show biz

BACKSTREET BOYS are ­returning to the UK next year for a string of huge shows, including a concert at London’s O2 Arena.

Nick Carter, Howie Dorough, AJ McLean, Brian Littrell and Kevin Richardson had been locked in rehearsals at a facility in Bedfordshire for the launch of their concert residency in Dusseldorf, which kicked off on Friday.

But I can reveal the band are in advanced talks to perform their first shows in Blighty since the 2022 DNA World Tour.

A source said: “Backstreet’s back — and they’re coming to London.

“All the details are under lock and key but the residency means the guys are on top form and are ready to head out on tour.

“The concerts will take place next year, with one at London’s O2 Arena which will make up part of the venue’s 20th anniversary celebrations.

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“The lads are beyond excited about this and have been working so hard.”

Earlier this year, Backstreet Boys kicked off their Into The Millennium residency at The Sphere in Las Vegas.

The show is now in ­Germany before more dates in Sin City in December and ­January.

The lads have sold more than 450,000 tickets for the ­residency in Dusseldorf, with fans being treated to a 26-song set list.

As a group, Backstreet Boys dominated Germany in the early days of the band, with fans there catching on early as to what huge stars they would become.

After the residency began, Brian said: “When we talk about this being a homecoming, it’s because Germany is where everything clicked for us.

“It’s where our dream stopped being hypothetical and became something real.

“Coming back for these shows feels full circle.”

After they struck gold, the band went on to become one of the biggest groups in the world, ­selling more than 150million records worldwide and achieving 16 UK Top Ten singles, including No1 hit I Want It That Way in 1999.

As a huge fan, I shall be jumping in the queue for tickets once the show is announced.

Rita can go Anywhere

LIKE me, Rita Ora was a late starter when it came to passing her driving test.

But, aged 35, she’s now finally got her licence and posed proudly with her certificate in front of her Dollar Driving School car in Los Angeles.

The company previously taught stars including model Winnie Harlow how to drive.

See you on the M1, Rita – and feel free to bring your cute four-legged friend along too.

MARIAH HERE TO BRING MORE FESTIVE CHEER

IF you missed out on tickets for Mariah Carey’s upcoming UK Christmas tour dates, I have good news.

I’m told the star is in advanced talks to perform at this year’s Capital Jingle Bell Ball.

My moles tell me the annual event will take place on December 5 and 6 at London’s O2 Arena, with bosses ­working around the clock to secure the US chart queen as a performer.

A source said: “Bosses are still locking in the exact line-up but it’s looking likely Mariah will be a special guest at one of the dates.

“They think she would be an amazing ­addition to the line-up.”

We revealed in July how Mariah was set to return to our shores to play her first run of winter shows here in eight years.

She will begin the gigs on November 27 in Birmingham before concerts in London and Manchester.

Welcome back, Mimi.

We’ve missed you.

It’s heavy petal for Olivia

OLIVIA RODRIGO could be lining up a partnership with Interflora, if the opening night of her Unraveled Tour was anything to go by.

The Drop Dead singer performed in a sea of giant flowers – with 16 gardeners on hand to rearrange the blooms as her US show in Connecticut went on.

As well as singing tracks from her previous two records, Olivia performed nearly every song from No1 album You Seem Pretty Sad For A Girl So In Love.

She repeatedly changed dresses during the 23-song set – and wowed fans when a white frock she was wearing dissolved as “rain” fell on stage, to reveal a bright-red corseted number underneath.

She will bring the show to the UK for a nine-night run at London’s O2 Arena next April.

CELINE’S DOLLED UP FOR XMAS

CELINE DION is being immortalised as a Barbie doll to celebrate her incredible live music comeback.

I can reveal the My Heart Will Go On singer, who is playing a residency in Paris, will have her own limited edition doll released just in time for Christmas.

A source said: “Celine was contacted by Mattel last year and was told bosses were keen to turn her into a collectable Barbie.

“Naturally, she was honoured, and agreed to the partnership straight away.

“The doll will be based on one of her most iconic looks.”

Celine is not the first star to be turned into the famous toy.

In February, Kylie Minogue had a plastic-fantastic makeover, while Marilyn Monroe got her own doll to celebrate what would have been her 100th birthday in August.

POP star Mabel has given birth to her first child, a year on from her wedding to record label executive Preye Crooks.

The singer, who hadn’t revealed she was pregnant, shared a home video on Instagram yesterday of their newborn and was congratulated by fellow artists including Craig David, Fleur East, Tinie Tempah and Ella Eyre.

POP IDOL WILL GOES LIVE AT 25

WILL YOUNG is heading out on tour next year to mark 25 years since he won Pop Idol.

The Evergreen 25th ­Anniversary gigs will see Will, inset, perform with his band.

The shows kick off at ­Manchester’s O2 Apollo on February 20 before other stop-offs include Glasgow, Sheffield, Nottingham, Birmingham, Southend, London and Cardiff.

Will said: “I can’t wait to celebrate with the full band and play Evergreen, as well as all the songs that have come since, from Light My Fire to Leave Right Now.”

X Factor star Olly Murs has also confirmed a string of summer shows for 2027.

His eight-date run will start at Bristol’s Good Times Festival on May 30.

Tickets for Will’s and Olly’s shows go on sale at 10am this Friday.

EXCLUSIVE Some of the biggest stars of Coronation Street, EastEnders and Emmerdale have united for a new staging of a classic play and looked back on their time on the world’s longest-running TV soap

Coronation Street, Emmerdale and EastEnders have been the UK’s biggest soaps for decades and now the stars truly have aligned as a group of actors from each of them have united to take on a stage production based on a film that is often one of the greatest films ever made

Soap legends Bill Ward, Tristan Gemmill, Ben Nealon and Gray O’Brien have teamed up together to appear as four of the jurors in Twelve Angry Men, which follows a jury as they deliberate the guilt of a boy on trial for murdering his father. All four of them have gone on to carve out successful careers on the boards since their time on screen, but Gray, 58,who played the villainous Tony Gordon on Coronation Street, has admitted he would be keen to return to TV if the opportunity was there.

“It’s not that I choose to do theatre, I’ll be brutally honest. It’s because nowhere in telly will employ me. That’s the thing about men coming out of soaps. Look at some of the best actresses we have in this country, Suranne Jones, Katherine Kelly, they’ve all used Coronation Street as a springboard into other things but it doesn’t work that way for men and I don’t know why that is,” he tells The Mirror.

Tony was the second husband of Underworld boss Carla Connor (Alison King). Introduced as a ruthless businessman, things quickly turned evil and he raped Carla before tying her up in the factory and setting it on fire during a major siege week in 2010. Carla made it out alive, but Tony did not. Gray admits he had no idea where the character was going when he first signed up to appear, but didn’t expect things to pan out as they did.

“It’s only supposed to be about seven houses,” he laughs when discussing the increasingly dramatic nature of the programme. Prior to joining Coronation Street, Gray had appeared in Casualty and River City, but joining the Manchester-based soap was a poignant moment for Gray because his father was such a fan.

“My father was a huge fan of Coronation Street, everyone says they are the biggest fan, but he was. Unfortunately, he died in 2000 and I joined in I think 2007 so he didn’t get to see it and he would’ve loved the part,” he adds.

But the star is happy with his latest role as touring fits in with his lifestyle and ultimately has happy memories of his time on set. It’s a similar case for Bill Ward, who played Charlie Stubbs and, after years of high-profile storylines, one of which saw Charlie abuse Shelley Unwin (Sally Lindsay), his character was murdered by girlfriend Tracy Barlow (Kate Ford) almost 20 years ago.

“I loved it, and people do still talk to me about it,” he smiles, adding “It was a really, really great piece of writing. The writers, I was very, very lucky. The writers really, really wrote for that character, for Charlie Stubbs, and I always used to look forward to getting the next week’s script to see what he would be up to because it was always it was very thoughtful, but it was also very innovative. A lot of the kind of the absolute delight, and I loved my time on it.”

Following his stint in Coronation Street, Bill, 59, went on to play James Barton in Emmerdale, but has also enjoyed a stellar career in theatre, starring in productions of Legally Blonde and Everybody’s Talking About Jamie amongst a host of others.

Things are never safe in soap land and a decade on from Charlie’s dramatic exit, former Casualty star Tristan Gemmill, 59, arrived to play Tracy’s ex-husband Robert Preston. Like Charlie, Robert did not exit in a black cab and his departure from the street was also explosive – being shot through the door of the Rovers Return Inn on Christmas Day.

At the time, Tristan’s children were young and he recalls having to calm them down when they saw the hard-hitting scenes. “Being shot through the door of the Rovers was harsh. It a hell of an exit. We all watched it on Christmas Day with my kids. I thought ‘Oh, look, we’ve had Christmas lunch. Let’s sit down and watch Daddy’s episode of Coronation Street because it’s where he leaves the show.’ It was a big mistake! They got so upset and I spent hours calming them down!”

For Ben Nealon, who played Alex Harkinson on EastEnders but is better known for starring as Capt Jeremy Forsythe on Soldier Solider, the theatre is definitely home, but he is always pleasantly surprised when members of the public recognise him for his signature role.

“With Solider Solider, it’s strange. In some ways, was really lucky, and all of us who were in it were really lucky to be last bastion of a show that was on television when there were still only five channels

“We had 17 million viewers, which is bigger than Game of Thrones now. I’m still amazed that that people come up and say ‘Hey, Jeremy!’ because it’s such a long time ago.” When asked if there is one genre he prefers, Ben, 59, admits he feels “really lucky” to have had a career spanning over three decades to begin with.

“I love doing theatre because of the rehearsal process, the immediacy of it. Of doing, it changes every night based on where you are, what the audience are like.

“I think in television these days, very rarely do you get a chance to rehearse much at all. You might do a couple of rehearsals for the camera and then off you go, so to have that in-depth analysis that you get in a in a rehearsal room for two or three weeks is is a real joy, and, and I think why most of do this job.”

After decades of starring on stage and screen, the four actors are keen to discuss taking on roles of various jurors in a new production of Reginald Rose’s legal drama. “It’s things like social justice, immigration, racism, one man standing against a mob, these are all ideas that he comes back to again and again and again.

“And so I’ve sort of gone backwards into his other work, if you see what I mean, and tried to find reasons, and I’ve researched the period,” Bill says.

Having already hit a few venues in the UK on its lengthy tour, Tristan is thrilled with the way audiences have responded. He explains, “We’re finding that the audiences are, are really engaged because the, Reginald Rose, the writer, has, has structured it in such a clever way where, where by, at the, at the beginning, you just see 12 blokes walk into a room.

“You know that it’s a jury deliberating on a murder case, but you don’t know any more than that. And then as, as time goes on, you almost fill in the gaps backwards, so that eventually you know what everybody in the room knows, because they’ve sat in the court for three days and listened to the proceedings. So, the way he drip-feeds the information is, is really clever.”

Twelve Angry Men is currently on tour across the UK until May 2027. For tickets and more information, go to https://www.kenwright.com/productions/twelve-angry-men-2026-27-uk-tour/

THE EERIE last words of Deadliest Catch star Todd Meadows to his children have been revealed in the season 22 finale.

Meadows, 25, was killed when he fell overboard while he and his crew mates were filming this latest series which ended on The Discovery Channel on Friday.

The rookie deckhand fell off the Aleutian Lady in a fishing accident on The Bering Sea and died from downing with possible hypothermia on February 25, 2026.

In the final episode of Season 22, a touching segment showed before and after his death, and captured his final conversation with his children just moments before the accident.

In a FaceTime call, he told his three children, all under five, that he was “being safe” and promised a fishing trip when he saw them again.

“I hope you’re being safe,” his daughter said on the call.

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“If you’re not being safe, you better be safe.”

“Oh, I’m being safe,” he told her.

He promised his son a salmon fishing trip when he returned, telling producers on-camera that it was a “heart-wrencher” to leave his children at home for long stretches.

“It’s been one of my dreams and goals to make it up here,” he said, speaking of joining the crew for the season.

“That’s why I’m up here to make it and to try to support my family.”

Another part of the season finale captured the chaos surrounding the moment he fell overboard, without the actual fall or subsequent actions being shown on camera.

Captain Rick, who announced Meadows’ death, is filmed manning the vessel and asking “Everybody OK?” before the crew say that a man has gone overboard.

As he turns the boat and instructs them to ready the ring and crane, he tells the crew: “I got my eye on him.”

They successfully got Meadows out of the frigid sea and the Captain instructed them to perform CPR.

“Come on, man, come on, someone go get the AUD right now,” he says off camera with him tearfully telling the crew to “keep pumping” before a producer says, “He’s gone, Rick.”

A statement on screen read: “On February 25th, 2026, deckhand Todd Meadows went overboard.

“After six minutes and twenty-six seconds in the water, he was recovered unresponsive.”

The episode then showed the aftermath of his death and its impact on the crew.

It ends with a cut back to Meadows as he prepares food in the kitchen and answers a producer’s question about what he would want to say to his children.

“Work towards your dreams and goals, don’t let anything slow you down. If you put your mind to it, you can do anything.

“Just want my kids to know I want them to work hard and be successful in life.”

Weeks before his fall, Meadows suffered a serious head injury onboard and was sent home on medical leave before being cleared again for work on September 18.

His week of medical leave saw him go back to his family while nursing his concussion which would tragically be the last time he saw them.

“The last photo I got of him was when he was building a fire. He was listening to music in the moment and was so happy,” his mom Angela said at the time.

“That’s how I want to remember him.”

Today marks the end of an era. Mark Swed — the last full-time classical music critic at a major American newspaper — has retired. On Thursday, members of The Times editorial staff gathered to celebrate Swed, but the mood was somewhat somber. Although we were glad for our beloved colleague, this was not a happy milestone for journalism — or classical music.

Swed is the rarest of writers: a critic with deep empathy and encyclopedic knowledge who can turn the sonic details of an orchestra playing Mahler’s Seventh Symphony into an epic journey for readers. At a time when orchestra leaders struggle to find new audiences for the art form, Swed’s writing did the job for them.

And in an era when everybody is an expert on TikTok, Swed’s informed criticism was a life raft in a sea of slop. He told us why the music mattered — in its historical context, as it related to the modern landscape, and what it meant to him personally. He made us better listeners, and most importantly, he made us curious. After reading his take, we wanted to run out to a concert, an opera or a new music festival.

That this particular kind of writing — and of seeing and explaining the world to readers — is going away with Swed, is truly a tragedy. Thankfully he is leaving of his own accord, and will hopefully continue to write a monthly column, but his loss still stings.

Like many, I watched with sorrow in February as the Washington Post slashed its staff, including its classical music critic, Michael Andor Brodeur. That blow came a little less than a year after the New York Times shook up its culture desk and reassigned its classical music critic, Zachary Woolfe, to serve as the obituaries editor. (The paper is now actively searching for a new classical music critic.)

A number of staffers spoke at Swed’s retirement lunch, and deputy A1 editor John Penner was among them. In his touching speech, Penner noted that Swed was the last of his kind, adding, “with no full-time critic writing anywhere in any newspaper about classical music, American journalism will be poorer, and its readers less informed, inspired and enlightened.”

Penner continued, saying what all of us gathered in that conference room knew to be true, “Mark’s 30 years at The Times coincided with this city’s Golden Age of classical music — the era of Salonen and Dudamel and Disney Hall. L.A. has been the most important and exciting music capital in the country, if not the world. (Why else would New York be stealing Gustavo from us now?) And central to that excitement and importance has been Mark’s writing and criticism. For my money, even when there were many music critics writing for many publications, Mark set the standard for classical music criticism, while opening our ears to new and under-appreciated music.”

Hear, hear.

I’m Arts editor Jessica Gelt wishing Swed a happy retirement and humbly asking him to come back to us now and again. This is your arts and culture news for the week.

The week ahead: A curated calendar

FRIDAY

Demand To Be Heard Festival
The Sunflower Project presents a celebration centering the voices of survivors of abuse beginning with a screening of the film “Break The Silence: The Gabby Petito Story,” followed by a panel discussion with the Gabby Petito Foundation. Saturday and Sunday is the Resident Artist Showcase, featuring the work of six survivor/artists. Also Saturday are three three arts workshops focusing on music, candle making and body movement, respectively.
Film screening, 6 p.m. Friday; 6:30 p.m. Saturday-Sunday, Resident Artist Showcase. Wisteria Theater, 7061 Vineland Ave., North Hollywood. Arts workshops, 11:30 a.m., 1 and 2:30 p.m. Art Share L.A. 801 East 4th Place, downtown L.A. towardsthesun.org

Jonah Elijah: Ambiguously Free
The first U.S. museum solo exhibition by the L.A.-based contemporary painter and mixed-media artist features work that blends personal memories with broader mythologies, religion and history to explore Black culture.
On view through December 16. Xela Institute of Art, 2176 Pacific Avenue, Long Beach. xela.art

Joshua Redman Quartet: Words Fall Short
The saxophonist performs a new program of music with his ensemble — pianist Paul Cornish, bassist Philip Norris and drummer Nazir Ebo, plus special guest Skylar Tang, an up-and-coming Bay Area-born trumpeter and composer.
7:30 p.m. The Wallis, 9390 N. Santa Monica Blvd., Beverly Hills. thewallis.org

Melrose Gallery Walk
Gallery spaces, including Hostler Burrows, Lawson-Fenning, Meg Turner, Object, Seventh House, The Window and 22RE, open their doors to celebrate the local design community. Free and open to the public.
5-8 p.m. Hostler Burrows, 6819 Melrose Ave. hostlerburrows.com

SATURDAY

Midterms: This Will Hurt Someone
Brightwork newmusic performs a program of contemporary works inspired by civic life and social change, including Ted Hearne’s “Bye Bye Huey,” Natalie Dietterich’s “Philosophy of Furniture,” Ian Dicke’s “Get Rich Quick” (with video), Matt Marks’ “This Will Hurt Someone,” Hesam Abedini’s “What Remains” and “Frederic Rzewsk’s “Coming Together” (with video).
8 p.m. Sierra Madre Playhouse, 87 W. Sierra Madre Blvd. sierramadreplayhouse.org

Aperghis Trilogy
Long Beach Opera performs three works by experimental composer Georges Aperghis: “Le corps à corps”,” Les Sept Crimes de l’amour,” “Récitations.” Directed by James Darrah Black. Christopher Rountree conducts.
7:30 p.m. The Queen Mary, 1126 Queen’s Way, Long Beach. longbeachopera.org

The Horror Show
An immersive deep dive into the movie genre presented in six themed galleries: Gothic, Psychological, Science, Slasher, Religion and Ghosts, with behind-the-scenes looks at a range of titles that includes everything from Oscar winners to drive-in classics. But first, you must pass through “The Hallway,” bwahahaha.
10 a.m.–6 p.m. Wednesday–Monday, on view through July 25, 2027. Academy Museum, 6067 Wilshire Blvd. academymuseum.org

Senon Williams: here now, now gone, gone here
A solo exhibition of the artist’s work, in which he collects materials such as nails, slips of paper, fragments of language and industrial remnants, then uses assemblage to rearrange them and discover deeper meaning.
Noon-6 p.m. Tuesday-Friday, on view through Nov. 15. The Philosophical Research Society, 3910 Los Feliz Blvd. prs.org

Promised Lands: California’s Unratified Treaties and Native Resilience
Archival materials, contemporary objects, images and voices from local tribal communities relate the complex history of the state with its indigenous people.
10 a.m.-4 p.m. Tuesday-Friday, 10 a.m.-5 p.m. Saturday-Sunday. Autry Museum of the American West, 4700 Western Heritage Way, Griffith Park. theautry.org

Rodgers & Hammerstein’s The Sound of Music Sing-A-Long
Actor and comedian Melissa Peterman hosts the annual screening of the 1965 Oscar winner for best picture complete with a costume contest and more than a few of your favorite songs.
7:30 p.m. Hollywood Bowl, 2301 N Highland Ave. hollywoodbowl.com

Daymé Arocena’s Alkemi
The Grammy nominee and Juno Award–winner blends Afro-Cuban beats with neo-soul, jazz and contemporary Latin pop.
7:30 p.m. The Wallis, 9390 N. Santa Monica Blvd., Beverly Hills. thewallis.org

San Pedro Festival of the Arts
The 20th annual event, presented by Los Angeles Choreographers & Dancers, features 20 dance companies demonstrating a variety of styles and cultural traditions.
1-4:30 p.m. Peck Park, Upper Green near the Community Center, 560 N. Western Ave. triartsp.com

Tokio Ueyama: The Hollows Between Mountains
The first museum exhibition in California of the Little Tokyo-based Japanese artist (1889–1954) features his drawings, prints, photographs and paintings as well as artists he was associated with, including Diego Rivera, Tōyō Miyatake, Edward Weston and Henrietta Shore.
11 a.m.-6 p.m. Wednesday–Sunday, on view through Feb. 28, 2027. UC Irvine Langson Orange County Museum of Art, 3333 Avenue of the Arts, Costa Mesa. langson.uci.edu

SUNDAY

Grant Gershon conducts the Los Angeles Master Chorale at Walt Disney Hall, Nov. 16, 2025.

(David Butow/For the Times)

Brahms’ Requiem
The Los Angeles Master Chorale, led by Grant Gershon, opens its silver anniversary season with a program that also includes Bruckner’s “Te Deum.”
7:30 p.m. Walt Disney Concert Hall, 111 S. Grand Ave., downtown L.A. lamasterchorale.org

WEDNESDAY

Rubén Blades & Roberto Delgado Big Band: Fotografías Tour
The Panamanian salsa greats perform classic Afro-Cuban music flavored with rock, jazz and Latin American influences. Silvana Estrada opens.
8 p.m. Hollywood Bowl, 2301 N Highland Ave. hollywoodbowl.com

Menopause The Musical: 25th Anniversary Tour
Four women at a lingerie sale share their experiences with “the change” through parody songs of pop hits.
7:30 p.m. Bank of America Performing Arts Center, 2100 E. Thousand Oaks Blvd., Thousand Oaks. bapacthousandoaks.com

The Broadway production of “The Outsiders.”

(Matthew Murphy)

The Outsiders
The Tony Award-winning musical adaptation of S.E. Hinton’s coming-of age-novel set in 1960s Tulsa arrives with Ponyboy Curtis and his fellow greasers facing off against the upper-class Socs.
Through Oct. 18. Hollywood Pantages Theatre, 6233 Hollywood Blvd., Hollywood. Oct. 20-Nov. 1. Segerstrom Center for the Arts, 600 Town Center Drive, Costa Mesa. tour.outsidersmusical.com

THURSDAY

Laura Benanti: Nobody Cares
The Broadway star sings original songs and shares stories with her trademark wit in this one-woman show. Directed by Annie Tippe.
7:30 p.m. Thursday-Saturday. 2 p.m. Saturday-Sunday. The Wallis, 9390 N. Santa Monica Blvd., Beverly Hills. thewallis.org

The Dance and the Railroad
Asian American theater collective Artists at Play and Latino Theater Company team up for a rare revival of an early David Henry Hwang play set during the 1867 Chinese railroad workers’ strike. Directed by Katherine Chou.
Previews, 8 p.m. Thursday and Oct. 2. 8 p.m. Thursday-Saturdays, 2 p.m. Sundays, through Nov. 1. Los Angeles Theatre Center, 514 S. Spring Street, downtown L.A. latinotheaterco.org

Mahler’s Symphony No. 2: Resurrection
Alexander Shelley conducts the Pacific Symphony with soprano Miah Persson, mezzo-soprano Dame Sarah Connolly and the Pacific Chorale.
8 p.m. Thursday-Oct. 2. Segerstrom Center for the Arts, 600 Town Center Drive, Costa Mesa. pacificsymphony.org

The SoCal scene

Gov. Gavin Newsom mingles with guests at the Lucas Museum of Narrative Art opening party.

(Carlin Stiehl/For The Times)

I spent my Saturday night at the Lucas Museum opening party where I got to stand in the lobby by the nifty elevators watching Gov. Gavin Newsom talk to Kim Kardashian. Later, I went to Skywalker Grill and saw U.S. Rep. Nancy Pelosi sitting at a table next to Leonardo DiCaprio and his entourage. It would be an understatement to say that the night was both bizarre and memorable.

Times theater critic Charles McNulty (the paper’s only remaining arts critic) has kept exceptionally busy this fall season. Late last week he wrote a review of “The Ford/Hill Project” At REDCAT, which transforms Senate testimony from Anita Hill and Christine Blasey Ford into a docu-play that explores the details of two of history’s most consequential Supreme Court confirmation hearings. “The restraint imposed by the production adds to its power. There’s no need to editorialize. The proceedings skewer themselves,” McNulty writes.

Huguette Caland in Stone Doorway, France, 1970.

(Huguette Caland Estate)

McNulty also drove to San Diego to see the Old Globe’s world-premiere musical adaptation of John Carney’s “Begin Again,” which explores the stories of two music-industry vets who embark on a grassroots recording project. The show features a score by rocker Pat Monahan and Train. “‘Heartwarming’ is a cliche of theater reviewing that I have studiously tried to avoid, but I’m tempted to use the word in my review of ‘Begin Again’,” McNulty writes.

McNulty penned one of his harshest reviews since last year’s take down of “Hamlet” after he went to Atwater Village Theatre to see Echo Theater Company’s world premiere production of “The Peterson Show,” by Janine Nabers. “Unfortunately, the production is hamstrung by fundamental problems in the writing, directing and acting, all pointing to a failure of control. Control of the story, control of the tone and control of the cast,” McNulty wrote of the show, which is about the impact of disgraced Bill Cosby-like star on his TV family.

Meanwhile contributor Tara Anne Dalbow wrote a beautiful story about the late, great artist Huguette Caland in advance of the largest U.S. retrospective of her work, opening Sunday at the Hammer Museum.

Ernest “Ernie” Wolfe III, owner of an eponymous gallery on Sawtelle, is dying of a traumatic brain injury and his family is looking for homes for his 15,000 pieces of African Art. Contributor Jane Horowitz writes about Wolfe‘s legacy and the (sometimes controversial) origins of his collection.

I got the scoop that the Museum of Contemporary Art has appointed Jonathan Abbott as its new director and chief executive. Abbott replaces interim director Ann Goldstein, who stepped in last July after the unexpected departure of Johanna Burton. Abbott, who begins work immediately, joins the museum as its sixth director since 2008. He formerly served for 15 years as president and chief executive of the PBS-affiliated public broadcasting station GBH in Boston.

Mary Cassatt, “Summertime,” 1894-95

(Sotheby’s / Armand Hammer Collection)

As one chapter closes with Swed’s retirement, a new one begins as we welcome our new entertainment and arts reporter, Laura Zornosa, who hit the ground running by writing three great arts stories: The first is about the private art collection of Armand Hammer (including Mary Cassatt’s “Summertime,”) coming up for auction at Sotheby’s; the second, covering opening day at the Lucas Museum where Zornosa interviewed guests on their thoughts about the place; and the third is a fun news brief about how Los Angeles Chamber Orchestra commissioned fanfares from half a dozen film composers, including John Williams and Ludwig Göransson, curated by “none other than Seth MacFarlane (best known as the creator and star of “Family Guy”).”

Culture news

Coy Middlebrook has been named the new artistic director of the Wallis.

(Jeff Lorch / The Wallis)

The Wallis Annenberg Center for the Performing Arts announced the appointment of longtime creative staffer Coy Middlebrook as its new artistic director. “Coy brings an extraordinary depth of knowledge about The Wallis and its audiences, along with deep relationships throughout the performing arts nationally and internationally. He understands both the artistic possibilities of this
institution and the importance of its relationship to our community. I am excited to work with him as we build a future that is artistically ambitious, deeply connected and open to everyone,” said Wallis Executive Director and Chief Executive, Jean Davidson, in a news release.

Meanwhile Theatre Commons LA (TCLA), the nonprofit organization created and launched a year ago as part of a concerted effort by some of the city’s most prominent theater leaders to unify the city’s sprawling theater scene, has announced its first Executive Director, David E. Shane. Shane previously served as director of program services at the Alliance of Resident Theatres/New York where, according to a news release, “he set the strategic vision and goals for a robust suite of programs serving over 450 of New York’s nonprofit theaters.” He is tasked with doing the same thing in L.A. and we wish him the best of luck.

— Jessica Gelt

And last but not least

The Getty Museum has acquired the recently rediscovered 17th-century painting “Portrait of the Count-Duke of Olivares” by Spanish artist Diego Velázquez (1599-1660). It will be displayed in the museum’s East Pavilion this fall. According to ArtNews, “The acquisition means a Velázquez painting will for the first time be represented in the collection of a West Coast museum.”

KATHERINE Ryan has been spotted out and about for the first time since issuing an apology to Victoria Beckham.

The star used the C-word when talking about Posh Spice last year during an episode of Have I Got News For You, and recently apologised for it online after facing backlash.

Katherine got dolled up in a stunning green sparkly dress to embrace her inner Elphaba on the green carpet for Wicked’s West End 20th Anniversary Gala Performance.

The dress featured sequins all over as well as dangling tassels across the shoulders.

The comedian held her hands in front of her and smiled for the camera while a buzzing crowd was forming behind her for the event.

Speaking in an episode that aired on November 7, Katherine made reference to a 2013 private email sent by David Beckham, where he allegedly used the word ‘c****’.

BEAU-QUET

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NOT FUNNY

Katherine Ryan apologises to Victoria Beckham after slur pulled off iPlayer

She said on the show: “I don’t know that we are allowed to broadcast the C-word, but you did reference Victoria Beckham earlier and we’ll allow that.”

The BBC‘s Executive Complaints Unit (ECU) have issued it’s ruling on the matter and have revealed there was no justification for Victoria being labelled with the offensive word.

Katherine has since taken to social media to issue Victoria an apology.

In a reel chatting to the camera, she began: “Hi I’m comedian Katherine Ryan and today the BBC announced their decision to uphold a complaint made by two very influential viewers about a joke that I tried to make on an episode of Have I Got News For You eleven months ago.

“At that time, though there is no defence, I was suffering from a condition called matrescence.

“I was in that building with a 10-day old baby. Should I have left the house?

“This is gonna be a tough one for the feminists because I was a woman going to work but I did call another woman a c***.

“[…] “The trouble is now that section’s been taken off iPlayer so the incident only exists in printed media, online media and then you lost the context because on the day, if you watched it, it was clearly a joke and the whole audience went ‘huhhhh’ and I said ‘whoaaaa’.”

An edited version of the episode has replaced the original on the BBC’s streaming service.

David also gifted his wife a lavish bouquet of flowers in support while the drama has been unfolding.

Victoria shared a snap of the flowers onto her Instagram story with a simple message over the top reading “I love you @davidbeckham”.

JOEY Essex’s most explosive TOWIE brawl has resurfaced 14 years on as he prepares to step back into the boxing ring.

Back in 2012, the reality star was filmed grappling with co-star Ricky Rayment in the street as their castmates screamed for them to stop.

Footage of the showdown has recently gone viral, with one fan posting it alongside the words: “The moment Joey Essex lost his head on TV.”

The row erupted at the relaunch of Lauren Goodger’s salon after Joey became convinced Ricky had been talking about him behind his back.

Confronting his co-star, Joey snapped: “You’re chatting s**t behind my back mate.”

Ricky insisted he had been “off his nut” and tried to apologise, but the argument continued.

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Joey’s sister Frankie Essex stepped in, only for Ricky to tell her: “No one’s talking about you and no one ever will talk about you.”

The pair then headed outside, where cameras caught them grappling and throwing punches as the women shouted for them to stop.

The fan who shared the clip wrote: “This was crazy.”

Another commented: “Even celebs who are meant to be cut crease perfect lose their cool sometimes.”

A third said: “I’ve never seen this before. Respect to Joey for sticking up for his relatives.”

The explosive showdown can still be watched on ITVX in series four, episode nine of The Only Way Is Essex.

It comes as Joey, 36, is now preparing to headline a Misfits Boxing show against controversial comic Dapper Laughs, whose real name is Daniel O’Reilly.

The pair will meet at London’s Copper Box Arena on Saturday, October 10.

It will be Joey’s second bout for Misfits after he beat Portuguese influencer Numeiro on points in Manchester last August.

Misfits have confirmed that Joey has three fights planned with the promotion, making the Dapper Laughs clash the next step in his boxing run.

Bianca Dyke appeared in series six of ITV’s Benidorm – but who is the actress’ real-life soap star father?

Benidorm fans will be stunned to find out that Bianca Dyke star Bel Powley is not the only famous member in her family.

Bel joined the cast of the ITV sitcom back in 2014, with the rest of the Dyke family: dad Clive (Perry Benson), mum Tonya (Hannah Waddingham) and brother Tiger (Danny Walters).

During their stint on the show, the family became firm favourites and famously had a rivalry with the Garveys who were also stopping at the Solana resort.

As for Bianca, she turned her attention to fellow holiday-goer Martin Weedon (Nicholas Burns), thinking he was a wealthy businessman, only to end things after realising he wasn’t.

Benidorm was not actress Bel’s first time on the screen. She shot to fame playing Daisy Millar in CBBC’s M.I. High from 2007 to 2008. Her other acting credits include the TV series Everything I Know about Love and the 2015 coming-of-age film The Diary of a Teenage Girl.

She also played Claire Conway in The Morning Show from 2019 to 2025 and is currently portraying Petunia Dursley in the upcoming new Harry Potter television series.

In real life though, Bel is the daughter of actor Mark Powley, who is best known for playing P.C Melvin in police drama The Bill from 1987 to 1990. He’s also appeared in several soaps including Coronation Street in 2001 as Rob Lucas and Emmerdale in 1999 playing Liam Hammond.

Talking about her childhood, Bel told Hollywood Authentic: “I never even really wanted to be an actor. I was really academic. But my dad’s an actor [Mark Powley], and my mum’s a casting director [Janis Jaffa]. So it was always kind of in the family.

“I went to a Saturday drama group called Youngblood Theatre Company, which was all improvisation-based, where I met a lot of my mates. A casting director came in once to cast a CBBC show called M.I. High about child spies, and I got the job.”

She added: “So I basically ended up being a child actor, to my parents’ dismay, because they thought I was going to be the first academic of the family. I ended up following in my dad’s footsteps.”

Bel is also married to fellow actor Douglas Booth. Douglas has starred in the likes of Great Expectations, Romeo and Juliet and ITV’s recent cop drama The Blame, alongside Michelle Keegan.

Douglas and Bel first met at a chemistry read audition over 10 years ago. Three years later in 2016, they worked together on the film Mary Shelley and a romance quickly blossomed.

Going from strength to strength Douglas proposed to Bel in July 2021 on Primrose Hill in London. Then in October 2023, Douglas and Bel made things official by getting married at Petersham Nurseries in Richmond.

“I woke up in the morning, and I was like, ‘I just want to do it all over again, right now’,” Bel told Hollywood Authentic before sharing: “I think in 10 years’ time, we’ll get married again.”

Benidorm is available to watch on ITVX.

DAN Osborne shared how he battles with a “war in your head” following his split from wife Jacqueline Jossa.

The former Towie star and EastEnders actress split in March after 13 years together and now Dan has revealed his struggles.

Taking to his Instagram stories, the dad of three shared a quote by lifestyle entrepreneur Lewis Howe describing the perfect life.

It read: “The true luxury is waking up without a war in your head, with you nervous system at peace and your body healthy.”

Dan further captioned the post by writing: “Can’t wait for the day I wake up with this feeling,” and added a worried laughing emoji and prayer hands.

His following post was showing off his chiseled abs in a topless mirror selfie and describing how he carries on.

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“For now, I’m just going to keep exercising,” Dan wrote.

Dan and EastEnders star Jacqueline split in March after 13 years together, with their relationship often dogged by cheating scandals and crisis talks.

Jac and Dan met at an awards ceremony in 2013 and tied the knot at a Cheshire manor house in 2017.

They are parents to daughters, Ella, 11, and Mia, eight, and Dan also has an 11-year-old son with his ex, Megan Tomlin.

The Sun then recently revealed that Dan was moving on with fitness model Etila Santiago, 33, after he made a secret trip to Miami to visit her after a holiday romance in May.

The Sun On Sunday revealed that Dan grew close to the  Brazilian bikini model after bonding with her over fitness and their mutual support of Arsenal — and vowed to see her again soon.

LOVE Island star Rykard Jenkins is engaged after popping the question to his doctor girlfriend.

Rykard planned the perfect proposal for Nora Jafaar overlooking the Tuscan sea in Italy.

The Love Island star got down on one knee on a cliff in Porto Ecole as Nora sat on the hood of a vintage car.

“Best day of my life,” Rykard captioned the Instagram post of a carousel of photos showing their big moment.

The couple who have been together since the beginning of 2023 work together running the Rejuvenation Clinic, a celebrity hotspot for aesthetic treatments.

Nora flashed her giant diamond ring in the photos as the couple smooched in the car and shared some tasty champagne in celebration.

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Rykard rose to fame on the second season of Love Island, but ditched reality TV to focus on his aesthetics career, including running the exclusive clinic in London’s Marlyebone.

His now-fiancé had spotted the hunky Rykard long before they worked together.

 “I was a junior doctor in my first or second year of being a doctor and I remember my all the doctors were living together around the hospital and we became Love Island super fans,” Nora told The Sun in 2023.

“We would watch the show and all debrief in the morning. And then when lockdown happened I got more into aesthetics and cosmetics, and then I saw randomly Rykard, who I had been following for years, did the same.

“I remember I just slid into his DMs and said ‘let me know if you need any help.’”

Rykard explained that he tried unsuccessfully to take Dr. Nora for a coffee for a few times, and they ended up going on a date with one of his friend’s in tow after chatting online for some time.

And despite working together they admit they don’t get competitive, and have instead “learnt a lot from each other.”

AMY Childs looked utterly stunning this weekend as she tied the knot with her beau Billy Delbosq for a second time in Mallorca.

The TOWIE star wore a breathtaking off-the-shoulder gown for the big day which was made almost entirely from white lace.

Hugging her body in a mermaid style, Amy’s figure looked incredible while a romantic embroidered train cascaded out from behind her.

Amy’s flowing veil was simple but classic, consisting of sheer fabric that allowed the dress to remain the centre of attention.

She left her hair loosely flowing in brunette and honey waves, paired with a neutral but glamorous make up look.

Meanwhile, groom Billy opted to wear a dapper off-white suit jacket with a bow tie.

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Amy Childs lands in Spain wearing white ‘Mrs Delbosq’ tracksuit ahead of wedding

He finished the loop off with smart dark trousers and a pink posy of flowers pinned onto one of his lapels.

The couple wed surrounded by 180 guests in the stunning Mallorca location, including Towie co-stars such as Jordan Brook and Sophie Kasaei.

Standing at the altar, Amy and Billy appeared overjoyed as white and blush pink roses were styled into arches around them.

Amy was walked down the aisle by her dad, who is also named Billy, with guests all adhering to a black tie dresscode.

The day was all captured on camera for an ITV reality show, meaning fans will get to watch the nuptials soon.

The couple were seen touching down in Spain last week ahead of their second wedding.

Amy was snapped arriving at the airport at 4:00am alongside her husband Billy and their twins Billy and Milly.

She kept her outfit relaxed, wearing a pair of white jogger shorts and a matching zip-up hoodie with her new surname embroidered at the side.

Amid what appeared to be quite the stressful trip, the reality star was spotted cuddling up to her husband at the check-in desk.

Amy and Billy had their first wedding back in April after what they’ve described as a “very rough few months”.

For the first wedding Amy stunned in a white lace corseted dress, while Billy was smart in a navy suit and pristine white trainers.

At the time Amy took to Instagram to share a glimpse of the white dress from Oh Polly.

It was revealed last year in May that Amy and Billy, 42, had decided to postpone their nuptials leaving the couple devastated. 

But TOWIE legend Amy has insisted that they would tie the knot the next year.

Writing on Instagram, she said: “Today would have been our wedding day. Woke up feeling very sad and upset.

“After having a very tough few months we had to make the decision to cancel our dream wedding, we planned, we visited our dream venue, we was so excited.

“BUT i know that 2026 is our year and I can’t wait to Marry you Billy. I’m so excited to get planning.”

Turns out Ed Sheeran, whose Loop tour became embroiled in controversy this month, won’t perform at billionaire Robert Kraft’s Gillette Stadium this weekend, either.

The “Shape of You” pop star’s Friday and Saturday shows at the Foxborough, Mass., venue have been canceled “due to severe weather warnings” in the region, Messina Touring, the Loop tour’s promoter, announced Friday in a statement shared on Instagram. The touring group said it made the “difficult decision” to cancel the upcoming shows after consulting with local officials. A powerful nor’easter is expected to bring strong winds, coastal flooding and heavy rain to much of the East Coast over the weekend, with wind gusts potentially reaching 50 to 55 mph around Boston and 35 to 40 mph farther inland, the Associated Press reported.

“The decision was made with the safety of fans, staff and everyone involved in the show as the top priority,” the statement continued, adding that fans can now receive refunds for their tickets.

Sheeran’s Loop tour hits its latest snag after weeks of turmoil. Earlier this month Sheeran and his touring team faced pressure to remove former opening act Macklemore from future shows. The Grammy-winning “Thrift Shop” rapper drew criticism from a handful of Jewish advocacy groups over his pro-Palestinian messaging during his opening sets at MetLife Stadium in New Jersey. Within days of the concerts, Messina Touring dismissed Macklemore from the shows. While Sheeran denied having a role in Macklemore’s departure, he confirmed that he spoke with Kraft, who was among the stadium owners expressing concern about Macklemore’s continued involvement in the tour.

Shortly after Macklemore’s dismissal, the remaining supporting acts for Sheeran’s tour, including Grammy winner Finneas and folk band Beoga (Sheeran’s backing band), quit the Loop tour in solidarity. Sheeran proceeded with his tour over the weekend.

News of Sheeran’s canceled shows also comes on the heels of Macklemore’s announcement of his Free Palestine tour. The rapper, who has been a vocal advocate for the Palestinian cause, revealed three concerts set to take place in late October in Dublin, Paris and London. Though additional details have yet to be revealed, Macklemore said he will be joined by artists “who have shown up and used their stages to stand in solidarity with the Palestinian people.”

Macklemore also announced that dates for U.S. tour stops will come in a later announcement and that the entirety of proceeds from his tour will go to a handful of charities supporting the Palestinians amid Israel’s war in Gaza. Macklemore announced last week he would donate all $1 million of his earnings from his time on Sheeran’s tour to numerous pro-Palestinian charities.

Sheeran is next expected to perform Oct. 3 at Mercedes-Benz Stadium in Atlanta.

KELSEY Parker has been seen for the first time on an outing with her newborn daughter River.

The 36-year-old, who was married to late The Wanted singer Tom Parker, welcomed the little one with her new partner Will Lindsay last week.

River’s birth came after the devastating loss of Kelsey’s son Phoenix, who was stillborn shortly before his due date last year.

Kelsey – who shares Aurelia, six, and Bodhi, five, with late husband Tom – appeared ever the doting mum on an outing with her family this weekend.

Enjoying a day out to the park near their South London home, Kelsey was seen planting a kiss on daughter River’s head.

The newborn was sweetly dressed in a white babygrow and hat, as older sister Aurelia helped cradle her.

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In more snaps from the day out, Kelsey was glowing as she pushed River around in a pram while new dad Will wrapped his arm around her.

Aurelia and Bodhi joyfully walked beside the couple.

Last week, Kelsey confirmed her daughter had arrived safely as she said via Instagram: “Welcome to the world, River. Our little bit of hope.”

Kelsey was married to singer Tom from 2018 up until his death four years ago.

He passed following a two-year battle with terminal brain cancer.

Kelsey found love again with Will, a tree surgeon from Kent, in 2024.

IT’s been three years since Chloe Sims and her siblings had a relationship-ending on-screen spat.

The bitter feud played out on the short-lived series, House of Sims, which followed their glamorous move to Hollywood – with a furious Chloe cutting contact with sisters Demi and Frankie after they returned to the UK.

Fans will remember how the rift began when Frankie and Demi learned that only Chloe, their brother Charlie and his fiancée Georgia’s names were put on the WiFi bill for the family’s apartment – making it difficult for them to build a credit score in their new country.

Now, in a shocking turn of events the girls have all been under one roof at a family event for the first time.

A source close to the family spilled all, telling The Sun: “Nobody thought Chloe would bury the hatchet with her sisters Frankie and Demi, as things had soured so badly between them.

“If you’d have asked anyone a couple of years ago, they would have said relations were likely to remain strained for good.

“But recently they all came together for their dad Tony’s 65th birthday as he had a big party in London and they have taken big steps in getting their relationship back on track.

“There are still old wounds and hurt there, so they aren’t quite back to the tight relationship they once had but this is huge progress.”

Our insider went on to reveal how Chloe’s daughter is the key player in attempting to heal family relations within the Sims household.

They told us: “Chloe posed for lots of pictures with Frankie and Demi, which were shared on her daughter Madison’s Instagram, and it was lovely to see this development.

“Maddie has remained close to her aunties throughout this rift, and hated it when her mum wasn’t speaking to them.

“She always dreamed that they would come back together one day, and she was pretty instrumental in helping pave the way for that to happen.

“At the end of the day, Chloe loves Maddy more than anything in the world, and hates seeing her upset, so it was important for her to work on her relationship with her sisters and bring the family back together again.”

Our source continued: “Time can be a great healer, and a lot of the things they fought about seem quite petty now.

“Of course there are still issues that they need to work through, but they’ve realised they were all under quite a lot of pressure when they moved to the States for their own reality show, House of Sims, and it didn’t always bring out the best in any of them.

“Now that they are no longer a family business in that sense, and a lot of water has gone under the bridge they can slowly go back to remembering the good times.”

Chloe is said to be missing her family as she still splits her time between the US and the UK.

The source said: “As she sees her parents getting older, she realises life is too short to have family feuds.  

“Her dad’s recent birthday get-together was a catalyst to sort out a lot of the beef and the resentments, and just let it all go and move forward.

“They’re taking baby steps but it’s huge progress compared with where they were at.”

The Sun has contacted the sisters’ representatives for a comment.

Looking back on three years ago, Frankie and Demi were furious as all four siblings were paying equally towards the apartment, yet Georgia wasn’t contributing financially and still getting credit.

The ensuing clash led to drinks being thrown, Chloe branding her sisters ‘evil users’ and Frankie and Demi leaving LA for good.

Last year, a source told how Chloe’s closeness with her brother’s fiancée, Georgia Shults, was the main factor behind why things turned sour between the former TOWIE brood.

A pal of the Sims clan told us: “It’s as if Chloe and Georgia are sisters now, and Frankie and Demi are strangers to them. Frankie and Demi basically felt like they were pushed out, and Chloe has no time for them anymore.”

Meanwhile, sources in Chloe’s camp said she didn’t expect Demi and Frankie to “kiss her a**” but she was on TOWIE first and “paved the way for them to have a platform and felt they have ever acknowledged that.”

They said: “With Georgia, she feels like she gets the sisterly love and support she’s not had from Frankie and Demi. Georgia always has her back and sometimes ‘family’ is about more than just sharing the same DNA.

As for Georgia, she felt like Frankie and Demi are making her the scapegoat.

Chloe, Frankie, Demi, Charlie and Georgia upped sticks to LA four years ago after signing a six-figure deal deal with OnlyFans’ OFTV to film a series about their efforts to make it in America.

After the falling out, Chloe, Charlie and Georgia all decided to stay out in the States and sources admitted it only made the family rift deeper.

It seems it could be a new era for the Sims girls.

Strictly Come Dancing 2026 fans think they already have their winner of this year’s Glitterball Trophy, amid speculation over which pairing will be first from the line-up to leave

Fans of Strictly Come Dancing think they know who will win the series already, after week one.

As all of the line-up performed routines for the fist time with their professional dance partners, there was mixed feedback from the judges. But fans were sure it was clear already who might win the show.

Not only that, other fans were convinced they had already figured out who would leave the competition first, when the vote-off airs next week. Taking to social media, fans shared their thoughts and theories, with a winner ‘sealed’.

While EastEnders actress Lacey Turner initially won people over with her fab routine, Love Island’s Dani Dyer soon became a favourite. Towards the end of the show it was content creator John Nellis who stormed to the top of the leaderboard though, with pro partner Katya Jones.

He scored four marks of eight from the judges, giving him 31 points overall. But it might not even be John who wins, as Australian actress and singer Delta Goodrem’s own performance proved popular with fans.

So much so, fans called her their winner. One fan said: “Ummm, having seen Delta smash that samba in week 1… I think she could be in contention to win it.”

Another fan agreed: “Delta, in it to win it.” A third fan posted: “QUEEN DELTA calling it now,” as another comment read: “She the one to watch for sure. A final comment said: “Delta Goodrem is the one to watch.”

It comes as the cast of EastEnders shared their hopes that Strictly fans will “fall in love with” Lacey Turner as she takes to Strictly. Former Strictly star Emma Barton, who plays Honey Mitchell on EastEnders, told the Mirror: “I’ve heard great things.

“Lacey is just the most adorable woman and the audience is gonna fall in love with her. Whatever she tackles, whatever she’s given, she goes in 10 out of 10, 100 percent.

“I really hope she does well. She is gonna have a wonderful time, and she will deliver.” Meanwhile, she could have a soap rival in terms of getting the trophy.

Emmerdale’s Lawrence Robb could go all the way and win Strictly 2026, his soap co-stars reckon. Katie Hill and Jeff Hordley are supporting the Mack Boyd actor, and reckon his personality alone could bag him the Strictly trophy.

Katie shared: “I think he was brilliant [last week]. I think everyone will love him. He’s such a lovable person. He’s so positive. He’ll give it his best go. I think he’s going to be incredible.”

Jeff added: “He’s a joy. I share a dressing room with him, and he’s just such a lovely man. We all love him and we all want him to do brilliantly, and I think he will because he’s a really dedicated human being.

“He’ll give it 110 per cent. He’s done musical theatre so he’ll know how to shake those hips.” When asked if they were backing Lawrence, Jeff quipped: “If it goes on a personality contest, Lawrence will win hands down. I don’t know about the dancing, but we’ll see.”

Strictly Come Dancing airs Saturdays and Sundays on BBC One and BBC iPlayer. * Follow Mirror Celebs and TV on TikTok , Snapchat , Instagram , Twitter , Facebook , YouTube and Threads .

At the opening of “The Buddhist Bug” at the Vincent Price Art Museum on Saturday, guests will see a 328-foot-long orange insect. Its body will coil around the museum’s gallery, lobby and atrium, and poke through the walls. The bug’s head, covered in a hijab, will be in one room, and its feet, which some might be tempted to tickle, will be in another.

The creature is occupied and controlled by Anida Yoeu Ali, a Cambodian-born artist who lives in Tacoma, Wash. Ali’s numerous performance-based exhibits explore her Cambodian-American identity and Buddhist and Muslim religions. The bug is her “totally humorous take on hybridity.”

As the bug, Ali doesn’t speak. She mostly stands or kneels and makes facial expressions in reaction to her surroundings and passersby. But she likes to engage with visitors, who can either touch her elaborate garment, talk to her, take pictures of her or simply observe her.

Artist Anida Yoeu Ali’s exhibit, “Anida Yoeu Ali: The Buddhist Bug,” features a 328-foot-long performance installation at the Vincent Price Art Museum in Monterey Park.

(Ariana Drehsler / For The Times)

“I get a lot of people who ask for a photo or they’ll ask for a hug,” says Ali. “There’s so many stories that get whispered into my ear. A lot happens when you can hold someone’s attention with just your eyes. There’s a vulnerability that happens when you make eye-to-eye contact without any words involved.”

Ali likes to use expansive spaces and incorporate fabrics and textiles, whether it’s a red, sequin-covered chador or a tubular-looking worm made out of polyester, Lycra and spandex. Such things make the petite artist feel “taller and larger than life.”

Ali will appear in the suit for only two hours during the show’s first and last days. But for the rest of the exhibit’s run, the museum will display the bug in its entirety, in addition to sculpture, photographs and video that document how Ali has spent the last 15 years becoming her creature alter ego.

Born in Battambang, Ali, 52, is of mixed Malay, Khmer, Thai and Cham ethnicity, and was raised Muslim in a country that’s 96% Buddhist. She and her family left Cambodia in 1979 to escape the genocide committed by the brutal Khmer Rouge regime and settled in Chicago. Ali studied at the University of Illinois Urbana-Champaign and the Art Institute of Chicago. She’s currently a senior artist-in-residence at the University of Washington Bothell.

Director of the Vincent Price Art Museum Steven Wong and Executive Director Sonia Mak of Asian Arts Initiative.

(Ariana Drehsler / For The Times)

Ali conceived one of her best-known performance-based works, “The Red Chador,” in 2014 after relocating to Cambodia for a few years. She wanted to address the rise of Islamophobia in the wake of major events happening at the time, including France’s ban on facial coverings (the country had already banned the hijab years prior) and the terrorist attacks on the French satirical magazine Charlie Hebdo. Ali also wanted to confront the politicization of Muslim women’s dress and contradict the “imagery of Muslim women as joyless and depressed.”

“It was an opportunity to put on a chador, but one of my choosing and one of my designs,” Ali says. “It was to also honor the Muslim women in my background. My mother, grandmother, aunties and cousins all covered and did so joyfully. That was never an issue for them.”

Ali wore the red sequin chador in 15 cities, including at the Palais de Tokyo in Paris in 2015, where, during a 12-hour performance, she threatened to chop off 99 baguettes. The installation was meant to challenge Muslim stereotypes while making a subversive nod to the bread as a famous French symbol. “The Red Chador” also made a stop earlier this year at the W. Keith and Janet Kellogg University Art Gallery at Cal Poly Pomona.

“The Buddhist Bug” was created in 2011, a few years before “The Red Chador,” and inspired by the pervasiveness of the saffron-colored robes worn by monks in Cambodia. The piece not only drew on the color orange but was also influenced by a collapsible play tunnel she received as a gift after giving birth to her first child.

A photo titled “Into Dreamland, The Buddhist Bug, 2015,” (photographed by Masahiro Sugano), and featured at the Vincent Price Art Museum as part of the exhibit, “Anida Yoeu Ali: The Buddhist Bug.”

(Ariana Drehsler / For The Times)

Ali wears a hijab while in the suit and uses a second person, usually a model or intern, to provide the bug’s feet — though she insists that those are the “bug’s feet.” It’s a fun, childlike interpretation of the complexities of coming from two cultures and religions.

“I wanted to do something that was tapping into my diasporic identity or what I call the ‘diasporic dilemma,’” says Ali. “This notion of going back and forth and constantly feeling like you’re not enough in one country or one culture. The bug is the result of that. You look at it and it’s a big orange creature. But for me it’s more of a tunnel structure that can double as a bridge, an entity that can connect two points or two locations. That’s the poetic part of the project.”

Sonia Mak, who co-curated the exhibit at VPAM with museum director Steve Wong, invited Ali to show in L.A. after catching one of her performances at the Seattle Asian Art Museum in 2024.

Photographs in the installation — some taken by Ali’s husband, Masahiro Sugano — capture Ali dressed as the bug in cities all over the world. Some are placed on a sculpture resembling the Rub el Hizb, an Islamic star shaped like an octagram. The rest are mounted on the walls and show the bug in places like Battambang and the Cambodian capital, Phnom Penh, at a restaurant, in a classroom, on a boat and a bridge.

In one image, Ali rides in a bicycle carriage. In others she stands outside a mosque while kids play with the bug’s feet and sits in an abandoned movie theater, her tail wrapped around the seats. (Angelina Jolie, whose adopted son Maddox is from Cambodia, was recently photographed visiting these cinemas and is reportedly renovating the theaters.)

Ali envisions someday performing as the bug in the desert in the Middle East and maybe building a children’s public playground as a “fun manifestation” of the project.

“I come from a country with an awful, violent history,” she says. “I have a unique set of identities and perspectives that aren’t easily explainable, which is why I make art. I want people to think about how weird and strange the bug looks, but I want them to feel happy looking at the orange. I love it when the grotesque and the beautiful sit side by side. It makes for some magical artistic moments.”

The new Netflix thriller is currently sitting at number one on the streaming platform’s most-watched films

The true-story thriller has been slammed by furious viewers who ‘wasted an hour and a half of their lives’.

Brand new film Unabomber is based on the real story of lone wolf American terrorist Theodore Kaczynski, who carried out a mail bombing campaign that killed 3 people and injured 23 more. Known as the Unabomber, he committed his crimes between 1978 and 1995.

He was apprehended in 1996 and later pleaded guilty to his crimes. Theodore was consequently given multiple life sentences and spent over two decades in prison. He died by suicide on June 10, 2023, at the age of 81.

Netflix’s take on the late criminal’s story explores his transformation from a bright Harvard student into the infamous Unabomber. It stars 19-year-old actor Jacob Tremblay as the title character.

The main cast also features Oscar winner Russell Crowe, playing a Harvard professor who gets caught in Theodore’s orbit. While beloved actress Shailene Woodley portrays an FBI agent determined to get to the bottom of the Unabomber’s crimes.

The film has already climbed to Number 1 on Netflix’s most-watched charts after just one day on the streaming platform. But many viewers have urged others to skip the star-studded drama.

Writing on Rotten Tomatoes, one disappointed viewer said: “What an absolute waste of time. As far as movies go this had an okay cast. The story was based on real life so interesting I guess as it did happen. It’s sad it happened though but it did. I watched it and was expecting more than I receive.”

Someone else joined in to add: “A word that comes to mind is HOW. HOW DO THEY GET SO MANY BRILLIANT ACTORS IN 1 MOVIE AND STILL FIGURE OUT HOW TO MAKE THE MOVIE SUCK. I WAS BARLEY ABLE TO FINISH IT. COULD OF USED THESE ACTORS TO MAKE SOMETHING GREAT. LET DOWN.”

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Someone else simply wrote on X: ” #unabomber on Netflix is an hour and a half of my life I’m not getting back.” At the time of writing, the thriller has a sour 22% score on Rotten Tomatoes.

But others have rushed to the movie’s defence, with one sharing: “Surprised by the negative reviews. I found the film very well done and with a captivating story, quite well engineered. Acting is brilliant and everything is top notch (costume, music, etc). Great film.”

While a second fan added: “I actually loved this. I was just hooked at the very start. And I’m not easily entertained by movies. First of all I loved the switch from the 50s to the 90s it was refreshing. “

Unabomber is streaming now on Netflix

SHOWBIZ star Amanda Holden takes it nice and kneesy in a little black dress — as she plots her own wellness empire.

She has filed papers to trademark her name for future use on beauty products and websites.

The Intellectual Property Office application also covers cosmetics and perfumes.

Britain’s Got Talent judge Amanda, 55, is hoping for the same ­success as Hollywood star Gwyneth Paltrow’s £323million Goop brand.

She has previously admitted that her beauty regime before her Heart Radio breakfast show is rather rushed.

The mum of two said: “I get up at 5am . . . and get ready in 20 minutes.

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“I sleep in my lashes and have all my make-up set out.

“I have my outfit laid out and leave my shoes at the door.”

Amanda has been married to record producer Chris Hughes since 2008.

The couple share daughters Lexi and Hollie.

Hallmark films have mastered the art of escalating low-stakes situations into high-stakes emotional emergency plotlines. They have made a lucrative business out of absurdities.

The town’s ice sculpture competition is in danger of being canceled forever. How can the Christmas celebration in Colorado go forward without a nice spruce? The only way to really save the bakery is to have a life-size gingerbread house competition.

It’s a proven formula that leans into the ridiculousness of mundane situations but earns its audience every holiday season. Whether it’s watching the movies for comfort or to turn a viewing party into a drinking game, millions of people tune in to laugh or cry watching them.

The Hallmark situations can be predictable, comfortable and wholesome, which can come off as absurd for a film plotline. Their sincerity and humor come from the cast’s commitment to the mundane, said Ron Oliver, writer and director of many Hallmark films.

A scene from “The History of Concrete.”

(Magnolia Pictures)

“Funny is only funny if you don’t think it’s funny,” he said. “We know that’s ridiculous. But at the same time, if the actor commits to it, it makes it seem real, then the audience gets it.”

He likes to think they’re laughing along with the idiosyncratic elements of the movies, and as long as it is creating a communal atmosphere, Oliver is all for it.

“If there’s anything we need these days, it’s a sense that people belong somewhere,” he added.

The formula isn’t what makes a movie a Hallmark movie. The structure has existed since God wore shorts, said Oliver. The channel’s achievement has been its ability to turn the structure into a recognizable brand through its stories.

When filmmaker John Wilson was in between jobs after finishing his HBO show “How To With John Wilson” during the writers’ strike, he attended a seminar on how to write and sell a Hallmark film.

After seeing what makes the Hallmark brand recognizable, Wilson decided to adapt the style into his own genre of making a documentary about concrete titled “The History of Concrete,” hoping the structure would help him finance the film.

John Wilson in “The History of Concrete.”

(Magnolia Pictures)

“But it’s very loose and almost impossible to even identify at points,” he said.

Instead of mocking the genre, Wilson subverts the Hallmark elements into his style of documenting, which finds the filmmaker recording trivial life moments — a person sitting on a pole, for example, or someone ruining a perfectly good jar of peanut butter by dipping their fingers into it — alongside his contextualizing narration.

“I both embrace but betray certain rules,” he said.

The seminar told him to avoid mentioning Christianity in the context of Christmas, so he pivoted to a Buddhist community with an annual tradition of running around a school in New York. The formula prefers to stay away from trauma. Instead, he made the death of one of his subject’s fiancées one of the main plotlines of the film.

“The actual Hallmark of it all fits in a way because that’s the kind of living proof that this rhythmic cyclical way of storytelling is actually soothing and attractive to people over long periods of time, to be able to return to this thing that they can trust and understand,” he added.

A scene from “The History of Concrete.”

(Magnolia Pictures)

In Wilson’s film, the entrance point is concrete, but what begins to unravel is a romance story involving a boy who has a movie idea, needs money to make a movie and tries everything he can to sell it — a signature love trope for most Hallmark movies.

Throughout the film, Wilson goes from pitch meeting to pitch meeting trying to finance his art. In the process, Wilson meets other eccentric characters that share his passion of filmmaking but have their own interests, like clearing gum from a sidewalk, immortalizing a person’s tattoo after they’re dead, and music.

“I’m just finding different ways to court this industry that doesn’t seem ready for this relationship,” Wilson said. “I’m trying to find some consensual way into it, but I eventually just need to perform the romantic gesture of doing what feels right and what comes naturally to me.”

The love story is the kind of theme that sometimes it’s OK to lean into, even though he’s constantly battling whether he should explore it in his films, Wilson added.

A scene from “The History of Concrete.”

(Magnolia Pictures)

Oliver believes that battle is a product of the cynicism that exists in society. Pledging love and respecting someone or a relationship can make people feel so uncomfortable that leaning into these tropes of life can feel humorous, and that’s where the laughs from a Hallmark film come from.

“They’re realizing that they’re being emotional about somebody who can’t find the right Christmas sweater,” he said.

The people in “The History of Concrete” aren’t funny because Wilson makes them out to be ridiculous. He doesn’t emphasize their eccentricities or tell the audience what makes them funny. He simply lets them be themselves. He captures their personality through a curiosity lens.

The humor comes from their passions not seeming worthy of the level of seriousness with which they pursue them. These people love something so much that their devotion mirrors the kind of energy normally reserved for higher stakes.

“There’s no definition of normal that sticks,” Wilson said.

A Christmas celebration isn’t objectively a life-or-death situation, and neither is concrete. But when people care deeply about them, those seemingly mundane things can take on an emotional significance the audience understands.

“Even if it’s something absurd … [the casts] are also committed to the idea of making it real,” Oliver said.

Kyle MacLachlan is living up to his reputation as the Internet’s Dad.

It’s an especially warm day in August, and the bespectacled actor, best known for his many projects with the late auteur David Lynch, is approaching with a coffee (black, naturally) in one hand and a massive cookie in the other. The snack, it turns out, is meant for us to share.

“Whatever it is, it’s very healthy,” he says when I ask what sort of confection he chose. “It’s cranberry, oatmeal and gluten-free. Who knows if there’s any sugar in there?”

At 67, MacLachlan isn’t necessarily a health nut. But he is highly amenable and willing to roll with my vegan cafe selection, which is conveniently located near our photo shoot location. “I come from Eastern Washington state — it’s a desert,” he says assuringly when I offer to move us to an indoor seat with air conditioning. Later, as we prepare to leave for the shoot, he clocks my car, a rare station wagon, and dubs it “spec-TAC-u-lar.”

That’s MacLachlan for you — all it takes is one word (he also drops an “Aces!” during our meeting) or enthusiastic gesture (very likely a swooping thumbs up) to channel the type of eccentric and upbeat characters he’s spent the last 40 years playing. Now, with the release of his thoughtful new memoir, “Fictional Selves,” MacLachlan gives us a much closer look at the man behind the chin-jutting grin, and, in doing so, introduces us to his doppelganger, “Other Kyle,” an image-conscious shadow figure constantly trailing behind, questioning his choices.

“There’s definitely another entity, an observer, the ego, the harder self,” MacLachlan says of how he would describe Other Kyle, whom ghostwriter Jon Sternfeld first identified after noticing the way MacLachlan tended to fall into conversation with himself while recounting his life. “[He’s] the kind of person that I’m not comfortable leading within the world. But he’s definitely in there commenting on the things that I do.”

Other Kyle first began to taunt MacLachlan after he saw himself on a gargantuan billboard for “Dune” in Times Square. (In his early 20s, MacLachlan was famously plucked from obscurity to lead David Lynch’s 1984 adaptation of Frank Herbert’s sci-fi epic.)

Well before his alter ego materialized, and well before Hollywood found him, MacLachlan was prone to anxiety and fears of never fitting in. Born in Yakima, Wash., MacLachlan grew up the oldest of three boys; his parents were solidly middle-class, with his father working as a lawyer, and then stockbroker. His mother was a homemaker known in the community for her civic involvement, particularly in local arts programs. In fact, it was MacLachlan’s mother who first encouraged him to try a “Teen Theater” program, drawing him in with the promise that there might also be girls in attendance.

But it took a minute for MacLachlan to genuinely embrace his calling. As a young adult, his father pushed him to study business, while his mother urged him to try PR or communications. His studies at the University of Washington weren’t going well, so he dropped out and worked at a manufacturing plant back in Yakima. It wasn’t until a girlfriend recommended a summer theater program in North Carolina that MacLachlan leaned back into his first real passion, eventually returned to school with a newfound focus, and was accepted into the University of Washington’s professional acting program.

Kyle MacLachlan at the glass and mirror shop LA Mirror Man on La Cienega Boulevard.

(Christopher Patey / For The Times)

Fast-forward 40 years, it’s impossible to imagine that MacLachlan would have anything else for Other Kyle to latch onto. For one, his acting resume is the stuff of thespian fantasy. Sure, “Dune” infamously flopped hard upon arrival, and all planned sequels were immediately canceled. But it wasn’t long before MacLachlan had teamed back up with his mentor, with whom he had developed an almost telepathic bond on “Dune,” to lead Lynch’s much more kindly received 1986 neo-noir arthouse entry, “Blue Velvet.” A few years later, the overwhelming success of the TV mystery series “Twin Peaks” propelled the actor to the upper stratosphere of celebrity.

“When we were working together creating Jeffrey in ‘Blue Velvet’ or [Coop in] ‘Twin Peaks,’ we would sit and talk or not talk, we melded together in some weird way, we were like one person,” MacLachlan says of his bond with Lynch, who died in early 2025 of cardiac arrest due to chronic obstructive pulmonary disease. “It was this very symbiotic kind of thing in front of the camera,” MacLachlan continues. “It was like this weird circular energy. … He’s the only director I share that with.”

And yet, breaking out of what MacLachlan refers to as “The Black Suit,” worn by his unceasingly chipper “Twin Peaks” character, Special Agent Dale Cooper, proved challenging. By the time “Twin Peaks” left the air in 1991, MacLachlan had grown ambivalent about the job that changed his life, partially because he felt Lynch didn’t fight hard enough to keep artistic control of the show’s second season, which saw the network upping its creative involvement and Lynch distancing himself until the final few episodes.

MacLachlan longed to diversify his output — to show that he was capable of being a mainstream Hollywood leading man, one who could interface with a variety of directors. In the book, he writes about jobs he comes so close to booking — roles in Robert Redford’s “A River Runs Through It” and Francis Ford Coppola’s “Dracula” — but losing out at the last minute.

Kyle MacLachlan explores his alter ego “Other Kyle” in his new memoir.

(Christopher Patey / For The Times)

He took these rejections hard at the time. Many decades later, however, he can see how he was the one holding himself back. “I felt like people were only seeing the black suit,” MacLachlan says. “Now, the truth is, they would probably have been more than happy to see me as somebody else, but I was not able to deliver. … I think there was a lot of insecurity,” he continues. “I was like, ‘Maybe it’s not the suit. Maybe it’s me.’”

As the 1990s played out, MacLachlan fought an on-again, off-again existential crisis regarding the type of actor he was really meant to be. His friend and former “Doors” co-star Val Kilmer urged him to accept a lead role in a BBC adaptation of Kafka’s “The Trial,” which didn’t move the cultural needle in the States, but did put him in the same room as enormously pedigreed actors like Anthony Hopkins and Alfred Molina. He snagged a role in a Paul Verhoeven film about topless dancers — a career risk he hoped would pay off but ultimately felt like “walking into a buzz saw,” as he writes in the book.

Despite the cult reappraisal of “Showgirls,” and the lasting popularity of “Sex and the City,” Other Kyle had a few things to say about both of these roles, but the Kyle sitting across from me has a much more measured approach, particularly to “Showgirls.”

“I think it’s fun that it’s still around,” MacLachlan says. “I’ll still argue with anyone that [says] it’s a good movie. It’s not a good movie, but it’s definitely an appreciated movie, and that is kind of where I leave it.”

In the early 2000s, his wife, Full Picture founder and chief executive Desiree Gruber, pushed him to accept a role in HBO’s “Sex and the City,” playing an Upper East Side doctor with erectile issues.

Portraying Trey MacDougal was a mixed bag for MacLachlan. On one hand, he was thrilled to be part of such a cultural juggernaut, and he delighted in the emphasis the show placed on female friendship and sexual agency.

“I want to keep being challenged,” says Kyle MacLachlan, looking ahead to the next chapter of his 40-year career.

(Christopher Patey / For The Times)

At the same time, he had mixed feelings about playing an old-money mama’s boy with a Freudian Madonna-whore complex. Not to mention the sheer ridiculousness of the things the writers would have him do: One scene had him bent over a bathroom sink, masturbating to a pornographic magazine. A passage of “Fictional Selves” also recalls the cringe-inducing moment when Trey gives his wife, Charlotte (Kristin Davis), a cardboard cutout of a baby in an effort to make light of their struggle to conceive.

In the book, MacLachlan recalls being utterly dumbfounded at having been asked to do something so oblivious at best and cruel at worst. Eventually, however, he writes that he realized the writers just needed a way to foist him off the show. (His and Davis’ characters get divorced soon after the cardboard baby incident.)

“Every time I got a script, I’d be like, ‘Oh boy, OK, what’s going to happen here?’” MacLachlan says. “And then it would be, like, whatever they’ve come up with, ‘how can I shape it? What is it that [Trey’s] wrestling with? What are the issues here? Then, you know, realizing that in some cases it was just going to be a sight gag. Like, the Juggs magazine is going to be a sight gag. And as I said in the book, in my mind, I would sort of float away. I would be like, ‘That’s not really me. I don’t know who that is down there doing that.’”

As MacLachlan moved into middle age, he gradually grew more comfortable with the clean-cut oddball characters he’d so often be asked to play: a refined but possibly murderous dentist on “Desperate Housewives,” an idiosyncratic boat obsessive on “How I Met Your Mother,” an over-the-top civic leader on “Portlandia,” and, once again, Special Agent Dale Cooper (plus his doppelgängers) on “Twin Peaks: The Return.”

The 2017 “Twin Peaks” reboot would be the last big project MacLachlan would work on with Lynch, but MacLachlan would frequently visit the director in their shared Hollywood Hills neighborhood. “It’s many things,” MacLachlan says when I ask what he misses most about his friend and mentor. “The voice on the phone — ‘HEY, KALE! Come on up for coffee!’” he continues in a pitch-perfect Lynch imitation. (“Kale” became Lynch’s nickname for MacLachlan, referencing “Dune” producer Dino De Laurentiis’ Italian pronunciation.)

“Towards the end, I would go to visit him, and I would sometimes take my phone and record things. I still have these stories loaded in my iPhone — about ‘Dune,’ or a story about a moment in ‘Blue Velvet,’ or a story about when he met John Huston, or when he got a kiss from Elizabeth Taylor. … I have these little gems, and I savor those.”

Lately, Other Kyle has been replaced by Online Kyle, a goofy, lighthearted version of MacLachlan who primarily lives on TikTok and Instagram — thus the wholesome, Gen Z title of “Internet’s Dad.” And when he’s not playing a father to Ella Purnell on Prime Video’s hit “Fallout,” or interviewing a younger generation of entertainers on his podcast, “What Are We Even Doing,” MacLachlan is also someone’s real dad. One of the most endearing moments in our afternoon happens when his teenage son, Callum, calls looking for something around the house. “Oh, it’s in the fridge in the gym. In a foil. And there’s chicken in the fridge. Love you too,” MacLachlan tells his son.

There’s certainly no doubt that this Kyle doesn’t get in his head — or in his own way — the way earlier versions did. He’s still eager to test his limits as an actor, but he’s comfortable with the thought that there is no plan. “I want to keep working with interesting people,” he says with his trademark buoyancy. “I want to keep doing fun things. I want to keep being challenged. … I don’t really know where I’m going, but something will excite me, and I’d be like, ‘OK, what the hell?’ And I jump in.”

Brodsky is an L.A. culture and music writer. Her biography of Stevie Nicks “Lessons & Lace” is out now.

THEY are marking 25 years with a record-breaking anniversary tour.

But despite celebrating a quarter of a century together, Westlife say they have never felt younger — thanks to fans still throwing their bras onto the stage.

Kian Egan, Shane Filan and Nicky Byrne have been inundated with fans throwing their undergarments on to the stage during their gigs at Dublin’s 3Arena.

Speaking to Biz on Sunday’s Emily backstage on Friday night, Kian said: “We have a B-stage where we get quite close to the audience. One bra got thrown up, and before we knew [it], it started growing to ten, 14 . . .  It is a bit of fun, and nostalgic.”

Shane added: “We aren’t leaning into it too much or the stage would be covered!”

The Irish hitmakers are on track to surpass 150 dates on their 25th Anniversary World Tour and completed a record-breaking 13-show residency at the 3Arena last night.

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They head to Aberdeen on Tuesday before playing dates across England, Wales and Scotland for their diehard fans.

Shane said: “We have 150 dates and it is growing. We don’t know how many it is going to be, but it is going to be more than 150 for sure.

“You keep yourself fit, you go to the gym, go for a run or surf — you just want to be in good shape for it. It is a very physical show.

“We aren’t out drinking every night, but we still get to enjoy it. We came off stage on the first night with a few pints of Guinness together. It was a lovely moment.”

The boys were fresh-faced twenty-somethings when they embarked on their first tour, East Meets Westlife, in 2000.

Asked if they feel fitter now, Shane said: “Without a doubt. We are getting older but we feel the same on stage.”

Now on their 15th tour, the band have made sure their hits World Of Our Own and Flying Without Wings still form part of their two-hour set.

“All these people have been with us since day one and now they get to relive these 25 years in one show for two hours,” Shane said.

The band are also keen to get former One Direction singer Niall Horan up on stage with them.

Kian said: “It has never been discussed, but you never know.”

Niall, over to you . . . 

NEW LOOK IS A CARDI BY GUCCI

CARDI B looked ready for winter in her furry white jacket at Milan Fashion Week on Friday.

The American rapper was spotted out in the Italian city, where she proved she’s quite the fashion queen herself.

Cardi teamed the Gucci coat with tights from the same Italian luxury fashion house.

And she shared snaps of her look to her 160million online followers, captioning them: “Lord that new Gucci collection.

“So clean, sickening, sexy and detailed.

“Go ahead, just take my whole wallet.”

If I had Cardi’s money, I’d do the same.

ENGLAND rugby legend James Haskell would love to follow ex-footballer Vinnie Jones into acting in a gangster drama, like Guy Ritchie’s hit Netflix series The Gentlemen.

He told me: “I met Guy once. We didn’t talk about roles but if there was ever the opportunity, I’d 100 per cent do it.”

SINGER TALIA MAR has released her video for track Pyscho On A Couch.

The Stay The Night hitmaker stars in the video as herself and a therapist as she explains her troubles.

Fans can catch Talia at Koko in London on October 6.

If this video is anything to go by, Talia will certainly put on a show.

PALOMA HAS FAITH IN VOICE

PALOMA FAITH is ready to teach contestants on The Voice how to make their own kind of music.

The singer will join Sir Tom Jones as one of the guest mentors as the ITV show’s Battles – in which teammates duet – kick off on October 10.

Delta Goodrem joins Kelly Rowland’s group; Cheryl Tweedy works with WILL.I.AM’s team; and McFly’s Dougie Poynter and Harry Judd assist bandmates Danny Jones and Tom Fletcher.

Next Saturday, viewers get a glimpse of the guests at London’s Alexandra Palace, discussing which acts should make the semi-finals.

A source said: “Watching Cheryl’s return to TV and a glimpse of her role as a coach next series will give fans plenty to look forward to.

“Alongside the experience brought by Paloma, Delta, Dougie and Harry, the Battles will be a series highlight.”

TWICE-divorced Ben Affleck has revealed the brutal response he gets from his children when he tries to give them relationship advice.

The actor, who was previously married to Jennifer Garner and Jennifer Lopez, revealed his kids are quick to put him in his place when he weighs in on their friends’ love lives.

Speaking on Jimmy Kimmel Live!, Ben, 54, recalled trying to offer his opinion during a conversation at the dinner table.

He said: “I said, ‘Well, the thing about that relationship there with that person is…’ and the 17-year-old just turns to me and goes, ‘Oh, like you’re the expert on relationships?’”

Ben added: “I give advice and try to talk to them, parent them as you do. What I found is that now it’s not only one teenager rolling their eyes.

“I’ll kind of launch into something at the dinner table and I’ll catch them giving each other looks and I realise I’m the caricature in this story.”

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Ben shares Violet, 20, Fin, 17, and Samuel, 14, with his ex-wife Jennifer Garner.

The pair married in 2005 and divorced in 2018.

Ben later married Jennifer Lopez, 57, in 2022, almost two decades after they called off their first engagement.

Their marriage ended in 2024.

Last year, Ben told GQ he had “nothing but respect” for JLo and described the breakup as having “no scandal, no soap opera, no intrigue”.

He said there was no single dramatic event behind it, but stopped short of sharing the private details.

Meanwhile, the actor remains close to Jennifer Garner and had hoped to cast her as his on-screen wife in his new film Animals.

He told Entertainment Weekly: “I thought, God, Jen Garner would be amazing for this role.”

Jennifer ultimately did not take the role, which went to Kerry Washington.

However, he added: “I would love to work with her, frankly. She’s fabulous, and we’re really good friends, and I’m profoundly grateful to her, and we have a great thing.

“I still would wanna work with her in the future, but what you don’t wanna do is take the audience’s baggage and have it work against you, you know?”

Perhaps no one genre of music screams “Mexican” more than mariachi music.

Yet a close second is probably the melodic sound of British rock band the Smiths.

Many have pondered why Mexicans and Mexican Americans have such an affinity for those blokes from across the pond. Maybe it’s that lead singer Morrissey’s outsider mentality and melancholic words resonate with the demographic — or there’s something acutely relatable about the melodramatic musings of a romantic yearner.

Decades ago, The Times’ own Gustavo Arellano explored the Smiths and Morrissey’s appeal to Latinos and Mexicans, specifically.

He noted that Morrissey’s malaise mirrors the sentiment of many ranchera songs, also citing that his effeminate onstage persona is a perfect subversion of Mexican machismo. These elements make the singer an anglophone mash-up of Pedro Infante and Juan Gabriel, Arellano added.

Both the Smiths and mariachi music can drive even the most macho Mexican man to tears with their poetic lyrics and layered instrumentals.

To celebrate the special choke hold these musical stylings have on Mexican Americans in Southern California, the L.A.-based group Mariachi Tierra Mia is putting on a “Mariachi Meets the Smiths” show at the Ford amphitheater on Sunday. The show will merge not only the cultural resonance of the two in Mexican American culture, but also unite the sounds.

The idea to incorporate elements of mariachi music into a cover of a Smiths tune happened by happenstance in December 2024.

Members of Mariachi Tierra Mia were performing at a Christmas party when an attendee requested that the group perform the 1984 Smiths track “Heaven Knows I’m Miserable Now.”

Members of rock band The Last Line of Defense who will perform at The Ford as part of “Mariachi Meets The Smiths.”

(Mariachi Tierra Mia)

The ensemble’s leader, Maira Solis, didn’t know the song — but her husband and fellow bandmate Ivan Peña signaled that he did. Later on in the night, he performed the song alongside two dancing, masked luchadors.

The video of Peña belting out the song while outfitted in his mariachi regalia struck a chord with audiences online after the group posted it on social media.

“The relationship between Mexicanos and the Smiths needs to be studied,” Peña told The Times. “[The video] seemed like a very innocuous thing, but days later, it had 3 million views. That was the first time that ever happened to us, and to me, personally.”

The overwhelmingly positive response to Peña’s rendition of the Morrissey-penned tune let him know that people had an appetite to see the Smiths and mariachi blended together.

Born in 1991, Peña was born years after the Smiths broke up, but was introduced to the group’s catalog at age 5, while his uncle drove him around in a lowrider. The first tracks he heard from the band were “Heaven Knows I’m Miserable Now” and “Ask.”

“I don’t think the music has aged a wink. It’s just gotten better with time,” he said. “It’s clearly resonated across generations. Now you even see Gen Z getting in on it too and realizing music of the past is so substantial.”

But the fandom surrounding the Smiths, and more specifically Morrissey, has entered more complex territory in light of the Smiths frontman’s past political commentary.

In recent decades, the crooner has grown increasingly sympathetic toward far-right political stances, voicing anti-immigration and anti-Muslim sentiments, as well as his allegiance to white nationalist party For Britain in the U.K.

Despite this, many fans, like Peña, don’t see a problem with continuing to listen to the Smiths and Morrissey’s solo work.

“I get that he’s a polarizing guy. I know he’s notorious,” Peña said. “I [say], separate the art from the people behind it … because the piece itself is not at fault for the shortcomings or views of the people who made it.”

Sunday night’s concert will be split in two acts, with the first being a bilingual mariachi set by Mariachi Tierra Mia composed of genre standards and more modern covers. For the second act, Peña’s rock group the Last Line of Defense will perform songs by the Smiths and be joined by the mariachi group to merge the sounds.

Incorporating the mariachi to create straightforward covers of the Smiths’ material proved challenging as Peña did not want to put a spin on the songs’ composition — no added notes and no new harmonies were allowed.

“You could task a mariachi band with doing a one-for-one adaptation of the Smiths’ songs, [but] most of the tracks do not work on the mariachi setting,” he said. “Whereas the guitar is leading the charge in a rock band. The guitar and the vihuela are essentially the rhythm section, so you have to translate guitar riffs to the melody section of the mariachi, [which is the] trumpets and violins.”

According to the 34-year-old musician, very few of the English band’s song fit into that mold.

He knows that fans love the original material and he wants to respect the essence of the time-tested songs. Out of that reverence for the group’s music, Peña noted that all the Smiths covers will be performed only in English.

Peña’s final take on why Mexicans are so infatuated with the Smiths?

“Mexicans love catchy music,” he said. “It’s all of the feels. It’s the good, the bad, and a bit of longing. The lyrics aren’t lying to you. [We can all relate to] Morrissey’s angst, his rebellion, his malaise, and, on the other side of that, his optimism.”