year

Caitlin Clark says everybody making a big deal about a heated moment on the bench between her and Indiana Fever head coach Stephanie White has gotten it “blatantly wrong.”

“I know there’s a camera on me … but there’s a lot of people out there in the media or on TV that think they know a lot of things, and they’re just blatantly wrong,” the star point guard said on Monday. “It’s just another example of what everybody … want[s] to blow up and make something that is just … not in reality.”

Clark was addressing a moment that occurred during the Fever’s 100-84 loss to the Portland Fire on Saturday. The viral footage appears to show Clark and White having a heated exchange while the team is huddled on the bench. White then subs Clark out for Raven Johnson, having her take Clark’s seat, as they presumably continue to discuss their next play. Kelsey Mitchell and Makayla Timpson appear to try to calm Clark, who can be seen shaking her head while standing behind her coach.

As with many moments involving the 2024 WNBA Rookie of the Year, video capturing the exchange was widely circulated and discussed among fans and pundits online and on TV.

Clark dismissed the moment as just “two people being competitive, two people that really want to win” and pushed back against it being described as “a blow up.”

“I ride for Steph, I ride for these girls. Steph has my back more than anybody,” the two-time All Star said. “Nobody in … our locker room, or Steph, or our coaching staff, thought twice about it.”

Clark’s teammate Lexie Hull was also asked about the moment on Monday during an appearance on Yahoo Sports Daily, and the Fever guard indicated it wasn’t even a blip on the team’s radar.

“That’s part of the game,” Hull said after mentioning the team had been in some foul trouble. “There’s frustrations that rise, and decisions have to be made, and ultimately, this wasn’t something that carried on. This is, in the moment, something that happened, and not something that is talked about now in our locker room or talked about even later on in the game.”

White echoed her players’ sentiments Monday, saying the footage just captured her coaching.

“I was challenging a player,” White said. “It’s coaching. … My relationship with Caitlin is great. … She wants to be coached. I want her to help me be a better coach. We’re both competitive, we’re both stubborn, we’re more alike than different. Hopefully we continue to bring the best out of each other.”

White attributed the attention to Clark’s popularity and how “everything that she does gets clicks.” She also pushed back against attempts to frame these moments as “tense.”

“It’s not a new thing,” White said. “It happens in every sport … and it’s not a story.”

Clark, the 2024 No. 1 draft pick, first gained buzz for her three-point shooting during her college years at Iowa. While her popularity has carried over into her WNBA career, she has more recently been increasingly scrutinized for her demeanor and perceived disrespect toward coaches and officials rather than for her play. Her injury-plagued 2025 campaign and the Fever’s less-than-stellar start to the 2026 season haven’t helped. The Fever are currently 4-4 and ninth in the WNBA standings. The team went 20-20 in the regular season during Clark’s rookie campaign and 24-20 in 2025 (Clark played just 13 games).

“There’s immense amount of pressure, and sometimes that pressure can get you and frustrate you in different ways,” said Clark. “I want to win. This team wants to win, and I’m the point guard, so it’s on me to help this team and this franchise win.”

Stephen Curry is a free agent no more.

A sneaker free agent, that is.

The four-time NBA champion has spent his entire playing career with the Golden State Warriors and is under contract through the end of next season.

He has been playing without a shoe deal, however, since parting ways with Under Armour in November.

That won’t be the case when Curry starts his 18th NBA season in the fall. The man who holds the NBA record for most career three-pointers announced on Monday that his Curry Brand is teaming with Chinese sportswear and athletic equipment company Li-Ning for a partnership that is “bigger than a shoe deal” and “bigger than a signature series.”

”This is the partnership of a lifetime. The future of Curry Brand is with Li-Ning,” Curry wrote in a post announcing the deal on his Thirty Ink site. “I couldn’t be more proud to build a long-term vision with Li-Ning that will fuel Curry Brand for years to come and unlock the full potential of this company on a global scale.”

ESPN reports that the deal is for 10 years. Terms were not released.

Curry signed with Nike for the first four seasons of his career before switching to Under Armour in 2013. After announcing his sneaker free agency early in the 2025-26 season, Curry wore shoes from a variety of companies during warmups and games. In April, Curry auctioned off more than 70 pairs of those shoes through Sotheby’s, raising more than $1.7 million for his charitable foundation.

While many of his shoe choices had special significance — like when he honored Kobe and Gianna Bryant by warming up in Nike Kobe 6 Protro “Mambacita” sneakers — Curry also was doing his due diligence as a businessman.

“Throughout my sneaker free agency, I was impressed by the quality, comfort and performance of Li-Ning’s shoes,” Curry said. “It was during that time playing in Dwyane Wade and Jimmy Butler’s sneakers, that I knew that Li-Ning could be the right partner that can deliver on the innovation and design that I want Curry Brand to stand for.”

Li-Ning (the company) was founded by Li Ning — the Chinese gymnast who won six medals, including three gold, during the 1984 Los Angeles Olympics — in 1990. A handful of NBA players have signed with the company , starting with then-Cleveland Cavaliers guard Damon Jones in 2006 and also including former Clippers guard Baron Davis and future Hall of Famers Wade and Shaquille O’Neal.

In addition to Curry’s Golden State teammate Butler, other current NBA stars signed with Li-Ning include Atlanta’s C.J. McCollum and Washington’s D’Angelo Russell.

According to Curry, Li-Ning will open Curry Brand stores in the United States and China.

“We’ll be proudly building Curry Brand into a future leading company that will leave its mark in Basketball, in Golf and across the lifestyle space,” Curry wrote.

“We’ll aim to create game-changing products, launch elevated platforms and bring storytelling that will inspire young boys and girls around the globe. My hope is for young athletes to find the same purpose, joy and drive through sports that I’ve long enjoyed throughout this journey.”

Weeks after Trump administration officials announced that management of NASA’s Jet Propulsion Laboratory would open to competitive bidding for the first time, questions remain as to why Caltech could lose control of the lab its researchers founded in 1936.

On one hand, observers note, high-profile delays and cost overruns on significant recent JPL projects earned sharp criticism from NASA even before the 2024 presidential election.

On the other, the second Trump administration’s record of squeezing scientific funding and attacking institutions in Democratic-led states make it difficult to consider any action as separate from the charged political atmosphere, analysts say.

“My first instinct is that this [competition] isn’t necessarily a bad thing. It’s not written in stone that Caltech must run JPL, and it wouldn’t be the worst thing to have some competition for running the place,” said Casey Dreier, chief of space policy at the nonprofit Planetary Society.

“That said, that requires this contract evaluation to be fair and unbiased, and this administration has no credibility in such things,” he added. “The responsibility is on NASA to earn the trust and ensure such an evaluation is open and free from political meddling. That’s almost impossible.”

JPL became part of NASA when the space agency was formed in 1958, and Caltech has been awarded the contract to run the institution outright ever since.

Its current 10-year contract with NASA, which is valued at up to $30 billion, runs through Sept. 30, 2028.

NASA Administrator Jared Isaacman announced the competition on May 22 as part of a slate of sweeping organizational changes at the space agency.

“When you step back, it is worth considering how many additional missions we could have undertaken with the resources lost to program cancellations and cost overruns over the years,” Isaacman wrote in a memo to staff. “That is the problem we must fix, so the American taxpayer and space-loving community can receive the highest scientific return on every dollar we spend at NASA.”

Allowing competition on the contract for JPL, the lone Federally Funded Research and Development Center (FFRDC) in NASA’s portfolio, was an effort to address cost-efficiency concerns, Isaacman wrote.

“This process will take several years, and I do not anticipate it having any impact on the projects underway or the location of the facilities,” he wrote. “It does, however, provide an opportunity to evaluate management costs, overhead burdens, and ideally find ways to get after the science faster and more affordably.”

In a joint statement, Caltech President Thomas F. Rosenbaum and JPL Director Dave Gallagher said that the competition was “no surprise” and that a team was already in place “to ensure we are positioned for success.”

In July, NASA’s Office of Procurement held an informational event for companies and institutions interested in the upcoming FFRDC contract.

The dozens of registered attendees included universities such as USC, Texas A&M and Georgia Tech; aerospace companies such as Boeing and Lockheed Martin; and nonprofit corporations like MITRE, which manages several FFRDCs, and Universities Space Research Assn., a university consortium founded by the National Academy of Sciences in 1969. (SpaceX, which has been awarded more than $13 billion in NASA contracts in the last decade, was not on the list.)

“Lockheed Martin has more than 50 years of deep space exploration success with JPL, supporting landmark missions to Jupiter, Venus, Saturn, Pluto, including nearly a dozen missions to Mars,” said Bob Behnken, vice president of exploration and technology strategy. “We look forward to building on that unmatched partnership in the years ahead. We are closely following NASA’s review and will continue to assess how we can best contribute to the agency’s mission.”

Other attendees contacted by The Times declined to discuss their involvement.

Isaacman indicated that JPL could come under scrutiny even before he took over NASA. The billionaire entrepreneur referenced high costs at the La Cañada Flintridge institution in a memo prepared in advance of his confirmation hearings on his priorities for the space agency.

“Contract structure: Very expensive,” Isaacman wrote of JPL in a table outlining organizational issues at each of NASA’s centers. “Must increase the output and ‘time-to-science’ KPI,” or key performance indicator.

The institution has recently suffered a number of high-profile management stumbles.

After the JPL-managed Psyche mission to a metal-rich asteroid failed to meet its 2022 launch date, NASA commissioned an independent review that said internal reorganizations and personnel changes created distracted and uninformed managers and burned-out, stretched-thin staffers.

After a 2023 independent review found there was “near zero probability” of the JPL-managed Mars Sample Return mission making its proposed 2028 launch date, and “no credible” way to bring rocks back from the Red Planet within the stated budget, Isaacman’s predecessor, Bill Nelson, put out a call for proposals to industry and all other NASA centers, forcing JPL to compete for its own project.

After Trump’s election, Nelson announced that the final decision would be in the next administration’s hands.

The White House pushed for massive cuts to NASA’s 2026 budget that Congress overturned, and has lobbied for similarly steep cuts again this year. JPL has instituted painful cost-cutting measures of its own, reducing staffing from roughly 6,500 employees in 2023 to 4,500 last year through layoffs and attrition.

Its struggles come at a point when NASA is enthusiastically embracing private industry. Last month the agency awarded several key contracts for its upcoming lunar missions to Jeff Bezos’ Blue Origin and other private companies.

Trump has also made no secret of his willingness to punish states that haven’t voted for him through job losses. In announcing his decision to move U.S. Space Command from Colorado to Alabama, Trump acknowledged that his loss in Colorado in three presidential elections played a part in the move.

It’s impossible to consider any decision on JPL’s future as separate from the administration’s track record of politically motivated decisions, Dreier said.

“At the heart of this is why? Why now? If this is not just some rank political attack on California, what do they hope to gain from this?” he said. “That deserves explanation, because the administration otherwise has no credibility here.”

LOOKING back on all of her recent holidays, Helen Dalling recalled all the amazing adventures she had in such a short amount of time.

Over the course of one year, she managed to do more travelling that many could wish to do in a lifetime – and she did it without breaking the bank.

Seven countries, £2,000 spent, and more memories made than anyone could dream of.

It all started when Helen decided to see how many new places she could visit for as cheap as possible – and managed to keep costs low while making the most of each new adventure.

She did this by making each trip as short as possible, with some being ‘extreme day trips’ – where you fly in and out of a country within the same 24 hours – and others being just an overnight stay.

And despite packing in a full holiday experience each time, the total cost came in at around £1,600 including flights, airport parking, any hotels, sightseeing, food and drink, and spending money.

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“I’ve always loved travelling but as I’m getting older and I’ve got kids and I work full-time, I thought ‘I’m not going to see enough countries in the world,” Helen, who is from Milton Keynes, said.

“‘If I don’t start going to see a few of them, I need to do them quick and cheap’.

“That’s really why I started doing it.”

While Helen started her extreme day tripping in 2024, it was in 2025 that she really went all out – visiting seven new countries throughout the year.
She headed to Paris, Budapest, Geneva, Split in Croatia, Prague, Amsterdam and several places in Spain in 2025.

The 55-year-old stayed just hours in some places, and spent the night in others, and visited most with friends, while others she headed to alone.

She added: “I went to seven brand new countries.

“That’s what I really wanted to do, I thought ‘I’ve never been to Hungary so let’s go to Budapest’.”

Helen says she tries to keep costs as low as possible, by regularly searching for bargains on the websites of different airlines she knows fly from her nearest airport, Luton.

She added: “When I went to Paris, I was basically just browsing on New Year’s Day, not doing much else and I spotted that you could get a flight to Paris for £13, one way and £12 the other.

“I just booked it – and then when I told a friend, she booked it too and came with me.

“The Budapest flights were about £8.99 each way, you can’t even get them that cheap anymore.

“I’ve done others that were £15-£20 return; I just book them – when I see the price, I just go for it.”

While Helen does some of her trips solo, she often has friends tag along for the day.

She says she treats her trips as “an opportunity to catch up with a friend.”

She added: “Instead of going to London for lunch, let’s go somewhere for the day.

“I did Geneva twice last year, but the second one I did at Christmas was with a real old friend of mine who is really into her food.

“So we went and did a foodie trip to the Christmas markets in Geneva and just went for the day, she’d never done one.

“Everybody that I’ve done one with has said ‘oh my God, that was amazing’.

“I’ve got a bit of a queue of people wanting to go as well, but only so much money.”

Of all her trips in 2025, Helen says her adventure to Budapest, which cost £191 for an overnight stay, was the best – particularly for its Thermal Baths.

She said: “We just fell in love with Budapest.

“Every time we did something else afterwards, I just said to my friend ‘it’s not Budapest though, is it? It’s not Budapest.’

“It was February when we did that but the sky was blue and we had the best time.

“It was super cheap and everything just worked.

“It was so lush.

“We were just sat in these massive pools of boiling hot water with the cold air on our skin, just going ‘this is amazing.’”

Helen shows no signs of slowing down with her bargain trips either, having already undertaken several in 2026.

She recently visited Palma, Mallorca with a friend, for under £120 each.

They spent the day exploring the city, visiting a sky bar restaurant for lunch, heading to the beach to swim and even stopping for iced coffee at a beach bar.

Most recently, Helen spent the night in Lithuania, and even visited Albania for the day.

She added: “ I’m always buzzing after a day trip.

“I would definitely do it again, it’s a great way to visit countries you’d never visit by going on one holiday a year.

“Last year I visited seven new countries and it’s liberating.”

COLLEGE STATION, Texas — As Augie Lopez trotted around the bases late Monday night, the small contingent of USC fans could finally be heard at Blue Bell Park. With one towering blast to right field, the Trojans’ designated hitter silenced Texas A&M’s rowdy 12th Man.

Lopez’s three-run home run helped push the Trojans over Texas A&M 7-1 to reach the NCAA super regional for the first time in 21 years.

Lopez silenced most of the sellout crowd of 7,042, making it easy to hear USC fans serenading him during the College Station Regional Final.

“Augie! Augie! Augie!” USC fans chanted after Lopez returned to the dugout. After the win, he was named the regional’s most outstanding player.

It took a while, but the offense showed up to propel USC (47-16) to the Chapel Hill Super Regional against North Carolina.

Until Lopez’s blast, Texas A&M right-hander Clayton Freshcorn had slowed down a USC offense that had scored 48 runs combined while winning three consecutive games out of the losers’ bracket, including 14 on Sunday night against Texas A&M (41-16), to force the winner-take-all final.

USC right-hander Grant Govel, who had thrown 89 pitches over 5⅔ innings on Friday, retired the first seven Aggies before Bear Harrison hit a solo home run to left-center field in the third.

The Aggies ran out a threat in the fourth. Chris Hacopian drew a leadoff walk. Ben Royo kept the inning alive with a two-out single to left. Jorian Wilson followed with a single to shallow right-center field. Second baseman Abbrie Covarrubias was positioned perfectly to field the ball in the outfield, but his throw to first wasn’t in time.

Fortunately for the Trojans, Adrian Lopez alertly threw home to easily nail Hacopian by several feet to end the inning.

Covarrubias tied the score 1-1 with an RBI single to left-center in the fifth. One out later, Covarrubias stole second. Augie Lopez broke the tie with a single to right-center.

Two innings later, Lopez crushed his three-run blast.

Serena Williams is returning to competitive tennis after all.

Months after insisting on social media, “Omg yall I’m NOT coming back,” the 23-time Grand Slam singles champion announced Monday that she’ll play professionally for the first time in almost four years at the HSBC Championships at the Queen’s Club in London.

Williams, 44, has been given a wild-card entry into the doubles draw of the WTA 500 event, which begins June 8.

“Queen’s Club feels like the perfect place to begin this next chapter,” Williams said in a statement released by the tournament. “Grass has given me some of the most meaningful moments of my career, and I’m excited to be back competing on one of the sport’s most iconic stages.”

Williams teased the announcement earlier Monday by posting a video on social media that featured her phone‘s notifications going off constantly while she seemingly was practicing on the court.

“Good news travels fast,” Williams wrote on the post.

Tournament director Laura Robson said during TNT Sports UK’s coverage of the French Open on Monday that Williams’ playing partner will be Canadian teenager Victoria Mboko, who is ranked No. 9 in WTA singles. Williams has won 14 Grand Slam titles and three Olympic gold medals in doubles with her sister Venus Williams as her partner.

It is not clear whether Williams will participate in any other events. Wimbledon, a Grand Slam event Williams won seven times in singles, begins June 29 in London.

Williams’ last professional match was a loss to Australian Ajla Tomljanovic in the third round of the U.S. Open on Sept. 2, 2002. She registered as retired with the International Tennis Integrity Agency the next day.

Last December, however, Williams reentered the agency’s drug-testing pool. According to the ITIA website, retired players “may not return to sanctioned events unless they have made themselves available for out-of-competition testing for at least six months prior to the event in question.”

The move led to much speculation about a possible Williams return, leading to her social media post denying any such intentions.

Martina Navratilova, the 18-time Grand Slam champion who is the oldest woman to win a tour-level singles match — she was 47 when she won a Wimbledon match in 2004 — expressed excitement for Williams’ return.

“Serena brought the game to another level and it is incredible for the sport that she’s pushing the boundaries and coming back,” Navratilova said in a statement released by the WTA. “To many of the younger players, they never had the opportunity to play her; some may have never watched her on television, so this will be a new and exciting experience.”

Dua Lipa and Callum Turner are writing a new chapter in their romance, tying the knot two years after a meeting that would make most bookworms swoon.

The Grammy-winning “Levitating” pop diva, 30, and “Eternity” actor, 36, exchanged their vows Sunday morning at the historic Old Marylebone Town Hall in Westminster, London, officials confirmed to the Associated Press. The Daily Mail published photos of the newlyweds all smiles and hand-in-hand descending town hall steps. Callum was spotted wearing a navy suit as his bride donned a custom Schiaparelli skirt suit, white gloves and a wide-brimmed hat, according to the Daily Mail. The singer also wore white Louboutin heels and a serpentine necklace by Bulgari.

Lipa and “Masters of the Sky” star Turner began dating in January 2024, after numerous missed opportunities. Turner told the Times of London in October 2025 that he and his now-wife (“I just thought she was the most beautiful woman in the world”) first met in Los Angeles before a mutual friend’s birthday and struck up an instant connection. “We sat next to each other and realized we were reading the same book, which is crazy,” Turner said.

Lipa runs her own book club and blog, titled Service95, and announces the selected reads on Instagram. When they met, the bookworms-turned-lovebirds were each making their way through Hernán Díaz’s “Trust.”The novel won the Pulitzer Prize for fiction in 2023.

“I had just finished the first chapter and I told her and she looked at me and said, ‘I just finished the first chapter too.’ I said, ‘So we’re on the same page,’” he told the Times. “In the movie version of it I look up to the sky and I’m like, ‘I hear you. I understand. The signs are loud, don’t worry.’ And that was really the first [moment].”

Lipa hard-launched her romance with Turner on Instagram in July 2024, sharing photos from Glastonbury. Over the following years, the singer continued sharing photos of sweet moments between herself and Turner, who does not have an Instagram account, and the pair were spotted together at numerous public events including the 2025 Met Gala. In December 2024, Lipa posted photos featuring a diamond ring on her left ring finger, spurring engagement chatter. After months of flaunting the ring on social media posts, Lipa confirmed the engagement to British Vogue in June 2025.

“It’s very exciting … This decision to grow old together, to see a life and just, I don’t know, be best friends for ever — it’s a really special feeling,” she told the outlet at the time.

The Tanner Scott redemption story took a dark, twisted turn Saturday night.

Not because the Dodgers reliever gave up three runs in the eighth inning to the Philadelphia Phillies, blowing a save opportunity and getting tagged with his first loss of the season. Getting knocked around happens.

But comments directed toward Scott’s wife on social media afterward were beyond alarming. Maddie Scott reposted vile comments from one user in particular that threatened not only her and her husband, but also their newborn son.

“When did it stop being a game?” Maddie Scott wrote on an Instagram story that has expired but was captured by the New York Post. “I don’t speak out often. Ever actually. I promise you, you don’t know what it’s like unless you’re living it.”

The answer to her rhetorical question is layered. Maybe baseball stopped being a game when her husband signed a four-year, $72 million contract with the Dodgers before the 2025 season, elevating expectations.

Maybe the end came seven years ago when a Supreme Court ruling led to sports gambling becoming legal. Or maybe fun and games ceased some 20 years ago when Facebook, Twitter and Instagram launched and anonymous threats could be dispatched by anyone with an account.

Death threats directed toward athletes have become disturbingly frequent. Without giving oxygen to the threats by repeating them, Scott is hardly the first pitcher whose family has been targeted after a loss.

Liam Hendriks of the Boston Red Sox, Lance McCullers Jr. of the Houston Astros, Tayler Saucedo of the Seattle Mariners and Cam Schlittler of the New York Yankees are among those who have endured online attacks in the past year.

Scott took heat last year when he pitched poorly in his first season with the Dodgers. Expected to become the team’s closer, the left-hander had an MLB-high 10 blown saves and did not pitch in the postseason.

This year, however, Scott has bounced back admirably. Even after the loss Saturday, he has a sparkling 2.19 earned-run average and five saves.

As Californians dawdle about casting ballots before Tuesday’s primary, the leading candidates hoping to succeed Gov. Gavin Newsom crisscrossed the state making their closing arguments to voters.

With former Biden Cabinet secretary Xavier Becerra surging in recent polls, the two candidates battling to win the second spot in this week’s primary and advance to the November election highlighted the strategic reasons why they believe voters ought to support them.

Republican Steve Hilton — a former conservative commentator who rocketed past his main GOP rival, Riverside County Sheriff Chad Bianco, after President Trump endorsed him in April — urged voters to back him to avoid the possibility of two Democrats facing off in November.

“I want us to fight like we are third. We aren’t going to let this slip away,” Hilton told a few hundred people at the Santa Monica Hilton Hotel & Suites on Sunday morning.

Steve Hilton surged ahead of his GOP rival, Riverside County Sheriff Chad Bianco, after receiving an endorsement from the president.

(Kayla Bartkowski/Los Angeles Times)

The former British political strategist once led the polls, but has slipped slightly behind Becerra. Not too far behind Hilton is billionaire hedge fund founder turned climate change activist Tom Steyer, a Democrat.

During his hour and a half appearance, Hilton veered between his oft-repeated criticisms about 16 years of Democrat-led rule in California to jabs at the top Democrats in the race.

Steyer’s nonstop advertising blitz is “one reason alone to defeat him,” while Becerra is the “living embodiment of more of the same.”

“Our secret weapon? The Democrat candidates,” Hilton said to chuckles.

Asked why voters shouldn’t back Bianco, Hilton said it was simple math. Only the first- and second-place finishers in the June 2 primary will advance to the general election, regardless of party affiliation.

“Every vote for Chad Bianco is a vote for two Democrats in the top two,” he said.

If a GOP gubernatorial candidate fails to make the November ballot, it would depress the Republican vote, harming the party’s down-ballot candidates, as well as handicap a Republican-led ballot initiative that would require voters to show government-issued ID to cast ballots.

California gubernatorial candidate Tom Steyer takes a picture with a volunteer during a Get Out the Vote rally at Los Angeles Trade Technical College on Sunday.

(Eric Thayer/Los Angeles Times)

Steyer, who has spent a record-breaking $216 million of his wealth on his gubernatorial bid, argued that he is the only candidate in the race who is not beholden to special interests. He hammered Becerra for the support he has received from corporations including Meta, Airbnb, Uber and Chevron. Steyer argued that Becerra, if elected governor, would be more responsive to special interests than financially strapped Californians.

“We’ve seen it in this race. Chevron cuts you a check and you look the other way when they hike prices at the pump. Meta gives you money and your AI plan starts sounding like ChatGPT,” Steyer, sporting a ball cap labeling himself a “class traitor,” told more than 500 supporters at a community college near downtown Los Angeles on Sunday afternoon. “That’s the story of Xavier Becerra.”

Corporations, along with labor unions and interest groups including the California Assn. of Realtors, have spent more than $18.7 million to boost Becerra as of Sunday, according to the election spending tracker California Target Book.

“These companies may be selfish, but they’re not stupid. They don’t give hundreds of thousands of dollars to get someone elected unless they know he’s going to be on their side,” Steyer said.

Though Steyer earned his fortune in part through past investments in private prisons, fossil fuels and private equity, his supporters described him as a reformed billionaire who stepped away from those industries more than a decade ago.

Francesca Fiorentini, a comedian and podcaster, compared Steyer to Charles Dickens’ fictional miser Ebenezer Scrooge.

“At the end of ‘A Christmas Carol,’ nobody turns to Ebenezer and is like, ‘No, I’m not gonna accept your gifts.’ No, they welcome him. They might clown him a little bit, but we need to welcome someone like Tom Steyer,” Fiorentini said. “Tom Steyer is actually listening, he actually cares, he’s actually changing his belief system and he’s acting accordingly.”

Though he mainly went after Becerra, Steyer also made sure to criticize Hilton.

“You are not voting for who’s on the ballot, you’re voting for the California that comes after,” Steyer said. “The California that Steve Hilton is running on sounds exactly like what Trump wants: higher prices, lower wages, and less freedom.”

His campaign underscored his attacks against Becerra by having a handful of supporters dressed as zombies speak outside of Becerra’s Sunday evening rally in Long Beach. Waving signs naming businesses that have supported Becerra, they wore lanyards describing “Big Oil,” “Big Tech” and other corporate sectors as Becerra’s “bestie.”

At a raucous rally, elected officials, labor leaders and reproductive rights advocates were among the speakers who introduced Becerra, who attacked Steyer and Hilton, though not by name.

“We are not going to let a billionaire or Trump’s handpicked candidate take over this state,” he told more than 1,000 people at the city’s convention center. “We are not going to let them gut Medicaid while Californians work hard to build a future. We are not going to let them buy an election…. Not here, not in this state, not on our watch.”

Becerra seemed in awe as he stood in front of the packed room.

“Look around this room. One of our opponents has a billion dollars in a checkbook,” he said. “We have something better… We don’t have the money, but we have the movement. We don’t have the money, but we’ve got the momentum. And in this state, if you’ve got the momentum, you run across the finish line, and you win, baby, you win.”

Becerra also released a new video that ostensibly attacks Hilton as “Trump’s favorite” — a thinly veiled effort to prop up Hilton among Republicans to ensure he finished ahead of Steyer in the primary. Given that Democratic voters outnumber Republicans by almost 2 to 1, Becerra would much rather face Hilton than Steyer in the general election.

Newsom’s campaign employed this strategy to boost GOP businessman John Cox in the 2018 gubernatorial election, as did then-Rep. Adam Schiff against Republican Steve Garvey in Schiff’s successful 2024 U.S. Senate race.

Billionaire Tom Steyer has argued that he is the only candidate not beholden to special interests.

(Eric Thayer/Los Angeles Times)

Steyer launched an ad this weekend titled “Risky” that implies Becerra could face criminal charges related to the acts of two former advisors who have plead guilty to federal charges related to stealing campaign funds from a dormant Becerra campaign account.

Becerra’s campaign called the ad defamatory in a cease and desist letter sent to the Steyer campaign on Saturday.

Becerra, Hilton and Steyer, the front-runners in the race, barnstormed the state in the final days before the June 2 primary. They devoted much of their attention to voters in Southern California, which is home to many of the state’s 23.2 million registered voters. Lower-polling candidates also stumped in the Southland — San José Mayor Matt Mahan greeted diners at Grand Central Market in downtown Los Angeles, and former Orange County Rep. Katie Porter kicked off a union canvassing event in Orange on Saturday.

Unlike recent contests to lead the nation’s most populous state, this year’s gubernatorial contest failed to energize the electorate. Despite a crowded field of candidates with notable resumes, as well as record-breaking spending by Steyer and independent-expenditure committees. Californians only recently tuned in.

Political experts of both parties believe voters malaise was due to fatigue about the nation’s political polarization, as well as Trump administration policies such as federal tariffs that drove up prices everywhere and some that disproportionately affected California, such as immigration raids. Southern Californians were also reeling from the devastating wildfires in the Pacific Palisades and Altadena and last year’s special election to redraw the state’s congressional boundaries.

Earlier this year, Democratic leaders worried that their voters would splinter among their candidates, creating a scenario where two Republicans advanced to the general election. They controversially urged their party’s candidates to assess their viability, effectively urging several low-polling candidates to drop out of the race.

Democratic turnout also prompted concerns. As of May 22, mail ballots returned by Democrats were 9.2% lower compared with the 2022 gubernatorial primary, while ballots returned by Republicans were 11.6% higher, according to Political Data Intelligence. But the return rates are shifting — as of Friday, Democrats were 7% behind their 2022 return rate, while Republicans were 6.8% higher.

The most recent polls suggest that the prospect of two Republicans advancing to the general election is nonexistent, and there is now a slim chance that two Democrats win the top two spots in the June 2 primary.

An eerie silence descended upon Dodger Stadium as the swatted ball soared toward the right field corner.

What was this? Who was this?

This wasn’t a crowd-roaring drive by a future Hall of Famer. This wasn’t a Ravine-rattling shot by a perennial All-Star.

This was rare. This was weird. This was a long fly by a long-shot outfielder ending a long minor-league journey with his first appearance at Dodger Stadium.

The ball flew and flew and, suddenly, this was a home run. A home run? Who was that again?

The stunned crowd erupted.

And Ryan Ward danced.

Yeah, the sunny 28-year-old did the Freddie Freeman Hop as he rounded second base in a wonderful show of giddy celebration by a guy who’s earned it.

“Kind of a blackout, if I’m going to be honest with you,” Ward said. “Hit it and kind of just went numb.”

Feel free to go numb with him. With his fourth-inning solo blast in Sunday’s 9-1 victory over the Philadelphia Phillies, this not-exactly-a-kid-anymore was the once-in-a-lifetime story.

After seven minor league seasons, his first major-league home run.

After 156 minor-league homers, his first big-league dinger.

After years of trudging through Great Lakes and Ogden and Tulsa and Oklahoma City, his first big fly at 1000 Vin Scully Ave.

In fact, it was his first game at Dodger Stadium, period, and he soaked in the atmosphere with the same wide-eyed wonder as all those little leaguers who marched around the field before the game.

”When I went out to left field, kind of just looking around, taking it in, just realizing how special it was, just have fun with it, enjoy it all,” he said.

The Dodgers’ series win against a team that will challenge them in October was especially a blast for the “others,” the role players who wind up being so important, with Ward and Alex Freeland homering while Alex Call hit a two-run single.

“Everybody in this locker room is a superstar,” Freeland said. “A lot of us get overlooked just because we have guys like Shohei and Freddie. Everybody in this clubhouse can ball.”

Nobody was as excited to just be in the clubhouse as Ward, who is one of the little-known casualties of the Dodgers’ success, a decent hitter from their farm system who has never gotten a chance because the Dodgers don’t have a need for just-decent hitters.

”When I went out to left field, kind of just looking around, taking it in, just realizing how special it was, just have fun with it, enjoy it all,” Ryan Ward said after hitting a solo home run Sunday.

(Ronaldo Bolaños / Los Angeles Times)

When it comes to position players, with the exception of the former prospect Andy Pages, they buy stars, they trade for stars, they hoard stars, and they rarely give a long look to anybody who isn’t guaranteed to be a star.

It is in this environment that Ward has surely asked himself, what does he have to do?

He was drafted out of Rhode Island’s Bryant University in 2019 and by 2021 he was showing home-run power with 27 jacks at class-A Great Lakes. Every year he climbed the minor league ladder, and every year he grew stronger, with 34 homers and 104 RBIs two years ago, and 36 homers with 122 RBIs last year when he was named Pacific Coast League MVP.

How long has he been in the bush leagues? He is triple-A Oklahoma City’s career leader in home runs.

But he was prone to slumps, and oversized swings, and average defensive skills, and last season at Oklahoma City his strikeouts equaled his RBIs.

So he never got even a major-league sniff, leading him to spend his winters working a snow plow with his father to stay in shape, yet he never complained.

“Even talking to Freeland today on the bench, and he made a note that Ryan was probably the most positive guy down there in triple A, and that speaks to his character,” said manager Dave Roberts. “And if there’s anyone that has the right to be salty and frustrated, it’s him, but he was professional about it, and he was an easy one to recall and get him here.”

This finally happened late last month when Ward was recalled to briefly fill a hole when Freddie Freeman went on paternity leave. He played two games in Colorado, had a couple of hits, and was sent back down.

This weekend, he was recalled again to replace Teoscar Hernández, who was placed on the injured list with a strained left hamstring. Ward was jammed in the lineup Sunday, struck out against Phillies’ rookie Andrew Painter in the second inning, then made contact on a 1-and-0 pitch and sent it whirling into the right-field bullpen.

“Watching it go over the fence was really cool,” he said.

Ryan Ward celebrates as he runs the bases after hitting a home run in the fourth inning against the Phillies.

(Ronaldo Bolaños / Los Angeles Times)

Watching the ball returned to his locker in a glass cube was perhaps just as cool. And then celebrating afterward by getting doused with all sorts of stuff by his thrilled teammates? Off the charts.

“I’m probably gonna smell for a little bit,” he said.

Smell of what?

“You name it.”

Considering Ward hit his homer in the fourth inning, you’re probably wondering how he performed the rest of the game. Well, um, there was no rest of the game. He was almost immediately benched again for Call.

And the struggle continues.

“Keep trying to grind your game as much as you can and just kind of force the door down,” he said.

Bang. Bang. Bang.

Not every summer movie needs to be a mystery that unfolds hallway after hallway, with a creature hiding around every corner ready to pop out. But maybe the best one is: “Backrooms,” opening May 29 and directed by 20-year-old phenom Kane Parsons. We chatted with him about how he got to make his big debut for A24. Apart from that inspiring story, what can we hope for at the multiplex? We asked our staffers for their dreamiest expectations and they didn’t hold back: space epics, Matt Damon in a helmet and, yes, a “Jackass” movie. Read on and let this be your guide.

‘The Mandalorian and Grogu’

(May 22)

Pedro Pascal, left, and Sigourney Weaver in the movie “The Mandalorian and Grogu.”

(Lucasfilm)

TV’s “The Mandalorian” premiered in 2019 and was the first live-action series in “Star Wars” history. Now, the next adventure of the fierce bounty hunter and his adorable young charge will be the franchise’s first big-screen installment since the sequel trilogy wrapped with “Episode IX — The Rise of Skywalker.” I, for one, am excited that Grogu, with all his snackish charm, has been promoted to title-character status along with Pedro Pascal’s more stoic Din Djarin. The movie will also introduce Sigourney Weaver as Col. Ward, a former Rebellion pilot turned New Republic leader, and Jeremy Allen White as grown-up Rotta the Hutt, Jabba’s son, who debuted as an infant in the animated “Star Wars: The Clone Wars.” — Tracy Brown

‘Masters of the Universe’

(June 5)

Nicholas Galitzine in the movie “Masters of the Universe.”

(Giles Keyte / Amazon MGM Studios)

Our opinions of Hollywood’s dip into the nostalgia well may vary, but it’s easy to want to feel the kind of joy that a game or toy brought us when the world felt less complicated. He-Man’s best stories so far may have been on animated TV, but I have enough childhood memories of smashing the character’s action figure against others that I’m curious about how he’ll play in the big-screen sandbox. Starring Nicholas Galitzine as a wayward Prince Adam trapped on Earth, “Masters of the Universe” adds a contemporary twist and some modern sensibilities to the lore. With Laika Studios vet and “Bumblebee” director Travis Knight at the helm, I’m expecting a sweet balance of humor and heart. — Tracy Brown

‘Disclosure Day’

(June 12)

Emily Blunt in the movie “Disclosure Day.”

(Niko Tavernise / Universal)

Nearly half a century after “Close Encounters of the Third Kind” and decades on from “E.T.” and “War of the Worlds,” Steven Spielberg is still looking to the skies — and we still want to know whether to be excited or terrified by what he sees. His latest brings extraterrestrial life into the realm of ’70s conspiracy thrillers. (Screenwriter David Koepp has compared it to paranoia pieces like “Three Days of the Condor.”) Emily Blunt plays a Kansas City meteorologist who begins receiving a signal from beyond Earth, while Josh O’Connor is a government employee on the run with information that powerful people are trying to keep hidden. If Spielberg’s earlier UFO movies gave us awe, comfort and catastrophe, this one feels like an encounter of a fourth kind: What happens when the cover story breaks? — Josh Rottenberg

‘The Death of Robin Hood’

(June 19)

Hugh Jackman in the movie “The Death of Robin Hood.”

(A24)

Go to the beginnings of Hollywood and there are Robin Hood movies: Douglas Fairbanks, Errol Flynn, some shorts from even earlier. And it’s a safe bet that, as long as there’s pull to the idea of stealing from the rich and giving to the poor, there will be more to come. Quietly, writer-director Michael Sarnoski has made a niche for himself as a storyteller of regrets, of roads not taken. His 2021 restaurant memory drama “Pig” gave Nicolas Cage his subtlest dialogue in years, while “A Quiet Place: Day One” had no business being as believably haunted as it was. Sarnoski is the perfect person to do a retelling tilted toward the end of a rampager’s life. Hugh Jackman embodies the role with a rough dignity. — Joshua Rothkopf

‘Leviticus’

(June 19)

Stacy Clausen, left, and Joe Bird in the move “Leviticus.”

(Neon)

Unlike many tales of demonic possession, Adrian Chiarella’s feature debut lingers in the mind for being so recognizably close to home; it doesn’t need to crab-walk into the room, spin its head 360 degrees and announce itself as evil. In a small, backwards Australian community, coming of age and coming out evince fear in the Christian townsfolk. Two teenage boys (Stacy Clausen and “Talk to Me’s” writhing standout Joe Bird) keep their attraction to themselves. Even so, a violent curse bedevils them, a sophisticated feat of careful writing and directorial sensitivity that sets Chiarella apart from the gorehounds. Let’s also cheer the return of Mia Wasikowska, stepping back confidently. — Joshua Rothkopf

‘Maddie’s Secret’

(June 19)

John Early in the movie “Maddie’s Secret.”

(Magnolia Pictures)

An affectionate throwback to overly earnest TV movies (and a knowing send-up of over-the-top bad-girl flicks), this film marks the feature debut as writer-director for comedian John Early, who also stars. With a cast drawn from comedy-scene friends such as Kate Berlant and Conner O’Malley all tuned into a very specific wavelength, the movie somehow surpasses conventional notions of camp and irony to exist in a genuinely unique space all its own. As Maddie, an aspiring L.A. food influencer battling a secret eating disorder, Early’s performance will undoubtedly remain one of the most distinctive and original of the year, by equal turns outrageously funny and tenderly vulnerable, often in the same moment. — Mark Olsen

‘The Invite’

June 26

Olivia Wilde, Seth Rogen, Penélope Cruz and Edward Norton in the movie “The Invite.”

(A24)

Olivia Wilde’s dinner-party dramedy made good on its considerable promise when it premiered at Sundance in January, earning a standing ovation and tears (of relief? joy?) from Wilde as she took the stage. Wilde and Seth Rogen play longtime marrieds harboring a laundry list of resentments who host their upstairs neighbors (Penélope Cruz, Edward Norton) for an evening of fun. At least it starts off that way, but of course, the gathering quickly sours, leaving us rubbernecking the damage. Wilde navigates the tonal shifts with authority, delivering surprises along the way, including an ending that somehow delivers hope for the institution of wedlock. Am I overselling it? Would I cry Woolf to you? — Glenn Whipp

‘Jackass: Best and Last’

(June 26)

Johnny Knoxville, right, in the movie “Jackass: Best and Last.”

(Paramount Pictures)

Johnny Knoxville and his band of professional bad decision-makers are calling this one their final hurrah and, really, can you blame them? The original “Jackass” crew are now in their 50s, long past the point when being shot out of cannons and zapped with tasers seems like a sensible career plan. Knoxville himself was hospitalized with a brain injury after being flipped by a bull during the filming of 2022’s “Jackass Forever” and has said he can’t risk another concussion. This send-off mixes new stunts with archival footage, promising the usual outlandish pranks and blunt-force impacts to sensitive bodily regions. If this really is the end for the franchise, it’s hard to argue they didn’t push it as far as it would go. — Josh Rottenberg

‘Supergirl’

(June 26)

Milly Alcock in the movie “Supergirl.”

(Warner Bros.)

No diss to last summer’s charmingly square “Superman,” but the funniest scene in the movie was Milly Alcock’s 45-second cameo as Kal-El’s cousin Kara, who stumbled into his Fortress of Solitude to collect her dog Krypto still hungover from an outer-space bender. (“This is why he has behavioral issues,” Superman said with a sigh.) Now, she and the mutt have their own movie and zero pressure to represent truth, justice and a better tomorrow. Ana Nogueira’s script appears to be a riff on the 2021 comic-book miniseries “Supergirl: Woman of Tomorrow,” in which the blond‘s birthday bacchanal takes a U-turn after Kara aligns with an alien child (young Eve Ridley from “3 Body Problem”). It’s basically an intergalactic “True Grit.” My one concern is that director Craig Gillespie made the too-squishy “Cruella.” Here’s hoping “Supergirl’s” tone is more sour than sweet. — Amy Nicholson

‘The Odyssey’

(July 17)

Matt Damon in the movie “The Odyssey.”

(Melinda Sue Gordon / Universal Pictures)

As the follow-up to his “Oppenheimer” — which won Oscars and made nearly $1 billion — Christopher Nolan has gone from an ambitious story about the creation of the nuclear bomb to an even more ambitious story rooted in the origins of literature. Adapting Homer’s ancient Greek saga, Nolan has created an epic to end all epics: the tale of a king struggling to return home after years away at war. With an absolutely stacked cast and told at a massive scale, “The Odyssey” indicates that Nolan seems to trust that modern audiences will respond to a 3,000-year-old tale, and that some aspects of the human experience truly are eternal. — Mark Olsen

‘I Want Your Sex’

(July 31)

Cooper Hoffman and Olivia Wilde in the movie “I Want Your Sex.”

(Lacey Terrell / Magnolia Pictures)

A new Gregg Araki movie loaded with sex and bad choices? What a rare and wonderful summer treat. (It’s the indie provocateur’s first feature in more than a decade.) An unhinged Olivia Wilde as the ultimate bad boss — an art star hoping to recapture some edge — gets you in the door. But Araki has shaded in the margins masterfully, with vivid supporting turns by Chase Sui Wonders, Daveed Diggs and the now-ubiquitous Charli XCX. And it’s Cooper Hoffman, in a performance as flustered as his impresario in “Licorice Pizza” was confident, who commands the movie, topping from the bottom. Araki’s sensibility is, if anything, wiser now, though he’d probably flinch at the word. Brace for inappropriateness. — Joshua Rothkopf

‘Spider-Man: Brand New Day’

(July 31)

An image from the movie “Spider-Man: Brand New Day.”

(Sony Pictures)

It’s been five years since our friendly neighborhood webslinger’s last big-screen adventure and a lot has changed in the Marvel Cinematic Universe. But it appears things have pretty much stayed the same for Peter Parker (Tom Holland). His last adventure involved him staving off a multiversal crisis by making everyone in the world forget him, including his best friends MJ (Zendaya) and Ned (Jacob Batalon). “Spider-Man: Brand New Day” picks up a few years later, with Peter still protecting the streets of New York as a masked superhero while his friends continue to live their lives unaware of what he once meant to them. Can some mutating DNA be the catalyst for a happy reunion? I hope so. — Tracy Brown

‘One Night Only’

(Aug. 7)

Monica Barbaro and Callum Turner in the movie “One Night Only.”

(Nicole Rivelli / Universal Pictures)

“The Purge”… but hot? That’s the pitch behind Will Gluck’s high-concept romantic comedy in which singles are eager to hook up on the one night a year when premarital sex is legal. The original story by Travis Braun was ranked No. 1 on the 2024 Black List of the best unproduced screenplays. While “that Gluck magic” doesn’t have quite the flow of the “Lubitsch touch,” he’s already directed one of the best modern rom-coms (“Easy A”) and one of the most lucrative (“Anyone but You”). Those films crowned Emma Stone and Sydney Sweeney as official movie stars. I’d love to see this film’s ingenue, Monica Barbaro, ascend to their ranks. Barbaro excelled in the Bob Dylan biopic “A Complete Unknown,” where her hard-to-impress Joan Baez earned her an Oscar nod for supporting actress. This is her chance to seduce the audience as well as her onscreen co-star Callum Turner. I’m eager to commit. — Amy Nicholson

‘Teenage Sex and Death at Camp Miasma’

(Aug. 7)

Hannah Einbinder, left, and Gillian Anderson in the movie “Teenage Sex and Death at Camp Miasma.”

(Ryan Plummer / Mubi)

Jane Schoenbrun has become one of the freshest new voices in American independent filmmaking with 2021’s “We’re All Going to the World’s Fair” and 2024’s “I Saw the TV Glow,” transforming pop-culture obsessions into emotional explorations of identity and self-discovery. Promising to turn the summer camp slasher movie inside-out, their latest effort is about an up-and-coming director (“Hacks” star Hannah Einbinder) who entreats a faded scream queen (Gillian Anderson) to return to the horror franchise that once made her a star. Einbinder and Anderson locked into a psychosexual transference story already feels plenty potent. Put that setup in the anything-goes hands of Schoenbrun and it should make for a combustible combination of genre, persona, desire and fun. — Mark Olsen

‘The End of Oak Street’

(Aug. 14)

From left, Ewan McGregor, Christian Convery, Maisy Stella and Anne Hathaway in the movie “The End of Oak Street.”

(Warner Bros. Pictures)

Do you ever look out your window and, tired of the same old view, long that you could just pick up and live somewhere else? I don’t know if Anne Hathaway’s character in David Robert Mitchell’s “The End of Oak Street” has ached for that kind of change, but it sure seems to have found her and her family in this tale of a suburbia transported to … prehistoric times? To another dimension, a dimension of sound, a dimension of sight, a dimension of mind? I do not know. I do not want to know. I do know that there is a dinosaur giving chase. And Ewan McGregor looks alarmed. And Mitchell is the weirdo writer-director behind “It Follows” and “Under the Silver Lake.” That’s all I need. — Glenn Whipp

‘The Dog Stars’

(Aug. 28)

Jacob Elordi in the movie “The Dog Stars.”

(Fabio Lovino / 20th Century Studios)

Director Ridley Scott long ago secured his place in film history with “Alien,” “Blade Runner” and “Gladiator.” The fact that he’s still at it at 88 makes each new film feel like an event. His latest adapts Peter Heller’s 2012 novel set in the aftermath of a pandemic that’s nearly wiped out humanity. Jacob Elordi, hot off “Frankenstein,” plays Hig, one of the few immune survivors, a pilot living at an abandoned airfield with his dog and a heavily armed survivalist (Josh Brolin). Hig’s days are spent flying perimeter patrols, scanning for signs of life — or trouble — until he encounters Margaret Qualley’s Cima, a medic guarding her own small foothold in the ruined world. Scott has called the film hopeful, which may be the most intriguing part: a post-apocalyptic story about why anyone bothers to keep going. — Josh Rottenberg

Jason Bateman could snag limited series Emmy nominations for his lead role as a deep-in-debt barman on Netflix’s “Black Rabbit” and supporting role as a sexually adventurous weatherman on HBO’s “DTF St. Louis.” Drawing more than one nomination in a year has been the norm for Bateman.

14

Bateman’s previous Emmy nominations encompass acting, directing and producing.

1

His lone Emmy win came in 2019, for directing an episode of his Netflix crime drama “Ozark.”

21

The former child actor’s first nomination, as lead of the Fox (later Netflix) comedy “Arrested Development,” came in 2005. Bateman’s adult “comeback” has lasted 21 years and counting.

4

Times he has received multiple nominations in a year, most often for acting in, directing and producing “Ozark.”

2

“Black Rabbit” and “DTF St. Louis” would mark his second time receiving acting nominations for different shows in the same year.

2020

Bateman competed for drama lead for “Ozark” and guest actor for HBO’s “The Outsider.”

0-for-7

Bateman is overdue for an acting Emmy. His brilliant straight-man work in “Arrested Development” lost out to Emmy juggernauts Tony Shalhoub (“Monk”) in 2005 and Jim Parsons (“The Big Bang Theory”) in 2013.

3-for-13

The Actor Awards have been kinder: Bateman won three lead actor statuettes for “Ozark.”

2026

The guilds already have spoken on “Black Rabbit,” with Bateman receiving Actor, DGA and PGA nominations.

5

Also a producer on “DTF St. Louis,” Bateman has a shot at five Emmy nominations this year.

Netflix’s latest worldwide wager is a menu of programming designed to feed the building fútbol frenzy that will explode in mid-June, when the FIFA World Cup begins. They might even win some Stateside converts ahead of the platform’s presentation of the CONCACAF Gold Cup and Nations League finals in 2027 and 2029.

“We say our goal is to entertain the world; in order to [do that], we need to entertain every single country” where Netflix has a presence, says Francisco Ramos, the streamer’s vice president of original content, Latin America. “Our superpower is that we’re so deeply rooted into local storytelling, then that becomes global.

“Netflix is uniquely qualified at building global audiences” for international sports content, he says. “We are very conscious and deliberate about it.”

Not that original sports content is anything new for the streamer; its first-ever original international series, “Club de Cuervos,” was a Mexican dramedy about a soccer club. But this salvo is precision-guided to hit as about 5 billion viewers get hyped for the global tournament.

“Four years ago, during the World Cup, we launched [an Argentine] documentary called ‘Sean eternos: Campeones de América’ [‘Captains of the World’], and it was massive, and then Argentina ended up winning a few months later,” says Ramos. “Right now, as the World Cup arrives, it’s very passionate.”

It’s not just Latin America that’s being targeted with new programming: There’s a trio of documentaries about Jamie Vardy, Liverpool’s 2005 Champions League-winning team and footballer-turned-actor Vinnie Jones under the “Untold UK” banner; “Poldi,” on German superstar Lukas Podolski; and “The Bus: A French Football Mutiny,” about the national team’s rocky 2010 World Cup journey.

A scene from “USA ’94: Brazil’s Return to Glory.”

(Netflix)

The World Cup-contending squad

For fans, the slate offers documentaries on landmark moments in Cup history (“USA ’94: Brazil’s Return to Glory”), superstar players (“Emi Martínez: The Kid Who Stops Time” and “James”) and even up-and-comers in a prestigious amateur tournament in Brazil (“The Root of the Game”).

But for the uninitiated, apart from the streamer’s FIFA soccer simulation game coming this summer, the gateway drug may be “Ronaldinho: The One and Only.” The doc spotlights one of the most improvisational and dynamic players ever, soccer’s Magic Johnson. The legendary attacking midfielder was a wizard on the pitch and a charisma machine off it.

“Ronaldinho retired from soccer [in 2018], and he’s still in the mainstream. He has 80 million followers on Instagram,” says Luis Ara, director of “Ronaldinho” and “USA ‘94.” “You have [superstars Lionel] Messi and Neymar [da Silva Santos Júnior] talking about him like he’s God.

“He was always so cool … for him, it was not only about winning a game; it was also about entertaining the people.”

Scripted offerings include the feature “Mexico ’86,” starring a wildly hustling Diego Luna. It’s a nasty comedy about the wheeling and dealing (and outright bribery) that landed Mexico the right to host its second World Cup. Non-soccer fans might enjoy the snarky dialogue and bare-knuckled machinations — it plays like a Spanish-language, soccer-themed “Succession” or “Marty Supreme.”

“Brazil ’70: The Third Star” is a miniseries about that country’s campaign to win a third World Cup, led by a name even non-fans know: Pelé. Rodrigo Santoro stars as Coach João Saldanha.

“Brazil was in the midst of the dictatorship; they had to somehow generate some sort of national pride,” says Ramos. “The only thing that unites Brazilians 100% is their team. It becomes this compelling thing about how society is so intertwined with sports, and how sports are so intertwined with politics in Latin America.”

Soccer superstar Ronaldinho Gaúcho is interviewed in the new Netflix documentary “Ronaldinho.”

(Netflix)

Is converting new American fans a realistic goal?

When soccer is the No. 1 sport in so many nations, why isn’t it bigger here?

It might have to do with the U.S. not having been a major player on the world stage, at least on the men’s side. The men’s team’s highest World Cup finish in the modern era is the quarterfinals in 2002, while U.S. women’s teams have won a record four World Cups. But the men have qualified for the tournament this year — which will be played partially in the States — and analysts say the team has improved, though they’re no one’s favorites to win it all.

Ramos says if American audiences stop seeing it as a competition between football and fútbol, they might come to appreciate soccer’s nuances.

“Take a look at the last 20 minutes of the World Cup four years ago, between France and Argentina. It’s the most extraordinary, beautiful art of people moving, and moving in extraordinary coordination. It’s like, the most-watched online thing ever.”

Beyond Netflix’s big bet on the World Cup slate, it’s not hard to get Ramos and Ara to make further wagers on this year’s tournament.

“Four teams have huge chances to win: Spain, France, Argentina and Brazil,” says Ara. “My heart is with Uruguay, but I don’t know if we’re gonna have a chance. Because of my bond with Brazil nowadays, I wish they could win again. A player once said to me, ‘Brazil is the second national team for any fútbol supporter.’ ”

“Oh my God, I will get in trouble,” says Ramos. “I’m Mexican, and it takes place in Mexico [and the U.S. and Canada], but … I’m gonna go with Argentina. My No. 2 would be Brazil.”

I come from a family of priests and devoted Catholics. Catholicism is the blood in my veins. My father was not a disciplinarian, but if you lived under his roof you went to church. Saturday evening or Sunday morning, didn’t matter, you went. My four siblings and I were not miscreants, but we drank beer and sneaked out, and I was once cited for stealing liquor. I can’t recall my father ever yelling at me for anything other than missing Mass.

My great-uncle Dan was a diocesan priest at St. Charles Borromeo in Drexel Hill, Pa. Dan was a fire-and-brimstone hard-liner. Every Thursday we’d gather as a family for a roast beef dinner at my grandmother’s house. Dan would drink Manhattans — plenty — and if someone expressed a view of God contrary to his own, he’d say, “It’s awfully hot down there.” “There” meant hell. My uncle Ed, my mother’s eldest brother, was an Augustinian. Patient, compassionate, inclusive, Ed’s God was very different from Dan’s. While discussing God, Ed would quote Michael Himes, “There is nothing we can do to make God not love us,” and the Trappist monk Thomas Merton, “Mercy, within Mercy, within Mercy.”

Sports was in my family too — basketball, specifically — and I came to view Dan and Ed as head and assistant coach, respectively. The head coach shouting harsh critiques from the sideline, the assistant coach there to put his arm around you when you made it, crestfallen and ashamed, back to the bench. I loved them both, but I aligned with Ed’s view of God. Dan passed away a decade ago. Ed has since left the priesthood and married a kind and patient woman named Kathy. Over the years, Ed’s views on God have changed drastically. We meet for dinner once a month to talk about life and faith, and it was during one of our conversations that “Task” was born.

Mark Ruffalo in “Task.”

(Peter Kramer / HBO)

Tom Brandis, played by the singular Mark Ruffalo, is a former priest-turned-FBI agent who has lost his faith. Everything he held as truth in his life has come crashing down in the wake of a family tragedy. Tom believes he was called by God to adopt two children, Emily and Ethan. Adopting these children has resulted in the death of his wife, Susan. Matricide. What kind of God allows that? I have struggled with my Catholic faith over the years, but nothing has perplexed me more than the idea of suffering. The poet Archibald MacLeish wrote, “If God is God, He is not good / If God is good, He is not God.” The message is clear: If God is God, the author of everything, then He created evil and suffering and therefore cannot be good.

In “Task,” I wanted to explore a crisis of faith with honesty and without easy answers, because that is exactly how I have found my own faith journey — arduous and circuitous. I believe in God, but I find that belief tested daily. Faith and religion are separable. Tom’s journey in “Task” is a journey of faith. In the fifth episode, Tom is kidnapped by the criminal Robbie Prendergast, played by the brilliant Tom Pelphrey. During a long and tense car ride to the Poconos, Robbie tells Tom that he doesn’t believe in God. Never has. God is an idea conjured to make life bearable. “There’s nothing after this life,” Robbie says. Tom doesn’t argue. His own beliefs have veered in that direction. The car pulls into a secluded, wooded area. Facing death, Tom suddenly wants to call his son, Ethan, and forgive him. Robbie doesn’t allow it. Instead, he walks Tom to the edge of the woods, tells him he’s a decent man, and sets him free. Because Robbie has his own plan: to sacrifice his life in the hopes of providing a better one for his family. It’s through Robbie’s act of mercy that Tom regains faith. He believes in goodness again.

Brad Ingelsby.

(Ian Spanier / For The Times)

In the final episode, Tom finds himself taking care of a young and suddenly parentless boy, Sam. Sam reminds him of his own son, Ethan. Sam wants to live with Tom. And Tom desperately wants Sam to stay with him. But Tom also recognizes that Sam would be better served in the care of a young family capable of meeting his needs. Sam shouldn’t be stuck with an old man like him. Tom lets Sam go; he believes the boy will be taken care of. That is Tom’s act of faith.

When Ed and I met for dinner last month, we talked about how his idea of God has changed over the years. He no longer sees God as a bearded white man tallying our sins and waiting to judge us in heaven. He thought God was everywhere, all the time. The love that exists between people. He thought he could feel God right then, among us at the table as we laughed. We talked about Camp Mystic. The young girls swept away. Why, God? They were there to serve You. We didn’t have any answers. We never do. But the food and wine were good, and we talked about great-uncle Dan, about how he was so different from us but how much we loved him anyway, and how, when he drank Manhattans — plenty — he could turn harsh and opinionated, but it didn’t matter because he loved God. He loved Him with his whole heart, and we thought about the unimpeachable dignity of that and what an amazing gift it would be — to believe and never doubt.

WASHINGTON — The congressman returned home last Fourth of July to startling stories in Southern California as immigration patrols swept through communities, and one constituent told him about starting to carry a passport as proof of the right to be in the country.

Rep. Mark Takano, whose American-born parents were both incarcerated as young children with their families during the forced relocation of Japanese Americans during World War II, could not help but see the parallels between that chapter of American history and this one.

“I do feel like there’s a similarity of circumstance of my own 2-year-old father and my 1-year-old mother being labeled as enemy aliens and they’re considered a danger to national security,” the Riverside Democrat told the Associated Press in a recent interview.

“They’re put into these incarceration camps,” he said. “Similar arguments have been made by this administration — that immigrants pose a grave danger to our country and it’s for the security of our country that we’re doing this.”

Echoes of history

President Trump’s campaign to achieve the largest mass deportation operation in U.S. history is at an inflection point. Americans are seeing what it looks like to round up, detain and deport thousands of people, particularly in the aftermath of the deaths this year of Renee Good and Alex Pretti, U.S. citizens protesting the federal crackdown in Minneapolis.

The White House changed the leadership at the Department of Homeland Security as it reframes its approach. New Secretary Markwayne Mullin promised to keep the department off the front pages.

But Trump is also under mounting pressure from conservative groups not to let up on the goal of deporting 1 million people a year. The president’s Republican allies in Congress are fueling the immigration and deportation actions with billions of dollars in special funds.

Takano, the ranking Democrat on the House Veterans’ Affairs Committee, has drawn from his own family history — and the country’s eventual redress to Japanese Americans who were detained — to challenge Trump’s approach.

“We look back on that era of history as a shameful one, as a time when our political leaders failed the Constitution, failed the American people,” he said.

One family’s story among many

A high school history teacher before being elected to Congress in 2012, Takano grew up in Southern California and came to understand the family stories.

His grandfather Isao Takano arrived in the U.S. from Hiroshima and married Kazue Takahashi, a U.S.-born citizen. Together they settled in Bellevue, Wash., and started a business growing tomatoes, strawberries and chrysanthemums for the marketplace in Seattle.

When the U.S. entered the war after the Japanese attack on Pearl Harbor, they were among some 120,000 people of Japanese ancestry, immigrants and those born in the U.S., forcibly relocated.

His father, William, was 2 years old when his family was sent in 1942 to the incarceration camp at Tule Lake in Central California. His mother, Nancy Tsugiye Sakamoto, born in California to American-born parents, was a year old when she was relocated to the detention facility in Heart Mountain, Wyo.

Then, as now, he said, people are being swept up in the anti-immigrant detentions.

“Will Americans generations from now visit ‘Alligator Alcatraz’ and think to themselves, how could our government do this?” Takano said during a House floor speech, referring to the Trump administration’s immigration detention facility in Florida.

“These future generations of Americans will look to us, the Congress, to see what we did to try to stop it.”

A Reagan-era law seen as model

Takano remembers his father taking him to see the land the family once owned. He learned about his great-uncles who served in the Army’s 442nd Regimental Combat Team of Japanese American soldiers; one was killed in action in Italy. He recalls his own father later collected donations for the national redress campaign.

In 1988 Congress passed the Civil Liberties Act, which sought to apologize for the “grave injustice” that had been done and provide $20,000 to each person detained. President Reagan signed it into law.

Takano’s parents were among those who received a letter of apology from the federal government, he said, and a payment.

Talks are underway among some in Congress, he said, for a similar redress to the people who have had their car windows smashed in, their homes raided and livelihoods upended as part of Trump’s immigration enforcement operations.

“Remarkably the country did come to realize the mistake,” he said. “I believe we’re living through one of those eras of mistakes, and I believe we can come out of this moment stronger.”

Mascaro writes for the Associated Press.

Brooke Mayo was just 4 when she started playing soccer. She was about 4½ when she started fantasizing about participating in the World Cup.

“I just fell in love with the game,” she said. “Like any soccer player, you dream about the World Cup, you know?”

That dream came true three years ago, though not quite in the way Mayo had imagined. Although she took part in four matches at the 2023 Women’s World Cup, she did so as an assistant referee, not a player, running up and down the field with a flag in her hand, not a ball at her feet.

Yet Mayo made history just the same, joining Tori Penso and Kathryn Nesbitt as the first American officials to work a World Cup final as a trio. More importantly, they performed so well they have been invited to officiate in the men’s World Cup this summer, where they will make more history as just the second all-female crew to work a game in the men’s tournament.

And while Mayo appreciates the barrier breaking, for the three women it’s just another day at the office.

“For us, it’s just business as usual,” she said. “I think there’s still a lot of places in the world that need to see this and that’s why it’s still important. But our colleagues are used to seeing women around.”

Mark Geiger, a two-time World Cup referee who is now general manager of the Professional Referee Organization (PRO), which manages officials for MLS, agrees. After decades of seeing U.S. and Canadian referees given little respect by FIFA — nor by international soccer in general — Geiger says the biggest takeaway from this summer’s tournament isn’t the gender of the domestic officials selected, but rather the number, 11, making it the largest contingent to work a World Cup.

In addition to Mayo, Penso and Nesbitt, the list includes Ismail Elfath, Armando Villarreal, Kyle Atkins, Corey Parker and Drew Fischer, who took part in the 2022 men’s tournament. Nesbitt, Elfath, Parker and Atkins all worked the final of that World Cup four years ago, Elfath as the fourth official, Nesbitt as the reserve assistant referee and Parker and Atkins as video assistant referees.

With Mayo’s team working the 2023 women’s final — alongside Villarreal, who was in the video booth — seven MLS officials have worked the last two World Cup finals and at least one PRO official has been assigned to 19 of the 32 knockout games in the most recent men’s and women’s tournaments.

No other league or country in the world is even close to that.

“Over the past few years I think we’ve shown that the quality of football and the quality of the officiating in the United States and Canada is at a really high level,” said Geiger, who made history of his own in 2014 when he became the first American center referee to work a Round-of-16 match in the men’s World Cup.

“We are in the normal conversation of knockout-stage games, we’re in the normal conversation for Tori to do the final. It’s not out of the realm of possibility.”

Another thing that makes this World Cup special for the PRO officials is that with the U.S., Mexico and Canada sharing host duties, the tournament will be played at home. The only other time the men’s World Cup was played in the U.S., in 1994, Arturo Angeles, a Mexican-born naturalized citizen, was the only American referee selected and he supervised just one group-play game.

“Any World Cup game anywhere is going to be special on some level,” said Fischer, a 45-year-old Canadian who has been a FIFA referee for 11 years. “It’s definitely a special feeling when you get to play host. It’s a little bit of welcoming the world into your backyard.

“There’s a certain hometown pride. So I’m definitely looking forward to that aspect of it.”

Joe Dickerson, U.S. Soccer’s reigning male referee of the year, received the FIFA international badge he needed to work major competitions just three years ago. Yet he will be a replay official in this World Cup, the first one he was eligible to work.

“This kind of happened so fast in the last couple of years,” said Dickerson, who became a professional referee in 2013, then began targeting the World Cup when it was awarded to the U.S., Mexico and Canada in 2018. “To work the biggest sporting event in the world in front of friends and family is really cool. And being a part of the celebration of culture happening in your own country and, as much as we can, celebrate our own culture, is really cool.”

It also makes things much easier on family and friends. When Mayo officiated her first group-stage game in the 2023 tournament in New Zealand, her wife, Falon Catalano, flew in for the match.

Referee Brooke Mayo looks on during a CONCACAF Nations League third place match between Jamaica and Panama in March 2024.

(Julio Cortez / Associated Press)

“I told her like hey, it’s our first World Cup. So she came to that and then went home,” said Mayo, 37, who wasn’t sure she’d get another game.

When she was assigned the England-Australia semifinal in Sydney, she called Catalano back.

“I said ‘this might be the biggest appointment in my entire career, in Australia in front of 75,000 fans. You’ve got to come to this,’” she pleaded.

So Catalano came then went before Mayo found out she would be doing the final. That led to another call. “I said, ‘well, you’ve gotta come back.’”

An exhausted and broke Catalano said no to the expense and fatigue of another 38-hour round trip, but after a group of MLS officials passed the hat to buy the ticket, Catalano surprised Mayo by making the match after all.

Making it to the semifinals — much less the final — was far from guaranteed since the World Cup is a meritocracy for officials as well as for the players. In fact, it’s harder to make the final as an official: There will be 170 officials from 50 countries taking part in this summer’s tournament as opposed to 1,248 players — or one referee for every 13 players.

“A lot of people underestimate how difficult it is for us to get there,” said Dickerson.

Referees are graded after every game and those who don’t measure up in their first match don’t work another one. Those who excel, however, continue to advance — as Mayo did in 2023.

“Just like teams try to kind of hit their stride in a tournament setting, that was similar with us. We just went in there focused on only one game in front of us,” she Mayo, who got her FIFA badge in 2018. “Our goal was to earn another game after that, do everything we can to clean up our communication. We’re like micro-managing ‘how could we have done this better?’

“You are just operating in sync. You’re spending every minute together. You’re together at breakfast. You’re together at training. You’re together at lunch. You’re traveling together. By the end, if they even sigh on the field, I know what that means.”

Mayo, like most officials, came to the game as a player — one good enough to play four years at Tennessee Tech. As a teenager she was moonlighting as a referee, raising enough money to fund a trip to South Africa to watch the 2010 World Cup as a fan.

“But I didn’t take reffing seriously,” she said. “Once I finished playing, I missed that competitive edge. When I realized I could do it in reffing, I was like, ‘Oh, this scratches that itch that I miss.”

Taking part in a World Cup remained a dream, however, and she got to scratch that itch three years ago. Now she’s working the tournament at home, where her family, who live in Colorado, will be just a few hours away should there be any frantic last-minute flights to catch.

Having already worked one World Cup final, anything short of the final this summer could feel like a failure.

“It’s a lot of skill, but it’s also a lot of luck. You have to be in the right place at the right time,” Mayo said. “There’s not that much that separates people at the top.

“We’re up against amazing referees. We’re going to fight for every game, one game at a time, knock it out of the park and hope for the best.”

In 1973, Tom Bradley became L.A.’s. first Black mayor by assembling Black, Jewish, white and Latino liberals into a coalition that ended decades of conservative white rule at City Hall.

Bradley’s election transformed Los Angeles politics and began what has been, for the most part, a 50-year reign of moderate Democrats. Year after year, the election map has changed, but liberal centrists have usually remained on top.

But as Mayor Karen Bass seeks reelection, she is struggling to unite her traditional base as she faces attacks from Democratic Socialists of America Councilwoman Nithya Raman on the left and Republican reality TV star Spencer Pratt on the right.

Some political experts in L.A. say mainstream Democrats are floundering as they try to patch together their coalitions in an era when poll after poll shows the city’s residents frustrated with the status quo.

“Overwhelmingly, Angelenos feel Los Angeles doesn’t work,” said Fernando Guerra, founding director of the Center for the Study of Los Angeles at Loyola Marymount University. “You have this liberal regime that has dominated from ‘73 to ‘26 and it’s stagnant.”

Traditional voting patterns, political experts agree, are unraveling as L.A.’s mounting housing costs create new political fault lines in this city of 3.9 million. The devastating 2025 wildfires, along with enduring problems of homelessness, declining city infrastructure and traffic, have exacerbated discontent.

It’s still possible Bass can pull off reelection in the nonpartisan mayoral race and some coalition of centrist Democrats can survive. But the fact that she is unlikely to avoid a runoff when U.S. incumbents typically win at a 90% rate, Guerra said, shows that L.A.’s mainstream Democratic institutions are hollowing out.

“The problem is not Bass,” Guerra said, adding: “Any regime that lasts for that long begins to fall upon itself. … It stagnates and stops being innovative, and just becomes protective of the ingrained interests that have nurtured that coalition.”

Former L.A. Mayors Antonio Villaraigosa, Eric Garcetti and Richard Riordan.

(Los Angeles Times)

Republicans hope that Pratt’s social-media-fueled critique of L.A. leaders’ failures in emergency preparation and response after the fires and high spending on homeless programs can lead a new generation of conservative Angelenos to the polls.

Most political observers in L.A., however, are confident that the city’s future is not conservative.

The DSA, a decentralized anti-capitalist group, has made inroads in L.A. as it advocates for rental protections, defunding the police and a Green New Deal. Over the last six years, Angelenos have elected four DSA-backed City Council members and a DSA-recommended city controller.

“L.A. is clearly a city that is steadily moving to the left,” said Jim Newton, executive director of UCLA Blueprint magazine and a veteran political journalist who worked for the L.A. Times for 25 years.

“People are unhappy, but they’re not unhappy enough to vote for a Republican,” Guerra agreed. “They have been looking at the other alternatives: the Democratic Socialist party that is the challenge to the establishment.”

Some caution, however, that it is too early to map out Los Angeles’ political future.

Raphael Sonenshein, executive director of the Haynes Foundation and author of “Politics in Black and White: Race and Power in Los Angeles,” said sweeping generational changes are happening in L.A. politics.

“I think everything is up for grabs,” Sonenshein said, noting that he expected more competition for Latino and Asian voters, young voters and even older Democrats. “Certainly, younger voters are completely up for grabs. It’s just hard to know where they’re going to end up. … Small shifts in the primary can make a very big difference.”

L.A. rose as the Republican stronghold of California.

As a massive influx of white Midwesterners descended on L.A. after the 1885 opening of the Santa Fe railroad, conservative white civic leaders — including the owners of the L.A. Times — touted the city as the GOP counterpart to progressive, union-friendly San Francisco. Liberal Black and white Angelenos were shut out of citywide power.

The purpose of the Bradley coalition, Sonenshein said, was to “break open the stranglehold of a city establishment that was … unresponsive to the diversity of the community.”

Bradley, an even-keeled attorney and former police officer, was well positioned to bridge L.A.’s racial divides. As a police community relations officer, he had cultivated relationships with Jewish business owners. He was an early supporter of L.A.’s first Latino City Council member, Edward Roybal, and had already united Black and Jewish Angelenos in the 10th District as the city’s first Black City Council member.

L.A. City Councilman Tom Bradley and Mayor Sam Yorty in a TV studio just before the start of a debate during their 1973 campaign for mayor.

(Los Angeles Times)

After his 1973 win, as waves of new immigrants moved to L.A., Bradley brought more Latinos and Asian Americans into the fold. A conscious alliance of minority communities reelected Bradley, helping him become the longest-serving mayor in L.A. history.

But by the 1990s, frustration had swelled over L.A.’s crime, pollution and poverty. Bradley’s popularity plummeted after Black motorist Rodney King was brutally beaten by LAPD officers in 1991 and riots erupted across the city the next year when a largely white jury acquitted the officers. More than 60 people were killed.

As Bradley prepared to step down, Democrats struggled to find a successor who could unite liberal Black, white, Latino and Asian Angelenos.

Still, some were skeptical that Richard Riordan, a Republican venture capitalist, would win. Riordan was a moderate, easygoing philanthropist, Newton said, and Republicans at the time made up 30% of L.A.’s registered voters, double their number now. Even so, he noted, “there were people who thought this is just not what this city is, the city doesn’t need a multimillionaire white guy Republican.”

Voters thought differently. After securing the support of San Fernando Valley Republicans and Democratic centrists and making small inroads among Latinos, Riordan became the first Republican L.A. mayor elected in 36 years.

The Bradley coalition was “a spent force,” Sonenshein said. “But new players were emerging in prominent roles, working to forge new types of alliances and, at times, temporary coalitions.”

When California voters in 1994 passed the anti-immigrant Proposition 187, which barred undocumented immigrants from receiving many public services, Latino participation in L.A. politics surged. Asian Americans also began to rise.

But after Bradley, there was no single Democratic coalition in the city.

When Antonio Villaraigosa challenged James Hahn in 2001 and 2005, Sonenshein said, Hahn drew support from the Black community and the Valley, Villaraigosa from Latinos and liberals. When Eric Garcetti defeated Wendy Greuel in 2013, Greuel had strong support in Black South L.A., but Garcetti managed to win with the white and Latino vote.

“People have to piece it together, because the Democrats have such a larger edge in L.A. than they did in Bradley’s age,” he said. “It’s almost a kind of entrepreneurial thing: You’ve got to go out and build a majority each time, and those alliances shift.”

There were still challenges from the right. But in 2022, when billionaire real estate developer Rick Caruso ran against Bass on a centrist law-and-order platform, he switched his party affiliation from Republican to Democratic. Some saw that as a recognition that a Republican could not win in L.A.

Bass defeated Caruso by nearly 10 percentage points.

Like Bradley, Bass is a pragmatic politician with a long record of forging relationships behind the scenes.

In the 1990s, she founded the grassroots Community Coalition to combat the public health crises that plagued South L.A. amid the crack-cocaine epidemic.

But as Bass presides over a City Hall that is almost entirely dominated by Democrats, discontent is spreading. Polls show a substantial portion of the electorate views her unfavorably because of her handling of the Palisades fire.

Guerra said the lack of affordable housing had created a unique moment: Even after the King riots, the Northridge earthquake and the O.J. Simpson trial, he said, Angelenos were still invested in living in the city.

“You could still buy a home. You could still see yourself nurturing L.A., but also L.A. nurturing you,” Guerra said.

For Guerra, centrist Democrats have been so successful at inclusion they have struggled to identify priorities.

“There are too many members of the coalition and there are too many of the members who have veto power, which then leads to paralysis,” Guerra said. “The paralysis is what’s led to the lack of innovation, the failure to pursue policies that make sense for the greater good.”

The dysfunction, he said, is particularly clear on housing.

“Every NIMBY in every neighborhood, in every council district, is like, ‘We want housing, but not here,’” Guerra said. “That, replicated everywhere, leads to paralysis and no housing.”

It has also led to renters becoming a rising political constituency — a big shift from the Bradley era, when homeowners were the city’s dominant voters.

But that doesn’t mean working-class Angelenos have a bigger voice now in L.A. politics. Instead, the middle class is splintering along generational lines.

“Middle-class young folks graduating from college, who have extraordinary amounts of debt, cannot buy homes,” said Sara Sadhwani, a politics professor at Pomona College. “The city still has issues with food insecurity and low-wage worker protections, but those are not the issues dominating anymore.”

While L.A. Democrats have long focused on assembling coalitions of Black, Latino, Asian American and other minority activists, Sadhwani said, what was often not spoken about was the role of the city’s “nonprofit industrial complex.”

“Nonprofits have a huge role,” she said, noting that Bass came of that world. “Their politics are shifting.” Before 2020, she said, progressives focused on racial justice, immigration reform, and creating an economy that respects the work of immigrants; now, the focus is largely on homelessness and policing.

“What it means to be a progressive today,” Sadhwani said, “is actually quite different from what it was to be a progressive even just five years ago.”

Even as L.A. is clearly still a Democratic stronghold, Republicans say there are signs that some Angelenos are not in lockstep with liberal activists.

Donald Trump’s share of the vote in L.A. in the last three presidential elections, they note, climbed from 16% in 2016 to 21% in 2020 and 27% in 2024. And there is evidence that voters, at least at the county level, are questioning some criminal justice reforms.

In 2024, L.A. County voters ousted progressive incumbent Dist. Atty. George Gascón, who eliminated cash bail for misdemeanors and nonviolent felonies and championed rehabilitation over punitive sentencing. A majority of county voters also backed Proposition 36, allowing stiffer penalties for crimes of repeat theft and possession of hard drugs.

Los Angeles Mayor Antonio Villaraigosa, pictured here on the cover of Newsweek, helped reshape the city’s Democratic coalition

(David McNew / Getty Images)

With Republicans making up about 15% of L.A.’s registered voters, Rob Stutzman, a GOP strategist, said Pratt might win enough independent voters and disaffected Democrats to make it past the primary. But he would then struggle to get more than 50% in the runoff.

“The math just isn’t there, but in addition to that it’s the stink of Trump,” Stutzman said. “The tribal politics of today make a Republican victory in L.A. very difficult.”

Raman stunned L.A.’s political establishment in 2020 when she was elected L.A.’s first DSA-backed City Council member.

As she runs for mayor, the Los Angeles chapter of the DSA hopes to expand its power as it endorses a new slate of 2026 candidates for City Council, city attorney and L.A. school board.

Richard Riordan, the last elected Republican mayor of Los Angeles.

(Los Angeles Times)

Raman is clearly betting that a big, viable part of the electorate is to Bass’ left, Newton said.

The DSA, Newton said, had done a good job in recent years of identifying renters’ interests and advancing them to usher in a “newer, younger, probably more progressive edge to the city’s politics.”

But so far, Raman, who has aligned herself with the DSA on issues such as renter protections but deviated on police spending, is struggling to unite the organization.

The Harvard and MIT graduate caught the DSA and her fellow City Council members off guard when she entered the mayoral race just before the filing deadline.

In March, the L.A. chapter of the DSA announced it would recommend Raman for mayor, but not formally endorse her. This month, a trio of her fellow DSA-backed City Council members endorsed Bass.

After building momentum, the DSA’s failure to rally around a 2026 mayoral candidate could hurt the movement for several election cycles, Guerra said.

“This dissension is setting them back,“ Guerra said. “They really do have an opportunity to elect a DSA mayor.”

Bass has seized on Raman’s lack of support in City Hall to critique her coalition-building skills.

“If you want to be the mayor and you can’t get along with people who are your colleagues on council,” Bass said recently, “I don’t know how you’re supposed to govern at all.”

In the end, the outcome of L.A.’s mayoral race may not depend so much on Bass’ ability to inspire her traditional Democratic coalition. The question is whether a new generation can find a way to represent a mass of Angelenos with bold new visions and coalitions of their own.

Xavier Becerra has spent nearly four decades in elected office. To some that speaks of extensive experience and a deep grounding in policy. To others, it smacks of political careerism and a long-term investment in the failed status quo.

Wired or tired?

It all depends on your perspective.

Becerra, a California native, emerged from the hothouse of Latino politics on Los Angeles’ Eastside. He was elected to the state Assembly in 1990, served 12 terms in Congress, was California attorney general and then, for nearly four years, ran the Department of Health and Human Services under President Biden.

It’s that latter stint that’s become a particular focus in the final days of California’s long and winding gubernatorial primary.

As Becerra surged from inconsequence to front-runner, opponents — led by chief Democratic rival Tom Steyer — have hammered Becerra’s performance in the Biden administration, suggesting he was AWOL during the COVID-19 pandemic and inept in his handling of unaccompanied migrant children, 85,000 of whom were supposedly “lost” on Becerra’s watch.

Politics is about persuasion and emotion, not rocket telemetry, so it’s not hard to figure out what’s going on.

“You look at Xavier and he seems to be perceived as a thoughtful, credible, trustworthy choice. That’s what I hear when I talk to regular people who aren’t political insiders,” said Darry Sragow, a Democrat strategist who’s spent decades running California campaigns. “So you see the people who want to take him out going after one of the words I just used here, which is ‘trustworthy’ and, to some extent, ‘credible.’”

A recent Steyer mail piece — which, naturally, features a grim-faced portrait of Becerra — accuses him of “mismanagement,” “scandal” and “incompetence,” and cites a 2024 quote from Susan Rice, a former Biden domestic policy advisor, describing the ex-Cabinet member as an “idiot.” (Apparently “bitch-a—,” another Rice epithet from the same Axios news report, was deemed unsuitable.)

The mail piece also quotes Xochitl Hinojosa, a Justice Department spokesperson in the Biden administration, saying Becerra “was not effective in government,” though several people who worked in the White House could not think of any occasion, or any reason, Hinojosa would have meaningfully interacted with Becerra.

Pretty weak sauce. But at least Hinojosa, who delivered her gibe on one of CNN’s talking-head shows, was willing to publicly attach herself to the criticism.

Six former Biden administration officials were quoted by Politico “reacting with a mix of incredulity, mockery and resignation” to Becerra’s sudden ascendance in the governor’s race. Critics also unloaded to NBC News and other outlets. All of them spoke anonymously.

Therefore, it’s impossible to discern their motivations. Jealousy? Ego? An attempt to stay politically relevant?

Or maybe Becerra was, indeed, a feckless, flailing and thoroughly awful Cabinet member, deserving of scorn and shame.

Ron Klain, who was Biden’s chief of staff during the first two years of his presidency, doesn’t believe so.

“I think he did an excellent job as HHS secretary and I think the record shows that,” Klain said, citing, among other accomplishments, Becerra’s work helping negotiate a drop in the price of prescription drugs and expanding healthcare coverage under the Affordable Care Act.

On COVID-19, Becerra “wasn’t confirmed until several months into the Biden administration. Dr. [Anthony] Fauci had been on the job and was quite a well-known figure to Americans. So, of course, he became more the face of the COVID response.”

“On immigration,” Klain went on. “Xavier’s part was small and discreet. He wasn’t the secretary of Homeland Security. He didn’t run the border. He oversaw an office called the Office of Refugee Resettlement” responsible for processing children who crossed the border alone. “I was in meetings where he was a passionate and forceful advocate for these minors,” Klain said.

Still, there are legitimate questions, notwithstanding Becerra’s deflections — Trump! MAGA! Trump! — about his handling of the migrant children, some of whom died, suffered horrible abuse or were catastrophically injured, according to revelatory reporting by the New York Times. It’s worth noting, however, that Becerra inherited a plan to deal with unaccompanied minors that was drafted and phased in by Rice and her Domestic Policy Council.

There is an unhappy history between the two; apparently Becerra was not alone in drawing Rice’s ire. In 2022, an article in the American Prospect accused her of creating an “abusive and dehumanizing workplace,” in which Rice routinely berated others, including the Health and Human Services secretary.

On social media, Rice has made no secret of her continued contempt for Becerra, a display that carries no small whiff of ax-grinding and score-settling. She highlighted the refusal of Biden’s Homeland Security chief, Alejandro Mayorkas, to endorse Becerra in the governor’s race, though it would be surprising if Mayorkas, Biden, Kamala Harris or any high-level Democrat picked a favorite in such a fiercely contested primary.

Becerra “had big things to do and he got them done,” said Neera Tanden, who succeeded Rice as head of Biden’s Domestic Policy Council and has vigorously defended Becerra against attacks on social media.

“I am not on or coordinating with the Becerra campaign,” Tanden said. “I just know these attacks are ridiculous.”

If Becerra makes it past Tuesday’s primary to the November runoff, his career merits careful scrutiny — and not just those years spent in the Biden Cabinet. Many voters are still getting to know Becerra, who is the likeliest candidate to be California’s next governor. Anonymous quotes, drive-by commentary and incendiary mailers may be standard campaign fare. But voters deserve better.

CLOVIS —  Jurupa Valley senior AB Hernandez placed third in the CIF state championship long jump on Saturday, medaling in the event for the second consecutive year.

Hernandez, who is transgender, has faced harassment and ire from anti-trans protesters and conservative pundits during the past two years. She jumped 20 feet, 2 1/4 inches on Saturday, behind first-place finisher Ellie McCuskey-Hay of St. Ignatius (20-3½) and Gianna Gonzalez of Moorpark (20-3½).

Under CIF policy, transgender athletes who place at the state championships receive medals but do not displace cisgender girls in the final standings. The federation announced last year that the policy would apply specifically to the long jump, triple jump and high jump — the three events Hernandez competed in — and the rule remained in effect for her three events this weekend.

Hernandez shared her third-place podium with St. Mary’s Berkeley jumper Corrine Jones, who reached 19-9 ½.

Hernandez secured her place in Saturday’s finals on her opening long jump attempt Friday, posting a mark strong enough to hold the top qualifying position. She passed on her remaining two attempts after safely locking up advancement.

The atmosphere surrounding the state championships was notably calmer than a year ago, when demonstrations over Hernandez’s participation drew national attention. On Friday, the most visible protest activity came before the meet, when Republican California gubernatorial candidate Steve Hilton held a news conference outside Veterans Memorial Stadium, noting that the primary election was just four days away.

Standing before signs reading “Hey, CIF: Girls’ Sports Girls Only” on Friday, Hilton criticized the California Interscholastic Federation’s policies governing transgender athletes.

On Saturday, the Rainbow Families Action group hosted a news conference outside in support of Hernandez. Counter-protesters showed up toward the end and shouted toward the Hernandez supporters and the two sides exchanged some words before dispersing.

Inside the stadium, however, the focus largely remained on the competition. Spectators cheered as Hernandez began her long-jump approach, and some fans wore bracelets bearing the message “We Stand With AB.”

Event organizers prohibited signs inside the venue. Unlike last year, when advocacy groups on both sides staged more visible demonstrations, the off-track theatrics were largely absent.

Meanwhile, Democrat Tom Steyer released a video on X on Friday featuring a previous conversation with Hernandez, in which he expressed support for her participation in high school athletics.

The 17-year-old arrived in Clovis after sweeping all three of her events at the Southern Section championships.

Entering the state meet, Hernandez ranked among the nation’s top 10 performers in all three events. She shared California’s best high jump mark, was tied for second in the long jump and ranked second in the triple jump. She will compete in the high jump and triple jump later Saturday.

At this year’s Sundance Film Festival, filmmaker William D. Caballero won the NEXT Special Jury Award for Creative Expression for his intensely personal, multimedia feature debut, “TheyDream.” During his acceptance speech, he made a powerful statement.

“In case ICE were ever to harm me or kill me, this film will serve as the truth of who I am, and who my family is, before Fox News or this administration ever makes us out to be the villain[s],” he recalls paraphrasing during a recent interview.

Blending live action footage with different animation techniques — as well as the 3-D-printed miniatures that have been a fixture of Caballero’s work for more than a decade — “TheyDream” honors the filmmaker’s Puerto Rican loved ones, particularly his mother, Milly.

She collaborated with him in the making of this one-of-a-kind portrait of loss, resilience and shared healing. Their heartfelt exchanges throughout this process are also shared on-screen.

“Seeing her light up and become transformed throughout was just invigorating, because it allowed us to talk about heavy things and bond throughout the process of creating a story that’s personal [for us] both,” Caballero says. “It’s like, ‘Let’s guide each other and instead of me taking your stories and making magic with them, let’s make this magic together.’”

The brilliantly unconventional piece of autobiographical storytelling will screen as the closing night film of the Los Angeles Latino International Film Festival (LALIFF) on Sunday. Recently, John Leguizamo and Ben DeJesus joined the film as executive producers.

Starting with his 2013 short film “How You Doin,’ Boy? Voicemails From Gran’pa,” Caballero has used miniatures to immortalize his loved ones. That bite-sized introduction to his Boricua grandfather’s humorous wisdom evolved into the HBO Latino show, “Gran’pa Knows Best.”

“When I started working on ‘Gran’pa Knows Best,’ I knew that 3-D printing was this new technique,” he says. “But I’d never seen anyone that looked or sounded like my grandfather in it. I realized that it could be a really creative method to preserve his voice and his story. “

Then came the 2017 short “Victor & Isolina” about his grandparents’ relationship, and more recently in 2022, he debuted “Chilly and Milly,” which focused on his parents. Some of the sets from these shorts, tiny replicas of places familiar to Caballero, and a few of the miniature characters were reused in “TheyDream.”

“Being able to create these things in miniature is almost like getting back in touch with the idea of play,” Caballero explains. “As a child, you invent lots of stories all the time. But now as an artist, I’m able to tell stories that touch upon reality and painful memories, but also hopes and dreams in a way that hearkens back to the innocence of childhood.”

Filmmaker William D. Caballero will screen “TheyDream” on Sunday at the Los Angeles Latino International Film Festival (LALIFF).

(William D. Caballero)

“TheyDream” is a culmination of the eclectic and nimble artistic practice that Caballero has developed since he studied digital art at the Pratt Institute in Brooklyn.

“I’d always just been attracted to new ways of expressing myself and expressing stories. And I say this both in a way that brings me pride, but also brings me a bit of a headache, because I don’t think I’ll ever be a conventional filmmaker,” he says, laughing.

Still, working outside the margins of traditional moviemaking requires great adaptability.

When Caballero received funding for “TheyDream” in 2021, the money wasn’t enough to conceive it as he had originally envisioned it: entirely told with 3-D-printed figures in physical sets. The lack of resources forced him to rethink his approach, and he opted for hiring two Puerto Rican animators, Julisse Tinoco and Frank Martinez, each of whom animate in distinct styles, to help him create some of the sequences needed.

“This all goes back to the resourcefulness that I learned when I was young,” Caballero says. “When you’re born Latino and low-income in this society, you can’t let yourself be written off or you’re already defeated before you even begin.”

Caballero grew up in housing projects in New York City, and later in a trailer in his grandmother’s backyard in Fayetteville, N.C. Both of his parents were disabled.

Filmmaker William D. Caballero poses as his father for a reference shot in the making of his 2026 film “TheyDream.”

For Caballero, he says the arts have provided an escape that he “needed in order to survive and not feel weighed down by American consumerism, by poverty and by feeling trapped.” Whenever grief has perturbed him, Caballero has processed it through creativity.

With “TheyDream,” he wished to extend that vehicle for self-reflection to his mother. The film addresses complicated familial bonds and his mother’s experience caring for others.

“Throughout the years, we’ve lost several of my family members that we were both close to, but my mother especially,” he says. “She feels their absence much stronger than I do. I live in Los Angeles, my mother still lives in North Carolina. Knowing that she was alone in the mobile home, it just made me feel like, ‘That can’t be good for her.’”

His mother, he says, deals with self-esteem issues because her identity has for so long been reduced to being a caretaker for elderly relatives, who, inevitably, pass away — leaving her feeling like a failure. In reality, it was thanks to her devotion that they added years of life.

Caballero’s mother was at the Sundance premiere of “TheyDream,” where she witnessed how others saw her through the film she helped her son craft.

“I wanted her to feel like, ‘Mom, look at all these people that are clapping for you. They’re clapping for you because you are a hero. You deserve to hold yourself high and be strong and know that there’s something incredible in your story that’s indicative of the stories of many low-income Americans, regardless of race,’” Caballero says, visibly moved.

A prolific and highly regarded artist (he is a 2018 Guggenheim Fellow), Caballero has several other projects in the works that he’s trying to shop around. One of them is an episodic series titled “Second Fiddle,” about a 15-year-old Latino boy who gets accepted to a prestigious summer youth orchestra camp — and whose overbearing mother decides she’s going to stay in the camp with him.

Caballero’s mother, Milly, got the animated treatment in “TheyDream.”

“I never saw a Latino playing violin on TV or the big screen. I didn’t see any quirky, nerdy, artsy Latino kids like I was,” he says. “And I felt in my core that [it] was just wrong and something that I could change.”

Another project, “Raúl Playing Game,” is “an adult version of Pixar’s ‘Inside Out,’ ” that takes place in the mind of a closeted bisexual man. Caballero himself is bisexual. In 2022, “Raúl Playing Game” was selected for the LALIFF Inclusion Fellowship, which provided support for a short film version that serves as proof of concept for a potential TV show.

“I always wanted to make sure that I was telling authentic stories even if not necessarily always positive stories,” he says. “I’m very happy that I never lost track of that. Because I do believe that we need to tell our own stories, in our own unique voices, before someone else does it for us.”

Good morning, and welcome to L.A. on the Record — our City Hall newsletter. It’s David Zahniser, with an assist from Noah Goldberg, Melissa Gomez and Sandra McDonald, giving you the latest on city and county government.

Los Angeles City Councilmember Monica Rodriguez has had some pretty tough words over the years for Mayor Karen Bass and her administration.

Rodriguez, who is running unopposed in Tuesday’s election, repeatedly criticized Bass’ Inside Safe program, which moves homeless people indoors, saying it lacked financial oversight. She voted against the mayor’s budget last year, saying too much was going to Inside Safe. She was especially harsh in the wake of the Palisades fire, saying that Bass’ team botched the first few months of the recovery.

That might make her an ideal person to endorse Councilmember Nithya Raman, who is running to unseat Bass in Tuesday’s primary and has leveled similar critiques. Instead, Rodriguez has emerged as an unexpected ally of the incumbent.

During the campaign, Rodriguez has appeared with Bass at events in Eagle Rock, Pacoima and even Sherman Oaks, located in Raman’s district. She popped up in a campaign flier from Latinos Por Karen Bass. And she’s been dinging Raman over everything from economic development to policies around outdoor barbecues.

Rodriguez explained her decision to support Bass in an interview, saying she views the incumbent as being far more willing to entertain opposing views than Raman — and understands that “not everyone thinks the same way.” Bass also is more consistent on the issues, Rodriguez said.

Raman, by contrast, has shifted her positions on police spending, the tax hike known as Measure ULA and even who should be the next mayor, jumping into the race after she endorsed Bass, Rodriguez said.

“I don’t know what she stands for,” she said.

Raman’s campaign declined to comment on Rodriguez’s remarks. But former former Deputy Mayor Rick Cole, a Raman supporter, said he is surprised to see Rodriguez line up behind Bass, given how critical she has been over the years.

“Monica is a self-described maverick, so it’s ironic that she’s thrown in with the establishment on this. But sometimes personalities play a role,” he said.

Rodriguez had been talked up at one point as a possible opponent of Bass in this year’s election. If Bass wins a second and final term, the mayor’s race would be wide open in 2030.

Pratt accuses Bass of electioneering

It was a small yet upbeat event staged by Bass’ reelection campaign: The mayor, accompanied by supporters chanting “four more years,” walking up to an official drop box and putting in her ballot.

That miniature rally, staged last weekend near the city’s Memorial Branch Library, was captured on video and circulated by Bass’ campaign. But it has drawn a complaint from mayoral candidate Spencer Pratt, who accused the mayor of violating a state law prohibiting electioneering near a polling place or voter drop box.

In a complaint filed with the city clerk, Pratt attorney Peter McNulty said Bass and her supporters improperly solicited votes, waved campaigns signs and “engaged in blatant electioneering” near a voting location.

“Such clear violations of electioneering restrictions show a reckless disregard for the rule of law and an apparent belief that she need not comply with relevant restrictions that apply to all other candidates,” he wrote.

The Bass campaign pushed back on those allegations, saying the video features footage from two locations near the drop box. The portion that featured the Bass campaign signs was filmed 200 feet away — twice the distance required by law, said Alex Stack, a Bass spokesperson.

“Spencer is just mad that his supporters are AI cartoons and we have real Angelenos,” he said. “We follow the rules.”

Pratt’s lawyer said in his letter that he wants the city to investigate. He also filed a complaint with the state, citing the state election law that prohibits the dissemination of “visible or audible electioneering information” near a polling place or drop box.

Feldstein Soto flames Airbnb

City Atty. Hydee Feldstein Soto has been getting hit from both directions over the last few weeks.

On one side, a committee with at least $450,000 in funding from the Consumer Attorneys of California has been pumping out campaign ads promoting her opponent, Deputy Atty. Gen. Marissa Roy. On the other, a campaign committee heavily bankrolled by Airbnb is running ads for Deputy Dist. Atty. John McKinney, another opponent in the race.

Feldstein Soto has countered with a television ad that highlights her office’s lawsuit against Airbnb, which accuses the company of engaging in price gouging after the Palisades fire. Staring into the camera, Feldstein Soto said Airbnb and other special interests “are spending millions to try and get rid of me.”

“They think L.A. belongs to them,” she says. “I know it belongs to you.”

Feldstein Soto had raised about $860,000 for her campaign through May 16, compared with about $680,000 for Roy and about $122,000 for McKinney. But those fundraising efforts, which face strict limits under the city’s ethics laws, have been overshadowed by the unlimited spending from Airbnb and the others.

Angelenos for Progress, a pro-McKinney committee sponsored by the Central City Assn., received at least $2.1 million from Airbnb over the last month, pouring that money into campaign videos and television ads.

Justin Wesson, senior public policy manager for Airbnb in California, said in a statement that McKinney’s campaign platform is “focused on keeping Los Angeles communities safe and vibrant, including for Angelenos who share their home and their guests that contribute to the local economy.”

In recent weeks, Airbnb has been pushing the city’s elected officials to loosen L.A.’s home-sharing regulations, by allowing owners of second homes to lease their properties on short-term rental platforms.

Airbnb has put big money into other committees, including those that support Tim Gaspar, who is running to replace Councilmember Bob Blumenfield, and Jose Ugarte, who is running to replace Councilmember Curren Price.

Team Raman woos Huang, without success

We mentioned a few weeks back that Raman supporters have been noisily demanding that mayoral candidate Rae Huang drop out of the race, saying she was siphoning left-of-center votes away Raman. Turns out Raman’s campaign was trying to persuade her to pull the plug as well.

Raman campaign strategist Jeff Millman reached out to Huang advisor Bill Przylucki earlier this month about getting the community organizer to drop her mayoral bid, according to Huang spokesperson Emel Shaikh.

The overture from the Raman camp, first reported by LA Material, took place after the May 6 NBC LA debate but before a Fox debate planned for the next week, Shaikh said.

“She never really entertained the idea,” Shaikh said.

Raman, speaking with reporters on Friday, said she knew that people from both campaigns were conferring.

“I’m sure [Huang] was aware of it as well,” she said. “And I think we were really talking about how to achieve a bold, progressive vision for Los Angeles. Both of us got into this race because we felt a deep sense of dissatisfaction with the status quo.”

Millman, a veteran of L.A. politics, worked for former Mayor Eric Garcetti and was a spokesperson for Austin Beutner’s mayoral bid before his campaign ended in January. After Beutner dropped out, he moved to the Raman campaign. Przylucki is the former executive director of the progressive nonprofit Ground Game LA.

Supporters of Raman contend that Huang doesn’t have a path to victory — and could deprive Raman of a chance to compete in the Nov. 3 runoff. Asked whether she feels the same way, Raman said she is focused on getting her voters to the polls.

At this point, Raman is neck and neck with Bass and slightly ahead of Pratt, according to a poll from the UC Berkeley Institute of Governmental Studies, which was co-sponsored by The Times.

State of play

— A THREE-WAY RACE: Bass, Raman and Pratt are locked in a tight three-way contest, with the mayor holding a statistically insignificant lead in the run-up to Tuesday, the latest UC Berkeley-L.A. Times poll found. Bass had 26% support from likely voters, followed by Raman with 25% support and Pratt at 22%.

Bass, appearing at City Hall Thursday, said she’s not worried about failing to make the top two, telling an audience there are many polls that show different results. “I feel confident about Tuesday,” she said.

— AN EMBATTLED MAYOR: The Times took a look at Bass’ first term and the events that have put her political future in peril. Although some point to the city’s handling of the massively destructive Palisades fire, others say her troubles go much deeper.

— READING THE ROOM: While Bass has had difficulty managing the city, Raman faces a different issue: her struggle to forge working relationships with colleagues and allies. No one on the council, including those backed by the DSA, have endorsed her. Raman allies downplayed the issue, saying her strength is her independence.

— CUTTING CRIME: Even with L.A. experiencing fewer murders than at any point in 60 years, crime remains a potent issue in the mayor’s race. Pratt has been portraying the city as a lethal hellscape. Meanwhile, even some of Bass’ supporters have been shocked by how “aggressively pro-police she has been,” said former Councilmember Mike Bonin, who heads the Pat Brown Institute at Cal State, LA.

— DOWNTOWN IN THE DUMPS: Meanwhile, downtown business owners say they are struggling with crime, homelessness and aging infrastructure — all issues that have become central to the mayor’s race.

— LOVE, MOM: The mother of city controller candidate Zach Sokoloff has pumped at least $7.5 million into an independent expenditure campaign supporting him as he seeks to unseat City Controller Kenneth Mejia. The incumbent has accused the Sokoloff family of trying to buy the seat. Sheryl Sokoloff has declined to comment.

— SHERIFF SHOWDOWN: Los Angeles County Sheriff Robert Luna is in a rematch against former Sheriff Alex Villanueva, while also facing six other opponents. (Villanueva was unseated by Luna in 2022.) The top two vote getters will head to the Nov. 3 runoff.

— WAITING FOR THE WAGE: The council finalized its plan to delay a series of minimum wage hikes for hotel and airport workers this week, ensuring that the wage won’t reach $30 until January 2030 instead of July 2028.

— D&D AND DSA: Democratic Socialists of America, whose L.A. chapter is campaigning for five candidates in the city election, took in $30,000 at a Dungeons & Dragons-themed fundraiser. The candidates took part in the action, playing fantasy characters who still keep one foot in the political world.

— CALLING THE COPS: Looking to prevent copper wire theft, the Department of Water and Power is seeking to create its own police force.

— OUT OF THE FRYING PAN: The council on Wednesday confirmed Gabrielle Amster as the latest general manager for the animal services department, which oversees the city’s network of animal shelters. Amster had been serving as vice president of shelter engagement for DocuPet, a national pet registration business, according to her resume.

QUICK HITS

• Where is Inside Safe? Bass’ signature initiative to tackle homelessness did not launch any new encampment operations this week.
• On the docket next week: The election, obviously! If you haven’t cast a ballot by mail, make sure you show up at a voting center!

Stay in touch

That’s it for this week! Send your questions, comments and gossip to LAontheRecord@latimes.com. Did a friend forward you this email? Sign up here to get it in your inbox every Saturday morning.

WITH over 6,000 islands, travellers are simply spoiled for choice when it comes to booking a holiday in Greece – but one quieter island offers a serene retreat.

Often dubbed the ‘Goldilocks’ of the Greek Cyclades, Sifnos “is quite possibly the perfect Greek island: not too big and not too small” according to Conde Nast Traveller.

Follow The Sun’s award-winning travel team on Instagram and Tiktok for top holiday tips and inspiration @thesuntravel.

Its ‘perfect’ appearance is helped by the lack of crowds on the island compared to other Greek islands.

So much so, Swedish news website News55 has said the island is one of the top travel destinations this year as it avoids mass tourism.

Apollonia is the main village on the island and when visiting, make sure to have a wander down Steno, which is the main pedestrian street lined with traditional shops and cosy cafes.

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On the coast of the island, you can visit the former capital Kastro.

Dating back around 3,000 years, Kastro is completely pedestrianised and is full of quaint, whitewashed buildings with paths leading down to the sea where you can spot Church of the Seven Martyrs, perched on a rock islet just below the village.

There are a number of other villages on the island too, including Artemonas, which is just a short walk from Apollonia.

In Artemonas, visitors can see a number of 19th century neoclassical mansions along the main stone path.

The village is also known for its churches, such as the Church of Panagia Kohi, which is built over an ancient temple to Artemis.

If you’re more of an outdoorsy person, you won’t be short of hiking routes including a well-marked trail between Artemonas and the sea.

Wherever you go on the island, make sure to look out for amigdalota – a type of almond sweet that the island is famous for.

Scattered across the island you’ll see lots of quaint tavernas too, serving traditional Sifniote food such as chickpea balls and slow roasted lamb.

One Sun reporter who previously visited the island said: “Everything is delicious on Sifnos.

“There’s the food bursting with zingy, sunny flavour, a landscape of steep hillsides carved with agricultural terraces, azure-domed churches perched by the sea and whitewashed villages.

“For a beach day, head to Platis Gialos – a stretch of sand backed by chic bars and eateries, such as Omega3 which serves seafood dishes such as sea urchin ceviche, paired with regional wines.

“The coastline is laced with smaller beaches and secluded rocky coves, with my favourite being below the blue-domed church of Panagia Poulati –reached via a short, but steep, hike down from Verina Astra.

“Floating in the clear water, and having the place all to ourselves, was the most delicious feeling of all.”

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If you are keen to explore more beach spots, Cherronisos is another good choice and can be found in a small fishing village on the far north of the island.

One recent visitor said: “Amazing beach, amazing walking trail to the church on the top of the hill and AMAZING tavern.”

Dotted around the beach you will find a number of holiday homes too, costing as little as £63 per night and boasting panoramic views of the sea.

Sifnos doesn’t have an airport, so you’ll have to catch a ferry to reach the island which takes between two-and-a-half and three-and-a-half hours from Athens.

The main and only port on Sifnos is Kamares, where you will also find a number of places to stay including AirBnBs costing as little as £209 for a five night stay.

A single ticket from Athens to Sifnos on the ferry costs from €40.50 (£35.01) and the return leg costs from €35 (£30.26).