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COLLEGE STATION, Texas — As USC baseball coach Andy Stankiewicz noted the next additions that will be made to USC’s refurbished baseball stadium, he paused Monday night as a train rumbled loudly behind Blue Bell Park.

Stankiewicz, 61, smirked at the fitting metaphor after the Trojans clinched their first NCAA super regional berth in 21 years. He, after all, has rebuilt the USC program over his four seasons as head coach.

“Now we have a beautiful stadium,” he said of Dedeaux Field. “We’re going to have a beautiful clubhouse next year, batting cages and all that.”

As Stankiewicz attempted to utter another sentence, the train’s ear-piercing horn sounded.

USC baseball coach Andy Stankiewicz has guided the Trojans to the NCAA super regionals for the first time in 21 years.

(USC Athletics)

“That’s appropriate because we tell people the train’s moving,” Stankiewicz said. “Now we have a train honking its whistle. The train’s moving. We’re certainly excited to see where we’re going.”

The Trojans are definitely going places these days thanks to many players who believed in Stankiewicz’s vision despite knowing their on-campus stadium would be under construction for at least two seasons.

The Trojans had six players on the College Station Regional’s All-Tournament Team. Three of them — Abbrie Covarrubias, Kevin Takeuchi and Andrew Lamb — are upperclassmen who could have been tempted to transfer after they learned that they would be without a home field for two years. Junior shortstop Dean Carpentier is another upperclassman who believed in Stankiewicz.

“You talk about just kind of cornerstones,” Stankiewicz said. “Abbrie and Takeuchi … and Dean Carpentier and Andrew Lamb, these guys, they could have left. … They got here when we had a field, and they chose to stay.

“That’s something that I’m grateful for. It just tells you the quality of young men that they are. They’re here. They got two feet in and said, ‘I’m not going anywhere. I want to help build this program. Then to see the success that, not just Abbrie, but all of them have had, they’re great leaders. They lead by example.”

While Dedeaux Field was under construction, the Trojans played most of their home games in 2024 and 2025 at Irvine’s Great Park, 47 miles and another county away. They practiced at East L.A. College.

Yet, they still reached a regional final in 2025. They have gone a step further this year by climbing out of the losers’ bracket in the regional to eliminate Texas A&M and reach a super regional for the first time since 2005.

The Trojans didn’t just climb out of the losers’ bracket. They rumbled through like a runaway train, dominating with 55 runs over four losers’-bracket wins. They scored 21 of those runs over two victories against SEC power Texas A&M in the regional final.

The Trojans made themselves at home while playing in one of the SEC’s most hostile environments. It was as though the Trojans have grown accustomed to making themselves at home on the road in recent years.

Although parts of Dedeaux Field are still under construction, the Trojans were 32-1 there for the best home record in school history. USC (47-17) eclipsed the 40-win mark for the first time since 2005.

“Obviously being able to play at home this year has been a blessing,” designated hitter Augie Lopez said after he was named the Most Outstanding Player of the College Station Regional. “But the last couple of years we’ve just kinda showed up every day — whether that was in Irvine or East L.A. Community College for practice — just with the same mentality of we’re going to show up and put our work in and dominate no matter where we are.

“Just showing up every day and punching that time card and going to work and just putting your head down and knowing that no matter where you are (or) what home field you have or you don’t have a home field, we’re going to get it done and play quality baseball.”

USC pitcher Grant Govel throws to home against Texas State during an NCAA regional on May 29.

(Sam Craft / Ap Photo/sam Craft)

The 12-time national champions will face North Carolina at the Chapel Hill Super Regional in hopes of reaching their first College World Series since 2001. No player on the current roster was alive when the Trojans won their last national title in 1998.

Only a few were even born when USC made its last super regional appearance in 2005 at Oregon State.

“With the history that this program has, it’s been an honor to wear the Trojan brand on the front of my chest,” Lopez said. “Honestly just knowing that this team is the team to bring USC back to the super regional it’s incredible.

“Honestly, it hasn’t hit me until right now, but we’re just feeling absolutely grateful. I’m super blessed.”

You don’t need to hear the horn to realize USC’s train is moving in the right direction in Stankiewicz’s fourth season at the helm.

Nelly Korda’s bid for a U.S. Women’s Open title began Thursday with a foot fault.

The No. 1-ranked player opened her round at Riviera wearing a pair of golf shoes provided to her by LeBron James, Nike Victory Pro 4s with white uppers, gold swooshes, red-and-navy details and an American flag pin on the laces.

Snazzy as they looked, the shoes were a little loose fitting for Korda, who swapped them for a more familiar pair after she played the first six holes at one over par. She never really found her groove and finished the opening round with a two-over-par 73.

“Just hit it really poorly off the tee,” said Korda, who immediately headed to the practice range after meeting with the media following her round. “Found myself in a lot of trouble on the wrong side of a lot of these pins. I just felt like I was kind of just grinding to make safe pars. It wasn’t a great day. I hit it really good Monday through Wednesday, so I have honestly no idea where this came from.”

For others, Riviera — playing host to the major championship for the first time — was as comfortable as an old shoe.

Korea’s Sei Young Kim worked her way to the top of the leaderboard with a 67, making back-to-back birdies on the 10th and 11th holes, then three in a row on Nos. 6, 7 and 8.

Sei Young Kim eyes her putting line on the ninth green during the first round of the U.S. Women’s Open at Riviera Country Club on Thursday.

(Gina Ferazzi / Los Angeles Times)

According to Elias Sports Bureau, Kim ended a personal streak of 43 consecutive major championship rounds shooting 70 or higher. It was the longest active streak of its kind entering this week.

“The U.S. Open is not regular — not the same as a regular tournament,” Kim said. “So you need to be really patient instead of attacking the pin. So I really try to follow what my caddie says.”

Some caddies have an even closer relationship with their players. On the bag for Michelle Wie West is her husband, Jonnie West, son of late NBA legend Jerry West. Wie West retired three years ago after the Open at Pebble Beach, but came out of retirement to use her last year of exemption to play on this iconic course, celebrating its centennial.

Wie West opened her round with a flourish, crushing her tee shot 293 yards down the left side. Although she missed the green on her approach, chipped up for a short birdie putt but missed it.

Wie West, once one of the biggest stars in the game, qualified for the USGA amateur championship at age 10, the youngest player to do so. She turned professional shortly before her 16th birthday and won five times on the LPGA Tour, with her only major victory coming at the U.S. Open in 2014.

Now a mother of two, Wie West said part of her motivation to return for this tournament was so her daughter, Makenna, who turned 6 this week, will have memories of her playing.

Michelle Wie West, right, and caddie Jonnie West, her husband, discuss an approach shot during a practic round Wednesday.

(Harry How / Getty Images)

“It’s everything,” Wie West said of that inspiration. “Being able to share this with her — even the last couple of months, just practicing. We talk a lot before she goes to bed, and I tell her what I do when she’s at school. ‘I had a tough day at practice. This is what I overcame.’”

Makenna is almost a sounding board.

“My daughter is like the best sports psychologist I’ve ever had, honestly. … I’m going to try to live by the words I tell my daughter. I always tell her before a game or tournament, ‘I don’t care about the results. All I care about is a good attitude and that you try your hardest.’ That’s my No. 1 goal this week.”

Still in search of her first major victory is Gaby López, whose 68 on Thursday put her just behind the leader. She grew up in Mexico City and said Riviera has a familiar and comfortable feel.

“It’s all high elevation [there] and flies way less here,” she said. “But the same kikuyu [grass] and the ball sits up, and you just have to be ready to hit some flier shots off the fairway.

“That rough, you can get lucky at times. … It’s so sticky it’s hard to get it out, especially when you’re going to have no spin. So you just have to be very specific where you’re going to miss it if you don’t hit the fairway.”

Lopez has started hot in the U.S. Open before, although she wasn’t pleased with those results. She was four under through her first nine holes in 2017 before going two over in her second nine. She shot a 70 that day and was tied for 13th after the opening round, but wound up missing the cut.

Her approach this year is simple and straightforward.

“Right now let’s be smart, let’s be focused on what you want to achieve,” she said, “and at the end of the day, let’s put yourself in a position that you can have a shot on the back nine on Sunday.”

Kathy Hilton will no longer be the grand marshal of West Hollywood’s pride parade.

The city and WeHo Pride on Wednesday released a joint statement, announcing that “The Real Housewives of Beverly Hills” star would no longer serve as the Grand Marshal Icon for the 2026 WeHo Pride Parade. The event is scheduled for Sunday.

“After thoughtful discussions, the City of West Hollywood, the WeHo Pride production team, and Kathy Hilton have determined that the 2026 WeHo Pride Parade will not designate a Grand Marshal Icon honoree,” read the statement.

The decision comes less than a week after Hilton was announced. That May 28 announcement was met with swift backlash from the LGBTQ+ community and allies, who called out Hilton’s ties to President Trump and alleged MAGA-leaning politics. Critics also cited accusations that the socialite had used a homophobic slur while on a trip with other cast members of “The Real Housewives of Beverly Hills,” an action she has previously denied.

In their joint statement, West Hollywood and the WeHo Pride team expressed their appreciation for “the respectful and sincere dialogue” around both the event and the “role and significance” of Pride honorees.

“The City of West Hollywood has always believed that Pride belongs to the community,” the joint statement said. “Since its earliest days, Pride has served as both a celebration and a platform for activism, visibility, resilience, and the ongoing pursuit of equality, dignity, and justice for LGBTQ+ people. … These conversations reflect the passion people have for WeHo Pride and underscore the importance of ensuring that WeHo Pride continues to honor the history, values, and diverse voices of the LGBTQ+ community.”

In a statement, Hilton expressed gratitude for being considered for grand marshal and reaffirmed her commitment to the LGBTQ+ community and causes.

“My reason for wanting to be involved in this year’s WeHo Pride weekend was simple: to celebrate, support, and share in the joy of a community that means a great deal to so many people,” Hilton said. “Pride is, and always will be, about celebrating and uplifting LGBTQ+ voices, experiences, and achievements. … My support for the community and WeHo Pride is unwavering.”

She also mentioned several queer advocacy organizations and events she has supported over the years, including GLAAD, the Elton John AIDS Foundation, the Elizabeth Taylor AIDS Foundation, Dr. Mathilde Krim, God’s Love We Deliver and Project Angel Food.

The latest Pride-related dust-up follows the abrupt cancellation of the Long Beach Pride Festival in May. The city’s Pride Parade took place as planned.

Both snafus have occurred as conservative politicians and advocates continue to attack LGBTQ+ rights and visibility nationwide. Some Republican governors have even pushed for conservative alternatives to Pride month festivities. A recent Gallup poll has found that after years of steady gains, support for marriage equality and same-sex relationships has slipped, particularly among Republicans.

The Rams’ trade for Myles Garrett and subsequent intrigue about whether Aaron Donald would unretire to place two future first-ballot Hall of Famers on the same defensive line has served as an unmistakable reminder that some folks don’t change.

Rams castaway Cooper Kupp still boasts an unexpected wry sense of humor.

Donald’s wife, Erica, can still toss a wet blanket on fiery hearsay by posting a few well-chosen words on social media.

Rams architects Les Snead and Sean McVay can still adroitly motivate a player without pressing too hard.

As for Donald himself, it seems he still harbors a desire to play 26 months after he retired at age 32 at the top of his mayhem-creating game.

The acquisition of Garrett was the tipping point that Donald fueled by telling NFL insider Jordan Schultz in a text: “I’m for sure flirting with the idea. Helluva an opportunity with the Super Bowl in SoFi this year. If I can find the fire, it’s a possibility.”

Kupp, a receiver now with the Seattle Seahawks, was Donald’s fellow All-Pro teammate when the Rams won the Super Bowl in 2022. They remain friendly enough for Kupp to reach out to Donald a few days ago with tongue-in-cheek advice to stay retired.

“I already texted him and told him he’s not allowed. So we’re good,” Kupp told sportscaster Rich Eisen while laughing. “I texted Aaron and said, ‘Don’t even think about it.’ I left it at that, so we’re good. I’m not worried about it. I already nipped it in the bud. No one has to worry.”

Erica Donald’s three-word rebuttal on X to speculation about her husband playing football again was also light-hearted. But it carried the weight of coming from the mother of two of Donald’s four children.

“Y’all are hilarious,” Erica posted.

Enough said?

Responses were respectful but hoped she was kidding.

One fan asked, “MRS.Donald can Aaron come out and play pretty please.”

Another took a similar courteous tone: “Erica, queen of them all… please let the mister give it one more go!”

Ardent Donald fans recall his wife’s response when he retired in 2024, and followers were incredulous that he would do so with seemingly plenty of outstanding football ahead of him.

Erica put the kibosh on the notion that he might change his mind in a 16-second video where she sits next to her husband, who appears to be sleeping while a television in the background is tuned to football.

Looking at her phone camera but speaking to her husband, she says, “Aaron, the people are still asking if you are coming back,” at which point she breaks into laughter because he doesn’t budge. She continues, “All right, guys, I hope that answers your question, ’cuz he is not.”

Less certain now are McVay, the Rams coach since 2017, and Snead, the team’s general manager since 2012. The mere thought of the eight-time All-Pro Donald lining up alongside the five-time All-Pro Garrett is too delicious to ignore.

“If Aaron decides he wants to dust them off at the age of 35, I bet you he could still do it at a pretty high clip,” McVay said during the news conference introducing Garrett.

Snead sounded even more hopeful.

“I do think for the first time since he retired, he’s maybe tempted,” he said. “‘Oh, let’s maybe do one last stand.’ I don’t know if he’s been tempted since he has been retired and I think if you know Aaron at his core, he’s one of those humans that if he doesn’t think he can really, really help, he probably doesn’t want to try.

“But for the first time, I’m betting that he’s tempted. I can sense that. That’s cool that Aaron’s excited, like a lot of our fans, Aaron’s excited about [acquiring Garrett] and he’s probably tempted for the first time.”

For his part, Garrett told Rams broadcaster J.B. Long that he plans to speak to Donald soon.

“I don’t know what his plans are, and I’m not gonna pretend to know,” Garrett said. “I know a lot of people are excited and thrilled about the idea of him coming back, but just being able to talk to him, learn from him, and know that I’ll take all the advice I can.”

Donald’s longtime former teammates are speaking the loudest. Former Rams defensive lineman Michael Brockers, perhaps Donald’s closest friend on the team for seven years, said on a podcast that he has “knowledge that others might not have…. My guy is staying ready so he doesn’t have to get ready.”

And even while kidding, Kupp couldn’t help but say out loud what many Rams followers are thinking.

“I love Aaron, he’s such a good football player, great dude,” he said. “I loved taking the field with him in L.A. I don’t know what’s going to happen. That would be crazy. He’s a very, very good football player.”

Kupp laughed again.

“I don’t care how old he is, how long he’s not played, Aaron Donald is Aaron Donald. But it doesn’t matter because I told him he can’t.”

PARIS — Acclaimed Iranian-French cartoonist and filmmaker Marjane Satrapi, a prominent advocate for women’s rights, has died at 56, the French presidency said Thursday.

“Her passing marks the loss of a leading figure of French culture and an artist devoted to freedom, whose work carried a universal message and earned her immense international acclaim,” the French presidency said in a statement.

President Emmanuel Macron and his wife “pay tribute to a remarkable artist who transformed an Iranian childhood into a universal fable,” the statement said.

News broadcaster BFM TV and other French media reported Satrapi has “died of sadness” a little over a year after the death of her husband, Swedish film producer and actor Mattias Ripa, according to a statement from people close to the artist.

The French Academy of Fine Arts, of which she was a member, expressed its deep sadness in a social media statement, paying tribute to “a passionate advocate for cinema and film education” who earlier this year created a foundation to help international students come to Paris to study film.

Satrapi is best-known for her monochrome autobiographical comic book and film “Persepolis,” a coming-of-age tale set against the Islamic Revolution in her native Iran.

“Persepolis” won the Film Critics Grand Prix at the Cannes Festival in 2007 and the César Award for adapted screenplay in 2008, in addition to being nominated for animated feature at the 2008 Oscars.

The film, which details her life in Tehran as the willful daughter of intellectual Marxists, is a reminder that Iranians are just like everyone else, Satrapi told The Associated Press in a 2007 interview in Cannes.

“What we wanted to say is, if these people scare you, look closer: They have parents, they have lovers, they have hope, they have stories,” she said.

Iranian authorities at the time protested the movie’s inclusion at Cannes, sending a letter to the French Embassy in Tehran.

Satrapi was born on Nov. 22, 1969, in Rasht, Iran, but her parents sent her to Vienna, Austria, in 1983 to finish her studies because of the extremism in their country following the 1979 Revolution that brought Ayatollah Khomeini to power.

But Satrapi, who found Austria hostile and who desperately missed her parents, returned to Iran in 1989 to attend Tehran University, where she earned a degree in visual communications.

By the time she graduated, Satrapi decided she finally was ready to leave Iran and accept the opportunities her parents had been so desperate to give her a decade before. In 1994 she moved to France. She studied in Strasbourg and later moved to Paris.

Her graphic novels also include “Broderies” (“Embroideries”) and “Poulet aux prunes” (“Chicken with plums”), which also was adapted into a film. As a filmmaker, she has directed several works including “La Bande des Jotas” (“The Gang of Jotas”) and “Radioactive” (“Madame Curie”), a biography about the Polish physicist Marie Curie.

Satrapi in 2023 coordinated the book “Femme, vie, liberté” (“Woman, Life, Freedom”) together with a group of artists and academics to illustrate the revolts that occurred in Iran after the death of Mahsa Amini in 2022 at the hands of the so-called “morality police.” The work denounces the repression and lack of human rights that Iranian society, especially women, suffers at the hands of the Iranian regime, the foundation said.

Satrapi was elected member of the French Academy of Fine Arts in 2024. She also was offered France’s highest award, the Legion of Honor, that same year but declined it, arguing France was not doing enough to support Iranian people fighting for democracy.

“Supporting the women’s revolution in Iran cannot be reduced to photos or speeches,” she wrote in a January 2025 letter to French authorities. “When people are fighting for democracy, we should support them.”

In 2024, Satrapi won the Princess of Asturias Foundation award in Spain for communication and humanities. The organization said she was “an essential voice in the defense of human rights and freedom.” The judges described her as “a symbol of civic engagement led by women.”

Satrapi’s husband, Ripa, died in April 2025 at 53. On her Instagram page, only one message was left in a series of posts: “Because I have lost the love of my life.”

A waterfront amphitheater roughly twice the size of the Greek Theatre and two-thirds the size of the Hollywood Bowl is set to open this week in Long Beach — and there’s a lot riding on its success.

City leaders hope F&M Bank Amphitheater of Long Beach, located next to the famed Queen Mary, will supplant declining revenues from oil extraction and lead to an uptick in tourism. Concert promoters, meanwhile, see it as filling an important gap in Southern California’s music venue market.

The temporary amphitheater, which has a maximum capacity of 11,000, is meant to be a precursor to a permanent “Long Beach Bowl,” which is being pitched as the largest waterfront venue on the West Coast. The site opens June 6 with a performance by native son Snoop Dogg, and is expected to last for up to 10 years.

The new amphitheater represents a years-long dream of Mayor Rex Richardson, who began championing an outdoor performance venue on the waterfront in 2023. Soon after the closure of Irvine’s FivePoint Amphitheatre in October of that year, he accelerated those plans by proposing this facility. The general feeling was that Irvine’s loss could be Long Beach’s gain.

“This will be a place where memories are made, where music brings people together and where our city shows up on the big stage,” he said during a January groundbreaking. “The amphitheater represents direction to invest in our city’s future, to embrace our creative economy [and] to shape how people experience Long Beach for generations to come.”

Good vibes by the water is the driving energy behind the temporary venue.

(Eric Thayer / Los Angeles Times)

While Los Angeles and Orange County have no shortage of cavernous indoor arenas, the region has recently lacked a proper “summer shed” capable of hosting many national amphitheater tours, said Nick Storch, head of global artist development for booking agency Independent Artist Group. Those tours typically play venues larger than the Greek, Irvine’s Great Park Live or Costa Mesa’s fairgrounds-adjacent Pacific Amphitheatre, but smaller than the Hollywood Bowl.

Such tours, Storch said, are of “massive” importance to the concert industry. “With amphitheaters, it’s not just the music — it’s the experience of being outside and watching a concert, getting a bite to eat with your friends and all those kinds of things,” said Storch, whose agency’s clients Motley Crue and Five Finger Death Punch will perform at the F&M Bank Amphitheater in September.

“FivePoint was a great venue to help artists that are in that in-between stage, and not fully ready for arenas,” he said. “Long Beach having an amphitheater is going to grow the market again.”

Amphitheaters are also crucial to veteran artists with established fan bases. The long-running hard rock band Tesla — who also will perform at the F&M Bank Amphitheater in September — has not played a show in Los Angeles or Orange counties since the closure of FivePoint, which hosted the group twice.

Brian Wheat, the band’s bassist and manager, said he’s excited the new venue will help change that. “Sheds are great in the summertime, and outdoor summer gigs always create a great atmosphere for both bands and fans,” he said.

Much like the F&M Bank Amphitheater, FivePoint Amphitheatre was designed to serve as a temporary venue following the closure of Irvine Meadows Amphitheatre, which operated from 1981 to 2016. (From 2000 to 2014, it was known as Verizon Wireless Amphitheater.)

At 11,000 seats, the amphitheater is roughly two-thirds the size of the Hollywood Bowl. Its permanent replacement will be “architecturally iconic,” said Mayor Rex Richardson, while this temporary version is likened to a “summer shed.”

(Eric Thayer / Los Angeles Times)

From its opening in October 2017 until its closure, FivePoint hosted nearly 500 concerts, including artists such as KISS, Dave Matthews Band, Charlie Puth, Morgan Wallen and Luke Combs.

Venue operator Live Nation — which manages more than 300 facilities across the country — initially hoped to build a permanent amphitheater nearby, but scrapped those plans in 2023 after the Irvine City Council ended negotiations. Soon after, Live Nation announced the venue would shutter.

After learning of Live Nation’s fallout with Irvine, Richardson and members of his economic development team attended the final FivePoint concert, a performance by the Zac Brown Band, to “explore the feasibility if we were to do the same thing.”

Three months later, Richardson announced plans to build a temporary amphitheater in Long Beach to bridge the gap until a permanent facility — which he envisions as an “architecturally iconic and significant” waterfront venue akin to San Diego’s Rady Shell at Jacobs Park — can be permitted, financed and constructed.

The site’s location is central to its appeal, said Dan Hoffend, executive vice president of North American venues for Legends Global, the operator for F&M Bank Amphitheater. “If you sit in the very top row — what you would consider the worst seat in the house — it’s a spectacular view,” he said. “The Queen Mary is sitting there in all its glory. You’re looking across the harbor. What would be perceived as the worst seat is actually the best seat because you see it all.”

Long Beach Mayor Rex Richardson, left, and amphitheater general manager Tra Jones sit in the stands. Even from the nosebleeds, you still have a view of the waterfront at the F&M Bank Amphitheater.

(Eric Thayer / Los Angeles Times)

Tra Jones, general manager of the new amphitheater and a Long Beach native, said he’s striving to make it feel less stopgap and utilitarian than FivePoint.

“It doesn’t have a temporary feel at all,” he said. “We looked at all our surroundings and said, ‘What does this look like from a stylistic point of view?’ We leaned into the port/SteelCraft vibe — a very cool industrial look. When you walk in, you’re experiencing a vibe. That’s what we want to resonate with concertgoers coming here.”

The word “vibe” also pops up frequently in conversation with Richardson. Under his watch, Long Beach recently started branding itself as “Vibe City,” which he said is an attempt to encapsulate the charm of L.A. County’s second-largest city, and the state’s seventh-largest.

“Long Beach is special, but it’s hard to explain why if you haven’t been here,” he said. “Because you have to experience it for yourself, the best way to describe it is that it’s a vibe.”

Still, Richardson is aware that vibes can only go so far. During an April meeting with residents of downtown Long Beach, attendees were more interested in discussing homelessness and a recent uptick in traffic fatalities than how a new concert venue might add to the city’s cultural cachet. Some downtown residents have circulated a petition regarding noise-related concerns.

“The job of the mayor is to meet the needs of your residents today — keeping a roof over your head, making sure it’s safe to walk down the street, making sure you have access to amenities and services in your community — but also to think about the future,” he said.

That means finding a way to offset revenues from oil extraction, which currently finance many municipal services, and are projected to drop from more than $50 million annually to around $21 million by 2035. According to Richardson, the new amphitheater — managed by Legends Global, but owned by the city — will help cover that shortfall. The venue is projected to be profitable within five years and generate nearly $29 million in revenue by 2036.

Oil revenues, which pay for city services, are projected to drop by more than half. The amphitheater is being pitched as a budget gap solution.

(Eric Thayer / Los Angeles Times)

“We were fortunate that revenue from oil provided a lot of our services and built our beautiful waterfront, but as California moves away from oil production, we have to plan a more sustainable future by investing in what we know will be here in the long haul,” Richardson said. “In order to do that, we have to invest in arts and culture and tourism.”

Richardson is betting on music at a time when other cities — including Los Angeles — are doubling down on sports, warehousing or data centers. The amphitheater is also meant to remind the world of the city’s impact on pop culture.

From War to Warren G and Sublime to Snoop, Long Beach has a rich musical history. The city hosted the first concerts by the Beach Boys and No Doubt, while Rock & Roll Hall of Famers Elvis Presley, the Eagles and Iron Maiden all graced the stage of the Long Beach Arena.

While that venue currently holds more conventions than concerts, Long Beach has hosted notable outdoor music festivals in recent years, including Warped Tour, Day Trip and Dreamstate. Richardson believes the success of those events helped prove the city’s viability as a concert destination.

“This is the first step toward a legacy of leaving our city in a more economically resilient position,” Richardson said. “At every big turn in our city’s economy, we’ve leaned on arts as a way forward, and this is no different.”

Even the bleacher seats represent Long Beach pride at F&M Amphitheater.

(Eric Thayer/Los Angeles Times)

Three years ago, Mattel Inc. struck box-office gold — or rather, pink — with the billion-dollar success of “Barbie.”

In its first return to theaters since the female-forward phenomenon, the El Segundo toymaker is turning to the brawny He-Man for another box-office lift.

Its latest film, “Masters of the Universe,” opens this weekend, as Mattel looks to build on that previous success and continue extending its signature toy brands into the entertainment arena.

“The movie is very much in tune with culture,” said Mattel Chief Executive Ynon Kreiz. “Everything is much more contemporary relative to what was created more than 40 years ago, but it’s still very true to the origin story and to the DNA of the brand.”

The new film arrives at a pivotal time for Mattel, which is facing pressure from investors to grow its business. The maker of Hot Wheels, American Girl and Uno has recently confronted a challenging market for toys, beset by tariffs on goods produced overseas and weaker-than-expected demand for Barbie dolls and Fisher-Price preschool products.

Amid uncertainty in the toy market and the fallout from tariffs, Mattel’s net income dropped 25% to $398 million in 2025. And since the company announced disappointing holiday sales totals in February, its stock has dropped more than 30%, closing at $14.34 on Wednesday.

“Masters of the Universe” toys at Mattel headquarters in El Segundo.

(Myung J. Chun / Los Angeles Times)

The share price slide prompted investor Southeastern Asset Management to send a letter last month to Mattel leadership suggesting the toy maker should sell itself and go private. Southeastern manages about 4% of the company’s stock on behalf of its clients.

“The frustration among investors has been the fact that if you look at the business from 2021 through 2025 and even this year … the business really hasn’t grown,” said Eric Handler, a Roth Capital senior media and entertainment analyst, referring to Mattel. “This is a company that needed something fresh in the portfolio, and there’s a wide range of investments being made, of which ‘Masters of the Universe’ is one part.”

Kreiz pushed back on the idea that the company is not growing. In the fourth quarter of 2025, net sales were up 7% to $1.8 billion, though the result was not as strong as the company expected.

Mattel has spent $1.2 billion in the last three years to buy back shares, with an additional $1.5-billion share repurchase planned for the next three years.

“We’re investing in our own stock because we believe it is undervalued,” he told The Times in an interview at his office, which has floor-to-ceiling windows that give an expansive view of El Segundo. “We absolutely agree that the share price doesn’t reflect the progress that we’ve achieved over the last few years financially, operationally, our place in culture, the strength of our brands, and the continued expansion of the business. And more importantly, the potential that we have down the road.”

“Masters of the Universe” is a key variable in that equation.

Ynon Kreiz, chief executive of Mattel.

(Myung J. Chun / Los Angeles Times)

The movie, which had a budget of roughly $170 million, is expected to bring in $25 million to $35 million in the U.S. and Canada during its debut weekend. That’s a far cry from the $162-million opening haul of “Barbie,” but box-office analysts say that film captured the cultural zeitgeist in a way that’s hard to replicate.

The ‘80s-era “Masters of the Universe” is “a property that was famous with a certain group of fans, but it hasn’t had much of a pop culture presence,” said Shawn Robbins, who directs movie analytics at Fandango and founded the forecasting site Box Office Theory. The movie has notched a respectable 74% approval rating from critics on aggregator Rotten Tomatoes.

“There’s been so many callbacks to nostalgic franchises,” he said. “Some people are always on board for them, and maybe the positive reviews bring people in who were on the fence. But people are also ready for something fresh and new and exciting.”

Kreiz said he’s often asked how the company will match the success of “Barbie.”

“The answer is, we don’t need to match ‘Barbie’s’ success for movies to have a meaningful economic impact on the company,” he said. “Not every movie will be ‘Barbie.’ If we create quality content that people want to watch and create quality experiences that people are engaged with, good things happen, and these brands will resonate and will be here for years to come.”

While theatrical revenue is important, the measure of success for “Masters of the Universe” could also include its eventual reception on streaming platforms and, of course, toy sales, analysts said.

There are hundreds of products tied to the movie, from collectible action figures of Nicholas Galitzine’s He-Man and Camila Mendes’ Teela, to branded Uno decks, Legos, clothing and skateboards.

Skeletor from “Masters of the Universe.”

(Myung J. Chun / Los Angeles Times)

“For us, it’s a huge win already,” said Robbie Brenner, president of Mattel Studios and chief content officer, who also served as a producer on the film. “We have reinvigorated and relaunched this brand that has been around for decades … and done it in a way with just the best-in-class toys. Obviously that’s our bread and butter. And then to have made an epic, incredible movie … is a huge win.”

While Mattel does not yet have sales totals for its “Masters of the Universe” toys, executives said during an earnings call in late April that product sales were “growing double digits” amid strong customer demand, particularly from adults.

When Kreiz was named CEO in 2018, he saw the potential for Mattel to expand beyond toys. In an entertainment landscape dominated by known franchises and intellectual property, the former TV and media executive wanted to leverage the company’s IP in new ways to attract consumers.

Hence, Mattel has expanded into real-world experiences such as a Barbie pop-up at Coachella or a traveling Hot Wheels monster truck show. In February, the company fully acquired Mattel163 mobile game studio after buying out a stake held by Chinese tech firm NetEase. The studio has released games based on Uno, Skip-Bo and other Mattel intellectual property.

And on the film and television front, the Mattel Studios division now has 51 people — most of whom are based in El Segundo — focused on projects across platforms.

After “Masters of the Universe,” Mattel Studios plans to release a “Matchbox” streaming movie in October. The division has more than a dozen films in development that have been announced, including an American Girl movie with Paramount, Polly Pocket with Amazon MGM Studios, as well as a live-action Magic 8 Ball series from M. Night Shyamalan.

“The journey for the company was to evolve from being a toy manufacturer that was making items to become an IP company that is managing franchises,” Kreiz said. “It’s not that we’re not creating toys — it’s obviously a big part of our business — but the opportunity is to expand so much more than the physical product.”

“Masters of the Universe” was in development for years at several different studios before it was picked up by Amazon MGM.

That partnership stemmed from Mattel’s work on the “Barbie” movie with Courtenay Valenti, then president of production and development at Warner Bros. Pictures who is now head of film at Amazon MGM.

“Masters of the Universe” felt like a good property for Mattel to bet on because of its nostalgia factor and deep bench of colorful characters, from the green tiger Battle Cat to the heavily armored Ram Man and ever meme-able Skeletor, which the company hopes will attract new audiences, Brenner said.

The movie is directed by Travis Knight — chief executive of stop-motion studio Laika who also led the 2018 “Transformers” spin-off “Bumblebee” — who Brenner said “nailed” the narrative’s tone. (It didn’t hurt that Knight was already a fan of the franchise and had sported the He-Man haircut as a child.)

“It’s a property that’s kind of out there,” said Brenner, who grew up watching He-Man and his twin sister She-Ra. “It’s got all these crazy characters. But just riding that line between what is funny and kind of irreverent and then kind of heartfelt, that is a very hard thing to put in a blender and to get right.”

In recent months, the iconic ticking stopwatch of the CBS News magazine “60 Minutes” began to sound like a time bomb.

The explosive detonated Tuesday as the prestigious program’s most high-profile correspondent, Scott Pelley, was fired after openly challenging the moves and motives of the news division’s leadership and questioning the credentials of new “60 Minutes” executive producer Nick Bilton.

Pelley accused CBS News Editor in Chief Bari Weiss of “murdering” the program and berated Bilton, a former New York Times journalist, for lacking TV news experience. His forced exit along with the departure of several other veterans is raising fears about the future of the most-watched TV news program that has managed to retain its vitality and importance in the face of major changes across the media landscape.

Weiss praised Pelley’s contribution to the network when she discussed his termination at the network’s morning editorial meeting Wednesday, but cited a loss of “trust and mutual respect” as the reason for moving on.

“We cannot do our work without it,” Weiss said. “That foundation was broken on Monday, and despite our attempts to engage with Scott Pelley and to find a way back, unfortunately we weren’t able to do so, and so we had to part ways.”

But industry veterans familiar with “60 Minutes” said the firings represented a notable shift in how the venerable program has been run by its predecessors.

Rome Hartman, a former longtime “60 Minutes” producer, said Wednesday in an interview that the termination of Pelley for forcefully expressing his views at a staff meeting is a fundamental misunderstanding of how the program has operated and thrived over 58 years. Spirited, and occasionally acrimonious, internal debate has always been a part of working at “60 Minutes.”

“Sharp words in defense of important ideas, whether they be in stories, or whether they be about the future of the broadcast, shouldn’t just be tolerated, they should be encouraged and inculcated, and they always have,” Hartman said.

The insularity of the “60 Minutes” operation — which has its own suite of offices across the street from the main headquarters of CBS News — has rankled the network’s executives in the past. But those dynamics were considered part of the price of having the most prestigious news program on television.

“Every single CBS News president in the history of CBS News has resented the independence of ’60 Minutes,’” Hartman said.”But the smart ones have come to understand that that independence is part of the secret sauce. I don’t know Bari Weiss, but she seems incredibly thin-skinned.”

The turmoil inside “60 Minutes” comes at an inopportune time for CBS. Weiss is now under the gun to replenish the program’s staff with three months to go before original episodes return to the prime-time schedule.

Pelley is the fourth correspondent to depart “60 Minutes” since Weiss took over as editor in chief. Last week, Weiss fired correspondents Sharyn Alfonsi — who accused Weiss of playing politics by holding a story on the government’s use of El Salvador prisons for undocumented migrants — and Cecilia Vega, who was also outspoken in her criticism of the changes at “60 Minutes,” saying she faced censorship. Anderson Cooper, the CNN anchor who spent nearly 20 years as a contributor to the program, chose not to sign a new contract.

Weiss also fired executive producer Tanya Simon, who has been with the program for 25 years, and her second in command. (Pelley said he was unable to get answers on the firings during his final meeting Tuesday with Weiss and CBS News President Tom Cibrowski.)

Bari Weiss hosts Senator Ted Cruz on her “Honesty” podcast on January 18, 2025, in Washington, D.C.

(Leigh Vogel / Getty Images for Uber, X and The Free Press)

And there could be more departures on the way, adding to the upheaval. Bill Whitaker, who joined the program in 2014 and was a Pelley ally, is said to be weighing whether to walk away from the two years left on his current contract. The program’s respected veteran , Lesley Stahl, is pondering her future as well amid the massive changes, according to people familiar with her thinking who were not authorized to speak publicly.

The call is out for new talent, according to one agent who said CBS News is talking to “dozens of people” for the openings.

But the company will also look within its ranks. Matt Guttman, hired away from ABC News by Weiss to become senior national correspondent, is one name being mentioned, along with Major Garrett, the network’s chief Washington correspondent. Both have emerged as favorites of Weiss.

Norah O’Donnell, already a contributor to the program, is also likely to have a larger presence.

While the “60 Minutes” patina has been tarnished by the recent events, there is no shortage of journalists who would be willing to step up and join the program. But whoever does sign on will be intensely scrutinized while the Nielsen numbers are closely watched.

Newcomers on the program are rare and would have an easier time gaining audience acceptance if they were joining a stable operation.

Although every long-running TV program can use an occasional refresh, a massive overhaul is destabilizing for “60 Minutes,” one of the last non-sports appointment programs for the traditional television audience that still provides broadcast networks with the bulk of their advertising revenue.

Notably, the program averaged 9.1 million viewers during the 2025-26 TV season according to Nielsen, up 9% over the previous year.

“Viewers liked the ’60 Minutes’ that they had,” said a former CBS News executive who worked on the program who was not authorized to speak publicly. “And if they don’t like it, they have many other places to go.”

One of Weiss’ mantras — echoed by Bilton — has been the need to pull “60 Minutes” into the digital future as traditional TV viewing declines. Insiders say she has yet to make clear how that will be achieved.

Under Weiss’ watch, clips and full segments of the program gained significant traction on platforms such as YouTube. The success on digital is an encouraging sign for the program’s ability to attract younger viewers who don’t watch traditional talent.

But veteran TV executives say that loyal “60 Minutes” viewers still expect to see seasoned correspondents delivering in-depth investigations and analysis. A diversion from that formula poses substantial risks.

“Its audience has certain expectations,” said Jim Murphy, a former executive producer for CNN and CBS News. “These guys built a literally nearly perfect program for the medium and for the audience. You’re not going to make it better just because somebody cooler does a story that’s, like, a little funkier. It just not going to work.”

Steve Capus, a veteran network producer who worked with Pelley at the “CBS Evening News,” said his former colleague was built for the meticulous work that goes into every “60 Minutes” segment.

“It’s hard to do week in and week out,” Capus said. “You have to be first-rate in your storytelling.”

What’s more, Weiss and Bilton will also have to fight the perception that their moves on the program have been guided by the desire of David Ellison, chief executive of CBS News parent Paramount, to please the Trump administration as he seeks regulatory approval of his deal to acquire Warner Bros. Discovery.

Trump sued “60 Minutes” over the editing of an interview with his 2024 presidential opponent, former Vice President Kamala Harris. The suit was settled just ahead of the Federal Communications Commission clearing the way for the takeover of Paramount by David Ellison’s Skydance Media.

Ellison acquired Weiss’ digital startup, the Free Press, which established itself as a voice critical of so-called woke politics.

Pelley said in a statement Tuesday that there has been pressure to shape CBS News coverage to please the Trump White House, a claim that both Vega and Alfonsi have made.

“I’ve been told to include assertions that are unverified,” he said. “To date, in every case, I have ignored these instructions or refuse them.”

In a statement, a representative of “60 Minutes” said that the exchanges with Pelley regarding editorial content were not out of the ordinary.

“There is no political interference at CBS News, not from ownership, not from Bari Weiss,” the representative said. “The only ‘interference’ is the normal back and forth between editor and correspondent that happens in every newsroom.”

On a 75-mile cliff-hugging stretch of highway in California, traffic is way up, despite soaring gas prices. And locals expect the busiest summer in years.

The road is Highway 1 in Big Sur, which reopened in January after three years of repair and reconstruction following a pair of landslides. Drivers can once again embark on the state’s most famous road trip, covering the 100 miles between Cambria to the south and Carmel to the north without leaving the two-lane coastal highway. And they’re heading out in big numbers.

Caltrans estimates that as of May, Big Sur restaurant and retailer guest counts are up 40% from last year, and that northbound traffic at Ragged Point, the southern gateway to Big Sur, has risen 900% year-over-year.

People pose for photos near Bixby Bridge. Monterey County’s Board of Supervisors voted to explore a 12-month ban on parking around the bridge.

Safety cones prevent parking along Coast Road near the Bixby Bridge.

“Take your time,” said Kirk Gafill, co-owner of the popular Nepenthe restaurant and president of the Big Sur Chamber of Commerce, offering advice to travelers. “You’re going to be sharing the road with a number of people.”

As travelers rediscover the road, the cost of driving has been shooting skyward. California’s average gas price ($6.11 per gallon as of May 26) is up 26% from the year before. In early April, rates hit $9.99 at the isolated gas station in the Big Sur community of Gorda.

For spring and summer travelers, these numbers would seem to pose a stark question: Stay home and save money, or head for the coast because the road is finally open and it’s still cheaper than flying?

So far, the latter answer is winning big.

Fog lingers off the coast of Highway 1.

“We are definitely seeing a huge uptick in our reservations,” said Megan Handy, assistant general manager at the upscale Treebones resort. She estimated that bookings are 30% or more ahead of last year, and rates are unchanged since then. But “it’s still not feeling super crowded, which is nice. Everything still feels kind of calm.”

But added traffic has raised some anxiety. On May 19, Monterey County’s Board of Supervisors voted to explore a 12-month ban on parking at Bixby Bridge, one of the region’s top photo spots.

Over the years, the number of cars parking near the bridge — often illegally, sometimes impeding emergency vehicles — has risen. The proposed parking moratorium won’t take effect until the supervisors discuss it further.

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Busy as things are, several business owners pointed out that many international travelers have not yet returned — perhaps because most make their plans more than six months ahead, perhaps because of global politics, perhaps a little of each.

The biggest challenge for businesses during this resurgence? “Restaffing and retaining,” said Handy at Treetops.

At Nepenthe, Gafill said his business has seen a 45% boost in guest volume since the road’s reopening. Gafill said he would have expected a 35% pickup, “simply by virtue of reopening the highway.” The additional 10%, he said, might be “all that pent-up demand,” aided by “a very beautiful and very dry winter,” followed by a mild spring.

A lunch crowd dines at popular restaurant Nepenthe.

Another possible factor: Nobody can be sure how long the road will remain open.

To cope with the influx of people, Gafill said, “everybody is trying to recruit and retain their existing staff.”

At the Ragged Point Inn, where rates dropped as low as $149 nightly last fall, rates are back over $200 and staffers are suggesting that customers book at least six months ahead. The inn has reopened its snack bar for the first time since early 2023, and management is investing in capital upgrades and staging live music on weekends throughout the summer.

Business “is up over 100%,” said Diane Ramey, whose family owns the inn. “I know not all of our neighbors are having the same lift, but everybody is doing better.”

Traffic approaching Bixby Bridge.

A visitor poses in an oversized chair at Big Sur River Inn.

Even at the New Camaldoli Hermitage, a Benedictine monastery above Lucia, the road’s reopening and coming summer season have made a difference. Bookings are up an estimated 30% at the hermitage, which rent rooms and cottages (for two nights or more) to visitors who agree to its requirement of silence.

Big Sur business owners advise visitors to travel on weekdays for less traffic and the best hotel rates, and to get on the road as early as possible.

Since its opening in 1937, the highway has been vulnerable to landslides and shifting ground, operating on a longstanding cycle of landslide, closure, repair, reopening and then another landslide, or sometimes a fire. The U.S. Geological Survey has identified the Big Sur coastline as one of the most landslide-prone areas in the western United States. The 2023-2026 closure was the longest in the highway’s history.

Over time, road crews have used increasingly sophisticated strategies. In the most recent efforts, Caltrans said, it used drones to help survey the slopes and remotely operated bulldozers and excavators to reduce risks to workers.

During the closure, no traffic was allowed on 6.8-mile span from just north of Lucia until about a mile south of the Esalen Institute. Drivers detoured inland by way of U.S. 101.

Acclaimed German director Wim Wenders announced he was withdrawing his 1975 film, “Wrong Move,” from distribution due to a scene featuring then-13-year-old actor Nastassja Kinski topless.

Kinski played Mignon, a mute acrobat and street performer, in the film. In the controversial scene, she is featured lying on the bed topless as she tries to seduce her 30-something co-star Rüdiger Vogler, who plays Wilhelm.

Wilhelm enters the room, removes most of his clothing and gets into bed with her, slaps her, pushes her away and then caresses her face and cradles her.

Kinski, who also starred in Roman Polanski’s “Tess” and Wenders’ “Paris, Texas,” has voiced her discomfort with the scene for decades and recently told a German news outlet that, although she “didn’t know much at the age of 13,” she could tell that it wasn’t right.

In a 1997 USA TV interview, she was candid about wishing some of her work could be scrubbed from the screen permanently, saying, “I’ve done quite a lot of movies, a lot of movies that I want to just go and burn someplace. You always calculate ‘how much would that cost? How would I do that?’ and just know it’ll exist forever. It won’t be showing all that much, but just the fact that it’s there and it’ll exist.”

She told W Magazine the same year, “If I had had somebody to protect me or if I had felt more secure about myself, I would not have accepted certain things. Nudity things,” Kinski said. “And inside it was just tearing me apart.”

Per the Hollywood Reporter, Wenders received a lifetime achievement award at the German Film Awards last week and addressed the “Wrong Move” issue in his speech, saying that he would not shoot the scene today. He also said that he knew that keeping it in the film had continued to cause Kinski pain.

“I can’t blame the 29-year-old young man I was then, 50 years ago, who made a film of his time; wanting, in a way, to capture the zeitgeist,” he added before calling on the members of the German Film Academy to debate the issue and aid him in finding a resolution.

On Wednesday, the “Perfect Days” director issued a statement that was posted on social media saying that he would withdraw the film from all current forms of distribution.

“As the only person responsible at the time for Wrong Move who is still here, I recognize that Nastassja Kinski should have been better protected back then. For that, I apologize to you, Nastassja, unreservedly, no ifs and buts.”

Wender said that “the many reactions, comments, and conversations of recent days” had a played role in shifting his perception of the issue but that society must find appropriate ways of dealing with controversial film works from the 20th century.

“Only after that process has taken place — even if it takes considerable time — and once we have been able to present a mutually agreed solution, which will include Nastassja Kinski, will we make the film available again.”

Kinski commented on Wenders’ statement on Wednesday. The following has been translated from German:

“Wim, after all that, all those years, only because the public has now commented in so many newspapers, as well as colleagues, and now because thousands — even though I asked for so long — only now because of the public, do I read THESE words from you, W. Wenders: ‘Nastassja, back then 13 in the first film, Wrong Move.’ ”

Ted Danson is apologizing for roasting onetime paramour Whoopi Goldberg while wearing blackface.

It was the fall of 1993 at the Friars Club in Manhattan, and the occasion was a roast of the “Sister Act” star, who at the time called Danson her “best friend.” Danson, fresh off the heels of an 11-season run on “Cheers,” and Goldberg, who was at the height of her film career, had been tangled up in a not-so-secret love affair that sprang up while filming “Made in America.” Danson was freshly split from his second wife, producer Cassandra Coates, who served him divorce papers after the tabloids outed his fling with Goldberg earlier that year.

To make matters messier, Danson and Goldberg’s romance was cooling off and the two actually tried to get out of the Friars roast, but the club said the tickets had been sold and the show must go on.

According to The Times’ archives, Goldberg said she wrote the racial-slur-laden monologue that Danson delivered wearing black minstrel makeup with exaggerated lips in white. On the podcast, Danson said he’d been preparing for the skit for months, sure he was going to nail it. “Within 20 seconds I was like, I stuck my finger in a light socket,” Danson told W. Kamau Bell on the “Who’s With Me?” podcast.

At least two among the more than 2,000 guests at the roast protested. TV talk show host Montel Williams walked out, and New York City Mayor David Dinkins left the event early.

“My brain was going: Here is one of the most outrageous, funny Black women in the world, and I’m supposed to be roasting her, and I’m not a stand-up. I can’t run with the bulls. I’m an actor; if the material is funny, I can be funny,” Danson said.

“And then I thought, well, I can do performance theater. I looked at all these tapes, and it’s like, well if I were Black, I could say all these outrageous things, I’m not. Then my mind went, well, I will do it in blackface.”

Danson prefaced discussing the incident by saying that if he stammered throughout it was because it was uncomfortable talking about an affair he had when he was married, and that he’s been married to his third wife, Mary Steenburgen, for 32 years.

As for the blackface incident, “I have no problem talking about [it],” he said, adding that he wants to apologize for the rest of his life for the major flub. Although the incident happened more than three decades ago, internet fodder lasts forever, and Danson said he wanted to address it because somebody today can happen upon the incident online and think, “What the f—?”

Danson continued, “That this white guy could have something valuable to say about race and race relations was so stupid and entitled.”

He said he thought: “I know it’s bold, but I can pull this off, and that was so arrogant and stupid on my part. So off I go using all this horrendous language describing our love affair, while also in blackface. And I’d run it past Whoopi, and maybe she just didn’t want to squelch my creativity. … I worked for months, by the way, months.”

Earlier in the conversation, Bell told Danson that he wanted to give him his flowers for knowing how to apologize in public. “How to say ‘oops.’”

Comedian and “Saturday Night Live” standout Marcello Hernández will host this year’s ESPY Awards, ESPN announced Wednesday.

The event, honoring excellence in sports performance, will be broadcast live on ABC and the ESPN app from the David H. Koch Theater at Lincoln Center on July 15, making it the first ESPYs in New York City since 1999. For the last 25 years, the awards ceremony was held in Los Angeles.

“I started doing comedy 10 years ago, in Cleveland, Ohio, and I would take the train 12 hours to New York to sell comedy tickets on the street in Greenwich Village in exchange for stage time,” Hernández said in a statement. “It is an honor, and frankly feels crazy to be hosting the ESPYs this year in New York. I’m sure the energy is going to be great.”

Hernández recently headlined the biggest Spanish-language comedy show ever at the Hollywood Bowl as part of the Netflix Is a Joke Festival in May, and wrapped up his fourth season of “SNL” soon after. His first stand-up special, “American Boy,” premiered on Netflix in January.

He’s also a sports enthusiast, having grown up playing soccer and competing at the collegiate level during his time at John Carroll University in Ohio.

“Marcello is one of the most electric, young comedians today. His genuine enthusiasm for sports and his ties to New York City make him a natural fit to host this year’s ESPYs,” Craig Lazarus, ESPN vice president and executive producer of the ESPYs, said in a statement.

Hernández succeeds last year’s emcee, comedian Shane Gillis, as well as past hosts that include Jimmy Kimmel, John Cena, LeBron James and Peyton Manning.

In January, Puck reported that the change in venue is an effort to capitalize on the popularity of Fanatics Fest, the massive sports festival taking place in New York’s Javits Center from July 16-19, which also coincides with the World Cup final on July 19 at MetLife Stadium in New Jersey.

“This return to the heart of Manhattan brings the celebration of sports back to its roots for an unforgettable night at an iconic cultural landmark,” an ESPN spokesperson said in a statement.

Even on her way out, Rep. Nancy Pelosi (D-San Francisco) — 86 and retiring — held sway.

Last month, in the final stretch of the race to replace her, Pelosi endorsed Connie Chan, a member of the San Francisco board of supervisors and a candidate who had until then struggled to gain traction. The move clearly had an effect, with Chan advancing out of Tuesday’s primary to the general election in November, according to the Associated Press.

Political observers were quick to note that Pelosi’s famed political influence was alive and well, as made clear as of Wednesday morning by Chan’s bounding past the third-place finisher, tech millionaire and Democratic political operative Saikat Chakrabarti, who self-funded his campaign to the tune of nearly $10 million.

But cast another way, the race’s early results also showed the limits of Pelosi’s influence — in the form of state Sen. Scott Wiener, who as of Wednesday morning was clearly the race’s front-runner, holding a double-digit lead over both Chan and Chakrabarti.

Wiener — an ambitious and prolific state lawmaker with a strong base in San Francisco, particularly in the liberal bastion’s LGBTQ+ community — has long eyed the seat but held off from running for years in deference to Pelosi, a trailblazing politician and one of the most powerful of her generation. She was the first woman ever elected House Speaker in 2007 and oversaw both of President Trump’s first-term impeachments.

However, that changed in late October, when Wiener, 56, announced he couldn’t wait any longer and would be running this year. His announcement came before Pelosi had announced her own plans, amid broader party backlash against gerontocracy and elderly incumbents holding on within the aging Democratic establishment, and it appeared to irk her.

In early November, shortly after California voters passed Proposition 50 to allow Democrats to redraw the state’s congressional districts to better favor Democrats — an initiative she helped spearhead — the still influential Pelosi announced she would retire.

In that announcement, Pelosi thanked San Francisco voters for giving her wide latitude to be a fearless voice in Washington. She hadn’t faced a serious election challenge since the Reagan administration. In her last race, in 2024, she won reelection with 81% of the vote.

Pelosi then waited until last month to endorse Chan as her chosen successor.

Chan, 47, who was born in Hong Kong and immigrated to San Francisco with her family at age 13, was first elected to the board of supervisors in 2020, and has been chair of its budget committee since February 2023. Before winning office, she was a Chinese interpreter and then an aide for nearly 15 years to several different Democratic politicians from the Bay Area, including then-San Francisco Dist. Atty. Kamala Harris.

Other establishment figures, such as Sen. Adam Schiff (D-Calif.) and former San Francisco Mayor Willie Brown, endorsed Chan as well.

Last week, Pelosi said she’d decided to weigh in and back Chan in part because, after spending years boosting women into positions of power, she’d realized there weren’t enough around anymore.

“It’s not about women being better than men; it’s that we have to have women at the table,” she told NBC News.

At her election night party, Chan told the SF Standard that Pelosi’s endorsement “absolutely changed the tide” in the race, delivering a “fatal punch” on behalf of her campaign.

But that punch, if devastating to Chakrabarti’s campaign, had clearly not knocked out Wiener — who was ready Tuesday night with a few punches of his own in a speech to his supporters.

“Tonight, San Franciscans sent a very clear message,” he said, according to shared remarks. “San Franciscans are ready for bold leadership, real results, and a new generation of leaders that isn’t afraid to take on the toughest fights facing our country.”

Wiener, who served in the San Francisco board of supervisors himself before winning election to the state Senate in 2016, said in this political moment, “we can’t afford politics that simply preserve the status quo.”

He said, “I’m not going to Washington to sit quietly, protect the status quo, or wait my turn.”

“I’m going to fight relentlessly for Medicare for all, to build millions of homes, to make public transit more expansive and reliable, for affordable clean energy, for working families, for civil rights, and for democracy itself,” he said. “I’m going to fight to protect our immigrant neighbors, LGBTQ people, reproductive freedom, and the rule of law — and to protect them from Donald Trump and MAGA extremism.”

Others, including many in the LGBTQ+ community, also cheered the strong showing from Wiener, who is gay and has long championed LGBTQ+ rights. Kelley Robinson, president of the LGBTQ+ rights organization Human Rights Campaign, said her organization was “thrilled.”

“We need more voices like Wiener in Washington. Not only would he expand the number of openly LGBTQ+ members of Congress, he has a record of impact and delivering for his constituents,” Robinson said. “We are excited to support him on to victory in November.”

With Tuesday’s primary settled, a new head-to-head race for Pelosi’s seat begins — one that, given her endorsement of Chan and Wiener’s intentional focus on pulling San Francisco in a new direction, will be an even clearer referendum on her influence.

After spending less than a year living in Southern California, quarterback Ford Green of Westlake High retains his distinct South Carolina accent, still answers questions with “yes sir” and “no sir,” and greets adults with a handshake that can be described as nothing less than crushing.

The first impression he makes is off the charts, which piques the curiosity of strangers wanting to learn more. It only gets better., with As on his report card, an arm that throws frozen ropes and a sports history that includes baseball and boxing, which means defensive linemen better think long and hard if they want to do something stupid.

As a freshman last season, Green guided Westlake to an 11-1 record with 2,195 yards passing and 31 touchdowns. It was his first time playing quarterback with the idea of “going all in.” During the spring, Ohio State was among the schools offering a scholarship despite his lack of football experience. The Buckeyes might be on to something.

The 2026 season could be the year the 6-foot-2 Green rises to a whole different level because of his expected improvement from workouts, practices and devoting total attention to where he wants to go.

Before last season, he said he played football for fun in South Carolina. He was a baseball player, with his focus on pitching. Then, in 2025, everything changed. He said he went “all in” on playing quarterback.

“I fell in love,” he said. “When I wake up, I think about football. When I’m eating, I think about football. When I’m at school, I think about football. I’m infatuated by the game. Not a second goes by where I don’t think something about football. It’s my life.”

Green is someone to pay close attention to this summer during passing tournaments and showcases. Call it the bandwagon effect that happens when one person after another comes to the same conclusion and recognition that someone is going to be very successful.

Twice a week, he goes on Zoom to receive training from a Canadian Football League quarterback. Other times, he works with a private quarterback coach. He already understands the intricacies of the position.

“There’s so many more factors in playing quarterback than just arm,” he said. “It all starts between the ears.”

As scrutiny heightens, attention grows and expectations increase, Green said he’ll follow a big lesson already learned.

“Take it day by day,” he said. “It’s never as good as it seems, it’s never as bad as it seems. Stay neutral and get better every day. I feel if I get better every day, I’ll be able to reach my goals and dreams.”

He said he was too busy with football this year to go out for Westlake’s baseball team, but in the spring of 2027, prepare for his high school pitching debut.

Green was part of an outstanding group of class of 2029 quarterbacks last fall, all of whom should be continuing their rise to prominence.

Seven-on-seven tournaments will be happening almost every weekend in June. Then, next month, prepare for one of the best on July 11 at Huntington Beach Edison, which brings out St. John Bosco, Santa Margarita and Mission Viejo, among others. The “offseason” has been shortened, with zero week scheduled for the weekend of Aug. 21-22. Programs are required to take a mandatory two-week summer break. Some take it in June, others in July. And then there’s the inevitable movement of players through transfers to change teams.

For Green, the 2026-27 school year is shaping up as his most pivotal season to show where he’s headed and what kind of talents he has in the classroom, on the football field and on the pitching mound.

Monitor the journey closely. Something tells me he won’t disappoint.

At the state track and field championships, Jayden Rendon of Carson was in the lead of the 300 intermediate hurdles on Saturday when he struck the final hurdle and fell to the ground. So ended his opportunity to repeat as state champion.

Did he pout? Did he lose his composure? Did he blame something or someone?

Absolutely not.

“You live and learn,” he said. “It does no justice dwelling when I can do so much more.”

He’s headed to USC, and what a student athlete he will become. He was honored on Tuesday, receiving a $1,500 scholarship from the City Section for his academic and athletic commitment. He wrote an essay on how schools in the Southern Section were trying to convince him to leave Carson.

He said absolutely not.

“Growing up in the track world since I was 8 years old, I watched many of my friends and teammates make a decision to attend schools outside of their community,” he wrote. “Their reasoning was based around sports because they believed that the CIF Southern Section schools were more competitive and would give them more opportunities for success. When I was in middle school, my family moved to Long Beach from Carson, which made my home school Long Beach Poly. The majority of my youth team friends decided to attend LB Poly, and I was often questioned on why I chose to stay in Carson instead of following the crowd. My parents and I were told that I would never reach my full potential in the City Section.

“My decision to stay in Carson and compete for the City Section was not just about competition, but about connection. While preparing to compete in the multi-events at the Junior Olympics, when I was 10, I had to run the hurdles. Coach Jojo coached hurdles at Carson so my mom asked him if he would be willing to train me in the summer. I grew a bond with Coach Jojo and developed a love for the hurdles. Both my mother and grandmother went to Carson but it was Coach Jojo who showed me what it truly meant to be part of the Colt family. Besides my family, he was my biggest supporter, he believed in me and made me feel like I belonged to something bigger: a legacy. I didn’t care what anyone said, I knew that if I had Coach Jojo by my side and if I set my mind to it, I could be successful.

“I never would have believed that from the start of my freshman year, the sport that I love, would hit me with life: In January 2023, just a few months before my first high school track season began, I lost Coach Jojo to cancer. After being a pallbearer for my beloved Coach Jojo, I made a promise to him to finish what we started. The way I saw it, I had two choices, I could feel sorry for myself or I could push through the pain and stay focused on my goals of becoming a USC Trojan.”

Rendon fulfilled his promise to his coach and community.

“I wanted to stay in the City Section,” he said. “It was my roots. I wanted to be the hometown hero. I didn’t think I needed to move to be great.”

He was right again.

This is a daily look at the positive happenings in high school sports. To submit any news, please email eric.sondheimer@latimes.com.

ONE of the world’s most iconic mountain resorts is set to close its airport for months.

Attracting millions of ski enthusiasts and keen hikers every year, it’s a place loved by A-listers, with the likes of Goldie Hawn and Mariah Carey boasting luxury homes in the stunning area.

But those wanting to jet off to Aspen, Colorado, next year are set to have their plans hindered.

Located in the Rocky Mountains, the outdoor haven, frequented by the Kardashians, can ordinarily be reached via flights to Aspen/Pitkin County Airport (ASE).

However, the travel hub has now confirmed that flights will stop and the airport will close its doors for seven months from next spring.

As of April 4, 2027, the airport will grind to a halt for a staggering 229 days.

ISLAND GEM

I live on beautiful but ‘forgotten’ British Isle with completely empty beaches

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Victorian pier in one of England’s best seaside towns to get £2.4m upgrade

The closure will allow for a major airport regeneration to take place, with runway reconstructions planned.

Neither commercial nor private aircrafts will be permitted to use the airport while the project is going on.

Flights will not resume until November 19, 2027, but the works are not expected to be completed fully until 2029.

The airport usually connects major US cities like LA, Dallas, Chicago, Atlanta and Denver to the ski hotspot.

The renovation project, which is predicted to cost a hefty $575million, will allow the airport’s decades-old terminal building to be modernised.

Aspen/Pitkin County Airport director Diane Jackson said: “Our team is committed to coordinating with federal partners, airlines, general aviation partners, and the broader community as we prepare for this important project and the future of the airport.

“This project is a long-term investment in the safety, reliability, and future of Aspen/Pitkin County Airport, and we will continue to engage with our community every step of the way,” her statement continued.

Reaching the summit is a dream. But staying there? That’s an altogether different challenge.

Maja Stark has a special appreciation for that now, a year after winning the U.S. Women’s Open at Erin Hills and feeling the hefty weight of expectation that came along with it.

For her, the aftermath of that victory brought heightened anxiety, and searing criticism from outsiders when the Swedish professional’s play took a dip.

“You get comments and stuff saying, ‘What happened? You just won a major; why do you suck all of a sudden?‘” Stark said at the Chevron Championship in April. “That does take some energy and just makes you focus on the wrong things. Then I got even more stressed and anxious.”

Maja Stark plays a shot from a bunker on the 17th hole during the third round of the Chevron Championship on April 25.

(Alex Slitz / Getty Images)

Stark said she sought professional help in the form of a mental coach, sports psychologist and therapist and now believes she’s better able to withstand the scrutiny that comes with winning at the highest tier.

That career-shaping pressure will be on display again this week when the USGA brings the U.S. Women’s Open to Riviera Country Club for the first time, merging the game’s most prestigious women’s championship with a historic venue celebrating its centennial year. The tournament takes place Thursday through Sunday.

Riviera is a theater, sitting low beneath high hillsides that almost serve as balconies. Players have described the course as a stage because it can feel as if you’re being watched even when you’re alone.

“I think there’s something very nostalgic about the facility,” said Jim Richerson, Riviera’s general manager. “The golf course has never had any major renovations or changes. The clubhouse is the exact same footprint today as it was when it was built in the 1920s.”

The U.S. Women’s Open is the oldest of the LPGA Tour’s five majors, and has long served as the standard by which women’s golf measures itself. It’s open to professionals and elite amateurs through a qualifying process, and the tournament is known for identifying the player who can withstand the most pressure under the most demanding conditions.

NBC will televise the championship and although Mike Tirico will not call the event, he knows the significance of holding it at Riviera.

“Without there being a Masters for women’s golf, that tournament really is the crown jewel of the sport,” Tirico said. “It has become the event people dream of winning. … It’s just appropriate that it’s contested at a place like Riviera that for so many generations has come to define a great championship test of golf.”

A look at some of the players to watch:

Nelly Korda

Nelly Korda celebrates after winning the Chevron Championship on April 26.

(David J. Phillip / Associated Press)

The world’s No. 1 player is a major needle mover for women’s golf and is a significant source of ratings when she’s in contention. She had a record five consecutive victories last season and seven overall. Her missing major is the U.S. Women’s Open. She finished in a runner-up spot last year and left Erin Hills firmly believing a win was within reach.

Jeeno Thitikul

Jeeno Thitikul plays a shot from the fairway during the first round of the Queen City Championship on May 14.

(Jeff Dean / Associated Press)

The former World No. 1 is still in pursuit of her first major championship. She’s a big question mark in the field.

Lydia Ko

Lydia Ko hits from the fairway during the second round of the LPGA Honda Thailand on Feb. 22.

(Kittinun Rodsupan / Associated Press)

This Hall of Fame player is the only golfer in modern Olympic history to win a complete set of medals — gold, silver and bronze — across three different Olympic Games. She’s still looking for her first U.S. Women’s Open win.

Charley Hull

Charley Hull hits off the 16th tee during the first round of the Mizuho Americas Open on May 7.

(Seth Wenig / Associated Press)

A colorful character who went viral during the 2024 Open for smoking a cigarette while signing autographs and playing. She was among a cluster who finished second in that tournament. She has three victories on the LPGA Tour but has yet to win a major.

Rose Zhang

Rose Zhang hits from the ninth tee during the final round of the Queen City Championship on May 17.

(Dylan Buell / Getty Images)

Zhang, who has been splitting time between Stanford and the LPGA, amassed a remarkable collection of victories as an amateur and three years ago, became the first player in 72 years to win an LPGA Tour event in her professional debut.

Minjee Lee

Minjee Lee prepares to putt during the third round of the Chevron Championship on April 25.

(Sarah Stier / Getty Images)

Lee, an Australian star, has won three majors including the U.S. Women’s Open in 2022. Her younger brother, Min Woo, won the 2016 U.S. Junior Amateur, making them the first brother-sister tandem to win the USGA’s junior championships.

Yuka Saso

Yuka Saso lines up a putt during the first round of the Mizuho Americas Open on May 7.

(Seth Wenig / Associated Press)

She is the anomaly of anomalies, with zero wins on the LPGA Tour with the exception of two U.S. Women’s Open victories. She won the first of those at 19 years, 11 months and seven days — astoundingly tying her for the youngest player to win the Open with Inbee Park, who was precisely that old when she won in 2008.

Lilia Vu

Lilia Vu watches her shot from the seventh tee during the third round of the Queen City Championship on May 16.

(Dylan Buell / Getty Images)

Vu grew up in Fountain Valley and was a standout at UCLA. She won two majors in 2023 but lately has been battling back problems.

Michelle Wie West

Michelle Wie West of the United States hits from the third tee during the first round of the Mizuho Americas Open on May 7.

(Sarah Stier / Getty Images)

Wie West retired three years ago after the Open at Pebble Beach, but is coming out of retirement to use her last year of exemption to play at Riviera. Her husband, Jonnie West, son of late NBA icon Jerry West, will be caddying for her.

Brooke McCree, a 22-year-old recent UCLA graduate, is the first to admit she’s been going to the movies a lot less.

Back when Regency operated the local Village and Bruin theaters in Westwood Village, she would often take advantage of the student discount and see as many movies as possible. But in the two years since the theaters closed, she said moviegoing for many UCLA students has become inaccessible.

“At UCLA, it’s been rough because I’ll have to walk really far or take the bus [to the movies]. There’s nothing really nearby,” said McCree, who recalled fond memories of seeing movies like “Madame Web” and a “Hunger Games” prequel in a dense crowd of excited college students. “I was pretty devastated when it initially closed.”

There is still hope for the Village Theatre, which recently received a breath of new life thanks to some of Hollywood’s biggest names.

For the first time since 2024, the theater opened its doors early last month for the Los Angeles debut of Billie Eilish and James Cameron’s co-directed concert film, “Hit Me Hard and Soft: The Tour. ” Hundreds of fans filled the college town’s sidewalks, and streets were closed for the black SUVs that dropped off A-listers and executives on the bright blue carpet.

The event was reportedly the first of a limited number of premieres and screenings planned for this summer to support a 12-month renovation set to begin this fall.

The revival is being led by Village Directors Circle, a group of 35 filmmakers who purchased the theater in 2024. They include prominent directors Jason Reitman, who is leading the effort, and Christopher Nolan, J.J. Abrams, Guillermo del Toro, Judd Apatow, Steven Spielberg and Chloé Zhao.

A representative for Reitman declined to comment on the plans.

Nissan GT-R NISMO sports cars are seen outside the Fox Westwood Village Theatre, promoting the “Gran Turismo” movie in 2023.

(AaronP / Bauer-Griffin / GC Images )

The $25-million restoration, which organizers previously told The Times would be completed next year, includes plans for a restaurant, bar, gallery and a multipurpose space in the lobby for filmmakers and hosting premiere-related events.

Last year, the coalition of directors announced that American Cinematheque would operate the theater, hosting special screenings of new releases and repertory titles and conversations with filmmakers. The film non-profit already runs Santa Monica’s Aero Theatre and co-programs both the Egyptian Theatre in Hollywood and the Los Feliz 3.

Historically, the neighborhood has been a tricky market for businesses, said Jonathan Kuntz, a former lecturer at the UCLA School of Theater, Film and Television. He worked in the area for nearly 40 years and saw much turnover among local businesses due to high rents and inadequate parking.

“We’ve had some great things, like bookstores and eateries that have flourished sometimes for a decade or two, but it faded out,” Kuntz said. “[The theater] will certainly help Westwood if it is a success.”

For that to happen, Kuntz said, 1400-seat theater will need to screen a regular supply of films to a diverse customer base, including nearby students that have long been among its most frequent customers.

Many current UCLA students are already eagerly anticipating the theater’s reopening, said Ingrid Fan, a senior at the university majoring in public affairs.

“It’s been a bummer to have it closed for so long,” said Fan. “My friends and I always talk about how we just wish it opened sooner.”

While the theater’s renovation timeline won’t be complete before she graduates, she’s certain that other students will make good use of it when it reopens.

“Westwood is a college town, and we are always looking for a new source of community. It’s a space a lot of students would definitely flock to,” Fan said.

Broxton Avenue in Westwood Village during one of UCLA’s First Thursdays community events.

(Myung J. Chun / Los Angeles Times)

A historic movie hub

The university and its surrounding village, including the theater, were developed simultaneously throughout the 1920s and 1930s. Designed by Percy P. Lewis, the Westwood Village Theatre originally opened as a part of the Fox Theatres chain in 1931.

Despite launching during the Great Depression, the Westwood Village Theatre had a prime location working in its favor.

Westwood was imagined as a satellite town in West L.A. that would eventually support the growing UCLA campus. The neighborhood became known as the third major movie theater hub, behind downtown and Hollywood. In the 1920s, when the Chinese and the Egyptian theaters opened on Hollywood Boulevard, Westwood was next in line as a booming premiere destination.

“It was much more convenient to those folks than going to downtown Los Angeles, or even to Hollywood,” Kuntz said.

This was an era of moviegoing when premieres were essential to a movie’s box office success, drawing substantial marketing opportunities. The volume of films being produced at the time made it necessary to have multiple premiere-ready theaters around L.A., Kuntz said.

A “Terminator” poster is unveiled at the world premiere of “Terminator 3: Rise of the Machines” in 2003.

(Robert Mora / Getty Images)

Over its 95-year history, the venue has been remodeled a handful of times, including in the 1950s when television became a mainstream medium. Soon, multiplexes emerged, which put the Westwood Village location at a disadvantage. To this day, the theater can only show one film at a time.

In the 1970s, the venue joined the Mann Theatres chain, and in 1988, it was designated a historic cultural monument.

Regency Theatres took over the Village Theatre and its neighboring film venue, the Bruin, in 2010. Notably, in 2018, Quentin Tarantino used the Bruin during the filming of “Once Upon a Time … in Hollywood,” which is set in late-1960s Los Angeles.

The ticket booth at the Regency Bruin theater in Westwood Village all boarded up, as seen on the afternoon of Nov. 3, 2020.

(Carolina A. Miranda / Los Angeles Times)

Regency continued to operate the two locations until its lease ended in 2024. Although the group of Hollywood directors was quick to bid on the Village (the Bruin was not included in the deal), the theater has remained closed since then, with the exception of the recent Billie Eilish premiere.

As theaters continue to navigate rough waters amid hopes of a durable post-pandemic recovery, celebrity buyers have become a driving force in the effort to preserve some of L.A.’s historic venues. Tarantino operates both the New Beverly Cinema and the Vista, and most recently, Kristen Stewart purchased the Highland Park theater.

“A lot of people in Hollywood want to preserve at least some of what made classic Hollywood successful, like the big screen experience,” Kuntz said. “These folks are the ones who could afford to buy a movie house or two, program it and keep that tradition alive.”

L.A. Times staff writers Josh Rottenberg and Meg James contributed to this report.

Los Angeles County Sheriff Robert Luna jumped out to an early lead over former sheriff Alex Villanueva, his predecessor and leading opponent in the race for the county’s top law enforcement job.

If Luna ultimately receives more than half of the vote, he wins the contest outright and will serve a second term at the helm of the largest sheriff’s department in the U.S.

If Luna falls below the 50% mark, it’s likely that he and Villanueva will head to a runoff once again, reprising their 2022 face-off, when the former Long Beach Police chief unseated Villanueva by a 61% to 39% margin.

This time around, the sheriff’s race was relatively muted. Luna mostly avoided major controversies during his term — unlike Villanueva, who clashed with elected officials and journalists, and was involved in multiple lawsuits. There were no public debates that included the leading candidates and no public polling was done.

Ahead of primary day, Luna touted his leadership and a list of accomplishments. He took credit for reducing the rate of violent crimes and homicides, and said he repaired the relationship with county leaders and others that had been fractured under his predecessor.

Villanueva criticized the sheriff for plunging the department into “chaos and dysfunction,” blaming Luna for the department’s struggles to retain deputies. Luna described both claims as unfounded.

Retired sheriff’s Lt. Eric Strong was in third place as of 8:30 p.m. Tuesday, the same position as when he ran four years ago. He was followed by Sgt. Karla Carranza, who has worked for the department for more than two decades.

Oscar Martinez, who joined the sheriff’s department after fighting in Iraq and Afghanistan, was in fifth, followed by Capt. Mike Bornman, who has decades of experience at the sheriff’s department.

Andre White, a detective with about a dozen years at the department, was in seventh, while Brendan Corbett, a former assistant sheriff for custody operations, was in last place.

Nick Pasqual, an actor who appeared in “How I Met Your Mother,” has been sentenced to 32 years to life for the attempted murder of his estranged girlfriend, L.A.-based makeup artist Allie Shehorn.

Following a jury trial, Pasqual was also convicted of counts of injuring a spouse or partner, first-degree burglary and rape, according to court documents. During the trial, Shehorn had visible scars on her hands and neck when she testified, per ABC.

The incident occurred in May 2024, when Pasqual repeatedly stabbed Shehorn in her Shadow Hills home. Prosecutors said that the actor broke into Shehorn’s home just before 4:30 a.m. on May 23, attacked her with a knife and fled California.

Days before the attack, Shehorn had filed a restraining order against Pasqual, detailing acts of sexual and physical assault. While the judge approved the order, it was unclear whether Pasqual had been served prior to the stabbing.

Christine White, Shehorn’s friend and roommate, discovered the makeup artist lying in a pool of blood and called emergency services. Friends believe Shehorn was stabbed more than 20 times. Following the attack, Shehorn underwent emergency surgery and spent days in intensive care.

Pasqual was ultimately stopped by authorities at a border checkpoint in Sierra Blanca, Texas, and extradited to Los Angeles.

The former couple met on the set of Zack Snyder’s film “Rebel Moon,” where Pasqual worked as a background actor and Shehorn worked as a makeup artist.

Last week, Shehorn sued the actor for sexual battery, assault and negligence, among other counts, according to a lawsuit submitted in Los Angeles County Superior Court.

The 17-page complaint echoes details about the May 2024 stabbing that led to Pasqual’s arrest two years ago and his attempted murder conviction.

Staff writer Alexandra Del Rosario and former staff writer Nathan Solis contributed to this report.

WASHINGTON — Democratic Rep. Jimmy Gomez of Los Angeles is reportedly under investigation by the House Ethics Committee over sexual misconduct allegations.

The investigation came after the New York Post reported in April that the 51-year-old, five-term congressman had been spotted kissing a much younger congressional staffer from a different office in 2023.

According to CNN, which on Tuesday first reported news of the investigation, the congressional committee learned of other allegations of sexual misconduct as it investigated the report of Gomez’s 2023 conduct with the staffer.

Gomez was friends with former California Rep. Eric Swalwell, who earlier this year resigned from Congress and suspended his California gubernatorial campaign after multiple women accused him of sexual assault. Gomez had been a co-chair of Swalwell’s campaign.

The 2023 incident with Gomez and a younger staffer reportedly occurred at a party hosted by Swalwell, according to the New York Post. Gomez’s office denied the report at the time.

Another lawmaker, Texas Republican Rep. Tony Gonzales, also resigned from Congress in April in the wake of allegations of sexual misconduct with a former staffer who later committed suicide.

Both Swalwell and Gonzales were under investigation by the ethics committee before they resigned, but those investigations ended when they left office as the committee only has jurisdiction to investigate sitting members.

Gomez’s office didn’t respond to multiple requests for comment, but, in a statement to CNN, Gomez said he would cooperate with the ethics investigation. While he acknowledged making “personal mistakes” outside his marriage and apologized to his family, he said his actions didn’t violate House ethics rules.

“Years ago, I made personal mistakes outside my marriage that have caused real pain to my wife and family. Although my actions were consensual in nature and haven’t violated the law or House ethics rules, that doesn’t diminish the impact that these mistakes have made on those I care about the most,” Gomez said.

The House Ethics Committee declined to comment on the reported investigation.

Gomez is married to Mary Hodge, a past top aide to former Los Angeles Mayor Eric Garcetti. The couple have a son whom Gomez wore in a baby carrier during the lengthy House speaker election in 2023. That same year, Gomez founded the Congressional Dads Caucus, which has advocated for expanded child tax credits and other parent-friendly legislation.

The disclosure of the congressional investigation comes as Gomez faces a campaign challenge from Angela Gonzales-Torres, a Pasadena City College counselor with the backing of the progressive Justice Democrats.

Gonzales-Torres has criticized Gomez for receiving the backing of the American Israel Public Affairs Committee, or AIPAC, though Gomez has at times taken political stances at odds with the group.

After news of the ethics investigation broke, Gonzales-Torres wrote on the social media platform X, “I take political corruption seriously … I also take very seriously what appears to be a culture in Congress in which men abuse women.

“If @RepJimmyGomez has nothing to hide, he should have no concern. But if there was any criminal behavior that he witnessed, participated in, or helped conceal, we will find out and we will help ensure accountability and justice.”

Gomez was first elected to Congress in a 2017 special election to succeed Xavier Becerra, who is now running for governor and has seen the biggest boost in support following Swalwell’s departure from the race in April.

Gomez previously served in the state assembly from 2012 to 2017 and was political director for the United Nurses Assn. of California before that.

Caitlin Clark says everybody making a big deal about a heated moment on the bench between her and Indiana Fever head coach Stephanie White has gotten it “blatantly wrong.”

“I know there’s a camera on me … but there’s a lot of people out there in the media or on TV that think they know a lot of things, and they’re just blatantly wrong,” the star point guard said on Monday. “It’s just another example of what everybody … want[s] to blow up and make something that is just … not in reality.”

Clark was addressing a moment that occurred during the Fever’s 100-84 loss to the Portland Fire on Saturday. The viral footage appears to show Clark and White having a heated exchange while the team is huddled on the bench. White then subs Clark out for Raven Johnson, having her take Clark’s seat, as they presumably continue to discuss their next play. Kelsey Mitchell and Makayla Timpson appear to try to calm Clark, who can be seen shaking her head while standing behind her coach.

As with many moments involving the 2024 WNBA Rookie of the Year, video capturing the exchange was widely circulated and discussed among fans and pundits online and on TV.

Clark dismissed the moment as just “two people being competitive, two people that really want to win” and pushed back against it being described as “a blow up.”

“I ride for Steph, I ride for these girls. Steph has my back more than anybody,” the two-time All Star said. “Nobody in … our locker room, or Steph, or our coaching staff, thought twice about it.”

Clark’s teammate Lexie Hull was also asked about the moment on Monday during an appearance on Yahoo Sports Daily, and the Fever guard indicated it wasn’t even a blip on the team’s radar.

“That’s part of the game,” Hull said after mentioning the team had been in some foul trouble. “There’s frustrations that rise, and decisions have to be made, and ultimately, this wasn’t something that carried on. This is, in the moment, something that happened, and not something that is talked about now in our locker room or talked about even later on in the game.”

White echoed her players’ sentiments Monday, saying the footage just captured her coaching.

“I was challenging a player,” White said. “It’s coaching. … My relationship with Caitlin is great. … She wants to be coached. I want her to help me be a better coach. We’re both competitive, we’re both stubborn, we’re more alike than different. Hopefully we continue to bring the best out of each other.”

White attributed the attention to Clark’s popularity and how “everything that she does gets clicks.” She also pushed back against attempts to frame these moments as “tense.”

“It’s not a new thing,” White said. “It happens in every sport … and it’s not a story.”

Clark, the 2024 No. 1 draft pick, first gained buzz for her three-point shooting during her college years at Iowa. While her popularity has carried over into her WNBA career, she has more recently been increasingly scrutinized for her demeanor and perceived disrespect toward coaches and officials rather than for her play. Her injury-plagued 2025 campaign and the Fever’s less-than-stellar start to the 2026 season haven’t helped. The Fever are currently 4-4 and ninth in the WNBA standings. The team went 20-20 in the regular season during Clark’s rookie campaign and 24-20 in 2025 (Clark played just 13 games).

“There’s immense amount of pressure, and sometimes that pressure can get you and frustrate you in different ways,” said Clark. “I want to win. This team wants to win, and I’m the point guard, so it’s on me to help this team and this franchise win.”