part

After more than two and a half years of research, planning and construction, Dataland, the world’s first museum of AI arts, will open June 20.

Co-founded by new media artists Refik Anadol and Efsun Erkılıç, the museum anchors the $1-billion Frank Gehry-designed Grand LA complex across the street from Walt Disney Concert Hall in downtown Los Angeles. Its first exhibition, “Machine Dreams: Rainforest,” created by Refik Anadol Studio, was inspired by a trip to the Amazon and uses vast data sets to immerse visitors in a machine-generated sensory experience of the natural world.

The architecture of the space, which Anadol calls “a living museum,” is used to reflect distant rainforest ecosystems, including changing temperature, light, smell and visuals. Anadol refers to these large-scale, shimmering tableaus as “digital sculptures.”

“This is such an important technology, and represents such an important transformation of humanity,” Anadol said in an interview. “And we found it so meaningful and purposeful to be sure that there is a place to talk about it, to create with it.”

The 35,000-square-foot privately funded museum devotes 25,000 square feet to public space, with the remaining 10,000 square feet holding the in-house technology that makes the space run. Dataland contains five immersive galleries and a 30-foot ceiling. An escalator by the entrance will transport guests to the experiences below. The museum declined to say how much Dataland, designed by architecture firm Gensler, cost to build.

An isometric architectural rendering of Dataland. The 25,000-square-foot AI arts museum also contains an additional 10,000 square feet of non-public space that holds its operational technology.

(Refik Anadol Studio for Dataland)

Dataland will collect and preserve artificial intelligence art and is powered by an open-access AI model created by Anadol’s studio called the Large Nature Model. The model, which does not source without permission, culls mountains of data about the natural world from partners including the Smithsonian, London’s Natural History Museum and the Cornell Lab of Ornithology. This data, including up to half a billion images of nature, will form the basis for the creation of a variety of AI artworks, including “Machine Dreams.”

“AI art is a part of digital art, meaning a lineage that uses software, data and computers to create a form of art,” Anadol explained. “I know that many artists don’t want to disclose their technologies, but for me, AI means possibilities. And possibilities come with responsibilities. We have to disclose exactly where our data comes from.”

Sustainability is another responsibility that Anadol takes seriously. For more than a decade, Anadol has devoted much thought to the massive carbon footprint associated with AI models. The Large Nature Model is hosted on Google Cloud servers in Oregon that use 87% carbon-free, renewable energy. Anadol says the energy used to support an individual visit to the museum is equivalent to what it takes to charge a single smartphone.

Anadol believes AI can form a powerful bridge to nature — serving as a means to access and preserve it — and that the swiftly evolving technology can be harnessed to illuminate essential truths about humanity’s relationship to an interconnected planet. During a time of great anxiety about the power of AI to disrupt lives and livelihoods, Anadol maintains it can be a revolutionary tool in service of a never-before-seen form of art.

“The works generate an emergent, living reality, a machine’s dream shaped by continuous streams of environmental and biological data. Within this evolving system, moments of recognition and interpretation emerge across different forms of knowledge,” a news release about the museum explains. “At the same time, the exhibition registers loss as part of this expanded field of perception, most notably in the Infinity Room, where visitors encounter the 1987 recording of the last known Kauaʻi ʻŌʻō, a now-extinct bird whose unanswered call becomes part of the work.”

“It’s very exciting to say that AI art is not image only,” Anadol said. “It’s a very multisensory, multimedium experience — meaning sound, image, video, text, smell, taste and touch. They are all together in conversation.”

Ninety-five years ago next month, Aurelio Manrique Jr. landed a job as a mild-mannered L.A. Times columnist. But the resume this native of the central Mexico state of San Luis Potosí brought to the paper was that of a firebrand.

Medical student turned political prisoner. Fought in the Mexican Revolution. Governor of his home state. Trusted advisor of general-turned-president Álvaro Obregón. Founder of a left-wing political party. Mexican legislator. He even took to the floor of Mexico’s congress to denounce former president Plutarco Elías Calles as a farsante — a phony — and then pull a gun on a rival who took issue with his vitriol.

Tall, with round wire glasses and a shock of black hair that was the inverse of his Moses-like beard, Manrique cut an exciting figure in Latino L.A. when he arrived as a political exile in 1929 after the so-called Escobar rebellion, which was an attempt to overthrow the Mexican government. A Oct. 28, 1929 Times dispatch noted that “it is not uncommon to find among the shabby, shuffling street venders [sic] of Sonoratown” former Mexican bigwigs “offering sweetmeats and trinkets from trays” in an effort to survive.

Finding a home in L.A.

They, like so many other political refugees before and since, made L.A. a home but also a place to fight for the freedom of their homeland.

Manrique, on the other hand, was hailed as the “intellectual head” of his fellow Mexican refugee politicos and an “accomplished linguist” who spoke Spanish, English, French and German.

“He stands in my memory as a pillar of fire because, at all times, he has never been afraid to do or say what he considered to be right, regardless of his own personal or political fate,” an admirer would recall decades later in the Virginia Quarterly Review.

The revolutionary found welcome audiences across the Southland with lectures and Spanish-language radio show appearances to talk about what was going on in his home country. He participated in Mexican Independence Day and Cinco de Mayo festivities and even found work in Hollywood films as everything from a British lord to an Arab sheikh.

But reputation doesn’t pay the bills, so Manrique also offered translation and interpreter services from a small Bunker Hill office. He also held Spanish-language classes twice a week at the L.A. Central Library. Soon after, The Times — a paper that back then loathed leftists of all stripes — hired Manrique as a columnist in May 1931. He was to be in charge of its daily Spanish-language roundup of world and local events, which the paper had regularly published since 1922.

The revolutionary plays a more reserved role

I wish I could say that Manrique used his platform to inveigh against the mass roundups of Mexican Americans that kicked off that year and that would lead to the repatriation of hundreds of thousands of Mexican Americans, citizens and not, during the 1930s. Or that Manrique taught his Times bosses that Latinos were more than domestic help or a societal scourge. Or that he deserves a spot in the pantheon of legendary Times metro columnists like Jack Smith, Ruben Salazar and Steve Lopez.

Alas, it was not to be.

The daily columna was just a roundup of wire stories published in Spanish, part of The Times’ effort to teach the language of Cervantes to those interested. Every Monday, the 40-year-old Manrique also wrote Platicas de Los Lunes [Monday Lessons], a place for the professor to teach new words to readers via translations, poems and sample sentences.

Manrique’s last byline was April 25, 1932. In the hundreds of columnas he wrote for us, I found nothing even remotely hinting at the progressive lion that Mexicans in Southern California knew him as. But in an era in which Latino visibility in Anglo Southern California was nonexistent when it wasn’t heavily stereotyped, Manriquez’s brief tenure at The Times was an important step for future Latino writers at the paper, all of us whom owe a debt to the man.

He returned to Mexico in early 1933 after President Abelardo L. Rodríguez announced amnesty for him and other exiles. The former revolutionary spent the rest of his life working for the Mexican government, most notably as ambassador to Scandinavian countries from 1946 to 1956.

In 1962, the retired Manrique returned to his old L.A. stomping grounds one final time five years before his death for a lecture at the Alexandria Hotel.

“He finds Los Angeles completely changed,” La Opinión reported, “and told us, with a tone of barely concealed sadness, that many of those who knew him had disappeared.”

The fate of all Angelenos, alas.

Today’s top stories

Republican gubernatorial candidate Steve Hilton speaks at a March 7 town hall in Mentone.

(Gina Ferazzi / Los Angeles Times)

A Trump-endorsed Republican could become California’s next governor

A second ticket drop for the Olympics

• A second ticket drop is set to open in August and will offer refreshed inventory across all sports at a range of prices.
• Those who registered but did not receive a slot in the first ticket drop or did not buy all 12 of their tickets will be enrolled in a lottery for a spot in the second ticket drop.

Court strikes down California mask law

California is getting 3 new state parks

• California will establish the new parks in the Central Valley, marking the state’s largest park expansion in decades and bringing the statewide total to 283 parks.
• The parks will serve historically underserved communities with recreation and historic preservation.

What else is going on

Commentary and opinions

This morning’s must-read

Other must-reads

For your downtime

The waffle with maple butter is the drive-across-town dish at celebrity-backed Max & Helen’s, the Larchmont diner opened by Phil Rosenthal and Nancy Silverton.

(Ron De Angelis / For The Times)

Going out

Staying in

A question for you: What’s your favorite California-themed book?

Marya says, “Hard Times in Paradise” by David and Micki Colfax.

Cristina says, “Grapes of Wrath” by John Steinbeck.

Email us at essentialcalifornia@latimes.com, and your response might appear in the newsletter this week.

And finally … from our archives

On this day 21 years ago, “Me at the zoo” was the first video uploaded to YouTube, opening the door to a new medium of television.

For the 20th anniversary last year, The Times’ Wendy Lee wrote about the video sharing platform and how it changed TV as we know it.

Have a great day, from the Essential California team

Jim Rainey, staff reporter
Hugo Martín, assistant editor, fast break desk
Kevinisha Walker, multiplatform editor
Andrew Campa, weekend writer
Karim Doumar, head of newsletters

How can we make this newsletter more useful? Send comments to essentialcalifornia@latimes.com. Check our top stories, topics and the latest articles on latimes.com.

Michael Jackson’s famous clan stepped out to celebrate the premiere of the new “Michael” biopic, but some of the Jacksons snubbed the event and have opposed the film.

On Monday at the Dolby Theatre in Hollywood, several members of the Jackson family gushed about the Antoine Fuqua-helmed film, which depicts the origin story of the King of Pop and follows the hitmaker from childhood through his upward trajectory to superstar status in the 1980s.

Michael Jackson’s nephew Jaafar Jackson, son of Jermaine Jackson, starred in the title role, and his aunts and uncles dropped accolades for his performance in red carpet interviews. Marlon Jackson said, “Watching the movie, sometimes we think we’re watching Michael up there, that’s how good he is.”

La Toya Jackson called his performance “absolutely excellent” and echoed Marlon, saying that she forgot she was watching Jaafar: “I thought I was watching my brother.”

But not all of the Jacksons were up for celebrating the film. Most notably absent were the “Beat It” singer’s pop star sister, Janet Jackson, and his daughter, Paris Jackson. The eldest of the siblings, Rebbie Jackson, also skipped the event. And although the film includes portrayals of many of the Jackson siblings, some also asked to be left out of the biopic, including Janet.

“I wish everybody was in the movie,” La Toya Jackson told Variety at the premiere. “She was asked and she kindly declined, so you have to respect her wishes.”

Last month, rumors began to swirl that the “All for You” singer attended a family screening of the film and wasn’t pleased. Page Six reported that Janet and Jermaine got into a spat, with Janet critiquing almost every scene.

At Monday’s premiere, “Entertainment Tonight” asked La Toya about the controversy, which she was quick to shut down. “There was absolutely no problem whatsoever, none whatsoever,” she said. “Please believe it.”

Although both of Michael Jackson’s sons, Prince and Bigi, have supported events for the film (Prince attended Monday’s premiere, and Bigi attended a Berlin premiere last week), and Prince served as an executive producer and was regularly on set, Paris Jackson has been vocal about her lack of involvement.

Last year, she posted on social media that she gave feedback on an early draft of the film, but her notes weren’t addressed. “I’ve left it alone,” she said. “It’s not my project, they’re going to make whatever they’re going to make.”

Paris Jackson, who works in the entertainment industry as a model, actor and musician, said she had stayed quiet about her feelings toward the “sugar-coated” project because she knew many people would be happy with it. “The film panders to a very specific section of my dad’s fandom that still lives in the fantasy,” she said.

“The thing about these biopics is, it’s Hollywood. It’s fantasy land. It’s not real, but it’s sold to you as real,” she continued. “The narrative is being controlled, and there’s a lot of inaccuracy, and there’s a lot of full blown lies, and at the end of the day, that doesn’t really fly with me.”

In earlier drafts of the “Michael” script, plot points included sexual abuse allegations brought by 13-year-old Jordan Chandler in 1993. Reportedly, the Michael Jackson estate became aware of a contract that legally barred the dramatization of the Chandler family and had to scrap parts of the script.

The film was originally set to premiere last year, but the production needed a new ending and weeks of reshoots to make the new iteration of the film work. In the version that hit theaters this week, “Michael” concludes in 1988, with a teaser for a potential Part 2.

Colman Domingo and Nia Long, who portray Michael Jackson’s parents, Joe and Katherine Jackson, appeared on “Today” this week and addressed the elephant in the movie theater.

“The film takes place from the ‘60s to 1988, so it does not go into the first allegations,” Domingo said. “Basically, we center it on the makings of Michael. So it’s an intimate portrait of who Michael is … through his eyes. So that’s what this film is.

“And there’s a possibility of there being a Part 2 that may deal with some other things that happen afterward,” he continued. “This is about the making of Michael, how he was raised, and then how he was trying to find his voice as an artist and be a solo artist.”

Long added that there might be a sequel, “if the price is right.”

Dave Mason, a founding member of the British psychedelic rock band Traffic who wrote some of their best-known songs including “Feelin’ Alright?” and “Hole in My Shoe,” has died. He was 79.

The singer and guitarist died Sunday at his home in Gardnerville, Nev., his publicist confirmed to the Associated Press. No cause of death was given.

“On Sunday, April 19, after cooking an amazing dinner with his beloved wife Winifred, [Mason] sat down to take a nap with sweet Star (the maltese) at his feet,” said a post shared Tuesday on the musician’s Instagram page. “He passed away peacefully, in his favorite chair, surrounded by the beautiful Carson Valley that he loved so much. A storybook ending. On his own terms. Which is how he lived his life right up until the end.”

“He leaves a lasting imprint on the soundtrack of our lives and the hearts he has lifted. His legacy will be cherished forever,” the tribute concluded.

Mason canceled his 2024 tour dates after doctors “detected a serious heart condition” during a routine check-up that required “immediate medical attention.” He was expected to make “a full and successful recovery” after treatments. He later announced his retirement from touring in 2025, citing “ongoing health challenges.”

Born May 10, 1946, in Worcester, England, Mason was a teenager when he joined singer and keyboardist-guitarist Steve Winwood, drummer Jim Capaldi and woodwind player Chris Wood to form Traffic in 1967. The band was known for its psychedelic sound that blended elements (and instruments) of rock, blues, R&B and jazz.

Mason was inducted into the Rock & Roll Hall of Fame in 2004 for his work with Traffic, but the musician had a fraught history with the group.

“We did some good stuff,” Mason told The Times in 1995. “We were young kids. The first song I wrote was their first big hit in England (‘Hole in My Shoe’). But I was only 19 years old and couldn’t handle all the fame, really. It was just too much.”

He explained that after he left the band the first time, he was asked to come back because “they didn’t have enough songs for a second album,” while he had written “five or six” including “Feelin’ Alright?” The song, now considered a classic rock staple, has been covered by multiple artists including Joe Cocker, Huey Lewis, the Jackson 5, Gladys Knight & the Pips and Grand Funk Railroad.

“Then I found out that Steve [Winwood] didn’t really care for my stuff,” Mason said. “From my point of view, I think [our] differences made something better. … But it just pulled too much I suppose, and they couldn’t work it. I was more or less forced into having to leave.”

Mason’s subsequent solo career included three gold albums: his 1970 debut “Alone Together” — which featured hits like “Only You Know and I Know,” “Shouldn’t Have Took More Than You Gave” and “World in Changes;” 1974’s “Dave Mason” and 1978’s “Mariposa de Oro.” His 1977 album “Let It Flow” was certified platinum.

He also collaborated with other notable acts such as Eric Clapton, George Harrison, Jimi Hendrix, the Rolling Stones, Delaney & Bonnie and Friends, Joe Cocker’s Mad Dogs & Englishmen, and Fleetwood Mac.

Winwood shared a tribute to his bandmate on Wednesday on Instagram.

“Dave was part of Traffic during its earliest chapter, and played an important role in shaping the band’s sound and identity during that time,” said the caption accompanying a photo of a young Mason. “His songwriting, musicianship and distinctive spirit helped create music that has lasted far beyond its era, and continues to mean so much to listeners around the world.”

“Those years remain a special part of the band’s story, and Dave’s contribution to them is not forgotten,” Winwood continued. “His place in that history will always be remembered, and through the music, his presence endures.”

Mason is survived by his wife, Winifred Wilson, daughter Danielle, nephew John Leonard, niece Michelle Leonard and his brothers-in-law, Sloan Wilson and Walton Wilson.

Talk about a crime of fashion.

Madonna revealed Monday on social media that the purple jacket, corset and dress she wore Friday during a surprise performance with Sabrina Carpenter at Coachella are missing.

“Bringing Confessions II back to where it began was such a thrill,” she wrote. “This full circle moment hit different until I discovered that the vintage pieces that I wore went missing. … These aren’t just clothes, they are part of my history.”

The clothes are archival items that she wore in the early aughts during her “Confessions on a Dance Floor” era. Her upcoming “Confessions on a Dance Floor: Part II,” set to be released July 3, is a sequel to the 2005 album. Madonna played Coachella’s Sahara Tent 20 years ago in a similar purple getup.

Madonna appeared midway through Carpenter’s headlining performance at Weekend 2 of Coachella. The 67-year-old singer rose from beneath the stage as Carpenter sang “Juno.” The pair then transitioned into a rendition of her 1990 hit “Vogue.” Madonna also performed an unreleased song — “Bring Your Love” — followed by 2005’s “Get Together” and 1989’s “Like a Prayer.”

“I’m hoping and praying that some kind soul, will find these items and reach out to my team,” she continued, offering a reward to anyone who could recover the items and providing an email for her representatives.

A spokesperson for the Indio Police Department said in a statement Tuesday that “at this time, there is no evidence to suggest the bags were intentionally stolen.”

A representative for the singer filed a missing property report for items including clothing and jewelry Saturday shortly after 7 p.m., according to the statement. The items were last seen on a golf cart at the Empire Polo Grounds Saturday around 1:30 a.m.

“Preliminary investigation indicates the two bags containing the items may have fallen off a golf cart operated by staff who were on their way to load the bags onto a bus,” the statement read. “Upon arriving at the hotel shortly thereafter, the staff realized the bags were missing.”

If you have seen the bags, contact Indio Police at (760) 391-4057 or Crime Stoppers at (760) 341-STOP to share information anonymously.

When the doors opened after Lakers practice on Monday, injured stars Luka Doncic and Austin Reaves were nearby as their teammates took some final shots after the session.

Doncic, who is back with the team after traveling to Spain to receive treatment for his Grade 2 left hamstring strain, sat out the Lakers’ Game 1 win over the Houston Rockets. He also won’t play in Game 2 on Tuesday, but he remained his usual joyful and playoff self after practice, his infectious personality providing a good vibe during a tense time for the team.

But even without Doncic and Reaves, the Lakers still had an “elevated” two days of practice as they prepared to face the Rockets with or without All-Star Kevin Durant at Crypto.com Arena.

Doncic, who sustained his injury against Oklahoma City on April 2, hadn’t been with the Lakers during their final five games of the regular season. Having him back around the team provided the Lakers with a big boost ahead of Game 1.

“It’s amazing. I think people don’t know how much impact Luka has, not only on the court, but off the court,” Rui Hachimura said. “He’s a guy that always wants to be around. … We love him just being around, just hanging out, talking. So, yeah, we’re happy that he’s back finally and he’s doing funny things always. … We missed him for sure.”

Hachimura was asked about the funny things Doncic did during practice.

“Just messing around with the coaches and the players and just the normal things you guys see on the camera, probably,” Hachimura said. “It’s just a normal thing for him.”

The Lakers weren’t messing around during the film sessions or practices.

They were focused on the task ahead, knowing the Rockets don’t want to go down 0-2 in the series.

Lakers coach JJ Redick directs his players during their Game 1 playoff win over the Houston Rockets on Saturday.

(Allen J. Schaben / Los Angeles Times)

“Well, every day requires something different,” Lakers coach JJ Redick said. “Yesterday required an elevated recovery day. Today required an elevated focus. It was a longer film session. A decent amount of teach [and] talk on the court beyond just the practice session. Tomorrow is going to require an elevated sense of desperation on our part because they’re going to come in with that.”

Durant didn’t play in the first game because of a right knee injury and has been called a game-time decision, Rockets coach Ime Udoka told reporters after practice.

Whatever the case is, the Lakers are expecting a tough game against the Rockets.

“Yeah, I mean, it’s the playoffs. Every team’s got to play desperate,” Jaxson Hayes said. “I mean, if you lose, you go home. So, if you’re not playing desperate, then why are you here at the end of the day? But, yeah, I mean, we played against teams like this all year. I mean, obviously, they’re a very aggressive, very fast-playing, big, long team, and so we just got to make sure we take care of the ball like we didn’t do in Game 1 and just get rebounds and just stay locked in.”

With Doncic and Reaves (Grade 2 left oblique muscle strain) out, the Lakers needed other players to fill that void.

Hachimura did his part in Game 1, and it went beyond his 14 points. He was efficient from the field, going six for 10. He was good on defense, collecting three steals and two blocked shots in 42 minutes.

“It’s the playoffs. You have to make every play matter,” he said. “Every position matters. So, I was trying to make plays and not only offense, but on the defensive side. And rebound, and all that. So, that’s what I was doing.”

During Game 1, Doncic offered advice and encouragement to his teammates from the bench.

But his recent conversations with Hayes have been focused, in part, on what comes after the season.

Doncic has talked to Hayes about playing for the Slovenian national team and the big center has interest.

“Um, we got my Slovenian passport. That’s all he’s been telling me,” Hayes said. “Now he’s been saying, ‘My Slovenian brother,’ every time.”

Hayes laughed, and then was asked if he really did receive a Slovenian passport.

“Yeah,” he said, “it really came through.”

There was a moment during Game 1 when Doncic was playing around with Hachimura, hitting him on the head. But Hachimura didn’t recall it happening.

“Hmm? I don’t remember,” Hachimura said. “He always does that stuff. I probably don’t even think about it. I’m used to it, probably. I don’t remember that.”

Rams All-Pro receiver Puka Nacua was present on Monday when the Rams began voluntary offseason workouts at their Woodland Hills training facility.

Nacua, who entered a rehabilitation facility in March, was not among players scheduled to speak with reporters at the outset of the Rams program, which includes three phases and ends in June.

Coach Sean McVay and general manager Les Snead are scheduled to speak with reporters on Tuesday during a news conference as a lead-in to the NFL draft, which begins Thursday in Pittsburgh.

The Rams, who have the No. 13 pick in the draft, are regarded as a favorite to play in Super Bowl LXI at SoFi Stadium in February.

But they will need Nacua to make that kind of run.

Nacua, 24, was involved in a string of off-the-field situations the last few months, including an alleged biting incident that led to a civil lawsuit.

Nacua led the NFL with 129 receptions last season. He is entering the final year of his rookie contract, and he is eligible for an extension that could equal or surpass the deal Seattle Seahawks receiver Jaxon Smith-Njigba recently signed that includes $120 million in guarantees.

Much of the news dominating the local restaurant scene has focused on sadness.

Two Los Angeles icons, Cole’s French Dip and Echo Park’s Taix restaurant, closed after more than 215 combined years of service.

It’s easy to be down and not necessarily want to go out.

Fortunately, our Food team, led by senior editor Danielle Dorsey, has some amazing recommendations for new favorites and old haunts that will fill your stomach and lift your spirits.

This month’s highlighted selections include locales from Altadena and Echo Park to Malibu and Westwood that the team feels are all worth your time.

Let’s take a look at a few of their selections.

Duke’s (Malibu)

The iconic restaurant along PCH was on the heels of reopening after the Pacific Palisades fire last February when heavy rain caused mudslides that led to flooding and extensive damage.

Fourteen months later, Duke’s Malibu is open with significant renovations and limited lunch and dinner menus featuring Hawaiian-influenced seafood staples such as crispy coconut shrimp, Korean sticky ribs and hula pie.

As the restaurant celebrates 30 years in operation, plans are underway for an anniversary party this summer.

(Kayla Bartkowski/Los Angeles Times)

Golden Leaf Restaurant (San Gabriel)

A Taiwanese restaurant in San Gabriel was forced to remove stinky tofu, a popular, culturally significant dish, from its menu after repeated complaints from residential neighbors and fines from the city.

City officials have encouraged Golden Leaf restaurant to install an expensive filter to address the pungent smell, though owners insist that none of their immediate shopping center neighbors have complained about the odor.

Supporters launched a Change.org petition last summer backing the preparation of the dish.

(Bill Addison / Los Angeles Times )

Hoja Blanca (Palm Springs)

If you’re heading to Coachella today, it’s worth making a detour for this weekly pop-up at a sleek Palm Springs bar.

From married couple Omar Limon and Blanca Flores Torres, with help from Omar’s brother Arnold Limon, Hoja Blanca offers a playful take on modern Mexican food with dishes such as quesabirria tacos, esquites with cauliflower and a tetela topped with pork belly, all served alongside Bryan Jimenez’s classic cocktails.

(Stella Kalinina/For The Times)

Meymuni Cafe (Rancho Park)

As war unfolds in Iran and neighboring countries, L.A.’s Persian community has found comfort and support at restaurants such as Meymuni, a modern Persian cafe that offers free tea and cookies to diners, many of whom stop by after related protests at the nearby Federal Building.

The cafe opened in 2025 with barbari bread and lavash wrap sandwiches, tahini-date shakes and chai lattes, plus a full slate of events aimed at uplifting the local Persian community.

(Stephanie Breijo / Los Angeles Times)

NADC Burger (Westwood)

The rapidly expanding smashburger chain from Pasta Bar and Sushi by Scratch Restaurants chef Phillip Frankland Lee has opened its first L.A. location in Westwood Village, with plans to open additional locations in the city.

The signature burger at NADC — an acronym for “not a damn chance” — features two Wagyu patties, American cheese, grilled onions, jalapeños, pickles and a house sauce, with beef tallow fries and brown butter chocolate chip cookies rounding out the short menu.

(Stephanie Breijo / Los Angeles Times)

Roshona Bilash (Larchmont)

After stepping away from the kitchen for decades, Abul Ibrahim has opened a quick-service restaurant in Melrose Hill that celebrates the Bangladeshi flavors he grew up with.

Roshona Bilash, which translates to “luxurious taste,” features Bengali classics such as bone marrow nihari, rice pilafs and meats and breads cooked in a clay oven, with plans to expand with regional specialties such as seafood dishes popular along the Bangladesh coast.

Check out the full list here.

The week’s biggest stories

(Kyra Saldana/For De Los)

Los Angeles Times Festival of Books

California living

Crime, courts and policing

Entertainment and media news

What else is going on

Must reads

Other meaty reads

For your downtime

(Illustrations by Lindsey Made This; photograph by Frazer Harrison / Getty Images)

Going out

Staying in

L.A. Affairs

Get wrapped up in tantalizing stories about dating, relationships and marriage.

Have a great day, from the Essential California team

Jim Rainey, staff reporter
Hugo Martín, assistant editor, fast break desk
Kevinisha Walker, multiplatform editor
Andrew J. Campa, weekend writer
Karim Doumar, head of newsletters

How can we make this newsletter more useful? Send comments to essentialcalifornia@latimes.com. Check our top stories, topics and the latest articles on latimes.com.

Good morning, and welcome to L.A. on the Record — our City Hall newsletter. It’s Noah Goldberg, with an assist from David Zahniser, Sandra McDonald and Alene Tchekmedyian, giving you the latest on city and county government.

Mayor Karen Bass is planning to give her second State of the City address of the year on Monday, with a digital twist from years past.

Traditionally the speech is given — in person — before City Council members and other machers at City Hall or another location. This year’s speech will be delivered by video.

Of course, Bass already did one State of the City speech this year, holding forth on the Olympics, the World Cup and Palisades fire rebuilding in a February address at Exposition Park.

The video State of the City will probably be more about the city budget, which also will be released Monday. The city is facing a budget gap of a few hundred million, according to Matt Szabo, the city administrative officer.

“Mayor Bass will update L.A. on the State of our City through a video that anyone can watch, anytime, anywhere,” said Paige Sterling, a spokesperson for Bass. “From Day One through today, Mayor Bass’ focus is changing the direction of L.A. by reversing long-standing [and long ignored] trends on homelessness, housing, public safety and infrastructure.”

Parisian payback

The city controller released information this week that showed how much L.A. paid for flights to Paris for L.A.’s delegation to the 2024 Summer Olympics.

One purchase stuck out: $22,000 for a first-class ticket for Bass to fly to Paris and back. It was purchased March 6, the same day Bass boarded the flight to the City of Light, according to the city, which released the information in response to a public records act request.

One reason for the high cost was the last-minute purchase, the mayor’s office said, which it said was the consequence of a packed mayoral schedule that makes advance planning difficult.

Secondly, the city was transferring over its travel booking platform to a company called Concur, and the only flights available for the mayor to purchase to arrive in Paris in time on the platform were first-class seats.

The mayor then reimbursed the city for $12,270, with half coming from her personal bank account, while the other half came from her Karen Bass For Mayor 2022 account, according to checks. That left the city on the hook for $10,000.

“Mayor Bass voluntarily paid for the majority of the ticket herself. City rules didn’t require her to, but she did it anyways. This was the only flight that would get her there on time, and this was the only ticket available,” said Kolby Lee, a spokesperson for the mayor.

Bass and a council delegation, including Councilmember Katy Yaroslavsky, were in Paris that March to “see behind the curtain” about how a city prepares to host the Games, Bass said at the time.

Yaroslavsky’s round trip cost the city $1,600.

Raman out of council leadership

Sometimes the drama at City Hall comes in the fine print. Last Friday, the City Council released its agenda for its April 14 meeting. Casual observers would be forgiven for missing a small change on the first page.

Under Council President Marqueece Harris-Dawson’s name, and under the name of President Pro Tempore Bob Blumenfield, there was a third name: Assistant President Pro Tempore John S. Lee.

That makes Lee No. 3 in council leadership, appointed to the position by Harris-Dawson. For all intents and purposes, the largely ceremonial position means he gets to sit on the dais and preside over council if Harris-Dawson and Blumenfield can’t make it.

But on the fourth floor of City Hall, where council offices are, the move had staffers chattering.

Lee replaces Councilmember Nithya Raman, who threw her hat in the ring to run for mayor against Bass — an ally of Harris-Dawson.

Bass had previously thrown her weight behind Raman during the council member’s tough 2024 reelection campaign.

Some thought Harris-Dawson was punishing Raman for her surprise bid against Bass, but Raman said that wasn’t the case.

“When I first announced my candidacy for Mayor, I told the Council President that I would step back from all of my appointed roles. One change has now been made. I remain focused on serving my district and the City of Los Angeles,” Raman said in a statement.

Harris-Dawson didn’t immediately respond to a request for comment.

There’s a long tradition of council members stepping down from leadership positions or getting the ax when they run for higher office.

In 2021, then Councilmember Joe Buscaino was voted out as president pro tempore after making disparaging remarks about numerous council members (including Raman) while he was running for mayor.

In 2011, then-Councilmember Eric Garcetti stepped down from his role as council president during his run for mayor.

Spotlight on Soto

Los Angeles City Atty. Hydee Feldstein Soto, who is seeking reelection in the June 2 primary, is taking heat from challenger Marissa Roy for her appearance last weekend at the Hope Fest LA rally at the L.A. Coliseum.

The event was put on by Hope California, which is led by evangelical pastor Ché Ahn, a supporter of President Trump and a write-in candidate for California governor. Ahn spoke at a Stop the Steal rally in Washington, D.C., the day before the Jan. 6, 2021, storming of the Capitol, and has repeated the unfounded claim that Joe Biden stole the election from Trump. (“I don’t have facts. I don’t have proof. That’s just my own personal opinion,” Ahn, who also opposes abortion, told The Times.)

Feldstein Soto is pro-choice and anti-Trump, and the speakers immediately preceding her expressed anti-gay and anti-trans views.

Roy said the positions expressed at the rally were wildly out of step with those of Los Angeles voters, and criticized the city attorney’s appearance at the rally as “disturbing.”

“Los Angeles is overdue for a City Attorney who fights for the people,” Roy said in a statement.

At the rally, Feldstein Soto spoke about the scourge of human sex trafficking, including of children along the Figueroa corridor in Los Angeles. She had been invited to the event by a human trafficking survivor to speak about their shared commitment to the issue, spokesperson Naomi Goldman said.

“The primary purpose of the City Attorney’s attendance was to shine a light on the exploitation of women and girls, and to stand in solidarity with those affected. She stayed at the event briefly to deliver her remarks and then departed,” Goldman said.

State of play

— THE KIDS ARE ALRIGHT: A strike that would have shut down schools for nearly 400,000 students was averted at the eleventh hour early Tuesday after the Los Angeles Unified School District reached a tentative agreement with the union that represents workers including custodians, bus drivers and cafeteria workers. Mayor Bass stepped into negotiations at the last minute to help avert a disruptive work stoppage.

— LA USD$: The price of the union deal will be nearly $1.2 billion in annual contract costs, and questions remain about whether the district can afford it.

— ONE AND DONE?: Mayoral candidate Spencer Pratt went on the Joe Rogan Experience this week and told the podcaster that Angelenos are fed up with their leadership. He explained the rules of the city’s June 2 primary to Rogan, saying that there would be no runoff — as most analysts expect — if a candidate wins 51% of the vote. “I think I become mayor June 2 and it won’t even go to November,” Pratt said.

— COUNTY BUDGET: The county unveiled its nearly $50-billion budget plan Monday, proposing $2.7 million invested to beef up the team of people investigating fraud within a deluge of recent sex abuse lawsuits, suggesting a broadening probe at the district attorney’s office. The supervisors must now review, then vote on the budget.

— HAHN AND OFF: L.A. County Supervisor Janice Hahn was booed by her neighbors in San Pedro at a Tuesday night town hall meeting after she spoke in support of a proposed substance abuse rehabilitation center in the South Shores neighborhood. “There will be a difference of opinion on this project, but let’s not tear each other apart,” Hahn urged residents, who picketed last weekend at the site of the proposed project.

— E-HIKE: A Los Angeles City Council panel is pushing to ban electric bikes from most city recreational trails, saying the machines pose a threat to hikers and equestrians. The council’s Arts, Parks, Libraries, and Community Enrichment Committee voted 3 to 0 in favor of the measure, which now goes to the council’s Transportation Committee before potentially advancing to the full City Council, which would have to approve the ban before it takes effect.

QUICK HITS

• Where is Inside Safe? The mayor’s signature program moved more than 25 people off the street and inside in Koreatown this week.
• On the docket next week: The mayor will release her budget on Monday, along with her second State of the City. She is planning to hold a news conference on the budget Monday.

Stay in touch

That’s it for this week! Send your questions, comments and gossip to LAontheRecord@latimes.com. Did a friend forward you this email? Sign up here to get it in your inbox every Saturday morning.

History textbooks often include the story of the Underground Railroad, an organized network of secret routes, places and people that guided enslaved populations from the South to abolitionist Northern states.

However, less is known about the underground railroad that ran southbound to Mexico. But one live-looped musical is unearthing that hidden history, one beat at a time.

Co-created and performed by Brian Quijada and Nygel D. Robinson, “Mexodus” tells the fictional story of Henry, who evades his capture by fleeing Texas across the Rio Grande. After a near fatality, he is saved by Carlos, a farmer and former combat medic battling his own trauma from the Mexican-American War. Together they form solidarity, despite social, racial and political strains plaguing both sides of the border.

Following its off-Broadway run at the Daryl Roth Theatre in New York City, the hip-hop and bolero-infused musical directed by David Mendizábal will open at the Pasadena Playhouse stage July 8 and run until Aug. 2. But for history buffs and musical enthusiasts alike, a sonically richer version filled with sound effects of the musical airs exclusively on Audible today, April 16.

The idea for “Mexodus” first came to Brian Quijada — playwright, actor and composer behind “Where Did We Sit on the Bus?,” “Kid Prince and Pablo” and “Somewhere Over the Border” — when reading a 2018 article on History.com about the estimated 5,000 to 10,000 enslaved individuals that escaped the American South for freedom in Mexico, though some researchers estimate that number to be higher.

“My parents crossed the border undocumented in the late 1970s, so I think I’ve always been fascinated with writing immigration stories,” Quijada said. “The reason that this story attracted me was because it’s like a reverse border story, but I also knew that it wasn’t my story to tell so I sat on it for a long time.”

Quijada bookmarked the article until he met Robinson — a performer at Berkeley Rep, Baltimore Center Stage, Shakespeare Theater Company, Mosaic Theater and writer and composer of “Santa Claus Is Comin’: A Motown Christmas Revue” and “R&J: Fire on the Bayou” — at an actor-musician conference weeks before the start of the COVID-19 pandemic. They were the only actors-musicians of color in the room, listening in on conversations about how one should audition for musicals like “Once,” “Million Dollar Quartet,” which typically center white storylines.

“We kind of looked at each other and we’re like, ‘we don’t really belong here,’” said Quijada, who invited Robinson to take part in “Mexodus” during the pandemic shutdown. The first iteration of the project was as a mixtape.

The musical edge of “Mexodus” hinges on live looping, a recording and playback technique where a sound is repeated and then layered (think Justin Bieber’s solo performance of “Yukon” at the 2026 Grammy Awards). Physically, both Quijada and Robinson’s characters have to pick up a guitar, record it, then play the drum set and run to the bass. “ It’s pretty labor-intensive,” Quijada said.

“I think Brian and I are artists in this way, like various people of color, where it’s like, no one else is gonna do it for me, so I can do it all by myself,” Robinson said.

There’s also a more dramaturgical, meta reason for the loop, which follows a four chord structure throughout the piece, set in both 1851 and present day.

“The looping shows you that there’s not much difference between 1851 and 2026,” Robinson said. “We just keep finding ourselves in a loop and like maybe a sound is in that wasn’t there before. Maybe another sound is added, but it’s still the same four chord structure that has been happening in this country for all existence.”

In 2010, the U.S. National Park Service outlined a possible runaway route stretching on the Camino Real de la Tejas between Natchitoches, La., to Monclova, Mexico. Still, it is unclear how organized the underground railroad heading to Mexico truly was, the Associated Press reported in 2020, with archives destroyed in a fire and sites along the path abandoned.

In 2024 the Jackson Ranch Church and Martin Jackson Cemetery in San Juan, Texas — which are part of a ranch owned by interracial couple Nathaniel Jackson and Matilda Hicks — were recognized by the U.S. National Park Service for serving as a gateway to freedom in Mexico.

Other Texas couples alongside the border— including interracial abolitionist couple Ferdinand Webber and Silvia Hector — aided enslaved people in their pursuits to reach Mexico, which had abolished slavery in 1829, while Texas was still part of the country.

Fears surrounding the Mexican government’s attempts to abolish slavery led to the formation of the Republic of Texas in 1836 and its eventual annexation to the United States by 1845; records also show that American slave owners would head down to Mexico to kidnap formerly enslaved individuals, according to USC historian Alice Baumgartner, who wrote about it in her 2020 book “South to Freedom: Runaway Slaves to Mexico and the Road to the Civil War.”

A database by the Texas Runaway Slave Project, which found listings for 2,500 runaways across various Texas newspapers from the 1840s through the 1860s, also documents the frequented journey to Mexico.

Slavery in the U.S. wouldn’t be officially abolished until 1865 with the ratification of the 13th Amendment to the Constitution.

“I was also really intimidated by the amount of research that I would have to do to write this piece because at the time back [between 2017 and 2020], [researchers] were just beginning to uncover a lot of this,” Quijada said.

Themes of racism — including anti-Blackness in the Latino community — oppression and resistance are woven throughout “Mexodus,” which since its debut in 2023 at the Baltimore Center Stage/Mosaic Theater Company in Washington, D.C., has been making viewers aware of the little-known history.

Robinson recalled how one Black woman came up to him after the show to let him know she believed in Trump’s border wall.

“I got nervous, but she was like, ‘after seeing this, I’m realizing that there’s something trying to convince me of that.’ And I’m like, yes!” said Robinson. “I’m like, this is good. This is good. We started you somewhere. Wow.”

The pair hope that amid all the dark news circulating around the world — and the traumatic, historical themes interlaced in “Mexodus” — the existence of this piece of art can be a glimmer of hope and joy for the future of both Black and brown communities.

“ I need you all to see the truth, but we’re gonna try and dance anyway,” Robinson said.

Commenters who never have been — and never will go — complain about the cost, the influencers, the hype. Purists wax poetic about the days when they disappeared into three days of music and the field wasn’t overtaken by brands like Barbie and e.l.f. cosmetics. Defenders claim they can camp their way to an affordable weekend, and others spend the whole time posting. A select few even talk about great performances they saw — it’s still a music festival.

But one thing everybody can agree on: Coachella has changed. I should know. I’ve been covering it as a journalist since 2007.

Rapid advancements in technology and mass adoption of social media have brought out the best and worst of the festival — not just on screens thousands of miles away, but to those of us trying not to trip over the makeshift photoshoot you might have seen on Instagram.

Coachella pre-2010 was a purist’s paradise

Some of Coachella’s most iconic moments happened before smartphones: The Flaming Lips in a human hamster ball in 2004; Daft Punk’s 2006 pyramid set; Rage Against the Machine reuniting and calling for the George W. Bush administration to be tried for war crimes in 2007. If you even had a cellphone when Coachella started in 1999 it was probably a Nokia brick or a flip phone with an antenna that had limited talk and text options.

In the early years, there were no brand activations on the field; nobody knew what an influencer was and the only corporate sign you saw was for Heineken in the beer gardens. (There was no Heineken House with its own stage, just signs advertising the beer.)

The grounds were also considerably smaller, making it easier to explore the different stages and discover new music. You didn’t have fancy food options, but a slice of Spicy Pie was less than $10. (Coachella upgraded its food options from festival staples to weekend outposts of L.A. restaurants in 2014.)

The music was the draw. The festival’s track record includes artists like the Killers, the Black Keys, Childish Gambino and Kendrick Lamar climbing up from small type to headliner on the lineup poster.

Livestreams and influencers made Coachella’s reach global

The vibes started to shift in 2010 as smartphones grew in popularity, although the service on the field was spotty. It was the first year Coachella offered a livestream — available via Facebook and MySpace. The next year, the stream moved to YouTube, where it remains and draws millions of viewers.

As Coachella expanded to twin weekends due to popular demand on the ground in 2012, it also had the first viral moment fans could enjoy from thousands of miles away: Dr. Dre and Snoop Dogg brought 2Pac back to life via a hologram.

Celebrities were always at Coachella (I spotted Ryan Seacrest, Corbin Bernsen, David Hasselhoff and Danny DeVito in my early years), but the rise of social media made celebrity culture a key part of the event. By 2011, TMZ was posting about stars like Lindsay Lohan. Clips from Coachella went viral and ended up on shows like “Tosh.0” and referenced in “Community.”

The art, which was always part of the festival, became bigger and more iconic. On the growing photo app Instagram, larger-than-life sculptures of astronauts started appearing in selfies.

Brands saw an opportunity. American Express, H&M and Samsung launched activations on-site in 2015. The party scene outside the festival, with non-affiliated events that were timed because everyone was in town for Coachella, became marketing vehicles. Brands are still cashing in more than a decade later.

The next watershed moment was Beyoncé in 2018. Today, most headlining sets at the fest feel as if they are designed for the viewing experience on the livestream rather than the fans on the field (ahem, Justin Bieber and his laptop). But Beyoncé’s spectacle was just as mind-blowing on-site as it was at home. A year later, the “Homecoming” special debuted on Netflix, widening the reach.

Coachella became a key part of the pop culture landscape, and then it became a cornerstone of the influencer economy.

Behind all the hype, there’s still a music festival hiding

I inadvertently photobombed approximately 500 people just trying to go to and from the press tent last weekend and my inbox is overflowing with requests for coverage of off-site events with brands, celebs and TikTok influencers, including social media clips.

But at the end of the day, Coachella is still a music festival, and a really good one at that. The Strokes, David Byrne, Jack White, Iggy Pop, Turnstile, Wet Leg, Fujii Kaze and even Less Than Jake in the Heineken House were some of the best performances I had seen in years.

Coachella is what you make of it. And besides, everyone knows there are fewer influencers on Weekend 2.

Today’s top stories

A health worker administers a measles test on Fernando Tarin, of Seagraves, Texas, at a mobile testing site outside Seminole Hospital District on Feb. 21, 2025.

(Julio Cortez / Associated Press)

Increasing measles cases in California

• California in 2026 has already seen its highest number of annual measles cases in seven years amid an ongoing resurgence of a disease once considered effectively eradicated in the U.S.
• The re-emergence comes as vaccination rates have tumbled nationwide in recent years.

Testing LAX’s long-awaited train

• LAX’s 2.25-mile electric train system will begin running without passengers next week as testing advances following a series of delays.
• The Automated People Mover system began construction in 2019 and was initially slated to open to the public in 2023.

Nationwide recall of a popular anxiety drug

• Specific bottles of Xanax, one of the most widely prescribed medications to treat anxiety and panic disorders, has been recalled due to its failure to dissolve at a standard rate.
• FDA officials are not warning against consuming the product at this time.

What else is going on

Commentary and opinions

This morning’s must-read

Another must-read

For your downtime

Reporter Deborah Vankin gets a massage by an “Aescape” robot at Pause Wellness Studio.

(Christina House / Los Angeles Times)

Going out

Staying in

A question for you: Are you planning on leaving California for another state? If so, tell us why.

Laura says, “I left California during the pandemic. Part of the push factor for me was politics, but not blue politics. I had been living in OC since 2018 and was surprised it was so Conservative (and conservative). That became a bigger source of discomfort for me as the vaccine question demonstrated how our neighbors’ decisions can impact us directly. Rather than moving elsewhere in California, which would have sorted out the political discomfort nicely, I moved to a much more affordable state where I had family.”

Email us at essentialcalifornia@latimes.com, and your response might appear in the newsletter this week.

And finally … from our archives

Kendrick Lamar performs at Coachella Music & Arts Festival at the Empire Polo Club on April 16, 2017.

(Amy Harris / Invision / AP)

On April 16, 2018, Compton’s own Kendrick Lamar became the first hip-hop artist to win the Pulitzer Prize for music.

He won for his album “Damn.,” which the Times’ Mikael Wood heralded as Lamar’s graduation to pop superstardom.

Have a great day, from the Essential California team

Jim Rainey, staff reporter
Hugo Martín, assistant editor, fast break desk
Kevinisha Walker, multiplatform editor
Andrew Campa, weekend writer
Karim Doumar, head of newsletters

How can we make this newsletter more useful? Send comments to essentialcalifornia@latimes.com. Check our top stories, topics and the latest articles on latimes.com.

AN AIRPORT in the north of the country has taken one step closer to welcoming back passengers.

Doncaster Sheffield Airport closed in 2022 after operating for 17 years, but has been recently backed by the government to reopen.

Now, the regional airport has taken another step closer to welcoming flights as it is launching a search for an operational partner.

Operator Fly Doncaster is looking for a Fixed Based Operator to have a permanent place within the airport.

This type of organisation would provide services that include aircraft handling, fuelling, and parking.

What this means is that private flights could return to the airport before the end of 2026 – with plans for passengers flights much later.

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Simon Hinchley, Executive Director for Airport Operations at Fly Doncaster said: “As we work towards reopening Doncaster Sheffield Airport, our focus is firmly on building a safe, efficient and operationally robust airport that is ready to serve a broad range of users from day one.”

In early 2025, the UK government revealed that £30million was being put towards its reopening.

More recently, a report for City of Doncaster Council’s cabinet announced that the cost of reopening the airport had risen to £193million.

Fly Doncaster said that when the airport reopens, it could see as many as four million passengers through its doors.

There has also been talks of a rail link to and from the airport that could have connections with the Lincoln Line and East Coast Mainline.

Prior to its closure, airlines like FlyBe, Wizz Air and TUI operated flights from Doncaster Sheffield.

As of yet, no airline has confirmed it will open base, but Doncaster East and Isle of Axholme Labour MP Lee Pitcher said last year that he was in talks with both Ryanair and TUI.

In July 2025, he told local media: “Yesterday, I chaired the latest meeting of the DSA Action Group, where we sat down with TUI’s UK & Ireland commercial director.

“It was a productive discussion, and we’ll continue to work with TUI, other key stakeholders, and push the Government to keep Doncaster Sheffield Airport firmly on the agenda.“

The airport is expected to be operational with passenger flights for summer 2028.

Another airport that is in talks to reopen is Manston Airport, in Kent which once offered flights from the UK to Europe.

Passenger services stopped when KLM pulled out of the airport in 2014.

The current plan is to reopen the airport for cargo planes which is scheduled for 2029.

There have been talks to start commercial flights once again, but this could take longer to start.

Tony Freudmann – the public face of the site’s owners, RiverOak Strategic Partners told Kent Online: “We need, by the time we open, to have enough advance commitment from cargo operators to see that it is going to work.

“At that point, if we get the right approach from passenger carriers, wanting us to build a passenger terminal and base some aircraft here, we’ll go with that.”

Here’s more on airports as chaos sweeps Europe with new travel rules that have resulted in three hour queues and passengers missing their flights.

And this Spanish airport is set to close for over a month with all flights cancelled and thousands of Brits set to be impacted.

It was a moment playing golf that anyone and everyone looks forward to celebrating.

Jake Norr, a junior at Palisades High, made a hole in one earlier this week at Woodley Lakes Golf Course. It was part of a nine-hole round that left him six-under-par and stamped himself as the favorite to win the City Section individual title later this spring.

He then aced the fifth hole at Harding Golf Course on Thursday.

“I think he has a good chance,” Palisades coach Dave Suarez said of Norr winning the individual City title.

Norr used a 9-iron for his hole in one on the 159-yard hole at Woodley Lakes.

“It was the first of many to come,” Suarez said on Wednesday.

Then came Norr’s second hole in one on Thursday, making Suarez’s prediction pretty impressive.

“I knew he had it in him,” Suarez said.

Norr has been part of Palisades’ last two teams to win City titles.

“He’s a really hard worker,’ Suarez said.

This is a daily look at the positive happenings in high school sports. To submit any news, please email eric.sondheimer@latimes.com.

WASHINGTON — President Trump has notched a string of wins on the Supreme Court ’s emergency docket, in part because the conservative justices believe that blocking executive policies is a blow that can’t be easily fixed, Justice Sonia Sotomayor said Thursday.

The increase in emergency appeals by the Trump administration is “unprecedented in the court’s history,” she said in a speech at the University of Alabama School of Law.

The high court sided with the Trump administration in about two dozen decisions last year, often lifting the orders of lower court judges who found their policies were likely illegal on topics as diverse as immigration and steep federal funding cuts.

While designed to be short-term, those orders have largely allowed Trump to move ahead for now with key parts of his sweeping agenda.

The emergency docket, which is made up of appeals seeking quick intervention from the justices in cases that are still playing out in lower courts, is itself a source of disagreement among the justices. That spilled into public view when two other justices, liberal Ketanji Brown Jackson and conservative Brett M. Kavanaugh, publicly sparred over the emergency docket in an unusual exchange last month.

Sotomayor has disagreed with many of the decisions in Trump’s favor, but the conservatives who form the court’s majority often reason that blocking those policies — or laws passed by Congress — causes legal harm that can’t be easily fixed, she said. It’s a bar that’s tough for the other side to overcome, even for plaintiffs like immigrants who could be newly exposed to deportation or states where schools are losing teacher-training funding.

“If you start with the presumption that there is irreparable harm to one side, then you’re going to have more grants of emergency relief. Because the other side is going to have a much harder time,” she said. “It has changed the paradigm on the court.”

Her comments provided a window into the Supreme Court decisions that are often released with little explanation. While many emergency docket orders have gone Trump’s way, the court also struck down his sweeping tariffs, a central plank of his economic platform, after a longer process of full briefing and oral arguments.

Whitehurst writes for the Associated Press.

NEW YORK — Former New York City Mayor Eric Adams announced Friday that he had become a citizen of Albania, putting him one step closer to his oft-repeated dream of leaving politics behind for a life abroad.

Adams, a Democrat, received the honorary citizenship “at his request,” according to an official decree from the country’s president, Bajram Begaj.

The news was first reported in the Albanian press and confirmed by a spokesperson for Adams, who said the ex-mayor had “long been a friend and ally of the Albanian-American community.”

“The decision by the Republic of Albania to grant Mayor Adams citizenship reflects that enduring relationship and mutual respect,” the spokesperson, Todd Shapiro, said in a text message, adding that the recognition “further strengthens the bond between New York and Albania.”

Adams, who once described himself as an “international mayor,” has previously expressed an affinity for the small Balkan nation. His adult son lived in the country while competing in Albania’s version of “American Idol” and Adams traveled there himself in October — one of several international trips taken in his final months in office.

The purpose, he said at the time, was “to say hello to a friend and learn from a friend and build a relationship with the friendship that would not allow our oceans or seas to divide us.”

It wasn’t immediately clear what, if anything, Adams planned to do with his new citizenship. But he has previously expressed a desire to move far from his hometown of New York City.

“When I retire from government, I’m going to live in Baku,” Adams, then Brooklyn borough president, said at an event honoring the Azerbaijan community in 2018. A few years later, in an interview with a Jewish publication, Adams said he would like to retire in the Israeli-occupied Golan Heights.

As mayor, Adams’ penchant for international trips to Turkey prompted a federal indictment focused, in part, on allegations that he accepted improper travel benefits from foreign nationals.

Adams denied the allegations, and the case was later ordered dropped by President Trump’s Justice Department. Adams later met with Trump administration officials about the possibility of taking an ambassadorship, which did not materialize.

Shortly after dropping his ailing bid for reelection, Adams embarked on a four-day trip to Albania, meeting with the country’s Prime Minister Edi Rama and members of his Cabinet, along with local business leaders. The trip was paid for in part by the Albanian government.

Since leaving office, Adams has been spotted in Dubai and the Democratic Republic of Congo, though his day-to-day activities remain a source of some speculation.

In January, he launched a cryptocurrency coin that he said would beat back antisemitism and “anti-Americanism,” but it drew scrutiny after losing millions of dollars in value.

Offenhartz writes for the Associated Press.

Biblical stories like Jonah and the whale would be required reading for Texas public schools students under proposals that are putting the state at the center of another contentious wrangling over the role of religion in classrooms.

Religious leaders, teachers, parents and students spent hours Tuesday before the state education board arguing about the reading list for the state’s 5.4 million kindergartners to 12th-graders. The debate is part of widening efforts in the U.S. to incorporate religion in schools, mostly in Republican-led states, driving legislation and legal action.

Nationally, President Trump has pledged to protect and expand religious expression in public schools. And Texas, a red state that is home to about 1 in 10 of the nation’s public school students, often helps set the agenda.

Texas became the first state to allow chaplains, in 2023. And just last year, a Republican-led mandate that the Ten Commandments be displayed in public schools took effect in the state, although around two dozen districts took them down because of a lawsuit.

But while the debate over Texas’ reading list could have national implications, to the speakers the issue boiled down to whether the passages are essential to understanding the nation’s history and morals — or unconstitutional.

“Our children need truth,” said Nathan Irving, a pastor and father of eight from Myrtle Springs, Texas. “Truth is the only currency that never devalues. Investing truth into our children is the most loving thing that we can do for them. This is the truth. This country and this state were founded upon a Christian worldview. Like it or not, it is true.”

Final vote on the changes still ahead

A final vote on the list is expected in June, and if approved by the Texas State Board of Education, the changes would take effect in 2030.

Several speakers cited the “establishment clause” of the 1st Amendment, which states that “Congress shall make no law respecting an establishment of religion.”

“This list is a tool of proselytization that has no place in our public schools,” Rabbi Josh Fixler, of Congregation Emanu El, a reform synagogue in Houston, told the board. “There is a difference between teaching about religion and teaching religion, and this list will force teachers to cross that line.”

Megan Boyden, a mother of three from Denton, Texas, described is as a direct attack on her private faith.

“As a Christian mother, it is my right and responsibility to teach our family’s religion,” she said. “It is not the state’s job to shed through the lens of a teacher who may not share the same beliefs I do. Will Bible passages be taught in conflict with my beliefs?

“What,” she asked, “of non-Christian students?”

The list stems from a state law passed in 2023, which called for the creation of a state-approved list of high-quality materials.

Third-graders would learn about the Road to Damascus, which tells the story of Paul’s transformation from an early persecutor of Christians into a follower. Seniors, meanwhile, would learn about the Book of Job, a story about a man whose faith is tested when he loses everything.

The list also includes classics like Dr. Seuss’ “The Cat in the Hat,” stories about the national folk hero Daniel Boone. And there are also works by famous African Americans like Frederick Douglass and Martin Luther King Jr. and a book about Harriet Tubman of the Underground Railroad fame.

Texas has already approved optional curriculum that incorporates the Bible

The GOP-leaning board previously approved a new Bible-infused curriculum that is optional for schools to incorporate in kindergarten through fifth grades.

The board also is considering social studies standards that have been criticized as too state-centric, not focused enough on world events and rife with an undercurrent of American exceptionalism. They call for students to “identify the Texas flag as a symbol of Texas pride,” and recognize the state song “Texas, Our Texas.”

Students also are supposed to be able to understand stories about Texas Independence.

Curriculum debates crop up occasionally. Over the years, state boards in places such as Kansas have debated whether the teaching of evolution should reflect doubt about the well-established scientific theory — and leave room for arguments that the universe’s complexity points to an intelligent design.

Allison Cardwell, a mother of a fourth-grader and a fifth-grade social studies teacher, urged the board to rethink the standards. She said fifth grade would be the only time most Texas students would receive instruction in U.S. history until high school.

“We have to ask ourselves, how can we expect to create citizens who value liberty, responsibility, and the principles this country was founded on, if we don’t ensure that they truly understand those foundations?” she said.

Hollingsworth writes for the Associated Press.

Former Galaxy forward Javier “Chicharito” Hernández, a three-time World Cup standout for Mexico, will return to the tournament this summer but in a new role as a studio analyst for Fox Sports. And he’s approaching his broadcast debut the same way he approached his playing career, with excitement not fear.

“It’s the same as our sport: if you do a mistake, you cannot change it,” he said. “I’ve always been a guy who sees opportunities, who sees the positives. I’m going to try to deliver my best point of view on each game, player, the tournament.

“I’m going to enjoy this opportunity.”

Hernández said he had other broadcast offers to do the World Cup in Spanish but chose to work in English instead.

“I’m not going to be speaking in my first language. And that’s something I think my Mexican fellows can be inspired by, right? That I don’t go to my comfort zone,” he said. “I want to make all of this an experience for myself. But as well I can show people that whatever you have in your mind, you can achieve it.”

Hernández, 37, is Mexico’s all-time leading scorer with 52 goals, including four in World Cup play. He started and ended his club career with his hometown team, Chivas de Guadalajara, but in between he played for five clubs in Europe and spent four injury-plagued seasons with the Galaxy, scoring 38 times and making two All-Star teams.

He made his final appearance for the Mexican national team in 2019, but he played with and against many of the players still on the team and he was chosen for his first World Cup roster by Javier Aguirre, who will be coaching El Tri again this summer. Hernández said those friendships won’t affect his commentary.

“Truth always needs to be there,” he said. “When someone needs to say hard truths, you have to say it. I’m going to see how I feel. Maybe I end up being the most critical person or the other way around. Maybe Mexico does amazingly and I don’t have to criticize.”

He’ll join four other former Galaxy players — Cobi Jones, Landon Donovan, Zlatan Ibrahimovic and Alexi Lalas — on the Fox broadcast team for the World Cup. Hernández, however, is the only one who hasn’t formally announced his retirement as a player.

“I will speak about that later on,” Hernández, who played his final club game last November, said Wednesday. “I just want to focus on this amazing opportunity.”

The Page Museum at the La Brea Tar Pits is closing down this summer in preparation for its first significant overhaul in its 50-year history.

The closure comes as its neighbor LACMA’s David Geffen Galleries finally open to the public after a two-decade campus transformation, and L.A. institutions make a concerted effort to bolster the city’s cultural scene in advance of the 2028 Olympic Games.

“We’re excited about bringing the entire campus together, and our part of it is really important to making it feel like you can easily move from LACMA over into the Tar Pits,” said Lori Bettison-Varga, president and director of the Natural History Museums of Los Angeles County, which oversees the Tar Pits. “So we worked closely with LACMA on that interface, and we’ll continue to do so.”

The last day to visit the Page Museum is July 6. Prior to closing, the Tar Pits will host a free public KCRW Summer Nights event June 12 and a members-only, disco-themed dance party June 27.

The museum renovation, like the recently announced Samuel Oschin Global Center for Ice Age Research, is part of the NHM’s broader Reimagine project — a yearslong site revamp led by architecture firm Weiss/Manfredi that will make the 13-acre Tar Pits campus more accessible and emphasize its function as the only active paleontological research hub located in a major urban area. For the Page Museum, that means a new and improved northwest entrance, expanded visible research labs and collections displays, an immersive theater and a rooftop terrace overlooking Hancock Park.

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“We’re going to have this more accessible, state-of-the-art museum that really tells the story of Ice Age Los Angeles and its relevance today in a way that it currently doesn’t,” Bettison-Varga said.

Bettison-Varga added that the revamped Page Museum will demonstrate “why this place is a worldwide treasure, and that it’s telling us about ecological and climate change that happened in the recent past and what we can learn from it.”

“All of this is about placing it in the context of relevance for today, not just a window into the past,” she said.

To date, the Reimagine project has secured more than $131 million, just over half of its $240 million fundraising goal.

Guests can still observe active excavation during the two-year museum closure — albeit from different vantage points — as researchers continue their work on site. Hancock Park will stay partially open, with new walking paths and outdoor features set to be phased in coordination with construction.

“[The renovation] is really going to position that museum with respect to the landscape and the fossils that are right from this site, while still preserving all the wonderful things that the community loves about the site: the frieze and the lake pit, the mammoth family, the visible excavations and, of course, the hills that everyone likes to roll down,” Bettison-Varga said.

Plus, with the Geffen Galleries opening, “it’s actually a good reminder for everyone to come see the vintage, iconic La Brea Tar Pits before the Page Museum closes,” Bettison-Varga quipped.

While the Page Museum is under construction, the grant-funded La Brea Tar Pits Mobile Museums will continue visiting schools and other public places throughout L.A. County.

The Page Museum opened in 1977 and currently houses more than 2 million specimens in its collection.

US Vice President JD Vance says Lebanon is not part of the US-Iran ceasefire, stressing that neither Washington nor Israel agreed to that. After Pakistan said Lebanon was included, Israel killed hundreds of people when it carried out around 100 strikes across Lebanon in just 10 minutes.

Davey Lopes, the no-nonsense, base-swiping second baseman on a historic Dodgers infield that played together for a record 8½ seasons, died Wednesday at age 80, the Dodgers announced.

The first 10 years of Lopes’ 16-year major league career were spent with the Dodgers, and he returned to the organization in 2011 to serve as first-base coach for five years. Lopes was a four-time All-Star who won two stolen base titles, one Gold Glove and helped the Dodgers to four World Series, including the championship in 1981.

Taken in the second round of a 1968 Dodgers draft haul considered the most talented in baseball history, the 5-foot-9, 170-pound Lopes rose from a rough-and-tumble Rhode Island upbringing to become the team’s everyday second baseman and leadoff batter by 1973.

Lopes played outfield in the minor leagues but became part of a bold move by Dodgers manager Walter Alston before the 1973 season: Lopes would move to second base, Bill Russell from center field to shortstop and Steve Garvey from third to first base. Ron Cey would be installed at third. The Dodgers moved longtime coach and scout Monty Basgall — known as an exceptional infield instructor — from the front office to the field to help the players adjust to their new roles.

The quartet took the infield together for the first time in the second game of a doubleheader against the Cincinnati Reds in a sold-out Dodger Stadium on June 23, 1973. They stuck together through their 1981 World Series championship season, after which Lopes was traded to the Oakland Athletics for Lance Hudson, a utility player who never reached the major leagues.

Lopes continued to play well, not retiring until 1987 at age 42. He stole 557 bases and was successful in 83% of his attempts, one of the best rates in major league history. He also displayed power for a leadoff batter, hitting 155 home runs, including a career high of 28 for the Dodgers in 1979.

Although Lopes’ lifetime batting average was .263, he had an excellent eye, walking nearly as many times as he struck out and logging an excellent .349 on-base percentage. He scored 1,023 runs in 1,812 career games.

As games progressed, Lopes typically batted after the pitcher, who was at the bottom of the order. He became adept at stalling tactics that gave pitchers ample rest if they’d just returned to the dugout after running the bases.

Times assistant sports editor Houston Mitchell, a lifelong Dodgers follower, described what happened next: “Lopes was a magician at wasting time to give the pitcher a chance to towel off and cool down a bit. Especially if there were two out. Lopes would spend an extra moment or two in the on-deck circle. He’d take his time getting the round weight off his bat. Then he would slowly walk to the batter’s box.”

David Earl Lopes was born May 3, 1945, and raised in East Providence, R.I., a town of Irish, Portuguese and Cape Verdean immigrants seeking jobs in factories and along the waterfront. One of 12 children, Lopes was a toddler when his father died. Lopes’ mother, Mary Rose, worked as a domestic.

Lopes often described his upbringing as difficult, referring to his neighborhood as a “ghetto” and describing it to Times columnist Jim Murray as “roaches, rats, poor living conditions, drugs as prevalent as candy.”

“If it hadn’t been for sports, there’s no telling what I’d be or where I’d be,” Lopes told The Times’ Ross Newhan in 1973. “All I had to do is step off the porch to a choice of all the things you associate with a ghetto.”

Long before he became an accomplished base stealer, Lopes said he became an expert at shoplifting. “I never stole anything major, just clothes and baseballs and bats,” he told Murray.

Lopes needed an adult role model and one came along in the coach at an opposing high school, Mike Sarkesian, who grew up in a Providence tenement but became the basketball coach and athletic director at Iowa Wesleyan College the year Lopes graduated from high school.

“Whatever I missed by having not really had a father, Sarkesian provided,” Lopes told Newhan. “He could relate to my problems, my environment. The drive, the determination, not to give in to the ghetto, to make something of my life, stems from my relations with him.”

Sarkesian recruited Lopes to play baseball at Iowa Wesleyan. Two years later, Sarkesian became athletic director at Washburn University in Topeka, Kan., Lopes went with him. Lopes was taken by the San Francisco Giants in the eighth round of the 1967 MLB draft but opted to return to Washburn, where he played baseball and basketball well enough to be inducted into the school’s Hall of Fame in 1987.

The Dodgers drafted him in the second round a year later and Lopes signed for $10,000. He skipped spring training his first two minor league seasons to complete his classes at Washburn and graduated in 1969 with a degree in elementary education.

Lopes spent the 1968 and 1969 seasons at Class-A Daytona Beach, and married Linda Lee Vandover during his first season. The night before the wedding he broke up no-hitters in both games of a doubleheader with late-inning hits.

A promotion to triple-A Spokane came in 1970. His manager was Tommy Lasorda and the team was exceptional, posting a record of 94-52. Among his teammates were Garvey and Russell as well as other future major leaguers Bill Buckner, Bobby Valentine and Tom Paciorek.

Lasorda recalled Lopes as so shy he wouldn’t speak to anyone. “It took two years, but he finally came around,” Lasorda said. “[He] finally got to the point where he felt he belonged.”

Lopes showed improvement at the plate his second year at Spokane, batting .306 with Cey as a teammate. The Dodgers moved their triple-A affiliate to Albuquerque in 1972 and in his third season at that level Lopes exhibited the blend of power and speed that would be his calling card, posting a slugging percentage of .476 while stealing 48 bases.

Five years in the minor leagues after having attended college meant Lopes was 27 when he made his major league debut that September. He was the opening day second baseman the following year and turned 28 a month into the season.

Lopes quickly made up for lost time, his stolen base totals increasing in each of his first three full seasons from 36 to 59 to 77. On Aug. 24, 1974, he stole five bases in a game against the St. Louis Cardinals, becoming the first NL player to do so since 1904.

It wasn’t long before the best catcher in baseball, the Reds’ Johnny Bench, lauded Lopes, saying, “He’s the best there is at stealing. Lopes not only has the knowledge and speed, but also the quick acceleration. He has everything.”

The once reticent Lopes also showed leadership qualities as early as 1976, when a throw by new Dodgers outfielder Dusty Baker had missed the cutoff man.

“We don’t play that way,” Lopes told Baker.

“Hey, I almost threw him out.” the Dodgers newcomer replied.

“We don’t play that way,” Lopes emphasized.

“I’d never had a player get in my face like that, and I didn’t like it too much,” Baker recalled of the incident. “I looked up and the whole team was coming over to back up Davey.”

Lopes was popular with fans as well. In 1980, he received 3,862,403 votes to lead all MLB players and start at second base in the All-Star Game at Dodger Stadium. That was his third of four consecutive All-Star appearances.

The Dodgers were consistent winners with Lopes, Garvey, Russell and Cey anchoring the infield, but lost the World Series in 1974 to the Athletics and in 1977 and ’78 to the Yankees. In 1981, however, they broke through, winning the Fall Classic for the first time since 1966 by defeating the Yankees in six games.

“They can do anything they want with us now,” said Lopes, who set a record by stealing 10 bases in 10 attempts that postseason. “I’ve got the ring. They can’t take that away from me.”

Youngster Steve Sax, however, did take his job. Lopes, 36, was traded to the A’s during the offseason. He was hardly through, playing another six seasons and even stealing 47 bases in 99 games in 1985 for the Chicago Cubs to become the first 40-year-old player to steal more bases than his age.

Lopes retired after the 1987 season and spent the next four years as a coach under Valentine with the Texas Rangers. Next he coached for three years under another former teammate, Baltimore Orioles manager Johnny Oates, and for four years with the San Diego Padres under Bruce Bochy.

In 2000, Lopes got his shot at managing, signing a three-year deal with the Milwaukee Brewers, who posted losing records in his first two seasons. When the Brewers won only three of their first 15 games in 2002, Lopes was fired.

“A lot of people discouraged me from taking [the Brewers job] because they thought I was just setting myself up for failure,” Lopes told The Times’ Ross Newhan, sensing the odds were catching up to him, “but I was determined to show them I could do it.”

Lopes returned to the Padres as a first-base coach from 2003-2005. He spent one season as the Washington Nationals’ first-base coach and baserunning adviser, and he served in the same capacity for the Phillies from 2007 to 2010.

The Phillies led the major leagues in stolen base percentage three times during his tenure and won the 2008 World Series championship, but that season began with a serious health issue for Lopes. Days before spring training, he was diagnosed with prostate cancer. It was in remission by opening day.

In 2011, Times columnist Bill Plaschke lobbied for the Dodgers to add Lopes to the coaching staff. General manager Ned Colletti did just that. Lopes displayed an empathy for young players, saying, “I’ve been there, I know what it’s like when you’re young and you need to know somebody is covering your back. Sometimes you feel lost, and you need a coach or manager to alleviate that.”

Lopes served as Dodgers first-base coach for five years — immediately improving the team’s base-stealing prowess — before closing out his five-decade baseball career in 2017 as a coach for the Nationals under his old teammate Baker.

“I’m not doing much. I’m retired, taking it easy,” Lopes said about retirement on a podcast. “It was not a difficult decision to make, but one I was kind of hesitant to make. But it all works out.

“I got the opportunity to play, manage or coach for a long, long time. I’m extremely thankful. I was one of the lucky ones in the big leagues for 45 straight years. That’s a long time. I have no complaints.”

Lopes is survived by two brothers, Patrick and John, and four sisters, Jean, Judith, Mary and Nina.

Sorry, Orlando. Southern California is the theme park capital of the world. Yes, I believe that.

A brief history: Knott’s Berry Farm created a framework that allowed Disneyland to invent the theme park, which Universal Studios tweaked. SoCal innovations, all of them — and the industry remains centered here.

Theme parks are integral to SoCal life. They’re institutions, as familiar as Dodger Stadium, Griffith Park or the Getty. Many of us grew up going to the parks and have archives of fading photos to prove it.

That’s why The Times is launching its first-ever theme park newsletter, a weekly guide to what matters and how to best experience these themed wonderlands. Welcome to Mr. Todd’s Wild Ride, where I’ll take you on my adventures in make-believe, share news and tips, and go deep on the hidden artistry behind SoCal’s most beloved attractions. (Sign up, and we’ll be in your inbox soon.)

Why theme parks are magical

Maybe you haven’t been to a theme park in a while. And maybe that’s intentional. Yes, ticket prices increase every year, crowds frustrate and your ankle will probably be struck by a stroller. But theme parks are art. They’re meticulously designed, as real as our ability to pretend. Few spaces exist in which so many artistic endeavors collide: architecture, costuming, landscaping, animation, engineering, urban design and more. The delight is in the details.

Theme parks are more than an escape — they reflect and respond to culture. Maybe these are simply the ramblings of a Disney adult and fan of all theme parks, but I won’t apologize for seeking joy, wonder and play. It’s what’s needed right now.

I visit theme parks regularly — probably too often by some people’s standards — but I’m excited every time. The key is to stop viewing them as a checklist of activities. So as we enter the busy spring break and summer seasons, here are some ways to develop a deeper appreciation (and simply have more fun) at our most iconic parks.

Embrace the Disneyland classics

I received pushback when I declared It’s a Small World the best attraction at the Anaheim resort, but hear me out. The ride is designed in the look of animator turned theme park artist Mary Blair, reflective of her color clashes and childlike whimsy. It’s akin to a boat trip through an art gallery. No other attraction is so reflective of a singular art style. The facade, designed by renown Disney Imagineer Rolly Crump and inspired by Blair, mixes glistening white metals and fiberglass with gold leaf accents that nod to the Eiffel Tower, Tower of Pisa, a Dutch windmill and more. How many more landmarks can you spot amid the jagged edges and byzantine shapes?

Fun fact: Legend tells that Disneyland used the entire U.S. supply of gold leaf to make the facade. Germany, apparently, came to the rescue.

Don’t skip a ride on the greatest tram tour ever built

Visitors enter the set of Jupiter’s Claim from the movie “Nope” while taking the Universal Studios tram tour in May 2023.

(Genaro Molina/Los Angeles Times)

Universal Studios’ World-Famous Tram Tour, as it is officially designated, is the most important modern theme park attraction in America. The slow-moving backlot trek existed long before Universal Studios had a theme park, but it changed the industry.

In 1976, one year after Steven Spielberg’s “Jaws” opened, the studio put guests face-to-face with a 24-foot shark. Never before had a cultural phenomenon like “Jaws” been so quickly replicated in a theme park. “Ride the movies” is a phrase coined by Spielberg, and it’s an industrywide trend that hasn’t stopped.

Fun fact: Universal consulted submarine builders General Dynamics to construct a shark that could survive long term under water.

Spend an afternoon in America’s first theme park

Knott’s Berry Farm’s entrance as parkgoers ride the Silver Bullet roller coaster behind it in May 2021.

(Allen J. Schaben/Los Angeles Times)

There are times I go to Knott’s Berry Farm and never leave its Ghost Town area, which predates Disneyland and is filled with oddities. A toy shop, for instance, sells actual puppets, and a train ride still features a staged robbery. The park also just remodeled its 72-year-old Bird Cage Theatre, home to outrageous vaudeville-style shows, where a young Steve Martin once performed. It’s a rarity these days to have live theater at a theme park.

Fun fact: The theater’s facade is a replica of the original Bird Cage in Tombstone, Ariz., which has long had a bawdy reputation.

So I hope you’ll sign up for Mr. Todd’s Wild Ride, where we’ll geek out on the history, the artistry and the future of these spaces. Have a theme park question? Email me, and I hope to answer it in an upcoming edition of the newsletter. Life is tough. We can all use more fun.

Today’s top stories

Billionaire Tom Steyer speaks during Jewish California: Governor 2026 Candidate Forum at the Skirball Cultural Center in Los Angeles on Feb. 26.

(Ronaldo Bolanos/Los Angeles Times)

Billionaire candidate for California governor faces criticism

• Tom Steyer, a Democratic candidate for California governor, faces mounting criticism over his former hedge fund’s prior investments in private prisons now housing undocumented immigrants.
• Steyer says he deeply regrets the investment and left his hedge fund 14 years ago and has since spent hundreds of millions on Democratic causes, particularly efforts to fight climate change.

Artemis II crew flies past the moon

• NASA’s Artemis II crew flew past the moon Monday, traveling farther from Earth than any humans in history and becoming the first to see some sections of the moon’s far side in the sunlight with the naked eye.
• The four astronauts described the far side in eloquent detail: Geometric patterns of browns, blues and greens amid the moon’s typical shades of gray.

L.A.-based relatives of a deceased Iranian leader were arrested

• The niece and grand-niece of an Iranian general have been arrested by immigration agents after the niece celebrated the Iranian leadership and denigrated the U.S.
• The general’s daughter has disputed the family connection, according to Iranian media, which has quoted a statement attributed to her saying that the two women bear no relation to the general.

What else is going on

Commentary and opinions

This morning’s must read

For your downtime

State Route 78.

(Josh Jackson)

Going out

Staying in

And finally … your photo of the day

The Flaming Lips’ Wayne Coyne travels over the Coachella 2004 crowd in an inflated plastic bubble.

(Robert Gauthier / Los Angeles Times)

Today’s great photo is from Times photographer Robert Gauthier during 2004 Coachella. Here’s a look at The Times’ photos from every year of the festival, including its origins in 1999, legendary performances from Daft Punk, Prince and Beyoncé, and the iconic art installations the festival has hosted over the years.

Have a great day, from the Essential California team

Jim Rainey, staff reporter
Hugo Martín, assistant editor, fast break desk
Kevinisha Walker, multiplatform editor
Andrew Campa, weekend writer
Karim Doumar, head of newsletters

How can we make this newsletter more useful? Send comments to essentialcalifornia@latimes.com. Check our top stories, topics and the latest articles on latimes.com.

In March, Bad Bunny performed his first-ever concert in Asia when he played in from of 2,300 fans in Tokyo as part of Spotify’s Billions Club Live series.

Starting April 8, a filmed version of that performance will be available on Spotify for the “Nuevayol” artist’s millions and millions of fans not in attendance.

The show, officially titled “Billions Club Live With Bad Bunny: A Concert Film,” was billed as a special stop in the Grammy-winning performer’s “Debí Tirar Más Fotos World Tour” — which kicked off with a November concert in the Dominican Republic and has since sold out stadiums across Latin America and Australia. He notably didn’t include dates in the United States as part of the tour.

Footage of the Japan concert swept social media, as it showed Bad Bunny doing a never-before-seen salsa rendition of his 2018 collaboration with Drake. He also notably sang his 2021 single “Yonaguni,” which features lyrics in Japanese.

The concert film will premiere two months after the “Callaíta” singer nabbed a historic album of the year win at the Grammy Awards and became the first fully Spanish-language act to headline the Super Bowl halftime show — which was lauded for its potent star power and political messaging.

Bad Bunny’s generational run looks to have no immediate end in sight, as he will kick off the European leg of his world tour with a May performance in Portugal before making stops in Spain, England, Sweden, France, Poland and Italy.

But the “Dakiti” artist’s newsworthy year hasn’t been limited to the music world.

In February, it was announced that Bad Bunny will star — alongside Academy Award-winning actor Javier Bardem and multiple-time nominees Edward Norton and Viggo Mortensen — in Puerto Rican rapper Residente’s directorial debut, “Porto Rico.” The film, which has yet to announce a release date, will explore the complicated colonial history of Puerto Rico through Western/historical drama storytelling devices.