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OAKLAND — Betty Yee knows what people are thinking. She’s heard what they’ve said and read the many emails she’s gotten.

The former state controller has been running for California governor longer than just about anybody in the cheek-by-jowl field. And yet the Democrat is bumping along near the bottom, a blip in polls and a laggard in the money chase.

But no, Yee said, she has no intention of quitting the race, as she’s been urged, and no fear that, by staying in, she’ll help two Republicans advance to November’s runoff, locking Democrats out of the governor’s office for the first time since George W. Bush was president.

“I just don’t see it,” Yee said, given the way Chad Bianco and Steve Hilton, the top GOP contenders, are smacking each other around, hoping to emerge as the undisputed Republican standard-bearer.

Beyond that, she said, it’s not as if anyone’s running away with the contest; most polls have shown the leading candidate — which depends on the survey — standing atop the pile with around 20% support.

That isn’t exactly landslide territory.

“The public is still shopping,” Yee said. “In the next month or so, we’re going to try to get [a TV ad] on the air, basically make our case and hope that can spread as voters are getting more focused on the race.”

Which is not to say Yee is delusional.

“As a candidate, I make that assessment every day about whether we’re going to be viable or not,” she said last week, just before stopping by the Alameda County voter registrar‘s office to file paperwork for the June 2 primary.

“Right now, it’s less than a 50-50 chance,” Yee said, suggesting it’s her job to boost those odds by getting voters to appreciate what she offers, which amounts to unvarnished talk about the challenges facing the next governor and the ways Sacramento — which has been run for years by fellow Democrats — isn’t working.

“ ‘Accountability’ has kind of become a dirty word … where it’s about who we’re going to throw under the bus, rather than stepping back and saying, ‘What have we gotten for the dollars that we spend and, if we’re not getting those outcomes, how do we do better?’ ”

Yee served two terms as controller, in effect the state’s chief financial officer, and 10 years before that on the Board of Equalization, which oversees property tax assessments. She’s isn’t trying to buy the governorship, like billionaire Tom Steyer, or leverage her political celebrity, like cable-TV fixtures Katie Porter and Eric Swalwell. Instead, Yee is running a grassroots campaign, visiting nearly all 58 California counties and holding as many face-to-face meetings as humanly possible.

“I’m in the trenches,” she said. “I knock on doors every election cycle because to me, that’s the reality check of where people really are in terms of their lives.”

Which is certainly an admirable approach, albeit a rather idealistic strategy in a state of nearly 23 million voters, spread over roughly 800 miles from north to south. It would take more than two years of round-the-clock campaigning just to give each and every one a quick handshake.

The most notable feature of Yee’s candidacy is her message. She’s not selling barn-burning populism or viral take-downs of President Trump — “I don’t have any gimmicks, I don’t swear, I don’t have a reality-TV show personality” — but rather practical know-how and a deep understanding of state government.

It’s almost quaint in today’s theatrical political environment.

Seated at a sidewalk table outside a coffee stand in downtown Oakland, Yee focused on California’s stretched-thin budget, which happens to be her area of expertise.

“People ask what would you do in your first days as governor, if you have the privilege of serving,” Yee said, as her butterscotch latte sat cooling. “I’d come clean with the voters about where we are fiscally.”

After years of surpluses, she said, the state is spending more than it can afford. Facing a structural deficit, the next governor will have to cut programs and raise taxes, not just one or the other, with corporations and California’s richest residents being forced to cough up more. (She’s dubious, however, of a proposed November ballot measure imposing a one-time 5% tax on billionaires, questioning whether it would stand up in court.)

Sacramento’s credibility, Yee suggested, is on the line.

Before any expansive new programs can be implemented — and she has some notions for how to make life more affordable, increase access to healthcare and create jobs — Californians have to be convinced their tax dollars are being well spent and delivering proven results. “I would really insist on and invite stricter accountability of what we do with our money,” Yee said.

She’s not beyond criticizing the current administration.

“I mean, I’ve been termed out as controller since January 2023. I still get calls from companies in the [European Union], Canada, even Mexico about how we want to do business with California. Who do we talk to?” Yee said. “So I’ll send them over to the governor’s Office of Business Development and they tell me, ‘Well, we try to call people, but nobody’s answering our call.’ ”

(In response, a spokesman for the Office of Business and Economic Development touted California as “a premier hub for international business” and described foreign trade and investment as major drivers of the state economy.)

As for Gov. Gavin Newsom, while she supports his teenaged trolling of Trump, she said it shouldn’t be done through official channels, , or on the taxpayers’ dime.

“We have to focus on making the state work,” Yee said, “and that’s where I’m more focused on because people … want service delivery. They want government to be responsive to their needs. Somebody just pick up the damn phone on the other line to help them.”

Tough medicine, as she described it, and “stabilization” — which is “kind of my theme” — won’t make a great many hearts go pit-a-pat. But Yee hopes that straight talk and her distinct lack of ornamentation will count for something with California voters.

“The climate now is that people are very drawn by the performative approaches,” she said. “However, I think that will change. I want to give [voters] credit, because I do think they are very discerning when they’re ready to mark their ballot.”

The coming weeks will test that premise. And Yee is staying put.

Call it the Mick Cronin Say Something Nice Challenge.

Not something nice-ish, not a chocolate-covered diss or an insult teased as affirmation. Just a compliment, no chaser.

It’s not impossible, it turns out.

“We have great guys,” Cronin said about his team, which demolished USC 89-68 at Galen Center on Saturday to finish the season 21-10. “I have to make myself yell at some of these guys, because they’re such good guys. And I did that by design.”

He’ll have a funny way of showing it, but Cronin likes the guys he recruited or plucked from the transfer portal. He really, really likes them.

They put up with him, after all. They get him.

Coming after an impressive 72-52 triumph against No. 9 Nebraska on Tuesday, Saturday’s victory launched his Bruins men’s basketball team into tournament play, starting with a third-round Big Ten tournament game Thursday, and then the NCAA tournament.

And, no, the controversial coach won’t likely be excused from his post anytime soon. Not with another four years on his contract, a current buyout price of $22.5 million and now a not-terrible finish to this strange season of all peaks and valleys and no plateaus.

The Bruins are on the way up at the right time, even playing enough defense for Cronin’s taste — though, of course, he’s prepared for that to change.

“I’ve been around these guys for five months,” he said, “so I know that the fight is not over with that. We can go right back to who we were, which was a bad defensive team.”

What can you say? The man’s service might be questionable, but his backhands are unparalleled.

UCLA coach Mick Cronin talks about the Bruins’ win over USC on Saturday.

His opening statement the last time UCLA clocked USC, 81-62 on Feb. 24: “Proud of the guys, they got the job done …” and, wait for it, “I’m well aware you’re going to ask about rebounding, and as I tell people, you can’t be great at everything. And we’re surely not.”

There was the time he actually fell on the proverbial sword after his team’s 86-74 loss to Ohio State: “Blame me — blame me,” he said, only kidding: “I recruited ’em, I signed them as free agents.” (The bums!)

He isn’t exactly dropping jewels of inspiration suited to be posted in classrooms beside John Wooden’s “Pyramid of Success.”

But after five up-and-down months with him, his players say they’re cool with Cronin, who has shaken off what feels like an annual wave of national criticism. This time it hit after he booted his own center Steven Jamerson II from a game at Michigan State on Feb. 17, overreacting because he mistook a clean basketball play for something else.

UCLA coach Mick Cronin shouts instructions to a player during the Bruins’ win over USC on Saturday.

(Allen J. Schaben / Los Angeles Times)

“I’ve adapted to how he coaches and how he runs stuff,” said Donovan Dent, the Bruins’ sure-handed point guard who had 25 points on 11-of-15 shooting to go with his seven assists without a turnover Saturday.

How does he coach? “Fun, very fun,” Dent laughed, acknowledging that, yes, “absolutely” players have to have some thick skin if they’re going to play for Cronin.

“He can get on you,” Dent said, “but he just wants the best for you.”

“I mean,” forward Tyler Bilodeau said, “he’s intense. Coach Cronin has no off days, he is who he is every single day. You gotta respect that.”

And Cronin’s bait-and-switch bit? It would kill at a comedy club, but working a locker room? Maybe he’s found the right audience of young athletes.

“I’m at a point in my career, I want guys who are good guys,” said Cronin, whose team went 17-1 at Pauley Pavilion and 4-9 away from it. “I don’t want to be fighting with guys, I don’t have the energy for it. I won enough games, it’s not worth it.”

Well, about that.

The Bruins will have made the NCAA tournament five times in Cronin’s seven-year tenure with the team, and they’ve advanced to the Final Four and twice to the Sweet 16. But the Final Four run was six seasons ago, and in the past two years, UCLA made just one tournament appearance and got only as far as the second round.

That hardly seems sufficient for a UCLA program that’s regularly supposed to be breathing rarefied air without caveats or qualifiers.

But he thinks he’s found the right players to roll with his punchlines, and to play defense too.

“We can keep winning games,” Cronin said, “if we stop the other team.”

Wouldn’t that be nice?

The tumult continues at the John F. Kennedy Center for the Performing Arts as the National Symphony Orchestra’s executive director, Jean Davidson, steps down from her role to become executive director and chief executive of the Wallis Annenberg Center for the Performing Arts. Davidson will assume her new position May 4, the Wallis announced Friday.

Davidson is not new to L.A., having served as the president and CEO of the Los Angeles Master Chorale at the Music Center from 2015 to 2023. She left the Master Chorale for the NSO in Washington, D.C., where she worked for two years until President Trump began his controversial takeover of the Kennedy Center, firing its board and installing himself as chairman. Major artist defections ensued, culminating with a board vote to rename the center the Trump Kennedy Center in December and February’s surprise announcement that the center would close for two years for renovations, beginning July 4.

“I’ve learned a lot in the last three years, and I think it’s no secret that it’s been a hard year,” Davidson told The Times, adding that the politicization of the Kennedy Center was a factor in her decision-making. “I had intended to stay through the [orchestra’s] 100th anniversary in 2031, but found it more and more difficult to achieve the goals that we had set out to achieve given the external forces that are at work that are just so far beyond my control.”

It seemed like “I had reached a natural ending point,” she said.

With the imminent closure of the Kennedy Center, speculation has swirled around the NSO’s future, especially in light of the Washington National Opera’s decision in January to cut ties with the storied venue, which has been its home since 1971. The Kennedy Center’s Trump-appointed leadership, however, made it clear that it intended to support the NSO in the long term, and the orchestra’s board chair assured musicians that the orchestra and its staff would remain intact.

Davidson said the NSO is in the process of identifying venues for the next two years, and that the orchestra has been told by the Kennedy Center that its financial support is not in question.

“Many venue operators in the D.C. area have been very generously reaching out to us, asking how they can help,” she said. “Of course, we plan our seasons years in advance, and so next season was already planned. We already have conductors and soloists and all of that, and so it’s a bit of a jigsaw puzzle aligning our existing programming and obligations to those artists with venues that are appropriate for those programs.”

It will take several more weeks to come up with a cohesive plan and it will probably include several venues, “but we will have a season,” Davidson said. “And we hope that everybody will come.”

In many ways, Davidson said, the NSO is stronger than it has been in quite some time. During her tenure, Davidson helped reboot the orchestra’s international and domestic touring, which includes upcoming shows at New York’s Carnegie Hall in May and at the Hollywood Bowl in August. The orchestra also extended acclaimed music director Gianandrea Noseda’s contract through 2031.

“The orchestra is just playing at such a high level and they really have never sounded so good,” said Davidson, echoing what notable critics have also been saying. “We’re still welcoming many new players after our audition process, and I think that’s all very positive for the NSO.”

Davidson knows that leaving her role will be difficult for the orchestra, but she believes it will emerge stronger.

“I care deeply about the NSO and I am so proud of everything that we’ve accomplished together. I think the world of Gianandrea, of [principal conductor] Steven Reineke, our musicians, our staff and board — it’s a great community of people,” said Davidson.

Davidson also believes that the upcoming renovations to the Kennedy Center will ultimately result in a better experience for audiences and artists. She just wishes there had been much more advance notice.

“Usually orchestras will plan for being out of their hall years in advance, and we only have months to do that, so it is causing a bit of strain,” she said. “I think the most important thing is that our audiences and donors continue to support the NSO during this transition period.”

Davidson will now embark on her own transition as she moves from D.C. to L.A., rejoining her husband who has stayed in the area as a music professor at UC Irvine.

“This is an opportunity that’s been on my bucket list of things that I want to do in my life and it seems like the right time,” said Davidson of her new role at the Wallis in Beverly Hills.

Compared with the NSO, the Wallis is practically brand new, having opened in 2013.

Davidson is excited that there is lots of room for growth, and that the Wallis has evolved into one of the region’s most exciting multidisciplinary performing arts presenters and home base to a variety of local arts groups.

“I think anytime you’re starting a new role, there’s a lot of learning that needs to occur,” Davidson said. “And I’m not somebody that is prone to walking in with a big vision that’s going to suddenly change course. I think they’ve been doing a lot of great work and so I’m looking forward to collaborating with the team that’s there — to learn and to create a shared vision for the future.”

It’s an exciting time to be in Los Angeles, Davidson said.

“The last decade or so has seen a lot of growth in the art sector, and there are so many talented artists and organizations in L.A. that need a place to perform.”

JEFFERSON CITY, Mo. — While the U.S. Senate remains deadlocked over President Trump’s call for strict citizenship voting requirements, Republicans in some states are pressing ahead with their own measures that could require documentary proof of citizenship to join or remain on the voter rolls.

Proof-of-citizenship legislation won final approval this week in South Dakota and Utah, already has passed one chamber in Florida and received a committee hearing in Missouri. In Michigan, supporters of voter citizenship documentation submitted 750,000 petition signatures this week in a bid to get a constitutional amendment on the November ballot.

Federal law already prohibits noncitizens from voting in U.S. elections, with violators subject to fines, imprisonment and potential deportation.

When people register to vote, they affirm under penalty of perjury that they are U.S. citizens. But Trump contends that’s not enough. He wants prospective voters to show proof of their citizenship.

Democrats and voting rights advocates say the Republican measures amount to voter suppression, as they may prevent many eligible voters from casting ballots. Similar laws have been overturned by courts as an unconstitutional burden on voting rights.

What would the federal legislation do?

The federal Safeguard American Voter Eligibility Act, or SAVE America Act, would require documentary proof of U.S. citizenship to register to vote. That could be satisfied with such things as a U.S. passport, citizen naturalization certificate or a combination of a birth certificate and government-issued photo identification.

The federal bill also would require a photo identification to cast a ballot, which some states already mandate. The Republican-led House approved the legislation last month on a mostly party-line vote, but it has stalled in the Senate under a filibuster threat from Democrats.

South Dakota and Utah

Legislation passed in South Dakota and Utah would create a two-tier voting system. People who provide documentation of their citizenship could vote in all elections. Those who don’t could vote only in federal elections for president, U.S. Senate and U.S. House.

The bifurcated voting system is modeled after Arizona, where tens of thousands of voters who have not provided proof of citizenship can cast ballots only in federal elections. Arizona implemented its system after the U.S. Supreme Court ruled in 2013 that the state could not require citizenship documentation for federal elections.

The bills in South Dakota and Utah would take effect upon a governor’s signature, meaning they could be in place for newly registered voters ahead of the November elections.

Utah’s bill also directs election officials to use an online service from U.S. Immigration and Customs Enforcement to check the citizenship status of existing voters. Those flagged would be sent notices asking for proof of citizenship to remain eligible to vote in all elections.

Florida and Michigan

Neither the Michigan initiative nor legislation passed by the Florida House would require people to submit proof of citizenship when registering to vote. Instead, the measures would create a behind-the-scenes review that could result in some people being asked for citizenship documentation.

Under the Michigan measure, the secretary of state would review driver’s license records, juror records and federal Homeland Security and Social Security data to determine whether registered voters are citizens. Those flagged would be removed from the voter rolls if they cannot provide proof of citizenship.

The Florida legislation would require election officials to verify the citizenship of all registered voters using the state’s driver’s license database. Anyone whose citizenship could not be verified would be required to submit documentary proof.

Why are some pushing for proof of citizenship?

Trump and some fellow Republicans have complained for years about noncitizens voting in U.S. elections, although evidence of doing so is rare. The few cases found are not nearly enough to affect an election result, studies have shown, and those caught face severe penalty.

In 2024, a student from China was charged with perjury and attempted illegal voting after registering to vote by showing a University of Michigan student ID and signing a document asserting he was a U.S. citizen. He later contacted a local clerk’s office requesting to get his ballot back, and ultimately fled the country.

The case provided part of the impetus for the Michigan ballot initiative, said Paul Jacob, chairman of Americans for Citizen Voting, which is backing the measure.

“We want a system we can have confidence in,” Jacob said. “The way you avoid big problems in elections is to fix the small problems when they rise up and present themselves.”

Voting rights advocates’ concerns

Constitutional amendments limiting voting to “only citizens” have won widespread support when placed on state ballots. But voting rights advocates note that requiring documentary proof can get complicated.

During a recent debate in the Florida House, Democratic state Rep. Ashley Gantt recounted how her aunt was born in a South Carolina home at a time when some hospitals didn’t accept Black patients. As a result, she has no birth certificate and has had difficulty trying to demonstrate her citizenship, Gantt said.

A proof-of-citizenship law “would stop many thousands — if not more — U.S. citizens from voting in Florida,” said Michelle Kanter Cohen, policy director and senior counsel at the nonprofit Fair Elections Center. “It requires documentation that a lot of eligible citizens don’t have, or don’t have access to.”

Nationwide, about 21 million people — 9% of voting-age citizens — lack documentary proof of citizenship or cannot easily obtain it, according to a 2024 report by the Center for Democracy and Civic Engagement at the University of Maryland.

Other states

Legal challenges are common when states pass proof-of-citizenship requirements for voters.

After Kansas adopted a proof-of-citizenship law 15 years ago, more than 31,000 U.S. citizens ended up getting blocked from registering to vote. Federal courts declared the Kansas law an unconstitutional burden on voting rights, and it hasn’t been enforced since 2018.

Two years ago, New Hampshire and Louisiana both passed proof-of-citizenship laws, prompting lawsuits. New Hampshire’s law went to trial last month and is awaiting a ruling. Louisiana’s election commissioner acknowledged in a December court filing that the requirement has not been enforced.

A nonprofit group also filed a legal challenge to a Wyoming proof-of-citizenship law passed last year. But a federal court dismissed that case while ruling the group lacked standing to sue.

Lieb writes for the Associated Press.

It’s a mystery that has transfixed Hollywood:

How did Jeff Shell, who is seven months into his tenure as president of Paramount Skydance, get entangled with a professional gambler with a penchant for controversy?

Shell looked to be on his way to a high-profile comeback after losing his job as NBCUniversal chief executive three years ago over an inappropriate relationship with an underling.

Now he’s facing new scrutiny after his Paramount bosses hired a law firm to investigate his surreptitious dealings with a Las Vegas high-roller and self-styled “fixer.” Investigators are reviewing whether Shell leaked sensitive corporate secrets, according to two people familiar with the matter who were not authorized to comment.

The real-life drama features accusations of betrayal, vengeance and an alleged promise of a TV show deal.

Paramount declined to comment. An attorney for Shell also declined to comment, citing the ongoing review.

How this plays out for Shell remains to be seen, but the ongoing tempest has created a headache for Paramount’s leaders, coming just as David Ellison’s company was clinching its nearly six-month pursuit of Warner Bros. Discovery.

Last week, Paramount toppled Netflix with its $110-billion deal to claim HBO, CNN, Food Network and the storied Warner Bros. movie and TV studios, a key piece of Ellison’s ambitions to create a Hollywood behemoth by combining two century-old firms.

“The timing is terrible,” said Stephen Galloway, dean of Chapman University’s Dodge College of Film and Media Arts. “The last thing Paramount wants when closing this deal is for one of its [corporate] officers to be faced with allegations, true or false, from a professional gambler who calls himself Robin Hood.”

An unusual meeting in 2024

This account is based on interviews with nearly a dozen industry insiders who are familiar with the players and details of the increasingly ugly dispute. The Times granted anonymity to the sources, most of whom were not authorized to speak publicly.

According to these people, Shell’s dealings with the blackjack player began with an odd meeting in August 2024.

At the time, Shell was just joining Ellison’s team as the technology scion was preparing to build a new Hollywood empire.

But Shell was facing a serious problem. Someone was trying to plant unfavorable stories about him from his NBC days just as he was poised to stage his second act, two of the sources said.

Enter Patty Glaser, the high-powered entertainment litigator who represents Shell, and, as it happens, the person they suspected was behind the whisper campaign: Robert James “R.J.” Cipriani.

Patty Glaser wanted to defuse the tensions between R.J. Cipriani and Jeff Shell.

To defuse the tensions, Glaser convened a meeting at her Century City offices between Shell and her other client, Cipriani, who is a self-professed whistleblower and high-stakes gambler who goes by the handle RobinHood702 (the Las Vegas area code). Shell attended the meeting at Glaser’s recommendation.

Cipriani wanted to meet the executive. He had been angry ever since Shell sacked his friend Ron Meyer, former vice chairman of NBCUniversal, in 2020.

One of the founders of talent giant CAA, Meyer filled a unique role at NBCUniversal as the self-deprecating and beloved sage in a wool vest who was often called on to finesse frayed relationships with producers, agents and talent.

But Meyer was bounced by NBCUniversal, then led by Shell, after he made a secret settlement to keep a lid on a nearly decade-old tryst with British actor Charlotte Kirk.

Ron Meyer, former vice chairman of NBCUniversal, remains beloved in Hollywood.

(Kevin Winter / Getty Images for AFI)

Kirk had an affair with another studio boss, Kevin Tsujihara, who resigned as Warner Bros. chairman in 2019 after it was revealed that he tried to help her get parts in movies and TV shows.

Meyer had said that after the payment was made, associates of Kirk allegedly demanded more money to keep the affair quiet.

Kirk’s associates denied any wrongdoing, but those dealings ended Meyer’s 25-year tenure at Universal.

Cipriani, according to a source familiar with the situation, was galled that Meyer had been unceremoniously dumped, particularly after it was revealed that Shell also had been engaged in an improper relationship — with a CNBC anchor.

Other Hollywood friends shared the sentiment — a form of schadenfreude — after Shell got his comeuppance nearly three years later.

Jeff Shell in 2015.

(Rick Loomis / Los Angeles Times)

During the meeting at Glaser’s office, the two men discussed their families. Cipriani appeared to have a change of heart.

He told Shell that he would be his friend and personal “crisis PR” agent helping him with damage control, one of the sources said.

It was an unlikely pairing; the two men came from entirely different worlds.

Shell, 60, is a Los Angeles native — a relentlessly driven son of a Cedars-Sinai cardiologist and a teacher turned stay-at-home mom. Although only about 5-foot-9, Shell secured a spot on the University High varsity basketball team after spending long hours perfecting his jump shot.

He earned a degree in economics and applied mathematics from UC Berkeley, then an MBA from Harvard University.

“He’s often the smartest guy in the room,” a former high-level NBCUniversal executive said.

Jeff Shell previously ran NBCUniversal.

(Myung J. Chun / Los Angeles Times)

Shell has worked in the entertainment business more than 30 years, first at Walt Disney Co., then Rupert Murdoch’s Fox, where he briefly ran its cable networks. The TV executive moved to Philadelphia in 2004 to join Comcast, when its business was selling cable channels to subscribers.

When Comcast bought NBCUniversal in 2011, Shell’s stock was on the rise. He ran NBC’s international operations in London, then moved his family back home to Los Angeles when he became chairman of Universal’s prestigious film unit.

Meyer, who previously ran the studio, was tasked with showing Shell the movie business ropes.

Cipriani, 64, knew Meyer from gambling circles. The two men are friends, the sources said, although Meyer was not involved in the current dust-up, according to several of the people.

Cipriani grew up in Philadelphia, where his dad had worked for the Uniroyal tire company, according to an obituary.

It’s unclear when Cipriani came to L.A., but eventually he became a whistleblower who frequently made contact with journalists. He’s married to a former Brazilian model and actor/musical artist, Greice Santo, who had a small role in the CW’s “Jane the Virgin.”

Cipriani’s name went from the Vegas casinos to the headlines in 2017 when he was a key player in the arrest and conviction of a USC quarterback-turned global drug kingpin, Owen Hanson, who was sentenced to 21 years in federal prison.

Robert James “R.J.” Cipriani in Amazon Prime Video’s 2025 series, “Cocaine Quarterback.”

(Courtesy of Prime Video)

Cipriani tipped off the FBI in the case. Hanson allegedly gave Cipriani $2.5 million to launder but instead Cipriani lost the money in a blackjack game. In a YouTube interview, Cipriani claimed Hanson threatened him.

Cipriani has publicly taken issue with his portrayal as a money launderer in the popular Amazon Prime Video series “Cocaine Quarterback,” which brought the scandal to the screen. It’s a production of Mark Wahlberg and others.

Although Cipriani is often referred to as an “FBI informant,” the moniker rankles him. He prefers being called a “confidential human source for the feds,” who “goes after the bad guys,” according to those familiar with his thinking.

And Cipriani is not afraid to tangle with powerful people.

“Jeff Shell may have [gone to] Harvard Business School but R.J. Cipriani comes from the hardscrabble streets of Philly,” Cipriani’s attorney Steven Aaronoff told The Times. “Who’s going to win that war?”

Cipriani was arrested in 2021 on the casino floor of Resorts World Las Vegas, allegedly for snatching the cellphone of another gambler who Cipriani said was recording his movements.

The charge was dropped, but Cipriani has since brought a RICO lawsuit against Resorts World that alleges the firm allowed “known criminals involved in illegal gambling” and “money laundering” while also spearheading his ban from Vegas casinos.

Cipriani alleged his arrest and subsequent treatment was in retaliation for raising his concerns with casino management and law enforcement. A former president of the casino called the claims “ridiculous,” according to the Las Vegas Review-Journal.

Cipriani and Shell texted on-and-off for about 18 months, according to the knowledgeable people.

In the first half of last year, as Ellison and his team were waiting for the blessing of President Trump and the Federal Communications Commission to finalize the Paramount takeover, the group was bedeviled by press leaks.

Some were reported by Hollywood newsletters, including a scoop that Matt and Ross Duffer, who created the blockbuster horror series “Stranger Things” for Netflix, were decamping to Ellison’s Paramount. Shell was not aware of the Duffers’ deal before it was announced, said a person close to the executive.

Fallout over a TV show

But Shell and Cipriani had a major falling out when Cipriani began angling for a television show.

According to people familiar with the dispute, Cipriani worked for months without compensation but, at one point, Shell had thanked him for his efforts and offered to help him out. That’s when Cipriani asked Shell to greenlight an English version of a Spanish-language music show that streams on Roku TV, “Serenata De Las Estrellas.”

The TV project, like the Spanish-language version, would be co-executive produced by Cipriani and his wife, Santo.

But Shell failed to deliver, and Cipriani became furious.

“Mr. Shell promised to give my client, to produce the English language version of the show that was already a Spanish language hit,” Aaronoff said. “It was not something that was risky … It was not some crazy idea,” adding that Shell “did not keep his word to my client.”

Cipriani — who also has producer credits on the 2020 documentary about Vegas, “Money Machine: Behind the Lies,” and the 2015 movie, “Wild Card” — had intended to make “Serenata” as a homage to his late mother, Regina.

It was inspired by a song that Cipriani used to sing to her when he was growing up.

Jeff Shell became president of Paramount Skydance last summer.

(Brian van der Brug/Los Angeles Times)

Cipriani has threatened to file a lawsuit that makes a range of allegations, including that Shell had been slipping Cipriani sensitive corporate information, according to sources who have seen a copy of Cipriani’s draft complaint.

Shell, who officially joined Paramount in August with the Ellison takeover, immediately disclosed Cipriani’s legal threat to Paramount’s top lawyer and his previous employer RedBird Capital Partners, a Paramount investor partner.

According to the Hollywood Reporter, Cipriani also filed a whistleblower complaint with the Securities and Exchange Commission, alleging Shell alerted him to a then-pending $7.7-billion deal for the rights to UFC fights. But deal details did not leak in advance of Paramount’s announcement.

“We were presented with a draft complaint riddled with clear errors of fact and law,” attorney Glaser said in a statement last week. “We will strongly respond.”

The lawsuit hasn’t been filed, but Paramount hired Gibson Dunn lawyers to investigate Shell’s conduct and allegations contained in the draft, which was sent to Paramount.

On Friday, Cipriani wrote on X that he’d had “a great chat” the previous day with Gibson Dunn lawyers.

WASHINGTON — Visitors to the Capitol will now have a visible reminder of the violent attack against the building on Jan. 6, 2021, and the officers who fought and were injured defending it that day.

Steps from the Capitol’s West Front, where the worst of the violence occurred, workers quietly have installed a plaque honoring the officers, three years after it was required by law to be erected. The plaque was placed on the Senate side of the hallway because the Senate voted unanimously in January to install it after House Speaker Mike Johnson (R-La.) had delayed putting it up. Many Republicans had balked at installing the plaque.

“On behalf of a grateful Congress, this plaque honors the extraordinary individuals who bravely protected and defended this symbol of democracy on January 6, 2021,” the plaque says. “Their heroism will never be forgotten.”

The Washington Post first reported the installation of the plaque, which was witnessed by a reporter about 4 a.m. Saturday.

Sen. Thom Tillis (R-N.C.) led the effort to install it as he commemorated the fifth anniversary of the attack and insurrection and described his memories of hearing people break into the building. “We owe them eternal gratitude, and this nation is stronger because of them,” he said of the officers who were overwhelmed by thousands of President Trump’s supporters before eventually pushing them out of the building.

The mob of rioters who violently pushed past police and broke in were echoing Trump’s false claims of a stolen election after the Republican was defeated by Democrat Joe Biden in the 2020 presidential election. The crowd stopped the congressional certification of Biden’s victory for several hours, sent lawmakers running for safety and vandalized the building before police regained control.

Five police officers and four protesters died as a consequence of the violence. More than 140 officers from the U.S. Capitol Police, the Metropolitan Police Department and other agencies were injured.

The fight to have the plaque installed came as Trump returned to office last year and the Republican Congress has remained loyal to him. The president, who has called Jan. 6 a “day of love,” on his first day of his new term granted pardons or commutations to nearly 1,600 people convicted or charged in the rioting.

Trump was impeached and criminally indicted for his role in the insurrection. The Senate did not convict him, and the felony charges were dropped after he was reelected in November 2024.

Congress passed a law in 2022 that set out instructions for the honorific plaque listing the names of officers “who responded to the violence that occurred.” It gave a one-year deadline for installation, but the plaque never went up.

After more than a year of silence — and a lawsuit by two of the officers who fought at the Capitol that day — Johnson said at the beginning of the year that there were technical problems with the statute and the plaque could not be erected.

Tillis went to the Senate floor shortly afterward and passed a resolution, with no objections, to place the plaque on the Senate side.

One of the officers who sued, Metropolitan Police Officer Daniel Hodges, said the lawsuit would continue. Hodges, who was crushed by the rioters in the heavy doors steps away from where the plaque is now displayed, said Saturday that the overnight installation was a “fine stopgap” but that it was not in full compliance of the law. The original statute said that all of the officers’ names should be listed, among other technical specifications.

“The weight of a judicial ruling would help secure the memorial against future tampering,” Hodges said. “Our lawsuit persists.”

Jalonick and Mascaro write for the Associated Press. AP writer Allison Robbert contributed to this report.

Good morning, and welcome to L.A. on the Record — our City Hall newsletter. It’s David Zahniser, with an assist from Howard Blume and Noah Goldberg, giving you the latest on city and county government.

She’s blunt. She’s combative. She doesn’t go along to get along.

And now, Los Angeles City Councilmember Monica Rodriguez is almost certainly getting four more years in office.

On Wednesday, with the deadline past, no one filed a petition to challenge Rodriguez in the June 2 primary election. That makes her the only official at City Hall to be in that coveted position this year.

One caveat: Someone could still run as a write-in, waging a long-shot campaign. But realistically, Rodriguez has a free ride to continue representing her northeast San Fernando Valley district.

Rodriguez, who lives in Mission Hills, said she had been prepping for “another fight,” raising money and giving endorsement interviews. Now, she’s started talking about what her third and final term could look like.

“Giddyup. Everyone better buckle up,” she said, cackling.

For an elected official, nothing can bolster one’s confidence like a reelection victory or two. Newly elected council members tend to keep a low profile their first few years. The longer they stay, the more outspoken they become.

Rodriguez, on the other hand, has been willing to speak her mind for quite some time.

She’s been a longstanding critic of Mayor Karen Bass’ Inside Safe program, which moves homeless people indoors. She has pushed, without success, for the city to yank its money from the embattled Los Angeles Homeless Services Authority, or LAHSA. Last fall, she told a mayoral aide that Bass’ team “botched” the Palisades fire recovery in the first few months.

Rodriguez frequently expresses her views in vivid terms, and in ways that can annoy her colleagues.

Last year, she warned a proposal to hike the minimum wage for hotel and airport workers to $30 per hour would trigger job losses, leaving the city with “the best paid unemployed workforce in America.”

She denounced the city’s plan to upgrade the Convention Center, saying the council was continuing to “fund failure.” She regularly drops the phrase “merry go round from hell” — shorthand for her struggle to get her colleagues to pull out of LAHSA, the city-county homeless agency that’s been the subject of blistering audits.

With the election approaching, the zingers have only gotten zingier.

Six weeks ago, City Councilmember Nithya Raman launched a last-minute bid to rewrite Measure ULA, the city’s tax on high-end property sales, saying it had chilled development of much-needed apartments. Raman wanted her proposal to go on the June ballot but failed to garner support from her colleagues, who said it hadn’t been vetted.

Rodriguez, in a screed delivered on the council floor, compared Raman to “the arsonist that comes showing up as a firefighter.”

That was a not-so-veiled reference to the fact that Raman promoted Measure ULA in 2022 — and downplayed concerns that it would affect housing production.

“Ms. Raman, you supported and endorsed the false notion to voters that [Measure ULA] was going to be the panacea — without study, without any of the verified proof,” she said. “We knew that these were the implications.”

Raman, in a statement on Friday, said she endorsed Measure ULA after reading through research suggesting that the tax, which generates money for housing programs, would not affect housing production. Newer analysis, she said, found that the measure “indeed resulted in less investment in multi-family housing.”

“That is a huge concern to me and should be to everyone in L.A., a City that is still very much facing a housing shortage,” said Raman, who is now running for mayor. “I am willing to take some heat to get the best outcomes for the City and to secure support for these crucial revenues.”

Stuart Waldman, president of the Valley Industry and Commerce Assn., a San Fernando Valley-based business group, said he appreciates Rodriguez’s direct approach, even when he disagrees with her.

“A lot of councilmembers, if they don’t agree with you, they won’t even meet with you,” he said. “There are council members who say they’ll listen and take [an issue] under advisement, even though they’ve made up their mind. They just don’t want to tell someone to their face that they disagree.”

Rodriguez’s approach doesn’t always reap political dividends.

Last year, Council President Marqueece Harris-Dawson removed her from a number of high-profile committees, including those that oversee homeless programs, public safety and the city budget.

Despite her warnings, the council hiked the minimum wage for tourism workers and approved the $2.6-billion Convention Center project. She championed the creation of a new youth development department, only for it to wind up on the chopping block in last year’s budget.

Rodriguez, 52, grew up in Arleta, the daughter of a U.S. Marine veteran who served in Vietnam while holding a green card, and later became one of the city’s earliest Latino firefighters in the wake of a federal consent decree on hiring. She graduated from San Fernando High School in 1992, one year after Assemblymember Luz Rivas and two years after U.S. Sen. Alex Padilla.

She worked for former Mayor Richard Riordan and former Councilmember Mike Hernandez and later ran unsuccessfully against former Councilmember Richard Alarcon. She joined the Board of Public Works in 2013, running for council a second time four years later.

With a third term looming, Rodriguez wants to take a program she launched in her district — moving homeless people out of RVs and into housing — and take it citywide. She’s excited about expanding a program for fixing sidewalks that also teaches job skills to young people.

Rodriguez acknowledged that her stances, and her remarks, can rub people the wrong way, noting that it’s “more comfortable to walk in a group than to walk alone.” Nevertheless, she doesn’t intend to change her approach.

“I know what I’m here to do, and I’m just going to continue,” she said.

State of play

— SCRAMBLE FOR SIGNATURES: The deadline for candidates for city office to turn in petitions arrived on Wednesday, and the signatures are still being counted. By Friday, 12 mayoral candidates had qualified to run against Bass, including Raman, reality television star Spencer Pratt and tech entrepreneur Adam Miller. The City Clerk’s office is still reviewing the petitions of several other mayoral hopefuls, all of them political unknowns.

— ANOTHER FREE RIDE: L.A. Unified School board member Kelly Gonez is also running unopposed in the June 2 election. On Wednesday, her one potential opponent, JP Perron, announced he was dropping out. Like Rodriguez, Gonez represents part of the San Fernando Valley.

— A HELPING HAND: For a hot minute, things were touch and go for Sylvia Robledo, a former council aide looking to unseat Councilmember Eunisses Hernandez. After filing her petitions, Robledo learned Tuesday that she was short 14 voter signatures. Raul Claros, one of her rivals in the race, stepped in to help close the gap, gathering some signatures himself. “People want options,” he said later on Instagram. “People want anybody but Eunisses Hernandez.”

Two of Robledo’s other opponents — entrepreneur Nelson Grande and nonprofit executive Maria Lou Calanche — added their own names to her petition. On Wednesday, she qualified for the ballot.

“We may have a different vision or path, but we all want new leadership,” Robledo said.

— JANISSE JETS OFF: The top executive at the Department of Water and Power, Janisse Quiñones, announced this week that she has taken a job as CEO of a privately owned electrical company in her native Puerto Rico. Quiñones, who was hired at $750,000 a year, faced criticism over the DWP’s decision to drain a reservoir shortly before the Palisades fire broke out. Her first day in the new job is March 30.

— TRUMP ON LINE 1: Bass spoke on the phone this week with President Trump to request FEMA reimbursements for the Palisades fire, KNX News reported. Bass told the station that the president was “very receptive.”

“I was reluctant to call because there are a few other things going on, like what’s happening overseas, and I didn’t think, given all that was happening internationally, that he would actually return my call,” she told the station.

— OVERDUE BILLS: The county Board of Supervisors voted this week to fund a financial review of the Los Angeles Homeless Services Authority, after finding that the agency owes tens of millions of dollars to nonprofits that oversee interim housing for the region’s homeless population. Supervisor Lindsey Horvath said her phone was “ringing off the hook” from groups needing to get paid by LAHSA.

— TIT FOR TAT: Meanwhile, the long-running feud between Bass and Horvath continued to boil over, with the two taking digs at each other over the future of the region’s homeless programs. Bass, in a statement, said pulling out of LAHSA too quickly would bring “unintended consequences” and leave “more Angelenos to die on our streets.”

“When the County created their new Department of Homeless Services and Housing, they also created a $300 million gap, which they had to close by prioritizing bureaucracy rather than services,” Bass said.

Horvath shot back, saying she is already conferring with council members on a strategy to have the city pay the county to provide homeless services.

“I’m ready to work with the City Council and show the Mayor what locking arms actually looks like,” she said, swiping one of Bass’ signature phrases.

— PALISADES BOWL IN PERIL: The owners of a mobile home park destroyed last year in the Palisades fire are marketing the site as a potential “mixed use” project — housing plus commercial space, which would result in permanent displacement of residents. City Councilmember Traci Park said any developer looking to take the sellers up on their offer should “pound sand.”

“What we are interested in doing is restoring this property as a mobile home park for the people who were there and remain displaced,” she said.

— PURSUING POT PROCEEDS: L.A. cannabis companies owe the city more than $400 million in business taxes, late fees and interest. Hoping to recoup $30 million of that total, the council voted this week to set up an amnesty program for those pot businesses that still owe money and haven’t already shuttered.

— JAIL DEATHS: Ten people have died in L.A. County jails so far this year, putting the county on track for another record-setting year of in-custody deaths. Now, county supervisors want the Sheriff’s Department to reverse that trend by beefing up safety checks, more closely monitoring cameras and increasing access to the overdose reversal drug Naloxone.

— FOR FLOCK’S SAKE: The Police Commission wants to know how data captured by the controversial license plate reader Flock Safety are being stored and shared. Commissioner Jeff Skobin asked for the information following reports that federal agencies had repeatedly accessed Flock’s surveillance data as part of Trump’s ongoing immigration crackdown.

QUICK HITS

• Where is Inside Safe? The mayor’s signature program to fight homelessness went to a stretch of Laurel Canyon Boulevard in North Hollywood, underneath the 170 Freeway. About three dozen people went inside, according to Bass’ team.
• On the docket next week: The council’s Planning and Land Use Management Committee meets Tuesday to take up a proposal to hike the penalties for putting up illegal billboards and other unpermitted signs.

Stay in touch

That’s it for this week! Send your questions, comments and gossip to LAontheRecord@latimes.com. Did a friend forward you this email? Sign up here to get it in your inbox every Saturday morning.

I’M pretty much an Instagram influencer now, don’t you know.

I’ve spent the day snapping more than 330 photos — I won’t tell you what ­proportion of those were selfies — among the tulips.

And my grid is now filled with brightly-coloured buds below a stunning blue sky.

It’s thanks to Amsterdam’s tulip season that I’ve found this new calling.

The flowers are impossible not to take photos of, and each colour is more beautiful than the last.

I’m here at Tulip Farm De Tulperij, a family attraction that has been around for almost 100 years and sits about an hour’s drive out of central Amsterdam.

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It’s a busy day tour that I’m on: a stop at the farm, a canal trip and a visit to Keukenhof, the tulip gardens in Lisse — a veritable floral feast.

Arriving first at the farm, we are given a tour around the fields by owner Daan Jansze — and he certainly knows his tulips.

In his welcome, he tells us that the soil at this farm is extremely moist, with the water table just 60cm below the surface.

The tulips love this moist soil, and rows upon rows bloom each spring after being planted just before winter.

Daan is the third generation farmer of the land, and he points out his youngest son — hauling soil nearby — who will become the fourth generation to run the farm.

But before letting us loose in his field, Daan gives us some ground rules.

No walking through the beds, you’ve got to walk up and down.

And no picking the flowers. “Ok,” he says in his thick Dutch accent. “Now you can go take pictures for your Instagram.”

And we’re off.

My fellow tourists and I fling ourselves into the fields, fanning out between line after line of reds, pinks and yellows.

I won’t lie to you, it wasn’t quite fields as far as the eye could see.

But the long lines were definitely enough to keep us busy, and I got shot after shot of the bright flowers.

There were people of all ages in the field around me — mothers and daughters, couples, families and friends, all keen to make the most of the colourful setting.

And when we got tired of taking pictures of ourselves, we headed to the farm’s little cafe that sold everything from apple pie to tiny clog keychains.

It also led to a second shock of tulips, all lined up in a manicured garden.

Two hours later and we were back on the bus, heading off to board a canal boat.

Surrounded by about 50 other tourists, we lapped up the sunshine for an hour as we floated past the windmills, geese and their goslings, and Dutch locals who had also hit the water to make the most of the stunning May weather.

We then piled on to the bus again to head to our final stop — the Keukenhof Gardens.

Like a botanic gardens on steroids, this tourist attraction is only open from March to May, completely dependent on the budding whims of the tulips.

This year, the season kicks off on March 19 and continues until May 10.

With the droves of tourists, it almost felt like an adventure park.

And while it was certainly busy, I would heartily recommend going there.
Jaw-dropping displays

Even though we couldn’t quite get into the tulips like we did at the farm, the sheer effort it took to plant SEVEN MILLION bulbs to create this flower haven is impressive, to say the least.

The rows of tulips across the park are complemented by the stunning flower shows, with everything from orchids to ­lilies creating jaw-dropping displays.

By the end of the day, my photo reel is an explosion of colour and I’m almost (only almost) sick of flowers.

But I manage to summon up some energy and upload my pictures — and the “likes” come flooding in.

It might be too late for your own Insta career to take off, but now is the time to plan and book a trip like this.

The tulip season is short, so tours sell out pretty quick. Happy snapping!

IN northern Portugal is a beautiful city that was once the home of the country’s very first king.

This year it’s set to become even more popular on the map this year thanks to it being awarded the title of European Green Capital for 2026.

Guimarães is well-known for being the home of the country’s first king who was born there around the year 1109.

Dom Afonso I was the first King of Portugal, he reigned from 1139 until his death in 1185 – and secured Portugal’s independence from the Kingdom of León.

Visitors to the city can to this day see Guimarães Castle, the 10th-century fortress is said to be the actual birthplace of the first Portuguese king.

Tourists are allowed to enter the castle, although it is unfurnished, for around £5.

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When it comes to food and drink, one visitor on Tripadvisor wrote that you could pick up wine between €3.75 and €4 (£3.49).

In Northern Portugal, most restaurants and bars will serve ‘fino’, a small draft beer that you can usually pick up for around €2 (£1.74).

Something else to try is Guimarães’ take on Doces conventuais – which are traditional Portuguese desserts.

A Torta de Guimarães is a crescent moon-shaped pastry with a thin, flaky, and crispy puff pastry shell.

It’s filled with a sweet and creamy mixture of egg yolks, sugar, ground almonds, and chila (gila) squash jam.

Any bakery in the city is likely to sell Tortas de Guimarães which you can usually pick up for around €3 (£2.62).

Guimarães is Largo do Toural is at the the heart of the city. The central square was once used as a market and now has vibrant cafes.

For some incredible views, head up to the cable car which connects the city centre to the summit of the nearby Monte da Penha.

It travels up 1700 meters so you can get incredible views across the whole region.

At the very top is the Penha Sanctuary, a modern, art-deco-style church.

The Guimarães Cable Car typically costs €10 (£8.72) for a return.

This year, Guimarães has been named European Green Capital for 2026.

Part of the reason Guimarães was selected for this was its green spaces – between 2012 and 2023, the city added 95.7 hectares of natural spaces.

This includes along the main rivers and in its forests.

If you want to see it for yourself, Guimarães has a Green Map which takes visitors from Penha Mountain into the city.

Along with it, events are being held all year – Guimarães will host its spring festival in late March where there’s a 10km race through the city.

In April it will hold a three-day contemporary dance festival and the city will take part in Green Week in June as well as Mobility Week in September.

For Brits, the best way to get to Guimarães is by flying to Porto – which is around 25 miles away.

From there, you can hop on a direct bus which takes just 35 minutes and costs £5.

Here’s another quaint Portuguese canal city with white-sand beaches and cheap wine…

For striped houses that look like giant beach huts and beautiful stretches of coastline – head to Aveiro.

The city in Portugal sits on the west coast and is much less known than its neighbour – Porto – and is considered to be the country’s ‘Venice‘.

Along with its waterways, Aveiro is known for its beautiful waterfront houses, bars and boat tours.

The city is built around water including the Ria de Aveiro which is a shallow coastal lagoon – and throughout Aveiro are lots of canals.

The largest is Canal Central de Aveiro, right in the city centre and it’s here where tourists can hop onto a boat and take a river cruise.

Dotted along the water are the brightly coloured Moliceiro boats which were historically used to collect seaweed.

Now, these are used for leisure tours which you can book from €13 (£11.22).

A local pint will set you back just €2.75 (£2.38).

Just a short trip from Aveiro is the Bairrada Region Proximity, which produces plenty of sparkling and red wine, so the city is also perfect for wine lovers.

It is an excellent hub for exploring vineyards on reasonably priced tours, and bars and restaurants in the city centre offer glasses from as little as €2.30 (£2).

Aveiro is known for a local delicacy called ‘ovos moles’ – these traditional Portuguese pastries are essentially a sweet, creamy egg yolk and sugar mixture inside a thin wafer shell.

You can pick these up in local cafes or bakeries for around €1.60 (£1.38) each – and if you treat yourself to a coffee, it will cost as little as €2.16 (£1.87).

Plus, here’s the secret side to Portugal crowned one of the best places in Europe to visit this year.

And here’s a definitive guide on where to eat, sleep, drink and sunbathe in Portugal’s Algarve by the locals.

The Kentucky Derby will be run in eight weeks, which allows plenty of time for considerable changes in the field.

And yet, there’s really not much time at all. Each Derby candidate has only one or two chances remaining to earn one of the 20 stalls in the oversized starting gate at Churchill Downs.

That means every prep race, including Saturday’s San Felipe Stakes at Santa Anita, takes on added importance as horses run into or out of contention. Others will disappear from the trail because of illness or injury.

For now, the favorites are horses coming off victories in races in Louisiana, Florida and Arkansas — Paladin, Commandment, Nearly, Renegade and Class President.

But anyone who thinks they know what will happen between now and May 2 probably also believes they can find a hotel room on Derby weekend near Churchill Downs for less than $400.

No one understands that better than the trainer who has won the race a record-tying six times.

You don’t take horses to the Derby, Bob Baffert said this week. “They take you to the Derby.”

Recent events served as another reminder. Barely more than a week ago, Baffert likely would have listed his top Derby candidates as Plutarch, Litmus Test and Brant.

Then, on Feb. 25, Baffert revealed Plutarch had a minor setback after his win last month in the Robert B. Lewis Stakes at Santa Anita and would not make the Kentucky Derby.

Three days later, Litmus Test faded to third place in his first start of the year, the Rebel Stakes at Oaklawn Park in Arkansas.

In between those disappointments, though, there was surprisingly good news for Baffert. Cherokee Nation, winless in five career starts, ran the fastest mile (1:34.50) in nearly a decade at Santa Anita. It was only a maiden race, but Cherokee Nation won by 10 lengths and earned a Beyer Speed Figure of 100. Only one 3-year-old, Fountain of Youth winner Commandment, has a higher figure this year in a race longer than a mile, and that was by one point.

“What he did … was pretty impressive to me,” Baffert said of the son of Not This Time who sold for $1.15 million as a yearling. “His stock went way up.”

Suddenly, Cherokee Nation could be Baffert’s top prospect, though he’ll have to prove it next month in the Santa Anita Derby, in which he’ll need to finish first or second to have enough points to qualify for the Kentucky Derby.

Brant, right, ridden by Flavien Pratt, finished third behind Ted Noffey and John Velazquez, center, and Mr. A.P. and Antonio Fresu, left, in the Breeders’ Cup Juvenile at Del Mar in October.

(Gregory Bull / Associated Press)

Or maybe it’s Brant.

The son of Gun Runner who cost $3 million at a sale last March recorded a 101 Beyer figure in a flashy 5½-furlong debut last summer, and followed that win with another in the Grade 1 Del Mar Futurity. But he was third in the Breeders’ Cup Juvenile and hasn’t raced since.

That changes Saturday with Brant making his 3-year-old debut in the Grade 2 San Felipe, one of four graded stakes on an 11-race card at Santa Anita. He is the even-money favorite on the morning line for the 1-1/16-mile race, which will award 50 Derby points to the winner, guaranteeing a spot in the starting gate.

“He looks good,” Baffert said. “The freshening did him well. He grew a little bit. He’s not a real big horse but he’s starting to grow right now. … It’s a tough race. There’s some nice horses in there. It’s a pretty salty prep race, but they usually are.”

Baffert has another San Felipe starter in Potente, an Into Mischief colt who cost $2.4 million as a yearling. He’s run only once, winning a sprint five weeks ago, and while Baffert would have preferred to run him in a two-turn allowance race, there aren’t any available for 3-year-olds at Santa Anita.

As he saw with Cherokee Nation, though, no one knows who will prove worthy or when.

The 2-1 second choice is So Happy, a winner of two sprint races who was sired by a sprinter (Runhappy) but is getting a chance to see if he can run farther than maybe his breeding would suggest. He is an obvious sentimental favorite; he is trained by Mark Glatt, whose wife of 25 years, Dena, died Feb. 12 from cardiac arrest. She was 57.

Not-so-Big ’Cap

With heavily favored Skippylongstocking and San Pasqual Stakes winner Westwood scratched, the $300,000 Santa Anita Handicap on Saturday is down to five starters, none of whom has won a Grade 1 or Grade 2 race. In fact, new morning-line favorite Just a Touch never has won any stakes race, though he’s been second or third six times in seven tries (he was last in the 2024 Kentucky Derby).

The only graded-stakes winners in the field are Baffert’s Getaway Car, who won a Grade 3 sprint as a 2-year-old, and Midnight Mammoth, who won a Grade 3 marathon race two years ago but lost his last two stakes tries by a combined 56¾ lengths.

The other two starters are Vodka Vodka, whose lone stakes win came in a turf race restricted to California-bred horses, and British Isles, who has never won a stakes race. The latter’s trainer, Richard Baltas, won this race with Idol in 2021. Baffert has won it six times.

The first of the four stakes races is the $300,000 B. Wayne Hughes Beholder Mile, with Splendora the 4-5 favorite for Baffert after winning four straight races, including the Breeders’ Cup Filly & Mare Sprint last fall at Del Mar and the D. Wayne Lukas Stakes last month at Santa Anita.

El Potente is the 5-2 favorite in the wide-open, $200,000 Frank E. Kilroe Mile, which this year was downgraded to a Grade 2.

We’re in the early weeks of Lent, the 40 days when Christians are called to rededicate themselves to good — and the Trump administration seems to be having a good time making its war with Iran seem like a bunch of tweens playing a game of “Call of Duty.”

Where Jesus called on believers to go through life as meekly as possible, the White House keeps pumping out social media posts mixing footage of American forces blowing up the Iranian regime with everything from SpongeBob SquarePants to Iron Man to “Grand Theft Auto.” While Proverbs warned “every one that is proud in heart is an abomination to the Lord,” Secretary of Defense Pete Hegseth — who loves to flash his bad tattoos that reference the Crusades — gives superlative-drenched speeches on the supposed glories of this war that make him sound more bloodthirsty than Count Dracula.

Even though Christ mandated that people not loudly pray in public “like the hypocrites,” President Trump gladly let a gaggle of pastors lay hands over him in the Oval Office this week as one intoned God “continue to give our President the strength that he needs to lead our nation as we come back to one nation under God.”

Which God: Yahweh or Trump?

During last month’s National Prayer Breakfast, the president bragged that because of him, “religion’s back now hotter than ever before.” Perhaps the most un-Christian man to ever serve as commander in chief has continually wrapped himself in the mantle of Jesus — and too many Christians have ignored the Good Book’s repeated warnings against false prophets and cheered him on.

Flannery O’Connor could have written an entire novel on Christian hucksters just from Year One of the second coming of the Trump administration.

As the Iran war ratchets up with no end in sight, this devotion to Trump is veering into idolatry.

Pastor Greg Laurie — most famous for holding Harvest Crusade revivals in Southern California for the past generation — wrote online that Trump’s Iran campaign “is cause for us to sit up and pay attention” because he feels it lines up with End Times prophecy about the Middle East descending into war just before the Second Coming. The nonprofit Military Religious Freedom Foundation revealed it has received hundreds of complaints from troops about their superiors claiming that what’s going on is biblically ordained.

Meanwhile, South Carolina U.S. Sen. Lindsey Graham told reporters that what’s happening “is a religious war” that “will set the course of the Middle East for a thousand years” — the exact time period that the Book of Revelation stated Christ will reign until Satan returns. Some Trump supporters have even compared their savior to Cyrus the Great, the Persian king who freed the Israelites from the yolk of the Babylonians and of whom the Book of Isaiah called God’s “anointed” and would “subdue nations before him and to strip kings of their armor.”

The Bible is not all kumbaya. But from the Old Testament to the New, it consistently preaches for the faithful to humble themselves, to help the poor and downtrodden. Trump’s version of Christianity instead preaches no mercy for those against him, demands followers exalt him above everything, celebrates the gaudy instead of the godly.

This Lent is magnifying his apostasy like never before.

Defense Secretary Pete Hegseth and Chairman of the Joint Chiefs of Staff Gen. Dan Caine speak during a press briefing at the Pentagon on Wednesday in Washington.

(Konstantin Toropin / Associated Press)

It’s a time to fast from our excesses; Trump continues to push forth a White House redesign that will make the Palace of Versailles look as flashy as a mud hut. Those of us who partake in Lent are asked to repent of our sins; Trump is doubling down on them like they’re McDonald’s fries. We are supposed to reflect on our wrongdoings and ask for forgiveness from the Almighty and those we wronged — has Trump ever done that?

We’re also supposed to practice almsgiving and assist those less fortunate than ourselves as a way of honoring Christ, who pointed out that giving so it costs you is the only way to give. Trump has always brayed that he’s ultimately looking out for the common man — but instead of helping the millions of people whom his economy was already leaving behind before the Iran campaign, he’s shrugging off their woes and asking Americans to buckle up and weather price spikes and simply believe in him.

Or is that Him?

Conservative Christian leaders have continually landed on the wrong side of American history, from slavery to imperialism, Jim Crow to women’s rights. That’s why it’s not surprising — but still disappointing — that a Pew Research Center poll released earlier this year found 69% of white evangelicals think Trump has done a good job. Fifty-two percent of white Catholics feel the same, compared with just 23% of Latino Catholics, even though Pope Leo XIV has consistently decried American foreign and domestic policy.

Lent also is the time that Christians remember that the pain of Christ’s death leads to the hope that is Easter. That’s why for this Lent, may Christians repent of Trump like never before.

War has always been a time for propaganda, of demonizing the enemy and pumping up your side. It is a sad, tragic affair, with death and carnage and endless mourning. Children die. War is not a thing to be celebrated, even if it were necessary. And there’s a big if around this latest one, even if Ayatollah Ali Khamenei deserved his downfall and Iranians in their country and abroad rightfully celebrate.

But history’s greatest warriors know — to quote the conclusion of the Oscar-winning biopic “Patton” — that glory is fleeting. Trump, Hegseth and their ilk are not them. They are the men that Psalms asked God to deliver us from, the warmongers who “imagine mischiefs in their heart” and “continually” seek violence. To see how this administration and its supporters are preening right now reminds me of what Johnny Cash once sung: sooner or later, God‘s gonna cut you down.

Let’s just hope the rest of us are spared when that happens. If you pray, please do. (And not to Trump).

MADISON, Wis. — A Wisconsin man who allegedly told police he tried to set fire to a Republican congressman’s office last year because he was angry that the lawmaker backed a bill requiring TikTok’s Chinese owner to sell off its U.S. operations was sentenced Thursday to seven years in prison.

In addition to the prison time, Fond du Lac County Circuit Judge Tricia Walker sentenced 20-year-old Caiden Stachowicz to seven years of extended supervision, court records show.

Stachowicz, of Menasha, pleaded no contest to an arson charge in November. Prosecutors dropped burglary and property damage counts in exchange for Stachowicz’s no contest plea, which isn’t an admission of guilt but is treated as such for the purposes of sentencing.

According to a criminal complaint, a police officer responded to a fire outside Republican U.S. Rep. Glenn Grothman’s office in Fond du Lac, about 55 miles northwest of Milwaukee, at around 1 a.m. on Jan. 19, 2025, and saw Stachowicz standing nearby.

He told the officer that he started the fire because he doesn’t like Grothman, according to the complaint. He initially planned to break into the office and start the fire inside. But he couldn’t break the window, so he poured gas on an electrical box behind the building and around the front of the building, lit a match and watched it burn, according to the complaint.

He said he wanted to burn down the office because the federal government was shutting down TikTok in violation of his constitutional rights and peace was no longer an option, the complaint states. He added that Grothman voted for the shutdown, but he didn’t want to hurt Grothman or anyone else.

Grothman voted for a bill in April 2024 that required TikTok’s China-based company, ByteDance, to sell its U.S. operation. The deadline was Jan. 19, 2025, but President Trump has issued multiple executive orders prolonging it. TikTok finalized a deal two months ago to create an American version of the social video platform. Trump praised the deal.

Danielle Gorsuch, one of Stachowicz’s attorneys, told the Associated Press after the sentencing that the incident was the culmination of a mental health crisis for her client and stressed that no one was hurt.

“Caden took every caution to make sure no one was present in the building at the time of the incident, as he only wanted to hurt himself,” Gorsuch said. “He took responsibility from night one.”

A spokesperson for Grothman’s congressional office didn’t immediately respond to a message seeking comment.

Richmond writes for the Associated Press.

A NEW sleeper train will soon connect four European cities.

European Sleeper is launching a train route between Brussels in Belgium and Milan in Italy.

The train will stop at Brussels in Belgium; Cologne in Germany; Zurich in Switzerland and Milan in Italy.

Onboard, the train will feature budget seats and sleeper options. 

Travellers will be able to reserve a seat or bed in a shared cabin.

The most affordable option will be seats, of which there are six per cabin.

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There will also be the option for Comfort Standard and Comfort Plus sleepers which will have fewer beds per cabin as well as more bedding and in the most luxurious category, amenities such as welcome drinks and a breakfast service.

In Comfort cabins, there can be up to five people with the carriage featuring seats during the day and beds at night.

There will also be a table available during the day.

These cabins tend to be mixed gender, but there are women-only cabins available to book.

Each passenger will get a blanket, a sheet and a pillow and the bathrooms can be found in the corridor.

Bottled water can also be found in each cabin, but breakfast has to be added to your booking for an additional fee.

In comparison, a Comfort Standard cabin has three beds, each with a duvet.

There is also a small window table and a big fold up table.

And finally, in Comfort Plus cabins passengers will find a maximum of three beds and seats in addition.

Towels, toiletries, breakfast, mineral water and a welcome drink are all included as well.

A small lounge is also planned for the train, where passengers will be able to buy snacks and drinks.

The train will feature plug sockets and basic Wi-Fi as well.

However, the anticipated launch date of the train has been pushed back from June 18 to September 9, with tickets available to book from March 17.

The train will operate from Brussels on Mondays, Thursdays and Saturdays and from Milan on Wednesdays, Fridays and Sundays.

From Brussels, the train will leave at 5:56pm each time, stopping in Cologne at 10:07pm, Zurich the following day at 6:42am and finally arriving in Milan at 11:30am.

From Milan, the train will leave at 5:30pm each time, stopping in Zurich at 10:35pm, Cologne the following day at 7:59am and finally Brussels at 11:10am.

Other stops on the route include Liège in Belgium; Aachen in Germany; Arth-Goldau, Göschenen, Bellinzona, Lugano and Chiasso in Switzerland and Lake Como in Italy.

Tickets for a shared classic compartment start from €49.99 (£43.31) one-way.

Alternatively, you can book a private space from €179.99 (£155.96) either in a classic compartment for up to five people or a comfort compartment for up to three people.

European Sleeper is also launching a route between Paris and Berlin on March 26, with a stop in Hamburg being added to the route from July 13.

In other train news, a major rule change to train tickets is dropping in just weeks – and could see you denied a refund.

Plus, the little-known UK train trick that lets you visit up to three destinations for the price of one – and the best routes to do it.

WASHINGTON — Sens. Alex Padilla (D-Calif.) and Dick Durbin (D-Ill.) called for the Department of Homeland Security to return a California woman with DACA who was recently deported a day after her green card interview.

DACA, or Deferred Action for Childhood Arrivals, is the Obama-era program that since 2012 has shielded certain immigrants brought to the U.S. as children from deportation and allowed them to work legally.

Maria de Jesus Estrada Juarez lived in California for 27 years before being detained at her green card interview last month and deported within 24 hours, despite having active DACA protection and no criminal history. Her story was first reported by the Sacramento Bee.

On a call from Mexico on Thursday with reporters, Estrada Juarez, 42, said DACA was supposed to protect people like her who work hard and follow the rules.

“I did everything I could to build a stable life and give my daughter the opportunities that I never had,” she said. “But about two weeks ago, everything changed. I was wrongfully deported. In a single moment, nearly 30 years of my life were taken away from me — my home, my work, my community.”

Homeland Security did not respond to a request for comment about Estrada’s case.

The detention and deportation of DACA recipients is in stark contrast to previous administrations, including the first Trump administration, and years of bipartisan support for immigrants brought to the U.S. as children. For admission into the program, they must pass background checks and meet certain educational or work requirements.

Trump has given mixed signals on DACA recipients, known as “Dreamers.” In his first term, he tried unsuccessfully to shut down the program. In December 2024 on “Meet the Press” he said that “I want to be able to work something out” on their behalf, but offered no specifics and the administration has done nothing to offer them extra protection.

The program’s fate has since remained embroiled in litigation.

Rep. Sylvia Garcia (D-Texas) said Homeland Security provided conflicting data to members of Congress about how many DACA recipients have been detained and deported since Trump returned to the White House.

In a Jan. 12 letter to Garcia, then-Homeland Security Secretary Kristi Noem said that between Jan. 1 and Sept. 28 of 2025, Immigration and Customs Enforcement had arrested 270 DACA recipients. The letter did not say how many of those 270 were deported.

Of those, 130 had criminal convictions, 120 had pending criminal charges and 14 were in violation of immigration law, she wrote. That adds up to 264, not 270.

“Please note DACA is a form of prosecutorial discretion that does not confer lawful status,” wrote Noem, who was fired Thursday.

But in a letter to Durbin and other senators last month, Noem provided smaller numbers, though she addressed a longer time period, Jan. 1 to Nov. 19, 2025. She said the agency had arrested 261 DACA recipients and deported 86.

She said that of those arrested, 241 had criminal histories, though she did not specify if that meant convictions or pending charges.

On Wednesday, Garcia wrote back to Noem, saying, “The discrepancies between your two responses demonstrate gross incompetency or intentional misdirection.”

The conflicting data from Noem came after 95 members of Congress in September demanded answers about the targeting of DACA recipients. They wrote that letter after Tricia McLaughlin, the former Homeland Security public affairs secretary, said DACA recipients “are not automatically protected from deportation.”

The lawmakers cited the case of a deaf and non-verbal DACA recipient with no criminal history who was detained last year amid the immigration raids in Los Angeles. He was later released.

As of June 2025, there were more than 515,000 DACA recipients in the U.S., a decrease since the program’s peak of nearly 800,000. With 144,000, California has the most of any state, according to federal data.

Estrada Juarez did not take questions during the call Thurday with reporters, but Ivonne Rodriguez, press director for immigration reform at the advocacy group FWD.us, explained to The Times what happened.

Around 11 a.m. on Feb. 18, Estrada Juarez arrived with her daughter Damaris Bello, a 22-year-old U.S. citizen, at the John E. Moss Federal Building in Sacramento for an interview as part of the process to obtain legal permanent residency, or a green card.

At the courthouse, immigration agents took Estrada Juarez’s fingerprints and asked her to apply a fingerprint to a form saying she had agreed to be deported, Rodriguez said. She refused.

An officer told Estrada Juarez “If you don’t sign, I will make you sign.” The officer grabbed her hand and forced her to sign using her fingerprint, Rodriguez said.

Rodriguez said federal agents cited a deportation order from 1998 during Estrada Juarez’s detention last month at the courthouse. But being a DACA recipient should mean that such orders are not acted upon while the protected status is active, so long as the person stays out of criminal trouble.

“She kept stating she had active DACA throughout the entire time and they did not care,” Rodriguez said.

By 8 a.m. the next morning, Estrada Juarez had been dropped off by bus in Tijuana, Rodriguez said.

Estrada Juarez is among many immigrants arrested for deportation at courthouses since last year, a practice that breaks from longstanding former procedure.

During a Senate Judiciary Committee hearing Tuesday on oversight of Homeland Security, Durbin asked Noem about Estrada Juarez and the other deported DACA recipients.

“Madam secretary, why have you deported dozens of DACA holders who had to comply with a criminal background check to be eligible for DACA?” Durbin asked.

“Sir, we follow all laws as applicable to the Department of Homeland Security,” Noem replied before Durbin cut her off.

“Why did you deport them?” he repeated.

Noem said she wasn’t familiar with the details of Estrada Juarez’s case but would look into it.

On the call Thursday with Estrada Juarez, Sen. Padilla (D-Calif.) said he met her daughter this week. He and other Democrats called for Congress to pass legislation that would permanently protect DACA recipients from deportation.

“DACA recipients did everything right and followed all the instructions laid out in the program,” he said. “They took the United States government at its word, and they’ve kept their end of the deal. But now we know that Donald Trump and Kristi Noem are breaking the government’s promise.”

Estrada Juarez said justice in her case would mean being allowed to return to the U.S.

“I’m not asking for a special treatment,” she said. “I’m asking for what is right. My deportation was wrong, and my family should not have to be torn apart. I just want to change to go home and hold my daughter again.”

By my count, Philip Glass has written 28 operas, the same number as Verdi. The count is iffy because Glass pushes the boundaries between what we tend to call opera and the fuzzier idea of music theater. His first, “Einstein on the Beach” in 1976 — a collaboration between the composer and the late, innovative theater maker Robert Wilson — is a non-narrative effusion of imagery, movement, music and text, each a brilliantly independent entity that somehow excites a hard-to-pin-down purpose.

His latest (and probably his last, Glass turns 90 this year) is “Circus Days and Nights” — a touching and thrilling opera for a circus and staged at a circus in Mälmo, Sweden, in 2021 — caps a wondrous 45 years of operatic advancement. You would have to go back to Handel’s 42 operas, Mozart’s 22 or Verdi’s oeuvre for operatic equivalence.

Glass’ subject matter varies widely in epochs and ethoses, from ancient Egypt to Walt Disney’s Hollywood. Taken as a whole, these 28 operas reveal how we got to be who we are historically, artistically, spiritually, politically and fancifully, often including more than one of those categories, as in his third opera, “Akhnaten,” which Los Angeles Opera has now remounted at the Dorothy Chandler Pavilion. The instantly recognizable musical style has remained, over the years, consistently abstract and refreshing. It doesn’t tell you how to think, how to feel, even how to understand. It simply grabs your attention; you do the interpreting.

Still, America knows little of Glass’ operatic enormity. The early “portrait” operas — “Einstein,” “Satyagraha” (about Gandhi) and “Akhnaten” (the 14th century BC Egyptian pharaoh) — appear in repertory here and there (meaning mostly in Europe) as do a trio of operas based on Jean Cocteau films. The rest remain little mounted, while several but not all have been recorded. The Metropolitan Opera, for instance, commissioned “The Voyage” in 1992 to celebrate the 500th anniversary of Columbus’ arrival in the Americas, but the epic opera is nowhere to be found in our semisesquicentennial year. It is sadly no longer even thinkable that “Appomattox,” Glass’ revelatory reminder of an America that once honored goodwill negotiation over political self-interest, return to the Kennedy Center, where its final version had its premiere 11 years ago.

L.A. Opera has been better than most American companies in its attention to Glass. It has excellently presented the three portrait operas on its main stage, beginning with “Einstein” in the final and most brilliant revival of the original Wilson staging. The “Satyagraha” and “Akhnaten” revivals have been the designed-to-dazzle inventions of quirky director Phelim McDermott, a co-founder of Impossible, an eccentric British theater company. When new in the last decade, they felt the most arresting productions of these operas since Achim Freyer’s in Stuttgart, Germany, in the early 1980s. Almost every performance at the Dorothy Chandler Pavilion has sold out.

John Holiday as the titular ruler in Philip Glass’ “Akhnaten” at the Dorothy Chandler Pavilion.

(Ariana Drehsler / For The Times)

McDermott’s “Akhnaten” got the most attention thanks to breathtaking jugglers and lavish costumes, along with a touch of full-frontal novelty as Akhnaten gets clothed in his kitschy, glittery getup for his inauguration. Glass had chosen the pharaoh because he is thought to have been the first monotheistic ruler.

Akhnaten is revealed in episodes of his life that are not fleshed out but presented as ritual, including the ravishing love duet with his wife, Nefertiti. The revolutionary pharoah builds a great city and reduces spiritual chaos by focusing on a single-minded form of worship. He looks androgenous in portraits, which led Glass to create the role for countertenor.

The sung texts are in ancient languages, and there are no projected song titles. Instead, a narrator gives a somewhat notion of what’s what in the language of the audience, as is Akhnaten’s great aria, a hymn to Aten (god of the sun).

Ultimately, the pharaoh’s prescient spiritual optimism comes in conflict with the all-powerful establishment priests, who kill Akhnaten and Nefertiti. The opera ends with Akhnaten’s son, presumably Tutankhamun, restoring polytheism, and then, once the staging jumps millennia into the future, it’s rediscovered by modern-day tourists. The currency couldn’t be missed Saturday, the Shia cleric and Iran’s supreme leader Ali Khamenei having just been assassinated along with his wife at the start of America’s and Israel’s Iran war.

Sun-Ly Pierce as Nefertiti and John Holiday as Akhnaten in Philip Glass’ “Akhnaten” at the Dorothy Chandler Pavilion.

(Ariana Drehsler / For The Times)

In the opera, it so happens, the ghosts of Akhnaten, his wife and mother, have the last word in a glorious trio.

When first performed at L.A. Opera a decade ago, the lavish production, co-produced with English National Opera, helped recover a neglected opera. In the meantime, “Akhnaten” has gone practically mainstream. The Metropolitan Opera, which also mounted McDermott’s production, released it on CD and DVD, winning a Grammy for best opera recording.

Since then, the choreographer Lucinda Childs, veteran of “Einstein on the Beach,” has staged a stunningly chic “Akhnaten” in Nice, France, that is available on YouTube. Last year, director Barrie Kosky created a sensation with his staging at Komische Oper Berlin, which starred American countertenor John Holiday.

Holiday happens to be the Akhnaten in the L.A. Opera revival, and he is magnificent. McDermott had built his production around the gracefully emotive Anthony Roth Costanzo, slight and luminous in voice and build and game for nudity. If Costanzo’s disarming enthusiasm for the role has been significant in mainstreaming “Akhnaten,” Holiday, who is a very different presence, may be the next step.

Although he can be a popularly gregarious crossover performer, here he suggests a ruler of profound, unflappable dignity, rather than vulnerability. His hymn to Aten is an exercise in majesty, an ode not just to the sun but to the expanses in which our solar system circulates.

In general, the singers class up the production. Sun-Ly Pierce as Nefertiti and So Young Park as Queen Tye add allure. The large cast of smaller roles and chorus is excellent. Zachary James returns as both Amenhotep III, Akhnaten’s father, and the engaging narrator who occasionally threatens to get carried away. McDermott had perfectly employed James as the droll animatronic Disneyland Lincoln in his animation-friendly, slightly goofy production of “Perfect American” in Madrid, where the opera premiered. Here McDermott’s inspired staging demonstrated that Glass’ forgiving personal portrait of Walt Disney makes it the quintessential Hollywood opera that no one dares bring to squeamish Hollywood.

Zachary James as Amenhotep III in Philip Glass’ “Akhnaten” at the Dorothy Chandler Pavilion.

(Ariana Drehsler / For The Times)

Hollywood, however, is hardly squeamish when it comes to synchronized jugglers. For McDermott, they suggest somber ritual and were, in fact, known in Akhnaten’s Egypt. For the audience, they are a thrill a minute. For Glass, they may take on deeper meaning now that the circus is where he landed 26 operas later.

As for Finnish conductor Dalia Stasevska, making her L.A. opera debut, she keenly keeps score and bounding balls together with cinematic flair. Glass removed violins from the orchestra to achieve a dark, primordial orchestral sound along with pounding percussion. Stasevska finds light, color and action. She conducts for the moment. Picturesque wind instruments suddenly burst forth as if a flock of birds were flying over the pyramids. Solo brass can sound momentous. The percussion pounds like nobody’s business, opening the score up to all the implied emotion and glitter on an over-stuffed stage.

Childs’ exalted use of dance and Kosky’s dazzling theatrical imagination may have moved us into a sleeker, more sophisticated and paradisal Glassian realm, but the sheer passion McDermott and Stasevska bring continues its own attraction.

In the meantime, McDermott has worked with Glass on a theatrical show, “The Tao of Glass,” that has been seen in New York and will run throughout much of the summer in London. In a better world of Glass, it would be running alongside “Akhnaten” at the Ahmanson. But the Labèque sisters will be at Walt Disney Concert Hall at the end of the month with a two-piano program based on Glass’ operatic Cocteau trilogy. Also check out L.A. Opera’s several excellent podcasts on “Ahkhnaten” — the company has quietly become a leader in the medium.

On a dreary February afternoon in Chinatown, Ben Lovett, pianist and keyboardist of the British folk-rock group Mumford & Sons, was hours away from releasing his band’s sixth album, “Prizefighter.” The LP — co-produced by Aaron Dessner with guests Hozier, Gracie Abrams and Chris Stapleton — rejuvenates a catalog that includes a Grammy for album of the year in 2013. He could have been celebrating, or at least resting up for his upcoming “Saturday Night Live” gig and fall arena tour.

Instead, Lovett was calf-deep in sludgy rain water flooding the streets from a sudden downpour, standing at the roll-gate of a ripped-apart warehouse. “You’ll need this,” Lovett told a Times reporter as he handed out hardhats, walking his construction team through the still-raw hallways, shouting over a cacophony of circular saws.

In a few weeks, this site will be Pacific Electric, a new 750-capacity music venue that Lovett and his venue-developer firm TVG Hospitality have been converting for six years. It’s a small but ambitious entry into a Los Angeles venue landscape that’s recovering from fire and economic woes, yet has also seen several jolts of life recently.

Pacific Electric is a new flagship for the team at TVG, which has become an independent-scene force in the U.S. and U.K. over the last decade. Beyond his band, this project plants Lovett’s flag as an L.A. live music entrepreneur too.

“I’ve never had such a significant moment around a venue launch,” Lovett said in the soon-to-be dressing room at Pacific Electric. “It’s the seventh venue we’ve done, but it has never coincided with such an important creative moment with the band. I have to be very disciplined right now.”

Mumford & Sons led the 2010s folk revival that minted a generation of plaintive, earnest singer-songwriter acts atop the charts. While their genre peers’ fates have varied, Mumford & Sons remained perennial arena and festival headliners, with an ambitious midcareer streak in the studio. As pop culture’s tastes shifted, and his band moved around New York, L.A. and the U.K., Lovett returned to his show-producing roots in 2016 to build the 320-capacity nightclub Omeara in London.

Los Angeles, CA – February 19: Exterior view of the new music venue Pacific Electric, which is under construction in Chinatown and owned by Ben Lovett of the Grammy-winning folk band Mumford & Sons. (Allen J. Schaben / Los Angeles Times)

(Allen J. Schaben / Los Angeles Times)

“A lot of rooms in America are owned by the promoter, so unless you are working with that promoter, you can’t play that room. I don’t like that. I think there’s something fundamentally broken with that practice,” he said. “I wanted to prove out that idea, but I had to learn everything, like how you get a liquor license. It wasn’t perfect, but the intent was so pure.”

Two years and a couple U.K. venues later, TVG got an unexpected call from the city of Huntsville, Ala., to build the Orion Amphitheater, an 8,000-capacity anchor venue for the massive civic project Apollo Park. The futuristic Grecian agora, which opened in 2022, was beyond anything they’d built before — similar to Red Rocks in Colorado or Forest Hills Stadium in New York. Suddenly, Lovett and TVG were players in the U.S. too.

“When I’m off the road, I drop my kid at school and I go to work. I sit in an office from 9 a.m. to 6 p.m.,” Lovett said. “That’s not common, but there are people I really admire like Pharrell Williams who have a foot in entrepreneurship while also being a creator of songs. By doing a day’s work with TVG, sitting down at the piano can still feel like a hobby.”

Lovett, who lives in L.A., had long wanted something closer to home. The industrial northern pocket of Chinatown housing Pacific Electric is well-known to ravers and foodies — Insomniac’s Naud Street warehouse is close by, and the upscale cocktail bar Apotheke and pan-Asian restaurant Majordomo are around the corner. But besides festivals at Los Angeles State Historic Park, there hadn’t been much of a live music presence in the area (a plan to open an outpost of the NYC venue Baby’s All Right was thwarted by the pandemic).

Pacific Electric will be on the small side for a theater, a more intimate peer of downtown’s Regent or Bellwether. But Lovett’s plowed 20 years of notes from touring into the space — from the serene sandstone-hued dressing rooms with a piano and built-in laundry facilities, to a fully-separated horseshoe bar area to keep fan drink lines moving. There’s no bad sightline in the space, from either the ground floor or upper level balcony, which looks out over a stage wreathed in pink neon and wood cutouts evoking the industrial cityscape outside.

“Keeping the dirt under my fingernails with projects like this, and watching shows as often as I do, you realize how hard and how much creativity and magic there are around shows,” Lovett said. “It’s never a given to have an audience.”

To manage the venue, TVG brought on Stacey Levine, a veteran of the Palladium, Wiltern and Theatre at the Ace Hotel (now the United Theater on Broadway). While her management experience is in larger, historic venues, the chance to build something from scratch with an artist’s insight was enticing.

“People really want to get off their phones and back into independent venues, and this little pocket of downtown is about to pop off,” Levine said. “It’s very cool and close to different areas of L.A. But the venue is also really artist-focused. At 750 capacity, do you often have really nice dressing rooms? Probably not. But this is like welcoming artists into a nice hotel.”

Pacific Electric is independent in the sense that it’s not wholly exclusive for either promoter conglomerate (they plan to work with both Live Nation, AEG and others). Lovett, who cited the San Francisco concert impresario Bill Graham as a model for his company, said, “I love the opportunity to back an artist and be their advocate, and they should be able to work in any room they want to. I’ll die on that hill.”

The music won’t lean especially Mumford-ish. Its first show, with the synthwave group TimeCop1983, is slated for March 20, with a Robyn-themed club night, heavy rockers Militarie Gun and a big comedy slate from the Netflix Is a Joke festival up next.

L.A.’s nightlife — particularly in downtown — is still recovering from the pandemic-era culling of live venues and hospitality. After the malaise that’s ripped through L.A.’s entertainment economy of late, and a year of fires, ICE raids and other withering events in Los Angeles, Pacific Electric will have its work cut out to build its regular audience.

But new venues like South Pasadena’s Sid the Cat Auditorium and Re:Frame in Atwater Village have taken similar big swings in recent months. Lovett sounded hopeful that L.A. has plenty of room for more.

“I operated five venues in the pandemic, and conversations abounded like ‘Is this the death of live experiences?’” Lovett said. “My take was different, which was the one thing that we couldn’t figure out how to fix, was how to spend time together. Our greatest void was human interaction. We’re always going to trend towards congregation. If I didn’t believe that, I wouldn’t do this.”

Myles Garrett is in a hurry to become the greatest pass rusher in NFL history. The Cleveland Browns All-Pro defensive end set the single-season sack record in 2025 and has cracked the top 20 career leaders after only nine seasons.

“I’m going to take that down, and I prefer I take it down in the next five years,” Garrett told Casino Guru News last month.

Off the field, however, his urgency to get from point A to B is a problem. He’s accumulating speeding tickets at an alarming rate.

On Feb. 21, Garrett was handed his ninth speeding ticket since his NFL career began in 2017. He was cited for driving 94 mph in a 70-mph zone on Interstate 71 between Cleveland and Columbus, Ohio.

The citation from the Wayne County Sheriff’s Office says Garrett was driving his green 2024 Porsche at 1:35 a.m., returning home after attending a Miami of Ohio basketball game in Oxford.

Body cam footage shows the officer telling Garrett that she kept the charge under 100 mph so that a court appearance wouldn’t be mandatory. Garrett reportedly still holds a Texas driver’s license — he attended Texas A&M — and told the officer that he did not have an Ohio license.

Cleveland Browns’ Myles Garrett wears a jacket displaying his girlfriend Chloe Kim before the women’s snowboarding halfpipe finals at the 2026 Winter Olympics, in Livigno, Italy.

(Lindsey Wasson / AP)

The officer wrote that the famously affable Garrett was “kind and cooperative,” and that drugs and alcohol were not a factor.

Garrett’s need for speed flies in the face of his persona. He has written poetry since high school, peppers social media with inspirational sayings and donates time and money to several charities.

His girlfriend is two-time gold-medal-winning U.S. Olympic snowboarder Chloe Kim, for whom he wrote a poem he shared on social media: “You enrapture fools to kings, and exist without a peer, put on this Earth for many things, but our love is why you’re here.”

Verse hasn’t slowed his roll. On Aug. 9 he was cited for ticket No. 8, clocked at 100 mph in a 60-mph zone in a Cleveland suburb a day after the Browns returned home from a preseason game at Carolina.

Garrett’s seventh ticket followed a frightening crash in 2022. He flipped his gray 2021 Porsche 911 Turbo S off State Road in Sharon Township and he and a female passenger were injured. He was cited for failing to control his vehicle due to unsafe speeds on what had been a slick roadway.

A witness told a responding police officer that Garrett’s vehicle went airborne, took out a fire hydrant and rolled three times. Garrett sustained shoulder and biceps sprains and was sidelined for the Browns’ game that week against the Atlanta Falcons. His companion was not seriously injured.

Cleveland television station WKYC reported that in September 2021 Garrett was stopped twice in a 24-hour period — for driving 120 and 105 mph. The infractions occurred on Interstate 71 in Medina County, where the speed limit is 70 mph, and he paid fines of $267 and $287.

A year earlier, Garrett was cited for driving 100 mph in a 65-mph zone of Interstate 77 — again while driving a Porsche — and paid a $308 fine. He accumulated his first batch of speeding tickets in 2017 and 2018, and the police reports recite similar circumstances: Garrett driving well over the speed limit, cited without incident, paid a nominal fine.

The piddly fines certainly aren’t a deterrent. Garrett, 30, and the Browns agreed to a four-year contract extension in March 2025 that made him the highest-paid non-quarterback in NFL history at the time. The deal pays the seven-time All-Pro more than $40 million a season and includes more than $123 million in guaranteed money.

He set the NFL single-season sack record with 23.0 last season, surpassing the 22.5 accumulated by T.J. Watt and Michael Strahan. Garrett has 125.5 career sacks, averaging 14 a season, a pace that would enable him to break Bruce Smith’s career record of 200 in five years.

“That is definitely on my mind to go out there and get,” Garrett said. “That’s a goal I’ve had for years now since college.”

Garrett has declined to discuss his driving habits.

“I’d honestly prefer to talk about football and this team than anything I’m doing off the field other than the back-to-school event that I did the other day,” he told reporters after ticket No. 8 in August, referring to a charity appearance.

“I try to keep my personal life personal. And I’d rather focus on this team when I can.”

Paramount’s $111-billion deal to acquire Warner Bros. Discovery will put two of the most storied journalism brands — CNN and CBS News — under one roof.

The combination has been proposed before with the aim of consolidating news-gathering costs. Those plans fell apart largely over who would be in control.

But if the Paramount-WBD transaction is approved by regulators, CNN and CBS News will be forced into potentially rocky marriage where they will have to sort out leadership roles, personnel and editorial direction.

It’s still too early to determine what those moves will be and how widely they will be felt.

Last week CNN Chief Executive Mark Thompson told his troops to avoid “jumping to conclusions about the future.”

But what is certain is that every permutation will be scrutinized closely due to the fraught relationships both CNN and CBS News have with the Trump administration.

“There have been many conversations over the years about combining CBS News and CNN,” said Jon Klein, a digital media entrepreneur who previously held leadership roles at both organizations. “But this time, it’s different. The business case always made sense — but today you’ve got the overlay of the political agenda.”

Before Paramount prevailed in its bid for CNN’s parent, Paramount Chief Executive David Ellison’s father Larry Ellison reportedly discussed changes to the network with Trump. For years, Trump has made CNN the poster child of his “fake news” claims and impugned many of its journalists.

“What has David Ellison and Larry Ellison promised Donald Trump with regard to what they’re going to do with CNN?” said one former executive. “Before you even get through the hurdles of doing this, that’s the overriding question. Are they going to fire anchors Trump doesn’t like?”

There is also apprehension at CBS News, where David Ellison installed Bari Weiss as editor-in-chief in October, with a mandate to have network’s coverage appeal to the political center.

CBS News editor-in-chief Bari Weiss with Turning Point USA’s Erika Kirk at a town hall that aired Dec. 20.

(CBS Photo Archive / CBS via Getty Images)

Weiss — founder of the independent media company The Free Press — came into the role with no experience running a TV news organization, building her reputation as an opinion writer with contrarian views and a disdain for woke ideology.

The former New York Times opinion writer, who is staunchly pro-Israel, drew criticism over the weekend for putting a fire emoji over a comment criticizing New York City Mayor Zohran Mamdani’s condemnation of the U.S. military action in Iran — an unusual public reaction for the head of a major news organization.

Weiss wasted no time taking on the prestigious CBS news magazine “60 Minutes,” which has long been a stubbornly independent operation. She delayed a story on the harsh El Salvador prison used by the U.S. to house undocumented migrants saying it needed more reporting. The story’s correspondent Sharyn Alfonsi accused CBS News management of placating the White House, turning the decision into a public relations fiasco for the network.

Significant changes are coming to “60 Minutes” later this spring, with one or more of its correspondents possibly being replaced, according to people familiar with Weiss’ plans who were not authorized to comment. Weiss has also expressed interest in hiring right-leaning on-air talent for CBS News.

Weiss arrived after Paramount settled a Trump lawsuit with the dubious claim that a “60 Minutes” interview with then-Vice President Kamala Harris was deceptively edited to aid her 2024 presidential election campaign against him.

The willingness to settle the suit was largely seen as Paramount capitulating to Trump in order to get government approval of its merger with Skydance Media. The Ellisons’ tight relationship with Trump was also seen as an asset in their successful pursuit of Warner Bros. Discovery.

The stew of issues bubbling through the transactions is why most of the rank and file at CNN rooted for Netflix to prevail in its bidding for Warner Bros. Discovery. The Netflix bid for WBD did not include CNN or the company’s cable networks, which in the words of one insider would have made it “a stay of execution.”

Now CNN staffers, speaking on the condition of anonymity, are bracing for upheaval. When they look at CBS News navigating the changes under Weiss, they are reminded what they went through after Warner Bros. Discovery took over their network and tried to push the coverage to the center.

After a declaration by WBD Chief Executive David Zaslav that the network needed to be more accommodating to conservative voices — and the telecast of a rowdy Trump town hall — CNN experienced an exodus of viewers.

But the biggest fear that the merger brings is consolidation and the loss of jobs. CNN has 3,400 employees while CBS News is at around 1,000. Cost-cutting is expected to be aggressive across the combined Paramount-WBD, which will have a mountain of debt to service.

The parent companies of CBS and CNN have discussed merging or sharing news-gathering operations and on-air talent numerous times over several decades. In 2019, Viacom, the CBS News parent at the time, had a deal in place to pay CNN an annual license fee to provide international coverage.

Under that plan, CBS would have maintained a few of its signature overseas correspondents, while shuttering its bureaus around the world. But Viacom backed out of the deal.

CNN’s international coverage has long been its calling card and its likely the network will handle that reporting for CBS News once Paramount takes ownership.

Combining the news-gathering operation stateside will be trickier, as CBS News has employees and vendors that operate under contracts with the Writers Guild of America East, SAG-AFTRA and other unions. CNN is a non-union shop.

Resolving the union issue has been a snag in every previous discussion to combine CBS News and CNN over the years, according to several former executives at both outlets.

CNN news anchor Anderson Cooper in New York in 2016.

(Associated Press)

Another development worth watching is what role Anderson Cooper will play in the merged operation. Cooper signed a new deal with CNN last year, but turned down an offer to remain as a “60 Minutes” correspondent, a role he’s had since 2007.

CBS News has pursued Cooper several times over the years to be its evening news anchor. There was even a proposal in 2018 for him to helm “CBS Evening News” while keeping his nightly prime time program on CNN. That idea was shot down at CNN, where leadership believed he was unique to the network’s brand.

In a statement, Cooper cited a desire to spend more time with his two children as the reason for passing on another “60 Minutes” deal. However, associates have said his wariness over the direction of CBS News under Weiss made his decision easier.

Now Cooper is likely headed into the CNN-CBS News tent, which may make him feel a bit like Michael Corleone in “Godfather III” when he said “Just when I thought I was out, they pull me back in!”

Two months after the anniversary of the devastating Southern California firestorms, several legislators at the state Capitol unveiled a package of bills aimed at preventing wildfires and lessening their harms.

“California has reached a tipping point,” Assemblymember Steve Bennett (D-Ventura) said during a news conference Wednesday. “In the last nine years, we’ve had the eight largest fires in the history of California — we shouldn’t have this problem.”

Two of the most destructive wildfires ever in California erupted on the same day last January. The fires devastated Pacific Palisades and Altadena — destroying homes and businesses, displacing residents and killing 31 people. The Palisades and Eaton fires caused an estimated economic loss of $250 billion.

Among the dozen bills announced Wednesday were:

• Assembly Bill 1934, carried by Bennett, would require the state fire marshal’s Wildfire Mitigation Advisory Committee to develop a home hardening certification program. (Home hardening involves using ignition-resistant materials to make houses less vulnerable to embers or flames.)
• Senate Bill 1079, from Sen. Henry Stern (D-Los Angeles), would create a Fire Innovation Unit within the California Department of Forestry and Fire Protection. The unit would serve as a hub for wildfire technology research and deployment.
• Assembly Bill 1699, by Assemblymember Chris Rogers (D-Santa Rosa), would indefinitely extend the Prescribed Fire Liability Program and expand program eligibility.
• Assembly Bill 1891, by Assemblymember Damon Connolly (D-San Rafael), would create the Beneficial Fire Capacity Program to expand training and support for community-led beneficial fire programs, including those developed by universities, volunteer fire districts and California Native American tribes.
• Senate Bill 894, from Sen. Benjamin Allen (D-Santa Monica), would state the intent of the Legislature to create the California Wildfire Resilience Program, which would increase access to home hardening modifications.

Allen, who represents the Palisades, said neighborhoods are being turned upside down by wildfires.

“Modern fires are now spreading from wild lands into urban communities,” he said. “The reality that so many people in my district have been living through over this past year has been immensely challenging. Tens of thousands of families remain displaced from their homes.”

State Sen. Benjamin Allen (D-Santa Monica) hosts a discussion with local leaders and residents to mark 100 days since the start of the L.A. County wildfires at Will Rogers State Beach on April 17, 2025, in Los Angeles.

(Carlin Stiehl/Los Angeles Times)

Many fire survivors have expressed anger over government action that they believe enabled the disaster and hindered recovery efforts. When asked whether the Legislature had plans to dissect the response, Allen said he would support a robust investigation.

“I think the public is expecting that the state is really looking into this,” he said. “But I know there’s always 10 million different priorities around here — one of my jobs as somebody who represents these folks is to make sure it continues to be on the radar screen.”

Bennett said Californians had a right to expect oversight and transparency but should not “expect perfection” during emergencies.

“I think we are best in California if we develop a culture where everybody says, ‘You do the best you can,’” he said. “I think we would be better off.”

Survivors in Altadena and Pacific Palisades recently marked the anniversary of the disaster with solemn memorial services.

“This year has been the hardest year of our lives,” Joy Chen, executive director of the Eaton Fire Survivors Network, said during a service in Altadena. “Unimaginable grief. The 31 people who died that day, and the hundreds who have died prematurely since. Homes lost. Jobs lost. Incomes lost. A sense of safety and identity stripped away.”

As the Chicago Bears were rocketing toward an NFC North title and playoff run, quarterback Caleb Williams made a comment on social media about his Pro Bowl center Drew Dalman that has proven prophetic.

“He’s the brains behind all of it.”

Dalman informed the Bears on Tuesday that he will retire. Now. At age 27. After only five NFL seasons. After playing every snap in 2025, the first year of a three-year, $42 million contract.

Initial reaction around the league was that the decision was bonkers. Upon further review, however, it might be the most rational, reasoned move made this offseason.

Not long ago, most NFL players — linemen, certainly — couldn’t up and quit at the peak of their earning potential because their earnings weren’t enough to ensure a lifetime of financial stability.

Instead, they did what football players do — button their chin strap and play as long as their name remained on a roster. The risk of serious injury — including concussions — was simply the price of staying in the business.

Chronic traumatic encephalopathy? Early-onset dementia? Afterthoughts.

Today, it doesn’t take a mechanical engineering major to recognize that the equation has changed. Dalman, who happened to study mechanical engineering at Stanford, has yet to articulate why he is retiring.

But it is safe to presume that considerations included the roughly $24 million he banked in four years with the Atlanta Falcons and one with the Bears as well as the well-chronicled list of former players whose brains or other body parts no longer function properly because of the violent nature of the sport.

One of those players was Chris Dalman, an offensive lineman for the San Francisco 49ers from 1993-1999. He retired at 29 after suffering a neck injury during training camp in 2000 that left him temporarily paralyzed.

Chris is Drew’s father. He also graduated from Stanford and now is president of the private school in Salinas, Calif., that he and his son attended. This is what Chris told reporters when he retired in 2000:

“When I first got hurt and I couldn’t move, laying on the field for about 30 seconds, I knew it was probably over,” he said. “Still, it’s strange to think that this part of your life is over.”

Abruptly ending a career prematurely can’t be easy. It likely was as difficult for Drew Dalman as it was for his father. Yet the mountain of information regarding the link between repeated helmet-to-helmet hitting and CTE is irrefutable.

A 2023 Boston University study found that 345 of 376 (91.7%) post-mortem brains of former NFL players contained CTE, a progressive neurodegenerative disease caused by repeated head trauma. This condition is linked to dementia, cognitive decline and increased suicide risk among former players.

It remains to be seen whether more players will retire while at the top of their game. Already, several have done so, most prominently linebacker Luke Kuechly at 28 and quarterback Andrew Luck at 29.

Losing Dalman shocked the Bears, but they should be OK. The $10 million in salary cap space freed by his retirement can be spent on one of the several available free-agent centers.

That means Williams — the former USC Heisman Trophy winner and blossoming NFL quarterback — must adjust to a new center a year after he was thrilled that the Bears signed Dalman.

Williams’ words in December about Dalman’s exceptional brain, however, were followed by something less prophetic. While showering the Bears center with praise, Williams said, “And he’s the right guy for the job for my future and our future here.”

Dalman apparently prioritized his own future health instead.

The torta Chingona at Tacos Don Pillo is a beast of a sandwich, a tower of asada steak, jamon asado, tomato, onion, jalapeno, avocado and big slabs of salty, squeaky queso fresco. It’s enough to share, or satiate in a way that requires a nap shortly after. It is the star of the Tacos Don Pillo menu, an expansive list of tacos, quesadillas, burritos, salads, nachos and mulitas. Some days require the heft of the torta Chingona, others lean toward the tacos camarones. The trio of corn tortillas barely contain the plump, grilled shrimp, sweet and smoky grilled onions and slivers of avocado. Expect a perpetual line anywhere near an established meal time, but things move quickly.

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Gayle King, the most high-profile star at CBS News, has signed a new deal with the network.

A CBS News representative said Wednesday the division reached an agreement with King, 71, to continue as co-host of “CBS Mornings” co-host but did not reveal the length or the terms. Her current deal was set to end in May.

King’s future at the program came into question last fall after the arrival of CBS News Editor-in-chief Bari Weiss. There were leaks to the trades and tabloid press that parent company Paramount was looking to trim King’s salary or reduce her role at the network as a means to cut costs.

“Rumors of my demise were inaccurate and greatly exaggerated,” King said in a statement. “CBS News is my longtime home, and I am committed to our mission. I’m excited about continuing at CBS Mornings. As always, I’m open to new adventures here and ready to go. It took a minute, but we got there. And now that we are here, I am all in.”

King is the highest paid on-air talent at CBS News, earning an annual eight-figure salary.

Known for her effusive charm, King apparently won Weiss over.

“There is only one Gayle King,” Weiss said in a statement. “We’re so proud that she’ll continue to call CBS home. We’re thrilled to have her on in the morning—and equally excited to work with her on new, enterprising projects that bring her talents to new audiences.”

While King is locked in for at least another year, there is a search underway for at least one new co-host on the program.

King’s current co-host is Nate Burleson, who is also an analyst for CBS Sports. The network has not permanently replaced Tony Dokoupil, who left “CBS Mornings” in January to take over as anchor of the “CBS Evening News.”

King joined CBS News in 2012, when she joined “CBS This Morning.” As co-hosts alongside Charlie Rose and Norah O’Donnell, the program experienced five consecutive years of ratings growth.

“CBS This Morning” was adrift after Rose — a major audience draw — was ousted over sexual harassment allegations. In 2021, it was renamed “CBS Mornings,” with King taking a more prominent role.

“CBS Mornings” ranks third in ratings behind NBC’s “Today” and ABC’s “Good Morning America,” but remains a significant revenue generator for CBS News.