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When the 52nd season premieres on Saturday at the usual time, usual place, “Saturday Night Live,” with host Jalen Brunson (of the champion Knicks) and musical guests Katseye, will again make history as the longest-running sketch comedy and variety show on television.

But week to week — multiplatform 50th-anniversary celebrations aside — the entertainment institution that is “SNL” does not dwell much on its history, focusing instead on trying to earn laughs sketch by sketch, moment by moment. Even when alumni like Tina Fey or Will Ferrell show up, it’s usually in the service of something topical, like a political cold open for a very recent event or happening. “SNL” lives in the now, and that can be a blessing and a curse, like when you feel like you’ve seen the same cold open lampooning President Trump 15 times already. James Austin Johnson is a brilliant impressionist, but read the room, guys.

“SNL” is the rare show for which quality is beside the point. As creator Lorne Michaels has said to cast members like Tina Fey, “The show doesn’t go on because it’s ready; it goes on because it’s 11:30.”

That focus on effort over polish has, surprisingly, helped it survive. For every online hater who tediously comments that “SNL” hasn’t been good since the Dana Carvey era or earlier, there are enough of us stalwarts who will every week obsess about the future of “Weekend Update,” rate the monologue (sometimes harshly) and wait breathlessly at the start of every new sketch, hoping we’re about to watch an all-timer.

For those in that camp — who never give up hope that a great sketch is just a commercial break away — here’s what you can expect from the new season.

The first four episodes

Season 52 will kick off with Knicks point guard Jalen Brunson as the first guest host.

(Rosalind O’Connor / NBC)

New “SNL” episodes usually arrive in batches of three and then the show takes a break for a few weeks. For Season 52, not only was the first trio of hosts and musical guests announced but also the lineup for a Halloween episode.

In addition to Brunson, who might bring along famous friends like Mariska Hargitay or Taylor Swift, actor Dakota Johnson will host, with rock group Turnstile as the musical guest on Oct. 3. On Oct. 10, “SNL” will roll the dice a third time with comedian Shane Gillis, who did not fare too well the last two times he hosted. He’ll be joined by musical guest Rosalía.

The Halloween episode will be hosted by newly minted horror queen Inde Navarrette from the hit film “Obsession,” joined by musical guest Gracie Abrams.

Cast changes and new faces

Over the summer, cast member Chloe Fineman — who had a knack for impressions of celebrities like Timothée Chalamet and Melania Trump — departed the show after seven seasons. It won’t be long before we see her onscreen again: She’s been cast in Netflix’s upcoming Harlan Coben adaptation, “Myron Bolitar.” Also departing was writer Martin Herlihy, the second member of the Please Don’t Destroy video trio to exit, leaving only Ben Marshall, who’s listed as a featured player. Last season, Herlihy did a few self-hosted video segments that tended to run late in the show.

Bowen Yang departed midway through Season 51, while Chloe Fineman announced her departure in July. (Jason Armond / Los Angeles Times) (Michael Loccisano / Getty Images)

Bowen Yang extended his run on “SNL” as his star was quickly rising in projects like “Wicked” and the “Las Culturistas Culture Awards,” but left midway through Season 51. Unlike previous transitions between seasons, no one was cut from the show, and those who left stepped away on their own.

However, two new cast members are joining the show: Grace Reiter and Saidah Belo-Osagie.

Saidah Belo-Osagie, left, and Grace Reiter are the newest “Saturday Night Live” cast members. (Mike Klubeck) (Jill Petracek)

Reiter has already had a supporting role in Tim Robinson’s “The Chair Company” on HBO, and she stars in “Minimum Wage,” which started as a web series and is coming to Netflix in October for a 28–episode run. She was also the star of the very funny “The Hunger Games (But Better),” a low-budget re-creation of the series made over four days by a group of friends.

Belo-Osagie may not have as high as a profile in entertainment yet, but don’t sleep on her TikTok account, which has some great videos including “(POV) Your face card expired” and “Girl who’s secretly happy her neighborhood is gentrifying.” She’s also been in the web series “Abigail’s Divine Comedy,” written and directed a short film and has done work on the stage in New York.

What and who to watch for in Season 52

“SNL” tends to thrive in the run-up to national elections, and with the midterms upon us, the show has its pick of hot-button topics on the campaign trail, from the Iran war to gas prices to the backlash against data centers and AI billionaires.

Johnson’s impression of Trump is likely to be at the center of a lot of these sketches, but the show does well when he serves as a ringleader for characters like Defense Secretary Pete Hegseth (Colin Jost), Vice President JD Vance (Jeremy Culhane) and FBI Director Kash Patel (celebrity guest Aziz Ansari).

Jeremy Culhane as JD Vance, left, and James Austin Johnson as President Trump in a cold-open sketch.

(Lloyd Bishop / NBC)

Last season, Ashley Padilla emerged as a breakout star, carrying a heavy load of women’s roles after the departures of Ego Nwodim and Heidi Gardner. Even when she was giggling with Ryan Gosling because of a writers’ prank, Padilla was hilarious. She’s finally been upgraded to a repertory player and is likely to continue to play the lead in sketches featuring her grounded, emotionally shaky characters, some of whom have terrible haircuts.

Of the new featured players added last season, the two most likely to keep scoring are Culhane — who already has two great “Weekend Update” characters: Mr. On Blast and a masterful Tucker Carlson impression — and Veronika Slowikowska, who proved versatile whether she was portraying a “Guy’s girl” or a dryer with Sabrina Carpenter. Expect them both to be in more sketches this season.

Tommy Brennan, left, Jane Wickline and Ashley Padilla during the “Mom Confession” sketch featured in Season 51.

(Will Heath / NBC)

Marshall, the Please Don’t Destroy writer who joined the cast, has been fine as a utility player and straight man in sketches, but it’s hard to remember anything he was in last season apart from his role as Ron in “Heated Wizardry.”

Tommy Brennan and Kam Patterson both seem like they need to make their mark in sketches and do more than just perform as themselves in “Weekend Update” segments. Unless one or both of them is being groomed as a future “Update” co-host, time’s running out.

As for cast member Jane Wickline, who’s been described as “polarizing” but was also upgraded to repertory, we’re rooting for her. She brings musical talent, which the show needs plenty of, and her awkward vibes frequently add a different and unexpected dimension. An out-on-a-limb prediction: She’s going to have a great season.

What about Lorne?

Every discussion about the state of “SNL” must include a mention of how much longer the show’s steward, who is 81, will remain at the helm. This ongoing Lorne Watch, with predictions of his retirement and potential successors, began around Season 40 and continues. Many thought he’d exit at the end of Season 50, neatly capping an epic TV run.

That did not happen.

Creator Lorne Michaels has been at the helm of “Saturday Night Live” for much of its run.

(Jason Armond / Los Angeles Times)

So now the talk has shifted to what happens if Michaels’ run is interrupted because, you know, something happens to him?

The names suggested (and bet on) as potential replacements, should anything happen, continue to include producers like Steve Higgins; former cast members like Fey and Seth Meyers, who’ve stayed close to Michaels’ orbit; as well as Conan O’Brien and John Mulaney, all of whom seem like good comedic shepherds who could lead the show into its next era. Michaels himself has said publicly that Fey could “easily” do it. But, they all have their own careers and may not want the all-consuming grind that running “SNL” entails. It may take multiple people.

One outlier pick would be Kenan Thompson, the longest-running “SNL” cast member, starting his 24th season on the show this week. For sheer longevity, having been around for nearly half of “SNL’s” run, and because he’s probably not leaving anytime soon, Thompson might be the pick that makes the most sense.

President Trump might not look smaller, but he is.

At home and abroad, among a significant majority of Americans that includes increasing numbers of Republicans, as well as in the eyes of foreign leaders, the president of the United States is shrinking by the day into a hapless peacock, a cartoon figure posting comic word balloons at all hours on the falsely labeled Truth Social network or bloviating for the (fewer and fewer) cameras by day.

Consider Trump’s losses and humiliations just over the past week:

But for the U.S. and Israeli delegations, formerly deferential diplomats at the United Nations mostly sat on their hands for Trump’s boastful and bullying annual address on Tuesday; at one apparent applause line, he seemed to pause for claps that didn’t come. The Federal Reserve raised interest rates over his objections (its hand forced by the inflation Trump’s tariffs and war have caused). The usually compliant Supreme Court killed his rule against mail ballots for the midterm elections. A federal judge blocked Trump (again) from putting his name on the Kennedy Center. Daily it seems, news stories quote once-supportive truckers and farmers breaking with him over the cost of fuel.

There’s more: A long-loyal Florida Republican, Rep. María Elvira Salazar, aired a campaign ad telling Trump that his immigration policies have gone too far and Latino supporters “feel betrayed.” Republican Senate candidates in Iowa and Michigan demanded that Trump end his stalemated war against Iran. The Republican chairman of the Senate Armed Services Committee berated Trump on the Senate floor for kowtowing to China’s President Xi Jinping with this week’s state visit. And a Republican senator from Nebraska urged an investigation of Donald Trump Jr. over his business dealings and his recent wedding that a Russian oligarch bankrolled.

Sure, Trump still has unprecedented control over his party; he only recently ended several Republican officeholders’ careers by endorsing their foes in party primaries. But the primaries are over. More Republicans by the day are trying to distance themselves from a president who’s setting records for unpopularity with just about each new poll. CNN’s latest, conducted last week, found that two-thirds of Americans disapprove of Trump’s job performance and believe, contrary to Trump’s claims, that the United States is losing the war against Iran. In another poll, from Fox News, two-thirds of voters said Trump had made the economy worse.

On the foreign stage, as evidenced by Trump’s failed applause lines at the U.N., leaders no longer compete for ways to play to his vanity. Instead, some are forming workarounds to achieve their policy ends without the conspicuously absent United States — on defense, trade, climate change and more. They’ve learned to discount his empty hyperbole, which is why there wasn’t a collective eruption at the U.N. on Tuesday when Trump suggested he might “annihilate” Iran.

To be sure, many don’t doubt he’s capable of that war crime. In fact, in the same address, Trump included among a number of false boasts one that’s all too real: about U.S. military strikes against small boats in the Caribbean and eastern Pacific that have killed numerous people — 234 to date — whom the administration claims, without evidence, to be drug-runners. These are illegal extrajudicial killings — actual war crimes.

Alas, as president, Trump might be a smaller man, but he retains a “crazy” amount of power, as he gushed himself last Thursday to an audience in the Mar-a-Lago’d Rose Garden. Why, he could even ban fishing and put Bass Pro Shops out of business, he told the billionaire founder of the chain.

That’s not true, but the wannabe autocrat has done plenty that the Constitution and federal law don’t allow a president to do, besides the Caribbean killings — like starting a war without Congress, wiping out entire federal programs authorized by law, demolishing a whole wing of the White House and banning specific news organizations because he doesn’t like their coverage.

Also, any inclination to relish Trump’s self-diminishment should be offset by the fact that he’s simultaneously diminishing the country’s stature and leadership in the world, in ways that could well outlast him. Longtime allies in Canada, Europe, Australia and Asia, in a break from the 80-year-old postwar order that the United States built, are forging new ties among themselves, separate from the newly unreliable United States and a president who is often hostile to allied leaders and openly enamored of dictators in China, Russia and elsewhere.

“To the victor belong the spoils,” Trump crowed to the U.N., in bragging about the United States’ confiscation of Venezuela’s oil and oil revenue since taking over the country in January. The U.S. president thus embraced, before a global audience, the very approach that his country and its postwar allies had rejected in building a new world order that included the U.N.

This week in celebrating China, which along with Russia provides assistance to Iran against the United States, Trump continues his abasement of himself and the nation.

After he’d visited Beijing in May, Trump actually declared China a co-superpower with the United States. “It’s the two great countries. I call it the G-2,” he told Sean Hannity on Fox News. Imagine Hannity’s conniption, and Republicans’, had Presidents Biden or Obama so forfeited America’s singular standing as the world’s superpower. And now, Trump is giddy about hosting Xi for a state visit with all the trappings. Rather than wait for Xi at the White House, as he typically greets visiting leaders, on Wednesday the eager Trump insisted on meeting Xi’s plane at Joint Base Andrews in Maryland for a red-carpet welcome.

In May, China’s Communist Party-controlled newspaper said Trump arrived in China as a “giant with a limp,” crippled by an Iran war then in its third, indecisive month.

Four months later, that war drags on, depleting U.S. stockpiles and defenses, including against an expansionist China. And Xi meets a man who’s no longer looking like a giant.

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As if the six-team Trinity League wasn’t good enough in the first five weeks of the high school football season, here come the sit-out period players who become eligible on Monday after using their one-time transfer without moving.

St. John Bosco is the big winner. Offensive tackle Elisha Mueller, a transfer from Servite and one of the top prospects from the class of 2028, will make an immediate impact, helping both the passing and running games. Also becoming eligible for the Braves is sophomore defensive back Kingston Fatu, a transfer from Tustin who should be beneficial for a secondary that has given up big plays this season.

Santa Margarita will be adding 6-foot-3, 285-pound sophomore transfer Karras Vandermade, a defensive lineman. Servite has six players who could compete for major roles, with four on defense that will add much needed depth. Orange Lutheran gains 6-5 tight end Hudson Ploog and linebacker Jamaal Fay, who started for two years at Leuzinger.

JSerra adds 6-7, 315-pound offensive lineman Wyatt Martin and tight end/defensive end Blake Dunn.

The sit-out players have been practicing with teams. They just haven’t been allowed to play in a real game, so coaches know what they are capable of adding to the team.

They become eligible as teams begin Trinity League play next Friday. Five of the six teams are off this week, with only Servite playing Damien in a nonleague game.

The opening league games next week have Santa Margarita playing Mater Dei at Saddleback College, St. John Bosco hosting JSerra and Servite playing Orange Lutheran at Orange Coast College.

THIS nepo-baby made their catwalk debut as they showed off their striking resemblance to their famous dad.

The 18-year-old was seen strutting down the runway Vogue World: Milan on Tuesday night. 

He wore a grey tweed Prada double-breasted blazer suit with a long sleeve beige top underneath and a pair of black loafers.

But have you worked out who this dapper star is?

It’s none other than Levi McConaughey.

He is the son of Hollywood actor Matthew McConaughey, 56, and his mum is Brazilian model Camila Alves, 43.

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The event was hosted at Italy’s oldest shopping arcade, Galleria Vittorio Emanuele II.

Levi looked dapper in a the two-piece suit and wore his brown curly hair parted to one side.

The event was attended by a number of A-listers including Gigi Hadid, Jennifer Lopez, Heidi Klum and Pamela Anderson.

Levi has been making more public appearances, including his attendance in June 2025 he attended the Dior show at Paris Fashion Week and also joined his family at the premiere of his dad’s Apple TV series Brothers this month.

Levi is the eldest child of Matthew and Camila, who also have a 17-year-old daughter named Vida, and a 15-year-old son, named Livingston.

The teenager appears to be following in his famous parents footsteps.

Last year, he was spotted picking up tips from his dad as the cameras rolled in San Diego in November.

Levi was filming for drama Way Of The Warrior Kid and was seen shooting scenes at Mission Beach.

Yet he had his Interstellar star dad on-hand for support.

The How To Lose A Guy In 10 Days star was seen keeping tabs on Levi before offering some sage advice before a take.

He was shooting scenes for the movie adaptation of the 2017 Jocko Willink children’s book of the same name.

It tells the story of 11-year-old Marc, played by Jude Hill, who finds his inner warrior strength during the summer holidays with the help of his Navy SEAL Uncle Jake.

Matthew and Camila’s first and oldest son was born on July 7, 2008.

Levi means “united,” “joined,” or “joined in harmony,” and is an anagram for “live,” beginning a theme for the McConaughey kids.

When USC and Oregon meet Saturday at the Coliseum, the stakes couldn’t be higher for Trojans coach Lincoln Riley. A win could catapult USC into serious contention for the College Football Playoff. A loss could send its season into a sudden spiral. And looming over it all are questions about the coach’s future — questions that could be answered, at least in part, by the Trojans’ performance this week.

“It’s definitely an important game,” Riley said Tuesday. “There’s no question about it.”

But ask his star quarterback if there’s any extra motivation this week to beat Oregon, and you won’t exactly get the same sentiment.

“Eh, not really,” Jayden Maiava said. “We’re just kind of attacking it the same every single week.”

Or what about the Trojans starting left tackle?

“It’s the exact same [this week],” senior Elijah Paige said. “We treat every opponent the exact same.”

At the start of arguably the most consequential week of their season, the Trojans certainly gave their best efforts not to make a big deal out of the big game with Oregon. Cliches were wielded like shields Tuesday, protecting against the imminent threat of social clips construed as bulletin board material.

But there’s no hiding from the significance of Saturday’s meeting for USC. Not when the messaging all off-season, like the billboards all around town, suggest that “the time is now.”

That’s definitely true right now for the Trojans, who face a gauntlet of a schedule in the coming weeks after Oregon. Three of their next five opponents after Oregon are ranked in the top 13, with two of those games on the road.

“This game should have a lot riding on it,” Riley said. “You kind of look forward and look ahead, it feels like a game that’s going to be relevant for a long time. I think it’s good for college football. It’s good for the West Coast.”

The rivalry between the two teams has grown especially heated in recent years. But on the football field, it hasn’t really been much of a matchup over the past two decades. USC has beat Oregon just twice in their last 10 meetings. And while USC has yet to play in the College Football Playoff, Oregon has already made three appearances and finished once as runner-up.

Oregon coach Dan Lanning has bested Riley in both of their head-to-head meetings, too. But the Ducks have not been at their best so far this season. After barely squeaking by Boise State in the season opener, they were upset on the road by Oklahoma State, which had previously lost 12 in a row.

Plus, they haven’t played at the Coliseum since the pandemic-shortened 2020 season, when they beat USC in L.A. for the Pac-12 title.

“It’s certainly not just another game,” Lanning said of the matchup with USC. “It’s as intense as it gets, when you talk about two teams that are competitive, that want to be really good, that have great talent. It means a ton to the fanbase. It means a lot to our team.”

The same is true at USC, even if no Trojan players are willing to admit it at the moment.

Though Paige did seem to let some enthusiasm slip Tuesday, when asked what it would be like to beat Oregon in his final opportunity to do so.

“It’d be awesome,” Paige said, before snapping back to attention.

“It’s an awesome game,” he continued. “We play a lot of awesome games.”

Injured DL Jahkeem Stewart still ‘touch and go’

Standout sophomore defensive lineman Jahkeem Stewart was dressed and looking ready to return at the start of USC’s Week 2 win over Louisiana. But after being a late scratch in that game, Stewart was ruled out early of USC’s Big Ten opener against Rutgers.

So what exactly changed in between?

Riley assured Tuesday that there was “no setback” with Stewart’s foot injury, which has held him out since the start of the season, but that USC “made the decision to pull him back a little bit” after seeing him warm up during Week 2.

Stewart is “hopefully not too far away,” Riley said. But his status for this Saturday certainly doesn’t sound optimistic.

“He’s continuing to rest, continuing to get healthier,” Riley said. “We do feel like we’re going to have him here at some point. But it’s a little bit kind of touch-and-go as that goes on, trying to manage … the time to rest without being too conservative with it. And so we’re definitely making progress. He’s definitely getting better and better each week.”

VAPES could be seized in UK airports under a new rule that is coming into force next week.

As it stands, there is not a strict limit on how much e-liquid vapers can bring back with them from their holidays.

But come Thursday, October 1, that is set to change.

From next week, travellers coming into the UK will be limited to just 50ml of liquid, which equates to around five standard bottles of 10ml of juice.

Anyone arriving with over this amount must declare it and pay tax and duty.

Failure to do so, could see your goods confiscated and seized, according to government guidance.

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With that in mind, you can expect to pay an extra £2.20 on every extra 10ml brought into the UK.

It comes as Brits are set to be charged more for vaping as part of new rules also coming into force on October 1.

The change will see a flat rate of 22p per millilitre or £2.20 per 10ml on vaping liquid, regardless of how much nicotine it contains.

It means a single 10ml bottle of juice currently scanning for £3.99 will rise to £6.63 by next week.

Meanwhile, any three for £10 deals on 10m liquid will rise to £17.92.

The rise in e-liquid duty was first announced in the Spring Budget in 2024 but reconfirmed by former Chancellor Rachel Reeves in the Autumn Budget last year.

HEIDI Klum has showcased her curves in a stunning see-through black gown at Milan Fashion Week.

The supermodel turned heads with her breathtaking appearance in Italy on Tuesday.

Photos obtained by The U.S. Sun captured Heidi, 53, smiling and waving to onlookers during a Womenswear Spring/Summer 2027 event.

The German beauty wore a completely sheer ankle-length, long-sleeved dress that left little to the imagination.

She strutted down the sidewalk in the racy outfit that exposed her bare butt through the thin fabric.

Heidi’s long legs were also on display with the gown’s super high slit at the bottom.

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The former America’s Got Talent judge completed the look with black high heels, black sunglasses, and her long blonde hair in loose waves.

She also shared several videos of herself walking through the city in the daring outfit on Instagram.

Heidi returned to her old spot on the AGT panel earlier this month to fill in for her ex-co-star Simon Cowell.

She served as a guest judge for the last Golden Buzzer episode of the season while Simon undergoes back surgery.

The TV star previously served as a main judge on the talent competition series from Season 8 to Season 13.

She returned in 2020 for Season 15 and continued through Season 19 in 2024.

Since leaving the show, Heidi has been focusing on her many other endeavors, including hosting and judging the Project Runway reboot.

The mom of two is also preparing to host her infamous Halloween bash next month, which is always a star-studded affair.

Before her schedule picked up, she took some time off to enjoy multiple lavish getaways.

The runway model attended an Oktoberfest event earlier this week, sporting a skintight pink corset that could barely contain her breasts.

Before that, Heidi shared numerous photos on Instagram from her trip to St. Barts, where she wore an array of super skimpy swimsuits.

The reality star went completely topless while soaking up the sun on the island with her husband, Tokio Hotel guitarist Tom Kaulitz, 37, and friends.

She made the same move earlier this summer, ditching her bikini top while swimming in the ocean with her dog.

Heidi also freed her bare breasts while sunbathing on a swanky hotel balcony during a vacation to Cannes in May.

Celtic will “come together and support” manager Martin O’Neill after a “painful” week for the club, chief executive Michael Nicholson has said.

O’Neill had indicated that he would use the international break to consider his future following two defeats to Rangers, either side of a home loss to Ferencvaros in the Europa League.

In the wake of Sunday’s 1-0 derby defeat at Celtic Park, 74-year-old O’Neill had said “it might be time to wrap it up”.

However, Nicholson suggested the club will rally round the manager who has delivered nine trophies over two spells.

His remarks came with the latest financial figures revealing a drop of nearly £33m in revenue.

A loss of £4.8m is largely down to the failure to reach last year’s Champions League and Celtic have missed out again, squandering a 4-0 aggregate lead in their play-off with LASK last month.

“Having started well in the Premiership this season, we experienced disappointment in the Champions League play-off,” said Nicholson in a written statement accompanying the financial results.

“Reaching the league phase of the Champions League is an objective for us all, and we are sorry not to have achieved it.

“On top of that, the losses in the last week have been painful for us all. We will now come together and support Martin and the players, as we focus our efforts on achieving success domestically and in the Europa League.”

Sept. 22, 2026 3:42 PM PT

WASHINGTON — The U.S. Supreme Court on Tuesday declined to intervene in a custody dispute over a 5-week-old child who was born in Texas after a surrogate refused a California couple’s wishes to have an abortion.

Justice Elena Kagan denied the request from McKenna West, who was seeking conservatorship over a baby boy she gave birth to in Dallas.

The brief order did not detail the legal reasoning, as is typical in emergency appeals. The decision came from Kagan because she handles appeals of cases out of California.

West had previously been rejected by other courts in her efforts to have a say in the treatment of the child, who was born with a life-threatening heart condition. She gave birth to the boy in Dallas, where most abortions are banned, after she refused the couple’s wishes to end the pregnancy.

West had asked the Supreme Court to halt a California court order that recognizes Omar Ahmed and Nausheen Gilkar as the parents of the child whom she calls Gabriel and they call Rumi.

Lawyers for the couple had urged the court to reject the request, questioning what an intervention would do for medical decision-making at an already chaotic time. They also accused West of overstating the prognosis for children born with the heart condition.

“Such chaos would be devastating for Respondents and, most importantly, their child,” the couple told the court.

The legal battle over surrogacy and abortion has attracted the attention and support of Republican officeholders and anti-abortion groups. West has said she believes the couple will not provide life-saving care, citing their request for an abortion at 23 weeks. Gilkar and Ahmed have denied those claims.

The boy was born Aug. 12 with hypoplastic left heart syndrome, a life-threatening condition that prevents normal blood flow to the organ. He underwent surgery soon after he was born. The couple’s attorney said in August that the newborn had been in critical condition and appeared to be “suffering from potential complications.”

Without treatment, children affected by the heart defect can die within days or weeks. Surgical repairs are not necessarily cures, and additional surgeries or heart transplants may be needed, according to the CDC.

Wilder and Whitehurst write for the Associated Press.

Fox Sports announcer Tom Brady might have spoken for all of us when viewing the play in which Washington Commanders quarterback Jayden Daniels dislocated his left elbow Sunday against the Dallas Cowboys.

Brady said an expletive on the air, expressing a genuine reaction to the gruesome sight of Daniels’ joint bending in the wrong direction after he planted his left hand to break a fall.

The same expression was no doubt used by countless Commanders fans who had seen their quarterback miss much of the 2025 season with the same injury to the same elbow.

Chicago Bears fans also probably reacted with similar words when star quarterback Caleb Williams was carted off the field with a hamstring injury.

The coaches of both teams had injury updates Monday about the quarterbacks who were selected first (Williams) and second (Daniels) in the 2024 draft. Bears coach Ben Johnson told WMVP in Chicago that Williams appears to have avoided a major injury but would “likely miss some time.”

Hours later, however, Johnson told reporters he wasn’t yet ruling out Williams for the Bears’ “Monday Night Football” game against the Philadelphia Eagles. He said Williams underwent an MRI scan on Monday and that the team received news that was “somewhat encouraging.”

“He’s right now working through every avenue that he’s got available to get back on track here,” said Johnson, who added that Williams probably would not practice this week. “We’ll see what that looks like. Here’s what I know: This guy’s a little bit different than the average human being. … He gets back, he has in the past, a lot faster than what people can anticipate. I’m not putting a timeline on this. We’re going to say week to week.”

Commanders coach Dan Quinn told reporters that Daniels underwent imaging that morning and would see specialists the following two days.

“We’ll go through the process from there,” Quinn said. “I know you’ll have some questions regarding timelines, but until we go through that process, I’d be guessing to give you any.”

Quinn did say that veteran backup Marcus Mariota would start Sunday against the Seattle Seahawks and that he might have an update on Daniels on Thursday or Friday.

Williams, after going 5-12 as a rookie, threw for a franchise-record 3,942 yards while leading the Bears to an 11-6 record and the NFC North title. He got hurt during Chicago’s 9-3 loss Sunday while scrambling deep in Minnesota Vikings territory midway through the fourth quarter.

Williams was replaced by Tyson Bagent, a fourth-year player who has appeared in 13 games and is 2-2 as a starter. Johnson told reporters Monday that he was confident in Bagent should he have to start any games in Williams’ place.

“If it goes that route, I feel strongly about what he’s capable of, and our team does, too,” Johnson said. “They know he’s a darn good football player.”

Daniels was an immediate star in Washington, leading the Commanders to a surprise appearance in the NFC championship game his rookie season, but he missed all but one game in the second half of last season after dislocating the same elbow Nov. 2 against the Seattle Seahawks.

He injured it Sunday on a play from the Dallas one-yard line with three seconds remaining before halftime. Left guard Chris Paul stepped on Daniels’ foot as he backed away from center and the quarterback threw a wild incomplete pass as he braced himself on the ground with his other hand.

Mariota replaced Williams in the second half and completed 11 of 16 passes for 111 yards with one touchdown.

The Associated Press contributed to this report.

WASHINGTON — President Trump on Monday headed into a week full of high-stake meetings with world leaders after spending a 72-hour period banning reporters from the White House, mulling whether it was time to “blow … up” Iran, and proposing to house military drones and snipers in his triumphal arch in the nation’s capital.

The weekend — which also included the announcement of a security deal over Greenland and the creation of a new “A.I. Force” — captured an American president operating unpredictably across multiple fronts even as each one drew friction. The actions now stand to color the backdrop of a week that will feature meetings with world leaders at the United Nations General Assembly in New York and a state visit by Chinese President Xi Jinping in Washington.

Each of those moves carries its own political weight ahead of the diplomatic talks, but also ahead of the midterm elections, where these topics are front and center in key races.

Trump’s handling of the Iran war, its subsequent shocks to the global economy, his push to fast-track the development of artificial intelligence and the Greenland agreement are likely to come up in meetings with world leaders. His deal with Denmark to bolster U.S. military presence in Greenland, a territory Trump has repeatedly tried to annex, is expected to be signed Tuesday in New York, though action is still needed by the Danish and Greenland governments before it can be enforced.

While all the details of the Greenland deal are not public yet, Trump has said it is a “dream come true for the United States of America.”

“This solution is a great one for the United States of America, Denmark, Greenland and all of our Allies,” Trump wrote on social media Friday. “We look forward to working with the wonderful people of Denmark and Greenland toward a magnificent future with respect to this large, and highly strategic, parcel of land. We will be very protective of it.”

In an interview Sunday, Trump also indicated that he was trying to make a decision on Iran as the war stretches into its eighth month. The president said he would “probably be open” to meeting with Iranian President Masoud Pezeshkian during the U.N. General Assembly.

“My question is, if and when do I blow the entire nation up?” Trump told Fox News. “They better behave.”

Of all the actions Trump took, the press dispute has become the most contentious and drawn an immediate legal response. Three major news outlets — CNN, MS NOW and Politico — sued the Trump administration Monday for banning their reporters from the White House grounds, and major television networks suspended their pool coverage of the president’s activities.

In a joint statement, the organizations said the White House has acted “without notice or process” and called the arbitrary decision a “blatant violation” of the 1st Amendment.

Trump, meanwhile, argued Monday that the banned news outlets are “corrupt” and a “threat to our national security.”

Vice President JD Vance defended the press ban.

“He’s not banning media outlets. What he’s doing is saying we’re not going to give you special access to the White House if you engage in what is effectively propaganda,” Vance said Monday, arguing that the three outlets push out “negative” coverage of Trump.

The tense showdown between Trump and the White House press corps led to audio problems during the president’s ribbon-cutting ceremony for a new helipad on the South Lawn. Without television cameras and microphones set up by the major TV networks, it was impossible to hear what Trump was saying through the White House’s official YouTube stream, signaling further technical difficulties in the week ahead.

Behind the public displays of control, news reports have painted a picture of a president increasingly frustrated by the lack of credit he feels he is owed. At a recent closed-door meeting, reported by the Wall Street Journal, Trump told advisors he was aggravated that his allies hadn’t lauded him enough for his efforts to take over the Kennedy Center or other accomplishments made during his second term.

Trump has tried to put his name on the building’s facade and run into resistance from Democrats, arts patrons and a federal judge who blocked the move last week. Trump was then photographed aboard Air Force One looking at a large printout appearing to show demolition plans for the center.

Over the weekend, Trump posted on social media a link to a news article that claimed he was seeking to fix “safety hazards” at the performance center. He then posted an image of him watching the Western Hemisphere with the words, “His Hemisphere,” and wrote that his proposed triumphal arch near the National Mall would be used as a military complex for drones and snipers.

Trump also announced that he would be creating the “A.I. force,” modeled after the Space Force he launched during his first term, to ensure the country does not “in any way hinder or stifle the growth of the industry.” The announcement came amid growing backlash to data centers and the fast-paced development of artificial intelligence, an issue that in recent weeks has prompted stark warnings about the technology’s power and its threats to humanity.

Tech executives, including Dario Amodei and Sam Altman, have even called for a slowdown on the technology’s advancement and last week, four leading AI companies — Anthropic, OpenAI, SpaceXAI and Google — faced a lawsuit claiming they made an illegal deal to slow the pace of their respective AI development.

Trump’s announcement over the weekend comes as lawmakers, including congressional Republicans in tight races, have called for new guardrails on the technology.

Despite technology becoming a political flashpoint during the midterms, Trump has dismissed concerns about AI as a hoax and asserted that those who oppose data centers are intent on being “backwards and poor.”

Sen. John Kennedy (R-La.) is among the lawmakers who have called for action on regulating the technology, and he has warned that not doing so could come at a cost on Nov. 3.

“We really need to send a memo around explaining we’ve got midterm elections coming,” Kennedy told Politico. “I may send that out.”

Over the years, the concept of the “song of the summer” has been well-contested: Is it merely based on statistics? Is it the song that has become so omnipresent that many have become sick of it? Does this mean that “Happy” by Pharrell Williams and “Fancy” by Iggy Azalea count?

Last year, it was likely somewhere between Sabrina Carpenter’s “Manchild” and “Luther” by Kendrick Lamar, featuring SZA. Just based on numbers, it was Alex Warren’s “Ordinary,” but this is a strong case for why metrics don’t always matter.

On Sept. 23, the autumn equinox will arrive, officially bringing an end to the summer season and countless attempts at giving it an anthem. This year, there was a plethora of choices. So much so that we couldn’t narrow it down to a definitive tune.

However, you can find our potential picks below.

“The Peace,” underscores

“I don’t speak unless I’m spoken to / And I won’t smoke unless you’re smoking too.”

Underscores, the artist that you are. After “U” dropped in March, “The Peace” was one of the first tracks to go viral across social media. It’s since maintained its cultural relevancy, with the artist performing it as part of her DIY pop-up sets, staged from the back of a U-Haul truck.

Historically, underscores hasn’t written much about her personal life, opting for conceptual work. However, “The Peace” offers a rare, intimate glimpse into the artist’s love life and the feeling of sacrificing basic boundaries in order to satisfy someone else.

Beyond its storytelling, the song’s melody and chopped vocal riff are unforgettable on this track, standing out from the rest of the album. This isn’t a jab at the project — “U” is an incredible album and the song is just that good.

“stupid song,” Olivia Rodrigo

A song from Olivia Rodrigo’s third album, “You Seem Pretty Sad for a Girl So in Love,” was always going to make this list, given the strong reception it’s received and its incredible replayability. As further evidence of this, within weeks of its release, the song hit 300 million streams.

The album’s third single, “stupid song,” just makes it in over “the cure,” its second single. Though the latter has one of the best bridges of the year, its undeniably melancholic and macabre nature is what put it out of contention.

Though “stupid song” has its somber moments, it’s easier to scream in a crowd without catching concerned glares. This call for catharsis is ever-present in Rodrigo’s discography, but this last album is the artist in full stride.

“Dance…,” Slayyyter

Speaking of artists in full stride, Slayyyter has been the breakout act of the summer, which is incredible considering that her debut mixtape released in 2019. She’s got skin in the game but hasn’t really been able to crack the mainstream until the release of “Worst Girl in America” and a subsequent, viral Coachella set.

“Dance…” is the opening track of that album and also arguably the best song on it. After about a full minute of pensive, progressive, electronic buildup, listeners get a taste of bliss, sewn-in synths and heavy bass.

When one individual made the bold claim on X that it was “one of the best album intros ever,” Slayyyter was quick to respond with a simple “TRUE.” Shortly after its release, it went viral on Instagram reels and TikTok as creators used the song in a trend where they’d act fatigued before bursting into motion on beat.

“Caught in a Jam,” Portraits of Tracy

This is easily one of the most fun, captivating tracks of the summer — it’s funky, bouncy, buzzy and everything in between. Solidifying its cool is the reassuring note at the end of the music video description: “No generative AI was used at any stage in the production of this material.”

It features — without a doubt — one of the best bridges and refrains of the year, and perhaps onward. Not to mention, its lyrics are equally as enjoyable as the production.

“Oh, something changed in me, I felt it instantly / I had to hit the club so they could all see / Now I’m the dancing queen / F-f-f-far far from 17”

“Caught in a Jam” would an impressive feat from any artist, but it’s exciting to hear it coming from a 22-year-old. Hopefully, the future is bright and groovy for Portraits of Tracy. Reception of the artist’s latest EP, “Q: From Where Do Our Primal Instincts Originate? A: MTV! EP,” has been overwhelmingly positive, with Pitchfork placing it a 7.6 rating.

“BbY Wow,” Karol G, Judeline, rusowsky

The 2026 Coachella headliner is back at it again. This time around, Karol G released “BbY Wow” at the tail end of July, allowing it just enough time to seep into the brains of all its listeners.

Realistically, it needed no time at all. It didn’t take long for the song to hit No. 1 on Spotify global charts, receiving over 3 million streams within a week of its release.

The song is a masterclass in production, pulling and syncopating a sample from iconic dance hall tune “Coolie Dance Riddim,” released by Jamaican producer Cordel Skatta Burrell in 2003. In this, a lot of the heavy lifting is done, and all three artists are left to ride the smooth beat.

Naturally, Karol G really shines here, but Judeline and rusowsky provide an interesting dynamic to the song, making it an instant hit.

“Girl Like Me,” PinkPantheress

“Girl Like Me” is an odd entry for potential song of the summer. The track was released back in May 2025 as part of her second mixtape, “Fancy That.” However, it didn’t receive much buzz until April 2026, when PinkPantheress performed at Coachella.

Not long after, she released the official music video for the song, which blew up almost as soon as it landed on YouTube. The video, made in collaboration with faceless director Lauzza, features buildings shuffling on beat and other excerpts of British culture.

It would soon witness the same treatment on streaming, garnering a 165% increase in streaming activity over a four-week period, Billboard reported.

But it’s not all about numbers in the world of music and, thankfully, “Girl Like Me,” delivers sonically, as well. The song flips both “Romeo” and “Always Be There” by aughts-defining electronic duo Basement Jaxx and turns it into a thumping dance pop tune.

“Dine N’Dash,” the Strokes

As plainly stated in our coverage of the Strokes’ appearance at Just Like Heaven in August, the band is “currently riding the high” of its first Coachella performance in 15 years. “Reality Awaits” is an incredibly polarizing album. What’s dividing fans is Julian Casablancas’ insistence on using Autotune, as many prefer his raw vocals.

However, Autotune or not, “Dine N’Dash” is reminiscent of the best of the band, confirming that they’ve still got the juice to make hits 25 years after their debut. The chorus is the key here, as its smooth riff pauses for Casablancas to softy wail out “We could never afford it / So we dine and dash / I would always go last.”

Hello, 2001!

“brand new chanel$,” Slayyyter

It’s always difficult to give an artist a double entry on a list, but in the case of Slayyyter, it was mandatory. “Brand new chanel$” is poised to be a song off of a potential upcoming project, which is expected to be an inverse, “brother album” to “Worst Girl in America.”

In that, it completely lives up to her promises, taking the route of a more traditional pop song, while still delivering on all fronts. Notably, her vocal ability really shines through on this track, as she belts out “I‘m holding it alone just for tonight / I wonder if you / got her in your room / I call you on the phone to start a fight” during the chorus.

The song’s outro is equally as intoxicating, referencing the lyrics and melody of its apparent brother track, “Beat Up Chanel$.”

Like “Dance…,” the song was quick to go viral on social media, and the artist revealed that the song was made to process romantic trauma. Just two days before “WGIA” dropped and during rehearsals for her Coachella set, Slayyyter found out she had been cheated on by her then-boyfriend.

“Choosin’ Texas,” Ella Langley

It’s been 22 weeks since Langley’s “Choosin’ Texas” first appeared on top of the Billboard 100, tying Mariah Carey’s seasonally ubiquitous “All I Want for Christmas Is You.” Whether you like the song or not, its appeal is officially undeniable.

On Spotify, it’s racked up more than half a billion streams and on YouTube, nearly 100 million. Not to mention, it’s impossible to crawl into any dive bar in the country without being ambushed by “She’s from Texas, I can tell by the way / He’s two steppin’ ‘round the room,” delivered in a Southern drawl.

Is it the “Happy” or “Fancy” of 2026? We leave that with you to decide.

Is President Trump holding the Kennedy Center hostage? The allegation has been made at least twice, most recently by John F. Kennedy’s niece Kerry Kennedy, and earlier by Rep. Joyce Beatty (D-Ohio), an ex-officio member of the board, who has sued to keep Trump’s name off the building.

The Merriam-Webster dictionary defines “hostage” as, “a person taken by force to secure the taker’s demands.” Swap, “person” for the “Kennedy Center” and “taker” for “Trump,” and you have a pretty straightforward “yes.”

The ongoing Kennedy Center dumpster fire points to an unusual presidential obsession with the nation’s premier performing arts venue that dates back to Trump’s first term when he became the first sitting president in history to twice miss the annual Kennedy Center Honors.

In his second term, Trump turned that snub upside down by firing the board and strong-arming his way into being named chairman. If he expected to be welcomed into the arts community with open arms, he was gravely mistaken. His takeover resulted in a wave of high-profile cancellations that ultimately led to a massive dip in ticket sales. The exodus became even worse when the Trump-appointed board voted to add Trump’s name to the building late last year. The reaction, it seems, injured the president’s fragile ego and incurred his wrath.

By early February the president announced he would close the center for a two-year, $257-million renovation. Calling the historic venue “dilapidated,” Trump said he would be the one to restore it to glory. Behind the scenes another story was unfolding, and six months later the Washington Post reported that “ticket sales and fundraising collapsed” after Trump’s name was added to the building, “even as the center’s leaders publicly touted a financial turnaround.”

This week saw chaos at the venue that even the most seasoned journalists struggled to keep up with as the board voted to close the building on the same day that a federal judge upheld an order that Trump’s name could not be restored to its facade after he ordered it removed in late May.

Trump took to social media to decry the decision, threatening to withhold his support for the renovation and noting that the center could be “ripped down” if he wasn’t formally honored with his name on the building. Despite a preliminary injunction barring the venue from closing, people were kicked out of the building and barricades erected in the name of public safety that same day.

Those prone to hyperbole might be tempted to call this presidential tantrum disguised in procedural clothes a constitutional crisis. Or you could just say that Trump has taken the Kennedy Center hostage. The taker wants his name on the building, and the center will not be released for renovation or reopening if that doesn’t happen.

In the meantime an image of Trump on Air Force One was captured that shows him holding a large placard that reads, “Kennedy Center DEMO[LISHED],” leaving concerned parties to wonder just what exactly the chairman of the board has in mind. Is he using a Sharpie at this very moment to slash a line through the image at the center on that board, or is it just a prop to be trotted out in a cruel bit of future social media hazing?

Getting lost in all the drama: a beloved arts venue has gone pointlessly dark, and the people who loved it are heartbroken. If no one is inside to hear the wind whistle, does it make a sound?

I’m Arts editor Jessica Gelt, willing to rustle up a ransom. This is your arts and culture news for the week.

The week ahead: A curated calendar

FRIDAY

Oliver Lee Jackson: Form Follows Feeling
The Bay Area painter, sculptor, and printmaker’s work, created over decades, is inspired by the human figure in its composition and structure.
Opening reception, 6-8 p.m. Friday; 10 a.m.-6 p.m. Tuesday-Saturday. Lisson, 1037 N. Sycamore Ave. lissongallery.com

“Vitruvian Figure (Los Angeles Memorial Coliseum),” 2026, 3D model by Paul Pfeiffer.

(Paul Pfeiffer/Perrotin)

Paul Pfeiffer: Olympia
In new work focused on Los Angeles, the artist explores the intersection between media, spectacle, architecture and the body ahead of the city hosting the 2028 Olympic Games.
Opening reception, 6-8 p.m. Friday; Pfeiffer in conversation with Britt Salvesen, 3 p.m. Saturday; exhibition, 10 a.m.-6 p.m. Tuesday-Saturday, through Nov. 7. Perrotin, 5036 W Pico Blvd. perrotin.com

SATURDAY

“Couple walking, Park Avenue,” 1960.

(Estate of Roy DeCarava)

Roy DeCarava: the sound i saw
The exhibition presents more than 130 images created between the late 1940s and 1960s, depicting the photographer’s intense interest in the relationship between the visual and the aural. Accompanying the exhibition, in the gallery next door, will be “SIDE B: the sounds,” a listening room featuring DeCarava’s personal playlists and favorite jazz album.
Opening reception, 6-8 p.m.; exhibition runs through Oct. 31. David Zwirner Gallery, 606 and 6166, N. Western Ave. davidzwirner.com

Sutton Foster
The two-time Tony winner and TV star performs Broadway hits and standards with Pacific Jazz Orchestra, featuring new arrangements by conductor Chris Walden.
8 p.m. The Soraya, 18111 Nordhoff St., Northridge. thesoraya.org

Mia Middleton: Summoning Cleo
New work by the artist explores interpreting familiar forms through a surreal lens.
Opening reception, 5-7 p.m. Saturday; exhibition runs through Oct. 24. Roberts Projects, 442 S. La Brea Ave. robertsprojectsla.com

Mrs. Warren’s Profession
Real-life mother and daughter Cyndy Fujikawa and Nell Murphy star in this production of George Bernard Shaw’s 1893 play about a Victorian woman coming to terms with how she built a business empire. Directed by Michael Rothaar.
Opening night, 8 p.m. Saturday; 8 p.m. Thursdays, Fridays and Saturdays; 3 p.m. Saturdays and Sundays (check website for exceptions), through October 25. Pacific Resident Theatre, 707 Venice Blvd, Venice. pacificresidenttheatre.org

Grammy Award-winning composer and bandleader Arturo O’Farrill and Afro Latin Jazz Orchestra open the Segerstrom Center for the Arts’ Jazz series.

(John Abbott)

Arturo O’Farrill & Afro Latin Jazz Orchestra
The pianist and composer, a six-time Grammy winner, and his ensemble kick off the Segerstrom Center for the Arts’ 2026-27 Jazz series with Afro-Cuban rhythm, modern jazz harmony and big-band sounds.
8 p.m. Segerstrom Center for the Arts, 600 Town Center Drive, Costa Mesa. scfta.org

Other Places
An alternative art fair devoted to contemporary art spaces and projects, plus workshops, readings, talks and performances.
Noon-7 p.m. Angels Gate Cultural Center, 3601 S. Gaffey St., San Pedro. opaf.info

Karma
The gallery presents solo exhibitions by painters Randy Wray (“Hothouse”) and Felipe Suzuki, one featuring vivid abstractions, and the other, work created through the lens of memory .
Opening reception 6-8 p.m. Saturday; 10 a.m.-6 p.m. Tuesday-Saturday, through Oct. 24. Karma, 7351 Santa Monica Blvd. karmakarma.org

SUNDAY

Alexander Apóstol
“Regime: Dramatis Personae” (2017), a series of black-and-white portraits of archetypal figures in both populist and authoritarian governments, uses photography to analyze the intertwining of art and political power in Latin America.
11 a.m.-5 p.m. Tuesday, Wednesday and Friday; 11 a.m.-8 p.m. Thursday; 11 a.m.-6 p.m. Saturday-Sunday; through Jan 3, 2027. Museum of Contemporary Art, 250 S. Grand Ave., downtown L.A. moca.org

Textile Alchemy: The Art of Reiko Sudō and NUNO
More than 100 limited-edition textiles, along with numerous objects, including drawings, sketches, raw materials, tools, mock-ups, and prototypes, are part of the largest retrospective ever of the Japanese designer’s work created with her textile collective and other collaborators from throughout Japan,
Through March 7, Los Angeles County Museum of Art, Resnick Pavilion, 5905 Wilshire Blvd. lacma.org

TUESDAY

The entrance of the Lucas Museum of Narrative Art in Los Angeles in Exposition Park.

(Ron De Angelis/For The Times)

Lucas Museum Of Narrative Art
Where else will you see Luke Skywalker, Vincent Van Gogh, Norman Rockwell, Gordon Parks and Charles Schulz under one roof? The new museum officially opens Tuesday, featuring 100,000 square feet of space spread across more than 30 galleries, exhibiting a mind-bending range of visual storytelling. Check out our full coverage.
Public opening, 10 a.m.-5 p.m. Tuesday; regular hours, 10 a.m.-5 p.m. Mondays, Wednesdays and Thursdays; 10 a.m.-5 p.m. Fridays; 9 a.m.-9 p.m. Saturdays; 9 a.m.-5 p.m. Sundays. Lucas Museum of Narrative Art, Exposition Park, 3800 S. Vermont Ave. lucasmuseum.org

THURSDAY

Bilal
The Grammy Award-winning singer-songwriter delivers a blend of soul, funk, and jazz. Queens-born R&B musician Yaya Bey is the opening act.
8 p.m. Carpenter Center, 6200 E. Atherton St., Long Beach. carpenterarts.org

Each Other’s Hands: Trans Mutual Aid, 1966—1996
Oxy Arts, Occidental College’s community-based arts hub, presents an exhibition featuring the work of six L.A. artists. curated by Umi Hsu. The opening reception marks the launch of the 2026 CIRCA Queer Histories Festival hosted by One Institute.
Opening reception, 7 p.m. Thursday; 11 a.m.-4 p.m. Monday-Saturday. Oxy Arts, 4757 York Blvd. oxyarts.oxy.edu

Arts Anywhere

Robert Wilson and the Civil Wars
The newly remastered 4K version of Howard Brookner’s 1987 documentary, the essential yet long elusive film about the 1984 L.A. Olympics Arts Festival, can finally be streamed courtesy of Criterion Channel. It is everything LA28 doesn’t want you know. criterionchannel.com

— Mark Swed

Culture news and the SoCal scene

Christian Barillas, Melinda Page Hamilton and John Lavelle in “The Visit” at Pasadena Playhouse.

(Jeff Lorch)

Pasadena Playhouse opened a new production of Swiss dramatist Friedrich Dürrenmatt’s revenge tragicomedy “The Visit,” and The Times got in on the action. Contributor Jenelle Riley wrote a preview about how the new show features more than a dozen creatives behind the Playhouse’s production of Peter Shaffer’s “Amadeus” earlier this year, including director Darko Tresnjak and actor Jefferson Mays. “Amadeus” was a major hit, so Artistic Director Danny Feldman welcomed the team back with open arms.

Meanwhile, Times theater critic Charles McNulty attended opening night and declared the play a refreshing success (with a few caveats), and expressed “gratitude for the high-level production, gratitude for making the case for why the play still matters, and gratitude for the opportunity of allowing us to make up our own minds about whether the work earns its designation as a modern classic.”

Castulo Guerra as Tlahtoani Klion in a dress rehearsal ahead of its premiere of “Antigone: In the Language of the Kings” by the Latino Theater Company at the Getty Villa.

(Ariana Drehsler/For The Times)

McNulty also headed to the Getty Villa for its annual outdoor theater production. This year, the Villa’s outdoor stage marks its 20th anniversary with a co-production with Latino Theater Company of Sophocles’ “Antigone,” reimagined to take place in pre-conquest Tenochtitlan and performed in English, Spanish and Nahuatl. “If the drama is oversimplified, it nonetheless makes for a gripping spectacle,” McNulty writes.

Finally, a very busy McNulty checked out out a revival of José Rivera’s “Marisol” in an Open Fist Theater Company production at Atwater Village Theatre. The play originally opened in the early 1990s around the same time as Tony Kushner’s “Angels in America,” and McNulty says this new staging is gratifying because it allows a new generation to “embrace the play’s kinetic freedom.”

There are as many acrobats as actors in “Water for Elephants,” which is running at the Hollywood Pantages Theatre through Sept. 27 before heading to Segerstrom Center for the Arts (Nov. 10-22, with stops in Portland, Seattle, Reno, Sacramento, Tempe, Fresno and Eugene in between). Contributor Jenelle Riley headed backstage before opening night to watch the high-stakes performers warm up with poles, hoops, ropes and more. When the curtain raises, there’s a real circus onstage.

Long Beach Opera will perform its 2026-27 season aboard the Queen Mary.

(Allen J. Schaben / Los Angeles Times)

Long Beach Opera announced its 2026-27 season, which is slated to be performed aboard the historic Queen Mary. First up: three works by composer Georges Aperghis, with vocal performances from coloratura soprano Habin Kim. Next: soprano Amanda Forsythe and Opera Prima in a performance of “Tormento Seicento.” Four additional productions include: an Anna Schubert recital, Peter Brook’s “Impressions of Pelleas,” Handel’s “Tolomeo” and Ana Sokolović’s “Svadba.”

The Jewish Federation of Greater Los Angeles and Daniel Gryczman, the federation’s board chair, sued Pasadena’s Norton Simon Museum for the return of the diptych “Adam and Eve,” a pair of 16th century masterpieces by Lucas Cranach the Elder. The suit was one of two filed in the state “since California and Congress passed a pair of laws bolstering U.S.-based claims to Nazi-looted artwork around the world,” reports the Times’ Kevin Rector.

— Jessica Gelt

And last but not least

The Food section got the skinny on Skywalker Grill at the Lucas Museum, which is already booked through the end of the year.

HIGH SCHOOL FOOTBALL WEEK 5 SCHEDULE

(Games at 7 p.m. unless noted)

THURSDAY’S SCHEDULE

CITY SECTION

Valley Mission League

Sylmar vs. Canoga Park at Chatsworth

Nonleague

Marquez vs. Eagle Rock at Contreras

SOUTHERN SECTION

Camino Real League

St. Bernard at Bosco Tech

Tango League

Century at Garden Grove Santiago

Savanna at Bolsa Grande

Nonleague

Lakewood vs. Villa Park at El Modena

San Bernardino at La Sierra

St. Jeanne de Lestonnac at Nuview Bridge

INTERSECTIONAL

Gahr at Gardena

8-MAN

SOUTHERN SECTION

Majestic League

Calvary Baptist at Public Safety Academy, 6 p.m.

INTERSECTIONAL

Entrepreneur at Julian, 3:30 p.m.

Cuyama Valley at Bakersfield Valley Oaks Charter

FRIDAY’S SCHEDULE

CITY SECTION

Coliseum League

Fremont at Dymally, 4 p.m.

Eastern League

Garfield at Legacy

Huntington Park at Bell

South Gate at Los Angeles Roosevelt

East Valley League

Arleta at San Fernando Arroyo

Monroe at Fulton, 3:30 p.m.

Sun Valley Poly at Grant

Verdugo Hills at North Hollywood

Valley Mission League

Reseda at Panorama

Van Nuys at San Fernando

Nonleague

Cleveland at Crenshaw

Franklin at Los Angeles University

Jefferson at Los Angeles Marshall, 4 p.m.

Los Angeles Wilson at Los Angeles, 4 p.m.

Mendez at Torres

Rancho Dominguez ar Washington Prep

Santee at Chatsworth

SOUTHERN SECTION

Almont League

Montebello at Schurr

Boulder League

Burbank Burroughs at Pasadena

Camino Real League

Mary Star of the Sea at St. Genevieve

Cottonwood League

Silver Valley at Temecula Prep

Crest League

Temple City at Arcadia

Foothill League

Golden Valley at Canyon Country Canyon

Hart vs. Saugus at College of the Canyons

West Ranch at Valencia

Ivy League

Liberty at Paloma Valley

Manzanita League

Anza Hamilton at Desert Chapel

California Military at San Jacinto Valley Academy

Silver Valley at Temecula Prep

Ocean League

West Torrance at South Torrance

River Valley League

Rubidoux at Jurupa Valley

Tango League

Loara at Magnolia

Nonleague

Alhambra at Glenn

Anaheim at Buena Park

Arrowhead Christian at Cathedral City

Ayala at Chino Hills

Barstow at Etiwanda

Bassett at Mountain View

Big Bear at Norte Vista

Calabasas at Ventura

Citrus Valley at Upland

Corona Santiago at Elsinore

Covina at Northview

Crescenta Valley at Gabrielino

Desert Hot Springs at Miller

Desert Mirage at San Gorgonio

Downey at Inglewood

Eisenhower at Los Amigos

El Monte at South El Monte

El Rancho at Los Altos

El Segundo at Santa Rosa Academy

Estancia at Brentwood

Glendale at Royal

Granite Hills at Vista del Lago

Hawthorne at Leuzinger

Highland at Temescal Canyon

Hoover at Rosemead

Indio at Coachella Valley

Jurupa Hills at Colton

Knight at Adelanto

Lancaster at Victor Valley

Laguna Hills at St. Margaret’s

La Quinta at Eastvale Roosevelt

Long Beach Cabrillo at Long Beach Jordan

Long Beach Poly at Rancho Cucamonga

Long Beach Wilson at Compton

Mira Costa at Culver City

Moreno Valley at Rancho Verde

Muir at Redondo Union

Ontario Christian at Vasquez

Oxnard at Rio Mesa

Oxnard Pacifica at Sierra Canyon

Rancho Alamitos at Westminster La Quinta

Rim of the World at Grand Terrace

Rio Hondo Prep at St. Anthony

Rowland at Diamond Bar

San Clemente at Murrieta Valley

San Gabriel at Garey

San Jacinto at Aquinas

Santa Ana at Ganesha

Santa Ana Calvary Chapel at Carpinteria

Santa Ana Valley at Godinez

Servite at Damien

Sherman Oaks Notre Dame at Millikan

Silverado at Alta Loma

St. Francis at Charter Oak

St. Monica at Cantwell-Sacred Heart

Summit at Edison

Tahquitz at Rialto

Trabuco Hills at El Modena

Troy at El Dorado

Valley View at Shadow Hills

West Covina at Norwalk

West Torrance at South Torrance

West Valley at Banning

Yucca Valley at Twentynine Palms

INTERSECTIONAL

Bakersfield Centennial at Burbank

Bakersfield Mira Monte at Village Christian

Bernstein at Viewpoint

Boron at Beverly Hills

Dominguez at Los Angeles Hamilton

Harvard-Westlake at Birmingham

King/Drew at Baltimore St. Frances Academy (Maryland), 4 p.m.

Knight at Adelanto

Laguna Beach at San Pedro

Lawndale at Wilmington Banning

Locke at Compton Early College, 3:30 p.m

Manual Arts at Compton Centennial

Mira Monte at Village Christian

Narbonne at Peninsula, 4 p.m.

Oceanside El Camino at Vista Murrieta

Pomona at Angelou

Rancho Christian at Central

Steele Canyon at Dorsey

Valhalla at St. Pis X-St. Matthias Academy

Verbum Dei at Los Angeles Jordan

Warner at Lucerne Valley

West Adams at Workman

8-MAN

CITY SECTION

Nonleague

New Designs University Park at East Valley

Sherman Oaks CES at Animo Robinson

TEACH Tech Charter at Stella

SOUTHERN SECTION

Express League

Avalon at Vista Meridian, 2:45 p.m.

Legacy College Prep at Southlands Christian

Tri-Valley League

Chadwick at Sage Hill, 6 p.m.

Nonleague

Lancaster Baptist at Hesperia Christian

Thousand Oaks Hillcrest Christian at California Lutheran

Trinity Classical Academy at Faith Baptist, 4 p.m.

INTERSECTIONAL

Laguna Blanca at Valley Oaks CES

Villanova Prep at USC Hybrid, 3 p.m.

Maricopa at Tehillah Christian Academy

San Jacinto Leadership at Borrego Springs

SATURDAY’S SCHEDULE

SOUTHERN SECTION

Cottonwood League

Riverside Prep at Webb, 1 p.m.

INTERSECTIONAL

Corona Centennial at De La Salle, 2 p.m.

8-MAN

SOUTHERN SECTION

Nonleague

Lancaster Desert Christian at Flintridge Prep, 5 p.m.

River Springs Charter at Desert Chapel

San Luis Obispo Classical at Malibu, 1 p.m.

Santa Clarita Christian at Cate, 12 p.m.

INTERSECTIONAL

Francis Parker at Pasadena Poly, 11 a.m.

Model Secondary School for the Deaf at California School for the Deaf Riverside, 5 p.m.

Orcutt Academy at Thacher, 2 p.m.

PAL Academy at Trona, 12 p.m.

Valley Christian Academy at Coastal Christian, 6 p.m.

PHILADELPHIA — Ed Sheeran opened a solo concert in Philadelphia on Saturday with comments about Gaza, saying what’s happening is “catastrophic and unjustifiable.”

“My heart has been broken by the scale of devastation and loss of civilians’ lives, of children’s lives,” Sheeran said at his nighttime performance at Lincoln Financial Field.

Sheeran also said he wants his music and shows to be about unity and humanity, not politics.

He then addressed the controversy that unfolded since his supporting acts withdrew in solidarity with opener Macklemore, who was dropped from the tour after making pro-Palestinian comments onstage.

Sheeran has performed much of his Loop Tour concerts solo, but he had been joined for several songs at each stop by the Irish folk band Beoga. Macklemore, Sheeran’s original U.S. opener, had been replaced by Danish band Lukas Graham and Irish singer Aaron Rowe before they backed out.

Finneas, Billie Eilish’s brother and musical collaborator, was due to tour with Sheeran in South America later this year before he too dropped out earlier this week.

As of Saturday afternoon, tickets were still available for the show, and Sheeran’s website did not list any replacement acts.

Earlier a group of about 50 pro-Palestinian demonstrators congregated outside the stadium before the show. Hillary Steinberg, 34, of Philadelphia, said she got tickets a year ago but wound up getting a refund and attending the demonstration instead, disappointed that Sheeran had not taken a stand.

“I was, until this week, a big Ed Sheeran fan,” Steinberg said. “I think all art is political, and all music is political, and so this choice — even though he was saying that he wasn’t complicit — is a political choice.”

The show comes after a tumultuous week that opened with Macklemore being dropped in response to exclaiming “Free Palestine!” during a Sept. 5 show in New Jersey. Sheeran has said he was not responsible for the decision, which came at the urging of New England Patriots owner Robert Kraft. His company owns a stadium where Sheeran’s tour was scheduled to play Friday.

Within hours of Sheeran’s statement Tuesday, his supporting acts withdrew.

Diane Savitz, a 53-year-old concertgoer from Stroudsburg, Pa., got her tickets to the show months ago and is a big Sheeran fan. She said she does not think that he did anything wrong or that a concert is the place for politics.

“A concert should be for people enjoying the music. Music should bring people together,” Savitz said. “Everyone has their right to freedom of speech, but not every platform is the place for it.”

Macklemore said Wednesday he is donating $1 million to support Palestinian relief efforts and called on Kraft to match the gift; a spokesperson for Kraft has said the billionaire and Sheeran have each agreed to donate $2 million but have not specified where the money will be directed. Sheeran’s representatives have not responded to multiple requests for comment.

Sheeran’s Loop Tour was the highest-grossing in the world, with an average box office gross of over $7 million per city, Pollstar said in May. Through the end of 2025, Sheeran was the No. 3 top-earning concert act since 2021.

Sheeran has said the tour promoter was ultimately responsible for the decision to drop Macklemore.

The Grammy winner was adamant in his Tuesday statement that he wouldn’t be drawn into discussion of the war in Gaza, arguing that his fans don’t come to his shows to hear about these issues.

He also said he “spoke with the venues at length all week to try to build a bridge” before Macklemore was dropped. He insisted he would never willingly let down his fans or abandon the touring crew and others who rely on him to make a living.

While promoters and venues wield great power over concert tours, experts say an artist of Sheeran’s magnitude generally has the final say about what happens concerning the shows.

Sheeran told the crowd in Philadelphia that everyone is welcome at his concerts, and they can have opposing points of view while still singing his songs, which are about “love, hope, and unity.”

Vejpongsa writes for the Associated Press. AP journalist Jessica Hill in Las Vegas contributed to this report.

Mike McDaniel isn’t panicking.

But the Chargers’ new offensive coordinator knows his unit must show urgency and improvement Sunday against the Las Vegas Raiders after a rude wake-up call in the season opener.

“You have a lot of visions coming to a new team and working on something for months. The vision never looked like that,” McDaniel said of the Chargers’ 26-14 loss to the Arizona Cardinals. “That’s the beautiful thing about football; like life, time spent forecasting [and] visualizing things going a certain way … no one cares about that.

“So, it was a case of humble pie.”

Quarterback Justin Herbert never looked fully comfortable. He completed 17 of 27 passes with 207 yards, one touchdown and one back-breaking interception.

The time-of-possession disparity also played a big role in the loss, with the Cardinals controlling the ball roughly 15 minutes longer.

Herbert knows that can’t happen again.

“It’s another opportunity for us to go play football, to be better, and to put our brand of work out there,” Herbert said. “I don’t think we were happy or content with [the] Week 1 effort. So, we’re doing everything we can to fix it and be better.”

Facing a Maxx Crosby-led Raiders defense that held McDaniel’s former team, the Miami Dolphins, to 13 points in Week 1, the Chargers are focusing on often-overlooked aspects, such as understanding assignments, communicating more clearly, cleaning up penalties and operating as a collective.

“These are elementary things,” McDaniel said.

Chargers quarterback Justin Herbert celebrates with coach Jim Harbaugh, center, and offensive coordinator Mike McDaniel after a touchdown against the Cardinals on Sept. 13.

(Harry How / Getty Images)

The offense will need more production from several players, especially if wideout Ladd McConkey, who is questionable to play with a rib injury, is unavailable.

Wide receivers Quentin Johnston and Tre’ Harris, who each saw six targets in Week 1, should see increased involvement, as should speedy rookie Brenen Thompson.

“He’s been really good,” coach Jim Harbaugh said of Thompson. “Great opportunity for him [and a] great challenge.”

Tight end Oronde Gadsden II is another player who could play a key role in a revitalized passing attack.

“I would expect [Gadsden] to be more involved outside of an unforeseen situation where the game and the parameters with which you’re playing change, in which case we’ll address that,” McDaniel said.

Perhaps the most important player to watch Sunday will be Omarion Hampton. The second-year running back had just 12 carries for 43 yards and one touchdown while also losing a fumble against the Cardinals.

“Really just flush [Week 1],” Hampton said about the Chargers’ approach to facing the Raiders. “[And] look at all the stuff we can work on. Come back, regroup as a team, talk about what we need to do to move forward and make it not happen again.

“We all think the same thing … urgent to get how we want to play. That’s really the main thing going on in the locker room.”

Changes also will be apparent on the offensive line.

Trey Pipkins III (knee) won’t play against the Raiders, ending the rotation at left guard, at least for now. And while the team would rather be at full strength, Kayode Awosika — who played well against the Cardinals — will get a chance to prove himself without sharing snaps.

Nonetheless, as McDaniel emphasized, talk of expectations and adjustments don’t matter — it’s what shows up on film that does.

Good thing the Chargers’ new play-caller craves adversity.

“It’s been my favorite week of my employment here,” McDaniel said. “Because — I know [through] my experience in this league — do not measure anything beyond how a group of people handles adversity in the National Football League.

“It’s not if, it’s when.”

The advertising blitzkrieg of L.A.’s mayoral campaign is here.

Mayor Karen Bass and her opponent, City Councilmember Nithya Raman, dropped new campaign commercials over the last week, buying time on television, streaming channels and other platforms. Supporters of both candidates released ads as well.

The two candidates relied heavily on free media for most of the summer, putting videos on Instagram and inviting the news media to cover their appearances.

The dam effectively burst on Monday, with Raman touting her new Hollywood-themed ad “For Your Consideration,” timed to coincide with the Emmy Awards.

The 30-second spot starts with Raman stepping out on the town, then shifts to some standard L.A. imagery: freeways, palm trees, Echo Park Lake and, of course, the Hollywood sign.

“L.A. shows the world what it means to be a star,” declares the ad’s narrator, actor and screenwriter Bob Odenkirk. “And every Angeleno deserves the chance to reach for their own.”

After Raman has stopped off at a taco stand and hugged a dog, Odenkirk delivers the ad’s final message: “Change. Affordability. An L.A. that loves you back.”

That ad ran on television a few times before being cycled onto social media, per the Raman campaign.

Three days later, Bass went up with a 30-second spot — on digital platforms for now — centered on President Trump’s immigration raids.

The ad offers footage from the day in July 2025 when Bass confronted federal immigration agents in MacArthur Park. The video features images of gun-toting federal agents in military uniforms and Bass hopping out of a car in an aquamarine pant suit to face them.

“When someone comes after your family, you don’t hesitate,” Bass says. “You stand up. You fight.”

One of Bass’ most formidable allies — the Los Angeles Police Protective League — went hard negative with its first ad of the runoff campaign, offering the message that Raman “Doesn’t Get It.”

The commercial, released Friday, follows a young girl as she walks past a homeless encampment, juxtaposed against video of Raman talking about her opposition to a law that prohibits encampments near schools.

“I don’t think a kid’s gonna be safer because a tent is 500 feet away from a school,” Raman said in the clip, which was taken from a 2024 candidate forum in Sherman Oaks.

The backpack-wearing child speaks to the camera and says: “Walking to school shouldn’t be scary.”

“I’m just a kid,” she says. “But even I know I’d be safer if this was 500 feet away.”

The police union says the ad will start running on television this weekend and already is on social media platforms.

Meanwhile, Raman’s backers have an assortment of attack ads running on Facebook and Instagram.

Streets For All, a group that wants to expand the city’s bus and bike lane network, pulled video footage from a different Sherman Oaks candidate forum — this one featuring Bass and Raman last month.

At that event, Bass told the audience that Raman is unresponsive to her constituents, forcing many in Sherman Oaks to contact the mayor’s office directly.

“Many of you have my cellphone, you have called me,” Bass says in the ad. “You called on me specifically for help.”

Streets For All contends those remarks show that Bass gives wealthy homeowners her number while “regular Angelenos get ignored.”

“L.A. deserves a mayor who doesn’t just listen to the rich and powerful,” the ad says.

By Friday, Streets For All had nearly two dozen different video spots opposing Bass over such issues as homelessness, transparency and the Palisades fire, according to Ethics Commission filings.

The biggest backer of the group’s political action committee is hedge fund manager Aaron Sosnick. Of the $1.2 million that the group plans to spend in the mayor’s race, Sosnick has provided $1 million, said Michael Schneider, who heads the group.

Schneider said the committee also has financial support from retired real estate developer Yuval Bar-Zemer — known for his work in the Arts District — and Todd Wexman, chief principal of 4SITE Real Estate, a real estate development company.

Raman pollster says she’s in the lead

The Raman campaign shared the results of a new internal poll that showed their candidate with a five-point lead over Bass.

Of the 600 likely voters who were surveyed, 44% supported Raman and 39% backed Bass, with 17% undecided, according to a memo provided to the campaign and viewed by The Times. The survey, conducted by Hart Research Associates in early September, had a margin of error of 4 percentage points.

“In the initial trial heat for Los Angeles mayor, Councilmember Nithya Raman is in the rare position for a challenger of already LEADING the incumbent,” the polling firm wrote.

Another poll, commissioned by an independent expenditure group supporting Raman, portrayed the race as a statistical tie, at least initially. Estamos con Nithya for Mayor of LA 2026, sponsored by the Western States Regional Council of Carpenters, said its poll showed Bass with 38% and Raman at 37%.

However, when voters received more information on the candidates, Raman took a 7-percentage-point lead, with 41% supporting her and 34% supporting Bass, according to a memo prepared by the group’s pollster.

The margin of error was 3.7 percentage points.

The Bass campaign declined to share its internal polling when contacted by The Times.

However, Neighborhoods for a Better L.A., an independent expenditure group supporting the mayor, said a survey it commissioned in early August showed the mayor with an edge over Raman of 41% to 35%, with 24% of the electorate undecided.

That poll, conducted by Tulchin Research, surveyed 1,200 likely Los Angeles voters and has a 2.8-percentage-point margin of error, the group said.

The poll also found that when given “balanced biographies” about both candidates, Bass’ support grew to 45% while Raman went down to 33%.

“Communications focused on Raman’s record can both reduce her support and consolidate voters behind Bass,” the pollsters wrote.

Giving back El Grito cash

Los Angeles City Councilmember Imelda Padilla locked down sponsorships for the city’s celebration of El Grito, which marks Mexico’s independence.

Tuesday’s event, which featured an evening of musical performances, was sponsored by an assortment of city contractors and government agencies, including waste hauler Athens Services and the Department of Water and Power.

Still, Padilla decided she didn’t want to partner with one particular business, announcing at the last minute that organizers no longer would accept a $5,000 sponsorship from Home Depot.

On the day of the celebration, Padilla issued an apology on Instagram, saying she had heard from community members upset over the event’s affiliation with Home Depot, whose parking lots have been the site of many federal immigration raids.

“We have rescinded their partnership for this event,” Padilla said in her post. “The spirit of El Grito is rooted in celebrating our Latino heritage and creating a space where our families feel welcomed, safe, and celebrated.”

In an email, a Home Depot spokesperson said the company is not involved in immigration enforcement activities and doesn’t coordinate with Immigration and Customs Enforcement or U.S. Border Patrol. The company also doesn’t receive advance warning about enforcement actions, the representative said.

“We cannot legally interfere with federal enforcement agencies, including preventing them from coming into our stores and parking lots,” Home Depot spokesperson Evelyn Fornes said.

State of play

— COZY WITH CARUSO: Billionaire developer Rick Caruso, who was defeated by Bass in 2022, appeared alongside the mayor at a groundbreaking for the Palisades Recreation Center. Caruso praised her for her work on the project but stopped short of endorsing, saying he intends to meet with Raman in the coming weeks.

— LIFE AFTER PRATT: The voters who picked reality TV personality Spencer Pratt in the June 2 primary election are now up for grabs. But will they stay home instead of picking a mayoral candidate?

— BASS BAILS: The mayor skipped a congressional hearing on waste and fraud in homeless spending this week, calling the session politically motivated. Rep. Tim Burchett, the Republican who chaired the subcommittee meeting, accused her of dodging accountability.

— FINDING FRAUD: Federal authorities arrested three people who were working in Los Angeles-area homeless nonprofits this week, accusing one of them of misappropriating more than $7.5 million in taxpayer funds. Scott Turner, secretary of the Department of Housing and Urban Development, said the Los Angeles Homeless Services Authority, which provided the funding, had allowed fraud to “run rampant.”

— WE’RE IN THE MONEY: The 2028 Summer Olympic Games in Los Angeles will generate up to $40.6 billion in increased economic output and add as many as 224,000 jobs, according to an upbeat economic forecast released this week. Another, more tempered estimate put the increase at $20.5 billion to $25.4 billion.

— SEETHING OVER SKID ROW: Some activists want dogs taken away from homeless residents living in Skid Row, saying those animals are living in an unsafe environment. A Bass aide responded by cautioning that it is “neither humane nor legal to remove animals from their human companions without appropriate cause.”

QUICK HITS

• Where is Inside Safe? The mayor’s signature program to combat homelessness went to Avalon Boulevard and 64th Street in South L.A., an area represented by Councilmember Curren Price.
• On the docket next week: The council’s Public Works Committee meets Tuesday to discuss ways of cleaning, safeguarding or demolishing nuisance properties.

Stay in touch

That’s it for this week! Send your questions, comments and gossip to LAontheRecord@latimes.com. Did a friend forward you this email? Sign up here to get it in your inbox every Saturday morning.

There’s no better way to draw attention to an artist’s work than threatening to shut it down.

Take this week, when Macklemore was kicked off singer-songwriter Ed Sheeran’s tour at the behest of concert venue owners who found the rapper’s on-stage pleas to “Free Palestine” offensive.

Now Macklemore, who hasn’t had a major hit since the 2010s, is relevant again. He has the support of artists, fans and thousands more outraged by his dismissal and the humanitarian catastrophe in Gaza. The “Thrift Shop” rapper has emerged a hero, and a chastened Sheeran and Gillette Stadium owner Robert Kraft have pledged to donate millions toward humanitarian causes in “the region.”

The stakes are considerably higher for Israeli documentarians Yuval Abraham and Rachel Szor. Israeli Prime Minister Benjamin Netanyahu threatened this week to revoke their citizenship for what he called the “shocking incitement” that is of their forthcoming documentary, “NAZA.”

NAZA is an acronym used by Israeli military intelligence to describe the number of civilians it estimates will be killed in an airstrike. The documentary captures the actions of Israel’s military after the Oct. 7, 2023, Hamas attack in footage shot at night from Tel Aviv rooftops. “NAZA” also features anonymous interviews with intelligence officers and soldiers from the Israel Defense Forces, and builds on reporting first published by the Israeli-Palestinian publication +972 Magazine, the Hebrew-language outlet Local Call and The Guardian to make the case that mass civilian deaths were built into Israel’s target decisions in Gaza.

When “NAZA” premiered at the Venice Film Festival on Sept. 10, the documentary received a 25-minute standing ovation, setting a festival record. It went on to win the prestigious Special Jury Prize.

Soon after, the directors came under attack from members of Israel’s government, with Culture Minister Miki Zohar accusing them of “treason against the state” and calling for their citizenship to be revoked.

But it’s Netanyahu who’s providing free publicity for “NAZA,” ensuring that everyone outside the film festival circuit will know of the documentary by the time of its official North American premiere at the New York Film Festival on Sept. 26.

In a move that’s likely designed to quash “NAZA’s” release and silence its directors, the prime minster pledged this week to advance two bills that would address the “immense damage” done to Israeli soldiers in the film.

Netanyahu explained in a social media clip that one bill would “revoke the citizenship of anyone who defames soldiers, and the second [bill will] hit them in their pockets and increase the statutory damages for defamation they can ⁠be sued for by 20 times. We ⁠will hit them both in their pockets and in their citizenship, as their place is not with us.”

Macklemore lost his place on a pop music tour for speaking out against Israel’s military. Abraham and Szor may lose their place as Israeli citizens. The pair were already considered controversial for their 2024 documentary, “No Other Land,” a film chronicling five years of displacement and violence in the life of Palestinians in a small village in the occupied West Bank. It won the 2025 documentary feature film Oscar.

They explained in a statement why making “NAZA” was so important.

“We made this film out of a sense of obligation to use our position as Israeli filmmakers and journalists to examine the systems behind the mass killing of Palestinian civilians for which our country is responsible,” the statement said. “While filming members of Israel’s military on rooftops at night in Tel Aviv over the past three years, we found ourselves asking the very questions that were asked by our grandparents’ generation and throughout the 20th century: How does one group of people allow the total dehumanization of another? What do the inner workings of such a system look like? … The film lets us explore something deeper than we could in our investigative journalism alone: not only the words being said, but also those that are not said, the silence. It is up to all of us to break that silence.”

The filmmakers have said that they’re using an “innovative distribution model” to bring the film to audiences “as quickly as possible.” It’s slated to reach Los Angeles on Oct. 9 before rolling out in theaters nationwide.

“NAZA” may not need a robust marketing plan if Netanyahu and the Israeli government continue to condemn the film and threaten its creators with expulsion from their own country. Censorship, and worse, are the surest way to elevate an artist and their work. Just ask Macklemore.

KATIE Price has made her modelling comeback as she walked the runway at London Fashion Week in a tiny waistcoat that barely contained her biggest ever boobs.

The reality star surprised fans as she made an appearance at Natasha Zinko’s London Fashion Week show X OnlyFans show in Islington, London, last night.

The 48-year-old strutted her stuff on the catwalk at Collins Music Hall as she flaunted the results of her latest boob job.

Katie was seen wearing a pair of satin shorts and a matching cropped black waistcoat that struggled to contain her assets.

The skimpy ensemble showed off her long legs and large collection of tattoos.

Katie, who is no stranger to going under the knife, underwent her latest boob job just weeks ago in Brussels.

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After being left with one boob slightly larger than the other, Katie went in for corrective surgery and ended up asking the surgeons to make them even bigger.

The former glamour model, who went by the alias Jordan during her page three days, has now made a dramatic comeback and she was loving every minute of it.

Katie recently dumped her conman husband Lee Andrews by text after discovering the crypto account he claimed had contained £37m had just £2.20 in it.

She appeared on Good Morning Britain earlier this week and confessed she’s had enough of Lee’s lies.

Jailed Lee sent a voicenote to the show in which he criticised his wife for speaking out about him and said “divorce is probably for the best”. He also said Katie wasn’t tech-savvy and had looked in the wrong account, insisting he is a multi-millionaire.

Lee is still behind bars in Dubai’s Al Awir prison as Katie prepares for what could be showbiz’s messiest divorce.

Aaron Donald said Friday that he planned to make his season debut for the Rams against the New York Giants on Monday night, but star receiver Puka Nacua’s status is more hazy because of a hip injury.

Donald, 35, rejoined the Rams after ending a two-year retirement. The three-time NFL defensive player of the year did not travel to Australia for the season-opening defeat by the San Francisco 49ers, but he has participated in several 11-on-11 drills this week.

Asked if he would play on Monday, Donald said, “That’s the plan.”

Donald’s plan? Or the Rams’?

“I think that’s all of our plan,” he said. “We have a conversation, we figure it out.”

Donald said he felt as if he had never been away.

“Kind of getting in the groove of things, understanding everything a lot better out there playing a lot more free, a lot more loose and looking more like myself to me,” he said.

Nacua, who was sidelined for a few weeks during the preseason because of a psoas injury, caught five passes for 74 yards against the 49ers and practiced on Thursday. The psoas is involved in hip movement, so it is not clear whether Nacua’s absence was caused by the same injury or a new one.

Nacua was scheduled to speak with reporters on Friday, but did not do so because he did not practice. Coach Sean McVay is scheduled to speak with reporters on Saturday.

Regardless, the Rams are expected to get a boost from Donald, an eight-time All-Pro.

Edge rusher Byron Young played with Donald as a rookie in 2023. Now he will be playing alongside him again.

“He hasn’t missed a beat,” Young said.