Month: June 2026

The cost to connect each of the U.S. military’s Low-Cost Uncrewed Combat Attack System (LUCAS) one-way attack drones to space-based networks has risen from $5,000 to $25,000 a month, according to a new report. This is said to be the result of a switch from using the commercial Starlink network to its more secure government-focused cousin Starshield, which SpaceX demanded after extensive use of LUCAS drones in the latest conflict with Iran. The Pentagon has pushed back on the story, but it still highlights how critical SpaceX’s networks and other space services have become across the U.S. government, which TWZ has previously explored in detail.

Reuters first reported on the price increase to connect the datalinks on LUCAS drones to SpaceX’s space-based networks earlier today. The story cites anonymous sources, as well as Pentagon documents the outlet says it reviewed. This follows the recent announcement that the Pentagon is working to make LUCAS more autonomous with new artificial intelligence (AI) driven swarming capabilities, which could impact future connectivity demands.

Produced by SpektreWorks, LUCAS was developed in close cooperation with the U.S. military. It is a reverse-engineered clone of the Iranian-designed Shahed-136 and has a unit cost of around $35,000. The American drone already comes in multiple variations, and there is a related target drone design for use in training and test and evaluation activities. Versions fitted with miniature beyond-line-of-sight satellite datalinks, allowing for dynamic control and for their progress to be otherwise monitored after launch, have been a fixture in official pictures of LUCAS drones in the Middle East.

In the video in the social media post below, the satellite communications terminal can be seen hanging from a cord on a LUCAS drone said to have been recovered largely intact in Iraq.

The U.S. military announced it had begun fielding LUCAS drones operationally last December with a special operations-led task force in the Middle East. LUCAS’s official combat debut came in the opening wave of strikes on Iran on February 28. U.S. Navy Adm. Brad Cooper, head of U.S. Central Command, subsequently described the one-way attackers as an “indispensable” component of that operation, dubbed Epic Fury.

What we know about SpaceX’s reported upcharge for LUCAS

“Within weeks of the United States launching its bombing campaign, SpaceX executives met Pentagon officials and argued ​the military had been paying about $5,000 for connection per terminal while effectively using a higher tier of service worth closer to $25,000,” according to Reuters. “SpaceX argued the ⁠LUCAS drones were operating under conditions that aligned more closely with its aviation tier subscription rather than a lower priced land or mobility service. Pentagon officials argued that the $25,000 price tag – a monthly fee – was designed for aircraft, not kamikaze drones that used Starlink connection for a matter of minutes ​or hours.”

“The Pentagon, which was ramping up strikes on Iran, ultimately agreed to pay SpaceX’s proposed price increase,” Reuters‘ report added.

The story also said this reflected broader “tensions” between the Pentagon and SpaceX that have been growing recently over Starlink fees.

“The Fake News media has the story wrong, again,” top Pentagon spokesperson Sean Parnell subsequently wrote in a post on X. “The claims in this article are simply not based in reality and do not reflect the close, effective collaboration between our teams.”

When reached for comment by TWZ earlier today before Parnell’s post, the Pentagon did not directly address Reuters‘ report.

“The Department of War is committed to fostering a competitive environment for commercial satellite communications and is conducting comprehensive market research to continuously monitor commercial offerings that align with government requirements,” a Pentagon official told us. “We are actively engaging with industry to identify innovative solutions and new entrants, ensuring acquisitions are inclusive of a diverse range of capable vendors.”

“The Commercial Satellite Communications Office is working on additional options with other proliferated low earth orbit partners as part of its strategy to leverage the unprecedented capabilities provided by the commercial SATCOM industry,” that same official added. “The U.S. Space Force is operating in accordance with the terms and conditions of its contracts.”

TWZ has also reached out to SpaceX for more information.

“It is a violation of commercial Starlink terms of service to use the terminal for weapon systems. This applies to all users and is shut down when discovered,” Elon Musk, who is the founder and CEO of SpaceX among his other endeavors, had written on X on March 1 in response to a post about LUCAS making use of Starlink. “There is a separate network called Starshield, which is operated by the US government. This is not under SpaceX control.”

SpaceX’s networks and the LUCAS cost equation

Though described as a “monthly fee,” Reuters‘ report indicates that the U.S. military pays the $25,000 only once to employ a LUCAS drone. As the piece points out, the Pentagon reportedly argued that it should get to pay the lower $5,000 rate because it was only using the network to support LUCAS in timeframes measured in “minutes ​or hours.” This is also in line with Reuters describing the added cost as effectively approaching doubling the LUCAS drone’s $35,000 unit price.

The entire point of these one-way-attack drones is to offer a lower-cost complement to traditional exquisite long-range strike munitions. The Tomahawk cruise missile, the unit cost of a current-generation version of which is generally said to be in the $2 to $2.5 million range, is often used as a point of comparison, although they are far from equal in many ways. The underlying argument for LUCAS also relies on the drone being relatively cheap and easy to produce, as well as employ in large volumes. TWZ laid all of this out in a detailed case for the Pentagon acquiring exactly these kinds of drones in mass, which we published just three months before LUCAS was confirmed to be in operational service.

A combined price tag of some $60,000 (the unit cost plus one month’s fee to connect to Starshield, as reported by Reuters) would still be far less expensive than the cost of a single Tomahawk. Using Starlink/Starshield terminals to begin with, beyond their connectivity advantages, offers the benefit of miniaturized high-bandwidth hardware that is being produced at a commercial scale.

Plans to make LUCAS more autonomous through the addition of new swarming capabilities could affect future network connectivity requirements for the drones. This will be enabled by the integration of Shield AI’s Hivemind autonomy software, as you can read more about here.

Shield AI flies Hivemind AI Pilot on 6th Aircraft

As TWZ recently wrote:

“For the time being, the U.S. military demands a human operator is ‘in or on the loop’ for kinetic or otherwise potentially deadly actions, as opposed to letting autonomous weapons choose what targets to attack on their own without any extra authorization. While less controversial morally, this can also be a tactical hindrance, slowing the swarm’s potential and adding complexity and vulnerabilities to its operations. The debate around this choice will only get more heated as adversaries bypass this elected restriction in order to get an upper hand in future combat scenarios.”

“As we pointed out in our initial reporting on LUCAS’s emergence, the fact that some of the LUCAS drones already include miniature SATCOM terminals is very noteworthy. After all, ‘human in the loop’ swarming would not be possible without this form of communications at the beyond line-of-sight ranges these drones fly. At the same time, an entire swarm can be controlled in this manner, even if just a handful are equipped with SATCOM terminals. While a swarm can be mesh networked within line-of-sight, it has to relay all the important information back to an operator. By using some of the drones as SATCOM relay nodes, the entire swarm can be controlled remotely from most places on the planet.”

“Regardless, the Hivemind AI pilot will allow appropriately equipped LUCAS drones to perceive their environment, make decisions, and act autonomously without continuous human input. Unlike conventional autopilots tied to fixed flight paths, Hivemind is designed to dynamically adjust mission plans, react to unforeseen conditions, avoid obstacles, and carry out complex tasks with minimal operator oversight.”

An increase in fees to connect individual SATCOM terminals to SpaceX’s networks, as well as cost savings on hardware, might further push the Pentagon toward a hub-and-spoke mesh-like networking arrangement like the one described above. LUCAS drones could also be employed in other contexts where satellite connectivity throughout the course of a mission might not be required, including if used essentially as fire-and-forget missiles aimed at fixed target coordinates. A SATCOM terminal would not be necessary at all for this kind of mission set, although it would be beneficial.

There is also a question about the total bandwidth that might be required to support swarms of LUCAS drones. From Reuters‘ reporting today, the increased load on its networks was a central factor in SpaceX’s demands for higher fees after strikes on Iran began. That being said, as already mentioned, Starlink/Starshield terminals are already designed with relatively high bandwidth use in mind.

These same considerations will apply to current and future programs that rely heavily on SpaceX’s satellite communications networks.

Dependence on SpaceX and U.S. national security

Specific cost figures aside, the LUCAS drone’s reliance on Starlink/Starshield underscores SpaceX’s dominance in the satellite communications market globally. It also highlights how essential the company’s space-based networks have already become for the U.S. military. TWZ explored this reality in detail amid open feuding between President Donald Trump and Elon Musk last year. The relationship between Trump and Musk has since rebounded, with the latter accompanying the President on his recent state visit to China.

Reuters reported today that there are some 10,000 satellites in SpaceX’s constellation supporting Starlink and Starshield, and that this represents more than 60 percent of all satellites currently in orbit. The company’s space-based networks, far and away, dominate the commercial satellite communications space globally. Offerings from competitors like OneWeb and Amazon Leo are more limited in scale and scope.

Watch SpaceX deploy Starlink satellites into space

This is reflected in the U.S. government’s ever-growing use of Starlink/Starshield on aircraft, ships, and in settings on land. This includes integration on some very high-value assets, including the U.S. Marine Corps’ VH-92 Patriot presidential helicopters and U.S. Navy aircraft carriers. There has also been a steadily growing push to use these networks to support tactical operations, as now highlighted by the link to LUCAS. The U.S. military had first demonstrated the ability to use Starlink to transmit targeting data years ago.

The U.S. government’s increasing use of Starlink/Starshield has already prompted operational security questions, even just in the context of supporting day-to-day peacetime operations, as you can read more about here. Starshield is designed to be more secure to help address these concerns for government customers.

At the same time, heavy use of Starlink on both sides of the conflict in Ukraine, including as a means of guiding one-way attackers in the air and at sea, has further underscored potential risks associated with the use of the networks in tactical scenarios. SpaceX and CEO Musk have faced particularly significant criticism in the past over limiting some Ukrainian use of the network. Actions SpaceX took earlier this year to block unregistered Starlink terminals also had major consequences for Russian forces, which were sent scrambling to find alternatives to fill the massive resulting communications gaps.

What SpaceX might have been prepared to do if the Pentagon did not agree to pay increased fees to support LUCAS is unknown. We also do not know what kind of protections are currently baked into U.S. contracts with SpaceX to prevent government users from being suddenly disconnected without warning. Regardless, as noted earlier, the Pentagon could deploy LUCAS swarms with just a handful of drones equipped with terminals to relay the critical info needed to control the rest of the formation, and LUCAS can still be used as a fire-and-forget weapon without any beyond line-of-sight connectivity, although this would greatly curtail its flexibility and, in some cases, its efficacy.

As the Pentagon official noted to TWZ today, there is a push to explore commercial alternatives to Starlink/Starshield and promote further competition in this space. At the same time, part of the attractiveness of Starlink/Starshield for the U.S. government has been the relatively low costs and other benefits associated with leveraging such well-established networks, as well as the knowledge base that comes along with that pedigree. Just today, the U.S. Space Force announced it had finalized a new Other Transaction Authority (OTA) agreement with SpaceX, valued at $2.29 billion, for work on the Space Data Network (SDN) Backbone program. The SDN is tied to work on new space-based sensing and targeting capabilities, particularly for missile defense, which could now feed into the Golden Dome initiative.

Beyond satellite communications, SpaceX is reportedly also now a critical player in U.S. military efforts to increasingly move air and ground moving target indicator (AMTI/GMTI) tasks into orbit.

On top of all this, SpaceX is also by far the top provider of space launch services globally, as well as other space-related services, including for the U.S. government. The core elements of Golden Dome, including the sustainment of planned batteries of space-based interceptors, require reliable, routine access to space at a frequency that only SpaceX can provide within budget constraints.

SpaceX looks set to remain a dominant force in this market space worldwide for the foreseeable future, and it continues to expand its presence, driven heavily by commercial demand. The company’s government contracts, though substantial, only account for around a fifth of its annual revenue, according to Reuters.

Despite the Pentagon’s response to the particulars of Reuters’ story today, being so heavily reliant on one provider for critical technologies still raises important questions not just for LUCAS, but for other efforts across the U.S. military that rely on robust and secure satellite communications connectivity.

Contact the author: joe@twz.com

Jason Bateman could snag limited series Emmy nominations for his lead role as a deep-in-debt barman on Netflix’s “Black Rabbit” and supporting role as a sexually adventurous weatherman on HBO’s “DTF St. Louis.” Drawing more than one nomination in a year has been the norm for Bateman.

14

Bateman’s previous Emmy nominations encompass acting, directing and producing.

1

His lone Emmy win came in 2019, for directing an episode of his Netflix crime drama “Ozark.”

21

The former child actor’s first nomination, as lead of the Fox (later Netflix) comedy “Arrested Development,” came in 2005. Bateman’s adult “comeback” has lasted 21 years and counting.

4

Times he has received multiple nominations in a year, most often for acting in, directing and producing “Ozark.”

2

“Black Rabbit” and “DTF St. Louis” would mark his second time receiving acting nominations for different shows in the same year.

2020

Bateman competed for drama lead for “Ozark” and guest actor for HBO’s “The Outsider.”

0-for-7

Bateman is overdue for an acting Emmy. His brilliant straight-man work in “Arrested Development” lost out to Emmy juggernauts Tony Shalhoub (“Monk”) in 2005 and Jim Parsons (“The Big Bang Theory”) in 2013.

3-for-13

The Actor Awards have been kinder: Bateman won three lead actor statuettes for “Ozark.”

2026

The guilds already have spoken on “Black Rabbit,” with Bateman receiving Actor, DGA and PGA nominations.

5

Also a producer on “DTF St. Louis,” Bateman has a shot at five Emmy nominations this year.

Arne Slot says he is leaving Liverpool “exactly where it belongs: among Europe’s elite” after he was sacked as head coach on Saturday.

The Dutchman, 47, won the Premier League title in his first campaign but was dismissed by the club’s hierarchy after the Reds finished fifth in the league this season, 25 points behind champions Arsenal.

Liverpool will open formal talks with former Bournemouth manager Andoni Iraola this week over becoming their new head coach.

In an emotional open letter published in the Liverpool Echo, external, Slot said fans made him feel welcome from the start and helped him on his path. “That is something I cherish,” he added.

“I leave with complete confidence in what lies ahead.

“The players who have given so much to this club, who have upheld its values and helped create so many unforgettable moments, have built foundations that will endure.”

Despite suffering 20 defeats in all competitions, Slot secured Liverpool‘s place in next season’s Champions League.

“Securing Champions League football was an important responsibility and one that ensures Liverpool can continue competing at the highest level next season and beyond,” he added.

“Change is part of football, but I know that this club will continue to make its people proud.

“When I first stood beneath that sign in the Anfield tunnel, I knew what this club demanded. I leave knowing we never stopped striving for it.”

Colombia’s election heads to a June 21 runoff after a tight first round between Abelardo de la Espriella and Ivan Cepeda. The night was marked by mutual accusations, with Cepeda calling for verification of results and De la Espriella celebrating his lead.

A survey of 2,000 UK adults has named the best staycation destinations for 2026, with Cornwall’s St Ives retaining the top spot and Northumberland’s Bamburgh making a surprise new entry into the rankings

Britain’s top staycation destinations for 2026 have been unveiled, with Cornwall’s St Ives claiming the number one spot yet again and the Northumberland village of Bamburgh securing second place as a fresh addition to the rankings.

The yearly staycation report, drawn from a survey of 2,000 adults, showed that Bourton-on-the-Water and Salcombe have grown in popularity, while other coastal hotspots also experienced shifts in the standings. Brighton overtook Lyme Regis, climbing to sixth place, ahead of the Dorset town, which has moved from fifth last year to seventh.

The study, commissioned by Sykes Holiday Cottages, discovered that 38% intend to take their main holiday within the UK this year, climbing to 53% amongst Gen Z. This is up from 34% of adults who said the same last year, while Gen Z’s appetite for UK holidays has increased from 45% in 2025.

James Shaw, chief commercial officer at the holiday brand which launched the annual Staycation Index Report, said: “The continued popularity of UK breaks demonstrates that staycations remain a key part of how Brits holiday.

“More people are choosing to stay at home and prioritising value, flexibility and reassurance when planning time away, particularly amid ongoing uncertainty around overseas travel.

“What’s especially notable this year is the growing influence of younger travellers, Gen Z is increasingly embracing UK holidays, with more people opting for experience-led trips that combine scenery, food, culture and the chance to explore multiple destinations in one break.

“From seaside towns and national parks to countryside retreats, the UK continues to offer an enormous variety of holiday experiences, and that’s reflected in the strength and diversity of destinations featured in this year’s rankings.”

The study revealed that 64% are planning to — or have considered — a multi-destination road trip, stopping off at an average of three locations. Coastal spots are the most sought after, followed by rural areas and national parks.

Tourist attractions (48%) were also a deciding factor when choosing where to visit, alongside locations with fond memories (38%) and positive reviews and ratings (35%).

Of those hoping for a break in the UK, 48% said it’s simply the time they have to switch off and relax.

The study, conducted via OnePoll, found 14% have been swayed by a film or TV show, with Peaky Blinders proving the most influential following its film release this year (11%), set in Birmingham.

Similarly, Northern Ireland, home of the Game of Thrones prequel, House of the Dragon; and Northumberland, which was a location for Jurassic World, were also popular choices.

James Shaw, added: “For many people, holidays remain one of the most important opportunities in the year to properly switch off and spend quality time together, even as budgets remain under pressure.

“What this research highlights is that UK travel continues to appeal because it offers both convenience and variety – whether that’s a coastal escape, a countryside road trip or revisiting places that hold personal memories.

“We’re also seeing more travellers embrace flexible, multi-stop breaks, with people increasingly keen to experience more of what the UK has to offer in a single trip.”

TOP 50 UK STAYCATIONS

1. St Ives (Cornwall)
2. Bamburgh (Northumberland Coast)
3. Ambleside (Lake District)
4. Grasmere (Lake District)
5. Robin Hood’s Bay (North Yorkshire Coast)
6. Brighton (East Sussex)
7. Lyme Regis (Dorset – Jurassic Coast)
8. Bakewell (Peak District)
9. Salcombe (Devon)
10. Bourton-on-the-Water (Cotswolds)
11. Alnwick (Northumberland)
12. Lerwick (Shetland)
13. Tenby (Pembrokeshire)
14. Conwy (North Wales)
15. Fort William (Gateway to Ben Nevis & the Highlands)
16. Betws-y-Coed (Snowdonia)
17. Castleton (Peak District)
18. Shanklin (Isle of Wight)
19. Lyndhurst (New Forest)
20. Haworth (Yorkshire Dales)
21. Dartmouth (South Devon)
22. Boscastle (North Cornwall)
23. Oban (West Coast gateway to the Isles)
24. Brecon (Brecon Beacons)
25. Wells-next-the-Sea (Norfolk)
26. Portree (Isle of Skye)
27. Llangollen (North Wales)
28. Exmouth (East Devon)
29. Rye (East Sussex)
30. Hastings (East Sussex)
31. Aviemore (Cairngorms National Park)
32. Hay-on-Wye (Brecon Beacons)
33. Broadway (Cotswolds)
34. Whitstable (Kent)
35. Holt (North Norfolk)
36. Brodick (Isle of Arran)
37. Staithes (North Yorkshire Coast)
38. Stamford (Lincolnshire)
39. Salisbury (Wiltshire)
40. Moffat (Dumfries and Galloway, Scotland)
41. Melrose (Scottish Borders)
42. Elan Valley (Mid Wales)
43. Ballintoy (Causeway Coast, Ireland)
44. Pitlochry (Perthshire)
45. Kelso (Scottish Borders)
46. Kingsbridge (South Hams, Devon)
47. Symonds Yat (Forest of Dean)
48. Dunster (Somerset)
49. Luskentyre (Isle of Harris)
50. Anstruther (East Neuk of Fife)

Jerome Powell says the US central bank is undergoing a ‘stress test’ like other institutions in the current era.

Former US Federal Reserve Chair Jerome Powell has warned against the politicisation of monetary policy amid President Donald Trump’s repeated attacks on the independence of the central bank.

In a speech at an awards ceremony in Boston on Sunday, Powell said that the Fed had been undergoing a “stress test” like many other institutions in the Trump era.

Powell said the US Congress had “wisely” chosen to insulate the central bank from political pressure and that all other advanced economies had similar norms upholding the independence of monetary policy.

“These protections have served the public well, and administrations from both parties have respected them,” Powell said after accepting the 2026 John F Kennedy Profile in Courage Award.

“If any administration finds a way to remove Fed officials over policy differences, then future administrations will do so as well,” Powell said.

“The public would lose faith that the central bank will make decisions based only on what’s best for all Americans.”

Powell, who stepped down as the head of the central bank last month, said that the Fed’s credibility would be “lost” in such a scenario.

“That credibility enables the Fed to support a strong and stable economy for the benefit of American families and businesses,” he said.

“Our credibility has been built and sustained over many decades, and we have a duty to safeguard that priceless asset for our fellow citizens and for generations to come.”

Powell, who made the usual decision to stay on as one of the seven members of the Fed’s Board of Governors after stepping down as chair, also offered a broader defence of democratic institutions generally.

“Partisan political differences are normal – indeed essential – in a thriving democracy. But we ought to be united in our commitment to the higher principles that define our nation,” Powell said.

“Chief among them is respect for the rule of law. As John Adams wrote, ours is ‘a government of laws and not of men’. Our public institutions carry us forward through change. These institutions embody our commitment to freedom, democracy, and service of the public good.”

While Powell did not mention Trump by name, the US president has waged a sustained pressure campaign against the central bank for not heeding his demands to cut interest rates more sharply.

Trump repeatedly threatened Powell with dismissal during his tenure, while Trump appointee and ally Jeanine Pirro opened a short-lived criminal investigation into Powell’s congressional testimony about ongoing renovation works at the Fed’s headquarters.

Trump also ordered the removal of Fed governor Lisa Cook over unproven claims of mortgage fraud, though the Supreme Court has ruled that she can remain in her position while it considers a legal challenge against her firing.

Under the Federal Reserve Act, the US president must demonstrate “cause”, widely interpreted to mean malfeasance, to remove any of the Federal Reserve’s governors.

The John F Kennedy Profile in Courage Award was created in 1989 to honour those who demonstrate courage in public service without regard to professional or personal consequences.

Past winners of the award, which is named after Kennedy’s Pulitzer-winning book Profiles in Courage, include former US President Barack Obama, then-Ukrainian President Viktor Yushchenko, and then-UN Secretary-General Kofi Annan.

In her early 20s, Ashley Padilla moved from the Bay Area to Los Angeles, hoping to make a living in comedy. She was taking classes at the Groundlings when an acting exercise forever changed her.

“The teacher said, ‘All right, everyone try to get my attention.’ Everyone starts going crazy,” recalls Padilla, imitating the manic movements her classmates incorporated to be as noticeable as possible. “I just stood in the back like a quiet little freak. I didn’t try to do anything. And she went, ‘I’m just staring at Ashley.’”

Padilla, now 33, is sitting in the restaurant at the 1 Hotel on Sunset, dressed in an elegant white blazer and long skirt, a long way both mentally and professionally from that aspiring performer struggling to find her creative voice. But that lesson remains close to her heart.

“I think about it all the time: You don’t have to be so loud. It actually is more powerful if you’re a little slower.”

Currently in her second season as a featured player on “Saturday Night Live,” Padilla, who sports an ebullient manner and warm smile, has become a fan favorite by exploring how much humor (and tension) you can derive from stillness. Her best sketches, including “Mom Confession,” in which a MAGA mother finally, begrudgingly, admits to her liberal kids that maybe Trump hasn’t been a great president, sparkle because of how expertly she builds suspense regarding where the setup is going.

Ashley Padilla, right, with castmates Tommy Brennan and Jane Wickline in the “SNL” sketch “Mom Confession.”

(Will Heath/NBC)

“I really want to be able to stop and take that pause at the beginning [of a sketch], which are the quickest things to cut because you’re trying to save time: ‘Let’s get rid of when you enter,’” she says. “What roots me as an actor is a little breath. Before we get to the jokes, let the audience see me live in it for a second. I think I’ve proven that [those pauses are] not going to suck the air out of the room. It’s actually going to assist in the blowup that we’re waiting for.”

When Padilla lived in L.A., she adored her Los Feliz neighborhood, so on this late April afternoon she confesses to some disorientation at doing press on the Westside. Still, memories keep creeping up unexpectedly. “I’ll see a coffee shop, and you remember how you were feeling: ‘Will I ever make it?’”

There were encouraging moments that kept her going. One dispiriting day, she was on Melrose Avenue walking to the Groundlings. “In my head I went, ‘Will I ever be on television?’ Just then, a car passes with the girl rolling down the window going, ‘I’ve seen you perform! You’re going to be on television!’ It’s literally like someone answered my cry inside and went, ‘Calm down, it’s going to be OK.’”

Optimism came through other channels too, such as her job as Diane Keaton’s assistant, eventually co-creating her 2024 book “Fashion First.” Padilla adored the late actor and filmmaker, grateful for her endless sense of wonder, which inspired Padilla to see the world differently.

“She would stare at a tree: ‘Look at the way the sun goes through the branches,’” Padilla says, marveling. “I have a voicemail that I listen to whenever I’m feeling a little sad or I miss her — she’s just like, ‘Hey, Ash, how are you doing? I’m just checking in.’ And she stops and goes, ‘The blue sky. Wow.’ And I’m just like, ‘You are someone we all want to be around.’ It’s why she is so massive in people’s lives.”

Before ‘SNL,’ Padilla had stints at the Groundlings and as Diane Keaton’s assistant.

(Sela Shiloni / For The Times)

Since girlhood, Padilla has loved to write, which was valuable once she joined the Groundlings, doing seven shows a week. “You don’t get onstage unless you write your own stuff,” she says. Her viral “SNL” sketch “Haircut” — in which Padilla goes to dinner with friends, disturbing them with her atrocious haircut — was created at Groundlings, where it killed. But pitching it at “SNL” revealed the differences between the stage and live television.

“‘Haircut’ started as a ‘[Weekend] Update’ [feature], and I was unwilling to get rid of some stuff in there because I knew it worked at Groundlings,” she recalls. Padilla credits her frequent “SNL” co-writers Alison Gates and Kent Sublette for helping her understand the program’s rhythms. “They made it punchier and snappier. I definitely need the other writers — they make it so much better. At the Groundlings, there’s no camera cuts, there’s no time limit — you can mosey and do behavioral stuff. But [‘SNL’ sketches] need to look good on television. These writers are so good — they’ll say a joke that I go, ‘You’ve just said everything I was trying to do in a whole page.’”

Padilla’s peculiar but grounded characters may make you wait to see what they have in store, but she isn’t wasting any time. Last summer, wanting to distract herself from wondering whether she’d be asked back to “SNL,” Padilla wrote a screenplay, which is now being backed by Oscar-winning “Moonlight” producer Adele Romanski. Padilla won’t say much about the project, but you can bet she included a part for herself.

“It’s like, ‘I want to be on television? OK, write your sketches. I want to be in movies? I wrote a movie,”’ she explains. “I don’t want to wait around for someone to give me a role. I hope I get to work with great people, but I also want to control my own career — and my own happiness as well. I want to be creative all the time.”

Published on 01/06/2026 – 7:06 GMT+2•Updated
7:10

Crude prices climbed in early Asian trading on Monday after Israeli troops pushed further into Lebanon over the weekend, fuelling investor fears that the broader Middle East conflict could escalate rather than move towards a peace deal.

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At the time of writing, West Texas Intermediate (WTI) crude was up 2.88% at $89.88 per barrel, while Brent crude rose 2.43% to $93.33 per barrel.

The Israeli advance has taken place despite a nominal ceasefire in place since 17 April and just days before the next round of direct talks between Lebanon and Israel, scheduled at the State Department on 2 and 3 June.

Asia-Pacific markets mixed

In other early trade dealings on Monday morning, Asia-Pacific markets were mixed with South Korea’s Kospi climbing 1.31%, while Japan’s Nikkei 225 edged up 0.17%. The broader Topix index, however, slipped 0.3%.

Australia’s S&P/ASX 200 fell 0.21%, while Hong Kong’s Hang Seng Index gained 0.73%. Mainland China’s CSI 300 dipped 0.32%.

Tokyo-listed shares in SoftBank Group, meanwhile, surged 5% after the Japanese conglomerate unveiled plans to invest €45 billion over the next five years to develop artificial intelligence infrastructure in France.

Wall Street pushes into record books

In the US, stock futures were flat after Wall Street pushed further into the record books on Friday. The major indexes extended the market’s recent winning streak and closed out a solid month of gains.

The S&P 500 rose 0.2%, notching its seventh consecutive gain and ninth straight winning week — the longest such streak since 2023. The benchmark index set an all-time high for the fourth day in a row.

The Dow Jones Industrial Average gained 0.7% and the Nasdaq composite added 0.2%. The Dow and Nasdaq also reached new heights after posting record highs earlier last week.

Big technology stocks have been behind much of the market’s record-breaking streak. Their pricey stock values give them more influence in directing the market higher or lower. In May alone, technology stocks within the S&P 500 rose more than 15%, while most of the sectors in the benchmark index actually lost ground.

“The rally has been largely tech-led and supported by resilient earnings, but the key question is whether it can be sustained,” wrote Angelo Kourkafas, senior global strategist at Edward Jones, in a research note.

Tech stocks also powered the market higher Friday. Microsoft rose 5.4% and Broadcom gained 4.7%.

Additional sources • AP

COLLEGE STATION, Texas — On a night when the crowd at Blue Bell Park saw some of the most majestic home runs you’ll see in college baseball, USC’s Andrew Johnson showed why pitching is still paramount.

The sophomore right-hander delivered arguably the most important pitching performance of the season for USC on Sunday night, beating Texas A&M 14-3 to propel the Trojans to a winner-take-all College Station Regional Final on Monday.

After needing five pitchers in a rout over Texas State earlier in the day just to reach the regional final out of the losers’ bracket, USC coach Andy Stankiewicz rode Johnson.

Two nights after throwing 21 pitches over 1⅔ innings, Johnson threw 124 pitches over 7⅓ strong innings to beat the host Aggies (41-14) before a crowd of 6,934.

“I’ll say this, I’ve been here [as USC’s head coach] four years,” Stankiewicz said. “That’s the best pitching performance I’ve seen in four years, hands down.

“In a big moment when we needed somebody to step up to take the ball, there hasn’t been a guy that’s done that as well as [he] did … this evening.”

Leading 11-2, Johnson retired the first batter in the top of the eighth inning before Nico Partida singled to right. Jake Duer followed with an RBI triple to right field, prompting a call to right-hander Rohan Kasanagottu.

Johnson (8-2) held the Aggies to three runs on nine hits and two home runs with one walk and four strikeouts. Kasanagottu added 1⅔ perfect innings of relief with two strikeouts.

“It was just basically [Stankiewicz] coming up to me and looking at me, and me just nodding at him,” Johnson said. “And he’s like, ‘All right, let’s go.’

“I don’t know if I’ve thrown 120-whatever before, but I honestly feel pretty good. I’ll pitch tomorrow if it [means] we’re going to win some more.”

USC junior Kevin Takeuchi bats against Texas A&M in the NCAA regionals on Sunday.

(Chris Mora / USC Athletics)

The Trojans (46-16) have scored 48 runs over three wins since falling into the losers’ bracket. They beat Lamar 19-6 on Saturday, and then they beat Texas State 15-4 on Sunday afternoon before pummeling the Aggies (41-15).

Chris Hacopian gave the Aggies a 1-0 lead with a home run in the first. The Trojans countered with four runs in the bottom of the inning with Kevin Takeuchi’s two-run single and Andrew Lamb’s two-run double.

“Yeah, we never want to lose,” Texas A&M coach Michael Earley said. “We never want to get our [butt] kicked. That always sucks, but it is what it is. It’s baseball.

“They beat us, period, from the freaking first pitch. But we got a game tomorrow, and we’re excited to get out there.”

Lamb greeted reliever Cooper Powell with a three-run home run over the right-field bleachers in the third inning. Augie Lopez gave USC a 9-1 lead with a two-run home run in the fourth.

Gavin Grahovac tagged Johnson for a monstrous solo home run to cut USC’s lead to 9-2 in the fifth. Lamb, who singled in the fifth, added another two-run double in the ninth.

“I’m going to flush this thing here in about five minutes,” Earley said. “We’re going to move forward and we’re going to come out tomorrow and get to play in front of our home crowd.

“What more could you want, man? What more could you want?”

That’s the same mentality USC has taken since losing their opener.

“I think we’re seeing the ball really well,” Takeuchi said. “We’re sticking to the middle of the field and kinda just letting the park do its thing. Just trying to put [the] barrel on the ball.

“But when you have pitching like these guys have been, they’ve been lights out. They keep us in every ballgame, so it’s really good for us to just be able to compete for them and kinda just to rack up the hits. I think we’re just seeing the ball really well, and we’re going to continue to do that tomorrow.”

At least two Palestinians were killed and around a dozen wounded when an Israeli air strike hit a crowded cafe at Gaza’s seaport. Witnesses said people had gathered there to escape the heat and enjoy a public holiday, as attacks continue despite an October ceasefire.

Turin is one of Italy’s most serious food cities, shaped by the culinary legacy of the House of Savoy and, more recently, the slow food movement – a reputation reflected in its historic cafes and restaurants, where meals can feel refined. But that’s only part of the picture. As a local, I’m drawn to something far less formal: the piòla.

Piòle were never quite restaurants. They were places for a glass of barbera (poured at the counter from a cylindrical, quarter-litre carafe, the tubo) in rooms worn smooth by decades of use. Regulars played cards, argued about football or politics, and lingered without ceremony. Food, if it appeared, was simple and to the point: anchovies in green sauce, hard-boiled eggs, cold cuts, perhaps a plate of agnolotti (stuffed pasta).

Many piòle disappeared from the 1960s onwards, as Turin grew more refined. Some closed; others evolved into osterie or restaurant-like spaces. More recently, though, the piòla has edged back into view – sometimes preserved, often reinterpreted in more stylised forms. But where can you still find Turin piòle that capture something of the originals’ spirit? I went to find out.

In the Quadrilatero Romano district

One of Turin’s longest-standing piòle, Caffè Vini Emilio Ranzini is on Via Porta Palatina, a short walk from Piazza Palazzo di Città and the cathedral. I stop by with a friend for a merenda sinoira, the late-afternoon spread that often replaces dinner.

The small, timeworn room fills quickly: students in clusters, couples leaning in, shopkeepers calling out to one another across tables of different styles. The walls are lined with old photographs and framed press cuttings; behind the counter, bottles of Punt e Mes, Cynar and other amari stand alongside vermouth and local wines (€2-€6 a glass).

In the display case are squares of semolino and polenta, fried meatballs, piles of friciulin (spinach-dark or potato-gold fritters) and slices of bread topped with insalata russa or vitello tonnato (veal with tuna sauce). We order at the bar (snacks are €2 or €3), then carry our plates to a courtyard with a handful of tables. Nothing feels polished, only lived-in, and the staff are easygoing – and if you’re lucky, you may catch an impromptu live performance by a local musician.
7.5/10

Cenisia district

This piòla has moved twice since opening in 1985, but has never left its block in Cenisia, near the Corso Racconigi market. After the death of its founder, Celso Chiantello, it is now run by his daughters, Elisabetta and Marina, and their children.

They welcome us as if we’ve known each other for years. At 12.30pm, only one other table is occupied: three men who have been coming here almost daily for decades, talking in Piedmontese dialect. But within minutes, the small, warmly lit room turns loud with easy, overlapping conversation as friends and families arrive.

There’s no menu; dishes follow a familiar rhythm: a handful of starters, a few pastas, two or three mains, and a couple of desserts. We start with a mix of antipasti – vitello tonnato, tomino cheese, salame cotto and insalata russa – along with some house white, then add peppers with bagna càuda, a warm anchovy and garlic sauce.

As Marina clears the table, she spots a slice of salami on my friend’s plate, and jokingly insists it be eaten: “You can’t leave something this good!” She returns soon after with agnolotti del plin and gnocchi in a creamy cheese sauce. The portions are generous; we struggle to finish, but still share a slice of freshly baked fruit tart. We pay €37 between us and leave with the sense that this is how regulars are made.
10/10

Barca district

On the north-eastern outskirts of Turin, just past the so-called curva delle 100 lire (a bend once known for its low toll), La Piola d’le Due Sörele draws locals and drivers passing through daily. We turn up for lunch on a Wednesday without booking, and are seated within minutes as a table turns. Barbera comes in a carafe as the menu is recited: a choice of primi, then a secondo with a contorno (side dish), followed by dessert and coffee – all for €12 each.

Around us, workers on lunchbreak greet the family running the place by name. It’s spacious but crowded, noisy and full of movement – plates arrive, tables clear, the courtyard at the back settles into its own pace. Not a historic piòla, but among locals it’s already something of a legend. My favourite bite is the simplest: polenta fritta, crisp outside, soft within. At the counter, as we go to pay, Gianni pours us a small glass of amaro – a simple, fitting end to a meal that knows its role.
8.5/10

Vanchiglia district

A few steps from the University of Turin, on Via Sant’Ottavio, La Piola di Alfredo has long been a meeting place for students, families and regulars. Open in its current form since 1978, it still moves to an easy, shared rhythm. I arrive on a weekday at lunchtime: one room is taken over by a graduation celebration, another hums more quietly, while outside tables sit in the shade along the street.

As I scan the handwritten menu – carne cruda, brasato (beef stew), hazelnut cake – a glass of Dolcetto d’Alba arrives with bread and grissini. A man at the next table offers advice; I follow it. Tomino with honey and walnuts, then tortelloni filled with spinach and ricotta – a few good ingredients, handled simply. The bill is €17 in total.

Portions are smaller than you might expect, and the whole experience felt quite contained. As a first encounter with a piòla, it works well enough, but it lacks the pull of places you’d want to return to.
6/10

Cenisia district

This osteria sits on narrow, residential Via Cenischia, where there’s little to announce it beyond a hand-painted sign. I book three days in advance and am offered a late slot (9.45pm), arriving to find the place in full swing. We’re handed glasses of white wine and asked to wait briefly in the courtyard, under a vine-covered pergola, before being shown inside.

Antonella Rota, who has run the place with her family since 1990, moves easily between the compact dining rooms, taking orders and pausing to chat. Osteria Antiche Sere grew out of a half-serious idea, in a space once more spartan and closer to a piòla. Dark wood panelling, copper pans and antique clocks on the walls give the rooms a settled, old-world feel. The menu changes with the season, but holds steady day to day.

We share an antipasto misto (€18) with a quarter litre of red (€5) , then I order a plate of local cheeses with honey, while my partner goes for coniglio al vino bianco (rabbit braised in white wine, €17) with potatoes, the meat glazed with its juices. I’m already full when Daniele Rota, Antonella’s brother, stops by the table and convinces us to try dessert (€6): panna cotta or torcetti (yeasted biscuits) served with zabaglione, chocolate and cream. We’re glad we did, even if we leave barely able to move.

The place relies on a low-key Facebook page and word of mouth, yet is full most evenings. There’s a natural familiarity between the people behind it and its regulars, the kind you come back for.
9.5/10

Lucento district

At Circolo Paracchi, near the post-industrial landscape of Parco Dora, the piòla hasn’t been revived or reinterpreted – it has simply carried on. Founded in 1927 as a workers’ leisure club linked to the Paracchi carpet factory, it later developed into a sports club, with a simple, home-style kitchen.

It remains a members’ club, a self-contained world where regulars come to eat, drink and play cards. We arrive unannounced and ask for a quick plate. After a brief pause, Rosa, one of the cooks, waves us in. A printed menu hangs on the wall, but we choose from what’s on the go. We sit outside beside a bocce court that no longer seems to be in use, while a group gathers at a long table nearby. Olives and cheese come first, along with house wine; then a large plate of pasta e fagioli (pasta with beans) to share: €10 in total for wine and food.

As we finish, Rosa steps out and gives us an impromptu tour of the club’s memorabilia. Occasionally, she says, they make room for outsiders, but that’s not what the place is for. The piòla at Circolo Paracchi isn’t somewhere you seek out, it’s somewhere you come to belong. For an evening, we’re let in.
8/10

The U.S. Navy appears to be preparing to replace its remaining F-5E/F Tiger II adversary jets with F/A-18E/F Super Hornets, continuing the modernization and rationalization of these critical training assets. The Navy’s apparent acknowledgment that even upgraded F-5s are no longer sufficient for top-tier adversary training reflects a broader Pentagon shift toward higher-end platforms in this role.

The House Armed Services Committee released its first draft of the fiscal 2027 National Defense Authorization bill yesterday. Among the many provisions in the defense policy bill is a call for a report “on the status of efforts to transfer F/A-18E/F aircraft to the Navy Reserve to replace the F-5 aircraft.”

The report is to be delivered to the congressional defense committees by March 2027 at the latest.

This seems to be the first confirmation that further Navy adversary units will adopt the F/A-18E/F, the production of which is now ending, with the final deliveries expected next year.

As expected, the report will highlight any potential risk to mission execution, fleet readiness, and pilot and maintainer qualification during the period in which the older F-5s are being transferred and replaced by Super Hornets.

The Secretary of the Navy is also required to inform Congress of how long the transition process will take. This includes acquiring the required support equipment and spares, training for pilots and maintainers, and contracts related to the changeover.

Currently, the Navy has four Fighter Squadron Composite (VFC) squadrons responsible for adversary work.

One of these, VFC-12 “Fighting Omars,” has already transitioned to the F/A-18E/F at Naval Air Station (NAS) Oceana, Virginia.

VFC-13 “Saints,” based at NAS Fallon, Nevada, is equipped with surplus, but significantly upgraded F-16C/Ds, having previously flown F-5s.

This leaves two F-5F/N units.

VFC-111 “Sundowners” flies out of NAS Key West, Florida.

Finally, VFC-204 “River Rattlers” is at NAS/Joint Reserve Base New Orleans in Louisiana. VFC-204 converted from the Legacy Hornet to the F-5 relatively recently.

The Navy has made efforts in recent years to enhance its F-5 fleet, under an effort formally known as the Avionics Reconfiguration and Tactical/Modernization for Inventory Standardization program, or ARTEMIS.

This includes new Mk 16 ejection seats, Digital Air Data Computers (DADC), and Automatic Dependent Surveillance-Broadcast (ADS-B) transponders, as well as upgrades to its cockpit, including flat panel displays.

The lead contractor for ARTEMIS is the private U.S. ‘red air’ adversary support company, Tactical Air Support, Inc., or TacAir. The ARTEMIS upgrade package is based on the F-5 Advanced Tiger, or F-5AT, configuration developed by TacAir. This includes Nemesis radar, mission computer, threat weapons engagement zone (WEZ) replication software suite, Argus radar warning receiver (RWR), Mason hands-on-throttle-and-stick (HOTAS) controls, Garmin wide area display, Scorpion helmet mounted display, open architecture mission system, and datalink, among other enhancements.

Transport of Swiss AF F-5 in a Navy C-130T

The Navy’s 28 single-seat F-5Ns and its pair of two-seat F-5Fs are being brought up to the ARTEMIS standard, as are a batch of 22 ex-Swiss Air Force F-5E/Fs that are being converted into adversary jets. The former Swiss airframes are being divided between the Navy and the U.S. Marine Corps and are known as F-5N+/F-5F+s once the work on them is completed.

But even with these enhancements, the F-5s are dated aircraft and are increasingly unsuitable for meeting the Navy’s demand for more advanced red air capabilities.

As we have described in the past:

“At its core, the F-5 is a dated, non-stealthy Cold War-era design, but it still can replicate a wide variety of threats, including some capability aspects of fourth-generation fighters and cruise missiles. F-5s do lack the performance to truly mimic a fourth-generation fighter. At the same time, they offer a valuable dissimilar threat for Navy and Marine aviators to train against, thanks to their relatively small size and agility.”

Where the F-5 does come into its own is in economically helping to generate a greater volume of aerial threats to better represent higher-end large-scale conflict scenarios during exercises, something that is especially important as the U.S. military prepares for a potential major fight in the Pacific against China. The degree to which the F/A-18E/F will be able to meet this requirement will depend on how many airframes are made available for adversary work. This is something that will also have to be weighed up against frontline fleet demands, at a time when there is already a shortage of tactical aircraft. It’s also worth noting that the Blue Angels fly some of the oldest Super Hornets in a special display configuration.

You can read what it’s like to fly Navy F-5 adversary jets in this past feature.

As of April last year, the Navy had 325 single-seat F/A-18Es, 250 two-seat F/A-18Fs in inventory, according to official budget documents. These are the primary workhorses of the service’s carrier air wings, as well as for supporting operations from bases on land. Super Hornets and Growlers have been heavily involved in combat operations in the Middle East in recent years and remain heavily engaged today.

Meanwhile, to help meet the surging demand for adversary support, the Navy and other services have turned more heavily to contractors to help fill in for red air requirements. These include TacAir, with its own F-5ATs.

However, there is no escaping the fact that the Navy, and the U.S. military at large, increasingly requires more advanced adversary capacity, especially as it gears up to fight advanced fourth-generation combat jets, let alone stealthy fifth-generation threats. The U.S. Air Force has responded to this requirement by operating its F-35A stealth fighters as a dedicated red air adversary during high-end training, as you can read about here. That service has since stood up an F-35 adversary squadron, while reducing its reliance on contractor red air services flying dated, third generation types, like the F-5.

The Super Hornet, with its AN/APG-79 — arguably the most mature active electronically scanned array (AESA) radar available — as well as its ATFLIR targeting pods and a radar warning receiver, makes a very capable adversary in training scenarios and a good match for replicating advanced Chinese fourth-generation threats, like the J-16 Flanker. Navy Super Hornets can also carry an advanced infrared search and track (IRST) system, like the Flanker.

When flown in a relatively clean configuration, the F/A-18E/F becomes a more effective adversary, eliminating the drag issues caused by the canted underwing pylons. Even when fitted with wingtip stores and a centerline fuel tank, it offers good aerodynamic and energy-maneuverability performance, allowing it to more closely emulate agile adversary aircraft during dissimilar air combat training. In particular, its well-known slow-speed handling performance makes it a good surrogate for the Flanker family of threats. Clean Super Hornets also have the ability to ‘run down’ fleeing targets much better than an F-5 — one negative about the small third generation fighter going up against fourth- and fifth-generation jets.

Looking further ahead, as the program matures, it is likely that a Collaborative Combat Aircraft (CCA) or an adversary variant will be used for more basic Navy red air tasks and for generating combat mass alongside the F/A-18E/Fs and F-16s. With that in mind, it is worth noting that Anduril’s CCA offering for the Air Force has its roots in an adversary drone, as you can read about here. Still, the Navy is moving a bit slower than the other services when it comes to CCA, but they could use the adversary role to reduce risk, increase trust, and as a gateway for fielding loyal wingman drones with its carrier air wings.

As of 2022, the Navy’s stated plan was to continue flying F-5s in the adversary role at least until 2035. It is unclear if this schedule might now change, but we have approached the service for more details.

There is also the question of what will happen with the Marine F-5s, flown by a pair of Marine Fighter Training Squadrons (VMFT). These are VMFT-401 “Snipers” at Marine Corps Air Station (MCAS) Yuma, Arizona, and VMFT-402 “Grim Reapers” at MCAS Beaufort, South Carolina. These jets are being upgraded with the Red Net system, providing them with a tactical and situational awareness datalink, achieved via a commercially available tablet-kneeboard display.

Ultimately, the Marine F-5s are to be replaced under a program named Adversary Next.

After the latest Marine Aviation Plan (AVPLAN) was released in February, the service told TWZ:

“Planning for Adversary Next is underway and will be detailed in future AVPLANs. Adversary Next is anticipated to be a family of systems that will provide world-class adversary replication to USMC and joint units to prepare for the next fight.”

The latest AVPLAN puts F-5 retirement at 2040-plus.

Until then, the Marines will continue to use their upgraded F-5s, valued above all for their low-cost and highly reliable adversary support. Potentially, they could also bolster their fleet with former Navy examples if the service jettisons them far before the USMC does. Otherwise, Navy F-5s could also find their way to contractor red air providers, once the service retires them.

As for the Navy F-5, it appears that officials are now drawing up plans to finally call time on the iconic jet’s career in the service, one that goes far back in the Navy’s adversary program and the successful operation of Top Gun.

Contact the author: thomas@thewarzone.com

Hollywood has been waiting for Kane Parsons since the year he was born. The 20-year-old director is the same age as YouTube’s first videos and grew up with no barriers between his creativity and an audience. “Backrooms,” his debut feature, marks the start of a new new wave of filmmakers raised by internet feedback who are ready to reinvigorate the industry.

Young Steven Spielberg screened his 8mm reels for his neighborhood. Parsons uploaded his early shorts online where he could analyze the mass response. When one, an unsettling nine-minute experiment about a warren of dingy carpets, taffy-yellow walls and gridded drop ceilings clicked with 78 million viewers, he made sequels. A24 offered Parsons a deal before he finished high school. He’s graduating into multiplexes having spent his adolescence writing, directing, editing, composing and market-testing what people want to watch. I’d toast to that, but Parsons isn’t old enough for Champagne.

Given that backdrop, “Backrooms” would be one of the year’s most significant releases even if the movie itself was merely fine. But it’s better than fine — it’s a work of honest-to-goodness art. Working with screenwriter Will Soodik, Parsons has gone back into that banal maze to find an uncannily mature story about loss and stagnation, about how our self-serving narratives barricade us from emotional growth.

Set in 1990, “Backrooms” has the fritz of an old VHS tape. (Like so many other Gen Z kids, Parsons is nostalgic for a pre-smartphone era he never knew.) A failed architect-turned-furniture salesman named Clark (Chiwetel Ejiofor, superbly expressive) tumbles through a portal in his store’s basement to the backrooms of the title — less Alice in Wonderland, more Alice in Wonderbland.

“It’s like it was made by a bunch of construction workers on acid,” he muses. The hallways lead to more hallways, the overhead fluorescents whine like hornets. Someone — or something — has piled lamps and stools into the center of one room, scattered chairs in another and embedded shoes into the floor as though the ground were made of sand. The disorder looks like the wreckage of an unknown chaos. Aboveground, Clark is trapped in his own resentments, throwing temper tantrums like a toddler. Down here, frustration feels natural.

Should he be afraid? And if so, then what of?

Distant thuds warn that Clark isn’t alone. Soon after, three other characters follow Clark into this liminal space: his loud employees Bobby and Kat (Finn Bennett and Lukita Maxwell) and his exasperated therapist, Dr. Mary Kline (Renate Reinsve), who is haunted by flashbacks of her agoraphobic mother. There’s also a mysterious man in a lab coat (Mark Duplass) who works for a company that factors into the backrooms’ preexisting internet lore, but doesn’t have much purpose in this script. It’s fine just to see Duplass as a gesture toward corporate apathy. More beings will appear too and cinematographer Jeremy Cox’s deliberately low-fi look forces you to do triple and quadruple takes to comprehend what you’re even seeing.

How does a 20-year-old fathom adult-sized discontent? Lord knows, but Parsons does. One theory is that today’s 20-year-olds were just launching into teenhood when the pandemic teleported them from their classrooms to isolated computer screens. Meanwhile, they overheard their parents fret that society might be forever hollowed out. When a young person looks toward the future, what do they see? Probably not an office building bustling with entry-level jobs.

Think about how the act of buying a couch no longer involves interacting with a salesman like Clark, but peering at a pixelated living room that doesn’t actually exist with a couch that changes colors at a tap. Think about how lately the internet at large feels human-less. Then layer that emptiness over the images here.

Sparse yet gripping, “Backrooms” and its minimalist story accommodate the audience’s own free-ranging imagination. The infinite size of these drab catacombs triggers sense-memories of feeling small and confused in an ordinary place that feels all wrong. It’s a time travel trip back to childhood — mass entertainment made intimate — with Parsons tossing us scraps of Clark and Mary’s personal histories like a breadcrumb trail. I remembered what it felt like to get lost in a motel on a road trip with my grandparents. More recently, I tidied the home of a friend who was in the hospital, the pill bottles and crumpled blankets left in situ as evidence of someone else’s pain. “Backrooms” felt like that, too.

There’s an incredible special effects shot where the camera sinks through the floor of Mary’s living room to find a mutation of the same room — and then another and another — each replica deteriorating further from reality until it becomes a new room altogether that would fit right into the backrooms. This, we wordlessly understand, represents how memories of the past can be at once factually inaccurate and emotionally true. We’ve all been bewildered kids, Parsons more recently than most. Some of the most powerful people on Earth still behave like they’re stuck in that headspace.

Describing “Backrooms” as a horror film doesn’t feel exactly right. It’s a surrealist painting in motion, the equivalent of staring at Salvador Dali’s wasteland of melting clocks until it makes gut-sense. Dali made that famous masterpiece, “The Persistence of Memory,” in 1931, a breath-holding moment between wars when daily life looked normal enough but vibrated with the dread that no, things were definitely not OK. Kids don’t know that, but they vibe with Dali anyway because he keys into their suspicion that the world doesn’t really obey the rules.

That anxiety hums through “Backrooms.” It’s why millions of people watched and shared the original short. Yet as fraught as it sounds — and as abruptly as it ends — I left elated. A major new moviemaking talent has arrived and he’s the beginning of a movement. Other internet-honed young filmmakers will follow with their own fresh insights into genres like action, comedy and romance. Kane Parsons is just the first one through Hollywood’s labyrinth.

Election workers collecting ballots from a drop box in downtown Los Angeles on Sunday found multiple mail-in ballots that had been burned, officials say.

The vandalism was discovered Sunday morning outside the Department of Public Social Services building in the Civic Center area. According to county officials, election staff were conducting a routine ballot collection when they found the damaged ballots.

They “appeared to have sustained fire-related damage inside an Official Ballot Drop Box,” according to a news release from the Los Angeles County Registrar-Recorder/County Clerk’s Office.

Officials did not immediately provide further details.

A second incident of election-related vandalism was reported at a voting center in Long Beach. The incident occurred at the center at Cesar E. Chavez Park. No other details were provided.

News of the vandalism comes just days before election day on June 2.

In L.A. County, ballot drop boxes are collected on a regular schedule by two election workers, according to the county registrar-recorder’s website. Drop-off boxes are available to voters 29 days before election day. Boxes are typically bolted into concrete or chained in place.

“Our responsibility is to protect voters and ensure every eligible voter has the opportunity to cast a ballot,” said Dean Logan, registrar-recorder/county clerk. “Any attempt to interfere with voting or election operations is taken seriously. We will continue working closely with law enforcement and other partners to safeguard the voting process and ensure voters can participate with confidence.”

The registrar-recorder is “carefully reviewing both incidents and working to identify any voters who may have been affected,” according to the release. “Voters whose ballots may have been impacted by the Drop Box incident will be contacted directly and provided information about available options, including replacement ballots if necessary.”

In 2020, a ballot box caught on fire at the Baldwin Park Library, prompting an investigation of potential arson. Firefighters had to cut open the metal drop box to extinguish the fire, and numerous ballots inside were damaged, some charred beyond recognition.

The Los Angeles Police Department did not immediately provide details about Sunday’s incident. A police report was filed, according to the county registrar-recorder.

To check the status of your ballot, visit the county registrar-recorder’s website. Drop boxes close at 8 p.m. on election day.

UCLA’s Megan Grant is just like every other college senior her age.

Sure, it might not seem like it from the outside looking in. After all, how can someone who has hit 89 home runs across her college career — one short of the Bruins’ record — and helped one of softball’s most dynamic offensive teams check off a list of new NCAA and program records relate to the other sociology majors in her classes at UCLA?

Grant disappears into her head sometimes, something she readily acknowledges. But her solution might not be as accessible to all the other “Twilight”-binging, video-game-loving UCLA students. She has coach Kelly Inouye-Perez keep her, the Division I home run queen, from getting caught up in the moment.

“She does a really great job with just keeping me neutral,” Grant said. “Sometimes I may get in a little crazy headspace, but she does a really great job helping me get out of those feelings that I’m stuck in, and she pulls me out and makes me realize, ‘Hey, as long as I can be who I am, that’s enough.’”

UCLA head coach Kelly Inouye-Perez, left, confers with associate head coach Lisa Fernandez next to infielder Jordan Woolery during NCAA reigonal game on May 15.

(Gina Ferazzi/Los Angeles Times)

Inouye-Perez and assistant coach Lisa Fernandez are some of the Bruins’ biggest keys to success as the team prepares for the start of the Women’s College World Series in Oklahoma City. The Bruins will face Texas Tech at 4 p.m. PDT Sunday in a game airing on ESPN.

UCLA closed its super regional with a single-season home run record (200) and a record for WCWS appearances (34).

Grant is no stranger to the work necessary to see that level of success. But even in her rare bad at-bats and struggles, Inouye-Perez and Fernandez allow her the space to fail. After all, there are nine places in the lineup. One person alone isn’t indicative of UCLA’s wins or losses, Inouye-Perez says.

“We really focus on succeeding and learning how to fail, so they can just get to the next pitch,” Inouye-Perez said. “We talk about the ability to slow the game down, to take deep breaths, to be able to enjoy the moment. It’s not on any one Bruin.”

That mentality doesn’t exist in a void. Inouye-Perez and Fernandez worked in tandem to create the powerhouse team, which is in the midst of one of the best offensive seasons in D1 softball history.

Inouye-Perez is in her 20th year coaching the Bruins and is the only NCAA softball player to win a championship as a player and a coach. She led the 2010 and 2019 teams to those titles. Meanwhile, Fernandez, in her 28th year coaching at UCLA and her fourth as associate coach, has taken primary responsibility for hitting — one of the Bruins’ biggest keys to success. The team leads the nation in batting average (.385), RBIs per game (10.38) and on-base percentage (.496).

“Me and her, we’re workhorses,” Grant said of Fernandez. “We work all day after practice hours together, and it just means the world. You can tell that she loves the game and her little nuggets that she teaches me.”

The Bruins’ success in the batter’s box also has helped raise the tide of a team that could’ve fallen into many pitfalls. The team has only one main pitcher, Taylor Tinsley, who’s spent the most time in the circle in the NCAA tournament with 29-1/3 innings pitched. The Bruins are also young. Of the 21 players on the roster, only eight are seniors, redshirt juniors or juniors.

Seniors Jordan Woolery and Grant are one pace to break NCAA records, but the underclassmen aren’t far behind. Redshirt freshman Aleena Garcia set a single-game RBI record (7) when she hit two three-run homers in UCLA’s 14-4 win over Central Florida in the Super Regional.

Much like Inouye-Perez, Fernandez’s best attribute is her ability to be a sounding board for Grant.

“You get her enthusiasm too,” Grant said. “If you mess up, she’s always there to have your back. She celebrates your wins as well, and she gets very ecstatic about it. It almost makes me laugh, because it makes things so much more fun. She just brings that out of people.”

Even when teams lose to UCLA and Fernandez, it’s still a positive experience for some.

UCLA associate head coach Lisa Fernandez huddles near the mound with starting pitcher Taylor Tinsley (23) during the fifth inning of a comeback win over California Baptist. The Lancers scored 10 runs in the fifth, but Tinsley bounced back from outing.

(Gina Ferazzi/Los Angeles Times)

Central Florida coach Cindy Ball-Malone considered Fernandez one of the best softball players ever, calling her the Michael Jordan of the sport. But what makes her truly impressive, Ball-Malone said, is that Fernandez is an even better coach.

“She’s just a winner,” Ball-Malone said. “I kind of just want to rub up on her or something to get that mojo because she’s got it. Her attention to detail, her belief in the smallest things, that’s why she is so good at what she does.”

It’s no wonder then why so many people, regardless of team affiliation, want to see UCLA’s coaches in person.

If you’re a part of the Bruins, you get to learn from people who have brought the school championships. And, if you’re trying to beat UCLA, there’s no better accomplishment than saying you beat Inouye-Perez and Fernandez’s record-breaking team.

“[Fernandez is] going to push you, and it might be uncomfortable, but dang it, you have no choice but to get better,” Ball-Malone said. “If you can get through her, you can get through anybody, and I’m going to learn from that so I can bring that to this program.”

May 31 (Asia Today) — South Korea’s main opposition People Power Party has filed a police complaint against President Lee Jae-myung, accusing him of violating election law by exposing a marked ballot during early voting for the June 3 local elections.

People Power Party Chairman Jang Dong-hyeok and other party officials visited the Seoul Metropolitan Police Agency on Saturday to file the complaint against Lee and officials from the National Election Commission who were present at the polling station. Yonhap reported the complaint alleged violations of the Public Official Election Act.

The controversy began Friday when Lee stepped out of a voting booth during early voting and asked an election official whether a partially stamped ballot would still be valid. The opposition party said Lee’s handling of the marked ballot violated the principle of secret voting and the election law provision barring disclosure of a marked ballot.

Jang said Lee’s action could not be dismissed as a simple procedural mistake.

“This is not about one person,” Jang said. “It is about protecting the law and the principles of elections.”

The People Power Party also raised concerns about Lee’s public appearances ahead of the local elections, including visits to traditional markets, arguing they could violate restrictions on election involvement by public officials.

The party also accused election officials at the polling station of failing to take proper action after the ballot was allegedly exposed, saying they should face allegations under election law and possible dereliction of duty.

The National Election Commission previously said Lee did not leave the polling station and did not intentionally expose the ballot, meaning the incident did not constitute a legal violation. The commission also said Lee returned to the booth and completed voting after receiving guidance from officials.

The ruling Democratic Party rejected the opposition’s claims, saying Lee had merely asked an election official to confirm whether the stamp mark was valid.

The party said Lee did not reveal support for any candidate and accused the People Power Party of turning a minor incident into a political offensive before election day.

The dispute has added to the political tension surrounding South Korea’s local elections, which are being closely watched as an early test of public support for Lee’s government.

— Reported by Asia Today; translated by UPI

© Asia Today. Unauthorized reproduction or redistribution prohibited.

Original Korean report: https://www.asiatoday.co.kr/kn/view.php?key=20260601010009198

Officials are considering measures that would allow UK airlines to block disruptive passengers with a history of serious misconduct from travelling, amid a sharp rise in onboard incidents since the pandemic

Ministers are exploring proposals that could result in persistent troublemakers being banned from future flights amid growing alarm over disruptive behaviour on aircraft.

Officials are weighing up a system that would enable airlines to identify passengers with a track record of serious misconduct and potentially deny them the ability to travel. Under the plans, which are still at an early stage of consideration, details of blacklisted passengers could be shared throughout the aviation industry.

Should someone attempt to book a flight after being added to the list, the airline or tour operator could receive notification and be given the choice to block the reservation, effectively grounding that individual indefinitely.

Civil liberties campaigners have, however, raised alarm about the proposals, cautioning they could set a “dangerous precedent” through the sharing of personal data and limitations on access to transport, reports the Express.

Currently, airlines have the power to ban passengers who have displayed violent or abusive conduct while travelling with them. Yet existing restrictions only extend to the specific carrier involved in the incident, meaning offenders can frequently sidestep penalties by simply booking with a different airline.

The primary hurdle facing any new system is current data protection law, which prohibits carriers from exchanging passenger details with one another, even where criminal offences have taken place.

Who is calling for some passengers to be banned from all flights for life?

Calls for stricter measures have grown louder following a string of high-profile mid-air incidents that have gone viral online, reports the Daily Mail. These have included episodes where cabin crew faced death threats and violent clashes erupted between passengers in aircraft aisles.

Such incidents are among hundreds logged annually and have often led to expensive flight diversions that wreck holidays and travel arrangements.

There appears to be widespread public backing for harsher punishments, with recent polling indicating most Britons support restrictions on passengers who commit serious misconduct while airborne.

Ryanair boss Michael O’Leary has previously urged limits on airport alcohol sales, including curbs on early morning pints, in an effort to cut the number of disruptive passengers getting on planes.

Ministers aren’t attempting to stop travellers from having a drink before their flight. Rather, they’re hoping any future system would promote better conduct while helping to safeguard cabin crew, families and fellow passengers.

It’s understood the proposals are being worked on by the Home Office and Department for Transport but remain in the early stages and require additional consultation with the aviation sector. Any system would need to tackle existing privacy regulations, which currently stop airlines from sharing passenger data.

Ministers are expected to sit down with industry bosses later this month to thrash out the details of the plans. A government source said: “Everyone should be able to enjoy a pint at the airport, but anti-social behaviour on flights is totally unacceptable.

“It threatens the safety of passengers and crew and disrupts hard-earned holidays.

“There are already tough laws in place to deal with offences committed on flights, but we are exploring with industry how we can better address this issue, ensuring we crack down on people who persistently cause chaos. Everyone should be able to fly without fuss.”

FOSTER Sylvers, child star and member of a family R&B group, has tragically died.

The standout singer from the 1970s ensemble was just 64 years old.

His brother, Leon Sylvers III, confirmed his death following a battle with stage 4 pancreatic cancer, TMZ reported.

The star died in hospice.

Leon said further updates would come from their sister, Pat Sylvers.

Following the announcement of his death, Foster’s daughter Erin posted a touching tribute to social media.

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“Rest well, Daddy,” she wrote.

“I love you so much.”

Her heartbreaking post to Facebook was accompanied by a photograph of the pair together.

Foster rose to fame during the 1970s when he performed alongside his family in their band The Sylvers.

The group had a string of hits including Fool’s Paradise, Boogie Fever and Hot Line.

Foster performed with his siblings James, Edmund, Ricky and Angie.

And he played the bass and supported artists including Dynasty and Evelyn “Champaign” King, as well as releasing solo music.

His brother Edmund died in 2004 from lung cancer.

Their other brother Christopher – who was their youngest sibling – died in 1985 when he was just 18 years old from hepatitis.

The remaining Sylvers siblings are Olympia, Leon, Charmaine and James.

They formed the original quartet known as Little Angels, alongside Joseph, Ricky, Angie and Pat.

Over their careers, the group of siblings released 10 albums, all issued during the 1970s, and were regularly compared to the Jackson family.

Foster was just 10 years old when he recorded his first solo project in 1973.

Due to his considerable popularity, he went on to appear on multiple television programmes, including American Bandstand and Soul Train.

OKLAHOMA CITY — Jordan Woolery nearly saved UCLA’s season Sunday night at the Women’s College World Series. She lined a single up the middle in the ninth inning off former teammate Kaitlyn Terry to score Rylee Slimp from second base and pull the Bruins within a run of Texas Tech.

But Red Raiders ace NiJaree Canady replaced Terry in the circle and retired the final two batters, stranding Megan Grant at second in UCLA’s 8-7 season-ending loss.

Woolery, the nation’s RBIs leader, homered twice and drove in five runs for UCLA (53-10), which got nine innings and 181 pitches from workhorse Taylor Tinsley.

The Bruins struggled to gain traction against Terry, who joined Texas Tech following last season’s exit from the WCWS. Terry replaced Canady in the third inning and retired 10 of the first 11 batters she faced.

But in the seventh, UCLA scored three runs to force extra innings. Pinch-hitter Ramsey Suarez ignited the rally with a 270-foot home run to left field off Terry. Facing Canady, pinch-hitter Jazmine Leyva singled down the right-field line. Two batters later, Woolery blasted a 267-foot homer over the center-field wall to tie the score.

Despite the late heroics, it wasn’t enough to keep UCLA’s season alive. Texas Tech (59-8) will play Alabama (56-7) Monday at 4 p.m. PT.