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In reality, Dave Franco has a strict routine for Sundays, one he takes very seriously. He and his wife, actor Alison Brie, stay in bed all day, watch four movies and Postmate every single meal. But for the sake of Sunday Funday, the actor, director and screenwriter gave us a hypothetical Sunday where they actually leave their house.

In Sunday Funday, L.A. people give us a play-by-play of their ideal Sunday around town. Find ideas and inspiration on where to go, what to eat and how to enjoy life on the weekends.

The couple have lived in Los Feliz since 2012 and have bounced around to a few different spots in the neighborhood during that time. “We love that there are certain pockets that feel tucked away in nature where you don’t feel the buzz of the city,” Franco says, “but when you’re in the mood for a great meal or a night out, you’re still only a five-minute drive from all the action.”

Franco and Brie have collaborated on multiple projects, including the horror film “Together” (where they were the two leads) and the rom-com “Somebody That I Used to Know” (which he directed, she starred in and they co-wrote). Up next, Franco will roll solo as an actor and producer of the dark action comedy “Idiots,” out in theaters on Friday.

Sunday remains a day that he and Brie dedicate to being with each other. “No matter what else is happening in our lives or what we have coming up for that following week, we know we’re going to be together on Sunday,” Franco says. “Let’s spend the whole day together, let’s be connected, and it just resets us in a nice way for the week.”

This interview has been lightly edited and condensed for length and clarity.

7:30 a.m.: Coffee and doughnuts

I’ll set my alarm so I can roll out of bed and get to Maru Coffee right as it opens in an attempt to avoid the insane line that will inevitably snake down the entirety of Hillhurst Avenue. If I don’t want to wait in line, I’ll head to Dayglow in Silver Lake where some of my favorite baristas are generous enough to let me try whatever new concoction they’re experimenting with. But no matter where I end up, I’ll typically grab a cold brew for myself and an iced oat cappuccino for my wife.

If I’m feeling extra magnanimous, I’ll then drive to Proof Bakery in Atwater Village for our favorite croissants, or I’ll go all the way to Bob’s Donuts at the Farmers Market at the Grove and grab a couple of old-fashioned glazed.

Doughnuts on Sunday is a very important ritual for us. I legitimately think it’s a big reason our marriage has been so successful. We work hard and then we get to look forward to sharing something decadent at the end of each week.

11 a.m.: First movie of the day

After digesting our pastries, we will catch a late-morning movie at the Los Feliz 3, the Vista or the Landmark Sunset. When we get to the movie theater, Alison will ask whether we should get a small or large popcorn. I always reply, ‘Get the small. I don’t want any. I’m just going to have Red Vines.’ Inevitably, I’ll finish my Red Vines before the movie has even started and then Alison will begrudgingly allow me to have a few handfuls of her popcorn, but she is not happy about it. I’m not exaggerating when I say this happens every single time we go to the movies.

1:30 p.m.: Strictly vintage

After the movie, we might pop by Denim Revival in West Hollywood, which has the best vintage shopping in town. It’s a small curated collection, but if you’re into vintage Levi’s and old band T-shirts, this is your spot. My wife typically gets bored quickly in a vintage clothing store, but when I find her the perfect-fitting Tom Petty or John Lennon shirt, she perks right up.

Most of what’s in my closet is vintage. I can’t think of a T-shirt that I’ve worn in the past handful of years that wasn’t a vintage T-shirt. I have a pretty good collection at this point. I’m hitting all the different angles where I have anything from Beastie Boys to Jimi Hendrix to Britney Spears to Hansen.

I will definitely scour eBay or Grailed to find the perfect white T-shirt, which I have 10 of already, but it’s an endless search to expand that collection.

3 p.m.: Big Sur in L.A.

If we are in the mood for a pre-dinner snack, we’ll pop by the Trails cafe [in Griffith Park] for their famous egg in a basket, which is their take on the classic breakfast dish, toad in a hole. We’ll sit at Trails’ wooden benches surrounded by nature where it almost feels like we’re not in LA. It’s the closest we can get to Big Sur in Los Angeles.

We could sneak in a hike. We’ll sometimes start at an entrance across from the Greek Theatre, which will loop us all the way around past the [Griffith] Observatory and back to the Greek. We feel very fortunate that we live close to some very nice hikes in L.A., and so we definitely try to take advantage of that.

5 p.m.: Oysters, always

Even though we just ate, we are already thinking about where we should go for dinner. We like a very early dinner that verges on being a very late lunch. We’ll likely end up at Found Oyster. We’ll order a dozen oysters, a scallop tostada and a little steak frites if we’re feeling cheeky.

I’ve been an oyster person for as long as I can remember. I’m such an oyster person that I’ve actually gotten food poisoning twice in the past two years from oysters and I will not let that stop me. In both of those instances, I was begging for death — death would be better than whatever I was going through — and then a week and a half later I’m back fiending for more. But I’m not saying I got food poisoning from Found. I just want to make that clear.

7:30 p.m.: Time for another movie

The good thing about an early dinner is that you can be home and in bed by 7:30 p.m., where there’s still enough time to sneak in at least one more movie and some dessert.

We always try to have a pint of ice cream in our freezer from Henry’s Secret, which you can only order online for the time being. This is the guy who was making ice cream at Antico Nuovo for many years, which was always our favorite ice cream in L.A. And now he’s got his own little underground operation.

My wife is a massive [movie] re-watcher. She has seen “The American President” and “The Prestige” 150 times each, but I’ll always push to watch some hidden gem that’s been on our list for the past decade. She’s sometimes hesitant, then almost every time the movie finishes and she says, “I loved it.”

I’m not on Letterboxd. I have lists of movies that we want to watch in my Notes app on my phone. There are certain times where the list really grows, but we’ll knock them off pretty quickly because we really do try to watch one movie a night. When you’re doing that, you’re watching seven plus movies [a week] because on Sunday we’re watching multiple movies.

10 p.m.: Early bedtime

We go to bed relatively early. We’ll eventually fall asleep from food coma exhaustion and then we’ll wake up early the next morning to hit the gym and get back to a somewhat healthy routine, until the following weekend of more gluttonous excess.

BETHLEHEM, Pa. — Mike Gibbons sat out the presidential election two years ago, frustrated that Democrat Kamala Harris did not take a stronger stand against Israel’s war in Gaza and unable to bring himself to cast a vote for Republican Donald Trump.

That is not his plan this year.

The 33-year-old restaurant server in this eastern Pennsylvania town that once housed one of the world’s largest steelmakers is eager to vote for any Democrat he can in November. As the war with Iran that Trump initially said would last weeks surpasses six months on Friday, Gibbons is feeling the fallout every time he fills his tank at nearly $1 per gallon more than last year.

“The price of gas affects the price of everything and the price of everything’s up and my pay hasn’t gone up,” he said. “I’m doing blue no matter who this time.”

The Iran war has reshaped the rapidly approaching midterm elections, undermining Trump’s campaign pledge to steer clear of foreign conflicts and challenging Republicans who would rather focus on their tax cuts as they cling to narrow majorities in Congress.

While the president’s supporters are undeterred, the war’s unpopularity and economic ripple effects could tilt the scales in tightly contested U.S. House districts like the one in Bethlehem, where Republican Rep. Ryan Mackenzie is one of this year’s most vulnerable incumbents.

Midterm elections are always difficult for the party in power in Washington. But interviews with voters around the country show how a war that Trump expected to end with a swift victory could undermine the final years of his presidency.

Many U.S. adults say the war has not been worth fighting

About two-thirds of U.S. adults say the war with Iran has not been worth fighting, according to a July poll from The Associated Press-NORC Center for Public Affairs Research. That includes the vast majority of Democrats and independents, as well as more than one-third of Republicans.

Although Trump has long criticized Iran’s leadership, he did little to prepare Americans or allies for such a lengthy conflict. Republican President George W. Bush, for instance, spent more than a year making a case for launching a war in Iraq through speeches and attempts to build an international coalition. Trump did none of that.

Trump has refused to acknowledge the war’s cost, saying this month he would “never apologize” for higher prices stemming from it and insisting he did “the right thing” to prevent Iran from obtaining a nuclear weapon. His administration announced new sanctions this week in an attempt to further isolate Tehran.

In Congress, Republicans have shifted from initially cheerleading Trump’s moves in Iran to expressing concern about the toll of the war. But the party has largely unified to block measures that would curb Trump’s war powers and leaders have shown no interest in cutting off money for the war, preferring to portray Democrats as extremists who cannot be trusted to govern.

Democrats who were blamed just two years ago for presiding over high prices see an opportunity to turn the issue back on their opponents. As part of his comeback U.S. Senate bid in Ohio, Sherrod Brown released an ad this week filmed at a gas station as he said “the cost of gas is out of control and we’re the ones paying for it.”

Speaking to a group of older adults recently in a Republican-dominated swath of western Maryland, Democratic U.S. Sen. Angela Alsobrooks blamed higher prices on the war. Heading into November, she encouraged fellow Democrats to stay focused on the war’s impact and what it says about Trump’s leadership.

“We ought to be saying what is obvious, which is our country is heading in the wrong direction,” she said in an interview.

That resonates with voters such as Brandon Bane, a fast-food worker in Bakersfield, California, where Republican Rep. David Valadao is also in a competitive congressional race. Bane, who described himself as a political independent, said he often has to balance paying rent and groceries, noting high gas prices have only added to the challenge.

“It hasn’t been worth it at all,” he said of the war, adding that he plans to vote for Valadao’s challenger, Democrat Randy Villegas.

Melissa Wegman, a Democratic retiree who is also from Bakersfield, said she was shocked when the pump recently whirled to $128 to fill the tank on her SUV.

“I have to manage a budget,” she said.

Some voters are sticking with Republicans

But there is a risk, too, that the war does not provide Democrats with the political boost they are expecting.

While there is plenty of frustration about prices, there are also voters willing to make adjustments without blaming Republicans. Many remain aligned with Trump and are not interested in seeing Democrats return to power.

North Carolina is a top pickup opportunity for Democrats hoping to flip a U.S. Senate seat. But at the State Farmers Market in Raleigh, North Carolina, Lucienda Lowe of Sugarloaf Orchards said her faith in Trump is solid.

“There has to be a reason why they’re over there,” she said. “They wouldn’t be over there doing that if there wasn’t something more going on than what we’re seeing.”

She has not raised her prices on apples even as fuel and fertilizer costs soar. Her family has been farming since 1846 so she feels resilient to weather the next rough patch and tells others to do the same.

“Suck it up, buttercup,” she said.

Similarly in Iowa, where Democrats are bullish on their prospects of flipping everything from a U.S. Senate seat and the governor’s mansion to several U.S. House races, Larry Cole said higher gas prices as a result of the war are just the “nature of the beast.”

The 66-year-old Republican service manager from Perry, Iowa, said he will back Republicans in this midterm elections and does not want to see Democrats gain control in either chamber. He said Trump has taken action that other presidents were not willing to do to keep Iran in check.

Trump “hit them where they need to be hit,” Cole said.

Mark Duffy, 65, of Scottsdale, Arizona, said he did not expect the Iran war to go on as long as it has, but it has not had material effects on his life.

“I didn’t think it would go this long,” said Duffy, who retired a year ago from his career selling electronic components. “I don’t think anybody did, but now the next wave is the economic sanctions, so we’ll see if that works and maybe that is a way for other people to join.”

For others, the war has only reinforced a sense that neither political party is responsive to the needs of voters.

As he left a tattoo parlor in Ashland, Virginia, 26-year-old Evan Mise said he feels the increase in gas prices and worries about whether his mom will be able to retire or whether he will someday be able to.

But he had not decided whether to support Democrats or Republicans in November.

“I feel like our government is pretty corrupt through and through,” he said. “It’s kind of just a sit-back-and-watch thing. And I think my generation especially feels helpless.”

Catalini and Sloan write for the Associated Press. Sloan reported from Washington. AP writers Allen G. Breed in Raleigh, N.C., Michael R. Blood in Bakersfield, Sarah Rankin in Ashland, Va., Jonathan J. Cooper in Scottsdale, Ariz., and Hannah Fingerhut in Des Moines, Iowa, contributed to this report.

Famous for its walls bearing scribbles and sketches left behind by patrons for over 60 years, El Batey, a bar in Old San Juan, is a Puerto Rican institution serving locals and tourists alike.

It was inside this famed establishment that filmmakers Lorraine Jones Molina and Cristian Carretero first met one night back in 2008. Since then, the two have joined forces in both life and art; they are a married couple, as well as parents and close collaborators on film projects.

Their first feature, “Esta Isla,” which is now available on VOD, made history as the first Puerto Rican film to win at the Independent Spirit Awards in February, taking home the John Cassavetes Award honoring a production made for under $1 million. At the 2025 Tribeca Film Festival, it received three prizes, including best new narrative director.

A politically charged, coming-of-age road-trip movie, “Esta Isla” follows Bebo (Zion Ortiz), a young man from the “caserios,” or projects, and Lola (Fabiola Victoria Brown), a well-off girl unhappy in her bubble of privilege. Violence forces Bebo to run away to the mountains. Lola tags along and together they come across a series of people who expand their worldview.

There’s a grounded, earthy lyricism to the images captured in “Esta Isla” that show a Puerto Rico that’s at once lush and entrancing but also undiscovered and unseen in cinema.

Fabiola Brown, pictured above, plays “Lola” in the new Puerto Rican film “Esta Isla.”

(Experimento Ludico)

Key to their professional success thus far, the filmmakers believe, is their loving personal bond. “We’re always together and talking about ideas. When we were working on ‘Esta Isla,’ it helped a lot to really dig deep and have long conversations about certain details and topics,” Carretero says during a recent video call. “We do mostly everything ourselves, just me and Lorrie. Sometimes I do camera, Lorrie does sound. We keep it pretty small.”

In 2010, Carretero and Jones Molina founded the production company called Experimento Lúdico in the western town of Mayagüez with the intent of decentralizing production on the island. Most opportunities for filmmaking are still based in the San Juan metropolitan area.

“I’m from Arecibo, from the north, and Cristian is from here, from Mayagüez. That’s part of who we are, and we want to tell these stories from here. It’s part of resisting. It feels like somebody has to do this,” Jones Molina says with a laugh, while sitting next to Carretero.

Lorraine Jones Molina and Cristian Carretero are the filmmakers behind the Puerto Rican road trip movie “Esta Isla.”

(Experimento Ludico)

When Carretero and Jones Molina first met, it was the documentary scene that sustained Puerto Rican cinema because those stories could be told with fewer resources. Karen Rossi’s 2007 environmentalist doc “Isla Chatarra,” for example, inspired Jones Molina.

She and Carretero later directed the 2016 medium-length doc “Seeds, Chronicles of the Earth,” about GMO experimentation on the island.

Most of the fiction production on the island then pertained to Hollywood films, such as “Pirates of the Caribbean: On Stranger Tides” (2011). In the 2010s, however, a string of fiction films, including Ari Maniel Cruz’s “Under My Nails” (2012) and “Before a Rooster Crows” (2016) and Ángel Manuel Soto’s “La Granja” (2015), pushed local storytelling forward.

And while those movies, just like “Esta Isla,” don’t address the socioeconomic issues facing Puerto Ricans didactically, their mere existence is in itself a statement. “Making Puerto Rican films in Puerto Rico is political,” says Jones Molina. “Talking about who we are, our identity, our culture, our history and saying that we are here and we exist is political.”

Residents in San Juan are currently experiencing a water crisis, and while the scarcity hasn’t directly affected Jones Molina and Carretero in Mayagüez, this problem is not new and has only turned more urgent in the aftermath of Hurricane Maria.

That’s why they deliberately wrote a scene in “Esta Isla” showing people getting water from a water truck.

“It’s crazy that we filmed that a couple of years ago to talk about that issue, and it’s just gotten worse,” says Carretero. “Now we have a drought, and you have to have water rationing. It’s something that is reflective of a bigger problem in the island: the neglect of the most important needs of the citizens.”

Puerto Rico’s status as a colony of the U.S., where the interests of corporations supersede the well-being of the local population, is the source of many of its challenges. And for a long time, even referring to Puerto Rico as a colony was taboo. A history of persecution on behalf of the U.S. government ingrained fear in Puerto Ricans.

“The FBI would keep ‘carpetas,’ or files with information on regular people, who were suspected of organizing or fighting for independence,” Carretero says. “People were being surveilled by the FBI, and they’d pay family members or people they knew to survey them.”

“Esta Isla” touches on the troubled relationship between Puerto Rico and the U.S. via Lola’s deceased father, who is a stand-in for Filiberto Ojeda Ríos, a Puerto Rican revolutionary and leader of the pro-independence militant group Los Macheteros. After years on the run, the FBI assassinated him in 2005. In the film, the character Cora (Teofilo Torres) lives in the mountains and works the land. The location used for his house carries great significance.

“The inside shots, with the bullet holes, and the windows, and the books, all of that is from Filiberto’s actual house where he was assassinated,” says Jones Molina. “When you go there, you see all those bullet holes; it’s heavy.”

To that, Carretero adds: “There’s an inferiority complex that the colony perpetuates, which has to do with not knowing where you come from. Once you know all these names and all the stories of women and men who’ve worked for the good of Puerto Rican people, here and in the States, it opens up this whole other space for inspiration that’s from our ancestors”

Carretero and Jones Molina found the core concept for “Esta Isla” on the first page of Octavio Paz’s seminal novel “The Labyrinth of Solitude,” where the Mexican author discusses adolescence as a moment in a person’s life where they open up to the world, while at the same time noting that societies themselves also go through a coming-of-age.

Zion Ortiz, pictured above, plays “Bebo” in the new Puerto Rican film “Esta Isla.”

(Experimento Ludico)

“Puerto Rico is still an evolving organism. It’s a country, a people and a culture still evolving,” Carretero explains. “We’re still trying to understand who we are and where we’re going. Are we a country? Are we not? Are we part of the U.S., or not? Are we Americanos, or somos latinoamericanos? Tantas preguntas that are still unresolved.”

Jones Molina continues: “There’s this idea that you have to just be grateful that you’re a part of the United States and don’t complain. But when you question that, and when you want to really look at why you love and care about your country and your culture and want to educate yourself, then you’re definitely going through this kind of coming-of-age.”

For this filmmaking couple, reaching maturity as artists forged in the complex context of a modern colony hinges on acknowledging their limitations and still persevering.

“We also wanted to show that you can make films with very little; you don’t have to wait for the perfect moment or all the different resources. That’s what we call tropical realism. Not only the style of the filmmaking, but it’s also the means, and how that matches your reality,” explains Carretero. “We cannot pretend to be something that we are not. We have to develop our own language, our own way of filming, our way of telling our stories.”

Shelley Fabares’ cause of death has been revealed.

Fabares was known best for her television roles , including Christine Armstrong on the ’90s sitcom “Coach,” Francine Webster on the 1970s sitcom “One Day at a Time” and Mary Stone on “The Donna Reed Show,” as well as her Billboard Hot 100 song “Johnny Angel” and appearances opposite Elvis Presley in “Spinout,” “Clambake” and “Girl Happy.”

The actor died Saturday in Los Angeles surrounded by loved ones after battling pneumonia, her family told The Times on Thursday. In the 1990s, Fabares fell ill, but doctors struggled to pin down what the problem was. After years of health problems, she was diagnosed with autoimmune hepatitis. Doctors ultimately discovered severe liver deterioration, and she spent nearly two years on a waiting list for a liver transplant. She received the lifesaving surgery in the fall of 2000.

In 2011, Fabares told PBS Houston that after suffering liver failure and facing death, her outlook on life completely changed. “It really brought home the fragility of life and how fast everything can change and how extraordinarily lucky we are to be alive, and to have this opportunity to be here, and in my case, to get really an entire second chance,” she said during the appearance. “It does make things more precious.”

She said that, after the close call and lengthy recovery, she feared death less.

“To her family and friends, Shelley was a source of love, strength, laughter, and comfort,” Fabares’ husband, “MASH” actor Mike Farrell, said in a statement.

“She was a devoted wife, cherished stepmother, daughter, sister, niece, aunt, family member, and loyal friend whose warmth, generosity, humor, and grace made an enduring difference in the lives of everyone who knew her. She had a remarkable ability to make people feel welcomed, valued, and cared for.

“For millions, Shelley was a beloved actress whose work became part of the fabric of American television and film. … But to those closest to her, her greatest legacy was personal: the love she gave so freely, the friendships she treasured, and the family bonds she held dear.

“We will remember Shelley for her kindness, loyalty, wit, courage, and beautiful spirit. We will miss her deeply — not only as a celebrated performer, but as the loving and extraordinary person she was in our everyday lives.

“We are heartbroken by her loss, yet profoundly grateful for the years we shared with her and for the joy, compassion, and love she brought to so many. We ask that our family’s privacy be respected as we grieve. We take comfort in knowing that Shelley’s work and the memories she created with those who loved her will continue to live on.”

She is survived by her husband and her daughter, Erin.

Leah Remini is joining the cast of “The Real Housewives of Beverly Hills.”

The “King of Queens” star confirmed rumors that she was joining the 16th season of “The Real Housewives of Beverly Hills” with an Instagram post on Wednesday, writing alongside the announcement, “It’s true.”

Remini’s team didn’t comment on whether the Emmy-winning actor would be a full-time cast member on the series. Tracy Tutor, a luxury real estate broker from “Million Dollar Listing Los Angeles,” will also join the all-star cast, which includes Kyle Richards, Erika Girardi, Dorit Kemsley, Bozoma Saint John, Rachel Zoe and Sutton Stracke. Kathy Hilton and actor Jennifer Tilly also will return in a recurring “friend” role.

Amanda Frances of Season 15 will not be returning. She announced the news and a forthcoming memoir via Instagram on Aug. 5, writing, “I am taking the clarity, the lessons, the plot twists, the spiritual warfare, and the occasional deeply unnecessary dinner party drama into all that God has for me next. … And to anyone watching, please know: Your next move does not require anyone’s approval.”

“The Real Housewives of Beverly Hills” turned 20 this year and has the distinction of most-watched of the franchise, with “Real Housewives of Atlanta” coming in second after carrying the torch for a decade.

Per Variety, “RHOBH” began filming earlier this summer with much of the cast — sans Remini and Tutor — jet-setting off to Ghana for Saint John’s wedding to Keely Watson last week. Remini will begin filming in Los Angeles this week.

Remini and her former husband, Angelo Pagán, announced back in 2024 that they were divorcing after nearly 30 years together. In a joint statement, the exes said they’d both changed, “as people do.”

“This decision came after a lot of thought and care, and as hard as divorce is, we are approaching this with a positive outlook because we know it’s what’s best for us,” they said in the joint statement.

The pair had publicly shared their relationship in TV specials that aired on VH1’s “Inside Out: Leah Remini” and on Remini’s TLC series, “It’s All Relative,” which aired for two seasons.

The Pro Bowl is no more, the NFL announced Wednesday, ending an exhibition of the league’s top players that was held in some form almost every year since 1951.

The game wasn’t played in 2021 because of the COVID-19 pandemic, but that was the only pause in the postseason event.

The league said 88 players will still be named as Pro Bowl players and honored in Los Angeles after this season. Several flag football events also will take place at that time.

“The Pro Bowl has always been about recognizing the players who distinguish themselves as the very best in the NFL,” league executive vice president Peter O’Reilly said in a statement. “A Pro Bowl selection will return to its original purpose, honoring the best of the best. We want that distinction to carry even greater meaning for the players, their families, their clubs and our fans.”

The Pro Bowl has waned in popularity in recent years. Once a staple in Honolulu, the NFL has moved the event to various cities and even switched from tackle to flag football in 2023.

In death as in life, Parton left us one of the few spaces where Americans can still unite under a single banner. The banner of Dolly.

Flags are flying at half-mast to honor singer Dolly Parton, who died Tuesday at the age of 80.

There are few artists, let alone individuals of any stripe, whose loss compels a national day of mourning. Especially now, when it can appear there is little to agree upon and everything to debate.

But in death as in life, Parton left us one of the few spaces where Americans can still unite under a single banner: The banner of Dolly.

Her music was borderless, disarming and genuine. Simply put, it was a reflection of the woman who wrote and performed the songs. Her outsized personality, warmth, compassion and charm made her more than a country music star. Parton was an icon whose music, philanthropy and authenticity superseded genre, class, sexuality, color and politics.

She ingratiated herself to the public in bigger-than-big wigs, “trashy” outfits (her words) and with an unfailing sense of humor about herself. When I interviewed Parton in 2001 upon release of her album “Little Sparrow,” she expounded on her fashion sense.

“Just ‘cause I’m singing about a farmer doesn’t mean I have to come out in overalls,” she said. “Or just ‘cause I’m singing about a woman having a baby doesn’t mean I have to wear a maternity smock. But if I did, I’d put rhinestones on it.”

Parton’s self-effacing jokes made her immense talent less threatening in an entertainment industry that often reserved the title of “genius songwriter” for men. And women’s contributions were often minimized by putting the focus elsewhere.

In 1977, when she appeared on “The Tonight Show Starring Johnny Carson,” the most powerful man on television asked what her ample bustline would have been called back home. “Healthy,” he joked? She laughed it off. He then said he would give a year’s pay to “peek under there.” She was quick with a comeback, “I paid good money for these.”

Parton was a master at meeting wisecracks about her shapely figure with her own one-liners. When Carson’s successor Jay Leno asked if her breasts were real, Parton replied, “They’re real big!”

The boob jokes were predictable during her frequent appearances on talk and variety shows. But the of-its-time sexism was neutralized when she’d pull out her acoustic guitar and perform a song as comfortably as if she were sitting on the porch of her childhood home in Appalachia. The audience was then reminded that it was her indelible songs like “Coat of Many Colors” or “Jolene,” and the home-spun beauty of Parton’s voice, that made her a star.

The fourth of 12 children born to a poor sharecropper in a one-room cabin on the banks of the Little Pigeon River in Pittman Center, Tenn., Parton over six decades sold more than 100 million records to become one of the bestselling music artists of all time. She expanded her audience when in 1980 she played an overworked, underappreciated secretary alongside Jane Fonda and Lily Tomlin in “9 to 5.” The title track she wrote and performed for the film is an enduring work anthem, no matter the generation.

Despite Parton’s huge pop successes, which also included “Here You Come Again” and “Islands in the Stream,” she always came back to her roots. “When I came out of the Smoky Mountains, I tried to make a living doing [mountain music], but I couldn’t,” she said back in 2001. “I had to prostitute myself in certain ways musically in order to make a living. It’s almost like I had to get rich in order to sing like I was poor again.”

But it was largely what Parton did and said outside the recording studio and film set that made her such an inspiring and beloved figure, especially in communities that had been overlooked, marginalized or demonized.

She spent her lifetime giving back to Appalachia and other regions of her home state, sponsoring literacy programs and building the Dollywood theme park to attract tourism and create jobs. She covered tuition and related college expenses should Dollywood employees enroll in higher education. It was also reported that Parton had anonymously paid for the band uniforms for a number of Tennessee high schools for years.

When Whitney Houston popularized the country singer’s song “I Will Always Love You,” Parton used her songwriting royalties to buy property in a historically Black Nashville neighborhood, and moved her own business offices into the complex rather than in the city’s corporate or music-row districts. Functioning as a local commercial building and office space, it allowed her to invest directly in the surrounding community. Parton referred to the property as “the house that Whitney built.”

Parton was also known for her long history of openly supporting the gay community. She raised money for HIV-related charities, and her production company, Sandollar Productions, co-produced the Oscar-winning documentary “Common Threads: Stories From the Quilt,” which honored people lost to AIDS. She also publicly came out in support of same-sex marriage in 2009 and voiced her support for the trans community after several anti-trans measures came into law in Tennessee in 2023.

Communities across the political and cultural spectrum, and countries overseas, are now remembering and honoring Parton with drag parades, New Orleans brass band tributes and even a King’s Guard rendition of “9 to 5” outside Buckingham Palace.

Parton’s acts weren’t political. They were empathetic. And unifying. Even in death.

Alysa Liu is stepping away from skating again.

The first time, following her bronze medal at the 2022 world championships, Liu considered herself retired at age 16.

This time, six months after becoming the first American woman to win Olympic gold in skating since 2002, the 21-year-old athlete says she’s simply taking a year off from the sport and is already planning her return.

“I will not be competing this season,” Liu wrote Monday on Instagram. “I always want to challenge myself in new ways, so my artistry & skating can evolve. It’s important to me that my sport reflects my personal growth. I’m gonna take the time to recalibrate, fine-tune things & whatnot.

“So fear not, I’ll be back, & in the meantime I’ll be rooting for my teammates near & far. See yall soon!!”

Born in Clovis and raised primarily in Oakland, Liu won back-to-back U.S. championships in 2019 and 2020 at ages 13 and 14. In February 2022, she finished seventh at the 2022 Beijing Olympics.

Less than two months later, Liu announced on Instagram that she was “done with my goals in skating [and] i’m going to be moving on with my life.”

During her two years off, Liu hiked to Mount Everest base camp with friends, enrolled at UCLA and focused on herself.

“I found what I like and what I didn’t like,” Liu said earlier this year. “Really got to know myself, because [when] I had skating, I didn’t really know myself. I couldn’t know myself. I only ever did one thing.”

She returned to skating in 2024 on her own terms, with a new look that included a halo hairstyle and a “smiley” piercing in the tissue connecting her upper lip to her gums. A gold medal at the 2025 world championships set the stage for her triumph at the Milano-Cortina Games.

While her last break was an effort to get away from skating, Liu told NBC Sports that this time she will continue training to improve her “overall artistry, spins, jumps, everything.”

“I really want to improve my skating, and I wanted to take the time to do that for myself and just to evolve, and then I’ll be back after that is done,” Liu said. “But I’ll still be cheering on all my competitors and my teammates, and I’m really excited.”

She added that “logically and emotionally and physically, this just makes the most sense” and “I just felt this was right. So I’m trusting my instincts.”

A Maryland court has ruled against a proposed constitutional amendment that could have paved the way for Democrats to redraw the state’s congressional districts ahead of the 2028 elections.

The ruling Wednesday by a judge in the state’s capital city marks another setback in Democrats’ national attempts to counter a Republican redistricting movement pushed by President Trump ahead of this year’s elections. The judge ruled that the amendment cannot appear on the November ballot, but he paused the effect of that ruling to allow for an appeal to the state Supreme Court.

Democrats already control seven of Maryland’s eight congressional seats. Democratic Gov. Wes Moore called lawmakers into a special session in August with a goal of making it easier to claim that final seat.

An amendment referred to the ballot by lawmakers seeks to sidestep a court ruling that struck down a previous Democratic redistricting plan in 2022. It would declare that a constitutional requirement for districts to be compact and take into account “natural boundaries” applies only to state legislative districts, not congressional ones.

That would allow Democratic state lawmakers to draw congressional districts that cross the Chesapeake Bay, reshaping a district east of the bay that is held by Republican Rep. Andy Harris, chair of the conservative House Freedom Caucus.

Anne Arundel County Circuit Court Judge Robert Thompson ruled that lawmakers violated their own deadlines for ballot measures. Earlier this year, lawmakers passed a law signed by Moore that set a July 1 deadline for the secretary of state to certify summaries of all statewide ballot questions to the Maryland State Board of Elections.

The state attorney general’s office argued that deadline didn’t apply to the redistricting amendment because lawmakers wrote their own ballot summary for it, using their constitutional authority. The judge disagreed, instead siding with arguments by the conservative Oversight Project and Republican state lawmakers who sued.

Earlier this year, the Virginia Supreme Court also invalidated a redistricting ballot measure because of procedural violations by state lawmakers. In that case, voters had already approved an amendment in April authorizing mid-decade redistricting when the court ruled that lawmakers last year had waited too long to take an initial step necessary to qualify it for the ballot.

Virginia and Maryland both were seeking to follow the path of California, where voters approved a Democratic-backed amendment authorizing mid-decade redistricting. Democrats hope to gain as many as five congressional seats from California’s redrawn districts, plus an additional seat from new districts in Utah.

But Republicans hope to win as many as 16 additional seats from new U.S. House districts enacted in Alabama, Florida, Louisiana, Missouri, North Carolina, Ohio, Tennessee and Texas.

Redistricting typically happens near the beginning of each decade, after new census data is released. But a mid-decade redistricting battle broke out after Trump urged Republican-led states to redraw congressional districts in hopes that it might help Republicans hold onto a slim House majority in this year’s midterm elections.

Lieb writes for the Associated Press.

LONDON — Prince Harry and his wife Meghan arrived in the United Kingdom on Wednesday, as they make a fresh start in Britain after six years in the United States, U.K. media reported.

The news comes less than a week after the couple surprised fans and critics alike with plans to return to Britain. The return was reported by media such as the BBC and the Daily Telegraph, with the newspaper reporting that their plane landed at Birmingham International Airport around noon.

Flight tracking websites showed a private charter flight from Van Nuys, arrived at the airport at 11:56 a.m.

The couple’s children, Prince Archie, 7, and Princess Lilibet, 5, have already enrolled at British schools and will start classes in September. The family plans to live at a private, nonroyal residence outside of London, but haven’t said exactly where that will be.

Harry and Meghan gave up their royal duties and moved to California more than six years ago to earn their living through lucrative contracts with Netflix and Spotify.

Relations with the rest of the royal family quickly soured as the couple said palace staff had been insensitive to Meghan’s mental health and leveled charges of racism and media manipulation at members of the royal family.

Harry recently expressed an interest in reconciliation so he could spend more time with his father, King Charles III, who is being treated for an undisclosed form of cancer. But relations with his brother, Prince William, who is heir to the throne, remain tense.

RIGHT now there are hundreds of holidays available to book over at the £9.50 Holiday website.

But if you want to bag one you’ll have to move fast, as this is the final £9.50 Holiday sale of the year – and they’re going quick.

Unlock the hols by signing up to Sun Club for £1.99 per month / £12 per year

The breaks listed on the website are for autumn holidays this year, or to book ahead for 2027. This means you could bag a stay at your favourite £9.50 holiday park for next year before anyone else.

How to book one? Don’t worry if you haven’t been collecting code words from the paper – you can gain immediate access to these holidays by signing up to Sun Club.

Simply click here to sign up to Sun Club for £1.99 per month (or £12 for an entire year) and you’ll unlock the final £9.50 holiday deals of the year.

Here’s a round-up of some of the most exciting and popular UK holiday parks which you can book now.

Read more on £9.50 holidays

GO SEA

Top £9.50 holiday parks on sale NOW with £10m upgrades, waterparks & private beaches

ACT NOW

Perfect £9.50 Hols for autumn on sale NOW – with beaches, cosy pubs & indoor pools

Parkdean Resorts Kessingland Beach

Sitting on a sandy stretch of Suffolk shoreline, Kessingland Beach Holiday Park offers easy access to a beautiful beach and lush woodlands beyond.

Whether you’re heading out for a family bike ride or taking a bucket and spade to the golden sands on your doorstep, this holiday park is in a pretty unbeatable location.

If you fancy a day trip, the historic Somerleyton Hall and Gardens is just a short drive away, where you can stroll through manicured grounds and take on a classic hedge maze.

Southwold pier is also nearby, lined with amusements and ice cream shops.

Hayling Island Holiday Park

Just east of Portsmouth, this holiday park on Hayling Island is surrounded by sprawling beaches and quirky surprises that truly set it apart from other parks.

Beyond the staple adventure playground and splash zones, families can tackle a Wipeout inflatable course, play a few rounds of disc golf, or put their pets to the test on the ‘Tough Mutter’ dog agility track.

After dark, the on-site entertainment dials up the fun with high-energy Glow Show DJ battles and dedicated Queen tribute nights.

To truly pamper the family, book one of the luxury caravans and end your action-packed days by sinking into a bubbling private hot tub.

Unlock the hols by signing up to Sun Club for £1.99 per month / £12 per year

Skirlington Coast

With a recent £10m cash injection, Skirlington Coast is the perfect pick to book ahead for next summer.

One exciting new addition is the ‘Festival Gardens’ – a brightly decorated, fairy-lit outdoor zone which is perfect for kicking back with a cocktail on a summer evening.

Add a brand-new lido to the mix, sheltered by a yellow-striped canopy and surrounded by colorful beach huts and loungers, and you’ve got the ultimate seaside holiday vibe on-site.

Indoors, you’ll find a pool with a kids’ splash zone, a sauna and hot tub for grown-ups, plus new activities like axe throwing and a mini bike pump track.

St Ives Bay Beach Resort

This £9.50 holiday park delivers a glamorous Cornish coastal escape on a budget and you can upgrade a standard holiday home to a glass-roofed ‘Stargazer’ caravan, a cozy luxury pod, or a sprawling sea-view family lodge.

The beach is just steps away when you want to unwind by the waves, plus there’s plenty of unique activities for kids like Nerf wars, disc golf and an open-air cinema.

If the weather turns, there’s an indoor heated pool, arcade, and lively evening entertainment to keep everybody entertained.

Plus, you’re perfectly positioned here for a day trip into St Ives to explore its postcard-perfect harbour and maze of independent art boutiques.

Parkdean Resorts Cayton Bay

Sitting a stone’s throw from Scarborough and Filey Beach, this North Yorkshire resort is the ultimate pick for outdoors-y, thrill-seeking families.

Beyond the sprawling swimming pool, there’s activities like high ropes, hoverboards, and bumper zorbs.

Accommodation comes as cosy caravans and luxury lodges, and if you’re feeling ultra-fancy, you can opt for a glam lodge with a hot tub.

Furthermore, family-favourite theme park Flamingo Land is around 40 minutes drive away.

Fernandes rewarded for outstanding season with record assists in the league; Shaw builds on league win and Golden Boot.

Manchester United captain Bruno Fernandes was crowned the Professional Footballers’ Association (PFA) Player of the Year, while Manchester City’s Khadija Shaw scooped the Women’s award for the second time.

The award wins on Tuesday highlighted the individual brilliance of both players, with contrasting fortunes for their respective teams during the season.

Portuguese international Fernandes broke the Premier League assists record during an outstanding 2025–26 season, setting up 21 goals as he surpassed Thierry Henry and Kevin De Bruyne’s previous mark.

The 31-year-old also scored nine times as United overcame a poor start to finish third in the Premier League under Michael Carrick and earned a return to the Champions League.

Fernandes also won the Football Writers’ Association Footballer of the Year award in May.

“It is obviously a very proud moment. They are the ones you go on the pitch against, and it’s probably not easy to vote for someone you play against, so it is a very good moment,” said Fernandes.

Shaw was rewarded for scoring 21 goals on the way to a third straight Golden Boot and securing City’s first Women’s Super League title in a decade.

City also saw further success as Nico O’Reilly was named Men’s Young Player of the Year.

The 21-year-old scored twice in the League Cup final as City beat Arsenal and was part of the side that also won the FA Cup last season.

“I’m very proud of the season I had,” said the England international. “I won two trophies with my club and managed to play at the World Cup with my country. I’m over the moon with how it turned out.”

O’Reilly was joined by City teammates Erling Haaland, Rayan Cherki and Antoine Semenyo in the Team of the Year.

Champions Arsenal had five representatives in David Raya, Gabriel, William Saliba, Jurrien Timber and Declan Rice, with Fernandes and Brentford’s Igor Thiago completing the XI.

“Everywhere I go, the kids call me ‘the book lady.’”

Dolly Parton wore the moniker like a badge of honor, and she earned it too. Through her Imagination Library program, launched by the Dollywood Foundation in 1995, she put more than 330 million books into the hands of children across America, Canada, the U.K., Australia and the Republic of Ireland.

The program is rooted in a childhood of poverty and illiteracy — roots that those who knew Parton said she never denied or abandoned.

Parton, 80, died Tuesday after a brief battle with cancer. And although the country western superstar collected accolades — including 10 Grammy Awards, a National Medal of the Arts and two Academy Award nominations — across her storied career, Parton said her contributions to children’s literacy were most precious to her.

In 2023, the American Library Assn. awarded the singer-songwriter, book lady and philanthropist its highest honor — lifetime membership — to recognize her lasting impact on literacy and inspiring a love of reading in children.

“Dolly Parton represented the very best of America,” ALA President Maria McCauley told The Times on Tuesday, adding that, like people all over the world, she’s been playing Parton’s music since news of her death broke, particularly the song “I Can See the Light of a Clear Blue Morning.”

“That song has so much resonance right now,” she said, noting its lyrics capture a theme of resilience and faith in overcoming dark times.

“We want to make sure that Dolly’s vision, that reading is for everyone, becomes a reality. That’s something that we can all carry forward in memory of Dolly.”

Parton’s Imagination Library gifts a book a month to children signed up for the program from the time they are born until they are 5 years old. Parton described the program best when speaking with librarian Carla Hayden in 2018. “We send the book in the mail with their name on it. It’s not in the care of Mom and Dad — it’s got their little name on it, and they love to think, ‘This is mine.’ They wait at the mailbox. They get their little books, and to them, it’s personal.”

Parton understood the novelty of owning your very own book. Growing up in the Great Smoky Mountains town of Sevierville in east Tennessee, Parton was the fourth of 12 kids. Her father, a tobacco sharecropper, couldn’t read or write, and the family lived in a one-room cabin with no electricity. There were no books in the home, aside from the Bible.

The singer’s upbringing, particularly her father’s illiteracy and his shame around what he considered a shortcoming, was what inspired her to launch the Imagination Library. With the help of her dad, they set out to foster a love of reading in the kids of Sevier County. Reading, she believed, was the gateway to dreaming, and dreaming, the first step in the path toward success.

By 2000, the program had expanded beyond the Smoky Mountains and into a nationwide movement. By 2003, the Imagination Library had mailed 1 million books to budding readers. After the United States, the gifting initiative launched in Canada in 2006, then the U.K. in 2007, Australia in 2013 and the Republic of Ireland in 2019.

The program operates on a shared funding model split between the Dollywood Foundation — which manages the central overhead, administration, and global book-selection strategy of the Imagination Library — and local community partners including businesses, school districts, small or large organizations, or individuals who share in the mission.

Selina Brown, a U.K. author whose book “My Rice Is Best” was selected by the Imagination Library this year, said that 14,000 copies had been distributed across the U.K. to children in underprivileged areas. “To know that my book has gone into the hands of young children across the U.K. is absolutely incredible,” she told The Times.

Brown said that public figures often make shallow promises and vanity moves, but “with Dolly Parton, you can actually see her work manifest, and it really makes an impact. In the U.K. alone, there are children who do not have books in their house, and because of Dolly Parton, they now have their own library.”

Canadian author Melanie Florence, who penned “Sarabeth’s Garage” — another of Imagination Library’s picks — also grew up in a small town, with no bookstore, during a time with no online retailers. “If that had existed when I was a kid, being gifted a book that you get to keep, it’s a big thing, especially for a kid like I was, who just lived to read,” Florence told The Times.

“I think that’s such a beautiful legacy,” Florence said, “her music and this spirit of generosity.”

But it’s also a working legacy that Parton built to last, according to Dollywood Foundation’s president, Jeff Conyers.

“Dolly’s legacy was never meant to be something we simply preserve or look back upon,” Conyers said. “She built things that could keep doing good in the world.”

Conyers said the foundation was set to “make certain the love at the heart of her work continues reaching children, families and communities long into the future.”

Although the foundation is heartbroken after Parton’s death, he said, “the mission she gave us is as clear today as it has ever been, and we will carry it forward for generations to come.”

Dolly Parton marks the 100 millionth book donation by her Imagination Library to the Library of Congress collection in 2018.

(Andrew Harnik / Associated Press)

Washington, D.C., Councilmember Charles Allen said he was visiting family in east Tennessee more than decade ago when his 2-year-old niece went tottering off toward the mailbox. When her parents brought her back in, she was holding a book with her name on it. Allen said his brother had signed her up for Parton’s Imagination Library at the hospital just after she was born — “right then and there.”

Allen said he was inspired by “the joy on my own niece’s face when she opened up a book with her name on it” to write a D.C. law called “Books From Birth.”

“We basically borrowed that program and then partnered with them,” he said. “And now every child in D.C. from the time they’re born ’til they’re 5 years old gets a free book delivered.”

Allen said that the program is now 10 years old, and 4 million books have been distributed to about 100,000 kids: “It’s made a big impact.”

Allen met with Parton years ago and said she never forgot her roots.

“Watching her own parents struggle with literacy and kind of hiding it, she realized very quickly the power that she had as this just massive cultural and musical star,” he said, adding that she was going to use that power for something that would outlast her. “It’ll outlast me. It’ll outlast everybody.”

Children of D.C. “they know Dolly Parton,” he added. “They know she’s the lady that delivered the books. I have all the confidence in the world that she is smiling somewhere, knowing that so many people think of her as the book lady. That she was going to battle illiteracy, one kid, one family, one household at a time.”

In 2018, Parton donated her 100 millionth book to the Library of Congress.

During the ceremony Hayden, the librarian, asked the country star if she ever thought she’d be known so widely as “the book lady.”

Parton responded with her signature self-deprecating wit and wisdom: “I never thought about being the book lady — the painted lady, yes. The overexaggerated, overdressed lady — yes. But that just goes to show you that you can’t judge a book by looking at the cover, right? Or even a 100 millionth book by looking at the cover.”

In September, 336,004,951 books will have been distributed through Imagination Library. More than 3.6 million families have been registered globally.

Hi, and welcome to another edition of Dodgers Dugout. My name is Houston Mitchell. How hot is it? It’s no longer microwave popcorn, it’s just popcorn.

Series with Braves is important

Just like the recent series with the Brewers was important as far as postseason positioning goes, so is this series with the Atlanta Braves. Remember, the three division winners automatically qualify for the postseason, but the division winner with the worst record will have to play in the first round, while the other two skip the first round. And, if teams are tied, the first tiebreaker is head-to-head record. The Brewers hold the tiebreaker over the Dodgers after beating them in four of the seven games this season.

Let’s look at those three teams as of Monday night:

1. Milwaukee, 81-50
2. Dodgers, 80-51
3. Atlanta, 76-55

The Braves are struggling right now, having lost seven of 10, but this time last week the Dodgers were struggling before they reeled off six straight wins. Baseball.

The Dodgers are 1-2 against Atlanta. So, they will need to win at least two of three games to go to the second tiebreaker, which is intradivision record (yes, even for teams in different divisions.) As of Monday night, the Dodgers are 26-17 against the NL West and the Braves are 27-13 against the NL East. The Braves have a 2 1/2-game lead there, but there are plenty of intradivision games left to play. It would be great if the Dodgers swept the Braves and didn’t have to worry about that.

Let’s take a look at how the Dodgers and Braves compare this season, through Sunday.

Runs per game
Dodgers, 4.98 (third in the majors)
Atlanta, 4.69 (eighth)
League average, 4.47

Batting average
Dodgers, .258 (second)
Atlanta, .246 (11th)
League average, .244

On-base percentage
Dodgers, .335 (third)
League average, .318
Atlanta, .311 (23rd)

Slugging percentage
Dodgers, .426 (second)
Atlanta, .411 (fifth)
League average, .400

Doubles
Dodgers, 213 (ninth)
Atlanta, 209 (12th)
League average, 202

Triples
League average: 18
Dodgers, 14 (T18th)
Atlanta, 9 (29th)

Home runs
Atlanta, 168 (seventh)
Dodgers, 167 (eighth)
League average, 150

Stolen bases
League average, 88
Atlanta, 65 (T24th)
Dodgers, 52 (28th)

Sacrifice bunts
League average, 18
Dodgers, 12 (22nd)
Atlanta, 7 (T26th)

ERA
Atlanta, 3.60 (fourth)
Dodgers, 3.67 (sixth)
League average, 4.16

Rotation ERA
Dodgers, 3.48 (third)
Atlanta, 3.72 (seventh)
League average 4.22

Bullpen ERA
Atlanta, 3.44 (fourth)
Dodgers, 3.98 (13th)
League average, 4.11

Pitcher strikeouts
Dodgers, 1,193 (fifth)
Atlanta, 1,112 (T12th)
League average, 1,095

Pitcher walks
Dodgers, 409 (10th fewest)
League average, 442
Atlanta, 445 (17th)

Home runs allowed
Atlanta, 146 (15th fewest)
Dodgers, 148 (16th)
League average, 150

Saves
Atlanta, 40 (fourth)
Dodgers, 37 (T9th)
League average, 34

Blown saves
Dodgers, 19 (15th)
League average, 19
Atlanta, 17 (T18th)

Inherited runners who scored%
Atlanta, 22.5%, 32 of 142 (third)
League average, 31.8%, 57 of 179
Dodgers, 35.3%, 53 of 150 (21st)

Keep in mind, it is not imperative to finish in the top two. The Dodgers had to play in the first round last season and that worked out OK. In fact, this season is looking amazingly like last season, with the shaky bullpen and strong starting pitching.

Meet the new Dodger

Alek Thomas gestures toward the dugout after reaching second base on Saturday.

(Gina Ferazzi / Los Angeles Times)

With Andy Pages sidelined by a broken hand, the Dodgers turned to their minor-league system for his replacement: former Arizona Diamondback Alek Thomas.

You may be asking, “Why not James Tibbs III, who is hitting .303/.422/.566 with triple-A Oklahoma City?” Well, Tibbs has not played center in the minors or in college, so that would be a big ask to play center for the first time in the majors in the middle of a postseason run.

Also, teams are not in a rush to get the major league service time running for players. That way they can keep them under team control longer.

Thomas was drafted by Arizona out of Mount Carmel High in Chicago in the second round in 2018. He made the majors in 2022 and hit .231/.275/.344 in 113 games. He hit about the same in 2023 (.230/.273/.374) but hit a key pinch-hit home run in Game 4 of the NL Championship Series against Philadelphia. He missed most of 2024 because of a torn hamstring and hit .249/.289/.370 in 2025, when Arizona began to sour on him.

He doesn’t draw many walks, but plays a good center field. This season, he hit .181 for the Diamondbacks when they designated him for assignment, and the Dodgers sent Arizona minor league outfielder Jose Requena for Thomas. He has been with Oklahoma City since then, where he hit .296/.362/.493 in 55 games.

Thomas played for Mexico in this year’s World Baseball Classic. After his first game as a Dodger, he said, “It’s funny, because they always hated me whenever I came out there in center field. I was, like, ‘Come on, guys, I’m Mexican too. You don’t have to yell at me; like, we’re on the same side here.’

“But, obviously … it doesn’t matter where you’re from. ‘If you’re not a Dodgers guy, you’re not my guy.’”

Thomas is wearing No. 9 with the Dodgers, last worn last season by Eddie Rosario. Gavin Lux wore it before that. It has also been worn by, among others, Yasmani Grandal, Mickey Hatcher, Greg Brock, Wally Moon, Gino Cimoli and Babe Phelps.

Injury update

Edwin Díaz, P, neck: An MRI exam of his neck showed no damage, so he could come off the IL as soon as he is eligible in the first week of September. When he comes back, he won’t be closing and will be used in low-leverage situations until he shows he is 100%.

Tyler Glasnow, P, back: He is ready to go and should start tonight against Atlanta.

Will Klein, P, elbow: He has resumed playing catch, but there’s not much time left in the season for him to come back.

Bobby Miller, P, shoulder: He is on rehab assignment with Oklahoma City.

Shohei Ohtani, P, knee: He pitched a live batting practice session Saturday. He will probably have to throw another session before returning to the rotation.

Andy Pages, CF, broken hand: Had a screw inserted into the bottom bone in the pinkie of his left hand. The Dodgers expect him back for the postseason, but we’ve heard that before. It all depends on how quickly he heals.

Dalton Rushing, C, UCL tear: Could begin a rehab assignment next week, but it’s still unlikely he catches again this season, making his postseason chances very small.

Will Smith, C, neck: He is set to go on a rehab assignment with Oklahoma City on Tuesday. He could be back next week.

Gavin Stone, P, shoulder: Pitched three perfect innings in his most recent rehab start.

Blake Treinen, P, elbow: He is currently on rehab assignment with Oklahoma City and pitched a scoreless inning Sunday for the Comets.

Justin Wrobleski, P, forearm: He could be back in early September, but when he does return, it will be to the bullpen because there is no room in the rotation anymore.

The problem for guys such as Stone and Miller is that there’s not much time left this season, and it seems they have little possibility to have meaningful contributions because they haven’t pitched in so long. Same goes for Ben Casparius, who is injured, and Brusdar Graterol, who hasn’t pitched at all this season.

Up next

Tuesday: Dodgers (Tyler Glasnow, 3-0, 2.72 ERA) at Atlanta (Bryce Elder, 8-7, 3.92 ERA), 4:15 p.m., SportsNet LA, TBS, AM 570, KTNQ 1020

Wednesday: Dodgers (Roki Sasaki, 5-5, 4.42 ERA) at Atlanta (AJ Smith-Shawver, 0-0, 6.23 ERA), 4:15 p.m., SportsNet LA, AM 570, KTNQ 1020

Thursday: Dodgers (Yoshinobu Yamamoto, 12-7, 2.61 ERA) at Atlanta (*Chris Sale, 12-9, 2.20 ERA), 4:15 p.m., FS1, AM 570, KTNQ 1020

All times Pacific

*-left-handed

In case you missed it

Plaschke: Beneath the Dodgers’ latest sweep, the scary rumblings of a team sale persist

Shaikin: Amid Dodgers’ uncertainty, Padres’ new owners promise to ‘win it all!’

‘I haven’t done my job.’ Edwin Díaz accepts low-leverage role with Dodgers — for now

Shohei Ohtani takes ‘really positive’ step in push to return to Dodgers’ rotation

Swanson: Struggling Dodgers outfielder Kyle Tucker simply needs to relax

Dodgers president Stan Kasten reiterates ‘Dodgers are not being sold’

If Dodgers are put up for sale, previous runner-up Patrick Soon-Shiong is interested

And finally

MLB Network honors Vin Scully. Watch and listen here.

Until next time …

Have a comment or something you’d like to see in a future Dodgers newsletter? Email me at houston.mitchell@latimes.com. To get this newsletter in your inbox, click here.

Dolly Parton, the singer and songwriter from Locust Ridge, Tenn., who willed herself into being the very symbol of country music stardom, has died in Nashville.

Parton died peacefully Tuesday, her nephew Bryan Seaver announced in a press release shared with The Times. Seaver also announced her death in a video shared to the singer’s Instagram page. She was 80.

The fabled entertainer died after a series of health issues that led her to postpone several performing commitments. In September 2025, she missed the announcement of a Dollywood attraction to recover from a kidney stone. Later that month she delayed her residency at Caesars Palace — her first residency on the Las Vegas Strip in more than 30 years — due to unspecified “health challenges.”

Over the course of a flamboyant 50-plus-year career as a songwriter, recording artist, actor and businesswoman, Parton reinvented the American success story through a combination of grit and wit, faith and sex appeal, virtuosity and plainspokenness, empathy for the human condition and plastic surgery.

She seized on the roles that American culture allowed for women in the spotlight — waif, trollop, fallen woman, country girl in over her head — and played them to the hilt, achieving artistic and financial heights few female performers have ever reached. By the time of her death, she was said to be one of the few things that Americans of most every persuasion could agree on.

One of the most honored musicians in modern history, Parton earned 10 Grammy Awards, two Academy Award nominations, a Primetime Emmy, 10 Country Music Assn. awards, and in 1999 she was enshrined in the Country Music Hall of Fame.

In 2005 President George W. Bush presented Parton with the National Medal of the Arts, and a year later she was given a Kennedy Center for the Arts Award for her lifetime contribution to the arts. Parton logged some 25 gold or platinum records and 25 No. 1 songs on the country chart. Parton also won a Liseberg Applause Award, the biggest prize in the theme park industry, for her fabled tourist attraction Dollywood.

Parton’s rags-to-riches tale reads like a classic country music story-song. But before it became mythical, it was only incredibly hard.

Dolly Rebecca Parton was born in Locust Ridge, Tenn., in the Great Smoky Mountains, on Jan. 19, 1946. Her father was a tobacco sharecropper and she was the fourth of 12 children. In her autobiography, “Dolly: My Life and Other Unfinished Business,” Parton related how her parents were so poor they paid the doctor who delivered her with a sack of cornmeal.

Raised in a one-room cabin with no electricity, she listened to the Grand Ole Opry on a battery-powered radio. When she was 7 she started writing songs; a year later she picked up the guitar. At 10 she was singing on a Knoxville radio and TV program, “Cas Walker Farm & Home Hour.”

The Parton family was musical, and there were always banjos, fiddles, mandolins and guitars around the cabin. Her voice, a birdlike soprano with an animated trill, hadn’t changed much from her youth: “I sound like a little girl singing all these Lord-awful songs,” she told “Fresh Air’s” Terry Gross in 2001.

On a Friday night in 1964, Parton became the first in her family to graduate from high school. The next afternoon she was on a bus heading for Nashville, targeting a career in country music.

Bob Hope gets an adjustment to his reindeer costume as he and Dolly Parton prepare to tape a 1988 Christmas special on a cruise ship docked in Miami.

(Kathy Willens / Associated Press)

Women had little real power in Nashville at the time, and though rural women were a growing part of the country music audience, they were marginalized as artists. Parton signed to the Monument label, but felt that they wanted a pop singer more than they wanted her. An early breakthrough came when singer Bill Phillips heard a demo version of her “Put It Off Until Tomorrow”; not only did he want to record the song, but he recorded it with Parton singing harmony on it. The song went to No. 6 on the country chart in 1966.

In 1967 she recorded Curly Putman’s “Dumb Blonde,” her first charting song as a singer and a savvy choice that spoke to her as both an image and as flesh and blood, as she sang:

Just because I’m blond
Don’t think I’m dumb
‘Cause this dumb blond ain’t nobody’s fool

Nashville noticed. That year, country music star Porter Wagoner was looking for a new “girl singer” for his popular TV show, after Norma Jean left. Parton got the gig, and for weeks, legend has it, was greeted by the studio audience shouting “Norma Jean” when Parton opened her mouth. It was the kind of challenge she lived for. Carefully deferential to the star, Parton carved out a foothold for herself.

They were a complicated team. Tall, gaunt and calculating, Wagoner’s angles had angles, but somehow standing next to her, his pompadour dwarfing her considerable bouffant, it worked. At their peak, they had a weekly TV viewership of over 3.5 million, and recorded numerous hit duets, “Holding on to Nothin” (1968), “If Teardrops Were Pennies” (1973) and “Please Don’t Stop Loving Me” (1974) among them.

On her solo recordings at the time, Parton included a raft of songs about poor children in trouble. These gothic, occasionally autobiographical compositions, including “Coat of Many Colors,” “My Blue Ridge Mountain Boy,” “Evening Shade,” “Daddy Come and Get Me” and “Down From Dover,” would have been more than enough to make her, if not a star, at least a country music legend. But the kind of attention even her lesser work with Wagoner enjoyed continued to elude her own material.

Dolly Parton and Kenny Rogers laugh together backstage at an April 2010 show honoring her “Islands in the Stream” singing partner.

(Rick Diamond / Getty Images)

By 1973, Parton realized that if she was going to be her own star she would have to be on her own. Wagoner fought and threatened, and finally, Parton wrote a song as a way to help him understand both her gratitude and her need for independence, “I Will Always Love You.” He liked the song, but it didn’t convince him. Wagoner sued her for $20 million over breach of contract and settled for $1 million.

But Parton had won her freedom, and she made the most of it. Her album from that year, “My Tennessee Mountain Home,” was a reintroduction to her audience, an autobiographical cycle of songs telling the story of a singer leaving home to make it on Music Row. And in 1974, “Jolene” became her chart-topping breakthrough.

The title was the name of a red-haired, green-eyed young fan Parton met signing autographs, and the story of a woman begging a rival to leave her man alone. Parton said she made it up after discovering a bank teller had a crush on her husband. With a beveled chord progression and a haunting repetition of the name, it became perhaps her most requested song, and was covered by many, including the White Stripes, Candi Staton, Reba McEntire and Olivia Newton-John.

“I wanted to be seen, I wanted to be recognized, I wanted to be a star,” she explained. The last part was now coming into focus.

In 1976 she hosted a short-lived variety TV series, “Dolly!” Her name was her brand, and so, too, was her profile: the full bosom and tiny waist, platinum wig and baubles like sprinkles on an ice cream cone, 5 feet tall standing in five-inch heels. She was a disarming contradiction: manufactured and utterly sincere.

“A country girl’s idea of what glamour was,” she explained.

“I didn’t have any money to have stuff and I’ve often joked about it, but it’s the real truth that I patterned myself after what they considered the trash in our hometown.” She took shame and made it a flag, one big enough for all sorts of Americans to settle beneath.

Dolly Parton checks out an exhibit honoring her life and career at the Country Music Hall of Fame and Museum in May 2025.

(Jason Kempin / Getty Images)

Building on her fame, in the mid-’70s Parton decided to reinvent herself by reaching beyond the confines of country music. She signed with L.A.-based talent manager Sandy Gallin, who had made Mac Davis a country crossover star and would soon work with Cher and Michael Jackson.

Parton laid off her longtime Traveling Family Band and sought out musicians and songs that were more purely pop. Hits that followed included “Here You Come Again” (No. 20 on the pop chart, 1977), “Heartbreaker” (No. 37, 1978) and duets with Kenny Rogers like “Islands in the Stream” (No. 1, 1983).

The pop move was muttered over and seen by gatekeepers as a rejection of Southern-based authenticity. It was the era of “Urban Cowboy” and purity was being policed. “I love country music. It’s my first love,” she told the SoHo News. “But it was confining. You can only go so far in a circle.”

The movie “9 to 5” from 1980 settled her broadening stardom; acting alongside Jane Fonda and Lily Tomlin in a comedy about three office workers who get even with an abusive boss, Parton charmed viewers. It was her first acting role, and Roger Ebert called her “a natural born movie star.” She wrote and sang the movie’s theme song, which topped Billboard’s pop and country charts.

Dolly Parton and her “9 to 5” castmates Jane Fonda, left, and Lily Tomlin assemble at a 1980 news conference to promote the movie.

(Wally Fong / Associated Press)

Parton would go on to act in “The Best Little Whorehouse in Texas” (1982), “Rhinestone” (1984), “Steel Magnolias” (1989), the “Hannah Montana” TV series (she was Miley Cyrus’ godmother in real life too), and in many more films and TV shows. But her biggest cinematic moment came with a song she’d written years before; “I Will Always Love You” was sung by Whitney Houston in the 1992 film “The Bodyguard,” turning her air kiss to Porter Wagoner into a No. 1 hit for 14 weeks.

In the mid-1980s, Parton suffered a number of setbacks. She experienced depression. “I was just broken down,” she said later. In 1982, abdominal pain and bleeding forced her to cancel a tour, and in 1984 she had a partial hysterectomy. There were bouts of binge eating, and when she hit bottom she considered suicide. A series of conversations with God were instrumental in her recovery, Parton said.

Underscoring her connection to her origins while also illustrating how far she had gone, in 1986 she bought an old amusement park in Pigeon Forge, Tenn., and reinvented it as Dollywood, a booming theme park, resort and theater. Other businesses included Sandollar Productions, a film and TV company. In the 1990s Parton formed her own label, Blue Eye Records.

Success meant she could settle into being Dolly. A trio of beloved bluegrass albums, “The Grass Is Blue,” “Little Sparrow” and “Halos & Horns,” around the turn of the millennium reestablished her as a performer with extensive roots in rural America. She recorded with everyone from Linda Ronstadt and Emmylou Harris to Ladysmith Black Mambazo. Her 2019 cover of John Hiatt’s “Faith,” made with Swedish duo Galantis, topped the EDM charts.

She embraced her Christian and LGBTQ+ fans, and perhaps no American artist had more of each. Inclusivity mattered to Parton. She was an icon to the LGBTQ+ community. In 2002 at the House of Blues in Los Angeles, Parton replaced the name Jolene with “drag queen” and sang her famous song as a roster of drag performers looked on.

Dolly Parton at the 57th Academy of Country Music Awards in 2022.

(John Locher / Associated Press)

Just two years later, in 2004, the Library of Congress presented Parton with the since-retired “Living Legend Medal,” which sought to recognize those that made significant creative contributions to American life.

Singer and songwriter Brandi Carlile called Parton “an angel on my shoulder and also the devil on my other shoulder.”

“When I was 15 years old I read the back of Dolly Parton’s book when she became the first country artist ever to speak out in support of LGBTQ people. And I can tell you that as a queer kid from a small town, getting love from Dolly is second only to God.”

Parton has been honored in musical tributes by Carrie Underwood, Alison Krauss and Shania Twain. “Jolene” became the subject of the short story “Jolene: A Life,” by E.L. Doctorow. In 2019 WNYC and Jad Abumrad presented “Dolly Parton’s America,” a nine-segment podcast devoted to, and with the cooperation of, Parton; it examined her persona and impact on American life.

That same year Netflix presented “Dolly Parton’s Heartstrings,” an anthology series in which each episode presents a fictional narrative built around a Parton song; the series features appearances by Kathleen Turner, Delta Burke and Melissa Leo.

Dolly Parton and President Carter embrace as First Lady Rosalynn Carter looks on before a White House luncheon in October 1979.

(Georges / Associated Press)

Her influence was so vast she has even been proposed as a field of academic study, and scrutinized in the 2018 academic study from Leigh H. Edwards, “Dolly Parton, Gender, and Country Music.”

She was married to the same man, Carl Thomas Dean, for over 50 years. They met on the day she arrived in Nashville in 1964, as she stood outside a laundromat. Parton and Dean were rarely seen in public together, and renewed vows in 2016. Dean died at age 82 in March 2025.

“Carl and I spent many wonderful years together,” Parton said in a statement at the time. “Words can’t do justice to the love we shared for over 60 years. Thank you for your prayers and sympathy.”

Parton remained a source of interest and fascination, and though few if anyone could really claim to know her, many thought they did. As she once put it: “I look one way and am another. It makes for a good combination.”

ST. CLOUD, Fla. — Florida chef Elijah Button was chopping onions in June when his knife slipped and sliced his middle finger to the bone.

It was his worst kitchen accident to date. But having given up his Affordable Care Act health insurance plan in January because of a $100 monthly premium hike he couldn’t afford, the 21-year-old in St. Cloud didn’t have the money for emergency care.

“Going to the hospital for it wasn’t even an option,” he said, gesturing toward his finger before preparing a pot roast for his aunt and uncle in their suburban home. “My first thought was, ‘how am I going to fix this?’”

After Republicans in Congress let enhanced federal subsidies for Affordable Care Act health plans expire in January, millions of Americans including Button had to decide whether to keep insurance that often doubled or tripled in cost — or risk going without it.

Months later, with no action from lawmakers to replace the lost funds, they’re facing the consequences. Some are dealing with strained budgets and exorbitant medical bills, while others avoid the doctor in fear of the cost.

Florida, whose large population of gig workers, entrepreneurs and small business owners relies heavily on the federal health insurance marketplace, has become one of the nation’s most visible epicenters of that impact.

Figures first reported by The Associated Press showed that about 440,000 Floridians dropped their Affordable Care Act plans this year — more than in any other state. Thousands more who kept coverage are struggling to get by, as prices of necessities like groceries and gasoline remain steep, and health insurers project another year of double-digit premium hikes.

While Florida had the most affected residents, its struggles are reflective of broader nationwide concerns over rising healthcare costs and a lack of meaningful policy to address them.

In the deep-red state where congressional districts were recently redrawn to strongly favor Republicans, the cost of healthcare is a major campaign issue. Republican midterm candidates have been promoting fraud crackdowns to protect federal health programs, while Democrats have been urging voters to help Congress change hands so they can restore subsidies.

Button, who is estranged from his parents, asked his uncle for help with his bloodied finger. With a butterfly bandage, splint and daily cleanings and dressings, it healed. But the scar still gnaws at Button as a symbol of what else could go wrong.

“It just feels like I’m living in a house of cards,” he said.

Florida’s population and politics make it ground zero for ACA fallout

Last fall, debate over the expiring subsidies consumed Congress, resulting in a record 43-day government shutdown as Democrats insisted on extending the COVID-era assistance and most Republicans refused.

Fast forward almost a year and lawmakers rarely reference the topic anymore. The administration says it is addressing affordability with fraud-busting efforts and deals with drug companies, but Congress hasn’t passed any significant legislation to lower health costs.

In part due to its large number of construction, hospitality and small business workers — and also because its Republican-led legislature never expanded the Medicaid safety-net health program — Florida has the largest Affordable Care Act enrollment in the country. At just over 3.8 million enrollees, it represents about a fifth of the nation’s total enrolled population.

Of the roughly 443,000 Floridians who left the marketplace, most are likely going without insurance, according to Cynthia Cox, a vice president at the healthcare research nonprofit KFF. She said that’s because it is typically a “place of last resort” to get coverage.

The data doesn’t tell the stories of those who kept insurance. Tracy Rand, a licensed mental health counselor in Leesburg, Florida, is one of them.

Ever since getting her ovaries removed last year due to benign but painful tumors, she has had severe menopause symptoms that require medication, including an overactive bladder and hot flashes that cause piercing headaches.

She uses clear plastic containers to organize the more than 30 medicines and supplements she takes daily, their bottles crammed into a living-room drawer and a tray on her kitchen counter.

The 51-year-old’s Affordable Care Act plan was going to surge in price this year from $55 a month to $1,100 a month, so she downgraded. Her new plan, with higher deductibles and copays, costs $160 a month.

To make that work in her budget, Rand quit a doctoral program she was working toward, started buying groceries at cheaper stores, gave up once-monthly dinners out with her husband and stopped meeting friends regularly at a paint-your-own pottery studio.

It’s been a difficult adjustment, but a necessary one for her health.

Rand said the prospect of insurers raising rates again fills her with dread.

“I don’t know what else we can get rid of,” she said, covering her face with her hands. “I don’t know if we’re going to have to file bankruptcy.″

Clinics for the uninsured are a saving grace — but they can’t take everyone

In Orlando’s leafy, brick-paved neighborhood of Colonialtown South, Tarsha Watson found her lifeline. A clinic there called Grace Medical Home provides low-income, uninsured Floridians with comprehensive care for a $5 per-visit fee.

Watson, 54, has a master’s degree in business administration, but she hasn’t been able to find work since losing her job two years ago. That means she doesn’t have health insurance. When she explored Affordable Care Act coverage, she was quoted $600 per month, far out of her reach.

At Grace, Watson learned her blood sugar is high and that she needed to lose weight. Now, she walks laps around her backyard pool and does Tai Chi YouTube tutorials to focus on fitness. She said she wishes everyone could have her experience.

“It’s very hard out here,” she said. “It’s not enough.”

At the clinic, patients cycle in and out of a wide hallway lined with appointment rooms as doctors scan supply shelves for complimentary over-the-counter medications. The expansive building has separate areas for dental, mental health, vision and pediatric care.

CEO Stephanie Garris said it’s one of 110 free or charitable clinics in Florida, but that’s not enough to handle demand. To treat more people in response to the Affordable Care Act changes, it recently started hosting a mobile acute care clinic for walk-in patients.

Garris said Grace Medical Home treated about 1,350 people last year. Every year, they take about 350 new patients.

“Would I love to double that, triple that? Of course,” Garris said. “I just think in the reality, with the huge number of uninsured that we have, it’s just not possible.”

Health costs become an issue in midterm campaigns

For U.S. Rep. Darren Soto, a Democrat defending his seat in a sprawling — and now much redder — redrawn district south of Orlando, health costs are a campaign focal point.

He said his district, which is near various theme parks, had the second-largest Affordable Care Act enrollment in the nation, in part because many small tourism businesses can’t offer employees health insurance.

“I just hear it everywhere I go,” he said. His Republican opponent, Navy veteran and former Trump administration official Dan Green, did not answer emailed questions about the subsidies but has emphasized affordability of groceries and property insurance as campaign priorities.

Soto voted with Democrats and some Republicans — including a few from Florida — to save the subsidies last year. The Republican majority declined and suggested other ideas, including funding Americans’ health savings accounts. No law along those lines has passed yet.

Button, a Democrat in Soto’s district, said he is open to different reforms for health costs, but said politicians aren’t acting fast enough.

“They keep trying to make excuse after excuse,” he said. “I don’t have six months to a year to wait for you guys to pass this through the hoops that you need to.”

Swenson and Martin write for the Associated Press.

WASHINGTON — U.S. Immigration and Customs Enforcement arrested nearly 50,000 people during July, the highest single monthly arrest total during the second Trump administration, according to new figures.

The spike in immigration arrests shows that the administration has continued to advance its mass deportations agenda despite a shift in approach earlier this year from high-profile operations in large American cities that sparked a public outcry to arrests that have garnered less attention but have nonetheless been disruptive.

The July arrest tally of 49,571 marks a 15% jump from 43,021 arrests a month earlier and a 70% increase from 29,241 in February, in the aftermath of the Trump administration’s enforcement surge in Minnesota, according to government data that was provided by ICE to the University of California, Berkeley’s Deportation Data Project and analyzed by the Associated Press.

Immigration arrests the month before Trump entered office hovered a little over 8,000 a figure largely made up of immigrants transferred from city or state jails and prisons and turned over to ICE to remove from the country. During Trump’s first year in office the numbers started climbing as the administration loosened restrictions on where and who ICE could arrest while it also infused the agency with billions of dollars.

By December, the number of arrests jumped to more than 40,177, according to the data, which was obtained through a Freedom of Information Act lawsuit.

In the aftermath of two fatal shootings in Minnesota in January that sparked protests and an uproar from Democratic lawmakers, arrests began to fall to nearly 30,000 in February. After remaining stagnant for months, the numbers of people arrested in June jumped to more than 43,000 and then to roughly 49,500 in July.

In his confirmation hearing earlier this year, Homeland Security Secretary Markwayne Mullin pledged to keep ICE out of the headlines, suggesting that the administration’s immigration crackdown might take a softer approach. But his tenure has been marred by a number of fatal shootings of immigrants in encounters with ICE officers. And the figures show Mullin hasn’t shifted the agency from President Trump’s vision for mass deportations.

Texas and Florida accounted for nearly 20,000 of the July arrests, in a sign of how important those states have become to the Trump administration’s mass deportation agenda. Both states have leaned heavily into cooperation agreements with ICE called 287g agreements that allow local and state law enforcement to essentially operate as arms of federal immigration enforcement.

The spike in arrests comes as the agency, infused with billions of dollars last summer by Congress, has also hired 12,000 new deportation officers and investigative agents.

Santana writes for the Associated Press.

BANGKOK — Chinese artist Gao Zhen was sentenced to three years in prison on Tuesday for “infringing upon the reputation of heroes” over his satirical works of art, including statues of China’s former leader Mao Zedong.

U.S.-based Gao, who was part of an artistic duo known internationally as the Gao Brothers, was arrested while visiting family in China in August 2024. He has been in official custody since then.

He was sentenced by the Sanhei People’s Court court in northern Hebei province, according to his wife, Zhao Yaliang.

The charges against Gao relate to artistic works that China’s authorities claim insulted revolutionary figures, including a 2009 statue called Mao’s Guilt, which shows the former leader and founder of modern China as kneeling in repentance. Others include as series called Miss Mao, which shows a caricatured version of Mao with breasts and an engorged nose.

Shane Yi, a researcher at Chinese Human Rights Defenders, who has been advocating for the case, described the sentence as “a very clear case of a violation of a person’s freedom of expression.”

Yi noted that the artworks in question were created before the law Gao was sentenced with had been passed and said the artist plans to appeal the sentence.

The court did not immediately respond to a request for comment.

Amnesty International criticized the court sentence which it described as a deterrent against artistic expression.

“The lengthy pre-trial detention and, ultimately, decision to convict Gao Zhen and sentence him to the maximum three-year prison term under this offense illustrate the authorities’ determination to deter others from engaging in independent artistic expression,” said Amnesty’s China Director Sarah Brooks.

“No artist should face criminal punishment for creating work that challenges official narratives or encourages critical reflection on history,” she said.

Zhao said she hopes to be reunited with her husband and be able to return to the U.S., where the family had immigrated to.

“I felt two years was my limit, and I was really disappointed and sad. I haven’t been able to catch my breath,” she said. She had prepared clothes for her husband hoping that he would be released. Chinese courts often count the time of a sentencing from the date a prisoner is taken.

The Gao Brothers, whose works addressed themes of authoritarianism and censorship, became famous in a time of relative openness in China and were exhibited both inside the country and abroad.

However, in recent years, the state’s increased its controlling grip on certain aspects of expression, especially in regards to political figures with the passage of law in 2018 that bans criticism of the nation’s heroes.

Wu writes for the Associated Press.

THERE are a load of shows leaving the theatres soon that you will want to catch before they go – and with Sun Club you can get cheaper tickets.

If you sign up to Sun Club for £1.99 a month or just £9.99 for one year in our summer sale, you can get an extra 10 per cent off show tickets with London Theatre Direct.

Once you’ve signed up, head to the Sun Club Offers hub and find the London Theatre Direct offer, or simply click here.

Plus, you’ll get unlimited access to our award-winning articles, exclusive showbiz scoops, and a huge range of other offers and discounts too – from early access to book Hols From £9.50, free racing tickets to top UK racecourses and 2-4-1 tickets to theme parks.

With just days left of the school summer holidays and the days drawing in as we enter autumn, there couldn’t be a better activity than heading to the theatre.

Here are all the shows ending (and some exciting ones launching) in the coming months:

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Shows ending soon

Hercules

Disney‘s Hercules is due to end on September 5.

The high-energy musical is based on Disney’s 1997 animated film, where Hercules sets off on a quest to prove himself as a hero.

It is a great option for Disney fans as well as families, and those who love a good singalong.

Grease: The Immersive Movie Musical

The popular immersive experience from Secret Cinema is set to end on September 13.

The interactive show allows people to fully immerse themselves in Rydell High, with actors roaming around and giant screens showing the film.

It is adult-only, but a load of fun with people getting dressed up and dancing around with actors as well as having fun on carnival attractions.

Brainiac Live!

The fun, family-friendly and interactive show Brainiac Live! is due to end on August 30.

Ideal for a last minute activity to head to with the kids before they go back to school, you can expect explosive experiments and messy stunts.

The Gruffalo

Another great family option is ending for the season soon – The Gruffalo, on September 6.

The show follows Julia Donaldson’s classic picture book.

The Tiger Who Came to Tea

Similarly, The Tiger Who Came to Tea will end on September 5 for the season.

The stage adaptation follows the story of Judith Kerr’s beloved tiger who loves a cuppa.

Now You See Me Live

Set to close on September 6, Now You See Me Live will have only run for five weeks.

Caroline McGuire, Head of Travel (Digital) recently visited and said: “This is as close to a Vegas-style magic show as you’re going to get in the UK, which is why it makes sense that the next stop on its world tour will in fact be the Nevada city.

“Without spoiling too much of the magic, the moment the escapologist is locked, handcuffed, upside down in a tank of water in a recreation of Houdini’s water torture stunt, is undoubtedly a highlight of the show.”

Death Note The Musical

Death Note The Musical will end on September 12 at the Barbican Theatre.

The show is based on the famous Japanese manga series.

Harry Potter and The Cursed Child (two parts)

The two parts of Harry Potter and the Cursed Child will soon become one continuous and shortened show.

The two-part show will end on September 20 before being replaced by the reimagined one part show on October 9.

The show follows Harry’s son Albus Severus Potter who struggles with the weight of his family’s legacy.

The Comedy About Spies

The Comedy About Spies stage show is set to end on September 26.

The show is set in a 1961 London hotel where a rogue British agent steals plans for a top-secret weapon.

Stranger Things: The First Shadow

Stranger Things: The First Shadow is set to end on December 27.

The show acts as a prequel to the famous Netflix series.

Shows coming soon

10 Things I Hate About You

Dates are yet to be set but a 10 Things I Hate About You stage adaption has been announced.

The show will follow the story of the 1999 rom-com but will now feature music by Carly Rae Jepson and a book by Lena Dunham.

It will premiere on Broadway before moving to the West End.

The Greatest Showman

Set to launch in the spring and replace Hercules is Disney’s The Greatest Showman.

Based on the 2017 film by the same name, the stage adaptation will feature the film’s original songs.

High School Musical

Opening on October 12 in time for the film’s 20th anniversary is High School Musical.

The story follows Troy and Gabriella as they disrupt social cliques at East High.

The production is set to feature McFly’s Harry Judd as Coach Bolton and original film cast member Kaycee Stroh as Ms Darbus.

Pirates of the Caribbean

Opening on February 26, 2027, Secret Cinema will have their first permanent theatre in London on the Greenwich Peninsula.

And the show will be Pirates of the Caribbean: The Immersive Adventure.

Visitors can expect a walkthrough stage as well as an interactive experience.

Billy Elliot The Musical

Set to open on February 12, 2027, Billy Elliot is returning to the West End.

Revived by Elton John, the show follows a young boy in the 1980s in a Northern English mining community, who discovers he has a talent for ballet.

Dirty Dancing

Opening on October 16, Dirty Dancing will be London’s first show at the Capital Theatre.

The show will be an intimate production set at Kellerman’s 1963 resort with live music and lots of dancing.

Rent

Opening on September 26, 2026 is Rent.

The production is a 30th-anniversary West End revival of Jonathan Larson’s rock musical, which will star Stranger Things star Gaten Matarazzo as Mark.

The show follows a year in the life of a group of young artists and musicians in Manhattan’s East Village coping with HIV/AIDS, love, loss and community.

The Jungle Book

Launching on November 13, the National Theatre will be running a stage adaptation of Rudyard Kipling’s Jungle Book.

The show will be set in the mangroves of the Sundarbans.

It is not a Disney musical, but instead a more serious show with original music and live puppetry.

Harry Potter and The Cursed Child (one part)

Launching on October 9, will be the new stage format of Harry Potter and The Cursed Child, which will be one part not two.

It follows the same story as the two-part show, just reimagined and condensed into one performance.

Offer is open to UK residents aged 18+ only. Save an additional 10 per cent off tickets. Offer ends at 23:59pm on Thursday, December 31, 2026. Full T&Cs apply, see here.

Jack Tucker descends from the rafters inside L.A.’s Montalbán Theatre like a kamikaze crash landing into his big moment. He’s flanked by fountain fireworks while a buff guitarist with a blond mullet and glittery spandex shorts wails on guitar to the tune of Lenny Kravitz’s cover of “American Woman.” With the garish gusto of a WWE wrestler, Tucker’s entrance as the ringleader of the show “Stamptown” electrifies the stage.

But the show truly starts when it falls apart with technical mishaps. Everything breaks, guns go off, an illusionist loses his clothes and jumps fully nude into the crowd — all within the first five minutes.

It’s a chaotic comedy world created by classically trained performers, including clowns, who’ve studied the art of physical humor and shredded the rule book. For more than 10 years the Stamptown troupe led by Tucker, the alter ego of comedian Zach Zucker, has created an insane asylum on stage — from Elysian Theater in Echo Park to the Edinburgh Festival Fringe in Scotland. The show’s comedy thrives on failure, interruption and never actually getting to the “script.” This week the madness leaps from the stage to the screen as Stamptown premieres its first Netflix special Tuesday.

“This is a lot of people’s first time being exposed to this,” Zucker said, cracking a mischievous smile while sitting in a red velvet chair inside the empty Elysian Theater where his crew has performed “Stamptown” for years. “I have seen a man light his penis on fire 45 times in my show. I forget that when it comes to comedy, most people are used to seeing a person with one microphone stand still and talk.”

Filmed over the course of three performances during Netflix Is a Joke Fest in May, the spliced together “Stamptown” special directed by Rachel Lee Goldenberg and edited by show co-creator Dylan Woodley captures the chaos of clowning mixed with a cerebral roast of traditional comedy and plenty of playful danger. The result isn’t a piece of art but rather “a pile of art,” Zucker said.

“Our strength is being a ‘you gotta see it to believe it’ type of performance, but if I really had to boil it down, it’s a modern day vaudevillian variety show that features any and all alternative performances … our ethos is, ‘against all odds, this show works,’ ” Zucker said.

Zach Zucker tosses props in the air inside the Elysian Theater.

(Carlin Stiehl / For The Times)

On a recent afternoon, the lanky, mustachioed Zucker, wearing a T-shirt, ballcap and small hoop earrings, bears little resemblance to his comic alter ego who sports a tattered suit with gag props stuffed in every pocket. In real life, the New York native is a former baseball and basketball star athlete who went down an extremely different path to become “a bisexual traveling clown.” After enrolling in what he assumed would be an easy acting class during his senior year of high school, Zucker became obsessed with improv and comedy. His teacher advised him to check out the renowned improv troupe Second City. So he flew to Chicago to see the show “Spoiler Alert: Everybody Dies” featuring Tim Robinson, Sam Richardson, Timothy Edward Mason and more. “It changed my life,” he said.

After taking up comedy classes and street performances on the East Coast, Zucker quickly transitioned to working in theater and eventually moved to L.A. at 18 to pursue comedy, interning at Upright Citizens Brigade. He scrubbed toilets in exchange for free improv classes. It was at UCB where he first crossed paths with celebrated clown teacher Philippe Gaulier, whose former students include Sacha Baron Cohen, Rachel Weisz and Geoffrey Rush. The wily, frizzy-haired Frenchman with red-framed spectacles taught Zucker everything he knows about clowning.

“Our strength is being a ‘you gotta see it to believe it’ type of performance, but if I really had to boil it down, it’s a modern day vaudevillian variety show that features any and all alternative performances … our ethos is, ‘against all odds, this show works,’” Zach Zucker said.

(Carlin Stiehl / For The Times)

“Philippe is by far my greatest influence,” Zucker said. “There’s not a day that goes by that I don’t think about him or that I’m not actively implementing all the lessons he taught me as a man and as an artist.”

One of those lessons became the ethos of “Stamptown”: “If you’re having fun, maybe we like you. If you’re not having fun, for sure we hate you.”

Inspired by his wisdom, Zucker moved to France for two years to study with Gaulier. It was there that he met his future “Stamptown” collaborator Jonny Woolley, a Canadian performer who became the show’s sound tech, adding to the menagerie of aural mayhem through sound effects that punctuate the show’s every move.

“There’s a lot of different ways of approaching clowning, but ultimately, for us, it’s more of a philosophical approach to making art than it is like a rigorous set of rules or styles. It’s just being a lovable idiot,” Woolley said.

The name “Stamptown” is a tribute to the place where they learned their artform: the town of Estampes (which loosely translates to “Stamp”) in France where they studied with Gaulier, who died this year before the special was filmed.

Though he‘s known for his offbeat humor, Zucker’s brain is firing on a perpetual metronome. He’s snapping his fingers incessantly during our interview while describing the comedic timing of each show, which grooves like a jazz band on stage.

”Sometimes there’s a few different rhythms that I’m balancing at once. I can really zone in on what is the most fruitful at the moment while still keeping these other balls in the air,” he said. “Thankfully we’re not always pushing a message. Sometimes it is just about entertaining the crowd at all costs.”

Before “Stamptown,” Zucker was performing with Norwegian friend and fellow clown Viggo Venn as “Zach & Viggo,” a side act in the original variety show Zucker started with his friends in 2017 in Melbourne called “Midnight Madness” that eventually turned into “Stamptown.”

Working with Venn, Woolley and Woodley, Zucker devised the show to include a rotating cast of clowns, and comedic performers from around the world, including L.A. Staples in the local clown community include the slapstick of clown kingpin Chad Damiani playing a janitor, comedic actor Natalie Palamides as a comedy nepo fetus birthed by Riki Lindhome of “Garfunkel and Oates” and the riotously robotic gyrations of Courtney Pauroso as fembot temptress Vanessa 5000.

“‘Stamptown’ is extraordinary; it’s finely calculated nonsense,” said actor Neil Patrick Harris, a longtime friend and supporter of Zucker who appears on the Netflix special, in a statement to The Times. “Each performance is unique — stand-ups colliding with circus artists, and improvisers swapping talents and fluids, even the stagehands’ utter chaos and running gags, a ridiculous fever dream … it’s absurdly genius.”

The international performers who have become part of the “Stamptown” universe run the gamut from jugglers to steel drum players to acrobats to pianists. Trans comedian Jordan Gray is extremely unafraid to bare it all, including her soul, when behind the piano. The physicality of the performances goes beyond regional references and punchlines that might get some laughs in one country but not in others. Venn says it’s clear that at their core people tend to share the same sense of humor.

“It was fascinating to us to see that in Australia and France and England and the U.S., they really laugh at the same things if it’s like a deeply human kind of failure,” Venn said. “That’s the beauty of this show.”

Zach Zucker sits inside the Elysian Theater in Los Angeles.

(Carlin Stiehl / For The Times)

A tangled web of masterfully timed sound effects has unintentionally become the heartbeat of “Stamptown” . With Woolley now living full time in London, the duties for the U.S. shows were recently passed down to fellow performer Jeremy Elder, who did the sounds for the Netflix special tapings. He says the show is at its best when they throw out the game plan for the night, even while filming for Netflix.

“I think it’s as soon as we went off script, the audience could feel that. In the final product, we planned so much, but once you’re in the room with people it’s a very clown-like sentiment to just roll with what the audience is feeling,” Elder said.

While traditional stand-up is Netflix’s bread and butter for comedy programming, this form of comedy is mostly a target for mockery in “Stamptown” to show how limiting it is compared with the physical comedy of clowning. The one caveat, Zucker says — a clown is by far the most embarrassing brand of comedian you can be.

“It’s not cool, you don’t do this to be cool,” he said, laughing. “The whole point is that with all the love and fantasy and pleasure of your life, you have to step in a bucket of s— over and over and over and enjoy it. ‘Isn’t it awesome how I humiliate myself for you?’ And you embrace it.”

Riverside County Sheriff Chad Bianco is not lazy, I’ll give him that.

During his unsuccessful run for governor this year, you may recall that the MAGA devotee found time to seize more than 650,000 ballots from the Proposition 50 redistricting race, claiming he suspected there were tens of thousands more votes cast than there should have been — a favorite (and false) complaint of election deniers.

There were not.

Undaunted by reality, and likely law, Bianco announced he was going to have his deputies recount the votes, even though this kind of interference in the chain of custody of ballots never had occurred anywhere in the United States.

This unprecedented seizure of ballots — something election-denier-in-chief President Trump has been hinting at trying himself for years — quickly became a national news story, and a national concern.

With midterms looming and more than one MAGA sheriff out there, what would stop another conspiracy-minded, badge-wearing maverick from doing something similar this November, potentially throwing our national election into turmoil?

The specter of Bianco setting a precedent for like-minded conspiracists to follow prompted two significant lawsuits — one led by the election experts at the UCLA Voting Rights Project and the other from state Atty. Gen. Rob Bonta.

The state Supreme Court heard arguments in those cases Monday, and while we’ll have to wait for the official rulings, things did not seem to go well for the sheriff.

What surprised me most, or maybe just relieved me, was how thin Bianco’s arguments were to support his actions. In the end, his legal team came with little more than contortions and cartwheels, trying to twist Bianco’s overreach into existing law.

His lawyer, Bradley Hertz, attempted to argue that legislators, when crafting laws protecting ballots, meant different rules to apply to investigations of elections preceding formal prosecutions. If that sounds confusing, it’s because it is.

Hertz seemingly was trying to convince the court that Bianco legally could pull his shenanigans as long as he didn’t actually find criminal wrongdoing, which would trigger a different set of rules.

“That seems bizarre,” Justice Goodwin H. Liu said during a back-and-forth with Hertz.

Indeed.

But it was Justice Joshua Groban who hit at the national implications of what Bianco had done — and what it could mean for the midterms if this court ruled in his favor.

“It seems like under your broad view of the warrant power … the sheriff could could seize ballots even before election day, right?” Groban asked. “Even before they were counted.”

It’s terrible to have ballots seized after they’re counted. It’s devastating if they were to be taken before there was an official tally, because how would anyone trust that there hadn’t been tampering? Simply seizing uncounted ballots, no matter what happens next, would create such paranoia and uncertainty that the election results almost certainly would be called into question — something that could play into the favor of, say, a wannabe authoritarian who fears he’s likely to lose a fair vote count.

Even Hertz seemed to acknowledge such a scenario was bad.

“If search warrants were allowed during the election or preelection, that would obviously wreak havoc,” he said. “There would be, kind of, a cat out of the bag, so to speak. You can’t count ballots if they’re not in the possession of the registrar.”

But then Hertz tried to come up with logic that what Bianco was arguing wouldn’t mean that ballots could be seized anytime, anyhow, and that instead courts could find a way to allow seizing only after the official count. The court did not seem convinced that this was a good idea, or that that is what the law should or did allow.

If that case didn’t go well for Bianco, it was the second case brought by Bonta that really might end up being a hard loss.

For years, decades really, in California and across the country, there has been a group of sheriffs who have argued they are a law onto themselves because they are elected, not hired or appointed. Some of these sheriffs argue that they are literally above federal law.

In California, there has at times been momentum to rein in this line of thinking by creating clear boundaries in law, but the state Legislature always has backed down in the face of opposition from law enforcement.

One potential curb on sheriffs’ power comes from a single line in our state Constitution that seems to say the state attorney general has supervisory power over them. But the meaning and power of this particular clause has long been debated and seldom invoked.

Bonta, however, invoked it against Bianco, claiming the the sheriff had to back off the ballot-seizing because Bonta had authority to order him to stop. Bianco did stop, to his credit. But the standoff was heard by the court Monday and likely will force clarity on an issue that has long lacked it.

Here again, the justices seemed amenable to Bonta’s argument that sheriffs, at least to some extent, answer to him as the state’s chief law enforcement officer. But the justices seemed far more cautious on this issue, and even the state’s attorney conceded that “it’s actually pretty remarkable how little our Constitution says about county sheriffs.”

If Bianco loses on this issue, it would be huge. It would mean that Bianco not only overstepped his power by seizing the ballots, but that he also had forever lessened the power of California sheriffs by clarifying they do answer to the attorney general. I’m sure that will be very popular with other sheriffs.

We’ll see what the justices say, but at least it seems likely that this embarrassing chapter of California election history will end in favor of the law, and democracy.

Maybe Bianco really does believe his conspiracy theories. After all, “there are some people who believe they had breakfast with Elvis on Sunday,” pointed out Chad Dunn, who argued the case for the Voting Rights Project.

“We can’t satisfy them,” Dunn warned.

More importantly, we shouldn’t — even when they wear a badge. Our laws already have robust protections for elections, and rogue sheriffs aren’t one of them.