week

One rebound got away. Another went to the Oklahoma City Thunder on a foul by Deandre Ayton. When a third opportunity glanced past Ayton’s nonchalantly extended arm, JJ Redick had seen enough.

The Lakers coach couldn’t even sub fast enough before Ayton’s two-handed frustration shove of Oklahoma City guard Ajay Mitchell put a disappointing punctuation mark on a disastrous 19-second stretch for the Lakers starting center.

Ayton, a key part of the Lakers’ first-round series win, has been largely absent in the Western Conference semifinals against the Oklahoma City Thunder. With the Lakers behind 3-0 in the best-of-seven series after Saturday’s 131-108 loss at Crypto.com Arena, Ayton has averaged 7.7 points per game and 9.3 rebounds against the Thunder.

Desperate to avoid the dreaded 3-0 hole, Ayton was limited to 10 points and six rebounds and just one defensive board. He was held to one-of-seven shooting in Game 2 for just three points, although he had 22 rebounds over the first two games.

After an up-and-down regular season, it appeared that the former No. 1 overall pick was ready to live up to the hype. He was a quiet star in the Lakers’ first-round series win against the Houston Rockets, often guarding All-Star Alperen Sengun one-on-one and dominating the paint. He averaged 11 points and 10.8 rebounds against the Rockets.

Oklahoma City coach Mark Daigneault took note. He called Ayton a “priority” for the Thunder defense in this series. Redick said Ayton raises the Lakers’ ceiling more than any other player.

The Lakers tried to spark their X-factor in the third quarter. They built a two-point halftime lead off the stellar shot-making of Rui Hachimura (21 points) and Luke Kennard (18 points) but funneled the ball toward Ayton after the break.

Lakers center Deandre Ayton dunks against the Oklahoma City Thunder in Game 3 of the Western Conference semifinals Saturday at Crypto.com Arena.

(Robert Gauthier / Los Angeles Times)

Hachimura, who made all four of his three-point attempts in the first half, had a chance at a three on the Lakers’ first possession but instead passed to Ayton, who was fouled on the floor. Marcus Smart tried a lob to Ayton, but the center couldn’t corral the pass. The Lakers went back to him on each of the next two offensive possessions and he scored on both.

He scored six of his 10 points during a three-and-a-half-minute stretch of the third quarter.

“DA is a hell of a player,” said Smart, one of Ayton’s closest teammates. “We all know it. We just want to get him the touches and get him the feel early, just to give them a different look. … All the guards are doing their thing. So we’re just trying to get the big fella involved.”

Ayton’s signature soft touch around the basket has suddenly escaped him. After shooting 60.4% from the field during the first round and a career-best 67.1% during the regular season, Ayton is shooting 39.3% (11 for 28) against the Thunder. He made just three of 11 shots in the restricted area during the first two games.

The Lakers needed Ayton to thrive during this series against the double-big lineup of Chet Holmgren and Isaiah Hartenstein. Some of Ayton’s shooting struggles have depended on where the lanky 7-foot-1 Holmgren has been on the court, Redick said. The Lakers have tried to draw Holmgren out of the paint more to free up Ayton.

Holmgren has still been a force in this series with 21.3 points and 10 rebounds per game. Hartenstein has made 14 of 16 shots from the field in the three games.

Ayton’s backup Jaxson Hayes was also neutralized in Saturday’s blowout, not returning to the game after just eight minutes and 30 seconds of mostly ineffective play. When Redick had seen enough from Ayton in the fourth quarter after he gave up two offensive rebounds and fouled twice in 19 seconds, the coach opted for rookie Adou Thiero.

Thiero, a 22-year-old who tries to make up for his lack of experience with pure motor and athleticism, had a team-high eight rebounds with four points in 13 minutes and 12 seconds.

But the Lakers gave up an offensive rebound off a free throw immediately after Thiero replaced Ayton. Hayes, sitting at the end of the bench with his arms folded across his chest, stared blankly ahead and shook his head slowly.

No NBA team has ever come back from a 3-0 deficit in a best-of-seven playoff series. Ayton has been quiet in this series, but he doesn’t plan to be silenced much longer with the season on the line.

“We ain’t gonna give up,” Ayton said on his way out of the arena. “We will be back to fight on Monday.”

Staff writer Broderick Turner contributed to this report.

It’s hard to believe, as Matt Damon noted in his monologue in this week’s “Saturday Night Live,” that the actor of this summer’s “The Odyssey” has only guest hosted three times during his lengthy career. (In case you’re wondering, his frequent writing and acting partner Ben Affleck has hosted five times.)

That’s a shame because Damon checks all the boxes for what an A-list actor should do when they host the show: be super present, take every opportunity to do the silliest sketches without seeming uncomfortable, and bring at least some of their acting chops to bear to give otherwise lightweight sketches a little extra gravitas or emotion.

Damon did all that and helped start the show off with an extra jolt of energy by returning as Supreme Court Justice Brett Kavanaugh in the cold open, along with last week’s ringer, Aziz Ansari as FBI Director Kash Patel.

Not every sketch worked, like an early Godzilla parody set in a command center that was simply a series of increasingly anticipated spit takes on poor Mikey Day. Things improved when Damon played himself in a pre-taped sketch about a movie made just for moms ahead of Mother’s Day; mom’s fantasy? No conflict among the kids and a blissful marriage to Matt Damon.

Damon also played one of a trio of middle-aged men (including Marcello Hernández and Kenan Thompson) constantly getting beat up by “tough guys” who are sometimes just children. He also played a frustrated dad in a strange cat litter commercial, a substitute teacher trying to get a classroom of students to dance (unsuccessfully) and, memorably, an auctioneer in a fight with his auctioneer wife (Sarah Sherman). In these sketches in particular, Damon’s acting skills helped elevate the characters he played, grounding them in sadness or frustration. It definitely helped.

The “Odyssey” might turn out to be the summer’s biggest movie hit. If that’s the case, let’s hope Matt Damon isn’t kept from hosting “SNL” for so long after this week’s solid job.

Musical guest Noah Kahan performed “The Great Divide” and “Doors.”

At Martin’s Tavern in Washington, D.C., Defense Secretary Pete Hegseth (Colin Jost) returned yet again to shout-bark at those around him, brag about the Iran War he claims he started and, of course, talk about drinking alcohol. But this time, he was joined by his apparent drinking buddy Kavanaugh, who held a gavel and immediately ordered a “six-three decision” (six beers, three shots of Jameson whiskey). Glowing in their victories, Hegseth bellowed, “Can you believe I just started a war?” Kavanaugh replied, “Can you believe I ended abortion? Your body, my choice!” Kavanaugh went on to show off what at first looked like a dinosaur-shaped district map for Tennessee before revealing it’s his field sobriety test, when he was asked to draw a circle. Kavanaugh bemoaned the male loneliness crisis just before they were joined by Patel, who cried, “Does this bar take Kaaaaash?” Patel showed off the bourbon that bears his name. (“Somehow this is a real thing that I, the FBI director, have made. This is real!”) Kavanaugh revealed a secret: that the court is going to let Trump do a third term. “Trump found the original Constitution and on the end, he wrote, ‘Psych!’ ” The three ended the sketch by singing Chumbawamba’s “Tubthumbing” with its callouts of their drink orders.

Damon previewed his upcoming film, even though he had to mention several times that “The Odyssey” won’t be out for another nine weeks. He also had to break the news that the lovely “SNL” tradition of bringing on moms of cast members wouldn’t be happening this year due to Spirit Airlines shutting down. It turns out, after an audience member (“SNL” writer Jack Bensinger) asks, that only Hernández’s mom was able to make it. Damon then recorded a video message to moms out there for anyone who didn’t get a gift for them. “You deserve a night out… nine weekends from now,” he said, suggesting the movie would make a great date night.

Best sketch of the night: Do I hear best sketch of the night? Sold!

A sketch as gimmicky as this one — in which the premise is two auctioneers (Damon and Sherman) are having a marriage-ending fight — only works if the performers are up to the task, and luckily both Damon and Sherman navigated the super-fast dialogue expertly and without looking like they were eyeing cue cards the entire time. The two went back and forth, auctioneering a discussion about weight, infidelity, drinking, their sex life and, eventually, terms of their divorce in front of their four young sons (who, adorably, hold up little numbered signs. Yes, they were played by adult cast members.). Even for “SNL” and for the last-sketch-of-the-night slot, it was a bold sketch for live TV and Damon and Sherman expertly walked the tightrope on this one.

Also good: Your mom will only make it through 23 minutes of this

“SNL” is no stranger to spiky sketch comedy takes on motherhood: remember “Mom Jeans?” For this year’s Mother’s Day take, it presented “Mom: The Movie,” a film devoid of conflict or dramatic tension because “Moms have enough stress. Why not let them feel good for a day?” Ashley Padilla plays the mom in the film, enjoying argument-free time with her kids (Jeremy Culhane, Tommy Brennan and Veronika Slowikowska), who only deliver good news. She’s married to Matt Damon, making her Rhonda Damon, and they met when he noticed her giant turquoise necklace after a movie screening. The film is streaming where moms are expected to find it: on HomeGoods Plus.

‘Weekend Update’ winner: This ‘Update’ segment is bananas — the round kind

This week’s “Update” featured three guest segments. Hernández and Day played kamikaze dolphins who work for the government, giving them a sense of porpoise (their joke, not mine). Jane Wickline expressed her anger at people caring that she’s always late in a funny musical rant. But Culhane’s return as Tucker Carlson continued a dead-on impersonation that covered several topics, including the Met Gala’s wild outfits, the new Michael Jackson biopic, and why eating round bananas is less gay than eating traditionally shaped ones. Culhane’s impression is a thing of beauty, and this time it leaned harder into Carlson’s tendency to express things from a very white point of view. In describing ASAP Rocky’s pink robe from the Met Gala, he said the performer was, “Wearing my least favorite color … African-American.”

Love may not be all you need these days, but a picture with it might help. This you can get beginning later this year when the Huntington installs its newly acquired “LOVE” sculpture by Robert Indiana near the Virginia Steele Scott Galleries of American Art.

Indiana first unveiled the iconic sculpture almost 60 years ago — also just a few days before Mother’s Day — as part of his 1966 solo exhibition at Stable Gallery in New York. While this early version measured only 12 inches high, the Huntington’s edition is 12 feet tall and 12 feet wide, making it an ideal vessel for you and your, ahem, loved ones to snap a pic with.

The polychromed aluminum sculpture is third in an edition of five, with two artist’s proofs, and will be the only “LOVE” sculpture in Southern California available to the public. It arrives at the museum’s San Marino campus as a gift of Terri and Jerry Kohl, who also provided funding for installation and long-term care.

“LOVE” is one of the most recognizable pieces of Pop art ever created — a ubiquitous symbol associated with a variety of social causes, movements and groups, including the LGBTQ+ community during the height of the AIDS crisis.

Indiana’s design for “LOVE,” featuring an L and slightly askew O stacked atop a V and E, first appeared on the Museum of Modern Art’s annual holiday card in 1965, and was apparently among the institution’s most popular holiday cards of all time. The artist completed his first monumental love sculpture, made from steel, in 1970. That sculpture is part of the Indianapolis Museum of Art’s collection.

In a news release, Huntington President Karen R. Lawrence said that Jerry Kohl believed that “LOVE,” “belonged in a place where it would be seen and experienced by millions of visitors in the years leading up to the Los Angeles Olympics, during the games, and far beyond. He recognized The Huntington as a cultural destination uniquely positioned to steward the work and share it with a broad public audience.”

“LOVE” will join a number of other outdoor installations across the Huntington’s expansive grounds and gardens, including two recently acquired sculptures by the Cuban-born artist Enrique Martínez Celaya, in addition to pieces by Sam Francis, Tony Smith and Harry Bertoia.

The sculpture also serves to expand the Huntington’s collection of American art dating from the mid-20th century on, joining works by Andy Warhol, Betye Saar, Elizabeth Catlett, Isamu Noguchi, Paul Manship, Gaston Lachaise, Elie Nadelman, Daniel Chester French, Sargent Claude Johnson, Richmond Barthé and Wilhelm Hunt Diederich.

If you’re planning a Mother’s Day jaunt to the picturesque Huntington, you won’t see the sculpture just yet, but you should still go. (This is where I wish all who celebrate a very happy Mother’s Day. Hi, hardworking, selfless moms everywhere: I see you.)

I’m Arts editor Jessica Gelt and I choose LOVE. This is your arts and culture news for the week.

The week ahead: A curated calendar

FRIDAY

Freeways 2026
Los Angeles Chamber Orchestra fellows Alejandro Lombo, flute, Eder Rivera, oboe, and Nicolás Valencia, viola, and other emerging musicians perform works by Dranishnikova, Piazzolla, Mozart, Dvořák, Gaubert, Julia Moss and Ravel.
7:30 p.m. Colburn School, Zipper Hall, 200 S. Grand Ave., downtown L.A. laco.org

My Birthday Party
Based on stories by Carl Sandburg and Viggo Mortensen, this immersive theatrical experience includes acrobats, aerialists and clowns from Cirque du Soleil and features surprise guests, with music by Veronika Krausas. Opening night performance by Thelma Houston.
8 p.m. Friday and Saturday; 2 p.m. Sunday, through May 7. Fais Do-Do, 5257 W. Adams Place, L.A. playwithsprung.com

Lorenzo Viotti in Milan, Italy.

(Vittorio Zunino Celotto / Getty Images)

Rachmaninoff’s ‘Second Symphony’
In his L.A. Phil debut, flamboyant Italian-Swiss conductor Lorenzo Viotti and violinist Lisa Batiashvili join the orchestra for a fiery program of late-Romantic works.
8 p.m. Friday and Saturday; 2 p.m. Sunday. Walt Disney Concert Hall, 111 S. Grand Ave., downtown L.A. laphil.com

Picasso: Le Monstre Sacré
Peter Tate’s solo performance piece, adapted by the actor and director Guy Masterson from Terri D’Alfonso‘s “The Loves of Picasso,” explores the complicated artist’s legacy from within.
8 p.m. Thursday-Saturday; 3 p.m. Sunday, through May 17. Odyssey Theatre, 2055 S. Sepulveda Blvd. odysseytheatre.com

TJ Shin’s solo exhibition “Delta” is at Ehrlich Steinberg through June 11.

(Ehrlich Steinberg)

TJ Shin
The L.A.-based artist’s solo exhibition “Delta,” rooted in game theory, consists of a multi-channel video installation, drawings and a newly commissioned text by writer and professor Sunny Xiang.
11 a.m.-5 p.m. Wednesday-Saturday, through June 11. Ehrlich Steinberg, 5540 Santa Monica Blvd., L.A. ehrlichsteinberg.com

The Sound of Music
The Hollywood Hills (and San Diego and Costa Mesa) are alive with the sound of Rodgers & Hammerstein on this tour of the latest revival of the classic romantic musical set in Austria as Nazi Germany moves to annex it.
Through May 24. Hollywood Pantages Theatre, 6233 Hollywood Blvd.; May 26-31. San Diego Civic Theatre, 1100 Third Ave.; June 2-14. Segerstrom Center for the Arts, 600 Town Center Drive, Costa Mesa. soundofmusicontour.com

SATURDAY

Ascent
This world premiere of a play by the late Henry Ong details the true story of aerospace engineer and cyberneticist Qian Xuesen, who co-founded Jet Propulsion Laboratory and was instrumental in United States’ World War II efforts before being unjustly forced to return to China. Direction and dramaturgy by Diana Wyenn.
8 p.m. Thursdays-Saturdays; 3 p.m. Sundays, through June 14. Skylight Theatre Company, 1816 ½ N. Vermont Ave, L.A. skylighttheatre.org

Maintenance Artist
The Laemmle “Culture Vulture” series continues with a 2025 documentary about Mierle Laderman Ukeles, who, inspired by Marcel Duchamp, inaugurated the idea that routine activities could be seen as performance art. Directed by Toby Perl Freilich.
10 a.m. Saturday and Sunday; 7 p.m. Monday. Laemmle Glendale, 207 N. Maryland Ave.; Laemmle Town Center 5, 17200 Ventura Blvd., Encino; Laemmle Monica Film Center, 1332 2nd St. laemmle.com 6 p.m. May 16. Getty Center, 1200 Getty Center Drive, L.A. getty.edu

Wild Up: The Center Is Between Us
The eclectic ensemble performs Robert Ashley’s “The Park” and “The Backyard,” narrated live by Christopher Rountree, from the 1978 avant-garde spoken work album “Private Parts,” before being joined by the santoor and tabla duo of Kamaljeet and Jas Ahluwalia, along with cellist Chris Votek, for new work.
8 p.m. UCLA Nimoy Theater, 1262 Westwood Blvd. cap.ucla.edu

SUNDAY

Los Angeles Children’s Chorus
LACC presents two spring concerts: Sunday, featuring the Apprentice Choir, Intermediate Choir and Chorale; and May 17 with the Concert Choir, Young Men’s Ensemble and Chamber Singers.
7 p.m. Sunday and May 17. Pasadena Presbyterian Church, 585 E. Colorado Blvd. lachildrenschorus.org

MOMentum Place
Celebrate Mother’s Day in the great outdoors with aerial and circus performers, dancers and musicians, preceded by a brunch from chef David Gussin and Prose Restaurant.
Brunch, noon; performance, 2 p.m.; Will Geer Theatricum Botanicum, 1419 N. Topanga Canyon Blvd., Topanga. theatricum.com

Shirley MacLaine, Debra Winger and Jack Nicholson in James L. Brooks’ 1983 hit “Terms of Endearment,” which won five Oscars.

(Paramount Pictures)

Terms of Endearment
James L. Brooks won Academy Awards for writing, producing and directing this adaptation of Larry McMurty’s novel, which should resonate with anyone who has or had a challenging relationship with their own mother on this Mother’s Day. Featuring a stacked cast including Oscar winners Shirley MacLaine and Jack Nicholson, and nominees Debra Winger and John Lithgow, as well as Jeff Daniels and Danny DeVito. Presented in 35mm.
2 p.m. Academy Museum, 6067 Wilshire Blvd. academymuseum.org

MONDAY

ASCAP Foundation Musical Theatre Workshop
Three new musicals presented as live readings with musical accompaniment and expert feedback panels: “Lilyville” by Antonius Anand Nazareth (Monday); “The Waiting” by Maria Isabella Andreoli and EmmaLee Kidwell (Tuesday); and “Legendary” by Cheeyang Ng (Wednesday).
7 p.m. Monday-Wednesday. The Wallis, 9390 N. Santa Monica Blvd., Beverly Hills. thewallis.org

TUESDAY

Rachel Ward, left, and Jason Patric in “After Dark My Sweet.”

(Kino Lorber)

After Dark My Sweet
Actor Jason Patric presents a screening of his personal 35mm print of director James Foley’s 1990 neo-noir adapted from the Jim Thompson novel. Introduced by Alex Winter and followed by a Q&A with Patric and writer/film critic Travis Woods.
7:30 p.m. Vidiots, 4884 Eagle Rock Blvd. vidiotsfoundation.org

Sarah Andon
“Eclectic Engagement: Explorations in Sound, Space, and Collaboration” features the L.A.-based flutist and an all-star ensemble, including percussionist Nick Terry, pianists Todd Moellenberg, Bryan Pezzone and Aron Kallay, flutist Sarah Wass, violinist Shalini Vijayan and electronicist Cristina Lord performing works by Toru Takemitsu, Sungji Hong, Gabriela Lena Frank, Nicolás Lell Benavides, Herman Beeftink, Jerry Goldsmith, Ennio Morricone and Nino Rota.
8 p.m. Monk Space, 4414 W. 2nd St., L.A. brightworknewmusic.com

WEDNESDAY

Alexandra Silber adapted a new book for Lerner & Loewe’s classic “Brigadoon.”

(Jason Armond / Los Angeles Times)

Brigadoon
Tyne Daly headlines this new adaptation by Alexandra Silber of the classic Lerne & Loewe musical about a mysterious Scottish village that only appears once a century. Directed by Katie Spelman, with original dances created by Agnes Demille.
Through June 14. Pasadena Playhouse, 39 S. El Molina Ave. pasadenaplayhouse.org

A Sea Symphony
Pasadena Chorale performs Walt Whitman’s words with Vaughan Williams’ music, featuring solos by sopranos Rachel Adcock and Asha Srikantiah and baritones Eric Werner and Tobin Sparfeld.
7:30 p.m. First United Methodist Church Pasadena, 500 E. Colorado Blvd. pasadenachorale.org

THURSDAY

Camerata Pacifica
The ensemble performs a program that includes works by Beethoven, De Mey and Bunch, and concludes with Shostakovich’s “Symphony No. 15 for Piano Trio and Percussion,” arranged by Viktor Derevianko.
8 p.m. Thursday. Colburn School, Zipper Hall, 200 S. Grand Ave., downtown L.A.; 7 p.m. May 15. Academy of the West, 1070 Fairway Road, Santa Barbara. 8 p.m.; 3 p.m. May 17. Bank of America Performing Arts Center, Scherr Forum, 2100 E. Thousand Oaks Blvd.; 7:30 p.m. May 19. The Huntington, 1151 Oxford Road, San Marino. cameratapacifica.org

Arts anywhere

New and recent releases of arts-related media.

Open-Door Playhouse
Playwright Bernadette Armstrong launched this online venture during the pandemic to help other authors get their work heard by audiences. The endeavor has continued, producing dozens of audio versions of 10-minute and one-act plays delivered as podcasts. The latest release, “Holy Hell,” written by Barbara Lindsay, features a man (played by Gary Lamb, who also directed) and a woman (Elaine Mello) separately recounting the tragedy that united them. Open Door Playhouse is free, relying on listener donations.
opendoorplayhouse.org

“Rupert García: The Making of an American Artist, a Testimonio” by Mario T. García.

(Rutgers University Press)

Rupert García: The Making of an American Artist, a Testimonio
An oral history 30 years in the making, the book chronicles the life and career of the American Chicano visual artist and activist, whose work as a painter, pastellist and screen printer both documented and galvanized cultural movements from the 1960s onward. The book’s author, historian Mario T. Garcia of UC Santa Barbara, will be in town for a book signing at 7:30 p.m. on Friday at Vroman’s Bookstore, 695 E. Colorado Blvd., Pasadena. vromansbookstore.com
Rutgers University Press: $35, 215 pages.

Arturo Sandoval, who frequently performs in Los Angeles, has a new album, “Sangú.”

(The Wallis)

Sangú
Trumpeter, bandleader and composer Arturo Sandoval’s latest album — the title is a malapropism of “sounds good” made during the studio sessions — features 12 tracks of Afro-Cuban funk, blending bebop, fiery jazz fusion and batá-inspired rhythms. Sandoval will perform June 4-7 at Blue Note Los Angeles.
Self-released: digital download, $9.50. arturosandoval.com

— Kevin Crust

Culture news and the SoCal scene

Maria Wirries and LJ Benet in “The Lost Boys,” from left; Sara Chase and Brad Oscar appear onstage during curtain call of “Schmigadoon!” on opening night, and Joshua Henry and the cast of “Ragtime.”

(Matthew Murphy, left and right; Valerie Terranova / WireImage, center.)

Tony Award nominations were announced early this week with musicals “The Lost Boys” and “Schmigadoon!” leading nominations with 12 each, followed by “Ragtime” with 11. Malia Mendez has the full list, here, and Times theater critic Charles McNulty followed up with a story on 10 standout Broadway performances and shows worth celebrating, including Laurie Metcalf in both Samuel D. Hunter’s “Little Bear Ridge Road” and this spring’s revival of “Death of a Salesman.”

The Pulitzer Prizes were announced the day before the Tony nominations, and Bess Wohl’s play “Liberation” took home the 2026 Pulitzer for drama. The win foreshadowed what would come next: “Liberation” was nominated for five Tonys, including best play and director.

McNulty also rounded up three major Broadway musicals in one handy, sweeping review: “Cats: The Jellicle Ball,” “The Lost Boys” and “Titanique.” “Cats,” notes McNulty, has managed to distance itself from its kitschy reputation and checkered past to become “one of the hottest tickets of the Broadway season. It didn’t take a miracle, only a complete conceptual overhaul.” Happily, “The Lost Boys” also won McNulty over despite his “antipathy to vampire schlock.” “Titanique” was not McNulty’s favorite, but he noticed that his fellow theatergoers couldn’t get enough.

Joe Mantello at his home in New York on Friday, April 3, 2026.

(Evelyn Freja / For The Times)

There was not one free moment in McNulty’s New York itinerary in early March. While attending a flurry of shows, our critic also sat down to a brunch interview with director Joe Mantello during rehearsals for the new Broadway revival of “Death of a Salesman.” “A two-time Tony-winning director (‘Assassins,’ ‘Take Me Out’), Mantello has a résumé so extensive that it can be startling to recall that he’s the original Broadway director of “Wicked,” the blockbuster that has allowed him to write his own ticket. There aren’t many theater directors who can pick and choose their projects without worrying about their next paycheck, but he has become the Mike Nichols of our era in terms of the breadth and consistency of his theatrical success,” writes McNulty,

The Times got the scoop that Holocaust Museum LA will reopen June 14 as part of the new $70-million, 70,000-square-foot Goldrich Cultural Center. The center doubles the museum’s original 35,000-square-foot footprint and broadens the institution’s “focus on inclusion and community, with a diverse range of events and ramped-up educational offerings,” writes Times contributor Solvej Schou.

Composer John Williams, 94, attended the dedication ceremony of the new John Williams Performing Arts Center at North Hollywood High on April 29, 2026.

(Genaro Molina / Los Angeles Times)

Times contributor Tim Greiving, who is also the author of a biography on John Williams, covered a ribbon-cutting ceremony for the new John Williams Performing Arts Center at North Hollywood High — the famed film composer’s alma mater. Williams, 94, was in attendance and gave a few brief remarks in front of a crowd filled with other notable school alumni and friends including Kathleen Kennedy.

The Times published an exclusive on Pasadena Playhouse’s new 2026-27 season, which includes the post-Broadway debut of “Real Women Have Curves: The Musical.” Other offerings include a new production of Friedrich Dürrenmatt’s tragicomedy “The Visit,” the L.A. premiere of “Passing Strange,” and a revival of “Cat on a Hot Tin Roof.”

Comedian Kathy Griffin in 2019.

(Matt Licari / Invision Associated Press)

Comedian Kathy Griffin is staging her first-ever residency at the Plaza Theatre in Palm Springs. “Can You Handle This Heat? The Kathy Griffin Palm Springs Residency,” is scheduled to run from Jan. 31 to Feb. 26, 2027. Tickets go on sale today.

The Soraya has announced it 2026-27 season featuring eight noteworthy debuts and 45 performances, including Sutton Foster with Chris Walden and the Pacific Jazz Orchestra; the eclectic band Snarky Puppy; Majo Aguilar con Mariachi y Banda; Dance Theatre of Harlem; National Symphony Orchestra of Ukraine; Los Angeles Philharmonic; Audra McDonald; and the National Symphony Orchestra. The new lineup also introduces Chad Hilligus as the Soraya’s new executive and artistic director.

Grand Performances announced its 40th annual Summer Concert Series featuring free outdoor shows in downtown L.A.’s California Plaza from June 6–Aug. 29. Highlights include a June 13 anniversary celebration with Jungle Fire, Healing Gems and DJ Liza Richardson; a tribute to the music of Stevie Wonder with DJ Spinna, Monalisa and MC Cognito; and a tribute to Roy Ayers led by composer Sly5thAve with a 12-piece ensemble including drummer Kassa Overall.

This week, IATSE filed unfair labor practice charges against management at the beleaguered John F. Kennedy Center for the Performing Arts, alleging the center broke its union contract by permanently eliminating union jobs ahead of its controversial temporary closure.

— Jessica Gelt

And last but not least

Looking for a great classic diner? Me too! This Food story will help.

The Lakers are one playoff defeat from their season being over and from the conversation turning to LeBron James’ future.

They are in a hole no team has climbed out of in the history of the NBA, the Lakers’ 131-108 loss to the Oklahoma City Thunder in Game 3 putting L.A. down 3-0 in the best-of-seven Western Conference semifinal series.

James and his teammates gave a gallant effort Saturday night at Crypto.com Arena, but the defending champion proved to be more than the Lakers could handle.

James finished his night with 19 points on seven-for-19 shooting, eight assists and six rebounds. Rui Hachimura had 21 points and Austin Reaves finished with 17 points and nine assists.

Even so, the Lakers have now lost all three games by double digits.

And the Lakers are fully aware that no NBA team has successfully come back from a 3-0 deficit in the playoffs, with those teams holding a 161-0 record. Only four teams have forced a Game 7 after trailing 3-0, all of which ultimately lost the series, including the Boston Celtics in 2023.

Lakers forward LeBron James shows frustration as Thunder center Chet Holmgren slam dunks during Game 3 on Saturday night.

(Robert Gauthier / Los Angeles Times)

Game 4 is Monday night, when the Lakers will try to stave off elimination and a night that will determine how the conversations go with James if they lose.

James has been frequently asked this season about retirement, but he has not given any indication of what the future holds for him.

He’s 41 years old and playing in an NBA-record 23rd season.

James is in the final year of his contract that pays him $52 million, making him a free agent this offseason. He can retire, join another team or perhaps return to the Lakers next season.

That will be the conversation if the Lakers can’t win Game 4.

They will see the same Thunder team that had seven players score in double figures, led by Ajay Mitchell’s 24 points and 10 assists and Shai Gilgeous-Alexander’s 23 points and nine assists.

The Lakers went down 13 in the third quarter and had to play catchup the rest of the way. They never did, going down by 112-94 with 6 minutes and 12 seconds left, forcing Lakers coach JJ Redick to call a timeout.

The deficit just kept growing, topping out at 27 points in the fourth.

They were outscored 33-20 in the third quarter. The Lakers didn’t take care of the basketball in the third, turning it over six times, and they didn’t play good defense, allowing the Thunder to shoot 59.1% from the field and 55.6 percent from three-point range,

The Lakers did not give an inch to the Thunder in the first half, even when they fell behind by 10 points.

They just kept grinding until they led 59-57 at halftime.

Hachimura had 16 points in the first half, continuing his hot three-point shooting by making all four of his threes. Luke Kennard came off the bench to give the Lakers 13 points, shooting five for six from the field and three for four from three-point range.

The Lakers kept the pressure defense on Gilgeous-Alexander. Though he had 14 points in the first half, he shot only four-for-14 from the field and one for five from three-point range.

The Lakers shot 55% from three-point range in the first half, which went a long way in helping them.

The Lakers lost the first two games by identical margins of 18 points and each loss was magnified because Gilgeous-Alexander was kept under wraps for the most part by L.A.’s defense.

When Gilgeous-Alexander picked up his fourth foul with 10:34 left in the third quarter of Game 2 and went to the bench, the Thunder turned a five-point lead into a 13-point advantage at the end of the quarter.

So, when he wasn’t on the court, the Lakers failed to take advantage.

“Well, you know, again, I’ll repeat what I said after the game: we’ve got to be better in the non-Shai minutes,” Lakers coach JJ Redick said.

Role players like Mitchell and Jared McCain hurt the Lakers in the second game. Chet Holmgren also was hard to deal with.

“Mitchell and McCain have hurt us in those non-Shai minutes, and then Chet [Holmgren] has hurt us the whole game,” Redick said. “I think you’ve got to be willing to live with something. Shai playing one-on-one, thus far in the series, we haven’t been willing to live with, so you’re going to be in rotation. That can lead to smalls on bigs at the hole, and the offensive rebounding from Chet has really hurt us.”

Good morning, and welcome to L.A. on the Record — our City Hall newsletter. It’s David Zahniser, with an assist from Noah Goldberg, offering up the latest on city and county government.

L.A. voters finally got a chance this week to see how the leading candidates for mayor behave onstage with each other, and they didn’t disappoint.

The back-to-back debates offered plenty of cutting moments as Mayor Karen Bass, Councilmember Nithya Raman and reality television star Spencer Pratt faced off against each other.

But the two showdowns also served up a few surprises. Here are three that were noteworthy:

Raman and a campaign pledge

Bass went mano-a-mano with Raman on Tuesday for 90 minutes in the drab settings of the Sherman Oaks Adult Center.

Technically it was Raman’s home turf, since the facility is located in her Hollywood Hills district. But the Sherman Oaks Homeowners Assn., the event’s host, wasn’t an especially friendly audience — in part because of their diverging views on real estate development.

Raman soldiered on, telling the audience about her big promise of the day: If elected, she would cut the number of homeless encampments across the city in half by the 2028 Olympic Games.

Then she went further, saying she would remove every encampment by the end of 2030, the conclusion of her hoped-for first term as mayor.

Raman has spent much of the campaign talking up her record on homelessness in her district, which stretches from Silver Lake to Reseda, pointing to a 54% reduction in the number of tents and encampments over three years. She’s been contrasting that work with Bass’ Inside Safe program, which secured a 17.5% reduction over two years citywide.

“I don’t think anybody in Los Angeles right now can say that we are satisfied with spending extraordinary amounts of money and getting only incremental progress,” Raman said the following night, at a debate sponsored by NBC4 and Telemundo 52 at the Skirball Cultural Center.

As part of her pitch, Raman unveiled a four-part strategy to get the city’s nearly 27,000 “unsheltered” homeless residents indoors.

Still, her pledge drew criticism from Councilmember Monica Rodriguez, who has emerged as a Bass supporter in recent days. Rodriguez said Raman has been in office since 2020, spending half that time in charge of the committee that oversees homelessness, and is only offering a comprehensive encampment strategy weeks before the election.

“What’s stopped her for the last six years?” Rodriguez asked in a text message.

Bass and needle exchange

On Wednesday, Bass and Raman joined Pratt for the one-hour televised debate at Skirball. Pratt spent much of the night promising to rid the streets of drug addicts, whom he regularly refers to as “zombies” on social media.

“When you get rid of all the drug addicts on the street, the police won’t be responding to the drug addicts all day long,” he said.

Echoing that theme, NBC4’s Colleen Williams told the three candidates that Norm Langer of Langer’s Delicatessen wants the city to end its needle “giveaway program.”

Williams asked the three candidates if they would do as Langer requested. Raman said no. Pratt said yes.

Bass, after a brief pause, also said yes. That was something of a surprise, since the city’s Department on Disability delivers those types of services as part of its HIV/AIDS prevention services, collecting dirty syringes and offering clean ones to drug users.

The mayor’s budget calls for nearly $1.2 million in the coming fiscal year for overdose prevention and syringe exchange services, City Administrative Officer Matt Szabo said in an email.

Bass spokesperson Paige Sterling said the mayor’s office is now “actively reviewing these programs.”

“Needle exchange programs like this are not designed to end people’s addictions, and we should be doing everything we can to end drug use in our parks — especially given the increased use of deadly drugs like Fentanyl,” she said in a text message.

Langer said needle giveaways should not be in or near “sensitive sites” like parks and schools, including MacArthur Park.

Officials in Los Angeles County’s Department of Public Health said so-called harm reduction programs, including the distribution of Narcan and syringes, help save lives and improve public health, reducing the number of overdose deaths and the transmission of HIV and viral hepatitis.

Pratt was in fact kinda chummy with Bass

He calls Bass trash on social media — at least in Spanish. He reposted an AI video that portrays her as the Joker. He blasted her as “an incredible liar” during Wednesday’s debate.

Yet the evidence is clear: Pratt, the former star of MTV’s “The Hills,” did get friendly with Bass for a few moments during his hour onstage with her.

At one point, Pratt praised Bass for working to fund the Los Angeles Police Department, saying her efforts were “important, actually.” At another point, he flagged for the moderators that Bass was trying to rebut some of Raman’s remarks.

“Mayor Bass would like to respond,” Pratt nudged them.

“Thank you,” Bass replied.

Team Raman has been trying to make the case that Bass has been going easy on Pratt, as part of a larger strategy to ensure that she faces him in the top-two Nov. 3 runoff. During the debate, Raman accused the two of teaming up to attack her, saying they were afraid of facing her in Round 2.

Pratt pushed back on the idea, saying he considers Bass to be the more formidable opponent. “You think it’s easier to run against the incumbent mayor with all the unions [endorsing her], or a random council member who’s been a failure for six years?” he said.

Halfway through the debate, Bass tried to reply to another Raman remark, and Pratt stepped in again to assist.

“See how nice they are being to each other?” Raman said.

State of play

— DOUBLE NO-SHOW: Bass won’t be returning to the debate stage next week, skipping a candidate forum scheduled for Wednesday on Fox11. Pratt also is not attending, according to organizers. That leaves City Councilmember Nithya Raman, tech entrepreneur Adam Miller and community organizer Rae Huang. Bass spokesperson Alex Stack said the mayor will be in Sacramento that day lobbying for state funding.

The main organizers of the event — the Pat Brown Institute for Public Affairs and the League of Women Voters of Greater Los Angeles — issued a statement calling Bass’ withdrawal from the debate “disappointing.” “Public forums such as this are a cornerstone of democratic accountability,” the groups said.

— TICKING TIMEBOMB: Szabo, the city administrative officer, issued a grim warning this week about the proposal heading to the November ballot that would repeal the city’s business tax, depriving the city of about $860 million per year. Szabo said the measure, backed by a coalition of business leaders, would lead to “an immediate and lasting contraction of public services” and “fundamentally undermine” the city’s ability to host the 2028 Olympic Games.

— THREE MORE STOPS: Metro’s D Line subway extension finally opened Friday, offering three additional stations along Wilshire Boulevard. The line’s westernmost point is now the La Cienega Boulevard station.

— MAD FOR MCKINNEY: L.A. County Dist. Atty. Nathan Hochman and the union that represents rank-and-file police officers endorsed prosecutor John McKinney, dealing a fresh setback to the reelection campaign of City Atty. Hydee Feldstein Soto. The police union withdrew its endorsement of Feldstein Soto last month, citing her handling of a data breach dealing in part with police lawsuits.

— AIRBNB’S BIG BUCKS: Meanwhile, a campaign committee sponsored by Airbnb just put $1.5 million in an independent expenditure committee backing McKinney, according to a new filing with the secretary of state. Michael Trujillo, political strategist for Feldstein Soto, responded on X:
“Hydee Feldstein Soto SUED AIRBNB for GOUGING LA FIRE SURVIVORS and now they are crying with this IE in support of their hand picked puppet.”

— ROOTING FOR RAMAN: She didn’t get Democratic Socialists of America to reopen its endorsement process for the mayoral primary election. But Raman got something else: a recommendation in DSA’s newly released voter guide.

The group’s L.A. chapter said a vote for Raman would ensure that “a left candidate with a proven track record of delivering for working class Angelenos” makes it into the top two against Bass. The DSA also issued a caveat, saying in boldface that its “recommendation” is “not an endorsement” — and therefore will not cause the group to expend any resources on her behalf.

— THEN THERE’S THIS: The centrist 501(c)4 nonprofit group Thrive LA took a sharply different approach, issuing a voter guide that — wait for it — endorses both Bass and Pratt in the primary. Why? The group doesn’t want Raman, arguing she would bring “higher taxes, more regulation, less housing production, and an ideological approach to governance.”

— STOPPING TRAFFIC STOPS: The City Council took a step toward imposing new restrictions on “pretextual” traffic stops this week, asking the Los Angeles Police Commission to adopt new guidelines similar to San Francisco, which bars officers from pulling drivers over for broken taillights and other minor equipment violations, unless there is a safety threat.

— NOHO TRAGEDY: A jury found Thursday that an LAPD officer was not liable for the death of a 14-year-old girl who was killed by a bullet fired by the officer as he pursued a suspect in a Burlington department store. The family of Valentina Orellana-Peralta filed a lawsuit contending that the officer should have slowed down and deferred to other officers at the scene who had already determined that the suspect wasn’t armed with a gun.

— MEA CULPA: We made a mistake in last week’s newsletter, incorrectly reporting that Councilmember Traci Park voted against L.A.’s “sanctuary city” ordinance. Although Park was highly critical of the ordinance after it passed, she was absent from the council’s vote.

— THEY’RE HERE: Our voters guides have arrived, giving you the rundown on who’s running for what in a whole bunch of races. Take a look!

QUICK HITS

• Where is Inside Safe? The mayor’s signature program to address homelessness revisted a long list of spots that have been targeted by the program previously.
• On the docket next week: As we mentioned earlier, the next televised forum is set for Wednesday, with the Pat Brown Institute for Public Affairs, the League of Women Voters of Greater Los Angeles and Fox11 hosting.

Stay in touch

That’s it for this week! Send your questions, comments and gossip to LAontheRecord@latimes.com. Did a friend forward you this email? Sign up here to get it in your inbox every Saturday morning.

Kath Cross and Stuart Hall have been living full-time in their campervan and have travelled over 25,000 miles on their epic adventures

A couple sold all their possessions to buy a campervan and travel the world – for just £30 a day. Kath Cross, 49, and Stuart Hall, 48, have travelled over 25,000 miles on epic adventures through the Sahara desert, Europe and Scotland in their make-shift home.

The pair have been living in their 7.5m Mercedes Sprinter ever since Kath sold all her possessions and stopped paying rent four years ago. To date they have toured over 15 countries – and will have exceeded 20 by the time they get back from their current trip to Montenegro.

The couple work on the road full-time under the name Vanavigation – where they create, write and share travel content. Though their spending plan varies slightly depending on which country they are residing in, the pair say on average they spend around £900 to £1,200 a month – cheaper than Kath’s old house rental in Cardiff.

This means they budget around £30 to £40 a day for their lifestyle – with half spent on fuel. Kath, from Cardiff, said: “It was a choice we made between one life and another – and we don’t regret a second of it.

“When I sold my possessions, it made me realise that you are supposed to own things – not them own you. When you have a mortgage, a car payment, you are owned by society, fixed because you have to stay where you are and pay your bills.

“The more of my stuff I sold the more free I felt – the more I am realising those possessions owned me and pinned me in one place. Life owns you and you are supposed to own it.”

Kath and Stuart bonded over their shared love of nature and the outdoors after meeting in a South Wales walking group back in 2021. They hiked over 105 peaks in the UK during their first year of dating and Kath decided that Stuart was the person she wanted to travel the world with.

She soon after decided to pack up her four-bed rental house and sell all of her possessions back in 2022 when her daughters left home. Stuart and Kath have since travelled over 25,000 miles – including their first trip all the way to the Sahara desert, which Kath described as her “lifelong dream”.

Kath said: “I had an idea that when my kids left home I wanted to drive to the Sahara – it was a dream I’d had for years. Stu already owned the van, and we had been together a few months when we visited Scotland for a month in the campervan. We didn’t kill each other and got on very well.

“So that winter I decided that I was going to downsize my life, my kids had left home, the four-bed rental was too much for me and I just didn’t want it anymore. It was taking every penny that I earned just to keep the rental going – but we knew we could live cheaper on the road.

“A lot of people are scared of the big adventure, but Stu was up for the idea and so we drove to the edge of the Sahara desert and haven’t looked back.”

READ MORE: Ryanair passengers with flights booked to Portugal issued EES updateREAD MORE: Gran ‘trapped’ in her own home after handing over £13K to rogue builders

The mother-of-two is able to ensure a steady monthly income for the pair after she set up her own business online back in 2012. As a single parent, Kath wanted to ensure she could earn a living while being at home with her children – and her copywriting and freelance work saw her amass 1.6million followers on Facebook in 2014.

Stuart, who works for an agency as a truck driver, works when they visit the UK after trips to help top up their money before their next adventure. Her and Stuart are both work together to produce content for Vanavigation – releasing weekly Youtube episodes, travel guides and insightful blogs across social media on how to travel the world.

Kath said: “Life really is a lot cheaper in the van – you don’t need two wages. We were away for 101 days and our average spend was £1000 a month – this is less than my rent used to be in Cardiff and we lived like kings and queens.”

Despite more than half their budget being on fuel, the pair say they don’t live like they are on holiday – and mostly cook in the van and only pay for a few activities a month. Kath said: “As fuel prices have gone up we have just slowed down!

“We just drive a bit slower and make a few less stops – which means we extend the trip really. When you’re in North Macedonia and paying 130 a litre for diesel, there is no point rushing back to pay whatever horrifying price it is in the UK at the moment.”

The pair are able to live in their fully-equipped campervan which boasts a full working set up including: a shower, toilet, king-size bed, sink, and a fully working kitchen with an oven, gas burner. Stuart, who converted the inside of the van shortly after purchasing it, said: “We can even do a roast dinner.”

So far, the pair have driven 3,000 miles to Denmark and back, 7,000 miles around Spain and Portugal, 2,000 miles to Scotland and 8,000 miles to the Sahara. They are currently in Montenegro, and are just shy of 5,000 miles on their trip which has seen them drive through France, Italy, Albania, Greece, North Macedonia and Kosovo.

Their next stops are Serbia, Bosnia, Croatia, Slovenia and France. Kath and Stu said their Sahara trip has been one of their many highlights – which also include their visit to the Atlas mountains, Kosovo and Denmark.

Stuart, from Southampton, said: “We drove to the edge of the sand dunes and were drinking coffee out of own mugs from home. Then we opened up the curtains and there were 40 camels outside – it was totally surreal. I had only ever been on package holidays before.”

Kath said they also loved their visit to the Atlas mountains because of the scenery and people they met during their trip and volunteering. She said: “There are communities there that have nothing, and they just want to help you.

“We helped a guy stuck in the snow and he wanted to take us to his village, which had 66 houses and a mosque. His family made us food and drinks and the kids in the village came to meet us and it was only a few months after the earthquake. It was so special connecting with the local communities.”

The pair are strong advocates for following your dreams and travelling the world in a mindful and sustainable way. Stuart said: “We choose to step lighter on this earth.

“My big diesel van has much less of a carbon footprint than a three-bed house where people leave the lights on. We don’t buy new stuff, we wear clothes until we can’t wear them anymore and we live light on plastics. We love this life and we learn so much about people.”

Kath said: “You can’t dream yourself into this life, you have to make intentional decisions to get here. You have to let go of other things to get here. We left the rat race – and we’re really glad about it.”

You can follow their adventures here: “https://www.facebook.com/vanavigationuk/

Welcome to Bunker Talk. This is a weekend open discussion post for the best commenting crew on the net, in which we can chat about all the stuff that went on this week that we didn’t cover. We can also talk about the stuff we did or whatever else grabs your interest. In other words, it’s an off-topic thread.

This week’s caption reads:

Soldiers with Bravo Company, Task Force Guardian, 41st Infantry Brigade Combat Team, secure a bunker in an enemy fortified entrenchment during the initial phase of combat operations as part of an exercise during the Joint ReadinessTraining Center (JRTC) rotation 24-09 at Fort Johnson, La., July 18, 2024. Task Force Guardian is comprised of personnel from 2nd Battalion, 162nd Infantry; 1st Battalion, 186th Infantry; and the 141st Brigade Support Battalion. The JRTC goal is to create realistic environments that help prepare units for complex operations. (Oregon Army National Guard photo by 1st Sgt. Zachary Holden, 115th Mobile Public Affairs Detachment)

Prime Directives:

• If you want to talk politics, do so respectfully and know that there’s always somebody that isn’t going to agree with you. 
• If you have political differences, hash it out respectfully, stick to the facts, and no childish name-calling or personal attacks of any kind. If you can’t handle yourself in that manner, then please, discuss virtually anything else.
• No drive-by garbage political memes. No conspiracy theory rants. Links to crackpot sites will be axed, too. Trolling and shitposting will not be tolerated. No obsessive behavior about other users. Just don’t interact with folks you don’t like. 
• Do not be a sucker and feed trolls! That’s as much on you as on them. Use the mute button if you don’t like what you see.  
• So unless you have something of quality to say, know how to treat people with respect, understand that everyone isn’t going to subscribe to your exact same worldview, and have come to terms with the reality that there is no perfect solution when it comes to moderation of a community like this, it’s probably best to just move on. 
• Finally, as always, report offenders, please. This doesn’t mean reporting people who don’t share your political views, but we really need your help in this regard.

Taylor Sheridan’s “Yellowstone” universe, the sprawling neo-western TV franchise that chronicles the embattled Dutton family across time and locations, continues its aggressive expansion on screen with next week’s arrival of “Dutton Ranch.”

Premiering May 15 on Paramount+, the series continues the story of Beth Dutton (Kelly Reilly) and Rip Wheeler (Cole Hauser) — she’s the daughter of the late John Dutton (Kevin Costner), while he’s John’s longtime ranch foreman and fixer — as they migrate their passionate and unwavering love from Montana to South Texas to build a new life. The new series picks up about a year after the events that closed out the mothership series — namely, the selling of Yellowstone Ranch. And as you might expect, it doesn’t take long for them to make new enemies in their efforts to keep their new ranch operating.

Christina Alexandra Voros, who is an executive producer and director on the series, stopped by Guest Spot to talk about what sets “Dutton Ranch” apart from its parent show.

Also in this week’s Screen Gab, our recommendations include the return of a classic Cartoon Network series and a new addition to the growing microdrama landscape. And wait. Did you hear “The Bear” released a special episode? Let us tell you about it.

Scroll down and stream on. See you next week.

— Yvonne Villarreal

Turn on

Recommendations from the film and TV experts at The Times

Mordecai, a blue jay who works at the park, in “Regular Show: Lost Tapes.”

(Cartoon Network)

“Regular Show: The Lost Tapes” (Cartoon Network )

Nearly a decade after “Regular Show” flashed into history with a metafictional battle for the fate of the universe, J.G. Quintel is restoring his cult-beloved cartoon series to life, with its cast and creatives back in place. (Following the “Gumball” revival, these are great days for old-school CN fans.) A surreal hardly workplace comedy, it’s set in a city park (even when, in the last season, the park was hijacked into a tree-shaped space station), where the characters — a blue jay, a raccoon, a lollipop man, a Yeti, a muscular little green monster, a video-game ghost with a hand growing out of its body-head and a walking gumball machine, who runs things — get into scrapes as strange as that cast list might suggest. As the original series ended 25 years into the future, “The Lost Tapes” no doubt indicates a rewind — VHS is the preferred format of this crew — into an earlier world we can regard as the present. Though what, after all, is time to a cartoon? (The show premieres Monday on Cartoon Network, and will come to Hulu and HBO Max later in the year.) — Robert Lloyd

Eric C. Lynch, Brittney Jefferson and Jenna Nolen in a scene from “Screen Time.”

(Liliane Lathan)

“Screen Time” (TikTok, PineDrama)

When word hit that Issa Rae’s Hoorae Media was set to premiere its first microdrama series, which are essentially super-short TV shows shot for smartphones, it felt like it was finally time for me to see what this format on the rise is all about. “Screen Time” begins with a double-date movie night that goes off the rails after a mysterious figure hijacks the TV and sends two couples — Danielle (Brittney Jefferson of “Rap Sh!t”) and Marcus (Eric C. Lynch of “Queen Sugar”); and James (Xavier Avila of “Á La Carte”) and Olivia (Jasmine Luv of “Tell It Like a Woman”) — on a tailspin as they’re forced to confess their secrets or risk their online footprint being made public. It’s a fun and ridiculous ride, made all the more entertaining when you scroll the comments for a full communal experience. It’ll have you doing an inventory on your phone’s contents, if you’re not busy unplugging any nearby virtual assistants while questioning what’s up with Marcus. There are 27 episodes now available to watch, with each clocking in at roughly a minute and flowing into the next. (For a bit of comparison, the viral “Who TF Did I Marry?” TikTok series by Reesa Teesa, which held me hostage in 2024, had about 50 videos, with many lasting around 10 minutes. But that was real-life drama.) Of course, Rae knows something about making online content stand out. Long before “Insecure” made her an in-demand storyteller in TV and film, Rae broke through with her YouTube series “The Mis-Adventures of Awkward Black Girl.” The next episode drop arrives on May 22. — Y.V.

Catch up

Jon Bernthal as Michael “Mikey” Berzatto and Ebon Moss-Bachrach as Richard “Richie” Jerimovich in a stand-alone episode of “The Bear” titled “Gary.”

(FX)

Everything you need to know about the film or TV series everyone’s talking about

“Dutton Ranch” isn’t the only show spinning off family dynamics in new places. “The Bear” made a surprise episode drop earlier this week. Titled “Gary,” the stand-alone episode — listed on Hulu separate from the main show and not considered part of a season — is a one-hour flashback that mostly functions as a prequel. It follows Richie (Ebon Moss-Bachrach) as he sets out on a work trip to Gary, Ind., with Mikey (Jon Bernthal).

Though not biologically related, the pair are best friends who consider each other family of the “cousin” variety. And they’re tasked with running an errand for cousin Jimmy (Oliver Platt) to deliver a box whose contents neither knows. Moss-Bachrach and Bernthal, who have been friends since 2003, co-wrote the episode. And TV critic Robert Lloyd had this to say about the pair’s collaboration here: “One senses that as writers, they’ve built themselves a playground to act in; both are phenomenal.”

It’s also worth noting that, a day after the episode’s release, FX confirmed the Emmy-winning series is coming to an end next month. Fans questioned the show’s fate when the fourth season concluded with its tortured but deeply ambitious head chef Carmy Berzatto (Jeremy Allen White) announcing he planned to leave the restaurant. So, yes, chef: When “The Bear” returns on June 25 for it’s fifth season, it will be the series’ last.

Guest Spot

A weekly chat with actors, writers, directors and more about what they’re working on — and what they’re watching

(Emerson Miller / Paramount+)

A pair of “Yellowstone” siblings are keeping television screens supplied with Dutton drama. After “Marshals,” the CBS procedural that follows Kayce Dutton (Luke Grimes) as he leaves ranch life to join an elite U.S. Marshals unit in Montana, became runaway hit for the network when it premiered earlier this year, quickly earning a Season 2 renewal, the fictional character’s sister, Beth (Reilly), is poised for her spin-off debut. Joined by her husband Rip (Hauser) and their surrogate son Carter (Fin Little), the trio relocate to South Texas to escape the ghosts of the Yellowstone ranch and build a new life in “Dutton Ranch.” Managing a new 7,000-acre property, they encounter new friends (a compassionate veterinarian played by Ed Harris) and foes (a rival rancher played by Annette Bening). The nine-episode series premieres with two episodes on May 15. Ahead of the show’s launch, reports surfaced that Chad Feehan, the show’s creator and showrunner, would not return for Season 2. I spoke with Voros, a longtime collaborator of Sheridan, about how the new series is different from the mothership, whether its central couple parallels the epic love story featured in “The Madison” and the show’s she’s been watching. — Y.V.

How is “Dutton Ranch” different from “Yellowstone”?

“Yellowstone” was entirely about a family holding on to the legacy of a place, and “Dutton Ranch” is entirely about building a new legacy. From a spiritual sense, what is driving these characters is similar — it is the bond to family, it is protection of each other. But the landscape has changed. In many ways, what was about land in the mothership has alchemized into being about family in “Dutton Ranch” because that’s what is left. The land that has brought them to their knees in war for generations is no longer something that burdens them, but they are tasked with building a new life and protecting that new life that they have built.

What is it about Beth and Rip that struck a chord with “Yellowstone” viewers? And why do you think they are well–suited to stretch this TV universe?

Everyone loves a good love story and everyone loves an imperfect hero. When two people find each other and complete each other in a way that is both untraditional and heroic and romantic, it’s hard not to fall in love with them — and it’s hard to not want to fight for them and want to see them succeed. I’ve been with “Yellowstone” since the first season, and I remember very clearly being out there in Montana, making this crazy, big, ambitious TV show. And I remember, the next year, no one could go out to a restaurant in town without being accosted. Then the next year, there were Rip and Beth costumes at the store for Halloween. It takes a very special kind of actor to be able to carry that story and that character forward and to keep evolving, and to not become a caricature of themselves, but to grow not just the fictional person, but to also grow as an artist, to continue breathing life into that character. And I think Kelly and Cole have done so with with such grace and such a profound commitment to each other and to the show and to storytelling. They’re both EPs this season, and it’s so well-earned. It’s not just on face value. They have been in the trenches from the very beginning, really fighting for and protecting themselves and the DNA of the series.

I know, in theory, Taylor’s other series that you worked on, “The Madison,” is not in the same fictional universe. But at the heart of that series is this epic, once-in-a-lifetime romance. Do you see parallels? Do you think Preston (Kurt Russell), whose character loved visiting Montana, and Rip would have ever crossed paths? Would they have liked each other?

They would have enjoyed a beer together if they stumbled into each other at the same bar. I think the pursuits that feed their souls are different. Beth and Stacy would have ultimately gotten along after probably some kind of caustic series of remarks at the same bar.

I think there’s something about enduring love that is in both of those relationships. There are parallels in terms of the secrets that people carry, not necessarily nefarious ones, but sides of yourself that you don’t always see. I will say, Rip and Beth understand all the facets of each other in a way that is different from Stacy and Preston. The love story of “The Madison” is about two people who share everything but this one thing. Rip and Beth’s characters have also known each other since they were teenagers, and they have experienced most of each other’s lives together. If you look at Taylor’s writing, and maybe this comes from his own love story, he loves writing these strong romances, whether it’s Rip and Beth or Stacy and Preston. There are these grounding relationships that are formed by these volatile people, and it is fascinating to watch, and I think people find something familiar in them.

Ed Harris as Everett McKinney and Annette Bening as Beulah Jackson in “Dutton Ranch.”

(Emerson Miller / Paramount+)

The cast in the Sheridan TV universe are all pros. You’re also working with some major screen heavyweights — Kevin Costner, Helen Mirren, Harrison Ford, Michelle Pfeiffer, etc. In “Dutton Ranch,” you have Annette Bening and Ed Harris. What was the pinch-me moment?

I don’t even know where to start. Ed came into my office to chat at the very beginning, before we started prep. I just froze for a second; I lost my ability to speak like a normal human being. You have to forget that they are who they are in the beginning until you settle into a routine, otherwise you would be too awe-inspired to really do anything productive with your day. I feel so spoiled by the caliber of artists that I’ve had the opportunity to work with. I’m working with Sam Jackson right now on “Frisco King.” I look at the work that I’ve done with Michelle and Kurt, then Annette and Ed on this — it’s such an honor that artists of that caliber are excited to come play in these worlds. Everyday on set with Annette and Ed makes me a wiser director, makes me a smarter human being.

It was recently reported that Chad Feehan, the series co-creator, departed the series as showrunner. What was your collaboration with him like? And how do you think he handled setting the foundation for this series?

Writing a spin-off to “Yellowstone” comes with a tremendous amount of responsibility and a tremendous amount of opportunity. It’s a gift to be able to work with characters like Rip and Beth, and I think Chad did a wonderful job creating a world of characters for them to go toe to toe with in the Jacksons. The original DNA of the No. 1s on our call sheet was always there, but they are entering a new path and a new part of their own journey and worthy adversaries were needed.

OK, before I let you go, what have you watched recently that you are recommending to everyone you know?

“The Beast in Me” [Netflix], I thought was unbelievable. It’s not the kind of thing that I normally watch. I just finished watching “Imperfect Women” [Hulu]. I was so taken by the performances in both of those shows. I love “Hacks” [HBO Max], I love “Shrinking” [Apple TV]. I balance my dark thriller with comedy.

ICYMI

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ONE year after its announcement, Paultons Park is finally set to open its new Viking-themed land in a matter of days.

Called Valgard – Realm of the Vikings, the £12million land will have its very first inverting rollercoaster, a swing ride and Middle Age themed ‘feast’ dining.

Follow The Sun’s award-winning travel team on Instagram and Tiktok for top holiday tips and inspiration @thesuntravel.

Paultons Park, which was voted ‘Theme Park of the Year,’ is opening its new land on May 16.

Upon its opening, Valgard: Realm of the Vikings will three new rides including theme park’s first inverting rollercoaster.

The ride called Drakon, has been dubbed the ‘crown jewel of Valgard’, and is expected to be a thrilling addition to the park.

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Riders will climb a huge vertical hill before they twist and fly through the air upside down.

There will also be the swinging ride called Vild Swing, which is suitable for families.

It’s a first-of-its-kind attraction in the UK that launches riders 12metres into the air and allows them to experience a feeling of weightlessness.

Paultons Park’s Cobra coaster is being reinvented as Raven.

The ride has been called ‘a high-speed bobsleigh style coaster’ and takes riders for a very swift tour journey through the Viking world.

The Orchard Playground is a Viking-inspired area for children between three and 10 – it has a lookout tower, slides, and treehouses to climb.

At the Feasting Hall restaurant, visitors can refuel on flame-grilled chicken, tenders, burgers and salad bowls.

Children can tuck into toasties, meatball subs and chicken burgers.

For afters, there are pancakes with plenty of toppings, sundaes, milkshakes and ice cream.

In 2027, a new water experience is scheduled to open in Valgard – but little information has been released about this planned attraction.

Paultons Park is well-known for having the UK’s first Peppa Pig World and its most recent attraction Ghostly Manor opened this time last year.

Paultons Park won 10 awards at the UK Theme Park Awards – including Theme Park of the Year.

The Sun’s Head of Travel (Digital) Caroline McGuire recently raved about the park.

She said: “On the kids’ favourite rides, such as the Velociraptor and Cat-O-Pillar coasters, we were able to fit in about three rounds in 15 minutes.

“Ghostly Manor even won Best New Attraction at last year’s UK Theme Park awards, one of ten gongs Paultons bagged that I’ve have to agree with thanks to a number of key factors.

“These include the short queues, incredible customer service (employees all cheerful), the cleanliness (bathrooms spotless) and the attention to detail and the fact that they don’t charge for parking, unlike several other big theme parks.

“We spent the entire weekend outside, grinning from ear to ear. And we were blown away, in the good sense.”

A day ticket to Paultons Park is £46.75pp which includes park entry, free parking as well as entry to see the gardens, animals and character meets.

OKLAHOMA CITY — Austin Reaves has officially entered the Lakers’ postseason chat. It might still be too little, too late.

The Lakers guard responded to his worst playoff performance with his best, recording a playoff career-high 31 points Thursday in the Lakers’ 125-107 loss to the Oklahoma City Thunder at Paycom Center.

But against the powerful Thunder, Reaves didn’t get a chance to punctuate his comeback night with any emphatic celebration. He instead ended the game in a heated conversation with officials, surrounded by almost all of his teammates as the Lakers felt they were battling the referees and the Thunder in equal measure.

Reaves’ game-high scoring effort wasn’t enough to fend off the relentless defending champions that had six players score in double figures, including three with 20 or more points. Shai Gilgeous-Alexander and Chet Holmgren each had 22 points for the Thunder, who take a 2-0 lead as the best-of-seven series turns to Los Angeles for Game 3 on Saturday.

With Luka Doncic sidelined because of a hamstring injury that is expected to keep him out for three more weeks, the Lakers are still outmanned in the Western Conference semifinals despite Reaves’ recent return. He rushed back from a Grade 2 left oblique strain in time to play in the Lakers’ first-round series but has struggled to find his rhythm after a month-long absence.

He shot a dreadful three for 16 from the field in Game 1 against the Thunder, finished with only eight points and missed all five of his three-point shots. Including his two first-round games, Reaves had missed 14 consecutive three-pointers entering Game 2.

Criticism of Reaves dominated social media after Game 1. The 27-year-old guard is due for a new contract this summer that would solidify his status as one of the sport’s star players. A slow start to these playoffs and last year’s postseason struggles made Reaves an online punching bag for fan frustrations.

But the low-key Reaves is “one of the least chronically online NBA players there is,” Lakers coach JJ Redick said before the game. The extent of Reaves’ social media usage is his long-time friend Trent Swaim posting golfing videos on the duo’s “Hillbilly Bogey” accounts and Reaves asking his representatives to post sponsored content for his endorsement deals.

He doesn’t need to troll internet comments to fuel his game. Reaves can do that on his own.

Lakers guard Austin Reaves, center right, talks with referee John Goble, center left, after the team’s loss in Game 2 on Thursday night in Oklahoma City.

(Nate Billings / Associated Press)

“He’s got a great sense of self-accountability to where he’s his own worst critic,” Redick said before the game, “and he’s going to hold himself to a standard of how he wants to play.”

Reaves drove aggressively into the paint early Thursday, tying the score 16-16 in the first quarter on a three-point play after the Lakers erased an early seven-point deficit. He had 13 points in the first half as the Lakers took a one-point lead into the locker room. He scored or assisted on the Lakers’ first 11 points of the third quarter as the team built a five-point lead with 8:35 to go in the third.

“That’s what we need Austin to be,” guard Luke Kennard said. “Even though he missed some shots last game, he was aggressive and he just got back into it. … I know a lot of people can think it’s easy to just come back and play a basketball game but at this level, what he’s done last series and now, it’s impressive. We need him to continue to be aggressive. He’s such a good teammate, easy to play with. It’s good to see him have a really good game and, hopefully gives him confidence going into the next one.”

The Lakers need to play near-perfect basketball to have a chance to knock off the defending champions. The Thunder took a 2-0 series lead against the Lakers despite relatively quiet performances from Gilgeous-Alexander. The reigning most valuable player had 18 points in Game 1 and was limited to less than 28 minutes Thursday because of foul trouble.

When Gilgeous-Alexander picked up his fourth foul with 10:34 remaining in the third quarter Thursday, the Thunder trailed 66-61. They didn’t need their star to rip off a 27-19 run to finish the quarter and take a commanding 13-point lead into the fourth.

The Lakers had seven turnovers during the decisive stretch. Reaves had five of the Lakers’ 21 total giveaways and the miscues turned into 26 points for the Thunder, who led the league in points off turnovers during the regular season.

“It starts with the turnovers,” Reaves said. “I think you’re not going to be perfect; you’re going to have turnovers. Just trying to eliminate the live-ball turnovers where they get easy fast-break layups or threes or dunks.”

THE new EES rules have caused chaos for Brits heading on their recent holidays with reports of three-hour long queues and even cases of missed flights.

So if you’re after an easy escape to a beautiful island with no biometric requirements, there is a European country which is hitting highs of 26C next week.

Follow The Sun’s award-winning travel team on Instagram and Tiktok for top holiday tips and inspiration @thesuntravel.

EES has been causing chaos across Europe in places like Lanzarote and Greece, but Cyprus doesn’t follow these new rules.

Cyprus is an EU member state, but isn’t part of the Schengen area, and so it didn’t have to enforce the new EES requirement.

In fact, Brits with a valid passport can visit the country for up to 90 days without the need for a visa.

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The island itself gets over 300 days of sunshine each year and is known for having beautiful beaches – including one of the best in the world.

In the Europe list of ‘World’s Best Beaches‘, Golden Beach found on the Karpaz Peninsula in the north of the island comes in at number 30 out of 50.

The beach has 2.4 miles of sand and is known for its wild beauty and sand dunes – it’s a place where you’ll find sea turtle nesting grounds.

Some of the most popular spots in Cyprus include Limassol and Paphos.

Larnaca is another, and it’s a favourite destination of singer Peter Andre’s who has his own villa there – and knows lots of great restaurants in the area.

Talking to Sun Travel, he said: “For anyone going to Larnaca, I have three recommendations. One is a new restaurants called Theta in Perivolia which is very near the airport.

“It does Mediterranean food, but done in the style of a Dubai 5-star restaurant.

“There’s another one called Opa Souvlaki Kiti, it’s not fancy, but if you want a proper Greek kebab done the Cypriot way, go there.”

When it comes to eating and drinking out in Cyprus, you can pick up a beer from €3 (£2.59) and an inexpensive meal can start from €15 (£12.97).

With UK temperatures dropping and potential drizzle forecast for next week, you might want to consider booking a last-minute break – and there are still some great deals about.

With On The Beach, you can jet off to Paphos for an all-inclusive break from £440pp – or £63pppn.

This is for a seven-night stay at the Hylatio Tourist Village which has a sun terrace, outdoor swimming pool, tennis courts and entertainment nights with live music.

The site has its own restaurant and bar – and the price includes all three meals and snacks as well as flights that depart on May 11.

The complex is a short walk from the Blue Flag Pissouri Beach.

Another deal from On the Beach is at Atlantica Panthea Resort in the Larnaca region which can be booked from £455pp – or £65pppn.

Minutes from the beach, the hotel also has its own swim spots from outdoor pool to heated ones indoors.

Rooms vary from doubles to family size and suites – all with neutral decor and private balconies or terrace.

There are multiple restaurants, bars and snack spots for guests.

Flights depart London Gatwick on May 13 returning on May 20.

OKLAHOMA CITY — The effort was being provided by all the Lakers at a high level and it was being led by LeBron James and Austin Reaves.

But the Lakers are facing the defending NBA champion Oklahoma City Thunder in the Western Conference semifinals and it is a chore that remains too heavy for Los Angeles.

Even with Reaves recovering to score 31 points on 10-for-16 shooting and handing out six assists and James collecting 23 points and six assists, the Lakers still lost Game 2 of the best-of-seven series, 125-107, Thursday night at Paycom Center.

The Lakers trail the series 2-0, with Game 3 back in Los Angeles at Crypto.com Arena on Saturday night.

The odds have now increased against the Lakers winning this series. In NBA history, only 34 teams have recovered from a 2-0 hole to win a best-of-seven series, while 431 teams have gone on to win the series.

The Lakers even did a very good job again on Shai Gilgeous-Alexander, throwing double teams at him to hold the All-Star guard to 22 points.

Lakers forward LeBron James. left, tries to drive past Thunder guard Luguentz Dort during the first half of Game 2 on Tuesday night in Oklahoma City.

(Nate Billings / Associated Press)

Chet Holmgren had another strong game with 22 points, nine rebounds, four steals and two blocks and Ajay Mitchell had 20 points for the Thunder.

The Lakers, who had a one-point lead at halftime, went down 13 points at the end of the third quarter, but a James three-pointer pulled them to within 95-89, forcing the Thunder to call a timeout with 8:57 left.

The Lakers even got to within five points in the fourth quarter, but a 10-2 run by the Thunder put L.A. in a 13-point hole with 5:53 left, this time forcing Lakers coach JJ Redick to call a timeout so his players could collect themselves.

The Lakers could not.

A big play was when Reaves took a charge against Gilgeous-Alexander with 10:34 left in the third quarter, which was his fourth foul. Gilgeous-Alexander was called for a flagrant foul on the play and Alex Caruso was called for a technical foul.

Reaves shot three free throws, making them all for a 66-61 Lakers lead.

Gilgeous-Alexander then took a seat on the bench.

Yet the Lakers were unable to maintain their quality of play against a Thunder team that just kept charging ahead even with Gilgeous-Alexander on the bench.

The Thunder finished the third on an 18-8 run to open a 93-80 lead.

One of the many keys for the Lakers was getting a productive Reaves. It was just his fourth game back after being out a month because of a Grade 2 left hamstring strain, and it showed. Reaves missed 13 of his 16 shots in Game 1 and all five of his three-pointers, and scored just eight points.

Reaves didn’t make any excuses for his poor play.

“He’s got a great sense of self-accountability to where, you know, he’s his own worst critic and he’s going to hold himself to a standard of how he wants to play,” Lakers coach JJ Redick said. “Had a great conversation with him yesterday and today. He’ll be good to go.”

Lakers forward Rui Hachimura, center, pulls up for a shot over Thunder center Chet Holmgren, left, during the first half of Game 2 on Thurday night.

(Nate Billings / Associated Press)

Reaves scored 13 points in the first half while distributing the ball.

He missed his first two shots, but finished the first half five-for-nine shooting.

Along with James scoring 10 points and handing out five assists, Rui Hachimura scoring 11 and Marcus Smart adding eight while doing his part to slow down Gilgeous-Alexander, the Lakers opened a 58-57 lead at the half.

The Lakers sent defenders at Gilgeous-Alexander often, double-teaming the league most valuable player and forcing the other Thunder players to shoot the basketball in the first half.

Gilgeous-Alexander only took nine shots in the first half and made four.

The Thunder shot just 25% from three-point range in the first 24 minutes.

Note: Lakers forward Jarred Vanderbilt was downgraded out for Game 2 because of a dislocated right pinky finger.

There will be no Triple Crown winner in horse racing this year. There won’t even be an attempt.

Trainer Cherie DeVaux on Wednesday announced Golden Tempo, the horse that made her the first female trainer to win the Kentucky Derby, would skip the Preakness Stakes next week at its temporary home, Laurel Park in Laurel, Md.

Just hours after Golden Tempo returned to the racetrack at Keeneland for the first time since his victory Saturday at Churchill Downs, DeVaux posted a statement on X.

“After much thoughtful discussion as a team, we have decided that Golden Tempo will bypass the Preakness Stakes,” the statement read.

“We are incredibly appreciative of the excitement and support surrounding the possibility of a Triple Crown run. The enthusiasm from racing fans, our owners, and our entire team has meant more to us than we can properly express. Golden gave us the race of a lifetime in the Kentucky Derby, and we believe the best decision for him moving forward is to give him a little more time following such a tremendous effort. His health, happiness, and long-term future will always remain our top priority.”

The Preakness, set for May 16, is the second leg of the Triple Crown, followed June 6 by the Belmont Stakes, which for the third straight year will be contested in Saratoga, N.Y. Since 1978, the only horses to sweep all three races are American Pharoah in 2015 and Justify in 2018.

Golden Tempo is the second straight horse and third in the last five years not to run in the Preakness. Sovereignty, who did not participate last year, won the Belmont and later the Travers and was voted Horse of the Year.

Unlike in the past, trainers almost never run horses with just two or even three weeks’ rest. That has prompted talk that the Preakness — which has been run 14 days after the Derby since 1950 — and Belmont could be moved back to allow horses more time between races. Sports Business Journal reported last month that the Preakness was “set to make a historic shift to one week later,” though many trainers have said that won’t make a difference.

DeVaux was asked the day after the Derby if having the Preakness four weeks after the Derby would make her decision easier.

“I mean, it would make anyone’s decision easier, but that’s not the Triple Crown,” she said. “So, the Triple Crown is hard to win for a reason. And I appreciate the history of it.

“You know, the horses are definitely different. They’re not built the same. They’re not trained the same as back then, but current times have shown that it can be done with the right horse.”

There is no shortage of horses aiming for the Preakness, which is limited to 14 starters. One of those — and the likely favorite if he runs — is Crude Velocity, who won the Pat Day Mile on Saturday at Churchill Downs in just his third career start. But trainer Bob Baffert, who has won the Preakness a record eight times, has yet to decide whether he wants to run the horse in two weeks.

“I’m still on fence,” Baffert said Wednesday via text. “Tempted but I’m not leaning yet.”

The Daily Racing Form reported Ocelli, the maiden who finished third in the Derby, is now expected to run in the Preakness. Trainer Whit Beckman told the Form he had Ocelli jog Wednesday and “he looked better than great.”

Added Beckman: “You wouldn’t know this horse ran Saturday. He’s made of something different. Every indication he’s given me is to point to this race. … We’re having fun, the horse is having fun. If everybody’s having fun, why stop the fun?”

According to a news release from the Preakness, other horses under consideration who didn’t run in the Derby are Chip Honcho, Corona de Oro, Crupper, Express Kid, Great White, Iron Honor, Napoleon Solo, Pretty Boy Miah, Silent Tactic, Taj Mahal, Talkin, Talk to Me Jimmy and The Hell We Did.

The Racing Form reported jockey Jose Ortiz, who rode Golden Tempo to his Derby win, will ride Chip Honcho in the Preakness.

OKLAHOMA CITY — Lakers coach JJ Redick was succinct about what it was like for his group to face the defending NBA champions Oklahoma City Thunder during the regular season.

“We sucked against this team,” he said pregame.

The Lakers lost all four regular-season games against the Thunder by double figures, making L.A.’s 108-90 defeat to Oklahoma City in Game 1 of the second round of the playoffs just another big loss to the talented Thunder.

LeBron James led the Lakers with 27 points and six assists while Rui Hachimura had 18 points, but Austin Reaves had only eight points, shooting three for 16 from the field.

The Lakers doubled teamed Shai Gilgeous-Alexander frequently, limiting him to 18 points and forcing him into seven turnovers.

But the Thunder just turned to Chet Holmgren, who had a double-double with 24 points and 12 rebounds.

Thunder guard Shai Gilgeous-Alexander, driving to the basket against Lakers guard Austin Reaves, finished with 18 points on eight-of-12 shooting from the field and six assists in Game 1.

(Kyle Phillips / Associated Press)

Game 2 is here Thursday night.

The Lakers didn’t help themselves at the beginning of the fourth quarter, turning the ball over on two of their first three possessions. When Marcus Smart turned the ball over and Alex Caruso waltzed in for a layup, the Lakers went down by 15 points and had to call a timeout with 10 minutes and 41 seconds left to regroup.

The Lakers never did.

They fell into a 19-point hole in the final 12 minutes of play and never fully recovered.

The Lakers lost by almost 30 points per game in their four-game series against the Thunder during the regular season, and one of the games was a 43-point shallacking.

But the Lakers found their groove in the first round against the Houston Rockets and that has fueled their belief in this series against the Thunder.

“We’ve been able to execute, even just going back to the last three games of the regular season,” Redick said. “Again, we kind of had to reset with not a lot of time and build something a little bit new on the fly. I think our guys were able to find their way and find their way from an execution standpoint, and for the most part, did a good job of that on both ends in the Houston series.

Lakers guard Austin Reaves makes one of his three baskets on a layup against Thunder center Chet Holmgren, but Reaves finished with only eight points on three-of-16 shooting from the field in Game 1.

(Kyle Phillips / Associated Press)

“This is a different team and the best team, and it’s going to require more. I think every round that you advance in the playoffs, you need to elevate all of the stuff even more. …That’s our attention to detail, that’s our belief, that’s our poise. We got to be great in all those areas.”

The Lakers talked every practice about the runs the Thunder go on and how they had to limit them.

Well, it happened at the end of the first quarter, when Oklahoma City scored the last five points of the frame, and it happened at the outset of the second quarter, when the Thunder scored the first five points of the frame to open a 10-point lead.

Redick leaped off the bench to call a timeout with 10:36 left in the second to get things back in order for the Lakers.

The Lakers recovered, but they then went down 56-43 in the second quarter and had to recover again.

They did, pulling to within 61-53 at the half.

Note: Lakers reserve forward Jarred Vanderbilt injured his right finger in the second quarter and didn’t return. Vanderbilt tried to block a dunk by Chet Helmgren, but instead hit hand on the backboard and went down in pain.

Welcome back to the Lakers newsletter, where, against all odds, we’re still kicking.

The Lakers defied expectations by winning their first-round series against the Houston Rockets. Most didn’t give them any chance. It felt dicey after a deflating Game 5 loss at home. But the Lakers pulled it off with a headlining performance from their 22-time All-Star and award-worthy supporting performances from the ensemble cast.

Against the league-leading Oklahoma City Thunder, even fewer people are giving the Lakers a chance for an encore performance. But as Kevin Garnett once said: “Anything is possible!”

Set the tone

Marcus Smart rotated over to the baseline. He came face to face with Houston’s Tari Eason as the 6-foot-8 Rockets forward leapt toward the basket. The 6-3 guard jumped right along with him.

Smart is used to taking on big challenges.

The Lakers brought Smart in for this moment. It’s not just the defensive tenacity to block a forward five inches taller and eight years younger than him, but when the postseason inevitably challenged the Lakers in unforeseen ways, they needed Smart’s leadership. He proves it every time he steps up to take a charge, gets a deflection or just pulls a teammate aside for a quick word.

“Marcus is a true leader,” center Deandre Ayton said. “Besides [Le]Bron [James], Luka [Doncic] and AR [Austin Reaves], Marcus is the other guy with the grit where [if you feel] discombobulated, he tries to be that guy that puts his arm around you and some of the younger guys. Whether it’s coming down to his competitiveness, keeping that same, consistent edge, Marcus tries to keep that level of intensity pretty high and it’s contagious, too.”

With Doncic (hamstring) still sidelined to begin the Western Conference semifinals against the top-seeded Thunder, the Lakers are counting on their supporting players for major performances. Smart’s role will be one of the most taxing; he’ll be the top defender for a team trying to slow down the NBA’s reigning most valuable player.

On his long list of elite matchups, Smart ranked Shai Gilgeous-Alexander at the top.

“I think we all know that, right?” the former defensive player of the year said. “He does a really good job of getting to the free-throw line. He’s mastered it. … It’s tough, but it can be done, it’s just going to take a lot of effort from everybody and we gotta stay together.”

Gilgeous-Alexander is a front-runner for his second consecutive most valuable player and led the Thunder to a sweep over the Phoenix Suns in the first round. The Thunder easily carved up Phoenix’s ninth-ranked defense, scoring 126.9 points per 100 possessions. Their offensive efficiency was five points better than the next best team in the first round.

The Lakers are coming off their own defensive masterpiece against Houston, holding the Rockets to less than 100 points in four of the six first-round games. Their 78 points allowed in the series-clinching Game 6 were the fewest in a playoff game by a Lakers opponent since May 16, 2012.

The anchors of the defensive performance are two major offseason additions acquired to help the Lakers bounce back from their disappointing first-round series loss to Minnesota last year. Smart and Ayton are quietly starring this postseason.

Ayton’s 11 points per game didn’t accurately reflect the influence he made against the Rockets. His 10.8 rebounds per game, including four games in which he had 10 or more rebounds despite being ejected in the third quarter of Game 4, were even more impressive against a team that dominated the rebounding battle at a historic rate.

A strong performance from Ayton lifts the ceiling on the team more than anyone else, Lakers coach JJ Redick said. An underrated and unexpected part of Smart’s value is his ability to unlock the team’s most important piece.

“I’m just somebody who he respects,” Smart said. “He sees [me] go out there and not only preaching, I’m actually doing what I’m preaching.”

Smart and Ayton barely knew each other before this season. But their paths are parallel: Former postseason mainstays who, in Ayton’s words, “disappeared.” The center who helped Phoenix to the NBA Finals trudged through Portland for two seasons; Smart, the former Boston Celtics stalwart, bounced between Memphis and Washington.

They’re now soaking up the spotlight in L.A.

“We’re both here, we’re both trying to get our names back into the good graces of the basketball gods,” Smart said, “and just show what we still can do.”

Priority No. 1

The Lakers had two keys for their first-round series against the Rockets: boxing out and taking care of the ball.

Now against what Redick estimated was “one of the greatest teams ever in NBA history,” that list has narrowed to one big thing.

Turnovers.

The Lakers, who got swept in the four-game regular-season series by an average of 29.3 points per game, averaged 17.5 turnovers per game against the Thunder during the regular season, three more than their regular-season average. Turnovers nearly undid the Lakers’ first-round series: they averaged 17.7 against the Rockets and gave up 19 points off turnovers per game.

The Thunder are an especially dangerous matchup for a team that can’t take care of the ball; Oklahoma City led the league in points off turnovers with 22 per game during the regular season.

“Whatever moments we felt Houston pressuring, like the maximum amount of pressure they put on us, that’s OKC’s baseline,” Redick said.

The Thunder, even playing without star two-way wing Jalen Williams for much of the season, were the NBA’s most disruptive defense. They’re league-leading defensive rating came with the third-most steals (9.7), sixth-most blocks (5.5) and the second-most turnovers forced (16.7) per game.

“They somehow do all of that without fouling,” Redick said with a hint of sarcasm in his voice, “which is one of the most remarkable things, I think, in NBA history.”

The Lakers, who attempted the second-most free throws in the league behind Doncic’s top-ranked 10.1 attempts, committed fewer fouls than the Thunder this season: 18.5 fouls per game compared to Oklahoma City’s 19.

On tap

Tuesday at Oklahoma City, 5:30 p.m. PDT (Game 1)

Two of the Lakers’ worst losses of the year were in Oklahoma City. If November’s 29-point loss wasn’t painful enough, the injury-plagued disaster on April 2 could be enough for the Lakers to want to sage the whole arena.

Thursday at Oklahoma City, 6:30 p.m. PDT (Game 2)

The Thunder have had the league’s best home record for each of the last two seasons, including a 34-7 mark this season, but still had two home playoff losses last year. Oklahoma City dropped Game 1 of the Western Conference semifinals and the NBA Finals last year, needing to win both series in seven games en route to the championship.

Saturday vs. Oklahoma City, 5:30 p.m. (Game 3)

The Thunder lost Game 3 in three of their four playoff series last year. The only exception was their first-round sweep over Memphis.

Monday vs. Oklahoma City, 7:30 p.m. (Game 4)

Could this be the final Lakers game of the year?

Status report

Luka Doncic (left hamstring)

After missing the first round, the Lakers’ superstar guard is still sidelined with a Grade 2 hamstring strain. He is not expected to return for the start of the series and has yet to progress to live on-court workouts.

Jalen Williams (left hamstring)

The Thunder’s All-NBA wing will miss at least Game 1 after he suffered a Grade 1 left hamstring strain on April 22, which kept him out of the Thunder’s last two games. After last year’s breakout season, Williams was plagued by injuries to his wrist and right hamstring that limited him to just 33 regular-season games.

(Second) favorite thing I ate this week

Because I did not take a picture of it, the only evidence I have from my No. 1 meal from Houston is a lingering sweet and spicy tang on my tongue from Rodeo Goat’s Billy F Gibbons burger. It was delicious: candied bacon, caramelized onions, gouda, mango pico, cream cheese and habanero sauce.

Street taco plate from Luchi & Joey’s in Houston.

(Thuc Nhi Nguyen / Los Angeles Times)

A close second was the street taco plate from Luchi & Joey’s, a food stall in downtown Houston’s underground tunnels. The five-taco spread hit the spot while I was hiding from the heavy storm moving through Houston on the day of Game 6. The six-mile tunnel system is lined with restaurants and shops that came in handy during torrential rain. I was safe from the elements while I hunted for lunch then only had to make a one-block scramble through the rain back to my hotel.

In case you missed it

‘Changes our ceiling’: Why Deandre Ayton is key to Lakers upset vs. Thunder

‘You can’t fear them’: Upset-minded Lakers refuse to be intimidated by Thunder

How the Lakers and Thunder match up entering their playoff series

‘There’s no quit.’ Lakers’ leadership, resilience shines through in series-clinching win

Ex-Lakers assistant admits role in gambling schemes, could face years in prison

Until next time…

As always, pass along your thoughts to me at thucnhi.nguyen@latimes.com, and please consider subscribing if you like our work!

Kobbie Mainoo (Manchester United): When you look at the back end of the season compared to the start of the season it has been night and day. It just shows what a bit of love and care can do to somebody. I’m not willing to say Mainoo is the man yet – I think we have to see more of a body of work – but I would say the win against Liverpool was the best performance I’ve seen him have in a United shirt. Dominated the game, made some big tackles, passing forward, breaking up the play but also coming with the goal. The most complete performance from him, I thought he was excellent.

Dominik Szoboszlai (Liverpool): Goal and assist for him at Old Trafford. Liverpool have been terrible all season but he comes out with his head high as one of the best around. His stock has grown in a poor season for them. He keeps coming up with big performances.

Conor Gallagher (Tottenham): I was going to put James Garner in there, but Gallagher gets it for me because the game was even more important for Spurs. Big goal. He has had a tough time there but with Roberto de Zerbi and the philosophy of pressing and running hard, I think that makes Gallagher an unbelievable buy for Spurs. He will not only be good this year but for the coming years.

Mathys Tel (Tottenham): I thought Tel was arguably the most overrated player that Spurs bought, but since the turn of the year he has had a light switch in head that says ‘hold on, I was at Bayern Munich and now I could be playing in the Championship’. He stepped up. He has played big minutes in terms of carrying the ball forward, being an outlet and now is adding assists to it. That cross for Richarlison was a striker’s dream.

Jeremy Doku (Manchester City): He wasn’t going to be in it until the last kick of the game. Two unbelievable strikes in the same match and one with either foot. He’s the most frustrating player to watch because you think ‘you are faster than everyone else – kick and run’, but he likes his tricks. When he puts his two goals in the corner, he has kept Manchester City’s season alive because it was dead. I still think Arsenal will win it, but he has made it interesting.

It’s officially May, which means summer vacation season is upon us. If you’re planning a trip to the beach, just make sure it’s got cell service (don’t say we didn’t warn you).

This week, Apple TV released the first two episodes of “Widow’s Bay,” a horror comedy that takes a closer look at those cozy seaside vacation towns and what might be beneath the surface. Katie Dippold, the creator of the series, which stars Matthew Rhys, Stephen Root and Kate O’Flynn (Jeff Hiller, one of my faves, also has a nice supporting role), stopped by Guest Spot to talk more about the genesis of the show and why it bends genres — more on that below.

Also in this week’s Screen Gab, we recommend a documentary film (and an animated short) that looks at the musical legacy of the King of Pop, and a recent docuseries about the FLDS community. — Maira Garcia

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Recommendations from the film and TV experts at The Times

Quincy Jones, left, Michael Jackson and Lionel Richie in Netflix’s “The Greatest Night in Pop.”

(Netflix/Courtesy of Netflix)

‘The Greatest Night in Pop,’ ‘Sing: Thriller’ (Netflix)

I don’t know whether the release of “Michael,” the Michael Jackson biopic, had anything to do with “I Want You Back,” the greatest single of all time, playing in my dentist’s office today, but MJ is definitely in the air, posthumously pelleting us with his fantastic music and permanently controversial self. Somewhat in that spirit, I offer Bao Minh Nguyen‘s 2024 documentary “The Greatest Night in Pop,” about the recording of the 1985 super-duper star charity single “We Are the World,” co-written by Jackson and Lionel Richie and featuring the oddest assortment of singers ever to be gathered into a single studio — a congregation including Tina Turner, Bob Dylan, Steve Perry, Huey Lewis, Stevie Wonder, Willie Nelson, Dionne Warwick, Cyndi Lauper, Ray Charles, Bruce Springsteen and Harry Belafonte, among others. (Richie, Springsteen, Lauper, Lewis and Sheila E. sit for new interviews.) Jackson fans will get a glimpse of him at work like a normal musician, albeit one dressed as the General of Neverland. Dylan watchers will see a fish far out of water. Local historians will enjoy footage of L.A. in the ‘80s. On another, quite delightful note, “Sing: Thriller,” also from 2024, is a 10-minute cartoon take on Jackson’s video of the same name, starring the cast of the “Sing” movies, zombified and, naturally, dancing. — Robert Lloyd

Christine Marie in Netflix’s “Trust Me: The False Prophet.”

(Netflix)

‘Trust Me: The False Prophet’ (Netflix)

Mormonism has been under the spotlight lately, with reality series and documentaries taking a closer look at the religious group. But one particular sect, the Fundamentalist Church of Jesus Christ of Latter-day Saints, has long come under scrutiny for its practices and allegations of cult-like behavior, child marriage and child sexual abuse. This four-part series from director Rachel Dretzin is a continuation of her work documenting the FLDS community (she previously directed 2022’s “Keep Sweet: Pray and Obey,” also for Netflix). It follows cult expert Christine Marie and her husband Tolga Katas, who moved to Short Creek, Utah, where the community previously led by Warren Jeffs, the former FLDS leader and convicted felon, is based. Marie befriends the women in the community, gaining their trust, only to find out that another man, Samuel Bateman, is claiming to be a prophet. What she uncovers is a web of abuse and crimes. The series is riveting and disturbing, culminating with Bateman’s arrest and eventual conviction. — M.G.

Guest Spot

A weekly chat with actors, writers, directors and more about what they’re working on — and what they’re watching

Matthew Rhys and Stephen Root in Apple TV’s “Widow’s Bay,” now streaming.

(Apple)

Have you ever taken a vacation to a nice place but then see or experience something that just feels off? Apple TV’s new series, “Widow’s Bay,” tries to capture some of that feeling, where a seemingly quaint town hides dark secrets.

Matthew Rhys plays Tom Loftis, the mayor of Widow’s Bay, an island 40 miles off the New England coast. He’s attempting to save the region from economic slump — there’s no WiFi, cell phone service is spotty, the streets need repaving — by trying to make it a tourist destination. He manages to get a New York Times travel writer to visit, who writes a story that seems to turn the town’s fortunes. But much to Tom’s chagrin, the locals — particularly Wyck, played by Stephen Root — say the island is cursed and it has been awakened to unleash a “haunt.”

Creator and showrunner Katie Dippold’s fascination with such places began at an early age, growing up in New Jersey, where her family would take trips to the shore. She began writing the series more than 10 years ago, and it’s evolved over the years. “Believe it or not, this was originally a ‘Parks and Recreation’ sample for me when I got that writing job,” says Dippold, whose writing credits also include “The Heat” and “Ghostbusters.” “But it was very different, it was more comedic.”

While the show incorporates some comedic elements, it very much has moments of horror and dread that might make you gasp when something unexpected happens. Some of that feeling is thanks to director Hiro Murai (“Atlanta,” “Mr. & Mrs. Smith”), who directed the first three episodes and the final two. “Sometimes it’s like a ‘blink and you miss it’ kind of moment, which I love for this show,” Dippold says, even if it meant losing some of the humor they’d written in the scripts.

The creator spoke over a video call to dissect the characters and series, and explained whether or not we would see Willy the clown from Episode 2 again. This conversation has been edited for length and clarity. — M.G.

You’ve worked on a number of comedic projects, and this show has comedy elements. But horror is definitely a part of this show. Have you always been into horror, and why mash up these genres?

I’m a comedy writer, first and foremost, but I’m also the biggest horror fan. I like watching horror more than I like watching comedy. I just wanted to try to create a world where you could play with both of those things. But I should say that I actually don’t like most horror comedies. The ones that do it well are some of my favorite movies, like “American Werewolf in London,” “Cabin in the Woods” or “Shaun of the Dead,” and even the three of those are very, very different.

Especially in a TV show, I didn’t want it to feel like constant horror and dread. I like having those moments with a surprise laugh … or just something completely absurd. But, to that point, it was also a constant tonal tightrope walk from beginning to end because … I never wanted to undercut the tension. As a horror fan, I wanted to take it very seriously, and so that was a challenge from the scripts to production to casting to the edit to the score, just every step of the way.

The show is set in a small island town that’s trying to become the new “it” destination — comparable places like Bar Harbor, Maine, and Cape Cod are mentioned — except the townsfolk say it’s cursed. What about these communities intrigues you and why set the story in that location?

I grew up in New Jersey, and I always loved going to the Jersey Shore, and I always talk about this haunted house on the boardwalk that I used to always go to, and I just love that seaside haunted house vibe. I think I always romanticized it … that atmosphere is my dream. A couple years ago, I went to a diner in Marblehead, Mass., and it’s called the Driftwood, and it was just so perfect … in the sense that it was so cozy and lived in. You could see the ocean outside. It was a gray, cloudy day and there was a cemetery that was not that far away. There’s something about it that I found so special, and I never wanted to leave that place. And so I just wanted to get that feeling and get it on the screen.

Unique places have unique people like Wyck, who is trying to warn Tom about the fog that’s rolled in. Wyck is an oddball — every town seems to have one. Was that rooted in anyone or anything?

I was just trying to think of who would be the best thorn in Loftis’ side, and Stephen Root is so great at everything he does, and he’s so funny, but then so heartbreaking the next. When I was young, my dad had his drinking buddies, and Wyck doesn’t seem that far off from that kind of person, so I kind of relate to that. He represents the voice of the people of the islands, the real islanders, the real locals that take it all very seriously, and so he’s just the constant menace to Loftis.

And poor Tom is so practical. He’s worried about keeping the town afloat and literally keeping the lights on. But he also kind of believes the stories. How does this character and his contrasts help illustrate the story?

I think Loftis, in the beginning of the story, is at a place of determination and optimism. He cannot accept that this is his life and he cannot accept that this is the life of his teenage son [Evan, played by Kingston Rumi Southwick]. So he’s really trying to bring what he can to the island through tourism and what that would do for the town. But there’s some stuff that he needs to reckon with — he will throughout the season. I think I can be very optimistic, and so when you learn the hard truths of life, I always take that very hard myself.

Is this related to his wife being dead?

I think that’s a huge part of it. There’s a lot of what happened with his wife that he hasn’t fully reconciled. There’s stuff he needs to come to terms with … if he keeps repressing it, it’s just going to destroy him.

You set some ground rules or parameters of the world we’re in: First the quake, the fog and so forth. How did you come up with it?

In the writer’s room, we spent so much time thinking of the history of this town and different eras of leadership. …Because the more that we fleshed out this world since 1681, the funnier it was to us when something would pop out that’s ridiculous, you know what I mean? Like, then the ludicrous is more fun, if everything else feels real. It’s so important that you buy everything that’s happening, because it’s very easy to go off the rails. Once you start not buying it, it’s very hard to get back to ever feeling the tension.

The other thing I would say about the mythology, the rules … Loftis could dismiss it. Like the examples the [New York Times] reporter gives at the restaurant [of islanders going to the mainland and dying], those are weird. It’s weird that those things happen to people, but it’s also not like they all went on a boat and blew up. It’s just weird enough that I know I would take it seriously but still murky enough to give a little bit of room for Loftis to dismiss it and not be a complete lunatic.

They’re plausible enough to have happened.

But deep down, I think it scares him very much and that’s why he’s putting in all the effort.

In Episode 2, we see Willy, a creepy, fast-moving clown. Will we see him again?

Oh, possibly. Because I think for some things on the island, if you’ve heard about it before, it’s existed before and it’s come back, so it’s probably not completely gone.

Hiro Murai directed the first three episodes and he has a couple more at the end of the season. I feel like we see his stamp on the show. Was he someone you wanted to work with? How did he help bring your vision to life?

He was my dream director for it because I love “Atlanta” so much. I think Hiro is so fantastic at creating a very grounded world, a grounded scene and then still surprising the hell out of you with some absurd moment.

“Atlanta” was very inspiring to me. I had written this long before, and I was rewriting throughout the 10 years or so. But TV changed in the process, from the time I wrote the pilot to now, and that was very helpful. I think he’s so good with specifics and little nuances, and we have a very similar sense of humor. … I just knew this show would never be corny if [Hiro] was directing it.

Last thing, what are you watching right now that you’d recommend to others?

I’m rewatching “Game of Thrones” [HBO Max]. Me and my boyfriend … make breakfast every Saturday morning and rewatch an episode from the series. And it’s such a fun rewatch because the first time, I had not read the books. It’s so fascinating to rewatch again, now that you understand what the hell is happening.

I’m also watching “Hacks’” [HBO Max] final season, which I always love. In terms of movies … we were in production and then I was in post, so I didn’t get to see a ton of new stuff, but I loved “Weapons” [HBO Max]. I know it’s now a year old … but that’s my honest answer.

ICYMI

Must-read stories you might have missed

Whew. Sigh. LeBron!

History eluded. Embarrassment avoided. Belief restored.

The most secure legacy played with the most desperation. The most creaky veteran played with the most aggression. The winningest superstar played like he had everything to lose.

Wow. Gasp. LeBron!

So it went at Houston’s Toyota Center on Friday night when the Lakers, just two losses from becoming the first team in NBA history to blow a three-games-to-none lead, blew away the Rockets 98-78 to win their first-round series four games to two.

It was a night that prevented possibly the greatest meltdown in NBA history. It was a night that celebrated possibly the greatest player in NBA history.

“Started with LeBron,” Marcus Smart said. “The OG came out.”

When the shorthanded Lakers needed him most, their ageless 41-year wonder indeed showed up huge, James fighting down the lane, throwing in from deep, finding teammates like the sizzling Rui Hachimura and the surging Austin Reaves, leading with his entire massive being.

James wasn’t going to be on the wrong side of history. He wasn’t going to further stain his sterling 42-13 close-out record. He wasn’t going to let his final season end so early.

Wait a minute, this is not his final season? Not a chance. Bury any lingering doubt. After watching him dominate the youngest starting five in these playoffs Friday, it is impossible to imagine he’s going to call it quits.

He scored a game-high 28 points while enduring a team-high 37 minutes. He had eight assists, seven rebounds and only three turnovers. He even played defense, as the Lakers were a game-best plus-26 when he was on the court.

His night ended with him appropriately surrounded in the locker room by teammates who were bleating like goats. Because he’s the, well, you know.

Lakers forward LeBron James shoots over Rockets forward Jabari Smith Jr. during the first half of Game 6.

(Ashley Landis / Associated Press)

“It speaks to his greatness,” Lakers coach JJ Redick said, and, yeah, somebody must be great if they can induce grown men to imitate farm animals. “To me he’s had the greatest career of any NBA player … for him to do it again and answer the bell again, it’s … baffling in some ways.”

From the frying pan to the fire, the Lakers now travel to Oklahoma City to face the defending champion Thunder in the Western Conference semifinals beginning Tuesday.

This could get real ugly, real quick.

The Lakers won’t have injured leading scorer Luka Doncic for the foreseeable future. They will be playing a Thunder team that drubbed them in the regular season, including a 43-point stomping just last month.

The Lakers don’t stand a chance. They’ll be lucky to avoid a sweep. They should quit while they’re ahead.

Which is exactly what everyone said about them before this Rockets series, before they took advantage of a Kevin Durant injury and Reaves’ return from injury, before they revealed a sense of focus and connection completely unexpected from this disjointed group.

Before James decided he wouldn’t let them lose.

“We had some obstacles obviously and I know they were without guys as well, but I thought we answered the call,” James said. “I thought we answered the challenge, and for them to allow me to lead them, that means a lot to me.”

Truly, lost in all the criticism over the last two Lakers losses was the truth that they never should have been in this position in the first place.

Consider this near miss one of James’ greatest postseason achievements. Consider his first playoff series win a huge endorsement for Redick as coach. Consider any positivity that comes from the Oklahoma City series as pure gravy.

Lakers forward LeBron James scores on an uncontested layup after blowing past the Rockets defense during the first half of Game 6.

(Ashley Landis / Associated Press)

“For us to be written off a few weeks ago and to win a playoff series is a big deal,” Redick said. “And it speaks to the character of our team and the leaders of our team that they didn’t let go of the rope.”

James led the Lakers to a five-point lead in the first quarter, then absolutely dominated with a 14-point second quarter in which he outscored the entire Rockets team and gave the Lakers an 18-point halftime lead that never was challenged.

See if you can follow along …

James hits a fallaway. Jake LaRavia races down for a layup. Smart draws a charge. James hits a three. James hits a spinning layup. LaRavia connects on a fastbreak jam. James sinks another layup.

For those breathlessly keeping score, the Lakers began that second quarter with a 9-0 run that, dating to the first quarter, was an incredible 21-2 smackdown. At one point the Rockets missed a dozen straight shots. At another point they were 0 for 15 in the quarter.

The Rockets momentarily stopped the bleeding with six consecutive points late in the half, but on James’ last-minute trey, the Lakers finished the quarter on a 7-0 run to take a 49-31 halftime lead.

”He just has this ability to set the tone for the entire group,” Redick said. “He did that again tonight and the guys responded.”

James scored on a jump shot just seconds into the third quarter and the rout continued. Houston, which made only six baskets in the quarter, mounted a bit of a surge late in it, but Smart ended any momentum by drawing his third charge of the night.

“I love charges,” Smart said. “They’re demoralizing.”

Redick angrily called a timeout with 6:28 remaining in the game after a defensive lapse with the Lakers leading by 19. James fittingly scored on a layup immediately after the timeout, and the game was formally finished.

The Lakers’ defense was astounding, holding the Rockets to 13 points below their season low. The Lakers’ rebounding was astonishing, nearly doubling the offensive rebounds of the NBA’s best offensive rebounding team.

The Lakers offensive collective also was cool, Hachimura hitting five of seven treys, Reaves scoring 15 points with three blocked shots, and Deandre Ayton finishing a fine series with 16 rebounds.

But this was about the OG, who noted that he is finally comfortable celebrating small victories and said, “I think we should be proud of the way we handled this.”

The way he handled this.

Bleat … bleat … bleat.

Welcome to Bunker Talk. This is a weekend open discussion post for the best commenting crew on the net, in which we can chat about all the stuff that went on this week that we didn’t cover. We can also talk about the stuff we did or whatever else grabs your interest. In other words, it’s an off-topic thread.

TIRANA, ALBANIA – SEPTEMBER 16: View inside the Bunk’Art Museum, a vast underground bunker built for the former Albanian dictator and high-ranking dignitaries, featuring five floors, 106 rooms, and a cinema hall for government meetings, covering an impressive area of 2,685 m2, seen on September 16, 2024, in Tirana, Albania. (Photo by Artur Widak/NurPhoto via Getty Images)

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