World

There are all the stars in this series — Mookie Betts, Matt Olson, Freddie Freeman, Ronald Acuna Jr., Yoshinobu Yamamoto, Chris Sale, Tarik Skubal, Michael Harris II and more — and then there is the face of baseball around the world.

Major League Baseball wrapped a postseason advertisement around the front page of The Times this week. “OCTOBER STARTS TODAY,” the headline screamed.

Beneath those enormous letters, Shohei Ohtani smiled. Who else?

And so dozens of reporters crammed into a cramped room within Dodger Stadium on Friday afternoon, on the eve of the National League Division Series between the Dodgers and the Atlanta Braves, waiting for Ohtani to answer a few versions of “How are you?”

It’s not just about attracting casual fans to watch the icon whose face adorns everything from airplanes to skin care products. For the Dodgers and their fans, it’s about whether their most famous player can be a game-changer in October.

The Dodgers could have shut him down as a pitcher rather than let him continue to try to pitch through knee and biceps injuries. They didn’t, and that backfired.

The Dodgers could have shut him down as a hitter, not for the season but for a stint on the injured list. They didn’t. They gave him just a few days off, and that backfired.

Then the Dodgers did put him on the injured list, but activated him for the final five games of the regular season rather than give him extended rest for the playoffs, limiting his activity to controlled workouts.

That might backfire, or it might not, and the repercussions of the former could represent a significant hurdle in their quest for a third consecutive World Series championship. Giving Ohtani time off during the regular season would have carried no penalty; the Dodgers would have won the NL West with or without him.

If the Dodgers decide Ohtani needs a few days off now, they would face this unpleasant dilemma: play one man short, or put him on the injured list. Under MLB rules, a player put on the injured list during a postseason series must sit out the next series. So, if Ohtani starts wincing at the end of his swings during the NLDS, a stint on the injured list would mean he could not play again until the World Series — if the Dodgers get there.

Shohei Ohtani speaks during a news conference at Dodger Stadium on Friday.

(Mark J. Terrill / Associated Press)

Ohtani has not hit a home run since Aug. 18. Since then, he is batting .157, and he has struck out in 41% of his at-bats. In those final five games, he hit the ball hard in the first two, then hit ground balls in the final three. In the on-deck circle, he did not always take a swing.

In batting practice Friday, he hit lots of home runs.

The general sense of how Ohtani is feeling now: good enough.

Ohtani said he feels “really good” as compared to before he went on the injured list, but acknowledged he isn’t sure what he might need to do to address the injuries over the winter.

“As of now, it’s something I’m just going to have to manage,” he said through interpreter Will Ireton.

Dodgers manager Dave Roberts offered this medical update: “Shohei’s not 100%, but he’s going to be in the lineup.”

Same for Freddie Freeman, who has not homered in a month. The difference, Roberts said, is how encouraged the manager was by Freeman’s workouts this week.

“With Shohei, I’m not so sure,” Roberts said. “I know that once the lights turn on, the postseason starts, the focus will be heightened. I expect good things. I really do. We just haven’t seen it enough to really — for me to forecast it.”

Ohtani plays when he says he can. After he tore up his left shoulder in Game 2 of the 2024 World Series, he had trainers tape the shoulder in place and took 11 at-bats over the final three games of the series. He had one hit, a single.

“I do pride myself on playing every day,” Ohtani said. “I do see it as an obligation as a professional to be on the field every single day.”

Andrew Friedman, the Dodgers’ president of baseball operations, acknowledged recently that communication with Ohtani has been “awesome” but “fully sharing exactly how he’s feeling, maybe not as awesome.”

Said Friedman: “He’s not always the best reporter of how he feels. Freddie’s the same way. Clayton Kershaw. I’ve been around a lot of these guys that feel like their job is to be out there to help the team however they can, and sometimes will downplay some things that are bothering them. But again, it’s because he wants to help the team win.”

The Dodgers are talented enough that Ohtani not hitting well would not damage their chances as much as, say, Sale not pitching well for the Braves. In the NLDS and the first three games of the NLCS last October, Ohtani hit .103 with no home runs and struck out in 48% of his at-bats.

In the NLCS clincher, he hit three home runs (and struck out 10 batters). The Dodgers could trade a few bad days from Ohtani for that one really good day.

In that MLB advertisement, the one that featured Ohtani, the league acknowledged that its screaming headline was not exactly accurate. The explanation also fits the Dodgers’ hopes of Ohtani starring in October.

The ad, after all, appeared on Sept. 29.

October starts today?

“Logic and reason would tell you otherwise,” the ad read. “But October isn’t about being reasonable.

“It’s about belief.”

The Dodgers are better than you. They’re smarter than you. They’re richer and deeper and more popular than you. You know it, they know it, there’s no point pretending otherwise.

So, yes, they went into the National League Divisional Series looking past the threadbare Atlanta Braves and thinking about the National League Championship Series.

Who does that? In the playoffs?

Your two-time World Series champions with the world’s best starting pitching rotation and a 1-0 NLDS series lead, that’s who.

The way the Dodgers did the math, it made sense to save their ace of aces, Yoshinobu Yamamoto — who last postseason went 5-1, had an ERA of 1.45 and 33 strikeouts in six appearances and won the World Series MVP — for Game 3 of the NLDS.

Not for the tone-setting Game 1 and, potentially, Game 5 on regular rest.

But Game 3.

Because to the Dodgers, that’s not even much of a calculated risk. It was a math problem specific to them, before they beat the Atlanta Braves 5-3 in Game 1 in 100-degree heat Saturday afternoon.

They figured they’d be able to throw two consecutive left-handers at the lefty-averse Braves lineup, starting Saturday with recently acquired two-time Cy Young winner Tarik Skubal, followed Sunday by Blake Snell, also a two-time Cy Young winner.

Additionally, this way they could have Yamamoto pitch Tuesday on the road, where his ERA is 1.77 instead of at home, where it’s 3.13. And where he’s given up 14 home runs compared with six on the road, where he’s made four fewer starts.

But mostly the Dodgers’ calculus was that having Yamamoto pitch Game 3 means it will line up so that they’ll have him for Game 2 in the NLCS and, if necessary, Game 6 against the Milwaukee Brewers or San Diego Padres. (Or, if you really want to plan ahead — and the Dodgers with their leaky bullpen absolutely should not — for Game 1 of the World Series.)

“That just sets up the rotation and Yamamoto better looking forward,” Dodgers manager Dave Roberts explained before Saturday’s game.

“Not discounting this series, because you’ve got to win this series first, but you start from the fact that they’re all going to pitch — the three [Skubal, Snell and Yamamoto] are going to pitch for sure … and then what sets them up going forward.”

It feels like a faux pas, to be that forward-thinking, and to be saying the quiet part out loud!

“If you can kind of line it up in such a way to give guys ample rest, it puts you in a better position for more options down the road,” Roberts said. “That’s kind of some of the math we had.”

I mean, it adds up. And for these Dodgers — whose fourth starter, Tyler Glasnow, was a key cog in last year’s World Series-winning rotation — it’s a fair assessment.

Though it’s nice of Roberts to pay enough lip service that he’s not totally discounting the best-of-five current series they’re in.

Predictably on Saturday, Skubal, who previously had a 2.04 ERA, a 0.73 WHIP and 56 strikeouts in 39⅔ playoff innings for the Detroit Tigers, brought his own October heat.

The 29-year-old from Kingman, Ariz., gave up just one run and two hits, walked two and struck out seven — giving him 64 in the postseason, the second most in his first seven postseason appearances behind only Bob Gibson (74), per MLB’s Sarah Langs.

Skubal retired 15 consecutive, hit 101 on the radar gun in the second inning and didn’t have a three-ball count until the fifth inning.

“We knew,” Braves manager Walt Weiss said, “it was going to be a rough ride.”

But Weiss did not know, immediately after Saturday’s loss, when he’d be able to deploy his sole ace, 37-year-old Chris Sale, the 10-time All-Star who just pitched in the Braves’ Game 3 wild-card closeout.

“To me it’s not that big a deal when he pitches,” Weiss said. “The Dodgers can’t win it in two.”

A true statement and a matter of fact: The Dodgers can’t win in two, but they’re not shy about expecting to win.

“It’s prudent to kind of map out potentially how they could line up,” Roberts said Friday. “And that’s just doing your due diligence.

“We are very fortunate because we have four guys essentially that you could really kind of pick through to figure out what’s the best way to deploy all four starters, that’s the exercise. But it starts with having four talented guys.”

Andrew Friedman, the Dodgers’ president of baseball operations, reveled in the notion that his club might actually be disproving the rule that you can never have enough pitching — at least when it comes to their elite quartet of starters.

And that, Friedman said, “is very impactful for quality of life.”

And the Dodgers aren’t afraid to say it.

The word “process” has been used so many times by the Scotland head coach and his players in recent days it’s probably the new team motto.

But there is truth in it.

Pocognoli is trying to implement a radically different system to his predecessor. Not only that, it’s a different mindset. All while trying to embed a clutch of new players.

It’s early days for the Belgian, his group, and, of course, Bowie. But the man on loan at Sassuolo believes things are clicking, and it’s an opportunity for him to make his mark.

“It’s a lot longer international break,” he explained. “We spend a lot more time together so it’s good for him to get his message across and his ideas. Also, we play more games so we have to train a little bit less of course.

“I think for me it’s a fresh start with a new coach and different ideas.

“He said to me ‘you don’t need to prove yourself, just go and do what I know you can do’ and I feel like I’m just doing that.”

Bowie, who made his Rovers debut at 16, added: “I think people, obviously Scottish fans, have the same idea of how I was when I was at Hibs and that’s all they can remember.

“But I feel like since I moved to Serie A, it’s a different challenge against more experienced players and at a higher level.

“So, yeah, I feel like I’ve definitely kicked into another gear and I feel like I’m showing that.”

World number two Luke Humphries secured his place in the World Grand Prix final with a 5-3 victory over James Wade.

Humphries averaged 96.92 and threw 10 180s as he reached the final for the fourth successive time.

The 31-year-old Englishman will face Welshman Gerwyn Price on Sunday evening in Leicester after he beat Nathan Aspinall in the other semi-final.

“I’ve got to do it again because there’s so many major finals I’ve let slip. Gezzy [Price] is playing well but if I play like that again, it’s going to be a cracking game and I hope it is,” Humphries told Sky Sports.

“To make four Grand Prix finals on the trot is super special. It’s history for myself and I’m proud of that but unless I pick that trophy up, unfortunately that history doesn’t mean anything.”

Humphries, who won this title in 2023 but has lost in the past two finals, took the opening set of the semi-final but Wade produced a brilliant 141 checkout en route to drawing level.

The pair exchanged the next two sets before Humphries took control of the contest to move 4-2 ahead.

Wade refused to go quietly and pulled one back to keep the match alive but Humphries held his nerve in the eighth set to seal victory on double top.

In the other semi-final, Price beat a spirited Aspinall 5-2.

The Welshman took a three-set lead as Aspinall struggled to reproduce the form that had seen him average 105.15 in his quarter-final win over Ryan Joyce.

Aspinall briefly rallied and produced a superb 132 checkout – the highest of the match – to get a set on the board.

The 35-year-old then threatened to turn the match around when he reduced the deficit to one set at 3-2.

However, Price regained his composure and closed out the next two sets without reply to secure his place in the final.

Price said he was “frustrated” by Aspinall’s antics during the match as he interacted with a partisan crowd at the Mattioli Arena.

“I’m glad to come through the game. Nathan was complaining about the crowd, but they were on his side,” Price said.

“He’s performing a little bit on stage. I’m great friends with Nathan, but take it on the chin sometimes when you’re losing.”

World number two Luke Humphries breezed into the semi-finals of the World Grand Prix with a 3-0 victory over Niels Zonneveld.

The Englishman did not quite hit top gear against the Dutchman – averaging 85.91 and throwing four 180s – but was clinical at the key moments with a checkout success of 33.33%.

Humphries has yet to drop a set in this year’s tournament having whitewashed Dave Chisnall and Jermaine Wattimena in previous rounds.

The 31-year-old will face compatriot James Wade in the last four after he knocked out third seed Gian van Veen with a 3-0 win.

“The way I’m practising, I feel really good, it’s just not been coming out this week. Against James, I know I need it to come out, it’ll be a tough task,” said Humphries, who won the tournament in 2023.

“To make four World Grand Prix finals on the trot would be super special. There’s not many players that will ever do that and James will know he’s got a tough game as well.”

Elsewhere, Nathan Aspinall produced a stellar performance at Leicester’s Mattioli Arena to secure his spot in the last four with a 3-0 victory over Ryan Joyce.

He will play Gerwyn Price in the semis after the Welshman’s superb 3-2 comeback success against his compatriot Jonny Clayton, who spurned a two-set lead and match darts in a thrilling tie.

When public prosecutors tapped telephone calls at Italian football giants Juventus in 2004, they were hunting for evidence of doping.

What they believed they found was corruption on a far more systematic scale.

They thought they had evidence of Juve general manager Luciano Moggi pressurising referee officials to favour certain clubs, including his own. Moggi denied the claims.

However, Juve, AC Milan, Fiorentina, Lazio and Reggina were all implicated in influencing referees.

All were given points deductions, but only Juventus ultimately dropped into the second tier of Italian football.

There was a split in the club’s superstar squad.

Zlatan Ibrahimovic and Patrick Vieira joined rivals Inter Milan for a combined £23m, Fabio Cannavaro and Emerson went to Real Madrid for £13.7m, Lilian Thuram and Gianluca Zambrotta joined Barcelona for £13m, and Adrian Mutu went to Fiorentina for £5.5m.

But other key players – notably Gianluigi Buffon, Alessandro del Piero, Giorgio Chiellini, Pavel Nedved and David Trezeguet – remained with Juve in Serie B.

Despite beginning the season with a nine-point penalty and an opening-day draw with minnows Rimini, Juventus were promoted at the first attempt.

The club still lay claim to the 2004–05 and 2005–06 titles that were stripped from them, counting 38 rather than the official 36.

The full lineup for the new series of Celebrity Race Across the World has been revealed, and Princess and Junior Andre will be seen competing on the hit BBC show

Princess and Junior Andre have joined the star-studded lineup of Celebrity Race Across the World. The children of Katie Price and Peter Andre have begun to carve out their own careers in showbiz in recent years, with Princess, 19, heading up her own ITV2 reality show and Junior, 21, working as a musician.

Now, the brother-and-sister duo have been confirmed as one of the pairs on the upcoming edition of the BBC show, in which individual teams try to travel the globe without access to planes, credit cards or smartphones.

Alongside Princess and Junior, the other pairs confirmed to be taking part are Eurovision star Sam Ryder alongside his best friend and tour manage Kaz. BRIT Award-winning singer-songwriter Ella Eyre will be competing alongside her childhood friend Nana, and veteran sports broadcaster Jeff Stelling with his son Matt.

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The BBC confirmed the news with a series of photos of the pairs, and said: “Say hello to the lineup of Celebrity Race Across the World, coming soon to BBC iPlayer.

“Celebrity Race Across The World: Familiar faces, numerous countries, zero VIP treatment. Famous family & friends pairs take on a race across the world – by any means necessary.”

Princess then broke her silence about the news and wrote on Instgaram: “Finally….we are excited to announce that we are part of @raceacrosstheworld!!” Meanwhile, Space Man singer Sam also addressed the news as he wrote on social media: “see you soon bbc1“

When it comes to Princess and Junior, insiders previously claimed that that the pair had signed up. A source told The Sun of the show’s new signing: “Princess and Junior have proven themselves to be well-mannered, hardworking kids and opportunities continue to come their way. Execs were impressed with the ratings for The Princess Diaries but also how they came across.

“They’re brilliant signings for Celeb Race as they bring with them a younger audience. But bosses are also looking forward to seeing how they cope with the stripped-back style of travelling as they’re more at home in five-star hotels than a hostel.”

Last year, it was The One Show star Roman Kemp and his sister Harley Moon, the children of Martin and Shirlie Kemp, who emerged victorious from the series.

Following his win, Roman told The Mirror: “It’s the hardest thing I’ve ever done in my life, by far.” Bravely, Roman continued: “And doing it with no antidepressants is the hardest thing ever.

I was on the verge of a panic attack constantly.” Roman started taking sertraline, an antidepressant known as an SSRI, as a teenager, as well as dealing with suicidal thoughts from the age of 15. But it was, it’s the best thing. I think retrospectively [it’s] the best thing I have ever done because I spent ridiculous time with my sister and that’s something we never. Never did.”

Celebrity Race Across The World will air on BBC One and iPlayer soon

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A revamp of the points system for 2025 was welcomed by Evans; it also brought his tightest title race yet.

After second place to Ogier in the Monte Carlo curtain-raiser, the re-energised Welshman won in Sweden and Kenya – rallies the Frenchman sat out.

With a 36-point advantage, Evans had opened up the largest championship lead ever recorded after three rounds of a WRC campaign.

But he would not win again that season and though he never finished lower than sixth, Ogier gradually whittled away at his lead until it came down to just three points with one round to go.

That race was a brand new entry to the calendar, and there was uncertainty over what lay ahead at Rally Saudi Arabia.

The terrain proved brutal for all the drivers. Tyre problems galore saw the leaderboard shifting like the sand. It ended with Ogier in third and Evans in sixth.

The points-swing was seven. The Frenchman had won a record-equalling ninth WRC title by four points, and Evans had fallen just short for the fifth time in six years.

“We’ve done what we can, that’s it,” was his reaction.

“We’re competitors at the end of the day, we always want better, we always want more.”

Fishlock, who has said this will be her last year playing club football, will be on duty with Reign when Wales go to Albania on Friday, 9 October and then again in the return leg in Llanelli four days later.

Should Wales overcome a side who are 36 places in the Fifa rankings – and one they beat twice in the group phase of World Cup qualifying – they will play either Norway or Romania in a two-legged play-off final in December.

Wilkinson has revealed that another recently retired former player, Kayleigh Barton, will be part of her staff for the Albania ties and then Fishlock will have a role should Wales reach the final.

Fishlock previously worked as a technical assistant for Wales’ opening game of this qualifying campaign, against the Czech Republic in March.

Wilkinson explained that Fishlock had been in touch before she named her semi-final squad on Tuesday, adding: “I didn’t appreciate her saying ‘call me up coach, I’m ready’, which I thought was mean, but [she was] a wonderful player and a great leader for us.

“If we are able to get past Albania, she’ll be coming in as a coach for us for the next round.”

Earlier this summer, Akriila flew to Los Angeles and played two nights at the Roxy in West Hollywood. At 22, the Chilean singer-songwriter, most identifiable by her fire engine red tresses, is one of the most visionary newcomers in the latest wave of post-urbano Latin artists.

Fittingly, Akriila kick-started her career with a trap mixtape. The most-streamed tracks on her debut, 2024’s dazzling “Epistolares,” favor a progressive reggaeton vein. She also collaborated with Milo J on “Llora Llora” — a folksy lullaby off the Argentine rapper’s masterpiece “La Vida Era Más Corta.”

“Hot gays listen to Akriila” became a celebrated slogan on social media.

Turns out she was just getting started. Released Sept. 3, her latest album, “Lucy Miró al Mundo y Notó Que Está Girando” — its title a delicious riff on Beatles lore — eschews reggaeton altogether, in favor of a hallucinogenic collage of shoegaze, electronic glitch pop and South American roots sounds.

A guidepost of Chilean hyper-pop, it is also a heart-wrenching mash of tenderness and distortion. The lyrics describe the trauma of a recent transition, after she left her father’s home and ventured to live on her own — and though she’s now an established artist signed to Atlantic Records, her music is still aching and vulnerable.

“She is a reference point for all of us in contemporary music,” says producer Diego Raposo, a Dominican tastemaker who featured Akriila on his 2023 debut album. “I believe we’re witnessing something that we’ll probably never see again. Her music reminds me of Björk, Aphex Twin, even Shakira — but it’s also incredibly fresh and original.”

A few days before traveling to London for her inaugural European tour, Akriila spoke to De Los about the seduction of second verses, her obsession with ’90s dream pop and the growing pains of living alone.

This is such a dreamlike record. Was that intentional?
I wanted it to feel not necessarily ethereal, but hazy, like you’re inside a bubble. I love the way my voice is processed, sharing the space with so many layers. It’s really cool when the vocals are part of a track instead of lying there in the center of the mix.

I was your age in the ’90s, and this album has a very strange emotional effect on me: It reminds me of what it felt like to be in my 20s, listening to dream pop for the first time.
That makes perfect sense, and it connects with a favorite exercise of mine: Every week — ideally, every day — I listen to a full album from beginning to end. I started with new releases, but then set my sights on the classics.

The Sundays’ [1990 masterpiece] “Reading, Writing and Arithmetic” was the album that opened up the space mentally for what I wanted to do. I always say that I make alternative pop. I start with something that’s catchy and easily digestible, and then mix it with sounds that feel uncomfortable. As I was starting to work on this album, I listened to the Sundays, the Cardigans, and every single record that Prince ever made.

I can definitely feel the ’90s vibe in the closing track, “Lucy.” It’s gorgeous.
That’s inspired by the Sundays’ “Gone,” and the drums sound like Cocteau Twins. I love the art of collage — stealing from different artists, but doing it my way. There are samples of PJ Harvey, Patti Smith, but also Rosalía. When I make videos, I’m always thinking of something that MTV would have played back in the day.

I keep thinking of this record as a concept album, even though the actual concept is more of a feeling than anything else.
I totally get you. It’s not an album like the Who’s “Tommy” — an actual musical that takes the conceptual deal to another level. I feel we’ve forgotten the art of making albums now that we’re so focused on playlists and TikTok. I invest a lot of effort in making my albums conceptual, since I’m not into records that are random collections of tracks. “Epistolares” was all about sending letters and dedications. The deluxe version was more sentimental. This one is a concept album for sure. I could outline in detail why every moment of the record happens when it does.

The bridge on “Abrázame” is incredibly romantic.
That bit really freaked me out in a good way. It was shorter at first, but then I asked [producer] Vinco to make it longer. Those guitars on the bridge are the most beautiful thing he’s ever done. The contradiction of “Abrázame” is that everyone kept telling me that it should continue going up and explode at the end, but I had already overused that device on “Epistolares.” So I did the opposite and gave it a happy ending. That ethereal, ambient thing at the end kills me.

Talking about songwriting devices, here’s a trademark Akriila move: A song may be moving forward, and suddenly there’s a fracture — everything breaks and decomposes. Why?
I think I have ADHD and need things to be constantly changing. I’ve tried to make songs that are plain, but I just can’t do it. My favorite part of songwriting is working on the second verse. You’ve already presented the main idea and shown what the chorus is like. On the second verse you can change the beat or the lyrics, and do anything you like. [Producer] Clemente is just like me in that respect. Sometimes we take things to the limit, and then step back. It’s one of the great things about my creative team: We’re not married to the demos. We may do five versions of the same tune until it sounds right.

Your Chilean roots shine through on “Partedemipartedeti.” I listened to those folk bits and thought: Here’s someone who grew up listening to Los Jaivas and Inti-Illimani.
When I first started obsessing about music, the stuff that I liked was all in Spanish. I listened to tons of records from Chile, Argentina and Mexico. “Carta a Mi Papá” is like a traditional balada from Chile. I stole those chords from “Quizás, Porque” by [Argentine supergroup] Sui Generis. I listened to a lot of Pescado Rabioso when I was a teen. My partner has a cassette deck in her car, and she’s always playing [Charly García’s] “Piano Bar.” I don’t identify only with Chilean music. It’s more of a música latinoamericana thing. I don’t think gringos are that good in the lyric writing department. Artists like Bandalos Chinos, Alex Anwandter and Zoé are really great composers.

Do you think you’re an old soul?
People always tell me that [smiles]. We’re a team of three; I think Clemente is a really young soul. Vinco and I are the old ones.

Before making this record, you stopped living with your dad, moved to a place of your own, and experienced a time of profound loneliness. What does your father think of the finished album?
He loves it. He is a musician himself, and it must have been hard for him when we started living apart. It was also difficult for me to get home and feel so lonely because there was no one waiting for me anymore. My dad still comes to my place once a week; he doesn’t want to bother me, so he leaves food in the reception area. It’s his way of making sure that I’m doing fine.

Lewis was part of the Wales squad at the 2022 union World Cup and was set to play in the inaugural WXV tournament a year later.

But she suffered a serious knee injury as Wales beat Italy in the 2023 Six Nations.

Since her recovery Lewis has played for Brython Thunder in the Celtic Challenge but, with no WRU contract, felt she had unfinished business and “didn’t want any regrets”.

“I could have easily just walked away from rugby at that point. I could have just been like ‘I’m done’,” said Lewis.

“But internally, I knew I wasn’t, and I put so much time and effort into coming back and getting back fit, and I was only 28, and I was like, ‘I’ve still got so much time left’, and I just felt individually I didn’t deserve my time to be done based on someone else’s decision.

“So I took some time, and then I just set a goal to myself. If I got the opportunity to play rugby league, great.

“If I had the opportunity to play union, I wouldn’t say no. But this opportunity came up, and I just grabbed it with two hands, and hopefully now it’s paid off.”

World champion Luke Littler’s hopes of defending his World Grand Prix title were dashed as he fell to a shock first-round defeat by Luke Woodhouse in Leicester.

Littler, 19, had been looking to bounce back from his quarter-final exit to Jonny Clayton at the World Series of Darts Finals just over a week ago.

But despite taking the first set, he was distinctly below par throughout the best-of-three encounter, averaging just 82.41.

That allowed Woodhouse to level the match and deliver a checkout of 75 to win the deciding set 3-1 in legs.

Woodhouse will face 2022 runner-up Nathan Aspinall in the last 16, who edged past Dutch debutant Kevin Doets 2-1.

Earlier on Monday, six-time winner Michael van Gerwen lost five legs out of the last six as 2024 semi-finalist Ryan Joyce fought back to win 2-1.

England’s Joyce will play Dutchman Danny Noppert, who advanced past Germany’s Niko Springer by the same scoreline.

Elsewhere, Wales’ Gerwyn Price only lost a single leg as he comfortably beat Poland’s Sebastian Bialecki 2-0 to set up a meeting with England’s Ross Smith, who came from behind to triumph 2-1 against Scotland’s Cameron Menzies.

Welshman Clayton edged past Krzysztof Ratajski 2-1, and he will take on the Netherlands’ Wessel Nijman, who overcame 2018 world champion Rob Cross in straight sets.

WASHINGTON — President Trump asked Chinese President Xi Jinping if he wanted to buy weapons from the United States, the U.S. ambassador to China said.

David Perdue said Trump raised the prospect of the arms sales from the U.S. to its ascendant geopolitical rival, an unlikely offer that if consummated would upend generations of U.S. policy toward China and Taiwan and expose U.S. technology to a potential foe. Perdue, speaking to Shannon Bream on Fox News Channel’s “Fox News Sunday” days after Trump hosted Xi for a state visit in Washington, didn’t specify when the offer was made.

Perdue said Sunday that Trump, a Republican, was downplaying longstanding U.S. arms sales to Taiwan — which have drawn protest from Beijing for years — by couching it as just one of many sales Washington makes around the world — and even asking Xi if he’d be in the market for U.S. weaponry.

Bream had cited concerns from Republican and Democratic lawmakers over delayed aid packages and weapons orders to Taiwan, the self-ruled democracy that seeks to defend itself from China’s threat to invade the island. Bream asked if the U.S. is denying arms to Taiwan to appease the Chinese president, who visited Trump last week.

Perdue pushed back on the suggestion, stating that Trump “is as strong on Taiwan as I’ve ever seen anybody” and has sold it plenty of weapons. Perdue also said Trump and Xi continue to talk about future U.S. weapons sales to Taiwan.

“But President Trump continues to say, ‘Hey, we sell arms to other people around the world,’” Perdue said. “He actually asked President Xi, would he like to buy some, at one point.”

The U.S. is bound by its own laws to provide Taiwan with the means to defend itself. While not recognizing Taiwan as a country, the U.S. is the island’s strongest informal backer and arms provider. But multiple U.S. leaders have left ambiguous whether they would commit military force to defend the U.S. ally should China invade.

China has pressed Washington to halt the arms sales, most prominently during a previous summit in May between Trump and Xi in Beijing. After that meeting, the United States paused the sale of a record-breaking $14 billion package — and Trump described arms sales to Taiwan as a “very good negotiating chip” with China.

In their private talks at the White House last week, Xi pressed Trump to oppose Taiwan independence, according to Chinese state media.

In Beijing, China’s foreign ministry spokesperson Guo Jiakun did not confirm Perdue’s remarks when asked about the matter on Monday. But he told reporters that China has always strengthened its national defense capabilities based on its needs and is committed to maintaining world peace and stability.

Finley writes for the Associated Press.

Australia-born Jasmin Strange is one of four potential debutants in England’s 23-strong squad for the World Cup.

Sydney Roosters second-row forward Strange, who is set to play in Sunday’s NRLW Grand Final against Brisbane Broncos, has committed herself to England, for whom she qualifies through her mother Adele.

The 23-year-old is the daughter of Roosters women’s head coach John Strange, who played for Featherstone in the 1990s.

Strange is joined by three uncapped players – Leeds Rhinos’ Connie Boyd, Hope Millard of Canterbury Bulldogs, and Wigan Warriors’ Lucie Sams.

In addition to Strange and Millard, whose father Shane was a forward for Widnes, Leeds and Wigan, three other NRLW players have made the squad – including dual code international Fran Goldthorp, who last played rugby league for her country at the most recent World Cup in 2022.

Newcastle Knights’ Georgia Roche and Hollie-Mae Dodd of Canberra Raiders have also been included.

Strange’s inclusion as a heritage player – one who qualifies through parentage – comes after eligibility rules were relaxed this year.

An International Rugby League ruling means that players can now represent more than one of the three tier one nations – Australia, New Zealand and England.

That led to speculation that head coach Stu Barrow might call on more heritage players with NRLW experience – such as Roosters playmaker Jocelyn Kelleher, Bulldogs half-back Tayla Preston and Wests Tigers full-back Caitlin Turnbull.

But Barrow has said he wants to give homegrown players an opportunity to develop.

All three Woman of Steel nominees – Jenna Foubister, Eva Hunter and Megan Williams – have been selected, along with six of their Wigan team-mates. Grand Final winners York Valkyrie have one player in the squad in forward Liv Wood.

Loose forward Jodie Cunningham, who will retire after the World Cup, is selected along with St Helens team-mate Vicky Whitfield, who will be competing at her fourth World Cup.

Barrow said: “Narrowing our squad from 40 players to a final 23 has involved some difficult decisions, but we believe we have the right balance of experience and youth to compete on the world stage.

“It’s also an exciting moment for the programme with the inclusion of Australian-based heritage players for the first time.”

This year’s men’s, women’s and wheelchair World Cups will run concurrently, with England competing in all three. The wheelchair squad was announced last week, while the men’s squad will be confirmed on 5 October.

The tournaments are being staged largely in Australia, with Papua New Guinea’s men and women each playing two pool matches in their own country, and their New Zealand counterparts playing one.

England face three group matches – beginning in Perth against Wales on 17 October and Australia on 24 October, before facing Samoa in Wollongong on 30 October.

The top two sides in England’s four-team group will go through to the semi-finals on 7 and 8 November, with the final on 15 November.

Pro wrestler PAC, whose real name was Benjamin Satterley, died Sunday at 40 less than 24 hours after competing in All Elite Wrestling’s “All Out” pay-per-view event, AEW announced.

“All Elite Wrestling is saddened to announce the passing of Benjamin Satterley, aka Pac,” AEW said in a statement. “A native of Newcastle upon Tyne, England, Satterley began his wrestling career in 2004 and went on to perform for wrestling organizations all over the world, captivating fans with innovative high-flying moves and incredible in-ring ability. Pac signed with All Elite Wrestling in 2019 and held multiple AEW Championships and competed in some of the most memorable matches in AEW history. Our condolences go out to Satterley’s family, friends and fans.”

AEW owner Tony Khan posted a message on X honoring Satterley.

“Benjamin Satterley defined excellence, as a beloved husband & friend to his many loved ones, + in his wrestling knowledge, skill, unprecedented athleticism, professionalism, consistency + dedication to the sport that he loved & traveled the world to pursue,” Khan’s statement read. “May Ben rest in peace.”

Satterley broke into pro wrestling in 2004 and made a name for himself in the U.S. as part of the Pro Wrestling Guerilla promotion in Los Angeles. He signed with World Wrestling Entertainment in 2012 and was given the name Adrian Neville, later shortened to just Neville. He became part of their NXT promotion and won its heavyweight title before he was promoted to the main roster. He won the NXT Championship while in developmental and later made it to the main roster in 2015, winning the WWE cruiserweight title.

Considered one of the best wrestlers in the world, Satterley was was a relatively small 5 feet 8, 194 pounds and was not given a push relative to his ability in WWE. He left the promotion in 2018 and later joined AEW, where he changed his name to PAC and won the International title and the Trios title.

He was currently involved in a feud with Andrade El Idolo and challenged him for the national championship Saturday in Chicago, with El Idolo winning to retain the title.

When AEW launched in 2019, he was announced as one of the first signees, becoming the first All-Atlantic Champion and also won the Trios Championships. Since 2024, he had been a member of the Death Riders group.

In the most bizarre of cricketing summers, Ben Duckett has had a bizarre summer of his own.

The only Englishman to compile a Test ton, and the scorer of 141 against India in a one-day international at Lord’s, ends with nine scores below 20 from his other 15 innings.

He was talked about as the world’s best all-format batter after his 149 against India last summer but has averaged 27.15 since then across formats.

It is right that England are reticent to drop a batter who has hit such highs, especially as a senior player and one with significant List A experience – a total of 111 matches – behind him in a squad still lacking in 50-over matches.

Duckett and Jacob Bethell also shared an opening stand of 192 in the series decider against India at Lord’s.

But, unlike the Test side where Emilio Gay’s place as Duckett’s partner is not fully secure, never mind a replacement waiting in the wings, Tom Banton and Bethell have shown there could be another world without the diminutive left-hander.

Bethell, who scored 91 in the third ODI against India before missing the Sri Lanka series with a knee injury, is talked of as a senior player in the group, despite still being just 22, while Banton’s first England century on Sunday was superb.

The way Banton hits the ball at the top of the bounce looks suited to the bouncy pitches of South Africa, where the majority of the World Cup will be played.

Duckett, in contrast, averages 23.4 on surfaces deemed as ‘high bouncing’ since the start of 2023. This winter’s Test series in South Africa may shed some more light.

World-ranked number 15 Northern Ireland’s emphatic 73-50 victory over Republic of Ireland in their final qualifier was not enough to secure one of the two qualification spots automatically.

However, Scotland’s narrow win over Wales in Sunday’s later game booked both teams spots with Wales, who are ranked ninth in the world, missing out.

“It was a real rollercoaster of a day,” O’Hanlon continued.

“Obviously we started out with a hard-fought win against the Republic of Ireland, but we knew that we were still relying on Scotland.

“That match was just up and down the whole way through, so we were nerve-wrecked watching that. Just sitting in the stands, not being able to control anything, was nerve-wracking.”

O’Hanlon was captain of the side when they finished 10th in the World Cup seven years ago.

But, now, the 42-year-old said the squad will head to Sydney with ambitions of competing for results rather than simply gaining experience.

“The last one we were at was in Liverpool and there was a lot of home support, but Sydney is the home of netball at the minute,” O’Hanlon added.

“Sydney is the centre of the best league in the world. It’ll be a brilliant spectacle and it’s just class to be a part of it.

“The group will be going into the games not just to experience, not just to learn, but to actually go on and compete and try to win games and get results. That’s the next step for us really.”

“A Different World,” a multicamera comic collegiate soap opera spun off from “The Cosby Show,” has been updated and reborn as a single camera sequel a mere 39 years after the original series welcomed its freshman class and 33 after it packed them off into adulthood. It’s a different “A Different World,” times being what they are, but in many respects the same, set over a school year at the same fictional Hillman College, “the preeminent HBCU in the country.”

As before, we begin with the arrival of new students, sorting themselves out, meeting roommates, finding friends. Many members of the original cast have returned, including Jada Pinkett-Smith, Cree Summer, Charnele Brown, Jenifer Lewis, Dawnn Lewis, Glynn Turman and Joe Morton, as parents or teachers or counselors, three decades older though not necessarily wiser. In a way I can’t exactly articulate — and which has nothing to do with the earlier series, which I know hardly at all — the new “A Different World” made me happy, especially in the early episodes, before the characters are entangled in plot and everything is new, infused with sweetness and energy. (A climactic talent show is just as corny and unpersuasive as every other climactic talent show in television history.)

At the center of a large and sometimes confusing Gen Z cast is Deborah Wayne (Maleah Joi Moon), the daughter of Dwayne Wayne (Kadeem Hardison), who is now the provost, and Whitley Gilbert-Wayne (Jasmine Guy), who in the intervening years founded and sold a beauty empire, which is to say that Deborah, accent on the “bo,” is a rich girl — not at all mean and not especially spoiled, though she doesn’t know how to operate a washing machine. (It also means she is not afraid to raise a ruckus.) She thinks of herself as an artist, but her admission to NYU’s Tisch School of the Arts was rescinded after “a horrible misstep.” And at Hillman, she is required to keep a B average and not get into any trouble, both of which will prove difficult.

Shaquille Johnson (Cornell Young IV), a football star who arrives a week late to practice in a Lamborghini accompanied by his domineering father — it’s Ron Johnson (Darryl M. Bell) from the original cast — who thinks it’s a shame that his son is at tiny Hillman when he could be making a pot of money elsewhere. (Shaquille promised his late mother he’d go there.) “Not everything is about money,” he says. Shaquille also has a gone-wrong romantic past with Deborah, but they are glad to see one another again.

While the show features members of the original cast, the younger generation sorts itself into trios, including Kojo (Chibuikem Uche), left, Shaquille (Cornell Young IV) and Amir (Jordan Aaron Hall).

(Quantrell Colbert/Netflix)

Deborah wants to show her parents, who have been separated for six months but are rarely apart, that she can “enter my full studious season.” This will lead to her engaging a tutor, Ellington (Vincent Jamal Hooper), introduced for some light romantic tension vis a vis Shaquille. Athletic RA Candace (Renee Harrison), who likes Shaquille, provides a counterweight.

The younger generation sorts itself into two entwined trios. For a roommate Deborah draws Rashida (Alijah Kai), who’s from Compton and supposedly a champion gymnast, a characteristic that seems to exist simply to support a joke about Deborah’s “most improved” trophies for Choate women’s pickleball, since it’s never mentioned again. (Some storylines do just melt away.) She’s majoring in criminal justice “to get my cousins out of prison” and thinks Deborah is an unserious student. They’re joined by Hazel (Kennedi Reece), a nice Christian girl looking for a nice Christian guy.

On the boys’ team, alongside Shaquille, are Amir (Jordan Aaron Hall), a gay Harlemite whose deferred admission was because of a year in what they seemingly still call juvie and whose dream is to design clothing; and Ghanian Nigerian “by way of the U.K.” Kojo (Chibuikem Uche), an aspiring influencer bootlegging T-shirts of Shaquille; he, too, has marriage on his mind. They will learn as much in the dorms as they do in the classroom, but the classroom scenes are more on point than they often are in school-set shows.

Shaquille has a rival on the team, Andre (Joshua Suiter), whose wrist he fractures in a locker room fight — but this never really turns into anything. There aren’t any villains here, just young people making young people mistakes and older people making older people mistakes. No one is evil, but people do stupid things, which accords with my own memories of college.

Created by Felicia Pride, who has writing credits on “Queen Sugar,” “Bel-Air” and “Grey’s Anatomy,” it also includes plenty of scenes in which the young folks just have fun, dancing and singing. Big scenes are very well staged, which might have something to do with having choreographer Debbie Allen, director of the premiere episode (and 83 episodes of the original series), as an executive producer. (She also reprises her role as academic counselor Dr. Langhorne, whose motto is “Relax, relate, release,” as if anyone could.)

Over the course of 10 episodes, we’ll encounter many issues relevant to student life and beyond — dyslexia, ADHD (this was my introduction to the parking lot and pomodoro techniques), how lockdown “wreaked havoc” on a generation’s ability to read social cues, STDs, adultification bias, federal cuts to education (Hillman is in the red, and students are losing their grants). bell hooks is quoted on socializing men toward love instead of sex, and, indeed, the series is refreshingly modest on that account.

Welcoming the incoming freshmen, Deborah’s father says, “This is a watershed moment where this country that we built is trying to erase our Black history. Our gains, our culture. They wanna demoralize us. They wanna deport us, they wanna jail us, they wanna shoot us down in the street. But you, you all are their greatest threat. You future leaders who are about justice and community and each other. I know you will stand up. I know you will fight, build and change the world.” It’s a bit speechy — well, it’s in an actual speech — but it’s nice to have that laid out so cleanly in a Netflix sitcom in these difficult days.

And in the wake of a bomb threat, Deborah will declare to the world, “We are not going anywhere. We are studying, we are partying, and we are living our best young, gifted, Black, talented lives right here in our space.” Which sums it up nicely.

Brandon McNulty became the first American winner of the men’s road race world title in 33 years with a stunning victory in Montreal.

The 28-year-old put his hands on his head in disbelief as he crossed the line 13 seconds clear of the chasing pack, completing the gruelling 273.4km course in six hours and 17 minutes.

Australian Michael Matthews was second, with former winner Mathieu van der Poel, of the Netherlands, in third.

The last American winner of the race was Lance Armstrong in 1993.

“Until the last 800m I didn’t believe, I was so tired,” said McNulty.

“I’m at a loss for words. I knew something could happen but it would take a miracle and I guess today a miracle happened”.

He launched an attack going into the final 30km and was 50 seconds clear going into the last lap.

McNulty visibly began to tire on the final climb and his lead was cut to just 10 seconds, but the chasing pack were unable to reel him in.

Britain’s Tom Pidcock finished seventh, with Ireland’s Ben Healy 10th and Remco Evenepoel of Belgium in 12th place.

Scotland and Northern Ireland secured qualification for the Netball World Cup after a three-day event in East Kilbride.

The top two sides from the four-team tournament won their spots in the finals, which take place in Sydney, Australia, with Wales and Republic of Ireland failing to qualify.

Northern Ireland’s emphatic 73-50 win in the early match on Sunday meant they would qualify should Scotland win or draw, while Wales’ only path to qualification was through a victory over Scotland.

Heading into the final match of the tournament between the Scots and Welsh, the event hosts had their spot in the finals secured unless Wales won with an overwhelming points haul and Scotland ran out 55-48 victors.

The World Cup runs from 25 August-5 September 2027.