Tilly Norwood, asks with a quick, nervous laugh on a video call from London — a nod to how radioactive the subject of synthetic performers has become.

The question isn’t entirely a joke. Three months ago, when Van der Velden presented her latest project at an industry conference in Zurich, it touched off one of Hollywood’s most heated debates yet over AI and performance, one that still hasn’t fully cooled.

Van der Velden, 39, came up as an actor before pivoting into production, eventually landing in London, where she founded Particle6, a digital production company known for short-form video work for broadcasters and major platforms. She was in Zurich to introduce its newest offshoot, Xicoia, an AI studio designed to build and manage original synthetic characters for entertainment, advertising and social media. “It’s not a talent agency — we’re making characters,” she says. “So it’s really like a Marvel universe studio in a way.”

Eline van der Velden, creator of the AI-constructed Tilly Norwood, at Web Summit 2025 in Lisbon, Portugal.

(Florencia Tan Jun/Sportsfile via Getty Images)

Tilly Norwood was meant to be the first and most visible example of that approach. Conceived as a recurring character with an unfolding story arc, Tilly was built to exist across short-form videos and scripted scenarios. As part of the Zurich presentation, Van der Velden screened a short satirical video titled “AI Commissioner,” introducing Tilly as a “100% AI-generated” actor — smiling on a red carpet and breaking down on a talk-show couch.

Other short videos featuring Tilly had already circulated online, including a montage placing her in familiar movie genres and a parody riffing on Sydney Sweeney’s controversial American Eagle jeans ad (“My genes are binary”). The “AI Commissioner” video itself had been posted on YouTube months earlier. By then, photorealistic synthetic characters were no longer novel and similar experiments were spreading online.

In Hollywood, it triggered an immediate backlash. Press accounts out of Zurich, amplified by Van der Velden’s remark that Tilly might soon be signed to an agent, collided with an industry already on edge about AI. Van der Velden was stunned at the intensity of the outcry: “Tilly was meant to be for entertainment,” she says. “It’s not to be taken too seriously. I think people have taken her way too seriously.”

Across the industry, working actors, already facing shrinking opportunities, recoiled at the idea of a fabricated performer potentially taking real jobs. Some called for a boycott of any agents who might take on Norwood. Speaking to The Times, SAG-AFTRA President Sean Astin demanded that the real-life actors used for AI modeling be compensated. “They need to know that it’s happening,” he said. “They need to give permission for it and they need to be bargained with.”

As the coverage ricocheted far beyond the trades and went global, the reaction escalated just as quickly. Asked when she knew Tilly had struck a nerve, Van der Velden answers matter-of-factly: “When I got the death threats. That’s when I was like, oh — this has taken a very different turn.”

Van der Velden understands why the idea of a synthetic performer unsettled people, especially in a business already raw from layoffs, strikes and contraction. “Tilly is showing what we can do with the tech at this moment in time, and that is frightening,” she says. But she argues that much of the backlash rests on fears that, in her view, haven’t yet materialized — at least not in the way people imagine them.

Tilly Norwood, an AI construct created by Particle6.

(Particle6)

“There’s a bad reputation around AI,” she says. “People try to swing all sorts of things at it, like, ‘Oh, it’s taking my job.’ Well, I don’t know of anyone whose acting job has actually been taken by AI. And Tilly certainly hasn’t taken anyone’s job.”

Union representatives argue that displacement is already occurring through subtler mechanisms: background roles increasingly filled by digital doubles, commercials replacing actors with synthetic performers and projects that never get greenlighted because AI offers a cheaper alternative. The impact shows up not in pink slips but in opportunities that vanish before auditions are ever held.

Even as the controversy grew, Van der Velden says she began hearing something else privately. Producers and executives reached out, curious about what Tilly could do, with several asking about placing the character in traditional film or television projects — offers she says she declined. “That’s not what Tilly was made for,” she says.

Van der Velden insists the character was never intended to replace actors, framing Tilly instead as part of a different creative lineage, closer to animation. “I was an actor myself — I absolutely love actors,” she says. “I love pointing a camera at a real actress. Please don’t stop casting actors. That’s not the aim of the game.”

With a background in musical theater and physics, Van der Velden spent her early career in Los Angeles acting, improvising at Upright Citizens Brigade and making YouTube sketches. An alter ego she created, Miss Holland — designed to make fun of rigid beauty standards — won an online comedy award and helped launch her career in the U.K., where she founded Particle6.

Tilly began as an exercise: Could Van der Velden design a virtual character who felt instantly familiar, the kind of approachable young woman audiences would naturally be drawn to? “It’s like building a Barbie doll,” she says, noting at one point she considered making Tilly half robot. “I had fun making her. It was a creative itch.”

She pushes back on the idea that synthetic characters are simply stitched together from parts of real people. “People think you take this actress’ eyes and nose and that actress’ mouth,” she says. “That’s not how it works at all.”

Over six months, a team of about 15 people at Particle6 worked on developing Tilly, generating more than 2,000 visual versions and testing nearly 200 names before selecting Tilly Norwood, one that fit what Van der Velden calls the “English rose” aesthetic they were looking for and wasn’t already taken. “It’s very human-led,” Van der Velden says, likening AI tools to a calculator for creatives. “You need taste. You need judgment. You still have to call the shots.”

Even as the technology advances, the uncanny valley remains a stubborn barrier. Van der Velden says Tilly has improved over the last six months, but only through sustained human steering. “It takes a lot of work to get it right,” she says.

That labor, she says, is what separates an emerging form of storytelling worth taking seriously from AI slop. “I’ve seen some genuinely amazing work coming out of AI filmmaking,” she says. “It’s a different art form but a real one.”

She sees Tilly less as a provocation than as a reflection. “She represents this moment of fear in our industry as a piece of art. But I would say to people: Don’t be fearful. We can’t wish AI away. It’s here. The question is, how do we use it positively?”

Her focus now is on what she calls Tilly’s “inside” — the personality, memory and backstory that give the character continuity over time. That interior life is being built with Particle6’s proprietary system, DeepFame, software designed to give the character memory and behavioral consistency from one appearance to the next.

“People ask me things like what her favorite food is,” Van der Velden says. “I’m not going to answer for Tilly. She has a voice of her own. I’d rather you ask her yourself — very soon.”

Hollywood fights back

While Van der Velden wishes the industry were less afraid of what AI might become, Alexandra Shannon is helping Hollywood arm itself for what’s already here.

As head of strategic development at Creative Artists Agency, one of the industry’s most powerful agencies, Shannon works with actors, filmmakers and estates trying to navigate what generative technology means for their work — and their identities.

The questions she hears tend to fall into two camps. “First is, how do I protect myself — my likeness, my voice, my work?” she says. “And then there’s the flip side: How do I engage with this, but do it safely?”

Those concerns led to the creation of the CAA Vault, a secure repository for approved digital scans of a client’s face and voice. Shannon describes it as a way to capture a likeness once, then allow performers to decide when and where it can be used — for example, in one shot created for one film. It doesn’t eliminate uncertainty, she says, but it gives talent something they’ve rarely had since AI companies entered the picture: control.

“There’s a legitimate way to work with them,” she adds. “Anything outside that isn’t authorized.”

Creative Artists Agency’s headquarters in Century City, where talent representatives are grappling with how to protect clients’ likenesses.

(Robert Gauthier / Los Angeles Times)

Those risks are no longer abstract. Unauthorized AI-generated images and videos resembling Scarlett Johansson have circulated online. Deepfake ads have falsely enlisted Tom Hanks to promote medical products. AI-generated images have placed Taylor Swift in fabricated scenarios she never endorsed. Once a likeness becomes live and responsive, Shannon says, control can erode quickly.

For all the panic around AI, Shannon rejects the idea that digital likeness will undercut human stars overnight. “It’s not about all of a sudden you can work with Brad Pitt and you can do it for a fraction of the cost,” Shannon says. “That is not where we see the market going.”

What CAA is intent on preserving, she says, isn’t just a face or a voice but the accumulated meaning of a career.

“For an individual artist, their body of work is built over years of creative decisions — what roles to take, what brands or companies to work with, and just as importantly, what roles not to do, what companies not to support,” she adds. “That body of work is a fundamental expression of who they are.”

Shannon doesn’t dispute that the tools are improving or that some AI-native personas will find an audience. But she believes their growth will sharpen, not weaken, what distinguishes human performance in the first place. “In a world where there’s this vast proliferation of AI-generated content, people will continue to crave live, shared, human-centered experiences,” she contends. “I think it’s only going to make those things more valuable.”

Not everyone is convinced the balance will tilt so neatly.

“The genie’s out of the bottle,” Christopher Travers says by phone from Atlanta, where he runs Travers Tech, advising companies and individual creators on generative video and digital-identity strategy. “There are now more than a million characters across all sorts of media, from VTubers to AI-generated performers.”

Travers got his start in generative AI with the backing of Mark Cuban, founding Virtual Humans in 2019, a startup focused on computer-generated performers and digital identities. These days, his journey would have been much easier. “It costs nearly nothing now,” he says. “And when cost drops, volume increases. There’s pressure on celebrities to keep up.”

Having watched countless virtual characters come and go, Travers wasn’t particularly impressed with Tilly Norwood herself. What mattered to him was the reaction.

“Tilly is maybe 1% of the story,” he says. “The other 99% is the worry and the fear. What it did was strike a chord. We all needed to have this conversation.”

What stardom looks like now

Few people have spent more time inside Hollywood’s old star-making system than mega-producer Jerry Bruckheimer, whose films like “Beverly Hills Cop,” “Top Gun” and “Pirates of the Caribbean” helped turn actors into global commodities.

Even amid the disruption reshaping Hollywood, he believes the industry still knows how to discover and elevate stars. “It’ll happen,” he told The Times earlier this year. “Timothée Chalamet is a star and Zendaya is a star. Glen Powell is becoming a star — we’re going to bring him up. Damson Idris is going to be a star. Now they have to be smart and make good choices on what they do. That’s up to them.”

Stellan Skarsgård as Luthen Rael in the series “Andor.”

(Des Willie / Lucasfilm Ltd.)

The industry may still know how to make stars, but keeping them there has become harder. Chalamet’s biggest box office successes, like “Wonka” and the “Dune” films, have arrived as part of franchises rather than as standalone vehicles. Powell’s latest film, last month’s remake of “The Running Man,” fell short of expectations.

Bruckheimer himself has been pragmatic about AI. During postproduction on his recent Brad Pitt–led Formula One drama, an AI-based voice-matching tool was briefly used to replicate Pitt’s voice when the actor was unavailable for looping, a demonstration of how AI can extend a star’s reach rather than replace them. “AI is only going to get more useful for people in our business,” he says.

If Hollywood has been having more difficulty launching fresh faces, it has become adept at keeping familiar ones on the screen. AI tools can smooth a face, rebuild a voice or extend a performance long after an actor might otherwise have aged out. Stardom no longer has to end with retirement — or even death.

Stellan Skarsgård, for one, is uneasy with the idea. In recent years, the veteran actor — a current Oscar front-runner for “Sentimental Value” — has been part of two of Hollywood’s most valuable franchises, playing Luthen Rael in the “Star Wars” series “Andor” and Baron Harkonnen in the “Dune” films, roles built to carry on through sequels and spinoffs.

Asked about the prospect of an AI version of himself playing those characters after he’s gone, the 75-year-old Skarsgård bristles. The question carries particular weight. Three years ago he suffered a stroke, an experience that forced a reckoning with his craft and sense of mortality.

“SAG has been very adamant — there was a strike about it,” Skarsgård says. “And I do hope it won’t be like that in the future, that it will be controlled and that money won’t have all the rights.” He pauses. “You should have rights as a person, to your own voice, your own personality.”

Those questions — about control, consent and what survives a person — moved from the abstract to the practical last month at Hollywood X on the Fox lot.

Onstage, Jeff Clanagan mentioned a documentary that Hartbeat, Kevin Hart’s entertainment company, is producing with the estate of comedian Bernie Mac, who died in 2008. Built around Mac’s own audiobook narration, the documentary will rely on authorized existing recordings, not newly generated performances, pairing traditional animation with AI-assisted imagery to visualize moments Mac had already described. Clanagan said the technology offered a faster, less expensive way to bring those scenes to life.

But that took some convincing. An Oscar-winning director attached to the project initially wanted to tell the story entirely through traditional animated reenactments. Clanagan said it took months of persuasion — including creating sample scenes to demonstrate the approach — before that resistance eased. “Once he saw it, he was converted, and now we’re doing a little bit of a hybrid,” he said.

That work, Clanagan added, has become part of the job, not just externally but inside Hartbeat as well. “Part of it is educating the talent community on what you can do and still be aligned,” he said, noting that much of the hesitation comes from fear stoked by headlines and unfamiliarity with the tools. “It’s about helping people understand the process. People are starting to believe.”

As the Hollywood X panel ended, attendees filed out of a theater named for Darryl F. Zanuck, one of the architects of the studio-era star system, then crossed the Fox lot toward a reception. Along the way, they passed by cavernous soundstages, some painted with towering murals: Marilyn Monroe in “The Seven Year Itch,” Julie Andrews in “The Sound of Music,” Bruce Willis in “Die Hard.” Faces from another era, still watching as the industry weighs what will endure.

PHOENIX — Vice President JD Vance said Sunday that the conservative movement should be open to everyone as long as they “love America,” declining to condemn a streak of antisemitism that has divided the Republican Party and roiled the opening days of Turning Point USA’s annual convention.

After a long weekend of debates about whether the movement should exclude figures such as bigoted podcaster Nick Fuentes, Vance came down firmly against “purity tests.”

“I didn’t bring a list of conservatives to denounce or to de-platform,” Vance said during the Phoenix convention’s closing speech.

Turning Point leader Erika Kirk, who took the helm after the fatal shooting of her husband, Charlie Kirk, has endorsed Vance as a potential successor to President Trump, a helpful nod from an influential group with an army of volunteers.

But the tension on display at the four-day gathering foreshadowed the treacherous political waters that Vance, or anyone else who seeks the next Republican presidential nomination, will need to navigate in the coming years. Top voices in the “Make America Great Again” movement are jockeying for influence as Republicans begin considering a future without Trump, and there is no clear path to holding his coalition together.

Defining a post-Trump GOP

The Republican Party’s identity has been intertwined with Trump for a decade, but he’s constitutionally ineligible to run for reelection despite his musings about serving a third term. Tucker Carlson said people are wondering, “who gets the machinery when the president exits the scene?”

So far, it looks like settling that question will come with a lot of fighting among conservatives. The Turning Point conference featured arguments about antisemitism, Israel and environmental regulations, not to mention rivalries among leading commentators.

Ben Shapiro, co-founder of the conservative media outlet Daily Wire, used his speech on the conference’s opening night to denounce “charlatans who claim to speak in the name of principle but actually traffic in conspiracism and dishonesty.”

“These people are frauds and they are grifters and they do not deserve your time,” Shapiro said. He specifically called out Carlson for hosting Fuentes for a friendly interview on his podcast.

Carlson brushed off the criticism when he took the stage barely an hour later, and he said the idea of a Republican “civil war” was “totally fake.”

“There are people who are mad at JD Vance, and they’re stirring up a lot of this in order to make sure he doesn’t get the nomination,” he said. Carlson described Vance as “the one person” who subscribes to the “core idea of the Trump coalition,” which Carlson said was “America first.”

Turning Point spokesperson Andrew Kolvet framed the discord as a healthy debate about the future of the movement, an uncomfortable but necessary process of finding consensus.

“We’re not hive-minded commies,” he wrote on social media. “Let it play out.”

‘You don’t have to apologize for being white anymore’

Vance acknowledged the controversies that dominated the Turning Point conference, but he did not define any boundaries for the conservative movement besides patriotism.

“We don’t care if you’re white or black, rich or poor, young or old, rural or urban, controversial or a little bit boring, or somewhere in between,” he said.

Vance didn’t name anyone, but his comments came in the midst of an increasingly contentious debate over whether the right should give a platform to commentators espousing antisemitic views, particularly Fuentes, whose followers see themselves as working to preserve America’s white, Christian identity. Fuentes has a growing audience, as does top-rated podcaster Candace Owens, who routinely shares antisemitic conspiracy theories.

“We have far more important work to do than canceling each other,” he said.

Vance ticked off what he said were the accomplishments of the administration as it approaches the one-year mark, noting its efforts at the border and on the economy. He emphasized efforts to end diversity, equity and inclusion policies, drawing applause by saying they had been relegated to the “dustbin of history.”

“In the United States of America, you don’t have to apologize for being white anymore,” he said.

Vance also said the U.S. “always will be a Christian nation,” adding that “Christianity is America’s creed, the shared moral language from the Revolution to the Civil War and beyond.”

Those comments resonated with Isaiah White-Diller, an 18-year-old from Yuma, Ariz., who said he would support Vance if he runs for president.

“I have my right to be Christian here, I have my right to say whatever I want,” White-Diller said.

Turning Point backs Vance

Vance hasn’t disclosed his future plans, but Erika Kirk said Thursday that Turning Point wanted Vance “elected for 48 in the most resounding way possible.” The next president will be the 48th in U.S. history.

Turning Point is a major force on the right, with a nationwide volunteer network that can be especially helpful in early primary states, when candidates rely on grassroots energy to build momentum. In a surprise appearance, rapper Nicki Minaj spoke effusively about Trump and Vance.

Vance was close with Charlie Kirk, and they supported each other over the years. After Kirk’s killing on a college campus in Utah in September, the vice president flew out on Air Force Two to collect Kirk’s remains and bring them home to Arizona. Vance helped uniformed service members carry the casket to the plane.

Emily Meck, 18, from Pine City, N.Y., said she appreciated Vance making space for what she called a wide variety of views.

“We are free-thinkers, we’re going to have these disagreements, we’re going to have our own thoughts,” Meck said.

Trump has spoken highly of both Vance and Secretary of State Marco Rubio as potential successors, even suggesting they could form a future Republican ticket. Rubio has said he would support Vance.

Asked in August whether Vance was the “heir apparent,” Trump said, “Most likely.”

“It’s too early, obviously, to talk about it, but certainly he’s doing a great job, and he would be probably [the] favorite at this point,” he said.

Cooper and Govindarao write for the Associated Press.

Charlie Smyth celebrated his new three-year contract as he kicked 17 points in the New Orleans Saints’ 29-6 win over the New York Jets.

Former Gaelic footballer Smyth was rewarded for his match-winning kick against the Carolina Panthers with a spot on the Saints’ 53-man roster, along with a new deal.

The 24-year-old either had to be permanently promoted to the roster or released having been elevated from the Saints’ practice squad on three previous occasions.

Smyth had his best showing in the NFL in Sunday’s win over the Jets as he kicked five field goals and landed two extra point attempts.

“I want to give great credit to the offence and defence today. We are starting to play some real complementary football here,” Smyth said after the win.

“The support from everyone in New Orleans has been unreal. This team has stuck together and that is why the wins have started to come.”

In Smyth’s four NFL outings to date, the Saints have won three times and he has had a successful onside kick, which had a 7% success rate, a match-winning kick and 17 points in a single game.

Dec. 21 (UPI) — The U.S. Coast Guard is chasing down a third foreign oil tanker in the Caribbean, which refused to be boarded amid President Donald Trump‘s pressure campaign against Venezuela, reports said Sunday.

“The U.S. Coast Guard is in active pursuit of a sanctioned dark fleet vessel that is part of Venezuela’s illegal sanctions evasion,” an unnamed official told NBC News. “It is flying a false flag and under a judicial seizure order.”

The tanker Bella 1 was placed under U.S. sanctions in June 2024 under counterterrorism authorities, according to the Treasury Department, which said the vessel was part of a shipping network linked to Sa’id al-Jamal, a U.S.-designated Houthi financial facilitator.

Vessels in that network have been used to transport sanctioned oil, including Iranian crude, and the proceeds are directed to militant groups, U.S. officials have said in describing the basis for the sanctions.

Separately, U.S. officials said federal authorities obtained a seizure warrant from a magistrate judge authorizing them to take possession of the Bella 1, The New York Times reported. Officials cited Bella 1’s alleged prior involvement in the Iranian oil trade rather than any alleged links to Venezuela.

The ship was allegedly not flying a valid national flag when U.S. forces approached it, which would allow for it to be boarded at sea under international law. But the ship refused to be boarded and continued sailing, one official told The New York Times as another called it “an active pursuit.”

If seized, the Bella 1 would become the third tanker apprehended by U.S. authorities. On Saturday, the U.S. Coast Guard seized another tanker in international waters near Venezuela after Trump declared a blockade of Venezuela.

That tanker was flying a Panamanian flag and was carrying Venezuelan oil that it expected to sell in Asia, officials alleged.

Last Wednesday, a sanctioned oil tanker called The Skipper was also seized after it left a Venezuelan port. The ship was diverted to Texas and was allegedly flying the flag of Venezuela’s neighbor, Guyana, which said the ship is not among those registered there.

Death in Paradise star Don Warrington has been happily married to actress Mary Maddocks for many years with the couple sharing two children together

Death in Paradise is set to grace our television screens once more with a Christmas Special in just a few days, promising “even more heart” according to the BBC.

The beloved Death in Paradise Christmas cast makes their way back to Saint Marie for another year of holiday celebrations, though what begins as the ultimate office party quickly descends into darkness.

Broadcasting on December 28 at 8.30pm on BBC One, the BBC reveals: “The office Christmas party of a lifetime takes a dark turn when four co-workers wake up with the hangover from hell to find a stranger shot dead in the pool of their villa.

“DI Mervin Wilson and the team identify the murder weapon, but they’re left baffled after discovering that it was locked in a drawer when the shooting took place… thousands of miles away from the crime scene.”

Running for approximately 90 minutes, the festive episode promises the return of beloved characters, reports the Express.

Earlier this year, the 14th series concluded, leaving fans anxious about Don Warrington’s character Commissioner Selwyn Patterson.

After 14 years on the programme, the actor became a viewer favourite, making his departure in March all the more heartbreaking for audiences.

During the final series of Death in Paradise, Selwyn decided to leave Saint Marie following the loss of his Commissioner role, turning down the opportunity to reclaim his position when it was offered back to him.

Nevertheless, fans must wait patiently to see whether the Commissioner will make his comeback… particularly given his recent appearance in the Christmas special of Beyond Paradise. But who exactly is Don Warrington and what’s his marital status?

Don Warrington is happily married and has been for quite some time. The Death in Paradise actor is currently married to Mary Maddocks, with the couple enjoying many years of marital bliss.

Don prefers to keep his personal life private and away from the public eye, with their exact wedding date remaining a mystery, but it’s clear that his family life continues to thrive away from the limelight.

His wife Mary has herself graced several iconic productions including ITV’s Coronation Street as well as Doctor Who and Midsomer Murders.

She has also directed numerous theatrical productions ranging from musicals to dramas, and even took centre stage in the hit musical The Rocky Horror Show.

Don and Mary are parents to two children, Jacob and Archie, both carving out their own paths in the entertainment industry.

As a playwright and comedian, Archie has contributed to the creation of the 2023 thriller Gassed Up as well as the TV series Intergalactic, receiving full backing from his parents.

It was previously reported that Archie paid tribute to his parents, stating: “Both my parents are actors. My mum, Mary Maddocks, is an actress: she was in The Rocky Horror Show when it was in the West End and my dad is Don Warrington.

“The main thing I get from both of them is they understand the art of performance and the need to perform.”

For the latest showbiz, TV, movie and streaming news, go to the new **Everything Gossip** website

Death in Paradise Christmas special will air December 28 on BBC One.

DENVER — Colorado Gov. Jared Polis accused President Trump of playing “political games” Sunday after the federal government denied disaster declaration requests after wildfires and flooding in the state earlier this year.

Polis’ office said he received two denial letters from the Federal Emergency Management Agency late Saturday. The letters are in response to requests for major disaster declarations following wildfires and mudslides in August and what Polis had described as “historic flooding” across southwestern Colorado in October.

Polis and Colorado’s U.S. senators, fellow Democrats Michael Bennet and John Hickenlooper, decried the denials. Polis said the state would appeal.

“Coloradans impacted by the Elk and Lee fires and the flooding in Southwestern Colorado deserve better than the political games President Trump is playing,” he said in a statement.

Abigail Jackson, a White House spokesperson, said Trump responds to each request for federal disaster assistance “with great care and consideration, ensuring American tax dollars are used appropriately and efficiently by the states to supplement — not substitute — their obligation to respond to and recover from disasters.”

Jackson said there is “no politicization” in Trump’s decisions on disaster aid.

The Trump administration has also yet to act on California’s request for $33.9 million in long-term disaster assistance nearly a year after the Palisades and Eaton fires in Los Angeles. Gov. Gavin Newsom said FEMA officials refused his request for a meeting when he visited Washington a few weeks ago.

Trump has raised the idea of “phasing out” FEMA, saying he wants states to take more responsibility. States already take the lead in disasters, but federal assistance comes into play when the needs exceed what they can manage on their own.

After days of deliberation and faced with a forecast getting soggier by the day, Santa Anita officials have decided to postpone opening day of the 2025-26 race meeting from Friday until Sunday, Dec. 28.

It’s just the second time since 1976 that Santa Anita will not open on the day after Christmas. The other time was in 2019 for the same reason: wet weather. More than eight inches of rain are projected to fall between Tuesday night and Friday at Santa Anita.

“With the amount of rain being forecast, it’s important to make this call as early as possible to give everyone advance notice,” Santa Anita general manager Nate Newby said in a statement. “Everyone looks forward to opening day as it’s traditionally one of our biggest days of the year, so it’s not a decision we make lightly. But after speaking with our stakeholders, adjusting the racing schedule at this time provides the best opportunity to have a great opening to kick off the season.”

There is no state rule against running in the mud or on a softer turf course, but protocols put in place after the 2018-19 winter-spring meeting, when 30 horses died during racing or training at Santa Anita, often result in the track postponing or canceling race days.

Opening day usually draws the largest crowd of the year at Santa Anita. Last year’s announced on-track attendance was 41,562, the highest total on a non-weekend or holiday on opening day since 1990. Total mutuel handle was more than $21.4 million, the third-highest ever on the first day.

The 11 races scheduled for Friday now will be run two days later, with first post at 11 a.m. There are six stakes races set for opening day, three on turf, with Santa Anita officials hoping that waiting until Sunday will allow the grass course to dry enough to allow racing.

Tickets purchased for opening day will be honored Dec. 28, with full refunds available on request. The revised schedule for the opening two weeks will feature racing Dec. 28 and 29, then every day from Wednesday, Dec. 31, through Sunday, Jan. 4.

Dec. 21 (UPI) — House Minority Leader Rep. Hakeem Jeffries, R-N.Y., said Sunday that he expects lawmakers to pass a bipartisan compromise on extending Affordable Care Act tax credits.

Jeffries said on ABC News’ “This Week” that lawmakers will pass a bi-partisan compromise to extend ACA tax credits extension in the House, potentially forcing Senate Republicans hand on health insurance subsidies for at least 22 million Americans who will face higher premiums in the new year.

Congress adjourned for Christmas without reaching a deal on extending on the tax credits, which Jeffries promised that House lawmakers will address in early January.

“That will put pressure on John Thune and Senate Republicans to actually do the right thing by the American people, pass a straightforward extension of the Affordable Care Act tax credits, so we can keep health care affordable for tens of millions of Americans who deserve to be able to go see a doctor when they need one,” Jeffries said.

Democrats have said if the two sides are unable to reach a deal on an extension, they will wield it against Republicans in next year’s midterm elections.

Rep. Pat Ryan, D-N.Y., has said access to affordable health care remains among the most pressing issues among voters.

“It’s just pathetic,” Ryan said. “The last time there was a major national Republican effort to repeal the ACA, we had an overwhelming wave where they got absolutely wiped out, and I think that’s likely what will happen here again.”

A handful of centrist Republicans in vulnerable congressional districts bypassed the authority of House Speaker Mike Johnson to team up with key Democrats to authorize a vote on a three-year tax credit extension when the House returns to Washington the week of Jan. 5.

Some Republican leaders have said they favor allowing Covid-era tax credits that made health care more affordable for millions of Americans to expire or be phased out over several years. Other members of the GOP, however, have said they favor extending the credits for longer.

By a vote of 51-48 Thursday, the Senate rejected a three year ACA extension with four Democrats joining the GOP to vote it down.

These are the key developments from day 1,397 of Russia’s war on Ukraine.

Here is where things stand on Monday, December 22:

Fighting

• A Russian attack on Ukraine’s Kharkiv region killed a 49-year-old man and a 42-year-old woman, according to Governor Oleh Syniehubov. The killings took place in the village of Izyum.
• Russian attacks also killed one person in Ukraine’s Donetsk region, and one person in the southeastern Zaporizhia region, local officials reported.
• Russian forces have shelled the Zaporizhia region nearly 5,000 times over the past week, wounding 60 people and damaging hundreds of buildings, according to Governor Ivan Fedorov.
• Overall, Russian forces have launched about 1,300 drones, nearly 1,200 guided aerial bombs, and nine missiles towards Ukraine over the past week, according to Ukrainian President Volodymyr Zelenskyy.
• Ukraine’s ombudsman, Dmytro Lubinets, accused Russian forces of “illegally” detaining about 50 residents of the village of Hrabovske in the Sumy region and “forcibly deporting” them to Russian territory.
• The Kyiv Independent, citing Ukrainian authorities, reported that wreckage from a Ukrainian drone attack on Russia damaged a pipeline in the Krasnodar Krai region.
• Russia’s Ministry of Defence said its forces shot down 29 Ukrainian drones in the past 24-hour period.
• The Russian Federal Security Service (FSB) claimed that Russian forces shot down 252 drones over the Russian-occupied Donbas region, using the “Donbas Dome electronic warfare system” over the past week, the TASS news agency reported.

Politics and diplomacy

• US envoys Steve Witkoff and Jared Kushner met with a Ukrainian delegation, led by senior official Rustem Umerov and European officials, as the US continued to host talks in Miami, Florida, on a prospective peace deal for Russia’s war on Ukraine for a third day on Sunday.
• Witkoff said in a post on X late on Sunday that the talks with the Ukrainians and Europeans had been “productive and constructive” and focused on a “shared strategic approach between Ukraine, the United States and Europe”.
• In a second post about two hours later, Witkoff said that the US had also had “productive and constructive meetings” with Russian envoy Kirill Dmitriev over the past two days.
• “Russia remains fully committed to achieving peace in Ukraine [and] highly values the efforts and support of the United States to resolve the Ukrainian conflict and re-establish global security,” Witkoff said.
• Earlier, Russian President Vladimir Putin’s top foreign policy aide, Yury Ushakov, said that changes made by European countries and Ukraine to the US’s proposals for an end to Russia’s war did not improve prospects for peace.
• “I am sure that the proposals that the Europeans and Ukrainians have made or are trying to make definitely do not improve the document and do not improve the possibility of achieving long-term peace,” Ushakov was quoted as saying by Russian news agencies.
• Kremlin spokesman Dmitry Peskov said the Russian president was ready to talk with his French counterpart, Emmanuel Macron, after the latter said Europe should reach out to Moscow to end the war.
• Macron’s office welcomed the Russian statement, saying: “It is welcome that the Kremlin has publicly agreed to this approach. We will decide in the coming days on the best way to proceed.”
• India’s Ministry of External Affairs said that “202 Indian nationals are believed to have been recruited into the Russian armed forces” during Russia’s war on Ukraine. It said Russian authorities had reported that 26 had been killed and seven were missing.
• Sweden’s customs service said on Sunday that Swedish authorities boarded a Russian freighter that anchored in Swedish waters on Friday after developing engine problems, to inspect the cargo. The owners of the vessel, the Adler, are on the European Union’s sanctions list, Martin Hoglund, spokesman at the customs authority, said.
• “Shortly after 0100 last night [00:00 GMT] we boarded the ship with support from the Swedish Coast Guard and the police service in order to make a customs inspection,” Hoglund said. “The inspection is still ongoing.”

HELEN Flanagan heaped praise on her mother as the row with her ex Scott Sinclair intensifies.

The Coronation Street star has been lashing out at her at the Bristol Rovers footballer after he missed their son Charlie’s nativity play to party at the Formula One in Abu Dhabi.

Helen split from her ex-fiancé in 2022 after 13 years together and they share three children Matilda, 10, Delilah, seven, and Charlie, four.

She is currently starring as The Wicked Queen in a production of Snow White in Liverpool and said her mum, Julia has practically raised her kids while she treads the boards.

Helen posted a photo of Julia to her Instagram stories cuddling up with Charlie.

“So grateful for my incredible mum who has looked after my children for really the past two months while I’ve been working,” she captioned the post.

JANE ATKINSON

Helen Flanagan is right to call out ex Scott Sinclair – boys need role models

SLEIGH-ING

Helen Flanagan, Kim K & Millie Bobby Brown all dress up as sexy festive queens

“The BEST grandma ever, so lucky to have you mum.”

Helen added: “All the school runs, all the activities, all the school work, all the washing. Love you.”

The star previously opened up to The Sun about the struggles of co-parenting with Scott and relying on her mum for help.

She said: “He lives like Somerset and I live in Lancashire. So we live so far away from each other, which is really difficult when you’ve got three young children.

“I hate calling it co-parenting because I don’t really feel like a co-parent to be honest with you anyway.”

The star is reliant on her mum and dad, who live 15 minutes away, to help with childcare duties, admitting she would “really struggle” without their help.

“I have my children for the rest of the time,” she said. “Which I would never want any other way. I work most days.

“Always back and forth, you know, from London, like a yo-yo as well. My mum’s incredible. She really helps me bring up my children really. I’m very lucky to have that support.”

It is difficult to gauge how good Morocco are from a meeting with a side from the smallest country of 24 competing at Afcon 2025 – and in front of their own vociferous fans.

Comoros were unbeaten as they topped their qualifying group ahead of Tunisia and shocked Ghana at the last Afcon two years ago.

However, Morocco beat Comoros 3-1 to top their group at the recent Arab Cup in Qatar before edging Jordan 3-2 after extra-time in Thursday’s final.

That was with a completely different squad than the one that is at their home tournament.

Comoros too only had one player from the Arab Cup starting at Prince Moulay Abdellah Stadium against the hosts.

Even so, it is another indication that Morocco have strength in depth.

This was three points gained without having to call on influential captain Achraf Hakimi, who was only fit for the bench after suffering an ankle injury playing for Paris St-Germain in a Champions League game in early November.

El Kaabi was himself a substitute before the 32-year-old Olympiacos striker made a sensational goalscoring entrance with 25 minutes remaining.

OK, he did not quite rise as high off the ground as McTominay, but it was greeted with similar gasps inside his home stadium.

Morocco’s depth will be tested more in tougher challenges ahead, starting with Mali on Boxing Day and then Zambia on 29 December.

They will, though, be favourites to qualify from Group A as the look to win Afcon for the first time since 1976 or at least reach the final for the first time in 21 years.

Plenty more time for Clarke to judge the strengths and weaknesses of the side Scotland will face at the Gillette Stadium in Foxborough, USA on 19 June.

Host nation Morocco overcome a spirited challenge by Africa Cup of Nations minnows Comoros to kick off the tournament.

Africa Cup of Nations (AFCON) hosts Morocco overcame a nervy start to beat the Comoros 2-0 in the tournament’s opening game on Sunday, after Brahim Diaz and substitute Ayoub El Kaabi scored second-half goals.

It was a far-from-convincing showing from the highly fancied Morocco, who are ⁠97 places above the small Indian Ocean island nation in the world rankings and had to toil hard for the ​points in the rain at Rabat’s Prince Moulay Abdellah Stadium.

Morocco squandered an early penalty and ‍were goalless at halftime, despite dominating possession, eventually breaking the deadlock in the 55th minute, when Noussair Mazraoui did well to keep the ball from going out of play before passing it square for Diaz to side-foot home.

El Kaabi scored a trademark bicycle kick goal ‍in the 74th ⁠minute, 10 minutes after coming on as a substitute, to ease the tension.

Morocco looked initially to be labouring under a heavy burden of expectation, and tiny Comoros comfortably held them at bay before the superior firepower of the hosts ensured victory.

The hosts could have been ahead as early as the 11th minute after a soft penalty was awarded for a challenge by Iyad Mohamed on Diaz. But Soufiane Rahimi hit the spot kick straight down the middle, striking the knee of goalkeeper Yannick Pandor and watching the ball loop away ​to safety.

But they eventually broke down the resistance, as Diaz got deserved rewards for ‌his continual probing and El Kaabi’s goal ensured a respectable scoreline.

Pandor made several other good stops to keep down the score in the closing stages as his teammates began to tire, although Comoros had a chance for an equaliser four minutes after Diaz’s goal, but Rafiki Said ‌shot straight at Morocco goalkeeper Yassine Bounou in their first chance of the match.

‘Difficult’ opening game

“The opening game is always difficult, but ‌we came good in the second half,” said Morocco coach Walid Regragui. ⁠

Morocco extended their record-breaking run of successive victories by a national team to 19. In October, they went past the previous best of 15, set by Spain from 2008-09.

There will be concern in the home camp, however, after captain Romain Saiss limped off after 18 minutes, with the centre ‌back leaving the field in tears. He spent the first half of the year sidelined by ankle surgery and only last month returned to the national side after a year’s absence.

Mali and Zambia meet on Monday in the next ‍Group A clash in Casablanca on the second day of the monthlong tournament. There are also two Group B matches as Angola meet South Africa in Marrakesh, and Mohamed Salah leads Egypt against Zimbabwe in Agadir.

Barca punish 10-man hosts Villarreal to win eighth consecutive La Liga game and move four points clear at the summit.

Barcelona wingers Raphinha and Lamine Yamal guided the Catalan giants four points clear at the top of La Liga with a 2-0 win at 10-man Villarreal.

Brazil international Raphinha won and converted an early penalty on Sunday before Villarreal’s Renato Veiga was sent off before half-time for a late lunge on teenager Yamal.

The 18-year-old slotted home Barca’s second midway through the second half, as Hansi Flick’s side restored their advantage on Real Madrid, who are second, and won an eighth consecutive league game.

Villarreal are fourth after Atletico Madrid moved ahead of them with a 3-0 win at Girona earlier on.

Flick launched into an impassioned defence of Raphinha on Saturday after he was not included in FIFA’s ‘The Best’ team of the year earlier in the week, and the winger quickly repaid his coach.

Raphinha produced an all-action display at Villarreal’s Estadio de la Ceramica, where the match was played instead of in Miami, after La Liga’s plans to take this game to the United States were scrapped in October.

Barca were poor defensively and struggled in their build-up play, but the quality of wingers Raphinha and Yamal and their goalkeeper Joan Garcia’s outstanding performance decided an entertaining encounter.

Jules Kounde blocked Villarreal striker Ayoze Perez’s shot before Raphinha drew a foul from Santi Comesana to win a penalty at the other end.

The winger dispatched it confidently and nearly added the second with a superb effort from distance, which crashed back off the bar.

Kounde deflected a cross into his own net as Villarreal fought back, but the goal was disallowed for offside in the build-up.

Barca stopper Joan Garcia saved from Tajon Buchanan after an Alejandro Balde mistake as Villarreal almost levelled.

The visitors’ job was made easier by Veiga’s needless red card for an ugly, late lunge on Yamal before the interval.

The champions got their second goal after a scramble in the box, with Frenkie de Jong teeing up Yamal to fire home after 63 minutes.

Joan Garcia made stunning saves to deny Rafa Marin and Georges Mikautadze to help Barca end 2026 with three points and a third clean sheet in their last three games across all competitions.

Kounde went off hurt before the end, potentially adding to Flick’s problems at the back following Andreas Christensen’s diagnosis with a partially torn knee ligament.

Barca finish the year in better shape than rivals Real Madrid, who beat Sevilla 2-0 on Saturday, but still have plenty of their own concerns to worry about.

Barcelona captain de Jong said his side had achieved their objective of finishing the year on top of the league and will rest before the league resumes in early January.

“Villarreal are very quick on the counter; they’ve got talented players up front. We could’ve managed to be a bit better… We have to organise ourselves a bit better,” he said.

“But I felt out there on the pitch that we were superior. Not necessarily comfortable, but I think we deserved to win.”

Villarreal captain Dani Parejo said he was pleased with how his team performed, apart from conceding the penalty.

“We had loads of really good chances; we could have been more than one goal up at halftime,” he said.

“It feels like everything is going against us at the moment; teams are scoring against us with not much, but we are pleased with the image we have shown, how we played with 10 men against a great team. We showed great attitude.”

James Ransone, a character actor who played an impulsive, drug-dealing dock worker in the iconic HBO series “The Wire” and later appeared in horror films “Sinister” and “It: Chapter Two,” died in Los Angeles on Friday. He was 46.

According to the L.A. County medical examiner’s office, Ransone died by suicide.

A native of Maryland, Ransone studied theater at the Carver Center for Arts and Technology in the Baltimore County community of Towson, before breaking into television a few years later.

Ransone appeared in several prominent horror films. He portrayed Max in “The Black Phone,” a film about a teen boy who is abducted by a serial killer. The movie was based on a short story written by Joe Hill — Stephen King’s son — and starred Ethan Hawke. Ransone reprised his role in the sequel, “Black Phone II.”

Ransone appeared in another horror film with Hawke, taking on the role of Deputy in “Sinister.” The movie centers around a writer who finds snuff films in his new house. Ransone also acted alongside Bill Hader, Jessica Chastain and Bill Skarsgård in the follow-up “It: Chapter Two,” playing Eddie Kaspbrak, one of several characters being tormented by killer clown Pennywise.

While promoting the film, he defended the horror genre against those who consider it a “throwaway” category.

“To those people I’ll say, ‘Tell that to William Friedkin or Stanley Kubrick,’” Ransone said in an interview with Anthem Magazine.

He also had roles in the shows “Generation Kill,” “Treme” and “Bosch.” His final TV appearance came in the a second-season episode of Peacock’s comedy crime show “Poker Face,” which aired in June.

But he will likely be remembered most for his turn as Ziggy Sobotka in “The Wire,” a dark and uncompromising drama — hailed as one of the best TV shows of all time — that explored various aspects of Baltimore and its institutions. Ransone appeared in all 12 episodes of the show’s second season, which focused on the decimation of the city’s docks.

He played the son of a dock union leader, whose scheming charisma got him into trouble with other low-level criminals — but also endeared him to some viewers. In one notable story arc, he bought a duck, which he paraded around with a diamond necklace; the bird later died because he fed it too much alcohol.

The critically acclaimed HBO series aired from 2002 to 2008 and starred Dominic West, Michael Kenneth Williams, John Doman, Idris Elba, Wood Harris, Lance Reddick, Wendell Pierce, Frankie Faison, Lawrence Gilliard Jr. and more.

In a statement released to the Baltimore Banner news site, “Wire” creator David Simon called Ransone’s death “grievous and awful.”

“He committed not only to the work but to the camaraderie that turns every good film production into something familial and caring,” said the statement by Simon, who also cast Ransone in “Generation Kill” and “Treme.”

In an interview on MSNBC after the release of the movie “Sinister 2,” Ransone said he was proud of the work he had done on “The Wire” but called it a “real double-edged sword” in that people would forever typecast him as Ziggy. He described himself as a horror film fan and spoke of how working with filmmakers such as Simon, Sean Baker and Spike Lee had opened his eyes to many social inequities.

It wasn’t immediately clear whether Ransone was living in L.A. at the time of his death. A man with his name is listed on the California secretary of state’s website as living in the 700 block of North Martel Avenue, in the Fairfax neighborhood.

LAPD spokesperson Officer Norma Eisenman said that around 2 p.m. Friday a police squad responded to a 911 call about an undetermined death at that location. Inside, she said, officers found a white male who appeared to have taken his own life.

Because foul play isn’t suspected, the case is being handled by the medical examiner’s office, Eisenman said, adding that she could not confirm that the man was Ransone or provide other details about the 911 call.

TMZ reported that Ransone was a married father of two, and wife Jamie McPhee posted a fundraiser for the National Alliance on Mental Illness (NAMI) in her social media profile.

In recent years, Ransone came out as a sexual abuse survivor and also spoke openly about his struggles with addiction.

In 2016, he told Interview Magazine that he had gotten sober at age 27 “after being on heroin for five years.”

“People think I got sober working on the ‘Generation Kill.’ I didn’t. I sobered up six or seven months before that,” he told the publication. “I remember going to Africa and I was going to be there for almost a year. I was number two on the call sheet and I was like, ‘I think somebody made a mistake. This is too much responsibility for me.’”

Ransone in 2021 disclosed that he had been sexually abused by a former tutor at his childhood home in Phoenix, Md. over a six-month span in 1992, according to the Baltimore Banner. He revealed the allegations on Instagram, where he shared a lengthy note that he had sent his alleged abuser, the Banner reported. A police investigation was later launched into the allegations but closed without any charges being filed.

On June 12, Peggy Orenstein’s inbox flooded with booking requests for her Inglewood Airbnb.

The date seemed random, but after a quick search, the influx of interest became clear. It was exactly a year before one of the biggest events in American soccer history, when the U.S. will kick off its World Cup in a match against Paraguay at SoFi Stadium, and Orenstein had set up the system to only accept booking requests up to a year in advance.

Orenstein’s rental sits just across the street from the venue. Suddenly, her Airbnb became one of the hottest homes in the Southland.

She hadn’t adjusted the prices yet to reflect the rabid demand, so she declined the requests and tweaked the rates. Typically, a two-night stay at the house would cost around $1,000. For a two-night stay during the Americans’ opening match June 12, it’ll now cost more than $10,000.

Roughly 6.5 million people are expected to travel to North America during the 2026 World Cup, and many of them will be heading to L.A., where SoFi Stadium is hosting eight games, including two U.S. matches during the group stage. Airbnb hosts are viewing the games as a gold mine, hoping soccer fans will shell out thousands to stay near the stadium.

The World Cup rental market will serve as a test case for the 2028 Olympics, when an estimated 15 million people are expected to visit Southern California.

For the night of the opening match June 12, more than 70% of short-term rentals in Inglewood have already been booked, according to data site Inside Airbnb. That’s a 58% increase compared to typical reservation rates on normal days.

Rates are rising as well. On June 1, the average booked rate for an Airbnb in L.A. is $245, according to data platform AirDNA. On June 12, when the U.S. plays Paraguay, it’s $382 — a 56% jump.

In Inglewood, prices are even wilder. Homes that normally rent for hundreds are listed for thousands. The nightly price for a one-bedroom apartment a block from SoFi is typically around $400. On June 11, the day before the game, it’s $713. On June 12, the day of the game, it’s $1,714.

“It’ll be interesting to see how much people will pay,” Orenstein said.

Some hosts use an algorithm to determine their nightly rates, but Orenstein sets the prices herself. She arrived at the $10,000 number by looking at nearby hotels, which are mostly sold out for the nights of the eight World Cup matches.

“The Lum Hotel had a suite available during the World Cup for $1,943. Meanwhile, our house can accommodate eight guests with four bedrooms, plus a kitchen and yard,” she said.

There are classic amenities such as a grill and hot tub, but the biggest amenity is proximity. Orenstein is banking on visitors ponying up for the convenience of parking at the property and walking to the stadium while everyone else navigates traffic jams and long rideshare waits.

“It gets crazy out there,” she said. “I’ve had people offer to pay me $40 to use the bathroom while walking by during a Taylor Swift concert. Our neighbor sold parking spots for $1,000 during the Super Bowl.”

David (pictured) and Peggy Orenstein, run an Airbnb across the street from SoFi Stadium.

(Robert Gauthier/Los Angeles Times)

Colin Johnson has been renting out his home near SoFi Stadium for two years. It’s his actual residence, meaning when someone stays there, he has to book a hotel or crash on a friend’s couch. But he said the payouts are worth it.

“There are so many events and venues around us, why wouldn’t we take advantage?” he said.

A typical two-night stay in the three-story townhouse runs about $600. For the U.S. opening match, it costs more than $3,000.

Johnson said demand is roughly 60% Americans and 40% foreigners, but he expects foreign interest to pick up as the games get closer.

Demand isn’t limited to Inglewood. Luxury rentals across Los Angeles are being booked for eye-popping numbers, according to Mokhtar Jabli, founder of luxury rental platform Nightfall Group.

He’s booked two so far. The first was rented by a Florida client coming to Los Angeles to see Iran play two matches at SoFi Stadium against New Zealand and Belgium. The modern home in Hollywood Hills, complete with an infinity pool overlooking the city, rented for $33,000 for seven nights from June 15 to 22.

The second was booked by a New York client coming to see the U.S. play Paraguay. The 7,000-square-foot mansion in Malibu comes with a movie theater, butler, security and full-time staff. For 10 days, it rented for $100,000.

Jamie Lane, chief economist for AirDNA, expects a surge across L.A. County — not just in demand, but in supply.

“There’s a lot of interest right now in what you can make as a host,” Lane said. “In most cities, there won’t be enough lodging, so that pushes rates higher.”

He added that since Airbnb is the official “Alternative Accommodations and Bookings Platform” of the World Cup, the company is urging people to host. AirDNA has hosted multiple bootcamps around the country for people interested in renting out their homes during the World Cup, teaching them how to furnish homes, how to set prices during the games and more.

Lane expects a boost in listings early next year, which would mirror Paris in the months leading up to the 2024 Olympics, when active listings soared by 40%.

It’s unclear how proactive Southern California cities will be in cracking down on illegal listings as homeowners look to make a quick buck by renting out their rooms. Many cities have strict short-term rental regulations, but haven’t taken the steps necessary to enforce them.

Last year, the L.A. Housing Department estimated that 7,500 short-term rentals were violating the city’s Home Sharing Ordinance, but the city only issued 300 citations.

Orenstein said it won’t be easy in Inglewood.

“You have to jump through hoops to have an Airbnb,” she said. “Apply for permits, do inspections, pay your taxes every month. It has to be done right.”

Dec. 21 (UPI) — The Powerball jackpot has climbed to $1.6 billion after no one claimed the winning ticket following Saturday’s drawing.

There have been 45 consecutive drawings with no grand-prize winner.

The new jackpot is the fourth largest in the game’s history, and the fifth biggest among all U.S. lottery jackpots, Powerball said.

Saturday’s was the second consecutive drawing with a jackpot in excess of $1 billion that produced no winner.

The last Powerball winner claimed $1.787 billion in September. There have been 45 consecutive winnerless drawings since.

Powerball winners have the choice between taking an annual payout, or a lump-sum prize. If someone wins Monday’s drawing, they will have the option of receiving a $1.6 billion annuitized payment, or a $735.5 million one-time prize.

There was no grand prize winner Saturday, but 112 ticket holders claimed a $50,000 payout, and 22 claimed $150,000 each.

Tickets sold in California, Florida, Iowa, Massachusetts, Michigan, New Hampshire and Ohio each won $1 million.

A winner of the Double Play drawing in New Jersey claimed a $500,000 prize, Powerball said.

The odds of winning the grand prize jackpot are one in 292.2 million, according to Powerball, though they are better for smaller prizes, which can range to as low as $4. Tickets are $2 each.

Drawings are held at 10:59 p.m. EST every Monday, Wednesday and Saturday.

Tensions are growing in Bangladesh after the killing of a student leader of last year’s uprising that ousted Prime Minister Sheikh Hasina.

Elections for a new government are due in February.

So, how volatile is the political situation?

Presenter: Dareen Abughaida

Guests:

Taqbir Huda – human rights lawyer and Clarendon Scholar at Oxford University

Asif Shahan – professor of development studies at the University of Dhaka

Fahmida Khatun – executive director at the Centre for Policy Dialogue in Bangladesh