part

Every fall, I teach a Latino History of Orange County course at Chapman University — from the Portola expedition all the way to Huntington Beach’s MAGA Latina councilmember, Gracey Van Der Mark. The lecture last week focused on how anti-Mexican politics have always worked in Orange County and usually go on to be copied nationwide.

I usually, sadly, have to update this lecture every year because the lowlights just keep coming. That’s why this time around, one of my PowerPoint slides ended with “2026: Anaheim?”.

Haven’t you heard? A lawsuit accuses Anaheim mayor Ashleigh Aitken of calling her chief of staff a “dirty Mexican.”

Stay classy, O.C.!

TimesOC writer (and my fellow Anaheimer) Gabriel San Román first reported on the allegation last month. He revealed that a lawyer for Aitken’s chief of staff Berenice Ballinas was seeking mediation from the city after his client suffered a “sustained pattern of harassment, discriminatory treatment and, most recently, retaliation” while doing her job. A legal claim filed soon after offered pages of alleged incidents detailing what Ballinas claimed she had to deal with when her boss supposedly had too much to drink while on city business.

It’s an ugly read, with incidents at Disneyland’s Club 33, Angel Stadium and other Anaheim landmarks. Yet no passage is more damning — yet more Orange County — than when Ballinas claimed Aitken once called her a “dirty Mexican” in front of then-city attorney Jim Vanderpool and said another time that the mayor didn’t want “a Mexican” like Ballinas to drive her car while Aitken was supposedly what the British satirical magazine Private Eye would call “tired and emotional.”

The mayor, a Democrat who’s running for reelection, has denied the explosive charge in an official statement and during a recent council meeting. And yet the allegation against her now enters Orange County’s long, sad spectrum of anti-Mexican political history.

Just part of the list: Proposition 187. Poll guards. Trying to give local police immigration-enforcement powers. When then-Orange County supervisor Ronald Caspers called a group of Mexican American county employees who demanded promotions “bandidos” during a 1972 supervisors meeting, then suggested the supes move the county seat away from Santa Ana because the city “does not have a normal ethnic balance” — in other words, it was too Mexican.

Or how about when a Newport Beach council member, Dick Nichols, opined during a 2003 council meeting that he opposed expanding the grassy areas of Corona del Mar State Beach because Mexicans “claim it as theirs, and it becomes their personal, private ground all day”? (Asked to apologize, Nichols doubled down by saying, “Where the hell am I in any way discriminating or being a bigot by making a statement that is blatantly true?”)

My hometown is not exempt from this sad parade. Anaheim’s schools, parks and swimming pool were segregated until the 1950s. In 1999, the Anaheim Union High School District board of trustees voted to sue Mexico for $50 million for educating the children of undocumented immigrants (The Times’ write-up was the first time I appeared in the paper, although the writer misspelled my last name).

Why all the O.C. anti-Mexican hate? You’ll have to enroll in my Chapman class for the full explanation. But the main reason is that Mexicans have long functioned as O.C.’s demonized minority. When millions of O.C. residents have grown up believing the powers that be that all Mexicans do is work low-paying jobs and underachieve in life, no wonder politicians bash them again and again — and no wonder many Anaheim residents aren’t giving Aitken the benefit of the doubt.

On Friday, the Anaheim City Council announced after a closed session that it would launch an independent investigation into Ballinas’ allegations. Aitken had an eventful Friday of her own. She admitted on Instagram that she has an “unhealthy relationship” with alcohol and sighed to CBS Los Angeles that Ballinas was “somebody who I thought was my right-hand person.” And while local activists have demanded she resign, O.C.’s ascending liberal machine isn’t asking for her head the way they would’ve if it were a Republican official: Mayor Anaheim gave the opening remarks at the Orange County Labor Federation’s annual Solidarity Awards gala on Friday night to cheers.

Stay classy, O.C.!

The week’s biggest stories

Republican gubernatorial candidate Steve Hilton visits patrons at Victorio’s Ristorante in North Hollywood, where a watch party was held for the CNN governor’s race debate Wednesday night.

(Jason Armond / Los Angeles Times)

California politics

• A sexually suggestive ad from Republican gubernatorial candidate Steve Hilton has drawn millions of views — and condemnation from allies on the right and Democrats.
• Latino voters have shifted away from Karen Bass in the L.A. mayor’s race, according to a new poll.
• The poll’s findings contrast the results of the June 2 primary, in which Bass carried 35 Latino-majority neighborhoods compared with Raman’s seven.

Helicopter tragedy

Paramount-Warner Bros. merger

• David Ellison said the merged Paramount and Warner Bros. Discovery will be called Skydance — the moniker he picked nearly two decades ago when he began building his Hollywood empire.
• Although the name of the corporate parent will change, the two historic studios will continue to operate under their names.
• As Ellison names his new empire, the message is clear: He owns Hollywood, writes news and culture critic Mary McNamara.

More news

Editor’s pick

More picks

Things to do

Retro candies, zombie-themed chips, ghost-branded coffee and large-scale movie characters can all be found at the Horror Boodega snack shop in Burbank.

(Stephanie Breijo / Los Angeles Times)

Today’s recipe

(Genaro Molina/Los Angeles Times)

For culinary content producer Owen Han, his nonna’s recipe for meatballs is as classic as they come. She does not brown the meatballs but instead poaches them in the copious tomato sauce (she called it salsa di pomodoro, or sugo, but you might know it as marinara) so they are extra tender.

Photo of the day

(Nava Rawls / Los Angeles Times)

Games

Here’s today’s mini crossword, plus our other free, daily crossword puzzle, sudoku, word search and jigsaw games.

Have a great day, from the Essential California team

Jack Dolan, investigative reporter
Hugo Martín, assistant editor, fast break desk
Kevinisha Walker, multiplatform editor
Andrew Campa, weekend writer
Karim Doumar, head of newsletters

How can we make this newsletter more useful? Send comments to essentialcalifornia@latimes.com. Check our top stories, topics and the latest articles on latimes.com.

Tony Romo and CBS Sports have “mutually agreed to part ways” two months after he was placed on indefinite leave following his July arrest on suspicion of operating while intoxicated (OWI), the network announced Friday morning.

“We thank Tony for his contributions over the past nine years and wish him the best moving forward,” CBS Sports said in a statement.

J.J. Watt, who has been filling in for Romo as the color commentator on CBS Sports’ lead NFL broadcast team, will continue in the role for the remainder of the season. Romo, a former four-time Pro Bowl quarterback for the Dallas Cowboys, has been booth partners with play-by-play announcer Jim Nantz since 2017.

“I’m proud of what I accomplished at CBS Sports over the last nine years,” Romo said in a statement released soon after CBS announced the move. “I approached my role as a game analyst the way I’ve approached everything in my life — with a desire to win and be the best that I can be.

“I’m going to use this time to take a break,” he added, “something I’ve never done before, and focus on my health and my family before moving on to my next opportunity.”

On Sept. 1, Romo entered a a no-contest plea to the OWI charge from his July 23 arrest in Wisconsin. A Milwaukee County judge found Romo guilty of the charge and took away his driving privileges for six months. Romo also was ordered to pay $834, and have an ignition interlock device installed on his vehicles for a minimum of one year.

Citations against Romo for having an open container of an alcoholic beverage in a moving vehicle and unsafe passing were dismissed.

Afterward, Romo said in a statement that multiple back injuries from his playing career led to “a dependence on pain medication, and my efforts to get off those medications led to an over-reliance on alcohol.”

“None of this is an excuse,” he wrote. “These are my failures, and I take responsibility for them.”

In 2011, Joe Kay debuted Soulection as a college radio show at Cal State Long Beach, spinning rare B-sides, progressive beats, inventive flips of classic records and soulful underground tracks.

Fifteen years later, the niche local broadcast on K-Beach Radio has ballooned into a cultural movement that extends far behind his alma mater’s campus. Beyond its flagship on Apple Music with nearly 750 episodes (Grammy-winning producer Swizz Beatz was a recent guest DJ), Soulection is also an independent record label, live event and clothing brand. Operating under the banner “the Sound of Tomorrow,” the collective championed artists like Kaytranada, Brent Faiyaz, Bryson Tiller and Snoh Aalegra before they were household names.

Still, Kay remains hungry for more. “There’s so much more to do,” says Kay, who released his first project “If Not Now, Then When?” last year.

“We’re at this breaking point of not just being underground,” he adds. “It’s like we’ve been D-1. We’ve been to the playoffs. Now we’re like how do we get to the championship and not just show up to the championship, how do we win?”

On Saturday, Kay and his tight-knit crew are celebrating Soulection’s 15th anniversary with a festival at Reframe Studios Outdoors in Atwater Village. The lineup includes DJ sets from Kay, Grammy-winning producer and artist Kaytranada, Sango, Esta, DJ Miss Milan (who DJs for Doechii), Ayanna Heaven and surprise guests. (Kay doesn’t even know who all will show up.)

Ahead of the hallmark event, Kay spoke about how he continues to find emerging talent when everyone’s an artist or DJ these days, building long-term staying power, his new dance music concept and why he’s nowhere near done pushing the limits of what Soulection can do.

Joe Kay and his team are celebrating 15 years of Soulection on Saturday at Reframe Studios Outdoors in Atwater Village.

(Jason Armond / Los Angeles Times)

This weekend, you are celebrating the 15th anniversary of Soulection with several guests, including Kaytranda, who has been connected to the brand for years but has yet to be on an official Soulection lineup until now. What does this homecoming mean for you?

It’s special. Just having Kaytranada, it’s been long overdue but right on time, and to me that’s all that matters. About four years ago, we did a private party in L.A. in between Coachella, and it was him, Peggy Gou and myself, and it was a really cool party. So we played together, but in terms of a public, front-facing event, this is the first time he’s been on one of our lineups. What I appreciate about him is his work ethic. That man just doesn’t love to DJ, but this man works so hard. I work really hard, and then I see him and it makes me just want to go harder. This man is constantly on tour and he just finds a way to keep putting out music that people care about so much. I think that alignment between him, Esta and Sango is special. Even having Miss Milan, it’s one thing to be a DJ for someone like Doechii, but to also see what she does independently, I really admire that. There’s not a lot of women in the space who are moving like that and are recognized. She’s a boss on stage. Then, Ayanna Heaven is from New York, but she’s Jamaican and we’re lucky to have her.

What else can we expect at the show?

We’ll have a sunset set of Soulection and Friends, so special guests will pop out to do a couple songs. We’re not even sure who’s going to be popping out completely, but we have a handful of names and there’s some good people who I feel like have been part of the Soulection sound and Soulection radio. In London, people were like :We wanted a party. There were a lot of performances.” So now we’re giving people the party and we’re trying to move, but there will be a portion where everyone does a couple of songs. I love how we listen to feedback from one event and we make adjustments. I think that’s part of why we’re still around.

Soulection was pivotal in giving early platforms to artists like Brent Faiyaz, Bryson Tiller and Anderson .Paak before they became global superstars. What is your internal filter for spotting rising talent and has this changed over the years?

It’s a loaded question because talent and gifted people are everywhere. I find those people everyday. But in terms of who has the “it factor,” that one takes more layers. It’s not about “Does this person have to have that ‘factor’ for me to give them an opportunity or to be excited about them?” It’s more so an internal feeling. Nowadays, content is important so it’s the music and it’s mainly how they message themselves. How are they communicating their work, their vision and is it resonating with me? Then I scan their socials. I have no problem following anyone. I’m not one of those guys like “I have to have my following ratio at a certain amount and I’m too cool to follow you.” If I’m interested, I’m interested. I think today it takes a lot more to stand out. It’s a saturated [market], but I feel if you can break off and stand out now, it says a lot more than ever because everyone’s an artist and a DJ. Whereas 10 to 30-plus years ago, it was so much more of a rarity. It was a lot harder to be an artist so now that’s what makes it a bit more complicated.

It’s been over a year since you released your debut project “If Not Now, Then When?” You’ve talked about overcoming impostor syndrome to make it. What did you learn about yourself throughout the process?

It went by really quick. I’m really glad we dropped that project. It taught me a lot. When people ask, “So what do you do? Or can I find you on Apple or Spotify?” It’s nice to have something to direct people to outside of the radio show, there’s a body of work. I get emails every week of how many people are still discovering the music even though it might be old to us. Working on this project taught me a lot about accountability. I realized putting out a project as a label head and allowing artists to share their vision versus how I would do things are two different worlds even under Soulection. I’m so used to being on the executive or A&R side and letting people cook like “We’re here to help market it, but this is your work.” I honestly was proud of it because in my opinion “This is how I think you should do a rollout” and it was nice to show proof of concept. Also, working with all these great artists. I’m still in awe when I think about D-Mile being on two records. Bruno Mars is on tour right now, selling out SoFi Stadium. He’s doing like 8-10 times what we’re doing and D-Mile is a big part of his sound. To know we had him be a part of my project was a blessing and says a lot about the work that has been done.

Last year, you talked about potentially releasing an album this year. Are you still planning to do that?

It truly is extremely difficult to get a project done when you’re on tour and that’s why it didn’t get done. I did about 30 cities and when you’re going city to city, country to country, there’s really no time. When you’re putting together these projects, I feel like you have to literally be stationary for weeks at a time when you wake up and that’s all you think about. It’s very difficult when you’re stopping and going and nowadays. There’s a lot of chasing with the artists. Even if they are down, artists have their own projects, their own rollouts, their own tours. We’ve also been working on this 15-year celebration for the last year and a half, so I would say the album is the next focus.

You’ve been cooking up a new concept called Tempo. Can you tell us about that?

I’m very passionate about Tempo. If I could launch it today, I would. I’ve been using that word so much because I keep trying to tell people we’re trying to make people dance. If the women move and are having a good time, everyone’s moving. That’s why we love dancehall, Afrobeats, amapiano and now as we’ve seen in the last years, Afro House, and these other genres. It’s essentially dance music. I’m also very close to South Africa, specifically Cape Town and Johannesburg. That’s a place I’ve been going since 2015 and I’ve built a really good connection with people out there. As these new subgenres started to come out in like 2018, I’ve been very passionate and researching that music. A couple years ago, I was there and I curated these shows with some really great local artists and producers. I’m just very passionate about trying to push those artists to a higher scale. Imagine Brent [Faiyaz], Leon [Thomas], SiR or Snoh Aalegra or Kwn, hearing their vocals on an Afro House record or just the right tune that has that tempo. Now all of a sudden, you have Shimza, Keinemusik or Francis Mercier playing the records in front of 30,000 to 50,000 people. I feel like we have those relationships with the artists. They need to be told like, “This is who you need to work with. Trust me.” Then bringing them together and not feeling like we have to make it pop or saturate the music or make the drums lighter and more radio-friendly. I think we do it in an organic Soulection style. To me, that’s really the goal of Tempo. It’s not just an event, but it’s also like a sub label of Soulection that focuses on electronic music, a lot of Afro electronic music but not just that — just house music in general. There’s no boxes or boundaries to it. If it moves you, we’re going to put it out.

Joe Kay will be DJing alongside Kaytranda, Sango, Esta, DJ Miss Milan and Ayanna Heaven at the Soulection anniversary show on Saturday.

(Jason Armond / Los Angeles Times)

Looking back on the last 15 years, what are you most proud of what you’ve built with Soulection?

There’s a couple things. One, it’s nice to have my team who have been with us for over a decade. It’s a testament to what we’ve built, that people still want to be here. It makes me feel good that I have a loyal group of people who are my friends, who I’m grateful to call my family and who go up to bat for me and the team everyday. It’s not easy. Now that we’re older, I feel like, we choose to be here. Secondly, to think about all the artists and collectives that have been motivated by Soulection and have gone on to create their own businesses or have gone on to sign to agencies or get a manager. To know they were listening to Soulection at one point, that’s all it was meant to be — to inspire. It’s not about being on Soulection, it’s more of how do you take this motivation and create your own. It’s nice to be a part of that, but also they did the work.

That’s cool because it makes me think of how you were heavily inspired by labels like Stones Throw. You wanted to intern for them, but ended up creating your own thing and now Soulection is a blueprint for others.

I’m still inspired by Stones Throw. They literally just hit 30 years, so they’re literally two times what we’re doing. That had me thinking like, “Damn, what are we at year 30?” To see them still doing it, it’s very admirable. To be [a blueprint] is still great, but I don’t feel complacent. We just feel like there’s so much more to do. You asked, “How do I stay excited to show up to work everyday amongst all the craziness” and I think it’s my curiosity. I’m just grateful to provide for my family and for so many others for just doing something that I love everyday. Being about music, arts and highlighting people, that’s a blessing. I think we can take that for granted, but I don’t and I really do wake up everyday like, “How are we going to change someone’s life?” That’s the best part about it.

San Francisco 49ers owner and CEO Jed York has been suspended for six games and fined $500,000 for violating the NFL’s personal conduct policy, the league announced Friday.

York was arrested Aug. 23 as part of an Ohio prostitution sting after he responded to an online ad that was actually set up by Mahoning Valley Human Trafficking Task Force officers.

The 45-year-old executive pleaded no contest to misdemeanor charges of disorderly conduct and possessing criminal tools (in this case, the phone he used to set up the encounter). He was sentenced to one day in jail and fined $1,150. The $160 seized in the sting was given to the task force as part of his plea.

Since York has not attended any games or league meetings so far this season, he was credited with having served three games of his suspension. He is eligible to return Oct. 20, the day after the 49ers’ Week 6 game against the Washington Commanders and the day the league’s fall meetings begin in New York.

“To my family, to the players, coaches, and employees of the San Francisco 49ers, to our fans and partners, I am deeply sorry,” York said in a statement released by the team. “This was an inexcusable mistake and I take full responsibility. What I did does not reflect my values or the man I strive to be for my family.”

York filed for divorce from his wife, Danielle Belluomini York, in May. They have two sons together. York has been the 49ers’ CEO since 2008 and became the principal owner in 2024. His family has owned the 49ers since 1977.

“While I fell short of the model I want to set for my sons, I now hope to show them the importance of owning up to one’s failures, and that even our worst moments teach us to be better,” York said. “Leading the 49ers is a privilege, and one I don’t take lightly. Your trust will have to be earned back over time, and I look forward to that work ahead.”

The Associated Press contributed to this report.

SACRAMENTO — Gov. Gavin Newsom signed a pair of bills this week designed to help a San Diego stadium and development project led by Los Angeles Rams owner Stan Kroenke sidestep environmental review hurdles.

Newsom signed Senate Bill 344 and Senate Bill 958, which were put forward by state Sen. Akilah Weber Pierson (D-La Mesa) to help the stadium project, known as Midway Rising. The project would replace the decades-old Pechanga Arena and include a new 16,000-seat facility, 4,254 homes, including up to 2,000 affordable units, and commercial and outdoor space. The site is south of Mission Bay.

Newsom cast the bills as part of a package to help speed up the construction of much-needed housing.

“Every Californian deserves a fair shot at a stable home — families shouldn’t have to wait years for housing to be approved and built in their communities,” he said in a written statement.

Senate Bill 344 deems Midway Rising in full compliance with the state’s landmark California Environmental Quality Act, known was CEQA.

The act, adopted in 1970, has been credited for protecting California’s natural resources and minimizing pollution. It also has been criticized for sometimes being weaponized by opponents of a project, including housing developments.

After the state Legislature’s vote last month, Weber Pierson said the project would provide “much-needed affordable housing, permanent jobs, community spaces, and health resources in a part of our city that is ready for investment.”

Former San Diego Assemblymember Lori Saldaña, a longtime critic of the proposal, called Senate Bill 344 “reckless and rushed” because it was introduced late in the session without public input. Saldaña said the site isn’t suitable for development because of sea-level rise that she said is causing street flooding in the area.

Senate Bill 958 states that a project’s increased building height, and any related noise, shadows, or impact on wildlife shall not be considered significant environmental impacts, if the project meets a host of conditions.

It would apply to any development in the state but was introduced to benefit Midway Rising, according to Weber Pierson.

Assemblymember Carl DeMaio (R-San Diego) was among those who voted against both bills.

The developers “don’t want to play by the rules, so they came here to Sacramento asking for a special exemption,” DeMaio said during a discussion on Senate Bill 958 last month.

“We’re talking about the coast. I think a big condo tower on the coast impeding the view is a significant environmental impact, and I think deep down in your heart of hearts, you know that,” DeMaio said.

State lawmakers routinely carve out environmental exemptions for proposed sports stadiums, sometimes in the closing days of the legislative session.

Former Senate leader Darrell Steinberg (D-Sacramento) led his colleagues in passing a bill in 2013 that helped the Sacramento Kings arena by limiting environmental lawsuits. The new arena for the Golden State Warriors basketball team in San Francisco also benefited from CEQA reforms passed by state lawmakers in 2011.

The San Diego City Council still needs to approve the project.

Radio personality, jazz singer and former BET host Angela Stribling died on Sunday of cancer.

Stribling “passed away peacefully at home … after a courageous two-year battle with brain cancer,” her husband, Ken Washington, posted to her Instagram account. “Her sister Darlene and I were by her side.”

A native of Buffalo, N.Y., Stribling attended the Fashion Institute of Technology in New York City and took a position with American Airlines at the Baltimore/Washington International Airport after college. She spent four years as host of BET entertainment news program “Screen Scene” and helped launch BET Jazz, hosting “Jazz Central,” “Jazz Discovery” and “Jazz Scene” for the network, according to a posting about her death by WHUR 96.3 Howard University Radio.

She worked as a reporter for “Evening Magazine” and co-host of “On Time” on Baltimore television and as a news intern at WTTG-TV and at WOL-AM in Washington, D.C., before joining WHUR-FM. That’s where she became the first woman to host “The Original Quiet Storm,” a program of “soulful slow jams and romantic melodies” that recently celebrated 50 years of being on air.

“Pillow Talk,” WHUR’s long-running late-night program hosted by Stribling, centered on relationships, conversation and music.

“Angela Stribling was a remarkable talent, but what made her truly special was the person she was,” WHUR general manager Sean Plater said in the station’s tribute. “Her voice was beautiful, her presence was calming, and her spirit was genuine. She had a way of making people feel welcome and valued, and that gift extended far beyond the radio. Angela was part of the WHUR family, and her loss is deeply felt by all of us. We will remember her not only for the incredible career she built, but for the love, kindness and light she shared with so many people.”

Stribling was also a classically trained jazz vocalist, who performed at New York City venues including the Rainbow Room, the Supper Club and the Soul Cafe. She traveled the world and shared the stage with legendary artists, including Stevie Wonder and Chaka Khan.

“Her sultry voice made her a staple on radio in the D.C. area and on Sirius. She did countless voiceover work, she sang and had parts in movies. I remember her calling me when she got a role in the Eddie Murphy movie ‘Distinguished Gentlemen,’ ” former BET colleague Ed Gordon wrote on Facebook. “She was a sweet soul.”

Dennis Haskins, an actor known best for playing Principal Richard Belding on the 1990s high school sitcom “Saved by the Bell,” died on Sunday night. He was 75.

Haskins’ friend and longtime caretaker, Kimberly Snow, confirmed the actor’s death. A cause of death is unknown, but Haskins had quietly battled Parkinson’s and was candid about other health issues. According to Snow, the actor died around 11 p.m. in a Burbank assisted living facility.

Snow, a former manager of Burbank’s since-shuttered Dimples Karaoke, shared the news of the actor’s death on Instagram, writing that Haskins was a staple at the joint, so much so that many of the patrons thought he owned it.

“A lot of people thought he owned it, but he didn’t,” the tribute read. “He just loved the place and its people. He enjoyed singing for people, meeting them, and taking selfies with his fans. Dimples closed down about 11 years ago, and people still associate him with his beloved ‘second home.’ He was known to most as Mr. Belding from Saved by the Bell, but to us, he was much more than that.

“About eight years ago, he became ill,” the post continued. “He had been silent about his fight with Parkinson’s, among other health concerns, because he did not want the attention. He did not want to have to tell people. He would say, ‘What do I even say?’ So I respected his wishes and stayed quiet, and I helped him through his journey into the next chapter of his life.

“Late last night, that journey ended for him. He is now at peace and is probably entertaining the people in the sky. Just know that if you tried to reach out to him in the last few years, I did read your messages to him, and you were heard.”

Haskins played the earnest and beloved Mr. Belding across the “Saved by the Bell” franchise for 12 years, from 1988 to 2000. As recently as 2015, he reprised the role for a sketch on “The Tonight Show Starring Jimmy Fallon,” alongside Bayside High School alums Mark-Paul Gosselaar, Elizabeth Berkley, Mario Lopez and Tiffani Thiessen.

Haskins was born in Chattanooga, Tenn., on Nov. 18, 1950, to parents Dennis Button Haskins IV and Veneta Marilyn Yarbrough. One of three boys, he attended Notre Dame High School in Chattanooga and, later, the University of Tennessee at Chattanooga.

He ultimately made his way to Los Angeles where he broke into acting, with his first on-screen gig playing a workman in “Archie Bunker’s Place” in 1981. He acted regularly through the ’80s, landing parts in television shows “Magnum P.I.” and “The Dukes of Hazzard” before finding his way to the part that would make him America’s favorite principal.

He played Mr. Belding across seven different series, including, “Good Morning, Miss Bliss,” “Saved by the Bell,” “Saved by the Bell: The College Years,” “Saved by the Bell: The New Class,” “The Rerun Show,” “Robot Chicken,” and “Victorious.”

“It’s a tragic loss,” Jay Schachter, head of film and television for Stewart Talent in New York City, said in a statement to NBC.

“Everyone loved Mr. Belding and those of us who got to know Dennis, loved him even more,” Schachter said. “He was a great person, and he loved, I mean absolutely LOVED his fans.”

Pro wrestler PAC, whose real name was Benjamin Satterley, died Sunday at 40 less than 24 hours after competing in All Elite Wrestling’s “All Out” pay-per-view event, AEW announced.

“All Elite Wrestling is saddened to announce the passing of Benjamin Satterley, aka Pac,” AEW said in a statement. “A native of Newcastle upon Tyne, England, Satterley began his wrestling career in 2004 and went on to perform for wrestling organizations all over the world, captivating fans with innovative high-flying moves and incredible in-ring ability. Pac signed with All Elite Wrestling in 2019 and held multiple AEW Championships and competed in some of the most memorable matches in AEW history. Our condolences go out to Satterley’s family, friends and fans.”

AEW owner Tony Khan posted a message on X honoring Satterley.

“Benjamin Satterley defined excellence, as a beloved husband & friend to his many loved ones, + in his wrestling knowledge, skill, unprecedented athleticism, professionalism, consistency + dedication to the sport that he loved & traveled the world to pursue,” Khan’s statement read. “May Ben rest in peace.”

Satterley broke into pro wrestling in 2004 and made a name for himself in the U.S. as part of the Pro Wrestling Guerilla promotion in Los Angeles. He signed with World Wrestling Entertainment in 2012 and was given the name Adrian Neville, later shortened to just Neville. He became part of their NXT promotion and won its heavyweight title before he was promoted to the main roster. He won the NXT Championship while in developmental and later made it to the main roster in 2015, winning the WWE cruiserweight title.

Considered one of the best wrestlers in the world, Satterley was was a relatively small 5 feet 8, 194 pounds and was not given a push relative to his ability in WWE. He left the promotion in 2018 and later joined AEW, where he changed his name to PAC and won the International title and the Trios title.

He was currently involved in a feud with Andrade El Idolo and challenged him for the national championship Saturday in Chicago, with El Idolo winning to retain the title.

When AEW launched in 2019, he was announced as one of the first signees, becoming the first All-Atlantic Champion and also won the Trios Championships. Since 2024, he had been a member of the Death Riders group.

The two pandas, Ping Ping and Fu Shuang, arrived from southwestern China.

Two giant pandas, Ping Ping and Fu Shuang, have arrived in the US state of Georgia on a 10-year loan as a soft-power gesture from China.

A new agreement between Zoo Atlanta and the China Wildlife Conservation Association makes Atlanta one of three zoos in the US to house giant pandas.

The diplomatic gifts departed early on Sunday from Chengdu Shuangliu International Airport in southwestern China, according to Chinese state media. They arrived after the high-level three-day Washington summit with China last week, where closed-door talks between United States President Donald Trump and Chinese President Xi Jinping yielded no major policy breakthroughs on prickly issues such as AI, trade, Taiwan and the war with Iran.

Although the pandas’ transfer had been finalised back in April, Xi officially announced the arrival timeline on Thursday at the White House, noting that the black and white mammals could reach Zoo Atlanta from the Chengdu Research Base, China’s premier hub for giant panda conservation, breeding and research, within the next few days. The dispatch of the vulnerable species aimed to signal a renewed bilateral friendship between the leaders of the world’s two biggest economies.

Ahead of their arrival, Zoo Atlanta had upgraded its panda habitats and secured a stable, long-term supply of locally grown Atlanta bamboo, which shares a near-identical climate with Chengdu.

The bears completed a 16-hour charter flight across the International Date Line, landing in Atlanta, Georgia, shortly before 7:00am (11:00am GMT).

Midway through its journey through Alaska, the FedEx Boeing 777 had spiked to the top of Flightradar24’s global tracking charts.

Steamed corn buns, bamboo shoots and carrots were prepared to keep the pandas nourished during their flight, Chinese state-run media reported. The US also mobilised a specialised care team to accompany the duo on their flight, they said.

A spokesperson for the zoo told Al Jazeera that their team had “done everything possible to accommodate them”, but a definitive timeline for their arrival – much less their public debut – remains “unconfirmed”.

“This is a thrilling day for Zoo Atlanta and a historic moment for the City of Atlanta, the state of Georgia and beyond,” Zoo Atlanta President and CEO Raymond B. King said in a statement. “We are elated to welcome Ping Ping and Fu Shuang and could not be more excited about sharing that joy with our Members, guests, city and community in the coming weeks.”

Zoo visitors will have to wait a while to see Ping Ping and Fu Shuang, officials said. The bears will be quarantined for about a month in a biosecure area of the wildlife park’s new giant panda complex. The zoo last had pandas in 2024.

Ping Ping, a male, and Fu Shuang, a female, were born in 2020.

Globally revered, the iconic furry animals have been sent across the globe for decades, serving as diplomatic emissaries loaned by China under its infamous “panda diplomacy” initiative through soft-power projection. Beijing leverages the animals’ immense public appeal to cultivate international goodwill, seal lucrative trade deals and burnish its geopolitical image abroad. Similarly, when foreign relationships fray or tensions arise, Beijing lets the loan agreements expire.

Xi has said this latest loan programme was an example of “friendship between the Chinese and Americans”.

Last week’s summit was Xi’s first visit to Washington in more than a decade and the second meeting this year with Trump.

Tangible outcomes of the meetings remain modest, restricted to a two-month extension of the trade truce, Beijing’s revival of giant panda loans and Xi’s support for Trump’s rebranding of artificial intelligence as “super intelligence”.