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SACRAMENTO — As Democratic leaders in California challenge President Trump’s latest effort to restrict the use of mail-in ballots, they also must grapple with a troubling development in the last election.

A significant number of mail-in ballots arrived too late to be counted in the Nov. 4 special election for Proposition 50, Gov. Gavin Newsom’s successful measure to reconfigure the state’s congressional districts, according to state data.

Ballots came in late at an average rate four times higher than that of the 2024 election, with rural counties seeing some of the biggest increases, according to a Times review.

“Something changed,” said Melvin E. Levey, who heads the Merced County Registrar of Voters. “We don’t like seeing late ballots and if someone has made the effort to vote, we want to count it.”

Merced saw almost a sevenfold increase in late-arriving mail ballots in the November election compared with the year before.

Vote-by-mail ballots are considered late if they are not postmarked on or ahead of election day or do not arrive within seven days of election day.

The issue appears to be linked to the U.S. Postal Service, which last year reduced the number of trips to pick up mail at post offices in mostly rural areas. Election officials warned before Nov. 4 that the Postal Service changes could delay the postmarking of ballots and lead to votes not being counted.

During the Nov. 4 election in California, an average of 8 out of every 1,000 vote-by-mail ballots were rejected by counties because they arrived too late, according to Secretary of State data. In the 2024 general election, which included the presidential race, an average of 2 of every 1,000 vote-by-mail ballots were rejected for being late.

In Kern County, for example, 3,303 mail-in ballots — or 1.95% of returned mail-in ballots — were not counted in the 2025 special election because they arrived too late. In 2024, that number was 332 — or 0.14%. And in Riverside County, 5,831 ballots — or 0.95% of those mailed in — were deemed too late to count, more than double the number of late ballots rejected in 2024.

Postal Service spokesperson Cathy Purcell recommended that voters mail their ballot a week in advance of when it must be received by election officials to ensure it arrives on time.

“You should never be mailing your ballot on election day,” Purcell told The Times.

Before last’s year’s special election, California Secretary of State Shirley Weber issued a similar warning about the delays. Anyone dropping off their ballot at a post office on election day should get it postmarked at the counter, she said.

“We don’t want anyone to just toss it into the mailbox as we have been able to do in the past and have it counted,” she said. “The Postal Service has said that they may not be counted in certain areas.”

California voter data expert Paul Mitchell expressed astonishment about the Postal Service’s guidance.

“We’ve had six, eight years of elections where people were feeling confident about mailing in their ballot,” said Mitchell, vice president of the voter data firm Political Data Inc. “Now the USPS is saying they have to mail it in a week early.”

“That is a dramatic change that can disenfranchise voters who are just following the same pattern that they’ve used in prior elections,” he added.

Democrats have been defending the vote-by-mail system in the face of Republican attacks. Trump recently signed an executive order to impose federal restrictions on mail-in ballots and, without evidence, has long criticized mail-in ballots as a source of fraud and a factor in his 2020 election loss to Joe Biden.

The Nov. 4 special election on Proposition 50 was the Democrats’ attempt to counter Trump’s push for Republican-led states, most notably Texas, to redraw their electoral maps to keep Democrats from gaining control of the U.S. House of Representatives in the 2026 midterms and upending his agenda. The ballot measure overwhelmingly passed.

Nearly 89% of votes in the Nov. 4 election were vote-by-mail ballots, according to Weber’s office. In addition to Proposition 50, tax measures were also on the ballots in some counties.

Postal Service changes

About a month before the Nov. 4 election, Weber and Atty. Gen. Rob Bonta held a news conference to encourage California voters to vote early because of service changes at the U.S. Postal Service.

Bonta told reporters that voters living 50 or more miles from six large mail processing centers in urban areas who mailed their ballots on election day would not have those ballots postmarked in time. The centers are in Los Angeles, Bell Gardens, San Diego, Santa Clarita, Richmond and West Sacramento, according to Bonta’s office.

The changes at the U.S. Postal Service are part of a 10-year plan that kicked off several years ago aimed at improving services and reducing costs at the independent federal agency.

In the 17 counties that are mostly or entirely within the 50-mile distance from the mail facilities, the average rate of late ballots doubled in the November 2025 election compared with the election the year before — from 2.5 per 1,000 ballots received in 2024 to 5.6 per 1,000 in 2025.

But in counties that are entirely or mostly outside of the 50-mile radius, the average rate of late ballots quadrupled — from 2 per 1,000 ballots received in 2024 to 9.3 per 1,000 in 2025, state election records show.

Similar complaints about late ballots because of the mail changes have been reported in other states, including in Snohomish County, Wash., according to the New York Times.

The U.S. Postal Services told the Times that there are “any number of factors” that may affect the timeliness of mail.

“The Postal Service has successfully delivered America’s election mail, and we are confident that we will do so again this year,” spokesperson Nikolaj Hagen said. “We rely on long-standing, robust and tested policies and procedures, which have proven successful in the secure and timely delivery of election mail.”

Hagen added that “adjustments to our transportation operations will result in some mailpieces not arriving at our originating processing facilities on the same day that they are mailed.”

Postmarks are generally applied at those processing facilities, Hagen said, so the postmark date may not reflect the date the mail was collected by a letter carrier, dropped off at a retail location, or placed in a collection box.

While the U.S. Postal Service uses postmarking as an internal tool to track the place and date the mail was accepted, outside entities also use the postmarks for their own purposes, including the Internal Revenue Service, which requires federal tax returns to be mailed by April 15.

Several U.S. senators, including Sen. Alex Padilla (D-Calif.), sent a letter in January to USPS Postmaster Gen. Dave Steiner warning that changes to postmarking will make it more difficult for people, particularly those in rural areas, to vote by mail and pay tax bills on time.

On Tuesday, Trump signed an executive order that seeks to put new federal controls on voting by mail in states, repeating his long-held but unsubstantiated claim that mail-in ballots are a source of widespread fraud in U.S. elections.

The order directs the U.S. Postal Service to take control of mail balloting by designing new envelopes with special bar codes that will allow the federal government to ensure that such ballots go out only to eligible voters.

States must follow the USPS process if they plan to use the federal mail system for sending or receiving ballots. They also must submit to the USPS lists of eligible voters in advance of such ballots passing through the mail system.

Separately, the Republican National Committee is challenging a Mississippi law that allows ballots that arrive up to five days after election day to be accepted and counted. The case was argued before the conservative-leaning U.S. Supreme Court in March.

Times staff reporter Kevin Rector contributed to this report.

The Angels celebrated their 2026 home opener on Friday, and the fans booed the ceremonial first pitch.

Magic Johnson, the Dodgers’ co-owner and the foremost winner in Los Angeles sports history, threw out the ceremonial first pitch before the Dodgers’ opener. Jeff Kent, just elected to the Hall of Fame, did the honors for the San Francisco Giants.

In Anaheim, John Carpino tossed the first pitch, even with popular alumni such as Torii Hunter and Tim Salmon in the house. Carpino is the Angels’ president, retiring Monday after 16 years in that role and 23 years in all as a loyal executive under Angels owner Arte Moreno.

Moreno thought it would be lovely for Carpino to throw out the first pitch and, under different circumstances, it would have been.

The fans can deal with the aging stadium, the recent lack of marquee signings and the longest playoff drought in the major leagues, but not with Moreno’s spring comment to the Orange County Register that surveys show affordability is the fans’ top priority and “believe it or not, winning is not in their top five.”

So Carpino, as a proxy for Moreno, was booed loudly. Then a few modest choruses of “sell the team” broke out.

Behind the Angels’ dugout, Dave and Chris Bloye of Upland wore red T-shirts. His shirt listed five priorities, in order: Affordability, good experience, safety, peanuts, fan surveys. Her shirt listed five priorities too, starting with “sell the team.” The Bloyes said they have had season tickets for more than 20 years.

“We’ve never had a survey,” Chris Bloye said.

Moreno is competitive, a hardcore fan who regularly attends even spring training games. Perhaps he did not mean his words to come out the way they did.

Moreno declined an interview request from The Times at the owners’ meetings in February. A team spokesman said last week that Moreno would pass on an opportunity to clarify his remarks about fan priorities.

But, if those were indeed the priorities, they would have been reflected by the fans that showed up more than six hours before game time for the free fan festival the Angels throw before the home opener every year.

Surely, the man in the jersey that read “FAN SINCE 81” and the Angels tattoo on his left leg would be here win or lose.

Angels fans stand in front of the stadium before the team’s home opener against the Seattle Mariners on Friday night.

(Ronald Martinez / Getty Images)

Yes, Jose Bocanegra of Chino said, he would be. But for Moreno to say winning was not a top fan priority?

“That’s crazy,” Bocanegra said. “If you’re not in it to win it, then what are we doing?”

How about the fan in the Nolan Ryan jersey? He held his 7-year-old daughter atop his shoulders. She wore a Mike Trout jersey, smiled broadly, and clutched a cup of ice cream.

His name was Nate Ryan, from Hemet. He and his daughter attend Dodgers and Angels games, but they particularly like visits to Angel Stadium. His daughter loves the rally monkey and the free games in the Pac-Man arcade, and he appreciates Moreno’s focus on affordability.

“The Angels are more economical,” Ryan said. “We have a good time.”

At Angel Stadium, $44 gets you four tickets, four hot dogs, and four drinks. At Dodger Stadium, $45 gets you a parking space.

Ryan had one more thing to say.

“I’d like to see a new owner,” Ryan said.

Jarod Venegas of Corona dressed in a white wrap, wearing a red cap topped by a gold halo. He was about to spend nine innings as — you guessed it — an angel in the outfield.

“I believe we have a team that can be the best,” he said.

What exactly do you mean by best?

“I mean World Series champions,” he said.

Venegas had something to say about fan priorities.

“Winning is our No. 2 priority,” he said. “No. 1 is getting a new owner.”

Johnny Estrada of Corona wore a T-shirt with eight lines on the back. All eight lines read the same: “Sell the team.”

He said he loves the team, supports the players, and does not believe Moreno chose his words poorly.

“I don’t necessarily feel it came out wrong,” Estrada said. “I feel he hasn’t cared for a while.”

Anaheim Mayor Ashleigh Aitken, who remains irked by Moreno branding the team with a Los Angeles name, has been a season-ticket holder far longer than she has been mayor. She’ll give Moreno a pass on his comments.

“I think it was a misstep,” Aitken said. “I’m willing to give him the benefit of the doubt. He knows that winning, for a true fan, is one of the most important things. Winning is a priority for our players. Winning is a priority to the loyal fan base.”

Even more so, perhaps, to the casual fans, the ones that determine whether the Angels sell three million tickets in any given year.

The Angels sold 2.6 million tickets last year, a testament to the strength of the market amid a second consecutive last-place finish.

The “Big A” sign outside Angel Stadium on Friday during the team’s home opener.

(Ronald Martinez / Getty Images)

However, attendance has fallen 20% over the past 20 years, a span that includes one postseason series victory and the current streaks of 10 seasons with losing records and 11 seasons without a playoff appearance.

Friday’s home opener was sold out. However, as of Friday afternoon, resale markets listed tickets for as little as $7 for Saturday’s game and $4 for Sunday’s game.

This is a great fan base, to me much more frustrated than angry, waiting to erupt in joy. The fan festival was dominated by fans wearing “sell” jerseys but a variety of Trout jerseys — home white, road gray, alternate red, City Connect, All-Star, World Baseball Classic, even one from the Salt Lake Bees.

Trout’s loyalty has been reciprocated by the fans. Moreno could feel that love too, with a renewed commitment to the excellence the Angels he displayed in his first decade as owner.

In 2002, the year before Moreno bought the team, the stadium was rocking with thunder sticks as the Angels won the World Series. Thunder sticks are so loud that they were banned at the World Baseball Classic finals, even as drums, trumpets and cowbells were permitted.

In Anaheim, the thunder sticks were glorious. Moreno does not want to sell at the moment, so best to demonstrate a dedication to returning October to the Angels’ schedule, lest their fans take home their giveaway calendars from the home opener and start the countdown to “wait ‘til next year.”

James Gadson, a prolific drummer who worked closely with Bill Withers and as a member of the widely sampled Watts 103rd Street Rhythm Band — and whose playing motored hits like Diana Ross’ “Love Hangover,” Marvin Gaye’s “I Want You” and Gloria Gaynor’s “I Will Survive” — died Thursday, according to Rolling Stone. He was 86.

Rolling Stone didn’t say where Gadson died or specify a cause but said the drummer’s wife, Barbara, had confirmed the news; she told the magazine that Gadson had experienced a fall recently and undergone surgery.

Described by the Roots’ Questlove as “breakbeats defined,” Gadson was known for a funky, laid-back style best exemplified perhaps by his playing in Withers’ 1972 “Use Me,” in which he seems somehow to keep finding space for an extra beat. Forty years later, Kendrick Lamar borrowed Gadson’s intricate rhythm pattern for “Sing About Me, I’m Dying of Thirst,” from the rapper’s 2012 breakthrough album, “Good Kid, M.A.A.D City.”

In “Love Hangover,” which topped Billboard’s Hot 100 in 1976, Gadson’s drumming anchors a production that moves from lush soul balladry to a frisky disco groove; Gaye and his producer Leon Ware got a similar thump out of the drummer for “I Want You,” which reached No. 1 on the R&B chart in 1976 and was later interpolated by Lamar for his Grammy-winning “The Heart Part 5.”

Among the many other songs from the ‘70s featuring Gadson’s playing are the Jackson 5’s “Dancing Machine,” Cheryl Lynn’s “Got to Be Real,” Smokey Robinson’s “Cruisin,’” Yvonne Elliman’s “If I Can’t Have You,” Tavares’ “Heaven Must Be Missing an Angel,” Peaches & Herb’s “Shake Your Groove Thing” and Thelma Houston’s “Don’t Leave Me This Way.” In later years he worked with the likes of Beck, D’Angelo, Paul McCartney, Justin Timberlake, Harry Styles and Sturgill Simpson.

Gadson was born June 17, 1939, and grew up in Kansas City. His father was a drummer, and when Gadson and his brother were teenagers they played in a doo-wop group called the Carpets. Gadson moved to Los Angeles in the mid-’60s following a stint in the Air Force and joined the Watts 103rd Street Rhythm Band, led by the singer and guitarist Charles Wright; the group scored hits such as “Do Your Thing” and “Express Yourself,” the latter of which N.W.A would eventually sample for its song of the same name from 1989’s “Straight Outta Compton.”

In the early ’70s, Gadson and several other Watts band members left the group and took up with Withers (who’d already broken out with “Ain’t No Sunshine”) to make his album “Still Bill.” In addition to “Use Me,” the LP spun off the hit single “Lean on Me,” which went to No. 1 and was later inducted into the Grammy Hall of Fame. Gadson backed Withers in 1972 for a concert at Carnegie Hall that was recorded for a classic live album; the record opens with a version of “Use Me” that stretches past the eight-minute mark.

Though Gadson’s crack at a solo career around the same time didn’t pan out, he quickly became an in-demand session drummer, particularly for acts signed to the Motown label, which had just moved to L.A. from its original home of Detroit. He played on Motown records by the Temptations, the Miracles, the 5th Dimension and the Supremes’ Mary Wilson; over the decades that followed, he also worked with Philip Bailey, Anita Baker, Ray Charles, Leonard Cohen, Norah Jones and Lana Del Rey.

On Friday, the jazz guitarist Jeff Parker wrote on Instagram about his experiences playing with Gadson.

“The last time we convened, he noticed me glaring at his drum kit in wonder — I knew that there had to be a LOT of history there,” Parker recalled. “He looked at me and said, ‘Jeff, that’s my disco kit.’ I said, ‘Are those the drums on “Love Hangover”?’ He nodded and said, ‘They’re the drums on a whooooole lot of records.’”

ALISON Hammond has declared she is “absolutely in love” with her boyfriend David Putman, despite their 22 year age gap, in a rare relationship admission.

The This Morning star has been dating Russian model David since 2023, but keeps their relationship fairly private.

Alison’s romance was a surprise to many due to David’s age, with her beau thought to be turning 29 next month.

However, Alison – who is a mum to 20-year-old son Aiden – has said their love transcends any age barriers in a new admission.

Addressing the difference, the TV star explained: “I completely understand why people are interested when there’s a 22-year gap, but what I find interesting is that it’s not as interesting when it’s the man who is older.”

Talking to the Daily Mail, she continued: “Why is that? I just want people to be happy for us.

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“We are absolutely in love.’

Alison’s comments comes after she revealed things were going “really, really well” for the couple back in December.

Ahead of spending Christmas together, along with her son Aiden, Alison gushed over her other half.

“Things are going really, really well,” she told the Mirror.

She continued: “He just has the most beautiful energy and everyone feels it when they’re in his presence. It’s very rare.

“I am so grateful that he chooses to spend his life with me.”

Alongside working as a model, David is a massage therapist and first met Alison when she booked in for a massage back in 2023.

Hitting it off, the pair have been going strong ever since.

While they don’t often make public appearances together, Alison has shared a handful of snaps with David to Instagram over their relationship.

Previously addressing their age gap, she assured that David’s maturity makes things work so well.

Alison told Good Housekeeping: “I can see how, on paper, you’d notice the age difference.

“Yes, I’m 22 years older than he is, but if you saw us together, you’d understand. People have said to me, ‘We get it now.’”

Melvin Edwards, a sculptor best known for abstract steel works that illustrated the history and resistance of African Americans, died March 30 at his Baltimore home. He was 88.

His death was confirmed by Alexander Gray Associates, the gallery that represents him.

Edwards rose to prominence in 1963 with the first works of what would become his most notable series, “Lynch Fragments.” A collection of small, wall-mounted sculptures, he combined fragments of found and recycled steel and welded them into forms of chains, sharp tools, barbed wire and other metal objects.

The series spans several decades, drawing inspiration from racial violence during the civil rights movement, the Vietnam War, his personal relationship to Africa, people in his own community and across the African diaspora.

Over the years, Edwards made more than 300 “Lynch Fragments.”

Recurring materials in his works held layered meanings. Barbed wire served as a symbol of violence and oppression, but also of agriculture, cultivation and survival.

“Melvin was somebody who looked at multiple dimensions of any situation or person,” said Alexander Gray, a gallery owner and close personal friend of Edwards. “He really looked at the world, not through any kind of binary lens, but through a personal lens that was respectful of other people’s perspective.”

Born May 4, 1937, in Houston, the eldest of four children, Edwards grew up surrounded by racial segregation. As a child, he took drawing classes and visited museums, and he also played football.

“The world that I came from was American racism, segregation. I may have been young, but I paid attention,” Edwards said in an introduction to “Lynch Fragments” at the Museum of Modern Art in New York.

Melvin Edwards, seen here in fellow sculptor Hal Gebhardt’s class at USC sometime between 1959 and 1960, died March 30 at his home in Baltimore.

His artistic career began while studying art on a football scholarship at USC, where he met and was mentored by Hungarian painter Francis de Erdely. Edwards’ L.A. roots were critical to his identity as an artist. Here, he began experimenting with welded steel, which became his primary medium.

After moving to New York City in 1967, he became, in 1970, the first African American sculptor to have a solo exhibition at the Whitney Museum of American Art.

Throughout his career, Edwards remained committed to public art, creating sculptures for universities, public housing projects and museums around the world.

Those who knew him described him as overwhelmingly positive, which shaped both his work and his relationships.

“Melvin’s community of artists was remarkable because it spanned the globe. You could spin a globe, land anywhere, say the name of the country or the city, and he would know three people there, minimum,” said Gray. “He could recall a conversation he had with a person 35 years ago without any hesitation. He had an incredible constellation of people that he was surrounded by.”

PHOENIX — You’d be forgiven if you thought this year’s Final Four was just a case of déjà vu.

On paper, that seems true — four No. 1 seeds who have dominated every round of the NCAA tournament arrived in Phoenix this week and they are the same four teams who reached the Final Four last year in Tampa, Fla.

Sustaining that level of success during the modern college basketball era, the four teams insist, isn’t as easy.

Connecticut doesn’t have Paige Bueckers; South Carolina doesn’t have Kamilla Cardoso; and UCLA coach Cori Close and the Bruins have a much different lineup.

“Getting here,” UConn coach Geno Auriemma said, “is the hard part.”

UCLA coach Close noted during the Sweet 16 that the work to stay competitive in this era is exhausting for coaches, and it’s only getting harder. She will have another rebuild ahead of her immediately after getting to the pinnacle of the sport during back-to-back campaigns.

The Bruins will graduate the majority of its rotation after this season, with all five starters and top bench player Angela Dugalic projected to be WNBA draft picks in April.

Does that make this a make-it-or-break-it year for UCLA?

“I think in the back of our heads, we all know that this is our last go at this,” Bruins senior center Lauren Betts said. “It’s all or nothing for all of us.

”… I think when we do play, especially around this time, you can see throughout March Madness, we come out with a certain level of urgency because it is our last year. I think [Friday], we’re going to come out with that same level of urgency from the very beginning.”

UCLA’s Lauren Betts, left, and Angela Dugalic celebrate during the second half of the Bruins’ Elite Eight win over Duke on Sunday.

(Eric Thayer / Los Angeles Times)

UCLA senior forward Gabriela Jaquez added, “We’re just fighting for more days with each other at the end of the day.”

While the Bruins will bring back some young talent in Lena Bilic and Sienna Betts and add injured senior Timea Gardiner, they will essentially have to start from scratch. That’s not so unusual in the transfer portal era, where TCU went to the Elite Eight with five starters who transferred into the program.

“It is just brutal,” Close said on Thursday. “It’s a grind and that’s why all four of us should feel really proud that we’re here. That doesn’t make us any less competitive or wanting to win a national championship. But I think it is worth pausing and going, ‘Man, it’s amazing to be in this position, especially two years in a row.’”

To build this team, Close had to get Gianna Kneepkens in the portal, get Charlisse Leger-Walker healthy after transferring last season, coax career-best years out of Kiki Rice and Jaquez, help Lauren Betts come into her own as a defender along with a dominant offensive force and support a player like Dugalic willing to come off the bench.

The other three teams have starters they can build around for years to come. The Gamecocks, arguably the most successful program of the last half-decade-plus, landed Florida State scorer Ta’Niya Latson and Mississippi State center Madina Okot in the portal during the offseason to go along with returners Raven Johnson and Joyce Edwards.

“It’s not going to magically happen,” South Carolina coach Dawn Staley said, emphasizing strong habits are key.

The Huskies, the defending national champions with a strong recruiting pipeline and unmatched success during Auriemma’s tenure, are somewhat of an abnormality to the changing of the guard in the NCAA. South Carolina has been here for six straight years — with vastly different casts — while Texas hasn’t won a title since 1986 and UCLA never has.

“To do it at the level that the four teams that are here have done at this year, and really consistently, I think all four teams that are here, the only thing harder than building it is sustaining it,” Texas coach Vic Schaefer said. “When you sustain it at the level that the teams that are here have done it over the period and the course of years, it’s really incredible.

“What it takes to live there year in and year out, it’s hard. I think that’s what Coach [Close] was talking about a couple weeks ago. Man, she wasn’t looking for any sympathy or anything. It’s just a statement, man. It’s hard. Winning at this level is hard. It is.”

It might have seemed like a given that this tournament was going to go chalk, but that doesn’t make anything automatic and it doesn’t mean UCLA will stay at the top of the podium for years to come. UConn went three years between titles, after all.

UCLA coach Cori Close instructs her players during a win over Minnesota in the Sweet 16 of the NCAA tournament on March 27.

(Eric Thayer / Los Angeles Times)

None of the four No. 1 seeds have struggled much in their respective games this tournament. The closest was UCLA’s 70-58 win over Duke, when the Bruins trailed at halftime and came back to win for the first time all season.

But UConn went eight scoreless minutes against Notre Dame in the 70-52 win in the Elite Eight. Texas and South Carolina rolled, and Texas is 16-3 against top 25 teams and has arguably the best momentum of any team left standing.

UCLA might have a path back to this spot after teams have shown how quickly they can rebuild. After all, TCU was in the Elite Eight in consecutive years after having to forfeit games due to lack of players.

But UConn will return Sarah Strong and Blanca Quiñonez, South Carolina has Edwards back and Texas has another year of Madison Booker, and other up-and-coming squads like Michigan and USC will be dangerous.

It might not be the Bruins’ last chance to win the big dance, but it might be their best ever. Getting here, after all, is the hardest part.

“I think success leaves clues for who is next,” Dugalic said. “We’re trying to leave that for the next generation of basketball, to sustain that, to show it is hard. This isn’t a nine-to-five, it’s our lives, and that’s what it takes for everyone to be here.”

NEW YORK — This is not the run up to the midterm elections that Republicans wanted.

A year and a half after winning the White House by promising to lower costs and end wars, Donald Trump is a wartime president overseeing surging energy costs and an escalating overseas conflict that many in his own party do not like.

He offered little clarity to a nation eager for answers this week during a prime-time address from the White House, his first since the U.S. and Israel attacked Iran more than a month ago, simultaneously suggesting that the war was ending and expanding.

“Thanks to the progress we’ve made, I can say tonight that we are on track to complete all of America’s military objectives shortly, very shortly,” Trump said. “We’re going to hit them extremely hard over the next two to three weeks.”

Trump’s comments come roughly six months before voters across the nation begin to cast ballots in elections that will decide control of Congress and key governorships for Trump’s final two years in office. For now, Republicans, who control all branches of government in Washington, are bracing for a painful political backlash.

“You’re looking at an ugly November,” warned veteran Republican pollster Neil Newhouse. “At a point in time when we need every break possible to hold the House and Senate, our edge is being chipped away.”

Republicans confront evolving political landscape

It’s hard to overstate how dramatically the political landscape has shifted.

At this time last year, many Republican leaders believed there was a path to preserve their narrow House majority and easily hold the Senate. Now they privately concede that the House is all but lost and Democrats have a realistic shot at taking the Senate.

Republicans are also struggling to coalesce around a clear midterm message on Iran.

The Republican National Committee has largely avoided the war in talking points issued to surrogates over the last month. The leaders of the party’s campaign committees responsible for the House and Senate declined interview requests. Many vulnerable Republican candidates sidestep the issue, unwilling to defend or challenge Trump publicly.

The president remains deeply popular with Republican voters, and he has vocal supporters like Sen. Lindsey Graham of South Carolina.

“That was the best speech I could’ve hoped for,” he wrote on social media after Trump’s address on Wednesday evening. Graham said Trump “gave the American people a clear and coherent pathway forward.”

Trump made little effort to sell the conflict to Americans before the initial attack. Five weeks later, at least 13 U.S. service members have been killed and hundreds more injured. Thousands more troops have converged on the region, and the Pentagon requested $200 billion in new funding.

The Strait of Hormuz, a key passage for a fifth of the world’s oil, remains closed. The average price for a gallon of gasoline in the U.S. was $4.08 on Thursday, according to AAA, almost a full dollar higher than on President Joe Biden’s last day in office.

On Wednesday, Trump insisted that gas prices would fall quickly once the war concluded but offered no solution for reopening the Strait of Hormuz. Instead, he invited skeptical U.S. allies to do it themselves.

He insisted that the war would be worth it.

“This is a true investment in your grandchildren and your grandchildren’s future,” Trump said. “When it’s all over, the United States will be safer, stronger, more prosperous and greater than it has ever been before.”

Former Rep. Marjorie Taylor Greene, a Georgia Republican who was once among Trump’s most vocal allies in Congress, lashed out against his Iran policy.

“I wanted so much for President Trump to put America First. That’s what I believed he would do. All I heard from his speech tonight was WAR WAR WAR,” she wrote on social media. “Nothing to lower the cost of living for Americans.”

Time is not on Trump’s side

About 6 in 10 U.S. adults say the U.S. military action in Iran has “gone too far,” according to AP-NORC polling from March. Roughly a third approve of how he’s handling Iran overall.

The possibility of sending U.S. forces into Iran also appears politically unpalatable.

About 6 in 10 adults are “strongly” or “somewhat” opposed to deploying U.S. troops on the ground to fight Iran. That includes about half of Republicans. Only about 1 in 10 favor deploying troops.

At the same time, Trump’s approval ratings have remained consistently weak. About 4 in 10 Americans approve of how he’s handling the presidency, roughly in line with how it’s been throughout his second term.

Republican strategist Ari Fleischer, a senior aide in former President George W. Bush’s administration, acknowledged that Trump has not received the polling bump in this war that Bush got after invading Iraq.

Bush, of course, worked to build public backing for the Iraq War before going in. Immediately after the 2003 invasion, Bush’s popularity soared, as did the stock market.

Public sentiment and the economy soured only after the conflict stretched on. It ultimately spanned more than eight years, spawning a generation of anti-war Republicans — and sowing the seeds of Trump’s “America First” foreign policy.

“My hope is that the Trump experience is the exact opposite of the Bush experience,” Fleischer said.

He said Trump must win the war decisively and quickly to avoid a further backlash, saying there could be a “very significant political upside if things end well, oil comes down and markets rally.”

Fleischer added that Trump’s actions will matter much more than his words.

“Ultimately, he is not going to get judged on his persuasion or his explanations or his assertions, he’s going to get judged on results,” he said.

Peoples writes for the Associated Press. AP writer Linley Sanders in Washington contributed to this report.

As “The Super Mario Galaxy Movie” lands in theaters, coloring stations, collectible popcorn containers and mascot Marios are all in place to entice arguably the most prized moviegoers to Hollywood today: kids.

By Sunday, Universal Pictures expects the five-day opening of the “Super Mario” sequel to reach $186 million domestically, and around $350 million worldwide. That would make it easily the biggest hit of the year, surpassing a pair of successes that also launched with young moviegoers in mind: Pixar’s “Hoppers” ($297 million worldwide) and Amazon MGM’s “Project Hail Mary” ($300.8 million).

It’s not the start of a new trend but the culmination of one. In 2024, PG-rated movies outgrossed any other rating for the first time in decades, with $3.18 billion in domestic ticket sales according to Comscore. Five of the top six movies worldwide were PG movies: “Inside Out 2,” “Moana 2,” “Despicable Me 4,” “Wicked” and “Mufasa: The Lion King.”

Last year was no different. PG-rated films amassed $2.96 billion, again besting the longtime leader, PG-13. The top draws globally were “Ne Zha 2,” “Zootopia 2,” “Lilo & Stitch,” “A Minecraft Movie” and the PG-13-rated but not exactly kid-adverse “Avatar: Fire and Ash.”

Good news has been hard to come by in Hollywood. Contraction, most recently with Paramount Skydance’s planned purchase of Warner Bros. Discovery, has added to the anxieties of an already jittery industry. While ticket sales are up so far in 2026, they remain more than 20% below pre-pandemic levels. In February, AMC, the nation’s largest exhibitor, said it would continue to shutter underperforming theaters.

But despite a lot of talk about the imperiled future of moviegoing, future moviegoers — kids — are turning out in droves.

“There’s a recognition that this is an increasingly important group of movie fans and we’re doing everything we can to make sure their experience is wonderful,” says Michael O’Leary, president and chief executive of Cinema United, the trade group for theater owners.

Gen Alpha, those aged 12 or younger, may even be the movies’ best hope. A study last year by the National Research Group found that no generational group wanted to watch movies on the big screen, as opposed to at home, more than Gen Alpha.

“We’re emboldened by some of the research that indicates younger folks are the fastest growing demographic of people going to the movies,” O’Leary says. “We’re very much focused on the fact that we have to build the next generation of movie fans.”

Mario, Minions and more

In 2023, “The Super Mario Movie,” part of Universal’s collaboration with Nintendo and “Minions”-maker Illumination, grossed $1.36 billion. Its sequel is likely to get close to that, and add to a mounting string of $1 billion kids movies. The most recent was The Walt Disney Co.’s “Zootopia 2,” which became the highest-grossing Hollywood animated film of all time with a whopping $1.87 billion.

Increasingly, a generation that grew up with smartphones, iPads and Netflix is propelling today’s biggest blockbusters.

“What’s been true for a long time and is maybe even truer today: Families want to be out,” says Jim Orr, distribution chief for Universal, which recently announced the expansion of its exclusive theatrical window from three weekends to five. “They want to do things. They want to make memories.”

“No one talks about: Remember that great time when we sat on the couch?”

And this year may be the most kid-catered year at the movies yet. There are 26 wide-release PG movies slated for 2026, up from 24 in 2025 and 18 in 2024.

That includes a summer lineup that’s family friendly on a nearly week-to-week basis. Potential blockbusters lined up include “Toy Story 5” (June 19), “Minions & Monsters” (July 1) and the live-action “Moana” (July 10). Though currently unrated, “The Mandalorian and Grogu” (May 22) and “Supergirl” (June 26), not to mention “Spider-Man: Brand New Day” (July 31), will all also target young moviegoers.

A PG comeback

The PG surge comes several years after most family movies detoured to streaming during the pandemic, a shift that some, at the time, feared would become permanent.

“The family film has literally come back from near-extinction,” says Paul Dergarabedian, head of marketplace trends for Comscore. “The one genre that really took a major hit with the pandemic was the family film.”

But kids increasingly count among a key category for theaters: the habitual moviegoer. That’s considered going to six or more movies a year. And it’s not just younger kids. Last year, 41% of Gen Z moviegoers went to the movies at least six times, according to NRG, up from 31% two years earlier.

For cinephiles who have long feared movie theaters effectively turning into mini theme parks, the predominance of kid-oriented franchise blockbusters is unlikely to allay those concerns. Mid-budget, adult releases are increasingly rare. Dramas and comedies have struggled to attract audiences. Family-friendly movies occupying a bigger slice of cinemas is partially because adult moviegoing has waned.

But if older moviegoers are harder to coax away from the couch, families have been more eager. For them, the appeal of getting out of the house, despite rising ticket costs or the options on streaming services, is as strong as ever.

“In many instances, they’re going to the theater to get away from all of the other screens that inhabit their lives,” says O’Leary. “When I was a kid, you went to the movies, in part, to escape from something. So it’s a new variation on that old theme.”

Dergarabedian has taken to calling PG the new PG-13. If slightly adult-leaning movies once occupied the center of the multiplex, that territory now belongs to the PG movie.

“The kids that are going to the movies today are going to take their kids tomorrow,” Dergarabedian says. “As long as people keep making kids, the future of the movie theater experience is assured.”

Coyle writes for the Associated Press.

After a major national debacle on live TV when she was only 20 years old, Ashlee Simpson Ross finally found a way to win back a small-screen audience’s love: She put a galaxy mask over her head and let the vocals rip.

Forget that 2004 incident where she got caught singing over a backing track in an appearance on “Saturday Night Live.” Sure, she did a weird little dance, then fled the set. Sure, her dad made excuses. But that’s in the past.

The winner of “The Masked Singer,” who is married to Evan Ross, Diana Ross’ singer-actor son, was bubbly as she celebrated her victory in a post-finale interview published Wednesday night. On the season finale, she had sung Olivia Rodrigo’s tune “Good 4 U.”

“I feel like I became Galaxy Girl and I had the best team ever,” Simpson told People. “So I mean, it felt great to do it. It felt great to perform, not being able to see where I’m going. You can hardly see where you’re going. I think just becoming that character of Galaxy Girl and people not knowing who I was, it was just a different way of performing that. I enjoyed that. It was definitely a moment of discovery.”

Back in fall 2004, Simpson, who’s now 41, was about to do her second song as the musical guest on “SNL.” Following in her famous sister’s footsteps as Jessica Simpson’s newlyweds reality show with then-husband Nick Lachey was hitting its stride, she had just released what would become the year’s top-selling album by a female singer.

Then the band started up — and the wrong lyrics started playing out of the ether. Simpson was not singing them. So she did an uncomfortable sort of jig before walking off the set and leaving the band stranded. Cut to commercial.

Lorne Michaels would confirm later that it had been a first for the sketch show.

“What can I say? Live TV,” host Jude Law told the audience during the show’s goodbye sequence that night. Simpson, standing at his side, jumped in with a rapid-fire explanation of what had just happened, throwing her band under the bus and not making much sense at all.

“I feel so bad. My band started playing the wrong song and I didn’t know what to do, so I thought I’d do a hoedown. I’m sorry!” she said.

This was a year after her sister had asked, with cameras rolling, whether a can of Chicken of the Sea contained tuna or chicken, and whether Buffalo wings were made out of buffalo. So what stuck in people’s minds were those lyrics playing out of the ether. Ashlee Simpson, it was clear, intended to lip sync, which sort of implied to casual observers that she couldn’t sing. She became, to many, a laughingstock.

Her dad said afterward that acid reflux had made her vocal cords swell, necessitating the last-minute switch from live to Memorex. He called it a learning experience and said she would prove herself in future shows.

“Unfortunately, that happened to us on Saturday, so just like every other artist in America she has backing tracks … so you don’t have to hear her croaking through a song on national television,” Joe Simpson told Ryan Seacrest in a radio interview.

“She never used them before,” he said of the vocal tracks, but “you have to do what you have to do.”

A few months later, she was booed on national TV when she did the halftime show at the 2005 Orange Bowl. Folks joked that it was worse than what happened on “SNL.”

So, yes, her career continued, but it hasn’t been 100% smooth. After a couple more albums, she took a role in a Broadway musical and eventually she returned to acting. She said over and over that she was going to get back into music, but life kept getting in the way.

Then in 2025, after celebrating the 20-year anniversary of her breakout album release with a short gig at a WeHo nightclub the year prior, she announced a residency at the Venetian in Las Vegas. The gig proved popular enough that it was extended into 2026.

And over the course of “The Masked Singer” season, Simpson finally proved to those casual observers that she has a voice and knows how to use it. She even bested her husband, who competed this season as Stingray and was cast out in Episode 10.

“Performing is my happy place, and to be doing that again just feels so nice,” she told People. “I’m inspired to keep playing shows and creating new music. And moments like ‘Masked Singer’ and Vegas, and I’m looking forward to Pride and Stagecoach — those moments just make me realize, ‘Oh, this is what I love to do.’

“I’m happy to be doing it again.”

Good for you, Galaxy Girl.

WASHINGTON — One year ago, Donald Trump stood in a sun-kissed, unpaved Rose Garden and defiantly announced a new era of global trade, raising tariffs on countries worldwide and sending shock waves through the global economy.

The president promised short-term pain rippling through American households would make way for a U.S. economy that would soon take off. But experts say they are still waiting for receipts — and question whether they will ever come.

A year of turbulence

Tariff rates shifted so unpredictably for so long — across countries and with remarkable speed — that companies are still struggling to build stable, long-term supply chains capable of supporting future planning and growth. U.S. markets recorded one of the most volatile years in history, marked by extreme swings and modest gains driven by a handful of stocks for tech companies largely inoculated from import duties.

A customer visits a Costco food court in San Diego on March 18.

(Kevin Carter / Getty Images)

Federal customs duties brought in tens of billions of dollars. But a study published this week by the European Central Bank found that U.S. importers and consumers, not foreign exporters, bore the brunt of the costs that paid for it — and that an even larger share of the burden will fall on American households and companies the longer Trump’s tariff policies stay in place.

Despite the president’s pronouncements, tariff earnings have barely made a dent in the federal debt.

Tax cuts and additional spending on defense and immigration enforcement have increased the annual deficit. In the months of January and February alone, net customs duties hit an average of $27 billion — a significant figure that has essentially offset the costs of Trump’s war with Iran, now estimated to be more than $57 billion since its start.

In February, the Supreme Court ruled that Trump had exceeded his authority by bypassing Congress to impose tariffs on an emergency basis. But the decision has merely prompted the Trump administration to look for ways to bypass the high court, as well.

“Even after the court ruling, the Trump administration continues to wield tariffs in a haphazard and ill-conceived fashion,” said Kimberly Clausing, a professor of tax policy and law at UCLA School of Law. “One year in, Trump’s tariffs have only generated higher prices, economic disruption, frayed alliances, and manufacturing job loss.”

Farmers in New Delhi take part in a March 19 protest demanding a minimum support price for crops.

(Sajjad Hussain / AFP / Getty Images)

Since the court ruling, Trump has moved away from using broad emergency powers to justify tariff rates, now citing laws on national security and unfair trade practices to keep them in place. Those are being challenged, as well.

“Trump’s tariff mania injected uncertainty into global business supply chains that he is refusing to let the Supreme Court undo,” said Aaron Klein, chair of economic studies at the Brookings Institution.

“It would be one thing if Trump replaced the existing tariff system with a coherent strategy approved by the very Republican Congress he controls,” Klein added. “Instead, Trump’s on-again, off-again tariff by tweet and let the courts figure it out months later destroys business’ ability to plan and undermines global confidence in America’s trustworthiness.”

‘Mounting downside’

Whether or not the president’s tariff policies survive, they have succeeded in ushering in a new era of international trade, shifting global reliance on the U.S. dollar and on the American consumer market, experts said.

“The euro, the Chinese yuan and crypto will be the biggest beneficiaries as the dollar loses market share,” said Kenneth Rogoff, an economist and professor at Harvard. “Future historians may well look back some day and see Liberation Day as marking the beginning of the end of the dollar’s absolute dominance in global markets, and the ‘exorbitant privilege’ it has given to the United States as issuer of what once upon a time was the world safest currency.”

Mary Lovely, a senior fellow at the Peterson Institute for International Economics, said that Trump’s tariff policies have upended global shipping, prompted China to increase offshore investments in countries like Vietnam to process Chinese inputs for the U.S. market, and elevated long-term uncertainty over investing in North America — a trifecta that has ensured that U.S. companies and consumers bear the costs.

“While the president promised an American ‘industrial renaissance,’ manufacturing jobs have been lost every month since early 2023,” Lovely said. “Easy to see the mounting downside of his tariff barrage, hard to find much upside.”

More than 100,000 net jobs in the U.S. manufacturing sector have been lost over the last year, in part due to the increased costs facing U.S.-based manufacturing companies for parts and inputs, said Michael Strain, director of economic policy studies at the American Enterprise Institute.

That has made domestic manufacturing less competitive. “The trade war has also increased the prices facing consumers at a time when affordability is their top concern,” Strain added.

Customers shop at the Sanya International Duty Free City in Sanya, in south China’s Hainan province, on Jan. 10. In December 2025, China launched special customs operations in the Hainan Free Trade Port, allowing easier entry of overseas goods and expanding zero-tariff coverage.

(Guo Cheng / Xinhua / Getty Images)

The policy has become a political albatross for the president, who now proceeds through a midterm year with a bipartisan majority of Americans dissatisfied with his approach to their top concern. Seven in 10 Americans believe that tariffs have increased their costs of living, according to a recent poll, including 64% of Republicans and 67% of independents.

Sung Won Sohn, a former commissioner at the Port of Los Angeles, said that inflation aggravated by Trump’s tariff actions has complicated policy at the Federal Reserve, fueling uncertainty in the U.S. stock market.

The Supreme Court’s decision, which prompted legal ambiguity on the administration’s path forward and opened the door to a flood of litigation for potential tariff refunds, further added to uncertainty. “The net result is decreased economic efficiency,” Sohn said.

Trump faces worse poll numbers on inflation than former Presidents Carter and Biden, both of whom faced challenges with increased prices on goods. Today, 72% of Americans disapprove of the president’s handling of rising prices, according to a CNN poll released this week.

“The real damage from the tariffs — and their uneven unwinding — is not captured in headline GDP figures,” Sohn added. “It shows up in slower decision-making, reduced productivity, and a persistent fog over the economic outlook.”

What else you should be reading

The must-read: A serial arsonist terrorized Hollywood. It ended only after two sisters died in a house fire, authorities say
The deep dive: The books that created the César Chávez myth — and those that brought him down
The L.A. Times Special: Electric bikes can be fast and dangerous. Here’s how to stay safe

On a personal note, hats off to my colleagues for stepping in during my parental leave — it’s great to be back.

More to come,
Michael Wilner

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WASHINGTON — Defense Secretary Pete Hegseth has asked the Army’s top uniformed officer, Gen. Randy George, to step down, the Pentagon said Thursday, as the United States wages a war against Iran.

A Pentagon official, who spoke on condition of anonymity to discuss the sensitive matter, confirmed that George has been asked to take early retirement from the post of Army chief of staff, which he has held since August 2023.

The ouster of George is just the latest of more than a dozen firings of top generals and admirals by Hegseth since he first took office last year.

CBS News was first to report the ouster.

George is a graduate of West Point Military Academy and an infantry officer who served in the first Gulf War as well as Iraq and Afghanistan. He also served as Defense Secretary Lloyd Austin’s top military aide from 2021 to 2022, during the Biden administration, before taking on top leadership roles in the Army.

George survived the initial round of firings last February, which saw the removal of top military leaders, including Adm. Lisa Franchetti, the Navy’s top uniformed officer, and Gen. Jim Silfe, the No. 2 leader at the Air Force, by Hegseth. President Donald Trump also fired Gen. Charles “C.Q.” Brown, then the Chairman of the Joint Chiefs of Staff, at the same time.

Since then, more than a dozen other top military generals and admirals have either retired early or been removed from their posts.

Among these departures was George’s deputy, the Vice Chief of Staff of the Army, Gen. James Mingus, who was in the post for less than two years when Trump suddenly nominated Lt. Gen. Christopher LaNeve for the position. LaNeve was then serving as Hegseth’s top military aide, having been plucked for that post from commanding the Eighth Army in South Korea after less than a year in the job.

Toropin writes for the Associated Press.

Hailee Steinfeld and Josh Allen have officially entered parenthood, welcoming their first little one.

“Our baby girl has arrived,” Oscar-nominated “True Grit” and “Sinners” star Steinfeld, 29, announced Tuesday in her latest Substack post. She wrote that she and her Buffalo Bills quarterback husband, 29, are “feeling incredibly grateful and blessed.”

“Savouring these early moments,” Steinfeld continued. “Thank you so much for the love and well wishes.”

The spouses married in June after two years of dating. People published photos from their outdoor California ceremony, in which Steinfeld wore a white strapless gown, mesh gloves and her veil and Allen wore a traditional tuxedo. They announced their engagement in November 2024.

Steinfeld announced she and Allen were expecting their first child in a Substack post in December, sharing photos from a snowy, bump-revealing maternity shoot. Steinfeld flaunted her pregnancy during the awards circuit earlier this year, cradling her baby bump at the red carpet for the Golden Globe Awards.

In an interview with Variety published in October, “Spider-Verse” star Steinfeld spoke about her marriage with Allen and balancing their conflicting schedules, noting “when the [NFL] offseason rolls around, it’s go-time for me.”

“I’ve gotten a lot better at understanding what it means to slow down and to share that with someone,” she said. “That’s the greatest thing ever.”

If you grew up in the ‘70s or ‘80s, your vision of suburban America probably looks a lot like South Pasadena. There’s good reason. The picturesque town on the western edge of the San Gabriel Valley was often used as a backdrop in films like “Halloween,” “Pretty in Pink” and “Back to the Future” (the street where George McFly, Lorraine and Biff lived is actually Bushnell Avenue).

Today in South Pasadena, you’ll still find this idyllic Anytown USA landscape — but with a twist: Along with verdant parks, Craftsman bungalows and tree-lined streets, the city gleams with cool new developments like the recently opened Sid the Cat Auditorium, an all-ages live music venue in a converted 1930s elementary school; the always-packed Cannonball from chef Matt Molina; L.A.’s first nonalcoholic bottle shop Burden of Proof and a high-tech head spa imported from Japan. Add on a walkable downtown and a bustling Thursday night farmers market and it’s easy to see why so many Angelenos are drawn to this increasingly hip community.

Get to know Los Angeles through the places that bring it to life. From restaurants to shops to outdoor spaces, here’s what to discover now.

“So few pockets of L.A. County are actually great for families and that’s what makes South Pas so compelling,” said my friend Tom, who moved to the area after having a baby two years ago. “Plus, it has light-rail.”

Located six miles from downtown L.A., South Pasadena was marketed as a “garden community” when it was founded in the late 19th century. New residents were promised homes with flowering vines and sweet-smelling gardens, all just a short cable car ride away from a bustling metropolis.

“It was that early promise of suburbia,” said Becky Nicolaides, a historian and author of the book “The New Suburbia: How Diversity Remade Suburban Life in Los Angeles After 1945.” “When it was incorporated, there weren’t cars, so the town was built to be walkable.”

But that peaceful facade hid an ugly truth. Like many suburbs in the L.A. area, the town’s officials put race restrictive covenants into place soon after its founding, making it illegal for residents to sell property to people of color.

Those covenants became illegal in 1948, but the town continued to discourage people of color from living within its boundaries for several more decades. That began to change in the 1960s and South Pasadena has diversified, particularly over the past decade. In recent years, town leadership has taken steps to acknowledge its racist past.

Now, even as a new energy permeates, the city continues to lean into its early suburban history. The town is just 3.4 square miles, but it encompasses 100 acres of parks and playgrounds as well as 21,000 trees. There’s an old-fashioned pharmacy where parents have taken their kids for a phosphate soda (or just a regular old milkshake) for over 100 years and volunteers from the community still decorate a float for the Tournament of Roses each year, just as they have since 1911.

And though its historic Red Car trolleys have been discontinued for decades, today it’s still a comfort to take the Metro home from work at the end of a long day and enjoy the peace and quiet of this pastoral suburb, just like its founders did more than a century ago.

FAMILIES can bag free tickets to top attractions over the Easter holidays with a quick move that takes just minutes.

The offer includes GoApe, ZSL zoos and top English Heritage sites which can easily set you back around £30 for admission.

The Free Days Out annual pass is offered by comparison site MoneySupermarket to uses who have joined its SuperSaveClub.

As well as the Free Days Out pass, you can get cashback when you shop through the site and other competitions and discounts.

You can join the membership club when you buy or take out a qualifying product through the site such as insurance or a new credit card.

But you can also join without spending any cash at all.

HOLI-YAY!

Freebies to entertain the kids over Easter holidays with games, days out & more

CHA-CHING

Nine freebies to get this week worth £513 including £100 days out and £200 cash

You’ll qualify for membership when you sign up and simply look up your credit score while logged in.

It takes just a few minutes to enter some details such as your address and date of birth to sign up for the credit score check.

Then you automatically become a member of the SuperSaveClub and you can tap through and access the Free Days Out pass.

Through the pass you can look for days out by postcode or location to see what’s on offer close to you.

You can then ‘claim’ an offer such as a free ticket.

Some of the more premium venues are ‘hot picks’ and you can only claim a free ticket once a month.

This includes Whipsnade and London ZSL zoos, as well as GoApe – but it’s worth noting not all GoApe venues are included.

For all other venues you won’t be able to claim more than once in seven days.

Once claimed, vouchers will need to be used withing 14 days.

To cut the cost of days out and top venues, you can also check websites for discounts.

For example, you’ll get 10% off bookings through GoApe when you sign up to its email distribution list.

A Kids Pass can also cut the cost of days out – it costs just £1 to sign up for the first 30 days which can easily be recouped if you are using it to get discounted entry tickets.

Just remember to cancel the subscription if you don’t think you’ll continue using it.

EXCLUSIVE: Kieran McCartney has revealed what fans don’t see on The Apprentice including what Lord Alan Sugar, Baroness Karren Brady and Tim Campbell are really like

Kieran McCartney has revealed what the BBC bosses don’t show on The Apprentice.

The estate agent from East London is one of the eight remaining candidates in the running to become Lord Alan Sugar’s next business partner.

Last week, he put his neck on the line by cutting a dramatic “win or walk” deal with the business tycoon to save himself from being fired.

He’s the first contestant in the BBC show’s 21-year history to make a pact with Lord Sugar that he would lead the next task to victory – or walk away.

As fans wait to see the outcome of the bold move, Kieran’s shared some behind-the-scenes secrets including what Lord Sugar and his aides Baroness Karren Brady and Tim Campbell are really like.

“Those boardroom showdowns are as real as it gets,” he explained, before adding: “Everything is done in one take and they film everything once and once only. It’s all real and raw.

“What you see is what you get. Karren’s [Brady’s] very strong but a big softy and she grows on you.

“[Lord Alan] Sugar had lots of banter and I love that so I was giving it back to him. I don’t think anyone’s ever given back to the way I did and Tim’s just a lovely guy.”

Baroness Brady joined The Apprentice as one of Lord Sugar’s aides in 2010 replacing Margaret Mountford and Tim won the first series of The Apprentice in 2005 taking over Claude Littner in 2022.

Kieran went on to share exactly how much time he spent with Lord Sugar’s trusted advisors during the process.

He added: “When you split into your two teams, you then go into further two teams so there’s four groups overall.

“Karren and Tim spend the morning with one group and the afternoon with the other and then you see them in the boardroom.

“They kind of just sit there but I’m not sure they actually write anything down like you see on camera.”

To remember his ultimatum, Kieran has had a tattoo on his leg of Lord Sugar, Baroness Brady and Tim’s faces with the words “The Apprentice 2026” and catchphrase “win or walk”.

Addressing his thinking process behind his bold offer, he joked: “Lord Sugar will either love my tattoo or send me a legal letter.”

He continued: “I’d love to sit here and say it was all part of a bigger plan but it was a total impulse.

“I thought I was a goner and was going home, it was a last resort and I just came out with it.

“I had to make that deal with Lord Sugar to survive and I put my neck on the line. It was a one-off, never been done and that’s a bit of me.”

Kieran McCartney was speaking to BestBettingSites.co.uk – the leading comparison site for casino sites and The Apprentice airs Thursdays on BBC One and BBC iPlayer at 9pm

WASHINGTON — Democrats’ hopes of reclaiming the U.S. Senate are colliding with a fight within their own party.

In Maine, Senate Minority Leader Chuck Schumer has thrown his weight behind Gov. Janet Mills in a crucial race, but some of his Senate colleagues are backing insurgent candidate Graham Platner in a rebuke of his strategic vision. A similar dynamic is playing out in other battlegrounds, including Michigan and Minnesota, where progressive senators are endorsing non-establishment candidates.

At stake is more than any single race. Democrats are fighting over whether the party’s traditional playbook still works in a country that elected Donald Trump for a second time — and whether leaders like Schumer should remain in charge.

“Clearly there’s a disagreement of strategy here,” said New Mexico Sen. Martin Heinrich, who has endorsed Platner.

He added that “the business-as-usual calculation for what is going to be successful in a given election cycle does not necessarily, in my view, meet the moment.”

The divide reflects a Democratic base frustrated after the last presidential election, when President Biden ran for a second term despite widespread concerns about his age. He dropped out and endorsed Vice President Kamala Harris, who lost to Trump.

Nan Whaley, a Democratic strategist in Ohio who ran for governor four years ago, said the debate is no longer about progressive or moderate.

“It’s really about, who do you trust? Establishment or not establishment?” she said. “And frankly, the establishment hasn’t given us a lot to trust these past few years.”

‘A rebuke of Schumer’

In Maine, Schumer and the Democratic Senatorial Campaign Committee have backed Mills, a 78-year-old moderate in her second term.

Platner, a veteran and oyster farmer, quickly won the backing of Sen. Bernie Sanders (I-Vt.), just days after launching his campaign. His bid has since gained momentum despite scrutiny over past controversial comments and a tattoo resembling a Nazi symbol.

In recent weeks, Heinrich, Arizona Sen. Ruben Gallego and Massachusetts Sen. Elizabeth Warren have endorsed Platner as he builds support on Capitol Hill. Heinrich and Rhode Island Sen. Sheldon Whitehouse held a fundraiser for him, too.

Gallego, a first-term senator who won a battleground race in 2024, downplayed the endorsements as a broader critique of party leadership.

“Senate leadership didn’t back me at the beginning. So I didn’t take that as a critique,” Gallego said.

Michigan also has a contentious primary, with three high-profile candidates. State Sen. Mallory McMorrow has said she would not support Schumer as the caucus leader if Democrats regain the majority, and she’s been endorsed by four senators.

Abdul El-Sayed, running further to the left, has been endorsed by Sanders and has also run on an anti-establishment platform.

U.S. Rep. Haley Stevens has aligned with establishment figures, working with a former executive director of the Democratic campaign committee and securing support from two senators.

Democratic strategist Lis Smith said the endorsements in races like Maine and Michigan are “as much as a rebuke of Schumer as it is an endorsement of these candidates.”

“It’s pretty uncommon for sitting senators to endorse against the Senate leader,” Smith said. “Senators are reading the tea leaves and are getting feedback from the grassroots that they are dissatisfied with Schumer’s performance as leader.”

In Minnesota, an open-seat race has similarly emerged as a test of the party’s direction. Rep. Angie Craig is seen as the centrist candidate in the primary, with endorsements from House Democratic Leader Hakeem Jeffries and Rep. Nancy Pelosi. Lt. Gov. Peggy Flanagan, the more progressive candidate, has been backed by Sanders, Warren and others, including Minnesota Sen. Tina Smith, who is vacating the seat.

“She understands that right now what we need are fierce fighters, people who are willing to stand up to the status quo,” Smith said in her endorsement.

‘The election may impact’ Schumer’s time as leader

Some tensions trace to March 2025, when Schumer voted with Republicans to end a government shutdown, drawing backlash from Democrats who argued he did not push hard enough against Trump’s agenda.

Later that year, Democrats held firm in a record-long shutdown fight, helping regain some ground with activists and progressives. But divisions resurfaced when a group of moderates ultimately sided with Republicans, fueling renewed frustration with party leadership even as Schumer opposed the move.

Since he became Senate leader in 2017, Schumer’s record in elections has been mixed. He led Democrats back to the majority in 2020 and expanded it in 2022 but lost ground in both 2018 and 2024.

“Leader Schumer’s North Star is taking back the Senate and is pursuing a path to do just that,” said Allison Biasotti, a spokesperson for Schumer.

He’s recruited high-profile candidates this year in tough Senate races, such as Alaska, Ohio and North Carolina. Maeve Coyle, communications director for the campaign committee, said Schumer “created a path to win a Democratic Senate majority this cycle” with the recruitment.

“Senate Democrats overperformed in the last four election cycles and in 2026, we will win seats and flip the majority,” she added.

David Axelrod, who served as a top strategist for President Obama, said that being Senate leader is never easy, and that Schumer “has been under fire for some time, particularly from progressives in the party.”

Schumer’s time as leader, Axelrod added, is likely directly linked to the outcome of the 2026 midterms.

“There’s questions as to whether he’ll run in 2028. There’s even questions as to whether he might be challenged as leader,” he said. “I think the results of this election may impact that.”

For now, Schumer’s caucus is tentatively standing behind him. None have explicitly called for him to step aside. But discontent has lingered, with some openly questioning whether the party needs a new direction.

“How people did politics in the 1990s is going to feel different than in the 2020s,” said Heinrich.

Cappelletti writes for the Associated Press.

Legendary street artist and activist Shepard Fairey was omnipresent at the High Desert Art Fair, which unfolded in and around Pioneertown over two unseasonably hot days last weekend. Founded more than seven years ago by art dealer Nicholas Fahey and artist manager Candice Lawler, the event has morphed from a few dozen people in Lawler’s living room to a few thousand roaming the dusty, sunny environs of the kitschy Old West town, with ancillary events in Twentynine Palms and Joshua Tree.

Fairey, who bought a home in the area during the COVID-19 pandemic, DJ’d a spirited opening night party at the Red Dog Saloon — spinning punk, post-punk and new wave hits by Joy Division, Fugazi and Black Flag to a packed house of art fans wearing paint-splattered DIY couture — and he spoke during the weekend’s most anticipated panel alongside Devo frontman and gallery owner Mark Mothersbaugh in a conversation moderated by singer-songwriter Harper Simon, son of folk icon Paul Simon.

Artist Shepard Fairey DJ’d the opening night party of High Desert Art Fair at the Red Dog Saloon in Pioneertown. The set was heavy of punk, post-punk and new wave.

(Jessica Gelt / Los Angeles Times)

Fairey was forthcoming about his opinions on art, politics and technology, drawing applause at one point for saying that using AI in art is not something to be afraid of. His assessment came after he lamented the fact that social media algorithms punish “decency” and reward “flamboyant narcissism and controversy.” He then joked that the “algorithm’s gonna love this. S— is gonna go nuts,” before talking about his recent collaboration with the digital artist known as Beeple who’s notorious in the art world for selling an NFT of his art in 2021 for $69.3 million.

The Red Dog Saloon was packed with art and music fans during the Friday night opening party of the High Desert Art Fair, which drew thousands of people to Pioneertown during the last weekend in March.

(Jessica Gelt / Los Angeles Times)

“He’s either the vanguard of a new way of working, and a maverick, a trailblazer, or he’s the worst thing that’s happened to art ever, or in between, or both, or neither,” Fairey said as the crowd laughed. “That’s totally my opinion.”

During a late-March event held in Fairey’s hometown of Charleston, S.C., Beeple Studios presented “Shepard Fairey: Obey and Resist,” which leveraged AI to help guests create their own Fairey-inspired paintings. During the panel, Fairey called the results “almost idiot-proof.”

He then elaborated on his feelings about AI’s encroachment on the art world, saying that if he were part of the “traditional art world thinking” he wouldn’t dare “go over to the dark side of digital art and AI, because that’s cheating.”

“All those same people a few hundred years ago when Da Vinci was using the camera obscura were like, ‘Get your proportions right, just by eye. Don’t use a cheating tool,’” Fairey said before taking the analogy to cave paintings and noting that those same types of naysayers would’ve been unhappy when it was discovered that horse hairs at the end of a stick were useful for distributing pigment and might have said, “That’s not keeping it real, bro. Use bloody elbow like everyone else.”

Fairey called that type of thinking “idiotic.”

“A tool in service of someone with a genuine vision that bends the tool to their will, rather than having themselves bent to the tool — that’s what creativity is about,” Fairey said.

The conversation about AI art started when Mothersbaugh, who was headlining a music set at Pappy & Harriet’s later that night, admitted that he was “fooling around with AI” and “just making myself laugh, like mutating old Devo photos and videos. It cracks me up. … I don’t know what is ever going to happen with it. Maybe they’ll just always live on my phone and eventually get thrown away or lost or something.”

The stage is set for an experimental music show by the General, featuring the stylings of Devo frontman Mark Mothersbaugh.

(Jessica Gelt / Los Angeles Times)

It’s a rock ‘n’ roll art fair

The idea that AI won’t cannibalize artists and their work on a massive scale is refreshingly utopian, but in many ways so was the fair itself. It takes magical thinking to grow anything in the harsh desert environment, which is why artists have been making the trek for decades. There was a youthful, rock ‘n’ roll vibe to the proceedings that was punk in quality but earnest in its quest to be seen.

Mothersbaugh’s gallery, MutMuz, occupied one of 20 rooms reconfigured as show spaces at the Pioneertown Motel, as did Gross!, a Chinatown gallery founded by former Liars drummer Julian Gross and populated with the work of musicians such as Karen O, O’s costume designer Christian Joy and TV on the Radio’s Tunde Adebimpe.

A work of painted fabric by Karen O‘s costume designer Christian Joy hangs in Gross! Gallery at the Pioneertown Motel during High Desert Art Fair. The gallery is owned by former Liars drummer Julian Gross who features plenty of work by fellow artists.

(Jessica Gelt / Los Angeles Times)

Desert pioneers are key to the spirit of the place

The fair featured tours of a number of the most interesting attractions in the area, including the Noah Purifoy Desert Art Museum of Assemblage Art in Joshua Tree and artist Andrea Zittel’s arts outpost and residency program, High Desert Test Sites.

Old computers are stacked at the center of an installation titled “Carousel” (1996) by Noah Purifoy at the Noah Purifoy Desert Art Museum of Assemblage Art in Joshua Tree.

(Jessica Gelt / Los Angeles Times)

Purifoy’s fantastical assemblages made of found objects and unloved detritus provided the most fitting example of the creative desert mindset. Outsider art in every sense of the word, and laden with scathing political and social commentary, Purifoy’s installations morph and change in the elements. A nonprofit exists to preserve them, but tour guide Teri Rommelmann said preservation efforts aren’t meant to alter the course of nature and time, but rather to save the work from sinking into the sand.

Noah Purifoy’s 2001 installation “White/Colored” is the most frequently vandalized piece in the outdoor Joshua Tree museum dedicated to his work.

(Jessica Gelt / Los Angeles Times)

Another aspect of the preservation work is erasing vandalism, which happened most during the pandemic, and was quite telling in its main target: An installation featuring a water fountain marked “White” next to a toilet affixed with a water fountain mouthpiece and labeled “Colored.”

Noah Purifoy’s sculpture “Ode to Frank Gehry” (2000) stands in the sand as part of the Noah Purifoy Desert Art Museum of Assemblage Art. The piece was once featured in a show at the Los Angeles County Museum of Art, and transporting it can be quite tricky.

(Jessica Gelt / Los Angeles Times)

At High Desert Test Sites, Zittel’s famous A-Z West escape pods are no longer used for camping after the city said the nonprofit would have to attain a commercial camping permit to continue. Nonetheless, the organization’s 80 acres are home to a variety of artist residencies, which use the windswept isolation of the desert to activate dormant ideas. It was just announced that environmental artist Lita Albuquerque will have a residency at the site.

Andrea Zittel’s famous A-Z West escape pods at High Desert Test Sites can no longer be used for camping, but they still dot the nonprofit’s 80 acres of land as an example of the creativity that the desert environment unleashes.

(Jessica Gelt / Los Angeles Times)

The tiled kitchen that artist Andrea Zittel designed for the main residence at High Desert Test Sites, which she lived in for nearly 20 years and can now be rented by artists in residence.

(Jessica Gelt / Los Angeles Times)

Art is everywhere in the desert — and growing

The success of this year’s High Desert Art Fair bodes well for the future of the area as a cultural destination.

Next year will see the return of Desert X, which for the first time will keep its large-scale, site-specific installations up for six months, timed to coincide with other SoCal cultural happenings including the Coachella Valley Music & Arts Festival and Frieze. There are also semi-permanent art installations everywhere in the area, including along driveways and the roadside. This includes a hair salon and museum in Joshua Tree, and the recently opened Reset Hotel in Twentynine Palms features dozens of rooms in retrofitted shipping containers, some with outdoor bathtubs and firepits. The hotel has also carved desert trails in its backyard, with plans to build an art park filled with installations.

The shipping container rooms at the new Reset Hotel in Twentynine Palms feature outdoor living spaces with firepits and bathtubs. Some overlook trails that will lead to a planned art park on the property.

(Jessica Gelt / Los Angeles Times)

An influx of artists, collectors and art fans will surely have an impact on an area that is already wary of gentrification and the rising cost of living that accompanies it. But there will be no stopping progress, only a utopian, Fairey-like hope that those who come will be inspired to keep and nurture the magical qualities of the place.

The Lakers followed the lead of their oldest member, the triple-double producing LeBron James, in dispatching the Wizards 120-101 at Crypto.com Arena on Monday night.

Two days off between games left James looking spry, with lob dunks and dunks on the fast break contributing to his 21 points, 12 assists and 10 rebounds. James was eight for 16 from the field in notching his third triple-double of the season and the 125th of his 23-year NBA career, ranking him fifth all time.

At 41 years and 90 days old, James once again became the oldest player in league history to record a triple-double, passing his previous mark (41 years, 79 days).

Lakers star LeBron James dunks against Washington at Crypto.com Arena on Monday.

(Robert Gauthier / Los Angeles Times)

“I mean, I’ve had moments more this year and last year that I’ve enjoyed more in the moment,” James said. “It’s pretty cool to know that I’m at this point in my career (and) I’m still able to do those things, man. It’s super dope. It’s super humbling. And I just try to put the work in and continue to put the work in and those are the results of it.”

James achieved the triple-double despite playing just 33 minutes.

“Yeah, I don’t know what to say. He’s very praise-worthy,” Lakers coach JJ Redick said. “I tried to give every version of the same soliloquy about his longevity. But I don’t have anything for you tonight.”

For James and his teammates, Sunday’s practice had “value” because it allowed them to clean up some things, do some “teaching” and get some “reps” that will pay off with the playoffs approaching.

They put that into action against the Wizards, but the Lakers did so without star guard Luka Doncic, who did not play after being given a one-game suspension by the NBA for his 16th technical foul.

Austin Reaves took over the primarily ballhandling duties with Doncic out, running the show in delivering a near double-double with 19 points and nine assists. Reaves was just four for 11 from the field and he missed all four of his three-point attempts, but he was 11 for 12 from the line.

Lakers guard Luke Kennard, center, drives between Washington’s Tre Johnson, left, and Jamir Watkins during the first half Monday.

(Robert Gauthier / Los Angeles Times)

Backup center Jaxson Hayes was outstanding in scoring 19 points on eight-for-eight shooting, including a three-pointer with six minutes and 41 seconds left.

Luke Kennard had 19 points off the bench, knocking down four of five from three-point range.

Deandre Ayton was a force for the Lakers, his efficient five-for-five shooting leading to 12 points, seven rebounds and three blocks.

Each of them played their part to help the Lakers win for the 12th time in 13 games and limit the effect of Doncic’s absence.

Doncic leads the NBA in scoring (33.7 points per game), is fourth in assists (8.2), second three-pointers made (4.0) and first in points scored in the first quarter (12.0). He’ll return against the Cleveland Cavaliers on Tuesday night.

“Yeah, I mean we had a professional approach,” James said. “We came in, we got the job done, understanding it doesn’t matter who we’re playing, we’re still trying to build habits for the postseason. So, a good win for us.”

Although the Lakers won handily, it was against a Wizards team tied for the worst record in the NBA (17-58). Washington has lost 18 of its past 19 games.

For the Lakers (49-26), the game was about making strides from a practice they rarely get to have.

“The value is being able to continue to improve,” Redick said before the game. “And again, I said this, we’ve placed a heavy emphasis on what we’re teaching in film and what we’re cleaning up in film, because we haven’t had court time to do that. So [Sunday], it was some of the game clean-up stuff. All the guys got some reps doing some things that they probably won’t do during a real game.”

Actor James Tolkan, known for his role as the Hill Valley High principal in “Back to the Future” and the no-nonsense commanding officer in “Top Gun” has died. He was 94.

Tolkan died Thursday in Lake Placid, N.Y., where he lived, his booking agent, John Alcantar, told the Associated Press on Saturday.

In “Back to the Future,” Tolkan portrayed Vice Principal Gerald Strickland, who surveyed the school’s halls with a whistle around his neck and a tardy slip burning a hole in his pocket.

“You got a real attitude problem, McFly,” Tolkan’s character snaps at Michael J. Fox’s character, Marty McFly, in the cult classic 1985 film. “You’re a slacker. You remind me of your father when he went here. He was a slacker, too.”

The line became one of Tolkan’s most famous, and mega-fans would flock to Comic-Cons around the country to ask the star to call them a slacker, requests he typically obliged.

The actor had a number of film and television gigs through the 1960s and ’70s, but he was doing David Mement’s Broadway play “Glengarry Glen Ross” when he got the offer to play Strickland in “Back to the Future.”

“I always said, ‘I’m never going to Hollywood until they send for me,’ ” he told T.C. Restani during a 2015 interview. “And I said, OK, this is my chance. And of course, nobody realized that it was going to be such an important picture. But it was. It was one of those marvelous events where all the planets were aligned and ‘Back to the Future’ became this shooting star of a movie.”

Tolkan was also well known for drilling Maverick and Goose with swift reprimands and tough love between puffs of his cigar as their commanding officer, Tom “Stinger” Jardian, in the 1986 blockbuster “Top Gun.”

“That was very special, because when you make a movie you never know, but in ‘Top Gun,’ everybody felt like it was going to be a success,” Tolkan told Bob McCarthy during a 2016 Comic-Con interview. “ They just felt it, knew it right from the first day.”

Born June 20, 1931, in Calumet, Mich., Tolkan was the son of a cattle dealer — Ralph M. Tolkan. He moved around in his adolescence, spending time in Chicago and landing in Arizona after his parents’ divorce. It was there that his athletic skills got him noticed by the Eastern Arizona College football coach. Tolkan landed a scholarship to the college, but his academic career was short-lived, and he left to enlist in the U.S. Navy.

After a year of service during the Korean War, he was discharged due to a heart ailment, and with $75 to his name he set out for the Big Apple to try his hand at acting. In New York, Tolkan studied under Stella Adler and Lee Strasberg at the famed Actors Studio and started landing stage roles before working his way to the big screen.

Although his experience in the military informed the types of roles Tolkan would play — Army office, Air Force commander, police lieutenant, attorney — his work as an actor was his passion. “If you choose to be an actor, you have to choose to be an actor, and you have to stick with it through thick and thin,” he told a FanX audience member during a 2023 panel at the Salt Lake City pop-culture convention. “When things get tough, you can’t think about doing something else. You’ve got to say to yourself, ‘I’m gonna do this.’ ”

Other notable acting projects of Tolkan’s include the 1973 film “Serpico,” starring Al Pacino; the 1981 movie “Prince of the City”; the role of Napolean in Woody Allen’s 1975 film, “Love and Death”; and the 1983 film “WarGames,” in which he acted alongside Matthew Broderick.

Tolkan is survived by his wife of 54 years, Parmelee Welles.

City Councilmember Nithya Raman came out ahead of incumbent Karen Bass in a new poll on the Los Angeles mayor’s race, though the poll’s director cautioned that it did not give the whole picture.

Raman had a commanding lead in a field of five major candidates, with 33% of voters supporting her, while Bass trailed at 17%, according to the poll by the Loyola Marymount University Center for the Study of Los Angeles.

Leftist Rae Huang came in just behind Bass at nearly 17%, while tech executive Adam Miller had 13% and conservative reality TV star Spencer Pratt had 12%.

Other polls have shown Bass in first place.

She was at 20% in an Emerson College Polling/Inside California Politics poll, with Raman at just over 9%. In a UC Berkeley Institute of Governmental Studies poll, co-sponsored by The Times, Bass was at 25% and Raman at 17%.

In the Loyola Marymount poll, unlike the other polls, respondents were given brief descriptions of the candidates, including their occupations and political priorities.

Raman was labeled a “progressive LA City Councilmember focused on housing affordability, homelessness and systemic reform,” while Bass was “incumbent mayor of Los Angeles, veteran legislator, focused on homelessness.”

One of Raman’s challenges, as a councilmember representing Los Feliz and Silver Lake as well as parts of the San Fernando Valley, is to spread her name recognition citywide, with the June 2 primary election about two months away. She entered the race to challenge Bass, her one-time ally, at the last minute, hours before the early February filing deadline.

The Loyola Marymount poll of 370 registered Los Angeles voters was conducted from Feb. 11 to March 16. It did not include a choice for “undecided,” while the other two polls showed that significant percentages of voters hadn’t made up their minds.

“This poll shows if only positive descriptors are used and context is provided, Raman is ahead,” said Fernando Guerra, director of Loyola Marymount’s Center for the Study of Los Angeles, who directed the poll.

Guerra said he believes Bass is the front-runner, taking the previous polls into account.

Bass’ campaign took issue with the Loyola Marymount poll.

“In 2022, this same LMU poll had Karen Bass at 16% — she ended up winning the primary with 43%. The only thing more ridiculous than this poll is Spencer Pratt’s performance on The Hills,” said Alex Stack, a spokesperson for the Bass campaign, referencing Pratt’s reality show.

Raman’s campaign did not immediately respond to a request for comment. In a post on X citing the poll, Raman wrote, “OUR CAMPAIGN IS SURGING … Angelenos are ready for a city that actually works.”

Paul Mitchell, vice president of the bipartisan voter data firm Political Data Inc., said the poll’s sample size was too small to draw conclusions and that the poll was less reliable because it was conducted over the course of more than a month.

He also noted that with many of the candidates relatively unknown, including the descriptors could have a major effect.

“I’m sure Nithya Raman doesn’t have citywide name recognition, but that description is really great,” Mitchell said.

Guerra said he didn’t include an “undecided” option because he wanted to “force” respondents to give an answer, similar to when they actually vote.

In the Emerson poll, more than 50% of voters were undecided on who to support for mayor. The Berkeley IGS poll showed about a quarter of voters were undecided.

In LMU’s mayoral poll from 2022, released in early March of that year, 42% of respondents chose “undecided/someone else” for mayor.

After Bass, who had 16% support, then-City Councilmember Kevin de Léon was second at 12% in the 2022 poll. Rick Caruso, the billionaire developer, who ended up making the runoff election against Bass, received 6% support.

In that year’s June primary, Bass got 43% of the vote, Caruso nearly 36% and De Léon about 8%.

This year’s LMU poll also asked L.A. voters what kind of candidate they would prefer for mayor.

Nearly 50% said they prefer a Democratic Socialist, while 25% said they want a moderate Democrat, 19% said a conservative and just 8% said an establishment Democrat.

“Los Angeles is much more progressive than its elected leadership. This poll captures that,” Guerra said.

Some disagreed.

Mike Trujillo, a consultant for moderate Democrats who is not representing anyone in the mayoral race, said polling he has done across the city shows that the Democratic Socialists of America’s popularity is much lower.

Raman is a dues-paying member of the Los Angeles chapter of DSA, which endorsed her in her two successful City Council campaigns.

“If you believe this poll, I have bridges to sell you on 1st Street, 6th Street, and Alameda Street — and there’s no bridge on Alameda,” he said. “The poll was basically A to Z in Nithya Raman’s contact list.”

This year’s LMU poll also asked L.A. County voters about the governor’s race. Former U.S. Rep. Katie Porter led at about 16%, followed by Republican Steve Hilton at 13% and billionaire Tom Steyer at 12%.

The Berkeley IGS poll showed two Republicans — Riverside County Sheriff Chad Bianco and Hilton — leading the crowded field of gubernatorial candidates by slim margins among voters statewide, with Democratic support split among multiple candidates in a left-leaning state.

COLUMBIA, S.C. — Mark Sanford, the former South Carolina congressman and governor whose political ascendancy was stalled by a 2009 affair, wants to return to Congress — again.

Just hours ahead of the deadline to do so, Sanford filed candidacy paperwork with state officials to run in the June 9 GOP primary for South Carolina’s 1st District seat, which he has held twice before.

Sanford’s first political office was in the 1st District. An outsider with almost no name recognition, he navigated a primary for the open seat, finishing second before winning the runoff. He served for six years before his outside run at governor, again pushing his way through a crowded primary, then knocking off the last Democrat to hold the office.

But his eight years were overshadowed by the Appalachian Trail, which became shorthand for Sanford’s disappearance to go to Argentina to see his lover. Sanford’s wife, family and his staff didn’t know where he was.

Beating back both an ethics inquiry and calls to resign, Sanford held fast, leaving office on his own terms.

In 2013, Sanford won back his old seat, beating 15 other candidates in a primary and runoff. He won two more full terms before falling to a GOP challenger in 2018 who had President Trump’s backing.

The seat would go on to flip to Democratic hands that fall for the first time in decades, won back by GOP Rep. Nancy Mace in 2020. Mace is running for governor this year.

Sanford, 65, also briefly ran for president in 2020, challenging Trump for the nomination in what he characterized as a “long shot” effort around warnings about the national debt. Some, including Sanford’s former gubernatorial staffers, initially questioned whether the effort was a serious one, positing that it might be an effort to stay relevant after the 2018 defeat.

Sanford dropped out of the contest just ahead of the New Hampshire primary. Sanford’s home state would ultimately opt not to hold a 2020 GOP presidential primary, clearing the way for Trump’s nomination in South Carolina.

Sanford did not immediately return a message seeking comment on Monday. True to the themes that have dominated his political thinking, an email release on Sanford’s candidacy focused on the national debt, with the candidate saying he felt 1st District voters wanted a representative “who is an advocate for financial sanity that has been lost in Washington for all too long.“

Since leaving the U.S. House, Sanford has hung onto more than $1.3 million in a federal campaign account, funds that he can now use in a primary already crowded with multiple Republican and Democratic candidates.

Kinnard and Collins write for the Associated Press.