year

Temperatures will continue to soar across the bank holiday weekend following the hottest day of the year so far on Saturday.

Temperatures reached 30.5C at Frittenden in Kent, beating the previous day’s maximum temperature of 28.4C in London.

The Met Office said it was very rare for the UK to record temperatures above 30C in May, with the last time being on 25 May 2012.

The heat is forecast to intensify throughout the long weekend, reaching heatwave criteria in a number of locations.

Daytime highs are forecast to reach the upper 20s Celsius in many areas, with the low 30s Celsius likely in the week ahead.

Amber heat health alerts remain in effect for the Midlands, eastern and south-east England.

Amber alerts mean there is a risk of a significant impact across health and social care services, with children and those aged over 65 at risk of negative health implications.

The remainder of England is under yellow heat health alerts, meaning adverse weather is “likely to affect vulnerable groups”.

We’re really almost there.

There is just over one week remaining before the June 2 primary for Los Angeles mayor, city attorney, city controller and eight of the 15 City Council seats.

As of Friday morning, 333,000 mail-in ballots had been cast in the race, up from 321,000 at the same time in 2022, according to the L.A. County Registrar/Recorder.

The Trump card

Spencer Pratt’s foes in the Los Angeles mayor’s race like to say that the former reality television star lacks the experience needed to run a big city.

But Pratt might have an even bigger liability — any sense that he may be aligned with President Trump.

Cygnal, a national polling group that has worked for Republican candidates, found that tying Pratt to Trump and the MAGA movement is a bigger turnoff to Democrats than his reality television past.

According to its poll of 500 likely Los Angeles voters, Pratt’s reality TV resume made 59% of overall Democrats less likely to vote for him. By comparison, tying Pratt to MAGA and Trump made 65% of Democrats less likely to vote for him, Cygnal said.

Pratt is a registered Republican and on Wednesday, Trump signaled support for Pratt in the mayoral race. On Thursday, former Trump advisor Steve Bannon said the president didn’t formally endorse Pratt out of fears it would hurt Pratt’s chances in Democrat-dominant Los Angeles.

Spencer Pratt at a recent campaign block party in South Los Angeles.

(Robert Gauthier / Los Angeles Times)

Overall, including Democrats and Republicans, 24% of voters said tying Pratt to Trump made them more likely to vote for him while 50% of voters were less likely to vote for him because of it.

“Karen Bass is a fairly reserved individual, but you have to believe that backstage she was doing a happy dance after she heard Donald Trump’s comments,” said Dan Schnur, a professor of politics at USC, UC Berkeley and Pepperdine University.

The strongest pro-Pratt argument is a public safety argument that Pratt will reject “defund the police” policies and hold repeat offenders accountable.

The poll showed Bass at 25% support, Pratt at 22% and Councilmember Nithya Raman at 18%.

Big money for Blumenfield seat

It hasn’t had the same sizzle as the mayor’s race, or been as pricey as the acrimonious campaign for city controller. But the battle to replace City Councilmember Bob Blumenfield in the west San Fernando Valley is turning into yet another high-stakes, big-money contest.

In that three-way race, a handful of special interests have now put more than $1 million into various efforts to elect businessman Tim Gaspar.

The Central City Assn., a downtown-based business group, has spent the most so far, pouring more than $400,000 into mail pieces, web videos and other campaign expenses, according to Ethics Commission filings. Most of its money has been coming from Airbnb, which is looking to loosen the city’s rules on homesharing platforms, by allowing second homes to be used as short-term rentals in the run-up to the 2028 Olympic Games.

Political aide Barri Worth Girvan, who is running to replace Blumenfield, criticized Gaspar over the influx of money, saying the “West Valley is not for sale.”

“Airbnb has destroyed countless neighborhoods around Los Angeles, and they clearly believe that my opponent will allow them to do that in the San Fernando Valley,” said Worth Girvan, who works for county Supervisor Lindsey Horvath. “Let me be clear — I will not allow that in our neighborhoods.”

Gaspar, in a statement, said he’s proud of the coalition supporting him.

“Like so many Angelenos, they are ready for change and new ideas that will actually get something done. Barri is offering nothing but the same tired excuses, empty promises, and failed ideas,” he said.

Under the city’s campaign finance rules, donors cannot give more than $1,000 to the campaign of a council candidate. However, independent expenditure groups can spend unlimited amounts, as long as they do not coordinate with the campaigns of their favored candidate.

Some of the other Gaspar backers who are spending large sums include the California Alliance of Family Owned Businesses, which represents McDonald’s franchisees, the California Apartment Assn. and Working Californians, a committee sponsored by International Brotherhood of Electrical Workers Local Union 18, which represents employees of the Department of Water and Power.

That committee is also partly funded by Airbnb, according to the Ethics Commission website.

Ethical supes

The Los Angeles County Board of Supervisors voted this week to establish its first ethics commission.

The creation of the new body aimed at preventing and eliminating corruption in county government was mandated by Measure G, which voters approved about 18 months ago.

That measure overhauled the county charter to create an elected county executive position and increase the number of supervisors from five to nine.

It also stipulated the establishment of an ethics commission and an office of ethics compliance, helmed by an ethics compliance officer.

Polling shows the effort has broad public support, according to Sara Sadhwani, a political science professor at Pomona College who served on a task force that made recommendations to the supervisors.

But there was still controversy before the Board of Supervisors voted 5-0 Tuesday to support to approve the plan.

Supervisor Janice Hahn said the ethics commission was intended to be an independent body whose members were not directly selected and appointed by elected officials.

She proposed an amendment that would have made it so commissioners were chosen from a list of qualified and interested people via a lottery system.

Hahn lost that battle and the county approved the plan without the change. The county assessor, the chair of the Board of Supervisors and starting in 2028, the newly minted county executive, will each appoint one ethics commissioner.

Those three commissioners will then select the other four members of the commission, who are subject to the approval of the supervisors.

State of play

— “THE HILLS” ARE ALIVE: The Times dived deep on Spencer Pratt’s history as well as his campaign, showing how he rose from reality television villain on “The Hills” to become a leading contender for L.A. mayor.

— TRUMP BUMP?: President Trump signaled support for Los Angeles mayoral candidate Spencer Pratt on Wednesday, wading into the local election less than two weeks before the primary.

— FRESH PRINCE: Spencer Pratt’s campaign for Los Angeles mayor has paid the Hotel Bel-Air more than $15,000 since April 7, according to Pratt’s latest campaign finance filings.

— PROGRESSIVE BLOCK: Three members of the L.A. City Council’s progressive bloc endorsed Mayor Bass for reelection, snubbing fellow progressive Nithya Raman in the June 2 primary. The endorsements from Eunisses Hernandez, Ysabel Jurado and Hugo Soto-Martínez underscore fractures on L.A.’s left. All three are members of the Democratic Socialists of America, as is Raman.

— HOLLYWOOD HOPEFULS: In campaign ads, interviews and the recent televised debate, the top three contenders: incumbent Mayor Bass, former reality TV villain Spencer Pratt and Raman, have made the ongoing production slump a pivotal topic, highlighting their plans to revitalize the industry while deploying the issue to undercut one another.

— WHITHER LATINOS?: Latinos make up nearly 37% of the L.A. electorate, making their votes crucial for anyone with mayoral ambitions. That has campaigns putting out ads and social media posts in Spanish, hitting the ground in Latino majority neighborhoods and rallying for key endorsements.

— HUNGRY FOR MORE: It’s the biggest slate of democratic socialists Los Angeles has ever seen. The L.A. chapter of Democratic Socialists of America is looking to push City Hall further left by backing candidates for city attorney and four City Council seats in the June 2 primary.

— OH, AND A BUDGET: The Los Angeles City Council signed off on a $15-billion budget for 2026-27 on Thursday, preserving Mayor Karen Bass’ police hiring plan while socking away more money for potential emergencies.

— AIRPORT DELAYS?: A $30 minimum wage for hotel and airport workers will be delayed after Los Angeles elected officials persuaded a group of business leaders to drop a ballot measure that would have devastated the city budget.

QUICK HITS

• Where is Inside Safe? The mayor’s signature program moved 69 people indoors near Chinatown this week in Jurado and Hernandez’s council districts.
• On the docket next week: The City Council will vote to approve a formal letter to remove the gross tax repeal from the November ballot.

Stay in touch

That’s it for this week! Send your questions, comments and gossip to LAontheRecord@latimes.com. Did a friend forward you this email? Sign up here to get it in your inbox every Saturday morning.

Losses by 6-0. 15-2. 10-1. How do you want to spin the Angels now, GM Perry Minasian? Are things still grand in Arteville?

Humiliations galore!

Jim Fredrick
Manhattan Beach

Really? The Angels cannot hit, cannot pitch and certainly cannot field. Their hitting coach, pitching coach and manager Kurt Suzuki‘s terrible management are much higher on the list of what’s wrong with this miserable team this year. So sad.

Michael Reuben
Anaheim Hills

The recent emergence of shirt-waving fans at Angel Stadium urging ownership to “sell the team” is an opportunity for reflection. With the long ago departure of the controversial former Clippers owner Donald Sterling, is Arte Moreno now truly the worst owner in sports? Sterling was truly detestable in his time, but at least he fielded a highly competitive and exciting Lob City squad led by legendary coach Doc Rivers. For the 2026 Angels, the dog days have already begun — before Memorial Day weekend.

Rob Fleishman
Placentia

Going into Memorial Day weekend, the Dodgers are in first place and the Angels are in last place. Plus the Angels’ shirtless fans in the stands are screaming at owner Arte Moreno to “Sell The Team!” The more things change, the more they stay the same. Ho hum.

Chris Sorce
Fountain Valley

GEMMA Collins’ had a damper put on her bank holiday fun as she received a parking ticket in Essex this weekend.

The former Towie star looked horrified as she returned to her flashy Range Rover after lunch to see that it had been slapped with a hefty fine.

Dressed in a vibrant two-piece for the hottest day of the year so far, Gemma was snapped outside of Italian pizzeria Bel-Sit in Woodford.

However, it seems as though the parking ticket didn’t get her too down as Gemma was seen beaming upon ripping it off of her windscreen.

She appeared to be enjoying the British sunshine, too, as temperatures reached 28 degrees Celsius on what was the hottest day of 2026 so far.

The reality star’s outing comes just days after she was involved in a campaign that was branded “tone deaf” by the public.

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Gemma appeared in videos in collaboration with the Department for Education.

The clips, released earlier this week, show Gemma marching into an office to discuss learning with the Education Secretary Bridget Phillipson.

In one instalment, she prattles on about King Richard III and states “not many youngsters would know who he is today”.

The “GC”, who left school at 16 with a single GCSE — a G in maths — goes on: “Whatever you’re learning, make sure you concentrate because you’re going to be taking it into your future career.”

The videos have been ridiculed by mums and dads, with one joking: “I hadn’t thought of just saying ‘concentrate’. All will now be well.”

A second wrote: “What’s next? Joey Essex visits the Ministry of Defence?”

“It’s tone-deaf,” said a third.

Another said: “Many of us have had to fight every step of the way for our children to stay in school, for EHCPs, for specialist placements, and simply for our children’s needs to be recognised and understood.

“The SEND system is exhausting, adversarial, and often leaves families feeling unheard and unsupported.

“So to see the Department for Education use a celebrity with no lived experience of navigating this system feels disconnected from the reality SEN families face every day.”

As a radio professional who grew up aspiring to work at CBS News Radio, anchor Steve Kathan understood the weight of the words he wrote and recorded Friday on the final broadcast of “World News Roundup.”

“America’s longest running newscast signs off for the last time,” Kathan said in the small dimly lighted studio in the CBS Broadcast Center on Manhattan’s West Side. “It all began on March 13, 1938,” he said, referring to the iconic news program.

Kathan played a recording of Edward R. Morrow, the legendary CBS News journalist who delivered his first report on the debut of the program, saying “the best in radio reporting is yet to be — good night and good luck.”

“And goodbye,” Kathan added, ending the run of around 23,000 editions of the 10-minute signature broadcast, delivered from CBS’ radio network . A final news update was scheduled to run later Friday night.

CBS News Radio and its 26 employees became a victim of budget cuts across parent-company Paramount’s news division announced in March.

“A shift in radio station programming strategies, coupled with challenging economic realities, has made it impossible to continue the service,” the company said.

Privately, longtime insiders at CBS News say the division has struggled for years to find ways to financially turn around its radio business.

The unit was operating at a loss with monthly revenues recently falling as low as $67,000, according to a network executive not authorized to discuss the matter publicly. The service held on because it still had value in promoting CBS News and its journalism, reaching 20 million listeners a week.

Leadership over the years have put off the messy task of winding the radio business down due to its iconic status at the company. CBS News editor-in-chief Bari Weiss was reluctant to make the cuts as well, according to people inside the company familiar with her thinking. But with Paramount taking on substantial debt to acquire Warner Bros. Discovery, considerations of the division’s legacy are likely to matter less in ongoing efforts to reduce costs.

Kathan had heard rumblings about CBS getting out of radio going all the way back to its first ownership change in the 1980s when Larry Tisch acquired the company.

“Even though I’ve been here 39 years, the thought was someone’s going to decide to do it,” he said.

As television dominated the media landscape, CBS News Radio retained its role as what Kathan called “the background track of American history.”

As a child growing up in Connecticut, Kathan recalls watching Douglas Edwards, the “World News Roundup” evening anchor for two decades, doing TV news updates in between the soap operas his mother watched on CBS. After Kathan joined the network in 1987 as a writer and producer, he would see Edwards and other famous names from the division walking through the hallways of the broadcast center before doing his afternoon newscasts.

“Just the fact that you were working with them made you think and realize you had to up your game,” Kathan said. “You wanted the audience to trust you as much as it trusted them.”

“World News Roundup” rose to prominence during World War II, when Murrow and other CBS News correspondents delivered live reports from Europe.

Once TV supplanted radio as a source for scripted entertainment, news and information became the primary mission of CBS’ radio division that began in 1927. In 1967, the company converted its owned AM radio stations — including its Los Angeles outlet KNX — to an all-news format.

While the stations focused on local news, traffic, weather and sports, they also prominently featured CBS News Radio reports at the top of the hour and other features throughout the day.

Longtime listeners became familiar with Edwards, Dallas Townsend, Reid Collins, Richard C. Hottelet, Christopher Glenn and other CBS News veterans who brought national and world stories to listeners throughout the day, introduced by a five-note sounder that simulated a telegraph. Dan Rather and Walter Cronkite were heard daily with analysis.

The radio network developed a major star in Charles Osgood, who joined WCBS in New York as anchor. He went national in 1971 with a twice-daily segment called “The Osgood File.”

Osgood wrote two-minute reports in succinct prose delivered in his mellifluous tones. He occasionally offered commentary in verse, which earned him the title of poet-in-residence at CBS News.

Osgood’s popularity was rivaled only by ABC Radio personality Paul Harvey. CBS News even allowed him to read commercial copy to satisfy eager advertisers who wanted their product messages presented in his comforting voice. When Osgood became a host on the TV side in the 1990s on “CBS News Sunday Morning,” his sign-off remained “I’ll see you on the radio.” He filed his final “Osgood File” report in 2017.

Charles Osgood in the WCBS radio studio in New York on July 25, 1967.

(CBS Photo Archive/CBS)

CBS sold off its radio stations in 2017, but continued to produce and distribute its network programs as the business faced competition from digital media.

Dustin Gervais, technical operations manager for the network, said CBS News Radio struggled as more audio advertisers prefer digital content because of its effectiveness at targeting specific demographic groups. The shift is reflected in radio ad revenue, which dipped about 2% to $14.37 billion, according to media research firm Kagan. But the digital ad revenue portion of that pie continued to grow, topping $1.75 billion.

Charles Forelle, managing editor for CBS News, said the company plans to remain in the audio journalism business through podcasting and not straight newscasts.

“We have a whole bunch of different things in development that are less news reading and more other things,” he told The Times.

Not all of radio’s problems are related to digital.

Michael Socolow, a professor of communication and journalism at the University of Maine, notes that the industry troubles began in 1996 when deregulation loosened the limit on the number of stations a single entity can own. Buying sprees of outlets led to owners who became highly leveraged and less able to invest in programming, which put the squeeze on suppliers such as CBS News Radio.

“Radio was hollowed out by the corporations, before its utility to the American citizen ended,” Socolow said. “You can trace it to the Telecom Act of 1996.”

Some of the 26 employees at CBS News Radio who were severed from the company have found work at Worldwide News Network, a service launched by John Catsimatidis, the owner of New York’s top-rated talk station WABC. The company said the service, which begins Saturday, will deliver “hard news, breaking headlines, and fact-driven reporting to affiliates across the country.”

CBS News Radio’s biggest customer — the all-news stations owned by Audacy, including KNX — have already switched their network service to ABC News Audio.

PHOENIX — As Sandra Ramirez watched footage of immigration officers cracking down on migrants over the past year, she knew her 2024 vote for Donald Trump was a mistake.

“There are a lot of people who are being harassed for the color of their skin, and that’s not right,” said Ramirez, who broke from her Democrat-voting family to cast a ballot for Trump.

“I’ll never go Republican again,” she said.

Trump made inroads with Latino voters like Ramirez during the 2024 elections, earning support that helped propel him to a second term in the White House.

As Republicans gear up for midterms this fall and look ahead to presidential elections in 2028, all eyes are on whether they can hold on to that key support or whether the administration’s sweeping immigration crackdown and an economy beset by high prices may drive Latino voters away.

In a sign of looming danger, recent polling from the Pew Research Center shows support for Trump falling fast among that electorate.

Support among Latino Trump voters shows signs of softening

Latino voters have historically been largely aligned with the Democratic Party but during the 2024 election, they shifted significantly toward Trump. A majority still supported Democrat Kamala Harris for president, but Trump made big gains: 43% of Latino voters nationally voted for him, compared with 35% in the 2020 presidential election, a change attributed in part to their concerns about the economy.

Trump returned to office pledging to crack down on immigration, a promise that prompted arrest sweeps, often against Latino migrants, in homes, workplaces and schools, among others. According to an AP-NORC poll, more than half of Latino adults report knowing someone impacted by the Trump administration’s aggressive immigration enforcement.

More than a year into Trump’s second term, polling suggests a significant drop in support for the president among Latinos who voted for him in 2024, although a majority still supports him.

According to a Pew Research Center poll conducted in April, support for the president fell among non-Latino voters from 95% to 79% between February of last year and April of 2026. But among Latino voters who cast their ballot for Trump, the drop-off was more dramatic: 66% approved of his job performance in April compared with 93% at the beginning of his second term.

That national drop could prove crucial in a tight election in swing counties like Maricopa, the largest battleground county in the nation, which encompasses Phoenix and its suburbs. A third of Maricopa County residents are Latino, and one in four of them is an immigrant, according to the Latino Data Hub at UCLA.

Arizona, which also saw a slight increase in Latino support for Trump in 2024, has been a flashpoint in the immigration debate for years. Maricopa County Sheriff Joe Arpaio conducted high-profile raids in Latino communities and, later, the state saw large influxes of migrants during the Biden administration.

In outh Phoenix, opinions on Trump reflect deep divisions

On a warm afternoon in the predominantly Latino neighborhood of south Phoenix, a vendor at a street fair sold shirts imprinted with phrases like “Lowriders Sunday” while car club members polished their Chevrolets. The parking lot of the nearby Catholic church was full of parishioners attending Spanish-language Sunday Mass.

Albert Rodriguez, a Phoenix tattoo artist, said he once supported Trump. But then he saw how the administration was carrying out enforcement operations in Chicago, Minneapolis and Los Angeles.

He said the president promised to go after immigrants who were criminals, but instead Immigration and Customs Enforcement agents have been “hitting the paleta man,” referring to ordinary people trying to make a living from selling frozen treats.

“Big time, I regret it,” Rodriguez said of his 2024 vote for Trump.

Phoenix resident Ronnie Martinez, an Army veteran, backs Trump’s effort to stem crossings at the southern border.

“The border is only a hop, skip and a jump to our south. And I don’t want illegal alien criminals coming from Guatemala, Venezuela, Central America,” he said.

He didn’t like some of the images he’d seen of ICE arresting people in front of their children. But he was also sympathetic to ICE officers, who he said were doing the best they could in difficult situations, and he blamed Democratic officials who weren’t cooperating with immigration enforcement. He also cited economic initiatives as a reason for his continued support for the president, including the removal of taxes on tips and overtime.

Guadalupe Alaffa, another Phoenix resident, blamed President Biden’s policies for prompting Trump’s immigration crackdown.

“He left that damn border wide open,” said Alaffa.

Arizona battleground politics shaped by Latino voter influence

The growing influence of Latino voters is one of several factors that have eroded the GOP’s decades-long dominance in Arizona, putting the state at the center of congressional and presidential elections. Both of Arizona’s senators are now Democrats, along with the top three state officials.

Winning back some of the Latinos who shifted to Trump will be crucial to the reelection prospects of Gov. Katie Hobbs, Secretary of State Adrian Fontes and Atty. Gen. Kris Mayes, all Democrats first elected in 2022.

Democrats in Maricopa County have benefited from more than a decade of political organizing among Latinos mobilizing against hard-line immigration enforcement. The Republican-controlled Legislature in 2010 passed a state law known as SB1070, which required police to check the immigration status of anyone they suspected of being in the country illegally.

Around the same time, Arpaio was building a national profile on the right with immigration sweeps in largely Latino neighborhoods.

Some activists see the nationwide crackdown on immigrants as an extension of what Latinos in Arizona endured under Arpaio.

“We were the lab where they implemented a lot of this with Sheriff Joe and now it’s all over the United States,” said Salvador Reza, a longtime activist in Phoenix who advocates for the rights of day laborers.

For more than two decades, Arpaio was repeatedly elected while his department faced accusations of racially profiling Latino drivers and conducting sweeps in Latino neighborhoods and day labor areas. Deputies often stopped residents for traffic violations and turned noncitizens over to ICE, according to rights groups.

In 2013, a federal judge ruled his office had illegally profiled and detained Latinos, and a 2011 Justice Department report found widespread discrimination. After losing reelection in 2016, Arpaio was convicted of criminal contempt for defying court orders. He was later pardoned by Trump.

Rising prices and immigration enforcement erode Latino support

The GOP is at risk of losing some of the Latinos that Trump won over, said former Republican Gov. Jan Brewer, who signed the controversial 2010 bill. She cited economic concerns as a possible reason for the drop in support.

“With the inflation and the cost of living and the gasoline and the wars, I don’t know if they can afford to be a Trump Republican,” Brewer said.

Earl Wilcox, a longtime activist and restaurant owner in Phoenix, said between affordability issues and immigration enforcement, he believes Latino support for Trump is waning. Wilcox’s restaurant hosted Biden in 2024 when he launched an initiative meant to rally Latino support for the Democratic ticket.

“I don’t think the Republican Party will have the support it did the second time around,” Wilcox said, “and I think it started with the raids.”

Santana writes for the Associated Press. AP writers Jonathan J. Cooper and Amelia Thomson DeVeaux contributed to this report.

Indiana’s lack of glamour is a point of pride, rooted in Midwestern practicality and endless flat fields of corn.

Lately, though, the Hoosier state has been elevated by towering sports figures. And on Sunday, two will be the fresh faces of the Indianapolis 500, which attracts more spectators than any other single-day sporting event in the world.

Indiana Fever superstar Caitlin Clark will be the grand marshal. National championship-winning Indiana football coach Curt Cignetti will drive the honorary pace car.

But even those high achievers might be awestruck by one of the race car drivers. Or at least what that driver will attempt.

Not only will Katherine Legge be the only woman among the 33 drivers in the Indy 500, which begins at 9:45 a.m. PT on Sunday. The 45-year-old motorsports trailblazer from England will then fly to Charlotte to race in the NASCAR Cup’s Coca-Cola 600, which begins at 3:29 p.m. PT.

That’s 1,100 miles of left turns around two oval tracks.

On the same day.

As impressive as undertaking what is known simply as “The Double” are Legge’s travel plans from Indianapolis to Charlotte. Five hours and 44 minutes separate the starts of the two races. The Indy 500 takes longer than three hours to complete. The commute will take close to two hours.

Legge plans to hustle. She will hop into a helicopter moments after the Indy 500 and head to a nearby private jet that will zip her 366 miles to Concord Airport near Charlotte in an hour. Another helicopter will drop her onto the Charlotte Motor Speedway infield. A golf cart will take a beeline to her Chevrolet Camaro in time for the green flag.

At least that’s the plan.

“Being focused for a three-to-four-hour IndyCar race then a five-hour NASCAR race, it’s the same as driving from New York to Daytona Beach pretty much at, gosh, an average of 200 miles an hour,” Legge said. “You cannot lose focus for a second of any of that. I don’t think anybody can comprehend that.”

Legge is the first woman and only the sixth driver overall to attempt The Double. Although her career has included IMSA sports cars and Formula E in addition to IndyCar and NASCAR, she has never attempted anything this challenging.

John Andretti, Robby Gordon, Tony Stewart, Kyle Larson and (rest in peace) Kurt Busch are the others who have tried.

Larson is the most recent, finishing 18th in the Indy 500 and 37th in the Coca-Cola 600 a year ago. He also tried in 2024 but didn’t get to his car in time in Charlotte because of a rain delay in Indianapolis.

The documentary “Kyle Larson vs. The Double” premiered Wednesday on Prime Video. It follows the two-time NASCAR Cup Series champion through preparation, logistics and grueling reality of getting through the day.

Legge is beginning to relate.

“I was thinking about what I’m going to do with a hybrid strategy at the same time as telling people about how I’m going to do the double,” she said. “It’s this weird disconnect, right? Where you’re like, ‘That’s so cool.’ And conceptually, you know exactly what’s involved, but it doesn’t sink in.”

Busch, who tragically died at 41 on Thursday from an undetermined illness, turned in a valiant effort in 2014, finishing sixth in the Indy 500 despite having limited experience in IndyCar. Engine problems torpedoed his chances in the Coca-Cola 600, however, and he completed only 271 of 400 laps on the 1.5-mile track.

“It was a challenge I put forth for myself,” Busch said. “I enjoyed it. I soaked it in.”

Only once in five attempts did Gordon complete both races, finishing eighth in Indianapolis and 16th in Charlotte in 2002. A year earlier, Stewart turned in the most impressive double, finishing sixth at Indy and third at Charlotte.

Andretti was pioneer of The Double in 1994, finishing a respectable 10th before flying to Charlotte with a nurse and registered dietitian to ensure he stayed hydrated. Andretti was penalized for missing the drivers’ meeting, however, and sent from the No. 9 starting position to the rear of the field. He crashed and withdrew on the 91st lap.

Content with one race Sunday will be defending Indy 500 winner Álex Palou, who will start on the pole after a four-lap qualifying average of 232.248 mph. Six different drivers have won the race in consecutive years.

Legge, who will be racing in her fifth Indy 500, will start in the No. 26 position. Actor and Indianapolis native Brendan Fraser will be the honorary starter and wave the green flag. It will be the beginning of an exhausting day.

“Honestly, I’m doing it because it’s a really cool thing to do, and it’s kind of like this old-school epic badge of honor that you get for doing both races in one day,” Legge told Fox Sports. “I’m not doing it to leave a legacy.

“You can do anything that you put your mind to if you want it enough. It would be remiss of me to not take that responsibility seriously, but at the same time, that’s not why I set out to do it. I set out to do it because I love to race.”

WASHINGTON — Tulsi Gabbard resigned as President Trump’s director of national intelligence on Friday, saying she needed to step away as her husband battles cancer. She is the fourth Cabinet official to depart during Trump’s second term.

“Unfortunately, I must submit my resignation, effective June 30, 2026,” Gabbard wrote in her resignation letter, which she posted on X. “My husband, Abraham, has recently been diagnosed with an extremely rare form of bone cancer.”

There had been rumblings that Gabbard would split with Trump after the president’s decision to strike Iran, which caused some division within his administration. Joe Kent, the director of the National Counterterrorism Center, announced his resignation in March, saying he “cannot in good conscience” back the war.

Gabbard, a veteran and former Democratic congresswoman from Hawaii, built her political name on her opposition to foreign wars. This put her in an awkward position when the U.S. joined Israel in launching attacks on Iran on Feb. 28.

During a congressional hearing in March, her measured comments were notable for their careful non-endorsement of Trump’s decision to strike Iran. She repeatedly dodged questions about whether the White House had been warned of potential fallout from the conflict, including Iran’s effective closure of the Strait of Hormuz.

Gabbard said in written remarks to the Senate Intelligence Committee that there had been no effort by Iran to rebuild its nuclear capability after U.S. attacks last year “obliterated” its nuclear program. That statement contradicted Trump, who has repeatedly asserted that the war was necessary to head off an imminent threat from the Islamic Republic.

This created several awkward exchanges with lawmakers who asked Gabbard for her opinion on the threat posed by Iran as the nation’s top intelligence official. She repeatedly said it was Trump’s decision to strike, not hers.

“It is not the intelligence community’s responsibility to determine what is and is not an imminent threat,” she said.

Gabbard’s departure follows Trump having ousted Homeland Security Secretary Kristi Noem in late March, in the midst of mounting criticism over her leadership of the department — including the handling of the administration’s immigration crackdown and disaster response.

The second Cabinet member to leave was Attorney General Pam Bondi, in response to growing frustration over the Justice Department’s handling of files related to Jeffrey Epstein. And Labor Secretary Lori Chavez-DeRemer resigned in April, after being the target of various misconduct investigations.

A surprising choice for the job

A veteran but without any intelligence experience, Gabbard was a surprising choice to head the Office of the Director of National Intelligence, which oversees the nation’s 18 intelligence agencies. She ran for president in 2020 on a progressive platform and her opposition to U.S. involvement in foreign military conflicts.

Citing her military experience, she argued that U.S. wars in the Middle East had destabilized the region, made the U.S. less safe and cost thousands of American lives. Gabbard later dropped out of the race and endorsed the ultimate winner, President Joe Biden.

Two years later she left the Democratic Party to become an independent, saying her old party was dominated by an “elitist cabal of warmongers” and “woke” ideologues. She subsequently campaigned for several high-profile Republicans and became a contributor to Fox News.

She later endorsed Trump, who also was a strong critic of past U.S. wars in the Middle East and campaigned on a pledge to avoid unnecessary wars and nation-building overseas.

Iran caused early tensions

But friction with the president started soon after he began his second term and tapped Gabbard to lead ODNI, which was set up after the Sept. 11, 2001, attacks to improve coordination between the nation’s intelligence agencies.

Shortly after taking on the job, Gabbard testified before lawmakers that there was no intelligence suggesting Iran was seeking to develop nuclear weapons. After Trump launched attacks on Iranian nuclear sites in June he said Gabbard was wrong and that he didn’t care what she said.

She appeared to be back in Trump’s good graces when she took a lead role in Trump’s effort to relitigate his 2020 election loss to Biden, whom Gabbard had endorsed. She appeared at an FBI search of election offices in Fulton County, Georgia, even though her office was created to focus on foreign espionage, not state elections.

Earlier this week, however, she testified to lawmakers during an annual threats hearing that last year’s strikes on Iran’s nuclear sites had “obliterated” their nuclear program and that there had been no subsequent effort to rebuild.

The statement seemed to complicate Trump’s repeated assertions that Iran posed an imminent threat and created several awkward exchanges with lawmakers who asked Gabbard for her opinion on Iran’s threat as the nation’s top intelligence official. She repeatedly said that it was Trump’s decision to strike, not hers.

“It is not the intelligence community’s responsibility to determine what is and is not an imminent threat,” she said at one of this week’s hearings.

Gabbard wrought big changes in one year

Gabbard vowed to eliminate what she said was the politicization of intelligence by government insiders. But she quickly used her office to support some of Trump’s most partisan of arguments — that he won the 2020 election.

She also worked to undermine the results of earlier investigations into Trump’s ties to Russia.

In her year on the job, Gabbard oversaw a sharp reduction in the intelligence workforce, as well as the creation of a new task force that she charged with considering big changes to the intelligence service.

Earlier this year an intelligence sector whistleblower filed a complaint that Gabbard was withholding intelligence for political reasons, a complaint that prompted calls from Democrats for Gabbard’s resignation.

Gabbard, 44, was born in the U.S. territory of American Samoa, raised in Hawaii and spent a year of her childhood in the Philippines. She was first elected as a 21-year-old to Hawaii’s House of Representatives but had to leave after one term when her National Guard unit deployed to Iraq.

As the first Hindu member of the House, Gabbard was sworn into office with her hand on the Bhagavad Gita, the Hindu devotional work. She was also the first American Samoan elected to Congress.

During her four House terms she became known for speaking out against her party’s leadership. Her early support for Sen. Bernie Sanders ’ 2016 Democratic presidential primary run made her a popular figure in progressive politics nationally.

Kinnard, Weissert and Klepper write for the Associated Press.

Hi, and welcome to another edition of Dodgers Dugout. My name is Houston Mitchell and I’m wondering what babies think about. They don’t know any words!

Reports of Shohei Ohtani’s demise were greatly exaggerated, as he has bounced back at the plate the last few games. He has been great on the mound this year, and after he defeated the San Diego Padres on Wednesday, his ERA dropped to 0.73.

Some wondered if this is the best start, through eight games, in history. Well, if you wondered that, you are forgetting another great player in Dodgers history.

A look at the best ERA’s after eight starts since 1920 (according to baseball-reference.com):

1. Fernando Valenzuela, 1981 Dodgers, 0.50 ERA
8-0, 7 complete games, 72 IP, 43 hits, 17 walks, 68 K’s

2. Mike Norris, 1980 Oakland A’s, 0.52 ERA
5-2. 6 CG’s, 68.2 IP, 33 hits, 25 walks, 49 K’s

3. Zack Greinke, 2009 Kansas City Royals, 0.60 ERA
7-1, 4 CG’s, 60 IP, 40 hits, 10 walks, 65 K’s

4. Jacob deGrom, 2021 NY Mets, 0.71 ERA
4-2. 1 CG, 51 IP, 22 hits, 7 walks, 82 K’s

5. Shohei Ohtani, 2026 Dodgers, 0.73 ERA
4-2, 0 CG’s, 49 IP, 28 hits, 13 walks, 54 K’s

6. Juan Marichal, 1966 San Francisco Giants, 0.78 ERA
7-0, 6 CG’s, 69 IP, 42 hits, 6 walks, 45 K’s

7. Pedro Martinez, 2000 Boston Red Sox, 0.90 ERA
7-1, 2 CG’s, 60.1 IP, 33 hits, 11 walks, 88 K’s

8. Randy Johnson, 2000 Arizona Diamondbacks, 0.95 ERA
7-0, 4 CG’s, 66.1 IP, 39 hits, 14 walks, 88 K’s

9. Shota Imanaga, 2024 Chicago Cubs, 0.96 ERA
5-0, 0 CG’s, 46.2 IP, 36 hits, 8 walks, 51 K’s

10. Nolan Ryan, 1981 Houston Astros, 0.98 ERA
4-2, 1 CG, 55.1 IP, 40 hits, 24 walks, 54 K’s

Fernando’s start continues to be the greatest in history. The fact he pitched 72 innings and had seven complete games is incredible. In the game he didn’t complete, he pitched nine innings. The Dodgers won in 10.

If we limit the list to just Dodgers:

1. Fernando Valenzuela, 1981, 0.50 ERA
8-0, 7 complete games, 72 IP, 43 hits, 17 walks, 68 K’s

2. Shohei Ohtani, 2026, 0.73 ERA

4-2, 0 CG’s, 49 IP, 28 hits, 13 walks, 54 K’s

3. Sandy Koufax, 1963, 1.06 ERA

6-1, 5 CG’s, 68 IP, 33 hits, 12 walks, 59 K’s

4. Leon Cadore, 1920, 1.08 ERA
4-2, 6 CG’s, 83.1 IP, 65 hits, 13 walks, 34 K’s

The amazing thing about Cadore’s first eight starts in 1920: In his fourth start, the game lasted 26 innings. Cadore pitched all 26 innings, giving up one run and 15 hits. Strangely, he lasted only five innings in his next start and said his arm felt tired. He didn’t start again for 12 days. Slacker.

5. Jesse Petty, 1926, 1.25 ERA
6-2, 8 CG’s, 72 IP, 49 hits, 20 walks, 23 K’s

6. Don Sutton, 1972, 1.29 ERA
6-0, 4 CG’s, 69.2 IP, 32 hits, 16 walks, 50 K’s

7. Carl Erskine, 1955, 1.34 ERA
5-1, 4 CG’s, 67.1 IP, 47 hits, 26 walks, 31 K’s

8. Claude Osteen, 1971, 1.35 ERA
6-2, 3 CG’s, 66.2 IP, 55 hits, 18 walks, 23 K’s

9. Brad Penny, 2007, 1.39 ERA
5-0, 0 CG’s, 51.2 IP, 42 hits, 18 walks, 33 K’s

10. Zack Greinke, 2015, 1.52 ERA
5-1, 0 CG’s, 53.1 IP, 35 hits, 11 walks, 44 K’s

Any time you find yourself on a list between Fernando and Koufax, you’ve done well.

Game time

MLB has a daily trivia game on each team’s website that I enjoy playing. You might too. You can find it here.

Injury updates

Blake Snell had the less invasive NanoNeedle Scope procedure to remove loose bodies from his elbow Tuesday, which means his recovery time will be shorter, probably two months instead of three. So, Snell could be back at the beginning of August.

Tyler Glasnow has had more soreness in his back that has stopped him from throwing. As soon as it calms down, he’ll start the comeback trail again.

Brusdar Graterol injured his back while with triple-A Oklahoma City and was moved to the 60-day IL. At this point, you have to wonder if we will ever see Graterol pitch again.

Pitcher Ben Casparius, already on the 15-day IL because of shoulder inflammation, was moved to the 60-day IL. Seems unlikely he will be back before the All-Star break.

Pitcher Bobby Miller is still on the 60-day IL with a shoulder injury. The timeline for his return is unclear.

Kiké Hernández is currently on a rehab assignment with triple-A Oklahoma City, where he is eight for 34 (.235) with two doubles, a triple and three RBIs. He can be activated on May 24.

Tommy Edman has been running the bases, but will need a rehab assignment of his own before he can come back from his ankle injury.

Everyone currently on the IL for the Dodgers:

Pitchers
Ben Casparius (60-day)
Jake Cousins (60)
Edwin Díaz (60)
Jack Dreyer (15)
Tyler Glasnow (15)
Brusdar Graterol (60)
Landon Knack (60)
Bobby Miller (60)
Evan Phillips (60)
Blake Snell (15)
Brock Stewart (15)
Gavin Stone (60)

Position players
Tommy Edman (60)
Kiké Hernández (60)

Halls of Fame

You know our annual Dodgers Hall of Fame voting? Well, I also compile The Times’ Sports Report newsletter, and have started a Hall of Fame for different sports there. The first three ballots are active, and you can only consider what they did in L.A. If you wish to participate, the ballots are:

Pro baseball (click here)
NBA (click here)
Pro football (click here)

Up next

Friday: Dodgers (*Justin Wrobleski, 6-1, 2.49 ERA) at Milwaukee (Logan Henderson, 1-1, 3.50 ERA), 4:40 p.m., Sportsnet LA, AM 570, KTNQ 1020

Saturday: Dodgers (Roki Sasaki, 2-3, 5.09 ERA) at Milwaukee (Robert Gasser, 0-0, 4.50 ERA), 4:15 p.m., Fox, AM 570, KTNQ 1020

Sunday: Dodgers (Yoshibobu Yamamoto, 3-4, 3.32 ERA) at Milwaukee (Brandon Sproat, 1-2, 5.75 ERA), 11:10 a.m., Sportsnet LA, AM 570, KTNQ 1020

All times Pacific

*-left-handed

In case you missed it

Shaikin: Do the Dodgers need a “Will he hit?” drama every time Shohei Ohtani pitches?

Shaikin: From the Big Apple, sour grapes toward the voice of the Dodgers

Tennis great Billie Jean King graduates from Cal State L.A. 65 years after enrolling

Shaikin: Pitching injuries are piling up again for Dodgers. Can the starting rotation hold up?

And finally

Andre Ethier‘s top moments with the Dodgers. Watch and listen here.

Until next time…

Have a comment or something you’d like to see in a future Dodgers newsletter? Email me at houston.mitchell@latimes.com. To get this newsletter in your inbox, click here.

On the eve of the City Section championship baseball game at Dodger Stadium, let’s explore a sometimes forgotten character trait: Patience.

When JJ Saffie walks onto hallowed ground Saturday as a starting left fielder for 10-time City champion El Camino Real High in the Open Division championship game against Birmingham, he will be finishing a journey few want to travel these days.

He spent three years on the junior varsity team waiting and grinding before getting his chance to start on varsity this season.

“Very patient,” he said. “Freshman year, played frosh-soph, called up for a few JV games. Sophomore year, on and off starter on JVs. Junior year is when it started clicking for me. I found my bat, I found the style I like to play, I started hitting real good.”

He was part of an outstanding JV team his junior year, called up as a pinch runner for the playoffs. He developed power and a knack for hitting balls over El Camino Real’s left-field fence during batting practice.

“I’ve hit two windows and six cars,” said the 18-year-old, who likes to cause mayhem for insurance companies.

El Camino Real celebrates a 4-3 win over Granada Hills to earn a trip to Dodger Stadium on Saturday.

(Craig Weston)

He’s hit two home runs this season and become a key player for the Royals.

Now he gets to start at Dodger Stadium, a moment every high school baseball player in the City Section dreams of reaching.

“I’m a big believer in good things will come to those who are patient,” he said. “I knew I needed to be patient, work on my game and eventually success would come my way and I’d have my opportunities and here’s my opportunity. I’m trying to prove that Saturday.”

El Camino Real needed a two-run single by RJ De La Rosa in the bottom of the sixth inning on Wednesday to defeat Granada Hills 4-3 in the semifinals at Cal State Northridge.

“I saw my pitch,” De La Rosa said. “I wanted to take advantage. It was the bottom of the sixth. The team needed me most and I pulled through. It was an amazing moment. These boys are my brothers. I will fight for them. I will do everything for them. I can’t wait to make some memories at Dodger Stadium.”

For Saffie, staying and fighting to get better rather than running away from a challenge is a great lesson for others.

“I had a few people tell me to transfer,” he said. “But my sister came here, my dad. I want to prove myself at this school.”

Top-seeded Birmingham will have junior Nathan Soto starting on the mound in the 1 p.m. game. It’s a big assignment and he’ll be working on his mental part of the game.

“It’s just another game,” he said after the Patriots’ 4-1 semifinal win over Carson. “I think it’s everyone’s dream to pitch there, but you have to keep it as a normal game.”

Pitcher Carlos Acuna grinded out a complete game in Birmingham’s 4-1 win over Carson to send the Patriots to Dodger Stadium.

(Craig Weston)

Birmingham can thank Carlos Acuna for putting together a sophomore season to remember. His pitching season is done. He finished with an 11-0 record after a complete-game win against Carson.

“It’s an amazing season he’s having,” coach Matt Mowry said.

In six of the seven innings on Wednesday, Carson got the leadoff batter aboard, forcing Acuna to work extra hard while throwing 102 pitches.

“He was on the edge of coming out,” Mowry said.

Acuna wouldn’t let him.

“I love this team,” Acuna said. “I want to play one last game.”

He’ll start on Saturday at second or third base in a game matching two of the most successful programs in City baseball history. El Camino Real is seeking a record 11th title. Birmingham wants its ninth title.

The 10 a.m. game at Dodger Stadium has Verdugo Hills taking on Taft in the Division I final.

Fans will come for the sun, the hot dogs, the fun of cheering on someone they know or enjoying a moment of distraction at Los Angeles’ most sacred stadium.

Just remember those are teenagers out there who’ve sacrificed and spent years working toward this moment. There’s no losers when you get to play at Dodger Stadium as a high school kid.

For Saffie, it validates his belief in trusting the process and trusting himself. He didn’t run when the going got tough. He persevered and learned a valuable lesson: patience still pays off.

Eight years after going off the air, “Sofia the First” is getting another opportunity to find out what being royal is all about.

Disney’s first preschool princess returns for a new set of adventures in “Sofia the First: Royal Magic” premiering Monday on Disney Jr. The following day, eight episodes will stream on Disney+.

The sequel series finds Sofia — once again voiced by Ariel Winter — leaving home to attend the Charmswell School for Royal Magic. Rapunzel makes a guest appearance in the premiere episode and Moana, Jasmine, Cinderella, Aurora and Elena of Avalor will all stop by over the course of the first season.

According to Disney, “Sofia the First” still holds the record for the top three cable TV telecasts for girls ages 2 to 5 with more than 3 billion hours watched since the series premiered. The trailer for “Sofia the First: Royal Magic” was viewed 7.54 million times on social media in the first 24 hours after it was released. The show’s theme song, which has been updated for the new series, remains popular on TikTok among teens who first watched the show as preschoolers.

Series creator and executive producer Craig Gerber says the show’s tone is one of the reasons for its enduring popularity. “The charm, the humor and the storytelling was simple enough for [children] to understand, but sophisticated enough to stick with them as they were growing out of the key demographic,” he says. “They remember [the show] very fondly and it becomes a source of comfort for them.”

Rapunzel makes an appearance in the premiere episode of “Sofia the First: Royal Magic.”

(Disney)

Originally there were discussions to have a spin-off series with a whole new set of characters going to Royal Prep, the school Sofia graduated from in the first series. But soon Gerber realized that a sequel series was the way to go because of the love for the character. “It became clear that the real exciting part of coming back to this world would be to follow the further adventures of Sofia and bring her to a new audience,” he says.

Sending Sofia to a new school was the obvious choice. “We thought it would be very exciting and fresh for her to go to a school where she could focus on learning magic and mastering the powers inside her,” Gerber says. “In the first series, she learned what being royal is all about. In this series, she’s going to learn what being the most magical princess is all about.”

Winter was 12 years old when she auditioned for the role 15 years ago. At the time, she said Sofia’s voice was close to her own — what she thought she would sound like if she were a princess. But even all these years later, it was easy for her to find the voice again because she never really stopped doing it.

“If people told me that they had a child who loved Sofia, I would be like, ‘Oh, do you want me to make a voice recording for them?’ I’d make at least one of these a week, maybe more,” she says. “The show meant so much to me and I know it meant so much to so many people. To know that I am going to get to help influence another generation of kids in a positive way is just so exciting.”

In addition to Winter, all of the original cast is returning, including Sara Ramirez as Sofia’s mother Queen Miranda, Darcy Rose Byrnes as Sofia’s stepsister Amber, Wayne Brady as her beloved rabbit Clover, Eric Stonestreet as her flying horse Minimus and Tim Gunn as the castle steward Baileywick.

But a whole new series and location also means new characters. Here’s a look at three of the new characters who will be entering Sofia’s world.

Eden Espinosa as Zandrya

Eden Espinosa voices Zandrya, the new villain in “Royal Magic.”

(Disney)

Broadway star Eden Espinosa, perhaps best known for playing Elphaba in “Wicked,” will be voicing the new villain Zandrya. “She is loud, bratty, confident and powerful,” Espinosa says.

“We wanted Zandrya to have that entitled air,” Gerber says. “As if all of the magic should just be given to her and she shouldn’t even really have to work for it. She is a sorceress that is after magical items to give her more power. And because Sofia is becoming more and more confident in her magical abilities, Zandrya has a hard time getting what she wants.”

As master of disguise, Zandrya takes a different form each time she appears in an episode — the better to fool Sofia and get her hands on the magic amulet. That means Espinosa, who also voiced the Queen of Hearts in Disney’s “Alice in Wonderland Bakery” and Cassandra on “Tangled,” gets to take on a new voice with each new episode.

“She’s the most fun character to play,” she says. “Voiceover has always been a dream of mine ever since I saw ‘Little Mermaid’ when I was I think 10.”

Espinosa says Zandrya is “the most fun character to play.” The actor has to take on a new voice whenever her villain takes on a different form.

(Disney)

As in the original series, music will play a big part in “Sofia the First: Royal Magic.” In fact, there will be twice as many songs, with each 11-minute episode getting its own number. “What I love about the songs I’ve gotten the privilege to sing is that they feel current,” Espinosa says. “They feel like it’s on the pulse of what’s happening now. They are bops. The challenge is I have to sing the songs in the voice that I’m in for that episode.”

“We’re very lucky to work with folks like Eden, who can take any personality, any voice and still manage to hit all the notes and convey the acting and and really give a fun, rollicking performance,” Gerber says.

And, like Elphaba, Zandrya might be a little misunderstood. “I think as humans we have all sorts of things going on underneath the surface,” Espinosa says. “While she has a very clear mission and intention, I do know that she has moments in interacting with Sofia that she has reflections that make her think.”

Yvette Nicole Brown as Lady Saddlespur

Yvette Nicole Brown voices Lady Saddlespur, Sofia’s new teacher.

(Disney)

Yvette Nicole Brown is one of Gerber’s go-to performers. She’s been the voice of Chief Faye Fireson on “Firebuds” and Luna on “Elena of Avalor.” So it was an easy yes for Brown when Gerber asked her to be the voice of Sofia’s new magical creature teacher and flying derby coach Lady Saddlespur.

“If I’m doing a show, I’m gonna find room for her,” Gerber says of Brown. “Lady Saddlespur is a fun foil for the kids as she pushes them to be better students.”

“She is a Southern belle,” Brown says of her onscreen alter-ego.“She’s very proper. She believes that everything at Charmswell should be done just so.”

Brown says her favorite part of animation is that it encourages her to tap into her child-like side. “When we were kids, we lived in this place of wonder,” she says. “I remember the first shows I watched. I remember ‘Captain Kangaroo,’ ‘Mr. Rogers’ Neighborhood’ and ‘Sesame Street.’ Those performers have stayed with me my entire life. The honor of getting to be one of the first voices that these babies hear is everything.”

Brown is also delighted by the life lessons the show imparts. “Lessons about accountability, sharing, kindness, regulating your emotions and following directions. The importance of school and learning and being careful and gentle with animals and other people and their feelings. I think it’s a great stepping stone for the babies to learn how to be productive, caring members of society, which is what we’re all supposed to be trying to be.”

Nate Torrence as Pepper

Nate Torrence voices Pepper, Sofia’s puppy-unicorn.

(Disney)

Pepper is Sofia’s pet puppy-unicorn. Nate Torrence, who is also the voice of Clawhauser in the “Zootopia” movies, says nothing sounds more adorable than “the collab of a puppy and unicorn.”

Gerber has wanted to create such a character since the original series. “He’s there for comic relief to a large degree,” Gerber says. “And also to give us that little bit of daily magic because Sofia can talk to animals.”

“He’s a pretty lovable guy,” Torrence says. “Even though he plays a little air-headed, he actually is really witty. It’s that old-school Abbott and Costello kind of timing or Charlie Chaplin because there’s so much physical comedy going on with Pepper.”

Because he’s getting to voice a character for so many episodes, Torrence says he’s felt more growth with Pepper than many of the other characters he’s played. “I do think they’ve allowed my voice to be a new kind of voice in the world,” he says. “I get to have a bit more attitude and sass. To be a part of a franchise like this is a nice little dream come true for me.”

Talk to the passionate team behind KidSTREAM, a new children’s museum in Ventura County, and they’ll tell you about the many lofty goals they have for the 21,000-square-foot space which opened to the public Thursday.

They’ll describe how the museum is the first of its kind in Ventura County and how they hope to make it accessible to as many local children as possible through outreach, discounts and free programming.

They’ll explain how the immersive exhibits highlight the county’s unique industry and geography, including an agriculture area where young visitors can pick pretend fruits and sell them at a farmers market and an ocean exhibit where miniature replicas of the Channel Islands emerge from the bouncy blue “Pacific Ocean.”

A drone view of the museum’s Pacific Ocean and Channel Islands-themed play area.

Avery Hanchar, right, and her brothers Oliver and Carter, test their climbing and balancing skills.

They’ll share that the STREAM in KidSTREAM is an acronym for Science, Technology, Reading, Engineering, Arts and Math, and talk about the activity carts and art projects that will enhance and support learning for young visitors.

But they are also well aware that for some families, the still-evolving space will serve a less highfalutin, if just as important, goal.

“Parents are looking for a good nap on the way home,” said KidSTREAM founder Kristie Akl. “And we can give them that too.”

Akl, along with KidSTREAM board chairman Bryan Yee and guest experience director Dani Hildreth, were giddy with excitement as they took me on a tour of the museum in the days before it opened.

This moment had been a long time coming, they said.

A high-energy former high school biology teacher with a make-it-happen spirit, Akl first began dreaming about a children’s museum in Ventura County in 2013 after taking her three daughters to KidSpace, a children’s museum in Pasadena founded by members of the Caltech community in 1979.

Akl loved Kidspace, but it was a full hour from the family’s house in Camarillo and she longed for something similar closer to home. For two years, she tried convincing others to create a children’s museum in Ventura County. When that failed, she formed a fledgling board in 2015 and incorporated as a 501(c)(3) nonprofit in 2017.

A young guest chases a cloth blown out of the tubes at the museum’s Amazing Airways exhibit.

“I was always optimistic,” she said. “You have to be to do something like this.”

The original plan was to open the museum in 2020, but fundraising efforts were hampered by the 2017 Thomas fire, which destroyed hundreds of homes in the area. A few years later came COVID shutdowns. The delays were discouraging, but Akl and a growing community of motivated believers used the time to build out their proof of concept by bringing science projects to local schools, neighborhoods and community events, creating online workshops and giving farm workers free science kits to help their kids get exploring.

“It was a herculean task and a huge community effort,” Akl said. “Everyone leaned in.”

Today she estimates that the KidSTREAM Children’s Museum touched the lives of 70,000 children in the Ventura area before ever opening its doors.

Luke Delossantos, right, and his son Grayson play pretend.

“They prototyped a lot of ideas,” said Yee, a father of three who took over from Akl as chairman of the board of KidSTREAM in 2022. “That showed us what works and what doesn’t work and what we should do next.”

In 2022, the city of Camarillo donated the building that housed the former public library to the museum and in 2024, the team raised enough money to bring children’s museum specialist Hildreth on board. Construction began in 2025.

In addition to the agriculture and Pacific Ocean areas outside, visitors will find a camping exhibit with an obstacle course, gratitude tree and a series of different shaped tents where kids can play. There’s also a sand pit where children can dig up replicas of pygmy mammoth bones. (The pygmy mammoth is a dwarf species of mammoth that was native to the Channel Islands.) A nature area includes a sensory path designed with the unique needs of neurologically divergent children in mind.

“There are 200,000 kids in Ventura County from a huge range of backgrounds including a lot of farm worker families,” Hildreth said. “The space is designed for all of them, newborn to 10 years old.”

In addition to the outdoor play areas, visitors will find an indoor “makerspace” with a white Lego wall where children can create vertical designs, four tables for art projects and a super-sized Lite-Brite.

Visitors walk through a greenhouse at the museum’s agriculture area.

“When you are 3 feet tall, it’s your whole field of vision,” Hildreth said.

Admission to KidSTREAM is $16 for adults and children over the age of 1, $13 for seniors and military, and $3 for families with EBT, SNAP or WIC cards. Membership options are also available.

Yee said market research suggests the new museum will reach as many as 150,000 people, and there is still room for expansion.

“We’re 21,000 square feet now with room for growth,” he said. “We’re not stopping, but we’re so excited to open our doors.”

With less than two weeks before the primary election, Steve Hilton is leading in the polls for governor, and Los Angeles mayoral hopeful Spencer Pratt is making the city’s progressive class sweat.

If the former Fox News commentator and the reality television bad boy move on to November’s general election, they’ll be running as conservatives in a super-blue state and city where most voters loathe President Trump.

The president endorsed Hilton last month, posting on social media that he “is a truly fine man, one who has watched as this once great State has gone to Hell.” On Wednesday, Trump said he wants Pratt to “do well … I heard he’s a big MAGA person,” before claiming that California elections are rigged and that he would have won the state two years ago “if we had Jesus Christ come down and count the votes” because “I do great with Hispanics.”

Trump was right about one thing — the importance of Latino voters. If Hilton and Pratt are to pull off historic upsets, they’ll need this bloc, which has emerged as a mercurial swing vote in local, state and national elections — but only if stirred into action by anger. And if ever there was a year for Latino anger, 2026 is it.

In recent years, Latinos in California have drifted rightward as they tire of Democratic policies, from L.A. City Hall to Sacramento. Rick Caruso captured a majority of the Latino vote in his unsuccessful bid for L.A. mayor four years ago, and there are more Latino Republicans in the state legislature than ever. Some of the most Latino areas in Southern California saw the biggest shifts toward Trump from 2020 to 2024.

Hilton has held town halls in small, Latino-majority cities across a state that’s about 41% Latino. He frequently appears alongside lieutenant governor candidate Gloria Romero, a pioneer in challenging disaffected Latinos to not always vote Democrat.

Pratt has shared AI-generated salsa and merengue songs that hail him as a savior and uses Spanglish when referring to Mayor Karen Bass as “Basura” — trash. He’s starting to roll out endorsements from Latino business groups and held a block party in South L.A. this week for which a Instagram post tried to draw supporters with the promise of a taco truck.

So if the candidates know that Latinos are essential to their long-shot campaigns, why the hell aren’t they running as far and fast from Trump as possible?

Two years ago, Trump — the most anti-Latino president since James Polk — grabbed a larger share of the Latino electorate than any Republican presidential candidate ever had. GOP leaders predicted that Latinos were finally theirs. But Trump annihilated that advantage by launching his deportation deluge. Now, he has turned off even some die-hard supporters by starting a war in Iran, which has further strained an already shaky economy.

Trump annihilated the advantage the GOP had with Latinos by launching his deportation deluge.

(Manuel Balce Ceneta / Associated Press)

A New York Times/Siena poll released this month found that only 20% of Latinos support Trump — the lowest during his two terms. A Pew Research Center survey, meanwhile, found that only 66% of Latinos who voted for Trump now approve of him, compared to 81% of white Trump supporters.

Instead of running away, Hilton and Pratt seem fine with hitching their prospects to this political Titanic.

Hilton sought and received Trump’s endorsement, arguing that it’s better to have a friendly relationship with the White House than the antagonistic path California’s elected leaders have chosen.

But most voters want no part of Hilton’s kumbaya. Proposition 50, a direct rebuke of Trump’s gerrymandering efforts in other states, passed with more than two-thirds of the vote last fall. A CalMatters analysis found that Latino-majority precincts voted in bigger numbers for the ballot initiative than for Kamala Harris two years earlier.

Hilton can promise Latinos his “Califordable” agenda and eat all the tacos he wants. But our economic malaise was caused in large part by Trump, who recently said he thinks about Americans’ financial struggles “not even a little bit.”

For Hilton not to decry such cluelessness is almost as ridiculous as his recent boasts that he — the British son of Hungarian refugees who became a U.S. citizen just five years ago — is the candidate of “legal” immigrants. That’s a callback to the days of Proposition 187, when Republicans obsessed with the state’s changing demographics turned off my generation of Latinos by demonizing our undocumented friends and family. The GOP was finally starting to emerge from the political wilderness with Latinos, but Hilton cozying up to Trump will drag the party back into that weak salsa place.

Pratt has been coyer on his thoughts about Trump, but at least he seems to realize that the president might be a liability. The Republican said his party affiliation doesn’t since the mayor’s race is nonpartisan. He has portrayed himself as focused solely on improving Los Angeles, telling CBS News, “I don’t do national politics. I don’t do tribal politics.”

But for someone who says he wants to make L.A. a world-class city, Pratt seems unconcerned about Trump’s assault on us, including last summer’s unchecked immigration raids and temporary occupation by the Marines and the National Guard. Rather than denounce those moves, Pratt has instead denounced L.A.’s sanctuary city ordinance and vowed to work with ICE and other federal immigration agencies to target bad hombres if he becomes mayor, even though a majority of those rounded up in the raids had no criminal history.

It’s as if Pratt’s understanding of Latino L.A. ends with an Erewhon burrito. He continually platforms supporters who portray L.A. as a multicultural wasteland. And when another mayoral candidate, City Councilmember Nithya Raman, posted Trump’s praise of Pratt on social media, he responded with a snippet of himself making a dismissive face during a debate.

But this is nothing to dismiss. For Pratt and Hilton to win, they need Latinos to believe in them. And why would we believe anyone who hitches their wagon, even a little, to Trump?

MINNEAPOLIS — A judge on Thursday handed down an extraordinary prison sentence — nearly 42 years — to the former leader of a Minnesota nonprofit who was convicted in a staggering $250-million fraud case that helped ignite an immigration crackdown by the Trump administration.

Aimee Bock ran Feeding Our Future, which had claimed it helped provide millions of meals to children in need during the pandemic. The U.S. Justice Department, however, said she was atop the “single largest COVID-19 fraud scheme in the country.”

“I understand I failed. I failed the public, my family, everyone,” Bock said in federal court.

President Trump used the fraud cases against Bock and many others to initially justify a massive surge of federal officers to the Minneapolis-St. Paul area last winter, leading to a pushback by residents and the deaths of two people.

“Feeding Our Future operated like a cash pipeline, open to anyone willing to submit fraudulent claims and pay kickbacks,” prosecutors said in a court filing.

Bock had long proclaimed her innocence but was convicted last year of conspiracy, fraud and bribery.

“This case has changed our state forever,” Joe Thompson, formerly the lead prosecutor in the case, said outside the courtroom. “Aimee Bock did everything she could to earn this long sentence.”

The nonprofit sat atop a fraud network that included a web of partner organizations, phony distribution sites, kickbacks and fake lists of children supposedly being fed, prosecutors say. Dozens of people, many from the state’s large Somali community, have been convicted in a series of overlapping food fraud cases that have spent years in the courts.

Bock and co-conspirators enriched themselves with international travel, real estate purchases, luxury vehicles and other lavish spending, the government said.

Bock’s lawyer, Kenneth Udoibok, argued for no more than three years in prison, saying she had provided key information to investigators. He argued that Bock had been unfairly painted as the mastermind and insisted that two co-defendants were responsible for running the scams.

Meanwhile, authorities this week filed additional charges against others in a sprawling investigation into federal social service spending in Minnesota.

The targets include Fahima Mahamud, who was CEO of Future Leaders Early Learning Center, a childcare center in Minneapolis. Over three years, Mahamud’s organization was reimbursed approximately $4.6 million for services on behalf of people who didn’t make a required copayment, prosecutors allege.

A message seeking comment from her lawyer was not immediately returned Thursday. Mahamud was charged separately in February with fraud related to meals. She has pleaded not guilty.

Two other people were charged with conspiring to get $975,000 in Medicaid subsidies for housing services that were not provided. They’re expected to plead guilty in June, according to a court filing.

Two additional people were accused of receiving $21.1 million by billing Medicaid for autism therapy that was either unnecessary or not provided. Investigators said the two paid families as much as $1,500 per child per month to add their names to the program and get reimbursement.

Trump, who has long derided Somalis, last year blasted the state as “a hub of fraudulent money laundering activity.” He also criticized the leadership of Gov. Tim Walz, the Democrats’ vice presidential nominee in the 2024 election.

“Somali gangs are terrorizing the people of that great State, and BILLIONS of Dollars are missing. Send them back to where they came from,” Trump wrote on social media.

Bock is white and the U.S. Attorney’s Office says the overwhelming majority of defendants in the cases are of Somali descent. Most are U.S. citizens.

The immigration surge led to repeated protests and confrontations between residents and federal officers and resulted in the killings of Renee Good and Alex Pretti.

Sullivan writes for the Associated Press.

Netflix subscribers will wake up to a video livestream of “The Breakfast Club” starting next month, marking the platform’s first daily live podcast.

The deal is part of the streaming platform’s ongoing focus on live programming, and the latest video podcast offering through its partnership with iHeartRadio, the company said on Thursday. The nearly three-hour show will include a live video feed exclusive to Netflix and will air every weekday morning.

“Taking this show live every day to a global audience on Netflix is a powerful example of how we’re expanding the reach of our biggest brands while giving audiences entirely new ways to experience them,” Bob Pittman, iHeartMedia’s chairman and chief executive, said in a statement. “Whether it’s morning in NYC or the afternoon in London, the conversation is live and reaching the world in real time.”

“The Breakfast Club” will air simultaneously on Netflix, the iHeartRadio app and it will continue to be syndicated by Premiere Networks on more than 100 broadcast radio stations nationwide. Netflix’s video feed is meant to provide more behind-the-scenes content, as radio formats will still need to include commercial breaks. Instead of pausing the program, Netflix watchers will get an uninterrupted stream, where those traditional breaks will be filled with exclusive segments and extended discussions.

“The media landscape will always evolve, but one thing consistently cuts through: live programming,” Charlamagne tha God said in a statement. “That’s a big reason ‘The Breakfast Club’ has sustained its reign for so long. We’re building something powerful — real‑time conversation, real community, on a global scale. The future belongs to those who can see what’s possible — and trust me, the vision for ‘The Breakfast Club’ and Netflix is crystal clear.”

The radio program first got its start in 2010 on WWPR-FM in New York. Over the years, it has become one of the most popular morning shows, rooted in Hip-Hop and R&B culture and known for its lively interviews and entertaining commentary from hosts Charlamagne Tha God, DJ Envy and Jess Hilarious. The show has welcomed guests like former President Barack Obama, and artists like Kendrick Lamar and Cardi B. In 2020, the talk show was inducted into the Radio Hall of Fame.

Netflix has heavily invested in its live programming in the worlds of sports, comedy and podcasting in recent years. In the past month, the Los Gatos-based company livestreamed “The Roast of Kevin Hart” and its latest fight between MMA fighters Ronda Rousey and Gina Carano. This weekend, the F1 Canadian Grand Prix is also set to air on Netflix. These tentpole events are in addition to some of the weekly live programming Netflix offers, including “The Bill Simmons Podcast,” which airs every Sunday.

Airbnb unveiled a new set of services for guests on Wednesday, adding car rentals, airport pickup and grocery delivery to its online marketplace that connects travelers with local hosts.

Customers can now get groceries delivered to their Airbnb through a partnership with Instacart and have a driver meet them at the airport with Airbnb’s Welcome Pickups. The app is also offering luggage storage in partnership with Bounce and will add in-app car rentals later this summer.

At the same time, Airbnb is ramping up its use of AI by adding AI-powered review summaries and lodging comparisons, the company said.

The company has been expanding beyond lodging since last year, when it introduced Airbnb Experiences & Services, giving guests the option to book private tours and chef-cooked meals through the app.

In an earnings call earlier this month, the company’s chief executive, Brian Chesky, said the company is at “the very, very beginning of how AI is going to change how we all do our jobs.”

The changes are coming in time for the 2026 FIFA World Cup, which will take place in 16 cities across the U.S., Mexico and Canada. The company said it is offering exclusive World Cup experiences, such as watch parties and access to stadiums.

“In terms of what we’ve seen in cumulative bookings heading into the event, the World Cup is slated to be the largest event in Airbnb’s history,” the company’s chief financial officer, Ellie Mertz, said on the earnings call.

Airbnb gained popularity for offering travelers unique and homey stays on other people’s property, but it added boutique hotel bookings to its platform late last year. The move had some customers questioning if the app was straying too far from its original purpose.

In its announcement this week, the company said it is partnering with more independent hotels in 20 top destinations, including New York, London and Singapore. On the earnings call, Chesky said hotels on Airbnb could become a multibillion-dollar revenue business.

The San Francisco-based company was founded in 2007 and gave homeowners the opportunity to earn money by renting out their space to travelers seeking something different from a hotel. Airbnb bookings can range from private bedrooms in a shared home to luxury mansions and yachts.

The company’s revenue grew 18% year over year to $2.7 billion in the first quarter, while net income increased slightly to $160 million. Airbnb’s new services and offerings could transform it from a home-sharing platform to a holistic travel marketplace, analysts said.

Shares of the company have increased by 14% over the last six months and fell by less than 1% on Thursday.

At this year’s festival to unveil our inaugural Cannes issue, I had to opportunity to sit down with Sony Pictures Classics co-founders and co-presidents Michael Barker and Tom Bernard and EVP of Acquisitions, Production and Business Affairs Dylan Leiner on the Main Stage at the Marché du Film to discuss the company’s festival strategy, bidding wars, artificial intelligence and more. Watch the full conversation and read edited excerpts below.

How much does the festival reception of a movie, the reviews coming out of a festival, the buzz around it, shape decisions that you’re making? Or is it just confirming what your gut already knows?

Leiner: I want to tell one story that speaks to that, which was at the first Berlin Film Festival we attended after COVID. I remember, in the same day, I ran into three international distributors who all asked if we had seen “The Teacher’s Lounge.” And I didn’t even know what the film was. It wasn’t on our radar, it wasn’t in competition. So we quickly saw “Teacher’s Lounge” and we acquired the film [which went on to be nominated for the 2024 international feature Oscar]. And that was one of the great values of an in-person festival, the ability very quickly to communicate with distributors, with tastemakers, with critics from around the world and get that kind of information. Gut, personal taste… It plays into it a lot, but then we need reassurance. And being at a festival and being in this fishbowl environment is really helpful for that.

For a lot of people, myself included, the mystique of a festival is often around the bidding war narratives: Who’s going to pick up what and what are they going to pay? I’m curious for your take on the first big acquisition of this year’s Cannes, A24 buying “Club Kid” for a reported $17 million.

Bernard: Throughout the years, there were companies [that would] maybe overpay, or they were going to bid to get this movie no matter what, because they were the headline in all the newspapers covering this festival. So in terms of a company that’s branding — which, A24 is one of the best in branding — I think that that had to do with a little bit of the cash that went up. … There’s a branding aspect in a lot of festivals for a movie that’s a hot movie that the press has decided to seize on.

Barker: Here’s a key to how we have survived. It’s different from the way you talk about it. When we acquire a movie, whether anyone else has offers, we try to block it out. And we have trained ourselves to not let that noise bother us. What is it worth to us? What do we think it’s going to do? Dylan runs these incredible models of what it’ll do on the low end, what it will do on the high end. And then you decide where you want to be.

Bernard: Or we think we can make it work.

Barker: But at no point do we sit around and worry about who else has a higher offer for the movie. Because I have to say, in very few instances, on the movies we buy, are we the higher offer. We just do the best we can, and if we lose it, we lose it.

Bernard: [French film producer] Serge Silberman, a sage of the past, he always said, “You never lose money on a movie you didn’t buy.”

That brings up a question that I had about “Nuremberg,” which was a real success. What you’re saying is, it performed in alignment with your expectations. Were there any lessons that you took away from that in terms of future projects that might come along?

Leiner: Yes, it performed in accordance with our expectations. What’s interesting about that film, we acquired it here last year. Nobody else was really interested in the movie. … So our challenge basically was to figure out how to convince the filmmaking team that, because it was a very expensive film, that we were the right company to acquire the film on the terms that we could afford and that we could make it work. And it was a very intense series of phone conversations, in-person meetings.

Bernard: We felt like we were auditioning to get married to somebody. We were never going to be able to pay to make their money back. It was a $40-million movie, and they were really sort of out there without anybody really looking at it. And we said, “Listen, sell it to us. We think it’s going to be a great success. We’ll make your movie way more valuable over the test of time.”

Barker: There are two types of movies that are being made and distributed. One are the big tentpole studio movies. It’s about winning the weekend theatrically. These are the theatrical-driven movies. And it’s all about making that huge budget back very quickly. But the other kind of film, which is why we are in business, is the evergreen. Every one of our films, we open it with the best marketing push we can. Yes, we try to get the highest box office. But what we know will happen, even if the box office ends up being less, we believe in these films as long-term players. And these films have really long tails. You look at movies like “Run Lola Run” or “Call Me By Your Name” or even “Living” … They have generated revenues to the filmmakers and to us that’s way beyond what the box office would have portended when it opened.

I would be curious, what areas of the filmmaking process or the film distribution process do you think AI is appropriate for use, that you’ve experimented with it, that you’re excited about its prospects? And where are your red lines, if you have any?

Barker: One of the people on our staff — we really love our young staff. One of them was writing a screenplay with AI, and told me they got certain rules on AI. And I’m listening to all these rules. You can’t have your main character die in a first scene. You can’t have your romantic female lead be totally unlikable, people aren’t going to go. I’m listening to this, and I said, “Have you ever seen ‘Sunset Boulevard?’” And she goes, “No, what is that?” I said, “Go watch that movie.” She came back and she was like, “Holy cow.” I said, “Billy Wilder sat down and made that up based on what he observed.” AI is not going to be able to do that.

As someone who is “not the best person with bugs and stuff,” Stephanie Bernaba never imagined herself becoming an outdoorsy mom.

But the mother of three is getting more daring as gas prices and other travel costs make vacations more expensive. Bernaba, 47, has been steering her family toward local beaches, bike rides and hiking trails near their home in coastal Rhode Island instead of the faraway trips they once took.

“I’ve been trying to do more of that because one, it’s quality time. Two, it’s fresh air. And three, we’re not spending an arm and a leg,” she said.

That kind of calibration is shaping the summer travel season, which gets its traditional start in the U.S. with the long Memorial Day holiday weekend. Higher fuel prices resulting from the Iran war and other inflationary pressures are making most forms of travel costlier as people in many parts of the world form their plans.

The U.S. Travel Assn. expects annual travel spending to grow by a modest 1% this year, powered largely by domestic leisure travel despite the FIFA World Cup giving soccer fans from other countries a reason to visit the U.S. Airfares have climbed around the world along with the price of jet fuel as the war constrains global oil supplies.

Sticking closer to home may not cushion the sticker shock. The nonprofit Institute on Taxation and Economic Policy estimated Americans would collectively spend an extra $3.5 billion on gasoline over the holiday weekend. The average price for a gallon of regular gas in the U.S. was $4.56 on Thursday compared to $3.18 a year ago, according to the motor club AAA.

Other travel expenses have gone up too. The latest consumer price index showed airfares were 20.7% higher in April from a year earlier, the cost of intracity transit, such as buses and subways, rose 5.6%, lodging cost 4.3% more, and eating out got 3.6% pricier.

Changing travel patterns

Despite elevated prices, industry forecasts suggest Americans still want to get away, even if it means replacing long trips with long weekends, choosing destinations closer to home and finding ways to cut costs by cooking meals or using buses and trains instead of driving.

AAA predicted that 45 million U.S. residents would travel at least 50 miles from home between Thursday and Monday. The Transportation Security Administration said it expects to screen 18.3 million passengers from Thursday to next Wednesday.

Many households are planning summer vacations but making tradeoffs such as shorter trips or cheaper lodging, according to Bank of America analysts. Mastercard said in a recent report that consumers appeared increasingly focused on value and were adjusting their destinations and timing instead of not going away at all.

“Generally, it’s certainly more of a demand reshuffling than a demand softening,” David Tinsley, a senior economist at Bank of America Institute, said.

For the Bernaba family, that has meant trading a big vacation for a shorter trip nearby this summer. Their scaled-back itinerary still is pricey: more than $400 for a ferry to Martha’s Vineyard for their car and passengers, and about $800 a night for each of the two hotel rooms the family of five needs.

Another family that had planned to join them backed out after seeing the price tag.

“The pinch is being felt all the way around,” Bernaba said.

Analysts have increasingly described travel spending as “K-shaped,” with higher-income households continuing to spend while lower-income families pull back or opt out entirely. Bank of America said lower-income households were significantly more likely to report having no summer travel plans this year.

Travelers are confronting other stressors besides cost.

Airlines around the world have canceled flights and trimmed routes to save on fuel and operating costs, leaving passengers with fewer options. Recent U.S. government shutdowns — which caused major flight disruptions and long security lines — are likely still fresh in travelers’ minds. The conflict in the Middle East and broader geopolitical tensions add another layer of concern, especially for those considering trips abroad.

The various factors impacting travel right now have made planning trips more mentally taxing and may be pushing people toward simpler and more accessible vacations that feel easier to manage, said Marta Soligo, a tourism sociologist at the University of Nevada, Las Vegas.

“The keyword here is unpredictability,” Soligo said. “Tourists don’t like unpredictability.”

Quality over quantity

Jim Wang, a personal finance blogger who lives in Maryland with his wife and four children, said his family’s original plan to travel to Spain to see a full solar eclipse in August began to unravel once they looked at the logistics.

Beyond thousands of dollars in airfare, the trip would have required multiple connecting flights, plus a car rental to reach northern Spain, where the path of totality is expected to pass.

“It’s like, ‘Oh, I don’t know if I want to see the eclipse that much,’” Wang said.

Instead, Wang’s family plans to head this summer to the Lake Tahoe area straddling California and Nevada, where they can stay at a relative’s cabin for free, hike and enjoy a slower pace with limited cellphone service. His wife’s parents and sister expect to join them.

“We’re still going to travel. It’ll just be different,” Wang said. “The vacations are no longer as grand for the adults. But for our kids, it’s still exciting.”

Nancy McGehee, a Virginia Tech hospitality professor who studies consumer behavior, said travelers are increasingly focusing more on the “why than the where” when it comes to vacations.

“What we’re seeing is people are saying, ‘All right, we can’t do that big splashy trip we wanted to do, but what else can we do?’” McGehee said. “It’s more quality over quantity that we’re seeing people go for.”

Back in Rhode Island, Bernaba has accepted that travel may look different for her family for a while.

“I think that’s probably why my mind has gone to doing more nature-y things,” she said. “Let’s learn how to use the earth to enjoy ourselves because that’s not going to cost as much money.”

Yamat writes for the Associated Press.

On a Tuesday evening in Eagle Rock, used-bookstore owners Jeremy and Debbie Kaplan were closing up for the day when a stranger rushed through the entrance. He tossed an envelope onto the counter, said something like: “Building’s been sold,” and slipped out.

Inside the envelope, the Kaplans found a 30-day notice: The shop’s $1,200 monthly rent would be increasing to $2,805 on April 1, they were required to decide whether they would accept the more than 133% price hike a month in advance, and they’d need to agree to a three- to five-year lease if so. The letter arrived Feb. 17, which meant the Kaplans had 11 days to accept the new landlord’s terms or leave.

“We couldn’t even consider it,” Jeremy Kaplan said. “It would be suicide.” The couple looked around the 680-square-foot shop. From the floor to ceiling, more than 20,000 books were crammed every which way into shelves they’d built and stained themselves nearly 20 years before. “My first reaction was panic,” he said. “How are we going to move out of this place?”

Their children had grown up at Read Books (pronounced like the color, as in: “These aren’t new books, they’re previously read books.”) The realization began to set in, Jeremy said, that they were being pushed out with intimidation tactics. “We started getting angry. So the next day, we started looking into our legal rights.”

After searching the internet, the Kaplans found California’s Senate Bill 1103, the Commercial Tenant Protection Act that passed last year. The law offers protections for “qualified commercial tenants” and requires landlords to give a 90-day notice for rent increases surpassing 10%.

When the Kaplans tried to contact the new property management company, Jeremy said, Systems Real Estate was evasive.

“It’s the one bill that protects commercial tenants, and it’s a fairly toothless bill because they don’t have to acknowledge it, unless you make them acknowledge it,” he said. The Kaplans, along with Sharon Kroner, whose neighboring vintage boutique Owl Talk is facing the same fate, wrote to Systems Real Estate, citing SB 1103. They had the letter certified and attached their rent checks for the next month.

In response, the 30-day notice was amended to 90 days. Systems Real Estate did not respond to a request from The Times for comment.

The Kaplans had more time to search for a new location, but Jeremy quickly saw a trend in Northeast Los Angeles. “Vacant spaces all over the place,” he said. “When we inquired, they were ludicrously expensive, most over $5 per square foot. The second thing we started noticing was small stores like ours going out of business or being priced out in the exact same way we were.”

Jeremy Kaplan stands inside his bookstore on the last day Read Books is open for business.

(Carlin Stiehl / For The Times)

Building a coalition

When Jeremy started posting about Read Books’ plight, the response was immediate and overwhelming. Many customers who reached out said they wanted to help — the bookstore had been in Eagle Rock for as long as they had.

“Not mere condolences but calls to action from people I barely knew,” he said. “Lawyers, journalists, activists, parents, children.”

Two days after the rent-increase notice was delivered, the Kaplans and their supporters were devising a plan to fight back — if not to save Read Books, then to save other small businesses.

Save North East Los Angeles Shops was born.

Chris Newman, an immigrant rights lawyer whose son learned to read with books bought at the Eagle Rock shop, told The Times he showed up to the group’s first official meeting with the intention of trying to save the bookstore.

“I was surprised to see so many people talking not just about the situation that Jeremy’s in, but an epidemic that small businesses are facing,” Newman said.

At one coalition meeting in April, Jeremy rushed in late.

He’d just come from an event where he’d been able to talk with Mayor Karen Bass about the plight small businesses are facing and asked about the possibility of imposing a commercial vacancy tax on property owners who leave storefronts vacant for extended periods.

Although sympathetic, the mayor shot him down pretty swiftly, Jeremy said, saying nobody in L.A. wants more taxes.

A representative for Bass told The Times that under her leadership, “the City is focused on cutting red tape, expanding support for local businesses, and advancing solutions that address the broader affordability crisis.”

Signs against rent increases are posted outside Read Books.

(Carlin Stiehl / For The Times)

The precedent

In March 2020, before the COVID-19 pandemic shut the world down, small businesses in San Francisco had been grappling with rising rents that increasingly led to empty storefronts. Then North Beach’s beloved corner gem, Caffe Sapore, got its notice. Like Eagle Rockers, San Franciscans were done merely lamenting the community’s loss. They started organizing.

Aaron Peskin, who at the time served on San Francisco’s Board of Supervisors, said that while there are a variety of factors contributing to the vacancy issue, impractical property owners were the most common thread.

“Commercial landlords had unbelievably unrealistic expectations of rent, and a small business can only sell a T-shirt or a hamburger or a service for what the market will bear, and none of them could swing the rent,” Peskin said.

That year he authored Proposition D, a commercial vacancy tax ordinance that applies to street-facing, ground-floor properties that sit vacant for more than 182 days a year. It passed with nearly 70% of the vote.

“I served on that Board of Supervisors for 17 years, and it’s one of my proudest pieces of public policy,” Peskin said. “In the years since it passed, it has been working and has really helped in the post-pandemic recovery in our neighborhood commercial corridors. It’s been a rare instant success story.”

Demonstrators march toward Eagle Rock City Hall carrying protest signs against rent hikes for small businesses.

(Carlin Stiehl / For The Times)

The landlords

The question as to why someone would purchase a commercial property, raise the rent so current tenants are displaced and prospective tenants look elsewhere, only to have a onetime community hub collecting cobwebs, has inspired myriad theories.

Peskin pointed to an impractical landlord mentality; an L.A. council member suspected landlords were after tax breaks; a professor of economics said that his sense is that there’s more going on and tax benefits are likely not the driving factor; and a commercial real estate expert said landlords are likely pricing tenants out so they can tear the buildings down.

The Times reached out to Dr. Ari Ucar, the new owner of the Eagle Rock Boulevard building, who did not respond.

Los Angeles City Councilmember Ysabel Jurado, a former tenant rights attorney, told The Times that landlords can benefit by claiming the vacancy as a loss on their taxes. “For landlords who own multiple commercial properties in a wide portfolio, a vacancy can be marked as a loss. In essence, when you file taxes and mark this as a loss, it reduces the total income generated. That’s the perverse incentive of having a vacancy.”

But a tax attorney in Los Angeles, Andrew Gradman, wasn’t convinced the tax incentive was enough to curb a landlord’s appetite for the passive income of steady rent payments. “You have to consider the most reasonable premise, which is that these landlords think they can get a better tenant, or they think that the lease would stand in the way of their getting some other better deal, in the form of, say, selling the whole building.”

A commercial real estate broker, Nick Quackenbos, said the likely motive for such a price hike is plans to scrape the building and build apartments in its place. He pointed to a recent landmark bill, State Senate Bill 79, which overrides local zoning laws to allow for taller, denser buildings near major transit stops. The bill will take effect statewide July 1, but L.A. plans to delay citywide upzoning until 2030 by carving out bespoke plans that target 55 single-family and low-density areas, allowing for 4-16 unit buildings up to four stories tall.

The 55 areas are mostly in Central L.A., West L.A., the Eastside and the San Fernando Valley. While Eagle Rock isn’t what L.A. city planners are designating an “opportunity hub” right now, Read Books is located a stone’s throw from the upcoming Colorado/Eagle Rock station, a stop on the North Hollywood to Pasadena BRT (Bus Rapid Transit) line slated to launch ahead of the 2028 Summer Olympics.

“The bill is allowing things to take place which could disfigure a city like Eagle Rock,” said Quackenbos. “I bet that’s what you’re going to find down the road: These places will become vacant, and suddenly there’s groundbreaking for a new apartment building going up.”

Jeremy Kaplan speaks to community members outside his store, Read Books, about the issues small business owners face.

(Carlin Stiehl / For The Times)

The rally

Read Books was set to close last weekend, and the Kaplans wanted to go out with a bang. In the shop’s front window was a single book: “The Rich and the Rest of Us: A Poverty Manifesto” by Tavis Smiley and Cornel West, surrounded by signs that read “Forced Out!,” “Shame on Greedy Landlords,” and “Our Family Loves Read Books.”

As Debbie sat at the register inside, helping a steady flow of the shop’s final patrons, protesters gathered behind the building, clutching homemade posters and waiting for Jeremy to speak. Choking up, he addressed the crowd.

Debbie Kaplan, who co-owns Read Books, hands a customer books.

(Carlin Stiehl / For The Times)

“Three months ago, when this all began, my initial action was to fight back, because fighting is my default setting. But I also felt … fear of insignificance, of disappearing, as if everything we built in the last 19 years, often working seven days a week, might soon be dismantled and forgotten. The support you’ve gifted us with these last few months has been a constant reminder that we’re all in this together.

“The real estate lobby is rich and powerful. They have more lobbyists than our representatives have staff, but we are building a coalition to fight them.

“What’s at stake? The soul of Los Angeles.”

For a guy who has become known for his monstrous output of clips, comedy specials and content, it’s a wonder Josh Johnson has time to stop to think about what makes his comedy timeless. As a former writer and now one of the hosts of “The Daily Show,” much of Johnson’s humor outside of specials relies on his ability to deliver jokes on the dumpster fire du jour when it comes to pop culture and politics. But for his latest one-hour special, “Symphony,” premiering Friday on HBO, he wanted to orchestrate something different that would still be funny 40 years from now, regardless of what’s fashionable or who is running the country.

Using music as a canvas to paint a funny, layered portrait of the human experience, Johnson creates a set that comes alive with the sound of more than the laughter at the Wiltern, where the special was filmed earlier this year. With stories focused on surviving rowdy family, moments of loneliness, struggles with faith, and navigating our deepest human relationships, Johnson’s abilities as a pensive storyteller are conducted masterfully. The result is an hour that helps showcase his refined comedic voice, surprise the audience and sound the trumpets for his next round of touring.

This interview was edited for length and clarity.

Why was it important for you to veer so strongly into music as a theme of your new special, “Symphony”?

I think music, in a way that nothing else does, brought the central points and themes of the special home. In the beginning [scene] with the title card and the busker who has a [music-related] quote in front of him, that’s sort of the mission statement of the special and everything I’m trying to do. The thing to me is including the music to help bring about these ideas and bring each section home and bring it all the together in a way that obviously I’m also attempting to do through the comedy. I think thematically there’s nothing stronger to make the overall point than music.

What inspired you to shoot it at the Wiltern?

The Wiltern is so beautiful and it also lends itself to that sort of art aspect I’m talking about in the very beginning of the special. Things that have that look of the Wiltern help not just create a spectacle, but give you something really beautiful to look at. You get something really beautiful to listen to in the music, and then the comedy helps decorate the hour that we’re spending together.

“If you speak to a lot of people’s timelessness around family and culture and some of the bigger topics, but without naming names, I think that you create something that really stands the test of time,” Johnson says about his new special, “Symphony,” premiering Friday on HBO.

(Ser Baffo / HBO)

You definitely play around with the format of a typical special in this new hour. As somebody who has mastered the ability to release a crazy amount of comedy in recent years on YouTube and social media, what aspect of a traditional one-hour special do you still find important?

I think that everything that I’ve been doing so far is pretty topical and very of the moment, even when I’m not talking about a specific pop culture or political topic. I think that there’s a time for comedy of the moment, but then I also think there’s an aspect that you want to be timeless, and that’s what the specials are for me. You want the piece to be something that people watch 40 years from now, and I don’t always expect every single set that I put out to have that level of longevity. Because no matter how it feels right now, there’s going to come a time where we look at the people who take up so much of our bandwidth and our thoughts throughout the day as just a sort of passing political fashion or the things that we see as like huge indicators of where society is right now will eventually become forgotten crazes. But I think that if you speak to the human condition, if you speak to a lot of people’s timelessness around family and culture and some of the bigger topics, but without naming names, you create something that really stands the test of time.

There’s a duality between your timely comedy on “The Daily Show” and the timelessness you’re aiming for in specials. Was it important for you to separate the two ways that people might see you as a comedian?

People are going to have their takeaways from whatever you do. I try bringing the same amount of intention to everything, but as far as the way people see me, it’s something that’s kind of out of my control.

Religion comes up a lot in the special, the Bible specifically. I’d read somewhere that you had taken a break from practicing Christianity in recent years. If so, what was your reason for including the topic in your special?

I wouldn’t even necessarily call it a break, I just think that there’s moments you’ll find yourself in, where whether you grew up on a text or a certain few tenants that you live by, there’s always going to come a time where it’s really important to revisit those things… It’s not necessarily that I bring religion up in the special because I stopped practicing. It’s actually because I think that if I’m breaking life down into these sort of pillars that make up a person — I’m not saying religion has to be one of them — but I do find it to be an aspect for a lot of people. So if I’m once again trying to speak to things from a universal perspective as best I can, I think it’s something that that definitely comes up.

Comic Josh Johnson turns his new hour into a concertlike experience, using live music, a busker’s credo and L.A.’s ornate Wiltern Theatre to tie jokes into a single, sweeping theme.

(Ser Baffo / HBO)

Considering how well you use music as a backdrop for the special, how long did it take to come up with a concept for the hour? Did you write the jokes before coming up with the structure or vice versa?

I basically had a structure before I had a set, and I went to the director Jacob Menache about the idea for this thing like three years ago and we were talking about how best to make it work. That was long before I knew what jokes were going to go where, or how many things, how many aspects we were going to add to it, or anything. So I think that it’s been a long time coming, as far as like the actual structure of what you end up seeing.

Watching your special was the first time I paid real attention to who the musical director was in the credits. What was it like working with respected bassist and producer Derrick Hodge on creating the concept for the music in “Symphony”?

I look at Derrick as someone who was doing a lot of interesting things, and so I thought it was going to be a fantastic opportunity to get to work with him. I don’t know that much about music, to be honest. I try to dabble with producing here and there because I have ideas, but it’s the real musicians, the real artists that take the ideas that I might pitch out and create something with it. So I really leaned on Derrick as much as possible to like bring us home. I feel like so much of what I was trying to do was in bringing an overall idea of the structure of a set and asking Derek, “Hey, what do you think about this?” I don’t know if I could have ever thought up a way to create what I was trying to build without him.

Was there something about you that you felt like you wanted to get across in this special that maybe you haven’t gotten to in your previous specials?

It can be tough to show new shades of yourself when you put out a lot of stuff, and you are always kind of coming with stories about your life and your childhood or anything like that when I think of putting a set together, especially something that is attempting to be timeless. Overall, I think every new story is a new story to [the audience]. But I think that if you can express how you used to think versus how you think now, that can be revealing. Towards the beginning [of “Symphony”] I talk about how there are things I didn’t understand until pretty close to the special in theory, things I didn’t understand until like a week ago, or I’ve always held this belief, or something like that, and I think that if you can give people insight to your evolution as a person, I think that’s a really powerful thing.

“I think music, in a way that nothing else does, brought the central points and themes of the special home,” Johnson says.

(Ser Baffo / HBO)

Were there any things that occurred during the rehearsal process that genuinely surprised you?

Watching it come together was a huge surprise, because you know, [the director] Jacob’s out here in L.A., I’m in New York, and so I make the flight down and everything, but the Thursday rehearsal with the musicians [before the taping] was the first time I was seeing everything come together. It was first time I was hearing everything, and so I think watching something finally come to life after such a long period of time is always going to throw you for a loop.

Now that the special will finally be out, what plans do you have next about how to showcase your comedy?

I’m really excited for people to see what’s coming. I start the tour Comedy Band Camp in June. I have some surprises for people there as well, and I’m looking forward to showcasing lots of artists. I’m looking forward to showcasing as much as I can that helps me elevate the level of craft and what I bring to people. And so I’m doing that through even more collaborations. I’m going to be hyping up some people that maybe you’ve heard of, or maybe you haven’t heard of. The special is kind a beautiful kick off for the tour that I’m going to be doing because we are going to be on the road for quite a while, and I chose Comedy Band Camp as a theme, because camp is this thing that people are nostalgic for, it’s a place to go that is safe, where you make friends. Band is about people coming together for a shared goal, it’s about everyone having a singular purpose towards creating art. So I think mixing those two things together will be a unique experience that no one can get anywhere else, and it’ll be a challenge to present it as best as possible. But I have a lot of plans for how I’m going to do that.

A year ago, David Ellison was viewed as a white knight poised to save Paramount.

Hollywood embraced billionaire Larry Ellison’s son, figuring he had the means and the mettle to revive the faded studio after decades of neglect.

But now, as the 43-year-old tech scion works to close his $111-billion deal to buy Warner Bros. Discovery — which would mark his second major studio acquisition in less than a year — a large swath of Hollywood has soured on the budding mogul and his audacious bid to build a new media colossus.

More than 5,000 artists and industry workers — including J.J. Abrams, Javier Bardem, Lin-Manuel Miranda, Kevin Bacon and Tiffany Haddish — have signed an open letter opposing the union of two century-old studios.

“Our industry is already under severe strain,” the group wrote.

Many anticipate the U.S. Justice Department will rubber-stamp the deal because President Trump is friendly with Larry Ellison, co-founder of software giant Oracle. Trump and his team want David Ellison to make sweeping changes at CNN, one of Warner Bros. Discovery’s premier properties.

David Ellison has spent the last year courting the president and his allies, including hosting a black-tie gala to honor Trump and attending state dinners and the president’s State of the Union address.

Ellison’s perceived coziness with the administration, along with controversial changes at CBS, has sullied his reputation in a town where image is everything.

Should the merger clear its regulatory hurdles, the Ellison family would control CNN and CBS News in addition to holding a significant stake in TikTok, the hugely influential social media app.

“When power is concentrated in fewer and fewer hands, the stories that get told and the livelihoods of the people who tell them become hostage to whoever that power serves,” Jane Fonda, the Oscar-winning actor who is helping lead the opposition, told The Times. “We are not going quietly.”

Paramount declined to comment. Ellison previously has pushed back on fears that Paramount’s takeover of Warner Bros. would be bad for Hollywood. Instead, Ellison envisions building a stronger company to boost the industry, including movie theaters.

If the Warner Bros. Discovery deal is finalized, Ellison would control two legendary news organizations and two iconic studios. His determined White House outreach to speed approval of the Warner Bros. deal has aroused deep suspicion among many in Hollywood, which has long been considered a liberal bastion.

“They got too close to Trump,” said Norm Eisen, executive chairman of Democracy Defenders Fund, one of the groups coordinating the opposition campaign. “People in Hollywood are concerned that the Ellisons are going to do to CNN what they did to CBS.”

One of Ellison’s first moves after taking over Paramount was to hire journalist Bari Weiss, who had no TV news experience, as CBS News editor-in-chief. Weiss, who built her reputation being a contrarian voice, along with her recently installed evening news anchor Tony Dokoupil got off to a rocky start.

During his inaugural week, Dokoupil awkwardly saluted Secretary of State Marco Rubio (a fellow Floridian). “CBS Evening News” viewership fell 9% this season. The program, which attracts 4.1 million viewers, musters less than half the audience for ABC’s “World News Tonight with David Muir.”

Ellison is aiming to get his deal done by September.

“The projected merger timeline would have Ellison in control of CNN before November,” Fonda said, noting the high stakes this fall because the midterm elections will decide control of Congress.

“If this merger goes ahead, the administration will have yet another lever to cast doubt on results it does not like,” Fonda said. “This is about corruption, not optics.”

Her group has urged California Atty. Gen. Rob Bonta to file a lawsuit to try to block the merger. Bonta has said his team is reviewing potential antitrust concerns with the deal, which he said has “red flags everywhere.”

Some in Hollywood favor Ellison’s takeover, saying it would lift two middling players to create more robust competition to Netflix, Disney and Amazon.

“This deal will set up an environment where we will have four competitive streaming services, and that’s a good thing for the creative community,” said Ari Emanuel, executive chairman of WME Group and Ellison’s agent.

Ellison is pressing ahead, working to secure government approvals in Britain, Europe and the U.S. Prominent Democrats in Congress have decried the deal and Ellison’s proposed ownership structure, which would include the royal families of Saudi Arabia, Qatar and Abu Dhabi as significant, but passive, investors.

Paramount leaders have tried to keep their heads down by focusing on their businesses. This year, the company has signed deals with Kim Kardashian, Neil Patrick Harris, Tituss Burgess and Kinetic Content, the reality TV firm behind Netflix’s “Love Is Blind.”

Hollywood opposition

But the “block the merger” campaign has picked up prominent Paramount and Warner Bros. talent, including Oscar-winning filmmaker Adam McKay (“The Big Short”); “South Park” co-creator Trey Parker; and Emmy Award-winning actors Noah Wyle (“The Pitt”) and Mark Ruffalo, a stalwart of critically acclaimed HBO productions, including “Task.”

Some filmmakers have privately discussed whether to steer clear of Paramount, according to people knowledgeable of the discussions who were not authorized to comment. Taylor Sheridan, the prolific producer behind “Yellowstone” and “Landman,” last fall opted to switch teams. He eventually will make new shows for NBCUniversal instead of Paramount.

CBS late-night host Stephen Colbert’s sign-off Thursday night has added to the hand-wringing.

Colbert learned he was getting the boot in July, two days after he called Paramount’s $16-million settlement with Trump “a big fat bribe” during a show monologue. Paramount had agreed to pay the money to end Trump’s lawsuit over edits to a “60 Minutes” interview, a payout blasted by 1st Amendment advocates who viewed the Trump suit as frivolous.

Paramount settled because it needed Federal Communications Commission approval as part of its sale to the Ellison-owned Skydance Media. Paramount’s CBS has blamed declining revenues for its decision to oust Colbert, which came just before Ellison officially took the keys to Paramount.

This week, for the first time in 18 years, CBS will fall short of claiming the largest live audience in broadcast TV. NBC snagged the ratings crown, thanks to its sports-heavy lineup, prompting NBC late-night comedian Seth Meyers to crow about his network’s victory.

“We have taken down CBS,” Meyers told advertising buyers last week in New York. “Well, the Ellisons did, but I like to think we helped.”

Ellison’s supporters view the anti-merger campaign as politically motivated.

“So much of the criticism and negative sentiment originates from [Ellison’s] apparent relationship with Trump,” said one observer who was not authorized to speak publicly about the topic.

But interviews with numerous industry insiders reveal that concerns over Paramount’s proposed purchase of Warner go well beyond anti-Trump sentiment — or worries about CNN’s future.

The merger comes during an existential crisis for the industry, and for Los Angeles, as the shift to streaming has upended established business models.

“Whether it’s Ellison, Amazon, Apple or Netflix, these are essentially tech companies that are gaining increasing control over what has been a cultural and entertainment sector,” said Dominic Asmall Willsdon, executive director of the International Documentary Assn.

Amazon founder Jeff Bezos and Apple’s outgoing Chief Executive Tim Cook also have openly embraced Trump, which some see as a pragmatic move to curry favor in Washington to advance their sprawling businesses, which include film and TV operations in Culver City.

Much of the angst over the Ellison deal is driven by economic uncertainty. L.A.’s film industry has been decimated by a flight of production to other locations.

“L.A. has already had a taste of things to come,” Eisen said. “There’s less competition so the artists get hurt, and so do the working people who have long been an integral part of Hollywood.”

A combined Warner-Paramount would instantly become the largest employer for union writers, said Michele Mulroney, president of the Writers Guild of America West. It would control HBO, CBS, CNN, Comedy Central, HGTV, Animal Planet and two of the largest film and television studios.

“This media behemoth would have enormous leverage to reduce content, raise prices, increase control of production, suppress our members’ compensation and silence the voices of our members,” Mulroney said.

Jessica J. González, the L.A.-based co-chief executive of the 1st Amendment group Free Press, said: “This isn’t just about David Ellison. It’s about what David Ellison did with his last merger and how he uses his power.”

Ellison’s wealth and privilege have also fueled resentment among the rank and file who are struggling amid America’s growing economic disparity. Said one veteran executive: “We’re living in a new gilded age.”

For many, the prospect of more job losses is most unsettling.

Ellison and his team have vowed to make $6 billion in cuts following the merger. Those cuts are expected to include sizable layoffs on top of nearly 2,000 in job cuts at Paramount since last fall.

Hollywood has a troubled track record with mergers, including two failed takeovers of Warner Bros.

AT&T misfired with its 2018 acquisition of Time Warner, and within four years, the phone company had unloaded the firm to David Zaslav’s smaller Discovery. That transaction saddled Warner with more than $50 billion in debt, and Zaslav and his team laid off thousands of workers and cut dozens of projects to dramatically reduce the company’s debt and keep the company solvent.

Walt Disney Co.’s $72-billion acquisition of much of Rupert Murdoch’s 21st Century Fox in 2019 led to thousands of layoffs as one of the industry’s original studios all but disappeared.

“We have seen from that merger the earnings and employment numbers for screenwriters significantly reduced,” Mulroney said.

Emanuel, the power agent, pointed to Ellison’s commitment to keep the Warner and Paramount studios largely intact, with each entity releasing about 15 films into theaters each year.

“He’s going to be making a minimum of 30 movies a year for theatrical release plus content for both their own and other platforms because that’s the only way to generate revenue,” Emanuel said.

Still, critics question whether Ellison will be able to keep his commitment due to the $79-billion debt load he will take on.

“I’m sure [Ellison’s] intentions are genuine,” Mulroney said. “But a promise like that’s not enforceable, and there are no consequences if you don’t meet the quota that you’ve set for yourself.”

On Wednesday, S&P Global Ratings agency said Paramount Skydance will remain on a negative credit watch due to balance sheet concerns.

S&P also cited worries about Ellison’s prospects “given the immensely complicated endeavor of combining two of the largest global media companies and the limited track record of PSKY’s management team in integrating and transforming such companies.”

Emanuel and others say Ellison’s image won’t suffer long-term damage.

The two sides, he predicts, will eventually work together.

“Here’s a guy who’s willing to put a lot of money on the line and take huge risks to make our environment more competitive,” Emanuel said. “The one thing about David is that he’s not a vindictive person. He always does what’s best for the project.”

President Trump, it’s well known, is into gold. Every day brings new evidence that he’s thoroughly enjoying the “golden age” he pronounced in his inaugural address — as few other Americans are — with stock trades, crypto profiteering and much more, even a new taxpayer-financed slush fund to reward his allies.

As for me, I’ve gone into silver. That is, I constantly look for the silver linings in Trump’s heinous acts.

One silver lining, of course, is his cratering job-approval numbers in the polls, especially among the young and Latino voters who made his reelection possible. But here’s another: By his humiliating failure to bring Iran to heel, nearly three months after starting a war that he said would last weeks at most, Trump has brought new, more positive attention to what he again this week derided as “Barack Hussein Obama’s Iran nuclear deal.” (The emphasis on “Hussein” is Trump’s, always.)

The president, along with his Republican cheerleaders, counts his first-term abrogation of the 2015 Iran nuclear agreement, the Joint Comprehensive Plan of Action, as a signature achievement. This week, yet again, he falsely claimed that had he not done so, Iran would have a nuclear weapon. In fact, his action in 2018 taking the United States out of the multinational deal subsequently led to Iran’s rebuilding of its nuclear program, the emboldening of the Iranian hard-liners now in power and the Middle East morass in which the United States is now mired.

That quagmire has left Trump seeming desperate for a deal — almost certainly a worse deal than the one Obama struck. Call it JCPOA Lite.

If he were able to get Iran’s sign-off on the sort of detailed, restrictive agreement that Obama and other world leaders won 11 years ago, he’d be trumpeting himself as the world’s greatest dealmaker. (He does that anyway, but his record proves otherwise.) Instead, by his own failure to date, Trump has invited reconsideration of the very agreement he decried as the “worst deal ever” on his march to election and reelection.

No sooner was the 2015 deal signed than Trump and Republicans succeeded in defining it as a giveaway to Iran that assured, not hindered, its development of a nuclear weapon to threaten Israel and the world. Opponents condemned the agreement for not addressing Iran’s other threats, notably its support for militant proxies throughout the Mideast. Some Democrats, notably Senate Minority Leader Chuck Schumer of New York, were among the foes. Other Democrats, cowed by opposition to the agreement by Benjamin Netanyahu’s Israeli government and pro-Israel lobbyists, were all but mute in the pact’s defense.

Now some Democrats are belatedly finding their voice (and, post-Gaza, some willingness to defy Israel). Along with nonpartisan experts, those Democrats are drawing comparisons between the 2015 agreement, flawed yet successful, and Trump’s promised yet ever-elusive alternative. What’s ironic for Israel and Netanyahu, still implacably against negotiating with Tehran, is that they could end up, under Trump, with a nuclear deal that gives Iran more leeway than the hated JCPOA did.

As Americans are being reminded, the 2015 deal wasn’t just between Iran and Obama, as Trump has long suggested; other signatories were China, Russia, Britain, France, Germany and the 27-nation European Union. Reconstituting that group would be all but impossible today.

The pact’s 159 highly technical pages and five appendices — a far cry from the short-lived one-pager that Trump officials teased earlier this month — required Iran for 15 years to limit its nuclear program to civilian purposes, forfeit more than 97% of its enriched uranium and submit to intrusive monitoring by the International Atomic Energy Agency to ensure compliance. In return, Iran gradually got relief from some, but not all, international economic sanctions and access to Iranian funds that were frozen after the 1979 Islamic revolution. Presumably, after 15 years, the agreement would have been extended somehow.

By all accounts, including those of Trump’s first-term intelligence and national security officials, Iran was complying when he abandoned the deal. Its “breakout time” for building a nuclear weapon was about a year — time enough for the world to intervene — instead of two to three months. Now, though the president boasts he barred Iran from having that weapon by breaking the Iran nuclear deal, he incessantly tells Americans that he went to war against Iran on Feb. 28 because it was on the brink of a bomb — never mind that he also said he had “obliterated” Iran’s nuclear program last summer, a program that was in a well-monitored box until he first took office.

If you’re confused, you’re paying attention.

A month ago, Trump posted online that he was close to a deal “FAR BETTER” than the 2015 accord. “I am under no pressure whatsoever, ⁠although, it will all happen, relatively quickly!” To several reporters, he suggested he in fact had a deal and that Iran had agreed both to suspend its nuclear activities and to forfeit all of its enriched, near-weapons-grade uranium.

Preposterous claims, given Iran’s current government, and Tehran promptly denied them. It was a sign of Trump’s squandered credibility that few, if anyone, believed him in the first place. Nor have folks believed his more recent talk of imminent success; oil markets, too, have learned not to trust the president, as prices at the pumps attest.

On Tuesday at the White House, amid a noisy tour of the billion-dollar-ballroom construction site, Trump told reporters he’d been “an hour away” from striking Iran again that very day but Mideast leaders asked for more time for negotiations.

Don’t hold your breath.

But for the tragic consequences, Obama might be enjoying some justifiable schadenfreude about Trump’s travails.

“We pulled it off without firing a missile. We got 97% of the enriched uranium out,” he told Stephen Colbert in an interview last week. Both U.S. and Israeli intelligence agreed that Iran was abiding by the nuclear limits, Obama added, “and we didn’t have to kill a whole bunch of people or shut down the Strait of Hormuz.”

That sure doesn’t sound like the “worst deal ever.” It wasn’t.

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