week

Wall Street closed the week higher as easing Middle East tensions, softer-than-expected inflation data, and strong corporate earnings boosted investor sentiment.

Investor sentiment improved after President Donald Trump said a framework to end the conflict with Iran and restore shipping

Good morning, and welcome to L.A. on the Record — our City Hall newsletter. It’s David Zahniser, with an assist from Noah Goldberg, Melissa Gomez and Sandra McDonald, giving you the latest on city and county government.

Los Angeles City Councilmember Monica Rodriguez has had some pretty tough words over the years for Mayor Karen Bass and her administration.

Rodriguez, who is running unopposed in Tuesday’s election, repeatedly criticized Bass’ Inside Safe program, which moves homeless people indoors, saying it lacked financial oversight. She voted against the mayor’s budget last year, saying too much was going to Inside Safe. She was especially harsh in the wake of the Palisades fire, saying that Bass’ team botched the first few months of the recovery.

That might make her an ideal person to endorse Councilmember Nithya Raman, who is running to unseat Bass in Tuesday’s primary and has leveled similar critiques. Instead, Rodriguez has emerged as an unexpected ally of the incumbent.

During the campaign, Rodriguez has appeared with Bass at events in Eagle Rock, Pacoima and even Sherman Oaks, located in Raman’s district. She popped up in a campaign flier from Latinos Por Karen Bass. And she’s been dinging Raman over everything from economic development to policies around outdoor barbecues.

Rodriguez explained her decision to support Bass in an interview, saying she views the incumbent as being far more willing to entertain opposing views than Raman — and understands that “not everyone thinks the same way.” Bass also is more consistent on the issues, Rodriguez said.

Raman, by contrast, has shifted her positions on police spending, the tax hike known as Measure ULA and even who should be the next mayor, jumping into the race after she endorsed Bass, Rodriguez said.

“I don’t know what she stands for,” she said.

Raman’s campaign declined to comment on Rodriguez’s remarks. But former former Deputy Mayor Rick Cole, a Raman supporter, said he is surprised to see Rodriguez line up behind Bass, given how critical she has been over the years.

“Monica is a self-described maverick, so it’s ironic that she’s thrown in with the establishment on this. But sometimes personalities play a role,” he said.

Rodriguez had been talked up at one point as a possible opponent of Bass in this year’s election. If Bass wins a second and final term, the mayor’s race would be wide open in 2030.

Pratt accuses Bass of electioneering

It was a small yet upbeat event staged by Bass’ reelection campaign: The mayor, accompanied by supporters chanting “four more years,” walking up to an official drop box and putting in her ballot.

That miniature rally, staged last weekend near the city’s Memorial Branch Library, was captured on video and circulated by Bass’ campaign. But it has drawn a complaint from mayoral candidate Spencer Pratt, who accused the mayor of violating a state law prohibiting electioneering near a polling place or voter drop box.

In a complaint filed with the city clerk, Pratt attorney Peter McNulty said Bass and her supporters improperly solicited votes, waved campaigns signs and “engaged in blatant electioneering” near a voting location.

“Such clear violations of electioneering restrictions show a reckless disregard for the rule of law and an apparent belief that she need not comply with relevant restrictions that apply to all other candidates,” he wrote.

The Bass campaign pushed back on those allegations, saying the video features footage from two locations near the drop box. The portion that featured the Bass campaign signs was filmed 200 feet away — twice the distance required by law, said Alex Stack, a Bass spokesperson.

“Spencer is just mad that his supporters are AI cartoons and we have real Angelenos,” he said. “We follow the rules.”

Pratt’s lawyer said in his letter that he wants the city to investigate. He also filed a complaint with the state, citing the state election law that prohibits the dissemination of “visible or audible electioneering information” near a polling place or drop box.

Feldstein Soto flames Airbnb

City Atty. Hydee Feldstein Soto has been getting hit from both directions over the last few weeks.

On one side, a committee with at least $450,000 in funding from the Consumer Attorneys of California has been pumping out campaign ads promoting her opponent, Deputy Atty. Gen. Marissa Roy. On the other, a campaign committee heavily bankrolled by Airbnb is running ads for Deputy Dist. Atty. John McKinney, another opponent in the race.

Feldstein Soto has countered with a television ad that highlights her office’s lawsuit against Airbnb, which accuses the company of engaging in price gouging after the Palisades fire. Staring into the camera, Feldstein Soto said Airbnb and other special interests “are spending millions to try and get rid of me.”

“They think L.A. belongs to them,” she says. “I know it belongs to you.”

Feldstein Soto had raised about $860,000 for her campaign through May 16, compared with about $680,000 for Roy and about $122,000 for McKinney. But those fundraising efforts, which face strict limits under the city’s ethics laws, have been overshadowed by the unlimited spending from Airbnb and the others.

Angelenos for Progress, a pro-McKinney committee sponsored by the Central City Assn., received at least $2.1 million from Airbnb over the last month, pouring that money into campaign videos and television ads.

Justin Wesson, senior public policy manager for Airbnb in California, said in a statement that McKinney’s campaign platform is “focused on keeping Los Angeles communities safe and vibrant, including for Angelenos who share their home and their guests that contribute to the local economy.”

In recent weeks, Airbnb has been pushing the city’s elected officials to loosen L.A.’s home-sharing regulations, by allowing owners of second homes to lease their properties on short-term rental platforms.

Airbnb has put big money into other committees, including those that support Tim Gaspar, who is running to replace Councilmember Bob Blumenfield, and Jose Ugarte, who is running to replace Councilmember Curren Price.

Team Raman woos Huang, without success

We mentioned a few weeks back that Raman supporters have been noisily demanding that mayoral candidate Rae Huang drop out of the race, saying she was siphoning left-of-center votes away Raman. Turns out Raman’s campaign was trying to persuade her to pull the plug as well.

Raman campaign strategist Jeff Millman reached out to Huang advisor Bill Przylucki earlier this month about getting the community organizer to drop her mayoral bid, according to Huang spokesperson Emel Shaikh.

The overture from the Raman camp, first reported by LA Material, took place after the May 6 NBC LA debate but before a Fox debate planned for the next week, Shaikh said.

“She never really entertained the idea,” Shaikh said.

Raman, speaking with reporters on Friday, said she knew that people from both campaigns were conferring.

“I’m sure [Huang] was aware of it as well,” she said. “And I think we were really talking about how to achieve a bold, progressive vision for Los Angeles. Both of us got into this race because we felt a deep sense of dissatisfaction with the status quo.”

Millman, a veteran of L.A. politics, worked for former Mayor Eric Garcetti and was a spokesperson for Austin Beutner’s mayoral bid before his campaign ended in January. After Beutner dropped out, he moved to the Raman campaign. Przylucki is the former executive director of the progressive nonprofit Ground Game LA.

Supporters of Raman contend that Huang doesn’t have a path to victory — and could deprive Raman of a chance to compete in the Nov. 3 runoff. Asked whether she feels the same way, Raman said she is focused on getting her voters to the polls.

At this point, Raman is neck and neck with Bass and slightly ahead of Pratt, according to a poll from the UC Berkeley Institute of Governmental Studies, which was co-sponsored by The Times.

State of play

— A THREE-WAY RACE: Bass, Raman and Pratt are locked in a tight three-way contest, with the mayor holding a statistically insignificant lead in the run-up to Tuesday, the latest UC Berkeley-L.A. Times poll found. Bass had 26% support from likely voters, followed by Raman with 25% support and Pratt at 22%.

Bass, appearing at City Hall Thursday, said she’s not worried about failing to make the top two, telling an audience there are many polls that show different results. “I feel confident about Tuesday,” she said.

— AN EMBATTLED MAYOR: The Times took a look at Bass’ first term and the events that have put her political future in peril. Although some point to the city’s handling of the massively destructive Palisades fire, others say her troubles go much deeper.

— READING THE ROOM: While Bass has had difficulty managing the city, Raman faces a different issue: her struggle to forge working relationships with colleagues and allies. No one on the council, including those backed by the DSA, have endorsed her. Raman allies downplayed the issue, saying her strength is her independence.

— CUTTING CRIME: Even with L.A. experiencing fewer murders than at any point in 60 years, crime remains a potent issue in the mayor’s race. Pratt has been portraying the city as a lethal hellscape. Meanwhile, even some of Bass’ supporters have been shocked by how “aggressively pro-police she has been,” said former Councilmember Mike Bonin, who heads the Pat Brown Institute at Cal State, LA.

— DOWNTOWN IN THE DUMPS: Meanwhile, downtown business owners say they are struggling with crime, homelessness and aging infrastructure — all issues that have become central to the mayor’s race.

— LOVE, MOM: The mother of city controller candidate Zach Sokoloff has pumped at least $7.5 million into an independent expenditure campaign supporting him as he seeks to unseat City Controller Kenneth Mejia. The incumbent has accused the Sokoloff family of trying to buy the seat. Sheryl Sokoloff has declined to comment.

— SHERIFF SHOWDOWN: Los Angeles County Sheriff Robert Luna is in a rematch against former Sheriff Alex Villanueva, while also facing six other opponents. (Villanueva was unseated by Luna in 2022.) The top two vote getters will head to the Nov. 3 runoff.

— WAITING FOR THE WAGE: The council finalized its plan to delay a series of minimum wage hikes for hotel and airport workers this week, ensuring that the wage won’t reach $30 until January 2030 instead of July 2028.

— D&D AND DSA: Democratic Socialists of America, whose L.A. chapter is campaigning for five candidates in the city election, took in $30,000 at a Dungeons & Dragons-themed fundraiser. The candidates took part in the action, playing fantasy characters who still keep one foot in the political world.

— CALLING THE COPS: Looking to prevent copper wire theft, the Department of Water and Power is seeking to create its own police force.

— OUT OF THE FRYING PAN: The council on Wednesday confirmed Gabrielle Amster as the latest general manager for the animal services department, which oversees the city’s network of animal shelters. Amster had been serving as vice president of shelter engagement for DocuPet, a national pet registration business, according to her resume.

QUICK HITS

• Where is Inside Safe? Bass’ signature initiative to tackle homelessness did not launch any new encampment operations this week.
• On the docket next week: The election, obviously! If you haven’t cast a ballot by mail, make sure you show up at a voting center!

Stay in touch

That’s it for this week! Send your questions, comments and gossip to LAontheRecord@latimes.com. Did a friend forward you this email? Sign up here to get it in your inbox every Saturday morning.

Week by week, freshman left-handed pitcher Sheriff Hall of Loyola High has gotten better and better. It sets up for an intriguing Southern Section Division 2 baseball final on Saturday when Hall goes against Ganesha at 5:30 p.m. at the Rancho Cucamonga Quakes’ diamond.

He’s expected to face unbeaten left-handed pitcher Logan Schmidt after the Pomona Unified School District indicated that issues about top Ganesha players participating in an out-of-state camp have been resolved.

Whatever happens, Hall is ready. Coach Keith Ramsey has been preparing him for this moment. Hall is 7-3 with a 2.53 ERA while pitching mostly in the tough Mission League.

If Hall ever needs someone to put together a highlight tape, he knows whom to ask. His father, Jason, is a screenwriter and director who also played a recurring character in “Buffy the Vampire Slayer.”

Let’s see if Hall can be his own slayer on Saturday.

This is a daily look at the positive happenings in high school sports. To submit any news, please email eric.sondheimer@latimes.com.

Welcome to Bunker Talk. This is a weekend open discussion post for the best commenting crew on the net, in which we can chat about all the stuff that went on this week that we didn’t cover. We can also talk about the stuff we did or whatever else grabs your interest. In other words, it’s an off-topic thread.

This week’s caption reads:

U.S. Air Force Maj. Gen. Tom Wilcox II, center, Air Force Installation and Mission Support Center commander, talks with Airmen at the 423rd Security Forces Squadron bunker shoot house training location at Royal Air Force Molesworth, England, Sept. 29, 2021. The AFIMSC leadership visited the 501st Combat Support Wing and its mission partners at the U.S. European Command Joint Intelligence Operations Center Europe Analytic Center at RAF Molesworth, England. The AFIMSC provides base communications, civil engineering, security forces and logistics support that assist the 501st CSW in fulfilling its mission. (U.S. Air Force photos by Senior Airman Jennifer Zima)

Prime Directives:

• If you want to talk politics, do so respectfully and know that there’s always somebody that isn’t going to agree with you. 
• If you have political differences, hash it out respectfully, stick to the facts, and no childish name-calling or personal attacks of any kind. If you can’t handle yourself in that manner, then please, discuss virtually anything else.
• No drive-by garbage political memes. No conspiracy theory rants. Links to crackpot sites will be axed, too. Trolling and shitposting will not be tolerated. No obsessive behavior about other users. Just don’t interact with folks you don’t like. 
• Do not be a sucker and feed trolls! That’s as much on you as on them. Use the mute button if you don’t like what you see.  
• So unless you have something of quality to say, know how to treat people with respect, understand that everyone isn’t going to subscribe to your exact same worldview, and have come to terms with the reality that there is no perfect solution when it comes to moderation of a community like this, it’s probably best to just move on. 
• Finally, as always, report offenders, please. This doesn’t mean reporting people who don’t share your political views, but we really need your help in this regard.

It’s hard to believe we’re approaching the end of May and the midpoint of the year, which means some of our favorite shows have come to a close, including “The Late Show With Stephen Colbert,” which aired its final episode on CBS last week. Our critics and columnists weighed in on Colbert’s tenure as host of “The Late Show” over the years, writing about why he was the risky but right choice to host, his faith and his next chapter. And “Hacks,” starring Jean Smart and Hannah Einbinder, dropped its series finale on HBO Max last night. Times culture columnist Mary McNamara and television critic Robert Lloyd took a moment to discuss the course of the show after five seasons, the characters and why they found the finale satisfying.

While those series have come to an end, a new television show, Prime Video’s “Spider-Noir,” arrived this week with a different take on a beloved superhero, Spider-Man. “Spider-Noir” stars Nicolas Cage as Ben Reilly and his alter ego the Spider. Writer Carlos Aguilar spoke to Cage and co-star Lamorne Morris about their spin on the comic book-based characters they portray, and this week, Karen Rodriguez, who plays Ben’s secretary Janet Ruiz on the show, stopped by Guest Spot to talk about her character, working with the ensemble cast and how she gets a nice prize at the end of the season (be warned, a few spoilers ahead).

Also in this week’s Screen Gab, our writers recommend a trio of newly arrived second seasons and a collection of films based on Homer’s “The Odyssey” that will get you in the mood for Christopher Nolan’s epic arriving later this summer. Vacation screen time can’t come soon enough. — Maira Garcia

Turn on

Recommendations from the film and TV experts at The Times

Asif Ali, Poorna Jagannathan and Saagar Shaikh in Season 2 of “Deli Boys.”

(Sandy Morris / Disney)

Season 2 of “The Four Seasons” (Netflix), “Patience” (PBS) and “Deli Boys” (Hulu)

There is a season, goes the song, and there is sometimes a second season. Here’s your chance to turn (turn, turn) on your TV to three fine, finally returning series. Tina Fey’s “The Four Seasons” demonstrates there’s still life in this bumpy midlife friend-com about couples (in flux) who vacation together four times a year because apparently there are people who can afford to do that. (On this year’s itinerary: the Catskills, the Jersey Shore and Italy.) It stars Fey, Colman Domingo, Will Forte and others, and even a little bit of Steve Carell, though his character died at the end of Season 1. (Flashbacks, baby.) “Patience,” a charming British mystery, airing here as part of PBS’ “Masterpiece,” stars charismatic autistic actor Ella Maisy Purvis as a neurodivergent amateur detective, assisting the police in York, England. This season replaces Laura Fraser’s finally understanding detective investigator Bea Metcalf with Frankie Monroe (Jessica Hynes), a less sympathetic successor, but Mark Benton (whom you may know from Britbox’s “Shakespeare & Hathaway: Private Investigators,” or should) as Calvin Baxter is happily still around as the boss. Abdullah Saeed’s hectic, hilarious “Deli Boys” retails the further misadventures of brothers Mir (Asif Ali) and Raj (Saagar Shaikh), who last season stumbled unaware into their late father’s drug business, fronted by a chain of convenience stores. New to the show this season are Fred Armisen as a casino owner, Andrew Rannells as a district attorney and Kumail Nanjiani as the lawyer for the brothers’ Lucky Auntie (Poorna Jagannathan, majestic). — Robert Lloyd

John Turturro, left, Tim Blake Nelson and George Clooney in “O Brother, Where Art Thou?”

(Melinda Sue Gordon / Universal Pictures)

Odysseys (Criterion Channel)

All hail original IP, which is great and all, but sometimes a 3,000-year-old story sticks around for a reason. Homer crystallized the impulse to return home after a long time away from all that is familiar. We’ll watch Matt Damon make that journey in Nolan’s “The Odyssey,” hitting theaters July 17, but until then, Criterion builds anticipation with some of the most notable homeward journeys. Martin Scorsese achieves a kind of cosmic misfortune with 1985’s “After Hours,” in which Griffin Dunne’s yuppie only wants to escape Soho and go back to his apartment after a late-night date gone sour. You can bop to the Coens’ tuneful “O Brother, Where Art Thou?,” a faithful Homeric translation, then check out the Preston Sturges satire “Sullivan’s Travels,” which inspired the Coens’ title. But don’t let David Lynch’s “The Straight Story” pass you by: It was the least name-checked of his films when the director died last year, but it’s one of his most gentle and improbable triumphs, about a road trip via lawn tractor to a dying brother. — Joshua Rothkopf

Guest spot

A weekly chat with actors, writers, directors and more about what they’re working on — and what they’re watching

Janet Ruiz (Karen Rodriguez) in “Spider-Noir.”

(Aaron Epstein / Prime)

Being exceptionally competent at your job is a superhero power — so says this editor. In “Spider-Noir,” Rodriguez plays Janet, a secretary to private investigator Ben Reilly, a.k.a. the Spider. But Janet is not just someone who sits behind the desk answering phones and filing paperwork. She’s as much a gumshoe as Reilly, walking into a police station with poise and ease to sweet-talk the officer into giving her crucial information on an investigation (all it takes is a good sandwich). Her ability to ask the right questions and find answers puts her on equal ground with Reilly and his best friend Robbie Robertson, the investigative journalist played by Morris, leading her to a rightful promotion at the end of series. Don’t you love it when good old-fashioned hard work gets you ahead?

While Rodriguez has been busy lately with her breakout role in “Spider-Noir,” she has also been at work on “The Hunting Wives,” Netflix’s hit drama in which she plays Deputy Wanda Salazar and is slated to return later this year. The actor spoke to us about going toe to toe with Cage, why she loved working with her various cast mates and what she’s watching now. — M.G.

“Spider-Noir” is a comic book adaption, but it’s also a take on classic noir films. How did you prepare for your role as Janet given the mix of genres?

I had a little more freedom because Janet is strictly based on the Girl Friday archetype from classic noir. So I first started with the scripts. Oren [Uziel]’s vision for Janet was very precise in the writing, and from that arc I wanted to figure out why this particular woman in this particular world and what does she offer the environment that no one else can. Then I delved into “The Maltese Falcon” (Janet was based off of Effie Perine), “Double Indemnity,” “His Girl Friday,” among others. And then I mixed it all in with Nick’s take on Ben Reilly because so much of who Janet is absolutely informed by who Ben is.

Janet is very no-nonsense, especially with Ben, even though he’s her boss. What was it like “managing up” and playing off of Nick’s acting? Have you ever dealt with a boss like that in real life?

Well, I think that what’s great about Janet is that she is no-nonsense but she also has a killer sense of humor and wit. I think it makes her someone who’s very skilled at getting what she wants, a little sugar with the medicine. Nick is the ultimate scene partner — so prepared, so playful and most importantly, unpredictable. For Janet, Ben’s antics are her obstacle in the scene and Nick always made sure Ben gave Janet plenty of obstacles. All I had to do was know Janet is the boss and the voice of reason, then listen and respond to him. We had a great time keeping each other on our toes and I’m so grateful to have had that experience with him. No, I haven’t had a boss like that!

Janet shares a lot of scenes with different characters, like Robbie (Morris), Lonnie (Abraham Popoola) or even Frankie (Cary Christopher), the little boy who’s friendly with Ben. She is very good at connecting with people. How was it creating a rapport with so many different cast mates and was there a scene or moment that stood out to you?

Thank you for saying that! Her ability to connect with people is one of my favorite parts about her. And oh, I loved it. The ensemble acting of it all thrills me. It allows me to explore different facets of the character and it’s just fun to collide with different actors. And this particular cast made it so joyful — they’re all mega-talented but also super-focused and hardworking. We just wanted to make the best show we could.

A moment that stood out to me … I loved seeing Janet’s superpower in the scene with Lonnie, how her kindness and ability to make people feel seen makes her a powerful player in this world. And Abraham Popoola is just magnificent so it was a really fun day on set with him and Lamorne.

In the end Janet and Ben become partners. Was that inevitable given her skills?

I would like to think so! And I think Janet would too! But it still made me cry when I read the episode and when I saw the office door sign with both their names. I think for Janet, too — despite knowing she’s worth it, it is still momentous to have Ben give her her due.

Along with “Spider-Noir,” you’ll be back on “The Hunting Wives” for Season 2 later this year. Anything you can tease about what Wanda Salazar might be up to?

You know Maple Brook is going to give her plenty to do! She’s definitely going to have her hands full this season. And I’m excited because I think fans are in for some shocking moments!

What have you watched recently that you are recommending to everyone you know?

“Ponies” [Peacock]. Oh, and I’ve been watching “The Comeback” [HBO Max], Season 1-3. Lisa Kudrow forever.

What’s your go-to comfort watch, the movie or TV show you go back to again and again?

“The Office” [Peacock]. “Bridget Jones’s Diary” [YouTube, Paramount+]. “Pride and Prejudice,” 2005 vibes [Britbox, Prime Video].

ICYMI

Must-read stories you might have missed

What’s 2,030-feet long-by-167-feet wide and blue all over? If you guessed the Lincoln Memorial Reflecting Pool, you’re right!

Bonus points for triggering someone in your immediate orbit, because ever since President Trump announced his intention to apply blue paint to the basin of architect Henry Bacon’s 1923 pool, the mere mention of the project can make certain people’s heads explode. To wit, a lawsuit filed this month in district court by the Cultural Landscape Foundation and a former Park Service landscape architect, Charles Birnbaum, claims Trump’s actions have caused Birnbaum to suffer “aesthetic injury.”

The phrase might sound humorous at first read, but anyone who cares about art, architecture and the experience of shared public space knows there’s nothing funny about it. We’ve all felt the empty sorrow of staring into the abyss of a boxy Walmart superstore, and experienced a deep malaise of the soul when driving past an endless crush of fast food chains on the outskirts of a major metropolitan area.

It’s doubtful this sadness is shared by Trump, for whom an “aesthetic injury” might best be represented by a McDonald’s without its golden arches. Plus, our president clearly thinks a great deal of good will come from painting the reflecting pool at the center of the National Mall American Flag Blue.

Only a few days ago Trump posted what I can only assume was an AI-generated image of the final product on Truth Social. The blue in question is shockingly bright — like the sky over the Aegean Sea at noon on a cloudless day. That kind of blue can be breathtakingly beautiful, but in this case it swallows up everything around it, including the Lincoln Memorial and the Washington Monument, which it was built to reflect.

The blue pool, in other words, is the main event — and that is not what was intended by its creators. Indeed, Birnbaum’s lawsuit notes the value of various design choices including, “the grey, achromatic basin of the Reflecting Pool as the source of the pool’s profound reflective depth.”

The lawsuit continues, “The ongoing resurfacing of the basin in vivid blue has materially degraded Mr. Birnbaum’s aesthetic experience. Mr. Birnbaum’s aesthetic enjoyment of the Reflecting Pool — as a historic designed landscape whose character he has documented, championed, and personally appreciated over many years — is being concretely harmed by Defendants’ ongoing alteration of its character defining features.”

Many other critics and vocal members of the public have claimed similar harm resulting from the numerous renovations Trump is making in the nation’s Capitol — mostly without court approval or congressional oversight — including his demolition of the White House’s East Wing, his construction of a massive ballroom to replace it, the building of a towering triumphal arch, and the creation of a Hero’s Garden in a public park space along the Potomac river.

Painting the Reflecting Pool American Flag Blue may not be the most intrusive of these impulsive, self-aggrandizing acts, but it was the pigment that broke the camel’s back.

I’m Arts editor Jessica Gelt, in blue. This is your arts and culture news for the week.

The week ahead: A curated calendar

FRIDAY

Gustavo Dudamel conducting the 2025-26 season opener at Walt Disney Concert Hall on September 25.

(Timothy Norris/Los Angeles Philharmonic)

Gustavo Dudamel and the Los Angeles Philharmonic
The departing maestro and his colleagues are in the homestretch and it’s a busy one. This weekend, there are performances of world premieres of Roberto Sierra’s “Estudios Sinfónicos” (Friday and Sunday) and Angélica Negrón’s “Mundillo (Little World)” (Saturday, featuring YoYo Ma). Both new works are paired with Richard Strauss’ “Ein Heldenleben, Op. 40.” On Thursday, Dudamel celebrates the musicians of the L.A. Phil with an eclectic program including compositions by Rossini, Paganini, Mozart, Mendelssohn, Tchaikovsky and Philip Glass, plus the world premieres of “Bravo Gustavo!” by John Williams and Gabriela Ortiz’s “Mujer Arena.”
Strauss, 11 a.m. Friday; 2 p.m. Sunday; Yo-Yo Ma, 8 p.m. Saturday; Celebrating the Musicians of the L.A. Phil, 8 p.m. Thursday. Walt Disney Concert Hall, 111 S. Grand Ave., downtown L.A. laphil.com

Grangeville
A 2025 drama by the bard of Idaho, Samuel D. Hunter, the play considers the complex relationship of two half-brothers connecting virtually to discuss the care of their ailing mother. Tim Cummings and Jeff LeBeau star. Directed by John Perrin Flynn.
Through July 12. Ruskin Group Theatre, 2800 Airport Ave., Santa Monica. ruskingrouptheatre.com

How to Have Sex Again
The Rebel & the Warrior, a new theater producing collective, present their first L.A. production, the world premiere of a romantic comedy by Louis Reyes McWilliams.
8 p.m. Friday, Saturday, Sunday ; 7:30 p.m. Thursday; 8 p.m. June 5; 3 and 8 p.m. June 6; and 7:30 p.m. June 7. June Odyssey Theatre, 2055 S. Sepulveda Blvd. sanguinenyc.com

Jodie Landau
The composer-performer presents the West Coast premiere of “Performance of Self,” combining memoir, concert, cabaret with original chamber rock compositions, backed by a six-piece ensemble. Directed by Diana Wyenn. Part of OperaFest LA.
8 p.m. Friday and Saturday. REDCAT, 631 W. 2nd St., downtown L.A. redcat.org

Let’s Get It On: The Wearable Art of Betye Saar
The exhibition highlights the role of costume design in the artist’s life and work, including more than 200 objects, including photographs, drawings, garments, jewelry, artworks and historical materials from the 1950s-1970s.
Opening reception, 5-7 p.m. Friday; exhibition continues through Aug. 22. Roberts Projects, 442 S. La Brea Ave. robertsprojectsla.com

Shelley Conducts America @ 250
Pacific Symphony concludes its season with incoming new music director Alexander Shelley conducting the premiere of Peter Boyer’s “American Mosaic,” with accompanying video imagery by award-winning photographer Joe Sohm.
8 p.m. Friday and Saturday. Renée and Henry Segerstrom Concert Hall, 615 Town Center Drive, Costa Mesa. pacificsymphony.org

Leslie Uggams in 1972’s ‘Black Girl.’

(UCLA Film & Television Archive)

UCLA Festival of Preservation
“Don’t miss your chance to see these rarely screened films on the big screen where they belong,” writes former Times movie critic Kenneth Turan in his preview of the event. The 22nd festival, which opens with Ossie Davis’ 1972 drama “Black Girl,” presents 11 feature films, four television programs and 30 short works, cartoons and newsreels, all newly preserved and restored by the UCLA Film & Television Archive and its partners and funders.
Through Sunday. Billy Wilder Theater, UCLA Hammer Museum, 10899 Wilshire Blvd., Westwood. cinema.ucla.edu

SATURDAY

Actor Alec Baldwin will narrate “Lincoln’s Portrait,” part of Pasadena Symphony’s America @ 250 concert.

(Pasadena Symphony)

America @ 250
The Pasadena Symphony’s season ending concert, celebrating the nation’s sesquicentennial, includes John Williams’ “Liberty Fanfare,” George Gershwin’s “Concerto in F for Piano and Orchestra,” and Aaron Copland‘s “Appalachian Spring” Suite and “Lincoln Portrait,” the latter narrated by actor Alec Baldwin.
2 and 8 p.m. Ambassador Auditorium, 131 S. St. John Ave., Pasadena. pasadenasymphony-pops.org

Baroque in Bloom
Soprano Amanda Forsythe joins the Los Angeles Chamber Orchestra for arias from Handel’s “Giulio Cesare” and Bach’s “Wedding Cantata.” The program also includes LACO’s principal bassoon Andrew Brady performing “Vivaldi’s Concerto for Bassoon in A minor, RV 497,” Telemann’s “Don Quixote Suite” and Biber’s “Battalia.”
7:30 p.m. Saturday. Rothenberg Hall, the Huntington, 1151 Oxford Road, San Marino; 4 p.m. Sunday. The Wallis, 9390 N. Santa Monica Blvd., Beverly Hills. laco.org

From Hell to Hollywood: Films Music’s First Golden Age and the Émigré Community
The Scott Dunn Orchestra performs the music of Arnold Schoenberg, Max Steiner, Erich Wolfgang Korngold, Franz Waxman, Dimitri Tiomkin, Bronisław Kaper, Kurt Weill, Ernest Gold and Miklós Rózsa.
7:30 p.m. Saturday. The Wallis, 9390 N. Santa Monica Blvd., Beverly Hills. thewallis.org

Life, Liberty, and Los Angeles
Through historical and contemporary objects, media, art and community collaborations, the exhibition brings together stories of diverse Angelenos and demonstrates the ways their hopes and dreams built the city while reflecting the values of a burgeoning nation.
Opening May 30-Jan. 31. Autry Museum of the American West, 4700 Western Heritage Way, Griffith Park. theautry.org

Sydney Mancasola as Pamina in LA Opera’s 2026 presentation of “The Magic Flute.”

(Cory Weaver)

The Magic Flute
LA Opera music director James Conlon’s final production will be Wolfgang Amadeus Mozart’s fan favorite about a prince, a princess and an enchanted instrument. Starring Miles Mykkanen in his LA Opera debut as Prince Tamino, Sydney Mancasola as Princess Pamina, Kyle Miller as the sidekick Papageno, Aigul Khismatullina as Queen of the Night and Kwangchul Youn and Sarastro.
Through June 21 Dorothy Chandler Pavilion, 135 N. Grand Ave., downtown L.A. laopera.org

The Satie Project
The artists of Piano Spheres perform the complete four-hand works of French composer and pianist Erik Satie, plus seven newly-commissioned response pieces, alongside the experimental puppetry David Gordezky in what promises to be a truly zany show.
8 p.m. Saturday; 2 p.m. Sunday. Boston Court Pasadena. 70 N. Mentor Ave., Pasadena. bostoncourtpasadena.org

SUNDAY

Bleak Week: The Cinema of Despair
Isabelle Huppert, Ari Aster, Denis Villeneuve, Werner Herzog and many others are the scheduled guests for the fifth edition of the global festival. The L.A. festivities, featuring 48 films from 18 countries, start with Béla Tarr’s 1994 film “Sátántangó” (2 p.m. Sunday at the Aero).
Through June 7. Aero Theatre, 1328 Montana Ave., Santa Monica; Egyptian Theatre, 6712 Hollywood Blvd.; Los Feliz Theatre, 1822 N Vermont Ave. americancinematheque.com

Exhibition photography for “Marilyn Monroe: Hollywood Icon” at the the Academy Museum of Motion Pictures in Los Angeles.

(Emily Shur / Academy Museum Foundation)

Marilyn Monroe: Hollywood Icon
A reevaluation of the actor’s artistry and image-making, the exhibition presents hundreds of original objects, including posters, portraits, photographs, production documents, letters, and rarely seen personal materials. A companion screening series also kicks off this week. Times culture critic Mary McNamara attended the opening and wrote about the enduring mystery that still surrounds the life and legacy of the film star 100 years after her birth.
“Gentleman Prefer Blondes,” 6:30 p.m. Sunday; “The Asphalt Jungle,” 7:30 p.m. Monday, with guests author and filmmaker Mark A. Fortin, actor Jack Huston, author, filmmaker and actor Joshua John Miller, and journalist Nancy Jo Sales; “Niagara,” 8 p.m. Wednesday; and “All About Eve,” 7:30 p.m. Thursday, with guest Vanity Fair contributing editor Lorraine Nicholson. Screening series runs through July 3; exhibition continues through Feb. 28. Academy Museum, 6067 Wilshire Blvd. academymuseum.org

Museums of the Arroyo Day
The theme is “Life in the Past Lane” as five local institutions celebrate Arroyo Culture with a day of free admission.
Noon-4 p.m. The Gamble House, 4 Westmoreland Place, Pasadena; Heritage Square, 3510 Pasadena Ave., L.A.; Los Angeles Police Museum, 6045 York Blvd., L.A.; Lummis Home, 200 E. Avenue 43, L.A.; Pasadena Museum of History, 470 W. Walnut St., Pasadena. museumsofthearroyo.com

Now Be Here’s first photograph in Los Angeles, 2016, Hauser & Wirth DTLA.

(Isabel Avila & Carrie Yury, courtesy of Kim Schoenstadt, Now Be Here)

Now Be Here: 2026 Los Angeles Anniversary
A decade ago, the organization launched as a means to “give visibility to women and non-binary artists, bringing equity to the art world,” and was commemorated by the above group photo. To mark the moment, Now Be Here and OXY ARTS present a free day of events (including a new community photo) open to all on the Occidental College campus.
9 a.m.-3 p.m. Occidental College, 1600 Campus Road. oxyarts.oxy.edu/events

Tierra
Craft Contemporary’s 4th Clay Biennial focuses on the work of Latinx, Indigenous and Black artists, emphasizing their deep connections to the geographies that yield the materials they work with. Also opening this week is “Earthen Comforts: Airing Earth,” a courtyard installation led by architect Liz Gálvez, the latest partnership in the ongoing experimental architectural project curated by M&A (Materials & Applications).
Sunday-Oct. 25. Craft Contemporary, 5814 Wilshire Blvd. craftcontemporary.org

TUESDAY

The Sun Rises in Harlem: Black Brilliance and the Harlem Renaissance
The performing arts collaborative MUSE/IQUE, led by artistic and music director Rachael Worby, pays tribute to this transformative era in American arts featuring the music of jazz greats such as Duke Ellington, Cab Calloway and Bessie Smith. With Kecia Lewis, Sy Smith, Leo Manzari, DC6 Singers Collective and the MUSE/IQUE Orchestra.
7:30 p.m. Tuesday-Wednesday. The Huntington, 1151 Oxford Road, San Marino; 3 and 7:30 p.m. June 7. Skirball Cultural Center, 2701 N. Sepulveda Blvd., Los Angeles. muse-ique.com

WEDNESDAY

Colburn Celebrity Recital: Joshua Bell/Jeremy Denk
Frequent collaborators, the acclaimed violinist and pianist perform works by Schubert, Grieg, Ives, Ysaÿe and Ravel in their first joint appearance at Disney Hall since 2010.
8 p.m. Walt Disney Concert Hall, 111 S. Grand Ave., downtown L.A. laphil.com

THURSDAY

Bodytraffic
The contemporary dance troupe closes out a 20-year run with its final three hometown shows, including works by choreographers Fernando Magadan, Cayetano Soto, Joan Rodriguez, Richard Siegal and Trey McIntyre.
7:30 p.m. Thursday and June 4; 2 p.m. June 6; the Wallis, 9390 N. Santa Monica Blvd., Beverly Hills. thewallis.org

Arturo Sandoval
The legendary trumpeter and bandleader, a protégé of jazz great Dizzy Gillespie, performs an eight-show residency at the Blue Note.
7 and 9:30 p.m., Thursday-June 7. Blue Note LA, 6372 W. Sunset Blvd. bluenotejazz.com

Spectacular Balanchine!
American Contemporary Ballet continues its deep dive into the master choreographer’s work with dances from “Who Cares?,” “Stars and Stripes,” “Western Symphony” and “Union Jack” to music by George Gershwin, John Philip Sousa and Hershey Kay.
8 p.m. Thursday-Saturday, through June 20. Bank of America Plaza, 333 S. Hope St., downtown L.A. acbdances.com

Arts anywhere

New and recent releases of arts-related media.

The book jacket for “Miles: The Autobiography.”

(Simon & Schuster)

Miles: The Autobiography
May 26 would have been jazz legend Miles Davis’ 100th birthday and Simon & Schuster has released a centennial edition of his award-winning 1989 memoir, in which he reflects on his career, relationships and battles with racism and addiction. Also check out filmmaker Stanley Nelson’s 2020 documentary, “Miles Davis: The Birth of Cool,” featuring studio outtakes from Davis’ recording sessions, rare photos and interviews with Quincy Jones, Carlos Santana, Clive Davis, Wayne Shorter, Ron Carter, Davis’s family and other notables.
Simon & Schuster: 448 pages, $23; “Miles Davis: Birth of the Cool,” streaming on PBS platform.

— Kevin Crust

Culture news and the SoCal scene

Daniel Harding, Los Angeles Philharmonic’s new music director, visited In-N-Out among other iconic L.A. locations upon his arrival Tuesday.

(Kayla Bartkowski / Los Angeles Times)

The big news of the week was the long-awaited, much-speculated-upon announcement of who will become the next music director of the Los Angeles Philharmonic when Gustavo Dudamel departs later this summer to take his new role at the New York Philharmonic. Surprise (or rather not too much of a surprise depending on who you are and how closely you were watching), the L.A. Phil’s 12th music director will be Daniel Harding, a 50-year-old, Oxford-born conductor and part-time Air France pilot who made his U.S. debut as a young prodigy conducting the L.A. Phil at the 1997 Ojai Festival, writes Times classical music critic Mark Swed.

Gustavo Dudamel, the current Los Angeles Philharmonic music director, left, hugs newly announced L.A. Phil music director Daniel Harding, right, at Dodger Stadium.

(Kayla Bartkowski / Los Angeles Times)

The Times scored an exclusive ride-along with Harding the day after the L.A. Phil’s big announcement. His day included stops at In-N-Out Burger, the Beckmen YOLA Center and the Hollywood Bowl. The evening was spent at a Dodgers game with Dudamel where the two sported matching jerseys emblazoned with their names.

Artist Diana Thater’s new video projection at LACMA’s David Geffen Galleries will debut in the fall.

(Carlin Stiehl / For The Times)

We also got a first look at a new video installation scheduled to light up the underside of LACMA’s new David Geffen Galleries where it forms a bridge over Wilshire Boulevard. Designed by artist Diana Thater, the installation was filmed in Claude Monet’s garden in Giverny, France, and will officially debut in the fall, after which it will run from dusk to dawn, 365 days per year.

Times contributor Jane Horowitz sat down with photographer Catherine Opie to chronicle a moment in time that finds Opie experiencing “one of the most visible stretches of her career, with work appearing simultaneously across Europe and Los Angeles. This includes a career-spanning survey at London’s National Portrait Gallery that will travel to Edinburgh’s Royal Scottish Academy, as well as exhibitions in Kassel, Germany, and Trondheim, Norway. Closer to home, a new exhibit, ‘Holding Blue,’ opens May 28 at Regen Projects.”

Alicia Keys’ musical “Hell’s Kitchen” staged its L.A. premiere at the Hollywood Pantages Theatre.

(Quinn Murphy)

Alicia Keys’ musical “Hell’s Kitchen” made its L.A. debut at the Hollywood Pantages Theatre this week, and Times intern Katie Simons chatted with Keys to get at why this particular moment means so much to her. “We spent 13 years developing this piece,” Keys said. “I believe in this deeply. I stand behind it. I stand for it.”

Swed also wrote a review of the L.A. Phil’s performance of Wagner’s “Die Walküre,” which represented Dudamel’s last grand project with the orchestra, and featured sets designed by Frank Gehry before he died, including paper-sculpture clouds and galloping Valkyrie horses, as well as a fanciful organ-pipe tree.

— Jessica Gelt

And last but not least

You know you want to read this interview with Barry Manilow by Times music critic Mikael Wood. Trust me, everyone else is.

A SPAWLING new bowling venue is set to open in a major UK city next week.

The 23,000 sq ft entertainment hub promises a range of late-night activities as well as a bar.

Lane7, a boutique bowling brand, will open the doors to its brand new venue in Trinity Leeds on June 2.

The sprawling entertainment hub will feature 12 bowling lanes, alongside a range of late-night gaming options.

This will include darts, pool tables, beer pong, shuffleboard and a retro gaming arcade, as well as a mini-golf area.

An on-site bar will also serve a range of cocktails, craft beers and casual food options.

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Open until 1am on Friday and Saturday, and 12am the rest of the week, the games hub can also host late-night outings, corporate events and group celebrations.

Gavin Hughes, managing director at Lane7, said: “There’s been so much excitement about our arrival since we announced we were coming to Trinity Leeds – it feels like the city has already embraced us.

“Leeds is known for its incredible nightlife and we’re sure the arrival of Lane7 will be a big boost for the city’s leisure scene.”

The brand, first launched in 2013, is known as a premium, adult-focused activity bar that aimed to “reinvent” traditional bowling alleys.

Lane7 now has 18 venues across the UK, with another three set to open alongside Leeds, in Belfast, Glasgow and York.

Bowling starts from £10.50 per game, with the option to select a multi-games package from £13.

JERSEY Shore’s Angelina Pivarnick has revealed she suffered a heartbreaking miscarriage just a week after announcing her pregnancy. 

In the latest episode of Jersey Shore: Family Vacation, Angelina, 39, was seen sharing concerns about her pregnancy in a confessional. 

She said: “I’m just not feeling myself. 

“Some stuff’s happening with me and my pregnancy and I don’t know what’s going on and I don’t even know what to do.”

Angelina then visited co-star Sammi Giancola, who was also pregnant, to ask for advice. 

Angelina told her: “I’m spotting. I’m wearing a pad right now.”

Sammi, 39, replied: “I’m going to be honest with you, when I miscarried – like a chemical pregnancy – I was spotting right away, and then it, like, just, it happened.”

Then, in a teaser trailer for next week’s episode, Angelina confirmed the devastating news. 

She said: “I woke up in the middle of the night. I’m actively miscarrying.”

Just a week ago viewers watched as Angelina, whose fertility struggles have been at the centre of her current storyline, shared the news that she was pregnant. 

After showing Sammi a positive pregnancy test, she said in a confessional: “I did not think I was able to get pregnant, but, wow, I’m… pregnant.

“This could be a great thing. This could be my fairy tale, my path, my baby.”

Angelina later called the unknown father, who she referred to only as John Doe-nor. 

She told him: “So, I have some news for you.

“I am officially, definitely pregnant – we’re having a baby!”

There are plenty of compelling storylines involving Southland teams and athletes heading into the CIF state track and field championships this weekend in Clovis, perhaps none more enticing than Long Beach Wilson’s bid for the national record in the girls’ 4×400 relay.

Having just smashed Long Beach Poly’s 22-year-old California standard of 3:35.49 with their 3:33.83 clocking at the Southern Section Masters Meet in Moorpark last Saturday, the foursome of Brooke Blue, Brooklyn Fowler, Saniah Varnado and Clara Adams will try to go even lower.

Adams also established herself as the favorite to win the 400 meters at Buchanan High in Clovis — prelims are Friday and finals Saturday — after a blistering 51.98-second effort at the Masters Meet that broke the Southern Section record. The Bruins are vying for a fourth consecutive team title.

Servite won the boys’ team title last year and is well positioned to defend it if the Friars pile up points as expected in the relays and sprints, paced by junior Benjamin Harris, who anchored their nation-leading 39.70 clocking at the Arcadia Invitational, which broke the Friars’ own 4×100 state record. Harris remains the front-runner in the 100. His wind-aided 10.17-second timing in the 100 last weekend equaled the fourth-fastest time in state history.

Harris is the clear favorite since the last two state champions — Brandon Arrington of Spring Valley Mount Miguel (who reclassified from the 2026 to the 2025 recruiting cycle) and Concord De La Salle’s Jaden Jefferson (who graduated early) — are not in the field. Harris’ wind-aided 20.51 in the 200 two weeks ago also sets him up for a duel with Nicolas Obimga of Torrance (the wind-legal state leader at 20.66) and Elk Grove’s Cy Lugo (20.67), the Sac-Joaquin Section record holder.

In the 400, Servite’s Jaelen Hunter (whose 46.32 last spring was a state freshman record) will try to avenge his loss to Loyola’s Ejam Yohannes by 11-hundredths of a second at the Masters Meet.

Defending state 300 hurdles champion Jayden Rendon of Carson faces stiff competition in that event from state leader Brady Tse of San Jose Harker, Palm Desert’s Kingston Penny and Etiwanda’s Brandon Andrade.

Venice senior Lawrence Kensinger threw himself into the front-runner role with a personal-best and City Section record mark of 65-11 on May 21 and Sherman Oaks Notre Dame’s JJ Harel will try to repeat as high jump champion after clearing a state-leading 7-01 in the section finals two weeks ago.

Braelyn Combe beat Santa Rosa Montgomery’s Hanne Thomsen by five-hundredths of a second in a personal-best 4:35.64 in last year’s state 1,600 final and the Corona Santiago senior is favored to win that event again while attempting to become the first girl in state history to pull off a 1,600, 800 and 4×800 relay trifecta.

Irvine’s Summer Wilson, who broke the Woodward Park course record at the state cross-country finals in the fall and breezed to victory in the 3,200 meters at last week’s Masters Meet in a personal-best 10:14.25, is the co-favorite to win the eight-lapper Saturday along with La Jolla’s Chiara Dailey, the San Diego Section 800, 1,600 and 3,200 champion.

Joy Behar is trading her usual spot at “The View’s” roundtable for the spotlight in one of London’s West End theaters.

The comedian, who is one of the talk show’s longest-running hosts, is taking a temporary leave from the daytime program to take her play, “My First Ex-Husband,” overseas for the first time. The 83-year-old TV personality announced her break on Tuesday, on the podcast, “Behind the Table,” a companion program of “The View.”

“I fly to Paris this week, and then I go take the Chunnel to London after a week, and I’ll be in London a second week doing my play, ‘My First Ex-Husband,’ at the Boulevard Theatre in the West End,” Behar said on the podcast.

Behar confirmed she has already pre-taped several installments of “The Weekend View,” ahead of her absence. She will miss the next two weeks of tapings. Her last appearance on the weekday edition of the show is Thursday.

In Behar’s absence, several “View” regulars will step in. Brian Teta, the show’s producer, said on the podcast that Sheryl Underwood, Kara Swisher and Ana Navarro will make appearances in the coming weeks. Whoopi Goldberg, another one of the talk show’s staple personalities, will also be coming in on Fridays, which is her usual day off.

“I don’t think she knows yet, but I’ll let her know that she’s going to be here,” Teta joked of Goldberg’s new responsibility.

Behar’s play, “My First Ex-Husband,” first debuted off-Broadway in New York in 2025. The comedian wrote the show over the span of 12 years. The story follows a rotating cast who tell chaotic stories about past relationships. The play is set to debut in the coming weeks, according to Behar. She and Jackie Hoffman will be two American narrators for the show, while two British actresses perform the scenes.

Attention screenwriters, producers and agents: The Jonah Jeovany Vasquez story continues this weekend in Clovis, and it’s giving off Disney-like vibes.

The senior at Cathedral High is running in the 1,600 at the CIF state track and field championships on Friday at Buchanan High. He had never stepped on a “squishy” surface, otherwise known as a track, before this season.

“I never even knew what a track felt like,” he said. ”Everything was new to me.”

For three years, he attended Alliance Leichtman-Levine, a small Los Angeles charter school near his home in South Los Angeles. He ran cross country on his own with little coaching.

“They would hire a random coach off the street and we’d play flag football,” he said.

His training was jogging on a treadmill for two miles and maybe getting eight to 10 miles a week.

He finished third at the 2024 City Section Division V finals in 16:48 as the only representative from his school. In the state final, he finished 76th in Division V with a time of 16:58.60. That experience gave Vasquez motivation.

“Seeing so many people pass me bothered me,” he said. “I promised myself I was going to train hard so it wouldn’t happen again. I wanted to prove to myself I could run with the top guys.”

Jonah Jeovany Vasquez of Cathedral is on the podium after finishing second in the Division 3 1,600 at Moorpark.

(Cathedral)

He transferred to Cathedral last May, and coach Martin Farfan aggressively trained him to make up for lost time. Vasquez ran 15:35 on the state championship course in Fresno. But two weeks before the state championships, he was struck by an E-bike during a 10-mile workout running along the L.A. River. He went flying and had a gash on his knee.

“It was traumatic. I was at the peak of my power. I was super fit and faster than I had ever been,” he said.

He iced the knee and stopped training. He still ran in the CIF prelims. “I had no fitness,” he said. “I was like a deer in the headlights.”

Farfan started calling coaches telling them he had a talented runner but the recruiters were unimpressed. They took to the internet and couldn’t find a single track time for Vasquez. Farfan had a ringer about to try track for the first time.

Two weeks ago at the Southern Section divisional championships, he finished second in the Division 3 final in a personal-best 4:08.44.

Vasquez is healthy and eager to be the one passing runners with his late kick on Friday and Saturday night. He also has a scholarship waiting for him at Long Beach State.

“I’ve always had natural endurance,” he said. “I’ve been active since I was little. I honestly believe when I’m in college, I’m going to do some great things. I have that spark in me not every athlete has. I have the drive to be the best I can possibly be. Maybe not by my freshman year, but I will develop. I will not stop until reaching my goal. It’s all I want. When I sleep or do activities with my family, all I think about is running.”

His father immigrated from Nicaragua. His mother has family in Guatemala. They’ve supported Vasquez as running became his passion.

“I honestly believe I have a 4:04 or 4:05 in me,” he said.

Never doubt what can happen when a teenager finds something they love and devotes time and energy to achieving their dreams.

It’s been a big year for Seth Rogen’s Point Grey Pictures.

The 15-year-old production company founded by Rogen, his childhood friend and longtime collaborator Evan Goldberg and producer James Weaver is coming off a huge awards season for its comedy, “The Studio.”

The Apple TV series, which simultaneously pokes fun at the institutions of Hollywood while also peeling back some of the industry’s mystery, is now the most-awarded new comedy in TV history.

“The Studio” has won 13 Emmys, a BAFTA TV award in the international category, two Golden Globes and three Critics Choice awards. It’s currently filming its second season, with most details still under wraps.

I spoke with Rogen, Goldberg and Weaver about the success of the show, which primarily films on the Warner Bros. lot, and what’s next for Point Grey.

On all those awards?

“We’ve never, literally, won any awards before this, so I by no means expected this,” Rogen said, with a chuckle. “I hoped people would creatively recognize that we were really swinging for the fences, but awards were not really something that I was thinking that much about.”

In the show, the Canadian actor and comedian plays beleaguered movie studio head Matt Remick, who must balance the art of filmmaking with the economics of the business. In a nod to Hollywood’s pull toward intellectual property, one storyline focuses on the studio embarking on a movie about the Kool-Aid Man, which Rogen’s character only reluctantly agrees to pursue.

It’s not all about the money

“To me, what is interesting, and what people don’t seem to think about Hollywood, is that the people involved in it actually care about movies, even the ones who make bad ones, even the ones who make choices that stop good ones from being made,” Rogen said. “If you really just wanted to make money, there are much easier ways to make money where you don’t have to deal with people like me.”

He also noted that there’s a role for movies such as the fictional Kool-Aid flick.

“You could argue it’s the Kool-Aids of the world that keep theaters open,” Rogen said. “It’s our fake Kool-Aid movie that allows smaller movies to exist and allows theaters to take risks on smaller movies.”

Remembering comedy

“The Studio” also stemmed from a desire to make a pure comedy, despite the tough time comedies have had recently in the marketplace.

“We just all agreed that we wanted to make something that was just funny,” Goldberg told me. “It just felt like the world stopped making those, and we just wanted to make something that when you tuned in, was just absolutely hilarious.”

A serious L.A. business

Los Angeles-based Point Grey, which has 15 employees, is named for the Canadian school where Rogen and Goldberg met (the first project they wrote together, which became 2007’s “Superbad,” was based on their experiences there). Despite their comedic reputations, the more serious-sounding company name was deliberate so it could be used with any kind of project.

In fact, the company got its start with the Joseph Gordon-Levitt-led dramedy “50/50” about a 20-something who learns he has cancer. Over the years, Point Grey’s projects have spanned genres, including supernatural series “Preacher,” 2016’s “Sausage Party,” the satirical superhero show “The Boys” and biographical mini-series “Pam and Tommy.”

A Point Grey project is “genuinely original” and “daring,” said Weaver, Rogen’s former assistant who now serves as president of the company, which has a first-look film deal with Universal Pictures and a first-look TV deal with Lionsgate. He declined to discuss financials but said the company is profitable.

“We’ve managed to be really productive in terms of the amount of things that we’ve made, and we try to be smart about how we run our financials,” Weaver said. “The company is doing quite well.”

Point Grey is in production on “Teenage Mutant Ninja Turtles: Mutant Mayhem”; just wrapped a romantic comedy for Amazon MGM Studios starring Cameron Diaz and Stephen Merchant; and recently screened an animated film at Cannes called “Tangles” that’s based on a graphic novel about Alzheimer’s.

The production company may eventually expand into video games (“We love video games,” Goldberg told me), and plan to continue to navigate the changes in Hollywood, which is reeling from a continued drought in local production that my colleague Stacy Perman and I wrote about recently.

“Personally, I feel like people are very fatalistic about the trajectory of the industry, but it’s not like the industry is going down, the industry is just changing,” Goldberg said. “We just are very flexible and embrace the change, and hopefully in doing so, we don’t get left behind.”

Stuff We Wrote

Number of the week

After 1,810 episodes as the host of “The Late Show,” Stephen Colbert signed off for the final time Thursday.

CBS has said it canceled Colbert because the show was losing $40 million a year as viewers have increasingly migrated away from late-night viewing in the streaming era.

But many in the TV business are skeptical of the claim and believe Skydance wanted to silence Colbert, a frequent Trump critic, to pave the way for its deal last year to acquire parent network Paramount. (The Federal Communications Commission’s approval of the transaction came days after the show’s cancellation was announced.)

My colleague, Stephen Battaglio, has written about what the future of late-night TV talk shows will now look like.

What I’m watching

I watched the “Survivor 50” finale Wednesday with some friends, despite only watching two episodes this season (or ever). It was fun seeing the drama unfold, though I was, like everyone else, shocked at that “last twist” of Jeff Probst accidentally spoiling who lost in the final fire-making challenge.

EastEnders has teased which characters will face life-changing events during their special week on the BBC soap, with new spoilers teasing some big twists for next week

New spoilers for EastEnders have teased the BBC soap’s big week, where “everything changes” for more than one resident.

Specific scenes are being kept under wraps, but it’s set to be unmissable. Lives will no doubt be changed, and there will be bombshells aplenty.

There’s a huge change to the usual format to for the BBC soap, with things being a little different to mark the occasion. More than one character is involved in the episode, and it’s safe to say that whatever happens, it will impact more than one Walford family.

In a special week of episodes, set across one night, everything changes. Following the drama of Vicki and Ross’ wedding, Walford residents gather but Yolande realises Denise is missing.

READ MORE: What’s wrong with Coronation Street’s Sarah ‘revealed’ in new ‘health scare’READ MORE: Coronation Street fans ‘rumble’ Theo’s real killer – and it’s not Summer or Christina

Denise soon opens up to Yolande about her cancer diagnosis. She soon receives a call where she’s told she needs immediate treatment, but some worrying family news leaves her rushing to be with Chelsea in her time of need. Prior to this, Mark and Chelsea flirt, but it’s Zack she almost shares a kiss with.

As Chelsea heads back to the wedding reception marquee, her world is turned upside down. Denise tries to be strong for Chelsea, as Yolande helps cover for Denise when her absence is questioned.

Later, Denise tells Jack about her diagnosis. Kathy and Cindy are at loggerheads after one too many wines, but the night is about to take a turn for the worst for Ian.

When there’s a knock at the door, Ian makes a discovery and he realises he could lose everything. Max publicly declares his love for Cindy, before asking her to marry him.

Kat worries that she and Alfie have given the wedding guests food poisoning. Harry makes a confession to Gina about Eddie, leaving her confronting George.

As George realises his dad Eddie will never change, he tries to apologise to his daughter but Gina flees. Soon, George tells Eddie he’s sending him back to prison, which leads to Eddie dropping a bombshell of his own.

As George takes action to protect his family, he may regret it. It’s going to be a massive week for the soap, with plenty of twists and turns ahead, so it isn’t a week to be missed.

What happens to Chelsea? How do Denise’s family react to her cancer news and what happens with Ian? The spoilers are intentionally cryptic with plenty more being kept under wraps until each episode airs that week.

EastEnders airs Mondays to Thursdays at 7:30pm on BBC One and BBC iPlayer. * Follow Mirror Celebs and TV on TikTok , Snapchat , Instagram , Twitter , Facebook , YouTube and Threads .

That sound of breaking glass? It’s Hong Kong-born conductor Elim Chan, 39, shattering a particularly stubborn ceiling after being named the first woman to lead the San Francisco Symphony in its 115-year history. Her title is currently Music Director Designate, and when she officially steps into the job of music director in September 2027, she will become the first woman to lead a major American orchestra.

Chan arrives as the orchestra’s 13th music director at a precarious moment for the organization, which in 2024 was rocked by the resignation of its last music director, Esa-Pekka Salonen, who declined to renew his contract after five years and said he didn’t share the same vision as the orchestra’s board of governors. Like many arts organizations, the symphony is still struggling with a pandemic-precipitated drop in attendance and a shrinking budget.

Fans will get their first chance to see Chan in action on June 5 and 6 when she’ll take the stage in a program including Richard Wagner’s Prelude from “Tristan und Isolde,” Hector Berlioz’s “Les Nuits d’été” wih mezzo-soprano soloist Sasha Cooke, and Claude Debussy’s “La Mer.”

“In Elim Chan, we have found a musician of unusual gifts and a leader of equal substance — a rare combination, and the one behind her remarkable international rise,” said San Francisco Symphony Chief Executive Matthew Spivey in a news release. “What sets her apart on the podium is the conviction she brings to the music itself. Works orchestras have played a hundred times sound newly made under her hand, lit by a feeling for structure, color, and emotional architecture that audiences hear before they can name.”

Chan studied piano and cello in Hong Kong before moving to the U.S. to attend Smith College. She went to graduate school at University of Michigan, Ann Arbor, where she ultimately earned a Doctor of Musical Arts degree in 2015. The year before that she became the first woman to win the prestigious Donatella Flick LSO Conducting Competition, and was named assistant conductor of the London Symphony Orchestra.

Chan made her conducting debut with SF Symphony in January 2023 and has conducted the orchestra twice since. A rep for the the group said the feedback they’ve received from “our Orchestra, press, our audiences, and donors has been remarkable.” Chan is, indeed, a electrifying presence to behold onstage, a fact that no doubt played a major role in the search committee’s decision.

And now audiences get to delight in her fresh, invigorating approach to the conductor’s podium. Glass ceilings should be broken more often.

I’m Arts editor Jessica Gelt rooting for something new and different. This is your arts and culture news for the week.

The week ahead: A curated calendar

FRIDAY

David E. Frank and Nicolet Anton in “Limonade Tous les Jours: A Paris Love Story” at City Garage.

(Paul Rubenstein)

Limonade Tous les Jours: A Paris Love Story
Romance in the City of Lights from Obie Award-winning playwright Charles L. Mee, in which a young chanteuse and a reserved American in his 50s ponder amour amid classic French cabaret songs.
8 p.m. Fridays and Saturdays; 4 p.m. Sundays, through June 28. City Garage, 2525 Michigan Ave., Building T1, Santa Monica. citygarage.org

Three Lives
Written, directed by and starring Alex Xander Luu, this solo theater performance shares the dramatic, sometimes humorous, story of the Luu family’s escape from Saigon in 1975 through the perspectives of a father, son and grandson.
8 p.m. Friday-Saturday; 2 and 8 p.m. Sunday. Sierra Madre Playhouse, 87 W. Sierra Madre Blvd. sierramadreplayhouse.org

David Call and Lena Dunham in the movie “Tiny Furniture.”

(Joe Anderson / IFC Films)

Tiny Furniture
Multi-hyphenate Lena Dunham’s breakout 2010 indie feature about a new college graduate adrift in New York City screens with “Welcome to Bushwick a.k.a The Crackcident,” an episode from Dunham’s series “Girls.”
7:30 p.m. Friday; 6 p.m. Saturday. The Eastwood (Oxford Underground), 1089 N Oxford Ave. eastwoodpac.stagey.net

SATURDAY

Daisuke Ryu in Akira Kurosawa’s 1985 film “Ran,” screening Saturday at the Academy Museum.

(Winstar Cinema)

Darkness and Humanity: The Complete Akira Kurosawa
The series continues with 35 mm screenings of “Ran,” the filmmaker’s 1985 adaptation of Shakespeare’s “King Lear” transported to 16th century Japan; and “Kagemusha,” a 1980 feudal epic executive produced by George Lucas that helped revive Kurosawa’s career and cement his legacy.
“Ran,” 7:30 p.m. Saturday; “Kagemusha,” 6:30 p.m. Sunday. 6067 Wilshire Blvd. academymuseum.org

“Cut Piece,” 1964, performed in “New Works of Yoko Ono,” Carnegie Recital Hall, New York, filmed by David and Albert Maysles. Part of the exhibit “Yoko Ono: Music of the Mind” at the Broad.

(© Yoko Ono)

Yoko Ono: Music of the Mind
The first solo museum exhibition in Southern California of the singular artist, musician and activist, organized in collaboration with Tate Modern, London, includes work from her seven-decade career; direct participation by visitors will be invited in many of Ono’s transformational works.
Through Oct. 11. The Broad, 221 S. Grand Ave., downtown L.A. thebroad.org

Artist Kyungmi Shin, whose solo exhibition “My Fantasy’s Burdens” is currently showing at Perrotin Los Angeles, talks with Aleesa Pitchamarn Alexander on Sunday.

(Todd Gray)

Kyungmi Shin
The L.A.-based artist will discuss her work, including the current exhibition “My Fantasy’s Burdens,” with Aleesa Pitchamarn Alexander, curator of Modern and Contemporary Art at the Cantor Arts Center and co-director of the Asian American Art Initiative at Stanford University. “My Fantasy’s Burden” includes both paintings and ceramics by Shin, featuring the artist’s practice of interrogating the Asian American diasporic identity, focusing on the cultural, economic and scientific consequences of colonialism.
4 p.m. Saturday; the exhibition concludes May 30. Perrotin Los Angeles, 5036 W Pico Blvd. perrotin.com

SUNDAY
Bob Dylan double feature
It’s the music icon’s 85th birthday and what better way to celebrate than with screenings of his 2021 concert film “Shadow Kingdom,” directed by Alma Har’el, and the 1987 musical melodrama “Hearts Of Fire” — one of Dylan’s forays into acting — directed by Richard Marquand.
7:30 p.m. Aero Theatre, 1328 Montana Ave., Santa Monica. americancinematheque.com

Stephen Schwartz performs during the Songwriters Hall of Fame induction and awards gala in 2025.

(Charles Sykes /Invision / AP)

An Evening With Stephen Schwartz
Katharine McPhee, Joey McIntyre, Loren Allred and other performers join the celebrated composer-lyricist for a benefit concert to help the Altadena Music Theatre recover from the Eaton fire. Schwartz has won three Oscars, three Grammys, four Drama Desk Awards, a Golden Globe and the Richard Rodgers Award for Excellence in Musical Theater, in addition to six Tony nominations for shows including “Wicked,” “Pippin” and “Godspell.” Preceded by a VIP cocktail hour.
7:30 p.m. Manoukian Cultural Performing Arts Center, 2495 E. Mountain St., Pasadena. altadenamusictheatre.com

Arts anywhere

New and recent releases of arts-related media.

An Evening with Nicole Scherzinger

The lead singer of the Pussycat Dolls crowned her triumphant, Olivier- and Tony-winning turn as Norma Desmond in the musical revival of “Sunset Boulevard” with a series of solo concerts at prestigious venues (including Walt Disney Concert Hall). The latest edition of “Great Performances” captured Scherzinger’s performance at London’s Royal Albert Hall in October 2025, when she sang showtunes, covers and songs from her own repertoire. 9 p.m. Friday on PBS and streaming on the PBS app

“Reading Pictures: A History of Illustration,” by D.B. Dowd.

(Princeton University Press)

Reading Pictures: A History of Illustration

In this visual chronicle, D.B. Dowd, a professor of design and American culture studies at Washington University in St. Louis, follows this unique art form from relief prints and woodcuts in ancient China and Japan, through the development of the printing press in 15th century Europe, and on to modern developments such as illustrated news, recreational reading and ad-driven consumer culture. Dowd reconsiders the traditional narrative to view illustration in the context of race, gender, literacy and cultural memory. The book examines the integration of reading and looking, the increasing prevalence of images in the digital age, and what it means to be literate in the 21st century. Princeton University Press: 400 pages, $60

— Kevin Crust

Culture news and the SoCal scene

Kylie Victoria Edwards and Daniel Yearwood in “Brigadoon” at Pasadena Playhouse.

(Jeff Lorch)

Theater lovers rejoice: “Brigadoon” at the Pasadena Playhouse may be the “best local staging of a musical” Times theater critic Charles McNulty has seen in 20 years covering the scene for The Times. The revival, directed by Katie Spelman with an updated book by playwright Alexandra Silber, is “the high-water mark so far of Pasadena Playhouse producing artistic director Danny Feldman’s ongoing reexamination of the American musical canon,” McNulty writes. In the same column, McNulty notes that another classic musical revival, “Flower Drum Song” at East West Players, does not hit its mark.

The Skirball Cultural Center‘s latest exhibit takes on the genesis of Punk rock in the 1970s, and traces its rise from the UK to New York and Los Angeles. The exhibit, “Outsiders, Outcasts, Rebels + Weirdos: Punk Culture 1976-86,” pegs punk’s year zero to 1976, “when the Ramones debuted their self-titled record. That same year, the Sex Pistols cursed on live TV, John Holmstrom and Legs McNeil co-founded Punk magazine, and the Damned released the first British punk single, ‘New Rose’.”

Erin Davis, son of Miles Davis, poses for a portrait during Musichead Gallery’s photography exhibition marking a centennial celebration of the jazz musician.

(Jason Armond / Los Angeles Times)

As the world celebrates the centennial of jazz legend Miles Davis, a unique photo show is happening at Musichead Gallery on Sunset Boulevard. “The show celebrates the late jazz musician’s centennial through imagery captured over a career spanning nearly five decades,” writes staff writer Julius Miller, noting that some of those photos have not even been seen by members of the Davis family.

Times classical music critic Mark Swed sat down for an exclusive interview with Los Angeles Philharmonic Music and Artistic Director Gustavo Dudamel as he readied to play his final shows with the orchestra at Walt Disney Concert Hall before departing for the New York Philharmonic. “I’m living here and I’m not living here,” Dudamel told Swed. “The connection will always be here.”

Swed also weighed in on two performances marking composer Philip Glass’ 90th birthday (which arrives at the end of January): Paris Opera’s “shocking” new “noir” production of Glass’ “Satyagraha”; and a UC Santa Barbara Arts & Lectures-commissioned show called “Philip Glass and the Poets,” which premiered at Campbell Hall featuring readings by performance artist Taylor Mac and dancer/choreographer Lucinda Childs.

Lisa Waund’s work in the Joy Department at the Hospital of Emotions at St. Vincent Medical Center.

(Carlin Stiehl / For The Times)

The Times got an exclusive first look inside the soon-to-open Hospital of Emotions, which features 70 artists in a takeover of 80 rooms at the shuttered St. Vincent’s Medical Center on the outskirts of downtown L.A. The sprawling immersive art project is divided into various departments including joy, fear and sadness, and shines a spotlight on wellness and mental health.

Meow Wolf L.A. won’t open until later this year, but The Times got an early look at a new character that will be featured in the immersive art space. Its name is WoWoW and it’s the creation of the experimental video art collective Everything Is Terrible. Read all about the “20-foot-tall, 1,000-pound amoeba-like creature” here.

Guests enjoy wine and friendship at the Barnsdall Art Park Foundation’s weekly wine tasting.

(Janna Ireland / Barnsdall Art Park Foundation)

Barnsdall Friday Wine Nights are returning for a 17th year. The event is set to begin May 29 and run through Sept. 11, every Friday evening from 5:30 to 9:00 p.m. Located on the West Lawn of Frank Lloyd Wright’s magnificent Hollyhock House, the gathering occupies one of the city’s most magical outdoor spots. A $55 general admission ticket gets you four glasses of wine from Silverlake Wine, along with a rotating lineup of food trucks. DJs also regularly perform throughout the series. Best of all: Proceeds support arts programming and preservation at Barnsdall Art Park. A rep for the event notes that, “this year’s fundraiser is especially critical amid proposed budget and staffing cuts to the City of Los Angeles Department of Cultural Affairs.”

Break out your best picnic basket and blanket: Independent Shakespeare Co. has announced this summer’s Griffith Park Free Shakespeare Festival, which runs outdoors every year at the park’s Old Zoo. This year’s lineup includes the Bard’s “Coriolanus” and “The Comedy of Errors.” Performances are free, but registration is requested at www.IndieShakes.org.

— Jessica Gelt

And last but not least

Times restaurant critic Bill Addison declares the 10-table Wilde’s the new “crown jewel” of Los Feliz.

Clara Adams expected to win the 400-meter dash Saturday in the Southern Section Masters Meet at Moorpark High. The Long Beach Wilson junior not only won, she broke the section record, circling the track in 51.98 seconds.

“To be honest, I did not expect a 51 today … that was my end goal and I got it before state,” said Adams, who topped the previous mark [set by Norco’s Shae Anderson in 2017] by one hundredth of a second. “It says a lot about my training and teammates who push me in practice every day. I’m ecstatic.”

Even better than breaking a section record is breaking a state record and Adams was smiling wider several hours later after she and teammates Brooke Blue, Brooklyn Fowler and Saniah Varnado did just that by clocking 3:33.83 in the 4×400 relay to obliterate the time of 3:35.49 set by Moore League rival Long Beach Poly in 2004. Rosary Academy was a distant second in 3:41.33.

“The 400 was our first race of the day, all of us ran it and we all qualified for state and that carries over to the rest of the day,” said Adams, who ran the third leg and widened the Bruins’ lead before handing the baton to Varnado for the anchor leg. “The state record is a bonus. We handled our business and now we have a week to prepare to go for the national record.”

Florida Montverde Academy owns the national record of 3:31.68, achieved at the 2024 New Balance Nationals Outdoor in Philadelphia, but Wilson’s foursome was content with the state record, at least for now.

“We already had a good lead when I got it but everyone was getting loud and I was pushing,” Varnado said. “I was thinking we could run in the high 3:30s. I’m proud of how well we did and hopefully we can do even bigger things at state.”

The CIF state track and field championships are next weekend (prelims Friday and finals Saturday) at Buchanan High in Clovis and as usual the Southern Section will be well-represented as numerous athletes met the qualifying standards.

After three-peating in the 1,600 and 800 one week before at the Southern Section finals, Corona Santiago senior Braelyn Combe won both events again Saturday, winning the 1,600 in 4:43.03, well off her 4:41.36 effort at the section finals but still more than two seconds faster than runner-up Reese Holley of JSerra. She won the 800 Saturday by about the same margin in 2:06.04.

Calabasas dominated at the section finals with four runners breaking the Division 3 record in the 100. They were back at it Saturday as last week’s champion Malia Rainey ran 11.33 to win the first heat. Devyn Sproles equaled Rainey’s 11.41 one week before to win the second heat and take second overall. Marley Scoggins (11.46) was third and Coyotes teammate Olivia Kirk (11.62) was fifth.

Tra’via Flournoy led off Rosary’s 4×100 relay, which won in 44.79 at the Masters Meet on Saturday in Moorpark.

(Steve Galluzzo / For The Times)

Rosary’s 4×100 relay established itself as the favorite at state finals with a 44.79, more than a second faster than runner-up Canyon Country Canyon. The Royals’ foursome of Tra’via Flournoy, Justine Wilson, Pfeiffer Lee and Maliyah Collins is hoping to top the state-record (44.23) it set at Arcadia in April when it heads north for the state meet.

“It wasn’t a [personal record] but it was faster than last week,” said sophomore Collins, who ran the anchor leg. “This was a tuneup. Our handoffs were clean and we got the baton around the track. That was our main focus.”

West Ranch junior Tamea Crear (23.50), Kirk (23.54) and Rosary’s Wilson (23.61) and Collins (23.69) took the top four spots in the 200 meters.

San Jacinto Valley Academy sophomore Kaaliyah Lacy clocked 13.44 to win the 100 hurdles, one hundredth off her state-leading time that earned her the Division 4 section title one week ago. Varnado won the 300 hurdles in 41.53.

Irvine senior and Duke commit Summer Wilson, a three-time Southern Section champion in the 3,200, ran a new-season best (10:14.45) and shaved nearly 10 seconds off her time in the Division 2 sectional race.

Irvine’s Summer Wilson wins the 3200 meters in 10:14.45 at the Masters Meet after placing third last year.

(Steve Galluzzo / For The Times)

After sweeping the all three jumps events at the Division 3 section finals, Jurupa Valley senior AB Hernandez did the same Saturday, winning the long jump in 20 feet, 0.75 inches, the triple jump in 40-7 and the high jump in 5-8.

Los Alamitos senior Cassidy Nguyen cleared 13-2 to win the pole vault while Aliso Niguel was first in the discus (165-10) and shot put (49-0) after winning the Division I section crown in both last week.

Woodbridge junior Aidan Antonio won the 3,200 boys race in 8:55.30 while Sterling White of Oaks Christian became the first freshman in state history to break nine minutes, finishing seventh in 8:59.26 to break the ninth-grade record of 9:01.1 set by Eric Hulst of Laguna Beach in 1973.

Riverside King’s Maximo Zavaleta (4:06.30) and Antonio (4:06.54) battled all the way to the finish line to claim the top two spots in the 1,600.

Having won the Division 3 boys title in 38.39 one week earlier, Servite’s 4×100 relay won Saturday’s race in 40.17, followed by Moorpark (40.60) and Loyola (40.83).

“I like the first leg and coming out of the blocks because I get to see my teammates win,” said Jace Wells, whose exchange to Jorden Wells was smooth. Kamil Pelovello and Benjamin Harris ran the last two legs. The foursome set the state record (39.70) at Arcadia.

Harris won the 100 in a wind-aided 10.17 (one hundredth faster than his time in the Division 3 section finals last week), then won the 200 in 20.80 (31 hundredths slower than his winning time a week ago).

“It’s what I expected — I’m proud of it,” Harris said of his 100 time. “I just wanted to execute, win my race and move on. There’s more work to be done.”

Loyola’s Ejam Yohannes beats Servite’s Jaelen Hunter by 11 hundredths of a second in the 400-meter dash.

(Steve Galluzzo / For the Times)

In the most exciting finish of the day, Loyola senior Ejam Yohannes edged Servite sophomore Jaelen Hunter by 11 hundredths of a second in 46.40 in the 400 meters, one week after Hunter ran 46.36 to set a section Division 3 record. Johannes cut three tenths off his Division I winning time last week.

Upland (3:18.54) won the boys 4×400 and Gardena Serra (3:18.88) was second. Crean Lutheran’s Noah Richardson cleared 15-6 to win the pole vault while Redondo Union’s Bo Ausmus won the discus with a throw of 185-7 and the shot put with a mark of 61-9.

Having won the Southern Section Division 3 high jump crown in a lifetime best and state-leading 7-01 seven days earlier, Sherman Oaks Notre Dame senior JJ Harel still had the best height Saturday at 6-10, tied with Nathaniel Baca but winning on fewer misses. Harel aims to repeat as state champion.

Moorpark’s Davis Benson was first in the long jump Saturday at 22-11.75 (he won the Division 3 section crown with a leap of 23-5 last week), followed by Dane Malloy (22-10.5) and Harel (22-9.25). Paloma Valley senior Arthur Stringer won the triple jump in 47-4.5.

Long Beach Poly’s Lynnox Newton won the 110 high hurdles in 13.69, Etiwanda’s Brandon Andrade (13.85) was second and Benson (13.94) third. Andrade (37.01) was second behind Palm Desert’s Kingston Penny (36.86) in the 300 hurdles.

CLOVIS, Calif. — In the waning days before California’s primary election, the two top Republicans running for California governor delivered closing arguments in front of a friendly Central Valley audience Friday evening.

Though Riverside County Sheriff Chad Bianco and former Fox News host Steve Hilton have attacked each other throughout the campaign, they abstained from feuding and instead focused on common enemies — Gov. Gavin Newsom and Democratic lawmakers who control the Legislature.

Hilton criticized Newsom’s new $20-million program to provide free diapers for families of newborn babies, referring to the outgoing governor as “the great loaded diaper of California himself.”

Earlier this year, Hilton and Bianco topped the governor’s race polls as a packed field of Democrats split many of the state’s liberal voters. Under California’s “jungle primary” system, where the top two candidates advance from the primary to the general election regardless of political affiliation, that led to fleeting hope among Republicans that the two candidates could shut Democratic candidates out of the November election.

“That idea was always a fantasy,” Hilton wrote in an op-ed published in the New York Post earlier this week in which he urged Bianco to drop out of the race “for the sake of the state we both love.”

“Steve, it is time for you to drop out,” Bianco retorted in a video posted to social media soon after. “In no world, no world does Steve Hilton beat a Democrat in November.”

After winning an endorsement from President Trump in early April, Hilton has steadily outpaced Bianco in polls. A poll commissioned by the California Democratic Party released last week showed Hilton leading the field with support from 22% of likely voters, followed by Democrat and former Biden Cabinet member Xavier Becerra with 21%. Bianco was at 10%, down from 15% in a previous poll conducted two weeks prior.

Still, Bianco, the two-term sheriff of California’s fourth most populous county, is a favorite of many Republicans in the state and won more support from delegates during the party’s recent endorsing convention than Hilton, though neither reached the necessary 60% to win the party backing.

While the two candidates have needled each other with personal digs and insults throughout much of the campaign, they appeared to set that energy aside during the Clovis forum and even traded some compliments. Hilton praised “sheriffs like Chad who actually understand what public safety looks like” while Bianco acknowledged that his opponent “should be very proud” to have Trump’s endorsement.

State Sen. Shannon Grove (R-Bakersfield), who moderated the more than 90-minute event, praised their “extraordinary civility” before she pressured each to commit to backing whichever Republican makes it through the June 2 primary — or if they both advance, continue to focus on policy debates over attacks.

The forum was hosted by the Fresno County & City Republican Women Federated as part of a fundraiser and dinner honoring the upcoming 250th anniversary of the nation’s founding. About 450 attendees were served dishes inspired by presidential favorites including sirloin steak for Theodore Roosevelt, a chopped salad from Chasen’s, a favorite Los Angeles eatery for Ronald Reagan, and a chocolate pie with cherry vanilla ice cream for Trump.

The Central Valley stretches from Bakersfield to Redding and is home to some of the nation’s most lucrative farmland. It also includes the heart of California oil country in Kern County. Yet residents feel largely neglected by statewide politicians who are more drawn to the ample votes and wealthy donors in Southern California and the Bay Area.

“We are the breadbasket of the world but we’ve been overlooked for too long,” said Andrea Shabaglian, a vice president of the Fresno Republican women’s group. “When gubernatorial candidates come here to sit down and listen to our communities, they realize that a stronger Valley means a stronger California.”

Though he lost California handily to former Vice President Kamala Harris in the 2024 election, Trump dominated in the state’s midsection. Even in Fresno County, where the Republican forum was held, Trump beat Harris by a four percentage point margin despite Democratic voters slightly outnumbering Republicans.

“We need a Republican in office because California is a mess. I mean, anybody with common sense can see that,” said LuAnne Pinedo-Madden, a retiree living in the Sierra foothill community of Coarsegold who listed transgender girls being allowed to compete in girls’ sports and government corruption as her top concerns.

Pinedo-Madden said she was “pretty sure” she had decided which of the Republican candidates to vote for but declined to say whom. “I feel that if we don’t get a Republican in office, we’re looking at moving” to Utah, Idaho or Nevada, she said. “We can’t take this anymore.”

Bianco and Hilton spoke about their plans to improve public safety, small businesses, homeowner’s insurance and water management, a crucial issue for the conservative-leaning owners of vast swaths of California’s agricultural heartland.

Signs along the major highways that straddle California’s Central Valley proclaim that “Food grows where water flows” and criticize Newsom for allowing water to flow into the ocean instead of capturing and storing more of it for farming.

Both of the GOP candidates described their visions for the state, which include building new dams and raising existing ones to store more water.

“We don’t have the water problem. We have a water management problem,” Bianco said before falsely arguing that “we get more water every single year than any other state in the country” and that California has “never, ever, ever been in a drought.”

“The water will be flowing to our farmers, the oil will be flowing to our refineries, the forests will be managed, the timber will be harvested” and used to build new single-family homes, Hilton said. “We’ve got the best weather, we’ve got the best people, we’ve got the best farmers, we’ve got everything we need to make this place amazing, except a good governor. Very soon we’ll have that as well.”

Though a Republican governor would likely face a hostile Legislature intent on blocking many priorities, Bianco and Hilton both promised sweeping cuts and cutbacks of state agencies. Both pledged on Friday to replace every member of the state’s parole review board, which drew criticism in February when it granted elderly parole to a man convicted of 16 counts of kidnapping and child molestation in 1999.

“California criminal justice is absolutely broken and it was forced upon us in the name of reform. What I’m going to do is make it a crime to hear the word reform again, because we lost track of what that word even means,” Bianco said.

He also pledged to eliminate laws and environmental regulators often blamed for slowing housing development: the California Environmental Quality Act, the California Coastal Commission and the state Air Resources Board.

Though his opponent has the coveted Trump endorsement, Bianco argued that it will hurt Hilton’s chances of winning the general election. The Republican president has never been popular in deep-blue California; just 25% of adults in the state approved of Trump’s performance according to a February survey by the Public Policy Institute of California.

“Steve should rightfully be proud of being endorsed by President Trump [but] we have to actually realize, is that a good thing in California? It’s a good thing in this room,” Bianco said as the crowd cheered at the mention of the president’s name. “We have to realize strategically that President Trump ran three elections in this state, and he lost 60-40 in all three of them.”

The Riverside sheriff argued he is “the only person that can actually sway Democrats to vote for a Republican across party lines on a public safety platform.”

We’re really almost there.

There is just over one week remaining before the June 2 primary for Los Angeles mayor, city attorney, city controller and eight of the 15 City Council seats.

As of Friday morning, 333,000 mail-in ballots had been cast in the race, up from 321,000 at the same time in 2022, according to the L.A. County Registrar/Recorder.

The Trump card

Spencer Pratt’s foes in the Los Angeles mayor’s race like to say that the former reality television star lacks the experience needed to run a big city.

But Pratt might have an even bigger liability — any sense that he may be aligned with President Trump.

Cygnal, a national polling group that has worked for Republican candidates, found that tying Pratt to Trump and the MAGA movement is a bigger turnoff to Democrats than his reality television past.

According to its poll of 500 likely Los Angeles voters, Pratt’s reality TV resume made 59% of overall Democrats less likely to vote for him. By comparison, tying Pratt to MAGA and Trump made 65% of Democrats less likely to vote for him, Cygnal said.

Pratt is a registered Republican and on Wednesday, Trump signaled support for Pratt in the mayoral race. On Thursday, former Trump advisor Steve Bannon said the president didn’t formally endorse Pratt out of fears it would hurt Pratt’s chances in Democrat-dominant Los Angeles.

Spencer Pratt at a recent campaign block party in South Los Angeles.

(Robert Gauthier / Los Angeles Times)

Overall, including Democrats and Republicans, 24% of voters said tying Pratt to Trump made them more likely to vote for him while 50% of voters were less likely to vote for him because of it.

“Karen Bass is a fairly reserved individual, but you have to believe that backstage she was doing a happy dance after she heard Donald Trump’s comments,” said Dan Schnur, a professor of politics at USC, UC Berkeley and Pepperdine University.

The strongest pro-Pratt argument is a public safety argument that Pratt will reject “defund the police” policies and hold repeat offenders accountable.

The poll showed Bass at 25% support, Pratt at 22% and Councilmember Nithya Raman at 18%.

Big money for Blumenfield seat

It hasn’t had the same sizzle as the mayor’s race, or been as pricey as the acrimonious campaign for city controller. But the battle to replace City Councilmember Bob Blumenfield in the west San Fernando Valley is turning into yet another high-stakes, big-money contest.

In that three-way race, a handful of special interests have now put more than $1 million into various efforts to elect businessman Tim Gaspar.

The Central City Assn., a downtown-based business group, has spent the most so far, pouring more than $400,000 into mail pieces, web videos and other campaign expenses, according to Ethics Commission filings. Most of its money has been coming from Airbnb, which is looking to loosen the city’s rules on homesharing platforms, by allowing second homes to be used as short-term rentals in the run-up to the 2028 Olympic Games.

Political aide Barri Worth Girvan, who is running to replace Blumenfield, criticized Gaspar over the influx of money, saying the “West Valley is not for sale.”

“Airbnb has destroyed countless neighborhoods around Los Angeles, and they clearly believe that my opponent will allow them to do that in the San Fernando Valley,” said Worth Girvan, who works for county Supervisor Lindsey Horvath. “Let me be clear — I will not allow that in our neighborhoods.”

Gaspar, in a statement, said he’s proud of the coalition supporting him.

“Like so many Angelenos, they are ready for change and new ideas that will actually get something done. Barri is offering nothing but the same tired excuses, empty promises, and failed ideas,” he said.

Under the city’s campaign finance rules, donors cannot give more than $1,000 to the campaign of a council candidate. However, independent expenditure groups can spend unlimited amounts, as long as they do not coordinate with the campaigns of their favored candidate.

Some of the other Gaspar backers who are spending large sums include the California Alliance of Family Owned Businesses, which represents McDonald’s franchisees, the California Apartment Assn. and Working Californians, a committee sponsored by International Brotherhood of Electrical Workers Local Union 18, which represents employees of the Department of Water and Power.

That committee is also partly funded by Airbnb, according to the Ethics Commission website.

Ethical supes

The Los Angeles County Board of Supervisors voted this week to establish its first ethics commission.

The creation of the new body aimed at preventing and eliminating corruption in county government was mandated by Measure G, which voters approved about 18 months ago.

That measure overhauled the county charter to create an elected county executive position and increase the number of supervisors from five to nine.

It also stipulated the establishment of an ethics commission and an office of ethics compliance, helmed by an ethics compliance officer.

Polling shows the effort has broad public support, according to Sara Sadhwani, a political science professor at Pomona College who served on a task force that made recommendations to the supervisors.

But there was still controversy before the Board of Supervisors voted 5-0 Tuesday to support to approve the plan.

Supervisor Janice Hahn said the ethics commission was intended to be an independent body whose members were not directly selected and appointed by elected officials.

She proposed an amendment that would have made it so commissioners were chosen from a list of qualified and interested people via a lottery system.

Hahn lost that battle and the county approved the plan without the change. The county assessor, the chair of the Board of Supervisors and starting in 2028, the newly minted county executive, will each appoint one ethics commissioner.

Those three commissioners will then select the other four members of the commission, who are subject to the approval of the supervisors.

State of play

— “THE HILLS” ARE ALIVE: The Times dived deep on Spencer Pratt’s history as well as his campaign, showing how he rose from reality television villain on “The Hills” to become a leading contender for L.A. mayor.

— TRUMP BUMP?: President Trump signaled support for Los Angeles mayoral candidate Spencer Pratt on Wednesday, wading into the local election less than two weeks before the primary.

— FRESH PRINCE: Spencer Pratt’s campaign for Los Angeles mayor has paid the Hotel Bel-Air more than $15,000 since April 7, according to Pratt’s latest campaign finance filings.

— PROGRESSIVE BLOCK: Three members of the L.A. City Council’s progressive bloc endorsed Mayor Bass for reelection, snubbing fellow progressive Nithya Raman in the June 2 primary. The endorsements from Eunisses Hernandez, Ysabel Jurado and Hugo Soto-Martínez underscore fractures on L.A.’s left. All three are members of the Democratic Socialists of America, as is Raman.

— HOLLYWOOD HOPEFULS: In campaign ads, interviews and the recent televised debate, the top three contenders: incumbent Mayor Bass, former reality TV villain Spencer Pratt and Raman, have made the ongoing production slump a pivotal topic, highlighting their plans to revitalize the industry while deploying the issue to undercut one another.

— WHITHER LATINOS?: Latinos make up nearly 37% of the L.A. electorate, making their votes crucial for anyone with mayoral ambitions. That has campaigns putting out ads and social media posts in Spanish, hitting the ground in Latino majority neighborhoods and rallying for key endorsements.

— HUNGRY FOR MORE: It’s the biggest slate of democratic socialists Los Angeles has ever seen. The L.A. chapter of Democratic Socialists of America is looking to push City Hall further left by backing candidates for city attorney and four City Council seats in the June 2 primary.

— OH, AND A BUDGET: The Los Angeles City Council signed off on a $15-billion budget for 2026-27 on Thursday, preserving Mayor Karen Bass’ police hiring plan while socking away more money for potential emergencies.

— AIRPORT DELAYS?: A $30 minimum wage for hotel and airport workers will be delayed after Los Angeles elected officials persuaded a group of business leaders to drop a ballot measure that would have devastated the city budget.

QUICK HITS

• Where is Inside Safe? The mayor’s signature program moved 69 people indoors near Chinatown this week in Jurado and Hernandez’s council districts.
• On the docket next week: The City Council will vote to approve a formal letter to remove the gross tax repeal from the November ballot.

Stay in touch

That’s it for this week! Send your questions, comments and gossip to LAontheRecord@latimes.com. Did a friend forward you this email? Sign up here to get it in your inbox every Saturday morning.

Kyle Busch, a two-time champion of the NASCAR Cup Series and the winningest driver in the association’s history, has died at age 41.

“We are saddened and heartbroken to share the news of the passing of Kyle Busch, a two-time Cup champion and one of our sport’s greatest and fiercest drivers,” NASCAR said in a statement Thursday afternoon. “We extend our deepest condolences to the Busch family, Richard Childress Racing and the entire motorsports community.”

No cause of death has been disclosed.

Earlier on Thursday, Busch’s family posted a statement on the driver’s X account saying that Busch had been hospitalized with a “severe illness” and would not be participating in this weekend’s NASCAR events at Charlotte Motor Speedway — including the Coca-Cola 600, a race Busch won in 2018.

According to the Associated Press, Busch became unresponsive on Wednesday while testing in the Chevrolet racing simulator in Concord and was transported to a Charlotte hospital.

In response to a request for information about Busch’s death, the Cabarrus County Sheriff’s Office emailed The Times a 911 call asking for an ambulance to come to the address of the General Motors Charlotte Technical Center at around 5:32 p.m. Wednesday.

“I have got an individual that [has] shortness of breath, [is] very hot, thinks he going to pass out and is … coughing up some blood,” said the caller, who added that the person was awake but “on the bathroom floor right now.”

Busch is not identified by name as the person experiencing the symptoms.

NASCAR officials confirmed that the Coca-Cola 600 will be held as scheduled. When Busch’s hospitalization was announced earlier Thursday, Richard Childress Racing said Austin Hill would drive the No. 8 Chevrolet Camaro ZL1 in his place. Speedway officials indicated that Busch would be honored at the race.

During a Cup Series race on May 10 at Watkins Glen International in Dix, N.Y., Busch told his crew on the radio that he would need medical aid and a shot after the race. The TV broadcast mentioned that Busch had been dealing with a sinus cold all week. He ended up finishing in eighth place, his best Cup Series finish of the season.

Last week at Dover Motor Speedway in Delaware, Busch finished 17th in the Cup Series exhibition All-Star race but won his second Truck Series race of the year.

“Absolutely cannot comprehend this news,” Denny Hamlin, NASCAR driver and former Joe Gibbs Racing teammate, posted on social media. “We just need to think of his family during this time. We love you KB.”

Busch raced in NASCAR’s top division for 22 full-time seasons, winning the Cup Series championship in 2015 and 2019 and the series regular-season championship in 2018 and 2019. He won 63 Cup Series races, 69 in the Truck Series and 102 in the XFinity Series, making him the winningest driver in NASCAR’s top three series combined.

The last time Busch missed a Cup Series race was in 2015, when he was recovering from a compound leg fracture and broken foot and was unable to take part in the first 11 events that season.

“A future Hall of Famer, Kyle was a rare talent, one who comes along once in a generation,” NASCAR said in a separate statement released Thursday, also on behalf of the Busch family and Richard Childress Racing.

“He was fierce, he was passionate, he was immensely skilled and he cared deeply about the sport and fans. Throughout a career that spanned more than two decades, Kyle set records in national series wins, won championships at NASCAR’s highest level and fostered the next generation of drivers as an owner in the Truck Series.

“His sharp wit and competitive spirit sparked a deep emotional connection with race fans of every age, creating the proud and loyal ‘Rowdy Nation.’ … NASCAR lost a giant of the sport today, far too soon.”

Born May 2, 1985, in Las Vegas, Busch was surrounded by racing. His father, Tom, was a mechanic and local racer who had relocated from Illinois with his wife, Gaye. Busch’s brother, Kurt, was seven years older and an eventual Cup Series champion (2004) and NASCAR Hall of Fame inductee.

Working his way up from go-karts in cul-de-sacs and parking lots to full-bodied Late Model competition, Busch earned the respect of his older brother early on.

“You think I’m a pretty good race car driver?” Kurt Busch said in 2001, four years before his younger sibling’s rookie season. “Wait until you see my brother. He’s the best driver in the family.”

Busch made his O’Reilly Series debut for Hendrick Motorsports on May 24, 2003, with a second-place finish at Charlotte Motor Speedway. Entering the series as a full-time driver the next year, Busch won five races and finished second overall to Martin Truex Jr.

Around that time, Busch started what would become his signature celebration, a showman’s bow after each win.

Known as “Rowdy” and “Wild Thing” for his postrace fights and feuds with other drivers, Busch first reached the Cup Series in 2004 before his full-fledged rookie campaign the following season. The 2005 rookie of the year, Busch became the series’ youngest winner in his 31st start, one of four wins during his three full seasons at Hendrick.

Busch joined the Gibbs team in 2008 and remained there until switching to Childress and taking over the No. 8 Chevrolet in 2023.

After his win at Dover this month, Busch was asked how many races he wanted to win before he stopped racing.

“You take whatever you can get, man,” Busch said. “You never know when the last one is going to be, so cherish them all — trust me.”

Busch is survived by his wife Samantha, son Brexton, 10, and daughter Lennix, 4.

The Associated Press contributed to this report.

WASHINGTON — For much of President Trump’s second term, Republican senators have largely stayed in line, wary of the consequences of defying a president with a history of targeting those who cross him. This week, that dynamic noticeably shifted.

Senate Republicans blocked two of Trump’s legislative priorities, angered by the push to create a $1.8-billion federal fund to compensate people who claim to have been politically persecuted, including rioters who assaulted the Capitol on Jan. 6, 2021. The revolt forced Republican leaders to pull a planned vote on legislation to fund the president’s immigration crackdown and security features for the president’s White House ballroom project.

In response, the president defended the fund and lashed out at its critics.

“I gave up a lot of money in allowing the just announced Anti-Weaponization Fund to go forward,” Trump wrote in a post on Truth Social. “Instead, I am helping others, who were so badly abused by an evil, corrupt and weaponized Biden Administration, receive, at long last, JUSTICE”!

The president also called Republican senators who broke with him quitters who are “screwing the Republican Party.”

The friction, which has been building for weeks, is being watched as potential test to the limits of Trump’s grip on his party amid an already tense political environment heading into the midterm elections.

“This is kind of a perfect storm,” former Sen. Jeff Flake (R-Ariz.) said on NBC’s “Meet the Press.” “It may be that this time you can point to it and say this is when the great migration begins, away from some of the president’s policies and away from the fear that the president can target you.”

Whether this week marks the beginning of that moment — or simply another episode of political turbulence that fades — is the central question now handing over Trump’s second term.

Not the first break — but an escalation

This is not the first time Republicans have broken with the president. In November, Congress overwhelmingly voted to force the Justice Department to release of the Jeffrey Epstein files, an effort that Trump unsuccessfully tried to thwart for months.

The Epstein vote showed that on the right issue, under the right circumstances, Republicans could be moved to defy Trump. This week, the creation of the fund changed the circumstances again, and the number of Republican senators willing to act quickly grew.

This moment comes after months of rising costs during the war in Iran, efforts by the president to oust members of his own party and now a set of proposals that are proving hard to defend in an election year.

“What you have is basically a bunch of people who feel a bit under siege,” said Bob Olinksy, the senior vice president of Structural Reform and Governance at the Center for American Progress. “At the same time, they know that most of what the president is doing is unpopular, and they’re the ones who are going to be standing for reelection in November.”

Republicans push back

Senate Republicans leaders are now asking the Department of Justice to reconsider the terms of the fund, underscoring just how politically toxic the idea has become within the president’s own party.

Sen. Kevin Cramer (R-N.D.) told reporters that the politically speaking, the fund is “unexplainable.” Sen. Susan Collins (R-Maine) told the New York Times the fund should be in real trouble. Sen. Mitch McConnell (R-Ky) called the fund “utterly stupid” and “morally wrong.”

Sen. Thom Tillis, a North Carolina Republican whom Trump has singled out for going against him, was equally unsparing, saying he opposed “using billions of taxpayer dollars to compensate convicted felons and thugs who attacked police.” He also criticized the administration for pushing domestic and foreign policy issues that he says are bad for housing and the military.

“If opposing these things makes me a RINO [Republican In Name Only], then I gladly accept that nickname,” Tillis wrote on X. “We need Republicans to do well in November, but the stupid stuff is killing our chances!”

The Republican push back comes as the concern about self-dealing runs deep across the electorate.

A recent poll Economist/YouGov poll found that 59% of Americans believe Trump is using his office for personal gain, though that belief is sharply divided among partisan lines. A CNN poll found that 37% of Americans say Trump puts the good of the country above his personal gain, while 32% say he is in touch with the problems of ordinary Americans.

Asked if the political environment influenced the actions this week, Senate Majority Leader John Thune (R-S.D.) told reporters that there is a “political component to everything we do around here.”

Funds and tax immunity clauses

Senate Democrats are wondering if the fund will mark a watershed moment for Republicans.

“Have Republicans finally found a bridge too far?” Sen. Richard Durbin (D-Ill.) told reporters after Republicans left Washington without funding Trump’s priorities.

Democrats have called the fund an illegal abuse of power designed to line the pockets of Trump’s allies with taxpayer dollars. Sen. Chris Van Hollen (D-Md.) called it a “pure theft of public funds.”

The fund was created as part of a settlement resolving a $10-billion lawsuit Trump personally brought against the Internal Revenue Service over the leak of his tax returns. Alongside it, the deal says the IRS is “forever barred and precluded” from pursuing any tax claims against Trump and his businesses.

Under the tax immunity clause, Trump and his family could save more than $600 million, according to an analysis by Forbes.

The fund, however, has been the target of most of the bipartisan ire. Mostly because Trump and administration officials have not ruled out that it could stand to benefit people who carried out violence during the Jan. 6 riot.

The public funds, if disbursed, would come from the federal judgment fund, which is a Congress-approved ongoing appropriation that allows the Justice Department to settle cases and make payouts. In the past, Republicans have taken issue with the fund. The GOP-controlled House Judiciary Committee characterized it an abuse in 2017.

Several of the president’s allies have already talked about tapping into the fund.

Michael Cohen, Trump’s former attorney who served prison time in relation to campaign finance violations, said he plans to apply for compensation.

Former Proud Boys leader Enrique Tarrio, who was convicted of seditious conspiracy and later pardoned by Trump, told CBS News he would seek a payout from the fund.

“I was targeted,” Tarrio said. “And I do believe that this fund does apply to me.”

Summer is just around the corner. Get into the spirit of long, lazy days — first, let’s pretend those exist in ample supply beyond our dreams — by spending your Memorial Day weekend taking cues from our watch guide. There are plenty of options to suit your tastes, including a new take on one of cinema’s most iconic monster brides and a retrospective of Martin Short’s high-flying career in comedy, the final season of “Hacks” and another television series that expands the “Star Wars” franchise. No sunscreen is required.

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Recommendations from the film and TV experts at The Times

Christian Bale and Jessie Buckley in a scene from “The Bride.”

(Warner Bros. Pictures)

“The Bride” (HBO Max)

Heavy buzz preceded the arrival of Maggie Gyllenhaal’s feminist reboot of the horror classic “The Bride of Frankenstein” earlier this year. The casting of Christian Bale and Jessie Buckley as Frankenstein’s monster and his companion, respectively, along with Gyllenhaal’s obvious passion for the project, seemed to promise cinematic fireworks. However, it divided critics: Some brutally panned the film, calling it overbearing and ludicrous; others applauded the movie as an ambitious big swing that should not be ignored. And while most agreed that Buckley gave a committed performance as the ferocious Bride, her lead actress Oscar win for “Hamnet” did not save the film from bombing and vanishing quickly from theaters. Viewers can now decide whether it was truly a disaster or just misunderstood when “The Bride” hits HBO Max this weekend. — Greg Braxton

Steve Carell and Charly Clive play a father and daughter navigating their complicated relationship in the HBO comedy “Rooster.”

(Katrina Marcinowski / HBO)

“Rooster” (HBO Max)

If you’re looking for some easy laughs this weekend, and you’re a fan of series from Bill Lawrence like “Shrinking” or “Ted Lasso,” this HBO comedy may be right up your alley. The show follows Greg Russo (Steve Carell), a divorced author of “beach reads” who is offered a position at a university where his daughter, Katie (Charly Clive), teaches. Katie, as much as she loves her dad, also wants some space as she navigates the messy relationship with her husband Archie (Phil Dunster), who has left her for a graduate student named Sunny (Lauren Tsai). (Katie does not take it well.) The show is filled with mishaps and misunderstandings that will make you belly laugh. But what also makes this show special is the supporting cast that absolutely kills it when they’re onscreen, including Danielle Deadwyler as Dylan, an English professor; John C. McGinley as Walter, the school’s president; and Robby Hoffman as Mo, Sunny’s friend and roommate. The series just wrapped its first season — I’m willing to bet you’ll binge this one. — Maira Garcia

Martin Short and Catherine O’Hara in “Marty, Life Is Short.”

(From Netflix)

“Marty, Life Is Short” (Netflix)

This delightful and moving documentary brings into focus Martin Short’s life and decades-long career in comedy. Don’t be fooled by its straightforward overview of Short’s rise to showbiz mainstay through his eccentric, vaudevillian brand of comedy. Directed by his longtime friend Lawrence Kasdan, who first collaborated with the comedian on the 1987 comedy “Cross My Heart,” the film goes beyond the bullet points, offering intimate insights about the lows of building a career and a touching look at him as a friend and family man. In addition to hearing directly from Short, the film features soundbites from people who know him well, including Andrea Martin, Tom Hanks, Steven Spielberg, Steve Martin, Eugene Levy and the late Catherine O’Hara. But the true standout moments come from the home footage provided by Short. It’ll leave you longing for a whole docu-series of his star-studded gatherings with some of the names mentioned above. What do you mean we get to see Short and Hanks, both shirtless on a boat, re-enact a scene from “Butch Cassidy and the Sundance Kid” — in this scenario, Hanks’ Forrest Gump is the Sundance Kid and Short’s famous sketch-comedy character Ed Grimley is Butch — as they hurl themselves into the sea? That beats any reality TV moment or DIML vlog on TikTok I’ve seen this year. — Yvonne Villarreal

A scene from Cartoon Network’s “Adventure Time,” featuring Finn the Human, voiced by Jeremy Shada, and Jake the Dog, voiced by John DiMaggio.

(Cartoon Network)

“Adventure Time” (Hulu, Disney+)

With the new “Adventure Time: Side Trips” due on Hulu and Disney+ on June 29, I am watching Pendleton Ward’s original series from the beginning, the better to appreciate its deep world-building and pick up whatever I might have missed the first time. Set in a lush, lively post-apocalyptic world where human boy Finn and shape-shifting dog Jake fight villains and party with friends, it’s gorgeously strange, beautifully designed and full of feeling. Characters include a pie-baking little elephant; Lady Rainicorn, half-unicorn, half-rainbow; a sort of sentient Game Boy; a vampire queen; and the Ice King, looking for a princess (Bubblegum, Flame, Lumpy Space, Hot Dog) to love him. A nexus of creative young animators, it’s the trunk of a tree whose branches include “Summer Camp Island,” “Steven Universe,” “Over the Garden Wall,” and “OK K.O.: Let’s Be Heroes,” which is to say, it’s possibly the most important cartoon show of the 21st century. At 283 episodes, there’s more than one can consume over even a holiday weekend, obviously, but you have to start somewhere. — Robert Lloyd

Clarke Peters, Alfre Woodard, Alfred Molina, Denis O’Hare and Geena Davis in “The Boroughs.”

(Netflix)

“The Boroughs” (Netflix)

In an isolated but fairly posh desert retirement community, freaky things are afoot. Strangely, no one seems to notice until cranky, grieving widower Sam (Alfred Molina) moves in. He hates the Boroughs at first sight and is only there because his now-dead wife signed them up in an apparently unbreakable contract. So of course he’s going to complain about every problem, from a broken door knob to, you know, a mysteriously dead neighbor. And before you can say, “The Thursday Murder Club” meets “Stranger Things” by way of “Scooby-Doo,” he’s reluctantly assembled a group of equally curious residents played by equally high-wattage actors including Geena Davis, Alfre Woodard, Clarke Peters and Denis O’Hare — all of whom make the Boroughs, and “The Boroughs,” well worth the price of admission, be it during nocturnal visits by monsters or an occasionally creaking plot.

Though still a criminally underrepresented demographic, aging boomers are having something of a moment on TV (see also “Only Murders in the Building,” “A Man on the Inside” and “Hacks”) and “The Boroughs,” (produced by the Duffer Brothers, who gave us “Stranger Things”) is a perfect example of why. The message of every unlikely-hero story is inevitably one of empowerment — kids/hobbits/retirees are just as capable of saving the day as muscle-bound men in their prime — and actors as strong and experienced as these can glide over plot holes and shoulder three times their weight in disbelief suspension without breaking a sweat. Getting the opportunity to watch such a group do it together is just as much fun as figuring out exactly what is going on at the Boroughs and who’s going to stop it. — Mary McNamara

A scene from Lucasfilm’s “Star Wars: Maul — Shadow Lord.”

(Lucasfilm Ltd.)

“Star Wars: Maul — Shadow Lord” (Disney+)

“The Mandalorian and Grogu” is the shiny new “Star Wars” movie in theaters this weekend — the franchise’s first since 2019 — but let’s not forget that some of the galaxy far, far away’s best storytelling in recent years has been on TV. “Star Wars: Maul — Shadow Lord” follows the dark side warrior in the early days of the Empire’s reign as he works to rebuild his criminal syndicate while getting some revenge on gangsters that have betrayed him. Introduced and presumed dead after being cut in half in a lightsaber duel in “Episode I,” Maul’s resilience and dark ambitions were further explored in “The Clone Wars.” Maul is a formidable, manipulative, intelligent and vicious villain that’s ultimately doomed to fail, but there’s something about his relentless refusal to accept his fate that I find a bit admirable — even if he’s evil. A noir crime thriller, “Maul — Shadow Lord” is set in a gritty, metropolitan planet outside of the rule of the Empire, meaning, yes, the former Sith lord will cross paths with some Jedi on the run. There’s no better way to close out May than getting immersed in “Star Wars.” — Tracy Brown

Jean Smart and Hannah Einbinder in the fifth and final season of “Hacks.”

(HBO)

“Hacks” (HBO Max)

With the series finale of “Hacks” approaching on May 28, it’s the perfect time to catch up on Ava (Hannah Einbinder) and Deborah’s (Jean Smart) latest schemes. Season 5 follows Deborah clawing her way back into public favor after her short stint as a late-night host. Going out with a bang, the show’s final season has been chock-full of guest stars, from Trisha Paytas and Tony Kushner to Jesse McCartney and “Property Brothers” duo Drew and Jonathan Scott. The dynamic between Deborah’s managers, Jimmy (Paul W. Downs) and Kayla (Megan Stalter), is still ridiculously entertaining, even if Kayla still can’t get Jimmy’s coffee order right. Across the characters, the chemistry is palpable as “Hacks” builds to the pièce de résistance of Deborah’s career: a sold-out show at Madison Square Garden. — Katie Simons

Animated characters from the Crunchyroll series “Classroom of the Elite.”

“Classroom of the Elite” (Crunchyroll)

The anime series revolves around Kiyotaka Ayanokoji, a stoic high schooler with a hidden brilliant mind who enrolls in an isolated boarding school. In this cutthroat school, designed as a meritocracy to identify Japan’s future leaders, students are pushed through unconventional tests — such as a survival challenge on a deserted island — and they risk expulsion if they fail. Bribery and backdoor deals run rampant. School officials turn a blind eye to violence — and there is plenty of it.

The show follows Ayanokoji and his classmates as they scheme to climb from the lowest tier, D-Class, to the coveted A-Class. Along the way, it invites the question of whether an archetypal meritocracy can truly exist in a system ridden with loopholes. The calculating Ayanokoji can be a hard protagonist to root for, as he brazenly uses his peers as pawns. By the end of the third season, we see Ayanokoji begin to occasionally open up to a select few classmates, though we’re constantly left to wonder if those moments are genuine or engineered. Season 4, which premiered in early April with weekly releases, picks up with Ayanokoji in his second year and brings a new slate of characters with murky motivations. — Iris Kwok

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MILWAUKEE — Left-hander Eric Lauer strode up the bullpen mound at Petco Park as the Dodgers-Padres series finale Wednesday transitioned into the late innings.

He had been available to provide length as a reliever, but the plan had been for him to throw either way, he said.

The Dodgers didn’t end up needing him to cover innings, so he tossed a side session. And now Lauer has the weekend to address the mechanical issues that plagued his bumpy first six weeks of the season with the Toronto Blue Jays before making his Dodgers debut Tuesday as a starter against the Rockies at Dodger Stadium.

“It’s nice having a little change of scenery, because it gives me a nice full-blown reset,” Lauer said. “I can get my feet back under me, I can get out of my head a little bit more, understand what makes me good and what’s got me to this point, and run with that.”

Lauer, who landed on waivers at a convenient time for the Dodgers, is their immediate answer to a sudden rotation depth problem.

They don’t expect him to save the day in the absence of Blake Snell (elbow surgery to remove loose bodies) and Tyler Glasnow (back spasms). But the Dodgers saw an opportunity to fill a hole in their roster and ideally help him reverse his early-season regression.

“We’ve had our guys take a look and we’ll sit down and talk through some stuff, see how much we can do on the fly, how much of it is not just subconscious,” general manager Brandon Gomes said. “But we know the makeup is really good, and we’re looking forward to getting our hands on him and helping him be as successful as he’s been in the past.”

As long as Lauer gradually improves, his presence allows the Dodgers to keep their starters on a six- to seven-day rotation, without taxing their relievers with regular bullpen days, at least while they wait for other pitchers to return to health and/or build up their workloads.

Lauer’s only months removed from success. He owned a career-best 3.18 ERA last season and was even better in the postseason, authoring 5 ⅔ scoreless innings against the Dodgers in the World Series.

Dodgers reliever Will Klein, who threw opposite Lauer in the 18-inning Game 3 of the World Series, was one of the first people he met when he joined the team in San Diego.

“He introduced himself, and I was like, ‘All right, I know you, I remember you,’” Lauer said.

Coming off of winning the pennant, Lauer’s ERA ballooned this year to 6.96 ERA. In mid-April, the Blue Jays tried using an opener in front of Lauer when he faced the Diamondbacks. And his reaction made headlines.

“To be real blunt, I hate it,” he told reporters then. “I can’t stand it. But you work with what you got.”

This week, surrounded by different set of reporters in the visitors dugout at Petco Park earlier this week after joining the Dodgers, Lauer gave a knowing smile when the topic of usage with Toronto came up.

“There was no ill will there, there was no hurt feelings,” he said of his comments on openers. “It was a very simple question, I thought, how do you feel about an opener? I think if you ask most starters in the league, they would probably have the same response, that they don’t like it. But it doesn’t mean that I’m not willing to do it. It doesn’t mean that I’m not a team player.”

He said he cleared it up with Blue Jays pitching coach Pete Walker and manager John Schneider right away.

“I’m not going to have a problem if there is somebody in front of me,” he said. “It’s part of the game, it’s become part of the game. And we’re all here to win ballgames. It’s not about any individual player. So that was a lot more than I expected that to turn into.”

So far, Lauer has praised the Dodgers’ communication. And he’s been reunited with pitching coach Mark Prior, who was the Padres’ minor-league pitching coordinator when Lauer began his professional career in San Diego’s system.

When Lauer diagnoses his season, he sees two sets of issues working in concert.

“A couple things had compounded for me, and it was just kind of eating at me a little bit too much,” Lauer told The Times. “And I work with a mental skills coach and stuff, to where that shouldn’t happen. But I wasn’t mentally my best, which was making me not my best physically, which made me start to want to tinker.”

Lauer feels like he has a hold on the mental side. Now it’s working from the ground up to get his delivery back in sync. The goal, as Lauer explains it, is to find positions that create tension in his delivery, and pattern them until they feel like second nature.

Making mechanical adjustments during the season, however, tends to be two steps forward, one step back.

Lauer isn’t expected to have it all figured out for his start Tuesday. The Dodgers just want to see him compete with whatever he has that day.

“We compete, and then we go back to the process,” Lauer said. “…Then hopefully the process over time becomes more patterned, more grooved. And then it becomes less process, more just fine-tuning to compete.”