BRITNEY Spears has reunited with her sons Jayden, 19, and Sean Preston, 20, as she stripped off to a thong after her DUI arrest three weeks ago.

Gimme More singer Britney has also returned to Instagram amid the chaos as she shared a sweet video alongside her youngest son Jayden.

The teenager was spotted wearing a long tan coat and a white t-shirt as he recorded him and his mum posing up in a mirror.

Britney wore some tiny white lace shorts and a cropped white lace shirt.

She captioned the post: “Thank you guys for all your support… spending time with family and friends is such a blessing !!!

“Stay kind !!!”

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Britney was also seen enjoying a boat trip with both her boys as they were snapped on the deck, grinning ear-to-ear.

Sean, Britney’s eldest son, had his arm wrapped around his mum’s shoulders as he gave her a hug.

The 44-year-old’s rep has told PEOPLE how Britney would be prioritising her two sons, who she shares with her rapper ex Kevin Federline, after she was nicked on suspicion of a DUI.

They said: “Her boys are going to be spending time with her. Her loved ones are going to come up with an overdue needed plan to set her up for success for well being.”

Jayden and Britney previously spent Christmas together with a source telling PEOPLE they “had a fun time” and it was “so special.”

The pair reunited in November 2024 and have enjoyed spending time together ever since, sources told the publication.

Meanwhile, Sean celebrated the holiday without the hitmaker as he was seen in Louisiana alongside his aunt, Jamie Lynn Spears’ family.

Britney was also spotted stripping off to a neon green thong bikini as she danced around on a boat.

She was arrested earlier this month on March 4  after being caught with an “unknown substance” in her car following an hour-long police chase.

The mum-of-two was booked for drunk driving in Ventura County, California, after cops spotted a BMW erratically “braking and swerving in and out of lanes”.

A source close to the Toxic singer told Page Six that a mystery substance was allegedly found inside Britney’s BMW shortly before she was taken into custody.

The source understood it was sent to the lab for testing.

Police began their pursuit of the 2026 black BMW convertible at 8.13pm and tracked her for an hour, according to a police dispatch call.

Britney was allegedly behind the wheel of the convertible when it was pulled over by troopers with the California Highway Patrol at 9.13pm.

SACRAMENTO — While the UCLA women’s basketball team has a veteran roster that was in this exact position a season ago, the Bruins have an entirely different vibe during their current postseason run.

The No. 1-seed Bruins (34-1) will face No. 3-seed Duke (27-8) in the Elite Eight on Sunday for the chance to go back to the Final Four a year after UCLA beat Louisiana State to reach the Final Four before immediately suffering a blowout loss to eventual national champion UConn.

This year, they expect something different, in large part because of an upgraded starting lineup.

A tangible difference is the addition of Charlisse Leger-Walker and Gianna Kneepkens. Each was the top scorer on their former squads — Washington State and Utah, respectively — and have taken on drastically different roles as arguably the fourth and fifth pieces of this Bruins team.

Charlisse Leger-Walker hits a reverse layup in front of Minnesota’s Grace Grocholski during the tournament on Friday in Sacramento.

(Eric Thayer/Los Angeles Times)

“It’s huge we have them,” said senior Gabriela Jaquez, who has spent her entire NCAA career with the Bruins. “They’re perfect fits here. Charlisse as a point guard has been great, and then just being a guard out there, a ready shooter, doing whatever we need, and obviously them being able to defend is really great for our team.”

With the Cougars, Leger-Walker averaged double-digit scoring and more than 10 shots per game in every season. With the Bruins, her production has dropped to 8.7 points per game on 7.1 shots.

Where she has improved, though, is a career-high 5.7 assists per contest.

“I look at the talent we have, especially on the offensive end, there are a lot of times where I don’t have to shoot and force some of the shots that I would have to back at Washington State,” she said. “I’ve always been able to facilitate and be that connector, but this is the role I am needed in the most here.”

Kneepkens was the Utes’ top shooting option and Pac-12 freshman of the year. There, she was relied on as the team’s top three-point shooter, and after Alissa Pili left, their top scorer overall.

During her graduate season, she has taken a significant reduction in shots per game, going from 12.3 field goals per game to 9.4.

“I think it tells you what their ‘why’ is, what their purpose is, why they came here,” UCLA coach Cori Close said. “It wasn’t to get their own stats. It was to be a part of something bigger than themselves.”

On a night where neither of them did much shooting against Minnesota, though, it was their defensive length that made a significant difference against a physical Golden Gophers team. It was the kind of defense they could not have played a year ago with Londynn Jones, who transferred to USC, in the spot Leger-Walker now occupies and Angela Dugalic starting rather than providing invaluable depth coming off the bench.

UCLA guard Gianna Kneepkens dribbles under pressure from Oklahoma State forward Achol Akot during an NCAA tournament game at Pauley Pavilion on March 23.

(Ronaldo Bolanos/Los Angeles Times)

Offensively, Leger-Walker’s presence has given the Bruins more options to score from throughout the floor. Known as a three-point threat at Washington State, she needs to be guarded on the perimeter but also not be left to connect to other open players.

“But I think Charlisse, specifically, is one of the best processing point guards I’ve ever been around,” Close said. “Her ability to understand how rotations are happening in the second line, what’s the next play and if she makes one mistake, boy, she’s not making it a second time. … Having Charlisse on our team has freed Kiki [Rice] up in some ways and vice versa. So that’s been really fun to see.”

Rice has played more of a shooting guard role this season with Leger-Walker taking over at point guard, which has opened her up to shoot more and drive to the hoop without facilitating as often.

That freedom has given Rice her best offense season yet.

“[Leger-Walker’s] basketball IQ is insane,” Rice said. “She gets buckets, she defends super well, she does it all for us. She’s selfless, and she kind of knows when to take over. I’m grateful we’ve had her this year.”

Close said that Kneepkens played one of her best defensive games in the win over Minnesota, but that her length playing as a wing has opened up the UCLA defense to guard the perimeter all season.

“It’s just learning to play with great players,” Kneepkens said. “If that’s finding them when they’re open, then I’ll do that. Or if I need to take my shot, I’ll do that too.”

UCLA’s biggest wins have featured dominant performances from Lauren Betts and generally, its other bigs — Sienna Betts and Dugalic — playing at their best.

But the true depth of the Bruins has come from having long guards who can defend and change up what they need to do in any given matchup. They might be the difference going into the toughest parts of the tournament.

“Coming to a program also where you are surrounded by elite players, and at the end of the day we want to win and be a part of a program that can do that,” Leger-Walker said. “Whatever that role is that we have to adjust to throughout the season, I think, we really bought into that.”

March 30 (UPI) — Iran has agreed to allow 20 more oil tankers through the Strait of Hormuz, President Donald Trump said late Sunday, as he claimed negotiations with Iran over ending the war were going “extremely well.”

Speaking to reporters aboard Air Force One, Trump said the tankers will be allowed through the key Persian Gulf oil transit route starting Monday, describing the gesture by Iran as “a tribute” or “a sign of respect.”

Iran has not confirmed the announcement. Trump late last week said Iran had permitted about 10 tankers through the Strait of Hormuz.

The press conference was held after Foreign Minister Ishaq Dar of Pakistan announced that Iran agreed to allow 20 Pakistani-flagged vessels through the Hormuz at a rate of two per day.

Pakistan is seeking to mediate the U.S.-Iran talks.

“This is a welcome and constructive gesture by Iran and deserves appreciation,” Dar said in a statement. “It is a harbinger of peace and will help usher stability in the region.”

About 20% of global oil and liquefied natural gas supplies pass through the Strait of Hormuz, and Iran has all but closed it since the United States and Israel attacked Tehran on Feb. 28.

The closure has sent prices higher at U.S. gas pumps. Brent futures early Monday hit $116 a barrel, up from about $72 a day before the war began.

More than a week ago, Trump gave Iran a 48-hour ultimatum to open Hormuz or risk further attacks on its energy infrastructure. He has since extended the deadline until April 6, citing progress in talks with Iran.

“We’re doing extremely well in that negotiation,” he said, while adding that “you can never know with Iran because we negotiate with them and then we always have to blow them up.”

“We’ll make a deal with them. Pretty sure,” he said. “But it’s possible we won’t.”

Immediately after the Feb. 28 U.S. strikes on Iran, Trump called for regime change, a goal that U.S. military and White House officials quickly walked back.

On Sunday, Trump claimed regime change had been achieved saying Ayatollah Ali Khamenei, the country’s supreme leader, was killed early in the war and that they were now conducting negotiations with other officials.

“We’ve had regime change. If you look already because the one regime was decimated, destroyed, they’re all dead. The next regime is mostly dead and the third regime, we’re dealing with different people than anybody’s dealt with before,” he said. “It’s a whole different group of people. And, frankly, they’ve been very reasonable.”

One beach has been named third best in the world with its stunning backdrop, and it’s not in Cornwall, Devon or Yorkshire

Residents in a picturesque seaside town may need to prepare for an influx of tourists this year, after their stunning beach secured a spot on TripAdvisor’s ‘best of the best’ global list for 2026. It nearly claimed the top position, landing in an extremely impressive third place, thanks largely to its absolutely breathtaking backdrop.

When discussing beaches in the UK, Roker and Seaburn beaches have drawn comparisons to LA and Tynemouth has been likened to Australia’s Bondi Beach. Yet, for countless people – both residents and tourists alike – there’s one that will forever reign supreme in the North East, and that’s Bamburgh.

So much so, the location has been named Britain’s ‘best seaside’ town for five consecutive years, despite technically being a village, reports the Express.

Visited by celebrities including Hollywood A-lister Harrison Ford and Girls Aloud’s Nicola Roberts in recent years, the beach has long been considered amongst the finest destinations.

It boasts spectacular scenery, a brilliant day out, fresh sea air, and a chance to clear your head, regardless of the conditions.

Even during the recent bitter cold snap, visitors have continued strolling along its renowned sands and admiring the ‘unparalleled’ and utterly magnificent views of Bamburgh Castle in the distance.

It is the very location where Hollywood star Harrison shot an Indiana Jones film in 2021.

Interestingly, in last year’s rankings, Bamburgh actually trailed behind Roker and Seaburn amongst the UK’s finest beaches.

The beach is now proudly representing the UK as the sole entry from British shores on TripAdvisor’s Travellers’ Choice Awards best-of-the-best list for one-of-a-kind beaches.

Bamburgh comes in third place, behind only Boulders Beach in South Africa and Isola Bella in Sicily – a prestigious list that celebrates beaches boasting the most extraordinary settings.

Bamburgh has been rightly recognised for its breathtaking Medieval backdrop, which sets it apart from the crowd.

Highlighting its position on the One of a Kind list, TripAdvisor writes: “Framed by the iconic silhouette of Bamburgh Castle, this beach boasts miles of soft white sand, and a dramatic coastal backdrop.

“The dog-friendly stretch is close to the charming Bamburgh village, making it a standout choice for unforgettable family escapes and romantic coastal breaks.”

Kate Garraway and Paul Brand spoke to Julie Chard about her late husband, who spent over 30 hours in a corridor after going to the hospital.

Kate Garraway was quick to console one guest on Good Morning Britain as they broke down in tears.

The ITV star, who is currently fronting the programme while Susanna Reid is on a break, spoke to Julia Chard about her late husband, Tom.

Tom Frith tragically died in July last year from the brain swelling condition, encephalitis. However, he spent a month in the hospital before his death after he was first admitted with flu-like symptoms and confusion.

Initially, Julia claims her husband spent over 30 hours in a corridor bed as A&E was overrun. His family was told he wasn’t able to have a vital MRI scan because it was the weekend. Tragically, after he eventually had an MRI scan, it confirmed Tom had a brain clot, and he died weeks later.

Speaking to ITV stars Kate and Paul on Good Morning Britain, Julia broke down in tears, speaking about her grief and anger at the care her husband didn’t receive. She commented, “I’m doing my best, I’m trying to find a new normal.

“I have to have a voice for Tom, because he’s not here. I’m learning to live with Tom here (her heart) rather than here (physically), and when you take that away, that’s a big hole to fill. He was the love of my life, and yeah, he was failed, I think.

“He might not have survived encephalitis, but if he’d been given a fighting chance, he could have. He was in critical care for seven weeks after that, but the damage was done, the damage was done in the first week. It was too late.”

As she became overcome with emotion speaking about Tom, Kate was seen grabbing for tissues to give to Julia as she wiped her tears away.

However, while speaking to the ITV stars, Julia shared that her anger isn’t with the NHS staff, as she told the duo that it takes a certain person to take on a caring role.

She said: “When they’re in an environment where they can’t deliver that, without the resource, the personnel, the finance, it must be absolutely demoralising for them.

“I saw the look on the nurses’ faces there. On Sunday afternoon, I left Tom for half an hour, and I asked a nurse to watch him for me because he couldn’t go to the toilet on his own.

“He was getting very agitated. I left and came back, and he was leaning against the side of the bed. He’d ripped his ID band off, and he’d relieved himself in his jeans, a grown man. I said to a nurse, ‘What is this?’

“She said, ‘I’m so sorry’, and she had tears in her eyes. I said, ‘This isn’t care’. He didn’t get a bed until the Monday morning.”

Now, Julia is taking legal action against the trust for medical negligence.

Kate read a statement from Dr Clare Hammell, the Chief Medical Officer and Deputy Chief Executive Officer at Mid Cheshire Hospitals NHS Foundation Trust, who said, “My thoughts are with Tom’s family and loved ones.”

It said: “We are very sorry for the distress that they’ve experienced as a legal claim has now been issued, it wouldn’t be appropriate for the Trust to comment on the specific circumstances of Mr Frith’s care or the allegations that have been raised.”

Good Morning Britain is available to watch on ITV weekdays from 6am.

Tottenham Hotspur announced on Sunday that their interim head coach has left by mutual consent after 44 days in charge.

Nine head coaches have either been sacked or have left a Premier League club by mutual consent this season. Can you guess all nine?

March 30 (UPI) — On this date in history:

In 1842, Dr. Crawford Long became the first physician to use anesthetic (ether) in surgery.

In 1858, a U.S. patent was granted to Hymen Lipman for a pencil with an attached eraser.

In 1867, U.S. Secretary of State William Seward reached an agreement with Russia for the purchase of Alaska for $7.2 million in gold.

File Photo by Library of Congress/UPI

In 1870, the 15th Amendment, granting African American men the right to vote, was adopted into the U.S. Constitution.

In 1923, the Cunard liner Laconia arrived in New York City, the first passenger ship to circumnavigate the world. The cruise lasted 130 days.

In 1975, the South Vietnamese city of Da Nang fell to North Vietnamese forces. UPI correspondent Paul Vogle described “the flight out of hell” as refugees attempted to flee the city.

In 1981, John Hinckley Jr. shot and injured U.S. President Ronald Reagan outside a Washington hotel. White House Press Secretary James Brady, a Secret Service agent and a Washington police officer also sustained injuries. Hinckley was released from a psychiatric hospital in September 2016.

In 1999, a jury in Oregon awarded $81 million in damages to the family of a smoker who died from lung cancer. A state judge reduced the punitive portion to $32 million.

In 2006, Jill Carroll, a freelance reporter for The Christian Science Monitor, was freed in Baghdad after being held for 82 days by kidnappers.

In 2018, at least a dozen Palestinians died in the first week of the so-called Great March of Return protests in Gaza. More than 180 people died in the nearly weekly protests through the end of 2019.

In 2023, a Manhattan grand jury took the unprecedented step of voting to indict a former president, formally charging Donald Trump in an investigation into hush-money payments made to adult film actor Stephanie Clifford, known professionally as Stormy Daniels.

File Photo by Gary I Rothstein/UPI

Egyptian official says Liverpool star will fade away if he opts for the MLS as San Diego FC owner welcomes compatriot.

Egypt’s ‌national team director Ibrahim Hassan has cautioned Mohamed Salah against moving ⁠to Major League ⁠Soccer (MLS) after he leaves Liverpool at the end of the season, as it would see the forward fade into obscurity.

Salah, 33, ⁠has yet to decide his next move after he ends a hugely successful nine-year spell at Liverpool, where he won two Premier League titles ⁠and the Champions League.

MLS Commissioner Don Garber has said he would love to see Salah in the league, though it is unclear whether any league teams will attempt to sign him.

“Personally, I would prefer him to stay in Europe,” ‌Hassan told On Sports. “I have heard about offers from Paris Saint-Germain (PSG), Bayern Munich and clubs in the Italian league.

“A move to the Major League? He would be far too out of the spotlight. You won’t remember Salah any more than I remember [Lionel] Messi now, I don’t even try to watch him.”

After trophy-laden stints with Barcelona and PSG, ⁠Argentina captain Messi joined Inter Miami in 2023, months ⁠after lifting the World Cup, and became the club’s all-time top scorer.

Hassan said the Saudi Pro League would be a suitable option if Salah chose not to stay in Europe.

“If ⁠he does not receive offers from Europe, then a move to the Saudi league would be a good ⁠option, especially with big names such as Cristiano [Ronaldo],” ⁠Hassan, twin brother of Egypt coach Hossam Hassan, added.

However, San Diego FC’s billionaire owner Mohamed Mansour believes his Egyptian compatriot would be an “asset” as speculation builds over the Liverpool forward’s next club.

If he does move to the United States, recent MLS expansion club San Diego FC, who reached the playoff semifinals in their debut season last year, have been heavily linked with Salah, not least due to their British-Egyptian owner, Mansour.

“He’s probably one of the great players today. And any team that will get him, or any country that will get him, he will definitely be an asset,” Mansour told the AFP news agency at a summit in Atlanta on Thursday.

Mansour declined to answer whether he is actively trying to recruit Salah or has previously sounded out a move for the striker.

But he added: “Of course, Mo Salah is somebody that, as an Egyptian, my origin, I’m very proud of. He is somebody that reached the world stage as one of the great players.”

“And I think he will, if he does decide … wherever he will go, he will add a lot to that league and to that country and to that team for sure. So he’s somebody I’m very proud of.”

Mansour said the entire Egypt comes to a halt whenever Salah plays and named the forward as his favourite footballer of all time.

While effusive in his praise for Salah, Mansour insisted that footballing recruitment decisions are left to San Diego FC’s sports director and coach.

“I let the people in charge” decide, he said.

Salah is currently sidelined by injury and will miss Egypt’s ongoing training camp as they prepare for the World Cup in North America.

Egypt ‌face Spain in a friendly in Barcelona on Tuesday after a 4-0 win over Saudi Arabia in Jeddah on Friday.

The seven-time African champions are in ‌Group ‌G with Belgium, New Zealand and Iran at the World Cup, which runs from June 11 to July 19.

It’s clear that “Forbidden Fruits” director and co-writer Meredith Alloway has marinated in plenty of ’90s teen movies and the kitschy pop-culture ephemera of that era. Her directorial debut, written with Lily Houghton and based on Houghton’s play “Of the woman came the beginning of sin and through her we all die,” is essentially a synthesis of “The Craft,” “Mean Girls” and “Clueless,” about a coven of catty witches who work at a boutique in a Texas mall.

But in “Forbidden Fruits,” it’s hard to shake the feeling that Alloway’s movie knowledge is just that — easily identifiable iconography without much innovation or depth.

Our clique comes storming down the mall food court in that classic slow-motion strut, letting us know right away what we’re in for. They’re known as the Fruits because they all happen to be named after them. The leader, Apple (Lili Reinhart), operates in the controlling mode of Regina George or Cher Horowitz; her lackeys are alt queen Fig (Alexandra Shipp) and blond bimbo Cherry (Victoria Pedretti). When they realize that a cute pretzel purveyor is named Pumpkin (Lola Tung), they quickly bring her into their circle as a fourth, seemingly only because her name fits the theme.

Apple runs her high-femme coven out of their store Free Eden with an emphasis on iconic women: The girls confess to their martyr Marilyn Monroe in a dressing room and practice dark magic with their panties and a silver cowboy boot. In the interest of helping each other “shine,” Apple also takes a page from Ann Lee and the Shakers — sex and boys are banned and communication is highly controlled.

It’s only when Pumpkin starts uncovering some of the coven’s secrets, including the existence of a former member named Pickle (Emma Chamberlain), that their controversial personal histories involving hexes, poison, fires and hidden boyfriends come to light, and the situation spirals out of control (literally — the climax happens during a tornado).

Alloway and cinematographer Karim Hussain craft a distinctive and unique aesthetic, a gauzy, highly artificial look that underlines the winky referential tone, but one that also lends “Forbidden Fruits” a strangely dreamlike quality that doesn’t always work for the genre.

While the actors, particularly Reinhart and Pedretti, are locked in with the tone and Reinhart delivers the fierceness required of such a role, the pace of “Forbidden Fruits” is at odds with the performers. The film is weirdly slow and sleepy and at least 20 minutes too long. The convoluted story, peppered with various twists, lacks momentum.

A stronger hand in the edit could have resulted in something more dynamic and engaging, but the plotting is mushy and then rushed. For a witchy horror thriller, it’s heavier on psychological violence than actual scares, and a third-act bloodbath and big reveal can’t save it when we finally get there.

The film’s theatrical provenance reveals itself in long monologues in the Marilyn confessional room and Pedretti delivers one that reveals the depth beyond Cherry’s ditzy exterior. We can see Houghton’s play in these moments, but then Alloway’s cheeky pop sensibility intervenes, the arch artificiality and ironic tone draining the emotional impact.

“Forbidden Fruits” can’t reconcile all of its influences and just ends up as a collection of references and high style without much staying power — it’s essentially the fast fashion of girly pop horror.

Katie Walsh is a Tribune News Service film critic.

Published on 30/03/2026 – 7:07 GMT+2•Updated
8:29

European markets are set to open lower on Monday, with futures pointing to declines across major indices as investor sentiment remains cautious amid rising oil prices and geopolitical tensions in the Middle East.

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As of early morning trading, Germany’s DAX was down around 0.5%, the FTSE 100 fell roughly 0.3%, and France’s CAC 40 was also in negative territory, according to IG data.

The weaker outlook follows losses in Asia, where shares mostly dipped overnight as concerns persisted around soaring oil prices and the potential for further escalation in the US war with Iran.

The declines follow steep losses on Wall Street on Friday, marking a fifth consecutive losing week — the longest such streak in nearly four years.

“US equity markets remained under sustained pressure, with the S&P 500 falling 2.1% for the week and the Nasdaq 100 sliding 3.2%. The Dow Jones held up comparatively better, declining 0.9%, owing to its lower technology weighting. Both the Nasdaq 100 and the Dow Jones have now officially entered correction territory after recording drawdowns of more than 10% below their respective peaks,” IG market analyst Fabien Yip said in a commentary note.

Asia-Pacific markets lower overnight

Japan’s benchmark Nikkei 225 fell 4.5% in early trading, Australia’s S&P/ASX 200 dropped 1.2%, and South Korea’s Kospi slid 3.2%. Hong Kong’s Hang Seng declined 1.7%, while the Shanghai Composite edged 0.7% lower.

Investor worries have been particularly acute due to the risk of disrupted access to the Strait of Hormuz, a critical route for global oil shipments.

Benchmark Brent crude rose above $116 a barrel in early trading, marking an increase of more than 50% since the Iran conflict began on 28 February. Prices were just over $70 a barrel when the war started. US benchmark crude was also up, at around $101 a barrel, reflecting continued volatility in global energy markets.

The surge comes as US President Donald Trump raised the possibility of American forces seizing Iran’s Kharg Island, the country’s main oil terminal in the Persian Gulf. He made the comment in an interview published early Monday by the Financial Times.

“Maybe we take Kharg Island, maybe we don’t. We have a lot of options,” Trump told the newspaper. “It would also mean we had to be there (on Kharg Island) for a while.”

Asked about Iranian defences there, he said: “I don’t think they have any defence. We could take it very easily.”

The US has already launched airstrikes it said targeted military positions on the island. Iran has threatened to launch its own ground invasion of Gulf Arab countries and new attacks if US troops land on its territory.

Meanwhile, G7 finance ministers, energy ministers and central bank governors are set to hold an emergency meeting today to discuss the conflict and its consequences. It will mark the fourth time since the start of the war in Iran the G7 has convened at a ministerial level.

Two days with no games allowed the Lakers to fully reset as they prepare for the final stretch of the regular season and a playoff run.

They have eight games left, starting with the NBA lottery-bound Washington Wizards at Crypto.com Arena on Monday. The Lakers will play without star guard Luka Doncic because he’s serving his one-game suspension for reaching the league limit of 16 technical fouls.

The Lakers had an early practice Sunday and that gave them a chance to make adjustments with fresh bodies and minds.

“Yeah, for me, I think, based on all of them wanting to come in at 10 a.m. on a Sunday, I think it is as much mental and spiritual and emotional,” Lakers coach JJ Redick said after practice. “We didn’t want to have these guys in here long today. But we got a lot done, watched some film and cleaned some stuff up. But there is these two days for us. It’s a great reset for us.”

Doncic got his 16th technical foul of the season Friday night during a win over the Brooklyn Nets after an exchange with Ziaire Williams, when both were given double technical fouls in the third quarter of that game.

For Doncic, who earns $45.9 million per season, the suspension will cost him about $264,000.

If he gets two more technical fouls between now and the end of the regular season, he will be automatically suspended for an additional game.

Doncic is eligible to return for the Lakers on Tuesday night when they host the Cleveland Cavaliers.

“I mean, he’s disappointed,” Redick said of Doncic. “He wants to be there for his teammates, and again, I’ve talked about this all year, like he plays. He’s not a guy that takes games off. He can be banged up and he’s gonna play. He was like that when I was his teammate in Dallas. For tomorrow, we’ve gotten, I think, some great contributions from guys that haven’t necessarily been in the nine-man rotation when we’ve been fully healthy.”

Redick spoke about how Bronny James, Jarred Vanderbilt and Maxi Kleber have all had “good moments” when they were called on for duty.

And with Doncic out, Redick said it will take a group effort to beat the Wizards.

“But we’re gonna need everybody tomorrow,” Redick said.

The Wizards have the third-worst record in the NBA at 17-56. They are second to last in the league in points allowed, giving up 124 per game.

Still, this is all about the Lakers and how they get ready for the playoffs during the final few games of the season .

Half of the eight games are against teams with records below .500.

The Lakers will face a Cavaliers team that’s making a push for better positioning in the Eastern Conference. They will twice face an Oklahoma City team that has the best record in the league and a Suns team that has a 3-1 record against the Lakers.

“That’s the thing I’ve talked about all year is you need great effort and you need great execution,” Redick said. “I think the effort part has been there very consistently for weeks now. Sometimes when the games are stacked together and travel and all that, there can be some small details, execution-wise, that can have slippage, and I think for us, especially on the defensive end, we can do some things better. But I mean, look, the last 16 games we are where we are because we’ve been really good on both ends.”

Etc.

Redick said guard Marcus Smart (right ankle contusion) and forward Adou Thiero (left knee soreness) are in “that day-to-day camp” with their injuries.

“So we’re just kind of waiting for them to feel like they’re good enough to go,” Redick said.

A Canadian activist and YouTuber filmed congestion in the Strait of Hormuz during a tour aboard a ship from the Iranian port city of Bandar Abbas. He captured dozens of oil tankers and cargo ships crowding the vital waterway.

It was a devastating experience for Abdul Rahman Azzam, 65, to recently cut down the olive trees he had planted decades ago on his land south of Jenin in the occupied West Bank, following an Israeli decision to confiscate it for the construction of a road for an illegal Israeli settlement.

The land slated for confiscation last December spans more than 513 dunams (51.3 hectares), 450 of which belong to the village of al-Fandaqumiya alone, with the remainder belonging to neighbouring towns such as Silat ad-Dhahr and al-Attarra.

As Palestinians commemorate the 50th anniversary of Land Day this year, the challenges of illegal Israeli settlement expansions, land confiscations, and restrictions on access to their land, particularly in Area C, persist.

Meanwhile, Israeli government leaders continue to declare that the annexation plan is a fait accompli.

Land Day commemorates the events of March 30, 1976, when Israeli authorities announced the confiscation of vast tracts of Palestinian land in the Galilee region.

In response, widespread strikes and demonstrations were organised in several towns and villages, which were met with force, resulting in the deaths of six Palestinians and the injury and arrest of hundreds.

Since then, this day has become a national symbol, embodying the connection of the Palestinians to their land and the rejection of its confiscation.

Twice taken

Since childhood, Azzam had worked alongside his father, grandfather, and uncles, planting and ploughing the land with olive trees.

He developed a deep connection to it, which he continued to work on until 2002, when the illegal Israeli settlement of Tarsala and the Sanur military base were established on it, and he and his family were barred from accessing it.

Following the 2005 disengagement plan, the Israeli army withdrew from the camp and the settlement of Tarsala. Azzam and other landowners returned to their land, and their joy was indescribable.

However, after the recent Israeli decision, the Palestinian landowners were denied access to their land, which is now entirely under Israeli military control.

“Suddenly, we found the land number in the official newspaper along with a confiscation order for the construction of a road connecting the settlements of Homesh and Tarsala, to which the settlers had returned after the 2005 withdrawal. We saw the Israeli army had already begun bulldozing the land,” Azzam told Al Jazeera.

To prevent the Israeli army from cutting down his olive trees during the bulldozing, Azzam went to his land and cut them down himself. He wept as he did so. He then noticed that all the other landowners had done the same, fearing for their trees.

“It’s easier for us to cut them down ourselves than for the army or settlers to do it. This is our land, and our trees are like our children; we cherish them and treat them with kindness because we toiled to cultivate and care for them,” he added.

Confiscation in several ways

The Oslo Accords, signed between Israel and the Palestine Liberation Organization in 1993, divided the West Bank into three categories: Area A, under full Palestinian control, comprising approximately 18 percent of the West Bank; Area B, under joint Palestinian and Israeli control, comprising 22 percent; and Area C, under full Israeli control, comprising 60 percent.

Since October 2023, Israel has been issuing confiscation orders for Palestinian lands in Area C at an accelerated pace in the West Bank, in preparation for implementing its annexation plan, which Palestinians believe is already being carried out on the ground without a formal declaration.

According to data from the Palestinian Authority’s Commission Against the Wall and Settlements, Israel seized 5,572 dunams of Palestinian land in 2025 through 94 confiscation orders for military purposes, in addition to three expropriation orders and four declarations of state land.

These orders were not isolated or circumstantial, but rather geographically distributed to serve the expansion of settlements, secure their borders, and construct settlement roads that further fragment Palestinian land and sever its natural contiguity, as it said.

Concurrently, Israel allocated 16,733 dunams of previously confiscated land for settler grazing, a move that reveals a dangerous escalation in the tools of control, according to the commission’s annual report.

In another report, the commission stated that between October 2023 and October 2025, Israel confiscated 55,000 dunams of land, including 20,000 dunams under the pretext of modifying the boundaries of nature reserves, and 26,000 dunams through 14 declarations of “state land” in the cities of Jerusalem, Nablus, Ramallah, Bethlehem and Qalqilya.

A total of 1,756 dunams were confiscated through 108 orders for military purposes, aimed at establishing military towers, security roads, and buffer zones around settlements.

However, it has become increasingly apparent that many land seizures are carried out without official military orders. Soldiers or settlers prevent Palestinian landowners from accessing their land, leaving them surprised to find it seized without any prior notification.

Mohammed Fouad, 56, was surprised on Wednesday to find an Israeli army bulldozer razing his land in the town of Ein Yabrud, east of Ramallah.

He went to the nearest point to the land and watched as the bulldozer removed trees, seemingly clearing a road for settlers.

“My land is 15 dunams … and is only 1km from the Beit El settlement, which is built on land north of Ramallah. I fear this bulldozing is a prelude to its annexation to the settlement, especially since it’s classified as Area C,” Fouad told Al Jazeera.

He was not notified of any decision regarding the confiscation of his land. A farmer who was nearby informed him of it. When he tried to inquire with the armed men accompanying the bulldozer, they told him they were from the Israeli army and intelligence services and expelled him from his land.

“I’ve always cared for this land, and now I’m watching it being bulldozed right before my eyes, unable to reach it. It’s as if they’re forcing me to leave. But I’ll try to reach it every day,” Fouad said bitterly.

Land confiscation procedures have been facilitated by several Israeli policies over the past two years to complete the annexation plan.

Raed Muqadi, a researcher at the Land Research Centre, told Al Jazeera that settlers have resorted to fencing off Palestinian lands to seize them, especially in the Jordan Valley.

This has affected thousands of dunams in the occupied West Bank that were used as pastures or agricultural land. Because of the fencing, Palestinians are prevented from entering or using it.

“The Israeli Knesset also recently approved what is called lifting the ban on data concerning landowners in the West Bank, which makes it easier for settlers to seize land and allows them to purchase it, even in Area A, with the help of settlement associations,” he explained.

Actual expulsion

The tragedy is not limited to land confiscation and seizure in the West Bank, but extends to the expulsion of entire Palestinian communities from their homes under the weight of attacks.

Qusay Abu Naim, 23, a resident of the Bedouin community of al-Khalail in the village of al-Mughayyir, east of Ramallah, told us that he and all other residents were forced to leave in February due to the intensity of settler attacks on the residents, some of whom were injured.

On February 21, Israeli settlers attacked the community intermittently, assaulting men, women, and children, resulting in injuries to an entire family of four, including two children. The Israeli army then joined the attack after the settlers filed a complaint that the Palestinians had resisted them. The soldiers opened fire, wounding the children, aged 12 and 13, further.

“This incident was the last straw. We decided to leave because the attacks were almost constant. When we returned from the hospital to dismantle our homes, we were shocked to find that the settlers had destroyed them and vandalised their contents,” Abu Naim explained.

The attacks against this community began in December 2024, intending to seize the lands of al-Mughayyir. The settlers deliberately targeted women, beating them and stealing sheep to force the residents to leave.

“Because of the numerous attacks, we sought help from international solidarity activists, but that didn’t stop the settlers. The activists were attacked several times in 2024 and 2025. Among the attacks, settlers broke my brother’s arm so severely that he needed a metal plate to repair the fracture. While he was receiving treatment, the Israeli army arrested him, even though he was the victim. He is currently being held in administrative detention without charge,” Abu Naim added.

In addition to the attacks, the homes of this community were repeatedly robbed by armed settlers. They would break into the houses and steal food from refrigerators, terrorising women and children.

The residents of the community were forced to leave for neighbouring villages, including Deir Jarir and areas within al-Mughayyir itself, but they still remember the years when they lived there in their communities, amid a beautiful Bedouin life, the images of which remain with them to this day, and they lament leaving it.

“Of course, it is now forbidden for any Palestinian to access the al-Khalail community area, which is under the control of settlers and the Israeli army. We left it, but the land will return to its original owners,” he concluded.

According to the Office for the Coordination of Humanitarian Affairs (OCHA), at least 4,765 Palestinians were displaced from 97 locations between January 2023 and mid-February 2026 due to settler violence.

Most of those displaced were from Bedouin and herding communities in Area C. At the beginning of this year alone, 600 people were forced to leave a single Bedouin village, Ras Ein al-Auja, in the Jordan Valley.

According to the United Nations Development Programme (UNDP), the number of Palestinian Bedouins in the West Bank is approximately 40,000. Most Bedouins are originally from the Naqab Desert, from which they were forcibly displaced or fled during the 1948 Arab-Israeli War, following further displacement after 1967, and then throughout the 1980s, they have continued to face waves of expulsion to this day.

AT 36, Millie Mackintosh is navigating divorce for the second time in her life, after her seemingly fairytale marriage to Hugo Taylor collapsed earlier this year.

It’s the latest hurdle after a difficult few years, which has seen the star quit drinking and come to terms with an ADHD and anxiety diagnosis, which she had previously numbed with booze and prescription drugs. As she faces the pitfalls of divorce, insiders tell us why she has been left worrying about money and the lengths she’s gone to, to protect herself.

After seven years of marriage, Millie and Hugo, who are parents to Sienna, five, and Aurelia, four, filed for divorce earlier this month. The pair are yet to comment on the break-up but insiders suggested that Millie’s massive lifestyle overhaul played a part in the decision.

Suddenly, Millie, who is worth roughly £6million from her various business ventures over the years, went from a shared income with Hugo, who runs a luxury eyewear company, to fending for herself once again.

Hugo is thought to be worth around £4million – he launched luxury eyewear brand Taylor Morris off the back of his MIC fame, and it’s been a huge hit with the likes of everyone from David Gandy to the Beckhams.

An insider explained: “Millie has always made her own money; she didn’t rely on Hugo, but it is, of course, very different when there are two people instead of just one.

“Almost overnight, friends noticed a huge difference in her spending habits. Suddenly, she started to cut back and seemed to be really thinking about what she was buying.

“She’s worked so hard for what she’s created, and it’s terrifying not knowing what will happen. It’s causing her crippling anxiety.

“It’s very surprising to see someone like Millie fretting about money, but like any couple who has separated, it’s a shock to the system, and it will take time and effort working out how she will maintain her current lifestyle.”

Most people know Millie as one of the original cast members of Made In Chelsea – the reality show about some of London’s wealthiest 20-somethings.

She was billed as a chocolate heiress when she first burst onto the scene in 2011, but was determined to be known as more than that. 

Her great-great-grandfather, John, was a Victorian entrepreneur, known as the Toffee King, who created Mackintosh’s sweet company.

A generation later, her great-grandfather and his brother invented Quality Street, which Brits know and love today, but they sold it in 1988.

Millie insisted: “People severely overestimate how wealthy I am.

“I’m routinely referred to as the heir to the Quality Street fortune, as though I hit 21 and inherited millions. If only.

“It’s not as if I get a cut every time someone eats a toffee. My family sold the business years ago. I’m comfortable, but I don’t live a flash life.”

Millie, real name Camilla, definitely has a comfortable life – her parents, Nigel and Georgina, brought her up in a  £1.4million townhouse in Bath.

And as soon as she was old enough, Millie started working. She was a waitress at first and was working in Space NK when she was approached about her place on MIC when she was just 21. 

She famously dated Hugo on the show, but then met and fell in love with rapper Professor Green. They married in  2013 and split in 2016.

It was a rocky relationship, with Pro Green — real name Stephen Manderson — recently admitting that he had nearly “called off” their nuptials, but they had both felt “pressured” to go through with it.

A decade on from the split, Millie and Pro have reconnected and have bonded over both being diagnosed with ADHD in recent years.

Speaking on Jamie Laing’s Great Company podcast last October, Pro branded her “beautiful”, but added that the pair were toxic for one another at the time of their marriage, describing it as a “trauma bond”.

In another interview, he admitted their quickie divorce had been costly for him.

He told John Bishop: “You know what they say about divorce, it’s expensive, you know why? Because it’s worth it.

“I can’t stop working right now, my mortgage isn’t paid, I am not a house owner. The bank own my house, I own a percentage of it depending on where it sits in the market.”

The summer after their split, she rekindled things with Hugo, and it looked like they would last forever.

Second marriage split

News of their split came as a surprise, but insiders have suggested the writing had been on the wall for some time.

Millie had changed a lot in recent years – she has been open about her massive lifestyle overhaul after quitting drinking in 2022, then dealing with the ADHD and anxiety she had previously numbed with booze and prescription drugs.

What’s more, she revealed last year that, having grappled with her sexuality, she had finally admitted to herself and Hugo that she was also attracted to women.

The pair have now both appointed legal teams and have quietly started divorce proceedings.

A pal said: “Fans will be sad to hear that their relationship is really over, but the pair just want a clean break.

“Millie and Hugo are committed to co-parenting their two young children and keeping everything stable. They are still very amicable with each other and have a lot of respect for one another.

“They want the divorce to go through as painlessly as possible and are focusing on work in the meantime.”

They want the divorce to go through as painlessly as possible

Pal

Millie has always been a grafter – she swiftly turned her reality TV fame into an online following as an influencer, which paved the way for many after her.

She launched her own fashion brand in 2014, proudly saying at the time: “I invested my own money into setting it up.

“I own it, I model it, and they’re my designs. So I would say, yeah, I’ve kind of created my dream.”

But by 2018, the dream was over, and she lost £178,000 of her own money when the company became unsustainable.

It didn’t stop her, though, and she transformed into a lifestyle influencer, with brand deals popping up left, right and centre.

Our insider says: “Don’t be surprised if you see more and more collaborations on Millie’s social media. Her arms are very open to any opportunities that come her way.”

She even wrote a book – Bad Drunk – about her boozing issues.

She has been sober now for over three years and admitted that one of the ways she realised it was such a problem was the fact that it was “stealing her money”.

It hasn’t been an easy road to being financially secure, and the work/life juggle has proved tricky at times since she became a mum.

As a self-employed woman, Millie went back to work just three months after Sienna’s birth and, while it was difficult, she believes it was the best thing for her.

She says she gets up at the crack of dawn to get a head start on emails and tasks.

She explained: “Since becoming a mother, I really want to get the most out of work.

“Your time is your most valuable thing.

“I get up at 5am so I feel I can start my day early enough to get everything I need to do, done.”

She admits she got the “balance wrong” at first when it came to juggling work with kids.

“It weighed on me quite a lot,” she says.

“So I was actually doing some work around this in therapy, and I figured out that my weeks weren’t structured in a way that was beneficial for me and my mental health.

“I had to change the balance.

“And I now have blocked out time in my diary every week, and the kids know that I won’t be working in that time.”

The juggle has no doubt been even harder since her split from Hugo, and just a few days ago, she candidly spoke about her fears, saying: “I think recently I have found it really hard to know how to show up online because of things I’ve got going on in my personal life that I am not going to share online.

“But because I do usually share so much of my life, I felt like this gap, this resistance to posting and like letting you guys in.”

Millie certainly seems to be well aware that sharing her life with fans is helping to pay her bills at the moment, but just how much she will share is yet to be seen.

One thing is for certain, though, with her divorce looming, there is likely to be another very big bill on its way. 

The Brusseleir dialect that’s still spoken in much of the Marolles dates back to the middle ages, a symbol of the independence of this proudly working-class neighbourhood in central Brussels. Located between the Palace of Justice and Halle Gate, it’s always been an inclusive refuge for immigrants from Europe and north Africa. The must-see Brussels tourist attractions of the Grand-Place central square and Mannekin-Pis statue are within walking distance, but the Marolles offers a very different experience: fashion, antiques and bric-a-brac shopping; alternative creative centres and provocative graffiti; characteristic estaminets (hybrid pub, cafe, bistros) specialising in hearty local dishes; and artisan breweries.

Where to eat

The splendid art nouveau Les Brigittines is a Belgian culinary institution, where chef Dirk Myny has overseen the kitchen for 35 years. He daringly reinterprets classic Flemish recipes with dishes such as smoked eel mousse and succulent pork belly with a tart cherry ale vinaigrette, or pig’s trotter, coddled egg, capers and gherkins. The three-course €38 lunch menu is a steal.

Don’t miss the experience of a traditional estaminet, either for breakfast coffee with a speculoos (spiced biscuit), or lunchtime pistolet (crusty rolls) with cheese, a hearty plate of stoemp (vegetable mash) and meatloaf, or chicons (endives) braised with ham. Estaminets such as Volle Brol and Au Mouton Bleu are fun spit-and-sawdust locales, but nothing beats the historic La Clef d’Or, which looks out over the daily flea market on Place du Jeu de Balle. Its owner, Eddy Aslan, sums up the Marolles as “a friendly cosmopolitan village where everyone is made welcome, and unique in that it is outside Belgian politics, neither Flemish nor Walloon but genuinely Bruxellois”.

A more modern estaminet is Mazette!, a cooperative microbrewery of 900 members who make more than 20 beers, mill an organic flour and bake their own bread, pizza and focaccia. Cantillon, on nearby Rue Gheude, is the last Brussels lambic (traditional wild-yeast fermented) brewery and worth a visit for its gueuze beer.

The Marolles is proudly multi-ethnic. Try My Day, opened by Iraqi refugee Yousif Alsaleh, which serves home-cooked dishes such as maqluba, a pilaf-style spicy rice dish with chicken, lamb or roasted vegetables. Alternatively, there’s Flower Food for a Moroccan beldi breakfast of semolina crepes and flatbreads with eggs, smoked beef, honey and dates. For vegetarian menus, the plant-based diner Lucifer Lives serves tasty soups such as broccoli and garlic, while the community cooperative L’Eau Chaude offers simple organic dishes such as coconut curry for €9.50.

At night, the Marolles can be a wild place to party. Start off playing pinball and table football at the brilliant bar Le Petit Lion and you could still be there at 2am, dancing with a packed crowd to local DJs. Just up the road is Fuse, a legendary techno dance club since 1994, where weekend gigs carry on till sunrise, when the Jeu de Balle bars are just opening up.

What to see and do

While the headline Magritte and Fine Arts museums are in the centre of Brussels, the Marolles offers a vibrant and challenging counter-culture scene. Dotted around the backstreets, street art enthusiasts can track down 16 of the city’s iconic comic strip murals; sadly, no Tintin, but rather local heroes such as Spirou, Blake & Mortimer, and Le Chat, a beloved cat cartoon. Wander through the streets and tunnels around the old Chapelle train station and Ursulines skate park and you enter an unofficial graffiti gallery, constantly being repaired and updated.

More formal cultural centres are the Octopus Heart art centre, which exhibits and offers residencies to local artists, and the Centre d’Art Mont-de-Piété, a 17th-century charitable organisation whose gallery hosts everything from photography and textiles to fashion shows. Be sure to go right to the end of Rue Haute, to discover the remarkable Art et Marges museum, which for 40 years has been a cutting-edge centre presenting art brut, outsider art produced by self-taught artists outside the contemporary circuit.

Where to shop

The Marolles is vintage shopping heaven, attracting fashionistas hunting down rare outfits, interior design fans looking for art deco lamps and Murano mirrors, and bargain hunters searching for collectibles in the sprawling Jeu de Balle flea market. Bernard Gavilan is the neighbourhood’s undisputed fashion guru; he opened his first boutique here in 2011, an Aladdin’s cave of vintage clothes and accessories. “Retro fashion has become much more important in the Marolles over the years,” he says, “but there’s a difference between the by-the-kilo stores popping up everywhere, which sell basic, recent secondhand clothes, and shops like mine, whose quality items can go back to 1900.”

The two key streets to explore are the parallel Rue Blaes and Rue Haute. Don’t miss Passage 125, an ancient textile warehouse that has been transformed into a labyrinthine antiques emporium selling everything from jewellery and stained glass to crystal chandeliers and rare arms. Meanwhile, Haute Antiques is housed in the old art nouveau Rialto cinema, where 25 collectors tempt shoppers with high-quality pieces, from furniture to lighting.

Don’t miss

The vibrant heart of the neighbourhood is the Marolle’s monster Jeu de Balle flea market, open 365 days of the year but with the best bargains on Sundays. At midday, head to Centro Cabraliego, a social club for generations of immigrants from Spain’s Asturias, where local people cook up a copious lunch of chorizo, ribs and calamari with wine or cider for under €20. Walk over to the Place Brueghel, on Rue de l’Epée, where a free glass lift whisks you up to the entrance of the landmark Palace of Justice, with panoramic views over Brussels. Finish off with a walk down Rue des Tanneurs, past the Palais du Vin, now an organic food market, till you arrive at the stately romanesque Notre-Dame de la Chapelle church, where the 16th-century painter Pieter Bruegel the Elder is buried.

Where to stay

On bustling Rue Haute, La Maison Haute is a chic boutique place with room-only doubles from €120. A budget alternative at the edge of the Marolles is Ibis Brussels, with spacious doubles from around €90, right opposite the Eurostar station.

The meal at Les Brigittines was provided by Visit Brussels

SACRAMENTO — When the confetti dropped after the final buzzer, the UCLA women’s basketball team was dancing.

Lauren Betts and Charlisse Leger-Walker looked at each other as Tate McRae’s “Just Keep Watching” played, then Gabriela Jaquez, from across the court, locked eyes and raced to join them in time.

It was time, once again, for the Bruins to celebrate by performing their dance routine. This time, No. 1 UCLA also answered a key question during its Final Four-clinching 70-58 win over No. 3 Duke.

Yes, the Bruins (35-1), barely challenged all season and always dancing and smiling, could actually deal with adversity after all.

UCLA earned its second straight Final Four berth despite trailing at halftime for the second time all season and coming from behind to win while down in the second half for the first time.

They will face the winner of Monday’s game between No. 1 Texas and No. 2 Michigan.

“That was definitely adversity,” said Gianna Kneepkens, who scored seven points. “We regrouped, and the way we were talking to each other gives me so much confidence.”

UCLA trailed Duke 39-31 at the half after missing all four three-point attempts and committing 12 turnovers.

UCLA center Lauren Betts drives to the basket over Duke forward Toby Fournier in the first half of the Bruins’ win in the Elite Eight of the women’s NCAA tournament Sunday.

(Eric Thayer / Los Angeles Times)

“We really didn’t execute our game plan very well,” UCLA coach Cori Close said of the first half. “We didn’t control rebounds. We weren’t the aggressors in creating catches. We didn’t go strong to the rim and execute our stuff.”

But they turned on the aggression early in the third quarter, taking deeper shots and forcing three jump-balls and four turnovers as the Bruins rallied from a deficit in the second half for the first time all season. UCLA outscored Duke 20-8 in the third quarter.

“We were really reactive in that first half and let the game come to us,” said Leger-Walker, who finished with five points and six assists. “We let them dictate what was going on out there. It’s not how we’ve played in the season, when we’ve been up and feeling good. So, you know, we could feel that coming into halftime, and we all kind of took a breath, reset, and a lot of that was on the defensive side.”

Betts was also activated late, with 15 of her 23 points and eight of her 10 rebounds coming in the second half while she matched a season high five blocks.

“I was pretty mad,” Betts said of her emotions at halftime. “I just didn’t like how that first half happened. I know that I could have been a lot more aggressive. I think going into a game like this, sometimes you just take yourself out of your head and you realize, oh, this is the Elite Eight and my season is on the line. So I’ve got to wake up a little bit. Going into the locker room, I was just pretty certain that I wanted to win this game.”

Angela Dugalic shot four of eight with four rebounds and two steals in the second half and was the catalyst for many big moments, including a buzzer-beating floater to end the third quarter and a lead-extending layup and free throw off an offensive rebound to create separation in the fourth. She finished with 15 points off the bench.

Dugalic and the other veterans led a halftime conversation before Close came into the locker room.

“When Cori came in, she was super steady, and I think that gave us a sense of calm,” Dugalic said. “We still were pretty neutral. We understood that the first half wasn’t a good representation of how we want to play basketball. But Cori came in and what she said right now is, like, ‘How do we stick back to our values and stay neutral, focus on next-play speed?’”

Duke forward Delaney Thomas, left, tries to draw a foul against UCLA forward Angela Dugalic during the first half Sunday.

(Eric Thayer / Los Angeles Times)

Duke (27-9) scored 18 points off the Bruins’ 18 turnovers, tied for the most UCLA has committed all season. Twelve of them came in the first half. But UCLA turned it around in the second half with 18 points off 13 Duke turnovers.

The Blue Devils entered the game limiting opponents to 26.8% from three-point range, ranking 15th nationally, and aggressively challenged the Bruins’ offense. UCLA responded by becoming one dimensional, solely trying to get the ball to Betts in the post.

But Gabriela Jaquez, who finished with nine points and five rebounds, hit a three-pointer early in the third quarter to get UCLA back within five, and Duke missed six consecutive shots while the Bruins narrowed the gap. Toby Fournier (10 points) also committed her third foul early in the quarter, forcing the Blue Devils’ center off the floor.

Both offenses stalled for a period in the third quarter, but consecutive Duke turnovers led to a Leger-Walker fast-break layup and a Kneepkens three-pointer for UCLA’s first lead since the opening seconds of the game.

Duke didn’t score for 5:40 during the third quarter until Taina Mair (team-high 21 points) made a free throw with 32 seconds remaining. The eight Blue Devils’ points were tied for the fewest they’ve scored in a quarter this season.

“You can only learn from moments like this, which is a really positive thing,” said Leger-Walker, with one piece of the NCAA tournament net tied to her Final Four hat. “Definitely not something we want to have as a pattern, though.”

The Bruins held the ball with the clock running down, and Leger-Walker dribbled it to around the top of the three-point line and stopped. Her teammates surrounded her and the group huddled around each other as time expired.

“I just said, ‘I love you guys,’” Betts said of the moment. “That was it. I said, ‘I love you guys.’”

They’ll dance on down to Phoenix next, looking not to avenge the Final Four defeat to UConn a year ago, but ready to prove they have grown to be a championship team.

“Now we really know what it takes to build a rally too,” Rice said.

UCLA center Lauren Betts holds up a piece of the net after the Bruins’ win over Duke in the Elite Eight of the NCAA women’s basketball tournament Sunday.

(Eric Thayer/Los Angeles Times)

Pakistan Super League has been jolted by the ball-tampering accusation against Zaman, which allegedly occurred on Sunday.

Lahore Qalandars batter ‌Fakhar Zaman has been charged with ball-tampering in ⁠Sunday’s Pakistan Super ⁠League (PSL) match against Karachi Kings, the Pakistan Cricket Board (PCB) said in a statement.

The incident occurred in the ⁠final over, with Karachi needing 14 runs to win. Fakhar, Lahore captain Shaheen Afridi, and fast bowler Haris Rauf were ⁠involved in a brief discussion, during which Fakhar and Rauf passed the ball between them.

The umpire then approached Rauf and asked to see the ball. Following consultations with the square-leg umpire, the ‌officials awarded five penalty runs to Karachi and ordered the ball to be changed.

The penalty proved costly, as Karachi went on to chase down a target of 129 with three balls to spare, and Abbas Afridi hitting a four and a six to seal a four-wicket victory.

“Fakhar denied the charge ⁠levelled against him during a disciplinary hearing ⁠led by the match referee Roshan Mahanama,” the PCB said.

“Another hearing is set to take place within the next 48 hours after which the match ⁠referee will share his verdict.”

Afridi said they would look at video footage of the incident.

“I ⁠don’t know about this, and we’ll ⁠see if it’s there in the camera and discuss it,” he said at the post-match presentation ceremony.

Fakhar, 35, could face a ban of one or two matches ‌if found guilty of ball tampering for a first offence in the PSL.

Australian trio David Warner, Steve Smith and Cameron Bancroft ‌were ‌handed lengthy bans by Cricket Australia following a 2018 ball-tampering scandal in South Africa.

Kicking off the upcoming season at the Mark Taper Forum — which recently celebrated its top-grossing musical ever with “Here Lies Love” — is the world premiere of Zack Zadek’s original musical “The Turning,” a folk thriller set in California’s Sequoia groves.

The show, said Center Theatre Group’s artistic director Snehal Desai as the company announces its 2026-27 slate of performances, has a “very L.A. vibe.”

Next up is a batch of shows meant to provide audiences some comedic relief amid a midterm season that’s sure to sow anxiety: Karen Zacarías’ “Destiny of Desire,” Cole Escola’s “Oh, Mary!” and the family-favorite “Dog Man: The Musical.” Then in the spirit of springtime renewal, thought-provoking plays like “John Proctor Is the Villain” and “Fences” will leave audiences in contemplation before festive summer item “Boop! The Musical” swoops in to lift spirits.

When Desai plans the company’s season lineup, he always surveys the year ahead — literally.

“I look at the calendar a lot as to, where do we think we’re gonna be a year from now? Six to eight months from now?” Desai said in a recent interview at his office in downtown L.A.

Some entries in Center Theatre Group’s upcoming season are scheduled intuitively, like the Mischief Comedy team’s “Christmas Carol Goes Wrong,” running in the thick of the holiday season. But with others, Desai said he orchestrated the lineup to tell a programmatic story, like an artist might order tracks on an album.

As an artistic director, Desai said, he always encourages visitors: “Join us all season, versus just coming for the things you like,” and maybe you’ll be pleasantly surprised.

This year as Desai consulted his calendar, he looked even farther ahead than usual, toward Center Theatre Group’s 60th anniversary season (2027-28) and the L.A. Olympics in 2028.

“We were having conversations of, what are the plays that we want to do or we want to bring back,” Desai said, when the theater company’s associate artistic director Lindsay Allbaugh suggested “Fences,” the final play of August Wilson’s acclaimed Century Cycle to be staged at Center Theatre Group.

“I said, ‘Oh, that’s what we want,’” Desai said, “both to end this season and kick off our 60th.”

The artistic director could not yet confirm who would direct the Pulitzer Prize-winning drama about a former Negro League baseball player and his family navigating life in 1950s segregated Pittsburgh.

Desai, who has not shied away from politically charged material during his tenure at the theater company, said Wilson’s play aligned with his intent this season to platform work “asking who we are as a country and as a community and society.”

“I wanted voices that felt bold and fearless, that were both outspoken and unafraid in a world where, right now, it feels like there’s a lot of things that are trying to stifle us from speaking out or coming together,” he said. To him, presenting “Fiddler on the Roof” in Yiddish is revolutionary, as is “John Proctor Is the Villain’s” dissection of a classic through a feminist lens.

Desai added that he planned to balance that rabble-rousing spirit with productions that leaned more “celebratory and communal” and provided “different ways of having catharsis.”

“Oh, Mary!” offers riotous fun, and “Destiny of Desire” is an homage to an oft-dismissed yet widely consumed medium, the telenovela.

“With ‘Destiny,’ you’re able to take that format of something that people often watch in isolation at home, and enjoy it together,” Desai said.

Regional theater faces a slew of challenges: rising production and personnel costs, post-pandemic audience declines and competition from digital media. The situation has felt particularly bleak in L.A., Desai said, as seeming moments of recovery in the past year or so were squashed by the L.A. wildfires, then last summer’s immigration crackdown and associated civil unrest.

“We just constantly live in this time period that feels like we’re on shifting sands,” Desai said. Nonetheless, the company is finding paths through the desert, including with alternative programming through CTG: FWD.

The CTG: FWD initiative this season will bring “Riverdance 30 – The New Generation,” “Clue” and “The Music Man” to the Ahmanson Theatre, and “Dog Man” to the Kirk Douglas Theatre.

Another strategy Desai said the theater company has employed is heavy investment in new works development, particularly new musical development. New works are time-and resource-intensive, Desai said, but they’re also good investments, offering the best chances at longevity and commercial prospects.

With “The Turning,” Center Theatre Group spotlights an emerging voice that Desai said represents “the future of American theater.”

After Desai was introduced to Zadek’s folksy musical “The Turning,” he said, “I just kept listening to it over and over again. I was like, ‘I can’t wait for the cast recording of this to be on Spotify.’”

The artistic director was also thrilled to find an ultra-rare gem in Zadek’s piece: a truly original story.

“A lot of things are adaptations these days: adaptations of films, of TV shows,” Desai said. “So to get a world premiere musical that is based on its own original concept — that, I found, was really compelling.”

Following back-to-back seasons of directing his own productions, Desai is taking a breather this go-around to focus on broader administrative duties. But he still hopes to be a resource for visiting directors learning how to navigate the “special space” that is the Mark Taper Forum — and its neighbors the Ahmanson Theatre and the Kirk Douglas Theatre, which will get its own season announcement in the spring or early summer.

See the full season, here.