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To know Japanese filmmaker Kiyoshi Kurosawa’s work is to feel his love for danger.

Inexplicable malevolence, dread-filled moods and worrisome behavior haunt his genre-speckled oeuvre, from 1997’s unnerving serial-killer freak-out “Cure” through his vengeance-fueled internet cautionary tale “Cloud” from two years ago.

“What makes for good movies is a plot driven forward progressively through things that actively happen,” the 71-year-old director says recently over Zoom from his home in Tokyo, using a translator. “Audiences need to be drawn to this idea of: What will happen next?”

His fans don’t necessarily get an explanation for the unease Kurosawa sometimes generates, but it’s part of the draw. That mindset has made him a horror maestro for over three decades. Outside that genre, he enjoys a reputation for being an acutely psychological chronicler of contemporary anxieties, as in his award-winning 2008 drama of job loss and family secrets, “Tokyo Sonata.”

Now, though, Kurosawa has not only made his first film set prior to Japan’s modernizing Meiji era — a category of feudal period dramas known as jidaigeki — but an old-fashioned murder mystery to boot, complete with solutions to satisfy the most die-hard Agatha Christie reader.

Masahiro Motoki in the movie “The Samurai and the Prisoner.”

(Janus Films)

“The Samurai and the Prisoner,” which Kurosawa adapted from Honobu Yonezawa’s acclaimed 2021 novel (it recently premiered at Cannes), unfolds during the fractured Sengoku period in the 16th century, the same era as one of his favorite jidaigekis, “Throne of Blood,” directed by his unrelated namesake, Akira Kurosawa. In a besieged mountainside castle, rebellious Lord Murashige (Masahiro Motoki), trying to consolidate disparate clans of warriors, engages in a battle of wills with his nemesis’ emissary, Kanbei (Masaki Suda), whom he’s imprisoned. But when a succession of murders threatens to undermine his leadership, Murashige turns to his crafty hostage for help.

The result, broken up into seasons and marked by an impending sense of doom, is a multipart puzzle box as intricately folded and tucked as the traditional clothing on display. But it’s also a savvy, deliberative portrait of leadership in a fractured time, with a unique takeaway: Knowing oneself is as essential to the job as knowing who one’s friends and enemies are.

Kurosawa had always wanted to make a jidaigeki — the furthest he’d ever gone into the past was his World War II film “Wife of a Spy” — and yet creating one from scratch sounded too difficult and expensive. But the book’s scenario of a put-upon samurai leader compelled to unravel a series of puzzles to keep his castle’s unity appealed to his taste in a particular crime-solver: someone representing a wider system of responsibility and codes, rather than the classic American private eye.

“I’m drawn to police detectives, not private detectives,” he says, pointing to the duty-bound, badge-wearing protagonist in “Cure,” a Criterion-anointed classic now held in the same pantheon of serial killer tales as “Seven” and “Manhunter.”

“Police are part of an organization, with orders from above that make them responsible for figuring out the crime. If they could, they’d love to live their life peacefully without conflict, but they can’t because of their profession.” He considers his disinterest in gumshoes working on their own a quintessentially Japanese perspective. “Why try to solve a mystery and in the process end up in all these horrible situations, when you can just quit?” he asks with a wry smile.

Masaki Suda in the movie “The Samurai and the Prisoner.”

(Janus Films)

In “Samurai,” Murashige hews closer to someone overwhelmed by responsibility. Says Kurosawa, “Murashige is neither a police or private detective. It’s that he is in a minor position of power, but to maintain order, he must let go of that power to solve the mystery. It’s not curiosity leading him. The chain of mysteries is a trial he must go through.”

It’s a gauntlet made thornier whenever Murashige, who believes in mercy over violence, engages with Kanbei, chained in a dungeon but with a dangerous mind nonetheless. “In that era, hierarchy was incredibly important, very visible,” says Kurosawa. “If one person is standing, the rest must be kneeling. With Kanbei and Murashige, there is always a shifting of the power, and when they begin to see eye to eye, suddenly we don’t know who holds the power.”

To play the wily Kanbei, Kurosawa enlisted his young “Cloud” star Suda, whom he calls a genius. Directing Suda was its own destabilizing experience, he says.

“He had an almost demonic, devil-like quality and it was hard to tell if the lines he was saying as Kanbei were truths for the character or complete lies — or if he didn’t know,” recalls Kurosawa. “It was mesmerizing to me, his words becoming something that we increasingly can’t trust.”

His interest in Murashige, meanwhile, a real-life tactician fictionalized here as an under-the-gun leader presented with myriad problems, poses the question: Did Kurosawa make a film about directing films? “I never thought about that, but that might be,” he considers. “I’m constantly having to ask things of people, ordering people around, sometimes negotiating. But filmmaking is something I love. There are times when I wish I could escape those scenarios, but I can’t. I’m always held back by that sense of responsibility. That’s how I’ve been working for decades. It’s the first time I’m probably saying that out loud, but the various contradictions I hold within myself as director are reflected in Akira Murashige.”

Yuriko Yoshitaka, left, and Masahiro Motoki in the movie “The Samural and the Prisoner.”

(Janus Films)

Kurosawa is a late bloomer as an auteur. His breakthrough, “Cure,” hit Japanese theaters when he was 42. But he’d been directing features since 1983, first, Japan’s homeground adult movies called “pink films,” then, in the 1990s, direct-to-video yakuza gangster films known as “V-cinema.” (That’s “V” as in video.)

“It was a good training ground,” he remembers. “They had to be under 90 minutes, had limited shoot days, had to use certain actors, had to have scenes with yakuza. I learned that when you keep to the constraints you’re given, there’s also a kind of freedom. I had no personal interest in yakuza but I had to think: What’s the most unique yakuza I could come up with?”

With V-cinema behind him, Kurosawa came to exemplify the J-horror phenomenon with 2001’s “Pulse,” an ultra-disturbing, early tech apocalypse about online ghosts that was infamously bought by Harvey Weinstein and held from American release for years so it could be remade. Moving on from the trauma of his Hollywood flirtation, he’d distinguish himself with festival awards and a varied career.

But Kurosawa isn’t exactly precious about his filmography. “If possible, I’d love to forget all of my past works and go forward with new films with a completely fresh perspective,” he says. “However, I realize that often I’m repeating past themes. I think of this as something that’s very unfortunate.”

That doesn’t mean he won’t ever return to the horror genre, which he still likes and tries to keep up with. “I have a feeling viewers wouldn’t find scary what I find scary,” he worries, with a smile. “But it excites me that young directors are exploring the genre’s possibilities.”

Kurosawa can sound philosophical about the challenge each new film represents. Making one means coming from “a place of zero, from nothing.” As he puts it, “What one wants to do is a pretty unstable concept. You could want something today and not tomorrow. So instead of chasing that, I should be considering: What is correct?”

There is a professorial tone to Kurosawa. He taught for 18 years at Tokyo University of the Arts, including to future Oscar winner Ryusuke Hamaguchi (“Drive My Car”).

“I’ve probably said something similar to my students,” he acknowledges, adding that he and Hamaguchi were closer to likeminded friends than to student-teacher. “But in filmmaking, he never listened to a single thing I said. I would tell him to make adjustments and he was always concrete in what he wanted to do. And I thought that was very admirable.”

Now, they’re festival peers — both had films at Cannes this year — and Kurosawa’s cinematographer on “Samurai” was Sasaki Yasuyuki, who had previously worked with Hamaguchi. Kurosawa takes the opportunity for a friendly jab. “I thought, ‘I’m going to steal him away from Hamaguchi.’ And I was successful!”

Now, when he meets younger fans and budding filmmakers, their enthusiasm excites him, though it seems to cause him some consternation. Apparently, a lot of people pirate his films so they can be completists. “They tell me this happily,” he says. “I have mixed feelings about this, because they shouldn’t be doing that, but there’s a sparkle in their eye, and I have to accept they really wanted to see my films. So while carrying these complex feelings, I tell them, ‘Thank you.’”

Kurosawa is also of two minds regarding what he frequently hears from Japanese film students, that their goal is getting into top festivals, winning awards and securing global recognition.

“Maybe they need to interrogate what’s in front of them more closely,” he says. “I question it a bit.” He pauses. “I want to say, ‘Have you thought about making a 90-minute yakuza film first?’”

THERE’S no doubt that Spanish islands are popular and soon you will be able to fly to one with British Airways for the first time, from the UK’s biggest airport.

BA is launching flights between London Heathrow Airport and Fuerteventura Airport in the Canary Islands from winter 2026.

Starting December 13, the flights will take off twice a week on Thursdays and Sundays.

Thursday departures will leave Heathrow at 7:05am, arriving into Fuerteventura at 11:30am.

The return flight will then leave Fuerteventura at 12:30pm and arrive back at Heathrow at 4:50pm.

Then the Sunday departure will take off at 10:05am from Heathrow and return from Fuerteventura at 3:40pm.

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The route will replace British Airways‘ Euroflyer route which was planned between London Gatwick Airport and Fuerteventura.

And it will be the first time the airline flies direct to the destination from Heathrow.

Fuerteventura boasts more than 3,000 hours of sunshine every year and compared to the other popular Canary Islands spots such as Tenerife and Lanzarote, it is more affordable.

In fact, Fuerteventura holiday packages can be between 30 per cent and 40 per cent cheaper during peak periods compared to higher-demand spots, like Tenerife.

Fuerteventura is the Canary Islands’ second largest island and when exploring you can head to a number of beaches including Sotavento Beach and Playa de Cofete.

If with the family, there is also Acua Water Park, which boasts a number of waterslides as well as a wave pool and a lazy river.

The island is home to Corralejo Natural Park too, which is ideal for keen hikers wanting to discover the volcanic landscape.

Almost five years ago, “Spider-Man: No Way Home” swung into theaters in the teeth of a COVID-19 surge and did what almost nothing else could that winter: drove cooped-up moviegoers to cinemas and opened to one of the biggest domestic debuts on record, pulling in $260 million.

This weekend, Peter Parker is back — a little older, more world-weary and facing a far less forgiving market.

The genre’s floor has dropped out since then.

Annual box office revenue for superhero movies is down, on average, about $3.5 billion, about half of what it was during the pre-pandemic years of 2017 to 2019, according to data from the FranchiseRe industry newsletter. Sony Pictures is betting that more real-world stunts, a relatable narrative and Spidey’s lasting popularity are enough to put “Spider-Man: Brand New Day” on the other side of that trend.

Whatever the approach, the commercial appetite is there. Pre-sales for the film, which stars Tom Holland and Zendaya, have been robust, and industry tracking estimates an opening weekend haul of at least $195 million in the U.S. and Canada. If that holds, it would be the year’s biggest domestic debut, beating Walt Disney Co. and Pixar’s “Toy Story 5” ($159.7 million). The movie cost about $225 million to produce and is produced by Sony’s Columbia Pictures, Marvel Studios and Pascal Pictures.

“This movie takes a grounded, emotional approach to the story, and I actually believe that’s what audiences are hungry for,” said Tom Rothman, chairman of Sony’s motion picture group. “It’s got all the whiz-bang wow visuals. But at its heart, it’s more a superperson movie, if you will, rather than a superhero movie.”

“Brand New Day” picks up where the last film left off. A spell has erased Peter Parker from the world’s memory — the price of undoing the public exposure of his identity — leaving him a stranger to his best friend, Ned, and to MJ. Without those friendships, he pours himself into his crime-fighting work to stave off his loneliness.

That feeling of being adrift without knowing where to turn is what the filmmakers built the movie around.

“We’re all really isolated from each other,” said Amy Pascal, one of the film’s producers who has overseen the entire franchise. “That kind of longing for connection between people and not knowing how to make it happen and living in a world where we become more and more remote, matched the moment that people are going through.”

The smaller scale was also a reaction to what came before it. “No Way Home” brought back Tobey Maguire and Andrew Garfield in a time-bending multiverse crossover, and there was no topping it.

“That was a movie that was 20 years in the making,” Pascal said. “There was no way to be bigger than that. So we went smaller. We went internal instead of external, and we found the bigness in that.”

Peter Parker’s isolation is what drew director Destin Daniel Cretton, who made 2021’s “Shang-Chi and the Legend of the Ten Rings” and was an executive producer on the Marvel Television series “Wonder Man.” He said he related to the pain and tragedy the character goes through, and to the idea of a superhero story that felt like it was happening in a real place.

The production’s rule of thumb became trying to execute scenes practically, in front of a lens, wherever possible.

That included a tank chase shot largely on a street in Glasgow, Scotland, on the first day of filming, complete with a rig that let an actor swing with explosions going off behind him. Thousands of people showed up to watch, which was “a big adrenaline rush on day one,” Cretton said.

A later set piece — Spider-Man against a group of red-clad ninjas known as the Hand — was shot at a former prison outside London.

Cretton’s insistence on real locations has an argument behind it. At a moment when audiences want to know what goes into moviemaking and are increasingly unsure whether the myriad images they’re looking at were generated by artificial intelligence, the answer is visible labor.

“Right now, more than ever, I think it’s important for audiences to really feel that people made the thing that they’re watching, and people went through an experience to make the thing they’re watching,” said Cretton, who grew up watching behind-the-scenes segments on his favorite DVDs. “All of that, I think, is just as important as the thing that they’re watching.”

Effects alone don’t carry a superhero movie — or any movie, for that matter — anymore, Cretton said.

“The action can be great, the [visual effects] can be fantastic, the explosions can be huge, but if there isn’t some type of emotional spine that connects with people where they are and what they’re going through, it’s just another big, explosive movie,” he said.

The slump itself isn’t in dispute. Many of Marvel’s newer films haven’t come close to the heights its predecessors once cleared, and this year, movies like Amazon MGM Studios’ “Masters of the Universe” and Warner Bros. and DC Studios’ “Supergirl” underperformed in theaters.

What’s driving it is contested.

“I don’t think it’s fatigue of the genre,” Rothman said. “I think it’s the audience wanting new things and less predictability.”

For Marvel, long treated as the genre’s gold standard, part of the problem was volume; a dense web of interconnected films and TV shows that made casual viewers feel like they had too much homework to do before a new premiere.

The likeliest near-term explanation for that estimated $195-million opening, though, may have less to do with tone than with supply and brand. “Brand New Day” is the first Marvel superhero film since last year’s “The Fantastic Four: First Steps,” and Spider-Man remains one of the most commercially durable characters in the genre.

The calendar is also less accommodating than it was. The latest “Spider-Man” installment opens against Christopher Nolan’s “The Odyssey” and holdovers including “Toy Story 5” — a considerably more crowded field than the thin, pandemic-era slate its predecessor benefited from on the way to $1.9 billion.

And the movie has a second job. With Disney and Marvel’s “Avengers: Doomsday” arriving at the end of the year, “Brand New Day” has to leave audiences wanting it.

“It’s got a lot riding on it,” said Steve Granelli, a teaching professor and division head of communication studies at Northeastern University. “Not just in terms of this being yet another ‘Spider-Man’ film, but also this being a huge storytelling device in the larger [Marvel franchise].”

Which is the tension at the center of the pitch. The filmmaking team went internal on purpose, and built a movie about a young man nobody remembers. It also has to set up the largest external event on Marvel’s calendar.

CHICAGO — In the nearly nine months since he was hired as head coach at UCLA, Bob Chesney has won over a lot of hearts and minds with his unwavering sense of belief.

First, he won over his star quarterback, Nico Iamaleava, who opted to stick with the Bruins after a 3-9 season a year ago. He won over 45 new transfers, who came to UCLA as part of the portal’s 11th-ranked class and seems to be winning over recruits, too, with UCLA currently ranked in the top 10 among 2027 classes. He even won over once-dormant Bruin donors, who, according to the school’s athletic department, have now poured over $41 million in private support into UCLA athletics over the past fiscal year, an increase of 80% from the previous year.

“It’s his energy, man,” Iamaleava said. “He brings a different type of energy.”

At this point, the only thing it seems Chesney hasn’t won yet at UCLA is an actual football game.

He couldn’t do anything about that Wednesday from the podium at Big Ten media days. Though, as far as first impressions go in this conference, Chesney certainly had a leg up on his predecessor, who stumbled through his own opening address two years ago.

But as the season draws nearer and a new era of Bruin football begins, all the enthusiasm does beg the question: What does a successful debut actually look like for Chesney at UCLA?

Chesney said Wednesday he had no interest in setting those expectations or “in putting artificial limits on ourselves.”

“Outcomes have to be earned,” he said. “And I think in the end, potential is a gift, right? The work is becoming. That’s the work.”

Considering UCLA’s recent history, you can understand why Chesney wouldn’t want to wade too far into setting expectations. Hope, after all, may be his most valuable resource at the moment.

The Bruins are coming off a season in which they won just three games, their fewest in more than 54 years. They’ve reached the nine-win mark once in the past decade. And just two UCLA coaches in a half-century — Jim Mora and Terry Donahue — have clocked a winning campaign in their debut seasons with the Bruins.

“There’s no better place I’d rather be at this moment in time,” Chesney said. “I strongly believe in the power of what UCLA is.”

The collective Big Ten media seems less convinced, having voted the Bruins to finish 13th in their preseason conference poll. That’s exactly where they finished last season.

But there are some things working in Chesney’s favor. For one, a schedule that includes just four opponents picked to finish in the top half of the Big Ten.

It doesn’t hurt, either, that his quarterback got a full spring and summer under his belt as a Bruin. Iamaleava didn’t join the program until late in the process last season after his transfer portal drama dragged out through the spring and summer. Then once he started to find his bearings, UCLA’s coach was fired.

There was no such uncertainty this offseason, as Chesney moved to quickly retain Iamaleava.

“It was a matter of making sure he understood we had a plan,” Chesney said. “That was the most important thing we could do to make sure he stuck around and he did.”

Not only was Iamaleava impressed with his plans to prepare him for the NFL, but he found himself right away swept up in the coach’s personality.

“When you first talk to him,” Iamaleava said, “it kind of sounds like you’re talking to a poet or something, the way the words roll off.”

Chesney is counting on Iamaleava to make things move smoothly for UCLA’s offense this season. But the most marked difference for the Bruins on that side of the ball should be the ground game.

The Bruins boasted one of the least dynamic rushing attacks in the Big Ten a season ago, as Iamaleava led the team with just 505 rushing yards. Their lead running back, Jalen Berger, rushed for a meager 364 yards over the course of the season.

Meanwhile, at James Madison, Chesney had three running backs with as many yards last season. The Dukes rushed for the fifth-most yards (3,381) of any Football Bowl Subdivision team.

Their lead rusher, Wayne Knight, followed Chesney to UCLA and should step in as one of the best backs the Bruins have had in years. Of the 30 backs in college football with over 200 carries, Knight averaged the most yards per carry last season (6.63).

“There’ll be a commitment to playing that style of football,” Chesney said.

The rest is mostly just a projection, a fact that Chesney openly acknowledges.

“Everything here is ultimately conceptual,” he says.

But one change has already taken hold, if you ask Iamaleava. One that might appear unrecognizable from recent history at UCLA.

“He’s definitely changed the mindset in there, just how you feel. I don’t know how to explain it,” Iamaleava said.

“When Ches walks into a room, he just brings that winning mentality.”

A NEW passport rule introduced earlier this year has already caught out a number of families.

As many as 1.2million people can no longer use their foreign passport to enter the country.

These passport rules came into play in February and mean that British nationals have to carry a valid British passport to return to the UK.

They can no longer use their foreign passport to enter the country.

An alternative is to have a “certificate of entitlement” costing £589.

Despite being in place for five months, the new rules have been catching people out.

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In one case, a British student was stuck in Rome and missed six weeks of school – she was unable to return home for over a month.

The 15-year-old girl had been visiting her grandmother in Italy in April of this year.

When it was time to return home, she was turned away at the airport because she didn’t have a valid British passport.

The girl’s father sought help from the Home Office and the Foreign Office.

He told The Guardian: “The embassy, the Home Office and the Foreign Office bounced us from one to another.

“They are playing with people’s lives, a child’s education. It is loathsome.”

Eventually, she was issued with an emergency travel document.

In another case, one British woman was caught out when she was trying to travel from Copenhagen to Manchester with her two children.

Colette Bjorn-Alderson, who has lived in the UK for 28 years, had been in the Danish country since April, but was returning to the UK with her six-week- old and 23-month-old for a wedding.

However, her two children only had Danish passports which meant they didn’t have valid travel documents for returning to the UK.

She told The Times that she felt “unwelcome in my own country” after being turned away from the flight.

Colette sent photocopies of her documents to the Home Office – but ultimately the decision was made that the family could not fly.

In June, dad-of-two, Kyle Harris, was refused boarding onto his flight from Kefalonia in Greece back to the UK due to only having an American passport.

The 39-year-old had been on holiday with his wife and two sons and the family has had to extend their time away as a result.

A 15-year campaign led by the Los Angeles County Museum of Art to conserve Watts Towers has run out of budget at the same time that a $22-million renovation of the campus is poised to take flight. The situation highlights what community organizers and the site’s leadership say is a piecemeal approach to the protection and preservation of one of the city’s most important cultural landmarks.

For decades, the city of Los Angeles and private foundations have invested in preserving the towers, the 102-year-old masterpiece of folk art built by Italian immigrant Sabato “Simon” Rodia. But while the landmark itself underwent years of painstaking conservation, which was recently halted at 90% complete, the arts campus surrounding it evolved in fits and starts.

Now, after 14 years of planning, an equally ambitious investment is being made to transform the Watts Towers Arts Center Campus (WTACC), which has served as an essential cultural and educational center for more than 50 years. The work will mark the first major upgrade of the WTACC since it opened in 1970, and leaders hope the transformation continues uninterrupted until it reaches the finish line.

“This is about investing in the people of Watts and creating a space the community can be proud of,” Mayor Karen Bass wrote in an email. “Thanks to the dedication of our state, county and local partners, philanthropic supporters and community organizations, we’re one step closer to creating a greener, healthier and more vibrant campus that honors the legacy of Watts while serving generations of Angelenos to come.”

The campus renovation is slated to break ground in October, with completion targeted before the 2028 Summer Olympics. The project is funded through a patchwork of public and private sources, including a $10.1 million investment from the Bezos Earth Fund, the climate philanthropy organization founded by Amazon Executive Chair Jeff Bezos.

The redesign will reshape how visitors experience the campus. More than 30,000 square feet of park space will be added along E. 107th Street, while climate-resilient landscaping will reduce flooding, improve stormwater management and create cooler public spaces. More seating and shade will be added to its amphitheater, new public art will be commissioned, and additional walkways, gathering areas and 200 trees will make the towers the physical centerpiece of what will be a 5-acre campus.

“It’s been the right time for a long time,” said WTACC Director Rosie Lee Hooks of the project’s long gestation during a recent interview.

A girl plays near the Watts Towers at the Watts Towers Arts Center Campus, which is poised to undergo a $22-million renovation just as funding for the restoration on the towers themselves has run out.

(Eric Thayer / Los Angeles Times)

The center offers free art, film and music classes for students and seniors, houses an art gallery and hosts two annual music festivals. Thousands of artists, filmmakers and musicians have passed through its doors as students and instructors.

Hooks, who has led the center since 2010, said the project’s long timeline reflects more than bureaucracy.

“It took so long because we’re in Watts,” she said, noting that the neighborhood has faced decades of disinvestment dating back to the 1965 Watts uprising. “People are still scared to come down here. However, our community is very, very rich in culture.”

That history of underinvestment is reflected in the campus itself, supporters say.

“This is the story of development in Watts and other communities of color in Los Angeles, where racist planning practices, combined with a lack of investment in the city’s arts and culture facilities, create a haphazard approach to management and design,” Tori Kjer, executive director of the Los Angeles Neighborhood Land Trust (LANLT), wrote in an email. The organization has partnered with the city on the campus’ redesign since 2012, when planning began to incorporate a vacant lot adjoining the towers into the campus.

The landscape design echoes Rodia’s own artistic process. Over the course of 33 years beginning in 1921, he transformed thousands of disparate objects — including mosaic tiles, plates, glass, shells and pottery — into 17 interconnected structures, one of which rises more than 99 feet.

“Assemblage is the practice of creating something meaningful from many distinct parts,” Sara Zewde, founder and principal of Studio Zewde, the landscape architecture firm designing the campus, wrote in an email. “Rather than erase those histories and make the campus feel as though it had always been a singular space, we wanted the landscape to celebrate them.”

A model created by landscape design firm Studio Zewde of the proposed renovations to the Watts Towers Arts Center Campus. Groundbreaking is set to begin in October on the $22-million project.

(Eric Thayer / Los Angeles Times)

The campus’ landscape has remained largely unchanged since WTACC opened. Since then, several buildings and public artworks have been added, but LANLT’s Kjer described the site as a “hodgepodge of concrete, worn-out planting areas and grass … with a disjointed flow and limited way-finding.”

Around the time that LANLT partnered with the city, a separate proposal to build a skate park on the adjoining lot drew community opposition and, according to Kjer, delayed the project by about four years. The skate park ultimately opened a few blocks away, allowing the parcel to become part of an expanded campus.

The WTACC project gained momentum in 2021 when California’s Proposition 68 Statewide Park Program awarded a $4.5 million grant. The following year, Assemblymember Mike A. Gipson (D-Carson) secured an additional $4 million in the state budget.

Once that funding was committed, “it was just a domino effect,” Gipson said, helping attract additional public and private investment.

“This will be a space that will be nourishing for the soul,” said Daniel Tarica, general manager of the city’s Department of Cultural Affairs, which manages the towers. “We’re finally going to be able to make the whole campus useful.”

A building at the Watts Towers Arts Center Campus, which will receive a $22-million renovation beginning in October. Community members and supporters say the work has been a long time coming.

(Eric Thayer / Los Angeles Times)

Watts Towers attract about 40,000 visitors a year, according to the California Department of Parks and Recreation, and were designated a U.S. National Historic Landmark in 1990. In June, the site was added to the World Monuments Fund’s “Irreplaceable America” list of 10 endangered historic sites in the United States.

While Gipson hopes the renovated campus will attract additional international visitors, he also wants more Angelenos to discover one of the city’s defining cultural landmarks.

“The towers tell a story about Los Angeles,” Gipson said. “We want people to know that the Watts Towers are part of who Los Angeles is.”

Tarica said the project is designed to serve neighborhood residents as much as tourists.

“It’s a huge resource, and we have fought as a department, and as a city, to make sure that we have the funding to continue teaching … and programming,” he said.

A statue of Watts Towers creator Sabato “Simon” Rodia stands at the entrance to the Watts Towers Arts Center Campus, which is getting a $22-million renovation beginning in October, with the goal of completion in time for the 2028 Olympics in Los Angeles.

(Eric Thayer / Los Angeles Times)

For Hooks, however, the renovation’s success will ultimately be measured by its impact on the surrounding community.

She sees the campus as filling a void left by decades of cuts to arts education while providing a place where residents can gather and learn.

“Our community cannot afford art, especially now with all of the issues around health, around food, around jobs, around ICE separating families,” she said.

The project’s funding is restricted to renovating the campus and does not include the conservation of the Watts Towers themselves. LACMA Deputy Director Diana Magaloni said about $412,000 is needed to finish the project. The city has allocated $150,000 for ongoing maintenance and monitoring, and both Magaloni and Tarica said they remain optimistic the conservation campaign and campus transformation will be completed before Los Angeles welcomes the world for the 2028 Summer Olympics.

“It would be amazing to have this funding to be able to do the campus restoration and [the towers restoration] in preparation for us to be on the world stage,” Tarica said.

The Angels traded reliever Chase Silseth and struggling catcher Logan O’Hoppe to the Texas Rangers for minor league third baseman Angel Arredondo on Wednesday night.

The deal, announced a few minutes before the Angels’ series finale against the Houston Astros, could mark the beginning of an extensive rebuilding process for the Angels, who entered play Wednesday with an American League-worst 42-66 record and 13 1/2 games behind the Rangers in the AL West.

“We know we have to start shaking up this roster, and today was day one,” Angels interim general manager John Mozeliak said. “Clearly, where the Angels are at right now, we need to do things differently.”

Silseth, 26, was one of the Angels’ top relievers, going 3-2 with a 2.72 ERA in 47 games this year. O’Hoppe, 26, appeared in 75 games, batting .209 with 23 RBIs.

Arredondo, 19, hit .247 with eight home runs, 15 doubles and 47 RBIs in 86 games for low-A Hickory this season. He signed with the Rangers as an international free agent out of Mexico in 2024.

Days after a classicist who translated Homer’s “The Odyssey” in 2017 eviscerated the Christopher Nolan film based on the poem, Joyce Carol Oates has entered the debate.

She’s Team Nolan.

The National Book Award-winning author is known for her (sometimes controversial) hot takes on social media, and on Wednesday, she stepped up to the plate in opposition of translator Emily Wilson’s brutal takedown of Nolan’s big-screen adaptation of “The Odyssey.” Nolan had previously said Wilson’s translation inspired him in making the film. But Wilson wrote that she would be ashamed to have written any part of the script.

“Her tone of dismissal & haughty superiority strike a sour note,” Oates said of Wilson’s review in a post on X. “Rather than disagreeing with interpretations of Homer in a collegial manner, this person, who has benefited enormously from Nolan’s film, speaks in the crude language of MAGA folks attacking someone with ideas that differ from hers.”

Wilson’s biting missive, published in the London Review of Books this week, went so viral that it reportedly crashed the outlet’s website for a few hours Monday. The British American classicist’s take on the film was especially notable because, last fall, Nolan quoted Wilson’s translation when telling Empire magazine why he was drawn to the story. “I think it’s the Emily Wilson translation that begins, ‘Tell me about a complicated man,’” he said.

Wilson’s version of “The Odyssey” subsequently spiked in sales. A representative for Audible told The Times on Wednesday that, year over year, purchases of Wilson’s “Odyssey” translation were up by more than 600% across Audible’s U.S., U.K. and Canadian marketplaces. Daily global title sales rose nearly sixfold during the week the movie premiered. And in the nine days following wide release, daily global sales averaged around 20 times more than the rate before the premiere, showing sustained demand for Wilson’s translation.

Oates, who penned the Pulitzer Prize-nominated “Blonde,” said that, within the world of translators, Wilson’s review “seems all the more surprising since all translations are, presumably, subjective & not equivalent to the original text.”

“One would expect a translator, of all people, beholden to a text, in service to a text, to be just a wee bit more thoughtful & respectful of others who are acting in good faith just as (she would claim) she is,” Oates wrote.

In separate posts on the social platform, Oates said she highly recommended Nolan’s adaption and that she wasn’t a fan of Wilson’s translation. “What I’d read of Emily Wilson’s translation was not for me,” she wrote, adding that she assumes it was “deliberately written to appeal to an audience comfortable with YA (young adult) directness & spareness of vocabulary — that is, with the intention of being marketable, adopted by high school classes.

“With a more poetic, elevated speech, you are naturally limiting your audience,” continued the author, who further noted that there was nothing wrong with a direct, commercial approach. “Why not profit from a classic work not protected by copyright?”

In the viral review by Wilson, who also translated Seneca and Euripides, as well as Homer’s “Iliad,” she likened Nolan’s nearly three-hour epic to Peter Jackson’s “Lord of the Rings” trilogy and “Game of Thrones.”

Her sharpest critiques were aimed at Nolan’s rendering of Homer’s female characters, of which she said there were more than in his other films “thanks to the source material” but that, in contrast to the poem, none of them “had much to say.” Wilson said Nolan’s race-neutral casting was essentially a wash as “[m]ost of the non-white actors — Zendaya, Lupita Nyong’o, Himesh Patel, Corey Antonio Hawkins, Travis Scott — play versions of the Black best friend, whose only role in the drama is to provide aid to the white protagonist.”

And don’t get her started on the whole point of the poem — the cost of war — of which Wilson quipped, “We are not shown that war or killing are bad, only that good men sometimes feel bad about it — a very different point.”

A man was convicted Wednesday of federal terrorism charges in the 2022 stabbing of Salman Rushdie, the author who has faced a decades-old death threat over his novel “The Satanic Verses.”

A jury found Hadi Matar guilty of all the charges against him, including engaging in an act of transnational terrorism.

A message seeking comment was sent to Matar’s attorneys.

Matar, 28, is already serving a 25-year New York state prison sentence on an attempted murder conviction in the August 2022 attack on an amphitheater stage. The federal conviction carries a potential life sentence.

Rushdie, who was about to speak on writers’ safety when he was attacked, was slashed 15 times in front of a stunned audience. He was gravely wounded and lost the sight in his right eye.

Matar’s defense: No evidence of his state of mind

Prosecutors asserted that Matar was motivated by the late Iranian Supreme Leader Ayatollah Ruhollah Khomeini ’s 1989 call for Rushdie’s death because of “The Satanic Verses.” Defense lawyer Nathaniel Barone countered that the government had no proof of what was in Matar’s head.

Matar himself declined to testify. Rushdie did, telling jurors: “I can’t say what his ambitions or his aim was, but the wounds were dispersed across my body.”

Rushdie won Britain’s prestigious Booker Prize for his 1981 novel “Midnight’s Children,” about his native India. “The Satanic Verses,” a novel of magical realism about the lives and dreams of two actors who survive a plane explosion, followed in 1988.

It drew critical acclaim in the United Kingdom but engendered protests around the Muslim world over what some believers saw as blasphemous suggestions about Islam’s Prophet Muhammad, particularly in a dream sequence. In the ensuing years, at least 45 people have been killed in riots over the book, a Japanese translator was stabbed to death, an Italian translator was attacked and survived, and the book’s Norwegian publisher survived a shooting.

Rushdie, who was born into a Muslim family, has said the dream sequence was just that. But he went into hiding for years, gradually emerging after Iran’s government distanced itself in 1998 from Khomeini’s fatwa, or religious edict.

“For two decades or more, I led a public life without a hint of trouble,” Rushdie testified at the trial in Buffalo, N.Y.

Yet the fatwa was never rescinded; indeed, Khomenei’s successor, the late Ayatollah Ali Khamenei, indicated in 2017 that it remained in effect. An Iranian foundation has offered a bounty of more than $3 million for killing Rushdie.

Prosecutors: Matar’s messages showed him zeroing in on Rushdie

Matar repeatedly broached the fatwa with contacts in messaging apps in 2021 and 2022, according to exhibits shown in court. The messages showed Matar fuming that he felt Rushdie had attacked Islam and, by surviving, emboldened others to insult the faith. Matar alluded to a 2006 comment along those lines by the late Hezbollah militant group leader Hassan Nasrallah, the messages showed.

Born in the U.S., Matar also holds citizenship in Lebanon, where Hezbollah is based. Prosecutors said that photos in Matar’s New Jersey bedroom and on his computer indicated his support for Hezbollah, which the U.S. has designated a terrorist organization.

Matar aimed to fulfill the fatwa and “wanted everyone to know he was doing this for Hezbollah,” Asst. U.S. Atty. Timothy Lynch said in an opening statement July 22.

The messages showed Matar initially talked about wanting to “expose” Rushdie, then about killing him. In a private note to himself, he wrote: “We need to kill him ASAP,” according to Lynch. The prosecutor said Matar framed the planned killing as part of what he considered a jihad, or holy war.

By spring 2022, the electronic chats showed, Matar wrote that he had discerned where Rushdie lived and was tracking his public appearances, eventually pointing out his scheduled August 2022 talk at the Chautauqua Institution, a western New York arts and intellectual center.

As Rushdie was being introduced, his attacker climbed on stage behind him, then stabbed him 15 times as the audience gasped. Spectators and another speaker, Henry Reese, scrambled to aid Rushdie. Law enforcement officers, assigned to the event, arrested the attacker — soon identified as Matar — after civilians restrained him.

Rushdie published a 2024 memoir about the attack, then returned to fiction with last year’s “The Eleventh Hour.” The author, who was knighted by Britain’s late Queen Elizabeth II, received a Dayton Literary Peace Prize lifetime achievement award in November.

Peltz writes for the Associated Press.

When you take a guided tour of the nearly completed Harvard-Westlake River Park Sports Complex in Studio City, you lose count how many times you’re saying, “Wow.”

From the underground parking lot to the 8,200-square-foot weight room, from the two gymnasiums to the 52-meter pool, from the eight tennis courts to the two all-weather turf playing fields, from the yoga room with a million-dollar view to the 11 locker rooms with projector screens, the $200-million project is certainly living up to expectations.

There’s also a cafeteria, a smoothie machine, 117 toilets, wrestling room, fencing room, training room, community rooms, more than 150 security cameras, an underground water basin and facial recognition technology from the parking lot to enter the coaches’ area. In the main gym foyer, there’s an area for people to watch live streams of games while purchasing food.

With two gyms and two sports fields, the school would be capable of holding basketball or soccer tournaments. The P.A. system in the main gym is state of the art.

Not only will students who attend the upper school on Coldwater Canyon enjoy the facility but so should fans and visiting teams with all the amenities such as large visiting locker rooms. The only question is when an official opening will take place.

Construction is nearing completion, but it’s unclear when teams will start practicing and playing there because the facility still needs to go through inspections and receive a Certificate of Occupancy from the city. The school is targeting early 2027 for activity to begin at the site.

The basketball teams are unlikely to use the main gym this coming season unless they are allowed to practice there.

Construction began in April of 2024. The project replaces the beloved Weddington Golf & Tennis Center and took several years of obtaining permits, having community meetings and receiving city approval to overcome a vocal group within the community objecting to losing the Weddington center.

There are still 14-foot-high covered fences hiding the progress off Whitsett Avenue, but those will be coming down soon to give community members a peak what’s been going on.

Head of athletics Terry Barnum and communications director Ari Engelberg have been providing updates to school administrators. The school added two new sports this year, flag football and girls lacrosse, in anticipation of the new field space.

The first year it opens is expected to be trial and error on how to best use the facilities, figuring out traffic patterns and welcoming the public to grounds that can be used during the school day, from the tennis courts to a privately run cafe to a walking path next to the L.A. River.

Roughly six weeks before the first midterm ballots are mailed out, the U.S. Postal Service is emerging as a pivotal player in an election season that will determine control of Congress.

President Trump is seeking greater control over mail balloting through an executive order while a change to how the agency processes mail is leading to criticism that it’s failing to deliver ballots on time.

Democratic officials have raised concerns over the past week about how quickly the Postal Service will process ballots after tens of thousands of them in California and hundreds in Wisconsin arrived at local election offices too late to be counted in elections earlier this year. The top election offices in Kansas and Michigan are urging voters who want to cast their ballots early to avoid the mail and instead drop them off in person.

The Postal Service replied to those concerns by saying it remains “committed to fulfilling our role in the electoral process.”

“We provide a secure, efficient, and effective way for citizens to participate when policymakers decide to use mail as part of their elections,” it said in a statement Tuesday.

Trump’s order puts more focus on mail ballots

The Postal Service faced similar questions about mail delivery in 2024, but the scrutiny this year is heightened because of an executive order Trump issued in March that seeks to create a national voter list to guide the Postal Service in deciding who gets a mail ballot.

The order has sparked multiple lawsuits and federal court orders, leading to a case now before the U.S. Supreme Court in which the administration is asking the justices to allow it to impose its restrictions on mail balloting.

Trump has lied for years about voter fraud to try to explain away his loss to Democrat Joe Biden in 2020, and mail balloting is a favorite target, even though he has used the method himself. During a recent stop in Michigan, he falsely characterized mail balloting as “inherently corrupt” and added, “Hopefully there will be no mail-in ballots.”

A 2025 report from the research group Brookings identified about four cases of fraud for every 10 million mail ballots cast.

Despite Trump’s attacks, the method remains popular with voters of both major parties. In 2024, nearly 30% of U.S. voters cast their ballots by mail, according to federal data. In Michigan, where competitive U.S. House and Senate races could help determine the balance of power in Congress, the state said it has sent out more than 2 million absentee ballots for the state’s Aug. 4 primary.

“We want to keep vote by mail. We want to protect it. We want to expand it,” said Jonathan Smith, president of the 200,000-member American Postal Workers Union, which launched a campaign in April promoting it and is opposed to turning the Postal Service into an election administrator. “Why? Because it works.”

Legal battles intensify over Trump’s order

The Postal Service proposed a rule in June in line with Trump’s executive order that would create a national list of eligible voters, based on databases kept by other federal agencies. Only those on the list would be eligible to receive mail ballots.

Democratic officials in nearly two dozen states filed a federal lawsuit in Massachusetts. A federal judge there blocked Trump’s order last month, and an appeals court upheld that ruling, prompting Trump’s appeal to the Supreme Court. But the appeals court for the District of Columbia refused Tuesday to block the order in a separate case, calling a legal challenge premature.

Democratic senators and governors have written to the Postal Service urging it to abandon efforts to implement Trump’s order.

“Donald Trump has shown he’ll stop at nothing to meddle in our upcoming elections,” Wisconsin Sen. Tammy Baldwin said in a statement to The Associated Press. “At best, this new push will exacerbate already severe delays for mail-in voters and at worst, it will stop eligible Americans from casting their ballots.”

In a letter to Democratic senators earlier this month, the heads of the Postal Service said they were abiding by the court rulings that had halted the executive order. But Smith, of the postal workers union, told the AP on Tuesday that USPS information technology staffers who are union members are working on a planned portal for the list of eligible voters “behind the scenes.”

The Postal Service declined to respond to Smith’s statements and said it could not comment about whether it’s moving forward with work related to Trump’s order because of the litigation.

The postal workers’ union opposes the plan for a portal, a national list of eligible voters and using that list to determine who can receive a mail ballot. Smith said it shouldn’t be postal workers’ responsibility “to decide who can vote and who can’t vote.”

A plan to consolidate mail processing centers upsets officials

The Postal Service has been under financial stress for years and has been consolidating mail processing into fewer regional centers. Mail travels an average of 139 miles to reach one and sometimes 500 miles, according to a recent Brookings report.

In January, a group of mostly Democratic senators said it was concerned about a decision to end twice-daily mail dispatches from local post offices to regional processing centers. The result is that mail arriving after the only daily dispatch would go out the next day.

California officials said the change was a factor in the state rejecting more than 148,000 ballots from its June primary, with 63% of them arriving too late despite a seven-day grace period. Officials worried that some ballots were postmarked at processing facilities the day after they were dropped off at a post office, possibly invalidating them. Wisconsin officials also said hundreds of ballots from an election in April arrived late.

The Postal Service said postmarks generally are being applied with automated equipment at processing centers, “in the same manner and to the same extent as before.” It said someone who wants to make sure their ballot envelope gets a timely postmark can get a free one applied by a postal worker.

A report on the 2024 election by the USPS Office of Inspector General said the Postal Service handled more than 59 million pieces of ballot mail from Sept. 1 to Nov. 15 that year and that 97.3% arrived on time.

Some state election officials advise voters to avoid the mail

The Michigan secretary of state’s office is advising voters to hand-deliver ballots to their local clerk’s office or a drop box.

“We’ve seen these issues over a number of election cycles now — they’re always concerning, and that’s why we’ve put out that guidance,” said Deputy Secretary of State Aghogho Edevbie.

The Postal Service said its Michigan centers are not seeing processing delays.

In Kansas, concerns about late ballot deliveries in the state’s 2024 primary election prompted a quip on the social platform X from Secretary of State Scott Schwab, a Republican: “The Pony Express is more efficient at this point.” Asked his view now, spokesperson Whitney Tempel said Schwab still believes “keeping your ballot out of the hands of the federal government is best.”

Jamie Shew, a Democrat elected to oversee elections in Douglas County, home to the main University of Kansas campus, said his office is trying to change voters’ perceptions.

“I think voters are used to, you can drop it off on Friday and we’re going to receive it by Election Day,” Shew said Tuesday. “That’s just not the reality.”

California’s state budget includes $10 million for social media campaigns and other efforts to discourage last-minute ballot mailings.

And the Postal Service said it hasn’t changed its own longstanding advice for voters: They should get their ballots in the mail at least a week before their state’s deadline for receiving them.

Hanna writes for the Associated Press. AP writers Scott Bauer in Madison, Wis., Michael R. Blood in Los Angeles, Michael Casey in Boston, and Jacqueline GaNun in Lansing, Mich., contributed to this report.

WASHINGTON — Dr. Anthony Fauci on Wednesday invoked the Fifth Amendment and declined to answer questions from senators in a Republican-led committee hearing about his handling of the COVID-19 pandemic.

The move injects new drama into the lingering tensions between Fauci and Republican lawmakers over his handling of the coronavirus pandemic and accusations he lied about the origins of COVID-19, which he denies.

Fauci was set to answer lawmakers’ questions after being subpoenaed by Republican Sen. Rand Paul of Kentucky, who has long had a fraught relationship with the now-retired infectious-disease expert and led the charge seeking that he testify, again, under oath about his role in containing the pandemic.

Fauci’s decision to invoke the Fifth, at least for now, sidesteps calls for his prosecution if he is accused of lying at Wednesday’s hearing, part of a yearslong campaign for his arrest spearheaded by some Republicans in Congress. But it may also further inflame partisan divides that have festered for years about the origins and handling of the pandemic, which was declared by the World Health Organization in March 2020.

Fauci, who helped lead the nation’s COVID-19 response, has become a target of those frustrations. But to his supporters he is an emblem of sound scientific expertise.

In his opening statement, Fauci said Paul has an “obvious obsession with calling for my prosecution.”

“The only conclusion I can reach is that the sole reason he is calling me before this Committee is to prompt me to say something, anything, that could vindicate his repeated public pledges that I end up, in his words, ‘behind bars,’” Fauci said, adding that while it pains him to do so, he is following his attorney’s advice by taking the Fifth.

Paul releases some of Fauci’s diary

Paul in his opening statement sought to build the case that Fauci helped produce the COVID-19 pandemic by approving funding of research on virus mutations and then covered up his complicity.

“Instead of an apology, you have for years avoided responsibility,” Paul said.

Democratic Sen. Gary Peters of Michigan, the committee’s ranking member, said that Paul’s hearing was a partisan exercise and that the hearing was looking backward instead of focusing on current national security challenges.

Leading up to the hearing, Paul released more than 1,000 pages of Fauci’s personal diary covering the pandemic years. Pointing to some notes about early efforts at understanding how the virus emerged, Paul wrote on the social media platform X that what Fauci “wrote privately and what he told the country are two different stories.”

Some of the diary entries – including Fauci’s uncertainty in the pandemic’s earliest days as scientists around the world raced to understand the new virus and how best to curb it before vaccines could be created – already were reflected in a 2024 memoir and in interviews at the time.

But they have nonetheless drawn attention from people who blame Fauci for mask mandates, school closures and other policies they believe infringed on their rights as hundreds of thousands of people were dying.

Ahead of the hearing, President Trump wrote on social media that he stopped relying on Fauci over the course of the pandemic because he felt Fauci made bad decisions on masks, shutdowns and other issues.

In a statement, Fauci’s attorney David Schertler said Paul’s accusations are “false and disgraceful, and we will examine all options to hold him accountable.”

Health Secretary Robert F. Kennedy Jr., a longtime anti-vaccine activist before he entered public office, said Monday that his department gave the diary entries, which were created on a government computer, to the committee. He told a Fox News Channel host that he thought Fauci might lie before the committee, opening him to perjury prosecution despite his preemptive pardon from then-President Joe Biden, a Democrat.

Scientists scrambled to Fauci’s defense ahead of the unusual hearing — the second time the longtime National Institutes of Health scientist has been back before Congress to discuss pandemic origins since leaving the government in 2022. While the COVID-19 pandemic introduced him to millions of Americans, he talked the nation through numerous outbreaks over decades, including HIV, Ebola and the 2001 anthrax attacks, while advising seven presidents.

Some disease experts criticize the accusations against Fauci

In a public letter, more than 150 infectious-disease experts and other scientists wrote that “no credible evidence has been produced to support these absurd charges” and that they are “urging our elected representatives in Congress stop these witch-hunts.”

The expected crux of Wednesday’s hearing was whether NIH-funded research in China may have played a role in how the pandemic started.

Many scientists believe the virus most likely emerged in nature and jumped from animals to people, coming to light when it spread at a wildlife market in the Chinese city of Wuhan. There’s no new scientific information supporting that the virus might instead have leaked from a laboratory, a theory Paul champions. A GOP-led subcommittee that studied the question in 2024 did not find any evidence linking Fauci to wrongdoing.

Fauci has long said publicly that he was open to both theories but that there’s more evidence supporting COVID-19’s natural origins, the way other deadly viruses including coronavirus cousins SARS and MERS jumped into people.

Republicans also have accused Fauci of lying about whether his agency funded what’s known as gain of function research — the practice of enhancing a virus in a lab to study its potential real-world impact — at a lab in Wuhan.

The NIH for years gave grants to a New York nonprofit called EcoHealth Alliance, which used some of the funds to work with a Chinese lab studying coronaviruses commonly carried by bats. But the definition of gain of function covers both general research and especially risky experiments to enhance the ability of potential pandemic viruses to spread or cause severe disease in humans. Fauci has previously stressed he was using the risky experiment definition and that “it would be molecularly impossible” for those bat virus experiments to have turned into the pandemic virus.

Trump, a Republican, last year paused some federally funded gain of function research, and on Tuesday his administration announced new rules to tighten oversight.

Neergaard and Swenson write for the Associated Press. Swenson reported from New York.

The checklist to launch an independent minor league baseball team is long and daunting. Can you find a place to play? How do you find enough players, and make enough money to pay them? How can you persuade a community to support a home team?

Here’s a new one: If minor league baseball is all about affordability, how do you compete against a nearby major league team that might undercut you on pricing?

This astounding dilemma is brought to you by the Angels, and their combination of a consistent focus on affordability and a consistently bad team.

Zach Neto is the best player the Angels have drafted and developed since Mike Trout — that is, in the past 17 years — and the team is considering whether to trade Neto ahead of next week’s trade deadline. That might make the team better in the long run, but almost certainly not next year.

And, next year, the Angels will have competition for the Orange County baseball dollar, a few exits down Interstate 5. On Tuesday, the Irvine City Council approved a five-year agreement under which a yet-to-be-named minor league team would play at the sparkling ballpark within the city’s Great Park, starting next May.

“We might not, on certain days, be the cheapest ticket in town,” said Paul Freedman, co-founder of Innovation Baseball Partners, the company for which the Irvine team is the fourth in its portfolio of minor league teams, all based in California and all competing in the Pioneer League, where players are limited to no more than two years of professional experience.

No ticket prices have been announced for the Irvine team. Jamie Rosenberg, another IBP co-founder, told the Irvine City Council that the IBP team in Long Beach charges roughly $10 to $15 for general admission, with a $2 special every Tuesday.

“The idea is to make this an accessible, affordable entertainment option for the community,” Rosenberg said.

Angels pitcher Reid Detmers throws from the mound against the Houston Astros in front of a sparse crowd Tuesday at Angel Stadium.

(Scott Strazzante / Associated Press)

On Tuesday, three hours after Rosenberg spoke, the Angels played the Houston Astros at Angel Stadium. On StubHub, you could buy a ticket for $2.

“I think Angel fans would hope the team gets better and maybe those prices would go up,” Freedman said, “but what we’re confident in is that we’re going to have a value experience.”

On Tuesday and every other day at Angel Stadium, the Angels proudly display a sign advertising a collection of what the team calls its “family value merchandise.” A T-shirt or a cap can be yours for $9.99, and a souvenir baseball with the team logo sells for $7.99.

“We really focus on a family of four,” Freedman said. “Can a family of four afford a night out?”

The Angels offer a family package — four tickets, four hot dogs, and four drinks — for $44.

You may remember what Angels owner Arte Moreno said in spring training: “The number one thing fans want is affordability.”

That infuriated Angels fans, of course, since their team has baseball’s longest playoff drought — 12 years, counting this one. Freedman says the fans of his teams want affordability too, but he cautioned against stretching the comparison too far.

For one, Trout plays in Anaheim. You can see a future Hall of Famer there all summer, and stars from around the league, and you can see the Yankees and Red Sox and Dodgers every year.

“We’re not ever going to replace the majesty of going to see the Dodgers with Shohei [Ohtani] playing,” Freedman said, “but we can create an environment that’s more fun.”

For two, whatever $2 tickets you might find in Anaheim put you in the vicinity of the top of a foul pole. All the tickets in Irvine put you right behind home plate, because there are barely 1,000 seats.

And, for fun, Freedman and his partners are planning to become the first American team to integrate elements of the Asian fan experience into the game presentation.

“We want to be doing things you haven’t seen in an American baseball game before,” he said, “and we want to put a fair price on that, one that is reasonable and allows us to operate our business.”

The traditional minor league team operates far from the shadow of a major league team. The Pioneer League, for instance, has teams in the California towns of Modesto and Marysville, and in Idaho Falls and Missoula, Mont.

The Irvine launch will be different and challenging — and, yes, fun. But success depends on paying customers, and nothing attracts customers like a trial offer.

And it just so happens that major league owners could still be locking out players by the time the Irvine team opens play next May.

“It would be terrible for the game,” Freedman said.

“As a baseball fan, it would break my heart. But it could be good for business.”

Eight years ago, during a campaign for Texas attorney general, Justin Nelson ran television advertisements with security camera footage of Ken Paxton pocketing an expensive pen that didn’t belong to him.

Four years ago, George P. Bush went after Paxton by putting up billboards that said “he’s a crook” next to his mugshot from when he was charged with securities fraud.

And this year, U.S. Sen. John Cornyn said “judgment day is coming” as he tried to fend off a Republican primary challenge from Paxton.

All of them lost. Now the question is whether James Talarico, who topped Rep. Jasmine Crockett in an expensive and fiercely contested Democratic primary, will have any more luck as he faces off against Paxton in one of the country’s most closely watched U.S. Senate races.

“The guy’s ability to take shots and just keep moving on and stay in elected office is unlike anything I’ve ever seen in my career, in 25 years of running campaigns,” said Ash Wright, who worked as a senior adviser to Bush.

Paxton never has been convicted and he’s survived by championing conservative legal battles over immigration, abortion and transgender issues in a Republican-dominated state. Much like President Trump, he’s long portrayed himself as the victim of political persecution.

Democratic Senate candidate James Talarico speaks at a rally in Houston in May.

(Danielle Villasana / Getty Images)

Former Paxton challengers and a half-dozen campaign strategists who worked against him warned that Texans may tune out any attempt to revive scandals that they’ve heard about for years, especially when rigid partisanship has convinced voters to be extraordinarily forgiving of candidates’ trespasses.

However, Talarico’s team has studied the previous races and is attempting its own version of the playbook by trying to paint Paxton as part of a broader culture of corruption that has failed to improve people’s lives.

Paxton’s campaign suggested Talarico’s claims were aimed at distracting voters from a record of “out-of-touch views.”

“Every time a fighter, like President Donald Trump and now Ken Paxton, stands up to the permanent political class, even after they are completely acquitted of wrongdoing, people like James Talarico continue pushing the same accusations and claiming corruption,” Paxton campaign spokesperson Madison Cercy said.

Paxton won first reelection despite indictment

Paxton was first elected as Texas attorney general in 2014, and Nelson ran against him in 2018. A Democratic lawyer from Austin, Nelson made Paxton’s indictment on charges of securities fraud central to his campaign, and poked fun at him for picking up another lawyer’s $1,000 pen after finding it at a courthouse security checkpoint.

“Vote Justin Nelson for Texas attorney general,” the narrator said. “He will fight on behalf of all Texans. And he won’t steal your pen.”

Nelson argued that his approach was effective, reflected in Paxton’s narrow margin of 3.6 percentage points in a year when Republican Greg Abbott was reelected as Texas governor by more than 13 percentage points. Nelson’s campaign spent roughly $6.5 million, about half of what Paxton’s campaign spent.

“My message was working,” Nelson said. “I just needed to go louder and longer.”

In 2022, Paxton faced a Republican primary challenge from George P. Bush, the Texas land commissioner and the grandson and nephew of two former presidents from the state.

The securities fraud case was ongoing, and Paxton also was under federal investigation over accusations that he abused his position to benefit an Austin real estate developer, took bribes and retaliated against whistleblower employees.

Paxton responded by portraying himself as a Trump-era Republican and Bush as the heir to a privileged political legacy.

Pro-Paxton organizations spent more than $20 million, about twice as much as Bush and his allies. The race went to a runoff, in which Paxton defeated Bush by 34 percentage points.

Paxton ran against Rochelle Garza, a Democratic civil rights lawyer from Brownsville, in the general election. She said her campaign had a 300-page opposition research file on Paxton but it was difficult to figure out how to approach his past because voters had heard about it for years.

“The amount of potential hits on Paxton can make message discipline challenging,” Garza said.

Paxton ran as the leading legal opponent of President Biden, promoting a string of lawsuits against Biden’s Democratic administration on immigration, abortion and gender policy.

Overwhelmingly outspent, Garza lost by roughly 10 percentage points.

Some supporters see Paxton as a ‘flawed’ fighter

There was more trouble ahead for Paxton.

He split with his wife, who later filed for divorce “on biblical grounds.” He also was impeached by the Texas House, although the Senate acquitted him in 2023 and allowed him to remain in office. The securities fraud case ended in 2024, and Paxton was directed to pay nearly $300,000 in restitution.

Throughout the years, he’s maintained strong support from Republican voters like David and Nancy Lapp, a retired couple from the small town of Wolfforth. They described him as a conservative warrior who has been a victim of persecution.

“He’s had his share of scandals, and almost all of them have, so it’s not necessarily disqualifying anymore,” said David Lapp, 76. “He’s a flawed person, no doubt about it, but he fights for traditional American ideals.”

He added that “nowadays, as long as you’re not in jail, they’ll elect you.”

Beaumont writes for the Associated Press. Associated Press reporters Jesse Bedayn in Del Rio, Texas, and Marc Levy in Wolfforth, Texas, contributed to this report.

Berlin, Germany – Music is a major part of Rayhan Butt’s life. The 18-year-old from the west German city of Bielefeld discovered his passion for the piano a few years ago, and now plays daily, sometimes for 12 hours a day. Picking up singing along the way, he performs regularly across the country.

Butt has now found a way to combine his love of music with his love for Germany. Next month, he will travel to Berlin for an internship with the German Armed Forces, and in autumn he will be joining full-time as part of the army’s marching band.

“Music, especially piano and singing, is not a hobby – it’s my whole life, and I want to build my future around it,” Butt tells Al Jazeera. “The Bundeswehr [German Armed Forces] has an excellent reputation, and there are a lot of opportunities to perform at a very high professional level, for example, in front of the German chancellor.

“I have decided to enrol because I can continue receiving musical training alongside learning valuable skills within the army such as teamwork and discipline.”

As he looks ahead to joining, Butt says that he supports voluntary military and civic duty and believes all young people should pursue one of these paths. “If tomorrow I’m called away from the marching band to fight, I would not hesitate in stepping up as a soldier. I’m a child of immigrants, and I’ve had a lot of opportunities growing up here, such as freedom and a great education. I would definitely defend this country with my life,” adds Butt, who Al Jazeera met through his participation with Generation Global, an initiative by the Liz Mohn Foundation that aims to prepare young people for future leadership roles.

That’s a sentiment the German government is desperately counting on, as it seeks to ramp up its military recruitment.

Germany’s expanded military ambitions

The Bundeswehr wants to increase its active-duty force by 80,000 men and women to 260,000, through a voluntary recruitment drive. In addition, it wants 200,000 men and women in the reserves.

The drive forms part of the Military Service Modernisation Act, which came into effect on January 1 and lays out a new set of requirements for young Germans. Since January, more than 300,000 letters have been sent to 18-year-olds to gauge their willingness to join the armed forces, as well as requesting information on their physical fitness and education. Women have also been sent the letter but, unlike young men, are not legally required to respond.

It’s one strand within Germany’s broader military expansion plans, initiated in 2022 after Russia’s full-scale invasion of Ukraine. In one of his first major speeches as chancellor last year, Friedrich Merz pledged to build the “strongest conventional army in Europe”.

Most recently, a new military concept outlining how Germany intends to fight and a capability profile were published three months ago.

Moritz Graefrath, an assistant professor of international security at the University of Oklahoma’s School of International Studies, said that more than this new document, the timing of its publication is what’s significant.

“One of the most plausible explanations is that it’s part of an effort to show, particularly to Washington as well as potentially other European allies within NATO, how serious the German government now is about ‘Europeanising’ European security and taking on more of the burden of continental defence,” he told Al Jazeera. “In many ways, this is a relatively costless signal of commitment to that idea of burden shifting within NATO, to that idea of taking on more responsibility.”

Opposed to conscription

Yet the latest measures on conscription are not being welcomed by all.

Official figures published on July 14 showed that so far this year,  6,000 young men have applied to remain out of the military service on “religious” and “moral” grounds, more than the number throughout the whole of last year.

A clause in the new law that required young men between the ages of 17 and 45 years old to seek prior approval for long stays abroad was repealed following a backlash by opposition voices, including student activists who have arranged three large-scale demonstrations attended by a reported 50,000 young people across 90 German cities since December.

Bela Breitner is a 22-year-old computer science student living in Bochum in western Germany. He is part of the Schulstreik Gegen Wehrpflicht (School Strike Against Conscription) campaign group, which formed late last year in response to what they see as the “militarisation” of German society.

“Our main focus point is conscription,” he tells Al Jazeera. “Many students are in opposition to these measures because within the last few years, we feel like we haven’t received anything positive from the state.

“Many young people lost opportunities during the COVID pandemic, the school system in Germany is criminally underfinanced, and now they want to implement conscription to force us to be trained in combat. Many of us feel like our voices are not being listened to.”

History of conscription in Germany

Conscription was first introduced in Germany in the mid-1950s, and suspended only in 2011. Graefrath says the suspension was driven by societal factors as well as government calculations around things such as budgets.

“On the one hand, there was a sense of post-Cold War peace where it seemed inconceivable for another war in Europe to take place, let alone one that would involve Germany, so the conscription framework was seen as a relic of the past,” he said. “On the other hand, it became apparent, especially to young Germans at the time, that if the model was abandoned, they could study, start apprenticeships and enter the workforce, rather than having at least one year of compulsory service. So there was that societal element there.”

While the Bundeswehr says it is optimistic about achieving its targets, only about 500 recruits have been enrolled so far this year. The figures prompted one senior politician earlier this month to say that Germany will have to decide by next July at the latest whether to reintroduce compulsory military service.

Analyst Graefrath said that Germany would need to decide the future of conscription based on its reading of wider geopolitical challenges. “This would be how unreliable the United States is right now and in the foreseeable future, and how big a threat Russia actually poses.”

Meanwhile, the clause for young men to seek permission before shifting abroad remains repealed but only as long as conscription remains voluntary.

Student activist Breitner says the issue doesn’t just affect students, but people from across society, and the campaign group will continue efforts to mobilise wider support.

“I don’t know any Russians, but I believe there are many people in Russia and around the world who have dreams and want to achieve something else with their life other than fighting a war,” he said. “I believe that there are more people who share values such as peace, freedom and the right to choose over what may separate us.”

The Dodgers do not have to do anything. They’re in on everything, including Tarik Skubal.

With one week left before baseball’s trade deadline, the Dodgers are doing what the Dodgers always do. When you are flush with money and prospects, you can invite yourself into just about every conversation, from checking in on a star player to sniffing around for a three-way deal in which you trade away major league depth to acquire even more prospects.

“Not having an acute need at this time of year is very helpful,” Dodgers president of baseball operations Andrew Friedman said Tuesday.

It ain’t bragging if you can back it up. The Dodgers boast baseball’s best record, with seven key players expected to return from significant injuries over the next two months. Then comes the quest for a three-peat: the chance to become the first team in National League history to win three consecutive World Series championships.

To me, that should be the most compelling element of the Dodgers’ trade deadline strategy.

Friedman repeatedly has said he would like this era to be remembered as “the golden age of Dodger baseball,” and nothing says legacy like doing something that never has been done.

And, if major league owners get their way, something that might never be done again.

We’re not just talking about the owners of teams tired of getting beaten by the Dodgers. We’re talking about Friedman’s boss, Mark Walter.

“We can’t win all the time,” Walter told me this spring.

The owners are prepared to shut down the sport until they get a salary cap, but even a compromise with the players’ union would almost certainly involve some kind of spending restraints intended to make Friedman’s job tougher.

Act now, even in a way that might make you feel uncomfortable, because this chance might never come again.

“We feel this current team is as talented and tight-knit of a group as we’ve had,” Friedman said, “and we’ve been extremely aggressive over the past offseasons to try to put that group together.

“To the extent we can add to it, we’ve shown in the past that we’ll be aggressive on that front as well, but it’s good going into this last week feeling as good as we do about this group.”

On the one hand, Friedman himself, and Walter himself, and Dave Roberts and Shohei Ohtani and Mookie Betts and a cast of heroes talked up a three-peat at last year’s championship celebration.

Walter: “All I have to say to you is, we’ll be back next year.”

Friedman: “How about we do it again?”

Betts: “Three-peat ain’t never sounded so sweet.”

On the other hand, well, the Dodgers won the World Series last year without trading for the outfielder and closer the world said they needed, then committed $309 million to outfielder Kyle Tucker and closer Edwin Díaz in the winter.

“We don’t really think of the 2026 World Series as a three-peat,” Friedman said Tuesday. “ ‘24 and ‘25 are in the bank. As soon as you get into the offseason and into spring training, it’s all about winning in ‘26.

“That is somewhat semantics, but the context is that it’s no different than in any other year, in the sense of doing everything we can to win the last game of the year. I would think the aggressiveness last offseason would fully demonstrate that.”

On Tuesday, Fangraphs projected the Dodgers had a 25% chance to win the World Series, more than twice as high as any other team. A third catcher would help, and a reliever might too, but neither would lift that percentage in any meaningful way so much as provide insurance should Will Smith’s recovery from his neck injury stall or the bullpen implode.

Skubal might not lift that percentage much, either, in place of Ohtani or Blake Snell or Tyler Glasnow in the starting rotation. The Dodgers project all three to be healthy in October and, if not, they have All-Star Justin Wrobleski.

But Wrobleski already has set a professional high for innings pitched, and Skubal would provide a big lift to the teams most likely to keep the Dodgers from returning to the World Series: the Milwaukee Brewers, Atlanta Braves and Chicago Cubs.

And, although the Dodgers pride themselves on running a team whose championship window never closes, they already field the oldest lineup in the majors. In the NHL, owners shut down an entire season to get a salary cap.

Let’s say the 2027 baseball season starts late. By the end of the season, the Dodgers could field a lineup in which every position player besides Andy Pages was at least 30 years old, including Freddie Freeman at 38, Max Muncy at 37, Betts at 34 and Ohtani at 33.

Friedman called it “a fool’s errand” to try to predict the outcome of collective bargaining negotiations and disputed the thought that the Dodgers might miss a window by not maximizing whatever chance they have this year.

“I just think this is a really, really talented team,” he said. “If we had an acute need and it was like, ‘Oh, you didn’t address that,’ then, yeah, we missed an opportunity.

“In this game, there’s just no guarantees of anything. You just make the smartest decisions you can and hope it plays out in a way where you have some good fortune and you win the last game of the year.”

Perhaps “three-peat” should not be the word of the week. Perhaps we should substitute “three-peat-maxxing.”

An aide involved in an affair with Gavin Newsom more than 20 years ago, when he was mayor of San Francisco, detailed their relationship and her journey to sobriety in an essay published by Vanity Fair on Tuesday.

Although Ruby Rippey, 54, has spoken previously about her relationship with the now-governor, her first-person essay offers the most intimate description yet of the affair. It comes at a time when Newsom is wrapping up his final year as California governor and considering a presidential run in 2028.

Rippey, who had worked as Newsom’s appointments secretary, was married to Alex Tourk, the then-mayor’s close friend, campaign manager and prior deputy chief of staff, when the affair became public in 2007. Tourk resigned after Rippey told him that she had been sleeping with their boss, she writes.

At the time, Newsom was newly divorced from Kimberly Guilfoyle and he apologized in front of a gaggle of reporters who packed his office for a news conference, admitting “everything you’ve heard and read is true.” Later, he said he was seeking treatment for alcohol abuse.

In the essay, Rippey details that the affair with Newsom happened when she was a new mother and when her drinking, which had been a problem before the relationship, spiraled out of control.

Rippey writes that their relationship began in July 2005 after a wedding at a Napa Valley estate and spanned months, with intermittent sexual encounters until she entered rehab in May 2006.

They met at his penthouse in San Francisco’s Russian Hill neighborhood, at a private back room in a bar in North Beach and at the W Hotel in Los Angeles, she writes.

“We meet and we drink. There is sex, but it isn’t the point. The point is proximity — to power, to being chosen, to feeling newly visible — no longer muted by pregnancy, by new motherhood, by the strain of white-knuckling long stretches of sobriety,” she writes. “It isn’t love. It isn’t romance. It’s intoxication.”

Izzy Gardon, a spokesperson for the governor’s office, said on Tuesday that Newsom acknowledged his role and publicly apologized for the affair nearly two decades ago.

“In the time since, he met his wife, started a family and has focused on serving Californians. He addressed this chapter of his life, including in his memoir, and out of respect for everyone involved, does not have anything further to add,” Gardon said.

The affair occurred while Gavin Newsom was mayor of San Francisco.

(San Francisco Chronicle / Hearst Newspapers)

Newsom faced renewed criticism for the affair during the 2018 governor’s race amid a larger reckoning over sexual misconduct in politics, corporate America and Hollywood. But Rippey has said she doesn’t see herself as a victim of a powerful man.

“Yes, I was a subordinate, but I was also a free-thinking, 33-yr old adult married woman & mother. (I also happened to have an unfortunate inclination towards drinking-to-excess & self-destruction.),” she wrote on Facebook at the time.

She still doesn’t place blame on the governor for what happened, but noted in her essay that in the post-#MeToo era she came to realize that her then-boss had a responsibility to “hold the line.”

“That didn’t happen. But I didn’t stumble into the space left open — I saw a possibility and went for it,” she writes. “Both things are true: I am responsible for what I did. Power does not distribute consequences evenly.”

For Newsom, she writes, the affair is merely a “footnote in a longer arc of ascent. For me, it is the fracture that split my life into before and after.”

In his memoir, “Young Man in a Hurry: A Memoir of Discovery,” published this year, Newsom acknowledges the liaison with Rippey, describing it as “the briefest of affairs.”

He also writes that he admitted the betrayal to Tourk, a detail that Rippey takes issue with in her essay. She says she was the one who first broke the devastating news to her husband via email while she was at her parent’s house in Napa and he was home in San Francisco with their young son.

“But resentment is a luxury I can’t afford,” she writes. “Instead, I return to gratitude, not for the affair, not for the pain I caused Alex, but for the totality of what followed. I required something catastrophic to change direction. Something that made the cost of going back — of drinking again — unthinkable.”

After the affair, Rippey and Tourk divorced but continued to co-parent their son, who is now an adult. She’s been sober for 20 years, she writes, remarried and now has a son with her second husband.

“The damage was mine,” she writes at the conclusion of her essay. “But so is the life rebuilt in its wake.”

Times staff writer Taryn Luna contributed to this report.

COOPERSTOWN, N.Y. — Dusty Baker could sense a portion of his life as he entered the National Baseball Hall of Fame’s Plaque Gallery on Saturday night. He couldn’t help but notice that some of his contemporaries from when he played with the Braves and Dodgers were walking slower, in some cases with the help of a cane or an assistant.

“I’m glad to see everybody,” said Baker, 77. “But you know, we’re getting old. I see guys in walkers who used to run fast, (and) their kids that are grown. You kind of see your life flash before your eyes.”

A record 60 Baseball Hall of Famers were in Cooperstown as Jeff Kent, Carlos Beltran and Andruw Jones were inducted Sunday. Baker traveled with the San Francisco Giants’ contingent to celebrate Kent, who credits Baker with helping transform him into the National League MVP, All-Star and eventually a Hall of Famer.

As much as Baker tried to keep his focus on Kent, however, many kept telling him that this visit was a prelude to his induction next summer. They reminded him that he’s expected to be on the Hall’s Era Committee ballot in December.

If Baker receives at least 12 votes from the 16-member committee, he’ll become the first Black manager elected into the Hall.

“I know the history,” Baker said. “I was fortunate enough to be around Hank (Aaron) in the beginning.”

Baker grew up idolizing Jackie Robinson, who broke baseball’s color barrier on April 15, 1947, 26 months before Johnnie B. “Dusty” Baker was born in Riverside.

Through 1953 National League Rookie of the Year Jim Gilliam, who spent three seasons with the Baltimore Elite Giants of the Negro Leagues before joining the Brooklyn Dodgers, Baker met several Negro League greats.

Gilliam once took Baker to eat lunch at Negro League legend Cool Papa Bell’s home in St. Louis. He also spent time with Satchel Paige and Ted “Double Duty” Radcliffe. Because of his friendship with Aaron, his Braves mentor, and his time with the Dodgers, he met Hall of Famer Roy Campanella and Don Newcombe, who spent time in the Negro Leagues before joining the Brooklyn Dodgers.

Bell, Paige and Campanella were all inducted into the Hall. Paige was the first Negro Leaguer inducted into the Hall of Fame in 1971, five years after Ted Williams used his induction speech to advocate for Negro Leaguers.

“Baseball gives every American boy a chance to excel, not just to be as good as someone else, but to be better than someone else,” Williams said on July 25, 1966. “This is the nature of man and the name of the game, and I’ve always been a very lucky guy to have worn a baseball uniform, to have struck out or hit a tape-measure home run.

“And I hope that someday the names of Satchell Page and Josh Gibson in some way can be added as a symbol of the great Negro players that are not here, only because they were not given a chance.”

Robinson became the first Black player elected into the Hall by the Baseball Writers’ Association of America in 1962. Negro Leaguers weren’t considered for the Hall until Paige was elected into the 1971 class. A year later, Gibson was inducted.

Baker first visited the Hall of Fame to play an exhibition in 1974. He made his third trip to Cooperstown this weekend, which marked his first visit for an induction weekend.

Exactly 60 years after Williams induction speech on the steps of the Hall of Fame, Baker walked into the Hall and was greeted by the loud roars of another Boston Red Sox legend, David Ortiz. Baker smiled widely, nodded his head, greeted Ortiz in Spanish, chuckled and walked over to Ortiz and Vladimir Guerrero, giving each of them hugs and pats on the back.

A few seconds later, Dave Winfield joined the trio for a picture before Baker and his wife began to mingle with other Hall of Famers and guests.

Later that night at a party the Giants held in Kent’s honor, Kent paid tribute to his family, Baker and a few teammates during a short speech.

Then Kent predicted that Baker will return next year to take his place among baseball’s immortals. Baker won a World Series title and three pennants as a manager while leading a record five teams to the playoffs over 26 seasons as a manager.

He’s eighth on baseball’s all-time managerial wins list with 2,183 as the only Black manager in baseball history with 2,000 victories.

While sipping on his coffee and munching on extra crispy bacon and blueberry pancakes Sunday morning, Baker sat at the Otesaga Resort where the Hall of Famers stay during induction weekend. He looked out at Otsego Lake while several Hall of Famer stopped to say hello.

Chipper Jones stopped by and said, “You dusting off that chair for next year, Dusty?”

Baker laughed and shook his head before calling Chipper by his first name, Larry.

“There ain’t no guarantees, so why am I going to look forward if there ain’t no guarantees?” Baker said. “I’m serious. People think I’m kidding when I’m saying that. When Bill Belichick did not get in the (Pro Football) Hall of Fame anybody has a chance to not get in the Hall of Fame.

“Am I right? That’s how I look at it. I was shocked. They can talk about Deflategate, they can talk about the media. What about the other six (Super Bowls) he won?”

Nonetheless, Baker appreciates what it would mean for a Black manager to finally be elected to the Hall.

“But most of my life had been full of ‘First Black Guy stories, Black man stories’ from the time I was in high school,” he said. “The two blacks at my high school were me and my brother in my last year of high school.

“That’s some of the reasons I went into the wine business. There’s not many Blacks in the wine business. One reason why I started but stopped in the energy business was because there’s not many Blacks in the energy business.”

There have been 354 inductees into the Baseball Hall of Fame, 23 of them as managers.

Baker will likely be the first Black manager next summer.

“I was taught pride from my mom and dad in culture about being Black,” he said. “My mom was really big (on Black history) because she was a Black Studies teacher, so we had books that I read. …

“I’m hoping I can motivate other young brothers and sisters to achieve some things that don’t seem achievable. It’s a little bit disheartening when I see regression of Black coaches, Black players, Blacks in baseball.”

Hi, and welcome to another edition of Dodgers Dugout. My name is Houston Mitchell. New ranking of the summer movies I’ve seen this year: 1. The Odyssey; 2. Supergirl; 3. Young Washington; 4. Disclosure Day; 5. Masters of the Universe; 6. The Devil Wears Prada 2

We are less than a week away from the trade deadline (Monday at 3 p.m. PT). The Dodgers have a commanding lead in the NL West and are going to make the postseason. Their current team is good enough to win the World Series, but there’s now a big question mark over Shohei Ohtani, whose knee is preventing him from pitching.

Ohtani’s last start was July 3. And, in the category of things that make you wonder, his batting stats since then: .250/.300/.500, 16 for 64, four doubles, four homers, five walks, 17 strikeouts. Could just be a down couple of weeks, which every batter goes through. But when paired with the sore knee, it makes you think.

The Dodgers are counting on getting Tyler Glasnow and Blake Snell back in August. That would give them a postseason rotation (if Ohtani can’t pitch again this year) of:

Yoshinobu Yamamoto
Snell
Glasnow
Justin Wrobleski

If Ohtani can pitch again, one of those guys drops off. But what if he can’t come back and Snell and/or Glasnow aren’t able to come back? Emmet Sheehan? Roki Sasaki? Bullpen game? Sasaki has pitched well his last couple of starts, but we’ve been down that road before.

Or do the Dodgers add a reliever? Another hitter? Stand pat?

And then add in the fact that getting someone, even someone like Tarik Skubal, guarantees nothing. The Dodgers have made big deals in the past and not won. They have made marginal deals and won it all.

What would you do? Assuming the trade is fair, which would you acquire first, a starting pitcher, reliever, batter or would you stand pat?

Click here to vote in our survey.

Maddie Lee offers her trade deadline take here.

In the meantime, here’s a look at some previous trade deadline deals by the Dodgers.

2017

—Acquired pitcher Yu Darvish from Texas for A.J. Alexy, Willie Calhoun and Brendon Davis.

—Acquired pitcher Tony Cingrani from Cincinnati for Scott Van Slyke and Hendrik Clementina.

—Acquired pitcher Tony Watson from Pittsburgh for Angel German and Oneil Cruz.

—Acquired outfielder Curtis Granderson from the New York Mets for Jacob Rhame.

Dodgers record before deadline: 74-31, .705

Record after deadline: 30-27, .526

2018

—Acquired shortstop Manny Machado from Baltimore for Rylan Bannon, Yusniel Diaz, Dean Kremer, Zach Pop and Breyvic Valera. (This trade was made July 18, but we will count it.)

—Acquired pitcher John Axford from Toronto for Corey Copping.

—Acquired second baseman Brian Dozier from Minnesota for Logan Forsythe, Luke Raley and Devin Smeltzer.

—Acquired infielder David Freese from Pittsburgh for Jesus Valdez.

Record before deadline: 59-49, .506

Record after deadline: 33-22, .600

2019

—Acquired pitcher Adam Kolarek from Tampa Bay for Niko Hulsizer.

—Acquired infielder Jedd Gyorko from St. Louis for Jeffry Abreu and Tony Cingrani.

Record before deadline: 71-39, .645

Record after deadline: 35-17, .673

2020

Nothing significant. This was the 60-game COVID season.

2021

—Acquired pitcher Max Scherzer and shortstop Trea Turner from Washington for Gerardo Carrillo, Donovan Casey, Josiah Gray and Keibert Ruiz.

—Acquired outfielder Billy McKinney from the New York Mets for Carlos Rincón.

—Acquired pitcher Danny Duffy from Kansas City for Zach Willeman.

Record before deadline: 63-43, .594

Record after deadline: 43-13, .768

2022

—Acquired pitcher Chris Martin from the Chicago Cubs for infielder-outfielder Zach McKinstry.

—Acquired left fielder Joey Gallo from the New York Yankees for Clayton Beeter.

Record before deadline: 68-33, .673

Record after deadline: 43-18, .705

2023

—Acquired Kiké Hernández from Boston for Justin Hagenman and Nick Robertson.

—Acquired pitchers Joe Kelly and Lance Lynn from the Chicago White Sox for Jordan Leasure, Nick Nastrini and Trayce Thompson.

—Acquired infielder Amed Rosario from Cleveland for Noah Syndergaard.

—Acquired pitcher Ryan Yarbrough from Kansas City for Derlin Figueroa and Devin Mann.

Record before deadline: 59-45, .567

Record after deadline: 41-17, .707

2024

—Acquired pitcher Jack Flaherty from Detroit for Thayron Liranzo and Trey Sweeney.

—As part of a three-team deal, acquired infielder/outfielder Tommy Edman from St. Louis and pitcher Michael Kopech from the Chicago White Sox for Alexander Albertus, Jeral Perez and Miguel Vargas.

—Traded pitcher Ryan Yarbrough to the Toronto Blue Jays for outfielder Kevin Kiermaier.

Record before deadline: 63-46, .578

Record after deadline: 35-18, .660

2025

Traded pitcher Dustin May to the Boston Red Sox. Received Zach Ehrhard and James Tibbs III.

Traded pitchers Paul Liñan and Eriq Swan to the Washington Nationals for outfielder Alex Call.

Traded catcher Hunter Feduccia to the Tampa Bay Rays for pitchers Adam Serwinowski and Paul Gervase and catcher Ben Rortvedt.

Traded outfielder James Outman to the Minnesota Twins for pitcher Brock Stewart.

Record before deadline: 63-46, .578

Record after deadline: 30-23, .566

See, last year, the most important acquisition was getting Rortvedt, and no one was exactly extolling his virtues when they got him. I remember when the Dodgers acquired Darvish, it seemed to guarantee the World Series title. And when they got Scherzer, that seemed like a slam dunk for the title. But you never know what’s going to happen.

And are there any trades up there that make you say, “Wow, that was a terrible deal?” No. Andrew Friedman has a great track record on trades, so, it will be interesting to see what the Dodgers do.

The postseason

Here’s a look at the NL. Remember, the three division winners plus the next three teams with the best record make the postseason. The two division winners with the best record get a first-round bye.

Division leaders
1. Dodgers, 67-39
2. Milwaukee, 66-40, 1 GB
3. Atlanta, 62-44, 5 GB

Wild-card standings
1. Chicago, 60-46
2. Philadelphia, 57-50
3. Pittsburgh, 55-52

4. Arizona, 55-52
5. Washington, 54-53, 1 GB
6. St. Louis, 53-53, 1.5 GB
7. San Diego, 53-53, 1.5 GB
8. Miami, 53-54, 2 GB
9. Cincinnati, 49-55, 4.5 GB

These names seem familiar

How notable players who were with the Dodgers the last couple of seasons are doing with their new teams (through Sunday). Click on the player’s name to be taken to their full stats page:

Anthony Banda, Twins: 2-0, 4.46 ERA, 2 saves, 34.1 IP, 31 hits, 15 walks, 33 K’s, 97 ERA+, out for the season

Cody Bellinger, Yankees: .259/.350/.420, 434 PA’s, 21 doubles, 3 triples, 11 homers, 53 RBIs, 113 OPS+, on the IL

Walker Buehler, Padres: 6-5, 5.12 ERA, 100 IP, 99 hits, 42 walks, 91 K’s, 80 ERA+

Mike Busch, Cubs: .247/.368/.405, 468 PA’s, 18 doubles, 2 triples, 13 homers, 56 RBIs, 117 OPS+

Michael Conforto, Cubs: .237/.326/.481, 178 PA’s, 11 doubles, 9 homers, 24 RBIs, 122 OPS+

Justin Dean, Cubs: .286/.444/.571, 9 PA’s, 1 triple, 3 RBIs, 1829 OPS+

Caleb Ferguson, Reds: 1-0, 3.86 ERA, 1 save, 21 IP, 23 hits, 10 walks, 20 K’s, 115 ERA+

Jack Flaherty, Tigers: 3-8, 4.59 ERA, 86.1 IP, 80 hits, 42 walks, 102 K’s, 93 ERA+, on the IL

Kenley Jansen, Tigers: 2-4, 3.90 ERA, 12 saves, 27.2 IP, 17 hits, 17 walks, 31 K’s, 111 ERA+

Craig Kimbrel, Rays: 0-2, 4.35 ERA, 31 IP, 26 hits, 12 walks, 29 K’s, 99 ERA+

Gavin Lux, Rays: on the IL

Dustin May, Cardinals: 5-7, 4.59 ERA, 104 IP, 104 hits, 33 walks, 103 K’s, 87 ERA+

Zach McKinstry, Tigers: .200/.277/.298, 277 PA’s, 8 doubles, 2 triples, 4 homers, 20 RBIs, 61 OPS+

James Outman, Tigers: .161/.219/.295, 160 PA’s, 4 doubles, 2 triples, 4 homers, 16 RBIs, 42 OPS+

Joc Pederson, Rangers: .251/.341/.491, 318 PA’s, 11 doubles, 2 triples, 17 homers, 36 RBIs, 140 OPS+

Luke Raley, Mariners: .230/.284/.447, 280 PA’s, 9 doubles, 1 triple, 15 homers, 39 RBIs, 107 OPS+

Ben Rortvedt, Mets: in the minors

Corey Seager, Rangers: .182/.292/.374, 219 PA’s, 6 doubles, 10 homers, 25 RBIs, 94 OPS+, on the IL

Justin Turner, Tijuana (Mexican League): .292/.394/.472, 254 PA’s, 21 doubles, 6 homers, 28 RBIs

Trea Turner, Phillies: .244/.295/.391, 455 PA’s, 18 doubles, 1 triple, 14 homers, 41 RBIs, 82 OPS+

Miguel Vargas, White Sox: .242/.348/.484, 449 PA’s, 24 doubles, 1 triple, 22 homers, 63 RBIs, 131 OPS+

Kirby Yates, Angels: 0-5, 3.65 ERA, 3 saves, 24.2 IP, 16 hits, 11 walks, 30 K’s, 114 ERA+

Up next

Tuesday: Seattle (Luis Castillo, 3-9, 4.85 ERA) at Dodgers (TBD), 7:10 p.m., SportsNet LA, AM 570, KTNQ 1020

Wednesday: Seattle (Emerson Hancock, 6-4, 3.16 ERA) at Dodgers (TBD), 7:10 p.m., SportsNet LA, AM 570, KTNQ 1020

Thursday: Seattle (Bryce Miller, 4-5, 2.75) at Dodgers (TBD), 7:10 p.m., SportsNet LA, AM 570, KTNQ 1020

All times Pacific

*-left-handed

In case you missed it

Tarik Skubal blockbuster deal likely isn’t part of Dodgers’ trade-deadline plans

Swanson: Hall of Famer Joe Torre passionate about going to bat for kids at risk of family violence

Huntington Beach’s Jeff Kent credits his parents for helping fuel his Hall of Fame career

Shohei Ohtani suffers setback in his plans to return to Dodgers’ rotation

Jeff Kent starting to feel like a Hall of Famer this weekend

Miguel Rojas on decision to visit Capitol Hill, White House: ‘I’m representing the Dodgers’

Dodgers Debate: The White House and the trade deadline

Lopez: 5 reasons the Dodgers should not go back to the White House again next year

And finally

Vin Scully narrates a wacky play at Candlestick Park. Watch and listen here.

Until next time …

Have a comment or something you’d like to see in a future Dodgers newsletter? Email me at houston.mitchell@latimes.com. To get this newsletter in your inbox, click here.

Emmy-nominated composer Bear McCreary has taken a reverse road to symphonic rock. Prog rockers have traditionally integrated symphonic elements; other rock bands have done orchestral versions of their songs. McCreary began creating television and film scores, discovered his inner metalhead, and has since bridged those worlds with his “Singularity” project. It all adds up to a different take on that time-honored formula.

The second of the two albums, “The Singularity: Ekleipsis,” is out Friday and features contributions from guitarist Steve Vai, Coheed and Cambria frontman Claudio Sanchez, Fall Out Boy frontman Patrick Stump and McCreary’s younger brother Brendan, who sings on half the tracks. The multifaceted album feels like “I am Bear, hear me roar.”

“I love that quote,” he says, laughing, during his two-hour interview with The Times. “I want to put that on the posters. I feel like ‘The Singularity’ is a temper tantrum of a record from someone who had been writing music for other people for 20 years, then all these ideas exploded out.” Two years after the release of the first “Singularity” album, “Ekleipsis” feels more focused and personal to him.

From Anthrax dinners to sessions with Slash, Stewart Copeland and Bulgarian choirs, McCreary’s restless curiosity drives genre-bending songs that wrestle with identity, diaspora and the world listeners are trying to survive.

(Allen J. Schaben / Los Angeles Times)

The first “Singularity” double album — which featured guests like Serj Tankian, Corey Taylor, Rufus Wainwright and Joe Satriani — tied into a graphic novel about a man who repeatedly experiences loss and death at the hands of a villainous character in his every life across their multiverse. This leads to a major revelation at the end. Although McCreary says that “Ekleipsis” is not disconnected from that universe, it is not strictly tied to a narrative.

“I wasn’t setting out to write a concept album again,” McCreary admits, “but there’s something immediate in all the lyrics. Half of them are specifically talking about the world that we all find ourselves living in and trying to overcome in some way.”

McCreary’s sonic diversity continues with “Ekleipsis.” Gojira frontman Joe Duplantier collaborated with the McCreary brothers and the Mystery of the Bulgarian Voices choir on “Black Box” to create a work of dissonant majesty. The composer improvised his way through the initial stages of “Pray for a Storm,” his high-energy collaboration with famed drummer Stewart Copeland.

“Let’s all go into your studio with nothing,” McCreary recalls telling the irrepressible percussionist. “I’m not even going to bring an idea. We’ll plug in our instruments, set the mics up and play. I want to capture your ideas and your energy, then shape it into a song based on the pieces that I get.”

McCreary sees new endeavors as a learning experience. He meets his collaborators in the way they like to work. He was awed while writing with Guns N’ Roses bassist Duff McKagan and Red Hot Chili Peppers drummer Chad Smith on the anthemic “Cool Kids.”

“Those guys are true songsmiths,” the composer declares. “I think they’re unrecognized as songwriters. They wrote for Ozzy Osbourne. They’re focused on hammering down a riff until it works. We walked into a studio with a riff that Duff had written and walked out with this song that we brought Slash onto. We got that band experience [with them].”

McCreary is best known for scoring series like “Battlestar Galactica,” “The Walking Dead” and “The Lord of the Rings: The Rings of Power,” along with movies such as “Godzilla: King of the Monsters” and the “God of War” video game franchise. He gained entry into metal through a dinner with Anthrax guitarist and “Battlestar” fan Scott Ian two decades ago.

“‘I know you. You’re a guy who loves Sepultura,’” Ian told him, invoking a musical link for the composer. Intrigued, McCreary listened to Sepultura’s folk-infused Brazilian death metal and loved it. His metal journey began.

Ever since, McCreary has been itching to dive into that arena. He has an important collaborator in that quest.

“My brother’s my secret weapon when it comes to rock,” McCreary says. “His body of [rock] knowledge makes up for mine. Our emphasis is in a different place. He is a fantastic producer because he’s got a really good radar for when things are useless, when a part of a song isn’t pulling its weight. It’s a very good influence to have someone like that. He’s got a great lyrical sense and an incredible voice.”

McCreary says Brendan is often the driving force of their lyrical efforts, and “sometimes we co-write with other people. Claudio Sanchez wrote all the lyrics on ‘Sweet Misery.’ It just depends.”

The younger McCreary was the propelling wordsmith on “One Fine Day.” “It’s about our experience as being in the Armenian diaspora and exploring what that means to us,” McCreary elaborates. “All the songs are very personal, which is another thing that sets this record apart from the last record. Many of them were personal, but I also had a weird song about an automaton that fell in love.”

Mentored at USC by Elmer Bernstein, McCreary now leaps from “God of War” themes to a Higgs boson rock musical and a roaring Singularity tour that hits L.A. on Sept. 17.

(Allen J. Schaben / Los Angeles Times)

Before he jammed with rock icons, McCreary was mentored by the late, iconic Elmer Bernstein for nearly the last decade of his life. The burgeoning young composer organized Bernstein’s music archives, sat in on recording sessions and audited his senior-level classes for three years while studying at the Thornton School of Music at USC. McCreary says that Bernstein “really set me on the path that I am now on, not because I learned how to orchestrate or how to write music from him. But he showed me the life that I could envision myself having when I was 15 or 16, that crucial time when you’re really setting the rudder for where you’re going to go in life.”

That rudder has steered him to many shores. McCreary has been co-writing the musical “Particle Fever” with Zoe Sarnak (“Galileo).” Pulitzer Prize finalist and Tony winner David Henry Hwang (“M. Butterfly)” wrote the book, and Tony nominee Leigh Silverman (“Suffs”) is its director. It is based on the documentary of the same name about the discovery of the Higgs boson — the “God particle” — at the Large Hadron Collider in CERN. It will debut at the La Jolla Playhouse in February 2027.

“It is a really kick-ass, earnest rock musical about a really ambitious discovery,” McCreary says. “My hope is that it actually has some of the swagger and fun that people found in ‘Hamilton,’ which also was a very dry subject that you learned about in eighth grade.”

The 47-year-old composer exudes an infectiously upbeat energy. He loves challenges and says he learned that charisma and charm are valuable assets to get in the door to prove one’s talents.

“I’m wired to be very positive and collaborative,” he concedes. “But I got so oppressively excited in my 20s that I started annoying people. My lesson was walk it back.”

His creative energy continues unabated. He’s even scored shorts for filmmakers he met through Twitter. (“I’m down to work.”) He has been blogging about his musical life for 20 years for a core group of followers. (“In hindsight, if Jerry Goldsmith had done that in the ‘80s, my God, my life would be different.”)

McCreary started as a high school keyboardist, then found the accordion in college, an instrument that gave him greater stage motion and which he later used to great effect in his music for the “Outlander” series. He loves to headbang while playing the hurdy-gurdy, an instrument he picked up in 2010 and later employed in the “Black Sails” show and “God of War: Ragnarok” video game. He learned guitar to play rhythm during his 2025 shows.

Those riffs will be on display at the Wacken Open Air festival on Friday and during McCreary’s eight-date September “Singularity” tour of the West Coast that hits L.A. on Sept. 17. McCreary has performed his symphonic scores in Europe and America with orchestras, but now he also loves to rock out (loud).

A big secret of the ambitious McCreary’s success harks back to lessons of simplicity that Bernstein taught him.

“The giant theme that I wrote for ‘God of War’ can be played with one finger on a piano,” McCreary reveals. “That is the thing that it boils down to, and that is what I listen for in music. Most of the time it means there’s a melody in there that sticks with you, and it doesn’t matter how well it is produced or how epic it is or how loud it is. A good song is a good song is a good song, and it really doesn’t matter how good a band performs. If the song is good, it will connect with people.”

Estuardo Mazariegos and Jose Ugarte, running against each other for a city council seat representing part of South Los Angeles, are immigrants from Latin America who arrived undocumented as children.

Both 40 years old, they grew up in the area and established themselves as community organizers.

And no matter which of them wins election on Nov. 3, it will be a historic change for Council District 9, which has been represented by a Black council member since 1963, even as its demographics shifted to a Latino majority.

Mazariegos and Ugarte both said they are committed to representing all their constituents equally, including Black residents who have expressed concerns about the change.

Jose Ugarte is the front-runner for City Council District 9 after getting 39% of the vote in the June primary.

(Genaro Molina / Los Angeles Times)

Ugarte, who was until recently a deputy chief of staff to the current council member, Curren Price, got about 39% of the vote in the June primary to 26% for Mazariegos, in a six-candidate field.

Ugarte was born in Oaxaca and is Mazateco — an Indigenous group native to the Mexican state. He has spent most of his life in South L.A., where he was embraced by his Black neighbors and schoolmates. He wants to model himself after Price, who he said is known in the community as the most “pro-Latino Black councilman.”

“I want to be a voice for Black residents in my district,” Ugarte said at his campaign headquarters on Avalon Boulevard. “I want to be called the most pro-Black Latino council member that the city really has.”

Last year, Ugarte agreed to pay a $17,500 fine to the city’s Ethics Commission, later increased to $25,000, for repeatedly failing to disclose outside income he made from his lobbying and consulting firm while also working as a council staffer. He said the issue stemmed from “an unintentional clerical reporting error on my part.”

Mazariegos is the L.A. co-director of the Alliance of Californians for Community Empowerment, a statewide nonprofit that organizes lower-income Black and brown communities for progressive change. Born in Guatemala and brought to the U.S. by his parents, he also was shaped by growing up in racially diverse parts of South L.A. He said he’s reaching out to different sectors of the community, including Black organizations and churches.

Organizing is about “always having open ears to the community,” Mazariegos said while sitting outside Mercado La Paloma, a food hall in the district. “It’s fighting for, honoring the Black legacy and fighting for a Black future, and you do that by building together.”

In his early 20s, Mazariegos pleaded guilty to a misdemeanor charge of carrying a concealed weapon in a vehicle. He said he was holding on to the gun for a friend and that the conviction makes him a better candidate because he can relate to people in the district who have had run-ins with law enforcement.

Council District 9 encompasses the Convention Center, USC and neighborhoods along the Harbor Freeway, including Vermont Square, South Park and Florence-Graham. In a district with the highest poverty rate in the city, residents are concerned about issues including illegal dumping, public safety, a dearth of grocery stores and a sense of being neglected by City Hall.

Price, who has represented the district since 2013, is terming out. He has been fighting corruption charges, with a judge deciding in January that there was enough evidence to move to trial on four counts of voting on matters in which Price had a conflict of interest, five counts of embezzlement and three counts of perjury.

Price said he never intended to do anything wrong and questioned the fairness of a prosecution over what he said was essentially a paperwork error.

The growth of the Latino population in a district that is now nearly 80% Latino has created political tensions for decades, said Manuel Pastor, a USC professor and author of “South Central Dreams: Finding Home and Building Community in South L.A.”

Four years ago, those tensions resurfaced after a recording emerged of a conversation among three Latino city council members and a labor leader that featured racist and disparaging remarks about Black people, Oaxacans and others. The revelations tested a fragile alliance of Black and Latino coalitions that organizers have sought to maintain.

More recently, some Black community leaders expressed concern that a proposal to allow noncitizens to vote in local elections would diminish Black political power. The City Council ended up sending the proposal to a committee for more study.

Pastor noted that Price made an effort to focus on Latino residents, who have grown up alongside Black residents and suffered the same disinvestment in their neighborhoods.

This election, Pastor said, will pit the strength of L.A.’s political establishment against the rising power of the Democratic Socialists of America.

Ugarte’s endorsements include Price and the L.A. County Democratic Party, while Mazariegos has been endorsed by Councilmember Eunisses Hernandez, City Controller Kenneth Mejia and the Democratic Socialists of America’s L.A. chapter, among others.

Through May 27, Ugarte had raised $510,000 in campaign contributions and Mazariegos had raised $254,000.

Ugarte has benefited from nearly $1 million in independent expenditures, which differ from campaign contributions, with Airbnb contributing $302,000 to support his candidacy and the California Apartment Assn. Housing Solutions Committee spending $230,000.

Mazariegos has received support from the political arms of United Teachers Los Angeles as well as his employer, the Alliance of Californians for Community Empowerment Action, which together spent about $118,000.

Jose Ugarte says, “I want to be called the most pro-Black Latino council member that the city really has.”

(Genaro Molina / Los Angeles Times)

On a recent Sunday morning, Ugarte stopped by services at two predominantly Black churches. At McCoy Memorial Baptist Church in South Park, he accepted a warm hug from longtime Pastor R.A. Williams Jr., who endorsed his candidacy. Ugarte then traveled a few blocks to Experience Christian Ministries, where Pastor Shep Crawford also has endorsed him.

“I met him years ago, boots on the ground, in the streets making changes,” Crawford told the congregation.

That same day, about three miles north at Audio Graph Beer Co., Mazariegos was cheering at a World Cup final watch party that doubled as a fundraiser. He posed for photos with supporters, who wore buttons declaring him “the people’s candidate.” He credited making the runoff election to his years in the community advocating for anti-displacement measures for tenants and lowering the rent cap.

Angie Gonzalez, 22, said Mazariegos earned her support because of his work advocating for tenant rights.

“I like how Estuardo is trying to empower us,” she said.

Odilia Romero, a resident of District 9 and executive director of CIELO, an advocacy group for Indigenous people, said she is not endorsing in the race. But she acknowledged the importance of an Indigenous candidate, four years after the audio leak scandal.

After The Times broke that story, Ugarte said, he secured permits for a march from L.A. Trade Tech to City Hall, where Oaxacans and others rallied.

Ugarte said if he is elected, he’d become the first Indigenous Oaxacan council member. He wants to show anyone critical of immigration — including the Trump administration — that “immigrants are here to build things to make the country better.”

“I want to be a council member that came from another country, that came as an immigrant, that came from an Indigenous state, and that made a name for himself, that [improved] his community,” he said.

Organizing is about “always having open ears to the community,” Estuardo Mazariegos says. “It’s fighting for, honoring the Black legacy and fighting for a Black future, and you do that by building together.”

(Arwen Clemans / Los Angeles Times)

Mazariegos said that while he may not be a political insider, he makes up for it as a “community insider.”

“There’s a lot of mistrust for the status quo right now,” he said. His goal is “making sure that the 9th district has representation that actually fights for it.”

These days, he said, campaigning has turned into an all-day affair, meeting people as he walks with his family around the district.

Mazariegos has in recent months appeared at City Hall to advocate for charter reform, including increasing police accountability, expanding the size of the City Council and advocating for noncitizen voting. None of those measures made the November ballot.

Organizers in the district said that no matter who wins, they intend to hold the new council member accountable.

“We hope that whoever wins this race keeps working-class people and their issues on the forefront,” said Ron Gochez, a longtime district resident and organizer with Union del Barrio, which advocates for immigrants. “We will pressure whoever wins to do the right thing.”

In a sign of how high school football practices in Southern California have changed over the last 20 years, Crespi athletic director Brian Bilek was holding a beeping device on Monday to determine what modifications might be needed to practice in heat.

It was 100 degrees in Encino, but the reading from the wet-bulb device measuring heat and humidity gave out a number that allowed for practice to take place with precautionary measures.

Southern Section players were in shorts and wearing helmets around the Southland. City Section teams began five days of mandatory acclimation periods to get players into shape.

It’s an annual ritual that once had programs practicing twice or even three times a day. CIF rules that restrict tackling to two days per week and a maximum of 45 to 90 minutes a day were adopted in an effort to protect players from concussions and injuries.

By the weekend, when the shoulder pads come on, coaches will be breaking out in smiles watching their freshmen players trying to figure out the routine for the first time.

Crespi coach Brad Vonnahme grew up in the Central Valley and coached at Fresno State. He described the weather from those days as “toasty.” Monday’s environment, though, was probably the hottest opening day in his four seasons at Crespi.

It’s a big year for the Celts. They’ve improved each season after Vonnahme was put in charge of a rebuilding project following Crespi’s 0-10 season in 2022. The Celts have responded with records of 2-8 and 5-6 before their 10-1 mark last season.

This year, they’ve upgraded their schedule, adding rival Sherman Oaks Notre Dame for a season-opening nonleague game Aug. 21.

Asked if his team can continue to climb, Vonnahme said, “I think we can. But most importantly, we have to try. Everybody wants us to continue to elevate.”

Crespi’s Russell White carries the ball during a game against St. John Bosco on Nov. 7, 1986.

(John McCoy / Los Angeles Times)

This season marks 40 years since Crespi’s greatest team, led by running back Russell White, won the Division 1 championship over St. John Bosco in 1986. It remains the only San Fernando Valley team to win a Division 1 football title. Many of the players are expected to attend the Notre Dame game for a recognition ceremony.

Crespi returns a number of players who were standouts as sophomores, led by quarterback Chase Curren. They’ll need to be bigger, faster and stronger. If all goes well, they will play Salesian on Oct. 30 to decide the Del Rey League title.

A strong group of teams will be traveling to Hawaii next month, so they’ll be getting ready a little faster for football and surfing. Chaminade, Edison, Beaumont, San Clemente, San Juan Hills, Newport Harbor, El Camino Real and Villa Park are among the teams with Hawaii trips.

Athletic directors are back from vacation and will be busy trying to clear players who transferred. Making sure paperwork is correct is one of the most important tasks, because one mistake can lead to forfeits.