week

The Sunday Times leads on its interview with the Prime Minister, saying he vowed to fight and win the next general election. The paper describes Sir Keir Starmer as “defiant”, with Labour expecting to suffer heavy losses in elections next month. Separately, the paper notes, allies of the mayor of Greater Manchester, Andy Burnham, are continuing efforts to secure him a route back to Parliament, potentially paving the way for a leadership challenge.

A much-anticipated debate featuring leading candidates in the Los Angeles mayor’s race is set for Cinco de Mayo before the Sherman Oaks Homeowners Assn. But it won’t include all the leading candidates.

The influential homeowners group has invited just incumbent Karen Bass and City Councilmember Nithya Raman, and not the three other top contenders Spencer Pratt, Adam Miller and Rae Huang.

The group explained its decision by saying that big, crowded debates can often feel chaotic.

“Rather than hosting a stage filled with a long list of candidates, we have chosen to invite these two leaders specifically because they represent Sherman Oaks on two critical — and complementary — levels of government. This format allows for a deeper, more meaningful discussion about the issues that directly impact our neighborhood and our city,” the group wrote in its description of the debate.

Some of the other top candidates took issue with being excluded.

“If the SOHA wanted a real debate on topics like public housing, a public bank, free and fast transit, and the things that matter to Angelenos all over the city, they should call off their gate-keeping process that keeps the system and the establishment protected,” Huang spokesman Emel Shaikh said in a statement.

From the Miller camp, spokesperson Jaime Sarachit called it “a missed opportunity for these voters not to hear directly from a candidate offering a different approach to solving L.A.’s biggest issues, especially on housing, homelessness and public safety.”

Pratt didn’t respond to a request for comment.

Angelenos could have a chance to see more of the major candidates the next day, May 6, for a televised debate featuring Colleen Williams and Conan Nolan of NBC4 and Enrique Chiabra of Telemundo 52. KNBC hasn’t yet confirmed the lineup, but the station said to participate candidates must have received at least 5% support in two reliable 2026 polls.

Homeless camp skirmish

Raman scouted out a Harbor Freeway overpass in South L.A. last month after parents at nearby 61st Street Elementary voiced concerns about a homeless camp that students had to pass on their way to school. Raman documented her visit with a post on Instagram, saying “these parents have tried again and again to get someone to listen to their needs — and again and again their concerns have fallen on deaf ears.”

But when City Councilmember Curren Price on Tuesday proposed making the area an anti-encampment zone under the city’s municipal code 41.18, Raman voted against the motion, which passed anyway.

Raman routinely votes against 41.18 zones, saying that reducing homelessness requires connecting people to housing.

“This provision at best shifts encampments around a neighborhood.” Raman said in a statement. “Our working protocols are dependent on that. However, enforcement alone does not drive reductions in homelessness. What works is connecting people to shelter and housing.”

That explanation didn’t stop Bass and Curren, who represents the area in question, from throwing shade Raman’s way.

“It is frustrating when efforts to move forward are met with opposition from those who are not fielding these calls, not hearing from parents, and not seeing these conditions firsthand,” said Price spokesperson Angelina Valencia-Dumarot.

Bass campaign spokesman Alex Stack chimed in: “Raman went to this very school to make an Instagram post about how nobody was helping them, and then turned around three weeks later and voted to allow the encampments to return.”

It’s Miller Time!

Adam Miller has scooped up a couple of names from Bass’ past.

Bill Burton, Miller’s senior advisor, who was a deputy press secretary under then-President Barack Obama — also moonlighted for Bass’ 2022 mayoral campaign as a stand-in for Rick Caruso during Bass’ debate prep, though he didn’t work for the campaign in a formal role.

Burton said during that campaign that the race between Bass and Caruso was “essentially a Democrat versus a Republican.”

Now, Burton is running the campaign for Miller, who voted for Caruso in 2022, though he describes himself as a lifelong Democrat.

Separately, Sarah Sheehan, who worked as Bass’ communications director on her 2022 campaign, is working as a consultant for the Miller campaign.

Sheehan said in a statement that the city needs an outsider.

“That is why I decided to work with Adam Miller,” she said.

Lauren Perez-Rangel, who also worked on Bass’ 2022 campaign as a spokesperson, is also working for Miller.

State of play

— BUDGET: Mayor Bass released her $14.9-billion spending plan Monday, which included a proposal to hire 510 police officers — roughly enough to cover retirements and resignations. The budget must be approved by the City Council, and will be the subject of weeks of hearings.

— COVER UP: The Department of Water & Power has drained the Santa Ynez Reservoir in Pacific Palisades to replace the damaged floating cover, frustrating residents who fear there won’t be water to fight potential wildfires.

— EYE OF THE STORMWATER: Los Angeles officials announced a $40-million project at MacArthur Park this week that’s aimed at turning rainstorm runoff into lake water — and maybe improving the park’s tarnished reputation as well. The project will also include new landscaping, walking paths and other features to enhance the location’s appeal as a park.

— LAHSA LAYOFFS: The Los Angeles Homeless Services Authority announced Monday it plans to lay off nearly 300 employees, citing the county’s decision to withdraw funding and set up its own homeless services department.

— INTO THE BREACH: After the massive leak of LAPD files due to a data breach in the L.A. city attorney’s office, officials are seeking explanations from the city’s top lawyer. City Councilmember Ysabel Jurado said she expected City Atty. Hydee Feldstein Soto to appear before a council committee this week about the data leak. “When did the city attorney’s office become aware, what actions were taken, and why were city officials not notified promptly?” Jurado said. “Right now, we’re still left to question and trying to assemble the information.”

— CULTURE OF FEAR: In the LAFD, firefighters rarely question orders because doing so could invite retribution from bosses. That culture was evident in firefighters’ testimony about the Lachman fire, which reignited into the Palisades fire days later.

QUICK HITS

• Where is Inside Safe? The mayor’s signature program was in Echo Park and Venice this week, bringing inside more than 40 Angelenos and clearing eight RVs and trailers off the streets.
• On the docket next week: The City Council will continue to meet to speak about Bass’ proposed budget.

Stay in touch

That’s it for this week! Send your questions, comments and gossip to LAontheRecord@latimes.com. Did a friend forward you this email? Sign up here to get it in your inbox every Saturday morning.

Pitching coach Gus Rico was having dinner on Thursday when head coach Matt Mowry of Birmingham High complimented him on closer Aidan Martinez recording all seven of his outs on strikeouts.

“I had no idea,” Rico said. “Everything is a blur when I’m calling pitches.”

Martinez is throwing some blurs these days after returning this season following Tommy John surgery in June 2024. He touched 92 mph with his fastball and has been improving each week, getting better command and walking fewer batters. He has 28 strikeouts in 15 innings and three saves.

Birmingham is one game behind El Camino Real in the West Valley League standings going into showdown week, playing El Camino Real on Wednesday at home and Friday on the road. The Patriots need a sweep to have a chance at their first league title under Mowry, who prefers winning City titles.

With Martinez throwing so well, it would be a good strategy for opposing teams to make sure they are leading going into the last two innings.

“He’s got a bright future,” Rico said.

This is a daily look at the positive happenings in high school sports. To submit any news, please email eric.sondheimer@latimes.com.

Africa has shown itself in the past week again as a continent of dramatic contrasts, in which moral leadership, political turmoil, and financial aspiration come into collision in a manner that would not only chart its own future but also that of the world. The continent is going through a time that is both precarious and radical, as the potent moral rhetoric of a papal visit gives way to an ever-worsening political persecution and systemic economic disparities.

A Moral Voice in a Fractured Continent

The visit of Pope Leo in some parts of Africa, such as Angola and Cameroon, has been one of the most intriguing this week. His message attracted crowds of more than 10,0000 people, and it was not only religious but also very political, declaring Africa a beautiful but wounded continent and demanding unity, justice, and an end to violence.

It is not only the size of the meetings but also the content of the message that is important. The Pope was outspoken in an attack on corruption, inequality, and exploitative governance systems—the problems that are at the core of most of the struggles in Africa today. His words about people being more important than corporate interests are well-received in a continent where natural resource wealth has not always translated into widespread prosperity.

This visit was, in a sense, a symbol of a greater fact: Africa is not merely economically or politically challenged; it is morally and structurally challenged. The unity cry in Angola, the nation that is yet to overcome the adverse effects of decades of civil war, is a symptom of the bigger continental necessity to mend the wounds of the past and deal with the inequalities of the present.

Political Tensions and Disappearance of Space of Dissent

As the moral pleas of unity reverberated in stadiums, political realities on the ground painted an even more disturbing scenario. The South African arrest of activist Kemi Seba is part of an increasing trend in some parts of Africa, where there is an increased crackdown on dissenting voices.

Seba, the anti-colonial and anti-Western rhetoricist and critic of Western influence, now risks extradition to Benin on charges of inciting rebellion. His detention highlights a broader conflict: the fight between state power and political activism in an area where the democratic institutions are not yet balanced.

This is not a one-time event. Governments all over the continent are striking a fine balance between ensuring stability and political expression. In other instances, this equilibrium is leaning towards control over being open, and this leaves one worrying about the future of democratic governance.

The consequences are not confined nationally. The political situation in Africa is a topic of keen interest to the rest of the world, not just due to its size and population but because it offers one of the final avenues of democratic growth in the 21st century. Political space is reduced here, causing ripples way beyond the continent.

Structural Gaps in Economic Promise

Africa is still a puzzle economically. On paper, the figures are encouraging. Recently, South Africa obtained the promise of billions of investments, which indicates a great interest of other countries in the areas of green energy, infrastructure, and digital development. But the facts speak otherwise. Of these promised investments, only around 42 percent have been translated into real economic activity—much less than world averages. This delivery gap is indicative of an ongoing problem: it is one thing to attract investment and another to implement it.

Simultaneously, the recent climate financing agreement of South Africa with Germany that provides hundreds of millions of euros of loans and green energy assistance reminds us about the increased role of the continent in the global climate plan. Africa is also being increasingly viewed not only as a beneficiary of aid but also as a prime actor in the shift to sustainable energy.

However, structural problems are quite rooted. The effectiveness of economic initiatives is still hampered by policy inconsistency, poor infrastructure, and governance issues. Even the most ambitious plans of investment have a chance of failing without these underlying problems being addressed.

The Overlooked Crisis: Environment and Illicit Economies

The other trend of importance this week has been the further increase in wildlife trafficking in Nigeria, even though the legislation has been taking measures to reduce it. A lack of complete legislation on wildlife protection has allowed the illegal trade to continue, with several seizures of endangered species over the past few months.

The problem is indicative of a larger problem: that of a nexus between environmental degradation and ineffective enforcement. Africa has one of the most biodiverse regions in the world, but it is rapidly being threatened by illegal trade, climate change, and the exploitation of resources.

The inability to adequately deal with such problems not only damages the ecosystems but also weakens the governance and the stability of the economy. In places where there is poor regulation, illegal economies flourish and, as a result, establish parallel economies that undermine state power and promote corruption.

Africa: Moment between Opportunity and Uncertainty

Collectively, what happened this last week shows a continent at a crossroads. On the one hand, there is an increasing international appreciation of the significance of Africa, be it in climate policy, economic investment, or geopolitical strategy. Conversely, internal threats persist to restrict its ability to exploit these opportunities to their full potential.

The message of unity and justice that the Pope is calling for is the spirit of this moment. Africa is not poor in resources, talent, and potential. The greater challenge it confronts is alignment itself, leadership and citizens, economic growth and social equity, and global engagement and local realities.

Conclusion: A Turning Point, Not a Passing Moment

The events of this week do not represent one-off headlines, but they are evidence of larger trends that are defining the future of Africa. The continent is not just responding to the global events—it is steadily becoming one of the main arenas where the global issues are acted out.

The doubt now arises whether Africa will be able to utilize this moment of attention to become a changed continent. Will investment be translated into development? Will politics become more open? Do ethical demands of cohesion result in practical change?

The responses are unclear. Nevertheless, there is one thing that is clear: Africa is never at the periphery of world affairs any longer. It is here in the center, and what occurs here during times of this kind will make the continent and indeed the world.

Welcome to Bunker Talk. This is a weekend open discussion post for the best commenting crew on the net, in which we can chat about all the stuff that went on this week that we didn’t cover. We can also talk about the stuff we did or whatever else grabs your interest. In other words, it’s an off-topic thread.

Airmen from the 386th Air Expeditionary Wing sit inside of a bunker during a base-wide exercise at an undisclosed location within the U.S. Central Command area of responsibility, May 24, 2024. The exercise assessed the responsiveness of Airmen and first responders during a simulated attack. (U.S. Air Force photo) 

Also, a reminder:

Prime Directives!

• If you want to talk politics, do so respectfully and know that there’s always somebody that isn’t going to agree with you. 
• If you have political differences, hash it out respectfully, stick to the facts, and no childish name-calling or personal attacks of any kind. If you can’t handle yourself in that manner, then please, discuss virtually anything else.
• No drive-by garbage political memes. No conspiracy theory rants. Links to crackpot sites will be axed, too. Trolling and shitposting will not be tolerated. No obsessive behavior about other users. Just don’t interact with folks you don’t like. 
• Do not be a sucker and feed trolls! That’s as much on you as on them. Use the mute button if you don’t like what you see.  
• So unless you have something of quality to say, know how to treat people with respect, understand that everyone isn’t going to subscribe to your exact same worldview, and have come to terms with the reality that there is no perfect solution when it comes to moderation of a community like this, it’s probably best to just move on. 
• Finally, as always, report offenders, please. This doesn’t mean reporting people who don’t share your political views, but we really need your help in this regard.

Writing obituaries is a sacred, tricky task. Major news organizations compose advance obits on major figures, a just-in-case endeavor that feels both hugely important and somewhat macabre.

Several years ago, it fell to me to compose an advance death notice for the legendary conductor Michael Tilson Thomas, who was confronting a terminal brain cancer diagnosis by doubling down on his performance schedule and delivering — by all accounts — spectacular performances.

The piece lay blessedly dormant for longer than anyone thought possible as Tilson Thomas persevered in the face of his illness — an inspiration to all who knew and loved him. And then, yesterday morning, it became necessary to publish. There was a rush to update the writing, to fact-check the timeline, to be sure that all salient points were included. Here was the final story of a remarkable human’s life. The sense of responsibility cannot be overstated.

I was surprised to learn that a former colleague at the paper had also written an advance obit on Tilson Thomas, so my editor worked to meld the two together. The other writer included information that I had missed and vice versa, so in many ways it turned out to be a good thing that we had mistakenly doubled up on the weighty task.

One detail that the other writer included that was formerly unknown to me: A Times story from 1985 reported Tilson Thomas walking off the stage at the Hollywood Bowl nearly 15 minutes into the hourlong second movement of Part II of Gustav Mahler’s Symphony No. 8. Tilson Thomas did this, according to the archived news clip, because a noisy police helicopter simply would not go away.

A reader wrote in after the obituary went live to say that he had been there when it happened, and offered up this fresh insight:

“I was at the concert. The helicopter was hovering long, low and loud(!) with a bright searchlight scanning the trees behind the shell. It was an impossible situation which [Tilson Thomas] handled with quiet dignity. And when he returned to the stage he opted to re-start the Second Movement of Mahler VIII from the top! It was a long and memorable night at the Bowl.”

Our obituary described Tilson Thomas as storming off the stage. Not so, said the reader.

“More determination than storm,” he wrote.

And suddenly I could picture it, that moment from more than 40 years ago, with Tilson Thomas displaying the singular determination and love for his craft that would sustain him much later in life when he faced down death with the same quiet grace, the same unwavering resolve. And the music … I can hear it over the chop-chop-chop of the helicopter, until Tilson Thomas is all that remains.

I’m Arts editor Jessica Gelt feeling grateful for stories past. This is your arts and culture news for the week.

The week ahead: A curated calendar

FRIDAY

Craft Contemporary hosts CLAY LA this weekend.

(Allen J. Schaben/Los Angeles Times)

CLAY LA
Emerging and established ceramic artists gather their wares for Craft Contemporary’s ninth annual fundraiser, a vibrant marketplace with complimentary refreshments, music and hands-on air-dry clay activities. Fun fact: The museum was founded by Edith R. Wyle, grandmother of “The Pitt’s” Noah Wyle.
Market Preview Night, 6-9 p.m. Friday, $20 general admission, $15 members; weekend market, 11 a.m.-5 p.m. Saturday (free with $9 museum admission) and Sunday (pay-what-you-wish admission); regular museum hours, 11 a.m.-5 p.m. Wednesday-Sunday; noon-8 p.m., the first Thursday of the month. Craft Contemporary, 5814 Wilshire Blvd. craftcontemporary.org

Music director James Conlon of at L.A. Opera will conduct his farewell concert Friday at the Dorothy Chandler Pavilion.

(Ariana Drehsler/For The Times)

James Conlon Farewell Concert
The maestro, who is stepping down after 20 years as LA Opera’s music director, leads the organization’s full orchestra and chorus for an evening of Mozart, Verdi and Wagner as his grand finale. The event is followed by a celebratory gala on the stage of the Dorothy Chandler Pavilion.
7 p.m. Dorothy Chandler Pavilion, 135 N. Grand Ave., downtown L.A. laopera.org

SATURDAY
John Adams & Conrad Tao
The LA Phil’s John and Samantha Williams Creative Chair conducts the orchestra in a program that includes Piazzolla’s “Two Tangos,” Stravinsky’s “Song of the Nightingale” and Prokofiev’s “Lieutenant Kijé Suite,” plus pianist Conrad Tao performing Adams’ composition “Century Rolls,” inspired by 1920s self-playing pianos.
8 p.m. Saturday; 2 p.m. Sunday. Walt Disney Concert Hall, 111 S. Grand Ave., downtown L.A. laphil.com

Brewery Artwalk & Open Studios
This free semi-annual event at the former Pabst Blue Ribbon Brewery north of downtown features more than 100 artists sharing, discussing and (ideally) selling their work in the very spaces that much of it is created.
11 a.m.-6 p.m Saturday and Sunday. Brewery Arts Complex, 2100 N. Main St., L.A. breweryartwalk.com

Jerrika Hinton and Bradley Gibson in “Fremont Ave.” runs April 25-May 23 at South Coast Repertory.

(Marc J. Franklin)

Fremont Ave.
The world premiere of Reggie D. White’s multi-generational drama about three Black men in L.A. and the woman who is the glue in their lives. Directed by Lili-Anne Brown. Part of the Pacific Playwrights Festival.
Previews, 8 p.m. Saturday; 7 p.m. Sunday and Tuesday-Thursday; opening night, May 1; regular performances, May 2-23. South Coast Repertory, Segerstrom Stage, 655 Town Center Drive, Costa Mesa. scr.org

The Liminary
It’s 2042 in Last Call Theatre’s latest immersive experience and the U.S. is run by a nationalistic, isolationist government. Do you dare join the resistance? With interactive exhibits on immigration, community and hope, plus multiple endings and narratives inspired by the saga of immigrants.
8 p.m Saturday; 8 p.m. May 1-2, May 7-9 and May 14-16. 1919 3rd Ave. L.A. lastcalltheatre.com

Liz Larner, “smile (abiding),” 1996-2005; Rachel Harrison, “The Prepper,” 2024; and Rebecca Morris, “Untitled (#15-25), 2025” from the exhibition “planchette” at Regen Projects.

(Regen Projects)

planchette
A group exhibition featuring contemporary abstract sculptures and paintings by influential artists Rachel Harrison, Liz Larner and Rebecca Morris.
Opening reception, 6-8 p.m.; exhibit runs through May 23. Regen Projects, 6750 Santa Monica Blvd. L.A. regenprojects.com

SUNDAY
Gabriel Kahane & Roomful of Teeth
The eclectic singer-songwriter-composer teams up with the multi-Grammy-winning vocal group to perform music from their recently-released collaborative album, “Elevator Songs.”
7 p.m. Sid The Cat Auditorium, 1022 El Centro St., South Pasadena. sidthecat.com

WEDNESDAY

The Australian Chamber Orchestra comes to the Segerstrom Center for the Arts on Wednesday, April 29.

(Nic Walker)

Australian Chamber Orchestra
The ensemble from down under performs Purcell’s “Fantasia on One Note,” Handel’s “Concerto Grosso in A Major, Op. 6 No. 11,” a new work by John Luther Adams titled “Horizon,” Vaughan Williams’ “The Lark Ascending” (arranged by Adam Johnson), and Schubert’s ”Death and the Maiden” in the candlelit intimacy of the Samueli Theater.
7 p.m. Segerstrom Center for the Arts, 600 Town Center Drive, Costa Mesa. scfta.org

Jason Delane, left. and Chuma Gault in “Hymn” at the Odyssey Theatre.

(Cooper Bates)

Hymn
In this drama by British playwright Lolita Chakrabarti, best known for her stage adaptations of the novels “Life of Pi” and “Hamnet,” two Black men meet at a funeral and discover a life-changing connection. Gregg T. Daniel directs this co-production between the Odyssey Theatre and the Lower Depth Theatre.
Previews 8, p.m. Wednesday, Thursday and May 1; 8 p.m. Fridays and Saturdays (an Wednesday, May 27); 3 p.m. Sundays (except May 31), through June 14. Odyssey Theatre, 2055 S. Sepulveda Blvd. odysseytheatre.com

THURSDAY

Los Angeles Ballet presents “Giselle” with Kate Inoue at the Ahmanson Theatre, April 30-May 3.

(Alex Lopez)

‘Giselle’
The Los Angeles Ballet’s staging of this classic supernatural romance features the original 1841 choreography by Jean Coralli and Jules Perrot (updated by Marius Petipa) and score by composer Adolphe Adam.
7:30 p.m. Thursday-May 2 and 2 p.m. May 3. Ahmanson Theatre, 135 N. Grand Ave., downtown L.A. losangelesballet.org

The 1967 romantic comedy “Barefoot in the Park,” starring Jane Fonda and Robert Redford, opens the TCM Classic Film Festival on Thursday.

(Paramount Pictures)

TCM Classic Film Festival
Hollywood Boulevard comes alive with four days of movie magic beginning with the opening night presentation of the 1967 romantic comedy “Barefoot in the Park,” starring Robert Redford and Jane Fonda. Other screenings include “Alice In Wonderland” (1951), “A Place In The Sun” (1951), “Gaslight” (1944), “Out Of The Past (1947) , “Modern Times” (1936), “The Day The Earth Stood Still (1951) and “The Magnificent Seven” (1960), with appearances by Fonda, Barbara Hershey, Carol Burnett, John Turturro and many more.
Thursday-May 3. TCL Chinese Theatre IMAX, 6925 Hollywood Blvd.; Hollywood Roosevelt Hotel; TCL Chinese 6 Theatres multiplex, 6801 Hollywood Blvd.; El Capitan Theatre, 6838 Hollywood Blvd.; Egyptian Theatre, 6712 Hollywood Blvd. filmfestival.tcm.com

Arts anywhere

New and recent releases of arts-related media.

French Violinist Renaud Capucon, seen performing during the 2024 Paris Olympics, has a new live album featuring the works of composer Ernest Chausson.

(Kristy Sparow / Getty Images)

Chausson
This concert album pairs two pieces by French Romantic composer Ernest Chausson: “Concerto for Violin, Piano and String Quartet, Op. 21.,” performed by violinist Renaud Capuçon, the late pianist Nicholas Angelich and the Ébène Quartet, and “Poème” for violin and orchestra, featuring Capuçon and the Brussels Philharmonic led by conductor Stéphane Denève. The show was recorded live in 2020. Warner Classics/Erato: Digital ($10) and CD ($17).

The City Unseen
Emmy-winning producer-director Daniel Sackheim, whose credits include “Law & Order,” “The X-Files” and “The Americans,” is also a serious photographer. His new book of black-and-white images casts Los Angeles as the protagonist in a noir landscape of nocturnal beauty where its darkest secrets lurk in the deepest shadows. Hat & Beard Press: 108 pages, $60.

International Jazz Day
The 15th annual event is Thursday in Chicago, but you can celebrate early with PBS’ broadcast of last year’s International Jazz Day All-Star Concert from Abu Dabai. Hosted by Jeremy Irons, the lineup includes Herbie Hancock, Dee Dee Bridgewater, Kurt Elling, Jose James, John McLaughlin, Helene Mercier, Danilo Perez, Arturo Sandoval and more.
10 p.m. Friday. PBS SoCal and streaming at pbssocal.org

— Kevin Crust

Culture news and the SoCal scene

Attendees walk around the Los Angeles County Museum of Art’s new David Geffen Galleries in Los Angeles on Sunday, April 19, 2025.

(Ariana Drehsler/For The Times)

The Los Angeles County Museum of Art news did not stop last week as it threw a glitzy opening gala for the new David Geffen Galleries, and — a few days later — welcomed members for previews prior to opening its doors to the general public on May 4. I attended the gala and checked in with a number of wonderful artists, including Mark Bradford, Ed Ruscha and Jeff Koons, about their thoughts on the new building. Then, on Sunday, we sent a team to get member reactions to the new space. Later in the week we published critic Leah Ollman’s review of the inaugural installation. Spoiler alert: Nope, not gonna give you one. You’ll have to read it.

We also ran a lovely profile by contributor Tara Anne Dalbow about Eileen Harris Norton whose jaw-dropping art collection is currently on display at Hauser & Wirth in downtown L.A. “Few people have done more to shape Los Angeles’ art scene than Eileen Harris Norton,” writes Dalbow. “The third-generation Californian, born and raised near Watts Towers in South Los Angeles, bought her first artwork at the Baldwin Hills Crenshaw Plaza, co-founded Art + Practice in Leimert Park, and has spent 50 years collecting artists who were, in many cases, her friends and neighbors.”

Joey Stromberg and Jenny Soo in “For Want of a Horse” at the Echo Theater Company.

(Cooper Bates)

Times theater critic Charles McNulty was — as always — incredibly busy, publishing two reviews and a feature in the past week. First up, his take on “For Want of a Horse” by Olivia Dufault, currently receiving its world premiere in an Echo Theater Company production at Atwater Village Theatre. “The subject is zoophilia, not to be confused with bestiality, though for many of us it will be a distinction without much of a difference,” McNulty writes. Curious? Read on.

McNulty also delivered a thoughtful profile Nicholas Christopher, who he dined with on a recent trip to New York. “A new Broadway star emerges each season, and this year the spotlight has alighted on Nicholas Christopher, who has been dazzling audiences and insiders alike as part of the awe-inspiring triumvirate powering the thrilling new revival of the musical ‘Chess,’” McNulty writes.

Finally, McNulty reviewed “Eat Me,” by Talene Monahon, having its world premiere at South Coast Repertory. A fan of Monahon‘s previous work, McNulty was not as impressed at he would have liked. The play, he writes, “is a relentlessly quirky work that gorges on its own dark whimsy.”

In other news, I got the scoop that new media artist Refik Anadol’s museum of AI arts, Dataland has set its opening date for June 20.

Elinor Gunn in “Joan” at South Coast Repertory. SCR has announced its 2026-27 season.

(Scott Smeltzer)

South Coast Repertory announced an expanded 2026-27 season, featuring nine productions, including “Hamlet,” starring Raymond Lee; Stephen Sondheim and James Lapine’s “Into the Woods;” Lauren Yee’s “Mother Russia;” and Oscar Wilde’s classic, “The Importance of Being Earnest.” “The 2026-27 season reflects programming changes established in SCR’s recently adopted strategic plan, which includes more classics, modern masterpieces and the continuation of an annual musical on the Segerstrom Stage,” a news release notes.

“GUAC,” the heartbreaking one-man show by a father who lost his son in the 2018 Parkland school shooting, returns Tuesday to Center Theatre Group’s Kirk Douglas Theatre after playing to a packed house last September. Manuel Oliver’s devastating plea for gun control runs for three weeks only, through May 17.

— Jessica Gelt

And last but not least

If you’re sad that you missed Coachella, this story about how much people paid to attend will make you feel all better.

WASHINGTON — President Trump has turned to naval blockades to pressure the governments of Venezuela, Cuba and now Iran to meet his demands, but his preferred tactic is confronting a very different reality in the Middle East than in the Caribbean.

Unlike Cuba or Venezuela, Iran choked off a crucial trade route for energy shipments, meaning the longer the standoff persists, the more the global economy will suffer. Tehran also poses a greater military threat than those two adversaries in America’s own hemisphere and requires a sustained military presence far from U.S. shores.

Iran’s leverage over the Strait of Hormuz gives it power during a shaky ceasefire because the widening economic risks, especially higher U.S. gas prices in an election year, could force the Republican president to end the blockade on Iran’s ports and coastline, experts say.

“It’s really a question now of which country, the U.S. or Iran, has a greater pain tolerance,” said Max Boot, a military historian and senior fellow for national security studies at the Council on Foreign Relations.

Iran presents ‘major differences’ from other blockades

The effectiveness of Trump’s use of the world’s most powerful navy to block the trade of Iran’s sanctioned oil and other goods is very much up for debate. But it certainly appears to be intensifying as the war grinds on.

The U.S. military on Thursday announced the seizure of another tanker associated with the smuggling of Iranian oil, a day after Iran’s paramilitary Revolutionary Guards took control of two vessels in the crucial waterway.

Trump also announced he has ordered the U.S. military to “shoot and kill” Iranian small boats laying sea mines in the strait.

But the situation in Iran is not exactly analogous to what is playing out with the U.S. operations in Venezuela and Cuba.

Some experts say Trump’s success in Venezuela probably had more to do with the U.S. military raid that captured leader Nicolás Maduro than American warships seizing sanctioned oil tankers to enforce U.S. control over the South American country.

A U.S. oil embargo on Cuba, meanwhile, has caused the island’s most severe economic crisis in decades. While U.S. and Cuban officials have met recently on the island for rare talks, the financial strangulation has failed to produce the Trump administration’s stated goal of leadership change.

“I do think that the success of the Maduro mission in Venezuela has probably emboldened the president,” said Todd Huntley, director of Georgetown University’s National Security Law Program.

That does not make the situations in Venezuela and Iran similar — geographically, militarily or politically. “There are some major differences,” said Huntley, a retired Navy captain and judge advocate general.

While the blockade against Iran has delivered a severe blow to its economy, including stopping freighters from importing various supplies, the country has still been able to move some of its sanctioned oil, ship-tracking companies say.

Iran has rejected Trump’s demands to reopen the strait, where 20% of the world’s oil normally flows, and it has been firing on ships again this week. Stalled shipments through the strait have sent gasoline prices skyrocketing far beyond the region and raised the cost of food and a wide array of other products, creating a political problem for Trump before the November’s elections.

“Blockades are usually just one tool of a mechanism used in a conflict,” said Salvatore Mercogliano, a maritime history professor at Campbell University in North Carolina. “They can be important. But it’s only one element. And I don’t think it’s going to be enough to convince the Iranians.”

Effectiveness of U.S. blockade called into question

Adm. Brad Cooper, head of U.S. Central Command, claimed last week that “no ship has evaded U.S. forces.” The command overseeing the Middle East said it has directed 31 ships to turn around or return to port as of Wednesday.

Merchant shipping groups are skeptical.

Lloyd’s List Intelligence said “a steady flow of shadow fleet traffic” has passed in and out of the Persian Gulf, including 11 tankers with Iranian cargo that have left the Gulf of Oman outside the strait since April 13.

The maritime intelligence firm Windward said this week that Iranian traffic continues to flow “via deception.”

Iranian ships have several ways to sneak through the blockade, including spoofing their location tracking data or traveling through Pakistani territorial waters, Mercogliano said. He also noted that the sheer volume of shipping traffic the military needs to screen is a challenging task.

Blockades require patience to work

The last time the U.S. mounted a blockade similar to the one focused on Iranian ships was during the Kennedy administration in the early 1960s, against Cuba, Huntley said.

“And it wasn’t even called a blockade,” he said. “We called it quarantine.”

Some naval blockades over the course of history have had an impact, such as Britain’s blockade on Germany during World War I. “But they tend to be very long-term impacts, whereas Trump is looking for short-term, quick results,” according to Boot, the military historian.

He said Trump probably saw the blockade on sanctioned oil tankers tied to Venezuela as playing a large role in the success of leadership changes in that country. But Boot said it had more to do with the U.S. ousting Maduro and the subsequent cooperation from his vice president, Delcy Rodríguez, who is now the acting president.

“There is no Delcy Rodríguez in Cuba or Iran,” Boot said. “I think his success in Venezuela led him astray, thinking that this was a template that could be replicated elsewhere. He sees it as a huge success at little cost. And, in fact, it turns out to be a unique set of circumstances.”

Finley, Klepper and Toropin write for the Associated Press.

Sylmar coach Ray Rivera is smiling. His favorite major league team, the San Francisco Giants, beat the Dodgers twice this week with great pitching. And his favorite high school team, the Spartans, swept a two-game series from Sun Valley Poly with their own great pitching to move three games up in the Valley Mission League race with four to play.

Sylmar pitchers gave up no runs in 14 innings this week. After Matthew Torres threw a no-hitter on Monday against Poly, Alex Martinez took the ball Thursday and recorded six shutout innings in a 10-0 win over the Parrots. He gave up three hits and struck out five.

Tim Sepulveda finished with three hits. Sylmar is 17-6 and 10-1 in league.

Verdugo Hills 10, San Fernando 4: Anthony Velasquez had a two-run double and finished with three RBIs for the Dons.

El Camino Real 5, Chatsworth 1: Ryan Glassman had two hits and two RBIs and Shane Bogacz finished with two hits, including an RBI double, for El Camino Real. Hudson December gave up one hit in five innings.

Taft 5, Cleveland 2: Victor Jara had a two-run single to lead the Toreadors.

Bell 3, Garfield 1: Jayden Rojas struck out six in six innings. He also had two hits.

Sherman Oaks Notre Dame 8, Sierra. Canyon 5: The Knights ended a six-game losing streak. Jake Noroian had three hits and Jacob Madrid homered.

Alta Loma 2, South Hills 0: Logan Stein threw a one-hit shutout.

Thousand Oaks 4, Westlake 3: Preston Lee contributed an RBI single to break a 3-3 tie in the seventh and lift Thousand Oaks to victory.

Oaks Christian 6, Agoura 5: The Lions scored two runs in the bottom of the seventh to win. Ryan Sheffer tied it with an RBI single and KJ Henrich won it with an RBI single. Carson Sheffer finished with two doubles. Tyler Starling homered for Agoura.

Villa Park 4, La Serna 0: Logan Hoppie struck out six and gave up two hits in six innings.

Aliso Niguel 3, San Clemente 1: Chad Alderman threw a complete game and Henry Drews had three hits.

Softball

Anaheim Canyon 4, Garden Grove Pacifica 1: Kelsey Perez struck out 11 for Canyon.

Carson 4, San Pedro 3: Ashannalee Titialii had two hits and Simi Mafoe homered for Carson.

Chaminade 7, Sierra Canyon 4: Siena Greenlinger had two hits and two RBIs.

Xavier Becerra needed to land a knockout punch, even more so than the five other candidates for California governor he was facing at Wednesday night’s debate.

Instead, he fired off some slaps.

He needed to roar about his many accomplishments in his 35-year career in Sacramento and Washington, to distinguish himself from the relative political neophytes around him.

Instead, Becerra recited his resume with the vigor of someone rattling off his LinkedIn page.

He needed to uplift Californians with a vision of hope, when many feel the state is going in the wrong direction.

Instead, he offered the oratory equivalent of a pat on the shoulder.

No candidate had more at stake that night than Becerra, who went from an afterthought to a contender after Eric Swalwell dropped out and resigned his congressional seat over sexual assault allegations.

Five weeks ago, Becerra and other candidates of color were protesting their exclusion from a USC debate because they were all polling so low. Now, the 68-year-old has a chance to become California’s first Latino governor.

This possibility seems to have uncorked California’s silent majority — the rancho libertarians turned off by hard-right politics but also the wokoso politics they feel have left them behind. The people who yearn for an unglamorous, competent leader after eight years of all-about-me Gavin Newsom and a decade of Donald Trump.

Becerra’s campaign, once as rudderless as a leaf in a river in a race so chaotic for Democrats that many feared two Republicans would win on June 2 and face each other in the general election, suddenly latched onto a palpable wave.

At the Los Angeles Times Festival of Books last weekend, I saw people sporting Becerra campaign buttons who had just come from a rally that was expected to draw a few hundred but instead had over 2,000 RSVPs. On social media, friends who had never especially cared for state politics suddenly declared they were for Becerra and fought off their more lefty pals who think he’s a Latino Ned Flanders not up for this fraught moment.

Unglamorous and competent are Becerra’s middle names, and they were on display at the debate — for better and mostly worse. This was his chance to show both his new followers and undecided voters that they could trust him as California’s next governor.

But where he needed to be limber like a prizefighter, the former California attorney general was as tightly wound as a Rolex.

While the other candidates pressed their palms against the podiums, ready to pounce on every question, Becerra clasped his hands like an altar boy. When he did gesture, his movements never went further than the span of his shoulders.

As the others grinned and grimaced at their rivals’ responses, Becerra was as stone-faced as Buster Keaton. He stumbled more than he should have — how could someone in his position mistake Iraq for Iran when criticizing Trump’s Middle East quagmire? — and rarely seemed at ease, as if the weight of the moment and the good luck of his surge had suddenly hit him at the worst possible time.

Candidates in California’s gubernatorial race, from left, Matt Mahan, Xavier Becerra, Chad Bianco, and Steve Hilton look on during a debate Wednesday, April 22, 2026, in San Francisco.

(Jason Henry / Associated Press)

Becerra’s supporters say a level-headed leader is what California needs. But voters almost never go for what they need — they pick what they want. And California wants someone who’s loud, or at least louder than Becerra. There’s a reason why strident partisans like Republicans Chad Bianco and Steve Hilton and progressives Tom Steyer and Katie Porter have consistently placed high in the polls, while moderates like Becerra, his frenemy Antonio Villaraigosa and San Jose mayor Matt Mahan have lagged.

The weird thing is that Becerra does know how to brawl. Wallflowers don’t go from a working class Mexican immigrant family to Stanford Law School. Wimps don’t survive the ruthlessness of Eastside politics as an outsider to become a congressmember at just 34. Cowards don’t file over 100 lawsuits against the Trump administration as California’s top prosecutor or tackle the coronavirus pandemic as President Biden’s health secretary.

I’ve only encountered the Sacramento native a few times but always came away impressed. In small crowds, he makes people laugh and tear up. He’s quick with ripostes, righteous in off-the-cuff remarks and has a do-gooder aura that never comes off as sanctimonious.

We saw hints of that Becerra at the debate. To Hilton, he quipped, “You can be a talking head and not worry about the consequences of what you do” after the former Fox News host babbled on about how one-party ruled had failed California.

After Porter accused him of not offering hard numbers for his economic plans, Becerra responded that he has balanced federal budgets larger than California’s. “It’s easy to say you haven’t done this; it’s easier to prove that you actually have,” he concluded.

But after Becerra described the evils of racial profiling by law enforcement and Bianco, the sheriff of Riverside County, ranted that California politicians need to stop thinking so much about race, it was Porter who responded with a verbal haymaker as Becerra silently looked on.

You don’t fight as a choirboy in a battle royale. Becerra wasn’t bad at the debate but he also wasn’t great — and that won’t win this race.

Voters want someone who’ll do the job, yes — especially if it comes with no drama. They also want to elect someone they think is a human, not a joyless bureaucrat. So how did Becerra respond to the debate’s last question about what was the last series you’ve streamed?

Becerra flashed his biggest smile of the night. It was such a softball query that even a kindergartener could have slammed it à la Shohei Ohtani.

“I wish I could tell you I had time to watch streaming shows,” he replied.

Dude. We’re all overworked, but everyone I know unwinds by watching mindless drivel (my current obsession is “Vanderpump Villa”). We all need to relax, even for a moment. As my dad says when he sees me filing one columna after another and urges me to take a break, “El trabajo nunca se acaba pero uno sí se acaba.”

Work never ends, but people do.

Xavier, you know you’re on the wrong side of California when the only other candidate with a similar answer was Bianco, who said he doesn’t watch television at all.

Being careful has served you well, but this is the greatest opportunity of your life. You don’t have to suddenly become a flamethrower, but some sparks would help. It’s six weeks until the primary, so time to throw down — channel your inner cholo and go get what should be yours.

Michael Jackson’s famous clan stepped out to celebrate the premiere of the new “Michael” biopic, but some of the Jacksons snubbed the event and have opposed the film.

On Monday at the Dolby Theatre in Hollywood, several members of the Jackson family gushed about the Antoine Fuqua-helmed film, which depicts the origin story of the King of Pop and follows the hitmaker from childhood through his upward trajectory to superstar status in the 1980s.

Michael Jackson’s nephew Jaafar Jackson, son of Jermaine Jackson, starred in the title role, and his aunts and uncles dropped accolades for his performance in red carpet interviews. Marlon Jackson said, “Watching the movie, sometimes we think we’re watching Michael up there, that’s how good he is.”

La Toya Jackson called his performance “absolutely excellent” and echoed Marlon, saying that she forgot she was watching Jaafar: “I thought I was watching my brother.”

But not all of the Jacksons were up for celebrating the film. Most notably absent were the “Beat It” singer’s pop star sister, Janet Jackson, and his daughter, Paris Jackson. The eldest of the siblings, Rebbie Jackson, also skipped the event. And although the film includes portrayals of many of the Jackson siblings, some also asked to be left out of the biopic, including Janet.

“I wish everybody was in the movie,” La Toya Jackson told Variety at the premiere. “She was asked and she kindly declined, so you have to respect her wishes.”

Last month, rumors began to swirl that the “All for You” singer attended a family screening of the film and wasn’t pleased. Page Six reported that Janet and Jermaine got into a spat, with Janet critiquing almost every scene.

At Monday’s premiere, “Entertainment Tonight” asked La Toya about the controversy, which she was quick to shut down. “There was absolutely no problem whatsoever, none whatsoever,” she said. “Please believe it.”

Although both of Michael Jackson’s sons, Prince and Bigi, have supported events for the film (Prince attended Monday’s premiere, and Bigi attended a Berlin premiere last week), and Prince served as an executive producer and was regularly on set, Paris Jackson has been vocal about her lack of involvement.

Last year, she posted on social media that she gave feedback on an early draft of the film, but her notes weren’t addressed. “I’ve left it alone,” she said. “It’s not my project, they’re going to make whatever they’re going to make.”

Paris Jackson, who works in the entertainment industry as a model, actor and musician, said she had stayed quiet about her feelings toward the “sugar-coated” project because she knew many people would be happy with it. “The film panders to a very specific section of my dad’s fandom that still lives in the fantasy,” she said.

“The thing about these biopics is, it’s Hollywood. It’s fantasy land. It’s not real, but it’s sold to you as real,” she continued. “The narrative is being controlled, and there’s a lot of inaccuracy, and there’s a lot of full blown lies, and at the end of the day, that doesn’t really fly with me.”

In earlier drafts of the “Michael” script, plot points included sexual abuse allegations brought by 13-year-old Jordan Chandler in 1993. Reportedly, the Michael Jackson estate became aware of a contract that legally barred the dramatization of the Chandler family and had to scrap parts of the script.

The film was originally set to premiere last year, but the production needed a new ending and weeks of reshoots to make the new iteration of the film work. In the version that hit theaters this week, “Michael” concludes in 1988, with a teaser for a potential Part 2.

Colman Domingo and Nia Long, who portray Michael Jackson’s parents, Joe and Katherine Jackson, appeared on “Today” this week and addressed the elephant in the movie theater.

“The film takes place from the ‘60s to 1988, so it does not go into the first allegations,” Domingo said. “Basically, we center it on the makings of Michael. So it’s an intimate portrait of who Michael is … through his eyes. So that’s what this film is.

“And there’s a possibility of there being a Part 2 that may deal with some other things that happen afterward,” he continued. “This is about the making of Michael, how he was raised, and then how he was trying to find his voice as an artist and be a solo artist.”

Long added that there might be a sequel, “if the price is right.”

WASHINGTON — Iranian forces attacked three commercial vessels in the Strait of Hormuz on Wednesday, stoking an already tense standoff in the Persian Gulf as a U.S. naval blockade strains Tehran’s economy and pressures its divided leadership to return to peace talks.

The Islamic Revolutionary Guard Corps, or IRGC, claimed responsibility for the attack, saying it seized two ships and damaged a third after the vessels “ignored repeated warnings.” British maritime monitors confirmed the incidents, describing one cargo ship left disabled in the water and another that took heavy damage to its bridge.

“Disrupting order and safety in the Strait of Hormuz is considered a red line for Iran,” the Iranian Navy Command said in a statement.

Hours before, President Trump confirmed he would maintain the naval blockade in the gulf, but agreed to give Iranian leaders additional time to agree on a new peace proposal, he wrote in a Truth Social post.

“Based on the fact that the Government of Iran is seriously fractured, not unexpectedly so and, upon the request of Field Marshal Asim Munir, and Prime Minister Shehbaz Sharif, of Pakistan, we have been asked to hold our Attack on the Country of Iran until such time as their leaders and representatives can come up with a unified proposal,” Trump wrote Tuesday.

More than a dozen American warships have prevented exports from leaving Iranian ports since peace talks in Islamabad failed earlier this month. The tactic has greatly constrained Iranian oil exports — about 90% of which flow through the Strait of Hormuz — contributing to rising inflationary pressure.

The restrictions could wipe out roughly $435 million in daily economic activity, according to Miad Maleki, a senior fellow at the Foundation for Defense of Democracies. Oil exports, Tehran’s primary revenue source, have halted. At the same time, Iran has been unable to import food or industrial goods. As a result, the blockade is expected to empty Iran’s war coffers and sharply accelerate inflationary effects on its people.

Trump is betting that the strategy will force Iran’s fractured negotiating team — which appears to be split between parliamentary moderates and hard-liners within the Revolutionary Guard — to agree on a “unified” peace proposal.

Karoline Leavitt, the White House press secretary, said Wednesday the president extended the ceasefire agreement to allow Iran to get their “act together,” and emphasized that Trump has not given Iran a “firm deadline” to respond yet.

“President Trump will ultimately dictate the timeline and he will do so when he feels it is in the best interest of the United States and the American people,” Leavitt told reporters.

Though she declined to specify who the administration is negotiating with in Iran, Leavitt said the president was “generously offering a bit of flexibility” to the regime so that they can come up with a unified response.

“This is a battle between the pragmatists and the hard-liners in Iran right now,” Leavitt told reporters at the White House.

That division was visible earlier this week when plans for a second round of talks in Islamabad collapsed after Iranian officials failed to confirm participation and instead introduced new preconditions under pressure from hard-line factions.

Iranian Parliament Speaker Bagher Ghalibaf initially signaled a willingness to attend talks, but was overshadowed by Islamic Revolutionary Guard Corps commander Maj. Gen. Ahmad Vahidi, who insisted that the United States lift its blockade before discussions could begin. A report by the Institute for the Study of War said Vahidi sought to derail negotiations rather than secure meaningful economic relief.

“One challenge with the ongoing negotiations is the divided nature of Iran’s negotiating team,” the report said, adding that “[Trump’s] reference to a ‘unified’ proposal appears to imply that previous proposals were not unified in some way.”

And while hard-liners continue attempts to derail diplomacy with continued demands and attacks in the strait, moderates in Iran continue to push for peace.

This week, prominent Sunni cleric Moulana Abdol Hamid called a “fair agreement” the only viable path forward and warned that those who seek to block negotiations would bear responsibility for the “homeland’s devastation.”

Benjamin Radd, a political scientist at UCLA who studies Iran, said the dispute is a sign of a larger power struggle for control of Tehran’s government.

“There are clear divisions within the leadership,” Radd said in an interview. “Right now, it’s the IRGC faction that has all the power. They have the guns, they have the weapons. What they don’t have is the diplomatic connections and experience dealing with the United States.”

Radd pointed to the economic toll of the U.S. blockade as a key driver of tension inside Iran.

“They’re facing a huge domestic crisis,” he said. “They’re not able to replenish their own needs. Nothing can get in or out of the country. They can’t make any money.”

The consequences of the U.S. strategy could push the more moderate Iranian leaders to strike a deal on nuclear enrichment or a reopening of the strait in exchange for the United States lifting the blockade, Radd said.

“That would start rebuilding some sort of trust,” Radd said. “And then we’re seeing the IRGC is basically steadfast, refusing to do any of this.”

With renewed Israeli attacks in Lebanon killing at least three people Wednesday, despite a 10-day ceasefire agreement, Iranian leaders are preparing for the possibility that talks with the United States will fail altogether.

“Iran has prepared for a new phase of fighting,” the IRGC-affiliated Tasnim News Agency reported this week, citing military redeployments and updated target lists.

Meanwhile, Iranian Judiciary Chief Gholam Hossein Mohseni Ejei warned that renewed U.S. or Israeli strikes were likely. Iran Foreign Ministry spokesman Esmaeil Baghaei made a similar statement in a news briefing Wednesday. He announced the country’s armed forces were “on high alert” and ready to defend against any threat, while being open to Pakistan’s mediation efforts.

He did not confirm if the government was participating in a second round of negotiations.

“Diplomacy is a tool for ensuring national interests and security,” he said, “and we will take the necessary steps whenever we conclude that the necessary and logical grounds exist to use this tool to achieve national interests.”

Until then, it appears both Washington and Tehran will continue brinkmanship in the strait.

On Wednesday morning, the IRGC released a statement confirming it seized the two cargo ships and identified them as the MSC Francesca and the Epaminondas. It claimed the MSC Francesca was linked to Israel and accused both of “jeopardizing maritime security by operating without necessary permits and tampering with navigation systems.”

A third ship, the Euphoria, which sails under the Panamanian flag and is owned by a company based in the United Arab Emirates, was fired upon early Wednesday while heading east out of the Strait of Hormuz, according to Vanguard, a maritime intelligence firm.

The Euphoria later resumed sailing toward the Gulf of Oman, according to Lloyd’s List.

In Lebanon, Amal Khalil became the fourth journalist killed by Israeli fire since hostilities with the Lebanese Shiite militant group Hezbollah intensified on March 2.

Khalil’s body was reported to have been found under the rubble of a house where she and freelance photographer Zeinab Faraj were sheltering, according to their colleagues.

Khalil and Faran were in the southern Lebanese town of Al-Tayri, covering developments there when an Israeli attack targeted the vehicle in front of them, killing its occupants.

The two journalists then sheltered in a house but were hit by Israeli fire once more, according to a statement from the Lebanese Health Ministry.

When Red Cross crews scrambled to the area to rescue the trapped journalists, they were targeted with a sound bomb and machine-gun fire.

The Israeli military said it was not preventing rescue teams from reaching the area and that the incident was under review. It acknowledged targeting a vehicle it said had come out of a structure used by Hezbollah and was heading toward Israeli troops.

The Red Cross reached the house by the early evening local time, and rescued Faraj, who is reported to be in stable condition after undergoing surgery for a head wound, according to her colleagues.

Times staff writers Ana Ceballos in Washington and Nabih Bulos in Beirut contributed to this report.

Production on Season 5 of “The Secret Lives of Mormon Wives” will resume after filming was halted weeks ago amid a domestic violence investigation involving star Taylor Frankie Paul, The Times has learned.

Filming on the Hulu reality series paused in mid-March after the Draper City Police Department in Utah launched an investigation that involved Paul and her ex-boyfriend Dakota Mortensen and stemmed from an alleged incident in February. It was later revealed that Paul was under investigation for an alleged third domestic violence incident involving her and Mortensen in 2024, which was being led by police in West Jordan, Utah. The Salt Lake County district attorney’s office announced last week it would not be filing charges against Paul.

It has not been disclosed when cameras will pick back up or whether Paul or Mortensen will return to the series. In addition to Paul, the main cast includes Whitney Leavitt, Mayci Neeley. Jessie Draper, Jen Affleck, Mayci Neeley and Miranda McWhorter.

Paul was previously arrested in 2023 for another incident with Mortensen, which was partially documented on Season 1 of “Mormon Wives.”

“Here come the ugly parts of what healing actually looks like,” Paul wrote in a lengthy post Sunday on Instagram. “If you know me you know I’ll admit my parts, flaws, and faults. I’m well aware thats apart of it. We’ll get there. This public atrocity that I not only lived through once but twice now, on even a bigger scale was ultimately the cost to my freedom. I wouldn’t wish this upon my worst enemy or even the ones who publicized it. I cried on my knees in pain while also saying THANK YOU 🙏🏼”

When the investigation tied to the alleged February incident was made public, a video from the events involving the 2023 incident — showing Paul throwing barstools at Mortensen while her young daughter was present — was leaked to TMZ. It quickly led to ABC pulling Paul’s season-headlining “The Bachelorette” just three days before its March 22 premiere.

JUST a few hours from the UK is a vibrant Spanish city that holds an uncanny resemblance to Cuba’s Havana.

Cadiz, that sits on the coast of southern Spain, is the perfect mix of city by sea, not to mention it’s seeing soaring temperatures this week.

Follow The Sun’s award-winning travel team on Instagram and Tiktok for top holiday tips and inspiration @thesuntravel.

Cadiz is nicknamed the “Cuba of Europe” thanks to its tall, colourful architecture and narrow cobbled streets.

It has a vibrant carnival culture too, holding one of Spain’s ‘most vibrant’ festivals with street parties, music, and elaborate costumes.

Meanwhile, Havana annually holds the second largest carnival in Cuba.

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Cadiz has its sea-facing promenade Campo del Sur, and Cuba has El Malecón – both have similar looks with pastel-coloured buildings and of course sit by the ocean.

For Brits, Cadiz is much easier to explore with it being in Spain and as little as two and a half hours way rather than as many as 16 hours to Havana.

The city in Spain gets weather too – this week, it’s seeing highs of 25C.

In peak summer months, Cadiz gets average highs of 28C and usually no rain.

When it comes to dining out Cadiz is a great spot as it’s pretty cheap – you can get a beer from €3 (£2.61), coffee from €2.17 (£1.89) and a meal at an inexpensive restaurant from €14.50 (£12.61), according to numbeo.

A few years ago, Cadiz was named one of the cheapest places in Spain for a city break.

And when one Travel Writer visited, she hopped on public transport for as little as €1 (87p) and picked up bottles of wine for less than €4 (£3.48) at the supermarket.

As for the city’s food scene, visitors will often find restaurants serving traditional Andalusian tapas like tortillitas de camarones – crispy fritters made with tiny local shrimp.

Or if you fancy living like the locals do, head to Mercado Central de Abastos which is Spain‘s oldest covered market where you’ll find lots of fresh food.

Earlier this year, Cadiz was even named as one of the top 25 places to visit across the globe by Lonely Planet.

It said: “Cádiz’s Carnaval is Spain’s biggest annual party, bringing extravagantly costumed revelers to its streets for 10 days of parades, fireworks, singing and dancing in February or March, to the accompaniment of more than 300 local murgas (bands).

“Pack a costume and book your accommodations months in advance or commute from nearby El Puerto de Santa María.”

For more on Spain – here are some of our favourite holiday spots…

*If you click on a link in this box, we will earn affiliate revenue.

Hotel Best Punta Dorada, Salou

The Spanish resort is a popular destination near PortAventura World, a theme park with over 40 attractions and huge rollercoasters. It’s also close to sandy beaches like Platja de Llevant, and the scenic Camí de Ronda coastal walk.The hotel itself has an outdoor swimming pool to enjoy, as well as two bars along with evening entertainment and shows.

BOOK HERE

Sun Club El Dorado, Majorca

With its palm tree-lined pool and Mediterranean backdrop, it’s a miracle this Majorca resort is so affordable. Expect a classic family holiday feel – where days revolve around soaking up the Spanish sunshine, chilling by the spacious pool and sipping on frozen cocktails. Set away from the busier resorts, it’s a good option if you’re after a more out-of-the-way escape.

BOOK HERE

Magic Aqua Rock Gardens, Benidorm

The Magic Aqua Rock Gardens Hotel is African-themed and less than a mile from the beach. It has two outdoor pools, including a children’s freshwater pool with a waterfall and a tipping water bucket for the little ones. There’s also an aquapark with slides, and a kids club for both younger children and teens.

BOOK HERE

Globales Montemar, Ibiza

For a calmer side of Ibiza, this hillside resort has two pools, a kids’ splash zone, and an all-inclusive buffet with a poolside bar. It’s a 10-minute walk from Cala Llonga’s shallow turquoise bay, offering a scenic, family-friendly base away from the island’s main party zone.

BOOK HERE

When it comes to what to see, Travel Reporter Jenna Stevens who recently visited the city, gives her verdict.

She said: “In Spain’s quieter Costa de la Luz, sunny Cadiz is where the locals like to holiday – and has even been compared to the likes of Cuba.

“The southern Spanish city has the best of Andalusian culture, with charming narrow streets overlooked by the impressive 18th century Cádiz Cathedral.

“The cathedral itself is well worth a visit, with an £7 ticket granting you access inside, as well as the top of the tower, the crypts and exhibitions.

“Plus this area comes alive in the evenings, with a vintage carousel in the same plaza and buskers playing the guitar.

“When you’re not strolling the narrow streets lined with tapas bars and cafes, you must make sure to tick off the beaches in Cadiz.

“Playa la Caleta is a small stretch of sand that sits between two castles (and was used to film that Halle Berry moment in James Bond) whilst Playa Victoria has white sand and a lengthy promenade to stroll.”

For those who want to organise a getaway to Cadiz you can get flights from £38 departing from London Stansted in May with Jet2.

The cost is slightly more expensive it you want to go immediately with one-way flights this week starting from £54 from Birmingham (involving a long stop-over in Majorca).

You can’t fly directly to Cadiz, but the nearest airport, Jerez, is just a 35-minute drive away.

For anyone heading on holiday soon, here’s the cheapest family summer holiday destination from every region of the UK – from Costa Brava to Morocco.

And here is Spain’s best all-inclusive resort where EVERYTHING is included from complimentary Mini cars to poolside cocktails.

Amid the bustle and glitz of last week’s CinemaCon in Las Vegas, one question loomed over the annual trade convention — how will the proposed Paramount Skydance-Warner Bros. Discovery deal affect the movie theater business?

That anxiety showed up in a state of the industry speech from Cinema United trade group President Michael O’Leary, who reiterated his organization’s opposition to further industry consolidation.

It showed up in a trailer for Amazon MGM Studios’ upcoming film “Spaceballs: The New One,” when a voiceover poked fun at Hollywood studios “merging willy-nilly” as images of the Paramount sign and Warner Bros. water tower flashed across the screen.

And the subject again took center stage — literally — when Paramount Chief Executive David Ellison himself gave a speech during his studio’s presentation at Caesars Palace. He sought to reassure the assembled movie theater operators and exhibition executives that the combined company would indeed release a minimum of 30 films a year.

“I wanted to look every single one of you in the eye and give you my word,” he said during an onstage speech, in which he also committed to a 45-day theatrical window and 90-day period before films go to streaming services. “People can speculate all they want, but I am standing here today telling you personally that you can count on our complete commitment. And we’ll show you we mean it.”

It’s true that Paramount has nearly doubled its theatrical releases since Ellison took over. As he noted in his speech, the storied studio is now planning 15 films this year, up from eight in 2025.

But as I’ve written previously, theater owners and other studio executives question how releasing 30 movies a year across the combined Paramount-Warner Bros. would work — not only in terms of giving each film the proper marketing campaign to succeed in theaters but also because of the massive cost cuts that will inevitably occur once the merger is final.

Still, Ellison’s commitment to 30 films a year got a round of enthusiastic applause — and at least one high-profile boost.

A day earlier, AMC Entertainment Holdings Inc. Chief Executive Adam Aron told me in an interview that he backed Ellison’s takeover of Warner, saying he and AMC believed in the tech scion’s talent as a filmmaker and a movie executive, as well as his pledge to release those 30 films a year.

“We’re enthusiastic that David will fulfill his promises,” Aron said. “And that in the end, this will prove to be a good thing for our company and our industry.”

Not everyone shares that enthusiasm.

More than 4,000 people have now signed an open letter opposing the Paramount-Warner deal, arguing that consolidating two studios will lessen consumer choice and job opportunities for creatives, particularly at a time when Hollywood is already struggling. (Notable signatories include “Dune” director Denis Villeneuve, actors Glenn Close and Emma Thompson, as well as director and producer JJ Abrams.)

O’Leary of Cinema United similarly wasn’t convinced.

“While recent pledges attempt to address the threats of consolidation to our industry, they are not yet sufficient in addressing our concerns,” he said in a statement released hours after Ellison’s speech. “We remain open to tangible commitments that will ensure a vibrant global theatrical exhibition industry for years to come.”

Elsewhere at CinemaCon, the mood was upbeat.

Warner Bros. film chiefs Mike De Luca and Pam Abdy struck a triumphant tone after an award-winning year for the studio, capped off by the best picture win for “One Battle After Another.”

They unveiled footage from new films like the upcoming “Digger” from director Alejandro G. Iñárritu and brought out lead actor Tom Cruise to a sustained standing ovation from the audience. And both De Luca and Abdy espoused optimism for the future of the theatrical business. The studio plans to release 14 films this year and as many as 18 for 2027.

“The film business has always required smart betting, and we have 4 billion reasons from last year to think we’re holding the right cards,” De Luca said during the presentation, referring to the studio’s worldwide box office revenue last year.

“We all know they’re not all going to work. That comes with taking swings,” Abdy said of the studios’ films. “There’s no version of this business that’s risk-free. But our job is to step up, make our bets and own it when it doesn’t work.”

But the end of the presentation felt more somber, with the executives asking the heads of Warner Bros.’ labels to come to the stage and be recognized. Shortly after, they asked Warner Bros. employees in the audience to stand for applause. It was hard to escape the feeling that this may be the end of an era.

Stuff We Wrote

Film shoots

Number of the week

1,000

Last week, Walt Disney Co. began a sweeping round of layoffs that’s expected to cull 1,000 jobs across multiple divisions.

As my colleague Meg James reported, the cuts hit Disney’s television and movie studios, sports giant ESPN, its product and technology unit, corporate functions and marketing. Even Marvel Studios’ visual development team was affected.

The layoffs are one of the first major moves under new Disney Chief Executive Josh D’Amaro, who took the reins of the company last month. In a message to employees, he said the company needed to “constantly assess how to foster a more agile and technologically-enabled workforce to meet tomorrow’s needs.”

What I’m watching

Some friends and I watched “Fukushima: A Nuclear Nightmare” this past weekend, a truly eye-opening documentary that explains what happened during the March 11, 2011, nuclear accident and whether the world has learned anything from it.

Welcome to this week’s Lakers newsletter, where we’re playing chess, not checkers.

The intensity has picked up now that the playoffs have started. The Lakers won Game 1 against the Houston Rockets and now the fun begins. Coaches tinker with their game plans trying to capitalize on every perceived advantage. Players are locked in intense multi-game matchups. For a self-proclaimed basketball sicko such as JJ Redick, it’s almost basketball nirvana.

“Every day I wake up, I’m excited to go to work,” Redick said. “Every day feels exciting.”

Playoff DA

Days before the game, on the day of the game and the day after the Lakers’ playoff opener, Redick fielded different versions of the same question.

How influential will Deandre Ayton be in these playoffs?

“The ceiling for our team is maximized when he’s playing at a high level,” Redick said Monday, one day after Ayton’s 19-point, 11-rebound double-double highlighted the Lakers’ Game 1 win. “I remember saying that three times already in the last week. I don’t know how else to answer that.”

Facing consistent scrutiny as the Lakers’ biggest X factor, Ayton now needs to deliver consistent performances in the playoffs. Just one impressive performance won’t be enough to silence critics.

Ayton sent a solid statement in Game 1. In addition to shooting 80% from the field, Ayton helped hold Rockets All-Star center Alperen Sengun to 19 points on six-of-19 shooting. The Lakers’ defense, anchored by Ayton on the back line, smothered Houston. Playing without Kevin Durant, who was a late scratch with a right knee contusion, the Rockets shot just 37.6% from the field.

“I really tried my best to show [Redick] that I’m here and I’m ready throughout those practices just being super and extremely consistent,” Ayton said after the Lakers’ playoff opening win Saturday. “I couldn’t wait to just beat up on somebody else in the first game.”

In front of a buzzing Crypto.com Arena crowd, Ayton made his presence felt early. He scored the Lakers’ first points with a turnaround floater in the lane. He caught two two lobs for dunks. The Lakers’ crowd erupted each time.

Ayton, after two lost years in Portland, hadn’t experienced that thrill in too long.

“It got my blood boiling a little bit,” Ayton said of not playing in the postseason since 2023.

Ayton’s career was fading in Portland. He became known more for inconsistent play and lagging energy than his soft shooting touch or defensive prowess. He looked at the two-year, $16.6-million contract with a player option from the Lakers as a lifeline. It felt like the last chance for him to prove he could still be that player who started for the Phoenix Suns in the NBA Finals.

Ayton averaged 14.7 points, 12 rebounds and 1.5 blocks on 53.1% shooting in the 2021 Finals series against the Milwuakee Bucks. When speaking of Lakers players with playoff experience, LeBron James always leads the conversation, but Redick, conscious of Ayton’s importance to this team, never leaves out Ayton’s playoff past.

There is still a reason why Ayton was the No. 1 overall pick in 2018, center Jaxson Hayes said.

“When it comes to this serious time of year, like playoffs, he already knows,” Hayes said. “He’s been there, and so he knows what to do. He just came locked in. And I loved it. It was awesome.”

The Lakers were 22-3 in the regular season when Ayton took 10 or more shot attempts and 15-1 in games when he had 11 or rebounds. The trend continued in the playoffs when Ayton made eight of 10 shots in Game 1. He grabbed his 11th rebound in the final seconds.

Ayton’s dominance allowed Hayes to “take a chill day,” the backup center joked. But both big men aren’t resting on one successful game.

“We’re not gonna sit here and take this for granted,” Ayton said. “We have to take care of home court, and that’s our job.”

Gang’s all here

Luka Doncic, left, and Austin Reaves chat as they sit on the bench during Game 1 against Houston.

(Mark J. Terrill / Associated Press)

Each seat in Crypto.com Arena for Game 1 was carefully decorated with a yellow T-shirt featuring every Lakers player and Redick. Each photo, a little black-and-white headshot, was the same size arranged in a grid, symbolizing unity from everyone on the Lakers’ bench. On the free T-shirt and in real life, the Lakers brought the entire band together just in time for the playoffs as Luka Doncic reunited with the team Saturday.

The superstar guard is still out indefinitely while rehabbing a Grade 2 hamstring strain, but his presence on the bench at least offered a timely morale boost.

“I think people don’t know how much impact Luka has, not only on the court, but off the court,” forward Rui Hachimura said. “He’s a guy that always wants to be around with us. We love him just being around, just hanging out, talking. So, yeah, we’re happy that he’s back finally and he’s doing funny things always.”

While continuing treatment for his injury, Doncic’s role at practice was limited to rebounding and passing the ball in shooting drills. He and Reaves helped distract teammates during free-throw shooting drills at the end of practice Monday and engaged in a quick game of rock-paper-scissors while Jarred Vanderbilt was at the free-throw line. After their shared agent Bill Duffy helped Hayes get a Slovenian passport to potentially play internationally together, Doncic has been calling the 7-foot center from Cincinnati “my Slovenian brother.”

Doncic adds his joyful energy to a typically tense time. Maintaining that balance of lightness and focus has been key for the Lakers all season. Like how Redick often describes when Doncic is at his best, the Lakers look their best when they’re having fun too.

In the final seconds of Saturday’s Game 1, when the Lakers were dribbling out the clock, Hachimura was standing dutifully in the corner in front of the Lakers’ bench with his hands up ready for a pass. Doncic playfully smacked his teammate on the head several times.

Hachimura had no recollection of the moment. That’s just life with Doncic.

“I’m used to it,” Hachimura said.

On tap

Tuesday vs. Rockets, 7:30 p.m.

The Lakers have a chance to go up 2-0 in a playoff series for the first time since the 2020 NBA Finals.

Friday at Rockets, 5 p.m. PDT

The Lakers have lost nine consecutive road playoff games. The last postseason win on the road came in Game 1 of the second round in 2023 against Golden State. The Lakers won that series in six and advanced to the Western Conference finals.

Sunday at Rockets, 6:30 p.m. PDT

Maybe the Lakers are going for the sweep Sunday. If not, they will at least get two days’ rest before Game 5 back in L.A.

Status report

Luka Doncic (left hamstring strain)

Doncic is still out indefinitely but at least reunited with the team Saturday after returning from Spain. Redick said Doncic is in good spirits to be back with his teammates, and he sat on the bench for Saturday’s Game 1.

Austin Reaves (left oblique strain)

Reaves is working diligently with hopes of returning this postseason. Like Doncic, he had an initial four- to six-week recovery timeline, which would make April 30 the roughly four-week mark.

Kevin Durant (right knee contusion)

The Rockets superstar missed Game 1 after banging his knee in practice last week. He was a game-time decision Saturday and remains questionable for Tuesday’s Game 2.

Favorite thing I ate this week

Duck tsukune meatballs and wagyu beef tongue skewers from RVR in Venice.

(Thuc Nhi Nguyen / Los Angeles Times)

My friends heard conflicting opinions about RVR — a new izakaya on Abbot Kinney — so, naturally, we had to investigate.

Our verdict is all the thumbs up.

The menu rotates so often that between sitting down and ordering, our server handed us new menus because the kitchen got a different batch of produce from the farmers market that morning.

There were waves of small shareable plates and we started with the duck tsukune meatballs and wagyu beef tongue skewers (pictured). The meatballs are among the most popular dishes on the menu, our server told us. The beef tongue wasn’t popular at all, he said, but they were his favorite. We’re on his side. He said the beef tongue is brined for days in dashi, and the care shows in the beautifully tender pieces; we cut one of the cubes with the skewer that it came on.

We had a seasonal blood orange and fennel salad, pan fried pork rib gyoza that came with a unique yozu kosho sauce, and wagyu beef keema curry. The miso-orange glaze-soaked mochi beignets were the ideal sweet treat.

In case you missed it

Luka Doncic providing Lakers a big playoff boost, even from the bench

Luke Kennard provides a jolt of Luka magic, helping the Lakers beat the Rockets

Plaschke: Can Lakers steal series? Anything is possible after Game 1 win

Nike is denied trademark for Bronny James ‘b9’ logo. Here’s why

Swanson: Can LeBron James pull off his second-greatest playoff feat?

‘He knows the most’: How LeBron James sets the tone for Lakers entering playoffs

L.A.’s Blue Era: How popular are the Dodgers? Even the Lakers look up at them. Way up

Until next time…

As always, pass along your thoughts to me at thucnhi.nguyen@latimes.com, and please consider subscribing if you like our work!

Xavi Simons (Tottenham): I didn’t like the celebration when he scored against Brighton – I thought it was a bit too much, a bit Instagrammy. But Spurs have been poor of late and his quality and the X-Factor he showed with the assist and goal could be how they stay up.

I don’t think they will stay up – I’m really worried for them, but they need him to have five more games like that and that will give them the best chance. Maybe if the defenders started to defend they would have won the game instead of drawing it.

Bernardo Silva (Man City): In the biggest game of the season, with a Ballon d’Or winner in Rodri next to him, and facing Declan Rice – who people have talked about winning the Ballon d’Or – Bernardo Silva was the best player on the pitch as Manchester City beat Arsenal.

In key moments, he understood what the game required, grabbed the game by the scruff of the neck and said ‘we win today’. The biggest moment that pops into my head is a cross in the 83rd minute – Bernardo Silva against Viktor Gyokeres to win a header. Bernardo Silva wins it, and blasts Gyokeres in the meantime.

I think he is one of the biggest pieces for Manchester City to replace. Not just with his quality on the ball but also that leadership – it’s going to be hard to replace.

Rayan Cherki (Man City): My favourite player, as you know. The best player to watch in world football for me.

Look at that goal against Arsenal – he goes past Gabriel and Rice as if they are not there. The weight of body to transfer from right foot to left foot. When he shoots, you don’t know which foot is his strongest, he goes with his left foot past people, and scores with his right. He is just an unbelievable footballer.

Pep Guardiola has found another talent. And at 22, he is only going to get better. It’s quite scary when you think about how young this Manchester City team is.

Morgan Gibbs-White (Nottingam Forest): Very simple, you score a hat-trick – even if it is against Burnley – you’re in the team of the week. Captain’s performance. That’s all that matters.

Australian Hannah Green’s strong start to 2026 continued with victory in the JM Eagle LA Championship – her fourth triumph of the year.

In March, she became the first Australian to win the Women’s Australian Open since 2014, and lifted the LPGA’s Women’s World Championship and the Australian WPGA Championship.

In Los Angeles, Green holed a curling 12-foot birdie putt on the first play-off hole to win this LPGA Tour event for the third time in four years.

It was a stunning victory for Green given she had briefly been six shots adrift of the lead after Kim Sei-young chipped in for an eagle three on the 11th.

Green responded with the first of five birdies in six holes as she reeled in Kim and Im Jin-hee and all three finished on 17 under par.

“I didn’t think I was still in the tournament,” said Green, who won her only major, the Women’s PGA Championship, in 2019.

On her tournament-winning stroke, she added: “I had that putt, similar line in regulation, so I felt somewhat comfortable.”

Kim had already missed a 35-foot birdie attempt while Im – penalised a stroke for slow play during Saturday’s third round – was also unable to get down in three after a wayward tee shot.

The tournament was played at El Caballero for the second year because of course renovations at Wilshire where Green had won this title in 2023 and 2024.

During Saturday’s round, the tournament’s prize money was increased by $1m to $4.75m (£3.5m), lifting the purse to the highest on the tour outside of the major championships and season-ending CME Group Tour Championship.

As a result of that, Green took home $712,500, up from $562,500.

The Chevron Championship, the first women’s major of the year, stars on Thursday in Houston, Texas.

April 18 (Asia Today) — Average gasoline and diesel prices at South Korean gas stations rose for a third straight week, putting both fuels on the verge of topping 2,000 won per liter.

The average nationwide gasoline price for April 12-18 stood at 1,996.3 won per liter, or about $1.36 a liter and $5.15 a gallon. That was up 28.7 won from 1,967.6 won a week earlier. Diesel averaged 1,990.2 won per liter, or about $1.36 a liter and $5.13 a gallon, up 31.1 won from the previous week.

With both fuels nearing the 2,000 won threshold, the government is set to announce its fourth maximum-price notice on Thursday. The current system partially reflects changes in global oil prices while slowing the pace of retail price increases.

By brand, SK Energy had the highest gasoline price at 2,001.8 won per liter, or about $5.16 a gallon, while self-service budget stations were the cheapest at 1,974.7 won. For diesel, SK Energy was also the highest at 1,995.2 won per liter, while budget stations posted the lowest average at 1,966.1 won.

By region, Jeju had the country’s highest average gasoline price this week at 2,029 won per liter, or about $5.23 a gallon. Seoul followed at 2,026.7 won, or about $5.23 a gallon.

International oil prices have recently eased on expectations that the conflict involving the United States and Iran could wind down. Dubai crude, the benchmark for South Korea’s imported oil, stood at $101.8 a barrel on Wednesday, down $4.7 from $106.5 on Sunday. Changes in global oil prices usually reach domestic pump prices with a two- to three-week lag.

— Reported by Asia Today; translated by UPI

© Asia Today. Unauthorized reproduction or redistribution prohibited.

Original Korean report: https://www.asiatoday.co.kr/kn/view.php?key=20260418010005586

Bombs are in and art is out as the Trump administration’s proposed 2027 budget requests $1.5 trillion in defense spending (up 44% from last year), while again attempting to snuff out the National Endowment for the Arts and the National Endowment for the Humanities, as well as the Institute of Museum and Library Services.

The budget proposal released earlier this month calls for just enough money to permanently wind down the operations of each agency: $29 million for the NEA (down from $207 million); $38 million for the NEH (down from $207 million); and $6 million for the IMLS (down from $291.8 million).

Congress has the final say about whether or not these cuts actually get made, and Sept. 30 is the deadline to pass next year’s budget. (Failure to do so could result in yet another government shutdown.) It’s worth remembering that Trump tried to defund these organizations last year and was thwarted by Congress. But the administration did successfully choke off funding for the Corporation for Public Broadcasting, which ceased operations in January.

It’s hard to know how this renewed threat to agencies that collectively support thousands of arts programs and initiatives across all 50 states, Puerto Rico and Washington, D.C., will play out, especially because the only constant in this administration is its mercurial temperament. Plus, Congress doesn’t have a great track record of keeping Trump in check (see Venezuela, Iran, the White House East Wing, the Kennedy Center, etc.). The ongoing war in Iran, which pundits warn could last until the midterms, may also impact how Congress decides to vote.

In times of conflict and chaos, we need the arts — a sentiment so obvious it normally goes without saying. But this moment somehow feels different. There were many alarming moves that Trump wanted to make during his first term that the so-called adults in the room allegedly kept him from achieving. Those adults are gone and he is now surrounded with enablers. This means the unthinkable is now possible — as we have seen time and again over the past 15 months.

In a country without the NEA, NEH and IMLS, hundreds of small local arts groups would likely cease to exist entirely — and with them, the community, education and enlightenment that underpin our increasingly fragile, fractured society. We can close our eyes until it happens, or we can start urgently ringing the alarm bells. I vote for the latter. Here’s a link to get you started.

I’m Arts editor Jessica Gelt banging a gong. This is your arts and culture news for the week.

Dispatch: mots take on AI at Flux Festival

A participant experiences “The Pledge,” part of artist duo mots’ acclaimed “AI & Me” series, on view April 25 at Blum Gallery, Culver City, as part of Flux Festival.

(mots / Daniela Nedovescu and Octavian Mot)

Artist duo mots is staging one of its exploratory AI-centered exhibits — “The Pledge” — at the upcoming Flux Festival at Bloom Gallery in Culver City (April 24 and 25). Last year, mots received quite a bit of attention for its U.S. premiere of “AI & Me,” part of Tribeca Festival’s Immersive Program. That piece, according to mots website, “dives into the weird dynamics between humans and artificial intelligence,” by placing people in a confessional style booth while AI tells them exactly what it thinks of them.

“The Pledge” takes that concept further by inviting participants to stand on a stage while AI-generates a statement about them— one that is solely based on appearance. The person then must decide whether to read the AI feedback aloud into a microphone or leave. If you decide to share, you become part of the permanent video installation.

In this moment of deep AI anxiety, the mots’ work is tapping into more than just a playful back and forth between man and machine.

“On one hand, we’re thrilled to see people lining up to interact with the pieces we build; on the other, we’re trying to gather the courage to destroy them and stop this madness before it’s too late,” the mots write on their website.

— Jessica Gelt

Dispatch: Monster Party

The adult-centric interactive melodrama “Monster Party,” at Rita House through April 25.

(Clint Keller)

“Monster Party” starts with a moment of ecstasy. Then the adult-centric interactive play gets demented — a bit demonic, even. We meet characters shrouded in mystery. Guests at a cocktail party, there’s a writer working on a book about supernatural creatures, a vacuum salesman with a closely guarded secret, a repressed religious fanatic and more. None of them can remember how or why they ended up at this soiree, hosted by the confidently cryptic Baroness, a character who clearly delights in creating sin and madness. We’ll soon find out this isn’t an event for the lucky.

But that’s not just what makes “Monster Party” special. Remounted after a short theatrical run in 2024, the work from immersive creator Matt Dorado intermixes the personal and political. Lurid, humorous and sexy, “Monster Party” is also a scathing critique of how political systems can drive one mad.

Set during the Lavender Scare, the anti-communist purge of LGBTQ+ people from the U.S. government in the 1950s, “Monster Party” opens with camp and then descends into very real horrors of life in the United States. You’ll drink, play parlor games and gradually uncover one dark skeleton after another.

The intimate production is limited to 50 guests per showing, and cocktails are included in the $159.45 ticket. Come ready to socialize.

8 p.m. Thursdays and Friday; 3 and 8 p.m. Saturdays, through April 26. Rita House, 5971 W. 3rd Street monsterpartyshow.com

— Todd Martens

The week ahead: A curated calendar

FRIDAY
Chaya Czernowin
Monday Evening Concerts presents the U.S. premiere of the Harvard-based Israeli composer’s “Poetica,” which she describes as “a journey of one into themselves,” performed by percussionist Steven Schick and the percussion ensemble Red Fish Blue Fish.
8 p.m. Zipper Hall at the Colburn School, 200 S. Grand Ave., downtown L.A. mondayeveningconcerts.org

The Last Days of Judas Iscariot
O.C. theater companies the Wayward Artist and Larking House team up for Stephen Adly Guirgis’ bold, darkly comedic courtroom drama set in Purgatory. Directed by Lizzy McCabe.
7:30 p.m. Friday and Saturday and April 23-35. Irvine United Congregational Church, 4915 Alton Pkwy., Irvine. thewaywardartist.org

Harry Fonseca
“Portrait of the Artist as a Young Coyote,” an exhibition of more than 30 paintings, prints and works on paper, follows the path of the late Native artist’s alter-ego, the Trickster Coyote, an exploration of his own identity and a means of challenging existing narratives. Also being exhibited is “Sedej Tuulémisé (Blood Relations),” featuring paintings by emerging artist Deerstine Suehead.
Noon-5 p.m. Tuesday-Saturday, through July 3. PDC Design Galleries, 750 N San Vicente, West Hollywood. pacificdesigncenter.com

Ryan Bancroft will conduct the L.A. Phil this weekend at Walt Disney Concert Hall.

(Carlin Stiehl/For The Times)

Shostakovich & Sibelius
Ryan Bancroft conducts the Los Angeles Philharmonic with cellist Alisa Weilerstein playing one of her specialties, Shostakovich’s “Second Cello Concerto.”
8 p.m. Friday; 2 p.m. Saturday and Sunday. Walt Disney Concert Hall, 111 S. Grand Ave., downtown L.A. laphil.com

Liu Xiaodong
For the work presented in the exhibition “Host,” the figurative painter trained his eye on a Detroit tattoo artist with a penchant for medieval battle recreations.
10 a.m.-6 p.m. Tuesdays-Saturday, through June 13. Lisson, 1037 N. Sycamore Ave., L.A. lissongallery.com

SATURDAY
Back to Oz
MUSE/IQUE salutes a truly American fairy tale through music with pieces from “The Wonderful Wizard,” “The Wiz,” and “Wicked,” performed by Carmen Cusack, LaVance Colley, Nathan Granner, DC6 Singers Collective and the MUSE/IQUE Orchestra.
5 p.m. Saturday and Sunday; 7:30 p.m. Thursday and April 24; 2:30 and 7:30 p.m. April 25; and 2:30 p.m. April 26. Mark Taper Forum, 135 N. Grand Ave., downtown L.A. muse-ique.com

Colored People’s Time: A History Play
From Civil War to civil rights, Leslie Lee’s drama, directed by Ben Guillory, examines the lives of Black Americans through a century of struggle.
8 p.m. Thursday-Saturdays; 3 p.m. Sundays, through May 17. Los Angeles Theatre Center, Theatre Four, 514 S. Spring St., downtown L.A. therobeytheatrecompany.org

The Expanding Field: MOCA’s Collection from the 1940s to 1970s
Works by Mark Rothko, Luchita Hurtado, Piet Mondrian, On Kawara, Robert Rauschenberg, Betye Saar, Anne Truitt and others illustrate the breadth of the museum’s holdings.
Saturday through Sept. 20. Museum of Contemporary Art, 250 S. Grand Ave., downtown L.A. moca.org

Falstaff
Craig Colclough stars in LA Opera’s production of the energetic Verdi comedy about two wives turning the tables on an unwanted suitor in merry olde England.
7:30 p.m. Saturday; 2 p.m. April 26; 7:30 p.m. April 30, May 2 and 6; 2 p.m. May 10. Dorothy Chandler Pavilion, 135 N. Grand Ave., downtown L.A. laopera.org

Steven Culp and Joey Stromberg in “For Want of a Horse” at the Echo Theater Company.

(Cooper Bates)

For Want of a Horse
Olivia Dufault’s comedy about an unusual love triangle involving a horse opens Echo Theater Company’s 2026 season. Directed by Elana Luo.
Opening night, 8 p.m. Saturday; 8 p.m. Fridays and Saturdays; 4 p.m. Sundays; 8 p.m. Mondays, through May 25. Echo Theater Company, Atwater Village Theatre, 3269 Casitas Ave. echotheatercompany.com

Hear Now Music Festival
A chamber concert doubleheader (separate admissions): The matinee features Lyris Quartet, Brightwork Ensemble and HEX performing Hugh Levick’s “No Pasaran” for brass quintet; Ania Vu’s “Small Tenderness” for vocal ensemble and string quartet; Liviu Marinescu’s “String Quartet No. 1”; Bryan Chiu’s “Anthology” for piano and horn; and Tom Flaherty’s, “Recess” for string quartet. Lyris Quartet and Brightwork Ensemble return for the evening show with mezzo-soprano Peabody Southwell, and the music of Peter Knell, “Canciones de Agua” for mezzo-soprano and violin; Sean Heim, “there is no such thing as time” for mixed ensemble; Vera Ivanova’s “The Firebird’s Feather,” for flute solo; and Jordan Nelson’s “Join” for string quartet.
Chamber Concert 1, 3 p.m. (2 p.m. preview); Chamber Concert 2, 8 p.m. (7 p.m. preview). First Lutheran Church of Venice, 815 Venice Blvd. hearnowmusicfestival.com

Claudia Keep
In the exhibition “Water, Water, Everywhere,” the painter finds fascinating details in the life-giving liquid and all its forms, including rivers, ocean waves, clouds and afternoon coffee.
Opening reception, 4-6 p.m. Saturday; the exhibition runs through May 30. Parker Gallery, 6700 Melrose Ave., L.A. parkergallery.com

Kinship & Community: Selections from the Texas African American Photography Archive
The exhibition, a collaboration between Art + Practice and the California African American Museum, shares the work of Black photographers who documented life in the urban neighborhoods and rural villages of eastern Texas from 1944 to 1984. Saturday evening, exhibition curator and NYU professor Nicole R. Fleetwood and Getty Research Institute curator LeRonn P. Brooks will discuss the exhibition and the volatile time of great change that it captures.
The exhibition opening is 11 a.m.-5 p.m. Saturday and runs through Sept. 5. Art + Practice exhibitions space, 3401 W. 43rd Pl. L.A. Conversation, 6-7:30 p.m. Saturday. Art + Practice programs space, 4334 Degnan Blvd., L.A. artandpractice.org

Majestic Tango
Directed and produced by Miriam Larici and Leonardo Barrionuevo, this program features 13 dancers and six musicians using music, movement and storytelling to convey the passionate energy of Buenos Aires.
8 p.m. Irvine Barclay Theatre, 4242 Campus Dr. thebarclay.org

Richard Mayhew, “West Bay,” 2004 Oil on canvas 36” x 48’.

(© Estate of Richard Mayhew. Courtesy the Estate and Karma)

Richard Mayhew
“Understory” surveys the artist’s work created between 1960 and 2023, when he saw his expressive landscapes as “an artistic reclamation of the land stolen from his Black, Shinnecock, and Cherokee-Lumbee ancestors.”
Opening reception, 6-8 p.m. Saturday; exhibition runs through May 30. Karma, 7351 Santa Monica Blvd., L.A. karmakarma.org

Natural HERstory
Drag performance meets real science in this 30-minute STEAM musical, developed by Drag Arts Lab and the Natural History Museum of Los Angeles County, and designed to engage elementary-aged learners.
11 a.m. Annenberg Community Beachhouse, 415 Pacific Coast Hwy., Santa Monica. eventbrite.com

Parsons Dance
David Parsons’ New York City-based troupe marks its 40th anniversary with a program set to the music of Milton Nascimento; Giancarlo De Trizio; Champion, Four Set & Skrillex (featuring Naisha); Miles Davis; Sheila Chandra; and Yusuf/Cat Stevens
7:30 p.m. Saturday; 2 p.m. Sunday. BroadStage, Santa Monica College Performing Arts Center, 1310 11th St. broadstage.org

The Storyteller of East LA
The Latino Theater Co. has the world premiere of Evelina Fernández’s magical realist drama about a 90-year-old woman with dementia and the challenges faced by her family and caregivers. Directed by Jose Luis Valenzuela.
8 p.m. Thursdays-Saturdays; 2 p.m. Sundays, through May 17. Los Angeles Theatre Center, 514 S Spring St., downtown L.A. latinotheaterco.org

Verdi in España
The Verdi Chorus performs sequences from the composer’s operas “Don Carlo,” “Il Trovatore,” “La Traviata” and “Ernani,” alongside Bizet’s “Carmen” and selections from Spanish composers Catán, Granados, Giménez, Torroba and De Falla.
7:30 p.m. Saturday; 4 p.m. Sunday. First Presbyterian Church, 1220 2nd St., Santa Monica. verdichorus.org

SUNDAY
Mozart’s Requiem
Grant Gershon conducts the Los Angeles Master Chorale in Mozart’s final masterpiece, plus the West Coast premiere of Fanny Mendelssohn’s “Oratorio on Scenes from the Bible.”
7 p.m. Walt Disney Concert Hall, 111 S. Grand Ave., downtown L.A. lamasterchorale.org

TUESDAY
Yuja Wang and Mahler Chamber Orchestra
The celebrated pianist continues her long-standing collaboration with MCO for a program featuring works by Segei Prokofiev and Alexander Tzfasman.
8 p.m. Tuesday. McCallum Theatre, 73000 Fred Waring Dr., Palm Desert; 8 p.m. Wednesday. Segerstrom Center for the Arts, 600 Town Center Drive, Costa Mesa; 7 p.m. Thursday. Granada Theatre, 1214 State St, Santa Barbara; 8 p.m. April 25. The Saroya, 18111 Nordhoff Street, Northridge. mahlerchamber.com

WEDNESDAY
Khorus Harmonia
Katey Sagal and Kurt Sutter are producing ten performances of this choral concert to benefit the Coalition for Humane Immigrant Rights and The Wounded Warrior Project.
8 p.m. Wednesdays-Saturdays; 4 p.m. Sundays, through May 2. Hudson Backstage Theatre, 6539 Santa Monica Blvd. onstage411.com

This Ends Badly
The theater collective Frank’s presents an evening of short plays by Frank Demma, Marlane Meyer, John Pellech, John Pollono, Benjamin Weissman and Sharon Yablon.
8 p.m. Wednesdays, through May 13. Echo Theater Company, Atwater Village Theatre, 3269 Casitas Ave. echotheatercompany.ludus.com

Arts anywhere

New and recent releases of arts-related media.

The British Museum in London.

(Kin Cheung / Associated Press)

British Museum
As excitement builds for the opening of the new Geffen Galleries at LACMA on Sunday (for priority members; May 4 for the general public), one’s appetite may be whetted to visit other museums. Why not start in London with the British Museum? The sprightly 273-year-old institution boasts a collection of eight million works and draws more than six million visitors each year. But there’s no need for a plane ticket or a Tardis to see it. Google Arts & Culture offers virtual tours that allow you to wander the halls and grounds for free (and it won’t rain!). artsandculture.google.com

Philip Glass

Two opportunities to see the work of one of the finest American composers will soon be available with the click of a button or a tap of a screen. First up is “The Complete Philip Glass Piano Etudes featuring 10 Pianists” (which was performed at Walt Disney Concert Hall in 2024) streaming live from the 3,500-seat Hill Auditorium on the campus of the University of Michigan in Ann Arbor. 4:30 p.m. Saturday and on demand through April 28. youtube.com

Six days later, the Paris Opera offers its current, sold-out production of “Satyagraha,” Glass’ revelatory, triptych portrait of Gandhi. Directed by choreographers Bobbi Jean Smith and Or Schraiber, with a cast including Anthony Roth Costanzo and Davóne Tines — all four members of AMOC*, American Modern Opera Company — the show will be presented live on the Paris Opera Play streaming platform (for $14) at 10:30 a.m. April 24. POP’s live broadcasts are typically available on demand for 30 days following transmission. play.operadeparis.fr

— Kevin Crust

Culture news and the SoCal scene

Pooya Mohseni, from left, Ava Lalezarzadeh, Tala Ashe and Marjan Neshat in “English” by Sanaz Toossi at the Wallis Annenberg Center for the Performing Arts.

(Joan Marcus)

With the U.S. at war with Iran, “This is an important moment to experience ‘English,’ Sanaz Toossi’s Pulitzer Prize-winning drama, set in an English-language classroom outside of Tehran in 2008,” writes Times theater critic Charles McNulty. “The play, now having its L.A. premiere at the Wallis Annenberg Center for the Performing Arts, reminds us of the lives — the hopes, the dreams, the sorrows — on the other side of the headlines.”

It’s been an anxious journey for Bob Baker Marionette Theater since 2019 when it was forced out of its downtown home of 55 years. After a lengthy search, the nonprofit signed a 10-year lease for a former cinema-turned-Korean Church in Highland Park. With that, however, came the accompanying stress of being renters in L.A. But good news has arrived: the beloved theater “has entered into an agreement to purchase its [current] home at the corner of York Boulevard and North Avenue 50,” reports Times features columnist Todd Martens.

The Samuel Oschin Air and Space Center is a major expansion of the California Science Center.

(Myung J. Chun/Los Angeles Times)

California Science Center has completed construction on its new $450-million Samuel Oschin Air & Space Center, which houses the Endeavor shuttle. Staff writer Malia Mendez headed onsite to get the scoop on the, “sleek 20-story, 200,000-square-foot new building rising over Exposition Park,” nearly doubling the museum’s exhibition space.

The impossibly trendy SoCal health food retailer Erewhon is launching a cafe at Los Angeles County Museum of Art’s new David Geffen Galleries. And, like almost everything about the new building, public opinion is split on whether or not that’s a good idea.

Architecture writer Sam Lubell put together a fascinating Q&A with Peter Zumthor in which the Geffen Galleries’ architect addresses a number of ongoing criticisms about his creation, including its loss of square-footage.

In case you missed it: Pop singer Pink has will host the 79th Tony Awards. “The award ceremony returns to New York City’s Radio City Music Hall on June 7, with nominations announced May 5,” writes Times reporting fellow Iris Kwok.

Nathan Peterson, Cell 63 Flyer, May 29, 1992, displayed in CSUN Art Galleries, which received a Mike Kelley Foundation grant.

(© Nathan Peterson, Punk Arts & Culture)

It’s been a decade since the Mike Kelley Foundation for the Arts began awarding Infinite Expansion Grants to local contemporary arts organizations. The money has always mattered, but means even more during a time of great uncertainly about federal support for the arts (as I wrote in my newsletter intro). This year’s round of grantees was just announced, with nine L.A. contemporary arts groups sharing $400,000 in support. These groups, a news release says, “exemplify risk-taking, critical inquiry, and community engagement,” and include Art in the Park Community Cultural Programs; Color Compton; Cal State University, Northridge Foundation on behalf of CSUN Art Galleries; Barnsdall Art Park Foundation on behalf of Los Angeles Municipal Art Gallery (LAMAG); Los Angeles Performance Practice; Monday Evening Concerts; Clockshop; Institute of Contemporary Art, Los Angeles (ICA LA); and the Vincent Price Art Museum Foundation.

Big change is coming to the Soraya and California State University, Northridge. Artistic and Executive Director Thor Steingraber, is leaving his position after 12 years to become president and chief executive at Vivo Performing Arts in Boston. The Soraya has also announced Steingraber‘s replacement: Chad Hilligus. Hilligus arrives at CSUN from the Gallo Center for the Arts in Modesto where he served as chief executive and curated more than 100 multidisciplinary live performances.

And another leadership shakeup has come to the Los Angeles Master Chorale, which announced that its current president and chief executive, Scott Altman, will step down on June 5 to become executive director of Miami City Ballet. Master Chorale board member William Tully will serve as interim president while the group launches a national search for a replacement.

— Jessica Gelt

And last but not least

It doesn’t get much weirder than this: Hegseth recites ‘Pulp Fiction’ speech at Pentagon prayer service

Good morning, and welcome to L.A. on the Record — our City Hall newsletter. It’s Noah Goldberg, with an assist from David Zahniser, Sandra McDonald and Alene Tchekmedyian, giving you the latest on city and county government.

Mayor Karen Bass is planning to give her second State of the City address of the year on Monday, with a digital twist from years past.

Traditionally the speech is given — in person — before City Council members and other machers at City Hall or another location. This year’s speech will be delivered by video.

Of course, Bass already did one State of the City speech this year, holding forth on the Olympics, the World Cup and Palisades fire rebuilding in a February address at Exposition Park.

The video State of the City will probably be more about the city budget, which also will be released Monday. The city is facing a budget gap of a few hundred million, according to Matt Szabo, the city administrative officer.

“Mayor Bass will update L.A. on the State of our City through a video that anyone can watch, anytime, anywhere,” said Paige Sterling, a spokesperson for Bass. “From Day One through today, Mayor Bass’ focus is changing the direction of L.A. by reversing long-standing [and long ignored] trends on homelessness, housing, public safety and infrastructure.”

Parisian payback

The city controller released information this week that showed how much L.A. paid for flights to Paris for L.A.’s delegation to the 2024 Summer Olympics.

One purchase stuck out: $22,000 for a first-class ticket for Bass to fly to Paris and back. It was purchased March 6, the same day Bass boarded the flight to the City of Light, according to the city, which released the information in response to a public records act request.

One reason for the high cost was the last-minute purchase, the mayor’s office said, which it said was the consequence of a packed mayoral schedule that makes advance planning difficult.

Secondly, the city was transferring over its travel booking platform to a company called Concur, and the only flights available for the mayor to purchase to arrive in Paris in time on the platform were first-class seats.

The mayor then reimbursed the city for $12,270, with half coming from her personal bank account, while the other half came from her Karen Bass For Mayor 2022 account, according to checks. That left the city on the hook for $10,000.

“Mayor Bass voluntarily paid for the majority of the ticket herself. City rules didn’t require her to, but she did it anyways. This was the only flight that would get her there on time, and this was the only ticket available,” said Kolby Lee, a spokesperson for the mayor.

Bass and a council delegation, including Councilmember Katy Yaroslavsky, were in Paris that March to “see behind the curtain” about how a city prepares to host the Games, Bass said at the time.

Yaroslavsky’s round trip cost the city $1,600.

Raman out of council leadership

Sometimes the drama at City Hall comes in the fine print. Last Friday, the City Council released its agenda for its April 14 meeting. Casual observers would be forgiven for missing a small change on the first page.

Under Council President Marqueece Harris-Dawson’s name, and under the name of President Pro Tempore Bob Blumenfield, there was a third name: Assistant President Pro Tempore John S. Lee.

That makes Lee No. 3 in council leadership, appointed to the position by Harris-Dawson. For all intents and purposes, the largely ceremonial position means he gets to sit on the dais and preside over council if Harris-Dawson and Blumenfield can’t make it.

But on the fourth floor of City Hall, where council offices are, the move had staffers chattering.

Lee replaces Councilmember Nithya Raman, who threw her hat in the ring to run for mayor against Bass — an ally of Harris-Dawson.

Bass had previously thrown her weight behind Raman during the council member’s tough 2024 reelection campaign.

Some thought Harris-Dawson was punishing Raman for her surprise bid against Bass, but Raman said that wasn’t the case.

“When I first announced my candidacy for Mayor, I told the Council President that I would step back from all of my appointed roles. One change has now been made. I remain focused on serving my district and the City of Los Angeles,” Raman said in a statement.

Harris-Dawson didn’t immediately respond to a request for comment.

There’s a long tradition of council members stepping down from leadership positions or getting the ax when they run for higher office.

In 2021, then Councilmember Joe Buscaino was voted out as president pro tempore after making disparaging remarks about numerous council members (including Raman) while he was running for mayor.

In 2011, then-Councilmember Eric Garcetti stepped down from his role as council president during his run for mayor.

Spotlight on Soto

Los Angeles City Atty. Hydee Feldstein Soto, who is seeking reelection in the June 2 primary, is taking heat from challenger Marissa Roy for her appearance last weekend at the Hope Fest LA rally at the L.A. Coliseum.

The event was put on by Hope California, which is led by evangelical pastor Ché Ahn, a supporter of President Trump and a write-in candidate for California governor. Ahn spoke at a Stop the Steal rally in Washington, D.C., the day before the Jan. 6, 2021, storming of the Capitol, and has repeated the unfounded claim that Joe Biden stole the election from Trump. (“I don’t have facts. I don’t have proof. That’s just my own personal opinion,” Ahn, who also opposes abortion, told The Times.)

Feldstein Soto is pro-choice and anti-Trump, and the speakers immediately preceding her expressed anti-gay and anti-trans views.

Roy said the positions expressed at the rally were wildly out of step with those of Los Angeles voters, and criticized the city attorney’s appearance at the rally as “disturbing.”

“Los Angeles is overdue for a City Attorney who fights for the people,” Roy said in a statement.

At the rally, Feldstein Soto spoke about the scourge of human sex trafficking, including of children along the Figueroa corridor in Los Angeles. She had been invited to the event by a human trafficking survivor to speak about their shared commitment to the issue, spokesperson Naomi Goldman said.

“The primary purpose of the City Attorney’s attendance was to shine a light on the exploitation of women and girls, and to stand in solidarity with those affected. She stayed at the event briefly to deliver her remarks and then departed,” Goldman said.

State of play

— THE KIDS ARE ALRIGHT: A strike that would have shut down schools for nearly 400,000 students was averted at the eleventh hour early Tuesday after the Los Angeles Unified School District reached a tentative agreement with the union that represents workers including custodians, bus drivers and cafeteria workers. Mayor Bass stepped into negotiations at the last minute to help avert a disruptive work stoppage.

— LA USD$: The price of the union deal will be nearly $1.2 billion in annual contract costs, and questions remain about whether the district can afford it.

— ONE AND DONE?: Mayoral candidate Spencer Pratt went on the Joe Rogan Experience this week and told the podcaster that Angelenos are fed up with their leadership. He explained the rules of the city’s June 2 primary to Rogan, saying that there would be no runoff — as most analysts expect — if a candidate wins 51% of the vote. “I think I become mayor June 2 and it won’t even go to November,” Pratt said.

— COUNTY BUDGET: The county unveiled its nearly $50-billion budget plan Monday, proposing $2.7 million invested to beef up the team of people investigating fraud within a deluge of recent sex abuse lawsuits, suggesting a broadening probe at the district attorney’s office. The supervisors must now review, then vote on the budget.

— HAHN AND OFF: L.A. County Supervisor Janice Hahn was booed by her neighbors in San Pedro at a Tuesday night town hall meeting after she spoke in support of a proposed substance abuse rehabilitation center in the South Shores neighborhood. “There will be a difference of opinion on this project, but let’s not tear each other apart,” Hahn urged residents, who picketed last weekend at the site of the proposed project.

— E-HIKE: A Los Angeles City Council panel is pushing to ban electric bikes from most city recreational trails, saying the machines pose a threat to hikers and equestrians. The council’s Arts, Parks, Libraries, and Community Enrichment Committee voted 3 to 0 in favor of the measure, which now goes to the council’s Transportation Committee before potentially advancing to the full City Council, which would have to approve the ban before it takes effect.

QUICK HITS

• Where is Inside Safe? The mayor’s signature program moved more than 25 people off the street and inside in Koreatown this week.
• On the docket next week: The mayor will release her budget on Monday, along with her second State of the City. She is planning to hold a news conference on the budget Monday.

Stay in touch

That’s it for this week! Send your questions, comments and gossip to LAontheRecord@latimes.com. Did a friend forward you this email? Sign up here to get it in your inbox every Saturday morning.