year

Democrat Xavier Becerra and Republican Steve Hilton debated for 60 minutes Wednesday night on a soundstage in Burbank. Times columnists Gustavo Arellano, Anita Chabria and Mark Z. Barabak watched the gubernatorial match-up and weigh in.

Arellano: Steve Hilton came in with next to no chance of becoming the next California governor, but maybe if he focused on touting the feel-good messages he’s been spouting since launching his campaign in front of the Huntington Beach Pier earlier this year — Make California Gold Again! Califordable! I’m a Legal Immigrant with a British Accent! — he might’ve convinced at least a few voters to go with him.

Instead, Hilton debated like someone already preparing to launch a podcast or beg for his old Fox News job back after he gets walloped. When your solution for solving California’s housing crisis is building 10 new cities, you’re not running for California governor — you’re angling for an influencer job with the Irvine Co.

He whined and grumbled and grinned and quoted someone calling Becerra a “bitch ass,” which would’ve been a funny dig if he wasn’t running to run the greatest state on Earth. Hilton is charming in person, in the way all British people inevitably, initially come off as to Americans, and he has traveled to every California county — and especially to Latino-majority cities. He should’ve shared some of the many stories of hardship that I’m assuming he’s heard over the last year.

Nope! Instead, Hilton attacked Becerra again and again — why? California is a super-blue state, Latino Trump supporters notwithstanding, so Hilton should’ve tried to at least offer a reason for voters to choose him instead of saying — not completely inaccurately — that the problems Californians deal with are the fault of Democrats.

But blaming the other side only gets you so far — just ask Democrats how it worked out with them in 2024.

“We’ve got to try something different,” Hilton said in his concluding remarks. Californians agree — and his name is Xavier Becerra, who last I heard isn’t Gavin Newsom, no matter how much the California GOP is trying to convince people otherwise.

Becerra, meanwhile, didn’t offer much in terms of vision, mostly because he played defense most of the evening. But he didn’t have a major flub, except maybe raising a CNN coffee cup a few too many times. Why, Becerra sometimes even smiled — proof that he’s not some Chicano automaton. He hasn’t agreed to any more debates with Hilton — but after this blowout, Becerra should take the both of them on the road to make Hilton the next John Cox.

Chabria: Becerra came out as more of a fighter than we’ve seen before, even in the earlier Democratic debates. He held his own against Hilton, who is a skilled orator and attacker with a pointed wit and slick accent. But please, for the love of God, Hilton, button that shirt. This is not a casino.

Becerra was the clear winner, and to be honest, Hilton — usually a nimble pugilist — came across flat too much of the time. Maybe he’s already signed his Fox contract, as Gustavo suggests.

But Becerra also failed to lay out any kind of vision for the future of California. He did a good job of fending off Hilton’s attacks, but never told us what a vote for him will bring to the average Californian. There was some talk about housing, about protecting health insurance, but no big picture of what the California Dream of the future is and how we deliver it for the next generation.

I walked away from this debate certain that Hilton hadn’t gained a single voter, and equally certain Becerra hadn’t lost one. But also certain that Californians are rightfully disenchanted with this political moment because it offers little for the people who are voting. Becerra is going to ghost-coast into leading the most powerful state in the nation, and none of us will know what that will mean or why we should care one way or another.

Yes, there is a strong Legislature that will certainly keep the next governor focused on Democratic priorities. But what Becerra stands for remains a mystery that only the next four years will reveal. Let’s hope it has to do with our collective well-being.

Barabak: Xavier Becerra walked onto Wednesday’s debate stage as the overwhelming favorite to become California’s next governor.

Becerra exited the stage a little over an hour later, still the overwhelming favorite to become California’s next governor.

As the Democratic nominee in a state where Democrats enjoy big numerical, structural and political advantages — and have for decades — Becerra needed only to show up at CNN’s Burbank studio, field some questions alongside Hilton and avoid a Bidenesque disaster. (Even that might not have mattered.)

It was an exceedingly low bar, and one Becerra easily surmounted.

He was authoritative, crisp and kept on the offense most of the night, which raises the question of why his campaign handlers have been sheltering him up to now. Yes, it did get a bit repetitive when the Democrat’s response to so many questions amounted to: Trump, Trump, Trump! But that’s hardly surprising in a state where the president is about as popular as $6-a-gallon gas and $10-a-pound hamburger.

What was surprising was Hilton’s failure to do more to unshackle himself from the ball-and-chain sitting in the White House.

He allowed a smidgen of daylight here and there, but not enough to doff the MAGA mantle Becerra has draped around him. If anything, Hilton yoked himself even closer to Trump, sounding at times like his wacky Health secretary, Robert F. Kennedy Jr,. as he talked about vaccines — Hilton said he was for them, but also favored more parental discretion — and re-litigated masking and other pandemic policies from the Biden administration.

Hilton’s most effective moments came when he asked why unhappy California voters should expect anything different if they keep electing Democrats. Not an unreasonable question. Trump Lite, however, doesn’t seem like the remedy most are looking for.

Little to nothing seems likely to change as a result of Wednesday night’s encounter. Still, it was important to give California voters an opportunity to take the measure of the two gubernatorial hopefuls side by side and hear — in something more than a 30-second commercial — how they would lead the state.

It’s far more probable than not Becerra will be the candidate voters choose on Nov. 3. But for those who don’t like Becerra’s vision, his record, Democratic affiliation or, heck, his glasses or salt-and-pepper hair, Hilton offered an alternative — albeit more of a grouchy one than the happy warrior who’s appeared on the campaign trail.

Hilton gave it his best shot. Becerra ably deflected him.

The leader of the world’s biggest band is nervous.

“I think I revised this speech about 10 times, but somehow the more I worked on it, the more confused I became, like always,” said K-pop star and BTS rapper RM on Tuesday at a preview of a show he has co-curated at San Francisco Museum of Modern Art called “RM x SFMOMA: Between You and Me”

Three years ago, RM held an anonymous show in South Korea, but this is the first proper exhibition he has staged. For many of his fans — some of whom wait outside the museum trying to get a glimpse of him — his favorite activities, including museum-hopping, bicycling and being out in nature, come as no surprise. There is even a word for it: “namjooning,” a play on the singer’s first name, Namjoon. But still, the exhibition is the rare chance to view RM as a serious art collector; someone who values Korean identity in art but also loves works from many genres, eras and countries.

Philip Guston, Untitled (Red and Black Book), 1969; from the collection of RM.

(The Estate of Philip Guston / Hauser & Wirth)

Dressed in a gray T-shirt, dark collared shirt and leather pants, RM’s hair is a light burnt sienna color matching the fur of the stylized tiger on the screen behind him. From a 17th century painting by Lee Won-chan, it’s from his personal collection of more than 400 artworks. For this exhibition, 142 pieces owned by RM will be shown alongside 36 works from SFMOMA for a total of 178 works on display.

RM sees “Between You and Me” as an introduction to his inner life and reflection of contrasting aspects of his personality, whether as a public figure interacting with his adoring fans or an erudite intellectual and avid reader with a reputation as a clumsy and lovable goofball.

RM was on a hiatus from BTS and on the cusp of beginning his mandatory military service in South Korea when SFMOMA first approached him for the project two years ago. As it came to fruition, he sought to answer two main questions when contemplating which works of his collection to share with the public.

Does the artwork move him deeply? And, if the work is from a noncontemporary artist, does the piece have something to communicate in 2026?

“In an age where everything is consumed so fast,” RM explained, “I believe the attitudes of some of the past artists can resonate even more deeply today.

“I’ve always dreamed of seeing different places, times, boundaries and backgrounds all mixed together in harmony,” he continued. “It could be a mess because I’ve never formally studied, and I’m not a ‘curator, curator,’ but in any field sometimes an outsider can bring in a new breeze.”

Wonwoo Lee, “Candy,” 2023; from the collection of RM

(Wonwoo Lee / PKM Gallery)

It’s not RM’s first time working with a museum. In 2023, he partnered with Los Angeles County Museum of Modern Art to provide guided audio narration for “The Space Between: The Modern in Korean Art”.

At SFMOMA, RM was joined in his effort by two co-curators: SFMOMA project manager América Castillo and assistant curator of painting and sculpture Hyoeun Kim.

Kim, who has long championed Korean artists internationally, was particularly impressed with the diversity of Korean art that RM has amassed, including its “remarkable range.”

“His collection began with 6th century works, moved through the Joseon Dynasty, and continued to major Korean modern and contemporary art. It spans nearly 1,500 years,” Kim said during the preview.

The show is arranged in eight parts and begins with a large white wall at the entrance with the title of the show scrawled in RM’s handwriting. Handwritten touches are found everywhere — “Plz take it in with your eyes and heart” is scribbled on the floor in both English and Korean. The wall text for each piece, which also includes a QR code for audio narration, is composed by RM in both languages.

An inscription on the floor of an SFMOMA exhibit curated by RM of BTS features RM’s writing as part of the wall (and floor) text.

(Christine Terrisse.)

Guests will also receive a zine-style pamphlet with the same homespun appeal explaining each of the eight sections in RM’s words alongside a diagram of the room.

“Blue Water” centers the work of Kim Whanki, the late globe-trotting abstract artist and the first RM says he “fell for.” In addition to Whanki and works by Vija Celmins and Tony Feher, some RM fans might recognize one of Roni Horn’s glass cylinder sculptures from a now-archived Instagram post where it was casually displayed in RM’s apartment.

There’s even a room filled with especially eclectic pieces called “i don’t know..but i like it.” By way of explanation, RM said, “Sometimes I don’t really know why I collected all these things.”

The last room, “Umber” or “Dasaek” (referring to the color of Korean rice fields) might be the most meaningful to the singer. It features works by the late artist Yun Hyong-keun, for whom RM has a particular personal affinity. The cover for his debut solo studio album, “Indigo,” depicts Hyong-keun’s 1972 painting “Blue,” and the album’s lead track, “Yun,” a collaboration with Erykah Badu, kicks off with recorded dialogue from the artist.

Back in 2018, around the same time RM began his art journey with not much formal training in art history, co-curator Castillo began her career with SFMOMA.

At the time, she was in awe of the power of art to connect with people, but frustrated that more people from unconventional backgrounds weren’t being given opportunities to curate major shows, thereby shaping the stories told. Her work on this exhibition is part of a continuing mission to bridge the art world and the ordinary person.

Chang Ucchin, “Road,” 1986, from RM’s collection.

(Chang Ucchin Foundation / Seoul Auction)

This mission guided her through the process of selecting works by famous artists from SFMOMA’s collection to contextualize RM’s pieces from lesser-known but equally important names.

“The first time we pulled a list on the SFMOMA side, we had like 500 options we then dwindled down,” she said in an interview while standing in the “Umber” room. “There were some artworks and specific artists that we knew from the get-go we wanted to be in the show. We wanted them to have a moment. Mark Rothko was definitely one of them.”

The sole Rothko piece in SFMOMA’s collection, “No. 14,” (1960) is featured in one of the final rooms in the exhibition. Adjacent to it is “untitled” (1986-90) by Hyong-keun. In the exhibit pamphlet, RM notes that Hyong-keun’s paintings are often compared to Rothko’s, but “their darkness is not the same.” “To my eyes, if Rothko’s darkness is one that ‘opens’ then Yun’s is the darkness that remains after he endured everything he possibly could,” he writes.

As RM steps into the spotlight of the art world, he is learning to become comfortable with the uncomfortable in-between spaces he occupies. “I started this with an innocent heart. As I’m standing here talking to you, I still feel like I’m always drifting and floating somewhere, ” he said, adding that the feeling comes when he’s in the U.S. but also when he’s in his hometown of Seoul. “It’s not a very pleasant feeling. I think I’ve leaned on art a lot because of that feeling.”

Before the preview, BTS fans, called the ARMY, passed out small gifts to the press, and afterward donors lined up for a special reception. RM’s mother, father and sister even arrived to celebrate, but he didn’t have much time to hang around. He was scheduled to depart for Bogotá, Colombia, to join his bandmates on the Latin American leg of their ARIRANG stadium world tour.

It is time to leave the quiet of the museum for the roar of the crowd.

“RM SFMOMA: Between You and Me” opens to the public on Oct 3, and runs through Feb.7, 2027. For more information visit sfmoma.org

A federal judge in Oakland has approved a settlement that allows Paramount Skydance Chief Executive David Ellison to finalize his $111-billion acquisition of Warner Bros. Discovery.

U.S. District Judge Araceli Martínez-Olguín on Wednesday signed a settlement agreement, effectively ending an antitrust lawsuit brought by California Atty. Gen. Rob Bonta and 11 other state attorneys general who initially fought the formation of a new Hollywood colossus.

The judge did not offer additional conditions to an agreement struck last week between Paramount and the states, instead allowing Paramount’s negotiated settlement terms to stand.

“The Court finds the proposed settlement agreement reflects a procedurally sound resolution,” Martínez-Olguín wrote in her order.

Ellison is aiming to finalize the merger early next week, capping his meteoric rise into one of the industry’s most influential figures. The Ellison family claimed Paramount and CBS last year, and will now add HBO, CNN, TBS, HGTV and the film and television studio with rights to Batman, Harry Potter, Fred Flintstone, “Friends” and “The Pitt” to its sprawling media and entertainment portfolio.

His father Larry Ellison, through his company Oracle Corp., also owns a substantial stake in the social media app TikTok and is among the tech giants supporting development of artificial intelligence.

The settlement agreement, which spans five years, requires the combined Paramount-Warner Bros. to release at least 30 films in theaters each year, commit an additional $1.5 billion to domestic film production and set aside $47.5 million for workers who may be adversely affected by the merger. It calls for the creation of a five-member panel to monitor editorial independence of CBS News and CNN, although critics note the Ellisons control board appointments, diminishing its independence.

The agreement, known as a consent decree, also stipulates that Paramount won’t sell or close its Melrose Avenue campus in Hollywood or the larger Warner Bros. lot in Burbank. The combined company must instead operate the historic facilities “in a manner consistent with past practices” for at least five years.

Paramount will also face restrictions on how it wields clout during negotiations for distribution of its basic cable TV channels. An independent monitor is expected to oversee implementation of the settlement terms.

The merger has been unpopular in Hollywood and critics denounced the settlement as weak. Opponents accused Bonta, who led the negotiations with Paramount, of caving into pressure from Gov. Gavin Newsom and Los Angeles Mayor Karen Bass, who publicly urged Bonta to abandon his court fight.

“Our settlement with Paramount resolves our antitrust concerns in every market we brought in our case, protects competition and consumer choice, and centers the needs, concerns, and futures of California workers,” Bonta’s office said in a statement.

Los Angeles County’s Department of Economic Opportunity has estimated that the merger will result in the loss of 4,500 local jobs as Ellison seeks to integrate the two entities and cut costs. Paramount has promised investors that it will shave $6 billion in spending within three years.

“Allowing the Paramount Skydance-Warner Bros. Discovery merger to move forward with no meaningful structural remedies will cost jobs, mute creativity, weaken independent journalism, and damage our First Amendment rights,” the Block the Merger coalition said Wednesday in a statement.

Sen. Cory Booker (D-N.J.) last week urged Martínez-Olguín to order an independent review to evaluate the strength of the proposed settlement terms and determine whether the pact adequately addresses alleged violations of the Clayton Antitrust Act.

During a Thursday hearing, Martínez-Olguín questioned key deal tenets, including the five-year length of the agreement and the value of the Miramax film studio, which Paramount agreed to divest should the company fall short of its film goals. She also asked why the state attorneys general dropped so many of their initial demands in pursuit of a settlement with Paramount.

“In years to come, we’ll be able to point to this failure to put consumers over the monied interests of corporate consolidation as the tipping-point moment for media in this country,” the Block the Merger coalition said in its statement.

The judge noted that she recognized the deep disappointment by merger opponents, and heard their concerns about news independence and a potential lack of diversity in storytelling when the two studios consolidate.

“But these hopes and desires for the proposed consent decree to reach farther — to achieve more — do not rise to the level of legal violations upon which the Court can reject the parties’ negotiated resolution,” Martínez-Olguín wrote.

The lawsuit resolution ends months of acrimony over Ellison’s deal for Warner Bros. Discovery, which was stalled for two months after Bonta and 11 other state attorneys general sued, arguing the combination would violate U.S. antitrust law and thwart competition. The Writers Guild of America lobbed its own antitrust lawsuit in an attempt to foil the merger.

But Paramount dug in, and its lobbying reached a crescendo by early September. A parade of state and local politicians, including Bass and others, urged a settlement due to fears that Paramount might follow through on its threat to leave California unless Bonta retreated.

Bonta and his coalition then worked behind the scenes to hammer out a settlement with Paramount, which was announced Sept. 21.

Paramount’s bankers have since been pricing bonds and lining up loans needed to finance the buyout of Warner Bros. Discovery shareholders at $31 a share. Ellison’s team had hoped to price the offering months ago, and interest rates have since climbed.

Paramount is selling about $44 billion of bonds and $7.5 billion in loans to finance the takeover, according to Bloomberg, which said the combined company will have more than $87 billion of investment-grade and high-yield debt.

Larry Ellison has promised to guarantee $47.5 billion in equity that his son needs to close the deal. Three Middle Eastern sovereign wealth funds, representing royal families in Saudi Arabia, Abu Dhabi and Qatar have agreed to invest $24 billion in the merged company, giving them a substantial stake in the new Paramount-Warner Bros.

Paramount separately announced Wednesday that Mattel Chief Executive Ynon Kreiz would soon join the merged company as co-chief executive, running Paramount-Warner Bros. day-to-day operations. Friday will be Kreiz’s last day at Mattel.

Golfer Phil Mickelson checked himself into a facility earlier this year “seeking treatment for family trauma and addiction,” a representative for the six-time major championship winner said in a statement to news outlets on Wednesday.

Mickelson, 56, reportedly is no longer at the facility. No information about the specifics of his stay or details about his reasons for entering the program have been made available.

In February, Mickelson announced that he would miss the first two LIV Golf events of the year because he and his wife, Amy Mickelson, “need to be present for a family health matter.”

The only tournament the golfer known as Lefty has competed in this year was LIV Golf South Africa, where he finished at 7-under par and tied for 48th place, in March.

The following month, Mickelson announced he was withdrawing from the Masters and that he would “be out for an extended period of time as my family continues to navigate a personal health matter.”

In June, Golf Digest reported that a female member of the staff at the Farms Golf Club in Rancho Santa Fe had accused Mickelson of making “nonconsensual and inappropriate physical contact” with her months earlier.

Mickelson hired defamation attorney Tom Clare, who said video evidence contradicted the allegations.

In response to the Golf Digest report, a Mickelson spokesperson said in a statement: “Any misunderstanding has been cleared up. Phil continues to attend to a family health matter and is uncertain when he will be able to return to professional golf.”

A longtime gambling enthusiast, Mickelson admitted in a 2023 Instagram post that at some point he had “crossed the line of moderation and into addiction” but was “back on track to being the person I want to be.”

“After many years of receiving professional help, not gambling, and being in recovery from my addictions, I’m now able to sit still, be present in the moment and live each day with an inner calm and peace,” Mickelson wrote. “I still have a lot of cleaning up to do with those I love the most but I’m doing it slowly and as best I can.”

Sept. 30, 2026 2:13 PM PT

SIOUX FALLS, S.D. — Former Department of Homeland Security Secretary Kristi Noem has filed for divorce from her husband of 34 years.

Noem, who was tasked with leading President Trump’s immigration crackdown from January 2025 to March 2026 and previously served as South Dakota’s governor, is seeking a divorce from Bryon Noem in their home state. The two married in May 1992 and have three children.

The filing, made in April but posted online Monday, comes after questions arose earlier this year about the nature of Kristi Noem’s relationship with a top advisor. The complaint, filed in Hamlin County, notes “irreconcilable differences” as grounds for the divorce.

In a statement, Kristi Noem’s attorney confirmed she has filed for divorce and said she will reserve further comments for the legal process. Lawyers for Bryon Noem did not immediately respond to requests for comment.

A day before Noem was ousted from her post in Trump’s Cabinet, members of Congress questioned her about an alleged extramarital affair with Corey Lewandowski, a special government employee and one of the secretary’s lead advisors. He was Trump’s first campaign manager in 2016 and appeared to play an outsize role in Noem’s department, even though his position was supposed to have a limit on days worked.

Noem denied the allegations that they were having an affair, dismissing them as “tabloid garbage.”

Once a close ally to Trump, Noem became a liability for the Republican president as questions arose over her conduct following the shooting deaths of two protesters in Minneapolis at the hands of immigration officers. Noem characterized Renee Good and Alex Pretti, both U.S. citizens, as aggressors, contradicting videos from the scene and descriptions of their deaths from bystanders. She also faced criticism from fellow Republicans for her spending at her department.

Trump nominated Markwayne Mullin, then a U.S. senator from Oklahoma, in Noem’s place and made her a special envoy for the Shield of the Americas, a new security initiative focused on the Western Hemisphere.

Schoenbaum and Raza write for the Associated Press. Schoenbaum reported from Salt Lake City, Utah.

Sept. 30, 2026 1:27 PM PT

QUANTICO, Va. — Defense Secretary Pete Hegseth confirmed Wednesday that the U.S. military will cut 20% of its generals and admirals as he delivered what he is calling his “State of the Force” address.

Hegseth was speaking to junior officers and enlisted leaders at the Marine Corps Base Quantico in Virginia, the second year in a row that he has given such an address. This time, the U.S. military is seven months into a war with Iran with no clear end in sight, has captured Venezuelan leader Nicolás Maduro and killed more than 200 people in strikes on alleged drug trafficking boats in Latin America, among other actions worldwide.

The speech is not a usual fixture among Pentagon leaders. While Hegseth’s predecessors regularly addressed troops and top officers, they traditionally have done so in small or private settings.

The Pentagon chief, however, again focused on how he has drastically retooled the U.S. military by targeting what he calls “woke” culture — through a rollback of diversity programs, a review of ground combat units with female troops and a new screening program for “testosterone deficiency” among male personnel.

Pentagon officials had previewed that Hegseth would announce more cuts to the number of generals and admirals. He directed all military services to double the 10% reduction he ordered last spring for roughly 800 flag and general officer positions, making it a total 20% decrease to be completed by Jan. 1.

“I call it accountability and long overdue,” he said.

Several senators viewed Hegseth’s move as nothing short of a “purge” of the military’s top ranks that will take years to rebuild.

“He’s got some kind of like deep-seated grievance about leadership in the military,” said Sen. Mark Kelly, D-Ariz., the former Navy combat pilot and NASA astronaut, who has been critical of Hegseth. “He’s purging a generation of great leaders of the military, and it’s going to take a generation to recover from it.”

Republican Sen. Mike Rounds of South Dakota, a member of the Senate Armed Services Committee, said he wanted to understand Hegseth’s reasoning behind the decision.

“If it’s simply a matter of eliminating a very heavy top, there may be some validity to it, but I want to see it first,” Rounds said.

Hegseth and President Trump already have fired or pushed to retire more than two dozen military leaders since taking office, including the Army’s top uniformed officer, Gen. Randy George, a move that angered both Republicans and Democrats in Congress. The purge also has included a number of senior officers who are women or people of color.

Previous leaders who were ousted include Joint Chiefs Chairman Gen. CQ Brown; Chief of Naval Operations Lisa Franchetti; and Vice Adm. Shoshana Chatfield, the U.S. military representative to the NATO Military Committee.

Although Hegseth never gave specific reasons for those firings, most were tied to the belief that they endorsed or spoke openly in support of diversity, equity and inclusion programs, which have been targets of Hegseth and Trump.

As part of last year’s cuts, Hegseth also ordered the active duty military to shed 20% of its four-star general officers — the highest-level leaders — and the National Guard to shed 20% of its top positions, but it is unclear if all those cuts have been made. The new cuts could include any one-star general or above, or an officer of equivalent Navy rank.

When Hegseth first announced the effort to trim the highest levels of the military ranks, he argued it was intended to remove “redundant force structure to optimize and streamline leadership.” In a memo released in May 2025, he said the aim was to free the military from “unnecessary bureaucratic layers.”

The number of general officer positions in the military is set by law, but it is possible to let positions remain unfilled by not submitting replacements to Congress.

Hegseth’s efforts have extended well beyond personnel changes among the top ranks. He oversaw Trump’s ban on transgender troops while announcing new directives for “gender-neutral” or “male-level” standards for physical fitness.

Toropin and Finley write for the Associated Press. AP writers Lisa Mascaro and Meg Kinnard contributed to this report.

The 39th annual Hispanic Heritage Awards — which will honor the contributions and accomplishments of Latinos in the U.S. and Latin America — will air nationwide Friday on PBS.

In a historic decision by the Hispanic Heritage Foundation, which presents the annual awards, the event departed from its home base of Washington. Instead, Latino luminaries gathered at the Orchestra Hall in Minneapolis, where the celebratory occasion was taped for broadcast Sept. 10.

The move to the Midwest was a timely decision for members of the Hispanic Heritage Foundation, a nonprofit organization established by the White House in 1988. They took into consideration Minnesota’s response to a large-scale immigration enforcement campaign that began in December, known as “Operation Metro Surge.”

“We went to Minneapolis because we wanted to recognize what’s great about our community, [our] courage, resilience, strength, unity and looking out for each other,” said Antonio Tijerino, president and CEO of the Hispanic Heritage Foundation, in a phone call with De Los.

The Department of Homeland Security called the undertaking the “largest DHS operation ever” earlier this year on X, with an estimated 2,000 agents deployed to the Minneapolis–St. Paul metropolitan area. Thousands of Minnesota residents rallied against the tactical and militant methods used by Immigration and Customs Enforcement agents.

Civil unrest hit a boiling point following the killings of Renée Good and Alex Pretti on Jan. 7 and 24, respectively, by federal agents.

“ We actually went with a delegation of national Latino leaders to offer our support of the community during this crisis and we were overwhelmed by the heroism,” said Tijerino, who recalled a group visit to Minneapolis in February. There, he and his colleagues learned more about the rapid response efforts underway in the city.

“It was an American story that we wanted to tell,” he added.

At the 39th ceremony, Los Tigres del Norte presented a bit of that story to the people of Minnesota — who were collectively honored with the Humanitarian Award.

“Peaceful, hard-working communities of immigrants and refugees found themselves in fearful chaos as more than 4,000 parents, grandparents, neighbors, friends and families were taken by force, U.S. citizens among them,” Los Tigres del Norte announced in English while presenting the award. The players closed the show with a rendition of their 1984 song “Jaula de Oro,” which speaks to the plight of the undocumented community.

“I think Minnesota [is] a reflection of all of our Latino communities across the nation,” said Henry Jiménez, president and CEO of Propel Nonprofits, who was one of the individuals on stage representing the people of Minnesota.

“It uplifted the people. I think people felt validated for all of their hard work and effort that they’ve had to endure, not just the last couple months, but really a lifetime of work,” said Jiménez, whose organization helps consult and raise funds for budding nonprofits.

The relocation of the Hispanic Heritage Awards also comes as D.C. deals with the temporary closure of the John F. Kennedy Center for the Performing Arts — which hosted the Hispanic Heritage Awards in years prior.

The Kennedy Center closed its doors indefinitely on Sept. 15 after an inspection found acute public safety concerns, among them roofing issues. In a letter to Congress, various former employees allege that leadership was aware of the issues but halted plans for repair in April.

The closing also comes after a federal judge blocked the board’s decision to include President Trump’s name on the building in September. Trump’s takeover of the Kennedy Center began in February 2025, when he dismissed half its board members and installed himself as chairman.

“We were [at the Kennedy Center] for a very long time. It brought a lot of prestige and to fill a historic venue like that with Latinos was wonderful,” said Tijerino. “After many years of being at the Kennedy Center, we decided we wanted to go to another venue.”

In April 2025, the Hispanic Heritage Foundation announced that it would host its 38th annual awards at the Warner Theater instead; previous versions of the ceremony have also taken place at the historic Warner Theater venue, including in 2015 for the 28th Annual Awards and 2017 for the 30th celebration.

Hosted by comedian Anjelah Johnson-Reyes, the other honorees of the 39th Hispanic Heritage Awards included Venezuelan artist Oscar D’León, the salsa singer behind notable hits such as “Llorarás” and “Me Voy Pa’ Cali,” who received the Legend Award for his lifelong contributions to the genre.

Chilean singer-songwriter Mon Laferte, the vocal powerhouse behind power ballads like “Tu Falta de Querer” and “Amárrame (feat. Juanes),” also received the Social Justice Award. The Latin Grammy-winning artist has long championed feminist causes and challenged sexual harassment in the entertainment industry — a topic central to her 2024 Netflix documentary, “Mon Laferte, Te Amo.”

Puerto Rican rapper Eladio Carrión, whose trap flow famously featured in songs like “Coco Chanel” with Bad Bunny and “Sigue Bailandome,” was also honored with the Inspira Award.

Mexican singer-actor Ximena Sariñana, whose early composition appeared on the soundtrack of the 2002 teen film “Amar Te Duele,” received the Music Award as well.

Following the success of their Minneapolis awards show, the Hispanic Heritage Foundation is now toying with the idea that the ceremony can take place anywhere where there is a strong Latino presence.

“Who knows if L.A. is the [next] spot!” said Tijerino, who hails from Long Beach,

Though Jiménez assures that he is not swayed by any particular city at the moment, he offers one idea: “I hope that the community that’s chosen [to host] doesn’t have to go through a difficult time to be chosen.”

Hi, and welcome to another edition of Dodgers Dugout. My name is Houston Mitchell. A good Tommy Lasorda quote: “There are three types of people in the world. Those who make it happen, those who watch it happen and those who wonder, ‘What happened?’ ”

Some random questions

While we await the winner of the Braves-Phillies series, it’s time to get a different viewpoint. I reached out to Times columnists Mirjam Swanson and Bill Plaschke to get their answers to a few Dodgers questions.

Q. Which team is the one the Dodgers would rather avoid playing in the NL playoffs?

Swanson: The San Diego Padres, actually. Weird stuff happens with rivalries. Weird stuff has happened against the Padres. Add a rivalry to the high-stakes NLCS? Guaranteed weirdness.

So the Padres concern me more than the Brewers, a talented group headlined by ace Jacob Misiorowski that nonetheless does itself in with its poor-little-us talk. The Padres have swagger — and substance — and they just finished the season on a heater, going 41-18 to close the season.

I still like the Dodgers in that series, and then against whomever comes out of the American League too.

It’s the NLDS that’s of most concern — less for who the opponent will be and more for the fact that it’s a best-of-five series. That squeezes the already small sample size of a playoff series and makes it so there’s less room for error and more room for baseball to happen.

Plaschke: The one team the Dodgers should avoid playing is the Philadelphia Phillies. They have all those left-handed starters who can shut down the best Dodger hitters. They only lost the NLDS to the Dodgers last year because one of their relief pitchers lost his mind. They have a veteran lineup that is long overdue. Play them at your peril.

Q. Does Josue De Paula find a space on the postseason roster, and what do they do with him next year, with the positions he plays seemingly taken?

Swanson: Yes, absolutely, JDP will be on the roster in the postseason. For his incredible energy. For his incredible bat. Both much-needed.

Next year? Are they going to play professional baseball next year?

OK, let’s hope they do play ball. And as long as they do, I can see the Dodgers giving De Paula run in the outfield — so long as he puts in the work in the offseason (however long that is) to train and study and make himself a playable outfielder.

His hitting is so elite, he needs only to be a competent fielder to justify his regular presence in the lineup. He’s a great young athlete and if he understands and tackles the assignment with the gusto that he approaches hitting, I don’t see what could hold him back.

Plaschke: De Paula has to be on the roster this October and in a position to take some high-leverage at-bats. I think he’s potentially good enough that you trade Teo and put him in left.

Q. How would you rank the bullpen in terms of trust (top three)?

Swanson: Roki Sasaki and Edgardo Henriquez are both coming back from injuries and basically jumping right into the postseason fire so … fingers crossed. But let’s assume Sasaki’s blister is a thing of the past, as it appears to be, and that Henriquez’s back isn’t aching, I’ll pick them and make a call for Evan Phillips, who looks great and looks like he’s feeling great; I just saw him hit 100 mph for the first time this season, striking out the San Diego Padres’ Jackson Merrill looking in the Dodgers’ loss Thursday.

Plaschke: In the bullpen I trust, in order, Roki Sasaki, Alex Vesia, and Evan Phillips. I don’t trust Tanner Scott. Would you?

Q. The Dodgers won last year despite not getting a first-round bye. So was it really important for them to get the bye this year?

Swanson: Yes! This team is “old.” They know it, everyone knows it — and they know they’ll benefit from getting off their feet for a few days. To them, it’s a reward for a job well done. As a thankful Freddie Freeman chuckled Thursday night: “Rest for all of us is always nice. We’ve been grinding since February, getting ready for the season. Then you go through a 162-game schedule. It’s a lot. So we played really good baseball for six straight months and we get rewarded for that. So we’ll take it in, rest up and get ourselves ready to go for Saturday.”

Plaschke: The bye is hugely important. This is the oldest team in baseball. This is the most exhausted team in baseball. They desperately need those five days off.

Q. Finally, predictions. Who wins the World Series this year?

Swanson: The club that won the past two World Series.

Plaschke: Milwaukee wins the World Series. Nobody beats the Miz.

Who makes the roster?

We will predict the postseason roster after we know who the Dodgers are playing, but, it appears the final two spots among position players could come down to Josue De Paula, Alex Call, Dalton Rushing and Hyeseong Kim. Which two would you choose to make the team?

Click here to vote.

The last two weeks

Who is hot and not heading into the postseason? Numbers over the last two weeks for the team:

Alex Freeland, .385/.556/.692, 18 plate appearances, 1 double, 1 homer, 1 RBI
Josue De Paula, .385/.529/.692, 34 PA’s, 3 doubles, 1 triple, 1 homers, 7 RBIs
Will Smith, .382/.488/.706, 41 PA’s, 2 doubles, 3 homers, 5 RBIs
Mookie Betts, .340/.431/.640, 58 PA’s, 6 doubles, 3 homers, 8 RBIs
Andy Pages, .333/.458/.722, 24 PA’s, 1 double, 2 homers, 5 RBIs
Kyle Tucker, .292/.393/.521, 56 PA’s, 2 doubles, 3 homers, 5 RBIs
Teoscar Hernández, .286/.352/.490, 54 PA’s, 1 double, 3 homers, 6 RBIs
Kike Hernández, .261/.292/.435, 24 PA’s, 1 double, 1 homer, 3 RBIs
Shohei Ohtani, .238/.273/.286, 22 PA’s. 1 double, 1 RBI
Miguel Rojas, .231/.310/.385, 29 PA’s, 1 double, 1 homers, 3 RBIs
Freddie Freeman, .220/.245/.220, 53 PA’s, 4 RBIs
Max Muncy, .205/.286/.364, 49 PA’s, 4 doubles, 1 homer, 5 RBIs
Tommy Edman, .186/.265/.349, 50 PA’s, 1 double, 2 homers, 8 RBIs
Alex Call, .091/.167/.182, 12 PA’s, 1 double, 1 RBI
Hunter Feduccia, .063/.286/.063, 16 PA’s, 1 RBI
Dalton Rushing, 0 for 3
Team, .265/.356/.455, 25 doubles, 1 triple, 21 homers, 4.57 runs per game

Pitchers

Emmet Sheehan, 0.00 ERA, 11.1 IP, 3 hits, 2 walks, 14 K’s
Alex Vesia, 1-0, 0.00 ERA, 6.2 IP, 1 hit, 1 walk, 9 K’s
Edwin Díaz, 0.00 ERA, 5 IP, 1 hit, 1 walk, 9 K’s
Kris Bubic, 1-0, 0.00 ERA, 4.2 IP, 4 hits, 5 K’s
Landon Knack, 1-0, 0.00 ERA, 4 IP. 4 hits, 2 K’s
Roki Sasaki, 0.00 ERA, 3 IP, 2 hits, 6 K’s
Kyle Hurt, 0.00 ERA, 2 IP, 1 hit, 2 K’s
Justin Wrobleski, 1-0, 1.35 ERA, 6.2 IP. 6 hits, 7 K’s
Yoshinobu Yamamoto, 1-1, 1.38 ERA, 13 IP, 6 hits, 3 walks, 11 K’s
Blake Snell, 1.80 ERA, 5 IP, 6 hits, 4 K’s
Tarik Skubal, 3-0, 1.89 ERA, 19 IP, 14 hits, 3 walks, 22 K’s
Evan Phillips, 1-0, 3.60 ERA, 5 IP, 2 hits, 8 K’s
Tyler Glasnow, 1-1, 3.65 ERA, 12.1 IP, 6 hits, 4 walks, 21 K’s
Bobby Miller, 4.15 ERA, 4.1 IP, 4 hits, 2 walks, 6 K’s
Brock Stewart, 4.50 ERA, 4 IP, 4 hits, 1 walk, 5 K’s
Blake Treinen, 4.91 ERA, 3.2 IP, 5 hits, 2 walks, 3 K’s
Tanner Scott, 0-1, 5.06 ERA, 3 saves, 5.1 IP, 5 hits, 2 walks, 10 K’s
Jack Dreyer, 5.68 ERA, 6.1 IP, 6 hits, 3 walks, 5 K’s
Seth Halvorsen, 0-1, 9.00 ERA, 3 IP, 4 hits, 3 K’s
Edgardo Henriquez, 27.00 ERA, 0.2 IP, 3 hits, 1 walk, 1 K
Team, 10-4, 2.38 ERA, 3 saves, 125 IP, 87 hits, 25 walks, 153 K’s

Bracket time

Every year around this time, this newsletter mentions Makenna Martin, who holds an online bracket (much like the NCAA bracket) where people can fill out their choices for the best-looking Dodger. She added a charitable aspect to it, raising money for a charity for women who are the victim of domestic violence.

Martin, now a college graduate, has continued the bracket, and this year is using it to raise money for “Peace Over Violence,” another charity that helps victims of domestic abuse. You do not have to donate to take part in the bracket challenge. Whether you donate or not, it’s a lot of fun to do. There’s also a raffle to raise funds, with a lot of Dodgers prizes to win. A tip of the cap to Martin and to all young people who try to make the world just a little bit better.

You can find the bracket here.

Donate and take part in the raffle here.

Up next

Saturday: Atlanta/Philadelphia at Dodgers, 1 p.m. or 6 p.m., Fox/FS1, AM 570, KTNQ 1020

Sunday: Atlanta/Philadelphia at Dodgers, 5 p.m., Fox/FS1, AM 570, KTNQ 1020

Tuesday: Dodgers at Atlanta/Philadelphia, TBD, Fox/FS1, AM 570, KTNQ 1020

*Wed., Oct. 7: Dodgers at Atlanta/Philadelphia, TBD, Fox/FS1, AM 570, KTNQ 1020

*Friday, Oct. 9: Atlanta/Philadelphia at Dodgers, TBD, Fox/FS1, AM 570, KTNQ 1020

All times Pacific

*-if necessary

In case you missed it

Who’s hot and who’s not as Dodgers prepare for the postseason

The Dodgers have an old roster. But that isn’t necessarily a drawback in October

Woeful Mets outspend the Dodgers while Rays, Guardians and White Sox win on the cheap

Dodgers Debate: Who do the Dodgers want in the NLDS?

Shaikin: How the playoffs might impact the lockout, and … unfair to the Yankees? What?

And finally

Freddie Freeman hits a walk-off grand slam to win Game 1 of the 2024 World Series. Watch and listen here.

Until next time …

Have a comment or something you’d like to see in a future Dodgers newsletter? Email me at houston.mitchell@latimes.com. To get this newsletter in your inbox, click here.

California is set to bring back a program aimed at reducing conflict between wild animals and people, as the state’s rebounding wolf population continues to cause concern among ranchers.

Newsom signed a bill restoring the program Tuesday ahead of a “fireside chat” focused on biodiversity and natural resources, during which he described growing up with a father who was dedicated to protecting mountain lions, condors and other wildlife.

Protecting nature is “a moral issue,” Newsom said, describing a “relationship we have to what’s above us, and … how that connects us to our Creator.”

The California Department of Fish and Wildlife once employed 13 specialists dedicated to resolving human-wildlife conflicts, but it let all but one of them go after funding ran dry in 2024. The loss came as such clashes are increasing, with climate change and urban sprawl bringing people closer to bears, mountain lions and other animals.

State Sen. Catherine Blakespear, author of Senate Bill 1135, said she’s seen it play out with sea lions around La Jolla Cove. This year, someone kicked one of the marine mammals, she said, and in general there have been no government staffers “to provide the guardrails.”

When the program ended, “we weren’t doing the education, and we didn’t have staff at the state that could help intervene or provide guidance,” Blakespear (D-Encinitas) told The Times. “It was a clear lack.”

The legislation also codifies a program to compensate ranchers when they lose livestock to wolves or suffer indirect harm. The program also provides money for nonlethal equipment to deter wolves, such as electric fences with bright flags.

Part of the law is rebranding, adding “coexistence” to both programs’ names.

The California Cattlemen’s Assn. and the California Farm Bureau shifted from opposing the bill to an “enthusiastic neutral,” said Kirk Wilbur, vice president of government affairs for the former trade group, noting his colleague coined the term.

Wilbur’s group was initially concerned about parts of the bill focused on livestock compensation, but he said they were amended in a way to avoid impeding how the program operates. However, the changes “didn’t quite get us to a support position because we didn’t necessarily view it as a significant improvement over the status quo.”

His group is in favor of the bill’s requirement to relaunch the Wildlife Coexistence Program, as it’s now called, saying it “does provide resources, for instance, for my members that are contending with mountain lion depredations of their livestock.”

The bill signing comes as California’s gray wolves had at least 42 pups this year — a record. The apex predators were extirpated in the state in the 1920s, beginning to naturally recolonize their native digs only 15 years ago.

“It’s a great sign for the conservation of the species that the population continues to reproduce, and that the number of individuals continues to reproduce,” said Axel Hunnicutt, gray wolf coordinator for the Department of Fish and Wildlife.

The animals’ success has delighted conservationists but frustrated some cattle ranchers, whose livelihood can become dinner for the endangered canids.

Hunnicutt spoke to The Times from Siskiyou County, where he was trying to get more GPS collars on wolves in the Whaleback pack, linked to 41 confirmed or probable livestock attacks this year, according to a recent report. That’s by far the most of any pack in the state.

Hunnicutt’s team consists of him and two other employees, along with temporary staffers. Collaring wolves in a pack that doesn’t already have the devices is challenging, he said. It involves setting up cameras, howling throughout the night to try to get the animals to respond and sometimes driving hundreds of miles looking for tracks.

Some members of the Whaleback pack are collared, providing a good starting point. While on the phone, he said he could see the tracks of two wolves on the road where he was walking.

Proponents of SB 1135 say it could lead to the expansion of Hunnicutt’s team or more resources for efforts such as collaring, which wildlife officials say helps reduce conflicts by enabling ranchers to know where wolves are.

However, the legislation does not guarantee funding for the programs it establishes.

Pamela Flick, California program director for Defenders of Wildlife, a co-sponsor of the bill, said advocates asked state leaders for $18 million in one-time funding for the human-wildlife coexistence program, followed by $15 million annually. They also asked for around $30 million for wolf compensation and management.

What they got this year is $6 million, with $2.5 million earmarked for compensation, according to Flick.

“It’s really a drop in the bucket when we’re talking about statewide human-wildlife conflicts,” she said. “So we will be advocating for additional funds in out years for sure.”

THE UK might still be getting a last burst of heat but now is the time to lock in a winter sun holiday to get through the dark nights of December.

And new research has revealed which holiday destinations are much cheaper to go to this year compared to last year – and the ones to avoid which have jumped in price.

The study, conducted by TravelSupermarket, looked at holiday prices between December 1 and January 31, looking at seven-night breaks.

And the biggest drop in prices was Gambia in West Africa.

The average holiday price last year was £299 each a night, while this winter it has dropped to £219 – a fall of nearly 27 per cent.

This was followed by Ras Al-Khaimah in the UAE, which fell 19.41 per cent £64 to £52.

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Others that saw prices drop include Las Vegas (-13.05 per cent), Bali (-11.78 per cent), and Dominican Republic (8.82 per cent).

Chris Webber, Head of Holidays and Deals at TravelSupermarket, said: “This winter‘s package prices show that it pays to look beyond your usual destination.

“These are averages across different hotels and board bases, so individual holidays still need comparing carefully, but the picture is far more varied than winter sun simply becoming more expensive everywhere.

“There are savings further afield , with average package prices to the Dominican Republic down 8.8% and Jamaica down 6.1%.”

Sadly, it’s the destinations closer to home that have risen in price this year.

Tenerife, one of the hottest Spanish islands in winter, is up nearly 25 per cent compared to last year with average prices per person, per night going from £91 to £113.

The Algarve was close behind, with prices up from £81 to £99, a rise in 22.8 per cent.

The Bahamas (+18.67 per cent), Costa Blanca (+16.92 per cent) and Madeira and Porto Sando (+15.43 per cent) rounded up the top five.

Chris added: “Average prices for Tenerife are up 10.5% year on year and Gran Canaria 8.2%, while Cape Verde is down 6% and Gambia nearly 27%.

“Neither is a new destination, but those contrasting price movements give travellers a reason to widen their search.

“Egypt also stands out because its average package price has barely moved, rising just 0.3%.

“At around £117 per person per night, it remains below the averages for Tenerife, Gran Canaria and Lanzarote in our analysis.”

It was Disney Day at Sierra Canyon High, so standout sophomore linebacker Eli Zamorano showed up at football practice wearing Mickey Mouse ears atop his head on Monday.

Walking past, teammates either stared or smiled at the ears.

“He’s a kid who beats to his own drum,” coach Jon Ellinghouse said.

It makes perfect sense, for it was Zamorano as a freshman who was walking in rain and freezing temperatures last November on the field two hours before Sierra Canyon’s playoff game against Santa Margarita going through his pregame routine listening to music from Nirvana and not letting any elements disrupt him.

“I’m not gonna let the weather determine my pregame,” he said. “And I’m actually used to the cold experience. My dad taught me to swim in cold water. That’s who I am.”

At 6 feet 2, 205 pounds, Zamorano is showing signs of becoming one of the best linebackers in the state for a 5-0 Sierra Canyon team that opens Mission League play on Friday against Loyola. He can be the player who’s in on every tackle up the middle or the player covering running backs out of the backfield. He watched his brother, Roman, now at Air Force, play for the Trailblazers last season at middle linebacker and has been taught by his father, Antonio, a former Garfield football player, to focus on toughness and fundamentals.

“It’s the mental toughness our dad taught both of us,” he said. “He played old-school football.”

Linebacker Eli Zamorano wearing his Mickey Mouse ears on Disney Day at Sierra Canyon.

(Eric Sondheimer / Los Angeles Times)

His father became a doctor, his mother a lawyer. They’ve shown their boys a path to success but each must find their own way, though having a doctor in the family while playing football is pretty neat.

“When we were little, 7 or 8 years old, he would take us to see his patients at the hospital,” Zamorano said. “So we learned a lot there. It’s like we have free health care. He walks in our room and feels the [ankle]. He knows what the risks are.”

Zamorano can play the ukulele, listens to music created years ago and doesn’t pay attention to what others think.

“I would like to say I’m a very enthusiastic kid,” he said. “I still like to live life to its fullest. I’m not going to let any outside voices determine what makes me, me. I kind of don’t listen to the music that people do nowadays, and a lot of people call me out. It makes me Eli. And you know, it’s just who I am.”

When he was 15, he spent nearly three months living in Rapa Nui, one of the world’s most remote Polynesian islands. His grandmother was born there. It’s also known as Easter Island and is a special territory of Chile. There’s wilderness, beautiful beaches, amazing sunsets and time for a teenager to reflect on the future.

“I was down there training hard, learning more about my culture, where my family’s from,” he said. “I actually did dancing. It was a really fun experience.”

Whether walking in freezing rain without an umbrella or wearing Mickey Mouse ears around campus, Zamorano always knows what he’s doing.

“A couple girls said they were cute,” he said of his borrowed ears.

Who’s going to question Zamorano’s choices now?

The Targaryens are looking to conquer the summer box office.

“Game of Thrones: Aegon’s Conquest” will hit theaters June 1, 2029, according to Deadline. The movie, written by “House of Cards” showrunner Beau Willimon, will reportedly be directed by Owen Harris. Harris directed three episodes of the “Game of Thrones” spin-off “A Knight of the Seven Kingdoms.”

Additional details, including the movie’s story, have yet to be revealed. The title hints that the film will follow Aegon the Conqueror, who, along with his sister-wives Visenya and Rhaenys, invaded Westeros and conquered most of the Seven Kingdoms with the help of their dragons, Balerion, Vhagar and Meraxes.

Following his victory, King Aegon I became the first monarch to rule Westeros from the Iron Throne and the founder of the Targaryen dynasty. The conquest took place around 300 years before the events of “Game of Thrones” and is detailed in George R.R. Martin’s book “Fire & Blood.”

“Aegon’s Conquest” would mark the first time the original Aegon is depicted on screen, but the “Game of Thrones” franchise has featured multiple Aegon Targaryens over the years.

Aegon’s descendants revere the Conqueror so highly that he has numerous prominent namesakes. The Targaryen war of succession at the center of “Game of Thrones” prequel series “House of the Dragon” was sparked by the coronation of King Aegon II (portrayed by Tom Glynn-Carney), the younger half brother of the actual heir, Rhaenyra Targaryen (Emma D’Arcy). Rhaenyra also named one of her children Aegon.

Young Egg (Dexter Sol Ansell), one of the central characters in “A Knight of the Seven Kingdoms,” is eventually revealed to be the missing prince Aegon Targaryen. Even “Game of Thrones’” beloved Jon Snow (Kit Harrington), believed to be a bastard of House Stark, turned out to actually be a Targaryen named Aegon.

Sept. 29, 2026 9:13 PM PT

NEW YORK — The New York Liberty are peaking at the right time and were able to complete a historic sweep of the Minnesota Lynx to advance to the semifinals of the WNBA playoffs.

Jonquel Jones had 21 points and 13 rebounds and the No. 8 seed Liberty beat the top-seeded Lynx 87-71 in Game 2 of their WNBA playoff series Tuesday night. New York became the first No. 8 seed to eliminate a No. 1 seed in the league’s 30-year history.

The WNBA has undergone a number of different playoff formats. And in many of the formats, it wasn’t possible for those seeds to match up. However, in 2022, the league changed to the current format in which the top eight teams play in the quarterfinals.

“It feels good, we understand who we are as a team,” Jones said. “We’re not listening to outside noise, we understand that we can do a lot of great things. We feel like we can play with anybody and beat anybody. That’s the mindset we have moving forward. It feels good to make history. It had to be done for us to advance. It’s nice to say it’s been accomplished, but we have a lot of work to do.”

Breanna Stewart added 21 points and Sabrina Ionescu had 18 for the Liberty, who await the winner of the Atlanta-Washington series. The Dream are up 1-0 and play at Washington on Wednesday night. The semifinals begin Sunday.

A year after losing in the first round to Phoenix after going up 1-0 in that series, New York was determined not to have that happen again.

The Liberty were up five points after one quarter and led 40-35 with 2:39 left in the half. New York scored nine of the final 11 points in the second quarter to go up 49-37 at the break.

New York was up 52-39 with 6:26 left in the third when Stewart drove to the basket and was hit in the face by Olivia Miles as she tried to block the shot. Stewart was down for a minute as the officials reviewed the play and upgraded the play to a Flagrant-1 foul.

As Stewart walked off the court, she raised her hands to the sellout crowd of 17,593, who serenaded her with “MVP!” chants. Stewart hit both free throws.

Minnesota couldn’t get closer than seven points the rest of the way.

“New York is a great basketball team,” said Courtney Williams, who led Minnesota with 18 points. “You dig a hole for yourself and try to get out of it. We wanted to go on a run, but they had answers for everything.”

The Lynx’s season ended in disappointment again. The Lynx had the best regular-season record, but just couldn’t put it together against New York. On Monday, Cheryl Reeve won the league’s coach of the year and Miles was a unanimous choice for rookie of the year.

Miles struggled in both games against New York. She had five points, missing seven of her eight shots in 17 minutes, on Tuesday night. The Liberty’s size and ability to protect the rim bothered the stellar first-year player.

Reeve said she offered encouragement to her star rookie after the game.

“As I told her. When was the last time a rookie led the first-place team? Never happened before,” Reeve said. “That’s what we shared with her. This hurts for her.”

Napheesa Collier and Kayla McBride each added 14 to for the Lynx.

Feinberg writes for the Associated Press.

Radio personality, jazz singer and former BET host Angela Stribling died on Sunday of cancer.

Stribling “passed away peacefully at home … after a courageous two-year battle with brain cancer,” her husband, Ken Washington, posted to her Instagram account. “Her sister Darlene and I were by her side.”

A native of Buffalo, N.Y., Stribling attended the Fashion Institute of Technology in New York City and took a position with American Airlines at the Baltimore/Washington International Airport after college. She spent four years as host of BET entertainment news program “Screen Scene” and helped launch BET Jazz, hosting “Jazz Central,” “Jazz Discovery” and “Jazz Scene” for the network, according to a posting about her death by WHUR 96.3 Howard University Radio.

She worked as a reporter for “Evening Magazine” and co-host of “On Time” on Baltimore television and as a news intern at WTTG-TV and at WOL-AM in Washington, D.C., before joining WHUR-FM. That’s where she became the first woman to host “The Original Quiet Storm,” a program of “soulful slow jams and romantic melodies” that recently celebrated 50 years of being on air.

“Pillow Talk,” WHUR’s long-running late-night program hosted by Stribling, centered on relationships, conversation and music.

“Angela Stribling was a remarkable talent, but what made her truly special was the person she was,” WHUR general manager Sean Plater said in the station’s tribute. “Her voice was beautiful, her presence was calming, and her spirit was genuine. She had a way of making people feel welcome and valued, and that gift extended far beyond the radio. Angela was part of the WHUR family, and her loss is deeply felt by all of us. We will remember her not only for the incredible career she built, but for the love, kindness and light she shared with so many people.”

Stribling was also a classically trained jazz vocalist, who performed at New York City venues including the Rainbow Room, the Supper Club and the Soul Cafe. She traveled the world and shared the stage with legendary artists, including Stevie Wonder and Chaka Khan.

“Her sultry voice made her a staple on radio in the D.C. area and on Sirius. She did countless voiceover work, she sang and had parts in movies. I remember her calling me when she got a role in the Eddie Murphy movie ‘Distinguished Gentlemen,’ ” former BET colleague Ed Gordon wrote on Facebook. “She was a sweet soul.”

IF you want to be ahead of the curve, there’s a country three hours from the UK with beautiful coastal resorts, high summer temperatures and cheap beer.

Not only that, but there are more flights from the UK and with new hotels opening – so it’s set to be the must-visit destination of summer 2027.

Bulgaria has it all from vibrant cities like Sofia to coastal resorts like Sunny Beach, Golden Sands and Albena.

In the summer, Bulgaria has highs of 30C – and in June, return flights to Sofia as little as £62.

It’s affordable too, according to Wise, as beer in Bulgaria can be as little as 90p with an inexpensive meal at a restaurant costing around £6.

TUI has a number of hotels in Bulgaria already, but is expanding in time for next summer.

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One of those is the TUI BLUE Arabella in Golden Sands near Varna, which is currently undergoing renovation and is set to reopen in summer 2027.

When open, guests will be able to paddle in its four swimming pools, one main pool, a children’s pool, one for relaxation and the indoor one too.

There will be on-site restaurants and bars, wellness area with a sauna, gym and tennis court.

On-site are 290 rooms which will range from suites to double and family rooms with sea views and balconies.

Guests will also have access to the waterpark at nearby GRIFID Bolero hotel.

Another is in the SUNEO collection which is budget-friendly stays with 3- and 4-star beach getaways.

Called the TUI SUNEO Compass 4*, the pretty hotel is set within peaceful gardens and is also set to open next summer.

Already existing hotels include the TUI SUNEO Serenity Bay in Tsarevo and TUI SUNEO Perla in Sunny Beach.

An all-inclusive stay at TUI SUNEO Perla in May starts from £591.33pp – or £84.47pppn.

This includes a stay for seven-nights in a Deluxe Double Room with a balcony or terrace and return flights – it also has an outdoor swimming pool and restaurant.

Another of the existing TUI hotels includes the TUI BLUE Nevis in Sunny Beach which offers all-inclusive family holidays.

It has a huge swimming complex with swimming pools, splash zone and waterslides as well as kids’ clubs and a buffet restaurant.

There are plenty of flights from the UK too – TUI has flights to two destinations in Bulgaria, Sofia and Bourgas from 21 UK and Ireland airports.

TUI Group CEO Sebastian Ebel said: “Bulgaria has enormous potential as a tourism destination. The country combines attractive beach holidays on the Black Sea with culture, nature, hospitality and very good value for money.”

Jet2 also flies regularly to Bulgaria with flights from 11 UK airports to Bourgas.

These include London Stansted, Edinburgh, Liverpool, Leeds Bradford, Bristol, Newcastle, London Gatwick, Birmingham, East Midlands, Glasgow, and Manchester.

From Bourgas, it’s easy to get to Sunny Beach, Nessebar, and St Vlas.

Adding to its popularity for next year, Bulgaria will be the host country for the Eurovision Song Contest after winning this year.

It will take place on May 11, 13, and 15 at the Arena Burgas – and in time for the event, Jet2 will add new flights from the UK to Bourgas.

Otherwise want a mega cheap holiday? Loveholidays has four-night all-inclusives from £219pp.

When Dodgers rookie Josue De Paula debuted a little over two weeks ago, he was the youngest player in the lineup by four years. And when veteran infielder Miguel Rojas pinch-hit for Alex Freeland in the eighth inning, the 21-year-old De Paula and 29-year-old Kyle Tucker were the only Dodgers under 30 remaining in the batting order.

“You’ve got to have both,” veteran shortstop Mookie Betts, who turns 34 next month, said in a recent conversation with the Times. “You need experience, but you also do need youth. I don’t know what the balance is, to be honest.”

The age of the Dodgers’ stars is the most persistent knock on a group that just finished a 100-win regular season and has the second-best odds to win the World Series (16.7%), according to Baseball Prospectus.

It’s the threat looming beyond every new accomplishment. Yes, the Dodgers are in the midst of a historic run. Only one other organization has strung together so many consecutive postseason berths, and that Braves team of the 1990s and early 2000s won only one World Series.

The Dodgers are aiming to become the first National League team to claim three straight championships.

But how long can this last?

The Dodgers’ lineup is the oldest in the majors, according to Baseball Reference, with an average age of 30.9 years old when weighted by at-bats and games played. Their star corner infielders, Freddie Freeman and Max Muncy, are the oldest of the everyday starters, at 37 and 36, respectively. Even two-way phenom Shohei Ohtani turned 32 in July.

“That’s a fact, we’re an older team,” manager Dave Roberts said. “With age, there’s experience. I know we’re not going to fall off a cliff, our team.”

Plenty of young players in the Dodgers’ system have been blocked by older stars over the years. But in addition to a sky-high payroll, the Dodgers are known for their player development.

Even after the trade deadline — when the Dodgers sent two MLB Top-100 prospects, outfielder Zyhir Hope (No. 25) and right-hander River Ryan (No. 68), to the Tigers as part of the trade package for left-hander Tarik Skubal — the organization’s farm system ranked No. 1 on MLB Pipeline’s rankings.

Serving as a reminder of that strength, when the Dodgers called up De Paula straight from double A, he immediately showed his bat belonged in the big-leagues.

At the same time, injuries stoked the flames of the age discussion. De Paula got his shot because Ohtani finally went on the injured list, after managing problems with his left knee and right biceps for much of the season.

Freeman pushed through knee tendinitis in September. Teoscar Hernández (left hamstring strain) and Betts (right oblique strain) both had monthlong IL stints earlier in the season but have helped carry the offense lately.

“As I’ve gotten older, I’m definitely taking a lot more care of my body,” Betts said. “I know I had an oblique [injury] earlier, but as far as just showing up every day and whatnot, I feel like we do a good job in taking care of our bodies and staying healthy for the most part.

“But I mean, people are talking like we’re the only ones in the league that’s getting hurt. You look everywhere around the league, somebody’s hurt.”

That’s true. And it also isn’t just the guys in their mid-to-late 30’s sustaining soft-tissue injuries. Dodgers catcher Dalton Rushing, 25, served back-to-back IL stints for a flexor strain in his forearm down the stretch.

The Dodgers’ roster has proven deep enough to withstand injuries, as the team posted the second-best regular-season record in the majors this year.

“We’re not going to win games the same way that Milwaukee or Tampa Bay or these younger teams are winning games,” said Rojas, 37. “We’re going to win games a different way. We’re going to win games with a lot of talent, with experience, and winning moments.”

Over the years, the Dodgers have brought in players with postseason experience. But roster continuity also has meant that 17 players on this year’s projected postseason roster also contributed to both of the Dodgers’ last two World Series-winning seasons.

So, after playing more games than any other team the past couple years, the Dodgers may be a little hobbled going into their first-round bye. Regardless, they just completed their first 100-win season since 2023.

“The experience, how smart these guys are on the field, I think those things help win moments and win battles on the edges in October,” president of baseball operations Andrew Friedman said when the Dodgers clinched the NL West title earlier this month. “It’s not as easy to navigate through a 162-game season with an older roster. But I do think that experience in those moments will definitely help and we’ll see it shine through at different points in October.”

Dennis Haskins, an actor known best for playing Principal Richard Belding on the 1990s high school sitcom “Saved by the Bell,” died on Sunday night. He was 75.

Haskins’ friend and longtime caretaker, Kimberly Snow, confirmed the actor’s death. A cause of death is unknown, but Haskins had quietly battled Parkinson’s and was candid about other health issues. According to Snow, the actor died around 11 p.m. in a Burbank assisted living facility.

Snow, a former manager of Burbank’s since-shuttered Dimples Karaoke, shared the news of the actor’s death on Instagram, writing that Haskins was a staple at the joint, so much so that many of the patrons thought he owned it.

“A lot of people thought he owned it, but he didn’t,” the tribute read. “He just loved the place and its people. He enjoyed singing for people, meeting them, and taking selfies with his fans. Dimples closed down about 11 years ago, and people still associate him with his beloved ‘second home.’ He was known to most as Mr. Belding from Saved by the Bell, but to us, he was much more than that.

“About eight years ago, he became ill,” the post continued. “He had been silent about his fight with Parkinson’s, among other health concerns, because he did not want the attention. He did not want to have to tell people. He would say, ‘What do I even say?’ So I respected his wishes and stayed quiet, and I helped him through his journey into the next chapter of his life.

“Late last night, that journey ended for him. He is now at peace and is probably entertaining the people in the sky. Just know that if you tried to reach out to him in the last few years, I did read your messages to him, and you were heard.”

Haskins played the earnest and beloved Mr. Belding across the “Saved by the Bell” franchise for 12 years, from 1988 to 2000. As recently as 2015, he reprised the role for a sketch on “The Tonight Show Starring Jimmy Fallon,” alongside Bayside High School alums Mark-Paul Gosselaar, Elizabeth Berkley, Mario Lopez and Tiffani Thiessen.

Haskins was born in Chattanooga, Tenn., on Nov. 18, 1950, to parents Dennis Button Haskins IV and Veneta Marilyn Yarbrough. One of three boys, he attended Notre Dame High School in Chattanooga and, later, the University of Tennessee at Chattanooga.

He ultimately made his way to Los Angeles where he broke into acting, with his first on-screen gig playing a workman in “Archie Bunker’s Place” in 1981. He acted regularly through the ’80s, landing parts in television shows “Magnum P.I.” and “The Dukes of Hazzard” before finding his way to the part that would make him America’s favorite principal.

He played Mr. Belding across seven different series, including, “Good Morning, Miss Bliss,” “Saved by the Bell,” “Saved by the Bell: The College Years,” “Saved by the Bell: The New Class,” “The Rerun Show,” “Robot Chicken,” and “Victorious.”

“It’s a tragic loss,” Jay Schachter, head of film and television for Stewart Talent in New York City, said in a statement to NBC.

“Everyone loved Mr. Belding and those of us who got to know Dennis, loved him even more,” Schachter said. “He was a great person, and he loved, I mean absolutely LOVED his fans.”

A new age of Clippers basketball started on Monday.

It’s about moving on, or attempting to, after the franchise endured a nightmare offseason.

“My entire summer’s been basketball,” guard Darius Garland nonchalantly said during media day at Intuit Dome. “My main thing is to come in here and win games. So, that’s my main focus.”

The Clippers’ offseason was engulfed by the NBA’s salary-cap circumvention investigation into the team’s endorsement deals with Kawhi Leonard. The NBA fined the Clippers $30 million, stripped them of five first-round picks, dealt suspensions to owner Steve Ballmer and president of basketball operations Lawrence Frank — and the Clippers ultimately traded Leonard, who was fined merely $700,000, back to Toronto.

Garland represented his teammates in prioritizing hoops.

But for Trent Redden, the Clippers’ interim president of basketball operations, things weren’t that simple. The admittedly nervous executive started Monday’s news conferences by apologizing to the Clippers’ faithful for the aftermath of the Leonard situation.

“Our fans deserve to hear from us before this, and for that we’re sorry,” Redden said. “We’ve been listening to the thoughts, the concerns, and feeling the emotions of our fan base. They mean everything to us. … We hope to fulfill our promises to them, to build their trust and move forward through this time.

“This franchise often has done its best work with its back against the wall … We hope to represent our fans the same way we always have in dark times, by coming out fighting.”

Fighting is all the new-look Clippers can do as they enter the 2026-27 season.

Leonard is back north of the border. Other stars, such as Paul George, James Harden and the recently retired Russell Westbrook, are distant memories in L.A. For the first time in years, the Clippers aren’t entering a season with championship aspirations.

“It’s been difficult,” said Ty Lue, who enters his seventh season as the Clippers’ coach. “But I give our players a lot of credit … the leadership is great [and] the morale is great, even in these tough situations. That’s good to see, when you have your players coming in every day, giving everything they have; a lot of teams don’t have that.”

The Clippers’ league-record streak of 15 consecutive winning seasons is in jeopardy. Nonetheless, the team will still feature plenty of intrigue roster-wise, with a mix of youngsters “doing TikToks” and “old heads” trying to keep up, as Garland described it.

“I think we can surprise a lot of people,” he said.

Garland himself, 26, enters his first full season in L.A. as the team’s go-to scorer. A two-time All-Star, he’s primed to lead a promising backcourt alongside 19-year-old rookie Keaton Wagler, the Clippers’ No. 5 pick in the 2026 draft.

Wagler is one of the team’s promising young players, alongside fellow rookie Baba Miller, Kobe Sanders and the rehabbing Jordan Miller and Yanic Konan Niederhauser.

“I’m just going to do my best to stay mentally focused,” Wagler said when asked about the pressure of being the team’s first top-five pick since Blake Griffin in 2009. “Not worry about all the outside noise.”

The Clippers return key role players like Derrick Jones Jr., Kris Dunn, Bradley Beal and Brook Lopez, and sport new ones like Max Strus and Gradey Dick via trades.

However, the team’s ceiling will rest on the influence of new forwards Brandon Ingram and Rui Hachimura. Hachimura is coming off a strong playoff run and four-year stint with the Lakers.

“One thing about here … everybody talks about how they take really good care of their players,” Hachimura said of signing a two-year, $28-million contract with the Clippers this offseason.

Ingram, the centerpiece of the Leonard trade, is a solid three-level scorer and will shoulder much of the offensive load alongside Garland — when healthy.

Redden shockingly shared that Ingram is recovering from a partially torn Achilles tendon in addition to heel surgery.

“I had been dealing with some pain throughout the year with the Raptors, especially coming down crunch time with the Raptors,” Ingram said. “I didn’t quite know what it was. Near the end of the season, we figured out what it was, and surgery was the best thing to do.”

The 29-year-old Ingram, though, should make a full recovery and claims his best days are still ahead of him.

He feels the same way about his new Clippers team.

“I know [there are] little to no expectations for us this year,” Ingram said. “We have enough in the building to compete. This is what we love to do. So, we’ll go out and compete every single night, learn, go on to the next game and get better and better.”

The bromance between Luka Doncic and Austin Reaves remains strong and it’s a bond the Lakers will lean on with LeBron James no longer on the team.

After eight years of James being the Lakers’ leader, the role now will be shared by Doncic and Reaves.

Doncic already took a step in that direction when he invited his teammates to his home country of Slovenia in August for a bonding trip.

Reaves chided Doncic about losing in rowing, bowling and golf while they were in Slovenia together.

Reminded about it Monday at the Lakers’ media day, Doncic immediately retorted: “I beat him in golf two days ago. … He didn’t say that, huh?”

Doncic paused and smiled.

“The key was I was playing great golf,” Doncic said. “He gave me some strokes, I’m not going to lie — as he should.”

Reaves spoke about the events his group won in Slovenia and how they beat Doncic in the process.

“We won the rowing, we won the golf, we won bowling,” Reaves said. “Luka tried to put on a blue shirt when his rowing team lost, which is crazy. But he did host us, so we let him hold the first-place trophy for once.”

The two friends and teammates have developed a closeness that their teammates have noticed.

“They get along so well that it’s kind of easy for them to co-lead this team — in different ways sometimes,” Jake LaRavia said. “I think sometimes Luka leads by example and we watch him and we watch how he goes about himself. AR can sometimes be a bit more vocal. But I think they both do a great job at what they are good at it when it comes to being leaders for this team.”

Lakers guard Luka Doncic speaks during the team’s media day in El Segundo on Monday.

(Eric Thaye r/ Los Angeles Times)

Doncic led the NBA in scoring last season (33.5 points per game) and was third in assists (8.3). He averaged 7.7 rebounds and shot 47.6%, including 36.6% from three-point range.

The three-year, $165-million contract extension Doncic signed last year kicked in this season.

“Obviously, it’s a new challenge,” he said about his leadership role. “I was in this position in my career a lot of times, so it’s not new to me. But I feel great, I feel excited, and like I said, I’m ready to go. It’s been a long time since I played basketball, so I’m ready.”

Reaves is entering his sixth season with the Lakers, making him the longest-tenured player on the team. In June, he signed a four-year, $180-million deal, the largest contract for an undrafted player in NBA history.

Reaves earned it by averaging career-highs in points (23.2) and rebounds (4.7).

The Lakers have nine new players and Reaves knows he’ll need to provide guidance.

“I think it’s different for everybody,” Reaves said. “I’m not going to lead the same way Bron does. I’m not going to lead the same way Luka does. I like to do things a little different. I was talking about doing more one-on-one conversations. There will be times where I need to speak up in group settings and I’ll do that when the time comes. But I think you just got to be true to yourself and do what’s comfortable for you.”

Doncic played in just 64 games last season. He missed the last five regular-season games and all of the playoffs with a left hamstring strain. After spending time in Europe rehabbing his hamstring over the summer, Doncic said he’s healthy and ready to go with no restrictions when the Lakers begin training camp Tuesday.

“I know I had a lot of time, just taking it slowly, not taking no risks,” Doncic said. “But right now, I’m feeling great. I feel rested. Mentally I feel great, so I can’t wait just to start.”

With Walker Kessler, Quentin Grimes, Jaden Hardy, Kevon Looney, Sandro Mamukelashvili, Collin Sexton, Matisse Thybulle and Ziaire Williams among the newcomers on the Lakers, Doncic and Reaves are looking forward to what comes next.

“I like everybody that we signed,” Doncic said. “I think there’s a lot of underrated guys. … Now training camp is going to help us a lot, focus on basketball, get to know what they like on the court, but I’m very excited to play with all of them.”

Wedding bells are ringing for Paul “DJ Pauly D” DelVecchio and his longtime girlfriend Nikki Hall.

The “Jersey Shore” alum proposed to the Jamaican-born influencer over the weekend while DJing at the Omnia Dayclub at Caesars Palace in Las Vegas. The popular party destination posted the proposal on Instagram on Sunday with the caption, “Things just got serious,” alongside a video of DelVecchio bringing Hall onto a stage and getting down on one knee.

Although a techno remix of Bruno Mars’ “Marry You” was blasting in the video, the DJ’s lips are seen mouthing, “Will you marry me?” Hall nods enthusiastically in response, and bikini-clad models appear in the background carrying signs overhead that read “Congratulations on the engagement! Yeah Buddy!”

Through a series of clips and photos shared on DelVecchio’s Instagram stories, it appears the two celebrated the engagement with Italian food and a hotel room decked out with red rose petals and balloons.

“We’ve spent these years choosing each other, growing together, building a life we love, and never rushing a chapter just because the world was ready to read it,” Hall posted on Instagram, adding that saying yes to DelVecchio was “the easiest YES” she’s ever said.

DelVecchio celebrated in the replies of the post, writing, “She said yesssssss!!!!!”

The pair met back in 2019 on MTV’s “Double Shot at Love,” a reality dating show hosted by DelVecchio and fellow “Jersey Shore” alum Vinny Guadagnino, in which 20 women competed to capture the hearts of both Pauly and Vinny, respectively.

The early days of their relationship played out on the series, with both Hall and DelVecchio smitten from the start. Their season ended with a twist when DelVecchio chose to say goodbye to Hall and “roll solo for now.” But clearly, his decision didn’t stick, and in 2020, the pair quarantined together during the pandemic, a revelation that arose when eagle-eyed fans noticed their social media content had identical backgrounds.

A proposal to tax California’s billionaires has fractured Democratic politics, repelled some of the state’s richest residents and exploded into a costly battle that’s overshadowing even the gubernatorial election.

Known as Proposition 40, the ballot measure is also dividing the very industry it’s supposed to help. The healthcare workers union behind the initiative, which would authorize a wealth tax on billionaires, says the levy would raise sorely needed funds to shore up health coverage.

By contrast, leading California hospital and doctor groups are opposing the measure ahead of the November vote. They say the one-time 5% levy on the state’s wealthiest is a risky gambit with an uncertain path to victory — as well as a distraction from other proposals to shore up healthcare.

“This is an experiment on a taxation scheme that’s not been done before, and it puts healthcare in a more vulnerable position as a result,” California Medical Assn. Chief Executive Dustin Corcoran said at a recent briefing in Sacramento. “It’s not a healthcare ballot measure.”

Less than six weeks before election day, polls show a divided electorate. But whatever the outcome, the fight is exposing a broader problem confronting California: how to preserve one of the nation’s largest expansions of publicly funded healthcare as a big chunk of the money that helped pay for it disappears.

Over the last decade, California increased access to publicly funded healthcare by broadening eligibility for Medi-Cal, the state’s Medicaid program, and other types of insurance, allowing millions more residents to gain coverage. The number of people without insurance fell to 2.4 million in 2024 from about 6.5 million in 2011.

Now, that trend is expected to reverse. According to the Congressional Budget Office, President Trump’s budget bill last year will lead to $1 trillion in healthcare-related cuts over a decade. Earlier this week, the Trump administration said it recently removed 760,000 people from Obamacare plans across the nation, alleging that some were enrolled improperly and others don’t exist.

Combined with strict work requirements, more frequent eligibility checks and a pullback in state spending pushed by Democratic Gov. Gavin Newsom, the changes are projected to push California’s uninsured population under the age of 65 to 4.6 million by 2030, according to the UC Berkeley Labor Center.

“Without trying to be melodramatic, when millions of people lose coverage, it is entirely predictable that thousands will die unnecessarily because of foregone treatment,” said Dave Regan, president of SEIU-UHW, the healthcare-workers union pushing the billionaire tax.

“There is an absolute consensus on what the problem is, and there’s a consensus that there’s no other solution on the table,” he said in an interview at Bloomberg’s San Francisco offices.

Even before the budget cuts start to bite, financial strains are mounting at institutions such as Martin Luther King Jr. Community Hospital in South Los Angeles.

MLKCH’s waiting room is now mostly used for treating patients, with 16 wooden cubicles functioning as care rooms. Sick or injured people are also cared for in the hospital’s front hallways and in what used to be the meditation chapel and the gift shop.

The hospital opened in 2015 with an emergency department built for 25,000 visits annually. In 2024, it handled 130,000. Dr. Elaine Batchlor, its CEO, said further funding reductions “would threaten the sustainability of the hospital.”

Batchlor isn’t taking a position on Proposition 40 and has been looking for other sources of revenue. SEIU-UHW’s Regan argues there’s no other way to raise the money needed to fill the massive gap.

The California Budget & Policy Center estimates the state stands to lose roughly $30 billion in federal Medi-Cal funding each year. Asking California lawmakers for that amount is a “fool’s errand,” Regan said. “And on top of that, the only people the legislature will tax are ordinary people.”

The union estimates the levy would raise $100 billion over five years, with 90% earmarked to shore up health coverage amid impending budget cuts.

Critics dispute the projection. The state’s nonpartisan Legislative Analyst’s Office says the tax would probably raise tens of billions of dollars, but potentially reduce income-tax revenue in the long run, as some ultrawealthy residents depart the state.

Recent polls show an increasingly contested path for Proposition 40. A recent UC Berkeley-Politico poll found 45% of likely voters in favor, but opposition has increased since early this year and now stands at 43%. A separate Public Policy Institute of California survey put support at 52% and opposition at 46%.

Led by Sergey Brin, wealthy opponents have poured almost $230 million into funding Building a Better California, according to a filing late Thursday. That’s helping them flood the airwaves with anti tax advertising. There are also two competing ballot measures designed to torpedo Proposition 40 if they pass.

Billionaires aren’t the only detractors. Critics have also assailed Proposition 40 for carving out an exception to California’s constitutional funding rules to steer most proceeds to healthcare. While the state generally earmarks at least 40% of General Fund revenue to public schools and community colleges, the billionaire-tax proposal excludes the new levy from that calculation.

Corcoran, the medical association chief, argues that even if Proposition 40 passes in November, legal challenges would potentially delay its implementation for years.

“There’s a lot that we can do looking ahead to 2028 when these cuts start taking greater effect that frankly would provide more immediate relief than Proposition 40 would,” he said. His group and others are pushing instead for large corporations to help cover the cost of public insurance for their workers.

Regan called that proposal “the worst public policy on planet Earth,” saying costs will be passed on to consumers and that it essentially acts as a payroll tax on low-wage workers.

He also disputed the notion the billionaire tax would lead the ultrawealthy to leave the state, pointing to Nvidia Corp. CEO Jensen Huang, who earlier this year said he would be “perfectly fine” with the levy. As for legal challenges to the billionaire tax, Regan said he believes they can be resolved in 12 months.

The uncertain funding picture has many hospitals bracing for cuts.

James Suver, CEO of Ridgecrest Regional Hospital, about 150 miles north of Los Angeles, said he’s not betting on proceeds from the billionaire tax. He’s weighing options that include pausing maternity care again, cutting physician recruitment and reducing emergency-room service.

“Our future under the most likely scenario is not looking very good,” Suver said. “We’re beyond doing minor nips and tucks to be able to offset some of the changes that I suspect may be happening in the future.”

Clanton writes for Bloomberg. Kara Wetzel of Bloomberg contributed.

Academy Award-winning filmmaker Alejandro González Iñárritu and Pop artist Ed Ruscha have a long history of admiring each other’s work. Twenty-four years ago, a nervous Iñárritu visited Ruscha’s Venice studio to offer him the role of the gynecologist in “21 Grams.” They needed a doctor with noble features and blue, believable eyes. That plan didn’t pan out, schedule-wise, but the filmmaker and the artist finally found a way to collaborate.

The result — a Ruscha-designed poster for Iñárritu’s new film “Digger,” starring Tom Cruise — was unveiled Sunday at an intimate brunch at the Los Angeles County Museum of Art, attended by Iñárritu, Ruscha and Cruise, as well as “Digger” actors John Goodman, Jesse Plemons, Michael Stuhlbarg and Ross Hatt.

Iñárritu and Cruise laughed as they made a clumsy attempt at a countdown before whipping aside a black velvet curtain to reveal the poster for the first time: a very Ruscha, text-heavy work on a slate gray background with a beige border. A looming ice shelf in the background is surrounded by phrases including, “A Man. A Plan. A Meltdown,” and “Comedy equals tragedy plus time.”

Filmmaker Alejandro Iñárritu and “Digger” star Tom Cruise unveil Ed Ruscha’s new poster for the film. (They just pulled off the black velvet curtain on the floor below.)

(Kevin Garrison)

“Well, the movie blew my hair back,” Ruscha said at the unveiling brunch inside LACMA’s new (still unopened) restaurant, with LACMA Director and Chief Executive Michael Govan by his side. “And not only that, it parted it down the middle. It has since grown back.”

The crowd laughed knowingly. “Digger,” which opens Friday, is a satirical black comedy that follows oil tycoon Digger Rockwell as one of his drilling rigs in Greenland explodes, dislodging an ice shelf that floats away to cause a global disaster. As a dark parable for the dangers of climate change, the film has already proved polarizing, with early reviews coming in mixed.

Ruscha noted that he first saw “Digger” at a screening about six months ago, alongside Govan. “I knew I had seen an epic production, an epic product from an epic producer,” Ruscha said. “So I jumped at the idea of doing the poster. And I thought about it, and I think about this movie, and it reminded me of a kaleidoscope. It’s got so many running-around ideas. It was kaleidoscopic in its message, and its content and its humor.”

Ruscha turned his attention to Iñárritu, “It’s got something to offer to the world, and I thank you for that.”

The filmmaker loved the poster, and the fact that the ice shelf sat front and center.

From left to right — “Digger” actors John Goodman and Jesse Plemons, filmmaker Alejandro G. Iñárritu, artist Ed Ruscha, actor Tom Cruise, LACMA director Michael Govan and actors Ross Hatt and Michael Stuhlbarg — pose with Ruscha’s new poster for the film.

(David Jon)

“The billing is nature: We are human beings, we are in a war against nature,” Iñárritu said — describing what he feels the poster relays — in a phone interview from Mexico City a day before the event. “We think that we are different from nature. So nature, in a way, becomes our enemy. We are fighting a fight against nature, and the enemy is an ice shelf going to Europe. And he just put [that] in the center of it, [like] a disaster movie, which is very clever, as he always is.”

“Those decisions that he made with a very prominent element in a simple way, with one or two words, it just says so much with so little,” Iñárritu continued. “And then he [put] some lines around [it], very Ruscha, that in a way convey the spine or the character itself.”

The director had the same feelings two years ago, at LACMA’s Ruscha retrospective. He said so much with so little, Iñárritu thought, and that “less is more” thinking could hold so much power in a film poster.

Iñárritu, too, has been exhibited at LACMA: earlier this year, with the film installation “Sueño Perro,” a resurrection of lost footage from “Amores Perros;” and in 2017-2018, with the virtual reality installation “CARNE y ARENA,” which explored the human condition of immigrants and refugees.

The director’s collaboration with Ruscha is proof of concept for LACMA’s annual Art + Film gala, entering its 15th year, which seeks to highlight and strengthen the connections between film and visual art by bringing the two communities together at a splashy party — often creating lasting connections between the two groups.

Both Ruscha and Iñárritu have been honored at the gala, the former in 2012 (with Stanley Kubrick) and the latter in 2015 (with James Turrell). “This is a beautiful encounter of art and film,” Govan said at the unveiling.

“Digger” has evolved over nine years, Iñárritu said. It’s been a long journey of taking note of current events, including where the world is going, as well as people’s obsessions and fears.

“The film is a love letter for the young generation,” Iñárritu said. “I think it’s kind of a warning, or a wake-up call. But you can have fun about it, because it’s the only way to — humor allows us to have space and recognize ourselves in that absurdity. So I feel that it’s a human, urgent, now film.”