week

A dream team has assembled to bring a scripted series based on the book “Perversion of Justice: The Jeffrey Epstein Story” from the drawing board to the small screen.

Oscar-winning actor Laura Dern has signed on to portray Miami Herald investigative journalist Julie K. Brown, whose tireless reporting on the Epstein sex-trafficking case exposed how federal prosecutors approved what many have referred to as a “sweetheart” plea deal for Epstein in 2008.

Per Variety, the official description of the series reads: “An explosive account of an investigative reporter exposing the secret plea deal between Epstein and federal prosecutors. Drawing from Brown’s experience as a groundbreaking reporter for the Miami Herald, the book and the limited series follow her relentless years-long investigation that identified 80 victims, persuaded key survivors to go on the record, and led to Epstein[‘s] and Ghislaine Maxwell’s arrests.”

In 2008, the financier was charged with luring underage girls to his Palm Beach, Fla., mansion for sex. Under the plea agreement with then-U.S. Atty. for the Southern District of Florida Alexander Acosta, Epstein avoided a federal trial — where, if convicted, he could have faced a potential sentence of life in prison — and pleaded guilty instead to two state felony solicitation charges.

He served 13 months in a county jail but was allowed to go to his office six days a week on a work-release program.

Co-showrunners for the project are Eileen Myers, known for “American Hostage,” and Sharon Hoffman, best known for her work on “House of Cards” and who is adapting Brown’s book for television. Dern will also executive produce, along with Adam McKay and Kevin Messick, known for “The Big Short,” “Don’t Look Up” and “Succession.” Brown is also executive producing.

Although Sony Pictures Television is still pitching the series to networks and streamers, industry insiders predict that, with Dern and McKay on board, a green light is on the horizon.

Last week, Brown joined veteran journalist Katie Couric live on Substack to discuss her reporting on Epstein, and how the disgraced financier and his camp underestimated her. “I don’t think he worried about the little old reporter from the Miami Herald,” she said.

“When you have a sex predator of children who is — at the time I wrote this story, he was out there, you know, he was free — and he was still, as we now know, harming children,” Brown told Couric. “And so my goal at the time was to look at how this happened.

“Where was the breakdown? Was there someone who … was powerful who let him off the hook, and I just thought it was a good time to take a new look at it like a cold case detective would.

“By the time I decided to reopen the case, these women, these victims who were 13, 14, 15 years old, were now in their late 20s and early 30s, and Donald Trump became president right around this time. And ironically, as I was already looking at this story, he nominated Alexander Acosta to be his Labor secretary, and I knew at the time that he was the very person who had let [Epstein] off the hook. And so that’s where I started looking at this case.”

After weeks of chaos in U.S. airports, the Transportation Safety Administration said the first paychecks in weeks are being sent as early as Monday to its workers, giving the beleaguered aviation system a boost of optimism.

Wait times at some TSA security bottlenecks, such as the airport checkpoints in Atlanta and Houston, improved significantly Monday morning.

But how long it will take for long security lines to consistently return to normal — and how long federal immigration officers will stay in airports — remains unknown as the busy spring break travel season continues.

The DHS shutdown has resulted in not only travel delays but also warnings of airport closures as TSA workers missing paychecks stopped going to work. Those workers were just recovering financially since last fall’s extended government shutdown.

Wait times still pushed beyond two hours at New York’s LaGuardia Airport Monday morning. Baltimore-Washington International Airport had minimal wait-times Monday morning, but continued to advise travelers to arrive three hours before their scheduled departure.

President Trump on Friday ordered the Department of Homeland Security to pay TSA officers immediately to ease the lines plaguing airports. The move came after Trump rejected bipartisan congressional efforts to fund the TSA while negotiations continue with Democrats, who have refused to approve more funding without restraints on Trump’s immigration enforcement and mass deportation operations.

Democrats are demanding better identification for the officers, judicial warrants in some cases and for agents to refrain from conducting raids around schools, churches or other sensitive places. Republicans and the White House have been willing to negotiate on some points, but the sides have yet to reach a final agreement.

On Monday, there were few signs of progress on Capitol Hill, where the Senate held a short session without considering the House bill and resumed its two-week break. GOP Sen. John Hoeven of North Dakota said afterward that Senate Republicans are talking with Democrats and also the House as they try to find a way to funding DHS.

TSA employees had gone without pay since DHS funding lapsed in February. The department’s shutdown reached 44 days on Sunday, eclipsing the record 43-day shutdown last fall that affected all of the federal government.

The DHS shutdown has resulted in not only travel delays but also warnings of airport closures as TSA workers missing paychecks stopped going to work. Those workers had already endured the nation’s longest government shutdown last fall. Multiple airports experienced greater than 40% callout rates, and nearly 500 of the agency’s nearly 50,000 transportation security officers quit during the shutdown.

Trump deployed Immigration and Customs Enforcement agents to some airports a week ago to help with security as TSA callouts rose nationwide. How long they stay, White House border czar Tom Homan said, depends on how quickly TSA employees return to work. A TSA statement said the agency “has immediately begun the process of paying its workforce,” with paychecks arriving “as early as Monday.”

The overall absentee rate among TSA officers scheduled to work dipped slightly on Sunday, according to DHS. The highest were concentrated at major airports that have seen consistently elevated absences lately.

Those included BWI, both of Houston’s main airports; Louis Armstrong International Airport in New Orleans; Atlanta’s Hartsfield-Jackson International Airport; and John F. Kennedy International Airport in New York.

Funk and Seewer write for the Associated Press. AP reporters Rio Yamat in Las Vegas and Mary Clare Jalonick in Washington contributed to this report.

A NEW £550,000 splash play area is coming to the UK and it opens in just a few days.

The new water play area called Saltwich Splash, in Droitwich, will open this week.

The free-to-visit splash play area will feature boards with butterflies and flowers spraying water, water arches, a tipper bucket, scenic boulders and a water run with different levels.

For onlooking parents there will be plenty of outdoor seating too.

The new splash park will officially open on April 3 and be open each day between 10am and 6pm from now until September.

The £550,000 project included moving the existing play area at the lido to space next to tennis courts.

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Many locals have taken to social media to share their excitement for the new attraction.

One person said: “It looks amazing!! What a fabulous addition to a great park.”

Another added: “This looks like a good summer meet up spot!”

A spokesperson for Wychavon District Council said in a Facebook post: “Water play season is nearly here — and the kids are ready, even if the water is… let’s call it ‘refreshing’.”

They added that they are also listening to feedback from the community and will hold a public consultation in the summer regarding fencing being installed around the new splash area, as well as two other water play sites in the area.

In a Facebook post last year, Councillor Richard Morris revealed that the splash park was due to open in August 2025 but was pushed back.

The new Saltwich Splash is the third water play area to be upgraded in the area, with new water play spots open in Pershore last year and Evesham in 2023.

The water play area in Evesham features hydro blast jets, a water spider, a spray cannon, an archway with jets and a water curtain.

Then the water play in Pershore is themed around the history of the famous local horse racing derby, Land O’Plums Steeplechase.

Visitors can head to the splash play area in Droitwich for free, but if they wish to use the lido it will cost them £7.20 per person.

Droitwich Spa Lido is one of the UK’s last remaining inland, open-air, saltwater swimming pools, according to its website.

The pool is 40 metres long and also features a sun terrace and small cafe.

Droitwich Spa is sat on large salt beds and has been for centuries.

In fact, the town’s natural brine is 10 times stronger than sea water and is only rivalled by the Dead Sea.

When the lido originally opened in 1935, diluted brine was pumped into the pool from local streams and it was heated to the temperature of the Mediterranean Sea.

Today, the water is still heated to 23C and the original art deco building remains.

In other water attraction news, the UK’s biggest indoor waterpark with 18 slides and huge wave pool is getting a £500,000 makeover.

Plus, a new £450million water attraction in the UK is finally starting to be built – here’s when it will open.

This week began with Orange Lutheran having played in only four baseball games while others had played in 10 or more. The Lancers were saving their best to come and it certainly showed when they won four consecutive games to capture the National High School Invitational on Saturday in Cary, N.C.

After needing consecutive walk-off hits to win in the quarterfinals and semifinals, Orange Lutheran (7-1) had more nerve-racking moments before knocking off defending champion Venice (Fla.) 7-6. In the bottom of the seventh, Venice put two runners on with two outs before Anthony Tomminelli got a strikeout to secure the win.

Orange Lutheran started fast with a two-run triple by CJ Weinstein in the first inning. Eric Zdunek finished with two hits and two RBIs while Brady Murrietta added two hits. The Lancers have about 24 hours to celebrate because next week they face St. John Bosco in a critical three-game series in the Trinity League.

Harvard-Westlake 10, Arizona Casteel 8: Jake Kim flexed his muscles for the second consecutive game, hitting a home run and double to finish with three RBIs. Ethan Price had a two-run double. Freshman Nate Englander had two hits and three RBIs.

Jacksonville (Fla.) Trinity Christian 5, St. John Bosco 0: The Braves return home from North Carolina with a 9-2 record and set to face Orange Lutheran this week in a three-game Trinity League series. Jack Champlin had two hits in the loss.

Aquinas 4, Gloucester 0: Eli Martinez threw the shutout with seven strikeouts.

For the second time in less than a week, Luka Doncic faces a one-game suspension because of technical foul accumulation.

Only a week after Doncic’s 16th technical foul was rescinded by the NBA, the Lakers superstar picked up another one in a 116-99 win over the Brooklyn Nets on Friday and is in line to miss the Lakers’ next game against the Washington Wizards on Monday.

In the third quarter with the Lakers trailing by one against the lowly Nets (17-57), Doncic was called for an offensive foul against Nic Claxton as the Lakers (48-26) were trying to inbound the ball after a dunk by Ziaire Williams. After the Lakers turnover, Williams and Doncic appeared to exchange words with Doncic pushing Williams aside with one hand. Williams then flailed his arms behind him and slapped Doncic in the throat.

“He was yelling in my face three times,” said Doncic, who finished with 41 points, eight rebounds and three assists in the win. “I just wanted to get out of there. … I didn’t even talk. I just wanted to get out of there. And they said I pushed. My push was exaggerated, which was obviously not [the case].”

Both were assessed technical fouls with 5:12 remaining in the third quarter, and Williams’ hit was reviewed for a possible flagrant, although it was not upgraded.

The NBA requires players to sit out for one game without pay after their 16th technical foul of the season. But Doncic avoided that fate after the NBA rescinded the foul that would have forced him to the bench for a critical road game last week against the Eastern Conference-leading Detroit Pistons. Lakers coach JJ Redick said the Lakers will try to appeal Doncic’s latest foul but he did not see what happened on the play.

Doncic is slated to miss Monday’s game against the Wizards, who have lost 17 of their last 18 games and have the third-worst record in the league (17-56).

Lakers star Luka Doncic reacts to a referee’s call during the second half Friday against the Brooklyn Nets at Crypto.com Arena.

(Allen J. Schaben / Los Angeles Times)

Doncic picked up his first 16th technical foul last week against the Magic after getting into an argument with Orlando forward Goga Bitadze. Doncic claimed Bitadze directed a vulgar comment about Doncic’s family in Serbian toward the Lakers star guard. Bitadze refuted the story, saying it was actually Doncic who said the curse word out loud first and that he was only repeating what he heard.

The NBA rescinded both fouls upon review the following day.

Doncic, the NBA’s leading scorer, has scored 30 points or more in 12 consecutive games, the longest such streak in his career. He has 43 30-point games this season, tying Elgin Baylor and Jerry West for sixth-most in a season by a Lakers player. He has scored 40 points or more in league-leading 15 games this season, seventh-most by a Laker in a season.

Against the Nets, Austin Reaves finished with 26 points, eight rebounds and five assists and LeBron James had 14 points, eight assists and six rebounds.

Before the game, Redick said the Nets game would be like playing on the road since the Lakers had spent almost two weeks away from Crypto.com Arena and had returned home in the wee hours of Thursday morning from Indianapolis.

Lakers guard Austin Reaves celebrates after shooting a three-pointer against the Nets in the second half Friday.

(Allen J. Schaben / Los Angeles Times)

The challenge was to find the energy to play, which wasn’t a problem for Doncic, who had 24 points in the first half. Doncic shot nine for 15 from the field in the first half and four for six from three-point range in 20 minutes. He finished shooting 15 for 25 from the field as the Lakers shot 54%. They shot 44% (11 for 25) from three-point range.

That the Lakers were facing a Nets team with the second-worst record in the NBA didn’t matter.

That the Lakers were facing a Nets team had lost nine of its last 10 games didn’t matter.

That the Lakers were facing a Nets team that’s last in the league in scoring (106.3 points per game) didn’t matter.

Lakers center Deandre Ayton, left, blocks a shot by Brooklyn Nets guard Nolan Traore in the first half Friday.

(Allen J. Schaben / Los Angeles Times)

What mattered to the Lakers was finding a way to win as the regular season winds down.

“I felt like we were a step slow,” Redick said. “And I told the guys at halftime, ‘This is our seventh game of the road trip. Anytime you come back, there’s a day in between, that’s just you’re in another city until you can get adjusted to the time zone and you get a couple days break.’ So the next two [off] days will be good for us.”

Notes: Lakers broadcast analyst Stu Lantz missed Friday night’s game against the Nets because of health issues. Derek Fisher, who won five NBA titles with the Lakers, took over Lantz’s role for the game. Public address announcer Lawrence Tanter also missed the game because of a health matter. Jason Barquero filled in for Lantz. “The entire Lakers organization is wishing Lawrence all the best in his recovery, and we look forward to welcoming him back soon,” the team said in a statement.

WASHINGTON — For several hours Friday, in the stillness before dawn, the Senate appeared to have finally figured out how to fund most of the Department of Homeland Security before it faced the longest partial shutdown in U.S. history.

Senators handed House Speaker Mike Johnson (R-La.) their deal and headed for the airports, seemingly confident of success.

Then it collapsed. Spectacularly.

An incensed Johnson marched out of his office Friday afternoon. He angrily denounced the plan that the Senate had unanimously agreed to as a “joke.”

“I have to protect the House, and I have to protect the American people,” Johnson told reporters.

It was a dramatic denunciation of a deal that his counterpart, Senate Majority Leader John Thune (R-S.D.), had negotiated after weeks of effort, and was the latest abrupt turn in a funding saga that has bedeviled top Republicans for much of the year.

The collapse of the deal leaves Congress, now on a two-week spring break, with no easy way out of the impasse that has put the Homeland Security Department into a shutdown since mid-February. It also has exposed a rare rupture between the two Republican leaders in Congress, testing their alliances as they labor to move another set of President Trump’s priorities into law before the November elections.

Nothing ahead is likely to be easy.

How the deal collapsed

Thune had a deal with Democratic senators after negotiating for weeks on their demands for new restrictions on the department’s immigration enforcement work. Offers were traded several times. The talks moved along at a stop-start pace. Votes failed again and again.

Out of time and patience, senators essentially settled on a draw for the bill: They would not include funding for U.S. Immigration and Customs Enforcement and for U.S. Border Patrol, as Democrats had proposed repeatedly in the last week, but while setting aside all the Democratic demands for new limits on the agencies.

Thune pointed out that Congress had allotted money for immigration enforcement and he told reporters that “we can get at least a lot of the government opened up again and then we’ll go from there.”

Asked if he had cleared the compromise with Johnson, Thune said the two had texted.

“I don’t know what the House will do,” the senator said early Friday as the deal came together.

But as House Republicans woke up to the news, their outrage was swift.

Rep. Nick LaLota (R-N.Y.) said that on a GOP conference call that morning to discuss their path forward, a few dozen members ranging from moderates to hard-line conservatives spoke in opposition to what the Senate had done.

“The Senate chickened out,” he said. “The cowards there, only a few of them in the middle of the night with I think only three to five senators present on the floor, chickened out because they wanted to go home for two weeks. We need to raise the bar.”

What’s next for Republicans?

The bitter split threatens to make the job for Republican leaders more difficult as they try to advance their priorities while they still have guaranteed control of both chambers. Trump has said that legislation to impose strict new proof of citizenship requirements on voting is his top priority, but there is no real path for that plan in the Senate with its 60-vote threshold for advancing legislation.

Some Republicans have pushed instead for a budget package that could potentially put some parts of the voting law in place. Republicans are also contemplating how to pass an expected request from the White House to fund the war with Iran that could total more than $200 billion, among other priorities.

Meanwhile, the flop of the funding deal has given Democrats another chance to pin the partial shutdown on House Republicans.

“They know this is a continuation of the shutdown because the Senate is gone,” said Massachusetts Rep. Katherine Clark, the No. 2 Democratic leader. “So they know fully well what they’re doing.”

It is not clear what the Senate will do next. A quick resumption of talks is unlikely. Negotiations ended acrimoniously on both sides, with each blaming the other as moving the goalposts along the way.

Senate Democratic leader Chuck Schumer of New York said he was proud of his caucus for “holding the line.” But Republican Sen. Susan Collins of Maine, who leads the Senate Appropriations Committee, said Democrats were “intransigent and unreasonable.”

Thune said he believed that Democrats never wanted a deal and would not vote for ICE funding under any circumstances.

“I felt like from the beginning, they just didn’t want to get to ‘yes,’” Thune said after the vote.

The dynamic left senators convinced that the deal was the only way to move past their disagreements and reopen the Homeland Security Department.

But House Republicans on Friday night seemed to revel in the fact they had defied the wishes of the Senate. GOP members said that they work from a perspective that is closer to the will of their constituents.

To Rep. Virginia Foxx (R-N.C.), the Senate’s proposal was “nothing more than unconditional surrender masquerading as a solution.” She said the House ”will not bend itself into submission by acquiescing.”

Those searching for a way out of the shutdown seemed discouraged.

“This takes two chambers to get the job done,” said Pennsylvania Rep. Brian Fitzpatrick, a moderate Republican. “Apparently, there’s not enough communication between those chambers.”

Groves, Jalonick and Cappelletti write for the Associated Press. AP writer Kevin Freking contributed to this report.

Good morning, and welcome to L.A. on the Record — our City Hall newsletter. It’s Noah Goldberg, with an assist from David Zahniser and Rebecca Ellis, giving you the latest on city and county government.

Adam Miller is running for mayor.

You might not know that, and you might not even know who he is — and his campaign team wouldn’t blame you.

In fact, the Miller team’s own internal poll of 800 likely voters shows the tech entrepreneur with just 6% support, behind incumbent Mayor Karen Bass, City Councilmember Nithya Raman, conservative reality TV star Spencer Pratt and leftist Rae Huang. Only 13% of Angelenos even have an opinion of Miller, with 7% coming down on the positive side and 6% negative.

Miller’s pollster, Jefrey Pollock, admits it’s not often that a campaign brags about a humble 6% backing their candidate.

But during a video conference with reporters, Pollock argued that Miller’s support rises along with his name recognition. When likely voters were given more information about the candidates, he shot up to 20%, according to the poll. When provided with additional positive information about the candidates, Miller finished first, with 27%.

“Adam is the one who jumps up,” said Pollock, who runs Global Strategy Group.

After voters got the first dose of information, 22% supported Bass, down from 26%; 21% went with Pratt, up from 14%; 14% backed Raman, up from 12%; and 8% chose Huang, down from 9%.

In a poll earlier this month by the UC Berkeley Institute of Governmental Studies, co-sponsored by The Times, Miller also came out with 6% support. Bass was supported by 25% of voters, while Raman drew 17% and conservative reality TV star Spencer Pratt came in third at 14%. About a quarter of voters were undecided.

Paul Mitchell, vice president of the bipartisan voter data firm Political Data Inc., said the Miller campaign poll was compelling.

“What I see is a good argument that he can make the runoff,” Mitchell said. “This is a real deal.”

The question for Miller and his team then becomes, how can he introduce himself to more voters before the June 2 primary?

Miller is the former CEO of Cornerstone OnDemand, a global training and development company he built over the course of more than 20 years. The publicly traded company was eventually sold to a private equity firm for $5.2 billion. He is also a co-founder of Better Angels, a nonprofit focused on preventing homelessness and building affordable housing.

Among everyday Angelenos, he’s a no-name.

A television, social media and outdoor billboard advertising campaign launched this week should help change that, Miller’s team said. They said the “omnichannel” blitz cost seven figures but did not provide an exact amount.

The first billboard went up this week at Bundy Drive and Wilshire Boulevard, not far from Miller’s Brentwood home. More are expected next week in the San Fernando Valley.

Miller said he personally loaned his campaign a “majority” of the money for the ad blitz.

How much Miller is willing to spend on his mayoral ambitions?

In 2022, billionaire developer Rick Caruso threw more than $100 million of his own money into his campaign against Bass during the primary and runoff elections. He still lost by more than 10 percentage points.

“Obviously, we have the benefit of hindsight that that strategy did not work,” Miller said of the Caruso campaign. “There’s reasons my candidacy is different.”

For one thing, as opposed to Caruso, who was a Republican before registering as a Democrat to run for mayor, Miller is a lifelong Democrat. (That said, Miller voted for Caruso in 2022, said his spokesperson, Jaime Sarachit).

Miller is a moderate who sees himself as leader who gets things done. He believes the LAPD needs a minimum of 10,000 officers, up from about 8,700. He thinks the city should use anti-encampment laws to move homeless people away from sensitive areas like schools and day cares.

Miller would not directly answer a question about how much of his own money he will spend on his campaign. He has so far loaned it $2 million, “to get it up and running,” Sarachit said.

“That’s a significant sum, obviously,” said longtime L.A. political consultant Bill Carrick. “It’s a lot more efficient to write a check from your personal account than it is to go raise $2 million.”

But Miller said his campaign will largely be “traditionally financed,” meaning he plans to fundraise.

State of play

— AO-K’ed: Metro’s board on Thursday unanimously approved a new route for a rail line that would extend from South L.A. into West Hollywood — a milestone deal struck after last-minute negotiations between Bass and local leaders. The K Line northern extension would link with four major rail lines and increase the number of riders to 100,000 a day.

— SOCIALIST SNUB: The Los Angeles chapter of the Democratic Socialists of America will not endorse a candidate for mayor. Last weekend, the group voted on whether to reopen its endorsement process and consider backing Huang or Raman but ultimately decided to stay out of the fray for the June primary.

— GUNNING FOR COUNCIL: Leftist City Council candidate Estuardo Mazariegos was convicted of misdemeanor gun possession in 2009. He thinks the conviction is a strength, not a weakness.

— SMALLER BIGGER: On Tuesday, the City Council adopted a strategy that would delay the effects of SB 79 citywide by upzoning 55 single-family and low-density areas, allowing for buildings of four to 16 units that are up to four stories tall. Under SB 79, buildings adjacent to certain transit stops can be up to nine stories.

— NOT UP FOR DEBATE: USC canceled its Tuesday gubernatorial debate, a stunning about-face after days of fiery criticism that every prominent candidate of color was excluded. Although the university defended the methodology used to determine who was invited, it ended up calling off the event with less than 24 hours’ notice.

— PHANTOM SUIT: A man said he has no idea how he became a plaintiff in the county’s $4-billion payout for sex abuse in juvenile halls and foster homes. His lawsuit, which he says was filed without his consent by Downtown LA Law Group, deepens questions around possible fraud in the nation’s largest sex abuse settlement.

— TAX TAKEAWAY: The proposal from a group of business leaders to repeal the city’s business tax has qualified for the November ballot. Organizers said their success — gathering twice as many signatures as needed — shows that voters “want affordability and fairness to be addressed immediately.” Labor unions have vowed to fight the proposal, which would rip an $800-million hole in the city budget.

— HOUSING HUDDLE: Three of the mayoral candidates — Miller, Huang and Raman — took the stage Monday for a downtown forum. The trio went back and forth on housing, transportation and other issues, particularly the future of Measure ULA, the so-called mansion tax. Bass did not attend, citing a previous engagement in New Orleans, where she held a campaign fundraiser with U.S. Rep. Troy Carter (D-La.) and the city’s mayor, Helena Moreno. Pratt also did not show.

QUICK HITS

• Where is Inside Safe? The mayor’s signature program visited Skid Row in Councilmember Ysabel Jurado‘s district, moving 25 people indoors.
• On the docket next week: The City Council is on recess next week.

Stay in touch

That’s it for this week! Send your questions, comments and gossip to LAontheRecord@latimes.com. Did a friend forward you this email? Sign up here to get it in your inbox every Saturday morning.

HOLS from £9.50 are set to be restocked this Tuesday, with thousands of new holidays AND new holiday parks – and you can get priority access with Sun Club.

There are two ways to unlock the bargain breaks at Hols from £9.50.

The first is by collecting codes from The Sun newspapers to enter online, with the final code printed in the paper on Wednesday, April 1.

The other way is to sign up to Sun Club for just £1.99 a month, where members gain automatic access onto the website one day earlier than everyone else on Tuesday, March 31.

This means members can have a better chance at bagging the holiday parks that sell out the fastest.

Plus there’s been thousands of new dates added ready for spring and summer this year.

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So why not make the most of the sunshine and bag that last-minute family holiday for cheap?

Some of the most popular UK holiday parks listed on the Hols from £9.50 website include Seal Bay in West Sussex, Hendra in Cornwall and Golden Coast in Devon.

Plus there’s also parks in Scotland and Wales like Silversands in Lossiemouth and Lido Beach in Prestatyn.

There’s even mega resorts in sunny Europe destinations, like Internacional Palamos in Spain and Le Capanne in Tuscany.

How do I go about booking?

Join Sun Club at thesun.co.uk/club for £1.99 a month or £12 for a year.

Once you’re a member, go to the Sun Club Offers hub and find the Hols From £9.50 page.

Follow the link from the offers page, and you can book your break from midnight on Tuesday, March 31.

Alternatively, you can collect the codes from physical Sun newspapers, and enter them online at club950.co.uk from Wednesday, April 1.

And if you choose to sign up to Sun Club, there’s plenty of other benefits that come with your membership.

Sun Club members get exclusive perks such as discounted tickets to top UK attractions and the chance to win free tickets to sports events.

In fact, one Sun Club member saved £974 on family holidays and days out in just one year by signing up to Sun Club.

There’s a lot of chatter around reality TV right now and the hazards of leaning into mess for the sake of potential viewership. Before Utah-based reality star and social media influencer Taylor Frankie Paul was making national headlines over domestic violence allegations brought against her by former boyfriend Dakota Mortensen — putting “The Bachelorette” and “The Secret Lives of Mormon Wives” series under interrogation — The Times was working on a group of stories that captured the longevity and cultural impact of the unscripted format.

News and culture critic Lorraine Ali took a look at the reality TV-to-politics pipleline. Writer Pamela Chelin spoke with “Survivor” host Jeff Probst and others to discuss why CBS’ competition show continues to endure after more than 25 years. And I wrote an oral history on the first episode of “The Real Housewives of Orange County,” which premiered 20 years ago and, in that time, expanded and morphed into a franchise, spreading to 12 other U.S. locales, including the upcoming series set in Rhode Island.

Speaking of reality TV — Valerie Cherish and “The Comeback” have returned for another round of the showbiz satire. The HBO comedy, which blends scripted comedy with a mockumentary format, originally premiered a year before the “Real Housewives of Orange County” and lampooned the effects of the early-2000s reality TV boom. It followed Valerie (Lisa Kudrow), a former sitcom star from the ’90s, as she attempts to revive her career by starring in a new sitcom while allowing a reality TV crew to document her journey. When the short-lived series was revived in 2014, it poked fun at the rise of prestige TV and the evolution of celebrity culture in the social media era. Now, its third and final season finds our favorite leading lady navigating Hollywood’s AI revolution. Michael Patrick King, who developed the series with Kudrow, stopped by Guest Spot to discuss the show’s latest timely exploration.

Also in this week’s Screen Gab, we take a breather from current programming and dust off two bygone titles. One is an animated sitcom that revolves around a mild-mannered therapist and his sessions with a notable clientele of real-life comedians playing exaggerated versions of themselves; the other is a mid-aughts thriller (of the Lifetime TV variety) that follows a heroic doctor who moonlights as a dangerous predator — its Letterboxd rating spread is something to behold. And it’ll make you wonder what Valerie Cherish might have brought to camp like that.

Let it all be incentive to spend some extra time on the couch this weekend — it’ll cut down on trips to the gas pump! Until next week.

— Yvonne Villarreal

Turn on

Recommendations from the film and TV experts at The Times

Dr. Katz, played by creator Jonathan Katz, invites his ex-wife, Roz, played by actor/author Carrie Fisher, to indulge in a dysfunctional family Thanksgiving on “Dr. Katz, Professional Therapist.”

(Comedy Central)

“Dr. Katz, Professional Therapist” (YouTube)

Once in a while the algorithms that rule our lives do us an actual favor, and so it was that YouTube alerted me that the entirety of this great turn-of-the-century cartoon lives there, hosted unofficially on a variety of channels. (Just type in the title.) Created by star Jonathan Katz with Tom Snyder, the inventor of an animation workaround called Squigglevision — in which vibrating outlines give a crude effect of action — and co-produced by Loren Bouchard, who would go on to co-create “Bob’s Burgers,” this six-season, semi-improvised, Peabody Award-winning Comedy Central series is founded on the notion that a comedian’s patter can resemble the neurotic unloading one might encounter in a psychotherapist’s office. And so onto Katz’s couch comes a parade of future comedy elder statespersons, naively but recognizably rendered, including Ray Romano, Lisa Kudrow, Dave Chappelle, Garry Shandling, Marc Maron, Catherine O’Hara, Margaret Cho, Wanda Sykes, Patton Oswalt, Sandra Bernhard, Paul F. Tompkins, David Cross, Jim Gaffigan, Steven Wright and Conan O’Brien. Rodney Dangerfield, already an elder comedy statesperson, has some things to say about his wife. Framing the therapy sessions are the domestic misadventures of Katz and his adult child son, Ben (H. Jon Benjamin, the Mel Blanc of adult animation, if Mel Blanc only used his own voice). Can’t-be-bothered secretary Laura (Laura Silverman, recently seen as Jane the documentarian on the new season of “The Comeback”), fills out the regular cast. — Robert Lloyd

“Stalked by My Doctor” (Tubi)

Last weekend, the Museum of Home Video hosted an interactive game at Vidiots where the sold-out crowd watched the first five minutes of 10 films and then voted on which flick to finish. “Stalked by My Doctor” won in a landslide. This 2015 Lifetime TV movie is one of the most bizarrely watchable trash films of the 21st century. Eric Roberts stars as Dr. Beck, a lovelorn, egotistical California cardiologist who is convinced he’s a catch. This graying bachelor falls for his patient, a high schooler named Sophie (Brianna Joy Chomer) and, when rejected, threatens to clobber her disabled boyfriend (Carson Boatman) with the guy’s own crutch. Filmmaker Doug Campbell makes B-pictures like a plastic surgeon does liposuction: He hacks off all the fat. Subtle? Absolutely not. Yet, there’s not a single dull scene and the characters make smarter moves than you’d expect. By the end, I was hooting and clapping, and giddy to hear that this top-notch schlock launched a five-film franchise. Some night soon, you can bet I’ll put on “Stalked by My Doctor: Patient’s Revenge.” — Amy Nicholson

Guest spot

A weekly chat with actors, writers, directors and more about what they’re working on — and what they’re watching

Lisa Kudrow as Valerie Cherish in “The Comeback.”

(Erin Simkin / HBO)

Could ChatGPT deliver a script worthy of Valerie Cherish’s talents? More than 11 years after it was last revived, “The Comeback” returned this month with a third season that explores the fear of technology replacing artists, and the ethical compromises that arise, through its sharp and uncomfortable comedic touch. Valerie is offered the lead in a new sitcom, “How’s That?,” on a faltering streaming service called the New Net. But there’s a catch. It’s the first-ever TV series to be written by AI — a fact that network brass wants to keep secret to avoid industry backlash. Valerie is initially resistant to the idea, but a humiliating experience on an indie shoot has her reconsidering. Is she about to be part of the new future of TV? A new episode of “The Comeback” drops Sunday on HBO and HBO Max. Over email, King shared his worries over how AI may transform the entertainment business and the series he’d pick to join the comeback circuit. — Y.V.

This season has Valerie Cherish starring in the first sitcom written by artificial intelligence. The series has always hilariously explored industry shifts. What concerns or curiosities do you have regarding AI, and did those evolve as you worked on the season?

Concerns — yes, many. They range from young writers with nowhere to learn their craft to no writers, young or seasoned, anywhere but the Coffee Bean & Tea Leaf. And yes I’m curious — white-knuckle curious — to see how the threat of AI (Season 3) will change how we make TV compared to how way the threat of reality TV (Season 1) and the threat of prestige cable and streaming (Season 2) did. Spoiler alert …television and TV writers are still here. When is this being published?

Without spoiling anything, there’s a scene in this week’s second episode where Valerie takes a meeting with some Hollywood folks — and it’s an odd experience. Do those meetings feel any more confusing or bizarre to you, in terms of how network brass thinks about the landscape, than they did a decade or two ago?

That billion-participant Zoom scene in the episode is very reflective of the “pitch process” today — in fact more than reflective — it’s a documentary … minus the occasional “pop-up pet.” What’s missing from this current Zoom pitch process is the in-person connection, which also accounts, I think, for why you no longer hear the phrase: “I sold it in the room.” No room, more people — less sales?

What does your writing process with Lisa Kudrow look like? Place me in those weeks of writing the first episode of this season.

The first and every episode has the same process. We talk, we laugh, we eat, we improv, we take turns writing it down — you know, things human writers do.

In addition to this third go with “The Comeback,” you worked on multiple seasons of “… And Just Like That.” What have you found interesting about the process of revisiting characters at a different stage in your life? Has one felt easier to navigate than the other in the current entertainment landscape?

I’m fascinated by a character’s personal evolution — how they can grow over the years. Who they were, who they might be now, what they’ve let go of — how they’ve changed. I’m also fascinated by how some fans of these characters don’t want them to change. In the current TV landscape — the fans are very vocal.

What have you watched recently that you are recommending to everyone you know?

“The Pitt” [HBO Max]. In addition to the good characters, it’s the thrill of being introduced to new actors.

As a viewer, which show — excluding those in your catalog — do you think would be worthwhile to revisit in 2026?

“Freaks and Geeks” [Prime Video, Paramount+]. One season only. Sometimes … a special show that was canceled — deserves a comeback.

ICYMI

Must-read stories you might have missed

Welcome to Bunker Talk. This is a weekend open discussion post for the best commenting crew on the net, in which we can chat about all the stuff that went on this week that we didn’t cover. We can also talk about the stuff we did or whatever else grabs your interest. In other words, it’s an off-topic thread.

This week’s second caption reads:

A field medical laboratory belonging to the 512th Field Hospital sits inside an old Soviet-era bunker as part of Exercise Dynamic Employment of Forces to Europe for NATO Deterrence and Enhanced Readiness (DEFENDER) 2025, Vepriai Rocket Base, Lithuania, May 12, 2025. During Swift Response, the initial phase of DEFENDER 25, the Defense Health Agency’s Force Health Protection team is providing essential support and expertise to U.S. Army medical providers assigned to the 512th Field Hospital, 519th Hospital Center, 30th Medical Brigade, and 68th Theater Medical Command. As part of DHA’s Operational Medical Systems Program Management Office, FHP works with combatant commands and regulatory experts across the globe to rapidly provide a treatment, diagnostic, or preventive medical countermeasure against high-consequence threats to the Warfighter when a Food and Drug Administration-approved product is not available. (Defense Health Agency Photo by T. T. Parish/Released)

Also, a reminder:

Prime Directives!

• If you want to talk politics, do so respectfully and know that there’s always somebody that isn’t going to agree with you. 
• If you have political differences, hash it out respectfully, stick to the facts, and no childish name-calling or personal attacks of any kind. If you can’t handle yourself in that manner, then please, discuss virtually anything else.
• No drive-by garbage political memes. No conspiracy theory rants. Links to crackpot sites will be axed, too. Trolling and shitposting will not be tolerated. No obsessive behavior about other users. Just don’t interact with folks you don’t like. 
• Do not be a sucker and feed trolls! That’s as much on you as on them. Use the mute button if you don’t like what you see.  
• So unless you have something of quality to say, know how to treat people with respect, understand that everyone isn’t going to subscribe to your exact same worldview, and have come to terms with the reality that there is no perfect solution when it comes to moderation of a community like this, it’s probably best to just move on. 
• Finally, as always, report offenders, please. This doesn’t mean reporting people who don’t share your political views, but we really need your help in this regard.

During his first Cabinet meeting since launching the U.S. war on Iran, President Trump spent 10 minutes talking about the price of ceremonial White House pens — which he claimed to have brought down, from $1,000 to $5, by switching to his favored Sharpie brand.

Trump was trying to make the point during the Thursday meeting that he’s a great money saver. He seemed chipper, joking with the other leaders of his administration at the table.

Late Thursday, when asked on “The Five” on Fox News about whether Iranian people have access to basic necessities such as drinking water and food, Trump complimented the looks of Dana Perino, the Fox host who’d asked the question, compared to when he’d met her years before.

“Now I’m not allowed to say this, it’s the end of my political career, but you may be even better looking, OK?” Trump said. “You’re not allowed to say a woman’s beautiful anymore.”

He then talked about Iranian authorities killing protesters, but said he’d been pleased with them more recently because they had given him a “present” by allowing oil ships through the Strait of Hormuz.

Through both discussions, Trump maintained a flippant, casual tone — the same he has maintained since the war began a month ago, and a vast departure from that of past wartime presidents.

For weeks, Trump has batted away criticisms of the war campaign and questions about why it was justified and how long it will last. He has derided reporters for asking questions about tactics and whether he’ll deploy boots on the ground as inappropriate and foolish, and repeatedly met concerns about the human toll of the war by shrugging them off or changing the subject.

Meanwhile, his war has cost the U.S. billions of dollars and depleted its global reserves of critical weapons systems such as Tomahawk missiles, which cost millions of dollars each and are needed to maintain U.S. security around the world, according to the Washington Post.

Entering its fifth week, the war has badly disrupted markets, with U.S. stocks falling Friday as Wall Street approached the end of its fifth straight losing week — the longest such streak in nearly four years — and oil prices rising again.

Markets have fluctuated based on Trump’s changing messages on an end to the war, planned and then postponed strikes on Iran’s power plants, strikes on oil and gas infrastructure across the Middle East and Iran’s stranglehold on the Strait of Hormuz, through which a quarter of global oil usually passes.

Trump has talked in recent days about an impending deal to end the war, but so far it has not materialized, with Iran downplaying the seriousness of the negotiations. Iran instead appeared to be formalizing its hold on the strait, including by creating what amounts to a toll on ships seeking passage through the channel from its Islamic Revolutionary Guard Corps.

The number of U.S. deaths in the conflict has held steady for days — at 13 — but the war continues to exact a daily, devastating toll in the Middle East. In Iran, thousands of targets continued being hit, with the death toll ticking toward 2,000.

Speaking by video during a Human Rights Council meeting in Geneva on Friday, Iranian Foreign Minister Abbas Araghchi accused the United States and Israel of harboring a “clear intent to commit genocide” in Iran, claiming that more than 600 schools had been damaged or demolished and more than 1,000 students and teachers “martyred or wounded.”

The discussion related in part to a Feb. 28 strike on an elementary school in Minab that killed more than 165 people, most of them children, which evidence reportedly suggests was the work of the U.S. and which the U.S. says is under investigation.

Casualties also continued in Gulf nations allied with the U.S., where Iran continues to strike U.S. military installations and other infrastructure, and in Lebanon, which Israel has invaded and bombed relentlessly in its own war with the Iranian-aligned Hezbollah force.

And yet, Trump has bounced between speaking engagements and more formal meetings with an apparent lightness — seeming unbothered by the weight of the conflict and acting as if U.S. victory were already at hand.

“We’ve already won the war. Militarily we’ve totally won the war,” he told “The Five” on Thursday.

After Trump’s exchange with Perino, fellow host Greg Gutfeld began to change the topic, saying, “I’m debating whether to be serious or not serious.”

“Do you think Biden would do this interview? Can you imagine? You think Biden — Sleepy Joe — he would do it?” Trump said.

He called the war a “little bit of a detour” from what he said were his otherwise winning economic policies, and asserted again — without providing evidence — that Iran was on the cusp of having a nuclear weapon and would have used it to cause devastation across the Middle East and to the U.S. if the U.S. hadn’t struck first, including when it bombed Iran’s nuclear sites last summer.

“You can’t let a madman or you can’t let a mad ideology have a nuclear weapon,” Trump said.

He repeated his long-pushed lie that he won the 2020 election, and suggested his support among his MAGA base remains at 100%.

An AP-NORC poll this week found that most Americans believe that the U.S. military campaign in Iran has gone too far — including about a quarter of Republicans — and that many are worried about gas prices.

During his Cabinet meeting Thursday, Trump seemed supremely confident, but also aware that the conflict was far from settled.

He said that the U.S. was “extremely — really a lot — ahead of schedule” in its war effort, and that “the Iranian regime is now admitting to itself that they have been decisively defeated.” But he also said that “even now, we don’t know if there are any mines” in the Strait of Hormuz, despite the U.S. having wiped out Iran’s “mine droppers,” and acknowledged that “if you think there may be a mine, that’s a bad thought and it stops things up.”

He said the U.S. has “decimated” about 99% of Iranian capabilities, but “the problem with the strait” is that the remaining 1% threat “is unacceptable, because 1% is a missile going into the hull of a ship that cost $1 billion.”

“If we do a 99% decimation, that’s no good,” he said.

During “The Five” interview, Trump was also asked if the CIA had told him that Supreme Leader Ayatollah Mojtaba Khamenei — who took on the Iranian leadership role after his father, Supreme Leader Ayatollah Ali Khamenei, was killed in initial strikes — is gay, which would be a crime under Iranian law.

“Well they did say that, but I don’t know if it was only them. I think a lot of people are saying that. Which puts him off to a bad start in that particular country, you know?” Trump said, in a stunning acknowledgment of a previously rumored intelligence briefing.

More than a century after the Gilded Age, we have entered another: The gilded age of Trump.

A little over a year after President Trump was sworn into office for the second time, the country has borne witness to a striking aesthetic makeover of the White House and Washington, D.C. A week ago, when the Trump-packed Commission of Fine Arts approved a 24-karat commemorative coin stamped with Trump’s image, that makeover ascended to staggering new heights.

The coin, which breaks with the country’s longstanding tradition of not featuring a living person on its currency, joins a swiftly growing list of other Trumpian imprints on arts and culture, including architectural choices deemed gaudy and garish by experts and laypeople alike.

These include the conspicuous gilding of the Oval Office; the paved-over Rose Garden; the so-called Presidential Walk of Fame along the White House West Colonnade; the bulldozing of the East Wing and the plans for a $400 million, 90,000-square-foot ballroom that will dwarf the original building; a proposed 250-foot-tall “Triumphal Arch” to be constructed in Washington, D.C., on a roundabout near the Lincoln Memorial and Arlington National Cemetery; a desire to paint the Eisenhower Executive Office Building a glaring shade of white; the imminent creation of a Garden of American Heroes populated with more than 250 life-size statues of historical figures including pop-culture icons like Alex Trebek; the addition of Trump’s name to the John F. Kennedy Center for Performing Arts and the decision to close the beloved venue for a remodel that many fear will rival that of the East Wing.

That’s not to mention his crusade to erase a “woke” mentality from the Smithsonian Institution’s 21 museums by policing what kind of art can and cannot be displayed; his efforts to eradicate mentions of slavery in exhibits staged by the National Park Service; his face alongside George Washington’s on National Park Passes; and the many other places his face is draped on giant banners throughout the Capitol city.

Plenty of people are on guard against these changes. This week a coalition of eight cultural heritage and architectural organizations, including the National Trust for Historic Preservation and the American Institute of Architects, filed a lawsuit to require the Trump administration to comply with historic preservation laws and get congressional authorization before making any changes to the Kennedy Center.

“The Kennedy Center is not a personal project of any president. It is a national cultural monument built to honor John F. Kennedy and to serve the American people. Federal law requires transparency, expert review, and public participation before it can be fundamentally altered,” Rebecca Miller, executive director of the DC Preservation League, said in a statement.

The same could be said of the White House, the Smithsonian, the NPS and the United States Mint. But Trump doesn’t care about due process, congressional approval or the courts. Time and again he has shown his willingness to go it alone when making big decisions that affect not only America but the world. This includes his actions in Venezuela and Iran. But if he decides he wants to take the Kennedy Center “down to the steel,” as he once threatened, there isn’t really anything that can stop him.

The gilded age of Trump proves that the look of things really does affect how the country sees itself — and how it acts as a result of its new self-image. Golden gaudiness conjures thoughts of empire and imperial rule, but it is also unserious and incidental, bombastic and self-centered. The Trump aesthetic screams, “Me, me, mine!” A willingness to tear down historic structures without care for their symbolic meaning reveals an inability to learn from the past, a tendency that has proved frighteningly perilous.

Will the leader who rises after Trump tear down all that Trump has built? And even if they do, can the damage really be undone?

I’m Arts editor Jessica Gelt, keeping it small and simple for posterity. Here’s your arts and culture news for the week.

FRIDAY

Laura Aguilar
The late trailblazing photographer’s exploration of her queer Chicana identity against the natural backdrops of Southern California and the Southwest is on display in the exhibition “Body and Landscape.” More of the artist’s work will be on display starting Sept. 20 in “Laura Aguilar: Day of the Dead.”
Through Sept. 7. The Huntington, 1151 Oxford Road, San Marino. huntington.org

Cassandra Kulukundis holds the first-ever Oscar for casting for her work on “One Battle After Another” during the Academy Awards, March 15, 2026.

(Robert Gauthier/Los Angeles Times)

The Art of Casting
With Cassandra Kulukundis recently winning the first Oscar in the category for her work on Paul Thomas Anderson’s “One Battle After Another,” what better time to learn more about the subject? The academy’s video presentation goes inside the casting process with casting directors discussing their craft and includes previously unseen auditions and screen tests.
Through July 6. Academy Museum, 6067 Wilshire Blvd. academymuseum.org

Brahms & Beethoven
Uzbek pianist Behzod Abduraimov performs Beethoven’s “Piano Concerto No. 3” as Paavo Järvi conducts the L.A. Phil in Brahms’ “Second Symphony” and Schumann’s “Overture, Scherzo and Finale.”
8 p.m. Friday and Saturday; 2 p.m. Sunday. Walt Disney Concert Hall, 111 S. Grand Ave., downtown L.A. laphil.com

A performance of “Escape.”

(Traj George Simian)

Escape
Diavolo reprises this production featuring its trademark blend of dance, movement and storytelling as 22 artists challenge their abilities against a variety of architectural structures.
8 p.m. Fridays and Saturdays; 6 p.m. Sundays, through June 14. L’Espace Diavolo, 616 Moulton Ave. diavolo.org

Arshile Gorky: Horizon West
In the summer of 1941, the Armenian immigrant artist, his soon-to-be wife Agnes “Mougouch” Magruder and the artist and furniture designer Isamu Noguchi drove from New York City to L.A. Gorky was emerging as one of the most important figures in the nascent Abstract Expressionism movement, and his cross-country adventures had an enormous impact on his art, which is explored in depth in this exhibit. A selection of landscapes include Gorky’s rich, surrealistic paintings and drawings from before, during and after the life-changing trip. (Jessica Gelt)
Through April 25. Hauser & Wirth West Hollywood, 8980 Santa Monica Blvd. hauserwirth.com

A New Song: Langston Hughes in the West
The exhibition reveals Hughes’ time spent in California, Nevada and Mexico during the Great Depression, World War II and into the 1950s, when he produced significant work, including lectures, film scripts, plays and his first book of short stories.
Through Sept. 13. California African American Museum, 600 State Drive, Exposition Park. caamuseum.org

The White Album
Arthur Jafa’s 2018 30-minute experimental film, a social critique of whiteness, uses found and produced footage to demonstrate how the creative work of Black Americans has been co-opted by white culture throughout history.
Through Aug 30. UCLA Hammer Museum, 10899 Wilshire Blvd., Westwood. hammer.ucla.edu

SATURDAY

Akira Kurosawa’s “Seven Samurai,”starring Takashi Shimura, from left, Toshiro Mifune and Yoshio Inaba.

(Janus Films)

Darkness and Humanity: The Complete Akira Kurosawa
The 1954 classic “Seven Samurai,” starring Toshiro Mifune, kicks off this comprehensive retrospective of the great Japanese filmmaker’s work.
6 p.m. Saturday; series continues through May 30. Academy Museum, 6067 Wilshire Blvd. academymuseum.org

from rock to rock… aka how magnolia was taken for granite
Choreographer Jeremy Nedd’s exploration of the hidden poetry, virtuosic freedom and ownership features five performers examining “the Milly Rock,” a viral dance move.
8 p.m. UCLA Macgowan Hall, Freud Playhouse, 245 Charles E. Young Drive East. cap.ucla.edu

A Queer Arcana: Art, Magic, and Spirit On
The exhibition collects an intergenerational group of Queer artists whose work examines hidden and mystical knowledge to find sources of connection and transformation.
Through Oct. 18. Palm Springs Art Museum, 101 Museum Drive psmuseum.org

Ralph Steadman
More than 140 original artworks and ephemera, including sketchbooks, handwritten notes and personal photographs are included in “And Another Thing,” a traveling exhibition tracing six decades of the artist and illustrator’s career.
Through May 9 Torrance Art Museum, 3320 Civic Center Drive torranceartmuseum.com

Tonality
The vocal ensemble performs “Refuge/Requiem,” a program that includes Caroline Shaw’s 17th-century-influenced contemporary work “To the Hands,” and “1605 Requiem,” composed for the funeral rites of Empress María by Tomás Luis de Victoria. Presented with the Wallis.
7:30 p.m. All Saints’ Beverly Hills, 504 N. Camden Drive thewallis.org

SUNDAY
To Sleep With Anger
Written and directed by the protean Charles Burnett, this film does more than vividly illuminate South-Central’s rarely portrayed Black middle class. A deft domestic horror story, it’s a contemporary tale with a folkloric twist that has old friend Harry (Danny Glover) visiting a married couple and gradually revealing himself to be a trickster with trouble on his mind. With a terrific ensemble headed by Mary Alice and Paul Butler as the couple in question. (Kenneth Turan)
7 p.m. The 35mm screening includes a Q&A with the filmmaker and Ashley Clark, author of “The World of Black Film: A Journey Through Cinematic Blackness in 100 Films.” Beginning at 6 p.m. Clark will sign copies of the book. Billy Wilder Theater, UCLA Hammer Museum, 10899 Wilshire Blvd., Westwood. cinema.ucla.edu

TUESDAY
Philip Glass’ Cocteau Trilogy
Pianists and siblings Katia and Marielle Labèque perform the composer’s triptych inspired by the films of Jean Cocteau. Part of the LA Phil’s “Body and Sound” festival.
8 p.m. Walt Disney Concert Hall, 111 S. Grand Ave., downtown L.A. laphil.com

Mary Halvorson
The contemporary jazz musician, guitarist and composer and new quartet project Canis Major — featuring Dave Adewumi on trumpet, Henry Fraser on bass and Tomas Fujiwara on drums — perform an evening of music designed for deep listening and total immersion.
7 p.m. Getty Center, Harold M. Williams Auditorium, 1200 Getty Center Drive, L.A. getty.edu

Arts anywhere

New releases of arts-related media.

Album cover for “Evening Light: Raga Cycle I.”

(Cantaloupe Music)

Evening Light: Raga Cycle I
The first release of an eight-album series in which American composer and pianist Michael Harrison collaborates with a global assortment of artists combining Eastern and Western musical traditions. Each chapter represents three hours of day or night following the Indian raga time cycle. For “Evening Light,” Quebec-based Brazilian vocalist Ina Filip co-composed the music with Harrison. Also appearing on the album are American composer Elliot Cole on synthesizer, French composer Benoit Rolland on electro-acoustics and Bangladeshi tabla virtuoso Mir Naqibul Islam. Cantaloupe Music: download ($10).

Book jacket for “Stephen Sondheim: Art Isn’t Easy” by Daniel Okrent.

(Yale University Press)

Stephen Sondheim: Art Isn’t Easy
Part of Yale University Press’ Jewish Lives series, Daniel Okrent’s new biography of the award-winning composer-lyricist who took Broadway musicals to new heights “is a brisk, engaging read that avoids hagiography,” writes Julia M. Klein in a review for The Times. “Okrent highlights the emotional frailties that coexisted with the brilliance and generosity. He seeks to liberate Sondheim’s reputation from the encrustation of myth and to demystify his relationships, while offering a succinct analysis of his achievements. That’s a tall order for a compact book, especially given its subject’s long, complicated life. Okrent’s failings are, unsurprisingly, primarily those of omission.” Yale University Press: 320 pages, $35

Martha Graham Dance Company: We Are Our Times
A two-part documentary goes behind the scenes with the troupe as it prepares for its 100th anniversary celebration. Producer-directors Peter Schnall and Cyndee Readdean followed the dancers from rehearsal to premiere on a global tour, capturing their artistic routines and everyday lives.
Episode 1, “American Spirit,” 9 p.m. Friday; Episode 2, ““Athletes of God,” 9 p.m. April 3 on PBS. Streaming at pbs.org and on the PBS app.

Culture news and the SoCal scene

Pritzker Prize-winning architect Frank Gehry is photographed in May 2019 with a model of the Grand Avenue Project at his L.A. offices.

(Jay L. Clendenin / Los Angeles Times)

Can downtown L.A. still benefit from the vision of late-great architect Frank Gehry, who put so much time and energy into lifting the area up? Times classical music critic Mark Swed says yes in an optimistic column noting that, “So many plans Frank Gehry imagined for L.A. still remain. Gehry bequeathed blueprints and models, sketches and concepts, for his large and devoted team of younger architects and next-generation visionaries equipped to fabricate our way out of angst.” The time to build, Swed writes, is now.

Freelance writer Jane Horowitz got the skinny on the fifth edition of High Desert Art Fair, which arrives in Pioneertown this weekend, transforming “the rooms of the historic Pioneertown Motel into exhibition spaces for 20 galleries and publishers, while expanding into a broader mix of programming — something akin to a mini Coachella Valley Music & Arts Festival. This year’s edition includes an opening night party with a DJ set by street artist Shepard Fairey, panel discussions, guided meditation and even a sound bath.”

Monty Python” alum Eric Idle poses for a portrait at the Hollywood Pantages.

(Jason Armond / Los Angeles Times)

Malia Mendez sat down with British comedy legend Eric Idle to talk about his spoof musical “Spamalot,” which arrives at the Pantages more than a decade after its last stop at the stage. Over a margarita with a side of chef olives, Idle opened up to Mendez about “his earliest forays into comedy, his legendary run and subsequent break with his former ‘Monty Python’ castmates, and why ‘Spamalot’ arrives in L.A. at the perfect time.”

Times theater critic Charles McNulty headed to the Matrix Theatre to watch Rogue Machine’s production of Jackie Sibblies Drury’s Pulitzer Prize-winning 2018 drama “Fairview.” He writes that the play is “a shape-shifting work that eludes an audience’s assumptions at every turn,” and concludes that the new production “may struggle with the slipperiness of Drury’s writing.” The dramatic construction, however, is solid enough to withstand some of the overly broad strokes of the staging.”

Richard Neutra imagined his first Los Angeles project, the Jardinette Apartments, as a prototype for future garden apartment buildings.

(Myung J. Chun / Los Angeles Times)

Sam Lubell wrote a fascinating story about the painstaking rehabilitation of Modernist architect Richard Neutra’s first L.A. commission: the Jardinette Apartments in Hollywood. The building was hailed a structural and technical breakthrough when it opened in 1928, but it soon dropped from public view and sank into disrepair. The new owner spent more than $5 million on the historic preservation project and the complex may soon go on the market.

The Hammer Museum Gala on Oct. 8, 2022, in Los Angeles.

(Michelle Groskopf / For The Times)

The Hammer Museum has announced the honorees for its annual gala. They are artist Betye Saar and television creator Darren Star. The highly anticipated event, set to take place in the Hammer’s garden courtyard on May 2, aims to honor impactful artists while raising funds to support the museum’s exhibitions and public programs.

The 80th Ojai Music Festival, set to take place June 11-14, recently announced this season’s programming and artistic collaborators. Much of this year’s event will be devoted to unpacking and performing works that have been central to the 2026 festival’s music director‘s artistic life. “Esa-Pekka Salonen is one of the most vibrant and adventurous creative forces in our musical world,” said Executive Director Ara Guzelimian in a statement. “It has been an absolute joy to dream up programs together that focus on numerous personal dimensions — his work as composer and conductor, his rich associations with and remarkable history in Los Angeles, the formative influence of his teachers and the giant musical figures of 20th century music, his deep friendships with many peer composers, and his championing of a new generation of composers.”

Washington National Opera Artistic Director Francesca Zambello, who was instrumental in the company’s decision to leave the Kennedy Center after Trump’s takeover, was inducted into the Opera Hall of Fame at the OPERA America Salutes Awards Dinner on March 20, at the Plaza Hotel in New York City.

— Jessica Gelt

And last but not least

Stop the presses: That notorious Chevron gas station in Chinatown is charging $8.71 per gallon!

SPLIT between heading to a seaside town or the Cotswolds over Easter? Well, what if you could head to the Cotswolds but still get time on the beach…

A beach isn’t the first thing that comes to mind when thinking of the Cotswolds, but near the village of Somerford Keynes you’ll find one, and you can head there from this week.

Cotswolds Country Park and Beach features the largest inland beach in the UK, as well as swimming lagoons.

This is despite the Cotswolds beach being more than 70 miles from the sea.

And the attraction reopens on March 27, including the Main Beach Swimming spot where visitors can have a paddle or sunbathe on the sand.

The beach also looks out across the lake, which means you can keep an eye on kids splashing in the water or watch people pedal on pedalo swans.

Read more on travel inspo

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In the peak season, you can expect there to be lifeguards as well.

Near the beach is a BBQ area, in case you fancy sizzling some sausages in the sun.

Dogs are welcome to join you when you visit the country park, but they are not allowed on the beach or in the water.

One recent visitor said: “We enjoyed playing on the beach, the water was lovely and clean and just a nice chilled vibe.”

Right by the beach, you can also grab some snacks too at the Beach Shack.

For warmer days and when you need to cool down, there is an ice cream hut as well.

But the country park doesn’t only boast a beach; families can also hire kayaks or stand-up paddleboards, costing £10 for a 30-minute session.

Alternatively, you could hop on a pedalo swan or rowing boat for the same price.

And one of the biggest attractions at the park is AquaAdventure, which is a giant inflatable water obstacle course.

Each session lasts around an hour and costs from £15 per person.

If you think the water is a little nippy or would rather stay firmly dry, there is a mini golf course as well, which costs £5 per play.

And children needing to burn some energy can have a go on the climbing wall for the same price, or head to the two playgrounds.

You will also need to pay to get into the park in the first place, which varies depending on the time of the year.

In May, you could enjoy the sun while mid-season prices are available, which costs £4.09 per person or £13.64 per car of up to five people, so about £2.73 each.

However, during the high season, it usually costs £5 per person, or £18.18 for a car of up to five people (so about £3.64 each)

In the surrounding area, there are a few places you can choose to stay at as well.

For example, you could head to Cotswold Lakes Camping at Field Farm, which is surrounded by lakes, wildlife and rolling hills.

The site boasts hardstanding pitches with electrical hook-ups, grass pitches, and open field grass pitches, as well as hot showers, indoor and outdoor kitchens, and is dog-friendly.

A standard grass pitch sleeping up to six people costs from £40 a night.

And if you want to explore the wider area, Cirencester is down the road.

The pretty market town sits on the River Churn, and it is the largest town in the Cotswolds.

If you are looking for more places to explore in the Cotswolds, head to the ‘Golden Triangle’, where you will find some of the UK’s prettiest towns.

Plus, the ‘Gateway to the Cotswolds’ that had the first English king, has been named one of the best places to live in the UK.

Savannah Guthrie is returning to “Today.”

Viewers of NBC’s morning program learned Friday that Guthrie will be back to her hosting duties at the network’s Rockefeller Plaza studio in New York on April 6.

Guthrie has been absent from “Today” since Feb. 2, the day after learning her mother Nancy was abducted from her Tucson home. She appeared on the program this week in a taped interview with Hoda Kotb, her first since her mother went missing..

Guthrie’s re-entry on “Today” is certain to generate significant viewer interest. Her 84-year-old mother’s case, still being investigated by law enforcement, generated an outpouring of public affection for the co-host.

Many media industry insiders expressed serious doubts over whether Guthrie would return to television before law enforcement determined what happened to Nancy Guthrie. But people close to Guthrie believe her grit and deep religious faith will provide her with the strength to move forward.

Guthrie’s daily presence on “Today” will also help keep her mother’s case in the public eye. NBC is also airing a special “Dateline” episode on the abduction on Friday.

Guthrie has spent most of the last seven weeks in Tucson with her family. She canceled plans to be a part of NBC’s coverage of the Winter Olympics in Milan and before this week only appeared on TV and social media in taped messages asking for the help in finding her mother.

Nancy Guthrie was last seen Jan. 31, when she spent the evening with family members. Law enforcement officials believe she was removed from her Catalina Foothills home later that night against her will as her phone, wallet, car and medication were left behind.

Surveillance videos of a masked man who was outside Guthrie’s front door on the night she disappeared were released by the FBI.

A HISTORIC Hampshire pier is set to reopen to the public for the first time since its closure in 2024 after undergoing months of work.

Hythe Pier will reopen on Thursday, April 2 following major electrical improvements and a subtle revamp.

Under the management of Hythe Pier Companies, it will cost visitors £1 to walk along the pier, but children under five will be allowed on for free.

A spokesperson for the Hythe Pier, Train and Ferry Group said: “Every £1 you spend goes back into the pier, supporting its future as we begin our transition into a charity.

“Come and walk the full length of the pier (700 yards / 640 meters) take in the views, and be part of this next chapter.”

The attraction is the UK’s seventh-longest pier but has been shut for more than a year and has kept essential ferry services closed, disrupting life for locals.

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A crucial stopping point for the Hythe Ferry, which ran regular services to Southampton before the closure, the pier has been essential to the community.

The pier is also home to a historic ferry train which having opened in 1922 makes it the world’s oldest, a feat recognised by Guinness World Records.

Although the reopening is good news for tourists, the essential ferry and train services that once connected the village to Southampton are not yet back on track.

Local councillor Malcolm Wade explained that the pontoon, owned by ferry operator Red Funnel, has been broken for almost two years, leaving commuters, football fans and day trippers cut off.

“We’re waiting for Red Funnel to decide what they’re going to do, because they’ve already written to us to say they’re not interested in running the ferry anymore and we want our ferry back”, he said.

Hythe Pier, Train and Ferry Group said: “We could see how incredibly important it was that we bring our much-loved pier back to the community.

“This is hopefully the first step towards restoring the service.”

President Trump on Thursday continued projecting confidence in the U.S. war effort in Iran, suggesting online and during a high-level Cabinet meeting that Iran has been “obliterated,” that its leaders were “begging” for a deal, and that the U.S. is “roaming free” over Iran and “NEEDS NOTHING” from its European allies.

His description of the war as all but finished — he actually said “we’ve won” — stood in contrast to the facts on the ground, where Iran continued to launch attacks and threaten oil tanker traffic in the vital Strait of Hormuz, and the U.S. continued sending troops and warships to what is already the largest U.S. military buildup in the Middle East in decades.

Trump’s framing of the conflict also contrasted with that of Iranian officials, who have remained publicly defiant, downplayed negotiations and outwardly rejected several of Trump’s conditions for ending the war — as Trump himself acknowledged, accusing them of saying one thing in private and another in public.

“They better get serious soon, before it is too late,” the president wrote on social media, “because once that happens, there is NO TURNING BACK, and it won’t be pretty.”

“They are begging to make a deal, not me,” Trump reiterated later Thursday, while hosting his first Cabinet meeting since the war began. “Anybody that sees what is happening understands why they are begging to make a deal.”

Trump asserted that Iran’s military capabilities have been destroyed, and that the American mission is “ahead of schedule.” He said American forces were operating without opposition over Iran, and “there’s not a damn thing they can do about it” because they’ve been “beat to s—.”

Trump’s outward confidence, a defining feature of the war campaign that has been consistently echoed by Secretary of Defense Pete Hegseth and other administration loyalists, continued despite growing concerns this week in Congress — and not only from Democrats.

Several Republicans emerged from a classified war briefing Wednesday clearly frustrated with the administration for not providing a clearer picture of the path out of the now monthlong war, or clear answers on whether it planned to deploy ground troops.

“We want to know more about what’s going on,” said Rep. Mike Rogers (R-Ala.), chairman of the House Armed Services Committee. “We’re just not getting enough answers.”

“I can see why he might have said that,” said Sen. Roger Wicker (R-Miss.), chairman of the Senate Armed Services Committee.

Democrats have hammered the president — contrasting the war and its massive budget with rising fuel costs for average Americans and lamenting the deaths of U.S. service members.

“Thirteen American lives lost and tens of billions of taxpayer dollars spent in just three weeks since Donald Trump plunged us into war without congressional authorization. There is still no plan, no clear justification, and no end in sight,” Sen. Alex Padilla (D-Calif.) said. “Americans called for lower prices, not endless wars.”

For weeks, Trump, Hegseth and other war leaders such as Gen. Dan Caine, the chairman of the Joint Chiefs of Staff, have focused on U.S. wins in the conflict — tallying up Iran’s sunken ships and grounded planes, assassinated leaders and undermined missile capabilities.

In recent days, Trump has suggested that, because of those wins, Iran is buckling and its leaders reaching out for a deal. He has said the U.S. is pushing a 15-point plan that will forever block Iran from developing a nuclear weapon or threatening the U.S. or its allies. And he and others in his administration have accused the media of ignoring tremendous battlefield wins to harp on losses instead.

Israel, America’s major partner in the conflict, has projected similar confidence while showing no signs of slowing its attacks on Iran. On Thursday it announced it had killed several senior Iranian naval commanders, including Commodore Alireza Tangsiri, the head of Revolutionary Guard’s navy.

Israel’s Defense Minister Israel Katz said the deaths should send a “clear message” that Israel will continue to hunt down top Iranian military officials. Iran did not immediately acknowledge Tangsiri’s death.

The head of U.S. Central Command, Adm. Brad Cooper, praised Tangsiri’s killing, said U.S. strikes would continue, and called on Iranian fighters to “immediately abandon their post and return home to avoid further risk of unnecessary injury or death.”

Meanwhile, death, destruction and environmental and economic damage from the war spread far beyond Iran, where officials recently increased their estimated death toll to nearly 2,000.

Israel was fighting off a barrage of incoming missiles Thursday, with booms heard in Tel Aviv and Jerusalem and an impact reported in the central town of Kafr Qassem. Iraqi Defense Ministry spokesman Maj. Gen. Tahsin al Khafaj on Thursday said 23 people had been wounded in a Wednesday strike on a military clinic in western Iraq’s Anbar province.

Israeli soldiers grieve during the funeral of Staff Sgt. Ori Greenberg, 21, at the Mount Herzl military cemetery in Jerusalem on Thursday.

(Odd Andersen / AFP via Getty Images)

Thousands of additional U.S. troops are on their way to the region, while many of the tens of thousands already stationed there have been displaced into hotels and other temporary housing — diminishing their war-fighting capabilities — by Iranian attacks that have left the 13 regional military bases they normally live on “all but uninhabitable,” the New York Times reported.

Iran announced Thursday that it had launched drone and missile attacks on a U.S. military base in Kuwait and a separate air base used by American forces in Saudi Arabia.

Jasem Mohamed al-Budaiwi, the secretary-general of the Gulf Cooperation Council, accused Iran of charging fees for ships to safely transit the Strait of Hormuz, continuing the economic toll on global oil supplies. Environmental experts warned of massive pollution from burning oil and gas fields.

Russia, emboldened by the Iran war, which has drawn resources away from Ukraine and led the U.S. to ease sanctions on Russian oil, has launched a renewed spring offensive against Ukraine.

The distance between U.S. and Iranian messaging about the war and their negotiations to end it — which foreign officials have said are occurring through intermediaries — has contributed to the tensions and the reluctance of allies to get involved, with some citing similar frustrations as Republicans in Congress this week.

Many allies have largely stayed out of the conflict despite Trump vacillating between demanding their help and insisting it isn’t necessary.

In one of his posts to social media Thursday morning, Trump blasted allies in the North Atlantic Treaty Organization, or NATO, for having “DONE ABSOLUTELY NOTHING TO HELP” in the conflict, and said the U.S. would “never forget.”

During his Cabinet meeting, Trump said that when the “right deal” is made with Iran, the Strait of Hormuz will reopen — while insisting that Iran no longer has any “mine droppers” that would threaten merchant vessels passing through the key oil route.

Steve Witkoff, one of Trump’s top advisors leading the negotiations in the Middle East, said the Iranians were looking for an “offramp,” that Pakistan is serving as a mediator between Washington and Tehran, and that the U.S. has presented a 15-point plan that “forms the framework for a peace deal.”

“These are sensitive, diplomatic discussions and you have directed us to maintain confidentiality on the specific terms and not negotiate through the news media, as others do,” Witkoff said. “We will see where things lead and if we can convince Iran that this is the inflection point, with no good alternatives for them other than more death and destruction.”

Trump has also declined to say whom Washington is negotiating with in Iran, but described them as “very smart,” “not fools,” and “very lousy fighters, but great negotiators.”

He also said he knows they are “the right people” for the U.S. to be dealing with because they had given him a “present” — and proved they are in control — by allowing “eight big boats of oil” travel through the strait this week.

Asked if he intended to send U.S. troops into Iran to take its enriched uranium, he called it a “ridiculous question” that he wouldn’t answer.

Treasury Secretary Scott Bessent said he is confident that more merchant vessels will soon be able to safely pass through the Strait of Hormuz. He also told the president that he believed the oil market is currently “well supplied” and that once the war ends, energy prices will drop.

Hegseth repeatedly slammed the media for falsely framing the war effort as floundering or unfocused, saying Iran’s “air defenses are gone,” its leaders hiding in “underground bunkers,” and its fighters losing morale.

He said Iranian officials in private are admitting “very heavy losses,” and that the U.S. and the world are benefiting from having Trump, whom he called the “ultimate deal maker,” working toward a peace deal.

In the meantime, he said, the U.S. military will “continue negotiating with bombs.”

WASHINGTON — President Trump will travel to Beijing for a rescheduled summit with Chinese President Xi Jinping on May 14 and 15, the White House announced on Wednesday.

Trump had been scheduled to travel to China later this month but previously announced he was delaying the trip so he could be in Washington to help steward the U.S. and Israeli war against Iran. The Republican president had announced a rescheduled trip even though the war in Iran continues and the U.S. is pressing Tehran to accept a ceasefire proposal.

The president and First Lady Melania Trump also plan to host Xi and his wife, Peng Liyuan, for a White House visit later this year, press secretary Karoline Leavitt said.

Leavitt, when asked if the new dates for Trump’s trip could suggest he believes the Iran war could end soon, offered an optimistic tone that the conflict could reach an endgame before he travels.

“We’ve always estimated four to six weeks,” Leavitt responded. “So you could do the math on that.”

The United States and Israel launched the attacks against Iran on Feb. 28.

The China trip had been planned for months but began to unravel as Trump pressured Beijing and other world powers to use their military might to protect the Strait of Hormuz, a critical waterway for the flow of oil. The strait has been effectively closed as Iran targets energy infrastructure and traffic through it.

Trump said last week while meeting with Irish Prime Minister Micheál Martin in the Oval Office that he would be going to China in five or six weeks’ time instead of at the end of the month. He said he would be “resetting” his visit with Xi.

“We’re working with China — they were fine with it,” Trump said then. “I look forward to seeing President Xi. He looks forward to seeing me, I think.”

Trump’s visit to China is seen as an opportunity to build on a fragile trade truce between the two superpowers, but it has become tangled in his effort to find an endgame to the war in Iran. Soon after pressing China and other nations to send warships to secure access to Middle Eastern oil, Trump indicated last week that his travel plans depended on Beijing’s response, though he added then that the U.S. didn’t need help from the allies that rebuffed his request.

Madhani writes for the Associated Press.

A woman in Indiana who put off dental surgery because she doesn’t know if she can afford the copay. A Florida couple with young children who are depleting their savings. A grandmother in Idaho who plans to sell her car to pay the rent.

They are among about 50,000 Transportation Security Administration officers expecting to receive another $0 paycheck this week. A dispute in Congress over funding the Department of Homeland Security has held up their salaries since mid-February. With monthly bills coming due, many of these federal employees, who screen passengers and luggage at airports across the U.S., are making difficult choices about how to make ends meet.

High absentee rates at some major airports have produced long lines and frustrated passengers at understaffed security checkpoints. Union leaders and federal officials say empty gas tanks, child care expenses and the threat of eviction keep more screeners from showing up the longer the shutdown continues. At last count, more than 455 had quit instead of weathering the ongoing uncertainty, according to DHS.

“Stop asking me about the long lines. Ask me if somebody’s gonna eat today,” Hydrick Thomas, president of the national American Federation of Government Employees union council that represents TSA employees, told reporters Tuesday.

Indiana TSA agent turns to food pantry for groceries

Before starting her shift at Indianapolis International Airport on Monday, Taylor Desert stopped at a food bank for meat, eggs, vegetables and dairy products.

“I never thought I would be in a position where, working for the federal government, I would need to go to a food bank to supplement my groceries,” she said as she loaded bags into her car.

Desert, who has been a TSA officer for seven years, said her last full paycheck came on Feb. 14, the day the shutdown started.

She had some savings to draw on despite a record 43-day shutdown last fall but put some personal plans on pause.

For example, Desert needs to get her wisdom teeth removed but says the TSA isn’t approving time off during the shutdown. She also worries about costs from the surgery not covered by insurance.

Wednesday was the 39th day of the DHS funding lapse. If it goes another 21 days, Desert said she would seek another job.

“I don’t want to have to spend my entire savings just to afford to keep living,” she said.

Florida TSA couple worry about their young children

Oksana Kelly, 38, and her husband, Deron, 37, both work as TSA agents at Orlando International Airport. They have two young children and don’t know how they will keep supporting their family without any income coming in.

Kelly said they’re dipping into savings for now, but it’s running dry. If the shutdown persists, they will ask relatives for help or take out a loan, which she worries would put them deeper in debt.

Her husband has worked as a DoorDash delivery driver in his spare time since the shutdown in October and November. He’s considered resigning from the TSA to put the couple on more stable financial footing.

“It’s very mentally exhausting,” said Kelly, who is an organizer for the labor union representing TSA workers across central and northern Florida. “How do we even decide between being able to feed our kids or come to work?”

Kelly said strangers might criticize the couple for “putting all eggs in one basket” since both choose to work for the TSA for the past decade.

“All we want is to pay our bills and get the pay we deserve,” she said.

A veteran officer in Idaho fears homelessness

Rebecca Wolf cries every day. She tries to hide it from her grandchildren, ages 11 and 6.

“They don’t understand why grandma’s crying,” Wolf said. “I try not to cry in front of them, but sometimes it’s just too much.”

The 53-year-old TSA officer and union leader in Boise, Idaho, joined the agency soon after its creation in the wake of the Sept. 11 attacks. She was homeless at the time but turned her situation around with steady work and the benefits of federal employment.

Now, Wolf can’t help but dwell on where she was 24 years ago. “I don’t want to be in that position again,” she said.

Her Feb. 28 paycheck amounted to $13.53, sending her “into a spiral right away.”

With no savings to fall back on, she is preparing to sell her car to cover her rent due in a week. She calls nonprofits daily seeking rental assistance, but hasn’t had any luck.

Supporting six family members — four children and two grandchildren — has always been challenging, but the repeated shutdowns have made it nearly unsustainable.

Wolf, who serves as president of AFGE TSA Local 1127, is hesitant to walk away from both the job that turned her life around and her role advocating for fellow officers.

“I worked hard to get to where I am now, and the thought I might lose it all scares me,” she said, her voice breaking as she tried to stifle the sound of weeping.

Massachusetts agent digs into savings to get by

Mike Gayzagian, a TSA officer at Boston’s Logan International Airport, says long stretches without pay have become enough of a “new normal” that he’s prepared for them.

The 56-year-old says he has a financial cushion of about six months to tap but that his situation is “an exception to the rule.”

“The majority live paycheck to paycheck and don’t have those kinds of reserves available,” said Gayzagian, who is president of his local TSA union chapter.

It shouldn’t be this way for federal workers, he said.

“The financial situation adds an additional burden to what is already a stressful job,” Gayzagian said. “I didn’t go into public service to make a lot of money. I went into public service because it has a certain stability and reliability and predictability that other jobs don’t have.”

A father in Utah leaves TSA

Robert Echeverria quit his job as a TSA agent at Utah’s Salt Lake City International Airport about two weeks into the current shutdown.

The 45-year-old, who has a wife and three children, counted five government shutdowns in the nine years he worked for the agency. The toughest was last year’s record shutdown that ended in mid-November around the start of the holiday season.

Echeverria said his family skipped Christmas and took months to recover financially. He began looking for a new job in February when it became clear Congress was headed for another budget battle.

“Emotionally I was already distraught,” Echeverria said last week. “We were barely recovering from the last shutdown.”

He now works for the department that manages the airports in Utah’s capital. Leaving federal service “was a hard decision for me,” Echeverria said.

“I really believed in the mission of the TSA,” he said. “We took an oath, and it was a way for me to give back to the country that gave me so much.”

He’s still based at Salt Lake City International, where his 20-year-old daughter works as a TSA agent, and says that seeing his former colleagues struggling is difficult.

“They all feel betrayed by their government because they’re showing up to work,” Echeverria said. “They’re there, but they feel that the government doesn’t care for them,” he said.

Marcelo, Lamy and Yamat write for the Associated Press. Marcelo reported from New York, Lamy reported from Indianapolis and Yamat reported from Las Vegas.

THE first ever Bluey rollercoaster in the world is coming to the UK this week.

The new ride will be part of CBeebies Land at Alton Towers.

Called “Bluey the Ride: Here Come the Grannies!”, the ride will let both adults and kids hop in a carriage behind Bluey and Bingo.

It’s based on the episode where they dress up a grannies Janet and Rita to cause trouble.

The ride is made for younger riders, specifically for preschoolers.

Meet and greets with all the characters is also possible at the park, which includes Chilli, Bandit, Bluey and Bingo.

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Future plans include more Bluey-themed hotel rooms too, with one already at the CBeebies Land Hotel.

Howard Ebison, Vice President of Alton Towers Resort said: “It’s exciting to be able to give eager fans and families an official first-look at our newest attraction Bluey the Ride: Here Come the Grannies! this spring at Alton Towers Resort. 

“This first glimpse of the ride shows what promises to be an exciting experience for the whole family – from little ones to grandparents – which bring the limitless energy of Bluey to life.” 

The new rollercoaster opens on March 28.

Sun writer, Hannah Ferrett, recently stayed in one of the Bluey rooms that are already open at Alton Towers.

She said: “The kids slept in Bluey and Bingo’s room, complete with bunk beds, the recognisable watermelon rug and the cartoon dogs’ pretty Himalayan rock salt night light — a nice touch for little ones.

“My partner Dan and I were in Bandit and Chilli’s room, which had a king size bed, TV and lots of pictures of Bluey and Bingo as puppies, much to the delight of our kids.”

“Even the bathroom had pictures of Bluey and her sister plastered across the walls.”

Also new at the park are the world-first Hey Duggee themed hotel rooms.

And here are some other new lands and rides coming to theme parks this year.

Welcome back to this week’s Lakers newsletter, where we are remembering that all good things must come to an end.

The Lakers’ longest winning streak since the 2019-20 season ended in Detroit on Monday much in the same fashion that it was built. The Lakers announced themselves as a legitimate playoff threat by piling up thrilling, clutch time wins. Another team’s clutch time win snapped the Lakers’ nine-game streak. Win or lose, the Lakers are finding new lessons in every one of the close games.

Bend but don’t break

Luke Kennard, second from right, celebrates after his winning basket.

(Phelan M. Ebenhack / Associated Press)

The missed shots. The missed calls. Every missed opportunity against the Orlando Magic could have been a moment for the Lakers to “let go of the rope,” Austin Reaves said.

But why didn’t they?

“I think it’s just …” Reaves said, pausing to find the right word after the Lakers rallied from down five points with 50 seconds left to win by one.

“Belief.”

We thought the Lakers’ early season clutch success might have been a mirage against bad teams. But through the most difficult stretch of the season — nine of 11 games against teams with winning records including seven against teams .600 or better — the late-game execution has remained largely on point.

The Lakers (46-26) still have a league-leading 22-7 record in games within five points in the last five minutes. The Lakers are 6-2 in clutch games in March. Before the loss to Detroit, their 82-point clutch time defensive rating this month is an astronomical improvement from their overall 115.7 points allowed per 100 possessions.

They have played the fewest number of clutch minutes this season, in part because they kept getting blown out earlier this season. Their first 12 losses were all by 10 or more points. Those losses tipped the team’s point differential into the red despite their overwhelming winning record. They were signs that the Lakers bent and immediately broke.

Just as much as the clutch wins, coach JJ Redick looks at recent close losses — the last four came by a combined 14 points against Orlando, Phoenix, Denver and Detroit — as signs of progress.

“Our resolve and resilience — you need to be connected to do that as a team, not just individually,” Redick said. “I think where we were earlier in the year, all of us, probably the coaching staff included, was like, ‘When things go bad, you revert back to your means of self preservation, whatever that may look like for each individual.’ … We’re bending multiple times in a game, and we’re staying the course and trusting each other.”

The Lakers have two of the best individual stars to trust in key situations.

Luka Doncic put on a clutch clinic in Houston: Within five consecutive offensive possessions, Doncic hit a pirouetting step-back three, split a double team with a behind-the-back dribble to throw a no-look lob to Rui Hachimura, spun through another trap for a second alley-oop to LeBron James and nailed the dagger three. The dazzling display elicited roars from his teammates.

Some of James’ recent clutch highlights haven’t been as loud but are just as significant: His Superman dive to save a loose ball against Denver, the forced turnover that gave the Lakers the last possession against the Magic and the hard cut to the basket that drew two defenders to leave Luke Kennard wide open for the game-winning shot. The Lakers never doubted.

“We got Hall of Fame players,” Reaves said, “guys with a lot of talent that compete at the highest level, and when you got that, no game’s ever over.”

LeBron James rewrites another narrative

LeBron James looks for a pass during a game against Sacramento earlier this month.

(Ronaldo Bolanos/Los Angeles Times)

After 23 years of hearing every compliment and every criticism imaginable, James is still smiling through it all. Because through chatter that the Lakers are better without their 22-time All-Star who is making $52.6 million this season, James offered this interview equivalent of a one-handed dunk:

“It sells papers a lot easier and clippings and podcasts if you say ‘LeBron, that their team is better off without him,’ ” James said after he had a triple-double in the Lakers’ win over the Miami Heat during his NBA-record 1,612th regular-season game. “A lot of people will try to, like, view it, so I get it. But they’re absolutely wrong.”

James then scrunched his face into a sarcastic, close-eyed smile.

The Lakers started their winning streak without James, but they couldn’t have continued it if he hadn’t returned in this fashion.

Since missing three games with elbow and hip injuries, James has starred in his new role as possibly most dangerous third option ever. The NBA’s all-time leading scorer’s usage rate dropped from 28.2% in his first 44 games of the season to 21.3% across the six games before Detroit. Before this season, his usage rate has never been lower than 27.6% for an entire year.

But Redick said the team knows it’s at its best when James has the third-highest usage rate. More important, James is playing like he knows that too.

James was held scoreless in the first half against Detroit for just the third time in his career. Redick praised James for his “selfless” play against the Pistons. He finished a rebound short of a triple-double: 12 points, 10 assists and nine rebounds.

“It’s the role that I’m playing for the ball club,” James said. “In order for us to win ball games, it’s the role that I’m playing.”

James is taking three fewer shots a game in the last seven games compared to his season average and averaging a quiet 18 points and 6.1 assists per game. But he has been exceptionally efficient: 58% shooting from the field and he still leads the league with 5.7 fastbreak points per game. Reaves said he sometimes forgets that he’s throwing lobs to a 41-year-old.

“I’m going, I’m going to kill you one day on accident just throwing the ball like I forget that you’re 41,” Reaves said he told James. “I’m still throwing it to 35-[year-old] LeBron.”

On tap

Wednesday at Pacers (16-56), 4 p.m. PDT

The Lakers’ six-game trip ends in Indianapolis with the Pacers, who just snapped the NBA’s longest losing streak Monday. They had lost 16 consecutive games before knocking off the Magic, but still have the worst record in the league. Ivica Zubac is out for the rest of the season after the former Clippers big man fractured his rib.

Friday vs. Nets (17-55), 7:30 p.m. PDT

Michael Porter Jr. is averaging a career-best 24.2 points, 7.1 rebounds and three assists. That’s basically all there is to know about the Nets.

Monday at Wizards (16-55), 7 p.m. PDT

The Wizards’ 16-game losing streak is now the longest in the NBA after the Pacers’ recent win. Anthony Davis was traded to the Wizards from Dallas in February but remains sidelined because of a finger injury. Fellow midseason acquisition Trae Young (quad) is also expected to miss the game.

Status report

Rui Hachimura (right calf soreness)

Hachimura is day-to-day after he got hit in the calf against Miami. The injury bothered Hachimura enough that he went back to the locker room late against Orlando. He got imaging and “it was clean,” Redick said.

Marcus Smart (right ankle soreness)

Smart injured his ankle against Orlando when forward Goga Bitadze fell on the Lakers guard. Smart also has some lingering right hip soreness from another fall during that game, but is day-to-day, Redick said.

Maxi Kleber (lumbar back strain)

Kleber joined the team on the trip in Detroit after missing seven games. During his rehab process, Kleber participated in a practice with the South Bay Lakers last week.

Favorite thing I ate this week

The gumbo at Fixins in downtown Detroit.

(Thuc Nhi Nguyen / Los Angeles Times)

With the weather difference from Orlando to Detroit, I landed in the Midwest in desperate need of comfort food. I fed my soul at Fixins in downtown Detroit, filling up on their gumbo. The hearty stew had chicken and sausage (with an option to add shrimp) and was served over rice with a cornbread muffin. On a chilly Midwest day, it healed me. There’s a Fixins location in L.A. too, so expect to find me there the next time I need my Southern food fix.

In case you missed it

Lakers fade in final seconds against Pistons as nine-game win streak ends

Luka Doncic avoids suspension after NBA rescinds his 16th technical foul

Luka Doncic says vulgar comment from Orlando player led to his 16th technical

Luke Kennard’s last-second three-pointer lifts Lakers to ninth consecutive win

Luka Doncic’s 60-point game thrusts Lakers star into middle of MVP debate

Plaschke: ‘Yeaaaaaah!’ A child’s cheer inspires surging Lakers

Luka Doncic scores 60 and LeBron ties NBA games record in Lakers’ eighth straight win

Luka Doncic (40 points) and LeBron James (30) lead Lakers to win over Rockets

Until next time…

As always, pass along your thoughts to me at thucnhi.nguyen@latimes.com, and please consider subscribing if you like our work!

SACRAMENTO — Every two years, elite athletes compete in the Olympics, biennial plants — like carrots and onions — produce seeds and people across America look on with consternation and mounting impatience as California counts its election ballots.

The prolonged tally has become as much a part of electioneering in the Golden State as wall-to-wall advertising, high-flown promises and overstuffed mailboxes groaning beneath the weight of endless campaign fliers.

The tabulation — which can last weeks past election day — is the product, in large part, of a commendable objective: Encouraging as many people as possible to vote.

California, which mails a ballot to every eligible voter, ranks near the top of states in the ease of its elections. That’s something to be celebrated. Voting is a way to help steer the direction of our state and nation and invest, as an active participant, in its future.

Yay, participatory democracy!

Unfortunately, the lag time between election day and the final results has led to all sorts of wild, unfounded claims, peddled mainly by Republicans seeking to curry favor with the sore-losing President Trump by parroting his conspiratorial gabbling.

“They hold the elections open for weeks after election day,” House Speaker Mike Johnson said recently, falsely suggesting that chicanery cost the GOP three House seats in California in 2024. “It looks on its face to be fraudulent.”

That’s a lot of, um, hooey.

There is no rampant cheating or election fraud in California. Period. Full stop.

Still, those sorts of phony statements have deeply diminished faith in our elections and our increasingly rickety democracy.

So — what if it were possible to preserve California’s friendly voting system while, at the same time, speeding up the tabulation of its many millions of ballots?

Kim Alexander believes it’s possible to do both.

“We need to stop explaining why it’s taking so long and start figuring out how to [produce election results] in a more satisfying way,” she said. “There are a lot of things that we could do better and do differently. It just takes some creative thinking and some will.”

Simply put, “The longer it takes to count ballots, the more voter confidence erodes.”

Alexander, head of the nonpartisan California Voter Foundation, has spent more than three decades working to make the state’s elections more efficient, more transparent and more accountable.

Her interest in politics and election mechanics came about while growing up in Culver City, where her father served as a councilman and mayor.

As a 7-year-old, stationed in the garage, it was Alexander’s job to track the returns in her dad’s first campaign, toting up the numbers at an election night party while her mom, posted in the kitchen, called the city clerk for updates. Even at that young age, Alexander learned the importance of a fair and efficient tabulation process.

Over the years, she watched as her father’s political career was stymied by a Democratic gerrymander, which blocked any hopes he had of being elected to Congress or the Legislature as a moderate Republican. She saw firsthand the influence of money in politics. (Her father told her of turning away donations that came with strings attached.) That helped turn her into a political reformer.

After working as a legislative staffer and serving a stint at Common Cause, the good-government lobbying group, Alexander took over the California Voter Foundation in 1994.

As a political noncombatant, Alexander won’t say how it feels, and whether these days she’s more or less optimistic, watching as reckless attacks on our elections come from inside the White House. “I like to describe myself as a realist with high goals,” is all she’d allow.

There are good reasons why it takes California so long to count its ballots.

First off, there are a lot of them; more than 16 million residents voted in the last presidential election, more than the population of all but 10 states. Voting by mail has exploded in popularity and it takes longer to count those ballots, as many don’t arrive until after election day. Also, there are a number of safeguards to prevent fraud and ensure an accurate count. “We’re checking all the signatures,” Alexander said. “We’re making sure nobody votes twice.”

Simply explaining those facts can help build trust, she said. However, that won’t speed up the state’s vote counting. Here, Alexander suggested, are some things that can:

— Increase funding for California’s 58 counties to expand equipment, staff and the space needed to process ballots. In recent years, the state has been asking local election officials to do more and more without reimbursing their costs.

— Educate voters and encourage them to turn their ballots in earlier. Along those lines, a system called “sign, scan and go” allows voters to return their mail ballots in person at a designated polling place. A pilot program in Placer County found that that shaved three to four days off processing time. The system could be implemented statewide.

— Better manage California’s voter database, doing so from the top down in Sacramento, rather than having counties oversee their data and feed it into the system. That bottom-up approach creates delays and a lag time in processing ballots.

— Create “ballot swap” days to speed delivery of out-of-county ballots where they belong, also saving time. (Under California law, voters can return their ballot anywhere in the state, but it must be routed to their home county to be tabulated. That process can now take more than a week.)

The problem, apart from perennial budget pressures, is that interest in election mechanics — a technical and arcane subject if ever there was one — is episodic and fleeting. It’s like worrying about a leaky roof when the temperature is 95 degrees outside and the sun is blazing.

But even without voters clamoring to address California’s slow-poke vote count, lawmakers should act.

Gov. Gavin Newsom recently rose to defend the state’s “safe and secure elections” against one of Trump’s many unwarranted attacks. If he wants to burnish his credentials for a 2028 presidential run — which Newsom very much does — one way would be to speed up delivery of its election results.

That way the rest of the country won’t be asking again in November: What the heck’s with California?

Public murals are among the best ways to honor our heroes, which is why dozens of murals of civil rights icon Cesar Chavez dot California’s landscape. Those images are now deeply upsetting after shocking revelations published in a recent New York Times investigation that allege Chavez sexually abused girls as young as 12 and raped his fellow labor organizer Dolores Huerta.

According to the nonprofit Travel Santa Ana, the Chavez mural, created in 2008 to commemorate the launch day of the city’s KaBoom playground and Jerome Community Learning Garden, is “one of 30 murals around California that was commissioned by a project commemorating Cesar Chavez, initiated by Maria Shriver and former LA Mayor [Antonio] Villaraigosa.”

That’s 30 from a single project — the total number would be impossible to count. It’s hard to overstate the prominence of Chavez’s legacy in California, where his name and likeness are ubiquitous on the sides of bodegas, in parks, on street signs, on schools and memorialized in statues. He was considered a man of the people, which is why murals, created in unassuming local spaces, seemed especially fitting.

It’s now up to the public that revered him and is now grappling with the pain of his misdeeds to decide what should become of his painted image. California lawmakers announced their intention to rename the upcoming Cesar Chavez holiday “Farmworkers Day,” and that idea could be extended to murals of Chavez. These artworks could be remade to instead celebrate the achievements of the many people — especially the women and girls — who marched and fought for the labor movement.

I expect changes to these murals will come swiftly. A statue of Chavez at Fresno State has already been covered and will soon be removed. Maybe it can be melted down to create something new and uplifting. We can paint over the past, but we should never forget.

I’m Arts editor Jessica Gelt, looking forward to gazing at a mural of Huerta in the very near future.

The week ahead: A curated calendar

FRIDAY
Brokentalkers
Through music and dance, the Dublin-based theater company presents “Bellow,” the story of Irish accordionist Danny O’Mahony as he revisits key moments when mentorship, mastery of the craft and preservation of the art form influenced his path.
8 p.m. Friday and Saturday. UCLA Nimoy Theater, 1262 Westwood Blvd. cap.ucla.edu

Piano recital with Gilles Vonsattel, solo
Camerata Pacifica presents the third program of “Beethoven 32,” a three-year Beethoven cycle in which principal pianist Vonsattel performs all 32 of the composer’s piano sonatas.
7 p.m. Friday. Academy of the West, 1070 Fairway Rd., Santa Barbara. 8 p.m. Sunday. The Colburn School, Zipper Hall, 200 S. Grand Ave., downtown L.A. cameratapacifica.org

Sex, Lies and Harold Pinter
Two of the playwright’s darkly comic one-acts, “Party Time” and “The Lover,” are paired.
8 p.m. Fridays and Saturdays; 3 p.m. Sundays, through April 26. Odyssey Theatre, 2055 S. Sepulveda Blvd. odysseytheatre.com

SATURDAY
And the Beat Goes On
The Gay Men’s Chorus of Los Angeles performs American classics from R&B, Motown, gospel and musical theater with Emmy Award-winning host and GMCLA alum Melvin Robert and soprano Nicole Heaston.
8 p.m. Saturday; 3:30 p.m. Sunday. Saban Theatre, 8440 Wilshire Blvd, Beverly Hills. GMCLA.org

Cirque Kalabanté’s Afrique en Cirque
A celebration of African culture featuring acrobatics accompanied live Afro Jazz, percussion and kora.
8 p.m. Saturday. Carpenter Performing Arts Center, CSULB, 6200 E. Atherton St., Long Beach. carpenterarts.org; 3 p.m. Sunday. The Soraya, 18111 Nordhoff Street, Northridge. thesoraya.org

Artist Todd Gray has a show at Perrotin.

(Kyungmi Shin)

Todd Gray
A solo exhibition of the artist’s photosculptures, “Portals,” continues his interest in the effects of colonization, the built environment and the natural world. Gray will be in conversation with LACMA chief executive Michael Govan on Tuesday.
Opening reception, 6 to 8 p.m. Saturday; conversation, 6:30 p.m. Tuesday; exhibition continues through May 30. Perrotin Los Angeles, 5036 W Pico Blvd. perrotin.com

Convergence: Contemporary Artists of Armenian Descent
More than 20 artists, in work ranging from abstraction to conceptual installations, interrogate the complexities of their cultural identities.
Through Aug. 9. Forest Lawn Museum, 1712 S. Glendale Ave., Glendale. museum.forestlawn.com

Esther Chung and Ins Choi in “Kim’s Convenience” at the Ahmanson.

(Dahlia Katz)

Kim’s Convenience
Playwright Ins Choi stars in this production of his award-winning comedy drama, about a Korean family-run corner store in Toronto, that inspired the TV series. Directed by Weyni Mengesha.
Through April 19. Ahmanson Theatre, 135 N. Grand Avenue, downtown L.A. centertheatregroup.org

‘KPop Demon Hunters’ singalong
Bop to the beat of this year’s two-time Oscar-winner — animated feature and original song — at this special Academy screening.
11 a.m. Academy Museum, 6067 Wilshire Blvd. academymuseum.org

Miss Velma in the City of Angels
In the “Religion and Ritual” section of the ongoing Art of the West exhibition, this new installation features a custom-made dress worn by the charismatic co-founder of the Universal World Church in Los Angeles.
Opens Friday. The Autry, 4700 Western Heritage Way. Griffith Park. theautry.org

Ok, Olympia, Let’s Go!
Apollo Dukakis wrote and performs the one-act play “You and Me” alongside Kandis Chappell in a multimedia celebration of his sister, the late Academy Award-winning actress Olympia Dukakis. Playwright and filmmaker Graham Barnard hosts with special invited guests.
8 p.m. Saturday. 3 p.m. Sunday. Odyssey Theatre, 2055 S. Sepulveda Blvd. odysseytheatre.com

Song Of The North
Hamid Rahmanian created this multimedia production using shadow puppetry and projected animation to reimagine the Persian epic “Shahnameh” about a fierce heroine and her quest to save her beloved.
2 p.m. Saturday, Sunday and March 28 to 29; 7 p.m. Saturday and March 29. Pasadena Playhouse, 39 S. El Molino Ave. pasadenaplayhouse.org

The exhibition “Turner & Constable” at the Tate in London is featured in a new documentary on the two British painters.

Turner & Constable
Laemmle’s “Culture Vulture” series presents this documentary on two of Britain’s finest artists — J.M.W. Turner and John Constable — their rivalry as very different landscape painters and the current exhibition at the Tate in London. Directed by David Bickerstaff.
10 a.m. Saturday and Sunday; 7 p.m. Monday. Laemmle Glendale, 207 N. Maryland Ave.; Laemmle Town Center 5, 17200 Ventura Blvd., Encino; Laemmle Monica Film Center, 1332 2nd St. laemmle.com

Vertigo in Concert
Sarah Hicks conducts the Los Angeles Philharmonic performing the Bernard Herrmann score for Alfred Hitchcock’s classical psychological thriller live to screen.
8 p.m. Saturday. Walt Disney Concert Hall, 111 S. Grand Ave., downtown L.A. laphil.com

SUNDAY
Network
The American Cinematheque presents screenwriter Paddy Chayefsky’s prescient 1976 media satire for its 50th anniversary and in tribute to actor Robert Duvall.
7 p.m. Sunday. Egyptian Theatre, 6712 Hollywood Blvd. americancinematheque.com

Yefim Bronfman
The pianist performs selections from Schumann, Brahms, Debussy and Beethoven. Rescheduled from Feb. 11.
Walt Disney Concert Hall, 111 S. Grand Ave., downtown L.A. laphil.com

Geoff Elliott in “Death of a Salesman” at A Noise Within.

(Daniel Reichert)

Death of a Salesman
A Noise Within co-artistic director Geoff Elliott steps into the shoes of Arthur Miller’s beleaguered working man.
Through April 19. A Noise Within, 3352 E. Foothill Blvd., Pasadena. anoisewithin.org

Ebell + LA Festival: Powered by Women
A free celebration of art, activism and community spirit featuring performances, classes and crafts.
11 a.m. to 4 p.m. The Ebell of Los Angeles, 741 S. Lucerne Blvd. ebellofla.org

Akinsanya Kambon: The Hero Avenges
A conversation between the sculptor known for his work inspired by the Black diaspora, African histories and mythologies, and Hammer curator Pablo José Ramírez, plus the premiere of a new eponymous documentary directed by Gabriel Noguez and Sean Rowry and a book signing of the monograph “Akinsanya Kambon: The Hero Avenges.”
2 p.m. Sunday. UCLA Hammer Museum, 10899 Wilshire Blvd., Westwood. hammer.ucla.edu

MONDAY
Lang Lang Plays Beethoven
The piano virtuoso joins the Pacific Symphony for performances of Beethoven’s “Piano Concerto No. 3” and Egmont Overture, plus Dvořák’s Ninth Symphony, “From the New World.”
8 p.m. Monday. Segerstrom Center for the Arts, 600 Town Center Drive, Costa Mesa. pacificsymphony.org

TUESDAY
Gerald Barry’s ‘Salome’
Thomas Adès conducts the L.A. Phil in the U.S. premiere of Barry’s new opera, based on the Oscar Wilde play.
8 p.m. Walt Disney Concert Hall, 111 S. Grand Ave., downtown L.A. laphil.com

WEDNESDAY
Alvin Ailey American Dance Theater
The illustrious troupe performs two alternating programs as part of its exclusive multiyear Southern California residency under the leadership of new Artist Director Alicia Graf Mack.
7:30 p.m. Wednesday to March 28; 2 p.m. March 28 to 29. Dorothy Chandler Pavilion, 135 N. Grand Ave., downtown L.A. musiccenter.org

THURSDAY
Level Up!
A trans tween feels like she can only be herself in her virtual world in the Latino Theater Company’s world premiere of a resonant, family-friendly play by Gabriel Rivas Gómez. Directed by Fidel Gómez.
Previews through April 3. Opens April 4 and runs through May 3. Los Angeles Theatre Center, 514 S. Spring St., downtown L.A. latinotheaterco.org

Arts Anywhere

BroadwayHD
Don’t get out to the theater as much as you’d like? This decade-old streaming service could be a viable supplement to your live theater habit. It offers a nice variety of shows from Broadway and the West End, off-Broadway, plays, musicals and virtually anything in between. BroadwayHD: $20 per month or $200 per year.

“Future Relic: Failures, Disasters, Detours, and How I Made a Career as an Artist” by Daniel Arsham.

(Simon & Schuster)

Future Relic: Failures, Disasters, Detours, and How I Made a Career as an Artist
Part memoir, part how-to, contemporary artist Daniel Arsham’s new book shares pragmatic advice on things like how to get a gallery, why you need a great lawyer, how to run a creative business and the importance of building a network of successful people. Bursting onto the scene more than 20 years ago with a bold vision across multiple mediums and accruing an eclectic list of big-name collaborators, including Merce Cunningham, Pharrell Williams, Pokémon, Tiffany & Co. and Cleveland Cavaliers, he quickly found both critical and commercial success. In a 2014 review of the artist’s work, Times contributor Sharon Mizota wrote, “Daniel Arsham’s casts of everyday or recently obsolete objects in sand, volcanic ash or various kinds of rock are like premature fossils, or perhaps eerie premonitions of ruin to come.” At a time when everything in the world is starting to feel obsolete, including us, “Future Relic” could find a place on the bookshelves of many would-be creatives. (Think of it as a companion to Rick Rubin’s “The Creative Act: A Way of Being.”). Authors Equity: 320 pp. $30.

Out of Vienna
The acclaimed Berlin-based chamber ensemble Leonkoro Quartet, formed in 2019, has released its stellar debut recording after winning a string of prestigious awards across Europe. An exploration of early 20th-century modernism in the Austrian capital, the album features compositions by Alban Berg, Anton Webern and Erwin Schulhoff. Alpha Classics: Available on CD ($19) or download ($9.25).

— Kevin Crust

Culture news and the SoCal scene

Spring is here, and with it many arts and culture entertainment choices.

Team Arts is publishing its Spring Arts preview this Sunday and we have been rolling out the stories online this week, beginning with a roundup of 26 of the most exciting L.A. concerts, theater, art and dance events this season. Theater critic Charles McNulty sat down with three of the city’s most prominent regional theater leaders to talk about how they are working to reimagine live theater in order to boost attendance and morale for the art form during this perilous time of dwindling attention spans and political instability. We also compiled a roundup of this year’s biggest museum openings to illustrate just how huge a year it is for art in L.A.

McNulty has been extra busy lately and has delivered a series of reviews. Harry Potter fans will enjoy his take on Daniel Radcliffe in Broadway’s “Every Brilliant Thing,” which McNulty calls “an ingenious and touching solo performance piece written by Duncan Macmillan with Jonny Donahoe on the subject of suicide — or more precisely, on the ordinary joys that militate against such a drastic step.”

McNulty also dropped in on the Geffen Playhouse to catch “Dragon Mama,” the second installment in a trilogy written and performed by Sara Porkalob about her Filipina American family. “To be frank, I wasn’t sure I was up for a trilogy on Porkalob’s family history. But after ‘Dragon Mama,’ I can hardly wait for ‘Dragon Baby,’ the third and final segment,” McNulty writes.

Pierre Adeli and Adam J. Jefferis in “The Adding Machine.”

(Bob Turton Photography)

Finally, McNulty checks in with the Actors’ Gang, which is running a production of Elmer Rice’s 1923 expressionist satire, “The Adding Machine.” The story, about “an accountant drone aptly named Mr. Zero who, after losing his job to an adding machine, kills his boss and is sentenced to death,” shares uncomfortable modern-day parallels with the threat to workers currently posed by AI, McNulty writes.

Classical music critic Mark Swed got the scoop on the Los Angeles Philharmonic’s new season — its first without revered music director Gustavo Dudamel. “For the first time in 64 years, the L.A. Phil will be without a music director, and with no one in waiting in the wings. But you may barely notice. In little more than three months, Dudamel, although newly installed as music and artistic director of the New York Philharmonic, will be saying hello once again to his old band at Walt Disney Concert Hall for two weeks of Beethoven,” Swed writes.

Workers install the Francis Bacon 1969 “Three Studies of Lucian Freud” oil painting in the David Geffen Galleries at the Los Angeles County Museum of Art.

(Kayla Bartkowski / Los Angeles Times)

I got to watch workers hang a $142.5-million Francis Bacon triptych on the walls of LACMA’s new David Geffen Galleries. The paintings were gifted to the museum by its late trustee, Elaine Wynn. LACMA’s director, Michael Govan, said that part of her interest in supporting the new building was because she wanted the paintings to eventually belong to the public.

Dance writer Steven Vargas penned an interesting profile of choreographer Jacob Jonas and how his battle with Stage 4 lymphoma deepened his connection to his craft.

The news from the Kennedy Center does not stop coming. Late last week, we learned that President Trump had replaced Kennedy Center president Richard Grenell, who presided over the unfolding chaos at the center for a little over a year, with Matt Floca, the vice president of facilities operations at the center. This week, the Trump-appointed board voted to officially close the venue for two years. Trump had already announced his intentions, so the vote amounted to little more than a rubber stamp.

Younes and Soraya Nazarian Center for the Performing Arts — better known as the Soraya — on the campus of Cal State Northridge.

(The Soraya)

The Soraya announced its 2026-27 season, which includes six major debuts: singer and actress Audra McDonald, the Grammy Award-winning Snarky Puppy ensemble, Emmet Cohen’s jazz trio, Dance Theatre of Harlem, the National Symphony Orchestra (which will be roving in the wake of the Kennedy Center closure) and the National Symphony Orchestra of Ukraine. Also arriving at the Soraya, according to a note from its publicist, “Domingo Hindoyan leads the LA Phil and soprano Sonya Yoncheva in the world premiere of a new, LA Phil-commissioned song cycle from Miguel Farias. Farias’ incandescent new work is paired with Barber’s ‘Medea’s Dance of Vengeance’ and Dvořák’s Ninth Symphony.”

The first-ever museum survey of the legendary Chicana artist Ofelia Esparza (“Ofelia Esparza: A Retropective “) at Vincent Price Art Museum has been extended through May — now you have no excuse to not get yourself out to see it.

— Jessica Gelt

And last but not least

In an incredibly detailed and truly impressive investigation, Reuters unmasked the legendary British street artist known as Banksy. I have mixed feelings on that one, which I may explore in a future newsletter.