show biz

The hosts of Good Morning Britain turned their attention to England’s knockout match

Viewers of Good Morning Britain were not impressed during the latest live show.

Ranvir Singh and Ed Balls were back in the ITV studio on Wednesday (July 1) to deliver the day’s biggest headlines from across the UK and around the world.

All eyes will be on Atlanta later today as England take on the Democratic Republic of Congo in their round of 32 match at the FIFA World Cup. England came through Group L unbeaten, following wins against Croatia and Panama, and a goalless draw with Ghana, but have so far fallen short of the sort of performances needed if they are to progress deep into the competition.

Their opponents have reached the knockout stage for the first time in their history, sealing their spot with a 3-1 win against Uzbekistan, in which Newcastle United striker Yoane Wissa scored twice.

Ranvir and Ed hosted a tense debate on GMB, after some fans are calling for their employers to give them a half day so they can enjoy the match, which kicks off at 5pm UK time.

Lindi Glass, the founder and director of Explode Social Media, has given her staff a half day to watch the match, while construction business owner Claudia Hearne firmly disagrees.

“It only happens every four years. I’m not a huge fan, but everybody is when the World Cup’s on. When it comes to business, I don’t think it’s about just salary, it’s about feeling great, it’s about output,” Lindi began.

Claudia interrupted to say: “This only happens every four years, but the games are happening several times over the next few weeks. If we manage to get through, we’ve got another five matches! Is that five half days we’re getting off?”

She went on: “How do we think the country is going to fare economically, would we be paralysed, if the 32 million workers in the country take a half day for one football match that’s not a final?”

Lindi replied: “Claudia, you’re at risk of sounding like a blithering plutocrat… I feel [like] that is an incorrect statement.”

ITV viewers were not impressed with the debate, with many sharing complaints on X (formerly Twitter).

“Congo are going to park the bus, England will struggle to break them down and the game will be s****. I can’t see us getting near the final so I’ve lost interest tbf,” one person wrote, with another adding: “Love a bit of shouting over each other 1st thing in the morning.”

A third said: “This programme is more ridiculous than ever,” with someone else sharing: “Why do u need a half day to get home an hour early?”

Another frustrated fan commented: “Where does it end … good question …. it doesn’t as everyone needs to be included these days with all the whataboutery,” while another wrote: “An afternoon off to watch #England play the rubbish #football they’ve been playing? You’ve got to be kidding!”

A seventh fan echoed the sentiment, saying: “What a load of old s****.”

Oasis legend Liam Gallagher even shared his thoughts on the GMB debate, writing: “Did RANVIR on GMB just say England fans who are working should be allowed to f*** off home early or am I hearing things.”

Good Morning Britain airs weekdays on ITV1 and ITVX at 6am, while England’s World Cup knockout match will air from 4pm on BBC One on Wednesday (July 1)

LONDON — Penelope Keith, a comic performer who shone as flinty but lovable upper-crust characters in British sitcoms “The Good Life,” which aired on PBS in the U.S. as “Good Neighbors,” and “To the Manor Born,” has died aged 86.

Keith’s family said Monday that she had been diagnosed with cancer and died at her home in Surrey, near London.

Keith began her acting career onstage and joined the Royal Shakespeare Company in 1963. But she found her greatest fame on television.

She won a BAFTA Award in 1977 for “The Good Life,” playing Margo Leadbetter, a snobbish suburbanite appalled by her back-to-the-land neighbors Tom and Barbara Good, played by Richard Briers and Felicity Kendal.

Kendal called Keith a “comic genius.”

“She was a joy to know and work with, and she will be much missed,” Kendal said.

Keith displayed a similar mix of imperiousness and deadpan wit in “To the Manor Born,” broadcast between 1979 and 1981 and brought back for a 2007 Christmas special. Keith played cash-strapped aristocratic widow Audrey fforbes-Hamilton, forced to sell her country estate to a nouveau millionaire, played by Peter Bowles, with whom she has a love-hate relationship.

Keith’s velvet tones featured on children’s show “Teletubbies” as the voice of the Bear With Brown Fuzzy Hair and in ads for everything from Pimm’s to Parker Pens. She also presented cozy documentary TV series, including “Penelope Keith’s Hidden Villages.”

Keith continued to perform in stage roles into her 80s. Theaters in London’s West End will dim their lights Wednesday evening in tribute to her.

In 2014 she was made a dame, the female equivalent of a knight, for services to the arts and to charity.

She is survived by her husband, Rodney Timson, and their two sons.

Dr Amir Khan has opened up about his own mental health, saying he has a “full-blown case”

A doctor has asked if “anyone else has this”, revealing he’s diagnosed himself with a form of anxiety. Doctor Amir Khan, who is known for his appearances on ITV, opened up about something called anticipatory anxiety.

In a video uploaded to social media platform Instagram, the medical professional shared more about his experience. Speaking to his more than one million followers, he said: “I’ve diagnosed myself with something called anticipatory anxiety and I need to know if anyone else has this.”

He explained how this phenomenon causes his brain to prepare for the “worst case scenario”, which in reality, doesn’t happen. “You know, when you’ve got like a meeting coming up or you’ve got an awkward conversation with someone you just don’t want to have,” Dr Amir said.

“It could be, I don’t know your boss at work, a friend, a family member, literally anyone – a meeting normally for me. Well then my brain decides we’re not just going to have one conversation in my head with these people, we’re gonna have 47, it just replays conversations in my head and what they’re going to go like.

“I’ll imagine them saying something awful. So I prepare my perfect comeback, then they say something even worse in my head, so I then prepare for that.

“Then I imagine myself calmly standing my ground, walking away with dramatic dignity, probably to a soundtrack that only I can hear. By the time I’ve finished, I’ve won an argument that never actually happened.

“Then the real conversation comes along and they’re lovely, they’re polite, we agree on things. The meeting lasts like just six minutes, so then it’s just a chat. And I come away thinking, ‘Why on earth did I spend two days emotionally preparing for that?’

“Well, that is anticipatory anxiety, and I have a full-blown case of it all the time.” He said this occurs when your brain starts worrying about something before it’s happened and because your brain’s threat system is trying to protect you, it “often throws in a bit of catastrophizing as well”.

Dr Amir said: “It’s trying to help me it, believes that if it rehearses every possible disaster, I’ll be ready for anything. But in reality most of those disasters, just don’t happen.

“So all that’s really happened is I put myself through stress, once in my imagination and then once again in real life, except the real life version usually turns out absolutely fine.” He added: “Please tell me this isn’t just me.”

He was met by support in his comment section with one person saying: “Omg Amir this is me! I drive myself mad doing it. Glad I’m not alone. Thanks.”

Another commented: “Yes! Amir you most definitely are not alone, this is so me.” And one person replied: “I do this too, it can be exhausting.”

Anticipatory anxiety is a recognised form of anxiety. On its website, Anxiety UK says: “Anticipatory anxiety is where a person experiences increased levels of anxiety by thinking about an event or situation in the future.

“Rather than being a specific disorder in its own right, anticipatory anxiety is a symptom commonly found in a number of anxiety-related conditions, such as generalised anxiety. Anticipatory Anxiety can be extremely draining for people as it can last for months prior to an event.

“The worries people experience specifically focus on what they think might happen, often with catastrophic predictions about an event. The nature of negative predictions about the event will be the difference between an anxiety level that is incapacitating or merely uncomfortable.”

The NHS lists common symptoms of general anxiety as:

• Feeling tired, restless or irritable
• Feeling shaky or trembly, dizzy or sweating more
• Being unable to concentrate or make decisions
• Trouble sleeping
• Worrying about the past or future, or thinking something bad will happen
• Headaches, tummy aches or muscle pain
• Dry mouth
• Pins and needles
• Noticing your heartbeat gets stronger, faster or irregular, or you get short of breath when you start feeling anxious

It says that if you cannot tell if shortness of breath is from anxiety or if you are worried about any other symptoms, you should see a GP.

NE-YO and Akon fans have been left feeling furious after their concert started two hours late – and the stage was still being built as they arrived.

The Grammy award-winning hitmakers are undertaking their global tour but some fans said it was past their bedtime before one of their gigs even began.

The much anticpated Nights Like This concert in Calgary was advertised as starting at 8pm but at 10pm the organisers were still testing the equipment and setting up the stage.

Hundreds of ticket holders were not allowed into the lower floor while the organisers were lifting heavy speakers for health and safety reasons.

Posting to TikTok an audience member said: “The Ne-Yo and Akon concert is 2 hours late and they’re still setting up the stage. It’s currently 10pm.”

Fans flocked to comment and one wrote: “10pm, the full lights on, and still setting up? Oh absolutely not.”

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Another added: “And their audience is definitely 30-45, we are going to bed.”

A third said: “Right it’s past my bedtime already. Lol.”

A fourth wrote: “I’d be going home.”

A fifth explained: “I’d ask for a refund!”

While a sixth exclaimed: “How disrespectful. You pay for a show to be at a specific time. I’d want a refund!”

A seventh wrote: “Ye-No I’m leaving.”

However, another fan posted an update shortly afterwards and explained that the show eventually started at 10:45 and ended at 12:45.

She said: “People were on the floors. 100s were not allowed to sit until the stage was completely set up (safety).”

A fan replied: “My best friend had surgery 2 weeks ago and was so sore from having to stand for so long.”

Another said: “Oh heck no, I would have raged having to wait that long to be let in! Would have left honestly.”

While a third said: “Yeah i was kind of p***ed cause i wasn’t allowed to my floor seat until 10:45!!! It was a good show.”

BROOKS Nader almost suffered an awkward wardrobe malfunction in her latest sizzling snaps.

The Baywatch beauty nearly spilled out of a plunging top in photos shared on her Instagram stories this week.

The stunning actress, who will be taking on the role of Selene in the upcoming Baywatch reboot, looked beautiful as she rocked a black plunging halter-neck style top.

The top had gaping arm holes and it appeared that Brooks ditched her bra for the occasion.

She could have suffered a wardrobe blunder due to the daring nature of the garment.

She later rocked a strapless red bathing suit, which again could have risked a major malfunction because it was held up by luck alone.

BLING-KINI

Baywatch beauty Brooks Nader looks sensational as she poses in bejewelled bikini

RED HOT

Brooks Nader channels inner Pamela Anderson on runway ahead of Baywatch reboot

The red garment was very renunciant of what she’ll be donning when starring in Baywatch.

She has already been hailed as the ‘next Pamela Anderson‘ as she prepares to slip into the iconic red bathing suit on the small screen.

Brooks’ sizzling snaps come just mere weeks after it was revealed that a Brit broadcasting company has bought the reboot of Baywatch to air in the UK.

The show stars Brooks and several TikTok stars, as well as returning Baywatch icons such as Erika Eleniak.

The all-new Baywatch series is co-produced by Fremantle and Fox and is due for release later this year in the US, with it now set to grace UK screens via Sky.

The broadcasting giant has taken exclusive UK and Ireland rights to the upcoming series.

Lucy Criddle at Sky has spoken of the move, saying: “Baywatch is one of the most iconic television franchises of all time, and this bold new reimagining will deliver the sun, sea and high-stakes drama audiences know and love, while introducing a dynamic new cast for a new generation of fans.

“We’re thrilled to partner with Fremantle and couldn’t be more excited to bring the series exclusively to Sky audiences across the UK and Ireland.”

12 brand new episodes will soon air, with viewers likely to be glued to the screen as the lifeguards go about their duties in their iconic red swimsuits.

The all‑new cast of lifeguards will see Stephen Amell in the lead role of Hobie Buchannon, alongside Jessica Belkin as Charlie Vale, Shay Mitchell as Trina, and Hassie Harrison as Nat.

Thaddeus LaGrone will play Brad and Noah Beck will be at the helm of Luke.

In recurring roles, David Chokachi reprises his original role as Cody Madison, while Livvy Dunne portrays Grace.

Erika Eleniak will also reprise her original role as Shauni McClain as a guest star.

MADONNA is being lined up to make a superstar appearance at London Pride on Saturday.

She has long been a celebrated figure in the LGBTQ+ community, and kicked off Pride Month with a surprise showing in New York last month.

London Pride, which is expecting 1.8million people, will take place at locations across the centre of the capital, with acts including Beth Ditto and MNEK booked to play the main stage in Trafalgar Square.

And my music moles have told me that is where they are expecting Madge to pop up.

My insider explained: “Madonna is a passionate advocate for LGBTQ+ rights and has been a very vocal campaigner for decades.

“Pride means so much to her and the London event happens the day after Confessions II is released.

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“Organisers are playing it by ear in case of any last-minute changes but as it stands, Madonna is primed to come out on the main stage.

“She isn’t going to be performing like she did in New York. It’s more her coming out, speaking to the crowd and then heading off.

“They’re expecting absolute pandemonium if they pull it off.

“But it would be incredible for everyone going to the Pride event in London.”

Madge’s surprise 20-minute set in the Big Apple just weeks ago went down a storm with the crowds, who watched her sing Get Together live for the first time in two decades.

And fans don’t have long to wait until they can hear Confessions II, her latest album with producer Stuart Price.

Madonna has signed a huge new deal with TikTok, with the app streaming tracks from the record live tomorrow night from her VIP album launch party.

The hour-long broadcast will also see Madonna being interviewed about the making of the record, as well as playing a handful of her favourite songs from Confessions II.

It’s a big move for Madonna, after she revealed this week that she can’t stand social media, branding it “mesmerising and also soul-destroying”.

She told Vogue Italia: “Algorithms and artificial intelligence are the opposite of taking risks and to me that is the opposite of making art.”

Anything for us fans eh, Madge?

NICOLE’S PUSSYHAT DOLL

NICOLE SCHERZINGER is brimming with happiness in this sunhat as she celebrates her 48th birthday.

The Pussycat Dolls singer posed for a selfie at the beach on Monday.

Nicole is with her British fiancé Thom Evans in Hawaii, where she was born.

She said: “Last day at this age and she was feeling cute at sunset, back home at her fave beach.”

Nicole will begin rehearsals later this summer for the Pussycat Dolls reunion tour. UK arena shows start on September 29 in Birmingham.

BAD BUNNY COURTS OLD FLAME AT WIMBLEDON

BAD BUNNY has hopped back into his ex’s good books.

He has rekindled his romance with jewellery designer Gabriela Berlingeri, who was with him before fame arrived.

The Puerto Rican rapper played to more than 100,000 fans during two sell-out shows at London’s Tottenham Hotspur Stadium at the weekend.

There in support was Gabriela, who has quietly been accompanying him on tour.

She was also by his side at Wimbledon on Monday.

They met in 2017 and dated until 2022. She even appeared as a bride in the video to his 2022 single Titi Me Pregunto.

But he later got together with Kendall Jenner and they dated for 18 months.

Bad Bunny has had quite the glow-up in the past few years and he’s become one of the most-streamed acts in the world.

I’m sure Gabriela will now be the envy of millions.

BRITISH girl group Flo have found a superfan in K-Pop sensation Taemin.

Jorja Douglas, Stella Quaresma and Renee Downer met Taemin backstage at BST Hyde Park where they played on Sunday, after he requested an audience with them.

A source said: “Taemin absolutely loves FLO and thinks they’re brilliant. They talked about working on a collaboration together, which made Taemin’s day.

“They were laughing and joking around for ages before the girls offered to teach him the dance routine to their song, Leak It.”

LILY’S SITTING PRETTY

SULTRY Lily Allen actually has plenty to smile about despite her very public divorce from Stranger Things actor David Harbour.

The singer and actress wore satin lingerie and tiny black shorts when she brought her West End Girl tour to London’s O2 Arena at the weekend – and will return to the capital next week for a third gig at the venue.

Despite looking moody while sitting in a chair on stage, Lily found her smile again as she clutched a bouquet of flowers.

Lily has spent much of the year on the road and was back on stage in Dublin last night.

After a summer of festivals, she will fly to North America in September to play arenas there.

It’s clear Lily is chuffed with the show she has created, which sees her perform her West End Girl album in full.

She wrote on X: “Everyone on this tour is really working very hard to give people the best show we possibly can, and I’m extremely proud of it.”

SAM: I’M HOOKED ON FISH

SAM SMITH has revealed a yearning to be a fishmonger.

The Promises singer told the Dish from Waitrose podcast: “I’m still gutted I’m not a fishmonger. Honestly, I’m not just saying this.

“I was lucky as a kid. We used to go to Waitrose a lot – and the fish section, I just loved. I just like to handle fish. I don’t know, it felt very calming.”

Earlier this year I told that Sam had launched a TikTok account called Sam Served, which documents favourite meals.

And it’s all part of a ploy to get closer to the fish counter.

Sam said: “I was in San Francisco on tour and I was bored, so,I filmed myself eating and it’s just reignited the fishmonger in me.”

I’VE got a sneaky suspicion there may soon be a song featuring pop girls Zara Larsson and Jade Thirlwall.

The pair secretly had a studio session in Paris last week, after the Solidays Festival, where they were both set to perform, was cancelled due to bad weather. I have high hopes for whatever it is they come up with.

BOWIE TREASURE ON TOUR

DAVID BOWIE fans are in for a treat as the V&A Museum has announced today that his incredible archive of outfits, handwritten lyrics and photographs are going on tour for the first time.

David Bowie: On Tour opens at V&A Dundee in November, before heading to Blackpool, County Durham, Hull and Bristol, with more locations to follow.

The collection on Bowie features never-before-seen items including Polaroids for his make-up and costume fittings, a Ziggy Stardust-era acoustic guitar, unreleased projects, lyrics, performance notes and costumes from the singer’s final albums The Next Day and Blackstar.

WILL’S BRIEFS ENCOUNTER

SEEING Will Ferrell playing golf in his underpants wasn’t on my wish list.

But Kim Kardashian signed the actor to model her Skims men’s undies – and it has certainly got us all talking.

Will appears in blue briefs for the new ad campaign, though he was in character as golfer Lonnie Hawkins from his new Netflix comedy series, The Hawk, out July 16.

Kim said of Will: “His body says retired, his Skims say one more round. Built for men who still know they’ve got it.”

If you say so, Kim.

SHAGGY IS THE RIO DEAL

THEY say never meet your heroes, but Shaggy has spent a lifetime doing exactly that.

He has no shortage of famous fans and everyone from Nelson Mandela to Michael Jackson has sung his praises.

In a chat with showbiz reporter Freya Fraser at Rock In Rio Lisboa festival in Portugal, he said of meeting the former South African president: “We were at an award show in South Africa and we’re at the same table.

“He just kind of says, ‘You’re doing really great stuff’.

“We had a great conversation. I’ve met a lot of other people. Michael Jackson was also a super-big Shaggy fan.

“That’s documented on YouTube, everybody sees that. I have actually performed twice for Pope Francis. Queen Elizabeth, we performed for her Jubilee. I met all my heroes, to be honest with you.”

Shaggy is not modest when it comes to his achievements, and he is pretty flashy with his lifestyle too, even if he reckons he isn’t.

He said: “I’m a very practical person, so I’m not buying cars I don’t drive because I’m always on tour. I never drive anywhere, somebody’s always driving me around.

“I’m not buying homes I don’t live in. I have two homes. I’m not buying five of them, you know, I’ll rent them when I need them.”

But he is humble when it comes to his career, which has seen 16 Top 40 hits including four No1s.

He said: “I’m not a genius, God gave me those. If I wrote them, I’d be writing one every week.”

CAUGHT LIVE

Central Cee @ Rock In Rio Lisboa

★★★★☆

CENTRAL CEE ticked Lisbon off his bucket list as he took over the World Stage at Rock In Rio Lisboa before headliner 21 Savage.

On what was the most rap-focused line-up in the festival’s 22-year history, the Londoner tore through a mammoth 21-track set, including Loading, Doja, and Band4Band.

Cench proved he is an international star as thousands of Portuguese fans rapped every word back to him.

The atmosphere could not have been more different from the night before, when Sir Rod Stewart, Cyndi Lauper and Joss Stone had fans swaying along to their anthems.

Staying true to his nonchalant persona, Central Cee – real name Oakley Neil Caesar-Su – asked: “We’re not in a rush, are we?”

And as he worked the crowd and whizzed through high-profile collaborations such as Did It First with Ice Spice and Dave’s Sprinter, I was getting treated like an A-lister.

Rock In Rio Lisboa pulled out all the stops for its guests, with one of the biggest hospitality areas I have ever seen.

The UK may have provided a lot of the talent on this occasion, but we could learn a thing or two from Portugal’s festival scene.

FREYA FRASER

Three part true crime series The Fall Skydive Murder Plot is now available on the streaming platform

Where the soldier who tried to kill his wife twice is now.

A three part docuseries retelling a remarkable story of Victoria Cilliers is now streaming on Netflix. Across its three episodes, it shows how Victoria, an experienced skydiver somehow survived a 4,000ft fall after bother her parachutes failed to open.

It was originally made for Channel 4 a couple of years ago but is now available on the popular platform. It means more viewers will find out how police investigated the incident and gathered evidence that Victoria’s parachute was tampered with.

They soon suspected her husband Emile. Born in South Africa he moved to the UK in the early 2000s. While he had two children from a previous marriage, he met Victoria later in 2009, after receiving treatment where she was working as a physio.

The pair eventually married and had two children of their own. However, during their marriage, Emile exhibited some worrying behaviour.

This included spending Victoria’s money and racking up debt while Victoria also suspected him of having an affair.

But what happened to Emile Cillers? Where is he now and what sentence did he receive? Here is all you need to know?

What happened to Emile Cilliers?

Following their investigation, police charged Emile Cilliers with the attempted murder of his wife. They put forward that he deliberately tampered with the parachute before the jump.

Officers investigating believed that Emile wanted to cash in Victoria’s life insurance to pay off his debts and begin a new life with his girlfriend, who was apparently under the impression he had split from his wife.

Before the jump, Emile tried to kill Victoria by leaving the gas on in their home. Thankfully, her and their children escaped after harm after Victoria smelt the leak.

The case first went to trial in October 2017. However, the jury failed to reach a verdict. The docuseries goes into detail about the reasons this may have happened.

There was then a second trial in May 2018. Following this he was found guilty on two counts of attempted murder. He was sentenced to life imprisonment with a minimum term of 18 years.

BBC News reported that during sentencing, Mr Justice Sweeney told Cilliers he was “of quite exceptional callousness and a person who would stop at nothing to gratify your own desires”.

He described the evidence against him as “overwhelming” and added: “You continued to pursue your selfish financial, emotional, and sexual desires.”

A Crown Prosecution Service spokesperson at the time said: “The evidence all pointed to Emile Cilliers as the man with the motive and the opportunity to commit these calculated attempts to murder his wife.”

Cilliers is serving his sentence at HM Dovegate Prison in Staffordshire.

The Fall: Skydive Murder Plot is streaming on Netflix, Disney+ and Channel 4.

THE Jam star Bruce Foxton has revealed he’s been diagnosed with Parkinson’s Disease.

The iconic bassist, 70, took to Facebook this evening to share the news with fans just days after cancelling two shows at short notice due to illness.

In his statement, he revealed the diagnosis came to light after side effects from his cancer treatment were investigated.

He said: “It’s no secret that I’ve undergone treatment for cancer and am still having scans on a regular basis to keep an eye on that.

“However, what you don’t know is that the cancer treatment in itself caused some significant issues for me and investigations into all of that uncovered the fact that I’m now facing a future living with Parkinson’s Disease…and I’m determined to do that as well as I possibly can.

“As anyone coping with this diagnosis will know it’s a huge shock, and it’s taking a long time to let that sink in and for me to accept that my body and mind are dealing with something completely out of my control.

“I have to manage the challenges I now face physically and mentally on a daily basis, and some days are better than others.”

Fans sent the musician their well-wishes in the comments.

One wrote: “Sorry to hear about all your health problems you need to do what is best for you and your family moving forwards.”

Another said: “All the best Bruce, your health is far more important than anything else and I am so sorry that you are having more health struggles. Look after yourself and I hope you enjoy many more years of happiness.”

Bruce cancelled his show in Kidderminster on Friday and postponed the following night’s show in Lincoln after high temperatures aggravated a chest infection.

The former Stiff Little Fingers musician formed From The Jam in 2007 with The Jam drummer Rick Buckler and new frontman Russell Hastings.

Original The Jam frontman Paul Weller was initially critical of the band playing the old hits but his stance softened over the years as his friendship with Foxton strengthened.

The trio were prolific on the touring circuit, thrilling mod fans young and old with the legendary band’s iconic hits such as The Eton Rifles and Going Underground.

Bruce underwent immunotherapy after a cancerous lymph node was found in 2023 and, the following year, he had knee replacement surgery.

The health issues took their toll and fans noticed he appeared to be struggling during shows in 2025, which eventually led to him retiring from From The Jam.

However, he scaled down his schedule and now performs with his All-Star band.

Bruce wears custom hearing aids due to hearing loss from 40 years on stage. He also has lived with tinnitus for years.

SIR Elton John has signed a multi-million pound deal for an un- limited residency in Las Vegas — as a hologram.

The pop superstar, 79, will be immortalised using cutting-edge tech so fans can enjoy his live performances for decades more.

Elton, whose sight is failing, retired as a touring artist in 2023, but is still set to appear at special one-off gigs.

Dua Lipa, 30, who had No1 song Cold Heart with Elton in 2021, will also appear as part of the residency.

So will Kiki Dee, 79, who topped the charts with Elton with Don’t Go Breaking My Heart in 1976.

The immersive experience is set for the new Hard Rock Hotel, opening next summer.

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Elton is booked to film his performances with Dua and Kiki at Pinewood Studios, Bucks, this autumn.

A source added: “Elton, Dua and Kiki will be holograms. It’s similar to the Abba Voyage show in London, but far more advanced as the technology has come on so much.

“Elton signed a seven-figure deal with Hard Rock. It’s a shift away from a traditional residency and is billed as a fully immersive experience.

“It’s going to look phenomenal.”

Netflix has come under fire for apparently using artificial intelligence to recreate Gene Wilder’s voice in their new series based on Willy Wonka and the Chocolate Factory

Netflix has come under fire for apparently using artificial intelligence to recreate Gene Wilder’s voice in their new series based on Willy Wonka and the Chocolate Factory. The late actor, who died in 2016 at the age of 83, famously played the title character in the 1971 adaptation of the Roald Dahl classic.

Now, the streaming service is set to launch Wonka’s The Golden Ticket, a reality series that invites players to step inside the famous factory and complete challenges.

A voiceover, which sounds very much like that of Wilder, says: “A whole new generation of real-life golden ticketholder will compete for a life-changing prize, or say a most unfortunate goodbye.

OPINION

“Marvel at the magic you remember, and delight in my newest wonders beyond imagination…The most extraordinary competition on earth is about to begin. There’s no turning back now.” A group of entrants were then seen locking shocked and the trailer confirmed that the series will be released on September 23.

Fans were left unimpressed as they instantly recognised what sounded almost the late actor’s voice, assuming that it had been generated by AI. One fan wrote on X: “It almost sounds like gene wilder, but not really and is a plastic substitute that people will eat up because the robots have made them stupid, This is an obscenity.”

Another said: “Ain’t no way they ruining one of my favourite movies of all time with a show and a AI Gene Wilder,” whilst a third wrote: “I’m sure Gene Wilder who died 10 years ago gave his permission to use his voice for AI slop.”

Charlie and the Chocolate Factory was first published in 1964 and followed an impoverished boy as he won the chance to visit Wonka’s chocolate factory and watched as four other spoiled children met their grisly end over the course of the day. The 1971 adaptation was filmed as a musical and featured songs like Pure Imagination, I Want It Now and The Candyman.

In 2005, Tim Burton released a remake with Johnny Depp as Wonka and Freddie Highmore as Charlie. The story was then adapted for the stage in 2013, and ran for a short period of time on both Broadway and the West End but closed amid mixed reviews.

In 2024, Timothée Chalamet stepped into the role of the factory owner in a prequel film, alongside an all-star cast made up of Rowan Atkinson, Olivia Colman, and Hugh Grant.

The celebrated children’s author was also behind other classics such as Matilda, The Twits, and James’ Giant Peach, and Netflix acquired The Roald Dahl Story Company in 2021.

Earlier this year, Netflix revealed that upcoming animation feature due was to release sometime in 2027. At the time, it was confirmed that Heartstopper star Kit Connor is set to lead the voice cast.

He will be joined by comedic actor and filmmaker Taika Waititi, known for directing and starring in Jojo Rabbit and Thor Ragnarok. They will both feature in Charlie vs. the Chocolate Factory.

The Netflix original is directed by experienced animated filmmakers Jared Stern and Elaine Bogan. Between them they have previously helmed The Lego Batman Movie, Spirit Untamed and Trollhunters.

According to the synopsis, Willy Wonka has spent the years since the Golden Ticket contest behind bars for the crime of turning a child into a blueberry. Having served his time, Wonka returns to his factory determined to add a little sweetness to a bitter world. But one thing stands in his way: teenager Charlie Paley and his friends.

Facing eviction, this next generation of “rotten” kids plot to break into the factory, nab a priceless Wonka Bar, and save their homes. But like many before them who enter the fantastical world of the factory, these kids are in for a bit more than they can chew.

The story is said to be set in modern day London, and the makers hope it retains the quintessential British charm synonymous with Roald Dahl’s original work while featuring a new adventure, original songs, brand new characters and some surprises. Netflix hopes this new chapter set in the world of Wonka will introduce a new generation to its universe and characters.

Kit Connor said: “I’m so excited to enter the wonderful world of Wonka. I was immediately caught by the early concept art, and the directors’ vision for the film – capturing the spirit and heart that made the original story so special, whilst imbuing it with something so fresh and unique. It’s such a fun representation of the London that I know. This new adventure is going to surprise audiences around the world, you’re in for a treat!”

The Mirror has reached out to Netflix for comment

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AS one of Hollywood’s highest-earning actresses, Millie Bobby Brown has her pick of big-budget productions.

But she reckons British reality show The Celebrity Traitors would be the perfect platform for her secret manipulation skills — after she beat a lie-detector test.

The inquisitive actress took a polygraph with her Enola Holmes movie co-star Louis Partridge, who ended up in a real sweat as he was grilled.

But Millie, 22, remained so composed under questioning, that the machine failed to spot she was telling porkies.

The Stranger Things star, who earned nearly £20million last year, says: “I so want to be on The Traitors. I think I’d be really good.

“Do you know why? I did a lie-detector test with Louis, and Louis was sweating during the whole thing and could not lie.

“And then he said, ‘Her hands are getting cooler and she’s evading the questions’.

“Somehow, the report has come back, like, ‘She’s a pathological liar’.”

The BBC and its Traitors host Claudia Winkleman should get right on the telephone to Millie’s agent, because her appeal to young audiences is unrivalled by any other actress from these shores.

Millie, who grew up in Bournemouth, has been acting since she was nine.

For nearly a decade, she played telepathic Eleven in Strangers Things, which broke streaming records on Netflix before ending last December.

She is now back as Sherlock ­Holmes’ detective sister in her third Enola Holmes movie, which lands on the streaming channel today.

Millie is also working on a host of ideas, producing projects alongside her 24-year-old husband Jake Bongiovi, who is the son of rock singer Jon Bon Jovi.

The couple, who married in May 2024, have a lot on their hands.

Not only did they adopt a baby girl last summer, they also have a huge menagerie of animals at their home in Georgia — including sheep, ponies, goats, cows and ten dogs.

Some critics have questioned whether Millie was too young to adopt at the age of 21.

But she says: “I love being a young mum because I’m able to run around and chase after her.

“And I love where I’m at right now. I never was the kind of girl to be, like, out on the town, you know? So it wasn’t just in my nature. I love living on my farm. I love sewing.”

Having missed out on a normal childhood because she grew up on sets with “men over 40 years old” talking about “grips” and “ladders”, Millie was not the most outgoing teenager.

But that has all changed since she met Jake.

Millie explains: “I can’t talk about, you know, ‘Oh my God, what bars do you like around this area?’. I lack a little bit of that.

“When I met my husband, he’s the most social butterfly, the complete opposite of me. I really tried to lean more into that.”

A lot of Millie’s time, though, is spent watching the telly at home — where ITV’s Love Island is her guilty pleasure. Although Jake is not so keen on the dating show.

She says: “Love Island. He’s like, ‘Millie, I don’t care about these ­people’. And I’m like, ‘Well, I do. And they just broke up’.

“Yeah, I’m a reality TV snob. I mean, I just watch every show out there.”

Film buff Jake would rather go to the cinema to watch a movie, but parenthood now makes nights out a bit tricky.

And Millie says she usually nods off if she settles down in front of a movie.

She reveals: “I have to have a coffee because I typically fall asleep. It’s not because of the film, it’s because I’m tired. I’m a mum.”

Even though she is still only 22, Millie is now almost a showbusiness veteran, having been in the industry for 13 years.

She is able to call on a host of big names for advice, including Top Gun and Mission Impossible megastar Tom Cruise.

Millie is also close to many of the actors she has appeared with on screen, including Winona Ryder, Matthew Modine and David Harbour who are her Stranger Things co-stars.

There is also Helena Bonham Carter, who is her character’s mum in Enola Holmes.

Millie says: “Winona will text every four months, but the longest message ever. However, Helena Bonham ­Carter, she is there for me whenever I need her, and I’m very, very ­grateful to her.

“Matthew Modine, my godfather. He officiated my wedding.”

Tom Cruise is also only ever a phone call away. Millie says: “I’m very lucky to call him my friend.”

Now, she is paying back the support she has received from industry greats by helping to mentor young talent.

Owen Cooper, 16, was thrust into the limelight when his debut performance in Netflix drama Adolescence led to a string of awards, including an Emmy last year.

Millie says: “He has my number, anytime he needs me, has any questions. He texts me, he’s like, ‘Hey, am I doing this magazine? Is this, like, one I should do?’.

“And I’m like, ‘Owen, do what makes you happy. If you’re not tired, do it. But if you’re tired, don’t do it.

“‘Don’t run yourself into the ground and listen to your parents and just enjoy it. But don’t push yourself’.”

Reports emerged at the end of last year about a claimed fall-out between Millie and David Harbour.

It was alleged that she had filed a bullying and harassment claim against the 51-year-old actor, who played her adoptive father in Stranger Things.

But there is no sign of tension in Millie’s interview to promote Enola Holmes 3, where she speaks warmly about David.

She says: “I’m very lucky. David Harbour’s a great person. I like to talk to him.”

The duo are teaming up again for a Netflix TV series, where David is a former FBI agent reunited with his daughter, played by Millie.

The actress insists the untitled project, which will be written by Adolescence co-creator Jack Thorne, is “concrete”.

Millie adds: “The schedule is insane and it’s just placing things in the right place for my time and my schedule. But the David Harbour project is sooner than expected, I think.”

Most recently, Millie filmed a romantic comedy called Just Picture It and has written a book about her grandmother’s World War Two ­stories, called Nineteen Steps.

Whatever she is doing, the young actress and producer will make sure that everyone is comfortable with the working environment.

Discussing the main rules on set, the Gen Z icon says: “I don’t tolerate any bullying. I don’t tolerate any negativity.

“I have been in situations like that before and I only tolerate positivity, love, friendship, kindness, trust, communication.

“And I just will stop people in their tracks if I see that.

“I’ll just take them to the side and be, ‘This isn’t working’.

“I’ll just take them to the side and be, ‘This isn’t working’. We’re playing pretend, for goodness sake. My daughter plays pretend. This is meant to be fun.

“You know, let’s not yell or be upset or dwell on something that’s very, very small and minor.”

Years in showbiz, which is often unforgiving, has clearly taught Millie how to cope with relentless negativity.

The hatred she has experienced online led her to delete her social media in 2021 and leave someone else to deal with her digital output.

She explains: “I needed to hire someone for my mental health to take care of it for me.”

There is no escaping the trolls, though, and last year she called for the cruel comments about her appearance to stop.

There were dumb remarks online about her appearing to be aged 35 or 40.

Afterwards, Little Britain creator Matt Lucas apologised for posting, “No but, yeah but” — the catchphrase of TV “chav” Vicky Pollard — next to an image of Millie in a pink tracksuit top.

He admitted it was a misplaced gag.

Fortunately, Millie is now able to laugh off those brickbats, intended or not.

She says with a smile: “If you Google it, everybody says I look like a 50-year-old. And honestly, I am here for that.

“My mum looks amazing for 50. Gosh, I feel very much 22.”

Let’s all hope that is the truth, and that Millie has the youthful energy to keep up her incredible output on screen.

And with any luck, we will see her plotting away in a cloak inside a Scottish castle very soon.

• Enola Holmes 3 is streaming on Netflix from today.

KATIE Price has wildly promised the England football team that they can see her NAKED if they win the next World Cup game.

On Wednesday at 5pm, England will play their next match against DR Congo – and now they’ve got a bit of incentive thanks to Katie.

Former glamour model Katie has promised the lads that if they get win the game, she will strip off and give them a real treat.

Appearing on Kiss radio this week, Katie made the bold commitment while live on air.

Host Chloe Burrows asked Katie: “If you were to storm into the changing rooms at half time and give England a bit of a talking to what would you say?”

Katie replied: “First of all I’d walk in and go, oi oi! Oi oi boys, get them legs out!”

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Chloe added: “And then anything else or just leave it at that?”

“You could take your shirts off as well,” Katie added.

Chloe then asked Katie: “Can you make us a kiss breakfast commitment and finish this phrase, ‘If England win I will…’.”

Katie said: “Oh! What would I do?

“I would do a naked shoot.

“And I’d cover my private parts with the kiss sign.”

This comes after Katie’s husband Lee Andrews, who was recently detained in the notorious Al Awir prison in the United Arab Emirates city, claimed he’d adopted all five of Katie’s children.

A representative for Peter Andre, 53 – with whom Katie shares Junior, 21, and Princess, 19 – later blasted his statement as “yet another lie”. 

In the Cameo video clip, Lee went on to confes he still wishes to adopt Katie’s eldest child Harvey, 24, whose father is ex-footballer Dwight Yorke. 

He said: “I would love to adopt Harvey.”

Lee then flashed the tattoo of Harvey’s name on his hand, which he got despite having never even met him. 

Katie and Lee got wed in a whirlwind wedding at the start of the year.

Carl Erik Rinsch, the director of the 2013 Keanu Reeves action film “47 Ronin,” will serve more than two years in federal prison for defrauding Netflix of $11 million.

U.S. District Judge Jed S. Rakoff on Monday sentenced 48-year-old Rinsch to 30 months in prison, the U.S. Attorney’s Office, Southern District of New York, announced. Federal prosecutors convicted Rinsch in December of wire fraud, money laundering and other counts. A legal representative for Rinsch did not immediately respond to a request for comment on Tuesday.

Federal prosecutors indicted Rinsch in March 2025, alleging the $11 million went into Rinsch’s personal accounts. The filmmaker “quickly transferred” the money from the Rinsch Co. account, where it had been deposited March 6, 2020, by Netflix, through additional accounts until about $10.5 million wound up weeks later in a personal brokerage account. He lost more than half of that money in less than two months via risky investments in the stock market, the indictment said.

Though Rinsch told the streamer that his sci-fi show “White Horse” was progressing nicely, the filmmaker allegedly moved the remaining money into cryptocurrency and profited from crypto speculation over the next couple of years. The streamer had invested around $44 million in the show. Rinsch was accused of spending around $10 million on five Rolls-Royces, a Ferrari, watches, clothing, luxury bedding and linens, credit card bills, attorneys to sue Netflix for more money, and lawyers to work on his divorce.

He was arrested in West Hollywood and released the same day after agreeing to post a $100,000 bond to guarantee his appearance in a New York federal court.

Rinsch never finished the Netflix show.

During his sentencing, Rinsch and his legal team told the court his behavior was a result of mental health struggles and medication problems and they are working to address those issues with a new care provider, the Associated Press reported.

“I failed to recognize the danger of the state I was in,” Rinsch said, though his mental issues were not described in court, and his attorneys declined to provide further detail.

Ahead of the sentencing, Reeves — the star of Rinsch’s most notable project to date — penned a letter in May requesting “leniency and mercy as well as justice” in the filmmaker’s sentencing.

In addition to prison time, Rinsch must serve three years of supervised release, forfeit the $11 million and pay $700 in mandatory special assessments, according to Monday’s announcement. U.S. Attorney Jay Clayton said in the announcement: “Today’s sentence sends a deterrent message: fraud will not be tolerated.”

The Associated Press and former Times assistant editor Christie D’Zurilla contributed to this report.

EVENT staff were seen rolling out a pink carpet at Madison Square Garden ahead of Taylor Swift and Travis Kelce’s rumored wedding celebrations.

The A-list couple are reportedly tying the knot this week and hosting a lavish multi-day bash, with a huge event at the iconic New York City venue.

Reports suggest 1,000 people have been invited to the festivities from July 2 to July 4, including an intimate 100-person gathering.

Photos and video footage obtained exclusively by The U.S. Sun show the hustle and bustle had already begun outside of MSG in the sweltering summer heat.

On Tuesday afternoon, a team of construction workers were seen rolling out a salmon-pink carpet down a series of steps at the VIP South Entrance as passers-by gathered to watch.

More than a dozen workers spent time making sure the entrance was fit for royalty as they smoothed down the carpet and trimmed the edges.

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One of the staffers was seen wearing a T-shirt from Flemington Department Store in Raritan Township, New Jersey.

Asked what the carpet was for, one of the workers said, “A wedding.”

Another told The U.S. Sun that Taylor was hosting an event on Friday, although the ceremony was on another day.

According to Page Six, the carpet was later ripped off the stairs because it wasn’t meant to be rolled out yet.

A truck from Printhead Studio was also seen pulling up outside the venue.

The company produces seamless fabric backdrops up to 16 feet high for events, suggesting large curtains or decorative draping could be part of the setup.

Some event staff appeared to have flown in from Los Angeles, including stagehands, and said they were “excited” to be part of the celebrations, even if it meant working in the heat.

Manufactured white backer, often used as a structural foundation for temporary event installations, was also seen arriving at a separate entrance.

The U.S. Sun also spotted a worker wearing a T-shirt for Disco Pixel Productions, an New York-based technology design firm specializing in video and projection support for Broadway, touring theater, and live events.

Instagram photographs show the business was involved in the production of Wicked The Musical.

City permits have also been filed to close sections of West 31st Street and West 33rd Street around Madison Square Garden during the celebrations.

According to multiple reports, both vehicles and pedestrians will be barred from the affected areas while tents and canopies are erected to shield guests arriving at the venue.

Reported attendees will include Ed Sheeran, Gigi Hadid, Karlie Kloss, Zoe Kravitz, the Haim sisters, Suki Waterhouse and members of the Kansas City Chiefs organization, while Stevie Nicks and Tim McGraw have reportedly been lined up to perform.

Several of Travis’ Kansas City Chiefs teammates are also said to have booked rooms around this time at the Marriott Marquis in Times Square.

Additionally, Amtrak police officers who typically patrol the station beneath the arena have reportedly been warned that the celebrity couple’s nuptials will be held at the venue.

The New York Times also reported that people who work for Taylor have been spotted at Rock Lititz, a production company in Lancaster County, Pennsylvania, which constructs major concert sets.

Thousands will also flock to New York and New Jersey for the FIFA World Cup game on July 5 at MetLife Stadium, adding to the city’s already overcrowded streets.

Some fans believe that the lovebirds could host a smaller celebration at a different venue before that, but clues have already sent them on a wild goose chase over where the nuptials might be.

Taylor and Travis were originally thought to get married in a fairytale wedding in Rhode Island on June 13.

Since its opening in 1967, Pirates of the Caribbean has stood as an anchor at Disneyland, a statement piece that has defined the direction of the park.

And that remained true last week when Walt Disney Imagineering unveiled a new audio-animatronic pirate. It’s wow-inducing. It’s also narrative-wrecking. And it fundamentally shifts the vibe of the attraction’s early scenes.

The high-tech pirate, we can bet, is just a small preview of the park’s next-gen toys. Because when changes come to Disneyland, they often hit Pirates of the Caribbean first. Over a half-century ago, the robotic figures of Pirates were a symbol of Disneyland’s technological ambitions, dazzling audiences with characterized but lifelike movements. With the ride, Disneyland made it clear that as the world advances, so, too, would the park.

As culture shifted and the lecherous buccaneers of the ride began to look more like symbols of sexual harassment, they would be forced to undergo some welcome personality adjustments. A redheaded victim of sex trafficking would transform into one of the ride’s most striking characters, and a number of rides from the Jungle Cruise to Splash Mountain would eventually undergo similar reassessment.

For Pirates of the Caribbean, after all, is the attraction that defined the Disneyland template. Its mastery is that it is a series of larger-than-life dioramas constructed around an abstracted narrative where themes of greed, lust and intemperance take precedence over a plot with a firm beginning, middle and end. And thus it made sense for Imagineering, the outfit of the company responsible for theme park experiences, to unveil its latest tech-driven master work on the ride.

A new animated pirate on Disneyland’s Pirates of the Caribbean shifts from living to dead using projection technology.

(Todd Martens / Los Angeles Times)

Reaction, however, has been less than enthused. Disneyland’s own social media accounts are flooded with pointed critiques, but even if we consider that social media tends to lead with gripes, some of the park’s most ardent fan sites have referred to the reimagined scene as a gutting. Why so much hullabaloo over a single robot? If we allow that Disneyland is a place that generations make pilgrimages to, then Pirates of the Caribbean is its most sacred temple. Handle with care.

There is, of course, a series of stages most Disneyland fans go through with any major changes, and it’s usually one of shock or confusion followed by acceptance and eventually new nostalgia. And Disneyland’s recent attraction updates have by and large been winners, as evidenced by the lovely Tiana’s Bayou Adventure, the exploratory Adventureland Treehouse and the bewitching Snow White’s Enchanted Wish.

This one, however, is more complicated.

Where once was a foreboding skeleton frozen in time atop a treasure and swords, there is now an animated figurine built with the latest in projection technology. The latter transitions from living to dead, caught in a perpetual loop with each glimpse of the cavern’s “cursed treasure,” which it continually lifts and drops. The pirate is placed after the ride’s two dips in a gold-filled room among the winding, mysterious underground chambers that help set its tone.

Dead pirates fill the caverns of Disneyland’s Pirates of the Caribbean.

(Todd Martens / Los Angeles Times)

Since the attraction’s opening, the only living beings in this portion were a lone seagull and maybe a stray sea critter or two. It is here where the mystique of Pirates of the Caribbean is set, and guests are placed in the active role of piecing together the time-shifting narrative. Story is hinted at rather than fed to us. We hear tales of the hexed fortunes found in the caves via ghostly narration, but see only its after-effects — skeletons locked in a chess battle or standing behind the wheel of a crumbling ship.

The centerpiece treasure room, where our new pirate is found, has long been a breathtaking scene. Previously, a now decayed body sat atop a mountain of wealth, an empty, soulless figure done in by selfish pride. It was disquieting, and a bit ghoulish. Stray, soft musical notes underscored the tragedy. Further on, a trapped pirate quietly transitions from living to dead via an old theatrical mirror illusion, and the boats float into a city filled with battles and buffoonery.

Gone is the subtlety. A somber tableau is now relatively loud, as our eyes no longer take in the full set but zero in on a bright and at times lively figurine. I cannot deny that it is an impressive piece of technology. On the multiple rides that I took Monday morning, I overheard two teens describe it as “pretty cool” and watched as a young child excitedly shouted to his mom and dad that the figure’s face was changing.

The caverns of Pirates of the Caribbean set a foreboding tone.

(Todd Martens / Los Angeles Times)

Such reactions are no doubt what Imagineering is hoping for. Part of the job of stewarding a classic attraction, after all, is ensuring it maintains an appeal to future generations. But I believe two things can be true. The new pirate may captivate some audiences and it can also stylistically and tonally clash with the attraction. This is the right tech, perhaps, for a more animated experience, one such as the in-development “Coco” ride coming to Disney California Adventure. Unfortunately, in Pirates it’s misplaced. Worse, it’s distracting, as we’re immediately drawn to its movement, grunts and quick-transitioning face.

I lament losing what was there. Projected figures, even the best of them, such as this one, are still media and can still gleam with light. And while the original Pirates of the Caribbean designs by Marc Davis were exaggerated, they were brought back to reality by Blaine Gibson, who sculpted them with bold, hardened features that made them at once heightened but believable. They may have been cartoonish, but they weren’t actual cartoons, and this figure is too much of a contrast, its comic-like excess feeling less relatable, less human. And that says nothing of its snort-like laughs, which reminded me too much of the huffs and puffs of the ride’s donkeys.

It also raises more story questions than it answers. Why, for instance, aren’t the other skeletons caught in a loop? Sometimes more is said by saying less, and this feller leans silly in a portion of the ride that calls for spooky. Ultimately, it just feels unnecessary, a symptom of our often exhausting, tech-obsessed, digital-drenched age where new, needless tools are shoved in our faces daily.

Thankfully, the rest of the attraction serves as a reminder that no computer wizardry can out-class old-school theater. Theme parks should evolve with the times, but sometimes it takes artful restraint to not mess with what’s already timeless.

This week in SoCal theme parks

• Disney California Adventure turns Soarin’ Over California into Soarin’ Across America. The makeover will be unveiled July 2, just in time for the Fourth of July holiday and the celebration of America’s semiquincentennial. While Soarin’ Across America is already open at Florida’s Walt Disney World and I’ve written about the patriotic re-imagining, I’ve waited to see it in the flesh and will have impressions next week.
• Fireworks! If you’re looking for them this weekend, our theme parks have got you covered. Disneyland, of course, has an annual Fourth of July show with patriotic music, and the park will be running “Disney’s Celebrate America! — A Fourth of July Concert in the Sky” Friday through Sunday. If you’re heading to Knott’s, be sure to check out the park’s free-to-visit Independence Hall, a replica of the Philadelphia landmark that will be offering guided tours Friday and Saturday, while Six Flags will feature fireworks Friday through Sunday. Universal Studios Hollywood will on Friday and Saturday debut a new Fourth of July-themed fireworks show.
• Shattered glass on Fast & Furious: Hollywood Drift. Fans are eagerly awaiting the opening of Universal Studios Hollywood’s new “Fast & Furious”-inspired coaster, and word spread via social media recently that a panel of glass on one of the ride’s sound barriers had shattered. Universal declined to comment, but sources familiar with the ride characterized it as an “installation error” that shouldn’t delay the public launch of the ride, which is expected by mid-summer. I reached out to California’s Division of Occupational Safety and Health’s Amusement Ride & Tramway Unit (Cal/OSHA), which monitors the state’s theme park attractions. A spokesperson said the situation was looked into but did not warrant further evaluation.
• Plan your perfect theme park day. The L.A. Times has unveiled a new feature. Now you can save must-try spots from our local guides and build your own personalized list. Or perhaps you’d like to browse my mega-project “Every Southern California theme park ride, ranked” and create an itinerary for your next visit.

Tell us your stories. Ask us your questions.

Have a theme park tale to share? Whether it was a good day or less-than-perfect day, I would love to hear about it. Have a question? A tip? A fun photo from the parks to share? Email me at todd.martens@latimes.com. I may feature your note in an upcoming newsletter.

Ride on,

Todd Martens

P.S.

Visitors tie paper tags bearing wishes onto trees in the courtyard of the Broad as part of an exhibition dedicated to Yoko Ono.

(Kayla Bartkowski / Los Angeles Times)

Theme parks often are about the power of imagination, allowing us to play pretend in heightened, alternate worlds. And I had theme parks on my mind while I traversed the Broad’s excellent current exhibit dedicated to Yoko Ono.

What, perhaps you wonder, does Ono have to do with theme parks? “Yoko Ono: Music of the Mind” documents the entirety of the artist’s career, and much of her early work centers on play. Real, philosophical play, essentially the idea that through creativity, fantasy and a bit of silliness, we can all see the world differently.

Whether it was communicating with her audience while in a bag (1964’s “Bag Piece”), an antecedent to Meow Wolf’s “Experience Tube,” or offering instructions to count stars, tally our wrinkles, drop off peas on a morning walk, attach wishes to a tree or create fictional maps of our neighborhoods, much of Ono’s career was dedicated toward building community and connections through playfulness and imagination.

It’s freeing work, and a reminder that a little frivolity via participatory art — and that’s really what theme parks and so-called immersive entertainment provide — is a necessary ingredient for happiness.

Gemma Atkinson has appeared in the likes of Emmerdale and Hollyoaks over the years

Gemma Atkinson has revealed if a soap return is on the cards for her.

The TV favourite first gained recognition as Lisa Hunter on Channel 4’s Hollyoaks from 2001 to 2005, with a brief comeback in 2022.

Since then, she’s graced our screens in shows like The Bill, and Waterloo Road. And in 2015, she joined ITV’s Emmerdale playing Carly Hope.

During her stint on the soap as Carly, Gemma was involved in some big storylines – from the heartbreaking revelation that her baby boy, Billy, passed away from sudden infant death to her turbulent romance with Marlon Dingle (Mark Charnock).

After two years though, Gemma left the soap in 2017 – and she has remained booked and busy ever since, appearing on Strictly in 2017 and her own reality show with partner Gorka Márquez, Gemma and Gorka: Life Behind the Lens.

And during a recent episode of her podcast, Lost in Translation, that she co-hosts with Gorka, Gemma was quizzed on whether she would ever head back into the world of soaps.

Asking Gemma a question from a viewer, Gorka said: “Would Gemma go back to acting in soaps or acting in general?”

Gemma then replied: “I would. I wouldn’t be able to do soaps again. Hollyoaks kindly asked me back a few times and I love Hollyoaks.” She explained: “The thing with soaps, I love them, but you have to be on call for 24/7 unless you specifically book time off.

“You could have a random Thursday off in the schedule but they’ll ring and say ‘we’re planning to do exterior scenes but it’s chucking it down and we’ve changed it. We’re interior now, you’re in’.”

Gemma, who is a mum to daughter named Mia born in 2019 and a son named Thiago (born in July 2023 – went on: “With kids and juggling that, it would be too stressful and I wouldn’t want to.”

Nonetheless, Gemma added “However, if it was like a one-off drama, whereby they said ‘you start the 10th of May you finish the 10th of June’, 100% because there’s a start and end and I would love it.”

Emmerdale airs Monday to Friday at 8:00pm on ITV1 and ITVX

WITH a wardrobe to envy Sex and the City’s Carrie Bradshaw, lifestyle
influencer Amelia Liana appeared to be the ultimate single girl.

But her carefully curated “single girl” persona was shattered this
week when she published her YouTube vlog on Sunday night, titled: “I
GOT MARRIED!!!!”

After all, Amelia, 34, who shares every inch of her life online, was not wearing an engagement ring – let alone mentioning that she had a boyfriend.

Only two months ago she posted a video on her YouTube account titled: “Single in my 30s and life update.”

So for the two million followers she calls “family”, it came as a huge shock.

London-born Amelia Liana launched her YouTube in 2013 and
has since grown on TikTok and Instagram – publishing her luxury
lifestyle which includes running “boujie errands” such as picking up
jewellery at Cartier.

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In her reveal video on Sunday, Amelia did little to quell her
followers’ thirst to know about her marriage—and, more to the point,
her new man.

The description read: “Surprise! We skipped a chapter! I’ve been
keeping a little secret and I couldn’t wait to tell you that I got
married!”

Sat in her “shroom” [shoe room] in her multi-million London townhouse,
Amelia said: “This is going to make me really emotional saying this
because I feel like you guys are family – I couldn’t wait to tell
you.”

She added: “I decided that the next relationship I shared online was
going to be my husband. This is definitely the best relationship I have ever been in, in my life and that’s why I married him.

“Some people predicted that I was getting married or something was
going on because there were a lot of men’s shoes around.”

Of keeping her marriage under wraps, she said: “I couldn’t cut so much
footage because there was a lot of footage already being cut because I
kept forgetting to take off my ring.

“I think a lot of people on TikTok spotted it because I forgot to cut
out my ring in a video and it was up for like half an hour and then I
deleted it and reposted it because that was not supposed to be how I
wanted to tell you.”

However I can reveal that Amelia has tied the knot with a 41-year-old high-flying CEO named Michael. 

The marriage took place on May 19 at Chelsea Old Town Hall on the King’s Road in the Royal Borough of Kensington and Chelsea.

Her new husband who speaks English and German, and is the CEO of a multinational brand.

Amelia and her new man have also chosen not to follow each other on Instagram.

The couple are understood to have also had a ceremony at Spencer House in London’s St James’s with family and friends. 

The Great Room, which overlooks Green Park, costs between £13,750 and £15,000 to hire.

She is also believed to have held her reception at London’s five-star hotel Claridge’s which can cost up to £30,000 with food and drinks included.

Amelia requested that her wedding planner organise an Alfonso mango stand at the reception.

She also had a traditional henna party which included fellow influencers Suzie Bonaldi and Audrey Peters – instead of having bridesmaids.

In true Amelia style, her bridal party – including sister Hannah and mum Carol – got ready in the £6,000-a-night room, The Dorchester Suite, at the five-star hotel overlooking Hyde Park.

Meanwhile I have heard that the couple honeymooned at the five-star Amanzoe resort in Greece. 

A pool pavilion room at the resort costs around £3,542 per night and includes a 19ft private pool and views of the Aegean Sea.

The stay includes complimentary movements classes including Pilates and yoga as well as daily breakfast. 

Of the wedding, a friend said: “It was a really fantastic day. Amelia couldn’t be happier. They had 200 of her closest friends and family there – and she, luckily, timed the weather well.

“It was just before the full heatwave – and was a glorious sunny day…without being too hot! She and her husband have known each other a long time – and got engaged last year.

“They actually had their formal marriage a few weeks before posting. Now, happily married, Amelia’s looking forward to getting back to work with a renewed sense of vigour – after being absolutely blown away by the reaction to her wedding videos.

“She never thought there would be so much traction from them – but those vids have already amassed more than 65 million views, which is incredible. That has been yet another boost for her – and has really rounded off a perfect few weeks.”

Amelia has so far shared 20 posts about her wedding with her 595,000 Instagram followers—with no groom in sight.

She has also set up an Instagram broadcast channel called “AL Club” to constantly keep her followers interested in the wedding.

Of what she looks for in a partner, she previously said: “I need a man that is secure. Not an insecure man – a secure man.

“If you are an insecure man – and I have had experience in this – you
are going to resent me, resent my success.”

She added: “So I need a man that is secure.”

One fan said: “SINGLE IN MY 30S” two months ago. What was the point in
all the long vents about how “behind in life you are” and repeating
you’re single over and over…

In 2019 Amelia announced that she has split from her fiance known as
“Robert” in an emotional Youtube video.

It came after Amelia documented her engagement party after announcing the proposal in December 2018.

She went on to date family friend Jak Serr – the son of BBC Apprentice
star and entrepreneur Linda Plant.

The pair documented their relationship with TikTok videos but Amelia
confirmed in 2024 that the pair had transitioned back to a friendship.

It’s been about a month into the all-important summer box office season, and already, there is a noticeable boost in optimism.

I wrote last week about how the massive debut of Walt Disney Co. and Pixar’s “Toy Story 5” was a promising sign; many analysts and movie theater operators believe the summer’s theatrical revenue could finally reach pre-pandemic levels.

The cinema business has been propelled by the likes of Paramount Pictures and Miramax‘s “Scary Movie,” Universal Pictures’ “Disclosure Day” and, of course, A24’s “Backrooms” and Focus Features’ “Obsession.”

With more potential blockbusters on the way, my colleagues David Viramontes, audience editor for arts and entertainment, and Cerys Davies, who covers the business of the entertainment industry, joined me to give our best predictions for how this summer will shape up.

What will be the biggest movie of the summer?

Masunaga: After seeing how family movies — specifically, PG-rated films — were the winners of the last two years, I think we’ll be seeing “Toy Story 5” emerge at the top. The movie has already brought in more than $585 million worldwide less than two weeks after it opened, and if its billion-dollar-grossing predecessors are any indication, this franchise may still have a long life at the box office.

Viramontes: After the R-rated, three-hour drama “Oppenheimer” made nearly $1 billion at the worldwide box office in 2023, it would be professional malpractice not to pick Christopher Nolan’s “The Odyssey” as the biggest movie of the summer — and possibly the year. 70-millimeter IMAX screenings were sold out a year in advance and premium format tickets are still hard to come by in Los Angeles. Not to mention tentpole movies like this attract repeat viewings and even encourage viewers to seek out screenings in every format. And we haven’t even talked about how the film boasts one of the most stacked casts in recent history.

Davies: In an effort to play it safe, I’m going to pick a family movie and bet on “Toy Story 5.” Think about the dog days of summer — when the air gets heavy, a sense of inexplicable boredom takes over and it’s almost too hot to do anything. Deep down, you know the only reprieve is sitting in the comfort of your local theater chain’s air conditioning. But, at this point, you already saw “The Odyssey” with all your friends at the earliest available IMAX showing. What else will scratch that box office itch? I’m willing to bet it’ll be none other than the familiar faces of Woody, Jessie and Buzz Lightyear, as they fend off technology in their home.

Which movie’s marketing campaign will be the talk of the summer?

Masunaga: The marketing for “The Odyssey” has been less overt than that of other summer releases, giant Trojan horse in Venice Beach notwithstanding. But a film helmed by Nolan and starring a plethora of A-list actors basically markets itself. After all, both official trailers for the film have garnered more than 30 million views on YouTube.

Viramontes: I’m prepared for Spider-Man to be everywhere. From buses and billboards to talk shows and TikTok, the movie will reach full saturation. While “Brand New Day’s” marketing campaign hasn’t reached fever pitch just yet, I’m prepared to be inundated with activations, posters and commercials for the four-quadrant fave that’s poised to be one of Marvel’s biggest successes in years.

Davies: A massive orange monster named Irene with dozens of eyeballs has nearly engulfed the historic Carney’s restaurant on Sunset. A giant inflatable “Rich” minion, sporting a goatee and a blinged out chain, popped up on Fairfax. And minions have taken over Wendy’s frosty machines with a new banana flavor. At this point, Universal and Illumination could put a minion on every Los Angeles street corner, and I wouldn’t grow tired of them. (The ominous, goggle-wearing eye overlooking the 101 freeway just isn’t enough.)

What will be the biggest wild card of the summer?

Masunaga: The biopic “Young Washington” could make waves. Distributed by Provo, Utah-based Angel Studios, the movie has the backing of the studio’s 2 million Angel Guild members, who determine its slate and get other perks, including free movie tickets. That support proved crucial for 2023’s “Sound of Freedom,” which ended up grossing more than $250 million worldwide, and could end up being a factor here, too.

Viramontes: “The End of Oak Street” has been teasing a dinosaur adventure in trailers, but can the mystery box movie starring Anne Hathaway and Ewan McGregor attract audiences? There’s also potential counter programming to blockbuster hopefuls dotted throughout the summer with “Teenage Sex and Death at Camp Miasma.” But I’m putting my money on “Evil Dead Burn.” Horror movies put butts in seats, and this summer doesn’t have many other straight-down-the-middle scares in store for audiences.

Davies: There’s an Anthony Bourdain biopic called “Tony” hitting theaters in August. These days, it feels like Hollywood will make a biopic about just anyone, but something about seeing Dominic Sessa channel the chef’s undying passion for food and effortless swag on screen seems irresistible. Plus today’s audiences love stories about intense kitchens (“The Bear”) and debatable biopics (“Michael”) — let’s see what happens when the two marry.

Both Warner Bros.-owned DC Studios’ “Supergirl” and Sony Pictures‘ “Spider-Man: Brand New Day” are part of this summer’s lineup. Will we see a turnaround from the recent superhero fatigue at the box office?

Masunaga: This past weekend marked a disappointing debut for “Supergirl,” which brought in just $37.1 million in the U.S. and Canada and about $62.6 million worldwide on a reported budget of $170 million. Box office analysts had been expecting a domestic opening of about $47 million to $50 million. On the other hand, pre-sales for “Spider-Man: Brand New Day” have been extremely strong. Not every superhero movie prints money anymore, so even with a potentially big haul for “Spider-Man,” I don’t know that it’ll signify a complete turnaround for the genre as a whole.

Viramontes: If there’s any superhero with enough pull to rescue the genre from fatigue after “Supergirl’s” poor performance, it’s your friendly neighborhood box office king Spider-Man.

Davies: Tom Holland’s Spider-Man definitely has the potential to cure superhero fatigue, at least for a few months. But as soon as the internet’s favorite couple, Zendaya and Holland, stop walking red carpets and doing press together, audiences are likely to put superhero movies on the back burner once again.

Analysts and theater owners have predicted that this summer’s box office will reach pre-pandemic levels. Will that momentum continue for the rest of the year?

Masunaga: Yes. The lineup of movies this year is more plentiful and varied than in years past, and with massive blockbusters slated for the holiday season, I think it’s very possible we could see a year-end domestic box office total of $9 billion or more.

Viramontes: Yes. We’ll have an action horror in September with “Resident Evil,” Zach Cregger’s follow-up to “Weapons.” In October, Tom Cruise’s long-awaited “Digger” might hit pay dirt. Following that in November is the new “Hunger Games” movie, “Sunrise on the Reaping.” And I don’t even have to mention “Avengers: Doomsday” and “Dune: Part Three,” the juggernauts waiting for us in December, do I?

Davies: Given the overall excitement from audiences of all ages and the variety this summer’s box office has to offer, this season will definitely be the one to do it. When Christopher Nolan, Spider-Man, the minions and the toys from “Toy Story” join forces, there’s no stopping them.

“The Pitt” and its economic effect on California

As film and TV production has fled the Golden State in search of cheaper locales, HBO Max medical drama “The Pitt” stands out as a major contributor to California’s economy.

My colleague Meg James wrote about the economic impact of the show, which films almost entirely on the Warner Bros. lot in Burbank and has provided jobs for about 1,000 people. The show’s first season alone contributed $125 million to California’s gross domestic product, according to an estimate from Oxford Economics.

“We’re old men who didn’t want to go away from our homes any longer,” series star Noah Wyle, who also serves as an executive producer and writer on the show, said, half-joking. “We’ve all been plying our trades out of state, chasing tax credits and being away from our families for a really long time.”

Stuff We Wrote

Film shoots

Number of the week

Disney and Pixar’s “Toy Story 5” continued its dominance this weekend, pulling in $70 million in the U.S. and Canada to stay on top at the box office.

The animated film has now grossed more than $585 million worldwide in less than two weeks. The haul for “Toy Story 5” helped push Disney past the $3-billion mark at the global box office, making it the first studio so far this year to hit that milestone.

What I’m watching

I feel like I’m always catching up on shows, and this week was no exception. I’m just now starting Season 2 of Netflix’s “A Man on the Inside,” which continues the hilarious exploits of retired engineering professor-turned-private-investigator Charles, played by Ted Danson. As a fan of “The Good Place,” I’ve loved the similar humor of this latest Michael Schur show.

Kara Swisher is everywhere.

She’s filling in for Joy Behar on ABC’s “The View.” Appearing alongside Meryl Streep in “The Devil Wears Prada 2.” Starring in a CNN documentary. Preparing a national tour. And churning out four podcasts most weeks featuring long-form interviews and commentary.

It’s a ubiquity born of more than three decades chronicling the technology industry with a professed indifference to power that vaulted her into a rare echelon of journalism celebrity.

She harnessed that reputation to persuade rivals Steve Jobs and Bill Gates to appear onstage together and make Mark Zuckerberg so uncomfortable under questioning that he broke out into a sweat. She had Elon Musk’s cellphone number — the two aren’t currently speaking — and often texts tech and business leaders.

She’s betting the influence that made her a Silicon Valley force will translate into politics as podcasts supplant traditional media as a destination for candidates seeking attention.

During President Donald Trump’s second Republican term, potential Democratic presidential candidates ranging from California Gov. Gavin Newsom and former Vice President Kamala Harris to onetime Transportation Secretary Pete Buttigieg and former White House chief of staff Rahm Emanuel have appeared on Swisher’s shows. She expects that roster to grow.

“We get called by all the presidential candidates,” the 63-year-old Swisher said in an interview at her home in a leafy corner of Washington, where her trademark high self-regard was on display. “We’re going to get to all of them.”

Swisher is hardly the only podcaster talking politics. Conservatives like Megyn Kelly and Tucker Carlson and some liberals like the former Barack Obama aides who host “Pod Save America” have larger audiences. They’re all dwarfed by Joe Rogan.

But Swisher, who has evolved from a traditional print journalist to business owner and podcast host, has few rivals who can match her technology expertise and connect those observations to the broader political debate.

“When I first went on her podcast when I just got into Congress in 2017, she was very well respected in tech circles,” said Rep. Ro Khanna, the California Democrat whose district includes Silicon Valley. “But now she’s emerged as a larger cultural force, especially at a time where there’s such anger at the tech billionaires and tech arrogance.”

Interviews that produce revealing moments

When she’s not on the road, Swisher typically records from a basement studio in the Washington home she shares with her wife and children and a cat named Lovely. The conversations on her interview podcast “On with Kara Swisher” are often referenced later on “Pivot,” which she co-hosts with entrepreneur Scott Galloway.

They frequently produce revealing moments, as when Newsom filled in for Galloway on “Pivot.” Swisher derided him for being too easy on Steve Bannon when the longtime Trump aide appeared on Newsom’s own podcast.

“You had an opportunity to engage,” Swisher pressed. “Why not engage?”

Swisher pushed Buttigieg on why he took so long to say President Joe Biden, a fellow Democrat, shouldn’t have sought reelection. Buttigieg said he wasn’t consulted.

“Sure, but you have eyes,” Swisher responded.

In an interview, Newsom said Swisher calls him out.

“She’ll send me missives unsolicited,” he said. “She’s usually right, and it drives me crazy.”

Even Sen. Thom Tillis of North Carolina, a rare Republican to go on her show, said it was a worthwhile experience despite being pressed on whether his willingness to speak out against the Trump White House emerged only after he opted against reelection.

“If you’re a politician, you should be able to walk up anywhere and hold your own,” Tillis said, adding, “You may end up having an opportunity, like in my experience, to give a completely different perspective.”

‘Pivot’ was initially focused on tech and business

Shaping the political conversation wasn’t the objective when “Pivot” launched in 2018. Galloway, who hosts his own “Prof G” and “Raging Moderates” podcasts, recalled the idea for “Pivot” was to focus on the intersection of technology and business.

“Show me a big business or tech story, and I’m going to show you a political overlay,” Galloway said.

The expansion converges with a sense of urgency among Democrats to be more aggressive on digital platforms, where audiences are increasingly concentrated.

“The single most important quality that every candidate needs to have is the ability to talk and the ability to talk anywhere,” said Teddy Goff, the co-founder of Precision Strategies and the digital director for Obama’s 2012 presidential campaign.

Democrats are still stung by Rogan’s nearly three-hour Trump interview in the final weeks of the 2024 campaign. Rogan who doesn’t consider himself a journalist, has said Harris’ campaign didn’t agree to his terms. Harris has described being spurned by Rogan.

The podcasts add up to influence and financial success.

Galloway said “Pivot,” which is effectively a joint venture between himself, Swisher and Vox Media, will be a $15 million to $20 million business this year, with a staff of just five.

“Podcasts are the NBA,” Galloway said. “There’s a small amount of people making a lot of money.”

A goal to be popular ‘among the entire populace’

While Swisher largely hosts Democrats, she hopes to soon bring on additional Republicans and said she texted Steve Hilton’s wife, a former Google executive, in hopes of booking him shortly after he advanced in California’s governor’s race.

“What we’re going for is to be popular among the entire populace,” she said. “So that people who don’t feel they want to be in a constant state of anger, whether it’s on the left or the right, can have a place to go.”

But her barbed comments about Trump and other Republicans could complicate that goal. Swisher describes her work as “reported analysis.”

“We don’t shy away from our faults,” Swisher said. “We don’t shy away from our biases. You know, we don’t shy away from things that most people try to.”

Sloan writes for the Associated Press.

Apple TV’s new dark comedy thriller series has been dubbed “hilarious” and “brutal” by viewers and critics alike, with many fans claiming it’s “better than Cape Fear”

There’s a vast range of films and TV programmes well worth exploring across popular streaming platforms, from hard-hitting crime dramas and otherworldly fantasy to insightful documentaries, side-splitting comedies, and beyond.

Apple TV has been making quite the impression with hits including the much-loved comedy Ted Lasso, the trippy workplace psychological thriller Severance, sci-fi favourite Silo, the spy thriller Slow Horses, and plenty more.

However, one “hilarious” yet “brutal” comedy thriller series may have passed many fans by. It’s Apple TV’s new show, Maximum Pleasure Guaranteed.

Created by David J. Rosen, the series stars Tatiana Maslany as divorced fact checker Paula Saunders, who becomes embroiled in the criminal underworld after witnessing the abduction of her webcam acquaintance Trevor.

She’s subsequently contacted for ransom money, but police maintain it’s probably a scam – until Trevor turns up dead. Paula is drawn into the mystery, navigating murder and blackmail while grappling with her own personal demons.

The series debuted on Apple TV on May 20, 2026, and boasts an impressive 93% score on the popular review-aggregation website Rotten Tomatoes, where critics and fans alike have showered the drama with praise.

One critic said: “It’s breezy, but also brutal. Hilarious, but also horrific. And since each episode runs 30-40 minutes, it’s a perfect little summertime binge.”

Another agreed: “It sticks the landing through the end, and Maslany keeps you watching… even though you’ll want to yell at the screen every time she makes a new risky decision”. A third said: “One of the most captivating shows of the year thus far”.

While a fourth commented: “An utterly delicious thriller with interesting characters, an effectively circuitous plot, fast pacing, engaging comic undertones and terrific writing, ‘Maximum Pleasure’ will grab you from the first moment.”

These views were mirrored by fans over on Reddit. One devoted an entire post to the show, giving it the title: “Don’t sleep on Maximum Pleasure Guaranteed”.

They went on to elaborate: “Everyone loves Widow’s Bay (and they should; it’s great! ) but Maximum Pleasure Guaranteed is also really compelling: good balance of humour/drama/thriller, plot moves along at a good clip, good acting all around (of course Tatiana Maslany is great but Charlie Hall (Julia Louis Dreyfus’ kid! ) makes a fine comedic foil…) I really look forward to each new episode and hope others check it out.”

Fellow Reddit users were quick to share their thoughts in the comments section – and many agreed the programme is well worth a watch.

One viewer said: “Great show that deserves a bigger audience. People always complain that all the services only make safe bets anymore with established IPs etc. Support this, people! And support Sugar season 2, too. All great shows. Apple is on fire this year.”

Another enthused: “I just started this the other night and am hooked. I love Murray Bartlett too lol”.

A third commented: “I’m really enjoying it and I’m always happy to see Tatiana Maslany on-screen again”.

While another shared: “I’m surprised this isn’t bigger on this sub, it’s a fun series, I’m more invested in it than Cape Fear. I think Apple dropped the ball marketing wise.”

To which a fellow viewer fired back: “That’s because it’s significantly better than Cape Fear and seems to involve some actual plot each episode”.

Here we go again: Twenty-five years after “Mamma Mia!” premiered on Broadway, the national tour returns to Los Angeles at the Ahmanson Theatre with show-stopping set pieces and a crew that knows the show inside and out.

The beloved jukebox musical, which chronicles a Greek wedding with three potential fathers of the bride, has taken over the Ahmanson through July 19 as part of its 25th anniversary tour, and audience members should expect a full-on ABBA sing-along dance party.

“People come dressed up,” said associate choreographer Janet Rothermel. “There’s a lot of boas, and there’s a lot of spandex, and platform shoes.”

Rothermel is one of many people on the creative team who have worked on the show since its original Broadway run in 2001. Associate director Martha Banta and associate music supervisor David Holcenberg have also seen the musical through its nearly 14-year original Broadway run, national tours and numerous international iterations (Holcenberg was its original music director).

“When we were all back together again in rehearsal, it was an extraordinary feeling,” Banta said. “Not with the same cast, but Janet, David and I and others that have done it for years. With everything that’s been going on in the world in the last three years, it was just a soothing thing to do.”

“We’ve just been embraced beyond what we were used to, which was pretty great,” she added.

Everyone involved in the production echoed a similar sentiment: that the “ultimate feel-good musical” is exactly what audiences want to see during painful or overwhelming times. The show’s traveling costume supervisor and associate designer Eva Maciek put it most bluntly: “I love working on it because nobody dies.”

Rehearsals for the original Broadway run coincided with the Sept. 11 terrorist attacks, Holcenberg explained, and he was struck by audience members’ emotional responses to the first shows.

“I’d have people coming down to the pit after the show with tears streaming down their faces saying, ‘Thank you for letting us forget the world for a couple hours and just have joy,’” he said. “Because this show is joy. It’s full of joy.”

Beyond the absurdly catchy music and the rom-com story, part of the show’s joyfulness comes from its colorful costumes and beachy aesthetic. The onstage set is relatively sparse, consisting only of a pair of rotating “taverna” walls, but backstage, hundreds of moving parts, including stage mechanics, hand props and costume changes, propel the story forward and keep the production looking effortlessly glamorous.

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Blingy microphones backstage for the “Mamma Mia!” production at the Ahmanson Theatre in downtown Los Angeles.  (Christina House / Los Angeles Times)

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Eva Maciek, the travel costume supervisor of the show, shares some wardrobe pieces backstage.  (Christina House / Los Angeles Times)

3/6

Ryan Sander, assistant choreographer, left, and Eva Maciek, travel costume supervisor of the show, show off Sander’s “Voulez-Vous” costume.  (Christina House / Los Angeles Times)

4/6

Life jackets backstage for a musical number.  (Christina House / Los Angeles Times)

5/6

Shelves full of hats are seen during a backstage tour.  (Christina House / Los Angeles Times)

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The show‘s stage is seen during a backstage tour of the “Mamma Mia!” theater production at the Ahmanson Theatre.  (Christina House / Los Angeles Times)

The obvious choice for coolest costumes, according to Maciek, are the bejeweled jumpsuits worn by titular mamma Donna Sheridan (played by Jessica Crouch) and her Dynamos, Tanya (Jalynn Steele) and Rosie (Carly Sakolove). Each one has hundreds of glittering silver stars attached.

“I’m glad I’m not the one who had to sew them on originally!” Maciek joked. The costumes all originated in London or New York, but they’ve been traveling from city to city in storage “gondolas” since the current tour started in 2023, requiring constant repairs and touch-ups from local stitchers.

Thematically, Maciek said, the costumes’ evolving colors tell their own story throughout the show.

“When everybody arrives at the island, they’re all in beige with a little hint of blue,” she explained. More blue gets added by “Voulez Vous,” and then they transition into jewel tones. “When you get into the wedding scene, everybody is in pinks, soft reds, oranges and yellows,” Maciek said. “So there’s a real color story that goes throughout.”

Ryan Sander, the show’s assistant choreographer, dance captain and current “swing” (an actor covering multiple ensemble roles), has a special relationship to his “Voulez-Vous” costume. He originally wore it as a performer on the national tour more than 20 years ago, and when he was called to come back onstage, he found that it still fit like a glove. The costume, a denim vest and pants set with extremely Y2K lace-up details, is representative of the show’s approach to fashion trends.

“There is something timeless about these pieces that’s just so interesting,” he said. “It is a period piece and we stick to that, but there is something timeless about the costumes.”

Besides the costume racks, another crucial backstage element are the vocal booths, where the ensemble contributes to the musical soundscape from behind the curtain.

“One of the main things about the ‘ABBA sound’ is how they layered the vocals, and we do that all live in our show,” Holcenberg said. “The ensemble works really, really hard, because when they’re not on stage, they don’t get any time off. They’re just singing their little faces off.”

Even though the show has been running for decades, the creative team said each cast brings a new energy and tone.

“Our new Donna, Jess, brings a real rock chick energy to it,” Holcenberg said. “Even though the notes on the page stay the same, the casting and the way they perform it still changes from person to person and night to night.”

According to stage manager Andrew Volzer, the most “unique” aspects of the show are its long history with a tight crew and its multigenerational appeal — “Not only from the audience perspective, but also for the people working on the show. People are always coming and going,” he said.

“We always say, you never leave the island.”

Kirstie Allsopp has lashed out at BAFTA following the death of ‘national treasure’ Dame Penelope Keith over the weekend, following a battle with cancer

Kirstie Allsopp has been left furious over BAFTA’s tribute to Dame Penelope Keith. The Good Life star died “peacefully” at her home aged 86 on June 29, following a battle with cancer.

“We are deeply saddened to announce that Dame Penelope Keith died peacefully whilst living with cancer at her home in Surrey where she had lived for more than 50 years,” her family said in a statement, adding they were “grateful” for the care and support she received throughout her treatments.

However, after BAFTA issued a tribute to the late actress, Kirstie Allsopp was unhappy that it had chosen to use the word “passing” in its statement. The organisation said on X, formerly known as Twitter: “We’re saddened to learn of the passing of Dame Penelope Keith, aged 86. A familiar face on stage and screen Keith won a BAFTA for her iconic role in the Good Life in 1997 and another for her work in The Norman Conquests and Saving It For Albie in 1978, with a further three BAFTA nominations during her career.”

However, Kirstie was not happy with this tribute. Taking to X in view of her 425,000 followers, she fumed: “It’s ‘death’, Dame Penelope died, she was an absolute national treasure, she lived & worked and was brilliant and then she died. Dame Penelope did not ‘pass’, she was not a car or a bottle of ketchup.”

She later fumed: “When did we move from saying ‘sad to hear of the death of…’ to ‘sad to hear of the passing of’? Is there any way to stop this? We are already bad enough at discussing death in the U.K.”

However, Kirstie’s response was met with mixed responses. One person said: “I think it is a choice of words that different people are comfortable with. You should use what you feel comfortable using and let others use what they prefer. Let’s not judge, it is a personal viewpoint.”

A second added: “Why would you argue with a family about how they express that.” Hitting back at criticism, Kirstie fumed: “The family issued a statement saying that Dame Penelope had ‘died while living with cancer; a particularly elegant way of addressing two issues I felt. I obviously double checked that before telling BAFTA what I felt about their statement.”

She added: “BAFTA is an organisation not a person, and as Dame Penelope’s family statement said she had died, they should have at least reflected their language.” But Jeremy Clarkson was in support of Kirstie, stating: “I loathe ‘passing’. Loathe it’

Paying tribute, Dame Penelope’s family said in full: “We are deeply saddened to announce that Dame Penelope Keith died peacefully whilst living with cancer at her home in Surrey where she had lived for more than 50 years.

“The family is grateful for the care and support she received throughout her treatments, and ask that their privacy be respected at this time.” The Good Life followed the couple Tom and Barbara Good, played by Briers and Kendal, who try to escape the rat race in their suburban house in Surbiton. They try to become self-sufficient, turning their gardens into an allotment and introducing farmyard animals, much to the horror of their neighbours – Margo and her hen-pecked husband Jerry, played by Eddington.

In one of her last TV appearances in October 2025, Penelope fronted The Good Life: Inside Out on U&Gold, looking back on the sitcom’s huge success. Dame Penelope won a BAFTA in 1977 for her role in The Good Life.

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