The women’s national soccer team will return to Carson in 2026 for the first time in nearly two years for its annual January training camp, U.S. Soccer will announce Thursday.
The 10-day camp will run from Jan. 17-27 and will conclude with two international matches. The first, on Jan. 24 against Paraguay, will be played at Dignity Health Sports Park and will include a tribute to two-time World Cup champion Christen Press, who announced her retirement this fall.
The venue and opponent for the second match on Jan. 27 has not been finalized.
“January camp is a vitally important part of our yearly schedule, especially with 2026 being a year that will host World Cup qualifying,” USWNT coach Emma Hayes said in a statement. “We don’t get many training days together during any given year, so there is a high value in getting a whole week of training as well as two matches.
“I was pleased with the progress we made as a team in 2025, but we still have a ways to go to get to where we want to be heading into the CONCACAF W Championship in the fall.”
Press, who was born and raised in Palos Verdes Estates, about 10 miles from Dignity Health Sports Park, scored 64 goals for the USWNT, ninth-most in team history. She helped the U.S. to back-to-back Women’s World Cup titles in 2015 and 2019 and played the final four years of her professional club career for her hometown Angel City FC.
The first 2,000 fans through the gates on Jan. 24 will receive a commemorative Christen Press bobblehead.
No venue has played host to more USWNT matches than Dignity Health Sports Park which, under various names, has been the site of 21 games for the U.S., dating to 2003, soon after the stadium opened. The U.S. went 20 games unbeaten at the venue (19 wins and one tie) before losing its most recent match there, a 2-0 upset to Mexico on Feb. 26, 2024, in the CONCACAF W Gold Cup, a tournament the U.S. would go on win.
The USWNT was scheduled to hold its January training camp in Carson last year, but the deadly Southern California wildfires forced U.S. Soccer to move the camp to Fort Lauderdale, Fla.
Presale tickets for the January matches will be available for purchase from 10 a.m. PST Friday through 8 a.m. PST Monday.
Tickets for both matches will go on sale to the public on Tuesday at 10 a.m. PST.
Hundreds of thousands of times each year in California, farmers and their contractors spray pesticides on fields and orchards in the state’s agricultural heartlands.
Farmworkers young and old can be exposed to dangerous concentrations of toxic chemicals if they are not properly trained, left uninformed about when they can safely enter sprayed fields or exposed to pesticide applications — because of factors such as wind drift or operator error.
Yet California’s system of protecting farmworkers from pesticide dangers is anything but a tight safety net. Through interviews, public records and data analyses, an investigation by Capital & Main has found that:
Enforcement of pesticide safety rules is splintered among dozens of county agriculture commissioners, resulting in piecemeal citations. Companies that operate in multiple counties were not fined for hundreds of violations — many of them pertaining to worker safety.
County inspections to enforce pesticide safety are minimal in the state’s farm belt. In 2023, there was one inspection for every 146 times that pesticides were applied in eight of California’s top 11 producing counties, according to data provided by those counties.
In interviews, more than two dozen underage farmworkers and parents described feeling sick and dizzy or suffering from skin irritations after being exposed to pesticides. Although state law requires illnesses resulting from pesticide exposure to be reported to the state, experts and labor advocates say the number of cases is surely undercounted, in part because laborers fear retaliation from employers if they report unsafe working conditions.
Asked about these findings, state officials said the data does not reflect some of the broader actions they have taken to protect farmworkers. County regulators contend that their enforcement has improved safety conditions for laborers and noted that use of toxic pesticides has decreased significantly over the last decade. Yet groups that have researched pesticide enforcement say the state of California is not using its powers to fine repeat offenders for safety violations — and hold them accountable.
“It’s especially troubling because it means workers aren’t being protected,” said Anne Katten, director of the Pesticide and Work Health and Safety Project for theCalifornia Rural Legal Assistance Foundation.
Exposure to pesticides and laboring in extreme heat are problematic for all farmworkers, but the long-term effects on the neurological system and vital organs can be more pronounced for younger laborers, according to medical experts.
“Children are still developing, and so we don’t want to mess with that development,” saidDr. Jose Suarez, a physician and associate professor of public health at UC San Diego, who has researched the effects of pesticides on adolescents.
Araceli, who started working the fields of the Santa Maria Valley four years ago when she was just 13, said that some of her most disturbing experiences involved planting vegetables in fields that reeked of chemicals.
“Sometimes, it would be really, really pungent,” she recalled, adding that she’d get headaches and feel like throwing up.
At times, Araceli said, skin peeled off her fingers and they turned white.
Her mother, in a separate interview, said in Spanish that her “head began to hurt” after she entered a lettuce field where a tractor had sprayed liquid that smelled like chemicals.
A 17-year-old strawberry picker at one of the many berry fields in the Salinas Valley.
(Barbara Davidson / Capital & Main)
Unlike in other states, California’s system to protect farmworkers is split between local and state agencies.
Enforcement at the local level is the responsibility of55 county agricultural commissioners, who are appointed by their boards of supervisors and have a dual role of promoting agriculture and enforcing state pesticide safety laws. The stateDepartment of Pesticide Regulation enforces pesticide safety across California and provides guidance and training to agricultural commissioners.
In interviews, agricultural commissioners said the dual regulation system works because crops and growing seasons vary in each county and they can focus on the specific needs in their jurisdictions.
Yet when agricultural commissioners take enforcement action against a company for pesticide violations, they are not required by the department to check whether the firm has committed violations in other regions of California. In a statement, the department said that it “monitors compliance for repeat offenders as well as trends that may occur throughout the state.”
Capital & Main analyzed 40,150 records detailing pesticide enforcement actions across California from January 2018 through the first quarter of 2024.
According to the records, more than 240 businesses were cited for at least 1,268 violations of state pesticide laws in three or more counties. But for at least 609 of these violations — or 48% — the businesses paid no fines and received only notices or warnings.
Pesticide safety violations
Over six years, California cited more than 240 businesses across the state for at least 1,268 violations of pesticide safety laws in three or more counties.
But for nearly half of those violations the companies paid no fines and only received warnings or notices to correct the problems.
Analysis is from more than 40,000 state enforcement records from 2018 through early 2024.
Lorena Iñiguez Elebee LOS ANGELES TIMES
Craig Cassidy, a spokesperson for the Department of Pesticide Regulation, said in a written response that the number of violations with no fines “does not account for broader actions [that state and county regulators] may have taken to address the violations or to support compliance,” including warning letters or required training.
“Issuing fines is one tool in an effective enforcement program, which may be used in conjunction with other strategies to support compliance with statewide pesticide use laws and regulations,” he said.
Still, according to the data, there were repeated cases in which businesses were cited for multiple violations in separate counties but were never fined.
Agricultural contractor Nextcrop Inc., for example, was cited for 10 violations in four counties within a span of three years, but it was never ordered to pay a fine and received only warnings and notices to correct the problems, the records show.
All the violations pertained to requirements such as failing to provide pesticide safety training for workers, not posting information to inform employees about which pesticides were used on crops and failing to post information about when it was safe for workers to enter pesticide-sprayed fields.
The chief executive of Nextcrop and another company official did not respond to requests for comment.
Nutrien Ag Solutions, which is operated by a leading global supplier of agricultural services and products, is a company known to state regulators. In 2018, the firmagreed to pay $331,353 to U.S. officials in connection with 52 federal pesticide safety violations, some of them at seven facilities in the San Joaquin and Santa Maria valleys. The Department of Pesticide Regulation was involved in the investigation, according to federal regulators.
And from 2018 to 2022, agricultural commissioners cited the company for 35 separate violations of state law in 12 counties, the records show. They included failing to provide decontamination facilities and protective gear for workers, not following label instructions for pesticide use and failing to post emergency medical information in fields.
The firm paid fines for only 10 of the violations for a total of $14,700, according to the records.
In a statement, Nutrien Ag Solutions said that the violations “were resolved years ago, with prompt action taken at the time to address and correct them.”
“Nutrien upholds high standards in our operations,” the company said, “and remains dedicated to supporting farmers globally with the tools and expertise they need to produce safe and healthy crops.”
On two separate occasions, in 2018 and 2021, the Fresno County agricultural commissioner referred Nutrien Ag Solutions to the Department of Pesticide Regulation for enforcement action, the records show. Yet even after the second referral, the business continued to operate and was cited for 16 additional state violations in more than a half-dozen counties, the majority for which it was not fined.
The department said the case was referred to a regional office in Fresno County, but that it was never forwarded to headquarters in Sacramento for review.
“This was an error,” Cassidy said, “and we are looking into this matter.”
He added that the department is planning to propose regulations that would require agricultural commissioners to check a company’s statewide compliance history when taking enforcement actions, as well as justify the amount of their fines.
California agriculture has long depended on chemical-based pesticides to reduce crop damage and boost yields. Although organic farming has grown over the years, it accounts for less than 10% of all cropland statewide, far from the 20% goal by 2045 that California has adopted.
Commissioners in eight of California’s top 11 agricultural-producing counties agreed to provide estimates for the total number of times pesticides were sprayed in their jurisdictions — a figure they are not required by the state to track.
According to the estimates, pesticides were sprayed more than 687,000 times in the eight counties in 2023. That same year, 4,720 total inspections were performed in those counties — or less than 1% of the time that fields and orchards in those jurisdictions were sprayed with pesticides, according to enforcement records filed with the state.
Pesticide inspections
Agricultural commissioners provided estimates for the number of pesticide applications for 2023 in eight of the top 11 counties for agricultural production in California. The data and state enforcement records showed that these counties performed a small number of inspections compared with overall pesticide applications.
= 1,000 pesticide applications
Safety inspections were performed less than 1% of the time
Agricultural commissioners in Fresno, Imperial, Kern, Merced, Monterey, San Joaquin, Santa Barbara and Tulare counties and state pesticide enforcement records.
Lorena Iñiguez Elebee LOS ANGELES TIMES
In interviews, six agricultural commissioners said the pesticide regulatory system is too complex to be measured by a single metric, such as the number of inspections.
“I don’t think it’s a realistic way to gauge effectiveness,” said Melissa Cregan, the commissioner in Fresno County.
She and other commissioners pointed to illnesses from pesticide exposure as a key indicator of their success. Of the 859 cases reported in California in 2021, the most recent figures available, 210 — or 24% — were agricultural workers.
But experts and worker advocates say that such figures are probably undercounted, noting that more than half of the state’s farmworkers lack documentation.
“There are many, many cases that are not reported because the workers are afraid of being deported or retaliation from the employer,” United Farm Workers President Teresa Romero said.
Commissioners also said that farmers are using less dangerous chemicals, citing a 56% increase in use of biopesticides over the last decade.
In the last 10 years, they said, use of carcinogenic substances has dropped by 20% statewide, groundwater contaminants have been reduced by 77% and the use of reproductive toxins has dropped by 45%.
Commissioners said that most of their field enforcement is focused on so-called restricted use pesticides, which represent a relatively small percentage of all pesticides used but have a higher potential to harm people, wildlife and the environment and include chemicals that can cause cancer.
Yet even by that measure, relatively few inspections are conducted.
The hands of this 17-year-old strawberry picker are a testament to the physical nature of the work.
(Barbara Davidson / Capital & Main)
In Monterey County, where 14-year-old Jose and his family labor in Salinas Valley strawberry fields, the number of all agricultural pesticide safety inspections in 2023 equaled just 3% of the total number of times that restricted-use pesticides were used, according to state records. That equates to just one inspection for every 35 times that the toxic chemicals were applied on farmlands.
From 2021 to 2023, the Monterey County agricultural commissioner approved more than 53,800 “notices of intent,” which businesses are required to file prior to applying restricted-use pesticides. That was the highest number of approvals among the top agricultural counties in California — and more than three times the number in the next-closest county, according to enforcement records.
Monterey County’s agricultural commissioner, Juan Hidalgo, said that, unlike other counties in the state, his jurisdiction has multiple growing seasons. He added that “we do review every single one of those notices of intent.”
The Salinas Valley stretches for about 90 miles across the county and is lined with rows of berries, lettuce, spinach, artichokes and cauliflower.
The valley is where, in 1970, Cesar Chavez and the United Farm Workers launched their Salad Bowl strike, the largest farmworker labor action in U.S. history.
Today, the Salinas Valley’s biggest cash crop is strawberries, accounting for more than 20% of Monterey County’s$4.9-billion annual production value from agriculture.
A dozen minors interviewed in Monterey County described picking berries in fields that smelled of chemicals or working in fields where tractors had sprayed liquids with a strong chemical odor. Under state law, the amount of time that pickers are supposed to stay away from treated fields generally ranges from four hours to several weeks, depending on the pesticide.
Jose and his sister Raquel, 19, described entering a field in 2022 after a tractor had sprayed in rows next to where they were working.
“It smelled like chemicals, really strong … It made me dizzy,” said Raquel, who graduated from high school with a 4.0 grade point average and now attends college. She wants to become a nurse and work in the region, where she can use her Spanish and Mixteco language skills to help her community.
The California Strawberry Commission, which represents hundreds of growers, said that the state has the nation’s most stringent workplace safety laws and that protecting berry pickers is a top priority.
“The health and safety of farm workers is paramount in all aspects of production and prioritized by farmers and federal, state and local regulatory agencies,” Chris Christian, a vice president with the commission, said in a written response. “Farmers are also working in the fields, and their families live, work, and go to school in the communities where they farm.”
Hidalgo, the county agricultural commissioner, said worker safety is also his top priority.
He acknowledged that his 20 inspectors can’t cover all of the 314,000 acres in the county used to grow fruits and vegetables, but he said they know the growing cycles for different crops and when pesticides are most likely to be used.
“We just show up,” Hidalgo said, “and start doing an inspection.”
The inspections include a check of company records to confirm that workers receive required pesticide safety training. Yet underage workers don’t necessarily understand the documents they are told to sign, according to youths and their parents.
When she was 16, Raquel recalled, she was handed a stack of documents that had something to do with pesticides. “They just told us to sign it and to just get ready to work,” she said.
“I didn’t really know what it was because I was young,” she added, “but I signed it.”
Lopez is an independent journalist and fellow at the McGraw Center for Business Journalism. Data journalist Cherry Salazar analyzed state pesticide records for this report.
On the drive up to the Rose Bowl’s front door, underneath the legendary glowing sign, toward the picturesque purple mountains, there stands the most impactful symbol of the school that plays there.
It is a statue of Jackie Robinson in a UCLA football uniform.
He is cradling the ball in his left hand and warding off impending tacklers with his right, a striking bronze symbol of a university’s resilience and strength. The most formidable figure in American sports history is standing where he grew up, where his team lives and where he forever will embody the epitome of the gutty Bruin.
UCLA values a quick buck over enduring integrity, fast cash over deep tradition and dollars over die-hards.
The Bruins want to leave the most storied stadium in America, a place where they have played for 43 years, a living monument to Bruins icons, a tailgating paradise with a postcard backdrop … for the shiny toy that is SoFi Stadium, an amazing professional football palace that has no business being the permanent home of a college football team.
This is no knock on SoFi. It’s Super Bowl cool. But it’s an NFL stadium with NFL vibes. It doesn’t work for a struggling university program that would be a third tenant viewed as a last resort.
The Bruins don’t want to move there for tradition. When it comes to college football, SoFi has none. UCLA played there once in a bowl game that drew what appeared to be a handful of fans, the quaint gathering dwarfed by the space-age surroundings.
They don’t want to go there for the increased convenience. There is none. You can’t sell me that 14 fewer miles going south on the 405 on a Saturday afternoon would be noticeably quicker than a longer trek going east on the 134. Especially if there also are events happening at the SoFi-adjacent Forum and Intuit Dome.
They don’t want to go for the game-day experience. There is none. They would be sacrificing lush Brookside tailgating for scarce parking lot tailgating, robbing UCLA fans of their one guaranteed victory every game.
Yes, SoFi has much better seats and bathrooms and amenities but, no, the Bruins want to go for one reason only, and we’ve known what that is from the moment they admitted their athletic department was in financial ruin.
UCLA offensive coordinator Jerry Neuheisel walks back to the sidelines after a timeout during a game against Nebraska at the Rose Bowl on Nov. 8.
(Gina Ferazzi/Los Angeles Times)
This is all about the money. UCLA long ago agreed to a lousy deal with the Rose Bowl from the outset — the school apparently sign leases like it hires football coaches — and thus the Bruins don’t receive any cut of suite or sponsorship deals, and get just a fraction of merchandise and parking. Some estimate they can make a few multiples of their current revenue by moving to SoFi, and that’s certainly a legitimate motivation, but it’s also the easy way out.
You know how else they could make more money? Win more football games! Did anybody think of that?
Since Terry Donahue retired in 1995, the UCLA football program frequently has dumped a steaming pile of garbage on Pasadena’s prettiest doorstep, and the poor decisions by the athletic department finally are catching up to it.
They’ve had losing records in seven of the last 10 years. They’ve gone through five coaches and endured countless disappointments. Not surprisingly, increasingly fewer fans want to devote their Saturdays to cheering for a team that too often finds itself plopping into a Brookside bunker.
The Bruins’ five worst attendance figures have come in the last five seasons not interrupted by COVID-19. They’ve ranked around the bottom of Big Ten attendance, and the hole just keeps getting deeper.
They’re averaging 37,099 this season entering the Saturday night’s home finale against Washington, a pace which would set the record for the lowest UCLA season attendance at the Rose Bowl.
And all this is the Rose Bowl’s fault? Not since Roy “Wrong Way” Riegels has someone in the Arroyo Seco been so misguided.
The City of Pasadena and the Rose Bowl Operating Co. have lived up to their part of the lease, which still has 19 years remaining on it. Pasadena officials say taxpayers have invested more than $150 million in stadium renovations and they’re ready to write a check on an additional $130 million for improvements.
It shows. The Terry Donahue Pavilion is magnificent. The grounds are pristine. There are plans for a cool field club beyond the south end zone.
The Rose Bowl folks have done everything they agreed to do. That UCLA still is trying to walk out the front door smacks of an entitled, oafish spouse who demands their significant other improve themselves, then leaves anyway.
I’ve been covering UCLA games at the Rose Bowl for nearly 40 years, and I can confirm there’s no better place to watch college football in this country. It’s the Augusta National of football stadiums, a place where they should hold the national championship every year, with its breathtaking skyline and deep green surroundings and that crisp fall breeze that sneaks through the Arroyo Seco like an old friend reminding you of home.
UCLA tailback Derrick Williams celebrates with a cheerleader’s megaphone after defeating the USC 13-9 at the Rose Bowl on Dec. 2, 2006.
(Stephen Dunn / Getty Images)
No, it’s not on UCLA’s campus, but there’s no more room, that ship has sailed. And, no, UCLA doesn’t make an appropriate amount of money in the deal, but the school signed the lease, and those lost dollars can appear in other ways.
By playing at the Rose Bowl, the Bruins are paid in majestic beauty, timeless tradition and a sense of family that their alumni and fans can’t get anywhere else.
I was on the sidelines in the final seconds on that first Saturday in December 2006 for quite possibly UCLA’s greatest Rose Bowl moment. You remember. How could you forget?
The John David Booty drive, the Eric McNeal interception, the stunning 13-9 UCLA victory that denied USC a spot in the national championship game while giving the Bruins their only win over the Trojans in a 13-year span.
What stays with me from that afternoon is the deafening noise that seemed to fill every corner of Pasadena before morphing into arguably the loudest Eight Clap in Bruins history.
“U-C-L-A! Fight! Fight! Fight!”
The Rose Bowl was magical that day. Shame on UCLA for not believing it still can be.
The deal announced Wednesday by the league will also return baseball to NBC and bring three MLB events — an opening night game, the Home Run Derby and the Field of Dreams game — to Netflix for the first time.
As part of the deal, ESPN will integrate the league’s streaming platform MLB.TV into its recently launched direct-to-consumer service that provides the sports channels to consumers with or without a cable subscription.
MLB.TV provides local telecasts of out-of-market games to consumers. In the 2026 season, new customers will now be able to purchase the service as part of an ESPN subscription. Pricing has not yet been set for the combined services.
ESPN Unlimited subscribers will get an additional 150 out-of-market games over the course of the season at no additional cost. ESPN will offer local games in the six MLB markets that no longer have regional sports networks — San Diego, Cleveland, Seattle, Minnesota, Arizona and Colorado. The games, which are produced by MLB, will be available to purchase for streaming in those markets through ESPN.
ESPN will no longer carry “Sunday Night Baseball,” a staple of the network for decades, but will have a package of 30 weeknight games. It will also retain its coverage of the MLB Little League Classic and carry a game on Memorial Day.
ESPN is paying $550 million for the new three-year package, the same as the last contract, according to people familiar with talks who were not authorized to comment publicly.
While ESPN and MLB exchanged harsh words when their longtime arrangement broke up earlier this year, both sides praised the eventual outcome, which puts a greater emphasis on streaming.
“Bringing MLB.TV to ESPN’s new app while maintaining a presence on linear television reflects a balanced approach to the shifts taking place in the way that fans watch baseball and gives MLB a meaningful presence on an important destination for fans of all sports,” MLB Commissioner Rob Manfred said in a statement.
ESPN Chairman Jimmy Pitaro called the deal “a fan-friendly agreement” that prioritizes the Walt Disney Co. unit’s “streaming future.”
“Sunday Night Baseball” will move to NBC, with 25 prime-time games on the broadcast network or NBCUniversal’s streaming platform Peacock. Already the home of “Sunday Night Football,” and “Sunday Night Basketball,” the addition of the MLB — at $200 million a season — means NBC will have live sports in prime time on every Sunday throughout the year.
The network is also picking up the wild card round of the MLB postseason that had been carried on ESPN.
In 2027 and 2028, NBC will carry the most consequential game played on the final Sunday of the season.
NBC Sports also gains the rights to the late Sunday morning game, which will be carried on Peacock and followed by a “whip-around” show presenting action from contests around the league that day. Peacock carried the morning game in 2023 and 2024 before it went to Roku this past season.
MLB games exclusive to Peacock will also be shown on the newly launched NBC Sports Network, which is being offered to cable and satellite TV providers.
Netflix is paying around $50 million per year to carry the 2026 opening night game between the San Francisco Giants and the New York Yankees on March 25. The annual Home Run Derby, previously on ESPN, also moves to the streamer, as does the Field of Dreams game, which will be played in Dyersville, Iowa, where the set for “Field of Dreams” is located.
The deal continues Netflix’s approach of offering appointment sporting events to its subscribers rather than investing in a full season package.
The new MLB deals only run for three years. The league wants them to align with its major TV rights package that includes the playoffs, the World Series and the All-Star Game. Fox and Warner Bros. Discovery’s TBS carry those packages until 2028.
A Coronation Street icon is set to return to the famous ITV cobbles this festive period after making an emotional exit exactly a year ago
22:08, 19 Nov 2025Updated 22:38, 19 Nov 2025
A Corrie legend is set for a festive return
Coronation Street fans are set for the dramatic return of a legend of the cobbles this Christmas. And it will mark exactly a year since they initially left.
Former mainstay Gail Chadwick is set for a return during the festive special. It will mark a year since the star, played by Helen Worth, married Jesse Chadwick and headed for a new life in France.
Fans of the ITV show were devastated by her exit after a long-running stint on the soap, spanning back to 1974. And now, she is set for a one-off appearance, which is sure to delight the show’s avid viewers.
Details are still being kept close to the chests of producers. However a TV insider has said she could be about to connect with her family again for the festive period.
The source told The Sun: “It could be more timely as the Platts find themselves in yet another drama, one that they’ve had to deal with by themselves since the Platts’ matriarch moved abroad.”
They continued: “It’s a move which is guaranteed to thrill soap fans, who wondered whether we’d ever catch a glimpse of show favourite Gail on the cobbles again.”
Helen, 73, bowed out from the soap as Gail last year after an astonishing 50 year. She told viewers she’d been part of “the most wonderful show in the world“.
Since making her debut in Corrie 50 years ago the actress has been involved in an array of hard-hitting and juicy storylines. Her biggest lines have involved murders, steamy affairs and the perennial drama surrounding her three kids, Nick (Ben Price), Sarah and David.
When she finally left her role, Helen posted a message on social media to thanks her fans and their long-time support. She said at the time: “There’ll be more Platt stories, and I hope you’ll be watching.”
In a statement announcing her exit, she said: “This year felt like the perfect time to leave the show after celebrating 50 years in the most wonderful job on the most wonderful street in the world.
“I made the decision at the start of the year and spoke to the producers, who were very kind and understanding.”
In the build-up to Christmas, fans are set to watch dark scenes for Todd Grimshaw next week. It comes as his abusive partner Theo Silverton takes action against him once again.
The scenes result in a character outside of the relationship becoming suspicious which leads to a falling out. Later, Todd accuses Theo of rail-roading him into doing a half marathon.
However, Theo claims to him that it’s for his own good and they’ll be going for another run later as part of their training.
Hakimi is the first Moroccan since 1998 and the first defender since 1973 to win Africa’s most prestigious award.
Published On 20 Nov 202520 Nov 2025
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French side Paris Saint-Germain footballer Achraf Hakimi has been named African Footballer of the Year, becoming the first defender to claim the prize in 52 years.
Moroccan right back Hakimi finished ahead of Liverpool’s Egyptian forward Mohamed Salah and Nigeria striker Victor Osimhen in Wednesday’s vote at the 2025 CAF Awards in the Moroccan city of Rabat.
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Hakimi was awarded the trophy after helping PSG to their first ever Champions League title in May when they bulldozed Italy’s Inter Milan 5-0 in the final as part of a historic treble-winning season in which they also won the Ligue 1 title and the Coupe de France.
In August, PSG also beat English side Tottenham Hotspur in the UEFA Super Cup to pick up their fourth trophy in the 2025 calendar year.
Hakimi – the first Moroccan to win the award since Mustapha Hadji in 1998 and the first defender since Bwanga Tshimen of the Democratic Republic of the Congo, then Zaire, in 1973 – said it was “really a proud moment”.
“This trophy is not just for me but all the strong men and women who have dreams of being a footballer in Africa,” he said.
“And for those that always believed in me since I was a child, that I would be a professional footballer one day, I would like to thank them all,” he added.
A recognition that crowns years of hard work, success, and unforgettable moments.
My gratitude goes to my family, my teammates, and everyone who works with me every day, on and off the field. Your trust, dedication, and support make me stronger and allow me to grow.
Hakimi also finished sixth in the men’s 2025 Ballon d’Or rankings in September, the annual award for the world’s best footballer, achieving the highest position ever by a Moroccan. His teammate and French international forward Ousmane Dembele was named the Ballon d’Or winner.
Moroccan footballers also picked up the men’s Goalkeeper of the Year award and the Women’s Footballer of the Year awards as they were awarded to Saudi Arabia-based players Yassine Bounou and Ghizlane Chebbak, respectively.
Nigerian goalkeeper Chiamaka Nnadozie, who recently sealed a move to the English club Brighton & Hove Albion in the Women’s Super League, won the Women’s Goalkeeper of the Year award for a third successive year.
Cape Verde manager Bubista was awarded Coach of the Year after leading the African island nation of 525,000 people to a debut appearance at next year’s World Cup in the United States, Mexico and Canada.
Cape Verde will not be the smallest country at the World Cup, however, after the Caribbean island nation Curacao, home to just 156,000 people, qualified after a 0-0 draw with Jamaica on Wednesday.
Calandagan has been named horse of the year at the Cartier Racing Awards in London.
The four-year-old, trained in France by Francis-Henri Graffard, won three top-level Group One races including both the King George VI and Queen Elizabeth Stakes and the Champion Stakes at Ascot.
He is the only horse other than Brigadier Gerard (1972) to win both contests in the same season.
Calandagan, who runs in the Aga Khan’s colours, also won the Grand Prix de Saint-Cloud in his home country, having finished second earlier in the year in the Coronation Cup and Dubai Sheema Classic.
Champion Stakes runner-up Ombudsman, who won the Prince Of Wales’s Stakes and Juddmonte International, and leading three-year-olds Delacroix and Minnie Hauk were also nominated for the main award.
Trawlerman, trained by John and Thady Gosden, was named leading stayer at the 35th annual awards after four victories this year which included the Gold Cup at Ascot.
The award of merit was given to broadcaster and writer Brough Scott.
Cardboard cutouts of corgis even adorn the entrance to Mejia’s office at City Hall East, making it resemble the dorm room of an especially proud dog parent.
Now, Mejia’s corgis are the subject of a complaint submitted to the city’s Ethics Commission, alleging that the controller has impermissibly blurred the lines between his government communications and his campaign operation.
Former State Sen. Isadore Hall, looking to unseat Mejia in June, conceded in his complaint that the corgi images — especially the one meant to look like Sherlock Holmes, with a pipe and magnifying glass — are “adorable.”
Nevertheless, Hall suggested that the graphics run afoul of a city law barring candidates from using city resources, since the cap-wearing corgi appears both on Mejia’s official city website and on his campaign yard signs.
Los Angeles City Controller Kenneth Mejia uses images of corgis, sometimes sporting a pipe and a magnifying glass, on his website, his campaign materials and even the entrance to his office at City Hall East.
(David Zahniser / Los Angeles Times)
“These practices, if substantiated, undermine public confidence in the neutrality of the City Controller’s office and violate clear prohibitions on using public assets for campaign advantage,” Hall said in his complaint.
The complaint, and the focus on the controller’s signature mascots, has sent the race for the city’s top auditor position in an unusual direction. Jane Nguyen, a Mejia campaign spokesperson, pushed back on the idea that the controller failed to comply with city law, while also suggesting that Hall is “jealous of our cute corgi graphics.”
In an email, Nguyen said it’s common for politicians to use similar designs and color schemes in their campaigns and their official government duties. At the same time, she said the “Sherlock corgi” used in city publications is different from the one in Mejia’s reelection campaign.
“He is wearing glasses in one version and is not wearing glasses in the other version,” she said.
David Tristan, executive director of the city’s Ethics Commission, which levies fines when enforcing local campaign finance laws, declined to comment, saying his office “cannot confirm or deny the existence of a complaint or investigation.”
Attorney Jessica Levinson, a former Ethics Commission president, said the agency responds seriously to allegations that city resources have been misused for campaign purposes. Still, she voiced doubts that Hall’s complaint would lead to a meaningful ethics case.
“This is not the type of thing that’s going to topple democracy,” she said. “Even if the allegations are true, I don’t think this weighs particularly heavily on the minds of voters.”
Hall, 53, is basing his complaint on a city law that bars city employees from using city cars, email lists, supplies or other municipal resources for campaign purposes. For example, city employees cannot take part in campaign activities while wearing uniforms with “official city insignia.”
The complaint goes beyond Mejia’s corgis, which are a diminutive herding breed beloved by the late Queen Elizabeth II. Hall also contends that the controller’s campaign logo, font colors and other design elements match the branding on his official city website, making it appear that the city is effectively endorsing his reelection bid.
Nguyen said Mejia’s corgi images and other designs were created as part of his 2022 campaign, without using city resources. She also said that the campaign logo is “far different” from the controller’s city logo, since it contains the word “for.”
Mejia, 35, has proven to be a savvy purveyor of marketing, distributing corgi stickers at community events and sending his staff to City Council meetings in green city controller jackets. He and his team are equally strategic about publicizing data on homelessness spending, legal payouts and other city expenses.
On his campaign website, Mejia described himself as “the father of two corgis, Killa and Kirby. He is known for bringing his dogs to work, walking them down the marble corridors of City Hall. They also showed up this year on an Instagram video where Mejia and his staff performed choreographed moves to Kendrick Lamar’s “Not Like Us” outside City Hall.
Former state Sen. Isadore Hall has filed an ethics complaint against City Controller Kenneth Mejia, his opponent in the June election.
(Isadore Hall for Controller)
Hall has faced scrutiny over his own election activities.
In 2014, The Times reported that Hall’s Senate committees spent $7,812 on cigars and membership at cigar lounges, $42,000 on airfare and hotels and $11,000 to stay at the Fairmont Hotel in Kihei, Hawaii, during a conference.
Hall defended the expenditures, saying they were for campaign fundraisers, dinners with potential donors and other political activities. He won his Senate race and made an unsuccessful run for Congress two years later.
Nguyen, in her email, pointed out that Hall was also accused of illegally using general election donations to pay for his primary campaign for Congress in 2016. In response to those and other violations, the Federal Election Commission issued a $24,000 penalty to Hall’s campaign.
Hall said earlier this year that he learned from the experience and had held his accountant accountable for the error.
Hall is not the only candidate running against Mejia. On Tuesday, entertainment industry executive Zachary Sokoloff formally launched his own bid for controller, promising to bring a “problem-solving approach to City Hall.” Sokoloff, 36, said he would “lead by listening” and “bring people together to fix what’s broken.”
Rick Taylor, Sokoloff’s campaign strategist, said he views Hall’s ethics complaint as “not relevant” to the upcoming campaign.
“Let’s focus on what the public wants to know,” he said. “They want to know who’s capable and competent and can do the job.”
Last December, Ravyn Lenae stood in the street and pointed her phone at herself to film a TikTok set to her song “Love Me Not.”
“Me after linking with him one last time cause I’m not bringing him into 2025,” she captioned the video — a cutesy kiss-off to a guy she’d clearly decided was holding her back from where she was meant to go.
Nearly a year later, it appears the singer was right: In early April, “Love Me Not” — a swinging, lightly psychedelic soul number about a hot-and-cold lover — gave Lenae her first entry on Billboard’s Hot 100; a week later, she made her debut at the Coachella Valley Music and Arts Festival. Several months after that, she performed to an enthusiastic crowd at Lollapalooza just before “Love Me Not” peaked at No. 5 in mid-August.
Now, with one of 2025’s biggest hits under her belt, Lenae, 26, is winding down her breakout year by opening for Sabrina Carpenter as Carpenter’s Short n’ Sweet tour wraps up this week with six sold-out shows through Sunday at Crypto.com Arena.
“A lot of this period has been me asking other artists, ‘Is this how it normally is?’” Lenae tells me on a recent evening. “How do you balance the social aspect and the online aspect and the touring with also staying highly creative?”
Not to mention tending to a personal life.
“What’s that?” she asks with a laugh. “That’s literally nonexistent.”
The runaway success of “Love Me Not,” which has been streamed more than 700 million times on Spotify, is no doubt what’s put the breathy-voiced Lenae before many listeners for the first time. (A remix featuring Rex Orange County has another 164 million Spotify streams.)
At one point as the song was blowing up, she responded to a fan on TikTok who’d been surprised to learn that Lenae is Black — “Y’all didn’t read the name Ravyn Lenae and think, ‘Oh, that’s a Black girl?’” the singer asks in the clip — then went ahead and clarified that also she’s not British, as some evidently had assumed.
Yet “Love Me Not” actually comes a decade into a career that began while Lenae was still in high school. She signed to Atlantic Records at age 16 and soon was touring and working in the studio with the likes of SZA and Steve Lacy; “Hypnos,” her debut LP, came out in 2022 and made Pitchfork’s closely watched list of the year’s best albums.
“I’m pretty conceited about the fact that I’ve loved Ravyn for as long as I have,” says the singer and actor Reneé Rapp, who like Carpenter took Lenae out on the road this year as an opening act. Rapp discovered one of Lenae’s early EPs when she herself was in high school and has been a fan ever since. “I’m like, ‘You bitches are new, and don’t get me wrong — I’m so happy you’re here. But let’s get it right: I was boots on the ground first.’”
To Rapp’s ears, Lenae’s airy soprano “has this beautiful ping at the top that I’ve only ever heard in Minnie Riperton,” she says. “She’s just like a little fairy. She floats around, and her voice does the same thing.”
“Love Me Not,” which is still hanging out in the upper reaches of the Hot 100, is from Lenae’s sophomore album, “Bird’s Eye,” which came out in August 2024. She recorded the song with the producer Dahi, who’s known for his work with Kendrick Lamar and Vince Staples; Dahi started the track years ago with Anderson .Paak then put it in a drawer before he’d finished it.
“At the time, I was really into MGMT,” Dahi says, referring to the alternative rock duo whose dreamy-jangly guitar sound echoes throughout “Love Me Not.” With Lenae, he pushed the song toward classic R&B — “something that would be played on ‘Happy Days’ or some s—,” he says — but retained a spacey vibe that keeps it from feeling rooted in any specific era or genre.
Lenae says her goal was to create something “soulful and Black but that transcends time and race”; the result can be heard in a lineage of enduring hard-to-classify hits like Outkast’s “Hey Ya!” and Gnarls Barkley’s “Crazy” that charm listeners across demographic lines.
“If you don’t like ‘Crazy,’ there’s something wrong with you,” Lenae says as a pedicurist exfoliates her feet in a West Hollywood hotel room. It’s the end of a long day that began with an early-morning flight from New York, where Lenae performed with Kali Uchis on “The Tonight Show” and at Madison Square Garden. Now, after a photo shoot, she’s changed into gray sweats to sneak in a moment of self-care during our chat.
“With the heels I’m wearing all the time, you can see the corns,” she says, looking down to check out the pedicurist’s progress. “I wonder what Beyoncé’s feet look like. ’Cause if mine look like this? She’s putting in work.”
Though “Love Me Not” was singled out by critics right away, the song really took off late last year after a DJ posted a viral TikTok that mashed it up with Solange’s “Losing You” as part of a series exploring “euphoric” breakup songs. An admiring post on X by SZA — “One of my fav albums this year,” she wrote of “Bird’s Eye” — helped bring more attention to Lenae’s music.
Ravyn Lenae in West Hollywood.
(Ian Spanier / For The Times)
The singer grew up in Chicago, where her mother’s parents landed in the late ’70s as immigrants from Panama. That’s their house on the city’s south side in the music video for “Love Me Not,” which Lenae directed and which shows her and her younger sister dancing just outside the bedroom where Lenae slept as a kid.
“I knew this song would be a lot of people’s introduction to me, so I wanted them to immediately jump into my world,” she says. “My grandparents are very shy people, and when my grandma saw the video, she was like, ‘Oh, Ravyn, baby …’”
Singing at talent shows as a 12-year-old, Lenae wanted to be a “a mix between Alicia Keys and Beyoncé,” as she puts it; later, she learned to perform Christina Aguilera’s “Beautiful” and Rihanna’s “Take a Bow.”
“I was like, ‘I’m-a win ’em over with this one,’” she says of the dramatic ballads. “I’m sure I sound crazy on video.”
Lenae, who went on to study at the Chicago High School for the Arts, came to understand that the soft lilt of her voice distinguished her from those powerhouses; she found inspiration in “the sensuality and the femininity” of music by Diana Ross, Patrice Rushen and Janet Jackson, whose “All for You” album — released in 2001, when Lenae was 2 — would become a touchstone.
“There’s a lot to win by not being the loudest in the room,” says Rapp.
Lenae moved to L.A. in 2020. Her first year here was rough, she says — she missed her mom and felt the burden of a bank account with $100 in it. “I remember some crying in the shower,” the singer says now.
Her 2022 song “Skin Tight,” a yearning flirtation she wrote and recorded with Lacy, registered as a turning point; so did the success of Lacy’s quirky soul-rock hit “Bad Habit,” which topped the Hot 100 on its way to Grammy nominations for record and song of the year.
“That was a historical moment for artists like us that have been working at it for a long time — Black artists who’ve always been a little to the left of what was going on,” Lenae says. “Steve going No. 1 showed there really are no rules and that there’s space for all of us.”
Beyond “Love Me Not,” highlights on “Bird’s Eye” include an intimate acoustic number, “From Scratch,” that Lenae says she and Dahi modeled on Lauryn Hill and D’Angelo’s “Nothing Even Matters”; the lush and whispery “Dream Girl,” which features input by Jackson’s longtime collaborators Jimmy Jam and Terry Lewis; and “Bad Idea,” a percussive electro-funk jam that interpolates Bow Wow and Ciara’s early-2000s “Like You.”
“All those Ciara hits, I had the choreo down,” Lenae says.
The album also contains the tender yet mournful “One Wish,” which Lenae wrote about her dad not being around as she was growing up.
“I never, ever thought I’d talk about that publicly, but I think I was just at a point in my life where it felt natural,” she says. “And me and him had just started reconciling, so it was very top of mind.” She invited her father to come to L.A. to appear in the song’s video, which depicts a young girl running after a car as a man angrily drives away; the day after the shoot, they went to Roscoe’s and had a long talk about her childhood.
“Yesterday was his birthday, and I forgot,” she tells me. “I felt horrible, but then I was like, Should I feel horrible? I go back and forth with it all the time.”
Lenae is extremely close with her mother, who’ll sometimes join her on the road “just to spend time with me or hold my hand — to sleep in the same hotel bed,” she says. “That’s the person I know I can keep counting on.”
After this week’s dates with Carpenter, Lenae will head east for a handful of shows on iHeartRadio’s Jingle Ball tour — one more chance to build upon “Love Me Not’s” Top 40 breakthrough. Then she and Dahi plan to focus on finishing her next album.
So far, Lenae says, it’s shaping up to be “a little more punchy and explosive” than “Bird’s Eye.” One of the new songs is about her mom; Lenae played it for her when she was here visiting not long ago.
“I had the lyrics up, and as she was reading it, she looked up at me and there was a tear in her eye,” she recalls. “Then we started bawling together. I think that one might end up her favorite.”
OK, so maybe it wasn’t the tarmac, maybe that’s just Trojan lore, maybe the abrupt firing took place in a small room next to the runway.
Either way, the memory has been burned in Kiffin’s heart and mind, helping motivate him to increased success on the field and seemingly heartfelt balance in his personal life.
Now the tables have turned. Kiffin, 50, has led Ole Miss to a No. 5 national ranking and 10-1 record, the fourth year in the last five the Rebels have won at least 10 games. He seemingly shed the reputation for aloofness and me-first attitude that dogged him as a failed NFL head coach at age 32 and as an Alabama assistant let go by Nick Saban days before a national title game for focusing too much on his next job.
Yet, here we are again, Kiffin apparently contemplating the unthinkable. Would he really abandon Ole Miss on the eve of the College Football Playoff for Florida or Louisiana State, fellow SEC schools and established national powers hunting for head coaches?
A young fan shows his support for Mississippi coach Lane Kiffin during the second half of a game against Florida in Oxford, Miss., on Nov. 15, 2025.
(Rogelio V. Solis/Associated Press)
Kiffin’s ex-wife Layla — they are on friendly terms — and 17-year-old son Knox recently were flown on private jets to Gainesville, Fla., and Baton Rouge, La., presumably to check out the livability and vibes of the potential next entry on Kiffin’s resume.
Ole Miss is well aware of Kiffin’s impending decision and clearly want to know the answer ahead of the Rebels’ regular-season finale Nov. 28 against Mississippi State. Kiffin, however, denied rumors that Ole Miss athletic director Keith Carter had given him an ultimatum to decide before then.
“Yeah, that’s absolutely not true,” Kiffin told “The Pat McAfee Show” on ESPN on Tuesday. “There has been no ultimatum, anything like that at all. And so I don’t know where that came from, like a lot of stuff that comes out there. Like I said, man, we’re having a blast. I love it here.”
In fairness to Kiffin, the urgency to decide now rather than at season’s end is a function of today’s college football recruiting calendar and transfer portal. The high school signing period begins Dec. 3 and the transfer portal opens Jan. 2.
The first round of the CFP will be Dec. 19 and 20. The quarterfinals are on New Year’s Eve and New Year’s Day. Florida and LSU can’t wait that long to hire a coach.
What should he do? Most seasoned pundits believe he should not budge.
“Kiffin should stay and see the season out; attempt to win, try to reach the Final Four or beyond, make the memories, and forge the deep bonds that coaching is supposed to be about,” longtime columnist Dan Wetzel wrote for ESPN.
Reasons to jump to LSU or Florida are that both schools are in talent-rich states with massive fan bases and deep tradition. The ceiling is higher and the stands fuller than in Oxford, Miss. Also, coaches at those established SEC powers tend to dig in for years. Who knows when a similar opportunity will present itself?
Kiffin’s quandary is understandable. Old Miss administrators, however, vividly recall 2022 when Kiffin was courted by Auburn and allowed the issue to linger and sabotage a potentially great season. The Rebels were 8-1 when the rumors began and then lost four in a row.
Nobody at Ole Miss wants another collapse because Kiffin — again — had a wandering eye. His decision is difficult, and won’t wait.
I’m Matt Brennan, editor in chief of The Envelope, and each Wednesday from now until Jan. 7, I’ll be sending you a (digital) editor’s letter with some highlights from our Phase I issues.
Our first issue of the 2025-2026 campaign features stories on documentaries, films about the Palestinian experience and “Marty Supreme’s” Odessa A’zion.
A Deeper Dive: Documentaries
(Illustration by Daniel Stolle / For The Times)
I won’t pretend to be Nostradamus when it comes to Hollywood’s top awards — my Gold Derby Emmys ballot didn’t even crack the top 1,000 — but most anyone who ran into me at this year’s Sundance Film Festival heard at least one bold prediction that turned out to be correct: 2025 has been a sterling year for documentaries.
With journalists under attack in the U.S., Ukraine, Gaza and beyond, the form’s close connection to reportage has never felt more urgent, at least not to me. In the contraband prison images of “The Alabama Solution,” the body camera footage of “The Perfect Neighbor,” the conflict coverage of “2000 Meters to Andriivka” and “Love + War,” the portraiture of “Cover-Up” and much more besides, the year’s finest documentaries — no, the year’s finest films — manage to unearth new ways of seeing our society’s most pressing issues, often with more precision and subtlety than scripted films much longer (and costlier) in the making.
I can confirm Tim Grierson’s reporting that Odessa A’zion is a hugger: I received several myself from the “Marty Supreme” and “I Love L.A.” performer when she stopped by The Times newsroom recently for an Envelope digital cover shoot, her own 16mm still camera in hand.
As Grierson notes of the actor, A’zion “doesn’t behave like a rising star” — and she’s not particularly comfortable with the label, either.
“A’zion has heard those predictions before, so she’s wary about being anointed the next big thing,” he writes. “After all, she remembers all the auditions that went nowhere. She remembers being behind on her rent. She remembers almost being evicted. She remembers getting fired from gigs. Simply being cast in a Josh Safdie film doesn’t make those old wounds disappear. ‘To all of a sudden be like, “OK, I’m done [worrying about my career]!” — I don’t see that feeling coming anytime soon.’”
A trio of Palestinian films in the international feature race
A scene from “All That’s Left of You.”
(Watermelon Pictures)
Palestinian stories are no stranger to awards season. But this year, as Gregory Ellwood writes, a trio of films from female directors — each submitted by a different country and each set in a different time period — make for a particularly remarkable confluence.
“In a way, the movie lived what most Palestinians live: war, exile, fleeing,” “All That’s Left of You” filmmaker Cherien Dabis told Ellwood of her film having to shift production after the outbreak of the Israel-Gaza war. “All of the uncertainty, the financial and logistical crisis of it all. I think that what really grounded me during that time was just knowing that the movie was more relevant than ever, and that it had to get done.”
Billionaire hedge fund founder Tom Steyer announced Wednesday that he is running for governor of California, arguing that he is not beholden to special interests and can take on corporations that are making life unaffordable in the state.
“The richest people in America think that they earned everything themselves. Bulls—, man. That’s so ridiculous,” Steyer said in an online video announcing his campaign. “We have a broken government. It’s been bought by corporations and my question is: Who do you think is going to change that? Sacramento politicians are afraid to change up this system. I’m not. They’re going to hate this. Bring it on.”
Protesters hold placards and banners during a rally against Whitehaven Coal in Sydney in 2014. Dozens of protesters and activists gathered downtown to protest against the controversial massive Maules Creek coal mine project in northern New South Wales.
(Saeed Khan / AFP/Getty Images)
Steyer, 68, founded Farallon Capital Management, one of the nation’s largest hedge funds, and left it in 2012 after 26 years. Since his departure, he has become a global environmental activist and a major donor to Democratic candidates and causes.
But the hedge firm’s investments — notably a giant coal mine in Australia that cleared 3,700 acres of koala habitat and a company that runs migrant detention centers on the U.S.-Mexico border for U.S. Immigration and Customs Enforcement — will make him susceptible to political attack by his gubernatorial rivals.
Steyer has expressed regret for his involvement in such projects, saying it was why he left Farallon and started focusing his energy on fighting climate change.
Democratic presidential candidate Tom Steyer addresses a crowd during a presidential primary election-night party in Columbia, S.C.
(Sean Rayford / Getty Images)
Steyer previously flirted with running for governor and the U.S. Senate but decided against it, instead opting to run for president in 2020. He dropped out after spending nearly $342 million on his campaign, which gained little traction before he ended his run after the South Carolina primary.
Next year’s gubernatorial race is in flux, after former Vice President Kamala Harris and Sen. Alex Padilla decided not to run and Proposition 50, the successful Democratic effort to redraw congressional districts, consumed all of the political oxygen during an off-year election.
In recent years, Steyer has been a longtime benefactor of progressive causes, most recently spending $12 million to support the redistricting ballot measure. But when he was the focus of one of the ads, rumors spiraled that he was considering a run for governor.
In prior California ballot initiatives, Steyer successfully supported efforts to close a corporate tax loophole and to raise tobacco taxes, and fought oil-industry-backed efforts to roll back environmental law.
His campaign platform is to build 1 million homes in four years, lower energy costs by ending monopolies, make preschool and community college free and ban corporate contributions to political action committees in California elections.
Steyer’s brother Jim, the leader of Common Sense Media, and former Biden administration U.S. Surgeon General Vivek Murthy are aiming to put an initiative on next year’s ballot to protect children from social media, specifically the chatbots that have been accused of prompting young people to kill themselves. Newsom recently vetoed a bill aimed at addressing this artificial intelligence issue.
There’s a reason crowds endure yearly price increases and jammed sidewalks at Disneyland each November through early January. It’s the merriest time of the year — and arguably when the resort is at its glistening, glowing best with seasonal food offerings, holiday ride makeovers and unique live entertainment options.
Disneyland, of course, is home to the long-running A Christmas Fantasy Parade, but I’d argue it’s not even the best processional happening this time of year. And this year, even Star Wars: Galaxy’s Edge, though not part of Disneyland’s holiday programming, is finding new ways to get festive.
Here’s a sample of some of my favorite things to do at the park this holiday season, which runs through Jan. 7. If you’re curious to check it out but looking to save a little on tickets, Disneyland has announced a new California ticket offer that goes on sale Dec. 3 and takes effect Jan. 1. The deal is for a three-day park-hopper ticket, which can be used on non-consecutive visits, and starts at $249 per person, which amounts to $83 per day.
If you go, don’t be shy, and say hi, as it’s the time of the year when I visit most often.
Don’t miss Disneyland’s best street party
The ¡Viva Navidad! street parade is one of Disney California Adventure’s most lively, diverse and dance-focused offerings.
(Disneyland Resort)
There’s one show at the Disneyland Resort that each year, without fail, brings me to tears — tears of joy, but also tears of surprise that something so lively, diverse and dance-focused exists at a Disney park. That show is California Adventure’s ¡Viva Navidad!
A boisterous celebration of Latin art and music from beginning to end, ¡Viva Navidad! uses the characters from Disney’s mid-1940s goodwill film “The Three Caballeros” as a jumping-off point to showcase folklórico dancers, mariachis and 12-foot-tall mojiganga puppets (large-scale, papier mâché sculptures that dizzyingly rocket up and down a small portion of California Adventure). The show, which came from the minds of Susana Tubert and her team at Disney Live Entertainment, feels a bit like a Mexican street parade and works because it extends a hand to guests of all walks of life. Though launching with Paul McCartney’s “Wonderful Christmastime,” it ends with the always-festive “Feliz Navidad” from José Feliciano.
Running since 2014, ¡Viva Navidad! is a blast. It’s a treasure. The only quibble is the show primarily runs on weekends only.
Embrace a cultural tradition — with stories, candles and thoughtfulness
“A Musical Christmas With Mariachi Alegría de Disneyland & Miguel” is an evening performance at Disneyland that centers on a mariachi band and is inspired by Las Posadas.
(Joshua Sudock / Disneyland Resort )
Introduced last year, California Adventure’s “A Musical Christmas With Mariachi Alegría de Disneyland & Miguel” features the star of Disney/Pixar film “Coco” but, like ¡Viva Navidad!, is rooted in cultural traditions. Specifically Las Posadas. Think a festive procession that travels among the community, Las Posadas are traditionally staged in Mexico between Dec. 16 and 24. In their purest form, Las Posadas depict the biblical story of Joseph and Mary and the search for shelter at the time of Jesus’ birth.
The Disney performance, which typically runs on weekdays, deviates from the religious overtunes. But some of the key touchstones — a mix of music and stories, a centering of children with candles — are present. It begins with a trot to the center of California Adventure to the tune of “El Burrito de Belén” and throughout the course of the show it will touch on such staples as “Jingle Bells” and “Santa Claus Is Coming to Town,” albeit in bilingual renditions.
The show’s narrator and singer regales guests with tales of how different Latin countries present stories of Santa Claus, or, say, the joy of unwrapping a tamale. The climax instead of the street performance is a candlelit rendition of “Silent Night,” with audience participation. What a moment ago was festive theme park fare becomes something more reflective, all while slightly nodding to the holiday’s more spiritual underpinnings.
Participate in a fantastical holiday at Star Wars: Galaxy’s Edge
Life Day is a fictional holiday exclusive to the “Star Wars” universe.
(Disneyland Resort)
OK, so this is a bit of a curve ball. It should be noted that what happens in Star Wars: Galaxy’s Edge is not part of Disneyland’s traditional holiday programming, as Life Day is not an actual holiday, unless, perhaps, your religion is “Star Wars.” It’s also lighthearted good fun. Life Day has its roots in the beloved but campy and culturally questionable “Star Wars Holiday Special” as an event that originated on the Wookie home planet of Kashyyyk.
When Galaxy’s Edge opened in 2019, fans wondered if during the holiday season the land would get in on the Life Day action. Initially, fans started showing up on Nov. 17, the day the television special aired, for impromptu celebrations of their own. Credit Disneyland for embracing the guest-driven activity, so much so that the park started developing Life Day ornaments and shirts as well as offering limited time food specials.
This year, a red-robed Chewbacca holding a glowing orb — the official symbol of Life Day — will for the first time wander Galaxy’s Edge to meet with visitors. Disney hasn’t said for exactly how long this festive version of Chewbacca will be present in the land, but here’s hoping Life Day is celebrated at least until the end of Disneyland’s more conventional holiday proceedings.
After all, I enjoyed my morning paying respects to the fictional holiday, as I indulged in a limited-run anise-spiked sangria at Oga’s Cantina (the Joh Blastoh Sangria Gocola, $19.50) along with a large, fluffy slice of cinnamon toast topped with a richly sweet, cheesecake-inspired frosting and ornamental lychee pearls (Millaflower Toast, $13). The latter meant I essentially had dessert for breakfast, and while it was too sugary to finish — definitely share it — I couldn’t help but smile at the fact that Disneyland has embraced one of the silliest aspects of the space fantasy the land is dedicated to.
You’ll love the gingerbread (and other tasty delights)
The Festival of Holidays in Disney California Adventure is serving up two types of mac and cheese this year. On the left is the al pastor mac and cheese and on the right is the savory kugel mac and cheese.
(David Nguyen / Disneyland Resort)
I stopped in the lobby of the Grand Californian on my way out of the park for some Mickey-shaped gingerbread cookies and balked at a line that some guests said they had spent 40 minutes standing in. But having had it in year’s past, as well as a Halloween version of the cookie just a couple weeks ago, I can vouch for the fact that it is quality, soft gingerbread. Worth the wait? Your mileage may vary, but know that the best gingerbread cookie in Disneyland is actually inside the park at the Harbor Galley, where the cookies are smaller and rounder but also spicier and chewier. And 13 of them cost just $13.79, making them one of the more budget-friendly snacks in the resort. They’re a must.
Yet there’s much to sample across Disneyland’s two parks, its shopping district and hotels, so much so that I spent much more time on Sunday eating than going on rides. The bulk of my afternoon was devoted to the food booths of Disney California Adventure’s Festival of Holidays, where most items run between $6 and $9 (or buy a passport to try six items for $49). The highlight was an al pastor mac and cheese where I slathered the cubes of pork in the finest theme park cheese slop. Don’t miss some returning favorites, such as the barbacoa tamal de res, in which the beef is pleasantly tender, or the braised pork belly adobo, one of the heartier dishes at the festival. Just know that throughout the day booths may periodically run out of items, so be prepared to pivot.
Elsewhere, I sampled the creamy, rum-forward horchata with whipped cream ($18) at Downtown Disney’s Centrico, a frosty, mid-afternoon cinnamon-focused dessert drink, and made a note to come back for the seasonal, mole tamales. It wouldn’t be the holidays without a little eggnog, so I made it over to the Disneyland Hotel’s Broken Spell Lounge for its $19 cognac and rum-spiked rendition. It’s heavily alcohol forward, so next time I may simply stick to the space’s spirit-less house-made eggnog at $9. While there, don’t miss the French dip, which, albeit pricey at $34, is an ample, filling sandwich that debuted during last year’s holidays and became so popular with guests it stuck around.
Still on my must-try list: a gingerbread-cranberry cheesecake trifle at Disneyland’s Jolly Holiday Bakery Cafe and the gingerbread pancakes at River Belle Terrace.
And of course, don’t miss the holiday ride makeovers, including Haunted Mansion and It’s a Small World
The Haunted Mansion is currently themed to “The Nightmare Before Christmas,” a charming, Christmas-focused makeover.
(Disneyland Resort / Christian Thompson)
In a way, Disneyland has been celebrating Christmas since August. That’s when its Haunted Mansion was remade into its “Nightmare Before Christmas” form and became a ride that largely cheers the Dec. 25 holiday.
While Disneyland’s original Haunted Mansion is the one after my heart, the overlay has its charms, namely the demented gingerbread house in the ballroom scene. This year’s rendition is filled with murderous red-eyed ravens up to no good, and in true Haunted Mansion fashion it has a pun for a name. The 13-foot gingerbread house is titled “A Murder So Fowl.” Pay close attention as you glide by, as not all these ravens and crows appear to survive a visit to the gingerbread mansion.
And while Disneyland’s early evening tree lighting tends to draw a crowd, you’ll want to make your way to Fantasyland at 5 p.m. for the nighttime illumination of the It’s a Small World facade. Here, tens of thousands of lights instantly flip on for arguably Southern California’s most memorable Christmas light display. It’s so bright, that nearby walkways will glow red and green and twinkle along with the playful piece of mid-’60s architecture.
The attraction itself remains a joy. The ride’s namesake song plays give and take with “Jingle Bells” and seasonal adornments adorably enliven the leisurely boat ride with even more cheer. The regular version is my favorite ride at Disneyland, and during the holidays it’s like riding through a giant, wintry music box.
The holidays may be one of the busier times to visit the Disneyland Resort, but it’s also a time when the theme parks are at their best.
Serious financial woes have plagued the Palm Springs Art Museum for at least six years, according to internal documents obtained by The Times. Recent developments have opened a Pandora’s box.
On Jan. 15, the accounting firm conducting the annual audit of the museum’s 2024 books attached to its report a “letter of material weakness,” a standard accounting practice for alerting a client to the reasonable possibility that its internal financial statements are significantly out of whack.
Less than three months after the audit letter, in early April, the museum’s director suddenly resigned, and trustee defections began. A cascade of at least eight resignations from the museum’s board of trustees — nearly one-third of its membership — has occurred since spring. One resignation came on the advice of the trustee’s attorney. With 19 trustees remaining, according to a listing on the museum’s website, the total number has fallen below the minimum of 20 required in the museum’s by-laws.
Palm Springs Art Museum board chair Craig Hartzman did not respond to multiple requests for comment.
Accountants at Eide Bailly, citing a “deficiency in internal control” at the museum, highlighted six areas of concern, including problems with reporting of endowment spending, improper recording of the market value of donated and deaccessioned art, and faulty recording of admissions revenues.
Former museum director Adam Lerner had reportedly been negotiating a three-year contract renewal when he stepped down. Without elaborating on his unexpected decision to depart, he was cited in a museum press release as leaving for personal reasons. Lerner returned to Colorado, where he previously headed the Museum of Contemporary Art Denver.
Reached by text, Lerner declined a request for interview, referring questions to the museum.
Financial problems at PSAM are not new. According to six pages of notes obtained by The Times, compiled by a trustee who led a task force charged with examining museum finances, the ending statement on the 2019 endowment balance was $3 million higher than the beginning balance on the 2020 statement. Audits and tax returns posted on the museum website confirm the puzzling discrepancy.
The notes say it is “highly unlikely” the funds were stolen. Instead, they question internal museum accounting practices, which can create a misleading appearance of fiscal health. By the 2021 audit, the outside accounting firm that had been preparing them annually prior to Eide Bailly had quit.
“This is always a red flag,” wrote museum trustee Kevin Comer, an art collector who retired after 30 years as a managing director at Deutsche Bank in New York, and who is a former professor of accounting and fiduciary management techniques at the Ohio State University. A trustee for less than two years, Comer resigned Nov. 6.
Reached by telephone, Comer declined to discuss the accounting firm’s letter or the task force notes.
Palm Springs Art Museum
(Guillaume Goureau/Palm Springs Art Museum)
Since late July, a lengthy anonymous email has also been circulating from a self-described “whistleblower with a direct relationship” to the Palm Springs Art Museum. Fourteen itemized complaints, most concerning fiscal matters, are presented with sobriety, plus a slow burn of understandable anger. Whether or not the unidentified whistle blower has an ax to grind is unknown to me, but plainly the email is not a list of wild accusations hurled by an unreliable gadfly.
The coherent level of informed specificity certainly suggests authorship by a knowledgeable insider. Some stated grievances may have benign explanations, while others are troubling.
Comer pulled few punches in his own letter of resignation to fellow trustees, also obtained by The Times. The fiduciary expert, a former member of the board’s finance committee, said he was resigning on the advice of his attorney.
The board, Comer alleged, is sidestepping the fundamental fiduciary obligation to protect “the integrity of the museum, despite our best intentions.” The letter urges hiring both a law firm and a forensic accounting firm to review museum finances, partly to untangle apparently inappropriate methods in the past for the benefit of the current board, and partly to address potential liability.
An earlier task force suggestion to that effect was discussed by the board but went unheeded, he charges.
Especially concerning is a 2019 reclassification of some restricted funds. Task force notes suggest the $3-million discrepancy between 2019 and 2020 may have originated as a change in restricted funds to unrestricted status. Assets specifically donated for a particular function could then appear to be available for general operating purposes.
The museum consistently operated at a loss, the notes say, with some operating shortfalls covered by the 2019 reclassification. A deficit is not unusual for an art museum, but whether the reclassifications of some restricted funds were appropriate appears to be in doubt. Presumably, funds reclassified as unrestricted at the end of one year to make the financial filing look good may have had their restricted status restored at the start of the next year.
Restricted funds can include money raised through the deaccession and sale of art donated to a museum’s collection. Common museum ethical standards require income from deaccessioned art to be sequestered, used only for other art purchases, as well as for direct care of the collection. For accounting purposes, the monetary value of a nonprofit museum’s art collection is not considered a material asset to be carried on the books. Reclassification of sequestered art funds could support an appearance of general financial vigor.
During the lengthy 2020 pandemic closure, the cash-strapped museum made the controversial decision to deaccession and then sell a prized 1974 Helen Frankenthaler painting, which brought $4.7 million at auction. The 2024 audit puts total donor restricted funds for art purchases and collection maintenance at $7.8 million.
To pay the bills the museum has also been drawing down the endowment. According to the 2024 audit, the most recent financial statement currently available, the endowment is slightly more than $17 million — extremely small for a museum that last year had an operating budget of approximately $10.5 million.
“Endowment draws over the past decade totaled roughly $8 million, and contributions to the endowment totaled roughly $500,000,” the notes report. “Most years the museum operated at a loss, including for the last three years when the board believed we were profitable,” it states.
Such a disproportion between fundraising and expenditure, between money coming in and money going out, is frankly unsustainable for this — or any — art museum, especially when inflation is factored in.
The endowment is a nonprofit’s “seed corn,” eaten for short-term gain only at its long-term peril. Most disturbing: The notes suggest that while the five-person executive committee may have been aware of some of the situation’s more difficult details, the rest of the board appears not to have been fully informed of the museum’s financial position . “Bottom line,” Comer’s resignation letter astutely observes, “this is a leadership group that doesn’t know what it doesn’t know, and that is the most dangerous place in which an institution can be placed.”
The Palm Springs Art Museum has apparently wedged itself firmly between a rock and a hard place. Now, it is unclear how the museum can move forward without a full cohort of 20 trustees authorized to vote on making essential decisions — including accepting new members to the board.
It was a terrible, horrible, no good, very bad season for Angel City FC. But it’s not one the team is running away from.
“Did we put it all together this year?” team president Julie Uhrman asked. “No.”
In fact, the team won just one of its last eight games; missed the playoffs for the third time in four seasons; saw attendance plummet; lost Alyssa Thompson, its best and most exciting player, on a million-dollar transfer; and watched its two most-decorated players — Ali Riley and Christen Press — retire after a season in which they combined for two starts.
For sporting director Mark Parsons, however, it still counted as progress. Yet the team has a lot of work to do to clear the high bar of community impact and soccer success it set as its twin goals when it launched in 2022.
“This season was about putting in all the foundations and all the pieces where we get to go compete for championships from ’26 and beyond,” Parsons said. “And I could not be happier with the success we’ve been able to do. That helps us win in the future.
“Of course we’d have all loved to win a couple more games,” he added. “But the priorities were try and win, but build for the future.”
Alexander Straus, center, is introduced as Angel City coach by sporting director Mark Parsons, left, and team president Julie Uhrman during a news conference in June.
(Al Seib / For the Times)
The die for the season, for bad or worse, was cast in the embers of the deadly Palisades fire last January. That first night, as Riley’s family home burned to the ground and other players were forced to relocate, Parsons could see the flames from the gated Brentwood estate of Bob Iger and Willow Bay, Angel City’s controlling owners. He was there interviewing for the job he would get nine days later.
And he was brutally honest about what he thought the club needed.
“I looked at them and said ‘We have a lot of work to do. Unless we get really lucky, it’s going to be a roller coaster. However, we will be really excited about our team by the end of the year,’” Parsons recalled this month.
Part of the problem has to do with how Angel City was built. The team has had three general managers or sporting directors in four seasons and four coaches, including interim manager Sam Laity, over that span. Parsons and Alexander Straus, his hand-picked coach who started in June, were hired to shore up that creaky foundation and bring consistency to the team’s soccer operations, which mostly had been spinning its wheels.
For Parsons, that basically meant tearing things down and starting over. And if he had to sacrifice his first season in doing so, it was a price he was willing to pay.
“We’re going to try and compete and win every single game, because that’s why we’re here,” he said. “We are not going to do that at the expense of building a championship-winning team. This season is about building the future, to not just get to the top, but to stay at the top.”
So the team made 29 transactions in his first nine months. In addition, seven players won’t be re-signed when their contracts expire at the end of the year, among them midfielder Madison Hammond and defender Megan Reid, who are 1-2 in appearances in club history, and Japanese defender Miyabi Moriya, a World Cup and Olympic veteran.
Of the additions, Parsons is especially high on midfielders Evelyn Shores and Hina Sugita, Icelandic attacker Sveindis Jonsdottir and Zambian international Prisca Chilufya. All joined in the second half of the season, adding to a core that included rookie of the year candidate Riley Tiernan and defenders Gisele Thompson, Sarah Gorden and Savy King.
Angel City’s Sarah Gorden controls the ball against Racing Louisville on Sept. 27.
(Andy Lyons / Getty Images)
Of those eight, only Gorden is older than 28 and three of the others — Thompson, King and Shores — can’t legally buy a beer in California. Parsons will double down on one of those additions Tuesday, announcing he has signed Sugita, 28, a two-time World Cup player from Japan, through 2029.
“Most teams try not to do too much during the season. It can be unsettling,” Parsons said.
But for Angel City, every second mattered.
“The top teams in this league that have been pretty consistent the last couple of years took three years to get to a point of being in the top four. We don’t have three years,” Parsons said. “This is a city that is expected to compete and to win in a stadium that [is] rocking, that represents this community.”
That hasn’t happened for Angel City, which was founded with solid community support and an A-list ownership group of more than 100, including Hollywood stars, former U.S. national team players and deep-pocketed investors. The vision was to build a team that won games while making a deep and lasting impact on the community.
The club certainly has gotten the second part of that equation right by providing more than 2.5 million meals and more than 51,000 hours for youth and adult education; distributing equipment and staff for ongoing soccer programming for the children of migrants trapped at the U.S.-Mexico border; and funneling $4.1 million into other programs in Los Angeles. Last week the club awarded $10,000 grants and access to business coaching to 13 former players to help support the transition to the next stage of their lives.
From the start, Angel City games offered a welcoming place, especially for the LGBTQ community, and that helped the team finish first or second in the NWSL in attendance in each of its four seasons.
“We are committed to providing an environment of connection, community and belonging,” Uhrman said.
But while doing that the club struggled on the field, making the playoffs just once while going 30-42-24 over that span. As a result average attendance plunged nearly 16%, to 16,257 this year.
In its first three seasons, Angel City played before a home crowd that small just once, although the team still ranks second in the league, behind only the Portland Thorns. Making the team a draw again, Uhrman conceded, will require trying something new. Like winning.
“Our goal is to be a dynasty on the pitch and a legacy off the pitch,” she said. “And for that to be true, we need to win on and off the field. We need to have the positive impact in the community and continue to give back, but we also need to win championships.”
Some of the team’s most loyal supporters have grown tired of waiting.
“I’m just frustrated with the team’s performance,” said Caitlin Bryant of Burbank, a season-ticket holder from the first season who has not renewed for next year. “I’m done dragging myself down to BMO [Stadium] every other weekend until this thing turns around.
“The vibes are great. The stadium environment is great. But watching the team lose game after game, season after season, it’s exhausting and it’s not fun. I need the team to win.”
⚽ You have read the latest installment of On Soccer with Kevin Baxter. The weekly column takes you behind the scenes and shines a spotlight on unique stories. Listen to Baxter on this week’s episode of the “Corner of the Galaxy” podcast.
James Bond star Pierce Brosnan looked dapperCredit: GettyLeigh-Anne’s bandmate: Jade Thirlwall also looked stunningCredit: GettyJade arrived with her boyfriend Jordan StephensCredit: PA
“It’s a clever way to invest her money as it’ll not only bring her a decent return but will see her bank balance grow over time.
“Maya did come up with the first company name, Blagging It Properties, but then changed it to something a little more sensible.
“She’s now the director of Penny Property Holdings and will start investing soon.”
Maya is also making her acting debut in the second series of Guy Ritchie‘s hit comedy- drama The Gentlemen.
The Sun revealed Maya had signed up back in May for a part in the Netflix series and filmed scenes in the summer.
No matter how many times the former Fox News personality reinvents herself — friendly NBC daytime talk show, serious Sunday night news magazine anchor, desperate-to-cash-in right-wing podcaster — the old Megyn Kelly sabotages the new one.
The veteran media personality has done it again, this time managing to unite the left and right in disgust against her definition of pedophilia following last week’s dump of more documents from the Epstein files.
Last week on her eponymous SiriusXM show, Kelly said that calling the late, disgraced financier Jeffrey Epstein a pedophile wasn’t all that accurate because he was “into the barely legal type” of minors, “like 15-year-olds.”
Speaking with NewsNation host Batya Ungar-Sargon, Kelly claimed to know “somebody very, very close to [the Epstein] case who is in a position to know virtually everything,” and “this person has told me from the start, years and years ago, that Jeffrey Epstein, in this person’s view, was not a pedophile.”
Epstein was charged in 2019 with the sex trafficking of minors and conspiracy to commit sex trafficking of minors. He denied the charges and pleaded not guilty before killing himself in a Manhattan jail while awaiting trial.
“He liked 15-year-old girls,” continued Kelly on her show. “I realize this is disgusting. I’m definitely not trying to make an excuse for this, I’m just giving you facts that he wasn’t into, like, 8-year-olds.”
Then she gunned it off the side of a cliff, Thelma and Louise-style, but without the heroism or the cool, vintage convertible.
“I don’t know what’s true about him, but we have yet to see anybody come forward and say, ‘I was 8, I was under 10, I was under 14, when I first came within his purview,’” Kelly said. “You can say that’s a distinction without a difference.”
Ungar-Sargon pushed back: “No, it’s not.”
Kelly replied, “I think there is a difference. There’s a difference between a 15-year-old and a 5-year-old, you know?”
No, we don’t know. Sex with a minor equals pedophilia. Period.
It’s one more instance of Kelly, 55, doing or saying whatever it takes to game the attention economy, no matter how cynical or craven.
Her clumsy attempts to make the news rather than report it didn’t particularly stand out during her 12 years at Fox News simply because she was surrounded by peers who are masters at the art of fabricating outrage for ratings, clicks and follows.
“Santa Claus is white!”
“Antifa is watching!”
“Immigrants are in your pantry, snacking on your dog!”
Kelly made it to the top of news feeds when she departed Fox in 2017. She was among a group of women who spoke out against Roger Ailes, head of the conservative cable news station, accusing him of sexual harassment and assault. Ailes resigned in 2016. Kelly became an outspoken proponent of the #MeToo movement and rode that blue-ish wave out of the conservative media ecosystem and into the mainstream with NBC News.
But by 2019, NBC canceled her talk show, “Megyn Kelly Today” after Kelly questioned if wearing blackface was really racist during a segment on Halloween costumes. She was defending Luann de Lesseps, a cast member of the reality show “The Real Housewives of New York,” who had darkened her skin to dress as Diana Ross. Kelly said that when she was a child, it “was OK, as long as you were dressing up as, like, a character.”
Just as the media ecosystem has changed, so has Kelly. She’s now partnered with Mark Halperin, a former NBC News and MSNBC contributor whose contract was canceled in 2017 amid sexual misconduct allegations. Together, they hope to build her MK media empire, jumping off the popularity of “The Megyn Kelly Show.” It’s one of the nation’s most popular right-leaning podcasts. According to data from media tracker The Righting, the program ranked as the third-largest conservative podcast, behind those hosted by Ben Shapiro and Jordan Peterson.
Defending a pedophile could prove to be her latest act of self-sabotage. If not, there are still plenty of chances for her to fecklessly ride the political tides, aligning with new victors while alienating whoever still believes she stands for something other than her own brand. But she’s running out of new demographics to appeal to. And the public is running out of patience with her.
It’s not impossible, with the Dodgers believed to have Bellinger on their radar as they evaluate their options in free agency.
In an offseason of wide possibilities, but thus far tempered expectations from the Dodgers’ front office, Bellinger represents something of a wild card in the team’s potential winter plans.
He is not the top outfielder on this year’s market, which is headlined by former Chicago Cubs slugger Kyle Tucker and the $400 million-plus bidding war he is expected to trigger.
But, for a team like the Dodgers, Bellinger could be a better (and more familiar) fit, providing the kind of positional versatility and financial flexibility someone like Tucker wouldn’t.
Granted, the seriousness of the Dodgers’ interest in Bellinger, which was first reported by ESPN, remains unclear. But the mere possibility will make it one of the more intriguing early subplots of the winter, representing one potentially splashier option for the club to consider in pursuit of 2026 roster upgrades.
To this point of the offseason, of course, the Dodgers have signaled a reluctance to add more lucrative, long-term, free-agent contracts to their steadily aging core. It’s shown up in their pursuit of relievers, with their preference seemingly being a shorter-term deal after being burned by big bullpen spending last year. It has also influenced the way they’ve viewed the outfield market, cooling summer-long expectations that they would be leading contenders in the Kyle Tucker sweepstakes.
After all, the Dodgers have two starting outfielders currently on their roster in Teoscar Hernández (who is entering the second of his three-year, $66 million deal) and Andy Pages (who is coming off a 27-homer campaign in his second MLB season). They have plenty of depth options at the position, from Alex Call to Ryan Ward to the versatility provided by utility players Tommy Edman and Hyeseong Kim (and maybe even backup catcher Dalton Rushing, who could experiment in the outfield again in 2026).
Cody Bellinger was the NL Rookie of the Year in 2017 and the NL MVP in 2019, but struggled in his last few seasons with the Dodgers.
(ASSOCIATED PRESS)
They also, importantly, have a promising wave of outfield prospects expected to reach the majors in the next 2-3 years, a group headlined by Josue De Paula (the top prospect in their farm system); Eduardo Quintero (their 2025 minor-league hitter of the year); Zyhir Hope, Mike Sirota, James Tibbs III and Zach Ehrhard (promising talents acquired in trades over the last two years); and Charles Davalan and Kendall George (recent first-round draft picks).
The team would still like to add another outfielder, likely of the left-handed-hitting variety, to the mix in 2026. It is hopeful of finding an improved replacement for Michael Conforto, after his woeful performance on a one-year, $17 million deal last season.
At the same time, though, the Dodgers want to preserve their longer-term flexibility at the position — making their odds of giving someone like Tucker the 10-year contract he is expected to receive appear dubious at best.
Bellinger, however, provides a different free-agent proposition.
He is a couple of years older than Tucker, set to turn 31 next season, but is also likely to receive a contract of roughly half the length and much less guaranteed money; pegged by most projections to be in the 5-6 year and $150-$175 million range (though he could reasonably surpass those figures if his market materializes well).
Crucially, Bellinger also offers positional flexibility. At present, he can play all three outfield spots, and remains a plus-defender in the corners. Down the line, he could eventually shift to first base, making him (for a team like the Dodgers) a potential future successor to Freddie Freeman.
Another key factor: Bellinger is a much different player than he was when the Dodgers declined to tender him a contract at the end of the 2022 season.
Back then, Bellinger was coming off two straight years of subpar performance in the wake of a shoulder surgery following the 2020 World Series. Between 2021 and 2022, he hit .193, struck out more than 27% of the time, and had an OPS+ of 66 (an advanced metric in which 100 is considered league average).
The last three years, on the other hand, have seen the former MVP winner stage a mid-career revival. While playing for the Chicago Cubs (who signed Bellinger ahead of the 2023 season) and New York Yankees (who traded for him last offseason), he hit .281, struck out just 15% of the time, and had an OPS+ of 125. Last season, he also hit 29 home runs, his most since collecting 47 in his 2019 MVP season.
Granted, Bellinger did benefit from the hitter-friendly environment at Yankee Stadium, where he had 18 of his long balls last year. He also does not hit the ball as routinely hard as in his peak years with the Dodgers. Yet, he has improved his approach, honed more consistent swing mechanics, and balanced out his platoon splits, batting .353 against left-handed pitching in 2025.
Those strides served as a reminder of Bellinger’s tantalizing talent, as well as a sign of his growing maturation as he enters his 10th year in the majors.
The question now: Whether it will all be enough for the Dodgers to make a legitimate run at bringing him back.
The nature of free agency, of course, means Bellinger is still likely to land elsewhere this winter. He is expected to field wide interest on the open market, starting with the incumbent Yankees (especially if their other free-agent outfielder, Trent Grisham, turns down a qualifying offer). The Dodgers, meanwhile, remain better positioned to explore the trade market for an outfield addition, possessing the kind of highly-rated farm system that could make them a factor for everyone from Steven Kwan to Brandon Donovan to Jarren Duran.
If Bellinger were to attract his own bidding war, the Dodgers would likely be reluctant to overpay (at least in their view) for his services.
But for now, the possibility of a reunion does at least seemingly exist — thanks to Bellinger’s versatile fit, recent resurgence and lingering familiarity with the franchise.
Years removed from his breakout, then flame-out, during his first tenure with the Dodgers, he could wind up in their winter plans again this offseason.
IN her blue gingham dress, brown pigtails and trusty dog Toto by her side, Dorothy Gale is one of the most famous characters in Hollywood history.
But 86 years after original actress Judy Garland skipped down the yellow brick road, the school girl from Kansas is back on the big screen – being played by a Pilates instructor who lives in Surrey.
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Bethany Weaver plays Dorothy in Wicked: For GoodCredit: InstagramCynthia Erivo and Ariana Grande are wildly popular in the leading rolesCredit: Alamy
Bethany Weaver, 30, has been unveiled as the woman portraying Dorothy in the big budget movie Wicked: For Good, which hits cinemas this Friday.
However, The Sun can reveal she only appears on screen for 69 seconds and says a total of six words — and Bethany’s friends may not even recognise her, as her face is never shown on screen.
It follows on from last year’s first film, simply titled Wicked, and completes the tale of the witches of Oz, Elphaba, played by Cynthia Erivo, 38, and Ariana Grande, 32, as Glinda.
But while the first musical extravaganza was a prequel to The Wizard of Oz, the second instalment’s plot runs parallel to that of the 1939 film, telling the tale from an entirely different perspective.
That means viewers will once again see Dorothy with the Tin Man, the Scarecrow and the Cowardly Lion.
Explaining the decision not to show her face, director Jon M. Chu, 46, said: “I didn’t want to step on who you think Dorothy is in whatever story that you came into this with.
“[The sequel] is still Elphaba and Glinda’s journey, and she is a pawn in the middle of all of it.”
Cynthia added: “I think that’s such a wonderful thing to do because then everyone gets to keep the Dorothy that they know.”
The film studio went to major lengths to keep her identity a secret, stopping her from attending the major premieres.
The cast and crew were banned from following or interacting with her on social media and on Instagram, she only had 1,041 followers before being formally announced.
She has had a string of theatrejobs in Oklahoma and Broken Wings after training at The Urdang Academy, and recently helped to choreograph a production of Charlie and the Chocolate Factory.
But away from the stage, she has a less showbiz career as a Pilates instructor in Surrey.
Her casting ends a year of speculation, as fans had been convinced that Irish actress Alisha Weir, 16, who played the lead in 2022’s Matilda the Musical, would take the role.
She attended the London premiere of the first Wicked film last year wearing silver shoes, which was thought to be a reference to the original colour of the character’s ruby red heels in the 1900 novel The Wonderful Wizard of Oz by L. Frank Baum.
And even superstar Taylor Swift, 35, was at one point linked to the role.
Fans thought the video for her song Karma, which saw her skipping down a yellow brick road, was a clue, and an image of the singer dressed as Dorothy went viral before later being debunked as AI.
But with an all-star cast in Wicked: For Good, also featuring People magazine’s Sexiest Man Alive Jonathan Bailey, 37, Oscar winner Michelle Yeoh, 63, and Jurassic Park’s Jeff Goldblum, 73, there is plenty of star power to propel it to success.
Wicked, released last November, became the highest-grossing film of the year at the UK box office, raking in £61million in a matter of weeks.
Now the blockbuster sequel is being forecast to repeat its success, with expectations it will surpass the £56million made by A Minecraft Movie and the £46million raked in by Bridget Jones: Mad About The Boy earlier this year.
Bosses at Universal Pictures are also hoping the movie will prove fruitful in awards season too, after the first flick landed ten Oscar nominations but only won in the Best Costume Design and Best Production Design categories.
Bethany runs pilates classes in SurreyCredit: Instagram/pilatesanddanceukThe actresses have struck up a very close friendship while working on the epic filmsCredit: Getty
The film is based on the second half of the Broadway musical, although two new songs were penned especially for the big-screen version, which will be available when the official soundtrack is released on Friday.
Ariana has a solo moment with The Girl in the Bubble while Cynthia gets a song on her own with No Place Like Home.
The tracks mean they could go head-to-head for the Best Original Song gong at the Oscars.
The movies were filmed back to back from December 2022 to January 2024 at studios in Elstree and Leavesden, Herts, although Ariana and Cynthia returned to the UK in May this year for last-minute reshoots.
An estimated $150m was spent on the film with millions more on marketing it – with the massive investment paying off for the first flick.
That one set a box office record for a stage-to-screen adaptation, making $756m globally.
And they are going all-out to market this film too.
Today, it was revealed that Brick Lane in East London has been transformed into Yellow Brick Lane, with the famous path from the Wizard of Oz now running down the road, along with several Wicked murals.
There have also been a raft of big brand tie-ins, with a slew of Wicked-themed products including a collection of Le Creuset cookware, Crocs, rugs, trainers, perfume, and even drinks and bakes at high street chain Greggs.
Wicked Barbie dolls are also expected to be one of the most in-demand toys this Christmas.
And its legacy is likely to be even more musicals making it to the big screen.
Following the success of the first film, Sabrina Carpenter, 26, has had a musical about Alice in Wonderland greenlit by the same movie studio.
Mamma Mia 3 is also expected to go ahead, with talk of Nicole Scherzinger, 47 – who had been linked to the role of Elphaba back in 2017 – starring in a film adaptation of Sunset Boulevard.
As for Cynthia and Ariana, they have spent the last two weeks on a promotional tour including premieres in Sao Paulo, Paris, London, Singapore and on Monday evening, New York.
The movies were filmed back to back from December 2022 to January 2024Credit: Alamy
However, it has taken its toll.
Cynthia, who wore a black gown featuring leather and feathers on the red carpet in the Big Apple, was unable to do interviews there after losing her voice entirely in the lead-up to the film’s release.
Meanwhile, talk during the promo run has turned to Ariana, who wore a pink tulle skirt and a black corseted bodice, and her relationship with her co-star Ethan Slater, 33.
Romance blossomed during filming, just after her marriage to estate agent Dalton Gomez crumbled, and following his split from his childhood sweetheart and the mother of his son, psychologist Lilly Jay.
But despite steering clear from each other on red carpets and declining to talk about each other, the couple are quietly still going strong after two and a half years as an item.
And while she isn’t saying goodbye to him, she is moving away from the role of Glinda, which she had dreamed about playing since she was ten years old.
She has dyed her peroxide blonde hair back to brown and has moved onto her next project, recently completing work on the latest film in the Meet the Parents franchise.
Reflecting on the release of the second – and final – film, Ariana was emotional.
She explained: “It’s been such an incredible ride and an incredible experience to create with people we love so much and respect so much creatively, but also who just have such great hearts.”
Speaking about the characters, who she and Cynthia auditioned for in 2021, she said: “It’s almost five years that we’ve spent with them. So, for them to finally be getting the full picture and to know the secrets we’ve known all along is very exciting.”
Ariana added: “This project will always be part of our lives.”
WASHINGTON — President Trump is set to fete Crown Prince Mohammed bin Salman on Tuesday when the de facto leader of Saudi Arabia makes his first White House visit since the 2018 killing of Washington Post journalist Jamal Khashoggi by Saudi agents.
The U.S.-Saudi relationship had been sent into a tailspin by the operation targeting Khashoggi, a fierce critic of the kingdom, that U.S. intelligence agencies later determined Prince Mohammed likely directed the agents to carry out.
But seven years later, the dark clouds over the relationship have been cleared away. And Trump has tightened his embrace of the 40-year-old crown prince he views as an indispensable player in shaping the Middle East in the decades to come. Prince Mohammed, for his part, denies involvement in the killing of Khashoggi, a Saudi citizen and Virginia resident.
Khashoggi will likely be an afterthought as the two leaders unveil billions of dollars in deals and huddle with aides to discuss the tricky path ahead in a volatile Middle East. They’ll end their day with an evening White House soiree, organized by first lady Melania Trump, to honor the prince.
“They have been a great ally,” Trump said of the Saudis on the eve of the visit.
Rolling out the red carpet
Technically, it’s not a state visit, because the crown prince is not the head of state. But Prince Mohammed has taken charge of the day-to-day governing for his father, King Salman, 89, who has endured health problems in recent years.
Most foreign leaders who come to meet with Trump are driven up to the doors of the West Wing, where the president often greets them. But Prince Mohammed, accompanied by the Saudi prime minister, will be welcomed with an arrival ceremony on the South Lawn.
An Oval Office meeting and luncheon in the Cabinet Room will follow.
Trump will then see the crown prince off in the afternoon but he’s expected to return to the South Lawn, with the first lady, to welcome the crown prince when he returns for the evening East Room dinner.
In addition to White House pomp, the two nations are also planning an investment summit at the Kennedy Center on Wednesday that will include the heads of Salesforce, Qualcomm, Pfizer, the Cleveland Clinic, Chevron and Aramco, Saudi Arabia’s national oil and natural gas company, where even more deals with the Saudis could be announced.
Fighter jets and business deals
Ahead of Prince Mohammed’s arrival, Trump announced he has agreed to sell the Saudis F-35 fighter jets despite some concerns within the administration that the sale could lead to China gaining access to the U.S. technology behind the advanced weapon system.
Trump’s announcement is also surprising because some in the Republican administration have been wary about upsetting Israel’s qualitative military edge over its neighbors, especially at a time when Trump is depending on Israeli support for the success of his Gaza peace plan.
But the unexpected move comes at a moment when Trump is trying to nudge the Saudis toward normalizing relations with Israel.
The president in his first term had helped forge commercial and diplomatic ties between Israel and Bahrain, Morocco and the United Arab Emirates through an effort dubbed the Abraham Accords.
Trump sees expansion of the accords as essential to his broader efforts to build stability in the Middle East after the two-year Israel-Hamas war in Gaza.
And getting Saudi Arabia — the largest Arab economy and the birthplace of Islam — to sign on would create an enormous domino effect, he argues. The president in recent weeks has even predicted that once Saudi Arabia signs on to the accords, “everybody” in the Arab world “goes in.”
But the Saudis have maintained that a clear path toward Palestinian statehood must first be established before normalizing relations with Israel can be considered. The Israelis, meanwhile, remain steadfastly opposed to the creation of a Palestinian state.
The U.N. Security Council on Monday approved a U.S. plan for Gaza that authorizes an international stabilization force to provide security in the devastated territory and envisions a possible future path to an independent Palestinian state.
Assurances on U.S. military support
The leaders certainly will have plenty to talk about including maintaining the fragile ceasefire in Gaza, mutual concerns about Iran’s malign behavior, and a brutal civil war in Sudan.
And the Saudis are looking to receive formal assurances from Trump defining the scope of U.S. military protection for the kingdom, even though anything not ratified by Congress can be undone by the next president.
Prince Mohammed, 40, who has stayed away from the West after the Khashoggi killing, is also looking to reestablish his position as a global player and a leader determined to diversify the Saudi economy away from oil by investing in sectors like mining, technology and tourism.
To that end, Saudi Arabia is expected to announce a multi-billion dollar investment in U.S. artificial intelligence infrastructure, and the two countries will lay out details about new cooperation in the civil nuclear energy sector, according to a senior Trump administration official who was not authorized to comment publicly ahead of the formal announcement.
A coalition of 11 human rights groups ahead of the crown prince’s visit called on the Trump administration to use its leverage to press Saudi authorities, who badly want to broaden its business and defense connections with the U.S., to make concrete commitments on human rights and press freedom during the visit.
The activists say Saudi authorities continue to harshly repress dissent, including by arresting human rights defenders, journalists, and political dissidents for criticism against the kingdom. Human rights organizations have also documented a surge in executions in Saudi Arabia that they connect to an effort to suppress internal dissent.
“Saudi Arabia’s crown prince is trying to rebrand himself as a global statesman, but the reality at home is mass repression, record numbers of executions, and zero tolerance for dissent,” Sarah Yager, Washington director at the group Human Rights Watch, said in a statement. “U.S. officials should be pressing for change, not posing for photos.”
Madhani writes for the Associated Press. AP writers Josh Boak and Darlene Superville contributed to this report.
