year

Jared Grindlinger was right where he wanted to be Saturday afternoon at the end of his last high school baseball game — on the mound with a chance to clinch a championship for the orange and black.

Huntington Beach had a 5-0 lead with two outs and the bases loaded in the top of the seventh inning when the Oilers’ highly touted left-hander came in to relieve Jared Marchbank. The cushion was narrowed to two with runs scored on an error, an uncaught third strike and a wild pitch, but Grindlinger struck out the fourth batter to tie the bow on his team’s 5-3 victory over San Diego Cathedral in the Southern California Regional Division I final.

“I knew I’d be facing the top of their lineup and those guys are all great players but I was ready for it,” Grindlinger said. “To do this with my best friends who I’ve grown up with my entire life means everything to me.”

Grindlinger graduates Wednesday with plenty to be proud of and much to look forward to. The 6-1, 170-pound pitcher/outfielder reclassified in February to make himself eligible for next month’s Major League draft and is a potential first-round pick. Having just turned 17, the University of Tennessee commit has a bright future, but he wants to savor his final days on campus following in the footsteps of older siblings Bradley and Trent, who were back at their alma mater Saturday to cheer on Jared.

“I’ve known him since he was in second grade and he has two brothers who played for me too,” Oilers coach Benji Medure said upon wrapping up his 26th season. “Jared loves to compete and he fell in love with the culture and the family aspect of our program.”

In the first round of regionals on Tuesday, Grindlinger went four for four at the plate with a double, a home run, two singles and a run batted in plus he pitched three scoreless innings with five strikeouts in a 10-3 victory over Patrick Henry in San Diego. Two days later, he singled, tripled and scored two runs in an 11-3 semifinal victory at Corona.

Grindlinger blasted the fourth pitch he saw over the right-field fence to put the Oilers up 2-0 in the first inning Saturday — a lead they held until tacking on three more in the bottom of the sixth. He also patrolled left field and snared a line drive to end the top of the fourth.

“He came with two really good fastballs but then he hung a changeup and I knew I got it,” Grindlinger said of his 41st hit and second homer this season. “I’ve been working on discipline to look for my pitch.”

Medure noted Jared’s similarities to Bradley, the oldest, and Trent, whom he may soon be playing with in Knoxville.

“Bradley was a terrific pitcher and Trent was a super hitter and they’re all very close,” Medure said. “I think Jared picked Tennessee because he wants to be with his brother.”

He could be a Volunteer with his brother Trent next season.

“Jared’s got the best traits from both me and Bradley,” said Trent, who just completed his first season in Knoxville, where he made the SEC All-Freshman team as a catcher. “He has an aura about him and I’m super proud of him.”

“Jared’s a lot better than I was at his age,” admitted Bradley, a 2023 Huntington Beach alum who played at Long Beach State but is entering the transfer portal. “He’s barely 17 and getting to the upper 90s. He’s more polished, plus he’s a lefty.”

The hardest part about skipping his senior year to graduate early was not the extra classes he had to take but knowing he would be missing out on a chance to see his coach reach another milestone.

“He was a freshman and the second game that season I got my 400th win and Jared said, ‘I’m gonna be part of 400 and 500,’” added Medure, who is 28 wins away. “That year, we won 23 and 25 the next year. We had it all planned that 500 would be for the CIF title. When he decided to reclass to make millions of dollars he told him, ‘I feel bad I can’t win that 500th game for you.’ That’s the kind of kid he is.”

Grindlinger credits his mom for helping him meet all of his academic requirements and his brothers for teaching him everything he knows about the sport they all play.

“Whatever happens — whether it’s the draft or college — I’m good,” he said.

Medure is thrilled how the season ended considering he did not believe his team would even be in the regional bracket after losing early in the section playoffs. He is grateful for the three seasons he got to coach his superstar.

“Jared came in to let us know that scenario was on the table and every coach in that room said, ‘Awesome!’” Medure recalled. “He was scared to tell us because he thought we’d be upset. Usually it’s done to buy another year, not to lose one. Of course I’d like to coach one of the best players in America for four years, but ultimately I want him to do what’s best for him.”

Around 7 a.m. Saturday, in a lot beside the shuttered Santa Monica Civic Auditorium, a strange set of cars and trucks began to gather. Three Model A’s. A couple of ’60 convertibles. A 1964 Chevrolet Impala station wagon. Also, a big bull on trailer wheels.

“Am I in the right place?” asked a man in one of the Model A’s.

“Going to Chicago?” asked a guy in a white Denali.

“I wish I could do the whole thing,” said Joe Hernandez of Pasadena, wistfully standing by.

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This was the starting line for roughly 70 drivers who gathered to celebrate the centennial of Route 66 with a 2,448-mile, 20-day caravan to Chicago. Most had come from outside California to share an adventure with fellow “roadies” and boost awareness of the classic scenery and independent businesses along the eight-state route.

But soaring gas prices and hesitant international travelers have added uncertainty to a trip that was always going to be a logistical challenge. Day 1 alone might terrify an L.A. commuter: From the Pacific to Pasadena by surface streets, including miles on Santa Monica and Colorado boulevards.

“I don’t know how it’s all going to happen,” said Gary Daggett, president of the Old Route 66 Assn. of Texas. But he and his wife, Stephanie, have more than a little Route 66 experience to draw upon.

Mike and Lisa Visket of Prescott, Ariz., pose in Santa Monica at the pier in their Route 66 clothing on June 6, 2026.

“This is our 30th trip over 20 years,” Daggett said. “You can’t see everything. There’s so much…. You start meeting the people, you get hooked on the people.”

Shortly before their 8:30 departure time, organizer Rhys Martin called drivers together.

“Leaving here is going to be a little complicated,” he said.

Martin, who is part of the Route 66 Road Ahead Partnership, is president of the Oklahoma Route 66 Assn., and serves as manager of the National Trust for Historic Preservation’s Preserve Route 66 initiative. For the journey, he is driving a ’64 Chevy Impala station wagon with a GPS unit inside so that armchair travelers can follow his journey on the web.

“It’s going to be impossible to keep everybody together,” he said during preparations. “We’re encouraging people to spread out and support independent businesses rather than all going to one place and demolishing the kitchen.”

William Cooke of Pinon Hills participates in a caravan from Santa Monica Pier to Chicago, celebrating the centennial of Route 66.

In song and literature, the route is celebrated as an east-to-west journey. This caravan, running in the opposite direction, will travel from California through Arizona, New Mexico, Texas, Oklahoma, Kansas and Missouri to Illinois.

From Santa Monica, the Day 1 schedule took drivers to Beverly Hills City Hall, Grand Central Market downtown for lunch, the Chicken Boy statue and Galco’s Soda Pop Stop in Highland Park, then an overnight in Pasadena.

Day 2 takes the group from Pasadena to Barstow. Day 3, from Barstow to Needles. On June 25, the caravan is due to arrive in downtown Chicago.

The loose procession was led by a core group of 15 cars, including representatives of all eight states on the route. Since anyone can join or leave the caravan at any time, the number of vehicles will vary by the hour.

Through the decades, the road has grown from an American artifact into a global symbol of small-town Americana. Many merchants, restaurateurs and hoteliers along 66 now say that their summer customers are mostly travelers from abroad, especially Europe. One of the caravan’s drivers, in a rented pickup truck, was Dries Bessels, co-founder of the Dutch Route 66 Assn.

Brady Wilson of Amarillo, Texas, displays an assortment of Route 66 pins on his cowboy hat. Wilson is part of a caravan of Route 66 enthusiasts who set out from Santa Monica Pier on June 6, 2026, for Chicago.

Though the Model A’s will surely raise eyebrows on the road, the caravan’s most startling element is the fiberglass bull representing the Amarillo-based Big Texan Steak Ranch restaurant, one of the event’s sponsors.

“It’s the same one my dad brought home in ’71. His name is Big Moo,” said Danny Lee, who co-owns the restaurant with his brother, Bobby Lee. “He’s 12 and a half feet high. About 500 pounds. It’s all fiberglass.”

In 21 cities along the drive, the Big Texan team aims to stage nightly steak-eating contests, giving free dinners to anyone who can eat 72 ounces of steak, a baked potato, three shrimp, a side salad and a roll in 60 minutes.

The caravan’s first challenge came at the Santa Monica Pier, where there was no room for the cars due to a construction project, World Cup preparations and a Children’s Hospital fundraiser. Instead, the caravan gathered by the Santa Monica Civic Auditorium. Drivers strolled over the pier for a photo op, then returned to their cars.

“Herding cats,” said George Kulakowski of Huntington Beach, at the wheel of a 1931 Ford Model A Panel Delivery truck.

Participants in a Route 66 centennial caravan pose for a photo before they depart from Santa Monica Pier on June 2, 2026, for Chicago along the historic highway.

Another challenge awaited in West Hollywood, where Santa Monica Boulevard (aka Route 66) was busy with crowds for the city’s WeHo Pride Street Fair. By plans laid ahead of time, most caravan vehicles detoured around the party while select caravan cars followed a police escort through the action.

This way, Martin said, “another community along Route 66 gets to share its identity with the community at large.”

Allison Lehn of Boston participates in a caravan from Santa Monica Pier to Chicago, celebrating the centennial of Route 66.

By 11:15 a.m., Martin’s car had reached Sunset Boulevard in Silver Lake. Meanwhile, assorted other parades and caravans are traveling Route 66 in other states this year; most of them concentrate on short segments.

By 12:45 p.m., caravaners had met the mayor of Beverly Hills and rolled through West Hollywood’s Pride festivities, arriving at Grand Central Market, running slightly ahead of time.

On May 30, an estimated 3,596 classic cars joined a “Capital Cruise” on Route 66 in Tulsa, Okla., becoming a Guinness Book of World Records holder for the largest parade of classic cars, drawing an estimated 100,000 spectators and overwhelming local traffic.

In Arizona, the Williams Historic Route 66 Car Show was set for Friday and Saturday. In Texas, the Amarillo-based Texas Route 66 Festival is running Thursday through June 13.

William Cooke of Pinon Hills, left, and Sarah Jane Woodall of Tecopa, Calif., drive along Wilshire Boulevard in a 1960 Edsel Ranger Convertible as part of a Route 66 centennial caravan.

In those states and beyond, the caravan from Santa Monica will find hotels and motels in every kind of condition, vintage neon, road food, blue states, red states and purple states.

As a package of Times stories described in May, some landmarks date to the highway’s days as a scene of Depression desperation in the 1930s, others to its giddy postwar years in the late 1940s and ‘50s.

Route 66 was created in 1926 as a highway stitching together hundreds of local roads. Nicknamed “the Main Street of America” by its boosters and “the Mother Road” by John Steinbeck in “The Grapes of Wrath,” the highway inspired Bobby Troup’s song “(Get Your Kicks on) Route 66” in 1946.

But economic life along Route 66 has been precarious since the late 1960s, when interstate highways and chain hotels began stealing traffic away from the older, slower road. After Route 66 was decommissioned as a highway in 1985, about 85% of the old route remained in use, often as small-town thoroughfares, country highways and frontage roads alongside Interstate 40.

Efforts to save and rebuild the route as a historic resource began in the late 1980s and gained ground after the 2006 release of the Pixar/Disney animated features “Cars,” which tells the story of the highway’s rise and fall. In small towns such as Tucumcari, N.M., and Seligman, Ariz., the highway remains central to local identity and economy.

A vehicle in the Route 66 caravan is photographed June 6, 2026.

This year’s centennial improvements along the route “are things that are going to go into the future,” Martin said. “The real impact is going to be next year and the years after.”

Proud boy expelled from Pratt’s party

Spencer Pratt’s election night party at Don Antonio’s Mexican restaurant in West Los Angeles included a few uninvited guests, and it wasn’t just members of the news media.

As Pratt spoke to reporters relegated to the sidewalk, a Virginia man convicted of joining in the Jan. 6, 2021 assault on the U.S. Capitol hovered behind him, trying to horn his way into the candidate’s frame as Pratt spoke to the news cameras.

A member of Pratt’s security team grabbed the man, Jon Mellis, by the shoulders, dragged him past the TV cameras and pushed him down onto the pavement of Pico Boulevard as cars whizzed by.

Mellis — a member of the far-right Proud Boys who was pardoned by President Trump along with the other Jan. 6 rioters — wasn’t thrilled. He attempted to interrupt multiple news broadcasts to air his grievances.

“They can’t assault me like that,” Mellis said.

“They hate MAGA,” someone else in his group chimed in.

Earlier Tuesday evening, Mellis had happily mugged for one news camera after another, expressing his fealty for Pratt.

Mellis described himself as “ultra-MAGA” to The Times and, pre-shove, said he didn’t mind that Pratt was distancing himself from the MAGA movement as he campaigns for votes in the Democratic stronghold of Los Angeles.

Recent polling showed most Democrats were less likely to vote for Pratt when perceiving the candidate as tied to MAGA and Trump. Given that, it’s hardly surprising that Pratt’s security team gave Mellis and his friends the bum’s rush.

“Those guys are paid ops,” a member of Pratt’s campaign wrote on X. “They crash every single event.”

Airbnb’s election night sweep

It was a good election night for short-term rental giant Airbnb, which infused numerous city races with cash and didn’t take a single loss.

The company teamed up with the Central City Assn., a group representing downtown Los Angeles businesses, to fund ads in support of Karen Bass, city attorney candidate John McKinney and five City Council candidates.

The business group said its PAC, which received funding from Airbnb and the Los Angeles Police Protective League, spent nearly $5 million during the primary election cycle, up from $1 million during the 2024 primary and general elections.

“We have been intentional about supporting candidates and causes focused on building more housing; investing in public safety, transportation, and infrastructure; and supporting the diverse businesses that provide jobs and put paychecks in Angelenos’ pockets,” said Nella McOsker, president of the Central City Assn.

“The results speak for themselves,” said Justin Wesson, Airbnb senior manager of public policy in California. “Airbnb has arrived in L.A. politics — not as a guest, but as a permanent resident.”

In council, CCA and Airbnb supported Traci Park, who declared victory and had a big lead over her opponent; Jose Ugarte, who will probably advance to a November runoff; and Timothy Gaspar, who was leading in his primary as well, though votes are still being tallied and it wasn’t clear if he would make the majority threshold needed for an outright victory. CCA also supported Monica Rodriguez, who ran unopposed and Tim McOsker (Nella McOsker’s father), who coasted to a big lead in the primary.

Betting on whims and vibes

This is Los Angeles’ first mayoral election in the age of prediction markets, and two giants of the field, Kalshi and Polymarket, have been actively promoting betting on who will be the next mayor — and even sub-bets within the election, such as which candidate will come in second place in the primary or which two candidates will advance to the runoff.

On election night, as Spencer Pratt led Nithya Raman for second place by about 9 percentage points, both Kalshi and Polymarket had Pratt favored to move on to the runoff.

But overnight, the market shifted, with a Bass versus Raman runoff now considered more likely by bettors, probably due to a widely held belief that the remaining votes to be counted will lean more Democratic as the county tallies late-arriving vote-by-mail ballots.

Although Kalshi promotes its markets as the “odds” that a certain candidate will win, experts warn it merely represents the beliefs of bettors, who are not always the best-informed.

“This is people’s whims and vibes. You might have better luck in Vegas; at least when you bet in Vegas there’s math involved,” said Democratic consultant Mike Trujillo.

A spokesperson for Kalshi said “sharp traders on Kalshi are experts at pricing likelihoods in real time.”

Eric Zitzewitz, a professor of economics and expert on prediction markets at Dartmouth College, said that sites such as Kalshi and Polymarket are pretty accurate, and that smart money usually corrects the market.

“Historically that movement in Pratt’s price would reflect a movement in his odds,” Zitzewitz said.

As of Friday, Polymarket had a Bass-Raman runoff at 80%, and a Bass-Pratt runoff around 22%. Kalshi gave Bass and Raman a 78% chance of advancing and Bass and Pratt 22%.

Pratt currently leads Raman, but Los Angeles County is still tallying ballots and Raman has gained some ground following initial results Tuesday.

State of play

— BASS VERSUS?: Mayor Bass will advance to a runoff against either Pratt or Raman after a bruising primary campaign during which the incumbent was attacked from the left and the right.

— COALITION KAREN: A broad coalition of supporters assembled by the mayor helped her secure a spot in the Nov. 3 runoff. On her side was organized labor, including the powerful police officers’ union; business leaders, working closely with Airbnb; the Los Angeles County Democratic Party, including key elected officials; and immigrant rights groups that applauded Bass for her condemnation of federal ICE raids.

— COMEBACK COUNCILMEMBER?: Raman is still running behind Pratt, but experts say the remaining ballots to be counted should favor Democrats. “Don’t count [Councilmember] Nithya Raman out yet,” said Zev Yaroslavsky, director of the Los Angeles Initiative at UCLA Luskin.

— INCUMBENTS IN CONTROL: The mood was celebratory in Los Angeles City Council chambers Wednesday, as incumbents up for reelection held wide leads over their challengers as vote counting from Tuesday’s primary continued.

— FELDSTEIN SOTO OUT, MEJIA IN: Los Angeles City Atty. Hydee Feldstein Soto all but conceded that her reelection bid had failed Wednesday morning, as she lagged far behind her two well-funded challengers based on early returns. Her incumbent colleague, City Controller Kenneth Mejia, appeared to be faring better in his bid to stay in office, holding a double-digit lead over finance executive Zach Sokoloff.

QUICK HITS

• Where is Inside Safe? The mayor’s signature program moved 20 people inside from Skid Row in Council District 14.
• On the docket next week: Proposals from the Charter Reform Commission are still being reviewed by the Rules, Elections, and Intergovernmental Relations Committee, with the next meeting scheduled for June 12.

Stay in touch

That’s it for this week! Send your questions, comments and gossip to LAontheRecord@latimes.com. Did a friend forward you this email? Sign up here to get it in your inbox every Saturday morning.

Ron, a West L.A. resident, thinks he knows why former reality TV star and political newcomer Spencer Pratt won so much support in his run for mayor.

People are frustrated, frightened and angry about homelessness “and the crime associated with it,” Ron said in an email. He added that he voted for Mayor Karen Bass, but “almost everything Pratt said about the homeless resonated with me. … The homeless run wild here, without consequence.”

“Many of us support him not because we think he’s perfect,” said Kathy, “but because we are deeply dissatisfied with the direction of Los Angeles and feel that traditional politicians have not delivered the results we were promised.”

Bob, “a left-leaning Palisades resident,” said the issue is not Pratt’s lack of credentials, but the failures of incumbents. “There was a columnist … who documented in depth the situation at MacArthur Park,” Bob wrote in reference to me. “What was his name and what happened to him? Did he change his tune?”

These are all fair points, and if Pratt holds onto one of the top two spots and makes it to the Nov. 3 general election, or he’s overtaken by late-charging Councilmember Nithya Raman, we’re going to hear a lot more about homelessness in coming months.

So whether we’re looking at a Bass-Raman contest or a Bass-Pratt showdown, here are some random musings, and I’ll begin by responding to Bob’s question about whether I have changed my tune.

Not in the least.

The situation in MacArthur Park — targeted Thursday in a crackdown that involved multiple arrests — has long been a disgrace, and the same is true of many other places I’ve written about for the past quarter of a century. Last month, I visited a Hollywood neighborhood where one frustrated resident hired her housekeeper to document chronic problems related to homelessness, illegal dumping and criminal activity.

Residents have good reason to ask why they haven’t gotten better results after responding to politicians’ pleas for more money over the years.

It’s no surprise that Bass had high unfavorability ratings and why, despite leading in the primary vote count, she’ll fall far short of the 50% needed to avoid a second election phase. I still can’t believe that when I first asked her about the sad state of MacArthur Park, she told me she was fully aware, because she often drove through the area on her way to work.

Then why hadn’t she led the charge to address the problems and return the park to the community?

It shouldn’t take months, let alone years, to take back control of public spaces, and Pratt’s criticism is warranted, no doubt. And my main issue is not the hypocrisy of him saying God wants him to be mayor while calling his opponents demonic entities and villainizing homeless people he intends to shoo away to Seattle. It’s that his “fixes” demonstrate a lack of understanding.

Let me make a confession. From one angle or another, I’ve been writing about the intersection of homelessness, mental illness and addiction for a couple of decades, and I still have a lot to learn.

And on a personal note, I lost my son to a drug overdose. He had a job and wasn’t homeless, but like a lot of people who struggle with depression and other demons, he was resistant to help, and even to the idea that he needed help.

There are a lot more substance users like him, living out of public view, than there are on the street. We notice only those who don’t have the means to pay the rent or the mortgage as housing prices rise. So when Pratt says we don’t have a homelessness problem, but a drug problem, he’s missing a critical component in understanding why L.A. has tens of thousands of unsheltered people.

Pratt said on his website that his “treatment first” approach would direct resources into mental health and drug treatment care, which sounds good except that those responsibilities are primarily under county jurisdiction, not city control.

He and others have attacked harm reduction practices, such as distribution of needles and other paraphernalia. And I have to admit that it seems counterintuitive to enable further drug use. But the idea is to prevent death, engage clients and start a relationship that might lead to transformative care.

The county reports that in 2024, fentanyl-related deaths decreased by 37% and meth-related deaths by 20%. Harm reduction can be “absolutely invaluable,” addiction specialist Rick Rawson told me when I was working in MacArthur Park, but we need much more than that.

“When you have someone who becomes so incapacitated that they can’t stand up,” Rawson said, “to say that you’re just going to provide them with harm reduction and hope they don’t die, I think that falls short of the responsibility we have to each other and to the sickest people.”

I’ll add here that I firmly believe we should intervene more aggressively with people who are gravely ill, or are a threat to themselves or others. I recently profiled two San Diegans who are advocating for use of an existing law to allow for deeper evaluations and longer-term treatment plans for people with chronic drug and mental health issues.

It’s worth noting that drug and alcohol rehab is seldom a quick or surefire remedy. As for mental illness, it took me one year, along with the help of trained professionals, to convince my friend Nathaniel to seek help after he’d spent decades on the street following a diagnosis of schizophrenia.

What I’ve found over the years is that many of those living in tents and cars and alleys and parks are damaged in numerous ways.

I’m less inclined to judge people from a distance after having met a man on Skid Row who said he fell apart after his young daughter drowned. I’ve met women who are victims of domestic abuse or sexual assault. People in the grip of killer drugs like meth or fentanyl don’t think as clearly as we’d like them to, and they repeatedly sabotage their own self-interest.

To see people take over public spaces, openly sell or use drugs, lash out and scare those around them is disturbing and sometimes scary. But to say they choose to live on the street, as Pratt has, is to miss the point, to excuse our own complicity, to overlook historic policy failures, and to choose contempt over compassion.

Homelessness can cause mental illness, and mental illness can cause addiction, and vice versa. One condition alone can be difficult to address, but intertwined maladies further complicate matters.

I recently checked in with a guy I wrote about who had been addicted and homeless in Koreatown, and he said his recovery took more than half a year. He was in residential treatment for a few months, then in intensive outpatient treatment. There are no shortcuts, he said.

I’m not here to defend Bass, or Raman and the rest of the City Council, which shares responsibility for the current state of the city. Limited progress has been made in the last 3½ years, with a marginally lower number of homeless people.

But there’s a long way to go in moving people indoors and restoring a sense of order and public safety. The many needs include smarter enforcement of existing laws, faster development of low-cost interim and permanent housing, better coordination of outreach and follow-up services and more people willing to do all of this work.

Let’s hope that in the coming months we’ll get an honest conversation about what’s working, what isn’t, and how to do better.

steve.lopez@latimes.com

Mayor Karen Bass ran the table in South Los Angeles, Spencer Pratt found strong support from his Westside base, and Nithya Raman racked up votes in Echo Park and other neighborhoods with a concentration of renters, according to a Times analysis of partial precinct-level results from this week’s primary election.

The Times analysis, based on an estimated 62% of the ballots counted so far, found that Pratt was favored in many of the same neighborhoods that voted for mayoral candidate Rick Caruso in 2022, while Raman made inroads in progressive areas dominated by Bass four years ago.

Bass found support in neighborhoods along much of the Harbor and Santa Monica freeway corridors, along with central San Fernando Valley communities from Van Nuys to Arleta.

With much of the vote left to be counted, a map prepared by The Times showing how neighborhoods voted represents a snapshot of an election still very much underway. Bass garnered enough votes on election night to qualify for a Nov. 3 runoff, the Associated Press determined, but votes are still being tallied and it’s not yet clear if she will face Pratt or Raman.

Early returns show Pratt with a significant lead over Raman, but some analysts expect the remaining ballots to lean Democratic, as many left-of-center voters held onto their mail-in ballots until the last minute as they waited to choose between Democratic gubernatorial candidates.

Not surprisingly, Pratt did well in the Pacific Palisades, where his home burned down in the 2025 fire, garnering 60% in one precinct. The next closest candidate there was Adam Miller at 14%.

A registered Republican, Pratt also led in many of the more conservative neighborhoods that were dominated in the 2022 mayoral primary by Caruso, a former Republican who switched to being a Democrat before running for mayor. Pratt was ahead in much of the Westside and the West Valley, the analysis found, including much of Woodland Hills, Encino, West Hills and Chatsworth — just like Caruso four years ago.

“The Pratt vote mirrors a tremendous amount of the Rick Caruso vote: geographically, demographically and ideologically,” said Dave Jacobson, a Democratic consultant and co-founder of J&Z Strategies.

Certain Valley neighborhoods that supported Caruso didn’t go to Pratt, though, as Bass made inroads in areas including Northridge and North Hills, extending her support farther west into the Valley than she did in her last primary.

At the same time, Pratt appeared poised to win some neighborhoods that Bass carried in 2022. He was leading in Studio City and Hancock Park, according to the preliminary returns in areas where Bass led Caruso after the primary.

Bass’ stronghold in South L.A.

Bass’ support eroded to some extent since 2022, when she secured 43% of the vote in the primary against Caruso, then-Councilmember Kevin de Leon and leftist Gina Viola, the analysis based on partial returns shows. Even so, Bass outperformed her 2022 primary results in many areas south of the Santa Monica Freeway, though the precincts are slightly different than they were four years ago, making direct comparisons difficult.

In one precinct in Gramercy Park, Bass picked up 82% of the vote so far — up from a similar precinct where she won about 75% of the vote in 2022. Part of Bass’ dominance in the area could have to do with the fact that Pratt and Raman didn’t perform as well as Caruso did in many of these South L.A. neighborhoods.

Still, in some parts of the neighborhood, Bass underperformed 2022, though she still won more than half the vote.

In a Baldwin Hills neighborhood precinct where she won 77% of the vote last time, Bass was down to about 64% this year so far, as Raman took 20% of the precinct and Pratt had 9%. In 2022, Caruso won less than 13% of the area.

Bill Carrick, a longtime Democratic consultant, said it was unsurprising to see Bass’ support continue to be strong in South L.A.

“She’s been in the community there, lived there a long time and represented them in various capacities,” he said. “She’s a pretty well-known figure. She’s tied into all the networks.”

The Raman factor

The partial election returns show Raman leading the pack in precincts known for their progressive politics, particularly those with younger people in renter-heavy neighborhoods stretching from Hollywood to Highland Park.

Every neighborhood that Raman won was taken by Bass during the primary in 2022, though Viola, a leftist candidate that year, also did well in these precincts compared with other parts of the city.

On the Westside, Raman found few spots to lead, taking Sawtelle and Palms by fairly narrow margins, although those margins could possibly increase as more votes are counted.

She also dominated the Westwood precinct that includes UCLA, winning 56% of the vote in one precinct, compared with Bass’ 19% and Pratt’s 10%. And in a Los Feliz precinct in her council district, Raman so far has 58% of the vote, far ahead of Bass and Pratt.

Still, as of Wednesday, Raman was trailing in 54 of the 66 precincts in her own council district.

Zachary Donnini, a data expert with the nonpartisan group VoteHub, said he expects to see Raman’s numbers rise as the county continues to count late-arriving mail-in ballots, which he says tend to skew younger and more Democratic — which is Raman’s base.

“All the areas that are good for Pratt are going to become less good for him, and all areas that look less good for Raman are going to look better for her,” Donnini said.

Too close to call

Across the city, certain battleground precincts were so tight that no single candidate had a lead as of Wednesday’s count, on which The Times’ analysis was based.

In two adjacent Koreatown precincts, Bass and Raman were tied, with 117 votes in one and 187 votes in another, with Pratt trailing not far behind in both.

Bass and Raman also split a downtown Los Angeles precinct with 199 votes each, though Raman carried much of the rest of downtown, which Bass won in 2022.

In the Valley, it was Bass and Pratt who split precincts. In one Sun Valley precinct, the two each took 151 votes compared with Raman’s 80. They also tied in an Encino precinct.

“Dumbo” might not sound like the most flattering nickname, but In Gee Chun has embraced it.

Years ago, her coach in South Korea gave her the moniker because of her exceptionally keen hearing, the ability to hear someone clearing their throat or opening a soda two holes away. She leaned into it ever since. The Disney character adorns her golf bag and is her driver headcover, and her fans refer to themselves as the “Flying Dumbos.”

At the U.S. Women’s Open on Friday, everyone heard Chun’s footsteps. She shot a three-under-par 68 to claim an early share of the lead at Riviera with Jennifer Kupcho and Japan’s Hinako Shibuno.

Many of the contenders were still on the course at press time, but Chun assured herself of a prime position heading into the weekend, in the hunt for her fourth major championship. She won the Open in 2015, Evian in 2016, and Women’s PGA in 2022.

Were Chun to win this tournament, she would be in rarefied air with bookend victories separated by 11 years. According to Elias Sports Bureau, among women with multiple U.S. Open titles, Meg Mallon had the longest gap (13 years apart), followed by Annika Sorenstam (10 years).

Of course, there’s a big difference between being at a logjam atop the leaderboard on Friday and lifting the Harton S. Semple Trophy on Sunday.

“Just stick to the game plan, nothing changes,” Chun said of her mindset heading into the weekend. “I don’t want to think about the future to put extra pressure on me.”

Speaking of extra pressure, Kupcho has an arrangement with her mom. They’ll talk before and after the tournament, but not during it.

“Me and my mom kind of have an understanding,” she said, “like, ‘Just don’t text me. I don’t want to hear from you if I play good. I don’t want to hear from you if I play bad. We’ll talk at the end of the tournament.’”

Jennifer Kupcho hits out of a fairway bunker on No. 9 during the second round of the 81st U.S. Women’s Open at Riviera Country Club on Friday.

(Gina Ferazzi / Los Angeles Times)

Kupcho, raised in Colorado, said she hasn’t banned her folks from attending, “But I don’t think they’re going to.”

Maybe she could have used some TLC on Friday. After leading outright Thursday with a 66, she came back to earth with a 73.

That was still enough to keep her squarely in the mix. The same could not be said for Michelle Wie West, who followed a 75 with a 74 — a deflating finish for the LPGA legend who came out of retirement to use her final year of exemption to play at Riviera.

“Obviously I would be lying to say I wasn’t disappointed. I would have loved to have made the cut today, granted all day,” Wie West said. “But I had a blast honestly, with playing here at Riv, such a special week to have played it, and to have family, friends, a lot of familiar faces coming out, it was a lot of fun.

“I hit some good shots, hit some good putts, and kind of felt that feeling again, which is awesome.”

Nelly Korda, ranked No. 1 in the world, was coming on strong Friday afternoon in the wake of a ho-hum 73 in the opening round. She had three birdies and six pars on the front nine in the second round.

Nelly Korda misses a birdie putt on No.3 during the second round of the U.S. Women’s Open on Friday.

(Gina Ferazzi / Los Angeles Times)

Likewise gathering momentum was Alison Lee who shot a 70 on Thursday, and Friday had four birdies through her first 12 holes. She grew up in Valencia and played at UCLA.

Lee had a son, Levi Todd Kidd, in April of last year and was back on the LPGA Tour within four months. She made her 2026 debut at the LET Saudi Ladies International in February and opened with a two-under 70 despite playing with rental clubs, as her regular set was stuck in Amsterdam.

Balancing a major championship and motherhood is no simple challenge.

“It’s been really tough trying to juggle everything,” she told reporters before the Open. “I feel like sometimes I’m drowning under water, but thankfully I have some great people and great help around me where I can get through it.”

She’s staying with her parents in Valencia so she won’t disrupt her son’s schedule, and has a backup room at Megan Khang’s nearby rental home for early tee times.

Recently, her baby had the kind of breakthrough every parent can appreciate.

“He’s sleeping a lot better,” she said. “Therefore, my life has been a lot easier. … I’ve been able to get a little more rest. I’ve been able to work out a little bit more and practice a little bit more.”

The state of California is leading an effort to prepare a possible lawsuit that could thwart Paramount Skydance Corp.’s planned acquisition of Warner Bros. Discovery, a potential obstacle for the $111 billion deal.

The lawsuit, which could be filed as early as this month, would likely involve multiple states, according to a source familiar with the deliberations who was not authorized to comment publicly.

The litigation would seek to challenge the proposed merger on antitrust grounds, arguing it would thwart competition, lower wages and lead to widespread job losses.

“The Paramount acquisition of Warner Brothers remains an active investigation, and we do not have any updates to share at this time,” said California Atty. General Rob Bonta’s office in a statement.

In a statement, Paramount said it “will continue to fight against any attempt to derail a deal that plainly benefits consumers, creators and the industry as whole.”

“Opposing this deal means opposing expanded consumer choice, new opportunities for creators and workers, and greater competition throughout the creative ecosystem — the opposite of what antitrust law is meant to achieve,” the company added.

Warner Bros. Discovery shareholders in April approved the sale of the company to Paramount after Netflix dropped out of the auction.

Under Paramount Chairman David Ellison’s proposal, Warner investors would receive $31 a share, nearly four times the price of the company’s stock in April 2025. He also said he will keep both studios’ release schedules of 15 movies a year for a total of 30 films a year.

Nonetheless, Ellison and his team have vowed to make $6 billion in cuts following the merger, which requires regulatory approval. The combined company would have to contend with $79 billion in deal debt.

The prospect of substantial job cuts during a period of downsizing in Hollywood has ignited widespread opposition to the sale.

Thousands of people who work in the TV and film industry, including actor Joaquin Phoenix and director-writer-producer JJ Abrams signed an open letter opposing Paramount’s planned acquisition of WBD, saying it would lead to fewer production jobs and fewer choices for consumers. Others have also raised concerns about the impact it could have on content.

“The consequences would be felt nationwide, from destroying CNN the way that Ellisons have devastated CBS to entertainment industry job losses and consumers losing access to independent voices and a competitive market,” said Norm Eisen, executive chair of Democracy Defenders Fund, one of the groups that organized the open letter. “State attorneys general have both the authority and the responsibility to act when a transaction of this scale directly threatens the public’s interest, and I hope states across the country will join any effort to challenge this deal,” Eisen said in a statement.

The potential lawsuit, first reported by Bloomberg and Reuters, is being considered by other states, including New York and Colorado.

“Paramount and Warner Bros. haven’t cleared regulatory scrutiny,” Bonta told The Times in March. “My office has an open investigation into [the deal] and we intend to be vigorous in our review.”

Despite the potential obstacle, Raymond James equity analysts said in a note on Thursday that they “still believe the deal is likely to close.”

Last month, Paramount hired antitrust attorney Jeffrey Kessler to defend its planned acquisition of Warner Bros. Discovery. Kessler recently led a case for state attorney generals against concert promoter and ticketing firm Live Nation, resulting in a win for states, including California.

“We also think there are win/win solutions to be had particularly in California given exodus of production from CA in recent years and efforts to bring production back to Hollywood,” the analyst said in their note.

Serena Williams has added another stop to her comeback tour: the Berlin Tennis Open.

Just a day after announcing her return to professional tennis, the 23-time Grand Slam singles champion has been added to the 16-team doubles field at Germany’s WTA 500 event.

“Every tournament I add to my schedule right now feels special, and Berlin is no exception,” Williams said in a statement shared by the event on Tuesday. “I’m excited to compete in front of the German fans and continue building momentum throughout the grass-court season.”

Williams is set to play in the doubles tournament at the HSBC Championships at London’s Queen’s Club, which kicks off June 8. On Thursday, 19-year-old Canadian rising star Victoria Mboko confirmed on Instagram that she’ll be Williams’ partner at the event. The Berlin Tennis Open will begin June 13 and Williams’ partner has yet to be named.

The 44-year old tennis great is returning to the sport after almost four years away from competition. She firmly denied rumors of her return on social media just last year.

Williams appeared to poke fun at her own turnaround with a short ad video posted to X on Thursday captioned “I changed my mind.”

Despite prior rumors, Williams’ sister Venus seemed just as surprised as everyone else that Serena was returning to the competitive circuit.

“I think she hits every now and then,” Venus Williams, who also still competes professionally, said during a recent interview at Roland-Garros. “I never see her on the court that often, so I don’t know when she’s been practicing, honestly.”

Despite not having seen her practice first-hand, Venus Williams is not worried about how Serena will play at the upcoming competitions.

“She’s, I think, a little bit of a natural,” she said with a laugh. “She has a pretty good record. She knows what she’s doing. She’s very tenacious. I’m not worried about how she’s going to play, even though I really haven’t seen her play. It’s so crazy.”

It’s Broadway’s time to shine Sunday when the 79th Tony Awards take New York City.

Broadcast live from Radio City Music Hall, the night promises plenty of onstage drama and hopefully some real-life intrigue. The number of new Broadway productions this year — 30 — shrunk from last year’s 42, but there are still some standout shows and performances to watch out for, from flashy revivals like “Cats: The Jellicle Ball” to Laurie Metcalf’s stunning turns in both “Death of a Salesman” and “Little Bear Ridge Road.”

Grammy Award winner Pink is hosting for the first time, and though the pop star lacks direct Broadway roots, her songs have been featured in the jukebox musicals “Moulin Rouge!” and “& Juliet.”

Here’s everything else you should know about this year’s ceremony, including how to tune in.

How can I watch?

The three-hour awards ceremony will air live on CBS on Sunday at 5 p.m. Paramount+ premium-level subscribers can also stream it on the app, while those with other membership tiers can watch the show on-demand after it airs.

The annual pre-show, “The Tony Awards: Act One,” will stream live on free service Pluto TV at 3:35 p.m. that same day. It is hosted by Tony Award nominee Laura Benanti and actor Tituss Burgess and includes the first round of Tony Award presentations.

Who is performing?

This year’s opening number, a show-stopping Tonys tradition, will feature more than 170 Broadway performers. It’s choreographed by Sarah O’Gleby and written by Benj Pasek, Justin Paul and Mark Sonnenblick.

As always, casts from the productions nominated for best musical — “The Lost Boys,” “Schmigadoon!,” “Titaníque” and “Two Strangers (Carry a Cake Across New York)” — and for best revival of a musical — “Cats: The Jellicle Ball,” “Ragtime” and Richard O’Brien’s “The Rocky Horror Show” — will perform during the ceremony.

Rachel Zegler will pay tribute to “A Chorus Line” and Tony Award winner Leslie Odom Jr. will perform “Without You” from “Rent” to honor the show’s 30th anniversary as well as those in the theater community who have died this year.

The “Chicago” revival will also celebrate its 30th anniversary on Broadway with a performance from stars including Queen Latifah, who was nominated for an Academy Award for her portrayal of Matron Mama Morton in the show’s 2002 film adaptation, and Tony Awards host Pink. The entire original cast of “The Book of Mormon,” including Tony Award nominees Josh Gad, Andrew Rannells and Rory O’Malley and Tony winner Nikki M. James, will also perform in celebration of the show’s 15th anniversary on Broadway.

Who is presenting?

Notable stars of stage, screen and music presenting awards include Grammy Award winner Megan Thee Stallion, who made her Broadway debut this year in “Moulin Rouge!”; Nicole Scherzinger, who won a Tony last year for her performance in the revival of “Sunset Boulevard”; and Academy Award winner Adrien Brody.

You can find the star-studded presenter lineup here.

What is nominated?

“Schmigadoon!” and “The Lost Boys,” both nominated for best musical, lead the pack with 12 nominations each going into Sunday’s awards ceremony. The “Ragtime” revival trails with 11 nominations, and lauded revivals “Death of a Salesman,” “Cats: The Jellicle Ball” and “The Rocky Horror Show” are each nominated for nine awards.

Find a full list of nominees here.

SAG-AFTRA members overwhelmingly approved a four-year TV and film deal with major studios including Netflix, Disney and Warner Bros. Discovery on Thursday night, increasing minimum wages and addressing concerns about the use of AI performers.

The deal, which was expected to be approved, received the support of 91% of SAG-AFTRA members who voted on the agreement, which starts July 1 and ends June 30, 2030. The union represents 160,000 performers, including actors, stunt performers and influencers.

“This agreement builds on the foundation members fought to establish and carries that work into the next chapter of our industry,” said SAG-AFTRA President Sean Astin in a statement. “It delivers meaningful gains in compensation, strengthens protections around artificial intelligence and digital identity, reinforces the long-term security of members’ benefit plans and recognizes the realities of how performers work today.”

Under the new deal, the length of the agreement between SAG-AFTRA and major studios represented by the Alliance of Motion Picture and Television Producers expands from three years to four years.

It also boosts minimum wage by 3% annually, increases contributions to the health plan by 1% and expands the bonus to the union’s Success Bonus Distribution Fund based on residuals that performers get for popular streaming programs.

The contract also addresses concerns about the growing use of artificial intelligence in TV and film and its impact on actor jobs. Last year, many actors spoke out about Tilly Norwood, a computer-generated “actor” and whether synthetic characters like her could threaten their livelihoods. Some performers have also advocated for getting paid if their likenesses are used to create such characters made through AI systems.

Not all members were in favor of the contract, saying it did not go far enough in protecting performers against AI.

“It normalizes the use of AI replicas and synthetic performers rather than drawing a firm line protecting human performers and their jobs,” said Chuck Slavin, a background actor and performer.

Slavin, a former New England local board member, ran against Astin for SAG-AFTRA president last year.

Producers agreed to “a principle strongly favoring human performances” and that producers would only use a synthetic if it “brings significant additional value to the motion picture.” If a producer decided to use a synthetic in a role that could be done by a human, they would need to notify the union and bargain in good faith.

Additionally, the contract merges the pension plans of the Screen Actors Guild and the American Federation of Television and Radio Artists, which were previously separate but combined in 2012 to form SAG-AFTRA.

Their health plans were consolidated in 2017, but the pensions have remained separate . That was a major sticking point with members, some of whom couldn’t qualify for benefits as their contributions were split between two plans. Studios agreed to boost their overall contributions to the combined plan by 1%.

SAG-AFTRA’s deal comes after the Writers Guild of America members also approved an agreement with the AMPTP in April.

The groups were able to agree on contracts this year, without striking as they did in 2023.

“SAG-AFTRA’s leadership brought a genuine commitment to partnership, and together with the WGA agreement, these deals demonstrate what is possible when the industry works toward practical solutions that support its long-term stability,” AMPTP said in a statement.

The Directors Guild of America began negotiations with AMPTP last month, with its contract expiring on June 30.

Staff writer Cerys Davies contributed to this report.

One savvy traveller has found an alternative way to jet off abroad that not only saves money, but also allows her to visit a plethora of destinations throughout the year

A woman has remarkably been able to visit seven countries in a year for less than £2,000.

Flights can be notoriously expensive, especially to those sought-after destinations. Even flights that are just for a few hours can quickly cost hundreds of pounds, leaving holidaymakers questioning their getaway to Europe.

Yet, that wasn’t going to stop Helen Dalling, 55, from travelling last year. Instead, she looked for alternative ways to travel that not only saved money but also ticked off a plethora of holiday destinations.

In a bid to travel as much as possible and to keep costs considerably low, Helen, from Milton Keynes, swapped longer getaways for short escapes. Some were extreme day trips flying to and from the destination within 24 hours, while others offered an overnight stay.

“I’ve always loved travelling, but as I’m getting older and I’ve got kids and I work full-time, I thought ‘I’m not going to see enough countries in the world’,” Helen told creatorzine.com. “‘If I don’t start going to see a few of them, I need to do them quick and cheap’. That’s really why I started doing it.”

While it’s certainly a little more hectic than a week-long beach getaway, the change in travel meant that the 55-year-old was able to visit seven countries last year for around £1,600. This included the costs of flights, airport parking, hotels, sightseeing, food and drink, and spending money.

In 2025, Helen travelled to Paris, Budapest, Alicante, Malaga, Split, Prague, Amsterdam, and Geneva twice. It varied how long she would stay in each destination, from just a few hours to an overnight stay.

“I went to seven brand new countries”, Helen said. “That’s what I really wanted to do, I thought, ‘I’ve never been to Hungary, so let’s go to Budapest’.”

To help keep costs as low as possible, Helen regularly looks out for deals from different airlines that fly from her nearest airport, London Luton. “When I went to Paris, I was basically just browsing on New Year’s Day, not doing much else, and I spotted that you could get a flight to Paris for £13, one way and £12 the other”, she revealed. “I just booked it – and then when I told a friend, she booked it too and came with me.”

Helen continued: “The Budapest flights were about £8.99 each way; you can’t even get them that cheap anymore. I’ve done others that were £15-£20 return; I just book them – when I see the price, I just go for it.”

While she sometimes travels solo, it’s often a great chance to catch up with friends on an extreme day trip. “Instead of going to London for lunch, let’s go somewhere for the day,” Helen said.

“I did Geneva twice last year, but the second one I did at Christmas was with a real old friend of mine who is really into her food. So we went and did a foodie trip to the Christmas markets in Geneva and just went for the day – she’d never done one.

“Everybody that I’ve done one with has said ‘Oh my God, that was amazing’. I’ve got a bit of a queue of people wanting to go as well, but only so much money.”

After visiting seven countries last year, Budapest, which cost £191 for an overnight stay, stood out for Helen. “We just fell in love with Budapest,” she said. “Every time we did something else afterwards, I just said to my friend, ‘It’s not Budapest, though, is it? It’s not Budapest.’

“It was February when we did that, but the sky was blue, and we had the best time.

“It was super cheap, and everything just worked.” She added: “It was so lush. We were just sitting in these massive pools of boiling hot water with the cold air on our skin, just going, ‘This is amazing.'”

Following her extreme trips last year, Helen is determined to do the same this year. She’s already travelled to Palma in Mallorca with a friend for under £120, spent the night in Lithuania, and ventured to Albania for the day.

She confessed: “I’m always buzzing after a day trip. I would definitely do it again, it’s a great way to visit countries you’d never visit by going on one holiday a year.

“Last year I visited seven new countries, and it’s liberating.”

Price breakdown of Helen’s 2025 trips

• Paris – £139 (extreme day trip)
• Budapest – £191 (overnight)
• Alicante – £62 (extreme day trip)
• Malaga – £118 (extreme day trip)
• Geneva – £182 (extreme day trip)
• Split – £315 (overnight)
• Prague – £165.11 (overnight)
• Amsterdam – £290 (overnight)
• Geneva – £138 (extreme day trip)

Total – £1,600.11

Do you have a travel story to share? Email webtravel@reachplc.com

Hi, and welcome to another edition of Dodgers Dugout. My name is Houston Mitchell and I’m wondering why no one ever talks about Roy Hobbs as one of the all-time greats. It’s like he didn’t even exist.

The next part of our “Ask …” series is here, and it’s a big one. Former Dodgers third baseman Justin Turner, now playing for the Tijuana Toros in the Mexican League, has agreed to answer selected questions from Dodgers Dugout readers.

Do I really need to remind you of who Turner is and his feats as a Dodger? I don’t think so. He is one of the most beloved Dodgers in recent times.

Turner agreed to answer questions from readers of this newsletter. Please send me an email with your question to houston.mitchell@latimes.com. Please make sure the subject line reads Ask Justin Turner. I will select some questions for him to answer. His answers will appear in a future newsletter. You have until Sunday at 6 p.m. to send in your question.

Ohtani is a decent player

It appears reports of Shohei Ohtani‘s demise were greatly exaggerated.

On April 24 against the Chicago Cubs, he went 0 for 3, striking out all three times. His batting splits (batting average/OB%/SLG%) dropped to .237/.361/.433), his worst numbers in a few seasons. Stories started to appear everywhere that pitching and hitting is too much for him. The Dodgers needed to give him a lot more days off, or, have him stop pitching altogether, since no one can do what he is trying.

Ohtani heard all of that, I’m guessing, and used it to stoke his competitiveness.

His numbers since April 24:

Hitting: .344/.461/.576. He’s now hitting .301/.420/.521 this season. Last season he hit .282/.392/.622. His power is down, but power is down across the majors this season. At current projections, there will be 400 fewer home runs this season.

On the mound since April 24, Ohtani is 4-2 with an 0.97 ERA.

Will he become the first person to win MVP and Cy Young in the same season? Well, on Wednesday, MLB.com announced the results of a survey of 35 experts, asking them to vote as if the season ended that day. Here are the results:

NL MVP
1. Ohtani
2. James Wood, Nationals
3. Corbin Carroll, Diamondbacks

They didn’t do voting for Cy Young, but most places have Ohtani third right now, behind Cristopher Sánchez of the Phillies and Jacob Misiorowski of the Brewers.

Comparison

The Dodgers have played 63 games this season and are 40-23. How do they compare to last season’s team at the same point in the season?

Record
2026: 40-23
2025: 38-25

Runs per game
2026: 5.24
2025: 5.69

Batting average
2026: .264
2025: .265

OB%
2026: .343
2025: .341

SLG%
2026: .443
2025: .466

Doubles
2026: 108
2025: 106

Triples
2026: 7
2025: 9

Home Runs
2026: 85
2025: 101

Walks
2026: 249
2025: 234

Batter Strikeouts
2026: 483
2025: 515

Grounded into double play
2026: 56
2025: 47

Left on base
2026: 438
2025: 416

Stolen bases
2026: 27
2025: 40

ERA
2026: 3.08
2025: 4.12

Starters’ ERA
2026: 2.96
2025: 3.69

Relief ERA
2026: 3.31
2025: 4.27

Hits per 9 IP
2026: 6.87
2025: 8.09

Walks per 9 IP
2026: 2.79
2025: 3.54

K’s per 9 IP
2026: 8.99
2025: 9.13

IRS%
2026: 26.8%
2025: 23.4%

Don’t be like these people

I’m sure some readers get annoyed when during my semi-annual reminder that it’s only a game, and if you are angry five minutes after a game is over, perhaps you should find a new hobby.

But there was a reminder last week as to why it is so necessary to keep it in mind. The world is a much angrier place now than when I was younger (uh oh, old man rant). I blame social media. Everyone can find their own echo chamber of people who agree with them and never have to see an opposing opinion. And when they do, they can’t handle it (generally speaking, of course).

And the anonymity of social media gives people false bravado, causing them to say things they never would in person. Such was the case Saturday, after Dodgers reliever Tanner Scott had his first blown save in what has been a good season for him.

The next day his wife, Maddie, shared some messages the Scott family received on social media. One of them was, ““Hope this mutt d i e s soon,” on a photo of the Scott’s child on Instagram. And that was the most tame of the messages. All because Tanner Scott blew a save and the Dodgers lost.

Disturbing? That doesn’t begin to describe it. While I’m sure none of the Dodgers Dugout readers are this depraved, it serves as a reminder that these people are human beings trying their best. Be critical of their performance when warranted. But don’t get angry. You should see some of the emails I get after the Dodgers lose two in a row. Some people are just beyond furious, calling players names, etc.

“I don’t speak out often. Ever actually,” Maddie Scott wrote over a screenshot of the hatred she received. “I promise you, you don’t know what it’s like unless you’re living it. When did it stop being a game?”

Astros pitcher Lance McCullers Jr. received death threats after a loss last season, telling reporters, “I understand people are very passionate and people love the Astros and love sports, but threatening to find my kids and murder them is a little bit tough to deal with just as a father, I think. So just as a father, I think there have been many, many threats over the years aimed at me. But I think bringing kids into the equation, threatening to find them or next time they see us in public they’re going to stab my kids to death, things like that, it’s tough to hear as a dad,” McCullers said, in the understatement of the year.

I realize the stupid people doing this are a small, small percentage of any team’s fan base. But, don’t give in to the anger when the Dodgers lose. Be disappointed, sure. But just think, if the worst thing in your day is that the Dodgers lost, then you’ve had a pretty good day.

Scott got the loss Thursday when he gave up a walk-off homer. Disappointing? Sure. Ruin the rest of your night? I hope not.

It’s All-Star time

Time to vote for who you think should start in this year’s All-Star game. You can click here to vote. I still miss the days at Dodger Stadium when ushers (wearing their straw hats) would hand people stacks of ballots. Some ushers even had ballots with the Dodgers already selected for you.

Up next

Friday: Angels (*Reid Detmers, 2-5, 4.63 ERA) at Dodgers (Roki Sasaki, 3-3, 4.59 ERA), 7:10 p.m., Sportsnet LA, KTTV, AM 570, KLAA 830, KTNQ 1020

Saturday: Angels (Jack Kochanowicz, 2-4, 5.23 ERA) at Dodgers (Yoshinobu Yamamoto, 5-4, 2.86 ERA), 7:10 p.m., Sportsnet LA, KCOP 13, AM 570, KLAA 830, KTNQ 1020

Sunday: Angels (José Soriano, 6-4, 2.72 ERA) at Dodgers (Emmet Sheehan, 3-2, 4.50 ERA), 1:10 p.m., Sportsnet LA, KCOP 13, AM 570, KLAA 830, KTNQ 1020

All times Pacific

*-left-handed

In case you missed it

Shaikin: MLB’s wild pitch: Using fan-despised TV blackouts as leverage against players

Dodgers pitcher Tanner Scott’s wife reveals death threats she received about their child

Plaschke: Ryan Ward becomes an unlikely star in memorable Dodger Stadium debut

And finally

Justin Turner‘s walk-off homer against the Cubs in Game 2 of the 2017 NLCS. Watch and listen here.

Until next time …

Have a comment or something you’d like to see in a future Dodgers newsletter? Email me at houston.mitchell@latimes.com. To get this newsletter in your inbox, click here.

Sorry to rain on your all-analog parade.

It’s no secret that vinyl records’ resurgence has hit a new plateau, outselling CDs for the first time since 1987 as of 2022, according to a report from the Recording Industry Assn. of America. Three years later, its year-end report flaunts another statistic: Vinyl record sales surpassed $1 billion in 2025 — the first time since 1983.

But there’s an inevitable downside to anything that’s partially made of liquid dinosaur bones. Modern vinyl records are crafted with PVC resin, which makes up more than 75% of an average disk The synthetic polymer itself is made of chlorine and fossil fuel-derived feed stock.

To put its harm in perspective, a first-of-its-kind report from Vinyl Alliance, published in June 2024, found that 50% of a record’s carbon emissions come from this resin. The carbon footprint of a single LP was estimated to be roughly equal to the pollution a gas-powered vehicle emits over a three-mile trip. It adds up quick, considering that 46.8 million new records were sold last year.

Thankfully, it’s not all grim.

Organizations like Music Declares Emergency and the Music Climate Pact initiative are coming together to address the issue. A campaign by the groups — in collaboration with record labels and distribution teams at Secretly Group, Exceleration Music, Warp Records, Ninja Tune and Beggars Group — features titles pressed on 100% reclaimed material.

The release, set in tandem with World Environment Day on Friday, boasts marquee titles such as Elliott Smith’s “Roman Candle,” Bon Iver’s “For Emma, Forever Ago” and Dinosaur Jr.’s “You’re Living All Over Me.”

“What we found talking to a lot of our artists and to customers is that … they are concerned about the environment, and they want to find ways to reduce their footprint,” says Ben Swanson, co-founder of both Secretly Group and the Independent Record Pressing plant in Bordentown, N.J., where the LPs are made. “It’s about 16% less footprint than the traditional piece of vinyl.”

Soren Smith working at Independent Record Pressing in Bordentown, N.J., on May 26, 2026.

(Dutch Doscher / For The Times)

Largely, it’s been people like Swanson who have fully committed to the cause. He says that during the height of the COVID-19 pandemic, in an “activist moment,” several labels signed onto the Music Climate Pact, declaring their intention to reduce their emissions and be better stewards of Earth.

“It had almost no teeth to it,” Swanson explains. “A lot of people signed it, posted something on Instagram, and it sat there for a few years. For us, it was pretty frustrating … it felt very perfunctory.”

His work continued, along with a few others, thanks to support from Murmur, an organization designed to support labels and industry names, effectuating the commitments made when the Music Climate Pact was signed.

“We’re more doers than sayers,” Swanson says. “We’ve really been experimenting with what we’re calling ‘Revinyl’ — post-industrial, pre-consumer, recycled vinyl as a means to reduce our footprint at IRP.”

This is what some of Friday’s release is made of — all the trimmings, tidbits and overstock that would otherwise end up in landfills or on the factory floor. For the time being, it certainly won’t solve the climate cost of vinyl records, but it helps to mitigate it.

Between 2024 and 2025, total units produced at Independent Record Pressing increased by 41% while emissions — which also benefited from lower-carbon transportation — decreased by 34%.

“The idea is, if you can make those records 16% more efficient and also show fans of those records … that it is viable, maybe it makes it a little bit easier next year when we go out to ask other artists to jump on board,” Swanson explains. “We’re not making records that are just going to go sit on the shelf — these are records we’re continually repressing all the time anyway.”

Similarly, Ian Stanton, head of sustainability at Beggars Group, was among the first to sign the pact in 2021. His role was created five years ago to give indie labels a voice in light of minimal resources and capabilities. Though these roles do exist at larger labels, he says they have “slightly different drivers.”

When it comes to records, the pure plastic pollution that comes from them is also a concern. When old records make it to a landfill, they’re not only likely to outlive the site, but can also leach plasticizers, a Keele University report found.

“Vinyl is not like a single-use plastic; we don’t throw it away after one listen. We treasure it, we pass it on through generations, and people have a real connection with it,” he says. “But like any other product, there are ways of making it more sustainable.”

He refers to certain plastics, such as shrink wrap, as the most “visible” aspect of vinyl record pollution to consumers. From a collector’s point of view, shrink wrap can actually increase the value of a record. Though there has been discourse over the years around whether this can actually damage the sleeve, many sellers champion an “in the shrink” label as they mark up prices.

Splatter-patterned records arrive at the trim station at Independent Record Pressing in Bordentown, N.J., on May 26, 2026.

(Dutch Doscher / For The Times)

Other visible aspects, such as the paper sleeves in which the records are housed, are also harmful. However, Swanson says that swapping those for recycled materials outputs a relatively negligible difference in emissions impact, largely due to the process behind producing them.

For the time being, vinyl records made from reclaimed materials are the best that companies like Swanson’s can do, though they’re are always on the lookout for other, viable options for improving their footprint. As an example, they’re actively experimenting with how existing record material can help them.

What can the beat-up, worn-out records at your local thrift store do to dodge a landfill and keep the Earth spinning? As it stands, not much.

Stanton lists an array of challenges, including outdated materials, modern production regulations and contaminants.

“I suppose what we need with PVC for records is a really high-quality, contamination-free material to get that sound reproduction,” he explains. “When you bring in stuff from that post-consumer environment, you’ve got to make sure there’s no contamination in there, because you’re going to end up with sound quality issues.

“It’s all in process,” he adds.

For now, they look to fix the most immediate problems first, such as freight emissions, where Beggars Group has converted the vast majority of its shipping operations to sea freight, a far less harmful alternative compared with air freight.

“We want to look at the full life cycle … not only thinking from the cradle to the grave, but from the point where the raw materials are extracted at the beginning,” Stanton says. “This life cycle analysis now looks at all different environmental indicators on this — the chemical usage, the water usage, and the end-of-life impacts on that side of things.”

The park’s emblematic 1914 Botanical Building is open again after major reconstruction that ended in late 2024. The Mingei International Museum, which focuses on global folk art, won Michelin praise in 2023 for its eclectic restaurant, Artifact at Mingei (which serves lunch Tuesday through Sunday, dinner Thursday and Friday).

The park’s museums and other institutions cover art (fine, folk, contemporary and photographic), natural history, anthropology, flight, model railroading and all the imagined worlds that come with Comic-Con (which opened its museum here in 2021).

The Old Globe theater complex includes three stages. The big lily pond between the promenade and the Botanical Building may be the most wholesome over-the-counter tranquilizer in town. The Centro Cultural de la Raza, housed in an enormous former water tank, covers Chicano, Latin and Indigenous culture. The park’s Japanese Friendship Garden & Museum fills 12 acres with greenery, koi ponds and bonsai displays.

If you’re planning to hit several museums over a couple of days, look into a park Explorer Pass, which might save you money.

About parking: In January, after years of free parking, the city imposed a fee system charging non-residents $10-$16 per day and residents slightly less. San Diegans rose in outrage, and in late May city officials announced a plan to end the parking fees by Jan. 1, 2027.

COLLEGE STATION, Texas — As USC baseball coach Andy Stankiewicz noted the next additions that will be made to USC’s refurbished baseball stadium, he paused Monday night as a train rumbled loudly behind Blue Bell Park.

Stankiewicz, 61, smirked at the fitting metaphor after the Trojans clinched their first NCAA super regional berth in 21 years. He, after all, has rebuilt the USC program over his four seasons as head coach.

“Now we have a beautiful stadium,” he said of Dedeaux Field. “We’re going to have a beautiful clubhouse next year, batting cages and all that.”

As Stankiewicz attempted to utter another sentence, the train’s ear-piercing horn sounded.

USC baseball coach Andy Stankiewicz has guided the Trojans to the NCAA super regionals for the first time in 21 years.

(USC Athletics)

“That’s appropriate because we tell people the train’s moving,” Stankiewicz said. “Now we have a train honking its whistle. The train’s moving. We’re certainly excited to see where we’re going.”

The Trojans are definitely going places these days thanks to many players who believed in Stankiewicz’s vision despite knowing their on-campus stadium would be under construction for at least two seasons.

The Trojans had six players on the College Station Regional’s All-Tournament Team. Three of them — Abbrie Covarrubias, Kevin Takeuchi and Andrew Lamb — are upperclassmen who could have been tempted to transfer after they learned that they would be without a home field for two years. Junior shortstop Dean Carpentier is another upperclassman who believed in Stankiewicz.

“You talk about just kind of cornerstones,” Stankiewicz said. “Abbrie and Takeuchi … and Dean Carpentier and Andrew Lamb, these guys, they could have left. … They got here when we had a field, and they chose to stay.

“That’s something that I’m grateful for. It just tells you the quality of young men that they are. They’re here. They got two feet in and said, ‘I’m not going anywhere. I want to help build this program. Then to see the success that, not just Abbrie, but all of them have had, they’re great leaders. They lead by example.”

While Dedeaux Field was under construction, the Trojans played most of their home games in 2024 and 2025 at Irvine’s Great Park, 47 miles and another county away. They practiced at East L.A. College.

Yet, they still reached a regional final in 2025. They have gone a step further this year by climbing out of the losers’ bracket in the regional to eliminate Texas A&M and reach a super regional for the first time since 2005.

The Trojans didn’t just climb out of the losers’ bracket. They rumbled through like a runaway train, dominating with 55 runs over four losers’-bracket wins. They scored 21 of those runs over two victories against SEC power Texas A&M in the regional final.

The Trojans made themselves at home while playing in one of the SEC’s most hostile environments. It was as though the Trojans have grown accustomed to making themselves at home on the road in recent years.

Although parts of Dedeaux Field are still under construction, the Trojans were 32-1 there for the best home record in school history. USC (47-17) eclipsed the 40-win mark for the first time since 2005.

“Obviously being able to play at home this year has been a blessing,” designated hitter Augie Lopez said after he was named the Most Outstanding Player of the College Station Regional. “But the last couple of years we’ve just kinda showed up every day — whether that was in Irvine or East L.A. Community College for practice — just with the same mentality of we’re going to show up and put our work in and dominate no matter where we are.

“Just showing up every day and punching that time card and going to work and just putting your head down and knowing that no matter where you are (or) what home field you have or you don’t have a home field, we’re going to get it done and play quality baseball.”

USC pitcher Grant Govel throws to home against Texas State during an NCAA regional on May 29.

(Sam Craft / Ap Photo/sam Craft)

The 12-time national champions will face North Carolina at the Chapel Hill Super Regional in hopes of reaching their first College World Series since 2001. No player on the current roster was alive when the Trojans won their last national title in 1998.

Only a few were even born when USC made its last super regional appearance in 2005 at Oregon State.

“With the history that this program has, it’s been an honor to wear the Trojan brand on the front of my chest,” Lopez said. “Honestly just knowing that this team is the team to bring USC back to the super regional it’s incredible.

“Honestly, it hasn’t hit me until right now, but we’re just feeling absolutely grateful. I’m super blessed.”

You don’t need to hear the horn to realize USC’s train is moving in the right direction in Stankiewicz’s fourth season at the helm.

Nelly Korda’s bid for a U.S. Women’s Open title began Thursday with a foot fault.

The No. 1-ranked player opened her round at Riviera wearing a pair of golf shoes provided to her by LeBron James, Nike Victory Pro 4s with white uppers, gold swooshes, red-and-navy details and an American flag pin on the laces.

Snazzy as they looked, the shoes were a little loose fitting for Korda, who swapped them for a more familiar pair after she played the first six holes at one over par. She never really found her groove and finished the opening round with a two-over-par 73.

“Just hit it really poorly off the tee,” said Korda, who immediately headed to the practice range after meeting with the media following her round. “Found myself in a lot of trouble on the wrong side of a lot of these pins. I just felt like I was kind of just grinding to make safe pars. It wasn’t a great day. I hit it really good Monday through Wednesday, so I have honestly no idea where this came from.”

For others, Riviera — playing host to the major championship for the first time — was as comfortable as an old shoe.

Korea’s Sei Young Kim worked her way to the top of the leaderboard with a 67, making back-to-back birdies on the 10th and 11th holes, then three in a row on Nos. 6, 7 and 8.

Sei Young Kim eyes her putting line on the ninth green during the first round of the U.S. Women’s Open at Riviera Country Club on Thursday.

(Gina Ferazzi / Los Angeles Times)

According to Elias Sports Bureau, Kim ended a personal streak of 43 consecutive major championship rounds shooting 70 or higher. It was the longest active streak of its kind entering this week.

“The U.S. Open is not regular — not the same as a regular tournament,” Kim said. “So you need to be really patient instead of attacking the pin. So I really try to follow what my caddie says.”

Some caddies have an even closer relationship with their players. On the bag for Michelle Wie West is her husband, Jonnie West, son of late NBA legend Jerry West. Wie West retired three years ago after the Open at Pebble Beach, but came out of retirement to use her last year of exemption to play on this iconic course, celebrating its centennial.

Wie West opened her round with a flourish, crushing her tee shot 293 yards down the left side. Although she missed the green on her approach, chipped up for a short birdie putt but missed it.

Wie West, once one of the biggest stars in the game, qualified for the USGA amateur championship at age 10, the youngest player to do so. She turned professional shortly before her 16th birthday and won five times on the LPGA Tour, with her only major victory coming at the U.S. Open in 2014.

Now a mother of two, Wie West said part of her motivation to return for this tournament was so her daughter, Makenna, who turned 6 this week, will have memories of her playing.

Michelle Wie West, right, and caddie Jonnie West, her husband, discuss an approach shot during a practic round Wednesday.

(Harry How / Getty Images)

“It’s everything,” Wie West said of that inspiration. “Being able to share this with her — even the last couple of months, just practicing. We talk a lot before she goes to bed, and I tell her what I do when she’s at school. ‘I had a tough day at practice. This is what I overcame.’”

Makenna is almost a sounding board.

“My daughter is like the best sports psychologist I’ve ever had, honestly. … I’m going to try to live by the words I tell my daughter. I always tell her before a game or tournament, ‘I don’t care about the results. All I care about is a good attitude and that you try your hardest.’ That’s my No. 1 goal this week.”

Still in search of her first major victory is Gaby López, whose 68 on Thursday put her just behind the leader. She grew up in Mexico City and said Riviera has a familiar and comfortable feel.

“It’s all high elevation [there] and flies way less here,” she said. “But the same kikuyu [grass] and the ball sits up, and you just have to be ready to hit some flier shots off the fairway.

“That rough, you can get lucky at times. … It’s so sticky it’s hard to get it out, especially when you’re going to have no spin. So you just have to be very specific where you’re going to miss it if you don’t hit the fairway.”

Lopez has started hot in the U.S. Open before, although she wasn’t pleased with those results. She was four under through her first nine holes in 2017 before going two over in her second nine. She shot a 70 that day and was tied for 13th after the opening round, but wound up missing the cut.

Her approach this year is simple and straightforward.

“Right now let’s be smart, let’s be focused on what you want to achieve,” she said, “and at the end of the day, let’s put yourself in a position that you can have a shot on the back nine on Sunday.”

Kathy Hilton will no longer be the grand marshal of West Hollywood’s pride parade.

The city and WeHo Pride on Wednesday released a joint statement, announcing that “The Real Housewives of Beverly Hills” star would no longer serve as the Grand Marshal Icon for the 2026 WeHo Pride Parade. The event is scheduled for Sunday.

“After thoughtful discussions, the City of West Hollywood, the WeHo Pride production team, and Kathy Hilton have determined that the 2026 WeHo Pride Parade will not designate a Grand Marshal Icon honoree,” read the statement.

The decision comes less than a week after Hilton was announced. That May 28 announcement was met with swift backlash from the LGBTQ+ community and allies, who called out Hilton’s ties to President Trump and alleged MAGA-leaning politics. Critics also cited accusations that the socialite had used a homophobic slur while on a trip with other cast members of “The Real Housewives of Beverly Hills,” an action she has previously denied.

In their joint statement, West Hollywood and the WeHo Pride team expressed their appreciation for “the respectful and sincere dialogue” around both the event and the “role and significance” of Pride honorees.

“The City of West Hollywood has always believed that Pride belongs to the community,” the joint statement said. “Since its earliest days, Pride has served as both a celebration and a platform for activism, visibility, resilience, and the ongoing pursuit of equality, dignity, and justice for LGBTQ+ people. … These conversations reflect the passion people have for WeHo Pride and underscore the importance of ensuring that WeHo Pride continues to honor the history, values, and diverse voices of the LGBTQ+ community.”

In a statement, Hilton expressed gratitude for being considered for grand marshal and reaffirmed her commitment to the LGBTQ+ community and causes.

“My reason for wanting to be involved in this year’s WeHo Pride weekend was simple: to celebrate, support, and share in the joy of a community that means a great deal to so many people,” Hilton said. “Pride is, and always will be, about celebrating and uplifting LGBTQ+ voices, experiences, and achievements. … My support for the community and WeHo Pride is unwavering.”

She also mentioned several queer advocacy organizations and events she has supported over the years, including GLAAD, the Elton John AIDS Foundation, the Elizabeth Taylor AIDS Foundation, Dr. Mathilde Krim, God’s Love We Deliver and Project Angel Food.

The latest Pride-related dust-up follows the abrupt cancellation of the Long Beach Pride Festival in May. The city’s Pride Parade took place as planned.

Both snafus have occurred as conservative politicians and advocates continue to attack LGBTQ+ rights and visibility nationwide. Some Republican governors have even pushed for conservative alternatives to Pride month festivities. A recent Gallup poll has found that after years of steady gains, support for marriage equality and same-sex relationships has slipped, particularly among Republicans.

The Rams’ trade for Myles Garrett and subsequent intrigue about whether Aaron Donald would unretire to place two future first-ballot Hall of Famers on the same defensive line has served as an unmistakable reminder that some folks don’t change.

Rams castaway Cooper Kupp still boasts an unexpected wry sense of humor.

Donald’s wife, Erica, can still toss a wet blanket on fiery hearsay by posting a few well-chosen words on social media.

Rams architects Les Snead and Sean McVay can still adroitly motivate a player without pressing too hard.

As for Donald himself, it seems he still harbors a desire to play 26 months after he retired at age 32 at the top of his mayhem-creating game.

The acquisition of Garrett was the tipping point that Donald fueled by telling NFL insider Jordan Schultz in a text: “I’m for sure flirting with the idea. Helluva an opportunity with the Super Bowl in SoFi this year. If I can find the fire, it’s a possibility.”

Kupp, a receiver now with the Seattle Seahawks, was Donald’s fellow All-Pro teammate when the Rams won the Super Bowl in 2022. They remain friendly enough for Kupp to reach out to Donald a few days ago with tongue-in-cheek advice to stay retired.

“I already texted him and told him he’s not allowed. So we’re good,” Kupp told sportscaster Rich Eisen while laughing. “I texted Aaron and said, ‘Don’t even think about it.’ I left it at that, so we’re good. I’m not worried about it. I already nipped it in the bud. No one has to worry.”

Erica Donald’s three-word rebuttal on X to speculation about her husband playing football again was also light-hearted. But it carried the weight of coming from the mother of two of Donald’s four children.

“Y’all are hilarious,” Erica posted.

Enough said?

Responses were respectful but hoped she was kidding.

One fan asked, “MRS.Donald can Aaron come out and play pretty please.”

Another took a similar courteous tone: “Erica, queen of them all… please let the mister give it one more go!”

Ardent Donald fans recall his wife’s response when he retired in 2024, and followers were incredulous that he would do so with seemingly plenty of outstanding football ahead of him.

Erica put the kibosh on the notion that he might change his mind in a 16-second video where she sits next to her husband, who appears to be sleeping while a television in the background is tuned to football.

Looking at her phone camera but speaking to her husband, she says, “Aaron, the people are still asking if you are coming back,” at which point she breaks into laughter because he doesn’t budge. She continues, “All right, guys, I hope that answers your question, ’cuz he is not.”

Less certain now are McVay, the Rams coach since 2017, and Snead, the team’s general manager since 2012. The mere thought of the eight-time All-Pro Donald lining up alongside the five-time All-Pro Garrett is too delicious to ignore.

“If Aaron decides he wants to dust them off at the age of 35, I bet you he could still do it at a pretty high clip,” McVay said during the news conference introducing Garrett.

Snead sounded even more hopeful.

“I do think for the first time since he retired, he’s maybe tempted,” he said. “‘Oh, let’s maybe do one last stand.’ I don’t know if he’s been tempted since he has been retired and I think if you know Aaron at his core, he’s one of those humans that if he doesn’t think he can really, really help, he probably doesn’t want to try.

“But for the first time, I’m betting that he’s tempted. I can sense that. That’s cool that Aaron’s excited, like a lot of our fans, Aaron’s excited about [acquiring Garrett] and he’s probably tempted for the first time.”

For his part, Garrett told Rams broadcaster J.B. Long that he plans to speak to Donald soon.

“I don’t know what his plans are, and I’m not gonna pretend to know,” Garrett said. “I know a lot of people are excited and thrilled about the idea of him coming back, but just being able to talk to him, learn from him, and know that I’ll take all the advice I can.”

Donald’s longtime former teammates are speaking the loudest. Former Rams defensive lineman Michael Brockers, perhaps Donald’s closest friend on the team for seven years, said on a podcast that he has “knowledge that others might not have…. My guy is staying ready so he doesn’t have to get ready.”

And even while kidding, Kupp couldn’t help but say out loud what many Rams followers are thinking.

“I love Aaron, he’s such a good football player, great dude,” he said. “I loved taking the field with him in L.A. I don’t know what’s going to happen. That would be crazy. He’s a very, very good football player.”

Kupp laughed again.

“I don’t care how old he is, how long he’s not played, Aaron Donald is Aaron Donald. But it doesn’t matter because I told him he can’t.”

PARIS — Acclaimed Iranian-French cartoonist and filmmaker Marjane Satrapi, a prominent advocate for women’s rights, has died at 56, the French presidency said Thursday.

“Her passing marks the loss of a leading figure of French culture and an artist devoted to freedom, whose work carried a universal message and earned her immense international acclaim,” the French presidency said in a statement.

President Emmanuel Macron and his wife “pay tribute to a remarkable artist who transformed an Iranian childhood into a universal fable,” the statement said.

News broadcaster BFM TV and other French media reported Satrapi has “died of sadness” a little over a year after the death of her husband, Swedish film producer and actor Mattias Ripa, according to a statement from people close to the artist.

The French Academy of Fine Arts, of which she was a member, expressed its deep sadness in a social media statement, paying tribute to “a passionate advocate for cinema and film education” who earlier this year created a foundation to help international students come to Paris to study film.

Satrapi is best-known for her monochrome autobiographical comic book and film “Persepolis,” a coming-of-age tale set against the Islamic Revolution in her native Iran.

“Persepolis” won the Film Critics Grand Prix at the Cannes Festival in 2007 and the César Award for adapted screenplay in 2008, in addition to being nominated for animated feature at the 2008 Oscars.

The film, which details her life in Tehran as the willful daughter of intellectual Marxists, is a reminder that Iranians are just like everyone else, Satrapi told The Associated Press in a 2007 interview in Cannes.

“What we wanted to say is, if these people scare you, look closer: They have parents, they have lovers, they have hope, they have stories,” she said.

Iranian authorities at the time protested the movie’s inclusion at Cannes, sending a letter to the French Embassy in Tehran.

Satrapi was born on Nov. 22, 1969, in Rasht, Iran, but her parents sent her to Vienna, Austria, in 1983 to finish her studies because of the extremism in their country following the 1979 Revolution that brought Ayatollah Khomeini to power.

But Satrapi, who found Austria hostile and who desperately missed her parents, returned to Iran in 1989 to attend Tehran University, where she earned a degree in visual communications.

By the time she graduated, Satrapi decided she finally was ready to leave Iran and accept the opportunities her parents had been so desperate to give her a decade before. In 1994 she moved to France. She studied in Strasbourg and later moved to Paris.

Her graphic novels also include “Broderies” (“Embroideries”) and “Poulet aux prunes” (“Chicken with plums”), which also was adapted into a film. As a filmmaker, she has directed several works including “La Bande des Jotas” (“The Gang of Jotas”) and “Radioactive” (“Madame Curie”), a biography about the Polish physicist Marie Curie.

Satrapi in 2023 coordinated the book “Femme, vie, liberté” (“Woman, Life, Freedom”) together with a group of artists and academics to illustrate the revolts that occurred in Iran after the death of Mahsa Amini in 2022 at the hands of the so-called “morality police.” The work denounces the repression and lack of human rights that Iranian society, especially women, suffers at the hands of the Iranian regime, the foundation said.

Satrapi was elected member of the French Academy of Fine Arts in 2024. She also was offered France’s highest award, the Legion of Honor, that same year but declined it, arguing France was not doing enough to support Iranian people fighting for democracy.

“Supporting the women’s revolution in Iran cannot be reduced to photos or speeches,” she wrote in a January 2025 letter to French authorities. “When people are fighting for democracy, we should support them.”

In 2024, Satrapi won the Princess of Asturias Foundation award in Spain for communication and humanities. The organization said she was “an essential voice in the defense of human rights and freedom.” The judges described her as “a symbol of civic engagement led by women.”

Satrapi’s husband, Ripa, died in April 2025 at 53. On her Instagram page, only one message was left in a series of posts: “Because I have lost the love of my life.”

A waterfront amphitheater roughly twice the size of the Greek Theatre and two-thirds the size of the Hollywood Bowl is set to open this week in Long Beach — and there’s a lot riding on its success.

City leaders hope F&M Bank Amphitheater of Long Beach, located next to the famed Queen Mary, will supplant declining revenues from oil extraction and lead to an uptick in tourism. Concert promoters, meanwhile, see it as filling an important gap in Southern California’s music venue market.

The temporary amphitheater, which has a maximum capacity of 11,000, is meant to be a precursor to a permanent “Long Beach Bowl,” which is being pitched as the largest waterfront venue on the West Coast. The site opens June 6 with a performance by native son Snoop Dogg, and is expected to last for up to 10 years.

The new amphitheater represents a years-long dream of Mayor Rex Richardson, who began championing an outdoor performance venue on the waterfront in 2023. Soon after the closure of Irvine’s FivePoint Amphitheatre in October of that year, he accelerated those plans by proposing this facility. The general feeling was that Irvine’s loss could be Long Beach’s gain.

“This will be a place where memories are made, where music brings people together and where our city shows up on the big stage,” he said during a January groundbreaking. “The amphitheater represents direction to invest in our city’s future, to embrace our creative economy [and] to shape how people experience Long Beach for generations to come.”

Good vibes by the water is the driving energy behind the temporary venue.

(Eric Thayer / Los Angeles Times)

While Los Angeles and Orange County have no shortage of cavernous indoor arenas, the region has recently lacked a proper “summer shed” capable of hosting many national amphitheater tours, said Nick Storch, head of global artist development for booking agency Independent Artist Group. Those tours typically play venues larger than the Greek, Irvine’s Great Park Live or Costa Mesa’s fairgrounds-adjacent Pacific Amphitheatre, but smaller than the Hollywood Bowl.

Such tours, Storch said, are of “massive” importance to the concert industry. “With amphitheaters, it’s not just the music — it’s the experience of being outside and watching a concert, getting a bite to eat with your friends and all those kinds of things,” said Storch, whose agency’s clients Motley Crue and Five Finger Death Punch will perform at the F&M Bank Amphitheater in September.

“FivePoint was a great venue to help artists that are in that in-between stage, and not fully ready for arenas,” he said. “Long Beach having an amphitheater is going to grow the market again.”

Amphitheaters are also crucial to veteran artists with established fan bases. The long-running hard rock band Tesla — who also will perform at the F&M Bank Amphitheater in September — has not played a show in Los Angeles or Orange counties since the closure of FivePoint, which hosted the group twice.

Brian Wheat, the band’s bassist and manager, said he’s excited the new venue will help change that. “Sheds are great in the summertime, and outdoor summer gigs always create a great atmosphere for both bands and fans,” he said.

Much like the F&M Bank Amphitheater, FivePoint Amphitheatre was designed to serve as a temporary venue following the closure of Irvine Meadows Amphitheatre, which operated from 1981 to 2016. (From 2000 to 2014, it was known as Verizon Wireless Amphitheater.)

At 11,000 seats, the amphitheater is roughly two-thirds the size of the Hollywood Bowl. Its permanent replacement will be “architecturally iconic,” said Mayor Rex Richardson, while this temporary version is likened to a “summer shed.”

(Eric Thayer / Los Angeles Times)

From its opening in October 2017 until its closure, FivePoint hosted nearly 500 concerts, including artists such as KISS, Dave Matthews Band, Charlie Puth, Morgan Wallen and Luke Combs.

Venue operator Live Nation — which manages more than 300 facilities across the country — initially hoped to build a permanent amphitheater nearby, but scrapped those plans in 2023 after the Irvine City Council ended negotiations. Soon after, Live Nation announced the venue would shutter.

After learning of Live Nation’s fallout with Irvine, Richardson and members of his economic development team attended the final FivePoint concert, a performance by the Zac Brown Band, to “explore the feasibility if we were to do the same thing.”

Three months later, Richardson announced plans to build a temporary amphitheater in Long Beach to bridge the gap until a permanent facility — which he envisions as an “architecturally iconic and significant” waterfront venue akin to San Diego’s Rady Shell at Jacobs Park — can be permitted, financed and constructed.

The site’s location is central to its appeal, said Dan Hoffend, executive vice president of North American venues for Legends Global, the operator for F&M Bank Amphitheater. “If you sit in the very top row — what you would consider the worst seat in the house — it’s a spectacular view,” he said. “The Queen Mary is sitting there in all its glory. You’re looking across the harbor. What would be perceived as the worst seat is actually the best seat because you see it all.”

Long Beach Mayor Rex Richardson, left, and amphitheater general manager Tra Jones sit in the stands. Even from the nosebleeds, you still have a view of the waterfront at the F&M Bank Amphitheater.

(Eric Thayer / Los Angeles Times)

Tra Jones, general manager of the new amphitheater and a Long Beach native, said he’s striving to make it feel less stopgap and utilitarian than FivePoint.

“It doesn’t have a temporary feel at all,” he said. “We looked at all our surroundings and said, ‘What does this look like from a stylistic point of view?’ We leaned into the port/SteelCraft vibe — a very cool industrial look. When you walk in, you’re experiencing a vibe. That’s what we want to resonate with concertgoers coming here.”

The word “vibe” also pops up frequently in conversation with Richardson. Under his watch, Long Beach recently started branding itself as “Vibe City,” which he said is an attempt to encapsulate the charm of L.A. County’s second-largest city, and the state’s seventh-largest.

“Long Beach is special, but it’s hard to explain why if you haven’t been here,” he said. “Because you have to experience it for yourself, the best way to describe it is that it’s a vibe.”

Still, Richardson is aware that vibes can only go so far. During an April meeting with residents of downtown Long Beach, attendees were more interested in discussing homelessness and a recent uptick in traffic fatalities than how a new concert venue might add to the city’s cultural cachet. Some downtown residents have circulated a petition regarding noise-related concerns.

“The job of the mayor is to meet the needs of your residents today — keeping a roof over your head, making sure it’s safe to walk down the street, making sure you have access to amenities and services in your community — but also to think about the future,” he said.

That means finding a way to offset revenues from oil extraction, which currently finance many municipal services, and are projected to drop from more than $50 million annually to around $21 million by 2035. According to Richardson, the new amphitheater — managed by Legends Global, but owned by the city — will help cover that shortfall. The venue is projected to be profitable within five years and generate nearly $29 million in revenue by 2036.

Oil revenues, which pay for city services, are projected to drop by more than half. The amphitheater is being pitched as a budget gap solution.

(Eric Thayer / Los Angeles Times)

“We were fortunate that revenue from oil provided a lot of our services and built our beautiful waterfront, but as California moves away from oil production, we have to plan a more sustainable future by investing in what we know will be here in the long haul,” Richardson said. “In order to do that, we have to invest in arts and culture and tourism.”

Richardson is betting on music at a time when other cities — including Los Angeles — are doubling down on sports, warehousing or data centers. The amphitheater is also meant to remind the world of the city’s impact on pop culture.

From War to Warren G and Sublime to Snoop, Long Beach has a rich musical history. The city hosted the first concerts by the Beach Boys and No Doubt, while Rock & Roll Hall of Famers Elvis Presley, the Eagles and Iron Maiden all graced the stage of the Long Beach Arena.

While that venue currently holds more conventions than concerts, Long Beach has hosted notable outdoor music festivals in recent years, including Warped Tour, Day Trip and Dreamstate. Richardson believes the success of those events helped prove the city’s viability as a concert destination.

“This is the first step toward a legacy of leaving our city in a more economically resilient position,” Richardson said. “At every big turn in our city’s economy, we’ve leaned on arts as a way forward, and this is no different.”

Even the bleacher seats represent Long Beach pride at F&M Amphitheater.

(Eric Thayer/Los Angeles Times)

Three years ago, Mattel Inc. struck box-office gold — or rather, pink — with the billion-dollar success of “Barbie.”

In its first return to theaters since the female-forward phenomenon, the El Segundo toymaker is turning to the brawny He-Man for another box-office lift.

Its latest film, “Masters of the Universe,” opens this weekend, as Mattel looks to build on that previous success and continue extending its signature toy brands into the entertainment arena.

“The movie is very much in tune with culture,” said Mattel Chief Executive Ynon Kreiz. “Everything is much more contemporary relative to what was created more than 40 years ago, but it’s still very true to the origin story and to the DNA of the brand.”

The new film arrives at a pivotal time for Mattel, which is facing pressure from investors to grow its business. The maker of Hot Wheels, American Girl and Uno has recently confronted a challenging market for toys, beset by tariffs on goods produced overseas and weaker-than-expected demand for Barbie dolls and Fisher-Price preschool products.

Amid uncertainty in the toy market and the fallout from tariffs, Mattel’s net income dropped 25% to $398 million in 2025. And since the company announced disappointing holiday sales totals in February, its stock has dropped more than 30%, closing at $14.34 on Wednesday.

“Masters of the Universe” toys at Mattel headquarters in El Segundo.

(Myung J. Chun / Los Angeles Times)

The share price slide prompted investor Southeastern Asset Management to send a letter last month to Mattel leadership suggesting the toy maker should sell itself and go private. Southeastern manages about 4% of the company’s stock on behalf of its clients.

“The frustration among investors has been the fact that if you look at the business from 2021 through 2025 and even this year … the business really hasn’t grown,” said Eric Handler, a Roth Capital senior media and entertainment analyst, referring to Mattel. “This is a company that needed something fresh in the portfolio, and there’s a wide range of investments being made, of which ‘Masters of the Universe’ is one part.”

Kreiz pushed back on the idea that the company is not growing. In the fourth quarter of 2025, net sales were up 7% to $1.8 billion, though the result was not as strong as the company expected.

Mattel has spent $1.2 billion in the last three years to buy back shares, with an additional $1.5-billion share repurchase planned for the next three years.

“We’re investing in our own stock because we believe it is undervalued,” he told The Times in an interview at his office, which has floor-to-ceiling windows that give an expansive view of El Segundo. “We absolutely agree that the share price doesn’t reflect the progress that we’ve achieved over the last few years financially, operationally, our place in culture, the strength of our brands, and the continued expansion of the business. And more importantly, the potential that we have down the road.”

“Masters of the Universe” is a key variable in that equation.

Ynon Kreiz, chief executive of Mattel.

(Myung J. Chun / Los Angeles Times)

The movie, which had a budget of roughly $170 million, is expected to bring in $25 million to $35 million in the U.S. and Canada during its debut weekend. That’s a far cry from the $162-million opening haul of “Barbie,” but box-office analysts say that film captured the cultural zeitgeist in a way that’s hard to replicate.

The ‘80s-era “Masters of the Universe” is “a property that was famous with a certain group of fans, but it hasn’t had much of a pop culture presence,” said Shawn Robbins, who directs movie analytics at Fandango and founded the forecasting site Box Office Theory. The movie has notched a respectable 74% approval rating from critics on aggregator Rotten Tomatoes.

“There’s been so many callbacks to nostalgic franchises,” he said. “Some people are always on board for them, and maybe the positive reviews bring people in who were on the fence. But people are also ready for something fresh and new and exciting.”

Kreiz said he’s often asked how the company will match the success of “Barbie.”

“The answer is, we don’t need to match ‘Barbie’s’ success for movies to have a meaningful economic impact on the company,” he said. “Not every movie will be ‘Barbie.’ If we create quality content that people want to watch and create quality experiences that people are engaged with, good things happen, and these brands will resonate and will be here for years to come.”

While theatrical revenue is important, the measure of success for “Masters of the Universe” could also include its eventual reception on streaming platforms and, of course, toy sales, analysts said.

There are hundreds of products tied to the movie, from collectible action figures of Nicholas Galitzine’s He-Man and Camila Mendes’ Teela, to branded Uno decks, Legos, clothing and skateboards.

Skeletor from “Masters of the Universe.”

(Myung J. Chun / Los Angeles Times)

“For us, it’s a huge win already,” said Robbie Brenner, president of Mattel Studios and chief content officer, who also served as a producer on the film. “We have reinvigorated and relaunched this brand that has been around for decades … and done it in a way with just the best-in-class toys. Obviously that’s our bread and butter. And then to have made an epic, incredible movie … is a huge win.”

While Mattel does not yet have sales totals for its “Masters of the Universe” toys, executives said during an earnings call in late April that product sales were “growing double digits” amid strong customer demand, particularly from adults.

When Kreiz was named CEO in 2018, he saw the potential for Mattel to expand beyond toys. In an entertainment landscape dominated by known franchises and intellectual property, the former TV and media executive wanted to leverage the company’s IP in new ways to attract consumers.

Hence, Mattel has expanded into real-world experiences such as a Barbie pop-up at Coachella or a traveling Hot Wheels monster truck show. In February, the company fully acquired Mattel163 mobile game studio after buying out a stake held by Chinese tech firm NetEase. The studio has released games based on Uno, Skip-Bo and other Mattel intellectual property.

And on the film and television front, the Mattel Studios division now has 51 people — most of whom are based in El Segundo — focused on projects across platforms.

After “Masters of the Universe,” Mattel Studios plans to release a “Matchbox” streaming movie in October. The division has more than a dozen films in development that have been announced, including an American Girl movie with Paramount, Polly Pocket with Amazon MGM Studios, as well as a live-action Magic 8 Ball series from M. Night Shyamalan.

“The journey for the company was to evolve from being a toy manufacturer that was making items to become an IP company that is managing franchises,” Kreiz said. “It’s not that we’re not creating toys — it’s obviously a big part of our business — but the opportunity is to expand so much more than the physical product.”

“Masters of the Universe” was in development for years at several different studios before it was picked up by Amazon MGM.

That partnership stemmed from Mattel’s work on the “Barbie” movie with Courtenay Valenti, then president of production and development at Warner Bros. Pictures who is now head of film at Amazon MGM.

“Masters of the Universe” felt like a good property for Mattel to bet on because of its nostalgia factor and deep bench of colorful characters, from the green tiger Battle Cat to the heavily armored Ram Man and ever meme-able Skeletor, which the company hopes will attract new audiences, Brenner said.

The movie is directed by Travis Knight — chief executive of stop-motion studio Laika who also led the 2018 “Transformers” spin-off “Bumblebee” — who Brenner said “nailed” the narrative’s tone. (It didn’t hurt that Knight was already a fan of the franchise and had sported the He-Man haircut as a child.)

“It’s a property that’s kind of out there,” said Brenner, who grew up watching He-Man and his twin sister She-Ra. “It’s got all these crazy characters. But just riding that line between what is funny and kind of irreverent and then kind of heartfelt, that is a very hard thing to put in a blender and to get right.”

In recent months, the iconic ticking stopwatch of the CBS News magazine “60 Minutes” began to sound like a time bomb.

The explosive detonated Tuesday as the prestigious program’s most high-profile correspondent, Scott Pelley, was fired after openly challenging the moves and motives of the news division’s leadership and questioning the credentials of new “60 Minutes” executive producer Nick Bilton.

Pelley accused CBS News Editor in Chief Bari Weiss of “murdering” the program and berated Bilton, a former New York Times journalist, for lacking TV news experience. His forced exit along with the departure of several other veterans is raising fears about the future of the most-watched TV news program that has managed to retain its vitality and importance in the face of major changes across the media landscape.

Weiss praised Pelley’s contribution to the network when she discussed his termination at the network’s morning editorial meeting Wednesday, but cited a loss of “trust and mutual respect” as the reason for moving on.

“We cannot do our work without it,” Weiss said. “That foundation was broken on Monday, and despite our attempts to engage with Scott Pelley and to find a way back, unfortunately we weren’t able to do so, and so we had to part ways.”

But industry veterans familiar with “60 Minutes” said the firings represented a notable shift in how the venerable program has been run by its predecessors.

Rome Hartman, a former longtime “60 Minutes” producer, said Wednesday in an interview that the termination of Pelley for forcefully expressing his views at a staff meeting is a fundamental misunderstanding of how the program has operated and thrived over 58 years. Spirited, and occasionally acrimonious, internal debate has always been a part of working at “60 Minutes.”

“Sharp words in defense of important ideas, whether they be in stories, or whether they be about the future of the broadcast, shouldn’t just be tolerated, they should be encouraged and inculcated, and they always have,” Hartman said.

The insularity of the “60 Minutes” operation — which has its own suite of offices across the street from the main headquarters of CBS News — has rankled the network’s executives in the past. But those dynamics were considered part of the price of having the most prestigious news program on television.

“Every single CBS News president in the history of CBS News has resented the independence of ’60 Minutes,’” Hartman said.”But the smart ones have come to understand that that independence is part of the secret sauce. I don’t know Bari Weiss, but she seems incredibly thin-skinned.”

The turmoil inside “60 Minutes” comes at an inopportune time for CBS. Weiss is now under the gun to replenish the program’s staff with three months to go before original episodes return to the prime-time schedule.

Pelley is the fourth correspondent to depart “60 Minutes” since Weiss took over as editor in chief. Last week, Weiss fired correspondents Sharyn Alfonsi — who accused Weiss of playing politics by holding a story on the government’s use of El Salvador prisons for undocumented migrants — and Cecilia Vega, who was also outspoken in her criticism of the changes at “60 Minutes,” saying she faced censorship. Anderson Cooper, the CNN anchor who spent nearly 20 years as a contributor to the program, chose not to sign a new contract.

Weiss also fired executive producer Tanya Simon, who has been with the program for 25 years, and her second in command. (Pelley said he was unable to get answers on the firings during his final meeting Tuesday with Weiss and CBS News President Tom Cibrowski.)

Bari Weiss hosts Senator Ted Cruz on her “Honesty” podcast on January 18, 2025, in Washington, D.C.

(Leigh Vogel / Getty Images for Uber, X and The Free Press)

And there could be more departures on the way, adding to the upheaval. Bill Whitaker, who joined the program in 2014 and was a Pelley ally, is said to be weighing whether to walk away from the two years left on his current contract. The program’s respected veteran , Lesley Stahl, is pondering her future as well amid the massive changes, according to people familiar with her thinking who were not authorized to speak publicly.

The call is out for new talent, according to one agent who said CBS News is talking to “dozens of people” for the openings.

But the company will also look within its ranks. Matt Guttman, hired away from ABC News by Weiss to become senior national correspondent, is one name being mentioned, along with Major Garrett, the network’s chief Washington correspondent. Both have emerged as favorites of Weiss.

Norah O’Donnell, already a contributor to the program, is also likely to have a larger presence.

While the “60 Minutes” patina has been tarnished by the recent events, there is no shortage of journalists who would be willing to step up and join the program. But whoever does sign on will be intensely scrutinized while the Nielsen numbers are closely watched.

Newcomers on the program are rare and would have an easier time gaining audience acceptance if they were joining a stable operation.

Although every long-running TV program can use an occasional refresh, a massive overhaul is destabilizing for “60 Minutes,” one of the last non-sports appointment programs for the traditional television audience that still provides broadcast networks with the bulk of their advertising revenue.

Notably, the program averaged 9.1 million viewers during the 2025-26 TV season according to Nielsen, up 9% over the previous year.

“Viewers liked the ’60 Minutes’ that they had,” said a former CBS News executive who worked on the program who was not authorized to speak publicly. “And if they don’t like it, they have many other places to go.”

One of Weiss’ mantras — echoed by Bilton — has been the need to pull “60 Minutes” into the digital future as traditional TV viewing declines. Insiders say she has yet to make clear how that will be achieved.

Under Weiss’ watch, clips and full segments of the program gained significant traction on platforms such as YouTube. The success on digital is an encouraging sign for the program’s ability to attract younger viewers who don’t watch traditional talent.

But veteran TV executives say that loyal “60 Minutes” viewers still expect to see seasoned correspondents delivering in-depth investigations and analysis. A diversion from that formula poses substantial risks.

“Its audience has certain expectations,” said Jim Murphy, a former executive producer for CNN and CBS News. “These guys built a literally nearly perfect program for the medium and for the audience. You’re not going to make it better just because somebody cooler does a story that’s, like, a little funkier. It just not going to work.”

Steve Capus, a veteran network producer who worked with Pelley at the “CBS Evening News,” said his former colleague was built for the meticulous work that goes into every “60 Minutes” segment.

“It’s hard to do week in and week out,” Capus said. “You have to be first-rate in your storytelling.”

What’s more, Weiss and Bilton will also have to fight the perception that their moves on the program have been guided by the desire of David Ellison, chief executive of CBS News parent Paramount, to please the Trump administration as he seeks regulatory approval of his deal to acquire Warner Bros. Discovery.

Trump sued “60 Minutes” over the editing of an interview with his 2024 presidential opponent, former Vice President Kamala Harris. The suit was settled just ahead of the Federal Communications Commission clearing the way for the takeover of Paramount by David Ellison’s Skydance Media.

Ellison acquired Weiss’ digital startup, the Free Press, which established itself as a voice critical of so-called woke politics.

Pelley said in a statement Tuesday that there has been pressure to shape CBS News coverage to please the Trump White House, a claim that both Vega and Alfonsi have made.

“I’ve been told to include assertions that are unverified,” he said. “To date, in every case, I have ignored these instructions or refuse them.”

In a statement, a representative of “60 Minutes” said that the exchanges with Pelley regarding editorial content were not out of the ordinary.

“There is no political interference at CBS News, not from ownership, not from Bari Weiss,” the representative said. “The only ‘interference’ is the normal back and forth between editor and correspondent that happens in every newsroom.”