show biz

Chris Hansen has not seen “Primetime,” the A24 film in which Robert Pattinson plays him, and he probably won’t anytime soon. He walked out of an Aug. 20 screening arranged for him at the studio’s Manhattan offices after refusing to sign a nondisclosure agreement, which he believed would prevent him from raising any legal objection to the way he is portrayed.

But Hansen’s company has purchased preshow advertising in theaters showing “Primetime,” which opens Sept. 25. The spots promote TruBlu, the subscription streaming platform where the former “Dateline NBC” correspondent presents his current sting operations under the title “Takedown.”

“It’s a movie that uses my name, image and likeness,” Hansen told The Times in a recent interview. “Why not direct people to what the real Chris Hansen is doing? Here’s where you can see it.”

Moviegoers, in other words, will be asked to have a seat twice.

The film revisits one of the most provocative and scrutinized franchises in the history of TV news. “To Catch a Predator,” which ran as a periodic “Dateline” investigation from 2004 to 2007, exposed men who used online chat rooms to solicit sex with minors. It accelerated the popularity of the true crime genre while raising lasting questions over journalistic ethics.

Directed by Lance Oppenheim in his narrative feature debut, “Primetime” is based on Luke Dittrich’s 2007 Esquire article “Tonight on Dateline, This Man Will Die,” about the suicide of a Texas prosecutor targeted by one of the stings. It premieres Sept. 5 at the Venice Film Festival.

Hansen, 66, is ready to ride the wave of notoriety the film is bound to generate. He is still pursuing online predators and a new generation of fans have found him on TruBlu, his YouTube page and on social media. “I’ve got to be the only 66-year-old man in America with 1.1 million TikTok followers,” he said.

Hansen first heard from A24 regarding “Primetime” when an executive reached out to him in late May to ask whether he would participate in promoting the film, according to emails obtained by The Times. Over the two months that followed, the journalist and his business partners repeatedly asked to see the film or a script before making any commitment. They also raised the possibility of compensation or a production credit, although Hansen said no formal request was made.

Hansen and his partners repeatedly raised concerns that he had never been contacted about the use of his name and likeness, even as a courtesy, before production was completed. The studio said it wasn’t necessary.

“Chris’s work was an important inspiration for ‘Primetime,’ which is a dramatized film inspired by true events,” according to an Aug. 8 email from A24. “While the film didn’t require individual consultation or permission during production, we’d love to have Chris’s support of the film to the extent he feels comfortable. If not, we certainly understand.”

An A24 representative declined to comment for this story. A person involved with the film who was not authorized to discuss the matter publicly said the nondisclosure agreement Hansen was asked to sign is standard for a movie screened ahead of release, so that viewers do not reveal plotlines or spoilers.

The trailer, released earlier in August, has generated buzz in media business circles for the appearance of Jeff Zucker, former NBCUniversal chief executive, who appears as himself in a small role as a ratings-hungry network executive. Pattinson’s Hansen is later seen in the trailer screaming, “I’ll be bigger than ‘Lost’!” in reference to the ABC hit.

Robert Pattinson in a scene from A24’s “Primetime.”

(Sinna Nasseri / A24)

Hansen said he is not looking for a payout from the filmmakers. But he would like a clearer statement that the film is fiction rather than “inspired by true events,” as it says in the trailer, and perhaps a financial contribution to organizations for victims of child predators.

“I want some recognition that they used my name, image, and likeness in a largely fictional story,” he said. “They used my name, my colleagues’ names and some family members. Based upon what I know about this, it’s an insult to the thousands of people who work diligently, often at great risk, every day to protect children from predators.”

The conflict is hardly the first involving a living celebrity objecting to a fictional depiction. But legal challenges are often futile.

“You don’t own your life story,” said Domenic Romano, managing partner at Romano Law. “If you’re a celebrity, the filmmaker doesn’t need your permission to dramatize it. Even if you’re alive and you don’t like how you’re being portrayed, the 1st Amendment gives broad protection.”

Actor Olivia de Havilland went to court in 2017 over the FX series “Feud: Bette & Joan,” claiming the portrayal of her as a vicious gossip damaged her reputation. The court ultimately ruled in FX’s favor.

Actor Daryl Hannah took a different route, publishing an opinion piece in the New York Times in March objecting to her depiction in FX’s “Love Story: John F. Kennedy Jr. & Carolyn Bessette.” Hannah, who dated Kennedy before he married Bessette, wrote: “In the weeks since the series aired, I have received many hostile and even threatening messages from viewers who seem to believe the portrayal is factual.”

“When entertainment borrows a real person’s name, it can permanently impact her reputation,” Hannah wrote.

The rise and fall of “To Catch a Predator” provides enough drama for a big-screen treatment.

During his run at NBC News, Hansen was an Emmy Award-winning correspondent delivering hidden-camera investigative stories on such topics as identity theft and sex trafficking. But his “Predator” franchise, which used online decoys in chat rooms to draw men seeking sex with minors into police stings turned him into a global sensation, albeit a polarizing one.

NBC News conducted the investigations with the help of a civilian watchdog group called Perverted-Justice and local police in the towns and cities where the stings were set up. The suspects arrested and convicted included a rabbi, a teacher and a doctor.

Decoys posing as young teens lured the men to sting locations, mostly set up at private homes in quiet communities. Hansen would then enter and confront the men with his signature line: “Have a seat.” After a chat with the correspondent (“You see how this looks, right?”), the men were arrested by local police, while a camera crew captured it all.

The tableau of Hansen going face-to-face with suspects seated in suburban kitchens became so familiar it was spoofed in a comedy sketch that opened the 2006 Emmy Awards.

“Predator” remained a giant hit until a November 2006 sting in Murphy, Texas, went awry. Bill Conradt, a Rockwell County assistant district attorney, had been exchanging online messages and photos with a decoy posing as a 13-year-old boy. Unlike other targets, he never came to the sting house. Police obtained warrants and a SWAT team came to his home with a “Dateline” crew in tow. He shot himself to death after law enforcement entered.

Conradt’s family sued NBC, which settled out of court. The incident sharpened the debate over Hansen’s tactics, and as the “Predator” franchise became more popular, he was criticized in journalism circles for collaborating with police and an outside group of private citizens in his investigative work.

There have been many accolades as well. Law enforcement organizations credited the program for shedding light on a new form of criminal activity in the then-emerging internet age. Over the years, Hansen has helped promote advocacy groups and legislation protecting the rights of sexual abuse victims.

“Dateline” continued producing “Predator” investigations for another year after Conradt‘s death, airing its final installment in December 2007 before NBC retired the franchise in early 2008. Hansen has long maintained that the show simply ran its course. The library of his episodes continued to air on cable news channel MSNBC, now called MS NOW.

Hansen left NBC News in 2013 after the network declined to renew his contract. He continued to orchestrate the sting operations on a short-lived syndicated series, “Crime Watch Daily.” He also became one of the first well-known TV journalists to use a Kickstarter campaign to raise money to produce his own work to present on web platforms, which eventually led to the TruBlu site he has now. He also has a podcast series distributed by Red Seat Ventures called “Have a Seat,” a true crime podcast where he interviews figures in law enforcement.

A much-loved BBC favourite is making a surprise return to screens after spending a lengthy break away

A much-loved face is returning to the BBC.

Master woodworker Norman Wilkinson is set to make a surprise return to television today after a lengthy break from the programme.

Sarah Moore revealed that her former co-star Norman will be back on screen when the new series returns on Monday (August 31) afternoon.

Speaking alongside fellow co-star Jacqui Joseph, Sarah was asked about her standout moments from the upcoming series, during which she revealed that Norman’s comeback was one of the things she was most excited about.

She explained that he had been away from the programme for “like eight, nine series”, despite being a firm favourite with viewers.

She said: “I think the standout item was Norman, who was off our screens for like eight, nine series. And he was absolutely the favourite of so many people who watched the series, and we couldn’t really comment on why he wasn’t on it anymore or anything like that.”

Now, however, Norman has returned to the show for a very different kind of project. According to Sarah, he was brought back to carry out an impressive transformation involving an old organ.

“But he came back to do an amazing transformation of an organ, a sort of small church organ,” she explained. Sarah admitted she was delighted to see him back and praised the work he had done on the unusual piece.

“I think it’s just so lovely that he’s back on, he made a great job of it. So I think people would be really pleased to see him.” She went on to describe the finished creation as one of the standout pieces from the new series. Sarah said: “The standout moment was Norman; he did such a solid job.”

The restoration involved transforming a smashed-up 1920s organ into a bespoke writing desk, with Sarah particularly impressed by how timeless the finished item looked.

“It just looks like the kind of furniture that you know in 200 years’ time people will be using it,” she said. “And it was a beautiful desk made out of an organ, and people won’t even know that it was ever anything else. It’s just such a great makeover.”

Norman’s return is set to be one of the talking points of the new series, particularly after such a long absence from the programme. He will appear in the first episode of the 19th series.

Money for Nothing broadcasts Monday – Thursday at 2pm on BBC One and is available to watch on BBC iPlayer.

KYLIE Jenner revealed who her favourite sister is in a brand new Q&A video – before seemingly taking a swipe at Kim Kardashian.

The Kylie Cosmetics entrepreneur recently returned to YouTube and posted a video with her kids, answering questions asked by her daughter, Stormi.

At one point in the video Stormi boldly asked Kylie to declare who her favourite sister is out of Kourtney Kardashian, Kim, Khloe Kardashian, and Kendall Jenner.

Answering the question while keeping things light, Kylie began by saying that she “doesn’t like to pick favourites.”

The star then said if she had to choose she’d say her “favourite of the day” would be Kendall.

Later on in the video, Kylie appeared to roast Kim, deeming her as the member of the Kardashian-Jenner family with the “worst dance moves”.

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She shared: “Probably your auntie Kiki [Kim’s nickname]. I think she’d be okay with me saying that.”

The Q&A video comes as Kylie announced that she’s getting even bigger breast implants.

“I do want them bigger,” she confessed on her best pal Stassie’s Better Half podcast.

She went on to add: “I say it every day. I’m like, ‘They need to be bigger and more out there. I want my tits to walk in before I do’.”

Kylie previously opened up about getting a breast augmentation at age 19 and expressed deep regret.

Speaking on Hulu’s The Kardashians in 2023, Kylie said: “You know I got my breasts done before Stormi, within six months of having Stormi, not thinking I would have a child when I was 20.

“They were still healing,” she explained, adding: “I had beautiful breasts. Just gorgeous, perfect size.

“I just wish I never got them done, to begin with.”

VICKY Pattison looked incredible in a tiny yellow bikini as she enjoyed a sunny trip to Montenegro with husband Ercan Ramadan.

Reality TV legend Vicky, 38, took to Instagram to share stunning photos from the couple’s holiday.

She captioned her post: “Chasing the summer…

“Montenegro has absolutely blown us away so far… the most beautiful country and people!!!!

“Also I will be coming back the size of a small semi detached as the food is INSANE!!!!”

Among the snaps were a smiling Vicky in a tiny yellow bikini, while another saw her posed while sitting on rocks.

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One person commented: “The most gorgeous ever!!!!!!!”

Another added: “Wow so gorgeous hope your having the best time girlie.”

A third wrote: “Wowzaaaaa!! So beautiful!! Love these pictures.”

While a fourth penned: “Amazing photos! So many beautiful memories.”

Vicky and Ercan began dating in 2019, with the couple becoming engaged in 2022.

They went on to tie the knot in 2024, in front of 150 guests including Vicky’s close pal Pete Wicks.

MAYA Jama cheekily vowed to ‘shake her money maker’ as she stunned in a racy red dress at Notting Hill Carnival on Sunday.

The Love Island presenter, 32, shared what she got up to at the world-famous street party on her social media.

Maya headed out to the streets of Notting Hill in west London in a taxi with her pals before busting some moves on an elevated platform.

She was captured holding a sign that said ‘shake my money maker’ by a fan and she reposted the picture to her Instagram story.

The star was in high spirits showing off her moves in a red and black striped dress and sunglasses.

In another repost, Maya was all smiles as she waved to a fan on the ground and made a love heart sign with her fingers.

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Before the party, Maya told her 3.3 million followers: “Merry carnival to those who celebrate.”

Notting Hill Carnival takes place every year from the 29th to 31st of August after it first took place in 1966.

It is one of the largest festival celebrations of its kind in Europe, celebrating Caribbean culture.

It comes after Maya stripped down to a bikini and let off steam on a wild holiday with pals.

She took to Instagram on Wednesday evening to share a series of pictures from her fun holiday.

In one snap, the ITV favourite showed off her sexy body in a blue two piece.

Naya Rivera and Ryan Dorsey’s son is making his film acting debut.

The “Glee” star’s 10-year-old son, Josey Hollis Dorsey, booked an on-screen role in “The Burning Valley” alongside his dad, Ryan. The two will play the role of father and son in the debut feature film from writer-director Evan Coury that started shooting this month northeast of Pittsburgh.

In an interview with the Tribune-Review, the filmmaker said the movie is about a steelworker who loses his job when the mill announces a shutdown. “It sets him on a journey as he wanders through his Rust Belt town,” Coury said. “My hope is to encapsulate the history of our region through one guy’s personal experience.”

The news of Josey’s big-screen debut comes six years after the tragic death of Rivera in 2020, when she accidentally drowned after renting a boat to take Josey, then 4 years old, fishing in Ventura County’s Lake Piru.

Josey’s foray into acting seems only natural considering his pro parents. Rivera is best known for her portrayal of the Afro-Latino queer cheerleader Santana Lopez in “Glee,” and Dorsey has acted in TV shows including “Justified” and “Palm Royale.” In a 2021 interview with “Entertainment Tonight,” Rivera’s mother, Yolanda Previtire, and sister, Nickayla Rivera, described Josey as the spitting image of his mother. “His tenacity, his drive, his zeal, his adventure for life. He’s just Naya in boy form,” Previtire said.

“He loves entertaining,” Nickayla added. “He loves singing at the top of his lungs.”

And last year, Dorsey told People that Josey, or “Jojo,” had already acted in a couple of plays. “He hasn’t had the the lead part or anything, but he’s so good,” he said, adding that Josey wasn’t “begging” to be an actor just yet.

“I’m just trying to expose him to all the things,” he continued. “He’s playing violin, he’s playing piano, he’s in the chess club, he’s pretty good at baseball. He’s not very good at basketball. He’s played soccer, but I want to continue to expose him to things. I think it could be an outlet for him as he gets older; he can have a good life being creative. It’s definitely in his blood.”

Dolly Parton has been laid to rest in a private ceremony.

The immediate family of the country western star who died last week gathered at Woodlawn Memorial Park and Mausoleum in Nashville on Friday morning.

Parton was buried alongside her husband of almost 60 years, Carl Dean, who died in March 2025. The bronze crypt plate mounted at the mausoleum had the star’s name engraved on it before she died, alongside her husband’s name and a depiction of her Tennessee home.

In a social media post, Amelia Young from Nashville’s NewsChannel 5 shared photos of Parton’s burial site and said that the cemetery had set out velvet ropes and guest books so fans could visit Parton and pay their respects.

“Dolly’s fans and friends from around the world are encouraged to pay tribute to Dolly on social media tagging @dollyparton,” according to the cemetery’s obituary. In lieu of flowers, the family asks for donations to be made to Dolly Parton’s Imagination Library.

Woodlawn Memorial Park and Mausoleum is Nashville’s largest cemetery, where many other country western stars have been interred including George Jones, Tammy Wynette, Eddy Arnold, Marty Robbins and Porter Wagoner — Parton’s former mentor, for whom she wrote “I Will Always Love You” as a professional farewell when she went solo in 1973.

Parton’s great-niece Lainey Parton shared a tribute following the funeral, writing on Instagram, “This is a really hard post for me to make. I wanted to wait until after my granny was laid to rest yesterday before I tried to put any of this into words.

“From the time I was little, my granny always had a way of making me feel like I was enough. She never made my dreams feel too big or made me feel like I couldn’t do something. She believed in me before I even knew how to believe in myself.

“Most people can think of at least one bad memory with everyone in their family. I honestly can’t think of one with her.

“Because she couldn’t have kids of her own, she always made us feel like we were hers. She loved us that way, and I’ll forever be grateful for that.

“One memory I’ll always hold onto is when she asked me to sing with her on her @smokymountaindna album. I was a freshman in high school and SO nervous. But she had a way of making me feel like nothing bad could happen. She made me feel safe, confident, and like I belonged right there beside her. …

“She didn’t just tell me to chase my dreams, she helped me get there.”

Parton died peacefully last week, her nephew Bryan Seaver announced in a news release shared with The Times. Seaver also announced her death in a video shared to the singer’s Instagram page. Parton was 80.

In a statement, a representative for the country music icon said: “After bravely facing a brief battle with cancer, Dolly departed her Earthly life today at the Vanderbilt-Ingram Cancer Center surrounded by loved ones.”

The type of cancer was not specified.

CHRISTINE McGuinness has shown off her incredible abs and tan in a tiny bikini – before declaring she refuses to let summer be over yet. 

The 38-year-old model and TV personality shared a new video lounging on a sun bed in the garden, soaking up the last of the UK’s heatwave before this weekend’s rain. 

Donning sunglasses and a deep bronze tan, Christine posed to show off her chiselled muscles in a sparkly lime green string bikini as she faced the sun to get most of its rays. 

Across the clip, she wrote: “Summer doesn’t officially end until 23rd September! Respectfully, keep your Pumpkin Spice lattes and Santa hats away from me!” 

She then added: “😎 This summer has been one big holiday for Mummy and her mini Mc’s 🥰 … Respectfully, we’re not ready for the school run!☀️😂🥹” 

The mum-of-three has always been a proud lover of the sun, enjoying holiday getaways as often as possible. 

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But there’s set to be some big changes in her household after her ex-husband, Paddy McGuinness, went public with a new romance. 

The former couple split four years ago, but have continued to live together in their £2million family home in “separate wings” of their Cheshire mansion. 

This was done for the sake of their three kids – twins Leo and Penelope, 13, as well as nine-year-old daughter Felicity – who are all on the autism spectrum. 

However, now he’s dating BBC publicist Emma Carey, Christine has acknowledged that she will learn how to live without him. 

Asked by Virgin Media Television host Lucy Kennedy, 50, about her and her ex-husband’s “current living arrangements”, she said: “He’s been a huge part of my life. I met him at 19. Which was 19 years ago, which is crazy… yeah, half of my life.”

Christine then added: “I suppose it will be strange living without him one day.

“But right now, the last three years we’ve been separated and it just works.

“We’ve got our own space. We do our own thing. We get on really well and we love our children.”

KYLIE Minogue shares some unseen throwback snaps to celebrate Can’t Get You Out Of My Head becoming her first billion-streaming hit.

The pop icon, 58, also told of her pride as the hit surpassed the Spotify milestone 25 years after its release on September 8, 2001.

The video, showing her in outfits including a deeply-plunging white number slashed to both thighs, was a fan favourite.

She wrote: “Thank you to everyone all around the world who has streamed and sang and danced and loved!

“Way before streaming, here I am doing wardrobe and glam tests in preparation for the video.

“Someone tell her she’s hit a billion.”

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The song is currently streamed around 850,000 times per day.

It was the lead single from her acclaimed album, Fever.

The single topped the charts in more than 40 countries with over five million sales globally.

The Aussie may be popping champagne corks but, in an interview with Vogue Australia this week, she said she had reigned in her drinking since her wildest days.

She joins the billion stream club alongside stars including The Weeknd, who tops the chart with 5.5billion streams for hit Blinding Lights.

Ed Sheeran comes a close second with Shape Of You, with 5.1billion.

Earlier this month she said: “I do believe that it has its place in that realm..

“Sonically and visually and at that point in my life, I think, what was I? What, 32? I was settling into myself.”’

It was part of her 21st century comeback after establishing herself with early hits from Stock, Aitken and Waterman and then dance label Deconstruction.

But Can’t Get You . . . was, says Kylie: “Like riding a spaceship.”

MOLLY MAE Hague has shared an incident where she was scared she was being judged for her parenting when her toddler, Bambi, had a melt down at the hairdressers. 

The TV star and entrepreneur has never been shy about sharing the ins and outs of her life as a mum-of-two via her vlogs, sharing earlier this month that three-year-old Bambi has entered “her aggressive era” that saw her putting people in headlocks. 

Now, in her newest video, she shared an incident where three-year-old Bambi caused a commotion while getting her haircut. 

“Today’s vlogging has not really gone to plan,” she told viewers. “I was going to vlog Bambi’s haircut, but honestly, that was a really traumatic experience. 

“I don’t know why. I mean, to be fair, she’s been saying for a few weeks ‘I don’t want to get my hair cut’, but like you know, just being sort of like a toddler, and just sort of the way a toddler would be, just trying to be difficult, you know how it is.” 

However, it seems Bambi was more sure of her stance than her mum anticipated – and wasn’t afraid to make it known to everyone when they got to the salon. 

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“Got to the hairdressers, full blown, didn’t want to get her haircut, full blown tantrum,” Molly shared. “I did say at one point like, okay, like we’ll just leave it then because it’s really not meant to be a traumatic thing, like this is meant to be a special treat, getting your hair done is meant to be.” 

“But I also know for children it can be a really overwhelming, strange experience because you’ve got people around you that you don’t know,” she said.

“Bambi’s not great with strangers anyway, she really isn’t. It really takes her a while to warm up to people, and I think she went into the hairdresser, and it was just very overwhelming.

“There was like a cape being put on her, a lot of people around her that she didn’t know, a new place that she’d never been to before…” 

Molly admits she’d “do things a bit different next time” by introducing her to the idea more slowly so the toddler understood, and perhaps going to a child-friendly salon rather than a normal adult one which she “thought would be fine”. 

“In the end, her little friend actually came and got her hair cut at the same time, which was really nice,” she explained. 

“When she turned up, things did calm down a lot, and we managed to get her hair cut.” 

However, she noted that she was left uncomfortable with the amount of attention the situation drew. 

“Everyone that was getting their hair done was looking at us like ‘oh’, and I didn’t know if I was handling her tantrum very well,” she admitted. “You know when you’re trying to handle a tantrum and people are watching over you, watching you handle it, there’s no pressure like it. Like, am I doing parenting right, right now?

“It’s hard enough to do it with no eyes on you, let alone when people are watching you with bleach on their hair.” 

Emmerdale star Olivia Bromley shed real tears when she filmed the tragic death of her character, Dawn Fletcher, tonight. Due to marry bad boy Joe Tate, their plans were scuppered when Jimmy King crashed into the wedding marquee, causing a big explosion, and pregnant Dawn was rushed to hospital.

Sent into premature labour, while Dawn gave birth safely to a baby boy with Joe at her side, she had a serious internal bleed. Suddenly, without warning, she crashed and, despite medics’ best efforts to resuscitate her, she died.

In her first interview since the explosive scenes, Olivia, 30, who was originally signed by Emmerdale for just 12 episodes in 2018, tells The Mirror: “It was the toughest storyline I’ve done during my time in the soap.

“I was surprised by how emotional I found it and it was way more emotional than I was expecting. I did cry. It is very strange to kill off your character as an actor and in front of your colleagues. But that said, what a gift to be given. Often people leave and just slip off.”

The actress was told earlier this year her character would be at the heart of a huge exit storyline during the soap’s biggest week of the year. Having reached a crossroads playing Dawn, she says it was almost a relief to have the decision over what to do with the role made for her.

She says: “This is a good time for me to go on a personal level. I had felt ready for the character to go. This character felt like she had done so much and I didn’t know what direction she could go in next. I had played her for a long time, and it felt like I needed to do other things. I am proud this was such a big finale to my time in the soap.”

But news that Dawn was being killed off came as a bolt from the blue and she confesses she would have liked to have left the door open to one day return.

Despite the initial shock, she says: “Psychologically, now I have had time to reflect, I know it’s good for me, because I can say bye to my Emmerdale chapter. It’s been brilliant. I was originally only signed up for 12 episodes and I’ve stayed eight years!”

And if viewers found her final scenes surprisingly realistic, she can now share the secret – that real life paramedics, rather than actors, were used to make the medical scenes convincing. She says: “They had real life paramedics and intensive care workers who came in to play those parts. Emmerdale is a fast-paced soap and we often don’t have time to train actors up, so they bring supporting people in with a lot of experience.”

Likening it to an “out of body” experience, she adds of her character’s death scenes: “They had rehearsed the crash response with Ned [who plays Joe Tate] and the supporting artists first and, right at the last minute, they put me in the scene. I had no idea what was going on.

“They went into the crash response, and it felt like an out of body experience lying there. They were all so professional and brilliant at what they did.”

But Olivia is sad that Dawn’s life ended so tragically. She says: “Even though she was able to cradle the baby with her children and Joe by her side, nobody had picked up on her bleeding internally. Finally, she had got what she wanted and so it was a sad end for her.”

Dawn originally arrived in the village as a drug addicted sex worker. Her big storylines included finding her long lost son and her on-off romance with her big love, ex-husband Billy. But she fell for Joe Tate in January 2025, after embarking on an affair behind Billy’s back.

They got engaged in December 2025 and by February 2026 discovered they were expecting a baby. But in recent months, Dawn, who had two other children and an adopted daughter, had been troubled by her lingering feelings for Billy.

And when he was attacked last month, she believed Joe was responsible and had planned to escape with Billy, rather than marrying the bad boy. However, in a massive plot twist, it became apparent Billy had actually been attacked by Kev – making Dawn want to marry Joe after all.

Olivia says: “Only a few weeks ago, she was talking about escaping with Billy, but in the end chose Joe. If Dawn hadn’t returned to Joe at the end, she would still be alive now. Billy is her true love but ultimately, she is an addict and she was drawn to Joe.”

She continues: “I’ve loved playing Dawn and I’ve enjoyed watching her develop and change. I’ve made many friends too and I am going to miss them a lot – especially everyone at Home Farm and Jay, who plays Billy. We are like brother and sister; we get on so well.”

Away from Emmerdale, Olivia lives happily in Leeds with her partner, who she keeps out of the public eye. She says: “My life has changed since joining the show. It has given me stability and, alongside the character, I’ve grown and changed. It’s made me ambitious in different ways and taken my life in a different way.”

After graduating from Oxford School of Drama, Olivia moved to London to work in theatre, before the call from Emmerdale came. She says: “This did change things for me and to be a working actor for eight years has been very special.”

And she would love to continue working in TV drama. She says: “I want to try some new things. It’s an exciting time and I would love to do a period drama or a gritty 9pm drama like Line of Duty.”

Now awaiting auditions, she has her leaving party to look forward to next weekend. She says: “It’s themed and I think we all deserve a drink after such a chaotic, complex end for Dawn. I’m also looking forward to just being me and not Dawn!”

As for Emmerdale without her? Olivia says: “The audience will go on a rollercoaster I am sure! I will always be so grateful to Emmerdale for giving me this role and to have been able to play Dawn fully until the end has been so much fun.”

*Emmerdale airs every weekday on ITV1 and STV1 at 8pm. Episodes can also be downloaded on ITVX.

Daisy Chain Fields arrived on a sweltering summer Saturday, plopped in the middle of Irvine’s suede hills, inside Orange County lines. The festival, hosted by Olivia Rodrigo at the Great Park, was a spiritual successor to Sarah McLachlan’s Lilith Fair of the late ‘90s, born out of frustration with promoters and radio stations that refused to play two female artists in a row.

Like McLachlan’s event, Daisy Chain Fields boasted an all-female lineup, featuring some of the most coveted names in the contemporary music scene. The festival also gave a nod to some of the industry’s women pioneers, such as Bikini Kill and Garbage.

Anticipation for the festival was high after Rodrigo unveiled it in late June, with tickets selling out just 30 minutes after release. This translated directly onto the grounds, which were swarmed by 45,000 attendees, comprising teenage girls, moms, dads and everyone in between.

The event raised $10 million to benefit 10 girl- and women-focused nonprofit organizations, all of which made an appearance on stage before each artist’s set. Each musician on the lineup performed for free.

Festivalgoers walk past the Great Park Balloon.

1

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1. Festival goers pose for pictures in front of a daisy backdrop. 2. Nara Brown from Costa Mesa ties together a flower headpiece.

As the sun went down and Rodrigo took the stage, she announced that proceeds had been 100% matched by billionaire and philanthropist Melinda French Gates, bringing total donations to $20 million.

The Times was on site to witness the festival in all its glory, amid astounding 94 degree heat and an unwavering, tangible electricity among fans. Here is our recap of the best moments from the festival. —Julius Miller

Livies get loud on the Metrolink
The 2 p.m. Metrolink train from Union Station in L.A. to Orange County was absolutely mobbed with Livies (a.k.a. Olivia Rodrigo fans) on Saturday. For such a car-brained region, it was sweet to see public transit packed with young fans in festival regalia, making the grind to Irvine more sane and green. Let’s have this vibe for every major SoCal festival (including the car-free Ocean Way next month). Yet, for new train fans, a gentle reminder: one spirited round of singing “Get Him Back!” as you’re climbing onboard? Endearing, a delight for all. Keeping it up for an hour, next to civilian commuters who looked ready to climb onto the tracks themselves by Buena Park? Maybe save that for the pit. —August Brown

Festivalgoers sing as Olivia Rodrigo performs during Daisy Chain Fields.

Devon Again performs during Daisy Chain Fields.

Devon Again felt so lucky that she gets to know you

25-year-old alt-pop princess Devon Again was a last-minute addition to the Daisy Chain Fields bill, replacing global girl group Katseye, who pulled out of the festival on Thursday due to a member’s ankle injury. Luckily, Devon Again, a personal friend of Rodrigo who will open for her tour starting in November, was there to answer Rodrigo’s call with a resounding “Duh, b—! Obviously I want to do it!” as she relayed to the Saturday afternoon crowd. Though Katseye’s presence was felt — members Lara Raj, Megan Skiendiel and Yoonchae Jeong took the stage to introduce nonprofit partner Baby2Baby before the set, and Devon Again’s drummer wore a Katseye shirt in tribute — Devon Again’s self-confessed impostor syndrome was misplaced. With a rollicking mix of high-energy country twang, twisty ballads and production-heavy pop hits bolstered by her crisp belt, she made the stage her own. —Eloise Rollins-Fife

Die Spitz dives into a great early set

The set began with a five-minute delay due to technical issues, during which bassist Kate Halter — impressively — performed several handstands to pass the time. By 1:45 p.m., the band was ready to go, with frontwoman Ellie Livingston kicking off the performance. Draped in a torn white skirt and black fishnet gloves to complement, she wailed “I hate when girls die.”

Die Spitz’s set felt like the epitome of what Daisy Chain was all about. The band members took turns strutting around stage and acknowledging, “I know it’s f— hot!” But that didn’t stop the crowd from forming mosh pits on the left and right side of the yellow Marigold stage. At one point, Livingston even jumped in herself, to the despair of security and the delight of fans. —JM

Eleanor “Ellie” Livingston of Die Spitz performs during Daisy Chain Fields.

Santigold’s set was worth fighting for

Santigold’s eclectic, genre-defying sound may be a hallmark of the “indie sleaze” era, but her standout midday Daisy Chain set proved she has plenty of staying power in 2026. Dressed in all white and flanked by a pair of straight-faced dancers in futuristic sunglasses, the 49-year-old artist performed back-to-back hits like “Run the Road” and “L.E.S. Artistes” to a crowd ready to dance the pain away. She even brought a handful of fans onstage — mostly, adorably, children — for a follow-along dance contest during “Unstoppable,” with a winner determined by cheers. Wrapping up the set with “Disparate Youth,” Santigold reminded the audience to keep believing in “a life worth fighting for.” –ERF

Santigold transports the crowd to the early aughts era of indie sleaze during Daisy Chain Fields.

Bikini Kill double dares Daisy Chain crowd to keep fighting the power

“This government hates us and wants us dead,” proclaimed punk icon and Bikini Kill frontwoman Kathleen Hanna: a critical guiding light for Olivia Rodrigo’s feminist consciousness, as well as that of thousands of Daisy Chain attendees on Saturday. Since the band’s inception in 1990, the OG riot grrrls of Bikini Kill made social justice the centripetal force of their furor — long before Daisy Chain Fields, and even its late ‘90s predecessor Lilith Fair. Powered by Tobi Vail on drums (and occasional vocals), Kathy Wilcox on bass and Sara Landeau on guitar, the electric Hanna buffered classic songs like “Double Dare Ya” and “Feels Blind” with parables from her own revolutionary life — much of which she spent fighting back against objectification from men. Dudes in Saturday’s crowd got a special directive: “You guys gotta talk to your friends [about misogyny],” said Hanna. “[Women] are not gonna stop this on our own!” Sealed with a kiss and delivered with a snarl, the band closed its rip-roaring set with the anthemic battle cry of “Rebel Girl,” and were flanked onstage by a few lucky young fans. —Suzy Exposito

Bikini Kill’s Kathleen Hanna preaches a message of anti-misogyny to the crowd during Daisy Chain Fields.

Mitski brought melodrama and musical magic

Whether you’ve been rocking with Mitski since the “Lush” days or discovered her music via pandemic-era Tik Tok, when industrial ballads like “Washing Machine Heart” unexpectedly popped off, there’s no denying her captivating stage presence — not to mention her stunning vocals. Longtime fans may have wished for a few more of the hits (no “Your Best American Girl” after the recent “Puberty 2” 10th anniversary re-release was a surprise), but indie music’s favorite sad-woman still brought her A-game to the Dandelion Stage, incorporating her signature “Butoh” performance style — a form of avant-garde Japanese dance-theatre — underscored by a backdrop of 1940s melodramas. During her set she implored Rodrigo to make the festival an annual tradition. “When do you get to be the first anything anymore?” she said. “For the rest of our lives, we could be like, ‘I’m OG DCF.” – ERF

Mitski performs during Daisy Chain Fields.

The Breeders deliver ‘Last Splash’ classics

Hand it to Kim Deal: As one of the OGs on the bill at Daisy Chain Fields, the Breeders frontwoman used her band’s performance to shout out an even earlier pathbreaker by wearing an old Shirley Chisholm campaign T-shirt featuring the first Black congresswoman’s slogan of “Unbought and unbossed.” Deal and her bandmates (including her twin sister Kelley) drew deeply from their classic 1993 “Last Splash” LP, loping through the country-ish “Drivin’ on 9,” chugging on a fuzzed-out “Saints” and pricking up Gen Z ears with the perennially TikTok’d “Cannonball.” — Mikael Wood

The Breeders play songs from their 1993 classic album “Last Splash” during Daisy Chain Fields.

Doechii does it for the girls

Under the hot afternoon sun, Grammy award-winning rapper Doechii celebrated all things girls in her typical over-the-top fashion. She and her dancers arrived onstage painted in hot pink, the swamp princess’ hair fashioned into high pigtails. A dance breakdown to a hardcore take on Beyoncé’s “Run the World (Girls)” introduced the set, and though she fed fans by performing some of her most popular singles — a version of “Anxiety” that morphed into a cover of the original sample “Somebody I Used to Know” by Goyte, “Alter Ego” and tracks like “Nissan Altima” and “Boiled Peanuts” from her 2024 album “Alligator Bites Never Heal” — she also reminded festivalgoers of the influential Black women artists who came before her — Lauryn Hill, Queen Latifah, Beyoncé — by mixing their iconic songs into hers. Glowing magenta, she twirled above what looked to be a rising river, a physical representation of the swirling, engulfing thoughts that anxiety can provoke as she performed the song by the same name. And just to ensure there was zero confusion, the Florida rapper ended her set by simply stating: “We do this for the girls, we do this for the gays and we do this for trans women.” —Danielle Dorsey

Doechii performs during Daisy Chain Fields.

Doechii

Garbage gives grunge power to Gen Z

With its blend of serrated alt-rock guitars and sleek machine rhythms, Garbage always sounded a little ahead of its time when the band broke out in the post-grunge mid-’90s. But as frontwoman Shirley Manson evoked an age of digital surveillance and pharmacological dependence in “I Think I’m Paranoid” — one of the era’s great snarling pop singles — what you realized is that history had finally caught up with the band. — MW

Shirley Manson, lead singer of Garbage, performs during Daisy Chain Fields.

Chappell Roan reigns with a hit-heavy set

It’s funny to think that Chappell Roan has only really been in the American music scene for the past six years, with just one studio album to her name.

Roan appeared from the back of stage, revealing her leather, periwinkle stewardess outfit and red mod bob — an apparent nod to Luc Besson’s 1997 film “The Fifth Element.” Naturally, the crowd roared as she dove bob-first into “Super Graphic Ultra Modern Girl.” She’d occasionally crouch down to take a sip from her water bottle, which matched her ensemble.

Roan looked especially happy to be there, happily performing for free and her set did not disappoint.

“Only the hits today,” she said, smiling. “Only the hits.” —JM

Festivalgoers dance in the “MicroRave.”

Not for Radio crank up the volume

Just after sundown, the Marías’ enigmatic leading lady, María Zardoya, emerged to perform songs from her nocturne solo project, Not for Radio. Circled by a verdant reproduction of an enchanted forest, and dressed in a black swan-like two-piece by Ann Demeulemeester, Zardoya held the audience captive with her purring soprano and vampy stare. But make no mistake: by dialing up their otherwise elegant chamber pop with a little extra crunch and distortion, the players of Not for Radio came ready to rock out with the Daisy Chain crowd. It was during a performance of the new track “Comet,” which has only been recorded live thus far, that Zardoya bewitched fans into head-banging along with her. —SE

Olivia Rodrigo does duets with her idols

Sarah McLachlan, left, and Olivia Rodrigo perform during Daisy Chain Fields.

Rodrigo’s enduring virtue as a pop star is being a great fan first. The job requires commanding attention and devotion for yourself, but she’s never been shy about situating herself in the long arc of women who came before (and after) her, or just being moon-eyed to live inside her favorite songs with her heroes onstage. For her Daisy Chain Fields closing set, she dueted with generations of women that shaped her sense of what’s possible in music — Stevie Nicks for a gorgeous “Landslide,” and a surprise Alanis Morissette cameo for “Ironic” that felt like girl-gang karaoke night at its finest. She joined Lilith Fair founder Sarah McLachlan — a specific inspiration for this festival — for “Building a Mystery” and a deeply tender “Angel.” Even Rodrigo’s backing band, full of absolutely shredding women instrumentalists, played beside her on equal footing for exquisitely tasteful, post-punky revisions of songs across her three albums. The boys in the crowd got a brief chance to growl in the lead on “Expectations,” but here they were just allies — the headline act was Rodrigo’s talent framed as a gift received from other women, and given again to the young fans on the field. —AB

The X Factor is reportedly set for a comeback and bosses are said to be looking to trademark some of the show’s biggest catchphrases

A number of The X Factor’s most famous phrases have reportedly been trademarked as the show reportedly gets ready for a comeback.

The singing contest is set for a shock return and several sayings from the top man Simon Cowell are said to have been put forward for trademarking, including the music guru’s one liner – “I didn’t like it, I loved it”.

The reboot of the show is claimed to have been secretly bubbling away in the background for almost a year, with those on board sworn to secrecy. And it’s said the show will be returning int a “whole new arena”.

Due to the intensity of social media and viral clips, a source has claimed bosses are acting to try to secure their most popular phrases. “Trademarking key phrases is part of that — and Simon’s known for his critiques,” a source said about the new business mode.

The source continued to tell The Sun: “Bosses lodged, ‘It’s a yes from me’, ‘It’s a no from me’ and ‘I didn’t like it, I loved it’ in December.”

It remains to be seen which judges will be called upon for the reboot. Previous have included Nicole Scherzinger and Louis Walsh, with hosts including as Dermot O’Leary. Simon is thought to be making a comeback in some capacity too.

A source told the publication: “They can explore a younger, fresher panel, with new faces and have Cowell behind the scenes. The plan is for the show’s return to take on a new life and be updated to envelop social media generation.”

The long-running singing competition originally aired from 2004 until 2019. It thrust a number of unknown acts into the international spotlight while also helping to boost the profiles of the roster of judges. At it’s peak, The X Factor pulled in huge audiences just shy of 20 million viewers.

By 2019, interest in the series had waned. Eventually, the show was axed following a celebrity version of the series that struggled to attract more than three million viewers.

Speaking about the potential return of the show previously, Simon told the Tales from the Celebrity Trenches podcast: “Yeah, we talk about it a lot. Do you bring it back as X Factor or do you bring it back as the Z Factor?

“There’s still no question, the power of TV in terms of getting people to know an artist. It’s so important if you’re not writing your own material. The truth is there’s something about being on a big screen. You hear about these artists who break online, but so rarely.

“Truth is, I guess, thank God, people like being on TV.”

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The glowing bar is decorated like a DJ lives there with shelves of classic records, ghetto blasters, plush couches, upscale food and craft cocktails. It feels like seeing a comedy show in the living room of a friend with taste. Comics who’ve come to the stage include Donnell Rawlings, Iliza Shlesinger, Morgan Jay, Josh Johnson and Kam Patterson. Unlike most club shows that are quick to kick you out, the promoters encourage people to hang out for what feels like an after-party worth sticking around for. Though the show is seasonal and runs until Sept. 22, the promoters plan to come back in December.

When: 8 p.m. Tuesdays
Tickets: Varies

Suranne Jones and Rose Leslie returned for the third Vigil adventure that brings about death and drama from a remote Arctic research station

The third series of all action BBC drama Vigil has arrived and co-leads Suranne Jones and Rose Leslie are understandably proud of what they have achieved.

The adventures and investigations of DCI Amy Silva (Suranne) and DI Kirsten Longacre (Rose) which began on a submarine in 2021 attracted over 13 million viewers and despite TV audiences splitting across streaming platforms and huge choice, more than nine million viewers saw series two in December 2023 on BBC1.

Now they are back again for a new case that takes them to a remote Arctic research station, where a member of a covert British special forces mission has been murdered.

“This is kick-ass,” Suranne said of the project. “I’m always saying this is why I wanted to take this job on. This is a big, ballsy, prime time BBC show that’s like fronted by not just one, two women. And not just one, two women in a same-sex relationship. I mean, it’s great. It’s big. It’s brilliant. And then the drama that comes with it. I am proud that people still love it.

“We’re proudly representing two women that are now together, they’re married, they have two children. Rose and I have always taken the personal scenes and made sure that there is some weight to them so that we can really play, even if it’s one or two scenes, we try and make those count because it’s about our connection and always has been.

“I think fans can relate to Amy and Kirsten because they hope for the best in every situation and they try to see the good in everything. They keep fighting, which is hard these days, but they feel quite hopeful as a duo to change the world. It is the systems around them that let them down.”

Turning to her character and filming in Svalbard, she added: “We’ve seen Amy underwater, we’ve seen her fighting drones, and now series three is set in the Arctic.

“We had the opportunity to go to Svalbard, which was such an experience. It was so beautiful and we filmed those scenes at the beginning of the shoot, which allowed us to get a real feel of the world that we were inhabiting.

“Rose and I felt like we were just on top of the world because we went to places that tourists don’t normally visit since we were filming in such remote locations. There were reindeer outside the breakfast room every morning, we got to drive the snow buggies, and we really had to layer up – the problem was when we got back to Glasgow we were too hot because we still had to film with all our layers on!”

The two actors clearly enjoy working together and on screen their characters now have two children, something Rose has replicated in real life.

A mother herself, 48-year-old Suranne is now a TV veteran with hits including Doctor Foster, Gentleman Jack and Scott & Bailey since moving on from Coronation Street in 2004.

On her co-star Suranne said: “Rose has been through two pregnancies in the seasons, so you know that we bonded over because they’re big life experiences. I shared the hormones! I’m on the other end of the perimenopause. But yeah, I think it’s great.

“It’s been so lovely to develop and you’ll see when we actually get screen time together. It’s an interesting relationship.”

For 39-year-old Rose, a former star of Game Of Thrones, the job of working on dramas has changed and is now combined with bringing up a young family. She married her Game Of Thrones co-star Kit Harrington in 2018 and they have a son born in 2021 and a daughter born in 2023.

Rose continued: “I feel incredibly grateful that I had jobs to go back to post giving birth. That was incredible, and that was a kind of mental safety net to be like, oh my gosh, okay, there can still be money coming in despite the fact that I’m now growing a family. That was amazing.

“I think what it shows about working mums is that we’re f***ing lionesses. You’re juggling it all. Like you’re grappling with who you were prior to that. You’re also wanting to raise a little human who feels that they are worthy and loved, without you always going off to work. But you’re coming home. You’re trying to instil a sense of peace and calm within them, But yeah spinning many plates.”

Despite it being very cold in between takes, the two leads enjoyed the time chatting and catching up after several years between the series. Suranne said: “Rose is always my standout of filming Vigil because it’s always gorgeous to see her and work with her. We didn’t stop talking the whole time. We got to spend a lot more time together in this series in comparison to the previous ones, because Amy joins Kirsten in Svalbard midway through and they work on the case together.

“What’s also lovely is having a new cast for every series of Vigil because we’re in a different world every series, so the entire cast changes except for a few of us. The new characters for this series are brilliant and such fun. Eric Godon (plays Mayor Korotayev) used to bring his own coffee onto set and he’s from Belgium, so he’d sometimes bring Belgian chocolates in.

“We’re just like a band of brothers and we’re all in it together so we’re a real team – that involves the crew too. I loved going into make-up first thing in the morning, it’s my favourite place as they’re so great and they really get you going at the start of the day.”

Grinning Rose added: “I think it comes down for me certainly to the fact that Suranne is utterly divine. Being opposite her and also working alongside of her, and the kind of the energy that she brings and the joy that she brings.

“It’s interesting, particularly with series three the fact that we get to share more screen time has been awesome, so I feel really for series three that our relationship has developed more than in one and two.”

The pair don’t want to give too much of the plot away, but it is fair to say the series continues where the previous two left off with explosions, death and devious characters involved.

Amy and Kristen – fresh back from maternity leave – will need to catch the killer and defuse a potential international confrontation, as different nations compete for control of the Arctic and its resources in the changing polar climate. It is a challenging and dangerous situation with both their careers and relationship seemingly on the line.

Suranne concluded: “Each series also brings new challenges with Amy not knowing her surroundings – she’s constantly put into these new worlds, with new rules and new characters and so she’s always trying to figure out where her authority is in that. I also think Amy and Kirsten are kept in the dark with what they’re being told and it’s their job to find the gaps and piece it together.

“I think fans can relate to Amy and Kirsten because they hope for the best in every situation and they try to see the good in everything. They keep fighting, which is hard these days, but they feel quite hopeful as a duo to change the world.”

Vigil Series 3 returned on August 30 on BBC1 with episodes one and two on BBC iPlayer.

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IT has been branded “offensive” and its host was once pelted with rotten fruit, but the Miss World contest will be watched by two billion when the 75th anniversary final takes place this week.

And representing England at the 2026 showpiece in Vietnam will be Grace Richardson, who has already won the contest’s talent round and has sailed through to the final event.

One woman who knows what it takes to triumph at the Miss World is former title holder Ann Sidney, who won the 1964 contest representing the United Kingdom.

Now 82, and one of only five Brits to have held the title, she defends the contest against the usual criticisms that it is sexist and out of date.

Ann, who was a 20-year-old hairdresser from Poole in Dorset before entering the competition, tells The Sun: “Miss World was a soft target for protesters. I think people working in TV are more anti-Miss World than the general public.

“When I won, I was in the swimsuit. Now there is an evening gown.

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“I didn’t think twice about wearing a swimsuit. I never felt embarrassed by being in a swimsuit.”

When Ann was named Miss World in 1964, the show’s British TV audience was an extraordinary 27million, which was around half the population at the time.

It catapulted Ann on to the international stage, and she starred in a movie with Mick Jagger, appeared in TV secret agent series The Avengers, entertained US troops in Vietnam with Bob Hope, auditioned for a James Bond film, had a lead role in The Sound Of Music stage show in the West End and met Elvis Presley in Las Vegas.

Miss World, which began as a bikini contest at the Festival of Britain in 1951, provided a jet-set life of five-star hotels, limousines and having the likes of Frank Sinatra fix Ann a drink.

But holding on to that crown required sacrifices and hard work.

The Miss World organisation signed a lucrative deal with a trade body for the wool industry, which meant Ann would be the Ambassadress for Wool for a year.

Her contract had a “morality clause”, which meant she could not have boyfriends and had to be Miss Perfect in terms of her behaviour.

And that was a strain for Ann, as she was in an on-off relationship with a married Bruce Forsyth.

The presenter, who died in 2017 aged 89, was a household name, compering the Sunday Night At The London Palladium variety show, decades before he became known for hosting Strictly Come Dancing.

Ann says: “The situation with Bruce kind of broke my heart. I couldn’t get any bad publicity, I would lose the contract basically and certainly lose any money. They paid me very well.

“It was a very difficult thing for me because I had this man in the background that was wanting to go out with me and to see me, and I knew I had to focus on what I was doing.

“You have to be that perfect woman. I had to be completely single and above and beyond suspicion. No dating whatsoever.”

And that is tricky when lots of men want to boast they have slept with Miss World. Once a footballer even pretended to be from room service just so he could tell his team-mates he had been in Ann’s bedroom.

When other men were too persistent, Ann put them firmly in their place.

She says: “I’m not knocking men, but you’re always going to be a trophy, something a man can boast about.

“You can’t take it seriously. Back then, if somebody got naughty, you said, ‘Stop it, you dirty old man’, you know, ‘Give me a break’. Usually men will go, ‘I’m sorry’. You dealt with those things yourself. I think today we’ve become very offended.”

There were other potential pitfalls. Playboy tycoon Hugh Hefner offered Ann $10,000 — around £140,000 in today’s money — to pose naked in his magazine.

Even though he plied her with drink, she turned him down, knowing she would be stripped of her Miss World title if she accepted his offer.

Once her year was up, Ann pursued an acting career, going into repertory theatre to learn the trade in the traditional manner.

She recalls having to overcome the widespread idea that beauty contest winners were “bubble-headed”, with people asking questions about her such as, “Can she learn lines?”.

But she went on to secure a broad range of roles, from the cult 1970 crime film Performance, starring Mick Jagger, to the cosy Seventies sitcom Are You Being Served?.

Since the death in 2019 of her fifth husband, theatre producer Duncan Weldon, she has continued living and working in California.

For other queens over the years, the price of fame was too much.

Britain’s first Miss World, Rosemarie Frankland, had a tragic end. An 18-year-old Marks & Spencer shop worker when she won in 1961, Rosemarie died aged just 57 from a drug overdose in 2000 in a shabby Los Angeles flat.

A 20-year affair with Bob Hope, two broken marriages and a short-lived acting career, which included appearing in The Beatles’ 1964 movie A Hard Day’s Night, is said to have left her depressed.

Our third winner, Leslie Langley in 1965, appeared in Bond film Goldfinger and Doctor Who, then quit showbusiness to be a dental nurse.

Welsh beauty queen Helen Morgan held the title for just four days in 1974, stepping down when it was revealed she was an unmarried mother with an 18-month-old son — somewhat more scandalous in the 1970s — and that a woman intended to name her in a divorce case.

The previous year’s winner, American Marjorie Wallace, was stripped of her title after a fling with singer Tom Jones.

In 1980, German Gabriella Brum quit after 18 hours when adult images emerged.

The last Brit to win was Sarah-Jane Hutt in 1983. Since then attitudes have softened over the years. Miss UK Nicola Willoughby was allowed to stay in the competition in 1999, even though topless photos were published.

Last year Miss England, Milla Magee, quit the show because she felt it treated her “like a prostitute”.

Now this year’s Miss England, 21-year-old Grace — a performing arts graduate from Leicestershire — is in a strong position to take the crown and sash in Vietnam.

The first openly gay Miss England, who has revealed that she was cruelly bullied over her appearance at school, was set to perform a ballet dance in the talent round, but broke her foot just a week after entering the event.

Luckily she had a back-up talent and secured her place among the Top 40 quarter-finalists by wowing judges with her rendition of the song Never Enough, from the 2017 film The Greatest Showman.

These days, it seems, talent and brains are as important as looks in the Miss World contest, and you will find biochemists and world-class dancers among the women strutting their stuff at the finals.

Since contest founder Eric Morley died in 2000 it has been run by his widow Julia, 86, who has introduced the concept of Beauty With A Purpose — an ideal which means the pageant has raised more than a billion pounds for charity.

It could be seen as a response to critics, who have blasted the pageant on feminist grounds.

One such protest against it came in 1970 when Women’s Liberation activists threw flour bombs at host Bob Hope. BBC One controller Michael Grade removed Miss World from the channel in 1984, claiming it was “verging on the offensive”. It is now available on YouTube.

But former winner Ann thinks it is time to bring back the show, which is still broadcast in more than 180 countries, to British terrestrial television.

Ann, who is still working in Hollywood, says: “Miss World has its critics, but I would do it again tomorrow.

“It was a great stepping stone for me. I travelled the world five times in a year. I met incredible people.”

WINNING WAS JUST THE BEST

By Jamie Pyatt, The Sun’s former Miss World Correspondent

FROM judges storming out of press conferences to the countries who have won it back-to-back, here are ten facts about Miss World . . . 

• Soccer legend George Best was said to have bedded seven Miss World winners, including the US’s Marjorie Wallace in 1973 and Swede Mary Stavin in 1977. But he said in his autobiography: “It was only four. I didn’t turn up for the other three!”
• More than a million women apply every year to take part in the hope of becoming one of the 108 contestants and winning the $1million first prize.
• Miss World is the most watched annual TV event, with more than two billion viewers in 180 countries. In the UK it fell out of favour in the 1980s as feminists claimed it degraded women. Indeed, guests arriving for the 2002 event at London’s Alexandra Palace, including this correspondent, were pelted with human poo.
• The 11 Miss World finalists who have appeared in James Bond movies include the US’s Halle Berry (Die Another Day), Malaysia’s Michelle Yeoh (Tomorrow Never Dies) and the UK’s Carolyn Seaward (Octopussy).
• The UK is one of only three countries to have won Miss World back-to-back – with Sweden in 1951 and 1952, English roses Ann Sidney and Lesley Langley in 1964 and 1965 and India in 1999 and 2000. The last UK contestant to win was Sarah-Jane Hutt in 1983.
• Judges for Miss World have included Sir Bruce Forsyth, Sir Richard Branson, Shirley Bassey, Piers Morgan and Jerry Hall, who famously stormed out of a press conference at Sun City resort in South Africa in 1992. It happened when I asked if she had any comment on her then husband Mick Jagger allegedly being caught cheating on her, after she had warned such a question was “out of bounds”. But it gave me a front-page story and Miss World a great publicity boost!
•  The Miss World crown is the fourth since the contest began and is worth £100,000. It belongs to the Miss World Organisation but each winner gets a replica when she passes her crown to the following year’s winner.
• In 2002 The Sun helped to evacuate more than 80 beauty queens from Nigeria to the UK as riots over the “offensive” contest led to more than 250 deaths. The contest was rescheduled for London.
• The current Miss World is Miss Thailand, Suchata Chuangsri, 22, who is the first Thai to win the contest.
• Final word to George Best, who famously said: “If you’d given me the choice of beating four men and smashing a goal in from 30 yards or going to bed with Miss World, it would have been a difficult choice. Luckily, I had both!”

BERKELEY — Twelve hours after walking offstage at the Greek Theatre on Tuesday night, David Byrne sits down with a cup of coffee on the patio of a tony hillside hotel and admits that he’s starting to get a little misty.

Last night’s concert on the campus of UC Berkeley was one of the remaining few on Byrne’s yearlong world tour after 2025’s “Who Is The Sky?” album. About an hour from now, a bus will pull up to ferry the 74-year-old musician and the dozen or so members of his touring company to the airport for a quick flight to Los Angeles, where they’re set to perform Friday and Saturday nights at the Hollywood Bowl.

“There’s a firepit over there,” Byrne says, pointing across the patio, “so after the show we all sat around and told stories. Everyone’s such a joy to work with — we’re all having a really good time.” He sighs. “That’s kind of rare, actually.”

“Who Is The Sky?,” which Byrne made with the producer Kid Harpoon, contrasts deep lyrics about art, home and enlightenment with bright pop arrangements filled with crisp grooves and singalong melodies. (Kid Harpoon, whose real name is Tom Hull, is known for the hits he’s created with Harry Styles and Miley Cyrus.) In the show, Byrne blends whimsical new tunes like “My Apartment Is My Friend” and “I Met the Buddha at a Downtown Party” with jittery oldies by Talking Heads, the hugely influential art-rock band he formed in 1975 with Jerry Harrison, Chris Frantz and Tina Weymouth.

Yet even when the songs get dark — as in “Life During Wartime,” which comes with images of police violence on the enormous digital screens behind the players — the mood is euphoric: Like Byrne’s previous tour behind 2018’s “American Utopia,” this one has the musicians holding their instruments as they execute choreographed moves on a bare stage; the result is more or less a nonstop dance party. (Also like “American Utopia,” which Spike Lee adapted into an acclaimed concert film, this tour will make its way to movie screens courtesy of “The Brutalist” director Brady Corbet.)

So you can see why Byrne would be sad to see it come to an end, not least because he’s been using his days off to tool around a given town and take pictures of cool local color. At the top of the gig in Berkeley, he showed photos from a hike he’d taken and of a car he’d come across with a tricked-out sound system.

“Any ideas of things to see in L.A.?” he asks me, dressed in a violet-colored chore jacket only a few shades removed from the blue one he wore onstage. “That hike was a workout. Even some of the dancers said those hills were steep.”

“Life During Wartime” was maybe 15% faster last night than the original record.
Could’ve been, yes. You’ll have to ask the drummers — they set the tempo, and they get excited and it kind of ramps up. It’s sometimes hard for me to keep up — I’ve got a lot of words to get out.

I was fortunate to be at Van Halen’s next-to-last show at the Hollywood Bowl, and I remember every song felt insanely fast.
Wonder if that was drugs?

You ever see Van Halen?
Never saw them live. David Lee Roth was a Talking Heads fan — came to visit our rehearsal loft once. I was kind of surprised: “How did you…?”

David Byrne performs at the Coachella festival in April.

(Christina House / Los Angeles Times)

Would you say things turned out better or worse than the future you predicted in “Life During Wartime”?
Well, we’re not having a total civil war. There’s maybe still a chance that could happen, but it seems there’s more resistance now than there was before — a sense that we don’t have to just roll over and take all the stuff that’s going on. The footage we got kind of hits home.

You show the video of the guy on the bike pedaling away from ICE agents in Chicago.
That often gets a cheer.

I wondered if it ever doesn’t.
In the United States, no. Seeing the underdog get away — that’s a pretty timeworn story. We didn’t have that video at the beginning of the tour — it didn’t exist. I saw it on some news service, and I thought, oh, this has to lead the whole sequence. When we were first putting the show together, we had more video stuff. But screens are really seductive, so you start looking at that. We said, no, you have to connect with real live people, then you can put it up.

Have you been to the Sphere in Las Vegas?
A bunch of the band and I went to see “Wizard of Oz.” I haven’t seen a band in there. But it was really a lot of fun — quite a spectacle with the video all around you.

Don Henley compares the Eagles’ role there to the organist at a silent movie.
The pit band, yeah. That’s a thing to do — works especially well, I would imagine, for bands like the Eagles and other groups that don’t do a whole lot of song and dance.

At 74, can your body do all the dancing you want to do?
Oh, no. With more physical training, I’d probably be able to do a little more than I can now. But I’m never gonna be able to do what some of the dancers can do.

How about what you used to be able to do?
Like in “Stop Making Sense”? There’s some stuff in there where I go, nope, can’t do that. But I can do other things. I don’t have a feeling that I’m barely getting by.

Are you an exerciser?
I have a person I see in New York. It hasn’t happened so much lately because we’ve been moving around so much. But Sasha [Rivero, from the touring company] leads us through these warm-up exercises before shows — kind of a cross between strength training and yoga.

Beyond the value of staying agile, how do you think about maintaining your looks?
I’m aware it’s a thing. If I came across as old and decrepit, it might be less exciting for some of the audience. Not great for business.

When did your hair go gray?
In the ’90s, I want to say. I dyed it for a while when I started seeing a fair amount of gray coming in. Then at one point I was on holiday with my then-wife and just said, “Let’s cut it off and see what’s under there.” By that point it was pretty much all gray. I was OK with it.

Who’s a performer you admire who’s still out there doing it late in life?
Caetano Veloso — he’s served as a role model for me. He’s someone who’s reinvented himself over and over and over again — done records that are very different than the record before. Even on the same record, he can be really experimental and then do something incredibly romantic.

Can you envision a time when you’d stop performing?
I don’t think so. I can see there might be a point where I don’t do as much dancing around.

I’ve seen Willie Nelson probably half a dozen times in the last 10 years. He sits there and plays, and it’s great.
“My Apartment Is My Friend,” that was inspired by a Willie Nelson song: “Hello Walls.” There’s also a George Jones song, “The Grand Tour,” where he takes you into his place: “This is where she sat, that’s where she put out her cigarette,” all this kind of stuff. I loved that you can make an apartment into a character. So I started putting down ideas, and I realized: Should I reveal that it’s about an apartment right off the bat, or should I wait till the last line of the chorus? Before that, you don’t know — it sounds like a love song. The title gives it away. But Tom, when I said “should I change the title?” he said, “The title’s what got me to listen to the demo.”

If I say that the songs from the new album didn’t come alive for me until the show, how does that strike you?
Good and bad. I wish the record had the same impact that the songs have live. But then I also think to myself: Well, the reason you go to see a live show is because you’re getting something more than you get by just putting a record on.

(Josh Edelson / For The Times)

You’ve been playing for years now with this mobile handheld setup.
I wasn’t sure an audience was gonna go for it. I don’t know why, but I thought it was kind of a big step for an audience to take in.

To not have the traditional rock band stage set.
“Here’s the drummer — we know what he does.” There were people on the last tour who would say, “It’s got to be playback — you’re not really playing it.” So I added an introduction to a song where one by one we introduced the musicians at the beginning of the song, and you could hear how we put it together. An unexpected consequence is that it democratized the whole stage experience for the band members. There’s parts where the drummers come to the front and I go to the back, which you would never have in a regular kind of show where the drummer’s stuck on a riser. Everyone gets to be a star — everyone gets to be recognized as an individual.

Would you say your eagerness to share the spotlight could only have come after years of being the focal point?
I have no idea.

Most of the musicians are pretty young.
Younger than me, anyway.

Why is that important to you?
I learn from them — musically but also personally. I learn about what music they’re listening to, what their experiences have been, what their take on things is. They’re not living in the past — they don’t have nostalgia for the good old days.

In 2023, you spent a fair chunk of time looking back with the rest of Talking Heads for a rerelease of “Stop Making Sense.” Did you enjoy that or grit your teeth through it?
It was fine — it was really nice. As we said over and over, we’re very proud of that show and the music that we did and the film that Jonathan [Demme] made. And that it was going to connect with a completely new generation. Jerry came to the show last night. He lives in Marin.

You guys hang out?
Afterwards, yeah. I mean, he had to drive back. He said he enjoyed it — said it was a good show. I connected him with our keyboard player because the keyboard player came up with these interesting technical things I thought Jerry might be interested in. He has an accelerometer attached to his arm — you don’t see it because his sleeve covers it — where he raises his arm and it increases the volume like a foot pedal on a keyboard.

Tell me about Brady Corbet’s concert movie. He shot it in 70mm.
To be honest, I wasn’t sure why. But Brady made the case, and it wasn’t about bringing people into the theater. He said when you go to 70mm it’s a little bit closer to what your eye experiences.

Talking Heads in Italy in 1982: Tina Weymouth, from left, Jerry Harrison, Chris Frantz and David Byrne.

(Luciano Viti / Getty Images)

This is kind of a cutesy formulation, but I wonder if it’s pushing back on the dominance of vertical video.
Biologically and evolutionary-wise, we experience the world horizontally. We don’t go walking around looking up at the sky — the stuff that’s gonna come get us is somewhere on our eye level.

Jimmy Iovine gave an interview to the New York Times the other day where he said one of the last things he asked AI was about your set list.
He could’ve just asked me.

Iovine was extremely pro-AI in this interview. What’s your vibe?
My vibe is positive and negative. On the positive side, we’ve all heard the hype from Silicon Valley that we’re gonna have medical breakthroughs. The negatives — how could there not be massive job loss? What concerns me is the environmental stuff. The last thing the planet needs is a massive increase in energy usage. We’re talking about the survival of species — of everything that lives on Earth. To ramp up that part of what humans do just seems like the worst possible thing you could do.

The other thing that worries me is that machines aren’t really thinking — they’re probabilistic. This stuff has been designed intentionally to mimic human beings, and we are very, very easily fooled. I think that’s dangerous because we give it agency. We assume all these things about it — we trust it. I mean, people will listen to a political argument from a chatbot more than they will from another person.

Seems bad.
Right?

Any worthwhile creative application you can identify?
I used it a little bit to animate my drawings in one of the sequences from the show. They’re my drawings — I wasn’t taking from anybody else. In that case I feel like it’s a tool that’s very efficient. Might put some animators out of work, but if I had to pay the rate for animators on something like that, it would take a year to do and cost me a fortune.

What if the producer on your next record says, “Hey, here’s a little shortcut we can use”?
We already use little shortcuts — Auto-Tune is one. That’s not AI, but we’ve been using those kinds of tools, and there’s always the danger of overusing them. When people use Auto-Tune a tiny bit, it’s pretty much invisible. But on a lot of records — I’m not talking about the Cher record — it’s a little too perfect, and you start to lose the human connection. So it’s not a clear-cut choice of: Do I use this or not? It’s: Do I get seduced and use it too much?

BBC Vigil is back and a lot has happened since fans last saw DCI Amy Silva and DI Kirsten Longacre.

BBC Vigil fans have been quick to point out an indication of Amy and Kirsten’s relationship status.

WARNING: This article contains spoilers from BBC Vigil season three.

As well as the intense international murder investigations, Vigil fans have loved watching the blossoming romance between DCI Amy Silva (played by Suranne Jones) and DI Kirsten Longacre (Rose Leslie).

The couple have come a long way since they met in series one of the BBC crime thriller, overcoming both personal and professional struggles.

But it didn’t take long before viewers got the update they were waiting for in the debut episode of BBC’s Vigil, which is now ready to stream on BBC iPlayer.

When Amy and Kirsten first appear onscreen, they are in their bedroom with their young son Fergal, Kirsten folding clothes and Amy lying in bed with him.

They lovingly muck about and in a later scene after Kirsten is told she is flying out to Svalbard, she hugs her adopted daughter Poppy.

Before they part ways, Amy and Kirsten share a long embrace and reciprocate their “I love you”.

Fans flocked to X to share their love for this insight into the couple’s home life, with one person writing: “Seeing our #Silvacre ladies being a family with Poppy & Ferg is super lush.”

Another said: “This mutual I love you and hug were perfect”, as fellow fans commented they are “super cute” and have an “amazing bond”.

But these scenes are particularly eye-opening as eagle-eyed viewers have noticed that Amy and Kirsten are wearing rings, indicating that they got married during the three-year hiatus.

A viewer jokingly shared: “Me everytime their rings came on screen trying to get a closer look.”

Quoting Amy who tells the chief of Svalbard’s police to “look after my officer”, a fan said: “One Amy Silva please. That’s the WIFE.”

As someone else commented: “The worry, Poppy, the rings, the little one, the foundations for future arguments…Silvacre is back.”

But it’s not all good news for the happy family as they are now separated as Kirsten ventures to Svalbard to investigate the murder of a British soldier.

So how will Kirsten fare up on the frontline following her maternity leave and when will Amy join her in Norway?

Vigil is available to watch on BBC One and BBC iPlayer.

CRUZ Beckham’s festival debut became a sweet family affair as he dedicated a song to his little sister, Harper – who later took to the stage. 

The 21-year-old rocker son of David and Victoria Beckham made his festival debut at Reading and Leeds festivals this weekend with his band, Cruz Beckham and The Breakers.

His proud mum and dad were watching from the side of the stage, with siblings Romeo, 23, and Harper, 15, standing amid the crowd at Reading to watch him play. 

Towards the end of the set, Cruz took a moment to dedicate his track Mr Nobody to the youngest member of the Beckham family.  

“This show is our second to last show on this tour and we’ve had an incredible time,” he told the crowd at The Canopy stage. 

“It’s been amazing seeing everybody and just want to thank you for all the love and all the support. This next song, I’d like to dedicate to my little sister who’s just dancing right there.”

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Harper later joined Cruz’s girlfriend, Jackie Apostel, to make a surprise appearance on stage and throw t-shirts into the crowd. 

After the performance, Cruz shared clips from the set where thousands of revellers were seen cheering the band on. 

He added to the clip on Instagram: “READING oh my god. I have no words. Leeds, let’s do it again today. Thank you thank you thank you” 

The band will perform at Reading’s sister festival Leeds today – with the appearances tying into the release of their EP, Wear & Tear. 

Speaking in the new issue of Dork magazine, Cruz acknowledged why people might be sceptical about his music, but insisted he’s prepared to put in the hard graft to establish his place as a performer. 

“It’s better to be underestimated than overestimated,” he told the mag. 

“I’m glad that people are liking the songs. I’m glad that people are giving me the opportunity. To be honest, I was surprised they even gave me the opportunity in the first place.

“I understand that they would think that everything’s gonna be a bit s**t and a bit too polished.

“But you know, I love music, and I really love playing live, and I’m just excited to be able to do it.”

“My experiences in life have been very different to a lot of people’s experiences, but I still feel like I’ve got something to say,” he added. 

IRVINE — Olivia Rodrigo bridged generations Saturday night as the headlining act at her Daisy Chain Fields festival, where the 23-year-old pop star brought Stevie Nicks, Sarah McLachlan and Alanis Morissette to the stage for duets that demonstrated the enduring value of sharp, smart songwriting about women’s emotional lives.

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With McLachlan, Rodrigo sang “Building a Mystery” and “Angel,” which the two dedicated to Dolly Parton, who died Tuesday at age 80; with Morissette (who filled in for a missing Karen O), Rodrigo did the former’s iconic mid-’90s hit “Ironic.” Later, Nicks came out to close the show with a duet of Fleetwood Mac’s “Landslide,” inspiring a mass singalong in the audience of approximately 45,000 at Great Park Live. After the song, Nicks stuck around to deliver an apparently extemporaneous tribute to Rodrigo’s artistry and activism that seemed to push the younger singer close to tears.

Irvine, CA – August 29, 2026: Olivia Rodrigo performs during Daisy Chain Fields at The Great Park on Saturday, Aug. 29, 2026 in Irvine, CA.

(Kayla Bartkowski/Los Angeles Times)

Held a few months after the release of Rodrigo’s third studio album, “You Seem Pretty Sad for a Girl So in Love,” Daisy Chain Fields offered 10 hours of music by all women acts, including Chappell Roan, Doechii, Bikini Kill, Garbage, Not for Radio, the Breeders and Mitski, among others. On Friday, Rodrigo announced that the festival would donate $10 million to an array of organizations working for women’s rights and reproductive justice.

The singer’s headlining set mixed new songs from “You Seem Pretty Sad” — one highlight was “Maggots for Brains,” a euphoric pop-punk jam about going crazy in a lover’s absence — with oldies from her first two LPs, 2021’s Grammy-winning “Sour” and 2023’s triple-platinum “Guts.” Rodrigo also debuted a just-released tune called “Serena Joy,” which she titled after a character in Margaret Atwood’s “The Handmaid’s Tale.”

BEFORE Netflix dominated TV screens, quiz shows were all the rage in many British households.

Due to the limited channels, primetime shows would see figures reach 19million for the peak-time shows with the presenters becoming huge household names. 

However, would these dominant shows from the 60s to 90s be put in front of modern TV viewers today?

Times have evolved and many of the outdated jokes would not land well with audiences – especially families on a Saturday night.

Here, we look at some once-popular TV shows that quite possibly wouldn’t make it to air today… 

Man O Man 

Hosted by Chris Tarrant from 1996 to 1999 before his Who Wants To Be A Millionaire stint, Man O Man effectively was a beauty pageant for men.

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Ten chaps competed in front of an all-female audience in just swimwear for one section, and would perform chat-up lines and show their muscles.

Then, 125 women would vote for them, and if a female contestant wasn’t impressed, she’d push the man into the pool.

While some described the show as inverting stereotypical tropes and being tongue-in-cheek, others felt it was degrading and encouraged public humiliation.

Bullseye 

During its peak from 1981 to 1995, Sunday night darts show Bullseye drew up to 20million viewers.

The show saw host Jim Bowen – known for catchphrases such as “super, smashing, great” – guide three pairs of contestants through the darts and quiz questions.

However, ex-teacher Bowen’s comedy frequently relied on punching down at contestants, including body shaming women.

In one toe-curling exchange, he asked Jane Groves about her weight loss journey after she did a sponsored slim.

Bowen cruelly asked: “How much do you owe?” and when audiences stopped laughing, he added: “That’s very unkind of me.”

The show has been rebooted in recent years, with ex cricketer Andrew Flintoff taking the helm, and guest appearance by Britain’s teen darts hero Luke Littler.  

3-2-1 

From 1978 to 1988, the TV show 3-2-1 brought Ted Rogers, his sidekick Dusty Bin, and a large dose of sexism into millions of homes. 

Rogers commanded the stage while surrounded by silently objectified “3-2-1 girls,” whose main purpose was to wear revealing outfits that often matched to the prizes. 

Rogers’ routine heavily featured old-fashioned sexist “nagging wife” tropes and jokes that modern audiences could find intolerable.

They Think It’s All Over 

Airing from 1995 to 2006, this sports panel show fostered a hyper-masculine, “locker room” environment.

Panelists routinely demeaned female guests and admitted they “behaved like teenagers” whenever they were booked in.    

The show was originally hosted by Nick Hancock, and saw two captains, often David Gower, Gary Lineker, Phil Tufnell, Ian Wright, and David Seaman, joined by comedians and sporting stars.

Ex Manchester United footballer Luke Chadwick received a public apology from Hancock and Gary Lineker over jokes made about his physical appearance, including his teeth and acne, on the show.

One example of the bullying was: “This photo of Luke Chadwick was ruined… when Luke Chadwick turned up.”

He admitted to BBC in 2020 that the comments affected his mental health.

Chadwick shared: “I became a picture of fun, and that was probably the hardest thing. 

“Obviously people were finding it funny, but it was eating away at me a bit inside while that was happening.”

Olympian Fatima Whitbread settled for an undisclosed figure when she took the show to court in 1999, with Rory McGrath saying: “We joked she failed the urine test because she got her c*** stuck in the bottle.”

Mr and Mrs 

Running from 1965 to 1999 after originating in Canada, Mr and Mrs championed old family dynamics that feel rather archaic now. 

Host Derek Batey questioned heterosexual couples, consistently reinforcing a dynamic where the husband was the primary breadwinner and the wife a homemaker.

The game, which many people will know from hen or stag parties, involved each person answering questions about their partner, with the aim to get enough right to bag a jackpot.

Its narrow definition of marriage and with Batey referring to some ladies as “my darling”, mean it probably wouldn’t land well with modern viewers. 

The Generation Game 

Occupying prime Saturday night viewing from 1971 to 2002, The Generation Game featured casual sexism despite its massive popularity under hosts Bruce Forsyth, Larry Grayson, and later Jim Davidson.

Contestants would watch prizes go past on a conveyor belt and would have to recall what they saw in order to take a haul home. 

Glamorous assistants like Anthea Redfearn and Rosemarie Ford were relegated to secondary roles on the Saturday night BBC show, and were seen modelling prizes and smiling silently.

Bruce famously courted and married his hostess, Anthea, before they divorced six years later in 1979.

During their tenure together, Forsyth regularly flirted with her on camera, and instructed her to spin around so the studio audience could “have a look at you.”

The Price is Right 

Brought to ITV from the US, The Price is Right – which has aired between 1984 and 2007 – was first hosted Leslie Crowther, who had previously fronted the deeply controversial Black and White Minstrel Show.

Later Bruce Forsyth took the helm, and airing on Saturday night at 7pm, audience contestants would guess the cost of various items to win prizes.

A rather sexist element of the show were the ‘Host’s Hostesses’.

Typically models were hired for the role, which involved them smiling and looking glamorous as they’d drape themselves across the prizes without uttering a word.

Blankety Blank 

A recent reboot of Blankety Blank, hosted by Bradley Walsh, was cut in July by the BBC to reduce costs.

However, the original version – which ran from 1979 to 1990 – would certainly raise eyebrows today. 

Deadpan comedic presenter Les Dawson was known for sharing numerous offensive jokes about his mother-in-law and wife, and relying on sexist quips.