The Clippers’ season has come to an end but better than anyone expected. No consolation but a great job by head coach Tyronn Lue for guiding the Clippers from a disastrous 6-21 start and finishing with more than 40 wins.
Coach Lue led the team, overcoming major obstacles throughout the season with a player investigation, injuries, internal strife and major roster changes at the trade deadline. As usual for Clipper fans, wait till next year.
Wayne Muramatsu Cerritos
The Clippers are the NBA’s version of Stealers Wheel’s “Stuck in the Middle With You.” Yes, they have had 15 straight seasons of playing .500 or better, and owner Steve Ballmer has brought them respectability, but for their entire 56-year existence — which has contained many clowns and jokers — they still have never [attained] their goal of winning (or even reaching) the NBA Finals.
Until recently, President Trump always found a way to fail forward, through a combination of spin, threats, payoffs and bluster.
OK, that’s the simplistic interpretation. The fine print tells a less-glamorous story: a man born on third base who spent decades insisting he’d hit a triple.
Still, it’s hard to argue with success. When Trump entered politics, he redefined the rules of the game. Rivals who tried to outflank him on policy detail, ideological consistency and institutional norms found themselves either vanquished or assimilated by the Borg.
By my lights, only once during Trump’s admittedly chaotic first term did he run into something that his playbook couldn’t at least mitigate or parry: the COVID-19 pandemic. For the final year of his presidency, reality refused to negotiate, and political gravity reasserted itself. It turns out, viruses aren’t susceptible to the Art of The Deal.
But then, miraculously, Trump wriggled through legal jeopardy, bulldozed his way past more conventional Republicans and Democrats, and re-emerged victorious in 2024.
If anything, that comeback reinforced the idea that Trump could survive anything by virtue of his playbook.
By the start of his second term, he’d made impressive headway in co-opting not only individuals but also major institutions within big tech, the media and academia.
Even in foreign affairs, Trump’s sense that any problem could be solved via force, intimidation or money was confirmed when he captured Venezuelan President Nicolás Maduro and installed Maduro’s vice president, Delcy Rodríguez, as a sort of puppet leader. Everyone has a price, right?
Unfortunately for Trump, no. Not everyone does.
Lately, the president has encountered a different kind of resistance — adversaries motivated by something bigger and more transcendent than money, power or the avoidance of pain.
In dealing with Iran, for instance, Trump has confronted people operating under a wholly different set of incentives. It’s a regime guided by a mix of ideology, radical religious doctrine and long-term strategic interests that don’t always align with short-term material gain.
(Now perhaps, having punished Trump enough already, Iran will finally come to the negotiating table. But even if that happens, it will have occurred after exacting a steep price — so steep, in fact, that it may already be too late for Trump to plausibly claim a win.)
It turns out, you can’t easily intimidate or pay off a true believer who isn’t afraid to die and believes they have God on their side.
A similar (though obviously not morally equivalent) dynamic is now also on display in the form of Trump’s skirmish with Pope Leo XIV, a man who commands moral authority. He opposes the war in Iran (“Blessed are the peacemakers”) and has demonstrated a stubborn refusal to back down to Trump’s attempts at bullying.
“Woe to those who manipulate religion and the very name of God for their own military, economic and political gain, dragging that which is sacred into darkness and filth,” Leo said during a tour of Africa. It’s a remark that the American pope seemed to implicitly be aiming at the American president.
Here’s what Trump doesn’t understand: There are still pockets of the world where concepts like faith and national identity outweigh tangible incentives. Where sacrifice and suffering are an accepted part of the plan.
When facing these sorts of foes, Trump’s usual operating system starts to look less like a cheat code and more like a category error.
But he can’t see this because Trump is always prone to a sort of cynical projection — of assuming everyone views the world in the same base, carnal, corrupt way he sees it.
Whether it was his incredulity that Denmark wouldn’t sell Greenland, rhetoric that seemed to discount the motivations of those who serve and sacrifice in the military, or his affinity for nakedly transactional gulf states, the pattern is familiar: a tendency to view decisions through a cost-benefit lens that not everyone shares.
To be fair, that lens has often served him well. In arenas where power, money and leverage dominate, Trump’s approach is eerily effective.
But after years of taming secular, “rational” opponents, he is fighting a two-front war against people who see their struggles as moral and spiritual.
They aren’t stronger in a conventional sense. But they are, in a very real sense, less susceptible to Trump’s methods.
For perhaps the first time in his life, Donald Trump finds himself facing adversaries who aren’t just immune to his usual Trumpian playbook but are playing a different game altogether.
I’ve come to resent the frenzy around superblooms.
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Not because I don’t love seeing our hillsides blanketed with nature’s bounty, but because it misses the point that every wildflower that bursts out of the ground is its own sort of miracle. Have you ever slowed down on the trail just to stare at an individual California poppy and considered how in the world a seed that’s a fraction of an inch (1/20 to be exact-ish) became this bright orange delicate thing before you?
For me, each wildflower I spot on the trail is an opportunity to practice gratitude. I hope I can persuade you to consider the same.
With that same energy, I’d like to teach you how I find wildflowers and other plants I love, both as a hiker and outdoors journalist. Here is what I consider as I’m searching for the best spring hikes.
A large oak tree provides shade over a trail in Franklin Canyon Park.
(Jaclyn Cosgrove / Los Angeles Times)
1. Learn the landscapes
L.A. County is home to a multitude of diverse plant habitats, with each offering its own range of wildflowers, shrubs, trees and more. And often, these landscapes can be interspersed among each other.
Hikers around L.A. commonly encounter plant habitats and ecosystems that include:
Coastal sage scrub: Found at lower elevations (generally below 3,000 feet), this fire-adapted plant community often includes bright yellow bush sunflower, sticky monkey flower (orange blooms), deerweed (orange and yellow blooms) and fragrant California sagebrush and black sage, which features white and bluish blooms; this is a great plant habitat to hike when you want to really stop and smell things.
Chaparral: Often said to be the most extensive vegetation type in California, chaparral is found throughout Southern California’s mountain ranges up to about 5,000 feet, although it does grow higher; chaparral is a “continuous cover of low-growing shrubs creating a mosaic in shades of green,” according to research by the U.S. Forest Service; common flowering plants found in chaparral include woolly bluecurls, chamise (white flowers), ceanothus (shrubs with fragrant purple, white and sometimes pink blooms) and manzanitas.
Oak woodlands: A plant habitat often found in low- to mid-elevations (generally below 5,000 feet) in foothills and valleys, this ecosystem is “officially defined as an oak stand in which at least 10% of the land is covered by oaks and other species, mostly hardwoods,” writes author Kate Marianchild in “Secrets of the Oak Woodlands”; wildflowers that often grow here include California buttercup (yellow blooms), Collinsia heterophylla (purple and white blooms), hummingbird sage (super cool plant with magenta flowers) and more.
Several coast live oaks, including this one with a swing, live along the Gabrielino Trail, left. Top right, there are several native plants and wildflowers along the Gabrielino Trail, including golden yarrow. Bottom right, Bush monkey flower, sometimes called sticky monkey flower, is a native shrub found along the Gabrielino Trail.
(Jaclyn Cosgrove / Los Angeles Times)
Riparian habitats: This is the term used to describe the lush landscape found around rivers, creeks and in moisture-rich canyons and includes riparian woodlands; it is less defined by elevation and more so is used to describe the life found around water. Wildflowers and plants that bloom include western columbine, scarlet monkey flower and miner’s lettuce (white and pale pink blooms). You can often also find California bay laurels, which have a zesty pungent smell (that not everyone loves).
Where to see it: Essentially anywhere along the 28.8-mile Gabrielino Trail, which runs parallel in several sections to the San Gabriel River and Arroyo Seco.
The snow plant (sarcodes sanguinea Torr.) is starting to come up around pine trees at the Chilao Picnic Area in the Angeles National Forest. It grows in the spring, after snow has melted, has no chlorophyll and gets its nutrition from fungi growing on conifer roots in the soil.
(Raul Roa / Los Angeles Times)
2. Go higher for late-season blooms
Thanks to our proximity to the San Gabriel Mountains, the wildflower season often extends into late spring and early summer.
In Angeles National Forest, you can easily hike above 5,000 feet and even farther into the sub-alpine regions where you’ll find mixed conifer forests and a range of wildflowers and other interesting plants. One of my favorites to spot is the snow plant, a funky red parasitic plant that “derives sustenance and nutrients from mycorrhizal fungi that attach to roots of trees,” according to the California Native Plant Society. Other blooms you might spot include various types of lupine, pumice alpine gold and some types of paintbrushes.
Grape soda lupine grows in Angeles National Forest, including here along the Cooper Canyon trail.
(Jaclyn Cosgrove / Los Angeles Times)
3. Determine whether an area has burned in recent years
Many of the most beloved areas of the Santa Monica and San Gabriel mountains have burned in recent years. The immediate aftermath is devastating to witness: blackened hillsides with shrubs and trees burned down to nubs and stumps.
But, as the ecosystem starts to heal, several wildflowers known as “fire followers” will start popping up.
“Often boasting beautiful blooms, some germinate only when their seeds are exposed to heat, while others take advantage of the charred, mineral-rich soil left behind, helping to secure the land and reduce erosion,” according to TreePeople.
I’ve found this to be true in areas that burned in the 2020 Bobcat fire, where trails burst with blooms from several types of lupine (including grape-soda lupine, my personal favorite), phacelias, including large flowered phacelia and caterpillar phacelia, and withered snapdragon.
California poppies bloom next to the California State Route 138 near the Antelope Valley California Poppy Reserve State Natural Reserve on March 12. The state’s wildflowers typically bloom from mid-March through April.
(Kayla Bartkowski / Los Angeles Times)
4. Check the data and help others do the same
Before heading out, I often head to iNaturalist, a citizen science app where users submit photos of animals, plants and other living organisms they observe. I will usually look at what other users have submitted in recent weeks. And on every hike, I typically submit at least 20 observations of wildflowers, lizards and trees I noticed. (As of today, I’ve submitted 675 observations of 341 species, including eight California poppy observations and seven black bear observations, which are really just photos of scat.)
To use iNaturalist, you can either visit its desktop site or use the app, which is available for iPhone and Android. You can easily search specific plants — although rare and endangered specimens will have their locations hidden — to discern whether any have been spotted along the trail you’re headed to. This is one of the ways I discovered an abundant showing of wildflowers in Towsley Canyon and in the Santa Monica Mountains, which hopefully is still there thanks to the recent rainfall.
As you can tell, there is much to learn about the diverse landscapes covering Southern California. I hope this newsletter prompts you to learn even more as you venture out there.
May your adventures lead you to a day full of springtime color and a deep sense of gratitude for whatever you find!
3 things to do
Violet Tiul, 12, removes invasive mustard weed at Friends of the Los Angeles River’s Habitat Restoration & Earth Month Celebration at the Sepulveda Basin Wildlife Preserve in Los Angeles on May 24, 2025.
(Carlin Stiehl / Los Angeles Times)
1. Celebrate Earth Month at the L.A. River Friends of the L.A. River needs volunteers from 8 to 11 a.m. Saturday at the Sepulveda Basin for its Earth Month habitat restoration day. Other local groups at the event will include the California Native Plant Society and the L.A. and San Fernando Valley chapters of the Audubon Society. Volunteers will yank weeds and install native plants and be rewarded with guided nature walks around the native reserve. Binoculars will be provided. Learn more at support.folar.org.
2. Explore the night sky in Joshua Tree The Mojave Desert Land Trust will host an interactive evening exploring the night skies from 7 to 10 p.m. Friday at its headquarters in Joshua Tree. Interns from the trust’s Women In Science Discovering Our Mojave (or WISDOM) will share their research findings, and afterward, guests will be treated to s’mores and a night sky viewing with a National Park Service ranger. Learn more and register at mdlt.org.
3. Hike with bats and more in Calabasas Malibu Creek State Park will host a guided night hike from 7:30 to 9 p.m. in Calabasas. Guests will learn about nocturnal animals as they hike about three miles round trip. Register at eventbrite.com.
The must-read
Carrizo Plain National Monument in San Luis Obispo County.
(Christopher Reynolds / Los Angeles Times)
If you’re feeling up for a road trip, may I suggest heading to the Carrizo Plain National Monument? Times staff writer Christopher Reynolds outlined how, even though we are past its peak wildflower season, the monument is still a gorgeous display of springtime blooms. “By the time my wife and I arrived in the first days of April, the flowers were past their peak, but the hills were still green and many meadows popped with yellow, purple and blue,” Reynolds wrote. “If I’m reading my wildflowers handbook right, these were tidy tips, Goldfields, Owl’s Clover, thistle sage, Valley Larkspur, coreopsis, phacelia and hillside daisies.”
We are so lucky to live among such rich biodiversity!
Happy adventuring,
P.S.
Would you like to meet me IRL? I am hosting “L.A. Hiking 101” at 1:45 p.m. Sunday at Mudd Hall 203 during the L.A. Times’ Festival of Books at USC. The festival is free to attend, as are several of the panels, mine included. I will share how to find some of the best hikes around L.A., what I’ve learned writing about our local wildlands and, as a fun show-and-tell, what I carry in my pack when I’m out on a day hike. Space is limited, so grab your ticket now for my talk. I am eager to hear what questions you have. See you there!
For more insider tips on Southern California’s beaches, trails and parks, check out past editions of The Wild. And to view this newsletter in your browser, click here.
Families, in their various flavors, have been essential to television since that light first flickered on. They may be ideal or nightmarish, or both, or in between, and we take to them — be they Waltons or Addamses or Simpsons — according to our own experience or desires, having known families of our own or wanted something other than what we had.
In “Schitt’s Creek,” Dan Levy co-created — with his father, Eugene, yet — one of the medium’s greatest family comedies. It was a show that grew over time from a basic premise about rich people who lose their money and are forced to live at close quarters in adjoining motel rooms to a paean to love, understanding and acceptance. It swept the comedy categories at the 2020 Emmys, including acting awards for both Levys, Catherine O’Hara and Annie Murphy and writing and directing trophies for Dan.
“To family” are in fact the last words spoken in the first season of “Bad Mistakes,” Levy’s noisy, funny new show, co-created with Rachel Sennott and now streaming on Netflix — though given what precedes it, it’s less a blessing than a curse. Levy plays Nicky, a pastor at a sparsely attended suburban New Jersey church of no evident denomination. He’s out as gay, but supposedly celibate; that he has a boyfriend, Tareq (Jacob Gutierrez), is known only to Tareq; this, of course, creates a secret, which will create pressure, which will create comedy.
Sister Morgan (Taylor Ortega) is an elementary school teacher, a job that doesn’t quite jibe with everything else we see about her — it’s barely represented, anyway, summer having come — and a very longtime boyfriend, Max (Jack Innanen), who has decided that now is the moment to propose. She had once tried acting in New York, which means that she lived a wilder life once and is something of an improviser. Their mother, Linda (Laurie Metcalf), who owns a hardware store, is running for mayor and the campaign is being managed by extra daughter Natalie (Abby Quinn).
The series begins as their grandmother is dying, and at Linda’s command, they rush out to buy her a present — Linda is trying to squeeze in an “early birthday” before her mother passes. And because she is that sort of person, Morgan shoplifts what she imagines is a cheap necklace from a convenience store. (Attendant Yusuf, played by Boran Kuzum, will have much to do.) The necklace isn’t cheap, it turns out, for no particularly good reason, and the convenience store isn’t just a convenience store, but a kind of waystation for stolen goods run by local Russian mobsters. As a result, Morgan and Nicky find themselves forced to run errands for them, under threat of death, or worse.
The show gets very complicated on its way to a circular semi-conclusion; there is a lot going on, with Linda’s mayoral ambitions and various relationship issues. (Elizabeth Perkins plays Max’s mother, bridging storylines.) But it’s a good ride, and classic in its way; searching the phrase “get mixed up with gangsters” brings forth a host of old comedies. Through the dodgiest situations, brother and sister do not hesitate to argue. Nicky would love to be anywhere else, while Morgan finds it invigorating. Though it is all improbable, the parts do mesh neatly; they make television sense.
Finally, the series rests on the shoulders of the three principal players, who are just a pleasure to watch; the camera obliges by moving in close. Levy brings a soft-spoken breathlessness you may recognize from his David Rose on “Schitt’s”; his softly muttered “OK,” which might just mean “stop talking,” is almost a trademark. Ortega brings a kind of poignance to her reborn wild child, while Metcalf plays Linda with a kind of small-town operatic intensity, eyes popped and pronunciation precise — she’s like a country cousin to O’Hara’s Moira Rose — as if she were onstage pitching to the back row of the theater.
Michelle Pfeiffer and Elle Fanning in “Margo’s Got Money Troubles,” premiering April 15, 2026 on Apple TV.
(Allyson Riggs/Courtesy of Apple)
In “Margo’s Got Money Problems, premiering Wednesday on Apple TV, Elle Fanning plays the title character, a college student flattered into bed by her married-with-children writing professor, Mark (Michael Angarano), despite my shouting at the screen for her not to do it. Soon she is pregnant, and soon after that the essentially single mother of baby Bodhi, unable to find work or the time to write. (As the heroine, we assume her talent.)
Presumably in search of some normalcy, Margo’s mother, Shyanne (Michelle Pfeiffer), a former good time girl — but still sparkly — has become engaged to Kenny (Greg Kinnear), Christian, square and sincere; the Ralph Bellamy of the piece, you are not asked to take him quite seriously (though Kinnear plays him straight). Shyanne’s ex-husband is Jinx, a former professional wrestler, played by Nick Offerman with the low-key affect of Ron Swanson, dialed down even further; depression and drug addiction will do that to you. Fresh out of rehab, he trades a championship belt for a motorcycle and joins the household; though he left Margo early, and unlike Shyanne, he proves to have a marvelous, easy way with Bodhi. (The baby himself, or babies — they use twins for this job — are themselves marvelous.)
Also in residence is roommate Susie (Thaddea Graham), a chirpy cosplayer — and coincidentally Jinx’s biggest fan — whose skills will become valuable as Margo, needing cash, sets off into the world of OnlyFans. First picking up tips describing followers’ penises in terms of Pokémon (no explanation has been thought necessary), she pivots to video, mounting increasingly elaborate sexy sci-fi productions alongside Susie (sets and costumes), Jinx (narrative advice, stunt coordinator) and OnlyFans veterans KC (Rico Nasty) and Rose (Lindsey Normington), a fabulous tag team to whom Margo turns for advice. (Margo does seem to take things over, but it’s her name in the title, so there you go.) This introduces an element of Mickey and Judy, my uncle’s got a barn, let’s put on a show comedy. More important, it creates a team, melding the family you make with the family you have.
It’s as sweet as can be. Apart from sleeping with one’s professor — students, do not do this! — the show is positive about just about everything: motherhood, daughterhood, professional wrestling, second chances, sex work, cosplaying and the way art shows up in strange places. Only Marcia Gay Harden, as Mark’s mother, Elizabeth, is an outright villain, and you will hate her.
The series was created by David E. Kelley (Mr. Michelle Pfeiffer), from Rufi Thorpe’s 2024 novel, once again under the umbrella of Nicole Kidman’s Blossom Films (following their collaborations on “Big Little Lies,” “Nine Perfect Strangers” and “Love & Death”), with its house style of well-upholstered capital-Q Quality (as distinct, in its pop-cult, way, from prestige). (Kidman has a small role as a wrestler-turned-lawyer and it’s been a while since I’ve seen her this well used.) “Margo’s Got Money Problems” can be terribly sentimental, almost corny — the climax is pure Hollywood — but undeniably effective. And if its mix of comedy and drama can be a little destabilizing, you won’t need to worry about where it ends up.
