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WHEN you picture Japan, what comes to mind?

Ultra-modern cities drenched in neon lights? Steam rising from a bowl of soul-warming ramen?

Maybe it’s the stillness of a Zen garden, or the striking silhouette of a Japanese castle. Perhaps it’s Sashimi hand-crafted with the freshest of fish.

You may think that experiencing all of the above means spending weeks journeying across the country with a rail pass and a backpack.

Luckily, you can find them all in one underrated region: Hyōgo prefecture.

Next door to touristy Kyoto, Hyōgo offers Samurai castles, hot spring baths, thrilling theme parks and world-class Wagyu all in one place.

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Hyōgo truly earns its nickname “Japan in Miniature”, as it packs some of Japan’s finest cultural and historical sights into one diverse region.

Plus, there’s never been a better time for Brits to visit Japan.

With the new JESTA travel authorisation system expected to arrive in 2028 – which will require Brits to pre-register before travelling – it’s worth ticking the trip off of your bucket list before the new program and its fees are introduced.

Plus, the yen remains weak against the British pound in 2026, so you can stretch your money further on food, shopping and hotels than ever before.

I enjoyed bowls of delicious ramen for just ¥700 (£3.28), and went shopping for high-quality clothing in UNIQLO for a fraction of UK prices.

So to see what this underrated region has to offer, I explored Hyōgo Prefecture from top to bottom – from the coastal hot spring town of Kinosaki Onsen, down to the glitz of Kobe.

Himeji – samurai era castles, Japanese gardens and traditional restaurants

You might recognise this castle as Tiger Tanaka’s ninja training school in the Bond film You Only Live Twice.

Himeji Castle has also appeared in many classic samurai films such as Ran and Kagemusha, but this is much more than a famous filming location.

Himeji Castle is Japan’s most-visited castle – and it’s widely considered the most beautiful, too.

It’s easy to see why, I thought, as I approached the strikingly white hilltop fortress.

Himeji Castle is a listed UNESCO World Heritage site, renowned as the best-preserved feudal era samurai castle in Japan.

Although the hilltop fortification has existed since 1333, the castle as we see it today was built back in the early 17th century.

Since then, Himeji Castle remains remarkably intact, surviving events such as WWII bombing.

The bright white exterior and elegant tiered roofs are said to resemble a heron taking flight, earning it the nickname of the White Heron Castle.

Actually getting inside the castle, however, was quite the task.

Expertly designed to ward off intruders, you must get past multiple moats and a whopping 83 defensive features to make it inside.

These include false entrances, terrifying stone drops, plenty of gun ports and a disorienting, winding path up to the castle.

Even the plants beside the stone walls were a strategic part of the defence, with thorny, tangled overgrowth designed to stop attackers who tried to escape.

“Imagine you were an intruder trying to get in” said my Himeji Castle tour guide, as she pointed out endless stone drops, hidden gun ports and false entrances. “It would be near impossible!”

After admiring the architecture, I walked just five minutes to the peaceful grounds of the Kōko-en Garden.

Inside Kōko-en are nine Japanese gardens built upon the grounds of old samurai residences, with a large koi fish pond and traditional tea house.

These gardens are a must-see no matter which season you visit Japan.

Spring brings cherry blossoms, summer bursts with greenery and lotus flowers, whilst my winter visit still glowed with autumnal orange.

After wandering through bamboo, crossing stone bridges and hopping stepping stones over glossy waters, I settled down in the garden’s restaurant for a bite to eat.

Here you have your choice between lunch sets including grilled eel, crispy tempura and fluffy pancakes – all served with plenty of green tea and calming waterfall views.

Himeji felt like a snapshot of Japanese excellence, where expert craftsmanship and manicured gardens sit side by side in one unmissable city.

Kobe – world-famous Wagyu and glitzy nightlife

Just a 20-minute ride on the ultra-fast Shinkansen will take you from the historical marvels of Himeji straight to Hyōgo’s bustling capital: Kobe.

This glitzy city was made for wandering into jazz bars and soaking up neon lights, the lively promenade watched over by the glowing red Kobe Port Tower.

I spent days drifting between independent streetwear shops and artsy cafes, as well as making sure to stock up on clothes from trendy UNIQLO – which costs a fraction of the price in Japan compared to the UK.

Down by the waterfront at night, Kobe Harborland is the city at its most lively.

This area is packed with shops, museums, restaurants and a giant Ferris wheel, coming alive after dark.

But Kobe is best-known for its world-famous delicacy: Kobe beef.

To see if it lived up to the hype, I took a counter seat at a Teppanyaki restaurant to watch the chef cook the world-famous steak before my eyes.

I started by trying some Kobe beef sushi, priced at ¥1,260 (£6) – a dish I was unsure of at first, bu the raw beef dissolved on the tongue, leaving a rich, sweet flavour long after eating the rice.

Next came a whole platter packed with thin slices of delicate roast Kobe beef, served cold with a sweet sauce, priced at ¥2,970 (£14).

Last up was the dish I’d been waiting for: a Kobe beef fillet steak, which was buttery soft, oozing with juices and packed with Umami flavour.

Kobe beef steaks can certainly be a splurge (steak with veggies starts at ¥6,600, or £31 at Plaisir) but you can enjoy excellent Japanese beef on a budget too.

A premium Japanese beef burger, for example, costs just ¥1,300 (£6.16) at popular restaurant Brisk Stand.

In 2025, their signature Kittayatsu burger even won the Japan Burger Championship – not bad for a bite under £7.

Awaji Island – theme park paradise

Just a 30-minute bus hop from Kobe over the Akashi-Kaikyo suspension bridge, is Awaji Island – the home of jaw-dropping amusement parks.

Take your pick from three Hello Kitty attractions, fairy-tale and dinosaur worlds at Onokoro Theme Park, and anime fan heaven at a Naruto: Boruto themed land.

I chose to visit the Nijigen no Mori theme park – and whizz down a zip line into a giant Godzilla head.

The Godzilla Intercept Operation Awaji is the world’s largest Godzilla theme park land, made with the production company of the original movies.

The area includes a zip line, miniature movie, shooting game, museum, themed cafe and merchandise shop.

I opted for a light ticket, which grants access to the movie, zip line and shooting game for ¥2,800 (£13.25) per adult and ¥1,800 (£8.52) for children.

I shakily climbed several sets of stairs, and was asked if I’d prefer to zip past Godzilla’s body at 499 feet, or directly into his mouth at 531 feet.

I didn’t travel 13 hours to this Japanese island for nothing, so the choice to me was obvious.

The next and final task was to shoot at glowing targets on Godzilla’s body, whilst ducking down to avoid being seen by the creature.

I ended my visit by shopping for exclusive Godzilla gifts and eyeing up the unique meals on offer at the cafe – a Burning Godzilla Curry for ¥2,200 (£10.41) and Destroyah Hamburger Combo at ¥2,000 (£9.46).

You can book a ticket to the Godzilla Intercept Operation directly via the Nijigen no Mori website, or on apps such as Klook and GetYourGuide.

Kinosaki Onsen – a magical hot spring town

For something a little more relaxing, there’s the hot springs of Kinosaki Onsen Town.

An onsen is a traditional Japanese hot spring bath. These soothing geothermal pools are found all over Japan, thanks to the country’s volcanic landscape.

Onsens are said to have numerous health benefits due to their mineral-rich waters, and I was excited to check out their restorative reputation.

Kinosaki Onsen is a 1,300 year-old town where visitors can go onsen hopping, dipping in and out of seven public bathhouses lining its high street.

Visitors are encouraged to wear yukata (a lightweight Japanese robe), geta (traditional wooden sandals), as well as tabi (split-toe socks).

Kinosaki is a postcard-perfect town set along a quiet canal, lined by glowing stone lanterns and drooping willows. Dressed in traditional attire, I set out to explore its streets – and take part in the ritual of onsen.

The public bath experience is an unforgettable ritual, with a few customs to follow. Once shoes and belongings are stored away, you must bring only a small towel inside with you – which is often neatly folded upon your head when entering the water.

Once you’re in, it’s bliss, and I left with silky skin, and fully warmed through by the 40°C baths, ready to face the winter weather.

A Kinosaki day pass lets you dip in as many onsens as you please for just￥1,500 (£7.10).

They are available to buy at any of the seven bathhouses.

Feb. 13 (Asia Today) — Seoul apartment prices have risen more than 6% a year on average over the past four decades, data showed, reinforcing perceptions among South Korean buyers that housing in the capital remains a “safe asset.”

KB Real Estate data showed Seoul apartment prices increased an average of 6.17% a year from 1987 through 2025. That compares with a 2.56% average rise in other regions outside major metropolitan cities, the data showed.

Market analysts attributed the gap partly to policies and tax rules that have discouraged multiple-home ownership, while encouraging demand for a single “best-in-class” property in Seoul, fueling persistent scarcity.

Demand has also been supported by tighter rules on property transactions in Seoul. After the government designated the entire capital as a land transaction permit zone, purchases that rely on “gap investment” – buying a home while using a tenant’s large lump-sum deposit lease to fund the purchase – have become harder, pushing lease prices higher, analysts said.

The Korea Real Estate Board said Seoul apartment lease prices rose 3.76% last year.

A real estate industry official said Seoul apartments tend to hold value during market downturns, then rise sharply in upswings, adding that some buyers are now focusing on large new pre-sale projects as lease prices climb and new supply remains limited.

— Reported by Asia Today; translated by UPI

© Asia Today. Unauthorized reproduction or redistribution prohibited.

Original Korean report: https://www.asiatoday.co.kr/kn/view.php?key=20260213010004938

Ryan Sickler is used to asking the question that people are afraid to ask: “Is there anyone here who has ever actually died and come back and would be comfortable talking about it in front of all of us?”

It’s not your typical comedy show crowd work but it has profound results. During his special “Ryan Sickler: Live & Alive” released on YouTube in October, a woman in the audience talked about a near-death experience as a child where she rode her bicycle in front of a neighbor’s station wagon. But Sickler pointed out that this remarkable level of candor in the audience is something he continues to marvel about. In fact, he said they did two shows the night they taped his special and during the second show two people in the crowd said they had near-death experiences.

“When I ask the question, I know there’s someone in the crowd that’s like, ‘There’s nobody in here that’s died and come back,’” Sickler said. “So now they’re all very excited to listen too. Like, what happened to this lady, or what happened to this guy? You know, there’s been some wild ones, some real funny ones out there too.”

Given how many comedy specials are being released on various streaming platforms, he says that “we have lost the specialness of the special.” But Sickler said since coming so close to death and being able to talk about it with candor and relatability, he is still calling his latest self-produced YouTube special, special. It now has more than 1 million views on YouTube. Sickler has been on the comedy scene for more than 30 years and released his comedy special “Lefty’s Son” in 2023. He also hosts the “HoneyDew Podcast.” His comedy career has often incorporated his lived experience with a rare blood-clotting disease called Factor V Leiden that almost killed him.

But these days, he’s grateful to be alive, to have been able to wake up when it looked like he might not, to watch his daughter continue to grow up and the laughs along the way. Sickler has long been candid about his chronic health issues with his comedy but he has found particular meaning in doing crowd work when he performs, that talks about death and what it means to live.

The Times recently spoke with Sickler about his special and how he thinks about his sense of health, humor and mortality.

Ryan Sickler in the studio where he films the “HoneyDew Podcast.”

(Al Seib / For The Times)

What did you want to say this time around in your new special?

My first special was something that was a bit of a hybrid of stuff that had been out there and around, but I didn’t own it. It was out there on people’s platforms. They’re making the money off of it. And so I did a bit of, “Let me get this stuff on my channel where I can control it.” And then the other part of that special was becoming a new single dad, all those things this time, specifically, I really just wanted to talk about what had happened and the results after that. I follow these comedy accounts and in October, there were 31 stand-up specials that hit between Netflix, Hulu, YouTube. November was 30. This month was a little slow because the holidays, but it was still at 18 the last time I checked. So I don’t think there’s anything special about stand-up specials anymore. You’re in an environment now where there’s a stand-up special a day, people are doing that with podcasts. There’s so much content going on out there, and I feel like a lot of it is the same. So I this time wanted to just take something that happened very personal to me, this incident, and then tell the story, not only behind it, but what happened after and I was really proud of being able to just focus on that and make that into this special instead of just my observations on this or my thoughts on that. I’m a storyteller and I really think that’s what art is.

When did you realize you had the courage to write about this near–death experience?

I know I had the courage to write about it a long time ago. When I’m making people laugh at my father’s funeral and things like that, I knew I was comfortable being able to take on the material. But what I didn’t know was, could I make it funny? Could I make it relatable? Could I make this one thing that happened to this one person on this rock in outer space matter to anybody and make them care? Because it’s not like we all had this happen to us. This is just one thing that happened to this one dude. So that was really what I was more worried about, is like, can I get this message across and make it relatable, funny and entertaining at the same time? Which is why I threw in those really expensive light cues.

It can be very challenging to hear about these traumatic [near–death] experiences that people have had. How do you absorb that and not absorb it too much?

I’ve been doing this show for so long that it does start to wear on you a little bit hearing a lot of the trauma. So I created a new podcast a couple years ago called the Wayback, which is just fun, funny, nostalgia. So that also for me, was like, let’s not dig into the tears and let’s just laugh about growing up. So that was one way where I could still keep it in my lane and do my job, where I alleviate that a little bit. But the other thing, and I make fun of myself a little, is I’m like the paramedic at the party now. I’m the guy that’s like “You think that’s bad, wait until you hear this.” “This one guy …” “This one lady …” You know what I mean? So I’ve almost become sort of their voice, and I have absorbed it in a way that isn’t so negative, where I carry it home with me. I always forget the quote how it’s worded, but it’s something to the tune of, if we all stood in a circle and threw our problems in the middle, we’d all take our shit right back. It’s like you know what, that’s what you’re dealing with? I’m gonna go ahead and take mine.

How is hearing all these stories and connecting with the crowd and fans in this way [about near–death experiences] changed how you think about your own sense of mortality?

Even with my close call, like, that one angered me, because you start to think about things. You never know how you’re really going to go. You might have an idea if you’re getting older and cancer runs in your family, whatever, but the fact that you could go to a hospital for a simple surgery, they don’t listen to you, everything’s there in your paperwork. You’re your own advocate. You’re doing all the right stuff by yourself, and you’re among professionals, medical professionals, not Yahoos, and you can still have someone else make a mistake and your life is gone. That started me thinking a lot like, “Oh man, for no fault of my own, I could also be gone.” So I go day by day, and I try to be happy day by day. And I’m not going to lie, I also like to know I got a little something tomorrow too.

Do you think that incorporating death and near–death in your comedy helps people work through their own feelings about death and grief?

I only say yes to that because the amount of emails I get, the amount of feedback we get, the amount of guests that still continue to show up [to support] the Patreon. I’ve definitely found, I would say, a purpose in my people. If you’re someone saying you’re a jerk for laughing at this lady talking about cancer, we’re not laughing at her cancer. We’re laughing at something, some light that she found in the darkness of this and trying to have a moment here together, all about, “Hey, there’s some positive ways to look at things at your lowest.” So I know it’s helped people. I mean, we have, over the years, probably thousands of emails now. We have people telling us how much it’s helped. And I mean just through podcasting, I found out I have this blood disease. I was 42 at the time, and already been podcasting. There’s a lady I went to high school with. She’s like “Ryan, my son is 17. He started clotting.” I said, “Go ahead and check for this.” He listens to the podcast. This kid has it. I said, “Well, bad news. It’s genetic.” Now the whole family’s got to get tested. And if you have it from one parent, it’s not great, but having it from two is bad. The whole family gets tested. The parents have it. She’s got it from both her parents. So I can’t get over the fact that a woman I knew when we were children, 35 years later is like, “Hey, that thing you’re talking about on your podcast, my kids, my family, we all have it.” And then I’ve talked about another disease I also have, called Charcot-Marie-Tooth disease, which is CMT. And from bringing that up, people hit me up on that like “I have it, no one ever talks about that.”

What have you found to be one of the positives — besides surviving — of your near–death experience?

Gosh, so many. I have a child, so getting to see her grow and really taking care of my health and things. Not that I wasn’t before, but just I dove in even deeper. I went and got what’s called a gallery test for prescreening for cancer. I started doing all these blood works and like, “Let’s go find out everything you know, because I didn’t find out that I had this blood disease until I was 42 when I clotted.” I’m living my whole life, not even knowing I have this thing and and if I don’t clot, there are plenty of people out there that live to 100 years old and have it. It’s really made me appreciate life and trying to take things day by day. I also was living in a little single-dad pad at the time. We had no central air. We had tandem parking. We were above dumpsters. Our laundry was outside in a room with quarters. And when I got home — I’m still on a walker — and I was like, “What are we doing? We’re going to die without central air? Are we going to die with a bucket of quarters on the fridge? No more.” And so I moved my home, I moved my studio, I did all these things that are, like, the biggest thing you can do in life. We’re going to roll the dice, scared money don’t win, and we’re just going to go for it. Also, as a comedian and anybody in entertainment will tell you, a lot of times you work scared, you hold that money and you wait until the next thing comes. And also, as a single parent, you know we got to budget. And I was like, no more. We’re not going to go out and buy 10 Porsches. We’re going to be responsible. But I was on point with let’s go get a living will and trust. Let’s make sure we have that life insurance policy. Let’s make sure we have all the proper paperwork and stuff done before we do anything like go on a vacation, you know, let’s get this done now and get it done proper.

What do those conversations look like, if you have them at all, about encouraging your male friends to go to the doctor or encouraging them to take care of themselves, physically and emotionally?

I would say the conversations go something like this. My younger brother is like, “Hey, man, I just went in for a test, and they’re telling me I got to have an old school triple bypass,” and then that’s what we all get tested. “Hey guys, I found I got a blood disease.” “Oh man, we all better look into it now.” That’s usually how it goes. I don’t know many men who are proactive. There are a few of us these days. But it’s usually something horrible happens and then we’ll be proactive about everything else.

Do you have male fans who also say “I [saw] your special … I went to your show, and it made me go [to the doctor]”?

Yeah, but I’m saying, though, it still took them to come see a professional clown to get them to go to the damn doctor. I actually have been very good about going, because everyone in my family died. So I’ve been proactive in the sense that I go get two physicals a year. I’ve been doing that since my 20s. I always tell my doctor, if I can go buy expensive sushi, if I go buy weed, if I go buy all these things, I can put money into myself here and come see you a second time and pay for all that. So I do two physicals a year, and I’ve been doing that forever. But I’ve never done any sort of like gallery test. And now we’re in our 50s, so we got to go get the prostate and all that. That’s when you start hearing about that stuff. There’s a lot of ignorance that goes into it as well. I just had a guest here on the “HoneyDew” and said he didn’t go to a doctor or anything for over 20 years because he was just scared of what they were going to tell him. He was scared to get the bad news. You can kind of get the bad news and you could turn that into good news. It doesn’t need to be deadly news.

How do you know when you’ve been too open?

It usually tends to be a personal thing where someone’s like, “I don’t really appreciate you bringing that up.” So I don’t anymore. I’m always cognizant of [saying] like, “Hey, would it be cool if I talked about this or whatever?” I feel like the question you’re asking me would have been great for me just before I started, like, the “HoneyDew” and stuff because this is what I really want to talk about. Everyone wants to talk about the best and bring their best and I just really do want to hear about, you know, the trauma bond. I want to hear about the worst times in your life. I want to know because, honestly, that tells me so much more about you than you verbally talking about you. You know who you were in those moments, how you reacted, how you behaved, how you’ve adjusted. Those things really end up defining who you are, and that’s more what I want to know about. I don’t want to know your best polished version of yourself.

When D’Anton Lynn abruptly left for Penn State on the eve of USC’s bowl game, the hope within the program had been to keep what remained of his defensive staff intact. All while also attracting a top-notch defensive coordinator to take Lynn’s place.

But Lincoln Riley, after four years of regular churn with his staff at USC, was also realistic. The coach had learned by now how quickly plans could change with the coaching carousel.

“It really doesn’t matter what team you are,” Riley said in December. “It doesn’t matter what staff you are. Doesn’t matter what your postseason situation is like. … We’ve been through this now for a few years. So you can’t always predict everything that’s going to happen, but this time of year, you have to be ready to adjust. It’s just the nature of the game.”

Some adjustments, as Riley suggested then, were probably inevitable.

New USC defensive coordinator Gary Patterson takes questions from the media during a news conference.

(Ronaldo Bolanos/Los Angeles Times)

The worst of it came late in the carousel, when defensive line coach Eric Henderson elected to return to the NFL, departing for the same position with the Washington Commanders. Losing Henderson, from a recruiting perspective alone, is significant. He finished the last recruiting cycle as the nation’s top-ranked recruiter, according to 247 Sports.

It was Henderson who took over the defense for USC’s bowl game, which led some players to voice their belief he should get the full-time gig. His name was floated for other jobs, too, including the coordinator position at his alma mater, Georgia Tech.

USC hoped to retain him as defensive line coach. But with the program determined to go outside of its staff for a new coordinator, Henderson ultimately chose to leave.

USC also moved on from secondary coach Doug Belk, who’d also been mentioned as a potential internal candidate. He spent the previous two seasons as a leading voice on USC’s defensive staff. But his contract was not renewed.

In hiring longtime Texas Christian coach Gary Patterson, Riley found the rare coordinator happy to blend in with a staff that’s largely in place already. Last month, in his first meeting with reporters, Patterson said he viewed himself more as “that last piece” on USC’s staff. He even assured he’d adapt his 4-2-5 defensive scheme to what USC did under Lynn.

“The group that’s here, they improved the defense last year,” Patterson said. “So instead of just coming in and saying, ‘Well this is how we’re gonna do it, it’s been a little bit more work of trying to put both of them together, understanding they did a great job and recruiting really good players. So you gotta really kind of listen a little bit more before you say this how we [do it].”

Some unique aspects of Patterson’s scheme, however, are probably best left in familiar hands. That’s especially the case with his secondary, which is called separately from the front seven.

It stands to reason then that Patterson would bring Paul Gonzales, a defensive backs coach who worked with Patterson for nearly half of his tenure at TCU. He left Baylor to join USC’s staff and is expected to lead the Trojans entire secondary. He’ll be joined by Sam Carter, a former all-Big 12 safety who played under Patterson.

The rest of the staff remains largely intact from last season. Defensive ends coach Shaun Nua stuck with USC amid rumors of interest from his alma mater, Brigham Young. Trovon Reed will continue to coach cornerbacks and Rob Ryan, for the time being at least, remains as linebackers coach.

After a debut that produced mixed results with a thin linebacker room, Ryan’s status has been up in the air over the past two months. Whether he returns or not, his unit will have another voice in the linebacker room in Year 2. Mike Ekeler, who previously coached at USC under Lane Kiffin in 2013, was hired away from Nebraska to coach both special teams and linebackers.

Two defensive analysts were also promoted to full-time roles, as Skyler Jones, in his third season on staff, will coach defensive tackles and AJ Howard, entering his second, will coach outside linebackers.

That makes nine coaches on USC’s defensive staff alone, three more than it employed last season.

As of 2024, there are no longer limits on the number of coaches who can provide on-field instruction, meaning the Trojans can have as many assistants on staff as they please. But only 10 total, plus the head coach, are allowed to recruit off-campus. It’s unclear who among USC’s current staff will fill those 10 roles.

On the other side of the ball, Riley was able to keep the whole band together. Offensive line coach Zach Hanson was pursued heavily by his alma mater, Kansas State, to be offensive coordinator under new coach Collin Klein, who Hanson considers to be one of his closest friends.

Still, Hanson chose to stick with USC and Riley, whose offense will return not just every member of its staff, but also its entire offensive line, its star running back and a Heisman candidate at quarterback.

The Trump administration has unveiled a sweeping set of regulatory proposals that would substantially change health plan offerings on the Affordable Care Act marketplace next year, aiming, it says, to provide more choice and lower premiums.

But it also proposes sharply raising some annual out-of-pocket costs — to more than $27,600 for one type of coverage — and could cause up to 2 million people to drop insurance.

The changes come as affordability is a key concern for many Americans, some of whom are struggling to pay their ACA premiums since the Republican-led Congress allowed enhanced subsidies expired at the end of last year. Initial enrollment numbers for this year fell by more than 1 million.

Healthcare coverage and affordability have become politically potent issues in the run-up to November’s midterm elections.

The proposed changes are part of a 577-page rule that addresses a broad swath of standards, including benefit packages, out-of-pocket costs and healthcare provider networks. Insurers refer to these standards when setting premium rates for the coming year.

After a comment period, the rule will be finalized this spring.

It “puts patients, taxpayers, and states first by lowering costs and reinforcing accountability for taxpayer dollars,” Mehmet Oz, the Centers for Medicare & Medicaid Services administrator, said in a news release Monday.

One way it would do so focuses heavily on a type of coverage — catastrophic plans — that last year attracted about only 20,000 policyholders, according to the proposal, although other estimates put it closer to 54,000.

“This proposal reads like the administration has found their next big thing in the catastrophic plans,” said Katie Keith, director of the Health Policy and the Law Initiative at the O’Neill Institute for National and Global Health Law at Georgetown University Law Center.

Such plans have very high annual out-of-pocket costs for the policyholder but often lower premiums than other ACA coverage options. Formerly restricted to those under age 30 or facing certain hardships, the Trump administration allowed older people who lost subsidy eligibility to enroll in them this year. It is not known how many people did so.

The payment rule cements this move by making anyone eligible if their income is below the poverty line ($15,650 for 2026) or if they’re earning more than 2½ times that amount but lost access to an ACA subsidy that lowered their out-of-pocket costs. It also notes that a person meeting these standards would be eligible in any state — an important point because this coverage is now available in only 36 states and the District of Columbia.

In addition, the proposal would require out-of-pocket maximums on such plans to hit $15,600 a year for an individual and $27,600 for a family, Keith wrote this week in Health Affairs. (The current out-of-pocket max for catastrophic plans is $10,600 for an individual plan and $21,200 for family coverage.) Not counting preventive care and three covered primary care doctor visits, that spending target must be met before a policy’s other coverage kicks in.

In the rule, the administration wrote that the proposed changes would help differentiate catastrophic from “bronze” plans, the next level up, and, possibly, spur more enrollment in the former. Currently, the proposal said, there may not be a significant difference if premiums are similar. Raising the out-of-pocket maximum for catastrophic plans to those levels would create that difference, the proposal said.

“When there is such a clear difference, the healthier consumers that are generally eligible and best suited to enroll in catastrophic plans are more motivated to select a catastrophic plan in lieu of a bronze plan,” the proposal noted.

However, ACA subsidies cannot be used toward catastrophic premiums, which could limit shoppers’ interest.

Enrollment in bronze plans, which have an average annual deductible of $7,500, has doubled since 2018 to about 5.4 million last year. This year, that number likely will be higher. Some states’ sign-up data indicate a shift toward bronze as consumers left higher-premium “silver,” “gold” or “platinum” plans following the expiration of more generous subsidies at the end of last year.

The proposal also would allow insurers to offer bronze plans with cost-sharing rates that exceed what the ACA law currently allows, but only if that insurer also sells other bronze plans with lower cost-sharing levels.

In what it calls a “novel” approach, the proposal would allow insurers to offer multiyear catastrophic plans, in which people could stay enrolled for up to 10 years, and their out-of-pocket maximums would vary over that time. Costs might be higher, for example, in the early years, then fall the longer the policy is in place. The proposal specifically asks for comments on how such a plan could be structured and what effect multiyear plans might have on the overall market.

“As we understand it thus far, insurers could offer the policy for one year or for consecutive years, up to 10 years,” said Zach Sherman, managing director for coverage policy and program design at Health Management Associates, a health policy consulting firm that does work for states and insurance plans. “But the details on how that would work, we are still unpacking.”

Matthew Fiedler, senior fellow with the Center on Health Policy at the Brookings Institution, said the proposed rule included a lot of provisions that could “expose enrollees to much higher out-of-pocket costs.”

In addition to the planned changes to bronze and catastrophic plans, he points to another provision that would allow plans to be sold on the ACA exchange that have no set healthcare provider networks. In other words, the insurer has not contracted with specific doctors and hospitals to accept their coverage. Instead, such plans would pay medical providers a set amount toward medical services, possibly a flat fee or a percentage of what Medicare pays, for example.

The rule says insurers would need to ensure “access to a range of providers” willing to accept such amounts as payment in full. Policyholders might be on the hook for unexpected expenses, however, if a clinician or facility doesn’t agree and charges the patient the difference.

Because the rule is so sweeping — with many other parts — it is expected to draw hundreds if not thousands of comments between now and early March.

Pennsylvania insurance broker Joshua Brooker said one change he would like to see is requiring insurers that sell the very high out-of-pocket catastrophic plans to offer other catastrophic plans with lower annual maximums.

Overall, though, a wider range of options might appeal to people on both ends of the income scale, he said.

Some wealthier enrollees, especially those who no longer qualify for any ACA premium subsidies, would prefer a lower premium like those expected in catastrophic plans, and could just pay the bills up to that max, he said.

“They’re more worried about the half-million-dollar heart attack,” Brooker said. It’s tougher for people below the poverty level, who don’t qualify for ACA subsidies and, in 10 states, often don’t qualify for Medicaid. So they’re likely to go uninsured. At least a catastrophic plan, he said, might let them get some preventive care coverage and cap their exposure if they end up in a hospital. From there, they might qualify for charity care at the hospital to cover out-of-pocket costs.

Overall, “putting more options on the market doesn’t hurt, as long as it is disclosed properly and the consumer understands it,” he said.

KFF Health News is a national newsroom that produces in-depth journalism about health issues and is one of the core operating programs at KFF — the independent source for health policy research, polling, and journalism.

Nicole Curtis, whose home-rehab work in Detroit and Minneapolis has been the backbone of “Rehab Addict” on HGTV, is thanking people for their support and apologizing after a video surfaced in which she used a racial slur.

“I could say more, but I shall say less,” she wrote Wednesday in a caption on an Instagram video showing her going back and forth on an airport’s moving sidewalk. “Thank you for 15 years of amazing, amazing support! Your love took me from a struggling mommy working odd jobs in Craigslist to a real estate mogul whose voice (more than face) gets recognized all over the world.

“God Bless … Set the DVR -stream it -just make sure these old houses are saved.”

In the video, you can see her riding in one direction as the text over the video states, “POV: you waiting all this time for more Rehab Addict. Then she’s going the other way with text saying, “Me: I promise” followed by another direction switch and text that reads, “Me: forgive me.”

In her Instagram Stories, she shared a text exchange with TMZ where she said, in part, “Regarding HGTV, I’m grateful for the 15-year journey we’ve shared. It’s been a meaningful chapter, but my focus isn’t on my career. My focus at this moment is rightfully on my relationships, and my community — the people who truly know my character and where my heart is. I want to be clear: the word in question is wrong and not part of my vocabulary and never has been, and I apologize to everyone.”

She followed that up with a series of screen grabs showing messages from strangers calling her profane names, insulting her and labeling her a racist. One person said he wanted her deported and “disposed of” and added, amid his all-caps profanity, “may you never have a day of peace again.” Curtis told TMZ she was focused on being a mom.

Video of the slip was captured two years ago, according to Radar Online, which posted it Wednesday.

“Why? It’s my last one,” she says in the brief clip, whining a bit as she stands on a ladder and struggles to clip some wires. Then she uses the N-word.

She immediately stops what she’s doing, turns around and says, “What the f— is that that I just said? Nick, you gotta, you gotta — can you kill that?” A worker is seen helping her at ground level. Someone can be heard laughing off camera.

“No, I’ve got 35 minutes [of footage shot], I can’t …,” her cameraman says from farther away, off-camera.

“Oh, f— my life,” Curtis says, distressed over what she just said.

HGTV said in a statement that the network had been “recently made aware of an offensive racial comment made during the filming of Rehab Addict. Not only is language like this hurtful and disappointing to our viewers, partners, and employees — it does not align with the values of HGTV.”

The network said it had removed the show “from all HGTV platforms.” The show was produced for eight full seasons from 2010 to 2018 and was in the midst of an apparently short ninth season spread over two years when it was pulled. The franchise — which also included “Rehab Addict Rescue” (2021) and “Rehab Addict Lake House Rescue” (2022) — was no longer available to stream on the HBO Max or Discovery+ platforms on Thursday.

Curtis had posted a promo for the new episodes of “Rehab Addict,” which hasn’t showed new material since last summer.

“Straight from Detroit —the new episodes drop Wednesday …was told now or never -so you get them now,” the Instagram post says. Two episodes were set to air, but did not,” she wrote in the promo caption.”And can you do me a huge show of support by sharing this. Sending it to friends, tag a friend, a stranger.”

Curtis talked with The Times about her 2016 book “Better Than New: Lessons I’ve Learned From Saving Old Houses,” where she wrote, “The best way to get through hell is to keep on moving.”

“Years ago, I was having a bad time and I was sitting there in my pajamas crying, and a friend was there and said, ‘C’mon, get up, we’re going for a walk,’” she said at the time. “Now I’ve got mascara running down my face, and I’m a mess, but she said, ‘You have to keep moving, now, let’s go!’ And that was really helpful. If I wasn’t so physically active, I probably wouldn’t get out of bed some days. You have to get fired back up — just get up and move.”

It could be time for Curtis to get up and moving again.

Brigham Young receiver Parker Kingston has been charged with first-degree felony rape by prosecutors in Utah.

The Washington County Attorney’s Office announced the charges on Wednesday, almost a year after a 20-year-old woman told officers at St. George Regional Hospital that Kingston had sexually assaulted her on Feb. 23, 2025.

The St. George Police Department gathered digital and forensic evidence and interviewed the involved parties and other witnesses before turning the information over to the Washington County Attorney’s Office for review.

Kingston, 21, is being held without bail and is scheduled to appear in Utah’s Fifth Judicial District Court on Friday afternoon.

Kingston has been with the Cougars for four years and has one season of college eligibility remaining. In a breakout 2025 season, he had 67 receptions for 928 yards and five touchdowns with 119 yards and three touchdowns rushing. Over the past two seasons, Kingston has also returned three punts for touchdowns.

“BYU became aware today of the arrest of Parker Kingston,” the school said Wednesday in a statement. “The university takes any allegation very seriously, and will cooperate with law enforcement. Due to federal and university privacy laws and practices for students, the university will not be able to provide additional comment.”

Last year, then-BYU quarterback Jake Retzlaff was accused in a civil lawsuit of raping a woman in November 2023. Retzlaff contended that the sex was consensual, and the parties agreed to dismiss the case with prejudice in June. Facing suspension for violating a BYU honor code that requires students to abstain from premarital sex, Retzlaff transferred to Tulane.

IN the south of Spain is a sandy strait with palm-tree lined promenades and high rise hotels that looks like Florida.

You’ll find La Manga less than an hour away from Murcia – and it even has its own salt water lagoon where you can take a mud bath.

La Manga is a 13 mile long strip of sand which offers a ‘two seas experience’.

One being the actual Mediterranean Sea, the other the Mar Menor.

Visitors have compared La Manga to Florida thanks to it’s thin sandbank as well as sunny weather and high rise apartment buildings.

With its bright blue seas, it especially looks like parts around West Palm Beach and even Miami.

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La Manga de Mar Menor literally means ‘The Sandbar of the Minor Sea’ – and the strait splits the Mediterranean Sea from Mar Menor lagoon – the biggest salt water lagoon in Europe.

The lagoon has also been referred to as the ‘Spanish Dead Sea’.

This is because the lagoon has healing mud – visitors smear it all over their bodies and its said to have properties that are good for damaged skin and arthritis pain.

The water is shallow year round and is a popular spot for sailing.

Swimming is allowed at certain times of the year, but there are occasions when the water is off limits – like when there are jellyfish spotted in there.

La Manga is a great spot for holiday makers looking for sunshine too.

Due to its position, it gets a Mediterranean climate and over 300 days of sunshine a year.

This week, while the UK is sitting under 10C – La Manga is enjoying highs of 19C.

Peak months of July and August can see average highs of 30C and no rainfall.

It’s a hit with visitors too, one wrote on Tripadvisor: “It’s just a splendid destination! Beautiful climate, warm water on the “mar menor” side and warm on the “mar major” side and a place not very touristic so perfect for a holiday.”

Another added: “Perfect in every way, walk around the Mediterranean and the Mar Menor, and enjoy its mood and tranquility.”

Hotels on La Manga aren’t expensive either – you can stay for 5 nights in April at the Poseidon La Manga Hotel & Spa from £36.10pppn.

All rooms have air conditioning, TV and private bathroom – in the hotel there’s a spa with a sauna, steam room, gym, hot tub and experience showers.

There’s also a buffet restaurant and cafe-bar.

Outside of the hotels are plenty of beach bars like El Parador del Mar Menor which sits at the very end of the strait.

A popular restaurant is Maloca which serves up Mediterranean dishes like clams, mussels, tuna, or cod with grilled vegetables with one visitor saying “it was spectacular, and nothing expensive!”

The closest airport is Murcia which is two and a half hours from the UK – plus a 30 minute drive.

At this time of year you can get direct flights to Murcia from Birmingham from £15.

For more on Spain discover this resort you’ve NEVER heard of – where locals holiday and hotels start at £28 a night.

And one top travel mum influencer reveals her best cheap, family-friendly hotels – and one is in Spain.

ONE popular lido could be sold to save thousands of pounds – and remain closed for good.

The outdoor pool in Teignmouth is set to close, and locals are worried that it may never open its doors again.

Teignbridge Council recently announced its plan to close the town’s beachfront lido in a bid to save money.

Officials said not reopening Teignmouth Lido could save £74,000 in 2026.

The news hasn’t been well received by locals who want the lido to remain open.

Talking to ITV News, Catherine Brown, a lifeguard supervisor, said: “It has a huge amount of value to people of all ages and all groups, people bring their kids to swim, their grandkids to swim, disabled people can come here to swim.

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“It doesn’t matter whether it’s raining or sunshine, it’s such a lovely place and everybody comes out with a smile on their face.”

A report said the number of swimmers using the pool was 8,224 in 2024 – this number increased in 2025.

Teignmouth Lido operates as a seasonal site which opens for the May half-term.

It has partial opening hours in June and July and then opens full time for the summer holidays.

The 25-metre pool is heated and holds public swims, fun sessions, as well as water-based activities like aqua fit and aqua circuits.

Four years ago, the pool underwent a refurbishment of £800,000 and then a further £30,000 was spent on repairs, according to Local Democracy Reporting Service.

Members of the council will hold a closed meeting on February 21, 2026.

They will vote on a proposal to dispose of the lido on the open market, without restrictions on its future use – meaning it could no longer be used as a lido.

But if the pool does go up for sale, the local community has an opportunity to draw up a bid to buy it.

This is because the pool was listed as an official Asset of Community Value in 2025.

Save the Lido – Teignmouth is hoping to do exactly that.

Daniel O’Connel, the co-founder of the campaign told ITV News: “We can look now to get things in motion to acquire the asset for the community and the people of Teignbridge.”

One Travel Writer who grew up in the area has her say on the potential closure…

Travel Reporter Cyann Fielding weighs in on the potential closure of the pool…

“Teignmouth Lido is more than just a gem on the South West coast; for me, it’s the backdrop of my childhood.

“For over a decade, my school summer holidays were defined by afternoons spent there with my family – so to hear that the lido could close is heartbreaking.

“With ample patio and sun-drenched patches of grass surrounding the 25-metre crystal clear pool, it was the rare kind of place where parents could relax while kids felt a bit of freedom.

“For local families, it was an affordable but brilliant day out.

“To lose the lido now, after a £800,000 refurb less than three years ago, it wouldn’t just be a loss for Teignmouth and its community but also a tragic waste of money.”

Here’s more on a lido that could potentially open in one seaside town that hopes to bring back a swimming pool 50 years after it was destroyed.

Plus, here are all the lidos in the UK mapped – with water slides, cocktail bars and some are even FREE to enter.

Bijou Phillips needs a kidney donor and she’s asking the public for help.

“I need help finding a new kidney,” the actor wrote in an Instagram post Wednesday. “I’m asking as a friend, a sister, an aunt and, most importantly, a single mother to an incredible and brave daughter. I am in need of a kidney.”

According to her Instagram post, Phillips was born with an underdeveloped kidney. She said she previously received a kidney in 2017 “from a dear friend” but that she has faced “many complications since,” including the BK virus. Per the National Kidney Foundation, the BK virus is common and usually inactive, but it can “wake up” when a person’s immune system is compromised — like after an organ transplant — and affect the success of the transplant.

Phillips is hospitalized at UCLA Health and in stable condition for now, TMZ reported.

Phillips, who is back on dialysis while she awaits a transplant, also shared a link to a living donor form on her Instagram for people interested in getting the voluntary donation process started.

“Please help me find a living donor so that I can have more time with my daughter, family, and friends,” Phillips wrote. “Time is of the essence.”

Phillips shares a daughter with ex-husband Danny Masterson. Fianna Francis was born in 2014.

Masterson was convicted in 2023 of raping two former members of the Church of Scientology and was sentenced to 30 years to life in prison. He filed a petition to overturn the conviction last year.

As the high school boys’ basketball playoffs begin this week, these are the players who have reached or exceeded expectations to be at the top of their game during the regular season.

Let’s offer a salute for rising up:

Jason Crowe Jr., Inglewood: In each of his four seasons, Crowe has gotten better. Already the state’s all-time scoring leader with more than 4,000 points, he’s learned to draw fouls with his aggressiveness and increased strength instead of relying on three-point shooting. He leads the state, averaging 43.8 points.

Christian Collins, St. John Bosco: The best uncommitted player in California has been a model of consistency. The 6-foot-9 senior remains focused and hungry with each game, raising his skills and intensity to be a prime MVP candidate.

Kaiden Bailey, Santa Margarita: The Georgia Tech commit has truly become an outstanding point guard, ready to score if needed and pass if needed. When he went scoreless against St. John Bosco, he found another way to contribute with eight assists. The ability to recognize what is required will be key to his future success.

Joe Sterling, Harvard-Westlake: His three-point shooting skills are fantastic. The Texas commit is also learning to use his strength inside when needed. He faced adversity at the end of the regular season when his team lost three out of four games, so let’s see how he responds in the Open Division playoffs.

Brandon McCoy, Sierra Canyon: Give McCoy credit. He’s gotten better in his senior year even though he was already a top college prospect. Maybe it’s because he’s healthy. He’s jumping better and has become more explosive and versatile for the No. 1 team in California.

Cherif Millogo, St. Francis: Few knew what kind of influence the 7-4 center would have after transferring from Boston and missing a year because of a knee injury. He’s been a breath of fresh air. His skills are tremendous, along with his smiles and friendliness to fans and teammates alike.

Kevin Keshishyan, Los Altos: A 6-7 junior, Keshishyan entered this week averaging 20.4 points and 8.2 rebounds, proving his summer development was no fluke.

Eli Garner, Damien: It’s his fourth year playing on varsity and his best. He’s a scorer, rebounder and defender. Whatever coach Mike LeDuc asks of him, he delivers.

Devin Wright, Redondo Union: The son of former 12-year NBA player Dorell Wright has come on strong with big games against quality opponents, signaling the Sea Hawks have a fourth option to join SJ Madison, Chris Sanders and Chace Holley.

Gene Roebuck, La Mirada: The junior guard is averaging 22.4 points and kept his team competitive against one of the toughest schedules this season.

Maxwell Scott, Corona del Mar: A junior guard, Scott is close to automatic from three-point range when left open. He’s helped the Sea Kings reach the Open Division playoffs for the first time in school history.

NaVorro Bowman Jr., Sherman Oaks Notre Dame: He’s stamped as the best guard from the class of 2027. His shooting and scoring skills are elite. His strength keeps growing.

Will Conroy Jr., Village Christian: As a freshman, Conroy leads his team in scoring at 27.5 points a game and leads his team when games are close, showing poise beyond his age at 15 years old.

Jaden Bailes, JSerra: The transfer from San Diego St. Augustine keeps performing big in big games by making clutch shots.

Dylan McCord of Thousand Oaks has been one of the top three-point shooters this season.

(McCord family)

Dylan McCord, Thousand Oaks: The senior guard has made 113 threes while averaging 22.5 points. He set a school record with 10 threes in a single game.

Kamrynn Nathan, Elsinore: The junior guard is averaging nearly 25.2 points a game for the only unbeaten team left in the Southern Section.

Ethan Hill, Brentwood: Only a sophomore, he looks like a 6-7 football player yet can throw around his body in basketball. Once he gets the ball inside, the options are either watch him score or foul him.

Phillip Reed, Palisades: The freshman guard will be the player to watch as the Dolphins go for a City Section Open Division championship. His scoring skills and ability to find open teammates will be key to the Dolphins’ development.

Richie Ramirez, Mater Dei: He’s been an important addition as a junior guard, averaging 22.5 points a game.

Cayman Martin, Crespi: He played junior varsity last season as a sophomore after moving from Japan and has been a revelation with each game.

Feb. 11 (Asia Today) — South Korea’s National Fire Agency warned that choking incidents involving rice cakes and other foods tend to spike around major holidays, with older adults accounting for most victims.

A Seoul resident in his 60s recalled nearly choking while eating tteokguk, a traditional Lunar New Year soup, after a piece of rice cake lodged in his throat. He said he now cuts rice cakes into smaller pieces and eats more slowly.

The fire agency said an analysis of rescue statistics from 2021 through 2025 found an annual average of 239 people were transported to hospitals for airway obstruction caused by rice cakes or other foods.

During the same period, authorities recorded 1,487 related emergency responses and 1,196 hospital transports. Of those taken to hospitals, 455 people, or 38.1%, were in cardiac arrest, the agency said. Another 741 people, or 61.9%, were reported as injured, underscoring that choking can become life-threatening.

During the Lunar New Year holiday period over the past five years, 31 people were transported for choking incidents involving rice cakes or food, averaging 1.3 people per day.

Older adults made up nearly all of those cases. Among the 31 patients transported during the holiday period, 29 were ages 60 or older, or 96.7%, the agency said, citing factors such as increased meal frequency and faster eating during holiday gatherings.

Officials also pointed to age-related declines in chewing strength and swallowing function, warning that tough or sticky foods such as rice cakes can more easily block the airway when eaten quickly.

The agency urged families to watch elderly relatives during meals, particularly when they are eating alone, and encouraged the public to learn the Heimlich maneuver and use it immediately if someone shows signs of choking or breathing difficulty.

A fire official in Gyeonggi Province said most holiday choking transports involve seniors and can quickly lead to cardiac arrest if breathing is blocked.

Acting Fire Service Commissioner Kim Seung-ryong urged people not to eat too quickly or overeat during the holiday period and asked family members to closely monitor elderly relatives while they eat.

— Reported by Asia Today; translated by UPI

© Asia Today. Unauthorized reproduction or redistribution prohibited.

Original Korean report: https://www.asiatoday.co.kr/kn/view.php?key=20260202010000583

Pete Finney, a steel guitarist who toured with Patty Loveless for more than 20 years and recorded with Reba McEntire, the Chicks, Vince Gill, the Judds and more, has died. He was 70.

Confirmation came via a statement earlier this week from Nashville’s Country Music Hall of Fame and Museum, which said Finney died Saturday. No cause of death was provided.

Calling him “a widely admired Nashville musician,” the museum said Finney “exemplified how top instrumentalists can adapt to a remarkable range of styles and settings, whether in a recording studio, a concert stage, or the corner of a small nightclub.”

Finney was born in Maryland in September 1955 and played his first gigs in Washington, D.C., with singer-songwriter Liz Meyer before Meyer moved to the Netherlands in the mid-1980s. He relocated to Austin, Texas, in the late 1970s and then moved to Nashville in the mid-1980s.

Upon his arrival in Tennessee, Finney toured with Foster & Lloyd and later contributed to the solo careers of Radney Foster and Bill Lloyd. His career would take him in diverse directions: He recorded with Beck, Jon Byrd, Shemekia Copeland, Justin Townes Earle, Jon Langford, Jim Lauderdale, Allison Moorer, Ron Sexsmith, Candi Staton and scores of other artists.

“RIP old friend!” wrote Asleep at the Wheel frontman Ray Benson in a comment on a Facebook post announcing Finney’s death. His was one of hundreds of comments, many left by those who had known Finney. “Pete came to a concert in 1970 and saw Asleep at the Wheel he told me that was when he decided to play pedal steel… and play he did with style grace and total command of that instrument! Hard to lose a great friend who was there at the beginning of it all for me and so many in those early Wash DC days.”

Finney was something of a music historian as well, co-curating the Hall of Fame museum’s 2015-2018 exhibition “Dylan, Cash, and the Nashville Cats: A New Music City” and co-writing the exhibit’s accompanying book, which won the 2016 Chet Flippo Award for excellence in country music journalism from the International Country Music Conference.

“The idea for the exhibit came from Finney’s research on the many non-country artists from North America and England who came to Nashville in the 1960s and 1970s to record with the city’s talented and fast-working studio musicians,” the museum said.

Finney hosted programs at the Hall of Fame museum and participated in panel discussions frequently over the years.

The musician married singer Carol Tully on Oct. 15, 2017.

He was touring with Reba McEntire in 1991 when one of the tour’s planes crashed into a mountain near San Diego, claiming the lives of eight band members on their way to a show in Fort Wayne, Ind. Finney was traveling in the second plane to take off from a municipal airport that night; the first was the one that went down. McEntire was not on either plane.

“The planes took off three minutes apart,” a spokeswoman for McEntire told The Times after the March 1991 crash. “The plane that crashed took off first. The pilot of the second plane didn’t see anything. They just knew that they had lost radio contact with the other. They continued flying and were diverted to Nashville.”

Years later, when he was recruited by Mike Nesmith in 2017 to join the revival of the Monkees singer-songwriter’s country-rock group the First National Band, Finney stepped up to replace founding member Red Rhodes, who died in 1995.

“Finney often used Rhodes’ innovative parts from the recordings as his starting point, but frequently added dimensions of his own to prevent the set from simply replicating the original versions,” detailed former Times music writer Randy Lewis in a feature on a 2018 show by the reconstituted group. “Rhodes — and Finney — employ the steel guitar inventively, not just to evoke notes of melancholy often found in country music, but to bring an orchestra’s worth of color, texture and shading to the arrangements.”

In 2021, Finney joined the final Monkees tour, which included Mickey Dolenz as well as Nesmith and wrapped before Nesmith’s death that December.

The Hall of Fame said Finney “frequently performed in pickup bands in small Nashville clubs, where he might be seen with top-flight players such as Mac Gayden, Jen Gunderman, Jimmy Lester, Chris Scruggs, Kenny Vaughan, and others.”

Singer-songwriter and podcaster Otis Gibbs, who had Finney on his show several times, remembered frequently seeing the steel guitarist out on the Nashville music scene.

“I’d sometimes run into him 4, or 5 nights a week at shows,” Gibbs wrote Tuesday on his website. “If there were 9 people in attendance, Pete would usually be one of them. He’d joke that he liked seeing me at shows because he’d know it must be the place to be.”

Gibbs said he saw Finney just three weeks ago at a Jon Byrd show in East Nashville.

“I snuck up next to him and whispered, ‘I must be at the right show because Pete Finney’s here,’” he wrote. “That was the last time I saw him.”

Finney is survived by his wife. Friends and family are invited to a remembrance gathering Sunday at the Country Music Hall of Fame and Museum’s Ford Theater in Nashville.

MILAN — After injuries and stumbles, Madison Chock and Evan Bates earned their first Olympic medal Friday, but it wasn’t expected to be this color.

The three-time world champions settled for silver in their fourth Olympics together, falling 1.43 points behind France’s Laurence Fournier Beaudry and Guillaume Cizeron. Cizeron has won back-to-back Olympic titles with different partners after climbing the podium in Beijing with Gabriella Papadakis.

While Chock and Bates, who have skated together for 15 years and got married in 2024, Fournier Beaudry and Cizeron shot to the top of the sport after just 11 months together. When the winning score was announced, Cizeron hugged his coach and covered his face while crying. Chock and Bates, sitting next to the kiss-and-cry in white arm chairs reserved for the current leaders, clapped politely.

They wanted this gold medal as a perfect ending to their accomplished career.

France’s Laurence Fournier Beaudry and Guillaume Cizeron compete in the ice dance final at the Winter Olympics in Milan on Wednesday.

(Robert Gauthier / Los Angeles Times)

The three-time world champions and seven-time U.S. champions were in their fourth Olympics together. Bates was competing on this stage for the fifth time. On a team with only one other athlete with previous Olympic experience — 20-year-old Alysa Liu skated in Beijing as a teenager — Chock and Bates became the unofficial parents to their younger teammates, including Emilea Zingas and Vadym Kolesnik, who finished fifth, and 11th-place finishers Christina Carreira and Anthony Ponomarenko.

Chock and Bates were the steadiest contributors of this year’s team gold medal run, winning both dance programs to win the second consecutive team Olympic championship for the United States, but struggled in previous individual Olympic events. In 2018, Chock suffered an ankle injury during the warm-up before the short dance. In 2022, she slipped and had an uncharacteristic fall.

But they haven’t missed a podium since that stumble. They were undefeated this season, placing first for both the rhythm and free dance portions of every competition. Until the individual Olympic short dance.

Fournier Beaudry and Cizeron, who paired together last year only after Fournier Beaudry’s longtime skating partner was suspended for sexual assault allegations, inched ahead by 0.46 points after Monday’s rhythm dance. It was a reversal from the team event, where Chock and Bates swept both the rhythm and free dance portions and led the qualifying round 91.06-89.98 over the French pair.

After the rhythm dance score for Chock and Bates flashed across the screen, her eyebrows shot up in surprise. Their coach Patrice Lauzon’s mouth dropped open. He furrowed his brow and cocked his head in confusion. While Chock and Bates smiled and waved to the crowd, Lauzon, who is also on the coaching team for Fournier Beaudry and Cizeron, looked on with suspicion.

Chock and Bates did their best to leave no doubt Wednesday. Their enthralling matador and bull program set to “Paint it Black” eclipsed the season’s best they earned two days prior during the team event, but it wasn’t enough to earn elusive individual Olympic gold.

“Hi, I think we’re under attack.”

This movie begins with the relatable sense of astonishment the people in Caracas and La Guaira felt as US helicopters hit the ground to whisk away Nicolas Maduro and Cilia Flores to a Brooklyn jail. A proper opening to a situation that has not ceased to dazzle us and to overwhelm with more questions than answers: Venezuela at the wee hours of January 3. 

Frontline, a multiawarded PBS channel specialized in documentaries, came back to Venezuelan recent history to provide a hot take, a bit shorter than an hour, that covers all you need to know from the military incursion to the release and re-arrest of Juan Pablo Guanipa, and the painful wait for the Amnesty Law. Crisis in Venezuela: An Uncertain Future is perfect to gather the most relevant facts of the new context if you are Venezuelan and drowning in a sea of information, or if you are not and need a good synthesis of this mess.

This is the same team that made A Dangerous Assignment, the documentary about Alex Saab and the journalistic research that led to the arrest of Maduro’s moneyman in Cape Verde. Venezuelan filmmaker Juan Ravell directs again, and we get the AP’s Joshua Goodman as a traveling companion, narrating crazy developments like their scoop of the DEA’s investigation into Delcy Rodriguez. The documentary is packed with characters from the Maximum Pressure to Donroe including Biden’s negotiating table. A synthesized pill of Venezuelan contemporary history, with enough time to pack the events of Venezuela’s January in detail—like having professor Francisco Monaldi explain how the reform of the hydrocarbon law means the dismantlement of Hugo Chavez’s oil policy, despite the BS Delcy’s telling the chavista grassroots.

Some scenes about political prisoners and how all this is felt on the terrain will shock you, in a good way. With so many stories and interviews imposing predetermined readings on our country as if it was an empty canvas to project someone’s ideology or stance, this documentary shines with its accuracy and access to sources. Don’t miss it.

Hi, and welcome to another edition of Dodgers Dugout. My name is Houston Mitchell and pitchers and catcher have their first workout Friday!

Last month I asked you to vote from a list of candidates in our annual Dodgers Dugout Dodgers Hall of Fame. And, proving that you are the best newsletter readers in the universe, I received 29,213 ballots, the most we have gotten. Some cities don’t get that many votes in elections.

And after all the ballots were counted, one person was named on more than 75% of the ballots and are inducted into the 2026 class.

Remember, there was a players list, where you could vote for up to 10, and a nonplayers list with a limit of three votes.

So, without further ado, let’s look at the results. The number in parentheses is what percentage of ballots the candidate was on last year.

Elected

x-Clayton Kershaw, 94.7%: A no-brainer selection. I’m just surprised so many people left him off the ballot.

Just missed (50%-74.9%)

Jaime Jarrín, 71.8% (65.8%): Really, should have been a first-ballot Hall of Famer. A big oversight.

Peter O’Malley, 63.5% (65.1%): The last owner who cared about keeping prices down for fans.

Steve Garvey, 60.9% (64.4%): Either Garvey or Gil Hodges is the best first baseman in Dodgers history. Freddie Freeman is closing fast though.

Ron Cey, 58.3% (61.6%): One of the most underrated players in baseball history.

Don Newcombe, 52.9% (62.1%): His work to help Dodgers struggling with substance abuse is almost enough to get him in before you even consider his greatness as a pitcher.

Best of the rest (30%-49.9%)

Red Barber, 42.1% (45.4%): Vin Scully before there was a Vin Scully.

Mike Piazza, 41.5% (50.3%): What would Dodgers history look like if he hadn’t been traded?

Manny Mota, 39.3% (46.7%): Best pinch-hitter ever. He would stay on the roster the whole year and only pinch-hit.

Davey Lopes, 38.1% (47.1%): Best base stealer in Dodgers history.

Kirk Gibson, 37.4% (40.6%): One amazing season gets him almost 40% of the vote.

Dusty Baker, 35.4% (47.7%): Remember throwing bubble gum to him in left field? His support declined a great deal this year.

Jim Gilliam, 34.4% (40.5%): Jack of all trades who hated his “Junior” nickname.

Mike Scioscia, 32.5% (39.7%): Another what if: What if he had been named Dodgers manager instead of Angels manager?

Ross Porter, 32% (35.3%): Pioneered using more obscure stats before it became popular.

Tommy Davis, 31.9% (42.5%): Last Dodger to win a batting title before Trea Turner, and I’m not sure Turner counts.

Zack Wheat, 30.1% (28.9%): He should be in. The first truly great Dodgers position player.

Everyone else

Willie Davis, 28.2% (33.9%): People seem to prefer Tommy Davis.

Bill Russell, 28% (29.5%): Longtime Dodger draws the least support among “The Infield.”

Eric Karros, 25% (34.1%): This is all you get after hitting the most homers in L.A. history?

Johnny Podres, 24.9% (36.7%): The 1955 World Series MVP.

Carl Furillo, 23.2% (27.9%): Best arm in team history?

Eric Gagne, 22.8% (28.2%): Would he receive more support if not for his PED use?

Dazzy Vance, 21.5% (23.3%): Another guy who should be in. The Drysdale of his era.

Jerry Doggett, 21.8% (29.8%): Complemented Scully beautifully on radio and television.

Bottom 10, removed from ballot for at least two years

Buzzie Bavasi, 21.4% (32.1%): GM of Dodgers’ first four World Series title teams.

Rick Honeycutt, 20.9% (26.7%): Longtime pitching coach (and pitcher).

Carl Erskine, 20.2% (23.7%): Key member of 1955 title team.

John Roseboro, 19.5% (26.1%): The key catcher for Sandy Koufax and Don Drysdale.

Tommy John, 18% (23.3%): He should be in the real Hall of Fame.

Andre Ethier, 17.7% (23.1%): Doesn’t look like many from Ethier’s prime era will make it.

Pedro Guerrero, 16.6% (25.3%): You could argue that he is the best hitter in L.A. history.

Steve Yeager, 14.8% (20.6%): He blocked the plate as well as anyone ever.

x-Joe Kelly, 6.8%: I guess wearing a Mariachi jacket can get you only so far.

x-Alex Wood, 0.9%: He’ll have to settle for his World Series ring instead of our Hall honors.

x-first time on ballot.

The Dodgers Dugout Dodgers Hall of Fame

People inducted, with year (and percentage of vote)

Walt Alston, 2022 (86.5%)

Roy Campanella, 2021 (84.7%)

Don Drysdale, 2021 (90%)

Orel Hershiser, 2021 (75.1%)

Gil Hodges, 2022 (75.3%)

Clayton Kershaw, 2026 (94.7%)

Sandy Koufax, 2021 (95.6%)

Tommy Lasorda, 2022 (87.7%)

Walter O’Malley, 2024 (79.4%)

Branch Rickey, 2022 (72.1%)

Pee Wee Reese, 2024 (76.3%)

Jackie Robinson, 2021 (88.9%)

Vin Scully, 2021 (92.7%)

Duke Snider, 2021 (78.2%)

Don Sutton, 2025 (75.7%)

Fernando Valenzuela, 2022 (80.6%)

Maury Wills, 2022 (76.6%)

Listed in order of percentage:

Sandy Koufax, 2021 (95.6%)

Clayton Kershaw, 2026 (94.7%)

Vin Scully, 2021 (92.7%)

Don Drysdale, 2021 (90%)

Jackie Robinson, 2021 (88.9%)

Tommy Lasorda, 2022 (87.7%)

Walt Alston, 2022 (86.5%)

Roy Campanella, 2021 (84.7%)

Fernando Valenzuela, 2022 (80.6%)

Walter O’Malley, 2024 (79.4%)

Duke Snider, 2021 (78.2%)

Maury Wills, 2022 (76.6%)

Pee Wee Reese, 2024 (76.3%)

Don Sutton, 2025 (75.7%)

Gil Hodges, 2022 (75.3%)

Orel Hershiser, 2021 (75.1%)

Branch Rickey, 2022 (72.1%)

Note: In 2022, you had to be named on only 65% of the ballots to be inducted. It has been 75% all other years.

Ben is back

Remember Ben Rortvedt, who became a fan favorite as the backup catcher to Will Smith at the end of last season? The Dodgers signed him to a $1.1 million deal after the season, then soon after removed him from the 40-man roster. That meant other teams could claim him, and the Dodgers apparently hoped the $1.1 million price tag would scare teams off. It didn’t scare Cincinnati, which took him.

Last week, the Reds signed Eugenio Suárez, and to make room for him on the 40-man roster, they removed Rortvedt. And the Dodgers snatched him up quickly.

So Rortvedt is back with the team, and will compete with Dalton Rushing to be the backup catcher.

To make room for Rortvedt, the Dodgers removed left-handed reliever Anthony Banda from the roster. They signed Banda to a $1.625-million deal last month, so perhaps they are hoping no team will take him. In two seasons with the Dodgers, Banda is 8-3 with a 3.14 ERA and two saves in 119 games, including 71 games last season, so he was a workhorse. However, his strikeout rate declined last year while his walk rate increased, a troubling sign. The Dodgers have a lot of left-handed options, so he was the odd man out this time.

Bad news for Yasiel Puig

Former Dodger Yasiel Puig was found guilty Friday of obstruction of justice and making false statements to investigators. Puig was alleged to have lied about gambling on sports.

Puig faces a maximum of 20 years in prison. At one point, he was offered a plea deal where he would plead guilty to one count of lying to federal authorities and would have served no jail time while paying a $55,000 fine. He accepted the deal, then backed out of it because “I want to clear my name.”

In case you missed it

Yasiel Puig found guilty in gambling case, faces up to 20 years in prison

Terrance Gore, former Dodgers player and three-time World Series champ, dies at 34

Plaschke: Just say no! Dodgers players should decline White House visit

Dodgers plan to visit White House to celebrate latest World Series championship

And finally

Miguel Rojas discusses his memorable World Series moments. Watch and listen here.

Until next time…

Have a comment or something you’d like to see in a future Dodgers newsletter? Email me at houston.mitchell@latimes.com. To get this newsletter in your inbox, click here.

LONDON’S West End is full of exciting productions, but it can be hard to keep track of them all and there are some you might want to see, finishing this year…

There is nothing worse than saying for ages that you want to see a specific show, finally coming to book it and finding out that it has actually ended.

Well, for a few big productions, that will be the case this year.

Back to the Future

Back to the Future will be leaving the West End on April 12.

You have just two months to catch Back to the Future in the West End if you haven’t seen it already.

The Olivier Award-winning production is currently at London’s Adelphi Theatre and is based on the 1985 film by the same name.

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The show even features high-tech effects, like a flying DeLorean.

And while it is leaving London’s West End, it will be touring the UK from October with stops in Bristol, Edinburgh, Liverpool, Milton Keynes, Sunderland and Southampton.

Meanwhile, Billy Elliot will be replacing it, coming to the Adelphi Theatre from February 12, 2027 to July 31, 2027.

It will mark the production’s first time in the West End in over 10 years and is part of a national tour of the original award-winning production.

If you do want to catch Back to the Future before it leaves London – there are some great offers available.

Direct through the production’s website you can get weekend tickets from just £19.85 (do you see what they did there?).

Or you can get four tickets from £50.

If you have the TodayTix app, you can get £29.50 Rush tickets for same day performances.

And some midweek shows cost £23.

Starlight Express

Starlight Express will be leaving the West End on May 3.

Currently at the Troubadour Wembley Park Theatre, the show has been running since 2024 and is considered to be the longest-running revival of an Andrew Lloyd Webber musical in London over the past two decades.

The show follows the story of a train set that has come to life.

The Starlight Express will then be heading off on a world tour in 2027.

What show will be at Troubadour Wembley Park Theatre next is yet to be announced.

Tickets are still available including discounted tickets for 16-25-year-olds for £25 when booked in advance, directly.

Regular tickets cost from £27.50 per person.

TodayTix has Rush tickets for same day performances for £30.

Hercules

Disney’s Hercules will be leaving the West End on September 5.

The show at Theatre Royal Drury Lane opened last summer and has received an Academy Award nomination for Best Original Song for the anthem ‘Go the Distance’.

A replacement show has not yet been announced for the theatre.

If you book via LW Theatres, tickets cost as little as £29.50 and these are for lightning seats, which means you could pay less for a better seat.

TodayTix also sells Rush tickets for this price, for same day performances and regular tickets from £33.

MJ The Musical

MJ The Musical will perform its last show on February 28.

The show focuses on the creative process behind Michael Jackson’s 1992 Dangerous World Tour, with the show set during rehearsals.

Once it finishes in London’s Prince Edward Theatre, the production will go on tour in Asia before launching a UK tour in 2027.

As for the London theatre, Beetlejuice The Musical is set to replace it and open at London’s Prince Edward Theatre in May 2026.

If you still want to catch MJ The Musical before it finishes, you can book via the production’s website with tickets costing from £58.

Though, if you have or download the TodayTix app, you can snap up Rush tickets for same day performances from just £30

And even regular tickets are cheaper via TodayTix, costing from £51.

Harry Potter and the Cursed Child (two parts)

The two-part version of Harry Potter and the Cursed Child will be leaving the West End on September 20.

The much-loved stage show spin-off arrived at the Palace Theatre a decade ago but now it will be shrunken to just one show instead of two parts.

The theatre will close for a few weeks before reopening on October 6 with a single show which will run for two hours and 55 minutes.

Potterheads and for those who are intrigued by a two-part show have some time to catch it before it finishes – and it might be the best time to as historically, watching both parts has been expensive.

Whilst the best seats in the stalls are still priced at a couple-hundred quid for both parts, you can snap up tickets in the balcony for just £36 for both parts on TodayTix- a bargain!

If you want to try and get a bargain on good seats, then enter TodayTix’s Friday Forty, where you could get tickets in top seats for just £40 for both parts.

A couple of years ago, I managed to secure Friday Forty tickets and ended up in the front row of the Grand Circle – tickets that would have cost me upwards of £300 for both parts.

The Hitchhiker’s Guide to the Galaxy Live

In just a few days, The Hitchhiker’s Guide to the Galaxy Live immersive show at London’s Riverside Studios will end.

The 90-minute show began back in November 2025 in Hammersmith and incorporates a live cast and a puppet of Marvin the Paranoid Android.

If you are desperate to go there are still a few tickets left via TodayTix with 25 per cent off costing £30 per person instead of £53 when you book direct.

If you are looking for inspiration on what to watch on stage near you, then here are the best theatre shows for kids coming to the UK in 2026 – from Dogman to Spongebob and Great Showman.

Plus, here are all the little-known apps and websites offering cheap and even free tickets to top gigs, theatre shows and festivals.

Voting is fundamental to democracy, but here in the U.S. people don’t vote very much. In December, Miami held a runoff election for mayor, and all of 37,000 voters turned out. This was 2,000 fewer people than voted in comparable off-cycle elections in Apizaco, a small city in the mountains of central Mexico. It was no blip: The median turnout in U.S. city elections is 26% of the voting age population. In Mexico, by contrast, turnout rarely dips below 50%, and unglamorous small-town elections attract higher numbers, often more than 70% of the citizenry.

Nevertheless, the United States disdains Mexico as a pale shadow of its own democracy. Mexican elections are written off as corrupt, violent and unrepresentative. This was part-true for much of the last century, when versions of the Partido Revolucionario Institucional ruled without interruption for 71 years. Mexicans were “oriented” to vote by party managers, fined if they didn’t, violently dissuaded from voting for dissidents, disenfranchised with stuffed ballot boxes. Impressive turnouts were coerced. Even today, decades after the arrival of a competitive democracy, the violence persists. Thirty-four candidates were murdered in the 2024 elections.

Yet Mexicans also vote in impressive numbers because they have always cared profoundly about representative politics, and particularly at a local level. Many of those large turnouts in authoritarian Mexico were crowds of everyday people struggling to elect legitimate authorities in the teeth of a rigged system. Those struggles meant that sometimes they won.

Historical outcomes are revealing. More than 200 years of elections in Mexico have given results significantly more diverse and representative than those of the United States. In 2024 Mexicans elected the first female president in North American history, climate scientist Claudia Sheinbaum. In 1829 Mexicans elected the first Black president in North American history, mule driver Vicente Guerrero. In 1856 they elected lawyer Benito Juárez as the only Indigenous president in North American history.

The United States was born committed to rule by freely elected representatives. “We the people” is a good start to a piece of political writing and a good start to a country. When the French sociologist Aléxis de Tocqueville visited New England in the 1820s he was struck by how the citizens of small towns argued out their differences and came up with solutions together. The federal republic was a scaling up of those habits. The sum of those people’s beliefs, institutions and bloody-mindedness, Tocqueville wrote, was democracy in America.

The peoples of the United Mexican States, founded in 1824 after gaining independence from Spain, shared those ambitions. Mexico was likewise a federal republic, its rulers elected, its powers divided among executive, legislature and judiciary. As in the U.S., the female half of the population was excluded. But Mexico’s founders were ahead of ours in one sine qua non of genuine democracy: racial equality. In the Federalist Papers, Alexander Hamilton claimed that “to all general purposes we have uniformly been one people; each individual citizen everywhere enjoying the same national rights, privileges, and protection.” That was a self-evident untruth, because Black and Indigenous peoples were not included.

In Mexico, people of color had some standing from the founding onward. Mexican history has its own wrenching tragedies of race: the slavery of West Africans, the ethnocides of the North, the systematic impoverishment of peoples like the Maya of Chiapas, a eugenic hunger for white migration. But from the colonial outset Black people were acknowledged to be fully human, their enslavers’ abuses punished, their lynching unknown. Many Indigenous peoples preserved their language, lands and governments over centuries. Asians joined them; the first Japanese ambassador arrived in 1614. Mexico was the world’s first great melting pot.

So the founders of the United Mexican States made no formal distinction among the multitudes they contained. Their leaders in the War of Independence abolished slavery. Their post-independence congress mandated “the equality of civil rights to all free inhabitants of the empire, whatever their origin.” The 1824 Constitution extended the vote to every adult male. All would be free, all equal under law and all voters with a stake in the outcome.

In 1917 Mexicans passed the most progressive constitution in the world following their own revolution. It mandated an eight-hour working day, a minimum wage, equal salaries for men and women, and paid maternity leave. While women didn’t get the vote until the 1950s, they exercised notable power behind the scenes; even the most conservative parties had female organizers and supporters. Progressive social policies inspired leaders across the hemisphere, including Franklin D. Roosevelt.

Three core beliefs inspire Mexicans to vote. They believe that face-to-face freedom, embedded in the power and autonomy of the municipio libre, the free county, is sacrosanct. And they believe that to preserve communal freedom, whether from federal abuse or oligarchs, requires two things, sufragio efectivo y no reelección; in historian John Womack’s translation, “a real vote and no boss rule.”

Historically enough Mexicans — of all political stripes, from conservatives to anarchists — cared about those three beliefs to fight in elections tooth and nail.

Alongside the belief that voting is a duty comes clear-eyed rejection of boss rule. While Mexican Mayor Daleys are historically ubiquitous — they sparked the Mexican Revolution — there are none of the national dynasties that beset U.S. politics. The great dictator Porfirio Díaz left his ambitious nephew struggling to make army captain for eighteen years. Dynastic power befits monarchies, not democracies, and Mexicans know it.

Neither do Mexican politicians enjoy the unfettered power of their American counterparts to buy elections. Parties are publicly funded, under a system designed to promote fairness. Each party gets a certain amount from the state: 30% of that amount is the same for all, the remaining 70% proportional to their success in the previous elections. Private donations are transparent, regulated and capped at a very low level, on paper at least. The system unduly favors incumbents, and illegal, off-books funding is rife. Yet the need for sizable contributions to be covert keeps election results out of the hands of the likes of Elon Musk. A national watchdog and a diverse and competent press ensure it.

Sheinbaum spent $18 million winning her presidential election. In losing New York City’s mayoral election, Andrew Cuomo spent three times as much. A single oligarch, Michael Bloomberg, chipped in $13 million. Mexican elections are sometimes bought and sold, but never with the obscene unconcern prevalent in the U.S. since the Supreme Court’s Citizens United ruling.

Republics that endure rely on egalitarian beliefs, hard-nosed pragmatism, unwritten rules of decency and written rules of institutions — and unrelenting struggle against all who break those rules. Democracy relies on people of all races being recognized as fully human and guaranteed access to the ballot. It then relies on those people turning up to vote whenever given the chance. Mexicans have repeatedly demonstrated how deeply they know that across their history, against sometimes heavy odds. Their government documents come stamped with the revolutionary slogan sufragio efectivo y no reelección, a real vote and no boss rule, as a reminder. We could use one ourselves.

Paul Gillingham, a professor of history at Northwestern University, is the author of “Mexico: A 500-Year History.”

ONE of the UK’s busiest airports is getting 37 new flight routes this year – some for the first time ever.

London Gatwick Airport is welcoming eight new carriers, with some starting flights from next month.

The newest to join is budget carrier AirAsia X.

Last flying from the UK in 2012, the new route will connect Brits to Kuala Lumpur.

Flights were scrapped more than a decade ago due to high operational costs as well as a lack of demand

The new flights, operating once a day, will stop in Bahrain before continuing to the Malaysian capital.

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The new route will start from June 2026 although flight prices are yet to be confirmed.

Pierre-Hugues Schmit, CEO, London Gatwick said: “The new daily service will provide excellent opportunities to visit the city or onward connectivity across the region – ideal for holidaymakers, businesses and the many British‑Malaysian families who will now have even better options for visiting friends and relatives.”

One of the biggest new additions to London Gatwick is Jet2, which is launching its first ever flights for London Gatwick.

The first take taking off next month, with flights to Tenerife on March 26.

However, this is just one of 29 new routes from the airline connecting to Europe.

This includes flights to Spain, Greece, Portugal, Malta, Bulgaria, Croatia, Italy and Cyprus.

One of the longest new Jet2 flights will be to Turkey, flying to Antalya.

It comes after they launched their first flights from London Luton last year too.

A number of other airlines are also launching flights from London Gatwick from next month.

This includes:

• Bucharest with AnimaWings from March 22
• Cologne and Stuttgart with Eurowings from March 29 and April 13
• Sharjah with Air Arabia March 29
• Paris with Air France from March 29
• Frankfurt with Condor from April 1
• Qingdao with Beijing Capital from June 24

The 37 new routes will take London Gatwick’s destinations to 57 this year.

Mr Schmit added: “AirAsia X is the latest airline to choose to fly from London Gatwick, ahead of what will be a fantastic summer for our passengers.”

London Gatwick isn’t the only airport getting some exciting new flights this year.

From March, Turkish Airlines will launch a new route between London Stansted Airport and Istanbul.

And Indian airline IndiGo launched its first UK flights, connecting Manchester to India.

Virgin Atlantic will connect the UK to Phuket and Seoul, while British Airways is starting flights to St. Louis in Missouri.

Here are all of the other flight routes launching in 2026.

“Frankenstein” star Jacob Elordi, at 6 feet 5 easy to spot from across the ballroom, leaned down to hug Teyana Taylor, a supporting actress Oscar nominee for “One Battle After Another.” Nearby, her co-star Leonardo DiCaprio caught up with Steven Spielberg, who directed him 24 years ago in “Catch Me If You Can,” while “Sentimental Value” filmmaker Joachim Trier huddled with “One Battle’s” Paul Thomas Anderson, a fellow directing nominee. In the middle of it all, songwriter Diane Warren paused to take a selfie, still evidently enjoying the giddy thrill of being in a room full of fellow hopefuls even after 17 times.

In all, 203 of this year’s 230 Academy Award nominees gathered Tuesday at the Beverly Hilton Hotel for the annual nominees luncheon, a brief moment of campaign-free conviviality amid the churn of awards season. As flashbulbs followed the most famous faces, major stars like Timothée Chalamet, Emma Stone and Kate Hudson rubbed elbows and shared champagne toasts with lesser-known nominees from categories like animation, sound and live-action short before lining up for the annual class photo.

With the Oscars just weeks away on March 15, the long-running gathering — a ritual dating to 1982 and returning this year after being canceled in 2025 because of the Los Angeles County wildfires — offered the nominees a welcome stretch of easygoing mingling, largely free of competition. The reprieve is short-lived: Voting begins on Feb. 26, when the brutal math of awards season will reassert itself, meaning roughly 80% of them will head home on Oscar night empty-handed.

Kate Hudson, a lead actress nominee for “Song Sung Blue,” at the 2026 Oscar nominees luncheon at the Beverly Hilton Hotel.

(Kayla Bartkowski / Los Angeles Times)

For first-time contenders, the luncheon carried a particular rush. Christalyn Hampton, a co-director of the documentary short “The Devil Is Busy,” which follows a day at an abortion clinic in Atlanta, said she was excited to meet “Sinners” director Ryan Coogler, whose period vampire thriller leads the field with a record 16 nominations.

“We’re two African American directors nominated this year — I think that’s pretty historic,” said Hampton, a former professional dancer whose first directing credit has landed her an Oscar nod. “Flying back and forth from Atlanta has been a bit exhausting, but to be in this moment with all these incredible filmmakers — you can’t complain.”

Jacob Elordi, left, and “Sirāt” film director Oliver Laxe — two extremely tall nominees — at the 2026 Oscar nominees luncheon at the Beverly Hilton Hotel.

(Kayla Bartkowski / Los Angeles Times)

Still, even inside the awards-season bubble, the turmoil surrounding the movie business, the country and the world beyond it was hard to ignore. As attendees tucked into their chicken, more than a few discussions drifted to whether Netflix or Paramount would prevail in their attempts to acquire Warner Bros. and what either scenario might portend for the future of movies.

In her remarks, academy President Lynette Howell Taylor acknowledged the questions many nominees have been asking themselves amid industry contraction, political volatility and global conflict. “The art you create is vital,” Howell Taylor told the crowd. “I know many of us ask ourselves, ‘Should we be doing something else? Should we be doing something differently? Should we be doing more?’ The answer to that is personal. But what I do know is this: What you are doing is not easy and it is so needed.”

Teyana Taylor, nominated for supporting actress for “One Battle After Another,” at the 2026 Oscar nominees luncheon at the Beverly Hilton Hotel.

(Kayla Bartkowski / Los Angeles Times)

She praised the resilience of filmmakers who have endured strikes, dangerous political environments and even war zones. “To not make your films, to not tell your stories, is to give in,” she said. “And there is not one of you in this room who has been willing to do that.”

That tension was felt especially sharply by Sara Khaki, co-director (with Mohammadreza Eyni) of the documentary feature nominee “Cutting Through Rocks,” which follows the first Iranian woman elected as a councilwoman in a rural village. The weeks since the nomination, Khaki said, have been both “terrible and wonderful,” as her home country has been rocked by protests against the Iranian government.

Elle Fanning, nominated for “Sentimental Value,” at the 2026 Oscar nominees luncheon at the Beverly Hilton Hotel.

(Kayla Bartkowski / Los Angeles Times)

“What’s terrible is what we’re experiencing back home — the internet shut down, worrying about our loved ones,” she said. “What’s wonderful is what’s happening here. So it’s a mix of emotions, really.”

Another Iranian nominee was absent altogether. Mehdi Mahmoudian, nominated as a co-writer of director Jafar Panahi’s drama “It Was Just an Accident,” was arrested this month in Iran after signing a statement condemning the government’s deadly crackdown on protesters.

Actor Wagner Moura, nominated for “The Secret Agent,” and former AMPAS President Janet Yang at the 2026 Oscar nominees luncheon at the Beverly Hilton Hotel.

(Kayla Bartkowski / Los Angeles Times)

At each table, nominees were asked to fill out a card with a simple question: “What movie made you want to be part of this world?” After pondering for a moment, “Nomadland” Oscar winner Chloé Zhao, nominated in the directing category for the second time for the wrenching drama “Hamnet,” wrote down Hirokazu Kore-eda’s 1998 film, “After Life,” a quietly humane meditation on memory and meaning that felt closely aligned with her own filmmaking sensibility. The answers, Howell Taylor explained, would be used for “a special moment” during the Oscar telecast.

As in years past, the luncheon also came with a bit of gentle coaching about what to do — and not to do — should one’s name be called on Oscar night, including moving briskly to the stage, keeping remarks to no more than 45 seconds and not leaning into the microphone.

Directors Steven Spielberg, left, and Paul Thomas Anderson at the 2026 Oscar nominees luncheon at the Beverly Hilton Hotel.

(Kayla Bartkowski / Los Angeles Times)

Above all, Howell Taylor urged nominees to resist the temptation to thank everyone they’ve ever worked with. “You’ll forget someone and you’ll feel terrible,” she said.

Better, she suggested, to focus on what the moment actually means. “You are the show,” Howell Taylor reminded them. “It’s your speeches. This is an entertainment show millions of people will be watching, so let’s make the most of it.”

L.A. County voters will be asked this June to hike the sales tax rate by a half-cent to soften the blow of federal funding cuts on the region’s public health system.

The county Board of Supervisors voted 4 to 1 Tuesday to put the sales tax on the ballot. County officials estimate it would generate $1 billion per year to replenish the shrinking budgets of local hospitals and clinics. The tax, if approved by voters this summer, would last for five years.

The supervisors say the increased tax — a half-cent of every dollar spent — would offset major funding cuts in the One Big Beautiful Bill Act, which is expected to slash more than $2 billion from the county’s budget for health services over the next three years.

“Millions of people look to us to step up even when the federal government has walked away,” said Supervisor Holly Mitchell, who introduced the ballot proposal along with Supervisor Hilda Solis.

The tax was pushed by Restore Healthcare for Angelenos, a coalition of healthcare workers and advocates, who argue it is necessary to ward off mass layoffs of healthcare workers and keep emergency rooms open.

Mitchell said she was trying to make sure supervisors learned their lesson from the closure of Martin Luther King Jr./Drew Medical Center in 2007, which ripped a gaping hole in the health system for South L.A. residents who had to travel farther to more crowded emergency rooms.

“People died as a result of that,” she said. “I don’t want to go back there.”

Supervisor Kathryn Barger cast the lone no vote, saying she believed the county should look to the state for help rather than taxpayers. She also said she was concerned the tax money was not earmarked for healthcare costs but rather would go into the general fund, giving officials more discretion over how it gets spent.

“We are not, as a whole, credible when it comes to promises made, promises broken,” she said.

Members of the audience hold up signs inside the county Hall of Administration, where supervisors discussed how to replenish more than $2 billion in federal funding cuts to the county healthcare system.

(Myung J. Chun / Los Angeles Times)

As part of the tax hike, voters would be asked to also approve the creation of an oversight group to monitor how the money is spent. The supervisors also voted on a spending plan for the money, which would have the largest chunk of funds go to care for uninsured residents.

Los Angeles County currently has a sales tax of 9.75% with cities adding their own sales tax on top. If the healthcare hike passes this summer, the sales tax would be more than 11% in some cities. Palmdale and Lancaster, some of the poorest parts of the county, would potentially have the highest sales tax of 11.75%.

County public health officials painted a grim picture of what life looks like for the poorest and sickest residents if new money doesn’t flow into the system. Emergency rooms could be shuttered, they warned. Contact tracing and the daily testing of ocean water quality could slow down. Tens of thousands of health workers could lose their jobs, they said.

“The threat is real already,” said Barbara Ferrer, the head of the county Department of Public Health.

Some on Tuesday condemned the measure as well-intentioned but ill-formulated. The California Contract Cities Assn., a coalition of cities inside Los Angeles County, argued a larger sales tax would “disproportionately burden the very residents the County seeks to protect.”

“My phone has been blowing up,” said Janice Hahn, one of two supervisors who said the Citadel Outlets, a large shopping mall in City of Commerce, called to say they were worried shoppers were going to start crossing county lines.

With the effects of the federal cuts expected to be felt across the state, other California counties have already started to look to consumers to replenish government coffers. Last November, Santa Clara County voters approved a similar sales tax measure to raise money for the public health system.

Britney Spears scored the early 2000s with hits from “Oops!… I Did It Again” to “Toxic.”

Now, the rights to those songs will belong to music publishing company Primary Wave after Spears reportedly signed a major new deal, according to NBC News. The outlet approximated the deal was for $200 million, and details of the sale were not disclosed.

Primary Wave, which was founded 20 years ago with the acquisition of 50% interest and partnership in Kurt Cobain’s music publishing catalog, also owns songs from the catalogs of music legends Bob Marley, Stevie Nicks and Whitney Houston, among others.

Representatives for Primary Wave and Spears did not immediately respond to The Times’ requests for comment.

Music rights acquisitions have become increasingly popular investments in recent years as the recorded music industry has boomed with the advent of streaming. With access to sprawling libraries on Spotify and Apple Music, consumers are listening to albums and artist catalogs at higher rates, and older artists are more prone to popping back into the zeitgeist. Licensing for movies and TV is also booming, and with Y2K nostalgia permeating today’s media, Spears may be selling at an opportune time.

Trade publication Music Business Worldwide estimated that more than $5 billion changed hands through music rights acquisitions in 2021, The Times previously reported. Additionally, songwriting catalogs at that time were being valued at twice the average price than in the 25 years prior.

Notable sellers include Bruce Springsteen, who in 2021 made a deal with Sony Music Entertainment to relinquish his master recordings and songs for $500 million. Shortly thereafter, David Bowie‘s estate sold his songwriting catalog to Warner Chappell Music for $250 million. ZZ Top, Tina Turner and Paul Simon all made similar deals around the same time.

Spears in 2023 released her memoir, “The Woman in Me,” which recounted her rise to fame and yearslong battle to escape a conservatorship she was placed under in 2008 for alleged mental health concerns. Music writer Jeff Weiss’ 2025 book, “Waiting for Britney Spears: A True Story, Allegedly,” included details — some true, some fabricated — from that highly publicized time in the singer’s life.

Spears’ ex-husband Kevin Federline followed the “Gimme More” singer’s memoir with last year’s “You Thought You Knew,” in which he accused Spears of consuming cocaine while she was still breastfeeding their second son, among other alleged concerning behaviors. Spears denied the allegations on social media.

Former Times staff writer Ryan Faughnder contributed to this report.