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PHOENIX — The U.S. Supreme Court has rejected Arizona’s eleventh-hour bid to block the upcoming start of a court-ordered takeover of healthcare operations in its prisons after the state was found to have provided constitutionally inadequate care to incarcerated people and dragged its feet for over a decade in making required improvements. Justice Elena Kagan denied the state’s request Thursday, leaving an outside corrections professional set to take over healthcare management for 25,000 incarcerated people on Oct. 19.

Arizona had asked the courts to delay the takeover while it appealed that decision and the appointment of former Ohio corrections director Annette Chambers-Smith to lead the effort. The state sought the delay from the Supreme Court after lower courts rejected by the request.

Over the past 14 years, Arizona has been dogged by complaints that its prison healthcare system was run shoddily and callously and that it repeatedly failed to improve a system found to have exposed prisoners to harm and preventable deaths.

Under a 2014 settlement, the state pledged to overhaul medical and healthcare services for prisoners but was soon accused of failing to make promised improvements. That led to more than $2 million in contempt-of-court fines and the eventual revocation of the agreement by U.S. District Judge Roslyn Silver, who said corrections officials had shown little interest in making required changes.

After a 2021 trial, Silver ruled against the state, issuing an injunction that required corrections authorities to address the constitutional violations. Earlier this year, she ordered the takeover after concluding the state hadn’t gotten a semblance of compliance with court-ordered changes and the U.S. Constitution after more than a decade of litigation. Silver found that prisoners remained exposed to grave threats of harm and suffering because of systematic deficiencies in their health care.

The Arizona Department of Corrections, Rehabilitation and Re-entry did not immediately respond to a request for comment on Thursday’s decision.

In a statement, Corene Kendrick, an American Civil Liberties Union attorney who represents prisoners in the lawsuit, applauded the court’s refusal to delay the takeover, also known as a receivership. She said Arizona fought accountability at every turn while prisoners suffered. “Today’s decision clears the way for a receiver to do what the state has failed to do for more than a decade,” Kendrick said.

In seeking a delay, Arizona’s attorneys said Silver adopted a drastic takeover remedy without first trying intermediate fixes to speed compliance. They also said the judge hadn’t given the corrections department enough time to continue making progress and argued that the official appointed to run healthcare operations wouldn’t be politically accountable. They said the agency is committed to improving health care in prisons, has made significant progress since 2023 and that the prisoners won’t suffer harm if the start of the takeover were delayed by a few months.

Lawyers for prisoners said the state was minimizing its noncompliance, disputed its claim it had not been given enough time to comply after 14 years of litigation and said Silver had already tried less-intrusive remedies. They also said the state’s proposal of a months-long delay in the takeover “grievously minimizes” the harm prisoners face from the state’s inability to provide adequate care.

Complaints about health care in Arizona’s prisons have spanned both Republican and Democratic administrations.

The lawsuit was filed in 2012 during Republican Gov. Jan Brewer’s administration and continued under Republican Gov. Doug Ducey, when both contempt fines against the state were issued. Under Ryan Thornell, the corrections director in Democratic Gov. Katie Hobbs administration, the department has complained that its progress in overhauling health care operations in recent years hasn’t been acknowledged.

The lawsuit over healthcare for incarcerated people covers Arizona’s nine state-run prisons but not the nearly 10,000 Arizona inmates held in private prisons.

Billeaud writes for the Associated Press.

David Ellison said the merged Paramount and Warner Bros. Discovery will be called Skydance — the moniker he picked nearly two decades ago when the tech scion began building his Hollywood empire.

Ellison, currently the chairman and chief executive of Paramount, is aiming to finalize the acquisition of Warner Bros. Discovery by Tuesday. Then the combined company will assume the name and logo of his once small studio.

“We chose this name for a few important reasons,” Ellison wrote Friday in an X post. “As we bring Paramount and Warner Bros. together, we wanted to preserve what has made each of these studios iconic. Both have distinct identities, extraordinary legacies and brands that have resonated with audiences … We never wanted a new corporate identity to diminish, alter or overshadow either one.”

By calling the company “Skydance,” Ellison said the merged entity would have “an identity of its own while allowing Paramount and Warner Bros. — and all our extraordinary brands — to remain in the spotlight.”

In Hollywood, there had been much speculation over what jumbled mash-up of the corporate titles would be used, with WarnerMount and Paramount-Warner Bros. often mentioned as possibilities.

Both companies boast century-old studios, beloved media brands and a recent past that has included several fraught mergers. When AT&T sold WarnerMedia to David Zaslav’s Discovery in 2022, he selected Warner Bros. Discovery as the corporate name.

The merger is quickly reaching the finish line after U.S. District Judge Araceli Martínez-Olguín on Wednesday signed a settlement agreement, effectively ending an antitrust lawsuit brought in July by California Atty. Gen. Rob Bonta and 11 other state attorneys general who initially fought the formation of a new Hollywood colossus. Paramount now has won approvals by nearly 70 regulators for the industry-reshaping deal.

For more than a decade, Paramount has been the smallest of the major media companies, owning CBS, Comedy Central, BET, Nickelodeon and the Melrose Avenue studio. With the $111-billion merger with Warner, Skydance will gain more valuable assets including HBO, CNN, TBS, Food Network and Warner Bros. film and television studios, along with their massive libraries that include the Harry Potter, “Lord of the Rings,” and DC Comics franchises.

Earlier this week, Ellison announced he was bringing Ynon Kreiz, who has served as the CEO of toymaker Mattel for eight years, to run the new entity’s day-to-day operations. Kreiz, 61, brings years of operational experience that Paramount’s top executives had lacked.

Paramount released details of Kreiz’s contract on Thursday in a regulatory filing, saying he would receive an $5 million annual salary and an annual target bonus of $4.9 million. He will also qualify for a signing bonus of $31.5 million to come over to the new company, paid through restricted stock units.

In addition, HBO Chairman Casey Bloys is widely expected to become head of the merged company’s streaming programming. Paramount’s streaming chief Cindy Holland exited the company earlier this week to make way for Bloys.

During a Thursday appearance at the Bloomberg News Screentime media conference in Hollywood, Bloys declined to discuss his presumed new role. But he suggested that that Ellison’s company might bundle HBO Max and Paramount+ services, allowing the two services to remain for now, rather than try to fold them into one gigantic offering.

Skydance will carry than $80-billion in debt, much of it acquired to retire the holdings of Warner Bros. Discovery investors at $31.17 a share. The company also has promised investors that it would find $6 billion in cost-cuts within three years.

During a separate appearance at the Bloomberg conference, RedBird Capital Partners founder Gerry Cardinale, a Paramount investor and board member, said finding $6 billion in cuts would be relatively easy, and would not be focused solely on layoffs. It would include combining the technology stacks for the various streaming platforms.

But Cardinale acknowledged layoffs would be part of the cost-cuts, a prospect that frightened many in Hollywood after endless waves of job cuts at the two companies.

Warner’s outgoing chief executive Zaslav will leave with a golden parachute valued at about $887 million, which includes cash, stock and options valued at more than $550 million, according to regulatory filings.

In addition, Warner board members separately agreed to pay Zaslav’s tax bills, which could approach $330 million.

When twins Keira and Kelsey Luderer of Sherman Oaks Notre Dame announced they had committed to Florida State to play college softball, their father, Brian, the new head coach for Notre Dame, was ready to cry.

“Special moment,” he said of his junior daughters.

Kelsey, an infielder who was Mission League player of they year, and Keira, a standout catcher, have been working hard for years for this moment and learned plenty from Brian, who played baseball in high school and college.

Michigan, California and Loyola Marymount were also finalists for the twins who were coached last season by Justin Siegel, a new assistant coach at Loyola Marymount.

Now dad and mom, who have been transporting them around for years in club softball, will have to begin looking for the cheapest flights to Tallahassee.

This is a daily look at the positive happenings in high school sports. To submit any news, please email eric.sondheimer@latimes.com.

Tom Cruise is one of the bankable stars in Hollywood. But his pull may not be enough to lift his upcoming film “Digger” from a likely hard fall at the box office this weekend.

That would be unwelcome news for Warner Bros., whose movies have largely struggled to connect with audiences this year, in contrast to 2025, when the studio ran up a string of hits such as “Sinners” and “Weapons.”

All of this comes as the studio braces for an uncertain future with Paramount Skydance’s $111-billion acquisition of Warner Bros. Discovery set to close on Tuesday.

“No single film is going to capsize the boat,” said Stephen Galloway, dean of the Dodge College of Film and Media Arts at Chapman University. “However, it’s coming at a precarious time because it follows a series of less-than-successful releases at the very moment when the Warner Bros.- Paramount deal has been greenlit, and everybody — no matter how high up — is terrified for his or her job.”

Matching the success of the 2025 film slate was always going to be a tall order, particularly when so many of Warner Bros.’ movies that year overperformed.

So far this year, the studio’s domestic box office haul is $437.7 million, representing about 5.6% of the total theatrical revenue in the U.S. and Canada, according to Rentrak data.

Last year, Warner Bros.’ total at this time was $1.8 billion, aided by back-to-back successes starting with “A Minecraft Movie,” which went on to become the highest-grossing movie at the domestic box office during that calendar year.

The studio currently does not have any film in the top 20 of domestic box office earners this year, which includes some holdovers from 2025, with Emerald Fennell’s adaptation of “Wuthering Heights” ranking at 21 with $84 million. Bets on films like Maggie Gyllenhaal’s “The Bride!” cratered, while DC Studios’ “Supergirl” misfired.

“Digger” is unlikely to turn things around.

The satire from director Alejandro González Iñárritu about an impending climate change apocalypse has divided critics, yielding very mixed reviews. Tracking predictions for the film’s debut have steadily trended downward and settled between $15 million and $19 million.

That would be a major miss, given the film’s production budget was about $125 million (not counting marketing costs).

“Digger” faces several hurdles. For one, the film has a major twist, which complicates its marketing and makes it difficult to tell audiences what it’s about.

Then there’s Cruise’s nearly unrecognizable performance as Digger Rockwell, an eccentric oil tycoon whose drilling operations have led to the unfolding climate disaster. Clad in prosthetics with a head full of graying hair, Cruise is far from his usual stunts-heavy, bravado-filled roles, which could make his typical audience less likely to come out to theaters, analysts said.

“It has a lot of question marks,” said David A. Gross, who writes the movie industry newsletter FranchiseRe. “It doesn’t look like it’s heading for financial success.”

The film will have value to Warner Bros. beyond its theatrical reception. “Digger” probably will also make money through ancillary revenue streams such as premium video on demand and streaming, industry experts said. And if Cruise wins his much-coveted Oscar for his role as Digger, that is also a plus, Galloway said.

Beyond the fate of “Digger,” Warner Bros.’ theatrical business will be of prime importance to the combined Paramount-Warner company.

Last year, Warner’s studio business, which includes both film and television production, brought in $12.6 billion in revenue. This year, it’s projected to generate $11.1 billion, according to market expectations. On a positive note, Warner Bros. still has its animated “The Cat in the Hat” film releasing in November and the popular “Dune: Part Three” at the end of the year.

The prospects for Warner Bros. should improve next year, when the film and TV studios are expected to amass $11.7 billion in revenue, driven by strong titles including the sequel to “Minecraft” and a new “Lord of the Rings” movie, according to Bernstein research.

Aside from theatrical revenue, Warner Bros.’ film and TV properties have been key drivers of business to HBO Max and will also provide valuable content to Paramount+, particularly as the linear cable networks continue to decline.

“I would argue the studios are the very reason Paramount Skydance is buying Warner Bros.,” said Laurent Yoon, senior analyst at Bernstein. “Everything starts with the studios.”

The combined company is also legally required to release at least 30 films a year as part of a settlement agreement over antitrust claims with 12 state attorneys general, including California’s Rob Bonta. Paramount Chief Executive David Ellison has previously said the two studios would each release 15 films a year.

But the type of content the studios release could change after the merger is completed. Under film chiefs Pam Abdy and Mike De Luca, Warner Bros. developed a reputation for auteur-driven, original stories, particularly after the success of the 2025 slate. Ellison’s slate has trended toward blockbuster fare.

The combined company will also face a massive debt load of more than $80 billion after the merger closes, meaning there may be greater pressure for future films to be hits.

“Ellison is primarily in the business of delivering blockbusters,” Galloway said. “That’s going to be even more important as he tries to right the ship of his debt.”

There is no love like municipal infrastructure love.

It was late in the 20th century when my wife, Mary Frances, and I moved into Los Feliz. Quickly we learned that our corner of the neighborhood was known as Franklin Hills, and that just about every eastward outing would take us across a funny little bridge with eight pointy turrets. That bridge was the Shakespeare Bridge.

As a teacher at nearby Ivanhoe Elementary, Mary Frances crossed the bridge twice every school day for more than 20 years. As a student there, our daughter Grace crossed it for six years, usually with me as chauffeur.

We’ve crossed it at all hours in every kind of weather, on foot, on bikes and in cars, talking about school, work, family and, lately, the fractured state of the nation and world.

Now that bridge on Franklin Avenue at St. George Street is near its 100th anniversary and an Oct. 10 neighborhood celebration is in the works, complete with a street party and procession. As the day approaches, I keep thinking about how large a funny little bridge can become in the lives of its neighbors.

This view looks westward across L.A.’s Franklin Avenue Bridge, also known as the Shakespeare Bridge.

(Library of Congress)

Originally it was the Franklin Avenue Bridge, designed by J.C. Wright of the city’s civil engineering department in the mid-1920s, when a twenty-something cartoonist named Walt Disney was new to the neighborhood and the Vitagraph Studios, a block away, were transitioning from silent films to talkies.

Paid for by a controversial city assessment of neighbors, the bridge is 262 feet long and 30 feet wide — a pipsqueak compared with landmarks like Pasadena’s Colorado Street Bridge or the 6th Street Bridge between Boyle Heights and downtown L.A.’s Arts District. Its three open-spandrel arches were made using Portland cement.

Nobody knows where the Shakespeare nickname came from, but city officials designated the bridge as L.A.’s Historic-Cultural Monument No. 126 in 1974 and retrofitted it in the 1990s to better withstand earthquakes. Crucially, city staffers preserved those charming and entirely unnecessary turrets, which deserve their own sonnet, if you ask me.

“Back then, people put some thought into these things,” City Council aide Tom LaBonge told this newspaper in 1988, years before he became councilman (2001-15) for the district that includes the bridge.

Since 2017, neighbors have tended a Shakespeare Bridge Garden beneath the span. The neighbors (a.k.a. the Franklin Hills Residents Assn.) also pay to keep up the landscaping on the nearby traffic island.

When the bridge went up, L.A. “was becoming a city,” said Alison Wallace, president of the FHRA. “We were trying to look legit, and people were adding all of these amazing public works.”

The result, Wallace said, was a span that eased connections between neighborhoods and “helped us become a community.”

This view looks from below the Franklin Avenue Bridge, also known as the Shakespeare Bridge.

(Library of Congress)

Many architectural sources call its style Gothic Revival. Some see Moorish influence. Researcher Tiger Shankman has hailed its “perky, anachronistic beauty.” In “An Architectural Guidebook to Los Angeles,” authors David Gebhard and Robert Winter suggest that the ornate ends of the bridge “cry out for sculptured saints.”

Instead of saints, however, the bridge has seen a lot of actors and film crews. The bridge turns up in the movies “Dead Again” (1991) and “I Love You, Man” (2009), the Netflix series “Nobody Wants This” (in 2025) and the HBO series “I Love L.A.” (also 2025). My favorite clip is a chase sequence from a 1971 “Mannix” episode — excruciatingly slow-paced by 2026 standards, and shot long before the FHRA tore out the city’s blacktop median and planted greenery.

Given all of its neighborhood fame, it surprised me to hear how few Angelenos know about the bridge. When Charlie Ryan and Thom Vest started offering LA Explained walking tours early this year, they expected the Disney history would be a popular part of their Los Feliz itinerary, but the bridge quickly emerged as another central element.

Because most of those who sign up for the Los Feliz tour live elsewhere, they have never crossed the bridge “and don’t know it’s there,” Ryan said. “Out of all the tours that I do, it’s the one that brings the most surprise to people.”

An aerial view of the Shakespeare Bridge, formally known as the Franklin Avenue Bridge, in the Franklin Hills area of Los Feliz.

(Allen J. Schaben / Los Angeles Times)

But plenty of those who live nearby have deep connections with the bridge, including Charley and Shirley Mims, who got married there on Oct. 21, 2000.

To open the ceremony, Shirley strolled from the west end of the bridge to the east, where Charley was waiting. (They still live in the neighborhood and plan to be at the centennial party.)

“When you see the bridge and cross it,” my neighbor Dave McDonald said the other day, “you feel like you’re home. It’s like a welcoming beacon.”

“It’s a real local’s way of getting around,” said Matteo Chizzola, who moved to Los Angeles four years ago and settled in Los Feliz two years ago. Last year, when Chizzola decided to start selling matcha from a sort of grown-up street-corner lemonade stand, he chose a patch of sidewalk at Franklin Avenue and Talmadge Street, two blocks from the bridge.

A jogger crosses the Shakespeare Bridge.

(Allen J. Schaben / Los Angeles Times)

“It is beautiful and it’s weird. If you go at the right time of day, at sunset, it’s an incredible view,” he said.

Chizzola said he isn’t getting rich running the stand, Fridays through Sundays, but “it has become something that puts a huge smile on my face.”

He’ll be on hand for the bridge’s centennial parade, along with invited local luminaries including Victor the fruit guy (who worked a corner near Marshall High School for more than a decade) and Dora Herrera of the much-loved Yuca’s restaurant on Hillhurst Avenue.

A pedestrian crosses the Shakespeare Bridge,which was completed in 1926.

(Allen J. Schaben/Los Angeles Times)

Sometimes, when Mary Frances and I are on a neighborhood walk, we stop mid-span. In the distance to the south, you see the downtown skyline. In the arroyo below the bridge (officially the Arroyo de Sacatela) you see the private homes and yards along Monon Street and Myra Avenue. You also see the Los Feliz campus of the International School of Los Angeles (1960), the only school designed by modernist architect John Lautner.

Then there are the decorations. Every few months, in a tradition started by departed neighbor Chris Boutelle, Mary Frances joins a team of FHRA board members and other volunteers who put up hearts for Valentine’s Day, shamrocks for St. Patrick’s Day, Pride and Juneteenth flags in June, American flags and bunting in the lead-up to July 4, and so on.

Most of these costume changes are seamless. But in June 2023, someone tore down the Pride flags. Neighbors quickly replaced them. They came down again. Neighbors replaced them again. The back-and-forth went on for weeks. A suspect was arrested, released, then re-arrested.

Shakespeare Bridge in Los Feliz was the site of controversy in June 2023, when someone repeatedly stole Pride flags from a bridge display. Neighbors replaced the flags and police made an arrest.

(Gary Coronado / Los Angeles Times)

“It was almost every day for a month. People really came together,” said Wallace. The vandal surely didn’t mean to, but Wallace contends that he wound up uniting the neighborhood as never before.

The Oct. 10 bridge celebration, organized by the FHRA, will begin with a noon procession to the bridge from Marshall High School (another neighborhood Gothic Revival landmark), featuring a marching band, several vintage cars and a costumed dog parade.

At the end of that short walk, there’s a party planned from 1-5 p.m. at the end of Monon Street , right under the bridge. There will be snacks, drinks, live music, kid crafts, a bouncy house, a handful of actors in Shakespearean garb and scads of neighbors being neighborly.

I’ll be there for all of it. In times like these, every bridge needs celebrating.

Shakespeare Bridge, formally known as the Franklin Avenue Bridge, spans a ravine in the Franklin Hills with downtown Los Angeles in the background.

(Allen J. Schaben/Los Angeles Times)

The Ducks have signed promising young defenseman Tristan Luneau to a six-year contract extension worth $43.2 million after just 14 NHL appearances.

The Ducks announced the deal Thursday with the 22-year-old Luneau, whose promising career has been slowed by injury. Now healthy and ready for a full-time NHL role, he inked a long-term deal with the team that drafted him in the second round in 2022.

Luneau was the Quebec major junior league’s top defenseman in the 2022-23 season and he made the Ducks’ roster out of training camp the next fall. But Luneau came down with a viral infection that winter while practicing with Canada’s national junior team, forcing him to miss the rest of the year.

Anaheim took a deliberate approach with Luneau’s health for the past two seasons, keeping him with its AHL affiliate in San Diego for most of that time. But the Ducks never wavered in their belief that Luneau will be an above-average defenseman, and they proved it with a long-term contract for a player who suited up in just one game for the NHL club last season.

Luneau will be expected to play a significant role this season for the Ducks, who lost four veteran defensemen — Jacob Trouba, captain Radko Gudas, John Carlson and Olen Zellweger — from last season’s already mediocre blue line group over the summer.

Ducks general manager Pat Verbeek moved aggressively to lock up Luneau after being burned repeatedly in restricted free agency over the offseason.

Verbeek spent months failing to reach a deal with center Leo Carlsson, who then signed a $90-million offer sheet with Philadelphia that briefly made him the NHL’s highest-paid player before Anaheim matched it. Carlsson is among the best young centers in hockey, but his deal is worth much more than he was expected to get as a restricted free agent — as is the five-year, $36 million deal given to Pavel Mintyukov by Verbeek after other teams began to sniff around the Russian defenseman in the wake of Carlsson’s massive offer sheet.

Verbeek then signed high-scoring forward Cutter Gauthier to a six-year, $81 million extension last month, but the resulting salary cap constraints from Verbeek’s summer of misadventure effectively forced the Ducks to waive 22-goal scorer Chris Kreider, damaging their depth.

Luneau will join Jackson LaCombe and Mintyukov as the new core of the Ducks’ defense. Rising star LaCombe agreed to an eight-year, $72-million extension a year ago.

Anaheim ended a seven-year playoff drought last spring, advancing to the second round under coach Joel Quenneville. The Ducks open the regular season Friday at Vegas before their home opener Sunday against Florida.

Beacham writes for the Associated Press.

Mike Tomlin’s YouTube video detailing his labor of love of more than a decade is well on its way to a million views in less than 24 hours. His tweet about it has accumulated more than 20 million views.

No, it’s not a deep dive into Tomlin’s 19 years as head coach of the Pittsburgh Steelers, a reign that produced a Super Bowl title, zero losing seasons and a 193-114-2 overall record.

It’s about his obsession with “Minecraft,” the immensely popular video sandbox game that takes place in a world of 3D cubes representing raw materials such as wood, ores, stone and dirt. Players craft elaborate structures and — certainly in Tomlin’s case — full-blown cities.

At least one of Tomlin’s former players is astonished that he was able to construct a sprawling “Minecraft” community in the limited spare time enjoyed by an NFL head coach.

“we were tryna to win super bowls and coach T was on minecraft building cities,” former Steelers running back Le’Veon Bell wrote on X, adding a crying emoji.

Countless adults were introduced to the game by taking their kids to “A Minecraft Movie,” the 2025 film starring Jack Black, Jason Mamoa, Sebastian Hansen and Emma Myers that brought in a worldwide box office total of nearly $1 billion.

Tomlin got an earlier start, watching his middle school-age sons spending weekends playing the game in 2014, the same year the Steelers went 11-5 to begin a four-year streak of double-figure wins. His sons, Dino and Mayce, eventually outgrew the game, but Tomlin’s interest increased.

“At different times over the course of a 12-month calendar, I would have different levels of fixation on this, but it’s been a project that’s been ongoing for 12-plus years,” he said on the 19-minute video titled “Rooftops, Penthouses, and Urban Living.”

Tomlin said he preferred playing in creative mode, as opposed to survival, hardcore or adventure modes. He also said getting his mind off of football was good for his mental health.

“I kind of remember when I was building communities, neighborhoods, buildings, etc.,” he said. “But more than anything, it was therapeutic for me, some mindless entertainment. I’m not a big TV watcher. [“Minecraft”] allowed me to detach from the realities and pressures of life.”

The realities and pressures of coaching in the NFL include a 24/7 work mentality. Watching film and diagramming plays deep into the night. Sleeping on a cot in the team facility.

The attention to detail he brought to his day job was evident in his “Minecraft” creations.

“I was always really conscious of appropriate amenities,” Tomlin said. “You’ll find, you know, an appropriate number of public restrooms and stuff throughout all my public facilities. Not anything over the top in terms of detail: sink areas, stalls, etc. It was important that I represented that.”

Tomlin’s younger son, Mayce, a 24-year-old Columbia graduate, is having a kick on social media posting reactions to his father’s “Minecraft” reveal.

“Bro I used to come home sometimes and my PlayStation would just be gone. And I wasn’t in trouble😭😭😭” Mayce wrote on X.

Tomlin retired from coaching after the 2025 season and now works as an NFL studio analyst for NBC Sports on the pregame show “Football Night in America.” Presumably he has more time to devote to “Minecraft.”

“I like to build, I’ve always had an interest in architecture and so forth,” he said. “So I started doing this creative city. It was a means of spending time with [my children]. They participated. All over this city, all my kids have got buildings.

“Over the course of time, they got disinterested in the game. They were going to high school and off to college, and their participation became less and less over the years. My participation probably at times increased.”

Just last week, Joey Porter Jr. told reporters he “definitely” would play for the Pittsburgh Steelers this season despite a contract standoff and a lingering back issue.

That’s not going to happen. The Steelers have traded the fourth-year cornerback to Dallas for a second-round 2028 draft pick and a sixth-round 2027 pick, the Cowboys announced Thursday morning.

“Here I come…… Dallas,” Porter wrote on a post to his Instagram Stories early Thursday.

The son of a former Steelers great — Joey Porter Sr. won a Super Bowl with the Steelers during his 13 years as an NFL linebacker and spent several years with the team as a defensive coach — Porter was selected by Pittsburgh in the second round of the 2023 draft. He broke up 31 passes over his first three seasons.

Porter missed all of training camp and preseason while on the Steelers’ physically unable to perform list because of the reported back issues. During the same period of time, he and the Steelers were unable to come to terms on a contract extension on the rookie deal that was set to expire after this season. The Steelers do not negotiate contracts once a season has begun.

Since the season started, Porter has been a limited participant in practices but was inactive in all three games. As the Steelers prepared to face the Cleveland Browns on “Thursday Night Football” this week, Porter was listed as a full participant in practice, although the team added a back injury to Porter’s injury status on Wednesday.

Porter is the third Steelers player traded to the Cowboys in the last two years, following receiver George Pickens last year and offensive lineman Broderick Jones just before this season started. First-year Steelers coach Mike McCarthy was the Cowboys coach from 2020 to 2024.

Last year, a contract dispute led Dallas to deal star edge rusher Micah Parsons to the Green Bay Packers just before the start of the regular season.

The Associated Press contributed to this report.

When Brandon Hurst first decided to sell his plants on TikTok Live in 2023, the 32-year-old Sylmar resident didn’t know what to expect. He said he thought he could sell at least 30 plants, but instead sold 250.

Now, three years later, the internet creator, who goes by Brandon the Plant Guy, sells up to 5,000 plants a week, works out of a 3,000-square-foot greenhouse in Sylmar and has a staff of 13. He credits much of this success to the exposure he’s received on TikTok.

“I’d be out of business if it wasn’t for TikTok,” said Hurst. “I would have ended the business and gone back to working the desk job that I was working prior. I was already on that path, that was where we were headed. And then TikTok really did turn that around.”

Hurst is one of the 920,000 California-based businesses using the social media platform to reach new customers and grow their brands, according to new data from consulting firm PF Global.

In 2025, TikTok helped generate $12 billion in advertising and merchandise sales for those businesses and supported 52,000 jobs in the state, said the PF Global report, which was commissioned by TikTok.

Nationwide, economic activity on TikTok last year helped contribute $81 billion to some 8.5 million U.S. businesses, the report said.

The surge in activity reflects a growing trend toward online commerce, as more small businesses and consumers turn to social media platforms like TikTok to buy and sell goods.

“We enable American culture, American creators, American businesses, to reach an audience around the world,” said Nicole Mason, TikTok’s head of U.S. public policy, said during a presentation on Wednesday morning.

The new report comes as TikTok is increasingly eager to tout its economic impact as a newly formed U.S. joint venture. In January, the company was taken over by three managing investors: Silver Lake, Oracle and Emirati investment firm MGX, each holding 15%, with ByteDance retaining 19.9% of investments. This transition came after TikTok’s Chinese parent company, ByteDance, was under pressure to divest its ownership in the app’s U.S. operations or face a nationwide ban, due to security concerns.

Last month, TikTok also settled a $400-million lawsuit from the U.S. Department of Justice, ending a 2024 lawsuit alleging the company violated federal children’s privacy laws.

TikTok, which operates its U.S. headquarters in Culver City, where it employs several hundred workers, is mostly known for its viral, short-form vertical videos. But, over the years, the platform has become a hub of curated viral content and a central part of many businesses’ marketing strategies.

The app also has features like TikTok Live, where businesses can host live shopping events, and TikTok Shop, which serves as a direct-to-consumer online marketplace.

For its study, PF Global surveyed more than 11,000 adults in the U.S. and 5,000 businesses. The firm also conducted five case studies with U.S. small businesses and TikTok creators and interviewed over 600 people around the country. The data set combined that survey data with government statistics, industry research and TikTok’s own internal data.

PF Global recently published a similar economic report for the U.K. and is working on reports for 10 other European countries with TikTok.

Neil Ross, a partner at PF Global, said a common global theme is that TikTok users are more likely to see something on the platform and go out and do it.

“People around the world are using it as a kind of digital front door to work out where to go, what to shop, what experiences to have,” Ross said.

The U.S. report states that 27 million Americans “visited an independent shop, cafe or restaurant for the first time after seeing it on the platform.”

The app’s roots date to 2014, when an app called Musical.ly was launched in Shanghai. In 2016, Chinese tech company ByteDance launched a similar platform in China called Douyin.

As the apps grew in popularity, ByteDance picked up on their potential. It purchased Musical.ly in 2017 and combined all these platforms into one, named TikTok. Over the next few years, the app began its rapid ascent, hooking in users with a curated algorithm and viral trends. Today, 200 million Americans use TikTok every month, according to PF Global.

“On a daily basis, TikTok powers real economic impact across the United States, helping entrepreneurs grow their businesses, reach new customers, and create jobs across the country,” said Adam Presser, TikTok’s chief executive in a statement.

A BEAUTIFUL island off the coast of Dorset is closing to the public soon and you won’t be able to visit again until next spring.

Brownsea Island was said to have inspired Enid Blyton when writing her Famous Five novels.

Owned by the National Trust, the car-free island opens to the public in the summer months with direct boats from Poole Harbour.

These run every 30 minutes, costing around £15.

But the island closes to the public on November 1, and won’t reopen to the public until mid-March 2027.

You will also need to pay to visit the island which is an additional £12 although, National Trust members go free.

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But the island is popular with wildlife lovers, with exotic birds, deer and free roaming peacocks.

It has a huge red squirrel population too, with around 250, best spotted in the morning.

The 16th century Brownsea Castle, built by Henry VIII, is the main building on the island, but you won’t be able to stay there as it is sadly privately owned.

Instead there is the Brownsea Island Campsite, with 40 pitches in the summer, or a number of lodges sleeping from 2 to 12 people.

There is an adventure playground for kids, with everything from den building to obstacles.

You’ll have to leave the dogs at home sadly, as only assistance pets are allowed.

Daily guided tours take place too twice a day.

Otherwise you can fill your stomach at the Vilano Cafe which has snacks, drinks and a snack van in the summer.

Halloween season is arguably the most festive time of year in Los Angeles. Is it any wonder that a city that favors make-believe would take to a holiday that inspires elaborate set dressings and creative costumes, the latter a chance to take on a role other than ourselves?

Likely not, and whether you lean spooky or playful, the days and weeks leading up to Oct. 31 are filled with events, often with no costume necessary. Consider October an excuse to throw a massive, fall-related bash.

This season there are returning staples, such as “Carved” at Descanso Gardens and Universal Studios Hollywood’s Halloween Horror Nights, but also opportunities to explore Halloween’s campier side. Our penchant for the theatrical is well represented, and even newer Los Angeles institutions such as the Academy Museum are getting in on the autumnal fun.

Whether you’re seeking an event to charm or to inspire frights, there’s plenty our region has to offer.

The California I grew up in had its pluses and minuses, just like the state I’m living in now.

But consider this:

In 1974, I wrote a check for a semester of college.

The fee was $98.

That was the cost of registration, by the way. Tuition for in-state residents was free at San José State University and other public universities in California. The state’s leaders believed subsidized higher education would serve the greater good and seed economic growth.

Two years after graduating, I was working as a sportswriter for a small Bay Area newspaper. My spouse was a drug store clerk. Together we made less than $20,000 a year.

And we bought a brand-new house, 45 minutes east of Oakland, for just under $50,000.

In a thousand ways, we’re living in a different California today. Tuition and fees for a semester on a Cal State campus now run about $4,500, and the average mid-tier home costs about $775,000 in some places and far more in others, which is out of reach for nearly 80% of working people.

So as I watched the gubernatorial debate Wednesday night between the two men who want to lead us into the future, I was wondering which California is better in terms of hope, opportunity and livability?

The one I was born in during the postwar boom, or the one we’re living in now?

There’s no easy answer. The California of my youth was more affordable, but it was no utopian dreamscape. Housing discrimination and segregation were deep-seated, and the Los Angeles sky was the color of swamp water.

In the last half of the 20th century, California went on to become a global leader in technology, aerospace, the arts and healthcare, and its investment in public education helped build an economic superpower. Even the air got cleaned up, to a degree.

But for all of California’s riches and unrivaled natural beauty, it’s fair to say things are out of whack at the moment. How is it that the world’s fourth-largest economy also has the nation’s highest poverty rate?

There’s a flotilla of yachts, but millions of have-nots, and enough homeless people to fill stadiums. If we’re so progressive, and swimming in more venture capital than the rest of the nation combined, why are the masses crippled by a housing shortage and the high cost of living, and why did we build a soaring higher education model while letting our once exalted K-12 system sink in national rankings?

If California weren’t so lopsidedly blue, Republican candidate Steve Hilton might get a little more traction with a campaign built around the idea that there’s an easy explanation for the state’s misery of problems: Democrats have been in charge for years, they’ve mucked things up, and Xavier Becerra is yet another textbook California liberal who will stay the course.

“It’s impossible for regular working people to live in this state anymore,” Hilton charged during the debate, calling out over-regulation, the high cost of living, the housing shortage and a homelessness problem that “shames” our state. “And all you’re offering,” Hilton continued, “is more of the same, backed by the same corrupt machine in Sacramento.”

Becerra, meanwhile, kept handcuffing Hilton to President Trump, a good move, given that the president has helped launch an idiotic war, gummed up the economy, and seen his favorability plummet.

Hilton is not entirely off base, although there’s no evidence he has plausible solutions.

What he doesn’t tell you is that other states have their own problems, many of which have more to do with global economic forces — and President Trump’s war-mongering and tariff tirades — than with public policy decisions at the state level.

When I was a lad, my father drove a milk truck, and then a bread truck, and then he sold candy and tobacco for a wholesale distributor based in Oakland, near the Coliseum, where he’d take me to A’s games but save a few bucks by parking next to the railroad tracks a half-mile away from the parking lot.

His jobs were mostly unionized. Unions were plentiful in the private sector back then. My family saved up for a house while we lived in an apartment, and then I paid next to nothing for a college degree.

The boldness of that idea — a free education at an elite university, with a lofty if unfulfilled goal of equal access for all — is still a testament to California’s long-ago grand ambition, even if Gov. Ronald Reagan eventually ended free tuition.

In her new book, “California Dreams: The Making and Remaking of the University of California,” Miriam Pawel references a quote from UC Berkeley alum Joan Didion, who called the system “the most coherent expression of the California possibility.”

The staircase I climbed was the essence of what USC professor Natalia Molina called “the infrastructure” of upward mobility. In her immigrant family, her grandmother established an Echo Park restaurant that Molina wrote a book about — “A Place at the Nayarit” — and her mother ran the bar there after attending bartending school.

Molina went to UCLA, and is now both a MacArthur Foundation fellow (the “genius” grant) and a Guggenheim fellow.

“There’s not that same path for upward mobility,” Molina said. “But there sure seems to be a path for downward mobility.”

That brings me back to the economy, and lessons I learned in 2018, when I spent several weeks in and around Telfair Elementary School in Pacoima, looking into why nearly a quarter of the students were homeless.

The answer? Several once-bustling manufacturing and aerospace companies in the area had shut down. The new economy was fast food and big box stores. Pay dropped; housing prices spiked. It was a snapshot of a changing world — one we haven’t yet adapted to.

Modern politics is not built to foster long-term thinking about such challenges, said longtime political strategist Darry Sragow.

“What are the dreams, what are the aspirations, where do you want to go?” said Sragow, who doesn’t know the answers but would like to at least hear the questions. “I keep looking for somebody who will do that.”

Agoura Hills resident and attorney Dan Douglass, 80, who detests President Trump and isn’t a fan of Hilton, told me that as a moderate Republican, he feels like “a man without a party.” But he is not without an answer to California’s housing problem.

“They’ve made it too complicated to build anything,” Douglass said. “Too many permits. Too much time to build.”

He is not wrong.

Samuel Trachtman, a political scientist with the UC Berkeley Economy and Society Initiative, argues that despite recent legislative progress on the housing crisis, state policies are restricting growth and making California more unaffordable.

“California must reduce regulatory costs that fall disproportionately on low- and middle-income residents,” Trachtman wrote in a recent four-part analysis.

“The state has “long led the nation in regulations promoting safety, sustainability, and quality,” he went on. “These policies can produce strong benefits. But they can also drive up the cost of essentials — costs that hit the poor hardest. This amounts to regressively funded progressivism.”

California was, and is, a work in progress, richly endowed and deeply flawed. Fixing complicated problems isn’t easy, but what I’d like to see from the next governor is more of the striving, imagination and sense of collective purpose that made California great.

There’s no way and no reason to go back to the state of my youth, but Trachtman had a thought about where to go next.

“In some ways we can use the past as a model,” he told me. “But in other ways we need to be more innovative and think about charting a path forward.”

Toward the most coherent expression of the California possibility.

steve.lopez@latimes.com

Democrat Xavier Becerra and Republican Steve Hilton debated for 60 minutes Wednesday night on a soundstage in Burbank. Times columnists Gustavo Arellano, Anita Chabria and Mark Z. Barabak watched the gubernatorial match-up and weigh in.

Arellano: Steve Hilton came in with next to no chance of becoming the next California governor, but maybe if he focused on touting the feel-good messages he’s been spouting since launching his campaign in front of the Huntington Beach Pier earlier this year — Make California Gold Again! Califordable! I’m a Legal Immigrant with a British Accent! — he might’ve convinced at least a few voters to go with him.

Instead, Hilton debated like someone already preparing to launch a podcast or beg for his old Fox News job back after he gets walloped. When your solution for solving California’s housing crisis is building 10 new cities, you’re not running for California governor — you’re angling for an influencer job with the Irvine Co.

He whined and grumbled and grinned and quoted someone calling Becerra a “bitch ass,” which would’ve been a funny dig if he wasn’t running to run the greatest state on Earth. Hilton is charming in person, in the way all British people inevitably, initially come off as to Americans, and he has traveled to every California county — and especially to Latino-majority cities. He should’ve shared some of the many stories of hardship that I’m assuming he’s heard over the last year.

Nope! Instead, Hilton attacked Becerra again and again — why? California is a super-blue state, Latino Trump supporters notwithstanding, so Hilton should’ve tried to at least offer a reason for voters to choose him instead of saying — not completely inaccurately — that the problems Californians deal with are the fault of Democrats.

But blaming the other side only gets you so far — just ask Democrats how it worked out with them in 2024.

“We’ve got to try something different,” Hilton said in his concluding remarks. Californians agree — and his name is Xavier Becerra, who last I heard isn’t Gavin Newsom, no matter how much the California GOP is trying to convince people otherwise.

Becerra, meanwhile, didn’t offer much in terms of vision, mostly because he played defense most of the evening. But he didn’t have a major flub, except maybe raising a CNN coffee cup a few too many times. Why, Becerra sometimes even smiled — proof that he’s not some Chicano automaton. He hasn’t agreed to any more debates with Hilton — but after this blowout, Becerra should take the both of them on the road to make Hilton the next John Cox.

Chabria: Becerra came out as more of a fighter than we’ve seen before, even in the earlier Democratic debates. He held his own against Hilton, who is a skilled orator and attacker with a pointed wit and slick accent. But please, for the love of God, Hilton, button that shirt. This is not a casino.

Becerra was the clear winner, and to be honest, Hilton — usually a nimble pugilist — came across flat too much of the time. Maybe he’s already signed his Fox contract, as Gustavo suggests.

But Becerra also failed to lay out any kind of vision for the future of California. He did a good job of fending off Hilton’s attacks, but never told us what a vote for him will bring to the average Californian. There was some talk about housing, about protecting health insurance, but no big picture of what the California Dream of the future is and how we deliver it for the next generation.

I walked away from this debate certain that Hilton hadn’t gained a single voter, and equally certain Becerra hadn’t lost one. But also certain that Californians are rightfully disenchanted with this political moment because it offers little for the people who are voting. Becerra is going to ghost-coast into leading the most powerful state in the nation, and none of us will know what that will mean or why we should care one way or another.

Yes, there is a strong Legislature that will certainly keep the next governor focused on Democratic priorities. But what Becerra stands for remains a mystery that only the next four years will reveal. Let’s hope it has to do with our collective well-being.

Barabak: Xavier Becerra walked onto Wednesday’s debate stage as the overwhelming favorite to become California’s next governor.

Becerra exited the stage a little over an hour later, still the overwhelming favorite to become California’s next governor.

As the Democratic nominee in a state where Democrats enjoy big numerical, structural and political advantages — and have for decades — Becerra needed only to show up at CNN’s Burbank studio, field some questions alongside Hilton and avoid a Bidenesque disaster. (Even that might not have mattered.)

It was an exceedingly low bar, and one Becerra easily surmounted.

He was authoritative, crisp and kept on the offense most of the night, which raises the question of why his campaign handlers have been sheltering him up to now. Yes, it did get a bit repetitive when the Democrat’s response to so many questions amounted to: Trump, Trump, Trump! But that’s hardly surprising in a state where the president is about as popular as $6-a-gallon gas and $10-a-pound hamburger.

What was surprising was Hilton’s failure to do more to unshackle himself from the ball-and-chain sitting in the White House.

He allowed a smidgen of daylight here and there, but not enough to doff the MAGA mantle Becerra has draped around him. If anything, Hilton yoked himself even closer to Trump, sounding at times like his wacky Health secretary, Robert F. Kennedy Jr,. as he talked about vaccines — Hilton said he was for them, but also favored more parental discretion — and re-litigated masking and other pandemic policies from the Biden administration.

Hilton’s most effective moments came when he asked why unhappy California voters should expect anything different if they keep electing Democrats. Not an unreasonable question. Trump Lite, however, doesn’t seem like the remedy most are looking for.

Little to nothing seems likely to change as a result of Wednesday night’s encounter. Still, it was important to give California voters an opportunity to take the measure of the two gubernatorial hopefuls side by side and hear — in something more than a 30-second commercial — how they would lead the state.

It’s far more probable than not Becerra will be the candidate voters choose on Nov. 3. But for those who don’t like Becerra’s vision, his record, Democratic affiliation or, heck, his glasses or salt-and-pepper hair, Hilton offered an alternative — albeit more of a grouchy one than the happy warrior who’s appeared on the campaign trail.

Hilton gave it his best shot. Becerra ably deflected him.

The leader of the world’s biggest band is nervous.

“I think I revised this speech about 10 times, but somehow the more I worked on it, the more confused I became, like always,” said K-pop star and BTS rapper RM on Tuesday at a preview of a show he has co-curated at San Francisco Museum of Modern Art called “RM x SFMOMA: Between You and Me”

Three years ago, RM held an anonymous show in South Korea, but this is the first proper exhibition he has staged. For many of his fans — some of whom wait outside the museum trying to get a glimpse of him — his favorite activities, including museum-hopping, bicycling and being out in nature, come as no surprise. There is even a word for it: “namjooning,” a play on the singer’s first name, Namjoon. But still, the exhibition is the rare chance to view RM as a serious art collector; someone who values Korean identity in art but also loves works from many genres, eras and countries.

Philip Guston, Untitled (Red and Black Book), 1969; from the collection of RM.

(The Estate of Philip Guston / Hauser & Wirth)

Dressed in a gray T-shirt, dark collared shirt and leather pants, RM’s hair is a light burnt sienna color matching the fur of the stylized tiger on the screen behind him. From a 17th century painting by Lee Won-chan, it’s from his personal collection of more than 400 artworks. For this exhibition, 142 pieces owned by RM will be shown alongside 36 works from SFMOMA for a total of 178 works on display.

RM sees “Between You and Me” as an introduction to his inner life and reflection of contrasting aspects of his personality, whether as a public figure interacting with his adoring fans or an erudite intellectual and avid reader with a reputation as a clumsy and lovable goofball.

RM was on a hiatus from BTS and on the cusp of beginning his mandatory military service in South Korea when SFMOMA first approached him for the project two years ago. As it came to fruition, he sought to answer two main questions when contemplating which works of his collection to share with the public.

Does the artwork move him deeply? And, if the work is from a noncontemporary artist, does the piece have something to communicate in 2026?

“In an age where everything is consumed so fast,” RM explained, “I believe the attitudes of some of the past artists can resonate even more deeply today.

“I’ve always dreamed of seeing different places, times, boundaries and backgrounds all mixed together in harmony,” he continued. “It could be a mess because I’ve never formally studied, and I’m not a ‘curator, curator,’ but in any field sometimes an outsider can bring in a new breeze.”

Wonwoo Lee, “Candy,” 2023; from the collection of RM

(Wonwoo Lee / PKM Gallery)

It’s not RM’s first time working with a museum. In 2023, he partnered with Los Angeles County Museum of Modern Art to provide guided audio narration for “The Space Between: The Modern in Korean Art”.

At SFMOMA, RM was joined in his effort by two co-curators: SFMOMA project manager América Castillo and assistant curator of painting and sculpture Hyoeun Kim.

Kim, who has long championed Korean artists internationally, was particularly impressed with the diversity of Korean art that RM has amassed, including its “remarkable range.”

“His collection began with 6th century works, moved through the Joseon Dynasty, and continued to major Korean modern and contemporary art. It spans nearly 1,500 years,” Kim said during the preview.

The show is arranged in eight parts and begins with a large white wall at the entrance with the title of the show scrawled in RM’s handwriting. Handwritten touches are found everywhere — “Plz take it in with your eyes and heart” is scribbled on the floor in both English and Korean. The wall text for each piece, which also includes a QR code for audio narration, is composed by RM in both languages.

An inscription on the floor of an SFMOMA exhibit curated by RM of BTS features RM’s writing as part of the wall (and floor) text.

(Christine Terrisse.)

Guests will also receive a zine-style pamphlet with the same homespun appeal explaining each of the eight sections in RM’s words alongside a diagram of the room.

“Blue Water” centers the work of Kim Whanki, the late globe-trotting abstract artist and the first RM says he “fell for.” In addition to Whanki and works by Vija Celmins and Tony Feher, some RM fans might recognize one of Roni Horn’s glass cylinder sculptures from a now-archived Instagram post where it was casually displayed in RM’s apartment.

There’s even a room filled with especially eclectic pieces called “i don’t know..but i like it.” By way of explanation, RM said, “Sometimes I don’t really know why I collected all these things.”

The last room, “Umber” or “Dasaek” (referring to the color of Korean rice fields) might be the most meaningful to the singer. It features works by the late artist Yun Hyong-keun, for whom RM has a particular personal affinity. The cover for his debut solo studio album, “Indigo,” depicts Hyong-keun’s 1972 painting “Blue,” and the album’s lead track, “Yun,” a collaboration with Erykah Badu, kicks off with recorded dialogue from the artist.

Back in 2018, around the same time RM began his art journey with not much formal training in art history, co-curator Castillo began her career with SFMOMA.

At the time, she was in awe of the power of art to connect with people, but frustrated that more people from unconventional backgrounds weren’t being given opportunities to curate major shows, thereby shaping the stories told. Her work on this exhibition is part of a continuing mission to bridge the art world and the ordinary person.

Chang Ucchin, “Road,” 1986, from RM’s collection.

(Chang Ucchin Foundation / Seoul Auction)

This mission guided her through the process of selecting works by famous artists from SFMOMA’s collection to contextualize RM’s pieces from lesser-known but equally important names.

“The first time we pulled a list on the SFMOMA side, we had like 500 options we then dwindled down,” she said in an interview while standing in the “Umber” room. “There were some artworks and specific artists that we knew from the get-go we wanted to be in the show. We wanted them to have a moment. Mark Rothko was definitely one of them.”

The sole Rothko piece in SFMOMA’s collection, “No. 14,” (1960) is featured in one of the final rooms in the exhibition. Adjacent to it is “untitled” (1986-90) by Hyong-keun. In the exhibit pamphlet, RM notes that Hyong-keun’s paintings are often compared to Rothko’s, but “their darkness is not the same.” “To my eyes, if Rothko’s darkness is one that ‘opens’ then Yun’s is the darkness that remains after he endured everything he possibly could,” he writes.

As RM steps into the spotlight of the art world, he is learning to become comfortable with the uncomfortable in-between spaces he occupies. “I started this with an innocent heart. As I’m standing here talking to you, I still feel like I’m always drifting and floating somewhere, ” he said, adding that the feeling comes when he’s in the U.S. but also when he’s in his hometown of Seoul. “It’s not a very pleasant feeling. I think I’ve leaned on art a lot because of that feeling.”

Before the preview, BTS fans, called the ARMY, passed out small gifts to the press, and afterward donors lined up for a special reception. RM’s mother, father and sister even arrived to celebrate, but he didn’t have much time to hang around. He was scheduled to depart for Bogotá, Colombia, to join his bandmates on the Latin American leg of their ARIRANG stadium world tour.

It is time to leave the quiet of the museum for the roar of the crowd.

“RM SFMOMA: Between You and Me” opens to the public on Oct 3, and runs through Feb.7, 2027. For more information visit sfmoma.org

A federal judge in Oakland has approved a settlement that allows Paramount Skydance Chief Executive David Ellison to finalize his $111-billion acquisition of Warner Bros. Discovery.

U.S. District Judge Araceli Martínez-Olguín on Wednesday signed a settlement agreement, effectively ending an antitrust lawsuit brought by California Atty. Gen. Rob Bonta and 11 other state attorneys general who initially fought the formation of a new Hollywood colossus.

The judge did not offer additional conditions to an agreement struck last week between Paramount and the states, instead allowing Paramount’s negotiated settlement terms to stand.

“The Court finds the proposed settlement agreement reflects a procedurally sound resolution,” Martínez-Olguín wrote in her order.

Ellison is aiming to finalize the merger early next week, capping his meteoric rise into one of the industry’s most influential figures. The Ellison family claimed Paramount and CBS last year, and will now add HBO, CNN, TBS, HGTV and the film and television studio with rights to Batman, Harry Potter, Fred Flintstone, “Friends” and “The Pitt” to its sprawling media and entertainment portfolio.

His father Larry Ellison, through his company Oracle Corp., also owns a substantial stake in the social media app TikTok and is among the tech giants supporting development of artificial intelligence.

The settlement agreement, which spans five years, requires the combined Paramount-Warner Bros. to release at least 30 films in theaters each year, commit an additional $1.5 billion to domestic film production and set aside $47.5 million for workers who may be adversely affected by the merger. It calls for the creation of a five-member panel to monitor editorial independence of CBS News and CNN, although critics note the Ellisons control board appointments, diminishing its independence.

The agreement, known as a consent decree, also stipulates that Paramount won’t sell or close its Melrose Avenue campus in Hollywood or the larger Warner Bros. lot in Burbank. The combined company must instead operate the historic facilities “in a manner consistent with past practices” for at least five years.

Paramount will also face restrictions on how it wields clout during negotiations for distribution of its basic cable TV channels. An independent monitor is expected to oversee implementation of the settlement terms.

The merger has been unpopular in Hollywood and critics denounced the settlement as weak. Opponents accused Bonta, who led the negotiations with Paramount, of caving into pressure from Gov. Gavin Newsom and Los Angeles Mayor Karen Bass, who publicly urged Bonta to abandon his court fight.

“Our settlement with Paramount resolves our antitrust concerns in every market we brought in our case, protects competition and consumer choice, and centers the needs, concerns, and futures of California workers,” Bonta’s office said in a statement.

Los Angeles County’s Department of Economic Opportunity has estimated that the merger will result in the loss of 4,500 local jobs as Ellison seeks to integrate the two entities and cut costs. Paramount has promised investors that it will shave $6 billion in spending within three years.

“Allowing the Paramount Skydance-Warner Bros. Discovery merger to move forward with no meaningful structural remedies will cost jobs, mute creativity, weaken independent journalism, and damage our First Amendment rights,” the Block the Merger coalition said Wednesday in a statement.

Sen. Cory Booker (D-N.J.) last week urged Martínez-Olguín to order an independent review to evaluate the strength of the proposed settlement terms and determine whether the pact adequately addresses alleged violations of the Clayton Antitrust Act.

During a Thursday hearing, Martínez-Olguín questioned key deal tenets, including the five-year length of the agreement and the value of the Miramax film studio, which Paramount agreed to divest should the company fall short of its film goals. She also asked why the state attorneys general dropped so many of their initial demands in pursuit of a settlement with Paramount.

“In years to come, we’ll be able to point to this failure to put consumers over the monied interests of corporate consolidation as the tipping-point moment for media in this country,” the Block the Merger coalition said in its statement.

The judge noted that she recognized the deep disappointment by merger opponents, and heard their concerns about news independence and a potential lack of diversity in storytelling when the two studios consolidate.

“But these hopes and desires for the proposed consent decree to reach farther — to achieve more — do not rise to the level of legal violations upon which the Court can reject the parties’ negotiated resolution,” Martínez-Olguín wrote.

The lawsuit resolution ends months of acrimony over Ellison’s deal for Warner Bros. Discovery, which was stalled for two months after Bonta and 11 other state attorneys general sued, arguing the combination would violate U.S. antitrust law and thwart competition. The Writers Guild of America lobbed its own antitrust lawsuit in an attempt to foil the merger.

But Paramount dug in, and its lobbying reached a crescendo by early September. A parade of state and local politicians, including Bass and others, urged a settlement due to fears that Paramount might follow through on its threat to leave California unless Bonta retreated.

Bonta and his coalition then worked behind the scenes to hammer out a settlement with Paramount, which was announced Sept. 21.

Paramount’s bankers have since been pricing bonds and lining up loans needed to finance the buyout of Warner Bros. Discovery shareholders at $31 a share. Ellison’s team had hoped to price the offering months ago, and interest rates have since climbed.

Paramount is selling about $44 billion of bonds and $7.5 billion in loans to finance the takeover, according to Bloomberg, which said the combined company will have more than $87 billion of investment-grade and high-yield debt.

Larry Ellison has promised to guarantee $47.5 billion in equity that his son needs to close the deal. Three Middle Eastern sovereign wealth funds, representing royal families in Saudi Arabia, Abu Dhabi and Qatar have agreed to invest $24 billion in the merged company, giving them a substantial stake in the new Paramount-Warner Bros.

Paramount separately announced Wednesday that Mattel Chief Executive Ynon Kreiz would soon join the merged company as co-chief executive, running Paramount-Warner Bros. day-to-day operations. Friday will be Kreiz’s last day at Mattel.

Golfer Phil Mickelson checked himself into a facility earlier this year “seeking treatment for family trauma and addiction,” a representative for the six-time major championship winner said in a statement to news outlets on Wednesday.

Mickelson, 56, reportedly is no longer at the facility. No information about the specifics of his stay or details about his reasons for entering the program have been made available.

In February, Mickelson announced that he would miss the first two LIV Golf events of the year because he and his wife, Amy Mickelson, “need to be present for a family health matter.”

The only tournament the golfer known as Lefty has competed in this year was LIV Golf South Africa, where he finished at 7-under par and tied for 48th place, in March.

The following month, Mickelson announced he was withdrawing from the Masters and that he would “be out for an extended period of time as my family continues to navigate a personal health matter.”

In June, Golf Digest reported that a female member of the staff at the Farms Golf Club in Rancho Santa Fe had accused Mickelson of making “nonconsensual and inappropriate physical contact” with her months earlier.

Mickelson hired defamation attorney Tom Clare, who said video evidence contradicted the allegations.

In response to the Golf Digest report, a Mickelson spokesperson said in a statement: “Any misunderstanding has been cleared up. Phil continues to attend to a family health matter and is uncertain when he will be able to return to professional golf.”

A longtime gambling enthusiast, Mickelson admitted in a 2023 Instagram post that at some point he had “crossed the line of moderation and into addiction” but was “back on track to being the person I want to be.”

“After many years of receiving professional help, not gambling, and being in recovery from my addictions, I’m now able to sit still, be present in the moment and live each day with an inner calm and peace,” Mickelson wrote. “I still have a lot of cleaning up to do with those I love the most but I’m doing it slowly and as best I can.”

Sept. 30, 2026 2:13 PM PT

SIOUX FALLS, S.D. — Former Department of Homeland Security Secretary Kristi Noem has filed for divorce from her husband of 34 years.

Noem, who was tasked with leading President Trump’s immigration crackdown from January 2025 to March 2026 and previously served as South Dakota’s governor, is seeking a divorce from Bryon Noem in their home state. The two married in May 1992 and have three children.

The filing, made in April but posted online Monday, comes after questions arose earlier this year about the nature of Kristi Noem’s relationship with a top advisor. The complaint, filed in Hamlin County, notes “irreconcilable differences” as grounds for the divorce.

In a statement, Kristi Noem’s attorney confirmed she has filed for divorce and said she will reserve further comments for the legal process. Lawyers for Bryon Noem did not immediately respond to requests for comment.

A day before Noem was ousted from her post in Trump’s Cabinet, members of Congress questioned her about an alleged extramarital affair with Corey Lewandowski, a special government employee and one of the secretary’s lead advisors. He was Trump’s first campaign manager in 2016 and appeared to play an outsize role in Noem’s department, even though his position was supposed to have a limit on days worked.

Noem denied the allegations that they were having an affair, dismissing them as “tabloid garbage.”

Once a close ally to Trump, Noem became a liability for the Republican president as questions arose over her conduct following the shooting deaths of two protesters in Minneapolis at the hands of immigration officers. Noem characterized Renee Good and Alex Pretti, both U.S. citizens, as aggressors, contradicting videos from the scene and descriptions of their deaths from bystanders. She also faced criticism from fellow Republicans for her spending at her department.

Trump nominated Markwayne Mullin, then a U.S. senator from Oklahoma, in Noem’s place and made her a special envoy for the Shield of the Americas, a new security initiative focused on the Western Hemisphere.

Schoenbaum and Raza write for the Associated Press. Schoenbaum reported from Salt Lake City, Utah.

Sept. 30, 2026 1:27 PM PT

QUANTICO, Va. — Defense Secretary Pete Hegseth confirmed Wednesday that the U.S. military will cut 20% of its generals and admirals as he delivered what he is calling his “State of the Force” address.

Hegseth was speaking to junior officers and enlisted leaders at the Marine Corps Base Quantico in Virginia, the second year in a row that he has given such an address. This time, the U.S. military is seven months into a war with Iran with no clear end in sight, has captured Venezuelan leader Nicolás Maduro and killed more than 200 people in strikes on alleged drug trafficking boats in Latin America, among other actions worldwide.

The speech is not a usual fixture among Pentagon leaders. While Hegseth’s predecessors regularly addressed troops and top officers, they traditionally have done so in small or private settings.

The Pentagon chief, however, again focused on how he has drastically retooled the U.S. military by targeting what he calls “woke” culture — through a rollback of diversity programs, a review of ground combat units with female troops and a new screening program for “testosterone deficiency” among male personnel.

Pentagon officials had previewed that Hegseth would announce more cuts to the number of generals and admirals. He directed all military services to double the 10% reduction he ordered last spring for roughly 800 flag and general officer positions, making it a total 20% decrease to be completed by Jan. 1.

“I call it accountability and long overdue,” he said.

Several senators viewed Hegseth’s move as nothing short of a “purge” of the military’s top ranks that will take years to rebuild.

“He’s got some kind of like deep-seated grievance about leadership in the military,” said Sen. Mark Kelly, D-Ariz., the former Navy combat pilot and NASA astronaut, who has been critical of Hegseth. “He’s purging a generation of great leaders of the military, and it’s going to take a generation to recover from it.”

Republican Sen. Mike Rounds of South Dakota, a member of the Senate Armed Services Committee, said he wanted to understand Hegseth’s reasoning behind the decision.

“If it’s simply a matter of eliminating a very heavy top, there may be some validity to it, but I want to see it first,” Rounds said.

Hegseth and President Trump already have fired or pushed to retire more than two dozen military leaders since taking office, including the Army’s top uniformed officer, Gen. Randy George, a move that angered both Republicans and Democrats in Congress. The purge also has included a number of senior officers who are women or people of color.

Previous leaders who were ousted include Joint Chiefs Chairman Gen. CQ Brown; Chief of Naval Operations Lisa Franchetti; and Vice Adm. Shoshana Chatfield, the U.S. military representative to the NATO Military Committee.

Although Hegseth never gave specific reasons for those firings, most were tied to the belief that they endorsed or spoke openly in support of diversity, equity and inclusion programs, which have been targets of Hegseth and Trump.

As part of last year’s cuts, Hegseth also ordered the active duty military to shed 20% of its four-star general officers — the highest-level leaders — and the National Guard to shed 20% of its top positions, but it is unclear if all those cuts have been made. The new cuts could include any one-star general or above, or an officer of equivalent Navy rank.

When Hegseth first announced the effort to trim the highest levels of the military ranks, he argued it was intended to remove “redundant force structure to optimize and streamline leadership.” In a memo released in May 2025, he said the aim was to free the military from “unnecessary bureaucratic layers.”

The number of general officer positions in the military is set by law, but it is possible to let positions remain unfilled by not submitting replacements to Congress.

Hegseth’s efforts have extended well beyond personnel changes among the top ranks. He oversaw Trump’s ban on transgender troops while announcing new directives for “gender-neutral” or “male-level” standards for physical fitness.

Toropin and Finley write for the Associated Press. AP writers Lisa Mascaro and Meg Kinnard contributed to this report.

The 39th annual Hispanic Heritage Awards — which will honor the contributions and accomplishments of Latinos in the U.S. and Latin America — will air nationwide Friday on PBS.

In a historic decision by the Hispanic Heritage Foundation, which presents the annual awards, the event departed from its home base of Washington. Instead, Latino luminaries gathered at the Orchestra Hall in Minneapolis, where the celebratory occasion was taped for broadcast Sept. 10.

The move to the Midwest was a timely decision for members of the Hispanic Heritage Foundation, a nonprofit organization established by the White House in 1988. They took into consideration Minnesota’s response to a large-scale immigration enforcement campaign that began in December, known as “Operation Metro Surge.”

“We went to Minneapolis because we wanted to recognize what’s great about our community, [our] courage, resilience, strength, unity and looking out for each other,” said Antonio Tijerino, president and CEO of the Hispanic Heritage Foundation, in a phone call with De Los.

The Department of Homeland Security called the undertaking the “largest DHS operation ever” earlier this year on X, with an estimated 2,000 agents deployed to the Minneapolis–St. Paul metropolitan area. Thousands of Minnesota residents rallied against the tactical and militant methods used by Immigration and Customs Enforcement agents.

Civil unrest hit a boiling point following the killings of Renée Good and Alex Pretti on Jan. 7 and 24, respectively, by federal agents.

“ We actually went with a delegation of national Latino leaders to offer our support of the community during this crisis and we were overwhelmed by the heroism,” said Tijerino, who recalled a group visit to Minneapolis in February. There, he and his colleagues learned more about the rapid response efforts underway in the city.

“It was an American story that we wanted to tell,” he added.

At the 39th ceremony, Los Tigres del Norte presented a bit of that story to the people of Minnesota — who were collectively honored with the Humanitarian Award.

“Peaceful, hard-working communities of immigrants and refugees found themselves in fearful chaos as more than 4,000 parents, grandparents, neighbors, friends and families were taken by force, U.S. citizens among them,” Los Tigres del Norte announced in English while presenting the award. The players closed the show with a rendition of their 1984 song “Jaula de Oro,” which speaks to the plight of the undocumented community.

“I think Minnesota [is] a reflection of all of our Latino communities across the nation,” said Henry Jiménez, president and CEO of Propel Nonprofits, who was one of the individuals on stage representing the people of Minnesota.

“It uplifted the people. I think people felt validated for all of their hard work and effort that they’ve had to endure, not just the last couple months, but really a lifetime of work,” said Jiménez, whose organization helps consult and raise funds for budding nonprofits.

The relocation of the Hispanic Heritage Awards also comes as D.C. deals with the temporary closure of the John F. Kennedy Center for the Performing Arts — which hosted the Hispanic Heritage Awards in years prior.

The Kennedy Center closed its doors indefinitely on Sept. 15 after an inspection found acute public safety concerns, among them roofing issues. In a letter to Congress, various former employees allege that leadership was aware of the issues but halted plans for repair in April.

The closing also comes after a federal judge blocked the board’s decision to include President Trump’s name on the building in September. Trump’s takeover of the Kennedy Center began in February 2025, when he dismissed half its board members and installed himself as chairman.

“We were [at the Kennedy Center] for a very long time. It brought a lot of prestige and to fill a historic venue like that with Latinos was wonderful,” said Tijerino. “After many years of being at the Kennedy Center, we decided we wanted to go to another venue.”

In April 2025, the Hispanic Heritage Foundation announced that it would host its 38th annual awards at the Warner Theater instead; previous versions of the ceremony have also taken place at the historic Warner Theater venue, including in 2015 for the 28th Annual Awards and 2017 for the 30th celebration.

Hosted by comedian Anjelah Johnson-Reyes, the other honorees of the 39th Hispanic Heritage Awards included Venezuelan artist Oscar D’León, the salsa singer behind notable hits such as “Llorarás” and “Me Voy Pa’ Cali,” who received the Legend Award for his lifelong contributions to the genre.

Chilean singer-songwriter Mon Laferte, the vocal powerhouse behind power ballads like “Tu Falta de Querer” and “Amárrame (feat. Juanes),” also received the Social Justice Award. The Latin Grammy-winning artist has long championed feminist causes and challenged sexual harassment in the entertainment industry — a topic central to her 2024 Netflix documentary, “Mon Laferte, Te Amo.”

Puerto Rican rapper Eladio Carrión, whose trap flow famously featured in songs like “Coco Chanel” with Bad Bunny and “Sigue Bailandome,” was also honored with the Inspira Award.

Mexican singer-actor Ximena Sariñana, whose early composition appeared on the soundtrack of the 2002 teen film “Amar Te Duele,” received the Music Award as well.

Following the success of their Minneapolis awards show, the Hispanic Heritage Foundation is now toying with the idea that the ceremony can take place anywhere where there is a strong Latino presence.

“Who knows if L.A. is the [next] spot!” said Tijerino, who hails from Long Beach,

Though Jiménez assures that he is not swayed by any particular city at the moment, he offers one idea: “I hope that the community that’s chosen [to host] doesn’t have to go through a difficult time to be chosen.”

Hi, and welcome to another edition of Dodgers Dugout. My name is Houston Mitchell. A good Tommy Lasorda quote: “There are three types of people in the world. Those who make it happen, those who watch it happen and those who wonder, ‘What happened?’ ”

Some random questions

While we await the winner of the Braves-Phillies series, it’s time to get a different viewpoint. I reached out to Times columnists Mirjam Swanson and Bill Plaschke to get their answers to a few Dodgers questions.

Q. Which team is the one the Dodgers would rather avoid playing in the NL playoffs?

Swanson: The San Diego Padres, actually. Weird stuff happens with rivalries. Weird stuff has happened against the Padres. Add a rivalry to the high-stakes NLCS? Guaranteed weirdness.

So the Padres concern me more than the Brewers, a talented group headlined by ace Jacob Misiorowski that nonetheless does itself in with its poor-little-us talk. The Padres have swagger — and substance — and they just finished the season on a heater, going 41-18 to close the season.

I still like the Dodgers in that series, and then against whomever comes out of the American League too.

It’s the NLDS that’s of most concern — less for who the opponent will be and more for the fact that it’s a best-of-five series. That squeezes the already small sample size of a playoff series and makes it so there’s less room for error and more room for baseball to happen.

Plaschke: The one team the Dodgers should avoid playing is the Philadelphia Phillies. They have all those left-handed starters who can shut down the best Dodger hitters. They only lost the NLDS to the Dodgers last year because one of their relief pitchers lost his mind. They have a veteran lineup that is long overdue. Play them at your peril.

Q. Does Josue De Paula find a space on the postseason roster, and what do they do with him next year, with the positions he plays seemingly taken?

Swanson: Yes, absolutely, JDP will be on the roster in the postseason. For his incredible energy. For his incredible bat. Both much-needed.

Next year? Are they going to play professional baseball next year?

OK, let’s hope they do play ball. And as long as they do, I can see the Dodgers giving De Paula run in the outfield — so long as he puts in the work in the offseason (however long that is) to train and study and make himself a playable outfielder.

His hitting is so elite, he needs only to be a competent fielder to justify his regular presence in the lineup. He’s a great young athlete and if he understands and tackles the assignment with the gusto that he approaches hitting, I don’t see what could hold him back.

Plaschke: De Paula has to be on the roster this October and in a position to take some high-leverage at-bats. I think he’s potentially good enough that you trade Teo and put him in left.

Q. How would you rank the bullpen in terms of trust (top three)?

Swanson: Roki Sasaki and Edgardo Henriquez are both coming back from injuries and basically jumping right into the postseason fire so … fingers crossed. But let’s assume Sasaki’s blister is a thing of the past, as it appears to be, and that Henriquez’s back isn’t aching, I’ll pick them and make a call for Evan Phillips, who looks great and looks like he’s feeling great; I just saw him hit 100 mph for the first time this season, striking out the San Diego Padres’ Jackson Merrill looking in the Dodgers’ loss Thursday.

Plaschke: In the bullpen I trust, in order, Roki Sasaki, Alex Vesia, and Evan Phillips. I don’t trust Tanner Scott. Would you?

Q. The Dodgers won last year despite not getting a first-round bye. So was it really important for them to get the bye this year?

Swanson: Yes! This team is “old.” They know it, everyone knows it — and they know they’ll benefit from getting off their feet for a few days. To them, it’s a reward for a job well done. As a thankful Freddie Freeman chuckled Thursday night: “Rest for all of us is always nice. We’ve been grinding since February, getting ready for the season. Then you go through a 162-game schedule. It’s a lot. So we played really good baseball for six straight months and we get rewarded for that. So we’ll take it in, rest up and get ourselves ready to go for Saturday.”

Plaschke: The bye is hugely important. This is the oldest team in baseball. This is the most exhausted team in baseball. They desperately need those five days off.

Q. Finally, predictions. Who wins the World Series this year?

Swanson: The club that won the past two World Series.

Plaschke: Milwaukee wins the World Series. Nobody beats the Miz.

Who makes the roster?

We will predict the postseason roster after we know who the Dodgers are playing, but, it appears the final two spots among position players could come down to Josue De Paula, Alex Call, Dalton Rushing and Hyeseong Kim. Which two would you choose to make the team?

Click here to vote.

The last two weeks

Who is hot and not heading into the postseason? Numbers over the last two weeks for the team:

Alex Freeland, .385/.556/.692, 18 plate appearances, 1 double, 1 homer, 1 RBI
Josue De Paula, .385/.529/.692, 34 PA’s, 3 doubles, 1 triple, 1 homers, 7 RBIs
Will Smith, .382/.488/.706, 41 PA’s, 2 doubles, 3 homers, 5 RBIs
Mookie Betts, .340/.431/.640, 58 PA’s, 6 doubles, 3 homers, 8 RBIs
Andy Pages, .333/.458/.722, 24 PA’s, 1 double, 2 homers, 5 RBIs
Kyle Tucker, .292/.393/.521, 56 PA’s, 2 doubles, 3 homers, 5 RBIs
Teoscar Hernández, .286/.352/.490, 54 PA’s, 1 double, 3 homers, 6 RBIs
Kike Hernández, .261/.292/.435, 24 PA’s, 1 double, 1 homer, 3 RBIs
Shohei Ohtani, .238/.273/.286, 22 PA’s. 1 double, 1 RBI
Miguel Rojas, .231/.310/.385, 29 PA’s, 1 double, 1 homers, 3 RBIs
Freddie Freeman, .220/.245/.220, 53 PA’s, 4 RBIs
Max Muncy, .205/.286/.364, 49 PA’s, 4 doubles, 1 homer, 5 RBIs
Tommy Edman, .186/.265/.349, 50 PA’s, 1 double, 2 homers, 8 RBIs
Alex Call, .091/.167/.182, 12 PA’s, 1 double, 1 RBI
Hunter Feduccia, .063/.286/.063, 16 PA’s, 1 RBI
Dalton Rushing, 0 for 3
Team, .265/.356/.455, 25 doubles, 1 triple, 21 homers, 4.57 runs per game

Pitchers

Emmet Sheehan, 0.00 ERA, 11.1 IP, 3 hits, 2 walks, 14 K’s
Alex Vesia, 1-0, 0.00 ERA, 6.2 IP, 1 hit, 1 walk, 9 K’s
Edwin Díaz, 0.00 ERA, 5 IP, 1 hit, 1 walk, 9 K’s
Kris Bubic, 1-0, 0.00 ERA, 4.2 IP, 4 hits, 5 K’s
Landon Knack, 1-0, 0.00 ERA, 4 IP. 4 hits, 2 K’s
Roki Sasaki, 0.00 ERA, 3 IP, 2 hits, 6 K’s
Kyle Hurt, 0.00 ERA, 2 IP, 1 hit, 2 K’s
Justin Wrobleski, 1-0, 1.35 ERA, 6.2 IP. 6 hits, 7 K’s
Yoshinobu Yamamoto, 1-1, 1.38 ERA, 13 IP, 6 hits, 3 walks, 11 K’s
Blake Snell, 1.80 ERA, 5 IP, 6 hits, 4 K’s
Tarik Skubal, 3-0, 1.89 ERA, 19 IP, 14 hits, 3 walks, 22 K’s
Evan Phillips, 1-0, 3.60 ERA, 5 IP, 2 hits, 8 K’s
Tyler Glasnow, 1-1, 3.65 ERA, 12.1 IP, 6 hits, 4 walks, 21 K’s
Bobby Miller, 4.15 ERA, 4.1 IP, 4 hits, 2 walks, 6 K’s
Brock Stewart, 4.50 ERA, 4 IP, 4 hits, 1 walk, 5 K’s
Blake Treinen, 4.91 ERA, 3.2 IP, 5 hits, 2 walks, 3 K’s
Tanner Scott, 0-1, 5.06 ERA, 3 saves, 5.1 IP, 5 hits, 2 walks, 10 K’s
Jack Dreyer, 5.68 ERA, 6.1 IP, 6 hits, 3 walks, 5 K’s
Seth Halvorsen, 0-1, 9.00 ERA, 3 IP, 4 hits, 3 K’s
Edgardo Henriquez, 27.00 ERA, 0.2 IP, 3 hits, 1 walk, 1 K
Team, 10-4, 2.38 ERA, 3 saves, 125 IP, 87 hits, 25 walks, 153 K’s

Bracket time

Every year around this time, this newsletter mentions Makenna Martin, who holds an online bracket (much like the NCAA bracket) where people can fill out their choices for the best-looking Dodger. She added a charitable aspect to it, raising money for a charity for women who are the victim of domestic violence.

Martin, now a college graduate, has continued the bracket, and this year is using it to raise money for “Peace Over Violence,” another charity that helps victims of domestic abuse. You do not have to donate to take part in the bracket challenge. Whether you donate or not, it’s a lot of fun to do. There’s also a raffle to raise funds, with a lot of Dodgers prizes to win. A tip of the cap to Martin and to all young people who try to make the world just a little bit better.

You can find the bracket here.

Donate and take part in the raffle here.

Up next

Saturday: Atlanta/Philadelphia at Dodgers, 1 p.m. or 6 p.m., Fox/FS1, AM 570, KTNQ 1020

Sunday: Atlanta/Philadelphia at Dodgers, 5 p.m., Fox/FS1, AM 570, KTNQ 1020

Tuesday: Dodgers at Atlanta/Philadelphia, TBD, Fox/FS1, AM 570, KTNQ 1020

*Wed., Oct. 7: Dodgers at Atlanta/Philadelphia, TBD, Fox/FS1, AM 570, KTNQ 1020

*Friday, Oct. 9: Atlanta/Philadelphia at Dodgers, TBD, Fox/FS1, AM 570, KTNQ 1020

All times Pacific

*-if necessary

In case you missed it

Who’s hot and who’s not as Dodgers prepare for the postseason

The Dodgers have an old roster. But that isn’t necessarily a drawback in October

Woeful Mets outspend the Dodgers while Rays, Guardians and White Sox win on the cheap

Dodgers Debate: Who do the Dodgers want in the NLDS?

Shaikin: How the playoffs might impact the lockout, and … unfair to the Yankees? What?

And finally

Freddie Freeman hits a walk-off grand slam to win Game 1 of the 2024 World Series. Watch and listen here.

Until next time …

Have a comment or something you’d like to see in a future Dodgers newsletter? Email me at houston.mitchell@latimes.com. To get this newsletter in your inbox, click here.

California is set to bring back a program aimed at reducing conflict between wild animals and people, as the state’s rebounding wolf population continues to cause concern among ranchers.

Newsom signed a bill restoring the program Tuesday ahead of a “fireside chat” focused on biodiversity and natural resources, during which he described growing up with a father who was dedicated to protecting mountain lions, condors and other wildlife.

Protecting nature is “a moral issue,” Newsom said, describing a “relationship we have to what’s above us, and … how that connects us to our Creator.”

The California Department of Fish and Wildlife once employed 13 specialists dedicated to resolving human-wildlife conflicts, but it let all but one of them go after funding ran dry in 2024. The loss came as such clashes are increasing, with climate change and urban sprawl bringing people closer to bears, mountain lions and other animals.

State Sen. Catherine Blakespear, author of Senate Bill 1135, said she’s seen it play out with sea lions around La Jolla Cove. This year, someone kicked one of the marine mammals, she said, and in general there have been no government staffers “to provide the guardrails.”

When the program ended, “we weren’t doing the education, and we didn’t have staff at the state that could help intervene or provide guidance,” Blakespear (D-Encinitas) told The Times. “It was a clear lack.”

The legislation also codifies a program to compensate ranchers when they lose livestock to wolves or suffer indirect harm. The program also provides money for nonlethal equipment to deter wolves, such as electric fences with bright flags.

Part of the law is rebranding, adding “coexistence” to both programs’ names.

The California Cattlemen’s Assn. and the California Farm Bureau shifted from opposing the bill to an “enthusiastic neutral,” said Kirk Wilbur, vice president of government affairs for the former trade group, noting his colleague coined the term.

Wilbur’s group was initially concerned about parts of the bill focused on livestock compensation, but he said they were amended in a way to avoid impeding how the program operates. However, the changes “didn’t quite get us to a support position because we didn’t necessarily view it as a significant improvement over the status quo.”

His group is in favor of the bill’s requirement to relaunch the Wildlife Coexistence Program, as it’s now called, saying it “does provide resources, for instance, for my members that are contending with mountain lion depredations of their livestock.”

The bill signing comes as California’s gray wolves had at least 42 pups this year — a record. The apex predators were extirpated in the state in the 1920s, beginning to naturally recolonize their native digs only 15 years ago.

“It’s a great sign for the conservation of the species that the population continues to reproduce, and that the number of individuals continues to reproduce,” said Axel Hunnicutt, gray wolf coordinator for the Department of Fish and Wildlife.

The animals’ success has delighted conservationists but frustrated some cattle ranchers, whose livelihood can become dinner for the endangered canids.

Hunnicutt spoke to The Times from Siskiyou County, where he was trying to get more GPS collars on wolves in the Whaleback pack, linked to 41 confirmed or probable livestock attacks this year, according to a recent report. That’s by far the most of any pack in the state.

Hunnicutt’s team consists of him and two other employees, along with temporary staffers. Collaring wolves in a pack that doesn’t already have the devices is challenging, he said. It involves setting up cameras, howling throughout the night to try to get the animals to respond and sometimes driving hundreds of miles looking for tracks.

Some members of the Whaleback pack are collared, providing a good starting point. While on the phone, he said he could see the tracks of two wolves on the road where he was walking.

Proponents of SB 1135 say it could lead to the expansion of Hunnicutt’s team or more resources for efforts such as collaring, which wildlife officials say helps reduce conflicts by enabling ranchers to know where wolves are.

However, the legislation does not guarantee funding for the programs it establishes.

Pamela Flick, California program director for Defenders of Wildlife, a co-sponsor of the bill, said advocates asked state leaders for $18 million in one-time funding for the human-wildlife coexistence program, followed by $15 million annually. They also asked for around $30 million for wolf compensation and management.

What they got this year is $6 million, with $2.5 million earmarked for compensation, according to Flick.

“It’s really a drop in the bucket when we’re talking about statewide human-wildlife conflicts,” she said. “So we will be advocating for additional funds in out years for sure.”

THE UK might still be getting a last burst of heat but now is the time to lock in a winter sun holiday to get through the dark nights of December.

And new research has revealed which holiday destinations are much cheaper to go to this year compared to last year – and the ones to avoid which have jumped in price.

The study, conducted by TravelSupermarket, looked at holiday prices between December 1 and January 31, looking at seven-night breaks.

And the biggest drop in prices was Gambia in West Africa.

The average holiday price last year was £299 each a night, while this winter it has dropped to £219 – a fall of nearly 27 per cent.

This was followed by Ras Al-Khaimah in the UAE, which fell 19.41 per cent £64 to £52.

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Others that saw prices drop include Las Vegas (-13.05 per cent), Bali (-11.78 per cent), and Dominican Republic (8.82 per cent).

Chris Webber, Head of Holidays and Deals at TravelSupermarket, said: “This winter‘s package prices show that it pays to look beyond your usual destination.

“These are averages across different hotels and board bases, so individual holidays still need comparing carefully, but the picture is far more varied than winter sun simply becoming more expensive everywhere.

“There are savings further afield , with average package prices to the Dominican Republic down 8.8% and Jamaica down 6.1%.”

Sadly, it’s the destinations closer to home that have risen in price this year.

Tenerife, one of the hottest Spanish islands in winter, is up nearly 25 per cent compared to last year with average prices per person, per night going from £91 to £113.

The Algarve was close behind, with prices up from £81 to £99, a rise in 22.8 per cent.

The Bahamas (+18.67 per cent), Costa Blanca (+16.92 per cent) and Madeira and Porto Sando (+15.43 per cent) rounded up the top five.

Chris added: “Average prices for Tenerife are up 10.5% year on year and Gran Canaria 8.2%, while Cape Verde is down 6% and Gambia nearly 27%.

“Neither is a new destination, but those contrasting price movements give travellers a reason to widen their search.

“Egypt also stands out because its average package price has barely moved, rising just 0.3%.

“At around £117 per person per night, it remains below the averages for Tenerife, Gran Canaria and Lanzarote in our analysis.”