White

Should I stay or should I go?

It’s at once a practical and existential question that plagues the two lead chefs in FX’s “The Bear.” He was the emotionally tortured and volatile chef who left behind a rising career in Michelin-starred restaurants to return to Chicago, his hometown, to run his recently deceased brother’s floundering sandwich joint. She was a Culinary Institute of America-trained chef with potential and a steady demeanor seeking mentorship and an opportunity to work with a prodigy. Together, Carmen “Carmy” Berzatto and Sydney “Syd” Adamu — played by Jeremy Allen White and Ayo Edebiri, respectively — transformed the Original Beef of Chicagoland from a hole-in-the-wall into the titular fine-dining establishment.

But now their partnership in the kitchen has come to an end.

Created by Christopher Storer, “The Bear’s” fifth and final season picks up the morning after Syd, Richie (Ebon Moss-Bachrach) and Nat (Abby Elliott) learn Carmy is quitting the food industry and leaving the restaurant in their hands at a make-or-break moment. And the pressure mounts for Syd to decide if she’ll jump ship to pursue another opportunity. The eight-episode season, now streaming in full on Hulu, largely stretches across one day as the restaurant’s debts accumulate, suppliers cut them off and an unrelenting storm floods the kitchen and threatens to upend a night of service the chefs desperately need to have one last shot at survival and one last performance as a team to deliver an improbable turnaround.

In some ways, it’s a journey that mirrors the actors’ own trajectories. Before “The Bear” became a runaway hit, White was best known for his role on Showtime’s long-running dark comedy “Shameless,” while Edebiri primarily worked as a stand-up comedian and writer. Just as their characters have evolved and gained electric momentum in their careers, so have the actors. Both garnered Emmy Awards for their performances on “The Bear,” and they have added a multitude of film and TV credits to their résumés since. Edebiri is currently starring opposite Don Cheadle in the revival of “Proof,” her Broadway debut, while White will be starring this fall as an investigative reporter in Aaron Sorkin’s “The Social Reckoning,” a companion piece to “The Social Network” that chronicles Facebook’s whistleblower scandal.

Over separate video calls from New York, Edebiri and White reflected on “The Bear’s” conclusion and what it means to leave the characters that supercharged their careers behind. Here are edited excerpts from the conversations.

Ayo Edebiri as Sydney Adamu and Jeremy Allen White as Carmen “Carmy” Berzatto in a scene from Season 5 of “The Bear.”

(FX)

After living inside these characters’ skins for so many years, what’s it like to be done playing them?

Edebiri: They keep saying that we’re done, so I guess that really is the thing of it. Obviously I know that it’s over, but even when we were finishing our first seasons, it didn’t matter how much critical acclaim we got because we’re on a show that’s a part of a network that has a deal with the streaming service — there’s all these things that are continually in flux or that you know that you have no control over. As an actor, you’re used to this state of limbo or not totally knowing or being prepared for an ending, so I think I’m not overwhelmed by it, if that makes sense.

White: I don’t know yet. We were very lucky to understand for a long time when the show was going to end and, to a degree, how the show was going to end. It was difficult to see the direction it went — I have strong feelings about Carmy and where he ends up and how his story might continue on. So much of this season, for Carmy, is about a surrender or acceptance of his place in the world and his place in the kitchen, and it’s the first time he’s really been able to get very honest with himself since we’ve met him. And, in doing so, he chooses to leave, and that was hard for me, for Jeremy. Maybe there’s a world in which he tries this and he comes back. I think I had a different understanding for a while of Carmy’s future. I want him to be happy and healed, but it felt like … I don’t know — imagining him outside of a kitchen was hard for me.

I want to unpack that a little bit more. He wants to be happy. But it was interesting to see him wrestle with how his work hinders that — is it the crutch or the salvation? Did you find yourself having an existential moment as Jeremy taking in what Carmy was wrestling with, or have you reckoned with it before?

White: He threw himself into this work, into this world, pretty young in life. And he was really good at it. But a big part of him burying himself has so much to do with his brother, with his family. I was finishing something too. And, yes, of course, I was thinking of goodbyes, and I was thinking of moving on, and new pursuits and all of these things. I was checking in with myself and what it might feel like to just make such a hard turn in life. I thought a lot about what you get back from your work, but I think ultimately, what Carmy and I don’t share is he was causing so much chaos in his work life; it wasn’t just himself that he was punishing at times. It came down to this surrender to an easier way, a softer way, which was to turn it over to Syd, to turn it over to Richie, to turn it over to Tina in the kitchen — that part, I had an easier time understanding.

“The most beautiful thing about their relationship is their true unconditional belief in one another,” says Allen about Sydney and Carmy in “The Bear.”

(David Urbanke / For The Times)

Syd was facing a crossroads: a shiny new job that could take her to the next level or sticking with this seemingly sinking ship that has taken her to the next level, but where she’s felt unappreciated or stifled at times. Ayo, what did you think of the choice she made?

Edebiri: We’re really fortunate to have such amazing writers who thought about her and her journey. [There’s] an awareness of Sydney’s womanhood and Blackness and youth, but I think [they treated] her with the full dignity of just being a human being and getting able to be a complex character in this show and giving her the dignity of being just as flawed as the other characters. [The choice she made] just made sense to me. It made sense in the architecture of the show. It was gratifying to get to build to that with everybody.

The bulk of this final season has the team dealing with this massive storm that’s created a slew of setbacks at a make–or–break moment for the restaurant. It leads to one final symphony in the kitchen together.

White: Those days were beautiful. So much of our show is shot so quickly, but then we really get to slow down with these choreographed pieces of kitchen ballet, and that’s also when we feel really strong as a group of performers, where we’re incredibly reliant on one another, not just for the emotional beats of a scene, but in this very technical aspect as well. I remember going back to Season 1 and filming Episode 7, “The Review,” which was the single-take episode, and just how much camaraderie came from that, and how much respect came from that for everyone — that feeling of real success that we could do this. It’s a really nice thing that happens sometimes on sets, where there is such a nice mirror of what’s going on with the characters and what’s going on with the cast. In this last push, and this team effort, we want these things as the characters, and we want these things as the cast. We want these people to have what they want, what they deserve, so it was really exciting shooting that last episode or two where all those things are coming into place.

Edebiri: That’s Chris’ thing — it’s like a classical piece of music or something; there’s different movements. His own challenge that he puts on himself, and that, in turn, puts on us, is that we’re still in the same piece of music, but everything just has a different feeling. He’d been talking about it since, low-key, Season 3, but definitely started talking about it a little bit more concertedly when we were filming [Season] 4. It was really starting to take shape in his brain. This challenge of having it be in this one day, and how each episode can feel different, was really exciting to him, so in turn, it became exciting to us.

Were you hoping for more runway to chart what the characters were facing?

Edebiri: No, I think it was cool. I was just like, “Yeah, let’s see what it is.” That’s kind of what everything has been with this show. Part of her emotional journey for the last season, what was on a slower track, in a way, there was something also really fun in having the pressure cooker of one day, and everything getting to ramp up and be quite immediate, which I think has been reminiscent of Seasons 1 and 2 in a fun way.

Tina (Liza Colón-Zayas), left, Sydney (Ayo Edebiri), Richie (Ebon Moss-Bachrach) and Carmy (Jeremy Allen White) in “The Bear.” The restaurant faces multiple setbacks, including a storm that causes damage and dwindling supplies.

(FX)

Carmy and Sydney’s dynamic has been so fundamental to the series. These are two people who see something in each other that the other doesn’t. What do you admire about their relationship as friends and as co–workers?

White: The most beautiful thing about their relationship is their true unconditional belief in one another. They see the beautiful things in one another that the other one is not able to witness in themselves. Even though trust has been tested and trust has been broken at times, there is such a loyalty to the best in themselves. They know that they can rely on one another. In a lot of ways, they saved each other. That piece in the opening episode of Season 3, where Carmy gets the call about Mikey and serves the scallop to Syd without ever having met her — there is this invisible tether that was not witnessed by either of them, but it inspired Syd, and whether Carmy knew it or not, this thing was loved and enjoyed by someone that was birthed from this very traumatic moment. There’s just this beautiful, invisible tether that has always existed and will always exist between the two of them.

Edebiri: What I admire about it is the fact that they are able to bring out — through a lot of miscommunication and hard work, but ultimately, I think, with good intentions — the best in each other. They want to see each other be the best versions of themselves.

How is that reflected in your dynamic? Jeremy, who is Ayo as a scene partner and what has she brought out in you as a performer, and vice versa?

White: I was really so lucky to kind of witness Ayo in real time — everybody else had to wait some months to see her on the show. I remember genuinely being struck by her presence, her groundedness. It felt like, if this makes sense, wrong because she was doing it so well. She’s incredibly smart, she’s a wonderful writer, and she’s very skilled improvisationally, and so, in acting with her, there’s something that always makes you feel very in the moment. You can never like relax, in the best way. It’s like you always have to surrender yourself to each moment.

Edebiri: When we first started, I was coming from the comedy world, and he was coming from a much more dramatic world. Our approaches were so different. He has such amazing presence of being and a quiet focus and has such care for the work. He’s a really great leader. There are ideas in society of men in power, and what power held by men has to look like and feel like, and he’s very gentle — especially in the show, which can live so much in the space of chaos and anxiety, having a gentle spirit really helps with filming. He’s so good at making that very clear and helping teach me that as well … I’ve definitely learned from him, without realizing it, ways to protect yourself and protect your peace, and protect also the peace of your co-workers — you get the work done, you be serious about it, but it doesn’t have to be torture.

Edebiri on working with White: “When we first started, I was coming from the comedy world, and he was coming from a much more dramatic world. Our approaches were so different. He has such amazing presence of being and a quiet focus and has such care for the work.” (David Urbanke / For The Times)

What was it like to see them get this thing they’ve been after — not one, but two Michelin stars?

White: Reading that moment —there’s been so much pain and heartache … for years and years and years, and I was just so relieved to see this joyous moment on the page. It felt so, so close to the surface of me already. And we — Jeremy and Ayo — have shared so many insane, joyous moments in our lives since the show. So it felt familiar in the best way. I’m so glad for that moment for both of them — for Carmy and Syd.

Edebiri: We’re shooting it so fast. You always wish you just had more time, and that was one of the last scenes — I think it was the last thing that he and I shot. There’s obviously a bit of a preciousness and emotionality that you’re feeling in that moment, while also tapping into what’s happening to the characters. It’s this thing that, in the brain of myself, we’ve been building to this over five seasons. There’s obviously a somewhat meta reflection of what we’ve gone through — this is just such a crazy journey. But I think at the end of it, especially because of what we know is going to change in their relationship, that in their working proximity, that they are not going to be close, but they know that they were able to do this thing and build this thing together, I think [is] what felt very special, and felt very cool. I hope it’s something that people who have loved the show also feel.

Fans have intense feelings about their relationship, as I’m sure you know. Has it surprised you how strongly people feel about their dynamic?

White: I know that exists. I don’t have too much knowledge on how that all works. It’s funny, I’m very aware of it now because it’s become part of a conversation around the show, but it was nonexistent in our approach to the work. It wasn’t even a thought for either of us. It didn’t occur to us. But I understand it. There is an intimacy, of course, with these two characters. And there is this trust. They lean on each other and they admire each other so much. I’m not like — nobody’s crazy to feel that. There is love there, it’s just not a romantic partnership.

Edebiri: It surprised me the first two [seasons] because I don’t think that that’s what we were doing. Anytime that you say otherwise, I’ve learned [not to]. It’s been hard when doing press, it feels like we get asked specific questions to try to give a specific answer, but the point of art is we make it and we give it. If people are having a response, that’s great, and if I don’t agree with you, I don’t think I’m shutting it down or anything. We made something, then you’re picking something up — that’s the exchange.

White says he knows fans have intense feelings about the relationship between Carmy and Syd. “It’s funny, I’m very aware of it now because it’s become part of a conversation around the show, but it was nonexistent in our approach to the work. It wasn’t even a thought for either of us.” (David Urbanke / For The Times)

Carmy has a few heartfelt conversations this season, but one that really stands out is the one with his mom, played by Jamie Lee Curtis, while revisiting the family home he’s stayed away from for years. He cooks for her. She’s remorseful. Jeremy, what did you think of that moment for Carmy?

White: There’s resistance in it. People like Carmy, you can give them the answer, you can give them the sorry, you can give them the opportunity, and a lot of the times they don’t know what to do with it, or they push it away, or they push it down. What that scene was about, for Carm, was becoming available to even listen. That was the conflict of the scene and the moment. But he was able to eventually get to that acceptance to release some of the resentment, to release some of the anger. Then he is able to show up for her, which was what has been absent. He was able to take it and give her something. It’s been years, if ever, that he’s really been able to do that, to get out of his own way, and be of service in that way to his mother.

Ayo, it was really touching to see Syd naming Tina her chef de cuisine. How did you feel about what that sets up for where Syd and the Bear might be headed with these women as partners in the kitchen?

Edebiri: I loved it. I love getting to work with Liza [Colón-Zayas]. I’ve been so privileged to also be able to direct her — she’s just phenomenal. I think about these two characters, where they started Day 1; Tina was pretending not even to speak English just to stay away from the girl. It was rough from the get-go, but I think both for Liza and I, as two women of color as well, we felt so invested in their relationship and the community they built with each other. There’s something very moving about that to me. Part of the thing for Sydney, she doesn’t know — I think Carmy can see it — that one of her strengths is that they’re different types of leaders. Part of what I think makes Sydney a great leader is that she’s able to delegate and actually remove herself when she knows that she might not be the best in a situation, it might be somebody else.

I haven’t actually seen it. I can’t watch the episodes, but I know when we were filming it, it was both very sweet and very funny. I don’t know if they kept any of the improv from Liza.

You can’t watch because you’re emotional about it or because you just don’t have access?

Edebiri: No, I don’t want to. We were doing all this press and everybody was, “You were so emotional; you wanted to cry, right?” And I’m like, “No, I just don’t want to watch.” I’ll watch it later. The only season that I watched before [it aired], frankly, was 3 and 4 because I had episodes that I made in it. I love the show and I know the show is good. I don’t enjoy watching myself.

I do love that Syd’s ethos in the kitchen is borrowed from “Ratatouille.”

Edebiri: Yes, f—ing rat. It tracks for Sydney.

“I love getting to work with Liza [Colón-Zayas],” says Edebiri about her co-star, whose character is named chef de cuisine. “I’ve been so privileged to also be able to direct her — she’s just phenomenal.”

(FX)

Jeremy, what was your reaction when you read Carmy is in a suit interviewing for an internship at an architectural firm? And what he expresses there?

White: I understand and I’m proud of the courage that it takes [to do a life pivot], but also I tried to play that scene in a way where I didn’t want it to be entirely clear [what happens next]. I wanted the question to be like, “Is this guy still so f— up in the head that he’s trapped regardless of his place in this world, or place of work? Is it a romance that he’s saying goodbye to? Is it a love that he still has, and he’s not quite over yet?” Then I was like, “Do we snap out of that scene and we’re back on the clock?” What is this? I think the goal of the scene is it shouldn’t be all too clear and wrapped up.

What do you think?

White: I could see there’s obviously so much love. There’s love for the people he works with, and there’s love for the paces he’s gone through, but I didn’t know. … I didn’t know if it was a goodbye or an admittance. I think I was trying to find something between him coming clean and being like, you know what, I don’t belong anywhere else or I’m so in love with this thing, but it’s not good for me, and I think it exists somewhere in between that.

Ayo, what was your reaction to Carmy interviewing at the firm?

Edebiri: I was like, “Yeah, that makes sense. This boy’s a noodle.” He’s a fool, he’s ridiculous. It makes sense.

Where do you think he goes from here? Have you thought about it? Do you think he will ever find his way back to the kitchen?

White: I haven’t thought about it too much. I do think there’s something really honest about that direction that Carmy was moving into, but I would hope there’ll always be room for him somewhere in a kitchen.

Edebiri: Syd is like, “You can’t do anything else, brother. Like, what’s the plan?” I don’t know if he takes a break, if he comes back to help her, if he does his own thing.

What do you think happens to the Bear?

Edebiri: I think they do well. It’s not just her; it’s her and Sugar and Richie and Marcus and Tina. She got in it for Carmy, but I think she ended up finding her own voice. I think they keep going, at least for a few more years. I really do.

White: I have to believe that all the pain and suffering and trauma — not only that Carmy has gone through, but that everybody has gone through — is for some greater good. That there is a payoff. My hope is that it would be successful. They’ll have the endurance and the motivation to make it.

The Pentagon and the U.S. Air Force have fully abandoned an attempt to axe the acquisition of E-7 Wedgetail airborne early warning and control aircraft, and to use E-2D Hawkeyes to help fill the resulting gap. In something of a twist, the Pentagon has proposed cutting U.S. Navy E-2D purchases, as well as raiding a classified Air Force account, to keep the E-7 program going. The House Appropriations Committee has now pushed back on the E-2D part of that plan. The back-and-forth underscores the critical importance of airborne early warning and control aircraft and the strain on existing U.S. fleets.

Defense News drew specific attention to the new jostling over funding for the E-7 in a report earlier today. Breaking Defense had been among the first to report the basic points yesterday. The House Appropriations Committee had released the details in a report accompanying a draft defense spending bill for the 2027 Fiscal Year, which we will come back to in a moment.

To recap quickly, roughly a year ago, the Pentagon and the Air Force disclosed their intention to axe the E-7 program, which had suffered delays and cost overruns, and acquire additional E-2Ds as an interim gap-filler. Questions about the future survivability of the Wedgetail were also raised. The Air Force’s long-term goal was then and still is now to eventually push most air moving-target indicator (AMTI) tasks into space, though that is still years away from truly becoming a reality. Congress subsequently intervened to save the Wedgetail, appropriating billions for the effort in Fiscal Year 2026. The E-7 was again missing from the Air Force’s proposed 2027 Fiscal Year budget, which raised the prospect of a new battle with Congress.

Top Pentagon and Air Force officials subsequently said that the viewpoint on the Wedgetail had fundamentally changed, and submitted an amendment to the budget request to include funding for the program. Per a memo earlier this month from Russell Vought, Director of the Office of Management and Budget (OMB) at the White House, this was done in two ways. $898,549,000 was taken from “Other Procurement, Air Force” section of that service’s budget proposal, while another $650,549,000 came out of “Aircraft Procurement, Navy.”

The combined $1,549,098,000 was moved into the “Research, Development, Test and Evaluation, Air Force” account. According to Vought’s memo, the funding would go toward “priority requirement to deliver two E-7 Wedgetail prototype aircraft and continue Engineering Manufacturing and Development activities for a program of record.”

The Air Force already has seven E-7s on order now, including the two jets to support rapid prototyping efforts. It is unclear when the service expects to begin flying Wedgetails operationally. Before the attempt to cancel the program, the target date for initial operational capability had already slipped from 2027 to 2032. It should be noted here that variants of the E-7 are already in service in Australia, South Korea, and Turkey, and that the United Kingdom is set to field a fleet of Wedgetails, too.

The report the House Appropriations Committee released yesterday included important additional context about the latest funding plans.

“While the President’s budget request for fiscal year 2027 did not include funding for the E–7 Wedgetail program, the Secretary of the Air Force and Secretary of Defense testified before the House Defense Appropriations Subcommittee that they support this critical platform and have submitted a budget amendment to the Office of Management and Budget to restore funding for the platform,” it explained. “The shift in mindset at the Department of Defense translated to requested transfers from the Special Update Program in Other Procurement, Air Force, and the E–2D program in Aircraft Procurement, Navy for a total investment of $1,549,098,000 for E–7 in Research, Development, Test and Evaluation, Air Force in fiscal year 2027.”

“While the Committee wholly supports the E–7 program and funding realignment, the Committee also restored the E–2D program to six aircraft for fiscal year 2027,” the report added. “The Committee understands the operational necessity of the E–2D platform; the complementary nature of the E–2D and E–7; and believes that more aircraft, not fewer, are necessary to support our warfighters now and in the future.”

It is not immediately clear whether the draft spending plan that the House Appropriations Committee has now put forward still includes the full $1,549,098,000 for the E-7 program, as well as the restoration of funding for the E-2D purchases. The memo from OMB had stressed that its intent in shifting funding around was not to add to the roughly $1.5 trillion topline for its proposed 2027 Fiscal Year defense budget. Congress can, of course, appropriate additional funds as it sees fit, and often does.

Regardless, this new debate over how and where to find funding for the E-7 highlights larger issues surrounding airborne early warning capacity within the U.S. Air Force and the U.S. Navy.

“The conflict in Iran has reinforced the need for the Air Force to maintain a credible airborne battle management capability, currently being met with the Air Force’s E–3 Airborne Warning and Control System and the Navy’s E–2D Hawkeye programs,” the House Appropriations Committee’s report also notes. “As the E–3 is set to retire, the E–7 Wedgetail will serve as [a] modern replacement for lost battle management capability, commensurate and interoperable with assets already being utilized by key allies.”

This is all true, as TWZ has previously stressed in detail, long before the latest conflict with Iran erupted in February. Airborne early warning and control is absolutely vital to the prosecution of modern air operations, and even more so now in an age of exploding drone and cruise missile threats. The substantial deployment of E-3s to Saudi Arabia was one of the clearest indicators that a major campaign against Iran was increasingly imminent. The same had been true about the lead-up to the operation to capture ex-Venezuelan dictator Nicolas Maduro.

Not mentioned in the report, however, is the Air Force’s slashing of the E-3 fleet in recent years, the service’s repeated deferral of any plans to acquire a replacement for those aircraft, and the loss of Sentry on the ground in an Iranian attack in March. The strain on the Air Force’s E-3s has been readily apparent for years now.

The House Appropriations Committee report also leaves out any broader context about the planned E-2D purchases for Fiscal Year 2027. When it released its proposed budget for Fiscal Year 2025 back in 2024, the Navy had no plans to order more Hawkeyes, at least over the next five years. In its 2026 Fiscal Year budget request, the service asked for funding for four E-2Ds, presumably as part of the plan to cancel the E-7. Congress subsequently appropriated funding for three Hawkeyes in that fiscal cycle.

When it rolled out its latest budget request earlier this year, the Navy outlined all-new plans to buy 12 E-2Ds – six in Fiscal Year 2027, two in Fiscal Year 2028, and four in Fiscal Year 2029 – explicitly “to replenish accelerated service life burn down of existing force structure due to Overland Airborne Early Warning (AEW) tasking.” This underscores operational strain on the Hawkeye fleet, which can only have been further added to by operations in relation to Iran over the past few months. This also points to E-2Ds supplementing E-3s in providing overland coverage.

Just yesterday, the White House sent Congress a separate supplemental funding request for nearly $90 billion, primarily to help cover various costs associated with the war against Iran.

How exactly the E-7 program gets funded in Fiscal Year 2027, as well as what happens to the plans to order more E-2Ds, remains to be seen. The House Appropriations Committee’s draft defense spending plan could still evolve in various ways in the coming weeks and months, and will need to be reconciled with companion legislation making its way through the Senate. Once Congress passes the bill, President Donald Trump will still need to sign off on it, too.

It’s also worth noting that other potential options for providing additional airborne early warning and control capacity in the interim are emerging.

What is clear is that both the E-3 Sentry and E-2D Hawkeye fleets remain as critical as ever, but have been even more stressed by recent operations against Iran, with new E-7s still years away from entering service.

Contact the author: joe@twz.com

June 22 (UPI) — Federal authorities have arrested two additional suspects allegedly involved in last week’s foiled attack targeting the Ultimate Fighting Championship bout at the White House, prosecutors said Monday.

Both suspects made their initial court appearances Monday, the Justice Department said in a release. Jordan Rincker, 28, of St. Joseph, Mo. appeared in a Kansas City court, and William Lee Spartacus Falkner appeared before a judge in Tacoma, Wash.

They each have been charged by criminal complaint with one count of conspiracy to commit murder.

Prosecutors said Falkner was arrested midday Friday, while Rincker was arrested Sunday.

A total of seven people have now been arrested and charged in a sprawling scheme that federal authorities have said involved 23 people conspiring to attack the White House’s Freedom 250 event on June 14, staged in celebration of the United States’ 250th anniversary and the birthday of President Donald Trump.

According to federal prosecutors, the alleged conspiracy planned to attack the north side of the event with explosive-carrying drones, which would force an evacuation to the south side of the event, where snipers would be deployed to open fire on the fleeing crowd, court documents state.

Authorities learned of the alleged attack from the parents of Tycen Proper, who alerted police to their son’s purchase of weapons and online activities. Proper, 19, was among the initial batch of five suspects arrested and charged last week.

The court documents state the group’s alleged grievances appear to be purported government corruption and involvement of U.S. lawyers with Israel.

FBI agents reviewing Proper’s communications were able to identify several alleged co-conspirators, including Falkner.

Prosectuors alleged that Falkner indicated in those communications that he had experience manufacturing and piloting drones and discussed loading them with explosives.

Online communications reproduced in the criminal complaint against Falkner allegedly show discussions on logistics of the attack, including potential flight costs, 3D printing and shipping of the drones.

“I can fly 40+ drones at the same time at the same target,” Falkner is alleged to have said.

Federal prosecutors alleged that just two days before the alleged attack, Rincker met Abraham Alvarez, 31, who was arrested and charged last week along with Proper, in person and accepted $1,200 from him. Rincker then allegedly sent a $100 CashApp payment from the money he received to another previously arrested and charged suspect, Bryan Roa, 24, to pay for his drive from California to Washington, D.C.

Authorities identified Rincker as an alleged member of the conspiracy through information they received from Alvarez following his arrest, according to court documents. Authorities also learned that Rincker allegedly gave a 12-gauge shotgun to Alvarez during an in-person meeting they had in Omaha.

The FBI executed search warrants for Rincker’s residence and storage unit, uncovering a trove of weapons and related paraphernalia, such as a gas mask with cartridge, night vision goggles, ballistic plates, a 3D printer and more.

No attack occurred at the UFC event, at which Trump and other members of his Cabinet were in attendance.

Asked about the thwarted attack a day after the event, Trump told reporters that he had heard about it.

“The attack that I watched were the fighters,” he said, to laughs.

“They were as good a fights as I’ve ever seen. The best.”

Ronda Rousey and Jake Paul have taunted the UFC and Dana White for failing to break Most Valuable Promotions’ MMA record audience figure with the White House event last week.

US broadcaster Paramount said UFC 250 Freedom on Sunday reached 7m people in the US on Paramount+.

Netflix said Rousey’s 15-second demolition of Gina Carano in May had a US average audience of 9.3m and a US “peak audience” of 11.6m.

Paul, who co-founded MVP with Nakisa Bidarian, wrote on X: “As a boxing promoter it feels good waking up today being the biggest MMA promoter.”

Paul has a history of taunting UFC president White, and the MVP-promoted Rousey v Carano event was positioned as a “takeover” of MMA by boxer Paul.

Rousey, who chose to fight on an MVP card rather than the UFC because of fight purse demands, reacted to news of the viewing figures by targeting UFC chief business officer Hunter Campbell.

“Lmao [laughing my ass off]! Kiss my ass, Hunter Campbell,” Rousey said.

UFC White House, which had two title fights and was held on the south lawn of US President Donald Trump’s home, averaged 8.2m viewers across the US and Latin America.

Paramount said 17m people watched at least one minute of the event in those countries, including 15.3m in the US.

It said the live audience figures were verified by Nielsen, the industry standard in reporting TV viewership metrics, and Adobe Analytics.

Streaming giants Netflix did not release any figures other than for the US and did not say whether the numbers were verified by Nielsen or any other party.

Paramount suggested the UFC would release further global figures for the White House event.

American Justin Gaethje gave the Trump-fronted event a fairytale ending on the president’s 80th birthday by upsetting the odds to beat Ilia Topuria in the main event.

Gaethje, a Trump supporter, claimed the UFC lightweight title for the first time at the age of 37.

WASHINGTON — More than $350 million from President Trump’s “big, beautiful bill” has been quietly directed to White House security, an allotment that Democrats warn appears to be helping fund his new ballroom project — despite the president’s insistence that no taxpayer dollars would be used.

The apportionment of funds, which the White House’s Office of Management and Budget made late Friday, comes from two accounts that were intended to provide the U.S. Secret Service with extra money for hiring and training in the aftermath of last year’s assassination attempts on the president, according to Democrats on the Senate Budget Committee. The shift was made days after Congress rejected a $1-billion request for the White House in a Homeland Security bill that Trump signed into law and as the ballroom project is tangled in legal challenges.

Senate Judiciary Committee chairman Chuck Grassley, whose panel initially drafted the security funding, said Thursday he was unaware of the allocations.

“The president said that it was all going to be paid for with private money,” said Grassley (R-Iowa). “And that’s what the country expects.”

Sen. Jeff Merkley of Oregon, the top Democrat on the Senate Budget Committee, charged that Trump’s actions are potentially illegal.

“After repeatedly telling the American people that zero taxpayer dollars would be spent on his gold-plated ballroom boondoggle, now Trump appears to be using a smoke and mirrors tactic,” Merkley said in a statement.

“Trump has proven that he can’t be trusted to follow the law,” Merkley said. “He only cares about wasting taxpayer money on his vanity projects.”

Ballroom project hits setbacks

Trump has faced setbacks in his attempts to build the ballroom on the White House grounds, where he ordered the demolition of the storied East Wing to make way for it.

Touring the construction site last month, Trump called the development a “gift” to the American people. He has repeatedly said that it is being paid for by donations — which has also run into ethics questions from watchdogs concerned about potential corruption and conflicts of interest.

Congress refused the Trump administration’s request for $1 billion for the ballroom last month. The administration wanted the money as part of a Homeland Security bill, but Republican and Democratic lawmakers rejected efforts to tack it on. It became politically toxic at a time when Americans are reeling from inflationary high costs of living.

The Washington Post reported earlier this week that the price tag for the project has ballooned to $600 million, according to a project summary prepared by the contractor, with more than half of that funding coming from taxpayers. Roll Call first reported on the apportionment of new funds for White House security.

At its core, arguments are swirling over how much of the White House project is to bolster security underground, with bomb shelters and a medical facility, and how much of the costs are related to the president’s promised 999-seat ballroom on top.

White House says Trump and donors are paying for the ballroom

A spokesman for the White House said that Trump and donors are funding some $400 million for the ballroom development, and that the coordination with the Secret Service had been noted in the initial announcement of the project.

“The East Wing Modernization Project is inextricably tied to the security of the President, the White House grounds and the certain security infrastructure assets,” said White House spokesman Davis R. Ingle in a statement.

He said the events over the past weekend, including an alleged attack plan targeting the UFC Freedom 250 event at the White House, proves why the project is needed.

“President Trump and generous American patriots are funding the ballroom to the tune of approximately $400 million, which will be a secure and appropriate venue for Presidents for generations to come,” he said.

Government lawyers have argued that the project includes critical security features to guard against a range of threats, such as drones and missiles.

The White House has said in court documents that the East Wing project would be “heavily fortified,” including bomb shelters, military installations and a medical facility underneath the ballroom. The Secret Service told senators last month that $220 million of the White House’s $1-billion request would go to harden the ballroom addition, with bulletproof glass, drone detection technologies, chemical and other systems.

The rest of the money would go for other security improvements, according to a document provided to Senate Republicans, including $180 million for a new, “long overdue” White House visitors screening facility.

Congress holds power of the purse

The shifting funds are certain to ignite growing concerns in Congress over the separation of powers, and the president’s use of federal funds allocated by lawmakers.

The money comes from Trump’s big tax breaks and spending cuts bill that the president signed into law last summer. It provided more than $1 billion for Secret Service resources, including “personnel, training facilities, programming, and technology; and performance, retention, and signing bonuses.”

The provision was uncontested at the time, even as Democrats voted against the broader bill. Democrats said they did not challenge this section or try to strip it out from the package.

Under the Constitution, only Congress has the specific authority to allocate funds across the federal government, including the executive and judicial branch operations.

While the president holds the power to sign — or veto — those appropriation bills, once the funding becomes law, it largely must stand.

Mascaro writes for the Associated Press.

A plan to attack the UFC America 250 event at the White House on June 14 with explosive drones was thwarted by the FBI, according to federal records. Exactly how capable those involved were of actually pulling it off remains unclear. However, the alleged plot amplifies concerns that TWZ has been documenting for years about threats posed by drones to critical facilities in the homeland and how they continue to change the national security picture at home and abroad.

The long-standing potential for a drone attack on the White House was something we recently discussed last month in an examination of President Donald Trump’s plans to fortify the under-construction ballroom. More on that later in this story.

The plot involved a group of individuals who wanted to “attack the UFC event and involved staging a ‘demonstration’ on the north side of the White House,” CBS News reported, citing the court filings. “The group would then fly drones ‘laden with unspecified explosive devices which would detonate over the north side of the UFC arena,’” according to the filing in the case of one of the five people arrested, 19-year-old Tycen Proper.

When the drones exploded, “the group then planned to force attendees of the UFC event and ‘high value targets’ to evacuate to the south,” Proper’s affidavit read. The suspect told investigators that the plan was for group members to “act as snipers and additional shooters,” shooting fight attendees and the “high value targets” as they fled from the explosions.

The affidavit said the “high value targets” were “wealthy people” and politicians, CBS noted. 

Proper allegedly told investigators the goal of the attack was to “jumpstart” a revolution in the U.S. He was interviewed from a hospital, according to the document, where he was admitted on an emergency basis due to “homicidal ideations.”

In addition to Proper, Bryan Omar Roa, 24, of Calimesa, California; Michael Alan Thomas, 32, of Pinon Hills, California; Daniel K. Eskridge, 32, of Kidder, Missouri; and Abraham Hermosillo Alvarez, 31, of Omaha, Nebraska were also charged, according to the Justice Department.

Fox News was the first to report details about the plot.

TWZ cannot independently verify any of these details at this time and it remains publicly unclear what capabilities, training, funding and equipment the suspects had to actually carry out a complex attack like the one described. Proper’s mother said her son “began interacting with a group online that was comprised of individuals who claimed to be ex-military and Christian-based,” according to the court documents. They espoused anti-government and anti-Semitic sentiments.

At the very least, it would have taken unique skills and some level of discipline, coordination and operational security to pull off this kind of a plot. It would have also required funding and time. The FBI and other law enforcement agencies disrupt attack plans long before they get close to becoming operational, and many of those have a low chance they could actually been implemented as dreamed-up. That does not mean the individuals involved or their plans are not still a significant threat. In this case, there is no information available on whether anyone involved had the means and ability to stage an attack like the one described.

Regardless, it is important to note it would be a challenge to stop people simply from bringing weaponized uncrewed aircraft into range of the White House without law enforcement having prior knowledge. Actually employing those drones as weapons successfully is another story. Still, the danger of such an attack looms large and is growing by the day.

As we have frequently highlighted, two incidents last year highlight the alarming danger of near-field drone attacks that raised lingering concerns in the U.S.

On June 1, 2025, Ukraine launched drones hidden in trucks at air bases across Russia, causing severe damage to its strategic aviation fleet. Weeks later, Israel fired drones from deep inside Iran at the country’s air defenses during the 12-Day War.

TWZ raised concerns about just these kinds of attacks for years long before the ones in Russia and Iran took place.

The following video shows one of the Ukrainian drone attacks on Russian bombers during Operation Spider Web.

In both Russia and Iran, the drones were set up undetected deep in enemy territory during armed conflict against military targets. The plot on the White House, as characterized in the court documents, is of course different on many levels and was to be planned and executed by citizens, not sponsored by another nation at war with its neighbor. At the same time, both presents a host of challenges to defend against, many of which overlap.

Given the presence of the president, his family and thousands of VIP guests on the White House lawn at the time, as well as the event’s extremely high-profile nature, UFC Freedom 250 was “designated a Special Event Assessment Review 1 event, like the Super Bowl, Indianapolis 500, Kentucky Derby and college football games, according to the Department of Homeland Security,” ABC News reported last week.

Security was also tightened at the Ellipse outside the White House, where thousands more watched the event on large screens.

The increased precautions included concern about drones, said Tara McLeese, special agent in charge of the Secret Service’s Washington Field Office.

Federal law prohibits flying drones in the airspace over the National Capital Region, so McLeese advised fans ahead of the event to “leave their drones at home.”

“We will have law enforcement drones for overwatch, but just to make it simple for the public, if they see a drone, we want them to report that,” she said, according to ABC.

The Secret Service declined to talk about its concerns over drone threats, instead pointing us to its post on X.

Protective intelligence cases are on the rise, and our teams work tirelessly behind the scenes to investigate threats, identify those responsible, and ensure accountability. Statement from Director Curran on the events of this past weekend: pic.twitter.com/Oca3QVLg9o

— U.S. Secret Service Office of Communications (@SecretSvcSpox) June 16, 2026

While we don’t know the extent of the counter-drone measures deployed by the FBI, Secret Service or even the military, they certainly included devices to detect and, if needed, jam the signals of threatening drones. However, as the war in Ukraine and Israel’s push into Lebanon have proven, the efficacy of these methods is far from assured. This is especially so since the introduction of drones controlled via fiber optic cables, which mitigate the effects of radio frequency passive detection and active jamming with a direct hardwired link between a drone and its operator.

Meanwhile, as we noted in our story about Trump using the ballroom he is building as a kind of defensive fortification, using traditional kinetic protection from drones and other aerial threats in and around the White House is limited and risky. The advent of interceptor drones, many that are hit-to-kill or use electromagnetic pulses and other low collateral damage means instead of explosive warheads, is starting to mitigate some of those concerns.

From the story about Trump’s ballroom:

“Clearly, the drone issue is a massive one and has been for many years. This structure will serve as a secure place to do daily business if needed. Based on Trump’s comments, it will also act as a critical active defense node with its roof hosting air defenses, and apparently ones that are capable of at least a limited degree of area defense, not just highly-localized point defense. This is where drones could come into play. Drone interceptors (drones that intercept other drones) are well suited for the unique challenges of defending the White House and the Mall area as a whole, where collateral damage is a huge concern. Some of these systems use warheads, while others do not, physically smashing into their targets or blasting them with electrical pulses and other non-traditional effects instead. Drone interceptor capabilities are expanding rapidly now, equipping forward bases and warships. They proved critical in defending U.S. interests against Iranian attacks during the recent war. In Ukraine, they have proven indispensable in countering waves of Russian Shaheds.”

Directed energy, such as lasers and high-power microwave weapons are another potential countermeasure, but these systems remain somewhat in their infancy and have very short range. Above all else, using them in dense urban areas, especially those with nearby low-flying air traffic, can be extremely problematic. They are not widely deployed for the counter drone role in the United States and won’t be in the near term.

It’s also worth remembering that the alleged plan did not necessarily rely on the accuracy of the drones or the damage they could inflict. The goal was to induce panic by their very presence and drive people into a field of fire to be attacked by snipers.

Even if counter-drone measures were able to provide a relatively robust protective bubble over UFC 250 at the White House, the plot as described in the documents further highlights the vulnerability large events have from even the lowliest of drone attack attempts.

The U.S. at the moment is protecting several facilities across the country with huge crowds during the World Cup soccer tournament at a time of heightened global tensions. Countering drone attacks was a central component of pre-event security measures as well as ongoing efforts.

This all comes as the U.S. is working to increase authorities to allow the military and law enforcement to better protect against drone threats.

We were the first to report numerous unauthorized drone flights over U.S. military facilities and other sensitive areas. The defensive capabilities have been constrained by a labyrinth of often confusing legal and regulatory hurdles. Incursions by cartels along the U.S.-Mexico border have sharpened the need for reforms, some of which are underway.

As we reported back in February, in advance of the U.S. hosting the 2026 World Cup and 2028 Olympic Games, the Trump administration pushed to expand counter-drone authorities. Congress granted that when it passed the Fiscal Year 2026 National Defense Authorization Act (NDAA).

Officials have already taken action against drone operators using these new authorities. Last week, FBI Los Angeles said it seized drones and issued citations to pilots near SoFi Stadium for alleged violations of temporary flight restrictions during last Friday’s World Cup match, The Los Angeles Times reported. The bureau “shared photos showing confiscated drones as well as an image of a drone operator being cited,” the newspaper noted. “However, it did not specify how many drones were taken or how many pilots were issued citations. It also did not provide details on the technology used to locate or track the drone operators.”

The bureau did not say if the operators of these drones had nefarious intent or whether they were armed, though neither of those are prerequisites for violating the no-drone-zone rules.

The FBI’s Counter Drone Enforcement Team has been busy around last night’s #WorldCup game and related events ensuring drone pilots aren’t violating @FAA Temporary Flight Restrictions. But some were, and as promised, they were cited and had their drones seized. Meanwhile,… pic.twitter.com/s0vy75E73E

— FBI Los Angeles (@FBILosAngeles) June 13, 2026

While the actual ability of the alleged perpetrators to pull off the combined drone and sniper attack on the White House like what’s described remains unknown, the threats to the homeland from uncrewed aircraft are only growing by the day, as are nefarious actors’ experience and creativity with the technology.

Contact the author: howard@twz.com

WASHINGTON — Law enforcement officials disrupted “planned attacks” meant to target the UFC cage-fighting show staged at the White House this past weekend for President Trump’s birthday, and multiple people were in custody, FBI Director Kash Patel said on Tuesday.

The nature of the potential threat was not immediately disclosed, with additional details expected to be released once charges are unsealed later Tuesday.

Five people were arrested from states including Ohio, Missouri and California, said a law enforcement official familiar with the matter. The official spoke to The Associated Press on the condition of anonymity to discuss information that was not yet public.

The FBI learned about the possible threat on June 10, four days before the mixed martial arts extravaganza on the White House’s South Lawn, “and thanks to the rapid action of the FBI, our partners, and the Department of Justice in a multi-state operation, multiple individuals are now in custody and allegedly planned attacks were stopped cold,” Patel said in a post on X on Tuesday morning.

The Secret Service “worked around the clock to identify those responsible and hold them accountable,” Director Sean Curran said in a separate statement.

Trump, who celebrated his 80th birthday at the UFC event on Sunday, sought to tie the fights to larger celebrations of the 250th anniversary of the signing of the Declaration of Independence. Speaking to reporters Tuesday in Évian-les-Bains, France, where he was attending the Group of Seven summit, Trump said he had not been briefed on the thwarted plot.

Tucker writes for the Associated Press. AP writer Darlene Superville in Évian-les-Bains, France, contributed to this report.

Australian referee Shaun Evans says he didn’t intend to ‘communicate a message, affiliation, game or belief of any kind’.

FIFA says it has found “no evidence” that one of the referees at the World Cup breached its code of conduct after he was accused of making a white supremacist hand gesture during one of the games.

“FIFA’s independent Disciplinary Committee can confirm that, after looking into the matter involving support video assistant referee Shaun Evans, it has found no evidence of breaches of the FIFA Disciplinary Code,” football’s global governing body told Al Jazeera in an emailed statement on Monday.

Earlier, FIFA’s discrimination monitor at the World Cup called for Evans, working as a VAR official in the tournament, to be removed for appearing to make a hand gesture resembling a white supremacist sign.

When the official broadcast of Germany’s opening game against Curacao on Sunday cut pre-game to show the team of video review analysts, Australian official Evans made an “OK” symbol with his right hand in front of his right leg.

Though the game was played in Houston, video officials work in Dallas at the World Cup broadcast centre.

Evans said the hand gesture was not intentional, nor did he make it to “communicate a message, affiliation, game or belief of any kind”.

“The only explanation I can offer is that the movement was an involuntary, subconscious twitch and I was unaware I had done it at the time,” the official said in a statement shortly before FIFA announced its decision.

“Images taken later during the match showed that I repeated this movement many times while holding a pen between my fingers,” Evans went on to add.

“The coverage following this incident simply does not reflect who I am. Of course, I understand how the gesture has been interpreted and I regret this; however, I want to be very clear and categorically say that I did not knowingly or deliberately make the hand symbol suggested.”

For UFC boss Dana White, heavyweight Josh Hokit’s post-fight behavior at UFC Freedom 250 on Sunday crossed a line.

On Monday, the mixed martial arts promotion’s president and chief executive told Time reporter Sean Gregory via text he is “completely against saying nasty and false things about people’s families” in reference to Hokit’s tasteless comment about Michelle Obama. During the White House spectacle in front of President Trump and others, Hokit was interviewed after his technical-knockout victory over Derrick Lewis and propped up a false conspiracy about the former first lady, declaring “Michelle Obama is a man.”

Hokit, who has a history of making tasteless comments after his fights, including the same Obama jab, drew mixed reaction from the UFC Freedom 250 crowd — and also from social media users, with some repeating the false claim in the comments on Hokit’s Instagram page and others chiding it. White, who has panned Hokit’s remarks in the past, did so again.

“Everyone knows my position on free speech but I hate that kind of nonsense,” White’s text added.

Hokit insulted Obama months after Trump faced backlash in February for a racist social media video that depicted President Obama and the former first lady as apes. Amid mounting public criticism, the White House took down the video and blamed an unnamed aide.

Michelle Obama, clearly on Hokit’s mind on Sunday, was busy with other matters over the weekend: preparing with her husband to open their Obama Presidential Center in Chicago. The museum and library hosts its grand opening Thursday and will be open to the public Friday.

Times staff writer Ana Ceballos contributed to this report.

Well, that just happened.

The president held a cage fight on the White House South Lawn, complete with flyovers, fireworks, mini-skirted “octagon girls” and the surrealistic sight of mixed martial arts fighters striding through historic White House rooms flanked by National Medal of Honor winners.

Despite wide public disapproval for Sunday’s event and much scathing commentary about the political and psychological messaging of Donald Trump’s choice of a Vegas-like spectacle to celebrate his 80th birthday, and the country’s 250th, the sky did not fall, the original Constitution in the nearby National Archives did not tear in two and none of the fighters passed out from the heat or bug bites.

Things didn’t even get bloody until the final match in the fifth hour, when Justin Gaethje kicked and punched the crap out of widely favored Ilia Topuria.

Even so, it was impossible to emerge from watching UFC Freedom 250 without feeling punch-drunk.

Not because of the fighting; because of almost everything that was not the fighting.

Beginning with Paramount+, owned by the Trump-friendly Ellison family’s Paramount Skydance, which recently received Justice Department clearance for its highly controversial acquisition of Warner Bros. Discovery.

The jarring sight of past UFC matches being seemingly projected onto the Jefferson Memorial and the Capitol gave way to a series of poorly produced “historical” moments in which UFC fighters were cast as inheriting the same “fighting spirit” that motivated this nation’s Founding Fathers, past presidents and war veterans. Down to the inevitable strains of the Village People’s “Y.M.C.A.” (the baffling anthem of MAGA), the event projected a macho-man view of patriotism that was just as ghastly as many feared it would be.

UFC fighters are indeed dedicated and talented athletes who have overcome all manner of personal obstacles. But to compare them with Thomas Jefferson or American soldiers storming the beaches of Normandy is absurd and more than a little insulting.

The tens of thousands of UFC and Trump fans who gathered on the South Lawn and the Ellipse, however, were clearly having a very good time. Proceedings were delayed an hour by the threat of storms, but the weather cooperated in the end. “The President’s Own” United States Marine Band, and in particular, soloist Staff Sgt. Hannah Davis, gave masterful performances throughout. And while the Claw, the 600-ton steel structure arching above the Octagon, certainly looked like the first stage of an alien attack during the day, it put on a pretty terrific (if more than a little Vegasy) light show at night.

For those watching from home, however, these bright spots were glimpsed and heard infrequently, drowned out by the endless hyperbolic intonations of commentators (including Joe Rogan, who initially criticized the event), the long and invariably self-aggrandizing introductions of the various participants and the onslaught of frequently militaristic commercials, more than a few of which, included ads for Ram, featured UFC President and Chief Executive Dana White.

Which isn’t surprising when you think about it. White’s longtime support for the president culminated in his organization covering the event’s $60 million in production costs, and from the moment a smiling White joined Trump as he made his way through the White House to the front row, the event served as an almost-six-hour ad for the UFC.

Though I am not a UFC fan, I realize that showmanship is key to the sport’s wild and increasingly broad popularity. Championship matches, which rarely last longer than 30 minutes and sometimes much less, are inevitably preceded by hours of participants making all manner of florid claims and trash-talking their opponents. (Which may explain Trump’s fondness for the UFC.)

But when all of this strutting, preening and wild-eyed reaction revolves around what was, for better and worse, a series of rules-free brawls being force-fed into a narrative about this country’s enduring strength, what emerges is not so much a sporting event as it is a piece of naked and nationalistic propaganda.

Which came to a head in the final fight. After the six previous matches concluded rather quickly with bloodless knockouts (a UFC record), the fight between American Gaethje and the German-born, Georgia and Spain-representing Topuria lasted much longer. Gaethje, introduced as “the most violent man in the most violent sport,” left the lightweight champion’s face such a mess that even Rogan was shocked.

By all metrics, including Topuria’s refusal to go down, it was the best fight of the night. But hearing the crowd chant “USA, USA” as the bloody blows fell … well, let’s just say it was not everyone’s notion of a presidential birthday celebration.

Some have suggested that Trump staged the event in the hope of regaining the support of young men who helped him win the last election. Even if that was not the case, it was difficult to view UFC Freedom 250 in any way nonpartisan (especially after British former heavyweight champion Tyson Fury strode out of the White House wearing a “Trump for Prime Minister” hat).

Yes, several of the six non-American participants entered to Spanish or Portuguese songs (why so much fuss then about Bad Bunny at the Super Bowl?) but some of the winners are longtime MAGA supporters and made that very clear — Bo Nickal thanked Trump for being the only one “to have the balls” to stage such an event while Josh Hokit followed up his thanks to “my lord and savior Jesus Christ” with “Michelle Obama is a man. Am I right, America?”

Because it was Trump’s birthday after all.

UFC middleweight champion Sean Strickland was escorted out of a UFC Freedom 250 fan fest near the White House on Sunday evening for his own safety and the safety of other attendees, according to the U.S. Park Police.

Strickland was not on the card for the UFC event held on the White House South Lawn in connection with a summer-long celebration of the nation’s 250th anniversary. Instead, the 35-year-old fighter attended a viewing event on the Ellipse, causing a stir among fans as he eventually entered a wrestling ring set up in the area.

“At approximately 7 p.m., the U.S. Park Police received report of a disturbance within the UFC event,” the agency said in a statement emailed to The Times. “The unplanned presence of Sean Strickland drew significant attention from attendees, resulting in disorder. Due to concerns for Strickland’s safety and the safety of event patrons, personnel from the U.S. Marshals Service, U.S. Park Police, and other assisting agencies evacuated him safely from the area.”

In videos posted to his Instagram Story from, during and after the incident, Strickland states he “might be going to jail” and “may have been charged with disorderly conduct.”

However, the Park Police said that is not the case.

“Strickland was neither cited nor arrested in connection with the incident,” the agency said. “However, he was advised not to return to the venue for his own and public safety. USPP escorted him to his hotel without incident.”

Strickland was once a supporter of President Trump but has become a vocal critic over such issues as the Jeffrey Epstein files and the war with Iran. Still, he had expressed interest in attending UFC Freedom 250, which took place on Trump’s 80th birthday, but has said on X that the UFC told him he “wasn’t cleared by the white house.”

UFC president and chief executive officer Dana White has said that nobody, including Strickland, was banned from the event.

On Saturday, Strickland posted on X that he wanted to attend the fan fest on the Ellipse.

The next day, he posted a video on Instagram that shows him doing just that. Apparently filmed by the MMA star as he was being led through the crowd by another man (Strickland later said on X that a fan “snuck me in”), the video shows Strickland trying to avoid being recognized until getting to the ring.

Once there, however, he basked in the attention of a large crowd that chanted, “U-S-A! U-S-A!”

Strickland also posted a photo to Instagram of himself being escorted barefoot out of the event, with the caption “NOT AMERICAN ENOUGH.”

CHICAGO — Dodgers left-hander Jack Dreyer rubbed a new baseball between his hands as he walked back to the mound, a sold-out Rate Field coming alive around him.

Fireworks crackled over the center-field scoreboard. Digital pinwheels spun. Dreyer had just surrendered his second home run of the inning, transforming a low-scoring battle into a lopsided White Sox advantage.

The Dodgers’ recent bullpen problems persisted in a 6-4 loss Sunday, overshadowing a bounce-back effort from Emmet Sheehan. The Dodgers tried to come back in the ninth, but fell short.

“We’ve gotten bit by the long ball, obviously in Pittsburgh, and here tonight,” said bench coach Danny Lehmann, filling in Sunday for manager Dave Roberts while he attended his daughter’s college graduation. “But overall, it’s more the strike throwing and just getting ahead of guys and doing what they’re supposed to do.”

The Dodgers dropped the series 2-1, marking their first series loss since May 8-10 against the Braves.

Sheehan was charged with three runs in five-plus innings, a massive turnaround coming off the second-shortest start of his career, only rivaled by a planned one-inning outing at the end of last season.

Against the Angels last week, Sheehan threw 49 pitches and recorded just four outs before being pulled.

On Sunday, he didn’t give up a hit until the fourth inning.

“He got strike one and then understood when to leave the zone when he needed to,” catcher Dalton Rushing said. “He did a great job of that. I think a couple of those guys picked up on tendencies, jumped on a pitch. I felt they were good pitches. I thought he did his job today and gave us a chance to win.”

Sheehan’s velocity has been an indicator of how synced up his delivery has been on any given start this season.

Dodgers starting pitcher Emmet Sheehan delivers against the Chicago White Sox in the first inning Sunday.

(Nam Y. Huh / Associated Press)

On Sunday, his 95.1-mph average fastball velocity was 0.7 mph above his season average, according to Statcast — a promising sign. Results followed.

Sheehan retired 11 of the first 12 batters he faced, just a hit batter away from perfection. With two outs in the fourth, he gave up a double to Colson Montgomery, on a low line drive up the first-base line, just out of reach of Freddie Freeman as he made a diving attempt.

Then against Braden Montgomery, Sheehan worked back from a 2-1 count for an inning-ending strikeout.

Out of Sheehan’s hand, the pitch looked like it was going to cross the plate on the inside corner, about belt high. But as Montgomery started his swing, the firm changeup veered away from his bat at a sharp downward angle.

Montgomery swung over the pitch. A fired-up Sheehan buried his fist in his glove and shouted. With that strikeout, he preserved the Dodgers’ one-run lead.

Freeman provided that run with a solo homer in the first inning. And Sheehan gave the Dodgers plenty of time to extend that lead. In the sixth inning, however, the White Sox finally got to him.

“I definitely felt better early,” Sheehan said. “And then more of the same towards the end. Just pretty frustrating.”

Sheehan’s fastball to Sam Antonacci wasn’t in a bad spot. But in an 0-2 count, he could have put it a little higher or farther inside. Antonacci drove it over the right-field fence.

A single, a stolen base and an RBI double later, Sheehan walked off the mound, the Dodgers trailing 2-1.

Just a few weeks ago, turning the ball over to the Dodgers’ bullpen was a promising move. They were still riding a franchise-record streak of 38 consecutive scoreless innings.

Lately, however, it’s been a rocky ride. The bullpen entered Sunday with a 6.71 ERA since ending that scoreless streak on May 25. Only the Giants and Rockies produced a worse mark over that stretch.

None of the Dodgers’ relievers have been dominant in recent games. Tanner Scott has been credited with three saves but also two losses. Kyle Hurt’s ERA has risen from 0.60 to 4.22. Dreyer, who went 10 straight games without giving up a run before landing on the injured list with left shoulder discomfort, has surrendered five home runs in seven appearances since returning on May 31.

Dreyer gave up three runs and three hits. Then Blake Treinen and Jonathan Hernández held the White Sox the rest of the way.

The Dodgers tacked on three more runs, on a sacrifice fly and an RBI double from Alex Freeland, and a solo homer from Mookie Betts. They stranded runners at the corners in the ninth.

WASHINGTON — One by one, the burly mixed martial arts fighters made their entrance past the solemn, hulking marble statue of America’s 16th president and jogged down the steps of the Lincoln Memorial to roars from thousands of fans drawn to the unusual sporting weekend marking the nation’s 250th anniversary and President Trump’s 80th birthday.

The news conference Friday night featured the fighters who are preparing to face off Sunday in the Octagon built outside the White House. But it was also a chance to see the UFC fans who have thronged to Washington and endured lightning, humidity and bugs.

Tracy Philbeck and his son Levi drove from Charlotte, N.C., with a group of friends to support their favorite fighter, American Justin Gaethje, in the upcoming lightweight title bout against Georgian Ilia Topuria.

“You will hear an eagle screaming when Justin Gaethje wins,” the elder Philbeck said with a chuckle.

David Halstead journeyed from Albany, Australia, to watch the sport he has loved for a decade. Halstead said Trump, who regularly attends the fights, “put UFC on the map.”

The UFC has said it spent $60 million on this weekend’s festivities, and the president has billed his birthday fete as “the greatest show on Earth.”

Not everyone agrees.

The Public Integrity Project described the event as a “private, commercial, corrupt use of our most sacred national monuments for private gain” in a lawsuit the watchdog group filed to try to stop it from happening on federal land. A federal judge ruled Friday that the White House was allowed to go ahead.

About 1 in 10 U.S. adults consider themselves mixed martial arts fans, according to Ipsos Sports polling conducted in February and March. That survey suggests MMA fans tend to be male and nonwhite. They are more likely to identify as Republicans than Democrats.

“One misconception is that everyone who watches UFC is a Trump supporter, but that’s not the case,” said Ricardo Rodriguez, 24, explaining that he loves the physicality of the sport. “People also expect a knockout every time.”

Ellie Louizes, who practices Muay Thai, or Thai kickboxing, and jujitsu martial arts, drove from Daytona Beach, Fla., with her boyfriend, Jacob Purvis.

Female fans of MMA are the minority. But Louizes said she knows a lot of women who get into watching the sport through their male partners. She said “female fighters are often way more aggressive” than the men.

Fans brushed off criticism

The fans at the Lincoln Memorial brushed off criticism about the bouts being held at the White House — on federal grounds owned not by its occupant, but by the American people.

Holding fights at the “people’s house,” Tracy Philbeck said, “goes back to the days of Teddy Roosevelt.”

President Theodore Roosevelt regularly held sparring sessions at the White House, though they were not formal, public prizefights. He was an enthusiastic amateur boxer who had boxed at Harvard and continued the sport throughout much of his life.

Boxing fans also make up a large part of the UFC’s fan base.

At a UFC-sponsored community event this week at the District of Columbia’s Midtown Youth Academy, the boxing gym’s executive director was helping out with a visit from UFC fighter Randy Brown, who sparred with more than a dozen local teenagers and preteens.

Gloria Lee said meeting the fighter was a big deal for kids at her gym. “It’s just been a thrilling week, and I was about to fall out when he came in the door!” she said.

Asked about her personal UFC fandom, Lee said she had not watched it much. But by the end of Brown’s visit, she got into the ring with the professional fighter and threw some slugs of her own.

Hussein writes for the Associated Press. AP writer Linley Sanders contributed to this report.

EMILY Atack wowed as she stripped to a white bikini and emerged from a pool during her Hen Do.

The Rivals actress is celebrating with her mates in Spain ahead of her wedding to Alistair Garner – and pulled out all the stops with her bridal-inspired swimwear.

Emily, 36, opted for a halterneck with a scallop-trim edge and matching knickers.

The two-piece flashed her toned figure as she fooled around with her pals in the pool, with Instagram images showing her perching on a pals shoulder before she toppled into the pool.

Another video saw her emerging from the waters while the mum of one showed her cheeky side as she flashed her bum in a snap taken from behind.

She later captured an image of drinks perched poolside as she shared snippets of her special getaway.

NO KIDS ALLOWED

Mum-of-one Emily Atack reveals she’s banned children from her wedding

UPFRONT FANS

Emily Atack reveals the VERY raunchy way fans greet after The Inbetweeners

The Inbetweeners star then switched to a LBD with a plunging neckline as the party headed out for the night.

Emily recently revealed that the paid had set a wedding date for September and said she’s very much enjoyed the preparations.

Speaking to Luxury London Magazine, she said: “I think I’ve nailed it. We’re getting married in September. I’ve very much enjoyed the planning process.”

She added: “Choosing napkins and stuff. I’m like, ”My God, my life is here!”

She has also told how it will be a child-free ceremony.

It was thought that the Rivals star was considering getting married in Spain, after looking at wedding venues over there.

Last July, we reported how Alistair popped the question to the screen star.

Emily delighted fans after posting a loved-up selfie with her man to Instagram, which saw her flash the gorgeous sparkler.

In her caption, she wrote: “It’s Friday, I’m in love,” followed by three ring emojis.

She surpised fans by confirming they were expecting their first child together with a baby bump picture.

Ariana Grande was crystal clear in the White House’s comments section on TikTok.

The “We Can’t Be Friends” hitmaker didn’t mince words on Thursday when she commented on a White House TikTok: “Please do not ever use my music in relation to this barbaric, inhumane, heinous nonsense. F— ice,” she wrote in her comment.

The TikTok in question, posted by the White House on Tuesday, promoted the administration’s crackdown on immigration and featured Immigration and Customs Enforcement officers handcuffing various people to the tune of the Grammy-winner’s song “Bye.”

“Bye-bye 👋 President Trump has delivered the most secure border in history,” the caption on the video read. Grande’s comment has since been deleted or hidden from the video’s replies, and the sound on the TikTok has been disabled.

White House spokeswoman Abigail Jackson responded to Grande’s comment in an emailed statement to The Times, writing, “We’ll say this one last time: what’s actually barbaric, inhumane, and heinous are the criminal illegal aliens who have injured and murdered innocent American citizens.”

Grande joins a slew of prominent musicians and artists who have told the Trump administration to cease using their tunes to promote his agenda.

On the 2024 presidential campaign trail, Beyoncé endorsed former Vice President Kamala Harris, who used Queen Bey’s song “Freedom” as a rally anthem. When a spokesman for Trump used the same song in a social media post, the mega star’s team responded swiftly with a cease-and-desist.

During a 2024 Montana rally, Trump’s team played a video clip using “My Heart Will Go On,” the theme song from the 1997 film “Titanic.” Celine Dion’s management team and record label responded with a statement shooting down the song’s use: “In no way is this use authorized, and Celine Dion does not endorse this or any similar use. … And really, THAT song?”

And then, of course, when Trump used Bruce Springsteen’s “Born in the U.S.A.” on the 2016 campaign trail without the artist’s permission, the American rocker responded by endorsing Hillary Clinton and calling Trump a “moron.”

Add to the list Nancy Sinatra, who posted that Trump’s nod to Frank Sinatra’s song “My Way” was “sacrilege”; the Smiths’ former guitarist Johnny Marr, who said, “Consider this s— shut right down right now,” when the band’s song was used at a 2023 Trump rally; Sabrina Carpenter, who slammed the use of her song in a video, calling it “evil”; and many, many, many more.

The U.S. Air Force has confirmed that the VC-25B “Bridge” aircraft is now wearing its new (and controversial) red, white, and blue livery as it undergoes final preparations for its official delivery.

Aviation photographer Travis Ghormley shared the first picture of the modified Boeing 747-8i with its new paint scheme yesterday. It was taken the day before in Waco, Texas. The aircraft had been undergoing modification and flight testing at L3Harris’ facility in Greenville, also in Texas, as part of the conversion into its new role, since at least April, before subsequently moving to Waco to be painted. The jet, gifted to the Trump administration by the government of Qatar last year, is set to serve as an interim Air Force One aircraft ahead of the much-delayed arrival of two fully outfitted VC-25Bs from Boeing.

“The VC-25B Bridge aircraft has been painted and is going through final modifications,” an Air Force spokesperson told TWZ today when asked for more information about the aircraft’s current status. “I don’t have any additional details I can provide on delivery dates at this time.”

A press release the Air Force put out on May 1 said that the “VC-25B Bridge aircraft has officially completed modification and flight testing” and was “being painted.” We have confirmed that the completed modifications referred to here were on the contractor side, but the U.S. government still has additional modifications to make to the jet.

Ghormley’s picture does clearly show the jet wearing the same red, white, and blue scheme that has already been appearing on various Air Force and other U.S. government VVIP jets. The livery also includes a large American flag, depicted blowing in the wind, painted on both sides of the tail and “UNITED STATES OF AMERICA” written on both sides of the fuselage. The paint job is virtually identical to what President Donald Trump had previously chosen for the future VC-25B Air Force Ones during his first term. President Joe Biden had previously reversed that decision, bringing back plans to paint the VC-25Bs in the iconic scheme that dates back to President John F. Kennedy’s administration.

The Bridge aircraft’s current location is also unclear. Video posted on social media yesterday, seen below, purported to be of the jet departing for its new home at Andrews Air Force Base just outside of Washington, D.C. This is where the two current VC-25A Air Force One jets, as well as a host of other Air Force VVIP aircraft, are based.

Online flight tracking data does show that another U.S. military Boeing 747-8i flew from Waco, Texas, to Andrews on June 7, using the callsign Crane 01. However, this callsign has been associated with an ex-Lufthansa 747 the Air Force has also acquired for use as a trainer in support of future Air Force One operations. This aircraft, which may now carry the serial number 25-3200, has been tracked multiple times flying between facilities in Texas and Andrews in recent months. There does not appear to be tracking data for the VC-25B Bridge jet, which may also now have the serial number 25-3300, but it could have made the trip without broadcasting on ADS-B.

Past reports have indicated that the Bridge aircraft could make its public debut on July 4, which this year is also wrapped up in additional celebrations of the 250th anniversary of the founding of the United States. President Trump’s birthday (June 14) is also this weekend.

Otherwise, TWZ has previously laid out significant questions about the general feasibility of actually using the VC-25B Bridge aircraft in the Air Force One role, given the kinds of modifications that should be required for this demanding mission. Potential operational security concerns have been raised about using the gifted jet as a presidential aircraft, as well.

“L3Harris, known for its executive communications systems and services, was selected to undertake a complex modification of the bridge aircraft. L3Harris not only delivers secure, reliable and resilient communications for VC-25A and the executive airlift fleet but has extensive experience with self-protection and customization of VIP aircraft,” the Air Force wrote in the May 1 press release. “The accelerated timeline was further made possible by a mission-focused partnership with Boeing, who provided the necessary engineering data to support the required structural modifications.”

“Additionally, elite specialists from multiple government agencies developed advanced protocols to detect and-if necessary-neutralize potential technical hazards on previously owned aircraft,” it added. “Their rigorous approach on the Bridge aircraft has literally ‘written the book’ and set the benchmark for integrating used airframes into the secure military inventory.”

“Safety and security were at the forefront of this program. We deliberately minimized interior aesthetic modifications to focus on modifications for safety, security and mission execution. We assessed which requirements were necessary for an interim capability. We had greater flexibility in developing our mission requirements,” the Air Force also told TWZ directly at that time. “After safety and security, we focused on the mission communications systems.”

“We have made deliberate decisions such as the reduction of the number of airstairs, less chiller space, and exclusion of the Golden Eagle mission [to fly the remains of former presidents] to minimize structural modifications, while prioritizing modifications focused on safety, security and secure communications,” the service added.

Getting a new Air Force One aircraft of some kind into service on an accelerated timetable has long appeared to be a major goal for President Trump. The fully-equipped VC-25Bs from Boeing are years behind schedule. Last year, the Air Force announced that there had been some improvement on that front, but that it still did not expect to have the first of the two jets in hand until mid-2028, which would be just months before Trump is set to leave office.

What we do know for sure is that the VC-25B Bridge aircraft is now wearing Trump’s preferred red, white, and blue paint scheme ahead of its official rollout later this summer.

Contact the author: joe@twz.com

A UFC fight card scheduled for Sunday on the White House South Lawn is facing legal challenges in federal court.

The watchdog group Public Integrity Project filed a lawsuit last weekend on behalf of two Virginia residents aiming to shut down the Mixed Martial Arts event, which has been billed as part of a celebration of the nation’s 250th anniversary. The event is scheduled to take place on President Trump‘s 80th birthday.

The lawsuit refers to the plan for UFC Freedom 250 as “illegal,” stating that proper authorization was not obtained to hold the event and to build structures on federal parklands, and “corrupt,” in that the president and others allegedly stand to benefit financially from the “private, for-profit sports event.”

“This is a profoundly corrupt scheme to enrich the President and his friends,” Public Integrity Project founder Brendan Ballou said in a statement on the group’s website. “If this fight is allowed to proceed, it will be only the beginning, and our national monuments will become little more than branding opportunities for the rich and well-connected. We plan to stop that.”

The group also filed for a temporary restraining order to stop the construction and prevent further planning for the event.

The National Park Service and Department of the Interior, as well as executives from each department, are named as defendants.

“This is an obstructionist, baseless, and dilatory lawsuit brought simply to prevent President Trump from hosting what will undoubtedly go down as one of the most historic sporting events in our Nation’s history during our semiquincentennial celebration,” a Trump administration official said in a statement emailed to The Times.

“This iconic event is no different than the various other White House-hosted events on the South Lawn and properly permitted events on the Ellipse and National Mall throughout the year.”

According to the lawsuit, UFC Freedom 250 violates NPS policy that prohibits sporting events on the South Lawn. In addition, it states that the plans for the event did not receive approval from Congress to construct a massive structure on the lawn and did not undergo a required environmental review before construction.

Construction started late last month on a massive octagon with an open overhead dome and around 5,000 arena seats.

Last year, the NPS established a temporary rule that allows “special events planned, organized, and executed by executive departments and agencies or the Semiquincentennial Commission for the celebration of the 250th anniversary of American Independence” on Washington’s monumental grounds.

The lawsuit states, however, that the rule does not apply to Sunday’s MMA event.

“UFC Freedom 250 is a private, for-profit sporting event being ‘planned, organized, and executed’ by the UFC, its broadcast partners, and its advertisers, not by the federal government,” the filing states.

“And it is not in any material sense a ‘celebration of the 250th anniversary of American Independence’ — it is, instead, a celebration of the UFC’s brand and the 80th anniversary of Donald Trump’s birth.”

UFC and parent company TKO are said to be footing the bill for the reported $60 million event. Still, it’s a massive platform for UFC, which longtime Trump friend and supporter Dana White runs. The president reportedly bought between $15,000 and $50,000 of TKO stock earlier this year.

No tickets are being sold to the general public. Most of the 5,000 seats next to the White House will be given to military members, while thousands of others will be able to watch on big screens in nearby parks. The event also will stream live exclusively on Paramount+, which is controlled by Trump allies Larry and David Ellison.

“This will be one of the greatest and most historic sports events in history, and President Trump hosting it at the White House is a testament to his vision to celebrate America’s monumental 250th anniversary,” White House spokesperson Davis Ingle said in a statement. “Anyone who finds a problem with that clearly suffers from a severe and incurable disease known as Trump Derangement Syndrome.”

WASHINGTON — Vice President JD Vance is pressing federal prosecutors to investigate Minnesota Gov. Tim Walz and state Atty. Gen. Keith Ellison over allegations they failed to stop widespread social services fraud, amplifying concerns the White House will use a new Justice Department division to target political rivals.

Vance, who has been tapped to lead the Republican Trump administration’s anti-fraud efforts as he seeks to raise his political profile as a potential 2028 presidential candidate, cited in a letter to the Justice Department a report from the Republican-led House Oversight Committee that alleges Walz and Ellison were aware of pervasive misuse of government programs for years and let it flourish.

The Justice Department didn’t immediately respond to questions Tuesday about whether it would open an investigation. It was unclear what, if any, potential violations of federal law could support a probe into the Democratic Minnesota officials, who have characterized a separate Justice Department investigation involving state leaders as politically motivated.

A spokesperson for Walz didn’t immediately respond to a message seeking comment. Ellison called the allegations unfounded and said there’s no evidence his office ignored wrongdoing or failed to act as required by law. He dismissed Vance’s referral as “a political stunt from an administration that uses the machinery of government to target its perceived opponents while extending leniency to those aligned with its interests.”

“It is deeply troubling to see official powers and public resources diverted away from serving the people and instead aimed at pursuing political adversaries,” Ellison said in a statement. “That is not what government is for, and it diminishes public trust in our institutions.”

Vance’s referral to the Justice Department’s new National Fraud Enforcement Division marks an escalation in the Trump administration’s stated “war on fraud” in government programs that officials have said would not be political or partisan.

The new division has drawn intense scrutiny over the potential for political influence given its close relationship with President Trump’s White House, which announced its formation in January and initially said its leader would answer directly to the president instead of the typical Justice Department command.

In his referral, Vance wrote that officials in Minnesota or anywhere else in the country “must be held accountable” if they facilitated fraud, prevented officials from stopping it or retaliated against whistleblowers who tried to report it.

“Minnesota state officials are not above the law,” Vance wrote in a post on X.

Richer writes for the Associated Press.

Earth Wind & Fire’s “September,” with its nonsensical phrase “ba-dee-ya,” has been streamed more than 2.3 billion times on Spotify, more than the band’s next five songs combined (including “Let’s Groove,” “Boogie Wonderland” and “Shining Star”).

In his visually and sonically vibrant film “Earth, Wind & Fire (To Be Celestial vs. That’s the Weight of the World),” drummer, DJ and director Ahmir “Questlove” Thompson (“Summer of Soul”) shows how the funky but aspirational band was much more than its biggest hit musically.

But he also explores, in depth, the complexities of the band’s central figure, Maurice White. A self-affirming visionary who wanted to bring hope to people, White mixed journaling with talk of spaceships and metaphysics. However, he was also traumatized by a childhood in which his mother moved to Chicago for more opportunities, leaving White in Memphis, where he was once brutally beaten by white policemen. Those scars created a man who was a distant father and equally remote with his band members at the peak, mistreating them with casual disdain until everything fell apart.

Questlove recently spoke by video call about the film, now streaming on HBO Max, which features interviews with family, surviving band members, childhood friend Booker T. Jones and a couple of fans named Barack and Michelle Obama. This interview has been edited for length and clarity.

What drew you to this story?

In 2020, I was DJing on the internet, live streaming and I was DJing to calm people down from thinking they’re going to die in the apocalypse. One day I did an Earth, Wind & Fire set and when I got to the fourth hour, I thought, “Yo, is this one of the most relentlessly positive groups of all time?”

I started researching the lyrics and realized this band tricked us into positivity, like getting us to eat our vegetables. I started wondering how a band like that got past the velvet rope and realized that none of it was by accident, it was all by design. Their music was so good and you start singing the lyrics and there’s an osmosis effect of positivity that gets you.

When I started this in 2023, I had a spooky feeling that the turmoil of 2020 was going to visit us again, so I thought people would want something to watch that will help them plant seeds of what to do.

Maurice White, the band’s central figure.

(Henry Diltz / HBO)

You save “September” to the end. Was it so people would see the band was more than their biggest hit or to send audiences off humming and happy?

It’s an unlikely legacy song. They have so many meaningful songs like “Shining Star,” while “September” is a leftover that was a filler song from a greatest hits album that became a career-defining song.

Initially, I was coming out the gate with “September,” just, “Let’s get this out the way.”

It took a while. Early on the Obamas weren’t part of the project. I interviewed them the morning after the 2024 elections; they were so professional and so in the moment and also helped us process the day.

We’d never gotten to see them sit next to each other and be playful and dance. And I didn’t say, “OK, let’s see how you move, dance for 12 seconds,” I was just playing something and they started dancing and the camera happened to be running.

But they put the song in context. In 2009, they said, “What’s the statement we want to make to America to show this is a new era at the White House?” And Earth, Wind & Fire was chosen to be one of the bands at the inauguration and it was that song. So my producer said, “Now we can treat ‘September’ like an encore.” We used that story to show how that song grew on its own organically.

White is a complicated guy. Was it challenging to balance everything in your narrative?

Oftentimes Black artists are seen as caricatures or one-dimensional. It’s easy to do the gotcha of “You’re so positive and metaphysical, what about this or that?” My goal is always to find a human element that you see yourself in. In Maurice’s case with his career, he did drink the Kool-Aid. But his personal life stemmed from not ever forgiving his mother for leaving him behind when he was little. When we hold anger and other emotions in, when we refuse to talk to our partners or friends — and you want people to read your minds — that’s when it becomes a problem. But I wanted to show that in a way where I don’t spell it all out. Hopefully people will make the connection of the importance of dreaming and planning and affirmations but also the importance of letting things go, like forgiving people.

WASHINGTON — House Republicans will look to get nearly $70 billion for immigration enforcement over the finish line Tuesday, enough to fund a pair of Homeland Security agencies through the next three years and the rest of President Donald Trump’s time in office.

Speaker Mike Johnson will need near perfect attendance and unity on his side to complete weeks of action on the bill. The legislation got sidetracked when Republicans sought to include $1 billion for enhanced security on the White House grounds, including for Trump’s new ballroom, and the Trump administration tried to create a nearly $1.8 billion fund to compensate allies of the president who claim they have been unjustly investigated and prosecuted. Those proposals proved politically toxic and were scrapped.

Now, the bill is focused entirely on immigration enforcement, a topic that Republicans have treated as a defining issue between the two major political parties and one they hope will carry them to victory in this year’s midterm elections. The bill provides $38 billion for Immigration and Customs Enforcement, $26 billion for the Border Patrol and another $5 billion to cover unforeseen costs, fueling Trump’s deportation agenda.

“It’s long overdue,” said Johnson, R-La., of the bill. “We have to fund border security and immigration enforcement, and it’s sad that Republicans have to do it on our own.”

Funding accelerates Trump’s deportation agenda

The funding comes on top of the nearly $140 billion that the Republican-controlled Congress gave ICE and Customs and Border Protection last year as part of Trump’s tax and spending cuts bill.

Democrats objected to giving the agencies more money without significant changes in the way they operate after the deaths of Alex Pretti and Renee Good in Minneapolis. For example, Democrats insisted that agents be required to display their ID badges during enforcement operations and that they get a judicial warrant before entering private property. Instead, the funding will come with virtually no strings attached.

House Democratic Leader Hakeem Jeffries vowed his party would oppose the package.

“We believe that taxpayer dollars should be used to make life more affordable for the American people – not give ICE another $70 billion blank check so that they can unleash brutality on American citizens and violently target law-abiding immigrant communities,” said Jeffries of New York.

Homeland Security faced longest shutdown in history

The package is the result of a monthslong standoff in Congress after Democrats refused to fund the Department of Homeland Security in the wake of the immigration enforcement actions in Minneapolis and other American cities, leading to the longest shutdown in agency history.

Negotiations had been underway with the White House to alter ICE operations as Democrats were demanding. When those negotiations failed, Republicans turned to a complicated procedural maneuver to get around the filibuster and pass the immigration funding with no Democratic votes.

If approved, the package would next go to Trump for his signature, all but assuring an essentially uninterrupted flow of funds for his immigration enforcement and deportation agenda into 2029.

The Senate completed its work on the legislation last week during an all-night session that extended into the early morning hours Friday. The final 52-47 vote on the bill was nearly party line, with Sen. Lisa Murkowski of Alaska the only Republican to oppose it.

Money comes at pivotal time for immigration agenda

The money will come at a pivotal time for the Department of Homeland Security, which is under new leadership after Trump replaced Kristi Noem with new Secretary Markwayne Mullin in March.

While Mullin has vowed to keep the department out of the headlines, the administration is under pressure from anti-immigration advocates to deliver on Trump’s campaign promise of the largest deportation operation in American history.

So far, the administration has not hit its goal of 1 million deportations a year, but Trump’s border czar, Tom Homan, has promised more to come, including hinting at immigration enforcement actions in New York, the nation’s biggest city, which is heavily Democratic.

At the same time, the administration is making it more difficult for legal immigrants to remain in the U.S. by working to end Temporary Protective Status, changing the processes for obtaining green cards and leaving some Dreamers — the young people who were brought illegally to the U.S. as children — reporting delays in renewing their status, which allows them to stay and work.

Tight vote ahead

On the House side, Johnson has little margin for error. Republicans can afford to lose only a couple of votes if every lawmaker is present. GOP leadership opted to avoid any hiccups and sent lawmakers home last week rather than take up the bill early Friday once the Senate had completed its all-nighter.

The bill is just a slim package, without the hundreds of pages of details and directives that typically come from Congress when it provides funding for agencies.

Leading up to the vote, Democrats portrayed DHS as an agency that has used its new resources to buy private jets for its leadership, warehouse immigrants in deplorable conditions and attack U.S. citizens.

“To give these rogue agencies another $70 billion now when they still have $100 billion in the bank from last year would implicate all of us in the escalating corruption and shameful actions of this department,” said Rep. Jamie Raskin of Maryland, the ranking Democratic member on the House Judiciary Committee.

Republicans countered that they were fulfilling their duty to safeguard the nation and support the men and women charged with enforcing the law.

“Democrats can say whatever they want, but what it’s about is public safety. What’s it about is keeping Americans safe,” said Rep. Michelle Fischbach, R-Minn.

Freking and Mascaro write for the Associated Press.

The UFC White House event scheduled for Sunday, 14 June has been challenged by a federal lawsuit which alleges it is unlawful.

UFC Freedom 250 is set to take place on the White House’s South Lawn on US President Donald Trump’s 80th birthday, as part of celebrations to mark 250 years of United States independence.

However, the Public Integrity Project has filed a lawsuit – seeking an emergency temporary retraining order – against the event billed as the first professional sporting event to be held on the White House grounds.

“We think that this is a profound misuse of our sacred national monuments for private gain. And we think that needs to be stopped because it breaks the law,” said Brendan Ballou, lead attorney for the Public Integrity Project.

The Public Integrity Project is a self-described anti-corruption law firm based in Washington. It is led by Democrats including former Senator Russ Feingold and politician Zephyr Teachout, and has brought several suits against Trump, including one to undo the sale of the social media app TikTok and another to stop a billion-dollar “anti-weaponisation” fund.

The group argues that Trump and the UFC believe they do not have to apply for a permit to use the National Mall, ask Congress to approve construction of “The Claw” at the White House, or conduct an environmental review, because the fight is part of special semiquincentennial celebrations.

But it says that the event does “not in any material sense” celebrate the anniversary of the country’s founding and is not being carried out by the federal government or the official commission steering the anniversary’s observance.

The Trump administration issued a response to the BBC: “This is an obstructionist, baseless and dilatory lawsuit brought simply to prevent President Trump from hosting what will undoubtedly go down as one of the most historic sporting events in our nation’s history during our semiquincentennial celebration.”