The anonymous arts group known as Secret Handshake has gone international with its piquant form of satirical anti-Trump artwork, this time placing a playable video game console called “Nuuk ‘Em All” in, yes, Nuuk, Greenland. The group sent a picture of the console to The Times. It sits alone on a barren cliff above the sea, with a smallish iceberg visible in the water below. The peaked roofs of a nearby town can be seen in the distance.
Secret Handshake has created more than a dozen pieces of guerrilla art mocking Trump since last year — all of which appeared on the National Mall in Washington, D.C., until July when a golden, 10-foot tall “Iran War Participation Trophy,” cropped up in New York City. That piece arrived at the Minnesota State Capitol in early August.
Greenland is ambitious though, even for a collective that revels in creating outsize splashes with its work (see the Trump-Epstein “Best Friends Forever” sculpture). Asked via email how the group transported the full-size video game console to the country — which has weathered a series of unwelcome overtures from Trump to become part of the U.S. since he retook office early last year — a representative wrote, “You have no idea — it was honestly very difficult. A true ‘planes, trains, and automo … ships’ situation. Did you know that the arctic is actually quite far? And they’re not used to whipping over arcade games.”
“Nuuk ‘Em All” is the second satirical video game Secret Handshake has released since July when it first introduced the world to “Operation Epic Furious: Strait to Hell,” which finds Trump waging a futile war with Iran while making all kinds of bumbling choices including whether to order a Diet Coke or bomb the country.
The game arrives in Greenland shortly after the Trump administration signed an agreement with the country and Denmark to expand the U.S. military presence in the Arctic while seemingly dropping threats to annex the semi-autonomous Danish territory.
Three additional cabinets of the game were simultaneously placed at the D.C. War Memorial on the National Mall, and can be played online on any old computer. The game begins with an animation of the White House, its lawn covered with cranes and backhoes. “The year is 2026,” the scrolling text reads. “The White House is under constant construction, reconstruction and construction of the reconstruction.”
The action moves to Trump’s Mar-a-Lago headquarters where Trump is approached by Defense Secretary Pete Hegseth, who apologizes for waking Trump from his “tactical nap” to tell him about some “issues with Iran.” Trump asks if the Strait of Hormuz is 100% open and Hegseth replies, “Yes, sir. It’s so open that we’ve used up all our missiles, and gas now costs more than bourbon.”
I haven’t had the chance to play the game for long, but Secret Handshake’s email details what to expect, “In this game, Iran is going great (spoiler — it’s not), so Trump heads north to check on his new frozen frontier. Along the way, he battles unthinkable evils like Fully Vaccinated Children, Woke Yetis, and the happiest people on Earth, the Danish. All the while, the player’s greatest challenge is trying to keep President Trump from falling back asleep.”
Secret Handshake didn’t have any information about how Greenland has responded to the game, with the rep noting, “I think there is a lot of hope and relief over there right now that this agreement is the end of the barrage of bullying and threats from the US. But our feeling—and I truly hope we’re wrong— is that it’s just the beginning. Especially with Trump refusing to answer if an invasion is completely off the table now.”
Regardless of what happens in Greenland, the rep continued, “the thing I really like the most about this new game is that between all the satire, and jokes, and silliness, it actually ends up back in reality — the character is still stuck in an endless loop of war in Iran. And that, sadly, is still just as true as when we released the Iran game almost half a year ago.”
I’m Arts editor Jessica Gelt screaming into the void. This is your arts and culture news for the week.
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The week ahead: A curated calendar
FRIDAY
Boston Marriage David Mamet’s 1999 epigram-filled comedy about two women sorting out their affairs while maintaining their standard of living at the turn of the 20th century. Directed by Bernardo Cubría. With Nicole Pacent, Heather Wake and Dulce Valencia. 8 p.m. Fridays-Saturdays (and one Thursday, Oct. 22): 2 p.m. Sundays, through Oct. 24. European House LA, 12355 Rye Street, Studio City. ticketsource.com
Yvette Janine Jackson With Radio Opera Workshop The ensemble integrates electronics, acoustic instruments, voice and images to produce new music by the award-winning composer and sound artist. Presented by CAP UCLA in collaboration with the UCLA Herb Alpert School of Music and the UCLA Center for Musical Humanities. 8 p.m. The Nimoy, 1262 Westwood Blvd. cap.ucla.edu
The Little Women Ballet in action.
(Edie Tyebkhan-Melissa O’Gara)
Little Women Ballet The dance troupe’s Autumn Immersive Experience brings audiences into the world of Louisa May Alcott through movement amid Victorian Era architecture. 6:30 p.m. Friday, 3 and 6:30 p.m. Saturday-Sunday. Heritage Square Museum, 800 Homer St., Montecito Heights. littlewomenballet.org
Outside Mullingar An Irish romance written by Pulitzer Prize and Academy Award winner John Patrick Shanley that premiered on Broadway in 2014 finds a middle-age man and woman, longtime neighbors, circling an uneasy relationship in uncertain times. Michael Kirby, Liza Seneca, Armin Shimerman and Kitty Swink star. Directed by Matthew Leavitt. 8 p.m. Fridays-Saturdays, 2 p.m. Saturdays, 4 p.m. Sundays, through Oct. 25. Sierra Madre Playhouse, 87 W. Sierra Madre Blvd. sierramadreplayhouse.org
Gretchen Parlato The jazz singer-songwriter performs music from her new album, “The Wise Ones,” joined by her band Alan Hampton on bass and guitar, Mark Guiliana on drums and percussion and Gerald Clayton on piano and keyboards. 8 p.m. Carpenter Center, 6200 E. Atherton St., Long Beach. carpenterarts.org
SATURDAY
Isaiah Collier performs Saturday at the Segerstrom Center for the Arts.
(Johanna Brinckman)
Isaiah Collier Plays Coltrane The rising jazz musician and composer pays tribute to the saxophone legend by applying his own sound and reaffirming the music’s ability to evolve. 7:30 p.m. Segerstrom Center for the Arts, Samueli Theater, 600 Town Center Drive, Costa Mesa. scfta.org
Democracy Sessions 2026 Music collective Wild Up expands upon its successful election-themed 2024 event examining how art can function as a democratic practice in this time of censorship, polarization and shifting public trust. The new month-long festival was developed in partnership with MOCA, REDCAT and CalArts, with related programming independently conceived and presented by Clockshop, 2220 Arts + Archives, Human Resources, Performance Art Museum and Living Earth, for the run-up to the Nov. 3 midterms. Saturday through Nov. 3, various locations. wildup.org
A calavera mask designed by artist Leo Limon and a paper marigold for Self Help Graphics & Art’s Dia de los Muertos Community Art Workshop Series in October 2026.
(Self Help Graphics & Art)
Día de los Muertos Community Art Workshop Series Self-Help Graphics & Art launches the holiday season with five free Saturday community art workshops. Participants of all ages will learn crafts to honor ancestors and loved ones. Each week features papel picado (tissue paper with cutout shapes) and a paper marigold craft activity, plus a special project: Stamp collages with SHG Lead Printer Dewey Tafoya (Oct. 3); Calavera (skull) masks featuring a design by artist Leo Limon (Oct. 10); Recuerdo (memory) posters with Victoria Delgadillo (Oct. 17); “Living candle” mini paintings with Ivan Zuno (Oct. 24); and Candle decorating with Nupur Behera (Oct. 31). Noon-3 p.m. Saturdays through Oct. 31. East Los Angeles County Library, Community Room, 4837 E. 3rd St. selfhelpgraphics.com
Woof A revised version of “Go Play,” written and directed by Barra Grant, featuring the same loquacious dogs with new insights into their clueless owners. Previews, 2 and 7 p.m. Saturday, 2 p.m. Sunday and Oct. 10; opens 7 p.m. Oct. 10; 2 and 7 p.m. Saturdays, 2 p.m. Sundays, through Nov. 8. Odyssey Theater, 2055 S. Sepulveda Blvd. odysseytheatre.com
SUNDAY
Come From Away The award-winning Broadway hit musical, written by the husband-and-wife team of Irene Sankoff and David Hein, tells the true story of a Canadian town that sheltered thousands of airline passengers whose flights had been diverted on Sept. 11, 2001. Directed by Julia Rodriguez-Elliott, with music direction by Rod Bagheri. Previews, 2 p.m. Sunday, 7:30 p.m. Wednesday, Thursday and Oct. 9; opens Oct. 10 through Nov. 8. A Noise Within, 3352 E. Foothill Blvd. Pasadena. anoisewithin.org
WEDNESDAY
The Best Medicine Caroline Aaron stars in the West Coast premiere of this solo comedy by playwright Robin Gerber and directed by Jane E. Unger. Previews, 8 p.m. Wednesday-Friday; Opening, 8 p.m. Saturday; 8 p.m. Fridays-Saturdays, 2 p.m. Sundays, through Nov. 15. Odyssey Theatre, 2055 S. Sepulveda Blvd. odysseytheatre.com
B+ Mom (An Enthusiastic Guide to Imperfect Parenting) Melissa Greenspan wrote and performs this solo comedy directed by Guy Picot. 7:30 p.m. Wednesdays, through Oct. 28. Rogue Machine at the Matrix Theatre, upstairs on the Henry Murray Stage, 7657 Melrose Ave. roguemachinetheatre.org
Charlemagne Palestine The Brick and Piano Spheres presents the visual artist and musician performing “Strumming Music,” which he describes as “an evolutionary liquid sound continuum process” and performed hundreds of versions over the last 50+ years. 8 p.m. The Brick, 518 N. Western Ave. the-brick.org
THURSDAY
Ronald K. Brown / Evidence The landmark African diasporic dance company led by choreographer Brown recently celebrated its 40th anniversary. West Coast fans will have the chance to experience the New York-based company’s unique blend of contemporary, African and African American dance traditions with this program of four pieces that includes tributes to some of Brown’s most enduring collaborators. (Eloise Rollins-Fife) 7:30 p.m. Thursday-Oct. 10. The Wallis, 9390 N. Santa Monica Blvd., Beverly Hills. thewallis.org
Wives East West Players presents the Southern California premiere of Jaclyn Backhaus’ feminist comedy examining a selection of “great men” in 16th century France, 1920s India and 1960s Idaho. A primarily South Asian and South Asian American cast, under the direction of Hypokrit Live Arts NYC co-founder and artistic director Arpita Mukherjee, brings this redress of women’s erasure in history to astringent comic life. (Charles McNulty) Through Nov. 1, check website for specific dates. East West Players, Union Center for the Arts, David Henry Hwang Theater, 120 Judge John Aiso St. eastwestplayers.org/wives
Yamel Cucuy Austin’s Glass Half Full Theatre returns with this production, last seen in L.A. at the Latino Theater Company’s 2024 Encuentro theater festival. The tale of a girl on the verge of adulthood facing the threat of immigration agents and haunted by specters from Mexican folklore is told through live actors, sophisticated puppetry and an original score of Indigenous percussion. Written by Gricelda Silva, Indigo Rael and Caroline Reck, with additional writing by Jesus I. Valles and Connor Hopkins. Directed by Reck. 8 p.m. Thursdays-Saturdays, 2 p.m. Sundays, through Nov. 1. Los Angeles Theatre Center 514 S Spring St. latinotheaterco.org
The SoCal scene
Wendy Raigosa, 27, Long Beach, uses repurposed materials in her art project at Kate Ingold’s bi-monthly Samizdat Sundays workshop at the Wende Museum.
(Carlin Stiehl / For The Times)
Times contributor Miranda Huang wrote about bi-monthly classes at the Wende Museum called “Samizdat Sundays” in which teacher Kate Ingold teaches participants samizdat, “a practice in which Soviet dissidents hand-typed literature, criticism and poetry to bypass state censorship. Each week, Ingold opens the workshop with a new prompt related to speech suppression — an issue with renewed currency today.”
Vincent Price Art Museum is currently staging a unique exhibit featuring the work of Anida Yoeu Ali, a Cambodian-born artist who lives in Tacoma, Wash. It’s called “The Buddhist Bug” and features a 328-foot-long orange insect, which Ali will occupy on opening day, and again on closing day. “Ali’s numerous performance-based exhibits explore her Cambodian American identity and Buddhist and Muslim religions. The bug is her ‘totally humorous take on hybridity’,” writes contributor Siran Babayan.
Ed Ruscha’s new poster for Alejandro Iñárritu’s “Digger,” featuring the Boy Scout Utility Modern font, which Ruscha designed himself and has used exclusively since around 1980.
Segerstrom Center for the Arts turned 40 last month and Times contributor Jenelle Riley made the drive to interview the organization’s leaders, including President and Chief Executive Casey Reitz, about how the campus grew out of windswept lima bean fields to become the epicenter of art and culture in Orange County.
Architecture critic Sam Lubell went to the Lucas Museum of Narrative Art last weekend and was sorry to see that the museum has erected gates around its main courtyard. Lubell, like many, had been under the impression that the courtyard was meant to function as a grand civic plaza, so he penned a piece of commentary questioning the founders’ motives for cordoning off the area. “It’s hard not to wonder whether these barriers represent something more than security: the extension into public space of the gated, closely guarded world inhabited by co-founders George Lucas, Mellody Hobson and those in their orbit,” Lubell writes.
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A rendering of the Las Vegas Museum of Art, designed by architect Francis Kéré.
(Kéré Architecture / Las Vegas Museum of Art)
Culture News
Earlier this week the long-gestating Las Vegas Museum of Art hosted a preview of its Grand Central Galleries — a multipurpose media lab and exhibition space located in Symphony Park down the street from the museum’s future main building. Scheduled to open in April 2027, the 15,000-square-foot space will act as an entry point to the museum and is slated to host a variety of exhibitions and programs while the museum’s Francis Kéré-designed building remains under construction through 2029.
The Grand Central Galleries exhibition program was organized by the LVMA in collaboration with LACMA, and will open with “A Shared Light: Monet, Impressionism, and the American Landscape,” organized by Shannon Vittoria, LACMA’s associate curator of American art, along with David Bardeen, LACMA’s assistant curator of European painting and sculpture. It features nearly 60 works by artists including Claude Monet, Paul Cézanne, John Singer Sargent, Pierre-Auguste Renoir and James McNeill Whistler.
The ex-HGV driver left the UK with his family to interrail and now works just 10 hours a week
Aimee Bedford, 38, and Lee Bodell, 47, sold their house and all their belongings in July 2026(Image: Aimee Bedford/SWNS)
A former “workaholic” ditched the UK with his family to interrail Europe – and is funding it by working just 10 hours a week selling solar panels on eBay. Lee Bodell, 47, hadn’t taken a sick day in eight years from his job working 50-hours a week as a HGV driver when the pandemic forced him to spend time off at home.
The dad-of-four said it completely changed his mindset and he quit his job and Lee and his partner Aimee Bedford, 39, sold their house and all their belongings in July 2026 and flew to Paris in September. Along with daughters Matilda-May, 10, and Mila, nine, they have since visited seven countries in just three weeks, spending £1,800 on 60-day continuous first-class train tickets that allow them to travel across the continent.
By November, when their tickets expire, they plan to visit as many European countries as possible before heading to Thailand to spend Christmas and New Year. In the future, they hope to settle somewhere abroad but plan to “see where life” takes them.
They are funding their travels through Lee’s remote job selling solar panels for mobile homes on eBay and his own website, which he spends just 10 hours a week doing, making between £500 and £1,000 a week. The family reckon they have spent around £6,000 in total so far, including the Interrail tickets, but once they fly to Southeast Asia, they plan to budget around £1,500 per month.
Lee, a former HGV driver from Birkenhead, Merseyside, says: “What first triggered it off was during Covid, I was placed on furlough and was off work for 10 weeks. I was always a workaholic and never missed a day off work in eight years being sick and I was constantly doing overtime.
“Spending 10 weeks at home with the family completely changed my mind set on life and I thought ‘I want to do this full-time’. I started thinking about ideas and online businesses and stuff like that.
“I’ve built it up over the past few years. It’s mostly buying and selling on eBay and Amazon and I have my own Shopify store. It should give us enough income to keep us travelling and even settle down somewhere in the future.”
In May 2025, the couple decided to see if running Lee’s business abroad was possible and hired out a villa in Cyprus for 10 days to “test the waters”. On their return home, they put their four-bed home up for sale, and it sold in July 2026 for £330,000, leaving them with £140,000 in equity.
Mum Aimee, who used to work as a family support worker at a primary school prior to their travels, says: “We set a couple of grand aside from the house sale and Lee’s wages top that up, with some savings as well. The money that was made from selling our belongings and cars has gone towards the trip.
“We’ve invested the rest of the house money and hope to earn off that as well. We were spending with a mortgage, bills, days out, running the house and cars with four children around £3,000 to £4,000 a month.
“Obviously we’ve been travelling for one month and to get set up it’s 100% cheaper to be doing what we’re doing at the moment. We knew it would be more expensive in Europe and at the end of it when we get to Southeast Asia we will easily be living on £2,000 per month all in.”
Jetting off to Paris in September, the family have since visited the Netherlands, Austria, Germany, Switzerland, Belgium and Italy. “We’d reached the point where we really felt like we just existing rather than living,” Aimee says.
“We had jobs and the kids were attending school all day long and we were lucky if we had two hours with them at the end of the day. We wanted more time to experience life together. We came away with three suitcases”.
Daughters Matilda-May and Mila have been de-registered from school and despite being “initially sad” to leave behind family and friends, are settling into life on the move. “I think we’re deliberately choosing to give them these experiences, and I think we want them to learn through travel rather than just recreating school at the kitchen table if you like,” Aimee says.
“They do enjoy learning but we’re not shoving it in their faces as it’s very early days. I think personally I’d be ok with them not attending school for at least two years.
“But that can change and we’re led by them. If they want to learn more and there are other subjects they are interested in, we will make it happen, but that will be online.
“We’re not planning on sending them to international schools. It’s definitely sparked curiosity and they’re forever asking questions so as long as that continues, we’ll be happy.”
Despite not having a set budget, the family choose to stay outside of tourist hotspots and city centres and instead travel in to see the sights, keeping costs low. “We don’t keep tabs on our spending but also equally we will go shopping for food,” Aimee says.
“We’ve been staying at a Eurocamp in Italy and have been shopping at Lidl. We’re very clear about it not being a holiday as well. We do have to make decisions about money like not eating out every night.
“It’s about being mindful and the things we want to splurge on are experiences. Travelling on a gondola in Venice cost a fortune but we’ll eat in for two days because of that. We’re living life and taking the hit.”
The couple’s eldest two children Billy, 18, and Lyla, 17, chose to stay at home with family but have flown out with Aimee’s sister Katie, 37, to celebrate Aimee’s 39th birthday in Italy. They hope to eventually settle outside the UK, but are not sure where that will be yet.
“We’ll see where life takes us,” Aimee says. “The beauty of being able to travel is we might find somewhere and it might be our forever home.”
Sharing their decision to ditch the UK online, they want to “inspire” other families to make the leap. You can follow Aimee and Lee on TikTok @the.bodells and Instagram @the_bodells.
Three weeks is only a sliver of the NFL season; a backsliding team has plenty of time to correct its course.
That said, only seven teams in the Super Bowl era have rebounded from an 0-3 start to make the playoffs.
That’s a sobering statistic for the Chargers, Houston Texans and Tampa Bay Buccaneers, all winless so far. As for the 0-3 Miami Dolphins, well, that isn’t quite as shocking.
“We’re searching for every possible way to give ourselves an advantage,” said Chargers coach Jim Harbaugh, whose team lost at Buffalo last Sunday despite five takeaways and a plus-four turnover differential.
The uphill climb continues for the Chargers, who play at Seattle on Sunday, with the defending Super Bowl champions itching to respond to an upset loss at Washington in Week 3.
So far, the change at offensive coordinator to former Dolphins coach Mike McDaniel has been a bust for the Chargers. Their offense has sputtered and wheezed, even as their defense has done its part to keep them in games.
Elsewhere Sunday, the Texans play host to Dallas, Tampa Bay hosts Green Bay, and Miami plays at 3-0 Minnesota.
Of those seven teams that dug themselves out of a foreboding pit, only the 1992 San Diego Chargers turned their season around after an 0-4 start — so it’s pretty much now or never for this year’s class of Sunday strugglers.
The others to make the playoffs after losing their first three games were the 1981 New York Jets, 1982 Buccaneers, 1995 Detroit Lions, 1998 Buffalo Bills, and the Texans, who pulled off the feat in 2018 and last season… and now find themselves back in that dank basement.
“We’ve been here before,” Houston quarterback C.J. Stroud told reporters this week, “so we know we can get this thing turned around.”
For those who have made that euphoric U-turn, there are life lessons to draw upon. Chief among them, don’t panic.
Chargers coach Jim Harbaugh stands on the field before a loss to the Buffalo Bills on Sept. 27.
(Bryan M. Bennett / Getty Images)
Former Lions linebacker Stephen Boyd recalls the composure and calm of Detroit coach Wayne Fontes, after three losses to Pittsburgh, Minnesota and Arizona — two of those by a field goal.
After the third loss, Boyd said, “Wayne Fontes walks into the meeting room with a big smile on his face and says, `Listen, here’s the deal, we’re going to give the ball to Barry [Sanders] a little bit more, and we’re going to get this turned around.’”
Sure enough, the Lions broke through the following week with a win over San Francisco on Monday night. But there were more bumps in the road for Detroit, which by November was still a dismal 3-6. Few could have predicted the club would win its final seven games.
That set the stage for a strange wild-card game against Philadelphia in which the Eagles built a 51-7 lead and held on despite the Lions scoring 30 points down the stretch. The final score: 58-37.
Three years before Fontes kept his cool under pressure, Chargers coach Bobby Ross did the same.
“There were a lot of grumblings that this was just some college coach that didn’t know what he was doing in the pros,” recalled former Chargers linebacker Gary Plummer of Ross, hired out of Georgia Tech. “There were a lot of guys that were essentially jumping off the ship.”
That team held a players-only meeting after falling to 0-3… then got clobbered, 27-0, by the Houston Oilers in Week 4.
Ross held steady, though.
“He told us that he wasn’t changing,” Plummer said. “We were still going to have physical practices. He said that was the only way he knew how to coach.”
The Chargers responded by winning four in a row. Then, after a hard-fought, two-point loss to Kansas City, the Chargers tore off another seven wins.
Defense led the way for those Chargers, allowing just 241 points that season, the fourth-fewest in the NFL.
So far this season, these Chargers are showing similar tendencies. Last Sunday, the defense played a gem of a game, and certainly through three quarters.
Hope still has a heartbeat, but that grows fainter by the loss.
Hours before Nithya Raman took the stage at Jewish Federation L.A.’s mayoral forum this week, Mayor Karen Bass’ campaign blasted out a press release accusing the council member of skipping a City Council Jewish Heritage Month event to appear on Hasan Piker’s livestream.
The Raman camp’s response: “The Mayor is deliberately spreading misinformation that the public record directly contradicts,” said Liz Garcia, a campaign spokesperson.
Piker is a left-wing streamer on the platform Twitch and a fierce critic of Israel. Raman appeared on his stream on May 15, where he asked her if she thought Israel was committing genocide in Palestine. She said she did.
That same day, Raman missed a Jewish Heritage Month event at City Hall. Debbie Paperman, who is on the executive board of Democrats for Israel Los Angeles, said Raman told her that she had not been feeling well.
The Bass campaign, citing the fact that Raman appeared on Piker’s stream the same day, fired off an email to reporters claiming the councilmember had lied about her reasons for missing the Jewish heritage event.
The Raman campaign said that Raman was, in fact, ill.
Video from the May 15 council meeting shows Raman was present at the start of the meeting, but no longer at her seat during the heritage event, in which Councilmember Bob Blumenfield celebrated Jewish athletes. More than an hour later, Raman was back in council to make a speech and introduce other speakers for Hapa Day, celebrating people of mixed Asian and Pacific Island heritage, during which she said she wasn’t feeling well.
Raman’s team said she was still at City Hall during the Jewish Heritage Month event, but that she left council chambers due to her illness.
She felt better later that afternoon, the Raman camp said, allowing her to appear on Piker’s show.
Paperman said she wasn’t convinced. “It happened that you were sick for the multiple hours this was going on and you happened to get better to go on this psycho’s stream?” said Paperman. “I don’t believe that.”
Piker, meanwhile, shot back at the mayor for using his name to try to dissuade voters from supporting Raman.
“Karen Bass is deploying the same nasty tactic that Donald Trump used recently at a press conference, wondering out loud why any Jewish person would vote for Democrats, due to my presence in the big tent,” he told The Times in a text message.
Piker said he will vote for Raman, though he supported Bass against billionaire Rick Caruso in 2022.
“I was also a fan of [her] past work in Cuba,” he told The Times. “Karen Bass used to be quite the radical.”
Bass swings up in new poll
Bass will need to rely on undecided Republican and conservative voters to propel her to a mayoral victory, a new poll paid for by a group supporting her found.
The incumbent mayor is trailing Raman by 4 percentage points, 39% to 35%, with a quarter of the electorate still undecided, according to the initial results from an FM3 Research poll that was commissioned by the Central City Assn.’s PAC, an independent expenditure group supporting the mayor.
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When the pollsters gave likely voters additional, critical information about both candidates, Bass shot up by 5 points and took a narrow lead over Raman, 40% to 39%, with 21% undecided, according to FM3.
“The undecided voters — including many that say they will refuse to make a choice between Bass and Raman by Election Day — are disproportionately: Republicans, conservatives, 65+, homeowners, Democratic women over the age of 50 and those who do not hold a college degree,” wrote the research company in a polling memorandum.
The poll surveyed 809 likely L.A. voters from Sept. 21-28. It has a 3.5% margin of error.
“The mayoral race remains a statistical tie,” said Nella McOsker, the president of the Central City Assn. “Our poll demonstrates that some of the most reliable voting blocs swing to Bass once they fully learn both candidates’ records.”
A poll conducted between Sept. 15 and Sept. 20 by the UC Berkeley Institute of Governmental Studies, co-sponsored by The Times, found Raman was ahead 39% to 28%.
Raman allies engage in trash talk
A woman walks out of her home carrying a full garbage bag, then starts venting about the high cost of trash pickup.
“Karen Bass has nearly bankrupted L.A., so the city doubled my trash fees. Isn’t L.A. expensive enough?” the woman says angrily, before slamming the lid on a black trash bin.
That message is at the heart of a campaign video created by Streets For All, a transportation advocacy group now spending about $1.2 million to promote Raman and tear down Bass.
That ad is missing a key piece of information: Raman voted to hike those trash fees several times last year, even as two of her council colleagues spoke out against them.
“I was one of two no votes,” said City Councilmember Monica Rodriguez, who is supporting Bass’ reelection, in an interview. “She never once pushed back.”
Rodriguez called the ad misleading, saying it implies that Raman was an opponent of the fee hikes.
Michael Schneider, who runs the Streets For All campaign committee, defended the 14-second spot, saying council members hiked the trash fees to make up for bad budget decisions made by the mayor — including her support for a $2.6-billion upgrade of the Convention Center.
The council boosted the trash fee to $55.95 per month last year for small apartment buildings, up from $24.33. For single-family homes, the monthly fee was also hiked to $55.95, up from $36.32.
The city’s budget advisors said the increases were needed in large part because the monthly fees had not been increased in 17 years. As a result, L.A.’s residential trash customers were not being charged the full cost of garbage pickup, leaving the city budget to cover the difference.
“Kick it in the Park” gets Olympic makeover
L.A.’s summer of 2026 will be remembered for stifling heat, innumerable Dodgers injuries and, especially, World Cup watch parties.
Teams, corporate sponsors and the city of Los Angeles welcomed in the world, producing large crowds and kumbaya moments — with fans of opposing teams partying side-by-side in (relative) peace and harmony.
Mayor Karen Bass’ “Kick it in the Park” events drew a total of 45,000 fans over the length of the quadrennial soccer tournament. A survey of about 2,000 of them registered overwhelming support for the free shindigs.
Paul Krekorian, executive director of the mayor’s Office of Major Events, declared victory in a meeting with City Council members this week. He also said that substantial planning is already underway to bring the city even more viewing parties and “activations” during the 2028 Olympics.
While the city hosted a maximum of three viewing parties a day during the World Cup, it plans to stage as many as 15 a day when the Olympics come to town. A list has been drawn up of possible locations for the festivities — spread around every corner of the city and distant from Olympic venues to avoid overcrowding.
Among the possible viewing party locations: MacArthur Park, the Greek Theatre, Pan Pacific Park, Leimert Park Plaza, Koreatown, Penmar Recreation Center, Echo Park Lake, Angels Gate Park and the Watts Towers.
Given the welter of Olympic events, it will be a challenge to schedule the parties, whose centerpieces are usually big screen projections of the live events, with food and live performances often thrown in.
State of play
— SPLIT ON GAZA: Bass and Raman split on Tuesday over whether Israel has committed genocide in Gaza during the Israel Gaza war. The two candidates gave their opinions during a forum hosted by Jewish Federation Los Angeles. Raman said she agrees with the experts who use the term, while Bass said she would not use the term genocide to describe Israel’s counteroffensive in Gaza.
— WILDFIRE FAILURES: A long-awaited independent investigation commissioned by Gov. Gavin Newsom offered the most in-depth review of the Jan. 7, 2025, Palisades and Eaton fires, describing the chaos and poor communication that made firefighting, rescues and evacuations even more difficult. The 724-page report also cited the Los Angeles Fire Department’s failure to fully extinguish the Jan. 1 Lachman fire, which reignited days later, and Los Angeles County’s failure to provide timely evacuation alerts in Altadena.
— ESTAMOS CON WHOM?: Recent polling by the UC Berkeley Institute of Governmental Studies, co-sponsored by The Times, found that likely Latino voters favor Councilmember Raman over incumbent Bass by a wide margin — 45% to 21%, with 34% undecided. That’s an even bigger lead than Raman had over Bass with voters overall in the most recent Berkeley IGS/L.A. Times poll.
— VOTER GUIDES: The Times released its much-anticipated voter guides for the November election this week, including a mayoral guide and a guide to the Council District 9 race, among many others.
— OLYMPIC OBSCURA: The nonprofit organizer of the 2028 Summer Olympics, LA28, has provided less information in its annual reports than it agreed to in a 2021 contract with the city. The group has stopped reporting the contracts it signs over $1 million, leaving taxpayers with less information about the work going into the Games. LA28 says it has provided all necessary info.
The city also asked LA28 to take out a $650-million insurance policy, and agree to cover any potential losses above that amount, should the Games be canceled by a calamity.
— LAPD BLUES: Secret recordings documenting LAPD officers making racist comments have renewed questions about whether the force, which is now less than 50% white, has made forward progress on stamping out prejudice in its ranks.
— STORM’S BREWING: L.A.’s sanitation agency is bracing for the coming ‘Super’ El Niño, which could wreak havoc with the city’s Hyperion sewage treatment plant.
QUICK HITS
Where is Inside Safe? The mayor’s signature program went to East Hollywood in Hugo Soto-Martínez’s district on Tuesday, where they moved 61 people indoors near Beverly Boulevard and Madison Avenue. On Thursday, Inside Safe moved 27 people indoors near Louvre Street and Ralston Avenue in Pacoima in Rodriguez’s district.
On the docket next week: On Wednesday, the City Council’s transportation committee will be discussing an independent evaluation of the city’s Vision Zero Program.
Stay in touch
That’s it for this week! Send your questions, comments and gossip to LAontheRecord@latimes.com. Did a friend forward you this email? Sign up here to get it in your inbox every Saturday morning.
Strictly fans could see a change in the hosting format this weekend after complaints were made that it “didn’t work” last week.
While fans were happy to see Emma Willis hosting from the dance floor, they were unconvinced that Josh Widdicombe belonged in the role at her side.
“The Strictly producers will be in a bit of a pickle now,” one fan pointed out at the weekend. “The overwhelming view seems to be that Emma is perfect and should host downstairs alone, and Josh should be moved upstairs as he’s way more of a comedic, lighthearted chat sort of host.”
Former pro dancer Vincent Simone told the Mirror this week that he sees the upheaval in the presenting duties is a major “downside”.
“I think the only downside of this year is that there’s been way too many changes all in one go,” he said. “Some people like changes, like me. Some people don’t.
“I can imagine some people saying, ‘Oh, Tess and Claudia are not going to be presenting, I won’t be watching it,’ or, you know, some of the professionals that I used to love, they won’t be performing again, ‘I’m not going to watch it again.’
“So unfortunately, it is what it is. I think there’s been way too many new changes all at once.”
Welcome to Bunker Talk. This is a weekend open discussion post for the best commenting crew on the net, in which we can chat about all the stuff that went on this week that we didn’t cover. We can also talk about the stuff we did or whatever else grabs your interest. In other words, it’s an off-topic thread.
This week’s caption reads:
NANTWICH, ENGLAND – MAY 24: The BBC broadcasting studio inside the former RAF Hack Green secret nuclear bunker on May 24, 2023 in Nantwich, England. Hack Green played a central role in the defence of Britain for almost sixty years. It was chosen during WW2 to protect the land between Birmingham and Liverpool from hostile attack and as a location for the new RADAR equipment. The bunker went on to be used for shelter and protection during the Cold War. As relations between East and West thawed many of the UK’s nuclear bunkers were sold off. The Secret Bunker is now privately owned by the Siebert family and is run as a museum trust. (Photo by Christopher Furlong/Getty Images)
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So unless you have something of quality to say, know how to treat people with respect, understand that everyone isn’t going to subscribe to your exact same worldview, and have come to terms with the reality that there is no perfect solution when it comes to moderation of a community like this, it’s probably best to just move on.
Finally, as always, report offenders, please. This doesn’t mean reporting people who don’t share your political views, but we really need your help in this regard.
Walt Disney Co. laid off nearly 300 workers this week, the latest wave in an industry-wide consolidation that continues to reverberate throughout Southern California.
Several people close to the Burbank entertainment giant confirmed this week’s cuts, which came as Disney separately offered early retirement packages for older workers. The voluntary separation program is underway, and the number of executives who will exit later this year has not been determined, one of the knowledgeable sources said Friday.
D’Amaro took the reins from former CEO Bob Iger in March, and the former parks chief has begun to organize the company around a “One Disney” approach to break down corporate silos that sprouted with each large acquisition, including Disney’s 2019 takeover of much of 21st Century Fox.
Disney also has been working for the past year to make Disney+ the company’s central streaming hub. As part of that effort, executives have begun to diminish the Hulu service and brand, which sprung to life nearly 20 years ago.
Disney employees are bracing for further cuts. Many expect a significant television division restructuring early next year, which could result in hundreds of layoffs, according to the Wall Street Journal.
Disney’s legal government affairs department also will be downsized, according to a recent internal memo Disney Chief Legal Officer Horacio Gutierrez.
A Disney spokesperson declined to comment.
Disney President Dana Walden, during a Thursday appearance at Bloomberg News’ Screentime media conference in Hollywood, acknowledged the industry turmoil.
Traditional studios and TV networks have shed tens of thousands workers in recent years after the streaming bubble burst and twin labor strikes paused projects.
Production workers in Los Angeles have felt a double-whammy as other states and countries have offered generous tax subsidies that have pulled productions from L.A.
Separately, Warner Bros. Discovery workers are anxious that David Ellison’s planned takeover of their company next week will ultimately result in hundreds of layoffs as the tech scion and his team hunt for $6 billion in cost cuts that they promised investors and prospective debt holders.
The merger will leave the combined company, which will go by the name Skydance, with more than $80 billion in debt.
Walden suggested her company’s cuts would be more modest. She said restructurings were necessary as companies adapt to changing consumption patterns, which have eroded the more lucrative TV economics of yesteryear.
“There is a need to constantly evaluate how you’re structured,” Walden said. “It is extremely painful. We’ve exited colleagues who I’ve worked with for most of my career and it is, in many ways, a harsh reality.”
She described Disney’s voluntary retirement program as a “generous” program to give “long-tenured executives agency and the opportunity to make their own decisions around whether the timing was right to leave.”
“This evolution, it will never stop,” Walden added. “Technology set their sights on our business, and we must survive, and thrive and grow. And that’s what we’re going to do.”
San Francisco 49ers owner and CEO Jed York has been suspended for six games and fined $500,000 for violating the NFL’s personal conduct policy, the league announced Friday.
York was arrested Aug. 23 as part of an Ohio prostitution sting after he responded to an online ad that was actually set up by Mahoning Valley Human Trafficking Task Force officers.
The 45-year-old executive pleaded no contest to misdemeanor charges of disorderly conduct and possessing criminal tools (in this case, the phone he used to set up the encounter). He was sentenced to one day in jail and fined $1,150. The $160 seized in the sting was given to the task force as part of his plea.
Since York has not attended any games or league meetings so far this season, he was credited with having served three games of his suspension. He is eligible to return Oct. 20, the day after the 49ers’ Week 6 game against the Washington Commanders and the day the league’s fall meetings begin in New York.
“To my family, to the players, coaches, and employees of the San Francisco 49ers, to our fans and partners, I am deeply sorry,” York said in a statement released by the team. “This was an inexcusable mistake and I take full responsibility. What I did does not reflect my values or the man I strive to be for my family.”
York filed for divorce from his wife, Danielle Belluomini York, in May. They have two sons together. York has been the 49ers’ CEO since 2008 and became the principal owner in 2024. His family has owned the 49ers since 1977.
“While I fell short of the model I want to set for my sons, I now hope to show them the importance of owning up to one’s failures, and that even our worst moments teach us to be better,” York said. “Leading the 49ers is a privilege, and one I don’t take lightly. Your trust will have to be earned back over time, and I look forward to that work ahead.”
VICTORIA Beckham was supported by husband David and sons Romeo and Cruz at her Paris Fashion Week show – but Brooklyn has once again swerved the family.
The fashionista and iconic Posh Spice is hosting her annual display of her clothing collection in the French capital, with David sitting front row with most of their children at the Conciergerie at 2 Boulevard du Palais.
Victoria hosted her Spring/Summer show at Paris Fashion Week tonightCredit: ReutersDavid led the Beckhams supporting Victoria at her fashion show in Paris tonightCredit: ReutersBrooklyn and Nicola put on a united front at the Messika event – just a mile down the road less than 24 hours beforeCredit: Splash
Romeo and Cruz were both supported by their girlfriends Jackie Apostel and Kim Turnbull, with Harper Beckham, the youngest of the Beckham clan, also there to cheer on her mum.
The couple were spotted watching the Messika runway at Paris’s Grand Palais on Thursday evening, just a mile down the road from the venue the Beckhams appeared at today.
The day before, they attended another show for Balenciaga.
Romeo had also arrived in the city ahead of his mum’s event, though according to the Daily Mail, successfully managed to swerve his brother by partying at another event.
A source told the site: ‘No good will come from them bumping into one another, relations are still devastatingly strained.”
Romeo arrived dressed in an outfit created by his mumCredit: ReutersDavid was beaming in a sharp suit as he took his seat on the front rowCredit: Reuters
They added that, despite the animosity “Brooklyn is missed” from the family events, but at this point he’s decided to keep away.
In the meantime, the rest of the Beckham clan have been putting on a united front, coming together to watch Cruz perform at Reading and Leeds Festivals at the end of August.
“I am so grateful for everyone around me, not only are they my best friends but they are family, this journey has been so incredible and i have learned so much because of these people.”
He then shared some extra words for partner, Jackie, writing: “Last but definitely not least Jackie, you honestly have no idea how lucky we are to have you, not only do you take care of me but this whole operation, from creative to strategy to mgmt.
“We are a team and would not be doing this without you. I really love you so much.”
David Ellison said the merged Paramount and Warner Bros. Discovery will be called Skydance — the moniker he picked nearly two decades ago when the tech scion began building his Hollywood empire.
Ellison, currently the chairman and chief executive of Paramount, is aiming to finalize the acquisition of Warner Bros. Discovery by Tuesday. Then the combined company will assume the name and logo of his once small studio.
“We chose this name for a few important reasons,” Ellison wrote Friday in an X post. “As we bring Paramount and Warner Bros. together, we wanted to preserve what has made each of these studios iconic. Both have distinct identities, extraordinary legacies and brands that have resonated with audiences … We never wanted a new corporate identity to diminish, alter or overshadow either one.”
By calling the company “Skydance,” Ellison said the merged entity would have “an identity of its own while allowing Paramount and Warner Bros. — and all our extraordinary brands — to remain in the spotlight.”
In Hollywood, there had been much speculation over what jumbled mash-up of the corporate titles would be used, with WarnerMount and Paramount-Warner Bros. often mentioned as possibilities.
Both companies boast century-old studios, beloved media brands and a recent past that has included several fraught mergers. When AT&T sold WarnerMedia to David Zaslav’s Discovery in 2022, he selected Warner Bros. Discovery as the corporate name.
The merger is quickly reaching the finish line after U.S. District Judge Araceli Martínez-Olguín on Wednesday signed a settlement agreement, effectively ending an antitrust lawsuit brought in July by California Atty. Gen. Rob Bonta and 11 other state attorneys general who initially fought the formation of a new Hollywood colossus. Paramount now has won approvals by nearly 70 regulators for the industry-reshaping deal.
For more than a decade, Paramount has been the smallest of the major media companies, owning CBS, Comedy Central, BET, Nickelodeon and the Melrose Avenue studio. With the $111-billion merger with Warner, Skydance will gain more valuable assets including HBO, CNN, TBS, Food Network and Warner Bros. film and television studios, along with their massive libraries that include the Harry Potter, “Lord of the Rings,” and DC Comics franchises.
Earlier this week, Ellison announced he was bringing Ynon Kreiz, who has served as the CEO of toymaker Mattel for eight years, to run the new entity’s day-to-day operations. Kreiz, 61, brings years of operational experience that Paramount’s top executives had lacked.
Paramount released details of Kreiz’s contract on Thursday in a regulatory filing, saying he would receive an $5 million annual salary and an annual target bonus of $4.9 million. He will also qualify for a signing bonus of $31.5 million to come over to the new company, paid through restricted stock units.
In addition, HBO Chairman Casey Bloys is widely expected to become head of the merged company’s streaming programming. Paramount’s streaming chief Cindy Holland exited the company earlier this week to make way for Bloys.
During a Thursday appearance at the Bloomberg News Screentime media conference in Hollywood, Bloys declined to discuss his presumed new role. But he suggested that that Ellison’s company might bundle HBO Max and Paramount+ services, allowing the two services to remain for now, rather than try to fold them into one gigantic offering.
Skydance will carry than $80-billion in debt, much of it acquired to retire the holdings of Warner Bros. Discovery investors at $31.17 a share. The company also has promised investors that it would find $6 billion in cost-cuts within three years.
During a separate appearance at the Bloomberg conference, RedBird Capital Partners founder Gerry Cardinale, a Paramount investor and board member, said finding $6 billion in cuts would be relatively easy, and would not be focused solely on layoffs. It would include combining the technology stacks for the various streaming platforms.
But Cardinale acknowledged layoffs would be part of the cost-cuts, a prospect that frightened many in Hollywood after endless waves of job cuts at the two companies.
Warner’s outgoing chief executive Zaslav will leave with a golden parachute valued at about $887 million, which includes cash, stock and options valued at more than $550 million, according to regulatory filings.
In addition, Warner board members separately agreed to pay Zaslav’s tax bills, which could approach $330 million.
When Lincoln Riley hired Gary Patterson to be his third defensive coordinator in five seasons, the USC head coach naturally pointed to Patterson’s impressive track record.
His reputation, after all, was as one of the great defensive minds in the modern history of college football, a coach who, at Texas Christian, knew how to get more out of lesser talent. It stood to reason that he could do the same at USC, where they’d just signed the nation’s No. 1 recruiting class. And through the spring and summer, that appeared to be the case, as coaches and players alike raved about their new coordinator, who earlier this year was enshrined in the College Football Hall of Fame.
But as the Trojans approach the midway point of an increasingly tense campaign, Patterson and his defense have fallen drastically short of those expectations.
As USC welcomes Washington to the Coliseum with its season on the brink, its defense is currently allowing more than 6.14 yards per play, good for 115th nationally. The secondary, which has struggled with consistent miscommunication, is allowing 8.4 yards per pass play — more than either of former coordinator Alex Grinch’s defenses allowed at USC. And big plays are becoming a big problem. Only three defenses the country have allowed more explosive plays of 20-plus yards than USC (23), which is also in line with Grinch’s defenses.
USC coach Lincoln Riley and defensive coordinator Gary Patterson talk after a loss to Oregon at the Coliseum on Saturday.
(Ronaldo Bolanos/Los Angeles Times)
And all this despite the fact four of the Trojans’ first five games were against opponents who were expected to struggle against USC’s far superior talent.
Patterson has yet to answer questions about those early results. That’s because unlike Riley’s first two defensive coordinators at USC, who spoke at least weekly, Patterson has not spoken to reporters since the preseason.
Without any explanation from him for USC’s early issues, the numbers don’t exactly paint a promising portrait of Patterson’s season. But while Riley acknowledged that the defense has “had some breakdowns at all levels” and must “play tighter in all areas,” the coach insisted Thursday that the Trojans were close to reaching their potential on defense, again reassuring that there was “a lot of good on tape” on that side of the ball.
“We don’t necessarily need any level of the defense to make this massive jump,” Riley said. “We just need each level to play a little bit better and each level to play a little bit better together.”
Outside of USC’s Week 1 shutout of Fresno State, though, the Trojans haven’t looked particularly good at any level of the defense. The pass rush has been lacking, with only three sacks across USC’s four other games. And on the back end, the Trojans continue to be caught flat-footed, with defensive backs out of position.
One former USC defensive back, Max Williams, posited on social media that the Trojans’ secondary appeared to be getting the defensive calls too close to the snap of the ball. In another social media breakdown by a former Trojan player, former quarterback Max Browne suggested that USC’s defensive backs were often out of position before the play began, putting them behind.
Those problems have seemingly been exacerbated the past two weeks in Big Ten play, as Rutgers and Oregon combined to pile up 964 yards on USC’s defense. And the Ducks did it with a backup quarterback at the helm in Dylan Raiola, who converted all seven of his third- and fourth-down pass attempts.
Patterson’s defense will have another tough test this week in Washington quarterback Demond Williams Jr., who’s just as much a threat with his legs as his arm. The Trojans already had trouble with a dual-threat quarterback earlier this season, allowing Louisiana’s Lunch Winfield to rush for 94 yards during a Week 2 Trojans win.
Any further struggles from here for USC’s defense could spiral in a hurry. The Trojans travel to Penn State next weekend and still have No. 5 Indiana and No. 6 Ohio State on the schedule. They’ll have to win two of those three, plus all their other games, if they still hope to contend for the College Football Playoff.
Those hopes hinge largely on Patterson, who Riley bet before the season would finally bring him salvation on the defensive end.
Riley still has faith that bet will pay off. Mostly because “there’s very few that have been through as much as he has.”
“Trust me, nobody takes it more personal than him or takes more responsibility than he does,” Riley said of Patterson. “He’s done this for a long time. He’s done it at a high level. And there’s nobody, you know, more committed to getting it fixed.”
“Dancing With the Stars” pro Witney Carson on Wednesday shut down rumors that she wants her celebrity pairing to be voted off the new season.
Following Week 3 of the competition — which bid farewell to Taylor Hanson and Britt Stewart on Tuesday — the 32-year-old dancer took to social media to address suggestions that she wished to be voted off with her celebrity partner, Guillermo Rodriguez.
Since Season 35 of DWTS premiered Sept. 15, the two have been in the bottom three couples each week, but avoided elimination. Some online fans have interpreted her facial expressions as disappointment upon learning her pair was safe.
“[Being in the bottom three] doesn’t necessarily mean all those couples have the lowest votes, but it does mean that you don’t get to celebrate that you’re safe. You only get to hear who’s going home,” Carson explained in a TikTok video uploaded Tuesday night. “So my face, what you’re seeing, is genuinely sad for the people going home and then excitement.”
The professional ballroom dancer also slammed rumors that she was at all dissatisfied with her celebrity pairing alongside 55-year-old Rodriguez, the talk show sidekick to Jimmy Kimmel on “Jimmy Kimmel Live!”
“I am truly so grateful to continue on in this competition week after week with Guillermo because he really deserves it. He is genuinely a kind person, he genuinely wants to get better, he never gives up,” Carson continued on TikTok. “Anytime I’m resting in rehearsals, he’s practicing… What you see on Tuesdays, that is his best…”
Last year, Carson took home the top prize alongside Australian conservationist Robert Irwin; in 2014, she took home her first Mirrorball Trophy alongside actor Alfonso Ribeiro, the “Fresh Prince of Bel-Air” actor who now co-hosts the show alongside dancer Julianne Hough.
Rodriguez too has become a crowd favorite, with various fans noting his improvement each week — including Kimmel, who last week on his talk show joked that his co-star has won the popular vote “more times than Donald Trump.”
Earlier this week, the pair wowed “DWTS” fans during “Yacht Rock Night” with a foxtrot performed to “Escape (The Piña Colada Song).” Rodriguez finished the routine with a funnyman stunt by revealing himself in a coconut bra and inked-belly with the words: “Dancing 4 the People.”
Guillermo Rodriguez and Witney Carson appear on “Dancing With the Stars” Season 35’s Yacht Rock Night.
(Eric McCandless / Disney)
“I think there’s a lot to say about someone who may not have the skills, but is willing to learn and put in the work. That’s an amazing thing and he deserves it,” Carson added.
Carson also used the social media video to tame buzz that she wants to go home because of her pregnancy, she said, “I’m doing all the things that my doctor has approved of, so you guys can rest easy.”
In August, the dancer made headlines when she revealed on “Good Morning America” that she would participate in this new season while pregnant, a scenario that the mother of two admitted was not on her “bingo card,” but that she would stick with it to see what her body was capable of.
“I know how far to push my body and the baby’s health has always been my number one priority,” Carson reiterated in her TikTok video. “So I have no reserve when it comes to speaking up about physically overdoing it.”
The contest, which is in its 12th year, celebrates the resilience of the 2,200 brown bears that live in the preserve on the Alaska Peninsula.
Published On 30 Sep 202630 Sep 2026
After a week of fierce competition, Backpack emerged victorious as Fat Bear Week champion, the heftiest bear in Alaska’s Katmai National Park and Preserve.
The nonprofit running the longstanding contest announced on Tuesday that the bear, known for his pacifist nature, was the winner with more than 100,000 votes, giving him a close win over Bear 910 with just over 50 percent of the poll.
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The contest, which is in its 12th year, celebrates the resilience of the 2,200 brown bears that live in the preserve on the Alaska Peninsula, which extends from the state’s southwest corner towards the Aleutian Islands. Fat Bear Week was started in 2014 as an interactive way to inform the public about brown bears, the coastal cousins of grizzlies.
Last year’s winner, Chunk — known officially as Bear 32 — clinched his victory at an estimated 1,200 pounds. He was handily defeated in the first round of competition this year by Bucky, who went on to lose a face-off against Backpack, known officially as Bear 89.
This September 9, 2026 photo provided by the National Park Service shows Bear 910 standing along the Brooks River in Katmai National Park and Preserve in Alaska [C. Loberg/National Park Service via AP]
The event this year featured 16 bears vying for the heavyweight title in a single-elimination, bracket-style tournament. All voting is done online, and the winner was declared on Tuesday evening after the final poll closed. The public could watch the bears on explore.org’s livestream cameras before deciding on their favourite.
“Fat bears are successful bears,” the nonprofit says on its website. These bears gorge themselves on the abundant salmon that return to the Brooks River starting in late June. It is there that they can stuff themselves to accumulate the fat reserves they will need to survive the winter. To be featured in the contest, the bears must frequent the area around the river.
Son of ex-champion
Backpack is the son of former Fat Bear Week champion Holly, who introduced him to the Brooks River when he was a first-year cub in 2006. His name was inspired by his habit of climbing onto his mother’s back when they swam the river. This year’s fans cheered on Backpack in the contest’s Instagram comments, noting his lineage and reputation as a gentle giant.
“Unlike many large adult male bears, Backpack hasn’t shown much aggression toward his competitors,” his contestant profile reads.
Backpack uses his “quiet strength” rather than brawling and is often seen in wildlife cameras sitting on a rock downstream, appearing to take in the scenery around him.
He defeated Bear 910, who is also the daughter of a former champion: 409 Beadnose.
Adult male brown bears typically weigh between 600 and 900 pounds (270-410kg) in midsummer. By the time they are ready to hibernate after feasting on migrating and spawning salmon, large males can weigh more than 1,000 pounds (454kg). Females are about one-third smaller. Bears may each eat as many as 30 fish a day this time of year, working hard to eat a year’s worth of food in about six months.
During winter hibernation, bears do not eat or drink and can lose one-third of their body weight.
Fat Bear Week’s contestants also included five bear families, in recognition of the record-high number of families and cubs at the river this summer. A mother must feed and protect her cubs while also eating enough calories to sustain herself through hibernation. Cubs often face the risk of attack from other bears due to territorialism or food scarcity.
Bear 132 and her three spring cubs advanced to the semifinals, but lost out to Bear 910.
She has become one of the largest and most experienced mother bears at Brooks River, according to her contestant profile. In mid-July, one of her cubs became separated from the family for several days, wandering the river corridor alone. The cub was reunited with the family a few days later.
A GALAXY of stars flocked to the L’Oréal show at Paris Fashion Week — and proved they were definitely “worth it”.
Models, actresses and singers with a combined net worth of well over £2billion descended on the French capital for a string of shows.
Brit model and actress Cara Delevingne striding the catwalkCredit: Shutterstock EditorialBillionaire singer and businesswomen RihannaCredit: Shutterstock Editorial
L’Oréal Paris — whose slogan is “because you’re worth it” — kicked things off on Monday with a multi-billion-pound runway.
Guests striding the catwalk included British model and actress Cara Delevingne, US reality star and entrepreneur Kendall Jenner, Desperate Housewives’ beauty Eva Longoria and German supermodel Heidi Klum.
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There was also a surprise performance from Canadian singer Celine Dion, who belted out her 2002 hit I’m Alive in the show underneath the Eiffel Tower.
Dion, worth an estimated £500million, is currently in a run of sell-out shows in Paris after suffering from a devastating neurological disorder.
The annual L’Oréal display was followed by an equally lavish spectacle yesterday afternoon for the Dior show.
Barbadian singer and businesswomen Rihanna — worth an estimated £1.2billion — topped the bill, wearing a slashed black dress and shawl combo as she sat in the front row.
Victoria’s Secret model Miranda Kerr in ParisCredit: GettyUS reality star and entrepreneur Kendall JennerCredit: Splash
British fashion legend Kate Moss was also in attendance, snapped in a pale green dress and large sunglasses as she left The Ritz for the VIP event.
The star has £55million to her name thanks to deals with countless global brands over the years including TopShop and Rimmel.
Taking place at Le Bassin Octogonal in the Jardin des Tuileries, the show saw British designer Jonathan Anderson display his spring/summer womenswear collection.
Desperate Housewives star Eva Longoria struts her stuffCredit: Shutterstock EditorialActress Jennifer Lawrence at the eventCredit: Getty
In a quirky twist, guests received a pair of polished walnuts as their invitation.
The move was a nod to Chinese culture, where rotating them in the palm is meant to bring good health, calmness, and high social status.
Bosses were no doubt relieved that nine-time Grammy winner Rihanna made it on time for the bash.
She was said to have left guests waiting more than an hour on Monday night before she arrived at the Matières Fécales SS27 show.
Other stars at the Dior event included Wicked actress and singer Cynthia Erivo, South Korean rapper and singer Hyunjin, and American-Chinese Olympic skier Eileen Gu.
Fresh from Milan Fashion Week, actress and singer Jennifer Lopez, worth around £300million, was also snapped out and about shopping in the French capital.
Kate Moss was also in attendance—snapped in a pale green dress and large sunglasses as she left The Ritz hotel for the VIP eventCredit: GettyNetflix favourite, The Queen’s Gambit star Anya Taylor-JoyCredit: AFPJennifer Lopez was seen shopping in Paris during Day TwoCredit: Getty
Paramount Skydance’s streaming chief Cindy Holland is exiting the studio, clearing the way for HBO Chairman Casey Bloys to claim a key role in the company once Paramount acquires Warner Bros. Discovery.
Holland announced her departure Tuesday in a memo to her staff. Her resignation is effective immediately.
She joined Paramount nearly 14 months ago as chairman of direct-to-consumer operations, in charge of Paramount+ and Pluto TV, after David Ellison’s Skydance Media took control of the media company long held by the Sumner Redstone family.
Holland, a respected former Netflix executive, was one of the few Paramount executives who lacked long ties to Ellison, who brought much of his Skydance team with him to Paramount.
Her resignation comes as Paramount is waiting for a federal judge to approve a settlement agreement that would allow Paramount to finalize its $111-billion purchase of Warner Bros. Discovery, which also includes CNN, TBS and the Warner Bros. film and television studios.
The agreement, unveiled last week, was designed to end a lawsuit brought by California Atty. Gen. Rob Bonta and 11 other Democratic attorneys general, who had argued Hollywood’s biggest merger in decades violated U.S. antitrust laws.
“As David readies for the next phase of his vision, we’ve discussed my role and the future of the combined businesses,” Holland wrote in the memo shared with her staff viewed by the Times. “David is optimizing for HBO stability as we move into this next chapter, and I fully support that.”
Ellison, in recent months, has signaled his intention to install Bloys in a pivotal role at the combined company.
Ellison months ago made a public commitment to protect HBO, which has long been a leader in prestige TV programming. The network has already undergone two ownership changes, and considerable management turmoil, during the last decade. Bloys has led HBO as its chairman since late 2022. He was one of the first Warner executives that Ellison met with this year after Paramount prevailed over Netflix in the bidding war for Warner Bros. Discovery.
The New York Times first reported Holland’s departure.
“Cindy has been a trusted partner to me and so many others, and I couldn’t be more grateful for her leadership, her relentless drive and everything she’s done for our company,” Ellison said in a statement.
Director Na Hong-jin’s action movie “Hope” opened in 1,500 U.S. cinemas this month, marking the biggest domestic theatrical footprint for a Korean-language film since the Academy Award-winning “Parasite.”
That’s a big bet, particularly for a foreign film. But after the success of “Parasite,” the growth of Korean shows such as Netflix’s “Squid Game” on streaming and the broader acceptance of subtitles in film and television, it was a bet Neon was willing to make.
The indie studio snapped up North American and English language rights to “Hope” for an undisclosed price before the film’s world premiere in the spring at the Cannes Film Festival.
Right off the bat, Neon knew the film would be positioned in South Korea as a big action thriller and massive event film for director Na, and wanted to match that.
In the film, which includes Alicia Vikander and Michael Fassbender in its cast, a group of people fight back against a creature that rampages through a Korean village.
“The reality is that just because a movie has subtitles, doesn’t make it an art film or a niche film,” Elissa Federoff, Neon’s chief distribution officer, told me this month. “And this, to us, felt like a big action blockbuster.”
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She continued, “To me, it was this movie that certainly cinephiles were going to be curious about. But I also knew that we could cross over to a broader audience if we gave it a shot.”
So far, “Hope” has grossed more than $8 million domestically and $45.6 million worldwide on a reported production budget of at least $45 million.
Neon expected to reach Korean and Korean American audiences with “Hope,” but the film also over-indexed with Latinos, who represented 27% of the audience, according to PostTrak theatrical data.
Such a wide national release is unusual for foreign films, which typically play in specialty theaters on fewer than 100 screens. Though its domestic box office total doesn’t indicate that the film fully crossed over to mainstream audiences, “for a foreign film, it’s very successful” and has done “solid business,” said David A. Gross, who writes the FranchiseRe movie industry newsletter.
Neon, of course, has experience with Korean cinema. It distributed 2019’s “Parasite,” which became the first non-English-language film to win Best Picture. After “Parasite” won the Oscar, it was shown on 2,000 screens, about 17 weeks after its release. The Bong Joon Ho-directed film ended up grossing more than $53 million domestically and brought in more than $263 million worldwide.
The film put Neon on the map in many ways, Federoff said, and also pushed the boundaries for what the industry considered a best picture nominee. Films such as “Parasite” and “Hope” should also expand what studios consider to be mainstream fare.
“Studios and distributors are still boxing things out a little bit and thinking of these as not as accessible or not for a general commercial audience,” Federoff said. “And I would totally disagree with it.”
Though “Hope” is a long way from the domestic box-office success of “Parasite,” these kinds of swings are important to keep the pipeline of original films humming and to vary the types of fare mainstream audiences can see at their local theaters.
Although art house films once skewed toward older audiences, indie films are now popular with younger generations, who have also become accustomed to reading subtitles.
That could bode well for future foreign language films looking to make inroads with mainstream audiences. While giving a wide release to a foreign language film could be seen as risky, it’s a move Federoff believes can help bolster creative filmmaking and keep people engaged at cinemas.
“My hope is that studios start to trust their audience and respect their audiences a little bit more,” she said. “I think we can all do this. I think we can all say that we just have to have more risk taking involved with what we do. There’s a lot of incredible international cinema out there that should be seen by everybody.”
Paramount and the states fight back
Paramount Skydance and the state attorneys general are defending their proposed settlement in the face of skeptical questions from Sen. Cory Booker (D-N.J.), arguing that the judge overseeing the case should approve the agreement without the deeper review the senator has requested.
On Thursday, U.S. District Judge Araceli Martínez-Olguín told both sides to answer Booker’s questions before she ruled on whether to approve the proposed consent decree. She said at the time that she would issue a ruling “in due course.”
On Monday, both sides issued separate filings that argued the terms of the settlement were adequate. In particular, the states pushed back on assertions that the consent decree was too weak, saying it “reflects a reasonable compromise that addresses the competitive issues posed by the proposed merger in the markets alleged in the complaint.”
“The decree’s enforcement provisions have teeth,” the states wrote in their filing.
The proposed legislation would provide a 20% credit on above-the-line and below-the-line U.S. labor costs for eligible productions, including postproduction and visual effects work — two industries that have increasingly moved overseas.
The uncapped credit could increase to 30% with several uplifts, including for independent productions or filming in a federally declared disaster area, such as Los Angeles County.
What I’m watching
It’s fall, which means I’m all in on “Dancing with the Stars,” as I have been since Season 2, when Drew Lachey won with pro partner Cheryl Burke back in 2006.
This season feels like it was made for millennials like me, with contestants such as Julia Stiles, Harry Shum Jr. and Jenna Dewan. But my favorite dance last week was actually Guillermo Rodriguez’s paso doble.
British holidaymakers heading to one of Europe’s most popular destinations have been issued a warning
It concerns a volcanic eruption(Image: Getty Images)
Anyone travelling to Italy or the Vatican City this week have been told to check the latest official advice, after an update highlighted a developing issue that could affect some journeys. The Foreign, Commonwealth and Development Office (FCDO) updated its Italy travel advice on Monday, September 28.
The update relates to Mount Etna, the active volcano on Sicily’s eastern coast which is one of the world’s most active volcanoes. According to UNESCO, Etna’s eruptive history stretches back around 500,000 years, with at least 2,700 years of its activity documented by humans.
It is also one of Sicily’s best-known natural landmarks and was added to the UNESCO World Heritage List in 2013 because of its geological importance. UNESCO describes Etna as the highest mountain on a Mediterranean island and says its continuing activity has made it an important site for scientific research.
The latest FCDO advice says Italian authorities have increased the alert level because of volcanic activity at Mount Etna. Travellers are advised to follow instructions from local authorities if an eruption occurs.
It could have consequences for people travelling by air, with the FCDO stating that arrivals and departures at Catania Airport may be cancelled, delayed or rerouted to Palermo or Comiso if volcanic activity affects the airport. Holidaymakers heading to or from Catania have been advised to check with their airline or travel provider and the airport itself.
The FCDO does not advise against travel to Italy as a whole, but its general guidance states that “no travel can be guaranteed safe” and tells travellers to read the full advice before travelling. It also recommends appropriate travel insurance covering an itinerary, planned activities and emergency expenses.
There are also wider safety points for visitors to Italy, with the FCDO warning that demonstrations can occur with little or no warning in cities and advising people to avoid protests, political gatherings and marches. The government also says petty crime, including bag-snatching and pickpocketing, is more common in city centres and at major tourist attractions.
Wildfires remain another risk during Italy’s extended summer months, with the FCDO describing them as dangerous and unpredictable and advising visitors to check local alerts and weather forecasts. The same guidance says people should follow local authorities’ instructions and take care when travelling through woodland areas.
Anyone travelling should therefore check the FCDO advice shortly before departure because circumstances can change. The government’s travel guidance also recommends having appropriate insurance and following instructions from local authorities while abroad.
EASYJET flights are set to be disrupted across Portugal for five days due to strikes – and it starts this weekend.
Staff are staging walkouts which will see flights cancelled at airports in cities like Lisbon, Porto and Faro.
EasyJet staff in Portugal are staging walkouts which start this weekendCredit: Alamy Stock PhotoFlights to Lisbon are expected to be disruptedCredit: Getty
Members of the SNPVAC union, which the airline’s cabin crew in Portugal belongs to, has announced walkouts from October 2–6.
The union has estimated that the strike in October could ground around 500 scheduled flights overall.
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Some UK flights have already been cancelled ahead of the strike action.
Two return flights and one outbound flight from Southend Airport have been cancelled.
No flights from London Stansted Airport have been affected so far, according to reports.
From the UK, easyJet operates flights to Portugal from the likes of Birmingham, Bristol, Edinburgh, Glasgow, Liverpool, Gatwick, Luton, Southend, Manchester and Newcastle.
Passengers due to travel to or from Portugal during the strike dates are being advised to monitor communications from easyJet.
The Portuguese government has ensured that there will be a minimum of one Lisbon-London-Lisbon rotation per day during the strike.
No UK service from Faro or Porto appears on the protected list, and the order does not identify specifics when it comes to flights.
Anton Radchenko, aviation expert and CEO of AirAdvisor advised that “passengers should wait for a flight-specific decision and preserve the exact time of any cancellation notice.”
As many as 500 flights could be affected by the industrial actionCredit: Markus Mainka
He added: “If easyJet cancels and they still need to travel, they should request rerouting at the earliest opportunity, including on another airline where that would reach the destination materially sooner, rather than automatically accepting a refund.”
Last month, easyJet pilots, again in France, staged a walkout across two days in September.
Members of the SNPL pilots’ union staged the strike over a pay dispute between September 13-14.
The SNPVAC union has announced further walkouts later on in the year in December between 19–23.
A spokesperson from the airline said: “We are extremely disappointed that SNPVAC is planning strike actions despite our willingness to continue a constructive dialogue.
“We had just started a conciliation process through the mediation of DGERT with the aim to reach an agreement to meet our employees’ requests and protect the sustainability of easyJet business in Portugal.
“The current union demands are unworkable especially given that our crew are already paid significantly above the Portuguese national average
“We are doing everything we can to minimize the impact of the strike on our customers including actioning some cancellations in advance to allow our customers to rearrange their travel plans.”
Flight compensation rules
A look at your rights if a flight is delayed or cancelled, when your entitled to compensation and if your travel insurance can cover the costs.
What are my rights if my flight is cancelled or delayed?
Under UK law, airlines have to provide compensation if your flight arrives at its destination more than three hours late.
If you’re flying to or from the UK, your airline must let you choose a refund or an alternative flight.
You will be able to get your money back for the part of your ticket that you haven’t used yet.
So if you booked a return flight and the outbound leg is cancelled, you can get the full cost of the return ticket refunded.
But if travelling is essential, then your airline has to find you an alternative flight. This could even be with another airline.
When am I not entitled to compensation?
The airline doesn’t have to give you a refund if the flight was cancelled due to reasons beyond their control, such as extreme weather.
Disruptions caused by things like extreme weather, airport or air traffic control employee strikes or other ‘extraordinary circumstances’ are not eligible for compensation.
Some airlines may stretch the definition of “extraordinary circumstances” but you can challenge them through the aviation regulator the Civil Aviation Authority (CAA).
Will my insurance cover me if my flight is cancelled?
If you can’t claim compensation directly through the airline, your travel insurance may refund you.
Policies vary so you should check the small print, but a delay of eight to 12 hours will normally mean you qualify for some money from your insurer.
Remember to get written confirmation of your delay from the airport as your insurer will need proof.
If your flight is cancelled entirely, you’re unlikely to be covered by your insurance.
A dad has vanished in France after losing contact with his family back home in the UK. Andrew Shirlaw, known by his family as Andy, has disappeared whilst travelling through France.
The 65-year-old’s family have been left worried after he failed to contact them for days. His disappearance has been described ‘completely out of character’ by his daughter Gabriella.
Andrew went missing on September 22. Hi s last known location was Paris, France. It is believed that he had planned to travel down to the south before eventually finishing his trip in Toulouse.
Friends of the family who last saw him in Paris are extremely worried about his disappearance. Andrew’s family have described him as around 6ft tall with a slim build.
He often wears glasses and a hearing aid whilst sticking to a style of patterned shirts, shorts and sandals. |He is fluent in French and is known to be very talkative and open to interacting with strangers.
Andrew’s daughter has released a statement after reporting him missing. Gabriella Payne said: “Our dad, Andrew Shirlaw, Andy, aged 65, has been missing since Tuesday, September 22.
“His last known location was Paris, and we believe he was planning to travel south, eventually ending in Toulouse. We are extremely concerned because it is completely out of character for Andy not to maintain contact with us.
‘’Friends who saw him in Paris were also concerned about him before we lost contact. Andy is British but speaks fluent French with an English accent.
“He is very slim, around 6ft tall, often wears clear glasses and sometimes a hearing aid. He is very talkative, eccentric and will often strike up conversations with strangers.
“If you have seen Andy, spoken to him, travelled with him, or have any information at all about where he may be, please DM me or contact the local police. Even if you’re not in France, please share this post — particularly with anyone you know in Paris, Bordeaux, La Rochelle, Toulouse or elsewhere in France.
Today marks the end of an era. Mark Swed — the last full-time classical music critic at a major American newspaper — has retired. On Thursday, members of The Times editorial staff gathered to celebrate Swed, but the mood was somewhat somber. Although we were glad for our beloved colleague, this was not a happy milestone for journalism — or classical music.
Swed is the rarest of writers: a critic with deep empathy and encyclopedic knowledge who can turn the sonic details of an orchestra playing Mahler’s Seventh Symphony into an epic journey for readers. At a time when orchestra leaders struggle to find new audiences for the art form, Swed’s writing did the job for them.
And in an era when everybody is an expert on TikTok, Swed’s informed criticism was a life raft in a sea of slop. He told us why the music mattered — in its historical context, as it related to the modern landscape, and what it meant to him personally. He made us better listeners, and most importantly, he made us curious. After reading his take, we wanted to run out to a concert, an opera or a new music festival.
That this particular kind of writing — and of seeing and explaining the world to readers — is going away with Swed, is truly a tragedy. Thankfully he is leaving of his own accord, and will hopefully continue to write a monthly column, but his loss still stings.
Like many, I watched with sorrow in February as the Washington Post slashed its staff, including its classical music critic, Michael Andor Brodeur. That blow came a little less than a year after the New York Times shook up its culture desk and reassigned its classical music critic, Zachary Woolfe, to serve as the obituaries editor. (The paper is now actively searching for a new classical music critic.)
A number of staffers spoke at Swed’s retirement lunch, and deputy A1 editor John Penner was among them. In his touching speech, Penner noted that Swed was the last of his kind, adding, “with no full-time critic writing anywhere in any newspaper about classical music, American journalism will be poorer, and its readers less informed, inspired and enlightened.”
Penner continued, saying what all of us gathered in that conference room knew to be true, “Mark’s 30 years at The Times coincided with this city’s Golden Age of classical music — the era of Salonen and Dudamel and Disney Hall. L.A. has been the most important and exciting music capital in the country, if not the world. (Why else would New York be stealing Gustavo from us now?) And central to that excitement and importance has been Mark’s writing and criticism. For my money, even when there were many music critics writing for many publications, Mark set the standard for classical music criticism, while opening our ears to new and under-appreciated music.”
Hear, hear.
I’m Arts editor Jessica Gelt wishing Swed a happy retirement and humbly asking him to come back to us now and again. This is your arts and culture news for the week.
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The week ahead: A curated calendar
FRIDAY
Demand To Be Heard Festival The Sunflower Project presents a celebration centering the voices of survivors of abuse beginning with a screening of the film “Break The Silence: The Gabby Petito Story,” followed by a panel discussion with the Gabby Petito Foundation. Saturday and Sunday is the Resident Artist Showcase, featuring the work of six survivor/artists. Also Saturday are three three arts workshops focusing on music, candle making and body movement, respectively. Film screening, 6 p.m. Friday; 6:30 p.m. Saturday-Sunday, Resident Artist Showcase. Wisteria Theater, 7061 Vineland Ave., North Hollywood. Arts workshops, 11:30 a.m., 1 and 2:30 p.m. Art Share L.A. 801 East 4th Place, downtown L.A. towardsthesun.org
Jonah Elijah: Ambiguously Free The first U.S. museum solo exhibition by the L.A.-based contemporary painter and mixed-media artist features work that blends personal memories with broader mythologies, religion and history to explore Black culture. On view through December 16. Xela Institute of Art, 2176 Pacific Avenue, Long Beach. xela.art
Joshua Redman Quartet: Words Fall Short The saxophonist performs a new program of music with his ensemble — pianist Paul Cornish, bassist Philip Norris and drummer Nazir Ebo, plus special guest Skylar Tang, an up-and-coming Bay Area-born trumpeter and composer. 7:30 p.m. The Wallis, 9390 N. Santa Monica Blvd., Beverly Hills.thewallis.org
Melrose Gallery Walk Gallery spaces, including Hostler Burrows, Lawson-Fenning, Meg Turner, Object, Seventh House, The Window and 22RE, open their doors to celebrate the local design community. Free and open to the public. 5-8 p.m. Hostler Burrows, 6819 Melrose Ave. hostlerburrows.com
SATURDAY
Midterms: This Will Hurt Someone Brightwork newmusic performs a program of contemporary works inspired by civic life and social change, including Ted Hearne’s “Bye Bye Huey,” Natalie Dietterich’s “Philosophy of Furniture,” Ian Dicke’s “Get Rich Quick” (with video), Matt Marks’ “This Will Hurt Someone,” Hesam Abedini’s “What Remains” and “Frederic Rzewsk’s “Coming Together” (with video). 8 p.m. Sierra Madre Playhouse, 87 W. Sierra Madre Blvd. sierramadreplayhouse.org
Aperghis Trilogy Long Beach Opera performs three works by experimental composer Georges Aperghis: “Le corps à corps”,” Les Sept Crimes de l’amour,” “Récitations.” Directed by James Darrah Black. Christopher Rountree conducts. 7:30 p.m. The Queen Mary, 1126 Queen’s Way, Long Beach. longbeachopera.org
The Horror Show An immersive deep dive into the movie genre presented in six themed galleries: Gothic, Psychological, Science, Slasher, Religion and Ghosts, with behind-the-scenes looks at a range of titles that includes everything from Oscar winners to drive-in classics. But first, you must pass through “The Hallway,” bwahahaha. 10 a.m.–6 p.m. Wednesday–Monday, on view through July 25, 2027. Academy Museum, 6067 Wilshire Blvd. academymuseum.org
Senon Williams: here now, now gone, gone here A solo exhibition of the artist’s work, in which he collects materials such as nails, slips of paper, fragments of language and industrial remnants, then uses assemblage to rearrange them and discover deeper meaning. Noon-6 p.m. Tuesday-Friday, on view through Nov. 15. The Philosophical Research Society, 3910 Los Feliz Blvd. prs.org
Promised Lands: California’s Unratified Treaties and Native Resilience Archival materials, contemporary objects, images and voices from local tribal communities relate the complex history of the state with its indigenous people. 10 a.m.-4 p.m. Tuesday-Friday, 10 a.m.-5 p.m. Saturday-Sunday. Autry Museum of the American West, 4700 Western Heritage Way, Griffith Park. theautry.org
Rodgers & Hammerstein’s The Sound of Music Sing-A-Long Actor and comedian Melissa Peterman hosts the annual screening of the 1965 Oscar winner for best picture complete with a costume contest and more than a few of your favorite songs. 7:30 p.m. Hollywood Bowl, 2301 N Highland Ave. hollywoodbowl.com
Daymé Arocena’s Alkemi The Grammy nominee and Juno Award–winner blends Afro-Cuban beats with neo-soul, jazz and contemporary Latin pop. 7:30 p.m. The Wallis, 9390 N. Santa Monica Blvd., Beverly Hills. thewallis.org
San Pedro Festival of the Arts The 20th annual event, presented by Los Angeles Choreographers & Dancers, features 20 dance companies demonstrating a variety of styles and cultural traditions. 1-4:30 p.m. Peck Park, Upper Green near the Community Center, 560 N. Western Ave. triartsp.com
Tokio Ueyama: The Hollows Between Mountains The first museum exhibition in California of the Little Tokyo-based Japanese artist (1889–1954) features his drawings, prints, photographs and paintings as well as artists he was associated with, including Diego Rivera, Tōyō Miyatake, Edward Weston and Henrietta Shore. 11 a.m.-6 p.m. Wednesday–Sunday, on view through Feb. 28, 2027. UC Irvine Langson Orange County Museum of Art, 3333 Avenue of the Arts, Costa Mesa. langson.uci.edu
SUNDAY
Grant Gershon conducts the Los Angeles Master Chorale at Walt Disney Hall, Nov. 16, 2025.
(David Butow/For the Times)
Brahms’ Requiem The Los Angeles Master Chorale, led by Grant Gershon, opens its silver anniversary season with a program that also includes Bruckner’s “Te Deum.” 7:30 p.m. Walt Disney Concert Hall, 111 S. Grand Ave., downtown L.A. lamasterchorale.org
WEDNESDAY
Rubén Blades & Roberto Delgado Big Band: Fotografías Tour The Panamanian salsa greats perform classic Afro-Cuban music flavored with rock, jazz and Latin American influences. Silvana Estrada opens. 8 p.m. Hollywood Bowl, 2301 N Highland Ave. hollywoodbowl.com
Menopause The Musical: 25th Anniversary Tour Four women at a lingerie sale share their experiences with “the change” through parody songs of pop hits. 7:30 p.m. Bank of America Performing Arts Center, 2100 E. Thousand Oaks Blvd., Thousand Oaks. bapacthousandoaks.com
The Broadway production of “The Outsiders.”
(Matthew Murphy)
The Outsiders The Tony Award-winning musical adaptation of S.E. Hinton’s coming-of age-novel set in 1960s Tulsa arrives with Ponyboy Curtis and his fellow greasers facing off against the upper-class Socs. Through Oct. 18. Hollywood Pantages Theatre, 6233 Hollywood Blvd., Hollywood. Oct. 20-Nov. 1. Segerstrom Center for the Arts, 600 Town Center Drive, Costa Mesa. tour.outsidersmusical.com
THURSDAY
Laura Benanti: Nobody Cares The Broadway star sings original songs and shares stories with her trademark wit in this one-woman show. Directed by Annie Tippe. 7:30 p.m. Thursday-Saturday. 2 p.m. Saturday-Sunday. The Wallis, 9390 N. Santa Monica Blvd., Beverly Hills.thewallis.org
The Dance and the Railroad Asian American theater collective Artists at Play and Latino Theater Company team up for a rare revival of an early David Henry Hwang play set during the 1867 Chinese railroad workers’ strike. Directed by Katherine Chou. Previews, 8 p.m. Thursday and Oct. 2. 8 p.m. Thursday-Saturdays, 2 p.m. Sundays, through Nov. 1. Los Angeles Theatre Center, 514 S. Spring Street, downtown L.A. latinotheaterco.org
Mahler’s Symphony No. 2: Resurrection Alexander Shelley conducts the Pacific Symphony with soprano Miah Persson, mezzo-soprano Dame Sarah Connolly and the Pacific Chorale. 8 p.m. Thursday-Oct. 2. Segerstrom Center for the Arts, 600 Town Center Drive, Costa Mesa. pacificsymphony.org
The SoCal scene
Gov. Gavin Newsom mingles with guests at the Lucas Museum of Narrative Art opening party.
(Carlin Stiehl/For The Times)
I spent my Saturday night at the Lucas Museum opening party where I got to stand in the lobby by the nifty elevators watching Gov. Gavin Newsom talk to Kim Kardashian. Later, I went to Skywalker Grill and saw U.S. Rep. Nancy Pelosi sitting at a table next to Leonardo DiCaprio and his entourage. It would be an understatement to say that the night was both bizarre and memorable.
Times theater critic Charles McNulty (the paper’s only remaining arts critic) has kept exceptionally busy this fall season. Late last week he wrote a review of “The Ford/Hill Project” At REDCAT, which transforms Senate testimony from Anita Hill and Christine Blasey Ford into a docu-play that explores the details of two of history’s most consequential Supreme Court confirmation hearings. “The restraint imposed by the production adds to its power. There’s no need to editorialize. The proceedings skewer themselves,” McNulty writes.
Huguette Caland in Stone Doorway, France, 1970.
(Huguette Caland Estate)
McNulty also drove to San Diego to see the Old Globe’s world-premiere musical adaptation of John Carney’s “Begin Again,” which explores the stories of two music-industry vets who embark on a grassroots recording project. The show features a score by rocker Pat Monahan and Train. “‘Heartwarming’ is a cliche of theater reviewing that I have studiously tried to avoid, but I’m tempted to use the word in my review of ‘Begin Again’,” McNulty writes.
McNulty penned one of his harshest reviews since last year’s take down of “Hamlet” after he went to Atwater Village Theatre to see Echo Theater Company’s world premiere production of “The Peterson Show,” by Janine Nabers. “Unfortunately, the production is hamstrung by fundamental problems in the writing, directing and acting, all pointing to a failure of control. Control of the story, control of the tone and control of the cast,” McNulty wrote of the show, which is about the impact of disgraced Bill Cosby-like star on his TV family.
Meanwhile contributor Tara Anne Dalbow wrote a beautiful story about the late, great artist Huguette Caland in advance of the largest U.S. retrospective of her work, opening Sunday at the Hammer Museum.
Ernest “Ernie” Wolfe III, owner of an eponymous gallery on Sawtelle, is dying of a traumatic brain injury and his family is looking for homes for his 15,000 pieces of African Art. Contributor Jane Horowitz writes about Wolfe‘s legacy and the (sometimes controversial) origins of his collection.
As one chapter closes with Swed’s retirement, a new one begins as we welcome our new entertainment and arts reporter, Laura Zornosa, who hit the ground running by writing three great arts stories: The first is about the private art collection of Armand Hammer (including Mary Cassatt’s “Summertime,”) coming up for auction at Sotheby’s; the second, covering opening day at the Lucas Museum where Zornosa interviewed guests on their thoughts about the place; and the third is a fun news brief about how Los Angeles Chamber Orchestra commissioned fanfares from half a dozen film composers, including John Williams and Ludwig Göransson, curated by “none other than Seth MacFarlane (best known as the creator and star of “Family Guy”).”
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Coy Middlebrook has been named the new artistic director of the Wallis.
(Jeff Lorch / The Wallis)
The Wallis Annenberg Center for the Performing Arts announced the appointment of longtime creative staffer Coy Middlebrook as its new artistic director. “Coy brings an extraordinary depth of knowledge about The Wallis and its audiences, along with deep relationships throughout the performing arts nationally and internationally. He understands both the artistic possibilities of this institution and the importance of its relationship to our community. I am excited to work with him as we build a future that is artistically ambitious, deeply connected and open to everyone,” said Wallis Executive Director and Chief Executive, Jean Davidson, in a news release.
Meanwhile Theatre Commons LA (TCLA), the nonprofit organization created and launched a year ago as part of a concerted effort by some of the city’s most prominent theater leaders to unify the city’s sprawling theater scene, has announced its first Executive Director, David E. Shane. Shane previously served as director of program services at the Alliance of Resident Theatres/New York where, according to a news release, “he set the strategic vision and goals for a robust suite of programs serving over 450 of New York’s nonprofit theaters.” He is tasked with doing the same thing in L.A. and we wish him the best of luck.
— Jessica Gelt
And last but not least
The Getty Museum has acquired the recently rediscovered 17th-century painting “Portrait of the Count-Duke of Olivares” by Spanish artist Diego Velázquez (1599-1660). It will be displayed in the museum’s East Pavilion this fall. According to ArtNews, “The acquisition means a Velázquez painting will for the first time be represented in the collection of a West Coast museum.”
