Plaza and “Girls” star Christopher Abbott are expecting their first child together. Representatives for Plaza confirmed to People that the pair are set to become parents in the fall. The couple, who have kept their romance under wraps, were spotted together at the Khaite Fall/Winter 2026 fashion show during New York Fashion Week in February.
Plaza, who’s become Hollywood’s favorite weirdo since splashing onto the scene as April Ludgate in the mockumentary sitcom “Parks and Recreation,” met Abbott when they worked together in 2020. The two starred in the psychological thriller “Black Bear,” and then joined forces once more in 2023 for the off-Broadway revival of “Danny and the Deep Blue Sea.” Abbott may be best known for stealing the hearts of “Girls” fans when he portrayed Charlie Dattolo on the HBO megahit.
In “Danny,” the pair portrayed volatile lovers, and they raved about working with each other while chatting with the New York Times ahead of the production’s premiere. “He cares but he also doesn’t care; it’s the best recipe for me for a scene partner,” Plaza said.
“It’s fun and it’s also good and it’s also safe. I like to just throw things out the window also and laugh and mess around and not take it so seriously. It’s a hard combo to come by.”
“We’re both unafraid to be ugly and weird and strange,” Abbott added. The two also agreed that although they aim to entertain the audience, they both hoped to entertain each other.
Plaza — who is known for her deadpan delivery not only on screen but also while giving interviews on red carpets and the late-night circuit — has become known for dropping lines tailor-made for internet culture. In 2011, she notoriously told Jay Leno that she was too awkward for dating. “I’m kind of like all or nothing,” she said. “Either put a baby inside of me or leave me alone.”
The big baby news arrives for the “White Lotus” star a year after the death of husband Jeff Baena, an independent filmmaker who directed Plaza in “The Little Hours.” Baena, who died at 47 in January 2025, had been separated from Plaza for a few months before his death.
Key dates for next year’s awards season — and the one after that — are already on the calendar.
The Academy of Motion Picture Arts and Sciences on Tuesday announced the dates for the 2027 and 2028 Oscars ceremonies, on March 14, 2027, and March 5, 2028, respectively. The awards show’s 99th and 100th iterations will be its last hurrahs with longtime distributor ABC before a move to YouTube.
In another nod to streaming, the Actor Awards (formerly known as the Screen Actors Guild Awards) also set the dates for their next two shows, which like this year’s ceremony will stream live on Netflix. Presented by SAG-AFTRA, the 33rd Actor Awards are slated for Feb. 28, 2027, and its successor for Feb. 20, 2028.
The Producers Guild of America also announced its 2027 ceremony will take place on Feb. 27, 2027, and its 2028 iteration, on Feb. 19, 2028.
The 2027 and 2028 Oscars will also be the last two ceremonies held at the Dolby Theatre after more than a quarter century at the Hollywood mainstay. Beginning in 2029, the Academy Awards will move to L.A. Live’s Peacock Theater, which is expected to be renamed before the Oscars arrive. The new agreement runs through 2039.
Anchoring the ceremony at the sprawling L.A. Live campus rather than in the heart of Hollywood is expected to allow the academy greater control over crowd flow and event programming, and provide better means for hosting visitors. Similarly, the Oscars’ move to YouTube is aimed at expanding the show’s reach in a streaming-dominant era.
This year’s ABC telecast averaged 17.9 million viewers, a 9% drop from last year’s 19.7 million viewers on ABC and Hulu. The dip ended a four-year streak of ratings bumps.
Paul Thomas Anderson’s “One Battle After Another” led this year’s Oscars with six wins including best picture, director and adapted screenplay. “Sinners,” which earned a record 16 nominations, followed behind with four awards.
“Sinners” also won big at the Actor Awards, with television categories dominated by “The Studio” and “The Pitt.”
Times staff writers Josh Rottenberg and Stephen Battaglio contributed to this report.
That’s how he feels in the Augusta National clubhouse, at least, even though this week marks his 18th start in the historic golf tournament.
“I always felt like I knew the week of the tournament that the clubhouse is for participants and their families,” he said, “but I still felt like I had to earn the right to be there a little more often.”
A year ago, McIlroy beat Justin Rose in a sudden-death playoff to become the sixth man to complete a career grand slam, winning all four major championships.
In the last 12 months, McIlroy has discovered that was more of a memorable mile marker than a monumental, life-changing milestone.
“I think the story as it relates to me is what do I do from now onwards?” he said Tuesday. “What motivates me? What do I still want to achieve in the game? I think that’s the story.
“And there’s still a lot I want to do. You think every time you achieve something or have success that you’ll be happy, but then the goalposts move. And they just keep nudging a little bit further and further out of reach.”
It’s a reminder, McIlroy said, to find enjoyment in the journey rather than finally achieving a specific goal.
“Honestly, I felt like the career grand slam was my destination,” he said. “I got there and realized it wasn’t the destination.”
The 36-year-old from Holywood, Northern Ireland, had gone 11 years between major championships and joined Gene Sarazen, Ben Hogan, Gary Player, Jack Nicklaus and Tiger Woods as the only playerswith a career grand slam.
What’s more, McIlroy was the first Masters winner to have four double bogeys over four rounds — two on Thursday, two on Sunday.
“I think panic is the wrong word, but I didn’t overreact on Thursday …” he said. “I didn’t overreact when I was only one-under through nine on Friday. I think not overreacting and not pressing too hard, I stayed patient or as patient as I could be, and I feel like that patience was rewarded.
Scottie Scheffler puts the green jacket on Master winner Rory McIlroy last year.
(David J. Phillip / Associated Press)
“I played a 14-hole stretch at 10-under par after that, and that was literally the stretch of golf that won me the tournament. So I think in years past I would have went for a pin I shouldn’t have went at, missed in the wrong spot, made another bogey, and then all of a sudden the round starts to get away from you, especially around here.
“Last year, I didn’t let that happen to me, and that was a big difference.”
As is tradition, he wore his green jacket as he spoke to reporters from the dais in the media auditorium. He has brought that sports coat around the world in the last year, but was too protective of it to have it dry cleaned or have a tailor change a stitch of it.
“I think for the past 17 years I could not wait for the tournament to start,” he said, adding with a laugh: “This year, I wouldn’t care if the tournament never started.”
MADISON, Wis. — Democrats hoped to increase liberal control of the state Supreme Court in Wisconsin on Tuesday in an election that has focused largely on abortion rights as cases affecting congressional redistricting, union rights and other hot button issues also await in the perennial battleground state.
This year’s Supreme Court election stands in stark contrast to the swing state’s previous two, where national spending records were set in battles over majority control. Spending and national attention is down dramatically this year without control of the court at stake.
Democrats are looking to tighten their control of the court just months before a November election in which they seek to keep the governor’s office and flip the state Legislature, where Republicans have held the majority since 2011. Democrats aspire to undo a host of Republican-enacted laws that made Wisconsin a focal point for the nation’s conservative movement in the 2010s.
In Tuesday’s Supreme Court race, Democratic-backed Chris Taylor, a former state lawmaker who also worked for Planned Parenthood, faces Republican-supported Maria Lazar. Both Taylor and Lazar are state Appeals Court judges.
Liberals would increase their majority on the court to 5-2 from 4-3 with a Taylor win. That would lock in the liberal majority until at least 2030.
Liberals took control of the state’s top court in 2023, ending 15 years under a conservative majority. They held onto their majority with last year’s victory in a race that drew involvement from President Trump and billionaires George Soros and Elon Musk, who personally handed out $1 million checks to voters in the state.
Liberals argued that democracy was at stake in the 2025 election, noting that when the court was controlled by conservative justices in 2020 it came just one vote shy of siding with Trump in his attempt to invalidate enough votes to overturn his loss in that year’s presidential election.
Since liberals took control, the court has reversed several election-related rulings, including one that overturned a ban on absentee ballot drop boxes, and it is poised to once again be in the spotlight around the 2028 presidential election.
Races for the court are officially nonpartisan, but support for candidates breaks down mostly along partisan lines.
Taylor has focused much of her campaign on abortion rights, with one TV ad saying that “abortion is on the ballot.” In another ad, she criticized Lazar for calling the U.S. Supreme Court’s overturning of Roe v. Wade in 2022 “very wise.”
Lazar, who was supported by anti-abortion groups in her run for the appeals court, tried to brand Taylor as nothing more than a politician who will push a partisan agenda on the court.
They sparred over each other’s partisanship during the campaign’s sole debate last week.
Lazar accused Taylor of being a “radical, extreme legislator” and a “judicial activist.” Taylor said that Lazar would bring “an extreme, right-wing political agenda to the bench.”
Lazar has had a much harder time getting her message out. Taylor had a large fundraising advantage and spent about nine times as much as Lazar on television ads, based on a tally by the Brennan Center for Justice.
The liberal-controlled court has already struck down a state law banning abortion and ordered new legislative maps, fueling Democrats’ hopes of capturing a majority this November.
Taylor has been a judge since 2020 and before that she spent 10 years as a Democrat representing the liberal capital city of Madison in the state Assembly.
Lazar, a judge since 2015, previously worked four years under a Republican attorney general in the state Department of Justice. In that role, she defended a law enacted under former Republican Gov. Scott Walker that effectively ended collective bargaining for most public workers.
A circuit court judge ruled in December that the law is unconstitutional, a decision expected to ultimately land before the state Supreme Court.
Lazar also defended laws passed by Republicans and signed by Walker implementing a voter ID requirement and restricting abortion access.
Democrats are optimistic given the past two Supreme Court elections, which saw candidates they backed winning by double digits.
The seat is open due to the retirement of a conservative justice. Another conservative justice is retiring next year, giving liberals a chance to take 6-1 control of the court if they win on Tuesday.
Meet Mick Cronin’s nightmare, a 7-foot-3 indictment of his embattled program, a monumental mistake that has spent three weeks eating at the heart of even the most dedicated Bruin loyalists.
In Michigan’s overpowering run in this tournament, Mara was everywhere.
Playing the previous two seasons at UCLA, Mara was nowhere.
In six tournament games, Mara had at least two blocks in five, scored in double figures in four and racked up 26 points with nine rebounds in the semifinal win against Arizona.
In his last 11 appearances as a Bruin last season, Mara never played more than half the game.
“One Shining Moment” is another man’s darkness, and so it was that after Michigan’s 69-63 title victory over UConn Monday night, Mara unwittingly milked his co-starring role in the tournament’s annual music video compilation.
In a brief closeup from an earlier tournament game, Mara was shown wagging his tongue in celebration … or was that in revenge?
It sure felt like the latter, as Mara’s nationally televised presence this spring repeatedly summoned one question about the current UCLA basketball culture.
How could the Bruins allow the cornerstone of the program’s future to just walk out the door?
Yes, Cronin isn’t the first coach to lose a star to the transfer portal, as Michigan became the first champion for which all five starters were transfers.
But Mara was more than a transfer, he was transformative, and everyone who had watched him roaming the Pauley floor during his sporadic appearances knew it. If Mara had stayed with the Bruins this season, they could have been at least a Sweet 16 team, maybe advancing to the Elite Eight, and who knows how much further, his presence alone changing so many things about the team in so many different ways.
Michigan’s Aday Mara dunks while Arizona players watch during the Wolverines Final Four semifinal win Saturday in Indianapolis.
(Michael Conroy / Associated Press)
His rim protection is powerful. His shot-blocking is masterful. His footwork is precise, his shooting touch soft and his overall game has been improving with his maturity.
Bruin fans loved him. Pauley rocked with him. Scouts fawned over him.
But Cronin never seemed sold on him, starting him once in two years, playing him about 13 minutes a game last season.
After which, Mara begrudgingly bolted.
“It was a hard decision to leave UCLA,” Mara told former Times staff writer Ben Bolch last spring, “because you saw every game — I was enjoying it, I was super happy because I saw all the crowd cheering for me, helping me a lot. Los Angeles is like a really, really good place, Westwood, so I’m going to miss that and I wanted to say that because it was a hard decision because it’s just after two years it feels like I spent a lot more time than two years, you know?”
When explaining the benchings, Cronin frequently talked about Mara’s matchup problems, conditioning problems, and illness problems. And to be fair, Cronin has often used his tough love with great success, turning marginal players into good ones.
But Mara was a potential superstar, and he wasn’t buying any of it.
“I had expectations when I came here that I didn’t achieve,” said Mara to Bolch. “Also, I think I felt like I was playing good, practicing good, practicing hard, you know, putting in extra work and until Wisconsin I never had the opportunity to show that I was able to play, you know? And once [Cronin] gave me the opportunity, I saw — not a lot, but I saw what I could do, so those are the two reasons.”
Ah, yes, Wisconsin. That game, in January of 2025, could have solidified the Cronin era. Instead, it eventually only served as another eventual milestone of regret.
In the Bruins upset of the Badgers, Mara had 22 points, five rebounds and two blocks in 21 minutes in the best game of his UCLA career.
That finally earned him a place in the rotation after weeks of being lost on the bench, and he played more than 24 minutes in three of the next four games including finding himself in the starting lineup for the first time.
But it was also the last time. Beginning in early February, he didn’t play more than 20 minutes a game the rest of the season, which, after he experienced such success in the Badger beatdown, he found increasingly frustrating.
After the season, there were reports that Mara asked for an inordinate salary increase while demanding that he set his own practice schedule. He denied all those charges to Bolch, saying, “I feel like that’s crazy.”
You want to know what’s really crazy? That UCLA would not work with him no matter what the demands.
One can only guess about the millions of dollars paid to top UCLA athletes, but the Bruin power brokers should have busted the NIL bank for this kid. Certainly, one can also speculate that the Spaniard was considered soft and wasn’t always in great shape, but he was still a teenager and in need of the sort of persistent patience not often shown in Cronin’s world.
Whatever, there was surely a way to put Mara on a path to his seemingly destined greatness. But the hard-nosed Cronin apparently couldn’t reach him while Michigan’s gentler Dusty May could and … hmmmm.
On Monday night, one of those coaches was celebrating while the other one was watching.
Who knows, maybe Cronin and his demanding, sometimes demeaning program will pick up another shiny seven-foot star from this spring’s newly opened portal.
Mauricio Pochettino said last month that he plans to take the U.S. national team to the semifinals of this summer’s World Cup. If that’s the case, he’d better buy tickets because there’s no way the Americans are getting to that game on the field.
In its two March friendlies, the U.S. was blitzed by Belgium 5-2 and Portugal 2-0. By way of comparison, Mexico played the same two teams, in reverse order, to draws.
But wait, it gets worse. Because from the smoldering ruins of that mess, Pochettino has less than two months to choose a roster for the World Cup, a tournament U.S. Soccer has been pointing to for eight years.
Yet the March friendlies raised more questions than they answered — and it’s too late to start over.
“Right now, it’s just not enough,” DaMarcus Beasley, a four-time World Cup player, told TNT Sports. “We want to see these players compet[ing] and creating chances and being hard to play against every single match. Right now, it’s not happening.”
Pochettino ran the March training camp like an audition rather than settling on a starting 11 and trying to win games. He experimented with Tim Weah at outside back, where he has played for his club teams, and tried unsuccessfully to shake Christian Pulisic out of a career-long scoreless streak by playing him as a striker.
But he seems unable to solve some of the core issues plaguing the team. The U.S., which hasn’t posted a clean sheet since September, has become an error-prone mess on defense, with Pochettino’s wide, attack-minded approach revealing a structural fragility that has left the Americans’ thin back line exposed.
Consider the two goals in the Portugal loss. The first came after a turnover at midfield that led to a lightning-quick counterattack and the second on a poorly defended corner in which the Americans kept seven players in the six-yard box, leaving João Félix all alone at the top of the penalty area.
Behind the defense, no one has stepped up to seize the starting job in goal. Matt Turner, so spectacular four years ago in Qatar, gave up as many goals as he made saves against Belgium. And while Matt Freese was markedly better against Portugal, that was just his 14th international start.
Those are just the lowlights of the myriad issues facing Pochettino’s team.
Pulisic, the talisman who was supposed to carry the U.S., has gone cold. He hasn’t scored for the U.S. since November 2024 and hasn’t scored for his club team, AC Milan, this year. So Pochettino used him as a No. 9 against Portugal, a role Pulisic has made clear he does not like.
Christian Pulisic, left, controls the ball during an international friendly against Portugal on March 31.
(Jared C. Tilton / Getty Images)
It didn’t work, with Pulisic extending his goal-less streak to 15 games for club and country.
Tyler Adams, the captain in Qatar, has been saddled by injury and hasn’t played for the national team since September; right back Sergiño Dest, who started all four games in Qatar, is also hurt; center back Tim Ream, at 38, suddenly looks his age; and Gio Reyna, who has been unable to win a starting job on three teams in two countries since Qatar, nonetheless keeps getting called to the national team with little affect.
In the middle of it all is Pochettino, the highest-paid coach in U.S. Soccer history, who, despite a stellar resume as a club coach, has failed to find a consistent winning formula on the international level. In its 18 months under Pochettino, the national team has gone 11-2-1 against teams outside the FIFA top 25 and just 2-7-1 against teams ranked 25th or higher, according to ESPN. It has also lost eight consecutive games to European rivals.
Guess which kinds of teams the U.S. will have to beat to get to the semifinals of the World Cup?
It wasn’t supposed to be this way, of course. After failing to qualify for the 2018 World Cup, the U.S. team was ripped down to its foundation and built anew. Interim manager Dave Sarachan was tasked with reconstructing a roster that had grown old and stagnant, and in his 12 months in charge he gave a record 23 players — including nine who made the team for the last World Cup — their international debuts. With an average age of 25, the squad in Qatar was the second-youngest World Cup team in U.S. history.
But Qatar was just a trial run. The real goal was to have a mature, experienced team ready for this summer when the World Cup would be played at home. A deep run could fuel the kind of transformation the 1994 tournament in the U.S. achieved.
Instead, the U.S. team has regressed.
“It feels like four years have gone down the drain,” said ESPN’s Herculez Gomez, another former World Cup player.
Fortunately, the U.S. was drawn into a soft group for the World Cup. And because the tournament’s expansion to 48 teams means just 16 countries will be eliminated in the first round, even a poorly built American team should advance.
But the semifinals? Not this team and not in this tournament. To do that the U.S. would have to be better than at least four teams on a list that includes England, France, Spain, Argentina, Germany, Morocco, Brazil and the Netherlands. We already know it’s not better than Belgium or Portugal.
It might not even win its group now that Turkey, a top 25 team which beat the U.S. 2-1 last June, has qualified. And a stumble early in the tournament would make the kind of deep run Pochettino promised that much more difficult.
“We are so close to the World Cup,” Pochettino said after the Portugal loss. “But I think we are intelligent enough to know what we need to do.”
Buy tickets was not supposed to be the answer.
⚽ You have read the latest installment of On Soccer with Kevin Baxter. The weekly column takes you behind the scenes and shines a spotlight on unique stories. Listen to Baxter on this week’s episode of the “Corner of the Galaxy” podcast.
TORONTO — Fans lined up before the game, waiting patiently for the chance to take a selfie with trophies that commemorated the back-to-back World Series championships.
Dodger Stadium is not the only place you can do this. The trophies were from 1992 and 1993, and they honored the Toronto Blue Jays.
The Dodgers matched that back-to-back feat over the past two years, including a classic Game 7 victory in Toronto in last year’s World Series, and returned here Monday to a noise pit packed with fans primed to boo, and to urge their team to exact vengeance on the evil mercenaries from America.
On this night, the mercenaries prevailed, in a pummeling so relentless and a silencing so rapid that a three-peat appeared all but inevitable: Dodgers 14, Blue Jays 2.
Dalton Rushing celebrates with teammates in the dugout after hitting his second home run of the game in the eighth inning of a 14-2 win over Toronto on Monday.
(Mark Blinch / Getty Images)
“These fans, sadly, didn’t want to see us come to town,” Dodgers catcher Dalton Rushing said, “and rightfully so, after what we did tonight.”
Those fans did want to see the Dodgers, but they did not want to see this. On a night the Dodgers fielded a lineup without Mookie Betts and Will Smith, the team hit five home runs — two by Rushing — and scored in every inning but the second and ninth. Of the six Toronto pitchers, the only one to hold the Dodgers scoreless was catcher Tyler Heineman.
To the Dodgers, well, it was another day on the job, if a bit louder than usual at the start. They had a game to win on the long road toward October and, as they often do, they won.
In Toronto, however, pitcher Kevin Gausman said, “It feels like we’re getting ready for Game 8.” The fans mercilessly booed Shohei Ohtani, who turned down $700 million from the Blue Jays to take $700 million from the Dodgers, and outfielder Kyle Tucker, who turned down $350 million (over 10 years) from the Blue Jays to take $240 million (over four years) from the Dodgers.
They even booed Justin Wrobleski, the Dodgers’ starting pitcher, and Miguel Rojas, usually an infielder but on Monday the Dodgers’ final pitcher. Wrobleski, who won his seventh major league game Monday, said he expected the boos.
“It was fun,” he said. “They care about baseball here. It’s a fun environment. If people weren’t a little upset and a little, I’d say, passionate about what happened last year in the World Series, maybe they’re not real fans.”
The boos could have been a sign of respect, or of a long memory: about the ninth most-memorable part of Game 7 was Wrobleski hitting Toronto infielder Andrés Gimenez, then shouting language so profane Wrobleski later said he apologized to his mother for using it. You cannot be a nobody if you can get the benches to clear in Game 7.
“They wouldn’t boo me,” Wrobleski said, “if they didn’t know who I was.”
Dodgers pitcher Justin Wrobleski delivers during the first inning against the Blue Jays on Monday.
(Mark Blinch / Getty Images)
The Dodgers led 4-1, then 5-1, then 6-1, then 9-1, and that was before the sixth inning was done.
“When you score a lot of runs, you’re going to take the crowd out of it,” Dodgers first baseman Freddie Freeman said.
“I think the media and everyone else was more hyped up. It’s a new team, new year. We’ve got different guys on our team too. But we obviously understand it’s a World Series matchup.”
The Blue Jays were different: infielder Bo Bichette is in New York, catcher Alejandro Kirk is on the injured list, infielder-outfielder Addison Barger is hurt, and Toronto is borrowing a page from the Dodgers’ playbook with a rotation full of hurting pitchers: Shane Bieber, José Berrios, Cody Ponce and phenom Trey Yesavage all are on the injured list, and Max Scherzer left after two innings Monday because of tendinitis in his throwing arm.
The Dodgers are 8-2. The only defending World Series champion to get off to a better 10-game start in the last 100 years: last year’s Dodgers, at 9-1.
Last year worked out just fine. This is April, and no one is facing elimination any time soon. That explains how Roberts rated his anxiety level on Monday.
“It was probably a 10 in October and probably a one tonight,” he said.
Monday’s game offered yet another example of how the team that supposedly is ruining baseball is fattening the wallets of the league’s other 29 teams. The Dodgers have led the league in road attendance in each of Ohtani’s two previous seasons and almost certainly will do so again this season — and a fair number of those ticket buyers are Dodgers fans following their team here, there and everywhere.
In a 10-minute pregame walk around the main concourse, I saw plenty of fans in Dodgers jerseys: not only with the names of Ohtani, Betts and Freeman but with the names of Rojas, Kiké Hernández and Roki Sasaki.
As soon as the third inning, a “Let’s Go Dodgers” chant echoed through the stadium.
The Blue Jays are off to a 4-6 start, including series losses to the Colorado Rockies and Chicago White Sox. The Jays should be good again, and soon. In the meantime, they are offering 77-cent hot dogs Tuesday.
For all the Dodgers fans here, that’s quite the trip: a rout that silenced a hostile crowd one day, hot dogs valued at 55 cents in U.S. currency the next. The fruits of victory, as Tommy Lasorda might have said, rarely are so cheap and filling.
After spending her first two seasons with the Chicago Sky, the two-time All Star has been traded to the Atlanta Dream in exchange for first-round picks in 2027 and 2028, the teams announced Monday morning. Atlanta also receives the option to swap second-round picks with Chicago in 2028.
“An Angel’s DREAM,” Reese posted on X. “ATL WHAT UP?!”
Reese was already a star before coming to the WNBA after helping Louisiana State win the national championship over Caitlin Clark and Iowa in 2023 and leading the Tigers back to the Elite Eight the following year.
Selected by Chicago with the seventh overall pick in the 2024 draft, Reese finished as runner-up to Clark in rookie-of-the-year voting and led the league in rebounds per game in each of her first two seasons. Overall, she has averaged 14.1 points and 12.9 rebounds a game.
The Sky have gone 23-61 and missed the playoffs both seasons since drafting Reese. On Sept. 3, the Chicago Tribune published quotes from the star player that indicated her frustration with the team’s inability to build a winning roster and an inclination to leave if the organization isn’t able to get it right.
“I’d like to be here for my career, but if things don’t pan out, obviously I might have to move in a different direction and do what’s best for me,” Reese told the Tribune.
After the Sky’s 88-64 victory over the Connecticut Sun that night, Reese told reporters she had apologized to her teammates about the article.
“I think the language is taken out of context,” she said, “and I really didn’t intentionally mean to put down my teammates, because they’ve been through this with me throughout the whole year. They’ve busted their ass, just how I bust my ass, they showed up for me through thick and thin, and in the locker room when nobody could see anything.”
Reese did not play for Chicago again. She was suspended half a game for her comments, which were deemed “detrimental to the team,” served a separate mandatory one-game suspension by the WNBA for receiving eight technical fouls during the season and missed the final three games of the season with what was listed as a back injury.
The Sky said in a statement Monday that the “trade is designed to achieve roster balance and represents a great opportunity for all parties.”
“Angel has achieved many record-breaking milestones in her first two years in the WNBA and has been a competitive force for the Sky,” the team wrote. “We are thankful for her many important contributions to this league and this game, and we know she will continue to have a big impact on the court and beyond.”
Reese joins an Atlanta team that went 30-14 and finished first in the Eastern Conference before losing to the Indiana Fever in the first round of the playoffs. The roster includes Allisha Gray, who finished fourth in the MVP voting last season, as well as sixth player of the year Naz Hillmon and All-Star Brionna Jones.
“Angel is a dynamic talent and a perfect fit for what we are building in Atlanta,” Dream general manager Dan Padover said in a statement. “She has already proven herself as one of the most impactful players in the league, and her competitiveness, production and drive to win align seamlessly with our vision. This is an exciting moment for our organization and our fans.”
Brisk south-easterly winds developing on Tuesday and Wednesday will drag in much warmer air from the European continent.
Temperatures will be around 6 to 10C above average for early April.
On Tuesday temperatures will rise to the high teens and low twenties in most parts.
Across the south Midlands and the west coast of Wales it is likely to reach 22C, making it the warmest day of the year so far.
The previous highest temperature this year was 20.9C, recorded on 31 March at Pershore, Worcestershire.
Tuesday will be a mostly sunny day, especially across England and Wales but cloud will build in Northern Ireland and western Scotland with a few showers.
By Wednesday temperatures will rise even further to 23C, perhaps even 24C in south-east England.
With sunshine continuing, temperatures across England and Wales will still be into the low twenties, so it will feel more like a typical summer’s day for most of us.
However, conditions will turn a little cooler in western Scotland, Northern Ireland and Irish Sea coasts with more cloud and rain moving in later in the afternoon.
Before the Coachella Valley Music and Arts Festival became a world-famous event, it started as a much more modest music festival in Southern California’s desert in 1999.
As the festival kicks off its 25th year, we combed through The Times’ extensive archives to take a trip down Coachella’s memory lane. Scroll through and you’ll see those epic moments from Daft Punk, Beyoncé, Prince and Madonna, but also the iconic large art installations at the festival and just how much the event has grown and changed over the years.
Dennis Carrillo wears a sombrero as a shield against the blistering sun as he and friend Dario Soto, both of Los Angeles, walk toward the stage at the inaugural Coachella Valley Music and Arts Festival in Indio in October 1999, where the temperature hit triple digits.
(Luis Sinco / Los Angeles Times)
Beck was one of the headliners of the original Coachella in October 1999.
(Luis Sinco / Los Angeles Times)
Thousands of music fans wait at the main stage area at the inaugural Coachella in 1999.
(Gina Ferazzi / Los Angeles Times)
Rage Against the Machine was one of the headliners of the inaugural Coachella Valley Music and Arts Festival in 1999.
(Gina Ferazzi / Los Angeles Times)
2001
Due to the financial losses, Coachella skipped a year and returned in April 2001 as a one-day event with a headlining set by Jane’s Addiction and a bill featuring artists such as Weezer and Paul Oakenfold. It drew more than 32,000 people to the desert.
When Coachella returned as a one-day event in 2001, Jane’s Addiction headlined the show.
(Lori Shepler / Los Angeles Times)
Even in its early years, Coachella made art part of the vibe. In 2001, people on stilts roamed the field in front of the main stage.
(Lori Shepler / Los Angeles Times)
Thousands of fans hang out on the main field at Coachella in 2001.
(Lori Shepler / Los Angeles Times)
Paul Oakenfold’s first time playing Coachella was in 2001.
(Lori Shepler / Los Angeles Times)
2002
Coachella went back to being a two-day event in 2002, headlined by Bjork and Oasis. One of the emerging acts on the bill that year was a rock combo out of New York called The Strokes.
Oasis, with guitarist Noel Gallagher, headlined the second day of Coachella 2002.
(Kevin P. Casey / Los Angeles Times)
When The Strokes first played Coachella in 2002, the New York band was just emerging in the rock scene. Singer Julian Casablancas and the group will perform again in 2026.
(Kevin P. Casey / Los Angeles Times)
The first time Bjork headlined Coachella was the 2002 edition of the festival.
(Kevin P. Casey / Los Angeles Times)
Fans watch arm in arm as Oasis closes out Coachella 2002.
(Kevin P. Casey / Los Angeles Times)
2003
The Beastie Boys and Red Hot Chili Peppers headlined Coachella 2003, but the lineup also included The White Stripes, Iggy and The Stooges, Underworld and the Blue Man Group.
Coachella attracted about 35,000 fans per day in 2003.
(Myung J. Chun / Los Angeles Times)
The White Stripes were one of the standout acts at Coachella 2003.
(Myung J. Chun / Los Angeles Times)
The Sahara Tent has always been the heartbeat of Coachella’s dance scene, but in 2003 it was much smaller than the airplane hangar-sized stage it is today.
(Myung J. Chun / Los Angeles Times)
The Blue Man Group performed at the 2003 Coachella Valley Music and Arts Festival.
(Myung J. Chun / Los Angeles Times)
2004
In 2004, the Flaming Lips created an iconic Coachella moment when singer Wayne Coyne traveled over the crowd in a giant inflatable ball. Headlined by Radiohead and The Cure, the festival also included a reunion of the Pixies. It also marked Coachella’s first sellout, with 60,000 attendees per day.
The Flaming Lips’ Wayne Coyne travels over the Coachella 2004 crowd in an inflated plastic bubble.
(Robert Gauthier / Los Angeles Times)
Syd Klinge’s “Cauac” Tesla coil was one of Coachella’s firstart pieces. It made its debut in 2004.
(Robert Gauthier / Los Angeles Times)
Coachella 2004 featured a highly-regarded reunion of the Pixies.
(Robert Gauthier / Los Angeles Times)
Fans brave sweltering heat as they wait for the Pixies to perform at Coachella 2004.
(Robert Gauthier / Los Angeles Times)
2005
Coldplay and Nine Inch Nails headlined Coachella in 2005. Weezer, The Chemical Brothers and Wilco were some of the other notable acts on the bill. Among the memorable moments was the reunion of Bauhaus and singer Peter Murphy performing “Bela Lugosi’s Dead” while hanging upside down like a bat.
Wilco performs before a crowd of tens of thousands at dusk at the 2005 Coachella Valley Music and Arts Festival.
(Myung J. Chun / Los Angeles Times)
Trent Reznor and Nine Inch Nails headlined Coachella in 2005. Reznor will return to the festival in 2026 with German music producer Boys Noize to perform as Nine Inch Noize.
(Myung J. Chun / Los Angeles Times)
Music fans break a sweat dancing in the Sahara Tent during the 2005 Coachella Valley Music and Arts Festival.
(Myung J. Chun / Los Angeles Times)
Allen Writhen, of Santa Maria, takes a spin on a bicycle at the Cyclecide arena at Coachella 2005. Cyclecide, a San Francisco–based bicycle rodeo group, brought bike-centric art installations to Coachella for multiple years.
Prince headlined Saturday night of Coachella 2008, performing a memorable cover of Radiohead’s “Creep.”
(Spencer Weiner / Los Angeles Times)
Kestrin Pantera dances while Marc Goldstein DJs aboard a special Amtrak charter, the Coachella Express, which traveled from Los Angeles to Indio in 2008. The free train service provided transportation to Coachella Valley Music and Arts Festival attendees.
(Spencer Weiner / Los Angeles Times)
Roger Waters performed Pink Floyd’s “Dark Side of the Moon” during the final day of Coachella 2008. His set also included a giant inflatable pig that was let loose into the Indio night.
(Spencer Weiner / Los Angeles Times)
A dance circle develops inside the Do Lab at the 2008 Coachella Valley Music and Arts Festival.
(Jay L. Clendenin / Los Angeles Times)
2009
Coachella 2009 marked the final year the general public could buy single-day tickets to the festival. Paul McCartney headlined opening night and played 50-plus minutes after curfew. When The Cure tried the same thing to close down Sunday, the sound was cut earlier. Sandwiched in between was a headlining set from The Killers. Other notable performers included M.I.A., who stepped in after Amy Winehouse dropped off the lineup, Morrissey, who complained about the smell of burning flesh, and Leonard Cohen.
Paul McCartney headlined the main stage at Coachella 2009 in a career-spanning set that went nearly an hour past the 1 a.m. curfew.
(Spencer Weiner / Los Angeles Times)
Festivalgoers find shade in the Do Lab at Coachella 2009.
(Jay L. Clendenin / Los Angeles Times)
M.I.A. stepped in to perform at Coachella 2009 after Amy Winehouse dropped off the lineup.
(Jay L. Clendenin / Los Angeles Times)
“Bamboo Starscraper” was a 90-foot-tall bamboo tower by Gerard Minakawa that was part of the art at the festival in 2009.
(Jay L. Clendenin / Los Angeles Times)
2010
This year was the first time the festival only offered three-day passes and Coachella drew a record 75,000 people per day, up nearly 15,000 from the previous year. It was also the year Coachella had its first rap headliner with Jay-Z, who brought out wife Beyoncé to perform “Young Forever.” The other headliners in 2010 were Muse and Gorillaz. The eruption of an Icelandic volcano kept some artists from getting to the festival, including The Cribs and Frightened Rabbit. Then there was Sly Stone’s oft-delayed set that ended with him ranting about his former manager and led to a slander lawsuit. The full festival was also livestreamed for the first time.
In 2010, Jay-Z became the first rapper to headline Coachella. He brought out wife Beyoncé as a surprise guest.
(Luis Sinco / Los Angeles Times)
Members of the Old Crow Medicine Show jam in the VIP area of the Coachella Valley Music and Arts Festival at the Empire Polo Club in Indio in 2010.
(Luis Sinco / Los Angeles Times)
DJ Lance Rock and the creatures of “Yo Gabba Gabba!” performed at Coachella in 2010.
(Luis Sinco / Los Angeles Times)
The crowd reacts during Benny Benassi’s DJ set in the Sahara Tent at Coachella 2010.
Snoop Dogg performs with a hologram of Tupac Shakur near the end of the Snoop Dogg and Dr. Dre’s headlining set at Coachella 2012.
(Jay L. Clendenin / Los Angeles Times)
Laura Newton, left, Lucy Holme and Louise Watkins from Britain attended their first Coachella in 2012 and protected themselves from the rain that swept in on opening day with garbage bags.
(Luis Sinco / Los Angeles Times)
David Guetta brought lots of lasers to his performance in the Sahara Tent at Coachella 2012.
(Jay L. Clendenin/Los Angeles Times)
An aerial view of the 2012 Coachella Valley Music and Arts Festival.
“Helix Poeticus,” created by Poetic Kinetics makes its way, slowly, across the polo field at Coachella 2013.
(Jay L. Clendenin / Los Angeles Times)
Flea of the Red Hot Chili Peppers headlined Sunday night at the 2013 Coachella Valley Music and Arts Festival.
(Brian van der Brug / Los Angeles Times)
The Yuma Tent made its debut at Coachella 2013 with air conditioning, a hardwood floor and comfy chairs.
(Luis Sinco / Los Angeles Times)
Tesla coils by artist Syd Klinge go off along with the “Coachella Power Station,” left, by artists Vanessa Bonet, Derek Doublin and Chris Waggoner at Coachella 2013.
(Jay L. Clendenin / Los Angeles Times)
2014
A reunited Outkast, Muse and Arcade Fire headlined Coachella 2014, but one of the most memorable performances was Pharrell Williams’ star-studded set on the Outdoor Theatre. We also saw the debut of Poetic Kinetics’ “Escape Velocity,” a.k.a. the Coachella astronaut, and the mirrored “Reflection Fields” by Phillip K. Smith among the festival’s major art installations.
A nearly 40-foot tall astronaut, “Escape Velocity” by L.A. art collective Poetic Kinetics, is reflected in “Reflection Fields” by Phillip K. Smith at the 2014 Coachella Valley Music and Arts Festival.
(Brian van der Brug / Los Angeles Times)
Andre 3000 of Outkast performs inside a screen box opening day of the 2014 festival. Andre 3000 and Big Boi reunited for the festival.
(Bethany Mollenkof / Los Angeles Times)
Fans pack the Sahara Tent for the performance of Showtek at Coachella 2014.
(Jay L. Clendenin / Los Angeles Times)
Pharell Williams performs at the second weekend of the 2014 Coachella Valley Music and Arts Festival.
Angus Young duck walked in his traditional schoolboy uniform during AC/DC’s Coachella 2015 headlining performance.
(Luis Sinco / Los Angeles Times)
Music fans flock to “Desiderium Eruca,” Poetic Kinetics’ large butterfly sculpture that replaced the “Papilio Merraculous” caterpillar sculpture at Coachella 2015.
(Marcus Yam / Los Angeles Times)
Florence + The Machine was one of the memorable performances at Coachella 2015. Singer Florence Welch broke her foot when she leaped from the stage during Weekend 1.
(Marcus Yam / Los Angeles Times)
Aerial performers spin above the crowd at the Do Lab at Coachella 2015.
After breaking his foot the week before Coachella 2016 during Guns N’ Roses’ Troubadour warm-up show, Axl Rose performed on stage at Coachella atop the motorized throne Dave Grohl previously used on tour after breaking his leg.
(Brian van der Brug / Los Angeles Times)
Alejandro Murcia and Wanda Quintero take a photo in front of R&R Studios’ “Besame Mucho” installation at Coachella 2016. The typographic sign was covered in silk flowers and is among the more memorable art pieces from the year. Today, the installation lives on at Miami International Airport.
(Jay L. Clendenin / Los Angeles Times)
Ice Cube’s performance at Coachella in 2016 led to an on-stage reunion with the surviving members of N.W.A, featuring MC Ren and DJ Yella Weekend 1 with Dr. Dre joining them on Weekend 2.
(Jay L. Clendenin / Los Angeles Times)
Brian Sneed and Claudia Jerez jump as a friend takes their photo in front of the “Katrina Chairs” art installation at Coachella 2016.
The first time Lady Gaga headlined Coachella was in 2017 and it was because she stepped in after Beyoncé had to postpone due to her pregnancy.
(Brian van der Brug / Los Angeles Times)
Crowds of people take photos of Gustavo Prado’s art piece “Lamp Beside the Golden Door”at Coachella 2017. The sculpture featured more than 2,100 mirrors.
(Luis Sinco / Los Angeles Times)
Kendrick Lamar released “Damn.” the Friday of Coachella 2017 Weekend 1, two days before his headlining performance that included ninjas.
(Brian van der Brug / Los Angeles Times)
Olalekan Jeyifous’ 50-foot-tall “Crown Ether” treehouse art installation provided a backdrop for photos at Coachella 2017.
(Brian van der Brug / Los Angeles Times)
2018
Coachella was already regarded globally as a music festival. Then Beyoncé turned Coachella into the pop culture moment of the year. Coachella became Beychella and her Homecoming performance was nothing short of epic, even becoming its own Netflix special. Beyond Beyoncé, Eminem and The Weeknd headlined, but one of the other standouts was Cardi B’s TLC-inspired performance on the main stage. On the grounds, 2018 was the year “Spectra,” the cylindrical rainbow tower, became part of the festival’s landscape.
Beyoncé’s stunning headlining performance at Coachella 2018 celebrated America’s historically Black colleges and universities. Her set also featured cameos from husband Jay-Z, sister Solange and a Destiny’s Child reunion.
(Luis Sinco / Los Angeles Times)
The rainbow-colored cylindrical tower “Spectra” made its debut at Coachella in 2018.
(Christina House / Los Angeles Times)
Cardi B performed a set inspired by TLC at Coachella in 2018.
(Kent Nishimura / Los Angeles Times)
Festival goers walk in front of Edoardo Tresoldi’s “Etherea” wire mesh cathedral structures and Randy Polumbo’s “Lodestar,” which was made with the fuselage of a military jet, at Coachella 2018.
(Maria Alejandra Cardona / Los Angeles Times)
2019
Ariana Grande, Childish Gambino and Tame Impala headlined Coachella in 2019, but the big memories from that year were the rise of artists like Bad Bunny and Billie Eilish as they were becoming bona fide superstars. Arguably the most memorable performance of the year wasn’t even during normal festival hours — it was when Kanye West held a Sunday Service in the campgrounds on Easter Sunday during Weekend 2. Meanwhile, to mark Coachella’s 20th year, Poetic Kinetics brought back the famous roving Coachella astronaut in a new form as “Overview Effect.”
Bad Bunny’s set at Coachella 2019 included a guest spot from J Balvin.
(Mariah Tauger / Los Angeles Times)
Kanye West’s Easter Sunday Service happened outside of the main festival grounds during Weekend 2 of the Coachella 2019.
(Kent Nishimura / Los Angeles Times)
“Overview Effect,” a roaming astronaut sculpture made by Poetic Kinetics, roams around the 2019 Coachella Valley Music and Arts Festival at the Empire Polo Club grounds in Indio.
(Brian van der Brug / Los Angeles Times)
Fans go wild as confetti drops during Tame Impala’s headlining performance at Coachella 2019.
Billie Eilish’s 2022 Coachella headlining turn included a guest spot from Damon Albarn to join her for “Getting Older” and “Feel Good Inc.”
(Dania Maxwell / Los Angeles Times)
Wearing the signature blue wigs of Karol G, music fans cheered the star as she arrived on the main stage at Coachella 2022.
(Gina Ferazzi / Los Angeles Times)
Swedish House Mafia x The Weeknd became a last-minute headliner replacement for Kanye West at Coachella 2022.
(Christina House / Los Angeles Times)
One of the largest art installations at Coachella 2022 was Cristopher Cichocki’s “Circular Dimensions x Microscape,” which was made with more than 25,000 feet of PVC tubes and was five stories tall. At night, images were projected on the piece.
Bad Bunny performs at Coachella Weekend 1 in 2023.
(Christina House / Los Angeles Times)
People walk by Güvenç Özel’s sculpture “Holoflux” at Coachella 2023.
(Christina House / Los Angeles Times)
Doechii performs at Coachella 2023.
(Dania Maxwell / Los Angeles Times)
A reunited Blink-182 joined the Coachella 2023 lineup days before the festival. The band played in the Sahara Tent during Weekend 1 before moving to the main stage Weekend 2 to help fill the gap left by headliner Frank Ocean dropping off the bill.
(Dania Maxwell / Los Angeles Times)
2024
Lana del Rey, Tyler, the Creator and Doja Cat headlined the festival in 2024, but one of the big draws was the reunion of No Doubt, who brought out Olivia Rodrigo. Sabrina Carpenter, who is headlining the 2026 festival, also performed on the main stage during the day. The big changes in 2024 were that the main festival grounds expanded with a larger Sahara Tent on the southern end of the site and the addition of the Quasar Stage.
Tyler, the Creator’s headlining set at Coachella 2024 featured the rapper dressed as a park ranger and an elaborate national park-like stage set.
(Dania Maxwell / Los Angeles Times)
Gwen Stefani of No Doubt performs at Coachella 2024. The band reunited for the festival and brought out Olivia Rodrigo as a guest.
(Christina House / Los Angeles Times)
Doja Cat was the Sunday night headliner at Coachella 2024 and her performance included dancers dressed like yetis.
(Dania Maxwell / Los Angeles Times)
Chappell Roan was one of the breakout stars at Coachella 2024.
Mayor Karen Bass has had a lengthy political career, spending six years in the state Legislature, 12 years in Congress and the last three in the top elected office at Los Angeles City Hall.
Now, facing the toughest reelection battle of her career, Bass is marketing herself in a way that might surprise some Angelenos: She’s running as a champion of change.
And she’s not alone.
City Councilmember Nithya Raman, who has represented a Hollywood Hills district since 2020, says her last-minute decision to enter the race was fueled by “a sense of urgency that things needed to change.”
Three other major candidates, all political newcomers, argue that an outsider is needed to shake up the status quo.
“We can no longer keep our city together with duct tape and slurry,” said Rae Huang, a leftist community organizer, at a recent candidate forum on housing and transportation.
The race to embrace the mantle of change in the June 2 primary election comes at a moment of political peril for Bass, a veteran Democrat who has racked up high disapproval numbers in several voter surveys.
In recent months, Bass has revamped her messaging, saying she’s been tackling problems that have “been around for multiple decades,” such as homelessness, sluggish police hiring and trash-strewn streets.
Last week, speaking to the Pacific Palisades Democratic Club, Bass said she wants another four years to finish that work. She also implied that, in her zeal to fix the city’s problems, she quietly pushed out a dozen high-level bureaucrats, including those who dealt with trash pickup and police recruitment.
“Let me just tell you that in three years and three months, it is difficult to change what has been a practice for over four decades,” Bass told the group. “I am very clear that there needs to be massive change, and I’ve done a lot of change.”
Raman has portrayed herself as someone who shook up the system while in office, securing a 4% cap on rent increases for more than 600,000 apartments and opposing initiatives she viewed as “disastrous” for the city’s budget. She said the city is falling short on an array of issues, including traffic deaths and housing affordability.
“So much of what’s happening in L.A., our inability to address our biggest crises — our housing crisis, our homelessness crisis, but also essential services like lights and potholes — so much of this has resulted from a lack of clear urgency in decision-making at City Hall,” said Raman, the first L.A. council member to win office with the backing of the Democratic Socialists of America.
Those types of arguments have elicited salty responses from Huang, tech entrepreneur Adam Miller and conservative reality TV personality Spencer Pratt.
Miller, who described himself as a lifelong Democrat, pointed out that Raman runs the powerful five-member council committee on housing and homelessness. He argued that both she and Bass have failed on those issues, as well as on public safety and much needed infrastructure repairs.
“These are the people who have been running the government,” said Miller, who made a fortune developing education software. “So I don’t understand how they could describe themselves as change-makers. They’re the ones who have been the problem.”
Pratt offered a similar take on social media, calling Raman and Bass “two peas in a pod,” while portraying himself as a change agent.
“I’m a wrecking ball to the status quo,” he said in one post.
Neither Pratt nor his representative responded to an interview request.
In one recent high-profile poll, about 56% of respondents said they had an unfavorable view of Bass. In another, about 40% of those surveyed said they had not yet made up their minds about who should lead the city.
“It’s clear that there are concerns among voters about the direction of the city — and the state, quite frankly,” said Pomona College politics professor Sara Sadhwani, referring to the race for governor. “In both instances, there are lackluster candidates, and so we see voters being very much undecided in both of these incredibly consequential races.”
The election season got underway a little more than a year after the Palisades fire, which destroyed thousands of homes and left 12 people dead.
Bass, who was out of the country when the fire broke out, was unsteady in her early public appearances and, since then, has faced sharp criticism over the pace of the rebuilding. She has defended her record on the recovery, saying she cut red tape and suspended city permit fees, while also pressing the Trump administration to crack down on insurance companies that fail to compensate wildfire survivors.
The back-and-forth over change and the status quo broke to the surface during last month’s housing forum in downtown L.A.
At one point, Raman voiced alarm over the city’s elevated “people mover” being built at Los Angeles International Airport, saying it is so far behind schedule that it won’t be ready before the World Cup, which starts in June.
Raman said that as mayor, she would ensure that such projects are finished on time — and replace airport leadership if it fails to happen.
“Nithya, you’ve been on City Council for six years, though,” Huang shot back. “Why have you not moved this forward?”
(At five years and four months, Raman’s tenure is slightly less than that.)
Raman countered that, as a council member, she only has control over certain issues.
“So much of what’s going wrong in Los Angeles requires the mayor to get involved,” she said.
Bass did not attend the forum, traveling instead to New Orleans for a reelection fundraiser. Pratt also skipped. In their absence, the three remaining candidates pounded on a wide array of municipal ills, including broken sidewalks, high rents and sluggish housing production.
Raman, at that event and elsewhere, has sought to differentiate herself from Bass, and City Hall more broadly, by highlighting her dissenting votes.
In 2023, Raman opposed a package of police pay increases negotiated by Bass, saying they were too expensive and would deprive other city departments of funding. Last year, she voted against a $2.6-billion upgrade of the Convention Center, citing similar long-term cost concerns.
Bass, for her part, said she’s been shifting the direction of the city in critical ways. Previous city leaders were too hesitant to build temporary housing for homeless people, she said, leaving them to languish on sidewalks while waiting for government-funded apartments to be built.
The mayor said she also pushed for changes in LAPD hiring, not just by making officers’ salaries more competitive, but by hacking away at a slow and bureaucratic recruitment process. Speaking to the Palisades Democrats, Bass said she got that done, in part, by changing the leadership and staff at the city’s personnel department.
Bass told the group she’s preparing to launch an initiative to clean up the city’s streets — and that she made a personnel move in that regard as well.
“In terms of cleanliness, I’ve had to change the leadership of the Department of Sanitation, because I couldn’t get the job done,” she said.
Sadhwani, the Pomona College professor, said she doubts that voters will view Bass as a reform candidate. Raman, she argued, is also part of the establishment.
“They cannot run from the fact that they have been in power,” she said.
TAMWORTH may not be top of many tourists’ to-do lists, but it boasts the best boozer, a kids-go-free castle and even a chance to ski on real snow, all within staggering distance of each other.
I’m lucky that this Midlands marvel is only half an hour from me, so I headed over to check out all the things that make the town a perfect day trip destination this year.
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Travel writer Catherine Lofthouse Tamwork, which features Britain’s best boozer, a kids-go-free castle and even a chance to ski on real snow, all within staggering distance of each otherCredit: Catherine LofthousePoppies and thistles on the River Anker riverbank in Tamworth, StaffordshireCredit: Getty
It’s been ages since I last visited Tamworth Castle, a landmark feature in the centre of town, still standing tall on its original motte.
It’s just announced that it’s the latest visitor attraction to join the Blue Peter scheme, which means that kids who’ve earned a badge from the beloved TV show can get in free.
We were absolutely amazed by all the different eras of history showcased at the castle, a fascinating snapshot of its own journey through time.
What I really loved though was the recreated Saxon mead hall with fount-of-knowledge volunteer guide Ralph on hand to bring history to life and chat to us about the Staffordshire Hoard, a huge stash of Saxon riches discovered by a metal detectorist on a farmer’s field in 2009.
The hoard was split between three Midlands museums and Tamworth makes the most of the sparkling specimens it received in its Battle and Tribute exhibition.
We love a castle and have visited many of the biggest and best, like Warwick and Windsor, but Tamworth gives them a run for their money in terms of immersive experiences for children and offering up history in easy-to-understand bite-size chunks.
One thing that Tamworth really has going for it is the greenery of the Castle Grounds right in its centre.
This open-to-all public space has a fab castle-themed playground, a skate park, tennis courts and a cafe.
It is bordered by indoor attractions like Namco Funscape, which includes bowling, softplay and adventure golf, and the SnowDome, where visitors can ski, skate, climb and swim.
My boys love taking to the slopes and a firm family favourite here is the snow fun park, where you can play in the white stuff all year round.
The pool offers flumes and floats sessions for families.
A summer view of Tamworth castle and gardensCredit: AlamyThe Tamworth Tap in Staffordshire, run by George Greenaway, which was voted one of the best pubs in BritainCredit: Paul Tonge
If you have a Blue Light Card, you can often get money off and it’s always worth checking out the deals section of the SnowDome website, as you can bag a bargain at quieter times of the year.
We rounded up our visit with a trip to the Tamworth Tap, which has just been named pub of the year by the Campaign for Real Ale (CAMRA) for the third time.
It’s the first pub to win this award three times, so it was no surprise to find it already bustling with barely a table to spare within half an hour of its opening on a Friday afternoon.
You won’t be able to bring the kids in here, as it’s over-18s only, but if you’re visiting with older kids who are happy to enjoy the skate park, which is only a two-minute walk away, you can sneak in for a cheeky pint and a portion of £4 frickles – pickles fried in breadcrumbs.
If you’re here in the warmer months, the pub’s beer garden certainly has one of the best views in the town, overlooked by its castle neighbour.
April is a great time to visit the town, with a dragon egg hunt around the castle over the school holidays and then a free medieval festival to mark St George’s Day in the park on April 18, with jousting, archery, games and fairground rides.
Just outside Tamworth, there’s plenty of family-friendly visitor attractions a short drive away where you can easily while away a day if you’re making a weekend of it.
As well as visiting the animals, Twycross also has the Gruffalo Discovery Land, which is great for little ones, while both Drayton Manor and Statfold are perfect for train fans and anyone who loves fairground and theme park rides.
Drayton, which hosts Thomas Land, has just celebrated its 75th anniversary by installing a lake lights show, while Statfold recently opened the National Fairground Museum, so visitors can now enjoy vintage fairground rides as well as steam and diesel trains.
With a hoard of hidden gems of its own, this Staffordshire treasure has a wealth of wonders just waiting to be discovered.
Catherine’s son at Tamworth SnowDome, where visitors can ski, skate, climb and swimCredit: Catherine LofthouseEThe G Force Rollercoaster within Drayton Manor Theme Park near TamworthCredit: Alamy
The box office hit a power-up this weekend, as “The Super Mario Galaxy Movie” continued a healthy streak for family films in theaters.
The animated sequel from Universal Pictures, Nintendo and Illumination raced to $190 million in the U.S. and Canada in its five-day holiday weekend debut, placing it solidly in first place, according to studio estimates and Comscore data. That total was in line with expectations of a $186-million domestic opening.
Globally, the film earned $372.5 million, the largest opening so far in 2026.
The first film based on the video game franchise, “The Super Mario Bros. Movie,” made $146.4 million in its 2023 debut.
“The Super Mario Galaxy Movie,” which had a production budget of $110 million, continues the story of iconic Nintendo characters Mario, Luigi and Princess Peach as they journey to rescue Princess Rosalina.
Amazon MGM’s “Project Hail Mary” came in second at the box office with a domestic total of $30.7 million – pushing its total to $217 million. A24’s “The Drama ($14.4 million), Disney’s “Hoppers” ($5.8 million) and Universal’s “Reminders of Him ($2.2 million) rounded out the top five.
The success of “Mario” this weekend is another example of the power of family films at the box office.
Animated movies like Sony Pictures Animation’s “Goat” and Walt Disney Co. and Pixar’s “Hoppers” have performed well in theaters this year, along with the strong holdover performance of Disney’s 2025 hit “Zootopia 2,” which has now made more than $1.87 billion worldwide.
That’s all contributed to a stronger first quarter in the theatrical business, as this year’s revenue was up more than 20% compared with the same period in 2025. March was especially strong, with the massive haul from “Project Hail Mary.”
A driver in the US state of Louisiana was charged with impaired driving after plowing into a crowd and injuring at least 15 people celebrating Lao New Year on Saturday. Footage from the scene showed injured people on the ground and at least one trapped under a vehicle.
SACRAMENTO — Every morning, Jack Kavanagh brews himself a cup of coffee or tea, pads down a short hallway, past the dining room, and turns left into his small home office, where he brings California to the world.
It’s been his routine for decades, through all manner of upheaval and events — social, political, natural and man-made.
Kavanagh, a somewhat-retired former TV newsman, has documented the policy and personalities behind those developments one curated paragraph at a time, complete with links, so others can follow his trail, feel the pulse of the state and take away what they will.
California: Unbiased and unvarnished.
What began as a summary for colleagues at a television station in Sacramento has developed a worldwide following, an achievement noteworthy not just for its duration — Kavanagh’s catalog may be the state’s longest-running news aggregator — but for all the things his website is not.
There are no flashy graphics on Rough & Tumble. No eyeball-grabbing videos, no partisan commentary or agenda, and none of the edge or snark that greases the gears of the perpetual-political-outrage machine.
There are just headlines and short summaries, presented as simply and unadorned as the plain-spoken Kavanagh himself. “The bottom line,” he said, “is trust” — vouching that an article is credible and worthy of a reader’s time.
“It all comes down to that. And now, with the age of AI fakes and all the other social media and stuff like that, it’s even more important. It’s even more unique.”
Kavanagh, 78, is a New Englander by birth and Californian by choice.
He grew up in Providence, R.I., and by his own account was aimless until his 21st year. One night, in June 1968, Kavanagh watched the small black-and-white television in his bedroom as live coverage of Robert F. Kennedy’s assassination unfolded. Captivated, he knew from that moment on what he wished to do with his life.
A low-level job at a local radio station led to an on-air position at its TV affiliate, where Kavanagh’s big break came in 1978 when a massive blizzard hammered the Northeast. His marathon coverage garnered national notice and, two years later, an offer to move to a larger market in Milwaukee. He was prepared to go, when another offer came from a TV station out West.
“Do you know many nanoseconds it takes,” Kavanagh asked rhetorically, “to make a decision between Milwaukee, Wisc., and Sacramento, Calif.?”
Two Emmys for television reporting adorn Jack Kavanagh’s home office in Sacramento.
(Sara Nevis/For The Times)
Kavanagh had never set foot in the state and part of his steep California learning curve was devouring as many newspapers — back when they abounded — as he could. He noticed a large stack that sat untouched each day in the newsroom; most of his colleagues, he said, were simply too busy to dive in. So he began typing up a summary of the top headlines and stuffing copies in people’s mailboxes.
When the internet was still in its infancy — Kavanagh guesses the year was 1994, or so — he began putting his compendium online, so those working at the station’s Stockton bureau could partake as well.
There wasn’t much interest. But people in the capital began noticing. Kavanagh’s daily wrap-up developed an audience among political insiders — lawmakers, lobbyists, legislative staffers — and then a following that grew to include other reporters and, eventually, readers throughout California and beyond.
Rough & Tumble — the name captures the sweat and grit of politics — has continued without interruption for 30-plus years. In that time, Kavanagh has missed only a few days here and there.
That includes in 2004, when he underwent quadruple bypass surgery. Another time, when Kavanagh was suffering ulcerative colitis, he brought his laptop and worked from a hospital bed. (The laptop also accompanies Kavanagh and his very indulgent wife of 42 years on their vacations.)
Kavanagh typically starts each morning scanning dozens of news sites. He posts the big headlines of the day. He also looks for trends and stories that connect the dots, which are collected beneath subheads — AI, water, housing, education and the like.
“I want it to be a tip sheet for anybody who is in a Fortune 500 company, or who is a kid on a scholarship in a high school somewhere,” Kavanagh said over lunch at a favorite Mexican restaurant. “I want them both to be able to zoom through this and figure out what’s going on and move onto something else.”
Mindful of his global audience, he updates his site with fresh headlines starting in the late afternoon. (Analytics allow Kavanagh to watch as the world wakes up and readers from as far away as Russia and China, represented by a blue dot, begin showing up on his computer monitor.) In all, he said, he devotes four to five hours a day to his one-man enterprise.
Rough & Tumble gets about 1.1 million page views a year, Kavanagh said, and while it’s not a huge moneymaker, the business allows him to write off his many subscriptions. A small amount of advertising also helps pay for the occasional trip.
Years after leaving the television business and a brief career as a media coach, Kavanagh runs the site as a kind of public service and a way to stay engaged and keep mentally fit. He’s still captivated by his adopted home state. “Every day,” he said, “I learn something new about California that I didn’t know yesterday.”
Kavanagh has no succession plan. He said Rough & Tumble will end the day he does — or sooner, if artificial intelligence renders Kavanagh and his role as host, news-gatherer and California guide obsolete.
One of the hottest tickets for the events surrounding Super Bowl LX in February was a party thrown at the Cow Palace in San Francisco by Sports Illustrated, where attendees could hang with Justin Bieber, Kevin Hart and Travis Kelce.
The magazine’s logo and a team of models from its latest annual swimsuit issue were present at another pre-game bash at the Michelin three-star restaurant Quince.
Sports Illustrated journalists were getting requests from peers looking to score invites to the gatherings, which symbolized a turnaround at the 72-year-old title. Just two years earlier, many of its writers were told their jobs were being eliminated.
But Authentic Brands Group, the New York-based company that purchased Sports Illustrated in 2019 for $110 million, says the title is now thriving after reducing its reliance on advertising and circulation revenue. The privately held firm — which expects $38 billion in global retail sales this year, up from $35 billion in 2025 — does not break out the finances for its businesses but says SI is highly profitable after a rocky period. Less than half of SI’s revenue comes from its media business.
“It took us a little while and we had a couple of bumps along the way,” Daniel W. Dienst, executive vice chairman for Authentic, said in a recent interview from his New York office, where a photo of baseball legend Hank Aaron taken by acclaimed SI photographer Neil Leifer hangs on the wall behind his desk.
For decades, SI was where every sports journalist aspired to work, hoping to become the next Frank DeFord or Gary Smith, whose 32-year career at the magazine is highly revered. Cover images of Muhammad Ali, Michael Jordan and other superstars are emblazoned in the memories of fans who eagerly awaited the title to arrive in the mail each week. For athletes and sports institutions, the cover remains a coveted honor.
“You go to LeBron James’ office in Akron, it’s got his 30 covers on the walls,” Dienst said. “You go to USC, they’ve got 21 covers with their athletes and coaches all over their athletic department.”
Now a monthly magazine, the flagship business of Sports Illustrated is no longer the first stop for fans looking for game analysis or profiles of athletes, many of whom have asserted greater control over their images through social media and podcasts.
Like other print magazines, SI has seen a sharp falloff in its circulation, currently at 400,000, down from 3 million in 2010. Authentic says SI has 52 million users a month on its web site and 21 million social media followers. ESPN had 229 million digital users in November.
But the famous SI name still resonates with generations of consumers and Authentic has sought ways to capitalize on it, from selling replica covers to opening branded resort hotels in Chicago and Nashville. International editions of the magazine have been launched in Germany, China and Mexico, with plans to launch in France and the U.K.
In January, Sports Illustrated launched its own free ad-supported streaming TV channel called SITV that features live shows with its journalists and includes films and shows from an archive stocked with documentaries and swimsuit issue specials going back decades.
The channel, which along with the other SI assets is managed by New York-based Minute Media, will also carry live sports coverage including college basketball. While Minute Media did not reveal early viewership figures, the company said the audience for the channel has grown 60% since its launch.
Cincinnati Bengals quarterback Joe Burrow on the cover of Sports Illustrated.
(Clay Patrick McBride)
The streaming channel is a major media initiative for brand that has seen more activity in other sectors.
In 2023, Authentic put the SI name on Lunatix, a sputtering ticket marketplace. Now called Sports Illustrated Tickets, the business has signage deals with 13 venues around the world including a New Jersey-based stadium — the home of the New York Red Bulls soccer team. The service expects to generate $500 million in revenue this year.
Authentic also uses Sports Illustrated-sponsored events such as the ones held at the Super Bowl to entertain clients for its other businesses and makes tickets available to the public. SI will host an event for Authentic at the Masters golf tournament in Augusta this week and has a permanent high-end, track-side hospitality space at Churchill Downs in Kentucky called Club SI.
Authentic specializes in acquiring and investing in famous retail properties that have foundered. The firm has acquired such names as the outerwear retailer Eddie Bauer, Brooks Brothers and Reebok, and in January took a 51% share in the fashion brand Guess.
ABG enlists outside operators to run the brands. Those operators pay an ongoing license fee to ABG, which also takes a cut of the revenues.
That was the plan when Authentic bought Sports Illustrated from Meredith Corp., now known as People Inc.
After the purchase, Authentic entered a $15-million-a-year licensing agreement with Arena Group (at the time known as Maven) to run Sports Illustrated. A New York-based digital media company, Arena operated such well-known titles as Men’s Journal, Parade and TheStreet. But the partnership unraveled when Arena used AI for sponsored content on Sports Illustrated’s website, which sounded alarm bells at the esteemed publication.
Sports Illustrated’s 2026 Super Bowl party at the Cow Palace in San Francisco.
(Sports Illustrated)
The Arena Group acknowledged it hired an outside firm to create product reviews that used fake bylines. The scandal coincided with the termination of its chief executive, Ross Levinsohn, who once held a leadership role at the Los Angeles Times.
The relationship with Authentic worsened when Arena’s majority owner, Manoj Bhargava, took over as interim chief executive. The founder of 5-Hour Energy, Bhargava tried to fire Sports Illustrated’s unionized editorial staff and renegotiate a lower licensing fee from Authentic. He also used the magazine’s editorial pages and website to promote his energy drink business.
The SI media business was unprofitable under Bhargava and Arena missed a payment to Authentic on its licensing deal. In March 2024, Arena announced it was shutting down the print edition of SI.
Around the same time, Authentic hired Minute Media, which runs the digital sites Fansided and Players’ Tribune, to take over Sports Illustrated. Bhargava didn’t go quietly; according to legal filings, he threatened to delete Sports Illustrated’s archive of intellectual property.
Authentic sued Arena for breaching the SI licensing agreement, which was settled. Many of the title’s laid-off journalists were rehired.
The experience with Arena was a harsh lesson for Authentic, which never had owned a media property before.
“The minute I make that phone call or anybody perceives that Authentic could control the newsroom, forget it, game over,” Dienst said, referencing Bhargava. “We had to move on.”
Minute Media has gotten high marks from the SI staff for its repair work on the media side of the business.
“It’s been a long time since we felt like we had an operator and support from the very top to not just grow what we’re doing day to day, but to grow what Sports Illustrated is going to look like 10 years down the road,” said Steve Cannella, editor in chief of Sports Illustrated.
SI’s union representing editorial employees praised Minute Media when it took over, and is close to agreeing on a new contract deal with the company.
Minute Media is aiming to expand the SI brand‘s reach across other media platforms to make up for the time lost under previous regimes.
“I’ve asked, ‘guys, what are all the things you wanted to do that you haven’t been able to do?’ ” said Minute Media President Rich Routman. “If we’re not trying new stuff, we’re failing.”
Some sports media types believe SI is largely a nostalgia play in a landscape where young fans go elsewhere for game highlights and turn to provocative hosts such as Pat McAfee on YouTube. But awareness goes beyond the audience of baby boomers and Gen Xers who grew up with the brand.
Lisa Delpy Neirotti, who leads the sports management program at George Washington University, recently conducted a study with her students on their media consumption habits. She said she was surprised to see high recognition of Sports Illustrated with the Gen Z crowd, and credits SI for Kids, the spin-off publication for younger readers launched in 1989.
“They would remember getting it in the mail, and it was the first thing that got them interested in sports,” Neirotti said. “There are a lot of positive memories that keep the brand alive.”
Dienst said the audience for SI has gotten younger under Authentic’s ownership. But he doesn’t disregard the oldsters who grew up with it.
“They’re very affluent and they’re super loyal,” he said.
Early in “The Drama,” things are still good between Emma (Zendaya) and Charlie (Robert Pattinson). The young happy couple, about a week away from getting married, have enjoyed a whirlwind romance. As this dark comedy’s opening credits roll, they’re blissfully practicing their first dance, laughing and stumbling as they try to get their twirls and steps right.
But the scene’s highlight is the song that plays in the background, airy, gentle and simple. Spare guitar chords give way to a female voice that sounds unpolished but beautiful: “I want to lay with you/ In an open field/ Where yellow flowers are suns of Earth.”
For many viewers, this will be the first time they’ve ever heard “I Want to Lay With You,” one of the most gorgeous love songs of the 1970s. It’s also likely they’ll have no idea who the singer is. Her name is Shira Small, and in 1974, she recorded an incredible album, “The Line of Time and the Plane of Now,” when she was 17. She never recorded another — at least, not yet. Now nearly 70, Small may finally be getting her moment in the spotlight.
“I’m cracking up,” says Small over Zoom from her Cooperstown, N.Y., home, “because I had no idea whatsoever that that movie was coming out until my dear sister informed me via you.” Flashing a relaxed smile and sporting long gray hair, Small knows little about the controversial “The Drama,” an A24 film with a heavily guarded twist.
Robert Pattinson and Zendaya in the movie “The Drama.”
(A24)
But it’s becoming a delightfully frequent occurrence that Small learns after the fact that her music is featured prominently in a movie or television show. “The record company does what they do and then they send me royalties and I get it in a statement,” she explains. “I had a song that HBO bought for ‘Pause With Sam Jay.’ They sent me an email that was not even to me — it was this interdepartmental thing. At the bottom, it said, ‘Oh, by the way, it airs tonight.’”
Jemma Burns, music supervisor for “The Drama,” had been a fan of Small’s album, thinking “I Want to Lay With You” would be perfect for this idyllic scene, right before Emma and Charlie’s relationship implodes over a disturbing revelation that turns their dream wedding into a nightmare.
“He was trying to set up the rom-com tone,” says Burns of the movie’s writer-director Kristoffer Borgli, “one that would contrast with the modernity of the setting and where the film goes. He wanted something that was from a bygone era, but also something that felt disarmingly charming. The two lead characters are very switched-on, fashionable, arty. So it felt like something they would’ve had in their record collection.”
The youngest of five siblings, Small always loved singing. But even as an adolescent growing up in Harlem, she felt like an old soul, her thoughts running deeper than the average kid’s.
“My focus was on not understanding war and hatred and bigotry,” she says. “I was seriously into trying to make love happen everywhere.”
Against the backdrop of the war in Vietnam and the Black Power movement, Small was well on her way to becoming a hippie, a transformation amplified by her enrollment in a private Quaker boarding academy, George School, in Newtown, Penn., on a full scholarship. When she arrived at George School, Small recalls, laughing, it was “very rich and very white. But I’ve always been a flotation device. I can walk around like I don’t have a clue about things.”
Shira Small, photographed in 1971 at George School in Newtown, Penn.
(Courtesy of Shira Small)
At George School, Small sported an Afro and smoked weed. She was drawn to theater and music, impressing music teacher and classical pianist Lars Clutterham, who saw she had talent. They worked on songs together, with Small coming up with the lyrics and vocal melodies. Every student had to complete a senior project, so Small proposed that hers be an album. Not long after, she and Clutterham drove to a Philadelphia studio for a one-day session.
The 10 songs on “The Line of Time and the Plane of Now” — each recorded in only one take — mix folk, soul and jazz, radiating innocence. The arrangements, awash in old-school analog warmth, are straightforward: guitar or piano supplemented with drums, leaving plenty of space for Small’s lilting voice, which contains both idealism and, even as a teen, traces of real-life sorrow.
Her mother died while she was at George School, inspiring “My Life’s All Right,” a ballad about surviving tough times, which later appeared on the Sam Jay show. “Eternal Life” sprang out of her in one burst, celebrating the power of love to transcend life’s harsh realities. As for the movie’s “I Want to Lay With You,” it was about a boy Small liked. She just can’t remember who anymore.
“It was somebody who was just as much a friend as a person that I had a crush on,” she recalls. “I honestly felt that we could have a life together.”
Small laughs at her adolescent self. “Like I knew what it would be like to have a freaking life together! To be able to wake up with somebody and have a beautiful day and always make them smile.”
According to Small, George School’s parents and students raised money to pay for the album and 300 copies were produced. “It was a joyous time,” she recalls. “I was on my way — to somewhere!” After graduation, though, she struggled to find her footing, eventually graduating summa cum laude from the City University of New York with a theater degree. But then she chose pre-med, becoming a physician assistant.
“When I became pre-med, it was so hard for me that I was just tunnel-visioned,” explains Small about why she said goodbye to music. “I had to devote my whole self to it. It was so all-encompassing that I could think of nothing else.”
But there was another reason she walked away from music. From an early age, Small suffered debilitating stage fright. “It was so bad that it would twist my stomach into a knot,” she recalls. She gutted it out to do plays at George School and, later, record her album. After a while, though, “It just got to be too much.”
Still, didn’t she miss singing? “Constantly,” replies Small, who retired about five years ago from the medical profession. “I sang unconsciously a lot. My patients always picked up on it — they’d be like, ‘Every time you come in, you’re singing.’”
But although Small abandoned music, “The Line of Time and the Plane of Now” never went away. In 2006, the Numero Group, an archival record label, put together a compilation, “Wayfaring Strangers: Ladies From the Canyon,” devoted to under-the-radar female singers from the 1970s. Numero Group co-founder Ken Shipley made sure “Eternal Life” was included.
“I was the first person to ever reach out to Shira,” he says proudly in a separate phone interview. Shipley heard “Eternal Life” on a burned CD of femme-folk artists that was making the industry rounds at the turn of the millennium while he was putting together his “Wayfaring Strangers” lineup. “Shira was a top want for me.”
The Numero Group put “Eternal Life” on Spotify in 2013. But when the label released the full album digitally in 2022, “I don’t know that anybody really cared,” Shipley says. Undeterred, he reissued it on vinyl the following year. Maybe listeners just needed time.
“Music finds a way,” Shipley says. “Music’s like water. It’s going to get down the creek into the river into the ocean. It’s going to find its audience.”
Sure enough, strange serendipitous moments started happening for Small. A future bandmate’s ex had one of her songs on a playlist, having no idea it was Small. She recently started working part-time at a local opera house and one of the opera singers adored “Eternal Life,” unaware that Small was an employee.
And now, royalty checks arrive for the usage of her songs in films like “The Drama.” It still feels unreal to Small that her album generates revenue. “It was never for commercial purposes,” she says. “I can’t believe that I am collecting any royalties on that music and that it just keeps going and going.”
Small’s husband died in 2019 after 34 years of marriage. It sent her spiraling, but then something remarkable happened. “The day I came out of it, the music was gushing out of me so fast that I couldn’t keep up with it,” she says. “I had to walk around with a voice memo. I hadn’t spoken to Lars in more than a decade. I sent him all of these voice memos and he sent me a note: ‘Shira, you still got it.’”
In 2024, she released her first song in 50 years, “Why,” which lays out her fears for the world. Her voice is different, deeper, possessing a lifetime of experience that her teenage self couldn’t have possibly imagined. Small is now plotting out an album and has some shows lined up. Even better, she’s worked through her stage fright.
Eventually, she’ll perform her old songs, but she’s figuring out how to hit that higher register from her youth. “I’ve gone through decades of hormones and cigarettes and all the other things that I did that I’m happy I lived through,” she says, wryly.
“I still have a thing about yellow flowers in open fields,” she admits. “We have these huge sunflower fields here. The whole idea of being in such a beautiful place with yellow flowers that light up a great day is what popped into my head when I wrote that lyric.”
I ask her what she makes of that young woman she hears on “The Line of Time and the Plane of Now” today.
“I know her so well,” replies Small. “You know why? Because she’s still here. I am, at this point, everybody I’ve ever been ever, leading up to this moment.
“I still feel the same way about many things,” she continues. “I’m probably angrier now than I was when I was a child, but I still have this underlying thing about looking at a bigger picture to help me keep my lid on. When I think back on ‘Eternal Life’ and ‘My Life’s All Right,’ that music was born from my core. And my core does not have an age.”
Having reached the Five-Timers Club, as addressed in an obligatory monologue sketch featuring Jonah Hill, Tina Fey, Candice Bergen and others, Black was a returning hero. He’s frequently cited as one of the favorite hosts among the cast. And while this time may not have reached the frenetic highs of last year’s manic and musical outing, it had some memorable moments.
Black paired up with Marcello Hernández to play martial arts instructors who teach unorthodox self-defense methods. It played to Black’s physical comedy chops, but something felt off about the execution, especially because of the hard-to-understand dialogue. Black played the last Spartan to be considered for inclusion in the group of 300 Greek fighters against Persia (spoiler: he doesn’t make it in). He played an intrusive Airbnb host with Melissa McCarthy, who was also on board for the Five-Timers sketch.
While the monologue was a blast of fresh chaos (or at least the sense of chaos) with Black jamming out with White, the rest of the show didn’t have the same kind of verve, falling back on familiar sketch formulas. That said, Black committed throughout and sang well when he had the opportunity.
Breaking a streak of cold opens featuring President Trump and/or members of his cabinet, this week’s opening sketch featured instead a March Madness NCAA post-game roundup featuring Ernie Johnson (James Austin Johnson), Kenny Smith (Kam Patterson), Charles Barkley (Kenan Thompson) and coach Bruce Pearl (Jeremy Culhane). The joke here was that Barkley, already known for being outspoken, has been getting kudos for speaking out in favor of immigrants on a CBS broadcast. On the show, he jokes that it’s “the first time I went viral without a prescription for Valtrex.” Emboldened, this version of Barkley keeps saying he’s going to be careful with his words, before weighing in on the Iran war, the Artemis II space mission (“A waste of money. They just flying around the moon.”) and the firing of former U.S. Atty. Gen. Pam Bondi. Bondi (Padilla) appeared to refute the comments, referring to “The final four… years of this country.” Barkley said he was going to choose his words carefully one more time before delivering, “Live from New York… It’s Saturday Night!”
For his induction to the Five-Timers Club, Black was joined by a jacket-clad Hill who revealed that there’s something wrong with the lounge where the Five Timers hang out. The room, indeed, appeared spooky and abandoned with cobwebs and Fey wearing a robe made out of Paddington, which she said she got after hosting “SNL UK” last month. Fey revealed the lounge has fallen apart after literally being run into the ground by too many Five-Timers Club sketches. The suave Hernández character Domingo appeared briefly but was conked on the noggin by White, who also achieved Five-Timers status, but as a musical guest. He left early to move his hearse: apparently musical Five Timers only get their parking validated for 15 minutes. Black chose to rock out to revive the lounge, launching into a version of White’s “Seven Nation Army” with the guitarist accompanying him. After a brief musical rockening, Black told the audience, “Stick around, we’ll be White Black!”
Best sketch of the night: If only we could remember why this song was so good
Beyond his spot-on Trump impression, Johnson has proven to be adept at musical impressions, and here he does a nice job launching into a country song, “Words to Live By,” about a man who hears his father’s dying words … and then forgets what the wisdom was that was imparted. Black takes over as a man who climbed a mountain in Tibet and spent 20 hours with a guru, only to forget what he learned while walking down the mountain and getting a text from his wife. That would have been plenty, but a third section features Andrew Dismukes as an annoyed father refusing to listen to his 6-year-old son’s words. “You don’t even know how to wipe your own butt,” he sings, “you maybe only know the names of like 30 weird Pokemon guys.” The three singers at least remember the name of the “Men in Black” device that erases your memory: The Neuralyzer.
Also good: There’ll be peace when you are done (watching this sketch)
What looked at first to be a repeat of a recent sketch about wine-drinking wives chatting in the kitchen and playing truth or dare instead pivoted to a scene about husbands stuck together in a den with nothing to talk about. That might have been premise enough for a piece about men having trouble making friends, but instead, a mumbled lyric for the Kansas song “Carry On Wayward Son” turned into a full-blown sing-along that peaks when the men jam out with ribbon sticks and strip their outerwear to reveal colorful jumpsuits. When you have a guest who can sing as well as Black, you’ve got to lean into that talent.
‘Weekend Update’ winner: A scandal that keeps ballooning
Patterson had some funny moments as the new Black version of Professor Snape slated to appear in the new “Harry Potter” series, but Sarah Sherman was tough to ignore as Kristi Noem’s husband Bryon, currently embroiled in a scandal over online chats. Sherman as Bryon Noem wore two giant balloons under a shirt, challenging “Update” co-host Michael Che and others to make fun of his kink. “I dare you to find one thing that’s funny about this whole situation,” Bryon said. The segment got more and more absurd as Bryon challenged the cue-card master Wally Ferensten, Lorne Michaels (shown having already left, leaving a spinning desk chair), Kristi Noem (Padilla) and even the dog she shot, shown in heaven with a halo. It was as distasteful a segment as you’d expect from “Update,” yet also somehow straddled the line between wallowing in the scandal and mining some genuine laughs out of it.
Authorities in New Iberia, Louisiana, have said the incident does not appear to be an intentional car-ramming.
Published On 4 Apr 20264 Apr 2026
An estimated 15 people have been injured in Louisiana’s Iberia Parish, after a car struck participants at a Lao New Year parade in the United States.
According to a statement from the Iberia Parish Sheriff’s Office on Saturday, some attendees were seriously injured.
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“Based on the preliminary investigation, this does not appear to be an intentional act,” said Rebecca Melancon, a sheriff’s office spokesperson.
The Acadian Ambulance company confirmed on social media that it had taken 11 people to the hospital using ground transport, and another two victims were airlifted to seek urgent care. Ten ambulances and two medical helicopters were deployed to the scene.
The incident took place in New Iberia, a city of more than 28,000 in Iberia Parish, some 34km (21 miles) south of Lafayette, Louisiana. It is situated roughly 214km (130 miles) west of New Orleans.
The Louisiana Lao New Year Festival parade is an annual tradition on Easter weekend in the parish, and the celebration features live music, food vendors and a beauty pageant.
In the aftermath of the car crash, the festival issued a statement on social media, saying that all of its security resources had been surged to the scene.
“We are profoundly saddened by the news of the incident near the festival grounds,” festival organisers wrote. “We are awaiting additional details from authorities as they become available.”
They added that Saturday’s musical events were cancelled, though vendors were permitted to stay open until 9pm local time (2:00am GMT, Sunday).
“We are praying for the victims and for their families during this difficult time,” the organisers wrote. “As of now, and if security resources are restored for tomorrow (Sunday) we will reopen only the religious services of the festival, and vendors will stay open.”
The Lao New Year is a tradition typically associated with Buddhism, and it takes place each year in April, as the dry heat in Laos gives way to the wet monsoon season.
Louisiana is home to a small but vibrant Lao community. In New Iberia, one neighbourhood is called Lanexang Village — roughly translated to the “million elephants” village — and it is reportedly home to hundreds of Lao people.
Many arrived as a result of the Vietnam War, which bled into Laos, with communist and US-backed forces clashing over the course of nearly 16 years.
The Pathet Lao, a communist movement, ultimately took over the country in 1975, ending Laos’s monarchy. Hundreds of thousands of people fled in the aftermath, with many resettling in countries like Thailand and the US.
WASHINGTON — Supreme Court Justice Samuel A. Alito Jr. fell ill at an event in Philadelphia last month and was treated for dehydration before returning home to suburban Washington, the court’s spokeswoman said Friday.
Alito’s illness did not require an overnight hospital stay and he was back on the bench the following Monday, spokeswoman Patricia McCabe said in a statement.
Alito was an active questioner during arguments that day in an important case about mailed ballots and participated in all the court’s hearings over the ensuing two weeks.
Alito, who turned 76 on Wednesday, is the second-oldest member of the court, after 77-year-old Justice Clarence Thomas.
The episode was first reported by CNN, which also said the treatment was administered at a Philadelphia hospital. The court did not say where Alito had been taken.
The incident is the latest example of the justices’ reticence to discuss their health, at least until the news somehow leaks.
In 2020, the court confirmed that Chief Justice John G. Roberts Jr. had spent a night in the hospital after a fall that required stitches in his forehead, only after the Washington Post reported it first.
Alito was driven by his security detail from Washington to what CNN said was a dinner following a Federalist Society panel that looked at his 20 years on the court.
When he didn’t feel well in the evening, “he agreed with his security detail’s recommendation to see a physician before the three-hour drive home” to northern Virginia, McCabe said. He was given fluids for dehydration, she said.
While the justice has not said anything about retirement, speculation has swirled that Alito might soon step down, which would give President Trump the chance to appoint a fourth justice, after the three who were confirmed during his first term.
While Alito is young by Supreme Court standards, he might not want to stay around and gamble on the possibility of Democrats flipping the Senate in the November elections and seeing a Democrat capture the White House two years later.
Retiring in the summer would allow Trump to name a similarly conservative but much younger replacement who would almost certainly win confirmation from the Republican-led Senate.
PHOENIX — Candace Parker, Elena Delle Donne, Chamique Holdsclaw and the 1996 U.S. Olympic women’s basketball team will be enshrined in the Naismith Memorial Basketball Hall of Fame later this year.
Parker, Holdsclaw and members of the 1996 Olympic team were all in attendance Friday at halftime of the UConn-South Carolina game during the women’s NCAA Final Four, where the selections were announced, as was Amar’e Stoudemire and Mike D’Antoni.
They will be joined by longtime NBA official Joey Crawford, NBA coach Doc Rivers and Gonzaga coach Mark Few in the Hall of Fame.
Parker won three titles in the WNBA with three different teams: Los Angeles, Chicago and Las Vegas. She is the only player in league history to win both the MVP and Rookie of the Year in the same season.
She also won two titles while playing in college for Tennessee under Hall of Fame coach Pat Summitt, plus two Olympic gold medals and two WNBA MVP awards.
Delle Donne won two league MVP awards in 2015 and 2019, the second of which came when she led the Washington Mystics to their lone WNBA championship. Delle Donne became the first player in league history to shoot more than 50% from the field, 40% from three-point range and 90% from the free-throw line.
Holdsclaw won three straight titles at Tennessee from 1996-98, the first team to accomplish that. The 1998 championship was Tennessee’s first undefeated season at 39–0 and the Vols also set an NCAA record for the most wins in a season. Holdsclaw went on to have an 11-year WNBA career.
Stoudemire, who was the only NBA player in this year’s class, was Rookie of the Year in 2003 and became six-time All-Star. He spent the first eight years of his career with the Phoenix Suns, where he teamed with D’Antoni.
Rivers has nearly 1,200 victories on his resume, which puts him eighth on the all-time wins list. He led the Boston Celtics to the NBA championship in 2008 and also was in charge of the Los Angeles Clippers during their Lob City era.
Few has won more than 770 games at Gonzaga in his career at the school. He set the NCAA Division I men’s coaching record by winning 81 games in his first three years at the school.
Crawford officiated 2,561 regular-season NBA games and 50 Finals games over his 39-year career. He retired in 2016.
The enshrinement ceremony will take place in August at the Hall of Fame in Springfield, Mass.
Good morning, and welcome to L.A. on the Record — our City Hall newsletter. It’s Noah Goldberg and David Zahniser, giving you the latest on city and county government.
Los Angeles City Atty. Hydee Feldstein Soto and challenger Marissa Roy have sharply different views on how the office should be run.
Literally, the office.
Feldstein Soto said it’s important for attorneys to be in the office, and adopted a policy last year requiring most staff attorneys to be there at least three days a week, with supervisors required to be in four days weekly. Previously, the rule was up to three days of remote work per week.
“It builds teamwork. It ensures cohesion. It ensures that you have the opportunity to review and evaluate the work of new employees while they are still on probation,” she said in an interview.
That policy, however, has put Feldstein Soto at odds with the Los Angeles City Attorneys Assn., which endorsed Feldstein Soto in 2022 but has yet to weigh in this year.
Roy, the deputy state attorney general and the most well-funded of three challengers in the June 2 city primary election, recently told the city attorney’s union that the city’s lawyers should only have to show up at the office two days a month, not counting court appearances. That’s the policy at the state attorney general’s office, where Roy works for Atty. Gen. Rob Bonta.
“There’s no reason why the city attorney’s office can’t have that same policy,” Roy told The Times.
Many companies and public agencies adopted liberal work-from-home policies during the COVID-19 pandemic, although those policies have been largely rescinded to one degree or another. Still, Roy contends that the two days a month is reasonable given the sacrifices lawyers make to work for the government.
“You’re taking a pay cut from the private sector. You’re doing it because you care. You’re doing it for work-life balance and we have to respect that,” said Roy, who has been endorsed by the Los Angeles chapter of the Democratic Socialists of America as well as the county Democratic Party.
Feldstein Soto said Roy’s two-days-per-month proposal creates logistical issues since the city’s lawyers are required to appear in court and be present for legal questions that arise at city meetings. She also said liberal work-from-home policies make it too easy for lawyers to take on outside work.
Roy is Feldstein Soto’s most significant opponent, racking up endorsements and more than $450,000 in campaign contributions through the end of December. Feldstein Soto raised more than $685,000 through the end of last year.
Challenger Aida Ashouri, a lawyer and activist, said she supports the current policy, saying it provides flexibility to employees while also ensuring they confer in person.
“We want to continue to make sure that people see their co-workers, that we have meetings in person,” Ashouri said. “I think meetings in person can be very effective and better for communication purposes.”
The fourth candidate, Los Angeles County Deputy Dist. Atty. John McKinney, said remote work is a “valuable tool for work-life balance.”
He said he would build on Feldstein Soto’s existing remote work rules, though he did not outline exactly what his policy would be.
The Los Angeles City Attorneys Assn. filed an unfair employee relations claim against the city last year when Feldstein Soto toughened the rules. The attorneys claim that the changes should have been bargained with the union.
The Los Angeles City Attorneys Assn. endorsed Feldstein Soto when she first ran four years ago, but hasn’t yet made an endorsement in the city’s June 2 election. The endorsement is expected to be discussed by union officials next week, said union president Ann Rosenthal, who said the city policy makes it hard to recruit new attorneys. Citywide, departments make their own determinations on RTO, said Matt Szabo, the city administrative officer.
Szabo said the city is discussing a draft citywide policy on remote work with city employee unions.
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State of play
— DOCUMENT DROP: The Charter Reform Commission sent the City Council its written recommendations for changing the city’s government. Among the ideas: a larger City Council, a two-year budgeting cycle and greater authority for the council over policing policies. The council will decide how many of the proposals should appear on the Nov. 3 city ballot.
— A NEW FRONT-RUNNER? City Councilmember Nithya Raman came out ahead of incumbent Karen Bass in a new poll on the Los Angeles mayor’s race, though the poll’s director cautioned that it did not give the whole picture. Raman had a commanding lead, with 33% of voters supporting her, while Bass trailed at 17%, according to the poll by Loyola Marymount University’s Center for the Study of Los Angeles.
— OR MAYBE NOT: Meanwhile, a survey released by UCLA’s Luskin School of Public Affairs found Bass in the lead, with reality TV star Spencer Pratt coming in second and Raman a close third. With 40% undecided, the race remains “wide open,” said Zev Yaroslavsky, director of the Los Angeles Initiative at UCLA Luskin, a former L.A. council member and county supervisor. The poll’s margin for error is 4%.
— NEED FOR SPEED (CAMERAS): By the end of the summer, 125 speed cameras will be installed on dozens of streets throughout Los Angeles, specifically on roads that are in school zones, are known street-racing corridors or where speeding has resulted in a high rate of traffic accidents.
— EATON FIRE RECOVERY: At the end of March, just under 3,400 applications to rebuild residences destroyed in the January 2025 Eaton fire had been filed. That’s about 56% of the roughly 6,000 residential structures in Altadena that CalFire designated as destroyed, a Times review found.
— CAL-EXODUS: A new UC Berkeley study found that people who moved out of California dramatically improved their financial conditions. A surprising finding from the California Policy Lab: Those leaving the state are increasingly moving out of its wealthiest areas.
— PACK YOUR TRUNK: Nearly a year after the Los Angeles Zoo shipped Billy and Tina the elephants off to a zoo in Tulsa, Okla., animal rights activists have kept up the call to relocate them to a sanctuary. Actor Samuel L. Jackson is among those weighing in.
QUICK HITS
Where is Inside Safe? The mayor’s signature homeless relocation program was in North Hollywood and brought more than 40 people indoors in Councilmember Imelda Padilla‘s district.
On the docket next week: The City Council will remain in recess next week.
Stay in touch
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