week

“The World Cup is ruining my life,” a neighbor recently said with a laugh. “I’m supposed to be working; instead I’m watching World Cup. I’m supposed to be doing chores; instead I am watching World Cup.”

I laughed in guilty recognition. We had met on the street by chance while I was walking the dog. Having just spent the last two hours watching, then celebrating Lionel Messi’s hat trick during Argentina’s first-game victory over Algeria, I had less than an hour to get back in time to watch Austria play Jordan.

That was on Day 6, and it’s only gotten worse. If I had to calculate my own ratio of work done to soccer watched … well, as I am not a sports reporter, I don’t think my editor would be thrilled. (Though I’m sure she appreciated the England/Congo updates I provided as I finished this piece.)

Like millions worldwide, my family and I have been deeply, and in our case, weirdly, engrossed in this year’s games. “Weirdly” because we do not follow men’s soccer. The World Cup is different, of course — going in, I figured I would check out the U.S., keep an eye on Messi, then tune into the final few games. Perhaps my husband would join (but only if he at least pretended to understand the offside rule), but with our two oldest children out of the house, it is, with the exception of the Super Bowl, unheard of for our family to concurrently view any sporting event in real time.

Until this World Cup. I’m not quite sure how it happened, but suddenly we’ve got game times written onto our calendar. Entire days have been spent in front of the TV with at least one child and the others watching from their homes, our family texts studded with “are you watching…?,” “did you just see that?” and, of course, “OMG MESSI!”

(I would attempt to calculate my recent ratio of chores done to Messi videos watched if I weren’t legitimately concerned that my family would have me committed.)

The fact that my son and his girlfriend live in Kansas City certainly helped spark our newfound fascination. Yes, Los Angeles is also a host city, but L.A. hosts so many things; inevitably we were mostly concerned about what it would do to the traffic. KC, on the other hand, is the smallest and most unlikely of the host cities, and over the last few years we have seen — on visits and through my son’s accounts — all the construction, effort and can-do spirit that has gone into preparing for the event.

We were thrilled when it was announced that Argentina, England, the Netherlands and Algeria would be based in or near KC. We wanted the city to shine, and it has — from nearby Lawrence’s enthusiastic adoption of Algeria to Messi’s historic hat trick at Kansas City Stadium.

Team USA defender Mark McKenzie, left, and Turkey midfielder Baris Alper Yilmaz in the World Cup match at Los Angeles Stadium on June 25.

(Robert Gauthier / Los Angeles Times)

But it’s more than vicarious Midwestern pride. When our older daughter began texting out missives from the earliest games and our son sent pictures of fans streaming into Kansas City Stadium, we started watching as a way to stay connected.

First, as a family, and then to our country and the rest of world.

The games have been inevitably exciting, especially as now that they’re in the knockout round, but the overall sensation was unexpected relief, a soul-soothing balm.

At a time when the news cycle seems to serve up nothing but conflict, crisis and woe, the World Cup offers shelter, a truly international event in which conflict is defined by long-term sports rivalries and questionable referee decisions.

We want our national or preferred teams to win, of course, but no matter the outcome, it’s impossible not to be thrilled by the sight of phenomenal play, underdog tenacity and so many adoring and enthusiastic fans.

Soccer is called the beautiful game for many reasons, and hours/days/weeks of sustained beauty is impossible to resist. Even social media has surrendered to spectacular highlights along with tales of Japan supporters cleaning up stadiums, fans of the victorious consoling fans of the defeated and Europeans discovering the glories of free refills and ranch dressing.

None of this changes the realities we face in America and the rest of the world. Grocery and gas prices remain catastrophically high; Iran continues to contradict U.S. claims of diplomatic resolution to an unpopular war. The unnecessarily revamped reflecting pool in Washington remains a swamp of algae and tourist arrests, as the semiquincentennial struggles under the weight of our president’s self-centered hubris.

But for a few blessed weeks, the World Cup offers inspiration, escape and cultural healing.

It has also, thus far, escaped President Trump’s so often internationally insulting social-media notice and more importantly, his presence. Historically, the leaders of host countries attend the opening match; Trump has, apparently, been too busy (including planning and attending the UFC Freedom 250 cage match recently held on the South Lawn.)

Given his tendency to suck the oxygen out of any room (like his recent reception at Game 3 of the NBA Finals in New York), it’s definitely for the best. If nothing else, the World Cup has given us a chance to take a break from politics and talk instead about Messi, France’s Kylian Mbappé, England’s Harry Kane and all the amazing goalkeepers, including Cape Verde’s now-iconic Vozinha.

Never before have I so understood the therapeutic power of sport.

Who wouldn’t want to at least take a break from rising measles cases, the latest federal or Supreme Court decisions and primary tea-leaf readings to lose themselves in a game where exquisitely patient passing suddenly bursts into spectacular feats of speed and footwork? Where a well-defended ball can suddenly become a goal with a nearly undetectable flick of a foot, or a perfectly placed shot blocked by a goalie’s incredible ability to launch into space? Where an outcome that seems assured can be overturned in the final minutes to the collective roar of an international cast of thousands?

Vozinha of Cape Verde makes a save during the World Cup match between Spain and Cape Verde at Atlanta Stadium on June 15.

(Justin Setterfield / Getty Images)

Like many Americans, I have been occasionally embarrassed by the World Cup’s exposure of my world-geography ignorance — I know where Bosnia and Herzegovina lies on a map, but until recently, I couldn’t place Cape Verde, Curacao or, if I’m being completely honest, Cote d’Ivoire.

Isn’t it wonderful, though, to have a reason to reacquaint yourself with a world map that isn’t related to war, natural or man-made disaster or economic and political tension? The current U.S. administration may seem to be at odds with just about everyone, but visiting World Cup fans are here to remind us of all we share, beneath our crazy wigs and face paint, our cheers, groans and chants.

And we, as hosts, have shown them that America is so much more than the sum of our current government’s policies and posturing.

Watching all this happen, in real time, has been magical, miraculous and magnetic.

Not every moment, of course. Various visa issues created unnecessary and embarrassing drama; high ticket prices and transportation issues were blamed for empty seats at some of the early games. Members of the Iranian team and its coaching staff criticized the way they were treated (though the team left a handwritten note in the dressing room of Los Angeles Stadium, thanking L.A. for its hospitality). The controversial hydration breaks, and the extra commercials they accommodate, can be irritating (though when it’s close to 100 degrees in many stadiums, quite necessary). And though it didn’t matter in terms of standing, watching the U.S. lose to Turkey wasn’t much fun for American fans (though the Turkish exuberance was pretty infectious).

Overall, the 2026 World Cup has done exactly what it was supposed to do: create, in this country, a stage for the finest teams and players in the world’s most popular sport and, more important, carve out five weeks in which we can all spend a few hours removed from the political and cultural divisiveness that threatens to define us.

It’s space in which we can cheer, gasp and leap out of seats along with our families, friends and all the millions we will never meet but to whom we are connected all the same.

Now if you’ll excuse me, the next game is about to start.

NEW travel rules are due to come into force next week impacting British families – but for the better.

From July 8, more children will be able to use eGates at UK airports.

The new rules will allow children aged eight and nine, who are at least 120cm tall to use eGates when accompanied by an adult.

The height restriction is in place as kids need to be able to see and be captured by the biometric screens at the gates.

Under the current rules, children needed to be 10-years-old to use the eGates and prior to 2023, kids needed to be 12-years-old to use them.

This meant families with younger children would have to go in the standard queue to see a border force officer, which usually involves a longer process and wait time.

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The change means that around 1.5million more children can use the gates.

The rule change will impact 13 airports across the UK that currently use eGates, including:

• London Heathrow
• London Gatwick
• London City
• London Luton
• London Stansted
• Manchester
• Birmingham
• Bristol
• East Midlands
• Newcastle
• Cardiff
• Edinburgh
• Glasgow

These rules will also impact other travel methods from the UK to Europe such as Eurostar and the Eurotunnel.

It will also affect people travelling from non-Schengen countries in Europe along with the US, Australia and Japan.

Minister for Migration and Citizenship, Mike Tapp said: “Travel with young children can be stressful for parents.”    

“By expanding eGate access, more families can experience a swifter and smoother journey home – freeing up precious time this summer holiday season.”

Karen Dee, Chief Executive of AirportsUK, the trade body for UK airports, said: “This is a welcome development as it will give more families the ability to take advantage of this technology, speeding up the border process and reducing waiting times for many.”

Some airports in Europe are also allowing Brits to use the eGates – here is the full list.

However, Brits are facing problems travelling to Europe this summer because of the new EES rules, so we’ve explained everything you need to know about them.

Syria has completed the formation of its transitional parliament after President Ahmed al-Sharaa appointed the remaining lawmakers to the 210-member People’s Assembly, allowing the legislature to convene for the first time next week. The move marks another step in the country’s post-Assad political transition, though the chamber will operate with limited authority under Syria’s interim constitutional framework.

The parliament’s formation comes more than eight months after the selection process began following the overthrow of Bashar al-Assad in 2024, with the new leadership pledging a more inclusive political system while retaining a strong presidential model.

Sharaa completes formation of transitional parliament

President Ahmed al-Sharaa appointed 70 lawmakers to fill the final seats in the People’s Assembly, completing the 210-member chamber after two-thirds of legislators were selected through regional electoral colleges last year.

The Assembly is scheduled to hold its inaugural session on Monday, formally beginning its role as Syria’s transitional legislature.

Women’s representation increases in new legislature

Among the presidential appointments are 15 women, raising the total number of female lawmakers from six to 21.

The appointments address one of the main criticisms of last year’s selection process, which drew scrutiny for the limited representation of women and concerns over political inclusivity.

Sweida seats remain vacant amid security concerns

Lawmakers representing the predominantly Druze province of Sweida have not yet been appointed, with authorities citing ongoing security conditions.

The province has remained outside full government control following deadly clashes between government forces and Druze fighters last year, delaying its integration into the transitional political process.

Parliament to operate under strong presidential system

The newly formed legislature will function under a temporary constitutional framework introduced in 2025 that grants limited powers to parliament while preserving broad executive authority for the presidency.

Although lawmakers can propose and approve legislation, the government is not required to secure parliamentary approval to remain in office, limiting the Assembly’s oversight role during the transition.

Political representation remains under scrutiny

The parliament’s formation has been closely watched as a measure of the new government’s commitment to political inclusion after decades of authoritarian rule under the Assad family.

Rights groups and some Syrian political figures have argued that the appointment process concentrates significant influence in the presidency and called for greater electoral independence, stronger judicial safeguards and broader representation of Syria’s ethnic and religious communities.

Implications

The completion of the transitional parliament provides Syria with its first functioning legislature since the fall of the Assad government, offering an institutional framework for drafting legislation during the transition. However, its limited constitutional authority means executive power will remain concentrated in the presidency, leaving questions over the pace and depth of political reform.

The composition of the Assembly will also be closely monitored by regional governments and the international community as they assess the credibility of Syria’s political transition and prospects for broader engagement with Damascus.

Future Outlook

The People’s Assembly’s first session will signal the beginning of Syria’s transitional legislative process, with lawmakers expected to begin debating new legislation under the interim constitutional framework. Attention will now shift to whether the parliament evolves into a more influential institution ahead of the adoption of a permanent constitution and the eventual holding of nationwide elections.

With information from Reuters.

It’s been about a month into the all-important summer box office season, and already, there is a noticeable boost in optimism.

I wrote last week about how the massive debut of Walt Disney Co. and Pixar’s “Toy Story 5” was a promising sign; many analysts and movie theater operators believe the summer’s theatrical revenue could finally reach pre-pandemic levels.

The cinema business has been propelled by the likes of Paramount Pictures and Miramax‘s “Scary Movie,” Universal Pictures’ “Disclosure Day” and, of course, A24’s “Backrooms” and Focus Features’ “Obsession.”

With more potential blockbusters on the way, my colleagues David Viramontes, audience editor for arts and entertainment, and Cerys Davies, who covers the business of the entertainment industry, joined me to give our best predictions for how this summer will shape up.

What will be the biggest movie of the summer?

Masunaga: After seeing how family movies — specifically, PG-rated films — were the winners of the last two years, I think we’ll be seeing “Toy Story 5” emerge at the top. The movie has already brought in more than $585 million worldwide less than two weeks after it opened, and if its billion-dollar-grossing predecessors are any indication, this franchise may still have a long life at the box office.

Viramontes: After the R-rated, three-hour drama “Oppenheimer” made nearly $1 billion at the worldwide box office in 2023, it would be professional malpractice not to pick Christopher Nolan’s “The Odyssey” as the biggest movie of the summer — and possibly the year. 70-millimeter IMAX screenings were sold out a year in advance and premium format tickets are still hard to come by in Los Angeles. Not to mention tentpole movies like this attract repeat viewings and even encourage viewers to seek out screenings in every format. And we haven’t even talked about how the film boasts one of the most stacked casts in recent history.

Davies: In an effort to play it safe, I’m going to pick a family movie and bet on “Toy Story 5.” Think about the dog days of summer — when the air gets heavy, a sense of inexplicable boredom takes over and it’s almost too hot to do anything. Deep down, you know the only reprieve is sitting in the comfort of your local theater chain’s air conditioning. But, at this point, you already saw “The Odyssey” with all your friends at the earliest available IMAX showing. What else will scratch that box office itch? I’m willing to bet it’ll be none other than the familiar faces of Woody, Jessie and Buzz Lightyear, as they fend off technology in their home.

Which movie’s marketing campaign will be the talk of the summer?

Masunaga: The marketing for “The Odyssey” has been less overt than that of other summer releases, giant Trojan horse in Venice Beach notwithstanding. But a film helmed by Nolan and starring a plethora of A-list actors basically markets itself. After all, both official trailers for the film have garnered more than 30 million views on YouTube.

Viramontes: I’m prepared for Spider-Man to be everywhere. From buses and billboards to talk shows and TikTok, the movie will reach full saturation. While “Brand New Day’s” marketing campaign hasn’t reached fever pitch just yet, I’m prepared to be inundated with activations, posters and commercials for the four-quadrant fave that’s poised to be one of Marvel’s biggest successes in years.

Davies: A massive orange monster named Irene with dozens of eyeballs has nearly engulfed the historic Carney’s restaurant on Sunset. A giant inflatable “Rich” minion, sporting a goatee and a blinged out chain, popped up on Fairfax. And minions have taken over Wendy’s frosty machines with a new banana flavor. At this point, Universal and Illumination could put a minion on every Los Angeles street corner, and I wouldn’t grow tired of them. (The ominous, goggle-wearing eye overlooking the 101 freeway just isn’t enough.)

What will be the biggest wild card of the summer?

Masunaga: The biopic “Young Washington” could make waves. Distributed by Provo, Utah-based Angel Studios, the movie has the backing of the studio’s 2 million Angel Guild members, who determine its slate and get other perks, including free movie tickets. That support proved crucial for 2023’s “Sound of Freedom,” which ended up grossing more than $250 million worldwide, and could end up being a factor here, too.

Viramontes: “The End of Oak Street” has been teasing a dinosaur adventure in trailers, but can the mystery box movie starring Anne Hathaway and Ewan McGregor attract audiences? There’s also potential counter programming to blockbuster hopefuls dotted throughout the summer with “Teenage Sex and Death at Camp Miasma.” But I’m putting my money on “Evil Dead Burn.” Horror movies put butts in seats, and this summer doesn’t have many other straight-down-the-middle scares in store for audiences.

Davies: There’s an Anthony Bourdain biopic called “Tony” hitting theaters in August. These days, it feels like Hollywood will make a biopic about just anyone, but something about seeing Dominic Sessa channel the chef’s undying passion for food and effortless swag on screen seems irresistible. Plus today’s audiences love stories about intense kitchens (“The Bear”) and debatable biopics (“Michael”) — let’s see what happens when the two marry.

Both Warner Bros.-owned DC Studios’ “Supergirl” and Sony Pictures‘ “Spider-Man: Brand New Day” are part of this summer’s lineup. Will we see a turnaround from the recent superhero fatigue at the box office?

Masunaga: This past weekend marked a disappointing debut for “Supergirl,” which brought in just $37.1 million in the U.S. and Canada and about $62.6 million worldwide on a reported budget of $170 million. Box office analysts had been expecting a domestic opening of about $47 million to $50 million. On the other hand, pre-sales for “Spider-Man: Brand New Day” have been extremely strong. Not every superhero movie prints money anymore, so even with a potentially big haul for “Spider-Man,” I don’t know that it’ll signify a complete turnaround for the genre as a whole.

Viramontes: If there’s any superhero with enough pull to rescue the genre from fatigue after “Supergirl’s” poor performance, it’s your friendly neighborhood box office king Spider-Man.

Davies: Tom Holland’s Spider-Man definitely has the potential to cure superhero fatigue, at least for a few months. But as soon as the internet’s favorite couple, Zendaya and Holland, stop walking red carpets and doing press together, audiences are likely to put superhero movies on the back burner once again.

Analysts and theater owners have predicted that this summer’s box office will reach pre-pandemic levels. Will that momentum continue for the rest of the year?

Masunaga: Yes. The lineup of movies this year is more plentiful and varied than in years past, and with massive blockbusters slated for the holiday season, I think it’s very possible we could see a year-end domestic box office total of $9 billion or more.

Viramontes: Yes. We’ll have an action horror in September with “Resident Evil,” Zach Cregger’s follow-up to “Weapons.” In October, Tom Cruise’s long-awaited “Digger” might hit pay dirt. Following that in November is the new “Hunger Games” movie, “Sunrise on the Reaping.” And I don’t even have to mention “Avengers: Doomsday” and “Dune: Part Three,” the juggernauts waiting for us in December, do I?

Davies: Given the overall excitement from audiences of all ages and the variety this summer’s box office has to offer, this season will definitely be the one to do it. When Christopher Nolan, Spider-Man, the minions and the toys from “Toy Story” join forces, there’s no stopping them.

“The Pitt” and its economic effect on California

As film and TV production has fled the Golden State in search of cheaper locales, HBO Max medical drama “The Pitt” stands out as a major contributor to California’s economy.

My colleague Meg James wrote about the economic impact of the show, which films almost entirely on the Warner Bros. lot in Burbank and has provided jobs for about 1,000 people. The show’s first season alone contributed $125 million to California’s gross domestic product, according to an estimate from Oxford Economics.

“We’re old men who didn’t want to go away from our homes any longer,” series star Noah Wyle, who also serves as an executive producer and writer on the show, said, half-joking. “We’ve all been plying our trades out of state, chasing tax credits and being away from our families for a really long time.”

Stuff We Wrote

Film shoots

Number of the week

Disney and Pixar’s “Toy Story 5” continued its dominance this weekend, pulling in $70 million in the U.S. and Canada to stay on top at the box office.

The animated film has now grossed more than $585 million worldwide in less than two weeks. The haul for “Toy Story 5” helped push Disney past the $3-billion mark at the global box office, making it the first studio so far this year to hit that milestone.

What I’m watching

I feel like I’m always catching up on shows, and this week was no exception. I’m just now starting Season 2 of Netflix’s “A Man on the Inside,” which continues the hilarious exploits of retired engineering professor-turned-private-investigator Charles, played by Ted Danson. As a fan of “The Good Place,” I’ve loved the similar humor of this latest Michael Schur show.

Welcome back to The Times’ Lakers newsletter, where we’re buckling up for what will surely be a bumpy free agency period.

Free agency negotiations can officially begin today at 3 p.m. PDT, but there have already been several eyebrow-raising moves. Blockbuster trades between Milwaukee and Miami, Charlotte and Minnesota, and Memphis and Portland are three massive shots during the offseason transaction salvo.

And those weren’t even technically free agency transactions.

Now the real fun begins.

Golden (State) reunion?

They already won an Olympic gold medal together. The mere concept of LeBron James and Stephen Curry playing together for an NBA championship is the stuff of ticket-selling, TV-viewership legend.

With James being what many consider the best free agent in this class, the superstar will be at the center of nearly every phone call through the Lakers’ El Segundo facility this summer. Between retirement, returning and relocating, James has plenty of choices for his future. Teams are starting to line up with their offers.

Signaling what will be a frenetic week, Draymond Green opted out of his contract, ESPN reported Monday morning, sending alarm bells across the league that the Warriors could be cooking up cap magic to potentially lure James to the Bay Area.

The idea was that with a restructured deal with Green, Golden State could offer the $15 million non-taxpayer mid-level exception to James. They could then try to pull off a trade to bring Anthony Davis for a “Big 4.” Eyeball emojis were wide open on the platform formerly known as Twitter.

But in this fast-paced league, that strategy barely survived the day after a Kristaps Porzingis extension reported Monday afternoon made the mid-level exception math not impossible, but certainly more complicated.

One NBA executive told my colleague Broderick Turner that James could play for the Lakers on a one-year, $30-million deal if the team wants to offer that much. It would still be a significant pay cut from the $52.6 million James made last year.

The 41-year-old is already the first active NBA player to reach billionaire status, according to Forbes. How much will a few million dollars matter to him?

During his twilight NBA years, James, according to the now-infamous statement to ESPN from his agent Rich Paul last year, wants to prioritize winning. There’s no guarantee that staying with the Lakers would make them the top team to overtake the San Antonio Spurs or Oklahoma City Thunder, but there is some proof of concept. Raise a mental banner for that 16-2, Luka-Austin-LeBron stretch.

In the West, at least, the top teams are trending young. The Thunder were the youngest team ever to win a title in 2025. The Spurs figure to be a championship contender for a long time behind Victor Wembanyama, 22, Stephon Castle, 21, and Dylan Harper, 20. The Timberwolves’ controversial trade for LaMelo Ball in exchange for fan favorite Naz Reid to Charlotte also netted Minnesota one of the league’s biggest young stars.

James, Davis, Curry and Green would be a star-studded zag toward experience when the rest of the league is zigging toward youth. The Warriors already flirted with “The Expendables” ensemble strategy with Curry, Green, Al Horford and Jimmy Butler last year.

Sequels are rarely better than the original, and in this case, the original wasn’t even that good.

By already agreeing to a four-year, $185-million deal with Austin Reaves, the Lakers are getting close to running back their own roster. As expected, Deandre Ayton opted into his $8.1 million player option.

After the 27-year-old’s up-and-down play last year, simply getting Ayton back will not stop questions regarding the Lakers’ center position.

While watching a thrilling NBA Finals and the highly anticipated Western Conference finals showdown between the Spurs and Thunder, the league saw the importance of shooting. Free-agent sharpshooters Rui Hachimura and Luke Kennard are on the market, and defensive stopper Marcus Smart will leave a hole in the Lakers’ roster after opting out. The 32-year-old guard greatly outplayed his $5.9-million option and is deserving of a multi-year deal.

When it came to his own future, James was vague at the end of the season. James’ on-court influence could persist for years, whether in L.A. or somewhere else. But his decisions won’t necessarily be his own.

James mentioned conversations with his family as important steps in the offseason process. Maybe just as important as the opportunity to chase a fifth championship is the chance for the father of three to fulfill his family responsibilities.

This month, James was celebrating the 10-year anniversary of the Cavaliers’ championship with teammates, a trip that overlapped with Father’s Day. When he returned, his daughter Zhuri handed him a handwritten golf-themed card: “You are the best by par” she wrote inside.

“When you retire,” the page-long note James posted on Instagram read, “I can’t wait for you to be at all of my games like I was at yours.”

James, he wrote on social media, instantly cried.

Rock the vote

Setting the LeBron James of it all aside, which unrestricted free agent would you most want to return to the Lakers next season? Slide into my inbox at thucnhi.nguyen@latimes.com with your answer!

• Rui Hachimura
• Marcus Smart
• Luke Kennard
• Jaxson Hayes

Favorite thing I ate this week

Khinkali (Georgian soup dumplings) from Cheeseboat in Manhattan.

(Thuc Nhi Nguyen / Los Angeles Times)

I’ve recently seen social media posts of people trying to eat food from as many countries as possible without leaving a single major city. I may adopt this as a new NBA road trip side quest, and we can now add Georgia to the travel menu.

While in New York City for the draft, I stopped at Cheeseboat, a family-run Georgian restaurant in the Hell’s Kitchen area of Manhattan. It’s named after Georgia’s traditional khachapuri bread that is shaped like an open boat and filled with delicious melted cheese, but my favorite dish we had was the khinkali soup dumplings filled with ground beef, spices and herbs. I just love dumplings, and because you use your hands to eat them — picking them up by the little dough handle is advised — they’re a little less fussy than the Chinese xiao long bao.

In case you missed it

Former Lakers Malik Beasley and Ed Davis accused of illegal gambling, wire fraud and money laundering

Who will sign with the Lakers? Updates on Deandre Ayton, Marcus Smart, LeBron James and more

Swanson: You’re up, Rob Pelinka. To avoid Ned Colletti’s fate, the Lakers’ GM has to deliver this offseason

Cameron Carr on Lakers acquiring him draft night: ‘It didn’t feel real’

Plaschke: Lakers’ Austin Reaves needs to do more to earn his money

Lakers’ Austin Reaves agrees to four-year, $185-million contract

Until next time…

As always, pass along your thoughts to me at thucnhi.nguyen@latimes.com, and please consider subscribing if you like our work!

As holiday prices go up, it’s always helpful to take on any advice you can to make it that little bit cheaper and as it turns out, that includes which day of the week you fly

Ahead of your last-minute summer trips or 2027 getaways, it’s best to be smart about your bookings, and a travel expert is here to tell you exactly why.

Flights are one of the most expensive aspects of any holiday, especially if you’re traveling further afield. If you’re not following these simple steps, you could be doing it all wrong.

To help holidaymakers navigate their bookings abroad with confidence, travel expert and head of aviation at Loveholidays, Gavin Brewer, has shared his expert advice for a stress-free getaway.

With three decades of experience in the aviation industry, he offers practical advice on securing cheap, last-minute deals and ensuring your trip is protected.

Something many people overlook when booking a holiday is the day they fly. While they often make sure to consider key dates, outside of school holidays for cheaper packages or outside of peak summer times altogether, they don’t stop to think about the difference flying on a Monday could have to flying on a Sunday, for example.

As it turns out, that difference could be quite a lot, especially if you’re booking for a family, where all those saved pounds soon add up.

Gavin suggests being super strategic with your departure date to ensure you’re saving money and getting the best flights for the best price. He explains that the start of the week is always the cheapest to depart, according to recent analysis of flights, meaning Sundays, Mondays and Tuesdays are the best days to begin your holiday.

“If you’re on a budget, be flexible with your departure date and look at holidays departing on either a Sunday, Monday or Tuesday. Our research shows you could save up to £24 per person on the flight element of your package holiday, and every little bit helps,” he said.

To ensure you have the safest, stress-free holiday, the expert advises booking your travel insurance at the same moment in time you book your holiday and avoiding putting it off. This means it protects you from the moment the trip is secured, making it “one of the smartest moves you can make”.

Getting to grips with your cover is just as important as picking your destination, because when the unexpected happens, the right policy can be the difference between spending big bucks and flying away without a care in the world.

If you want a little extra protection, package holidays are ideal. In the UK you get built-in protections you don’t get when booking separately. In the event of any disruption ahead of your travels, such as a cancelled flight with no suitable alternative, as a traveller you are fully protected, thanks to a set of consumer laws called the Package Travel Regulations. As a result of this, you are entitled to a full refund on your package holiday.

We made it. With just days left in Phase I voting, this week marks the last issue of The Envelope, and the last edition of this letter from the editor, until we return with a crop of newly minted Emmy nominees in August.

Until then, may you have a summer as magical as a German soccer fan’s road trip through the American South — and enjoy reading the below highlights from our coverage.

Cover story: ‘Industry’

(Jason Armond / Los Angeles Times)

How do “Industry” stars Myha’la and Marisa Abela want the series to end? Let’s just say they are as unsentimental about their characters as series creators Mickey Down and Konrad Kay.

“I want there to be a huge statue of Harper Stern in front of J.P. Morgan,” Myha’la says of her hard-charging trader. “And a bird s— on her arm.”

“In her mouth,” interjects Abela, who plays Harper’s No. 1 frenemy Yasmin Kara-Hanani.

After the laughter ringing through the room subsides, though, Abela does allow for a moment of reverence — for the HBO drama if not for the disreputable people who populate it. “I don’t know if I need Yasmin to be happy at the end of it,” the actor says, reflecting on her character’s emergence as a Ghislaine Maxwell type in the Season 4 finale. “I know I want it to feel worthy of everything that has come before… What I love about the show is that [the writers] don’t often backtrack. You commit to something and then you have to live with the f— fallout. Which is savage.”

Read more of our conversation in this week’s cover story.

Writers Roundtable

(Christina House / Los Angeles Times)

Though he joined The Envelope’s 2026 Emmy Writers Roundtable to discuss the return of another beloved comedy, “The Comeback,” we couldn’t resist asking Michael Patrick King about the intense fan reactions to his “Sex and the City” revival “And Just Like That…”

“What happened was, it was really well made, but it wasn’t their Carrie,” he said. “Even though you stand behind it, you go, ‘Wow, that’s a surprise. I thought that they would be interested in 57-year-old women who still hadn’t figured everything out. And instead they wanted them to be 35 and still allowed to be lost.’”

For more juicy tidbits from the minds of of TV’s top writers, be sure to check out the full conversation, which also included Megan Gallagher (“All Her Fault”), Jonathan Glatzer (“The Audacity”), Andrew Guest (“Wonder Man”), Bruce Miller (“The Testaments”) and Sonja Warfield (“The Gilded Age”).

How Connor Hines won over Ryan Murphy

Writer Connor Hines, who translated the real-life relationship between JFK Jr. and Carolyn Bessette into FX’s major hit “Love Story.”

(Evan Mulling / For The Times)

While our On Writing series of screenwriter essays are always revealing — about the inspiration behind a series, the process of adaptation or the making of a major plot turn, to name just a few — I don’t remember one as candid about the art of the pitch as Connor Hines’. In this week’s issue, the writer behind “Love Story: John F. Kennedy Jr. and Carolyn Bessette” explains how he prepared to present his vision for the new anthology’s first season to one of TV’s most powerful producers, Ryan Murphy. As it turns out, landing the meeting is not the (only) hard part.

“I spent roughly three months in the trenches with [producers] Brad [Simpson] and Nina [Jacobson], deepening and refining my presentation [to Murphy] — one that I’d recite in the shower, on runs, at Trader Joe’s, while I drove,” Hines writes. “It was a crash course in storytelling, producing, and understanding the alchemy that propelled so many of Ryan’s shows into the zeitgeist.”

More stories from our June 16 issue

WASHINGTON — A spectacular economic upturn is on its way, President Trump promised Americans last week, galvanized in part by a deal brokered this month to end his war with Iran.

“Very soon you’ll be at $2.50 a gallon for gasoline,” Trump told a crowd Wednesday night on the National Mall. The next year, he said, “is set for an economic boom the likes of which no nation has ever seen before.”

Economists are skeptical. The effects of the war and other factors driving inflation are likely to stick around for months, experts say, presenting an ongoing challenge to American households — and to Trump’s party as it seeks to retain control of Congress in November’s midterm elections.

Yesenia De La Torre, 24, from Culver City pumps gas at the Chevron gas station on Sawtelle Boulevard and Culver Boulevard on June 15. Despite an agreement announced Sunday to end the Iran war and open the Strait of Hormuz, high oil, gasoline prices and energy supply problems won’t be solved overnight.

(Kayla Bartkowski / Los Angeles Times)

The war’s end will not create “a complete snap-back,” said Patrick Harker, professor at the University of Pennsylvania Wharton School and former president of the Federal Reserve Bank of Philadelphia.

“Markets are still cautious, and the infrastructure that’s been destroyed [in the Middle East] is going to take a while to re-create,” Harker said. “Inflation’s going to stay elevated for a while.”

Oil prices were dropping last week — falling to their prewar level Friday — and average gas prices fell by 7 cents per gallon over a week ago. But it will take significant time for oil shipping to ramp up through the Strait of Hormuz, infrastructure to be rebuilt and gas prices to drop, said Michael Negron, senior fellow for economic opportunity at the Center for American Progress.

“I would expect there to be a continued inching downward,” Negron said, but “we’re not going to just go back within weeks to $2.90 per gallon.”

That means the prices of gas and of other essentials aren’t likely to improve dramatically before the midterms, in which affordability has become a driving issue. It could heighten challenges for Republicans, who are defending their majorities in the U.S. House and Senate, as Democrats seek to leverage the issue to gain ground.

Positive messaging about the economy from Trump and other officials “doesn’t really resonate” with Americans who are struggling to make ends meet, said Gina Plata-Nino of the Food Research and Action Center, a national anti-hunger advocacy organization.

“When you’re still making the same amount of money but there’s less for you to be able to pay [for] your basic needs — gas is more expensive, food is more expensive — it doesn’t really add up,” she said.

A fruit stand on West 7th Street sells bananas for $2 per bunch.

(Carlin Stiehl / For The Times)

Americans question the costs

The Iran war has cost the average American household between $775 and $1,300 so far in fuel and taxpayer costs, according to an analysis by Roger Pielke, a senior fellow at the American Enterprise Institute.

The national average gas price sat at $3.90 on Friday, according to AAA, and California’s average was $5.48 per gallon, down 13 cents from a week earlier.

The increase in oil prices has also affected diesel and fertilizer prices, creating a ripple effect through several sectors, including agriculture. Consumer prices rose 4.1% in May from a year earlier, putting the inflation gauge at a three-year high.

Trump has leaned on a bullish message about the economy, but he has largely dismissed Americans’ worries about affordability, calling it a “fake word” and a “hoax.” Last week, he undermined the first major progress by Congress on the issue, refusing to sign a bipartisan housing affordability bill after both chambers passed it.

President Donald Trump closes his eyes as Dr. Ben Carson, left, speaks during an event with the White House Religious Liberty Commission in the Oval Office on Friday.

(Anna Moneymaker / Getty Images)

Meanwhile, the president’s approval rating on the economy dropped to 33% last week in an NPR/PBS News/Marist Poll — his lowest ever for that poll and 3 points below former President Biden’s worst reading on the question during his term.

Nearly four-fifths of respondents said that gas prices present some sort of strain, with 34% categorizing it as a major strain and 44% calling it a minor strain. Half of respondents who said they were not vacationing this summer said cost was the reason.

And only 23% of Americans say the war was worth the costs, according to a Reuters/Ipsos poll conducted days after the Trump administration announced the framework agreement to end the conflict earlier this month.

“People [are] just feeling like they’re getting left behind,” Harker said. “That’s a very real, palpable feeling when you go out and talk to people. They’re worried.”

The president and his party need a midterms message that “real economic change” is coming, said Brian Reisinger, a rural policy analyst in Wisconsin and a former GOP strategist.

“It has to be substance behind the sell,” Reisinger said.

Senate Majority Leader John Thune (R-S.D.) speaks to reporters after the weekly Senate policy luncheons at the U.S. Capitol on Tuesday in Washington, D.C. Thune spoke on a meeting with President Trump on the Iran deal.

(Kevin Dietsch / Getty Images)

U.S.-Iran talks on shaky ground

Trump’s boosters have hailed the Iran deal as a victory for the president. And Trump has justified the shock to gas prices as “worth it not to have a nuclear weapon” in Iran, though the war has not achieved the president’s stated aims, which included the elimination of its nuclear program.

“President Trump was clear all along that there would be short-term, temporary disruptions to energy markets, and that oil and gas prices will quickly fall as soon as the Iran situation is resolved,” White House spokesperson Taylor Rogers said Friday.

How rapidly the conflict will be resolved is not yet clear. The U.S.-Iran negotiations were on shaky ground by week’s end, with each country offering diametrically opposed messaging on the status of key points of negotiation.

Analysts say much of the increase in traffic through the strait has been driven by the return of Iranian oil to global markets. Trump agreed in the controversial deal with Iran to lift sanctions on Iranian oil, allowing Tehran to resume trading its most valuable export and breaking with decades of U.S. policy.

The unpredictability of the talks is another factor keeping energy companies, shippers and insurers cautious for now, Negron said.

“Everything is to be negotiated in the next nearly two months,” he said. “It is natural to expect there to be additional risk priced into each barrel of oil, into the insurance people are paying, just because of the volatility and uncertainty of where we are.”

Welcome to Bunker Talk. This is a weekend open discussion post for the best commenting crew on the net, in which we can chat about all the stuff that went on this week that we didn’t cover. We can also talk about the stuff we did or whatever else grabs your interest. In other words, it’s an off-topic thread.

This week’s caption reads:

An officer walks past a Royal Air Force Harrier GR7 ground attack jet, from the 2nd/4th Wing RAF Cottesmore, parked inside a hardened shelter at a base in an undisclosed location in the Gulf 04 March 2003 AFP PHOTO/POOL/Chris Helgren (Photo by CHRIS HELGREN / REUTERS POOL / AFP) (Photo by CHRIS HELGREN/REUTERS POOL/AFP via Getty Images)

• If you want to talk politics, do so respectfully and know that there’s always somebody that isn’t going to agree with you. 
• If you have political differences, hash it out respectfully, stick to the facts, and no childish name-calling or personal attacks of any kind. If you can’t handle yourself in that manner, then please, discuss virtually anything else.
• No drive-by garbage political memes. No conspiracy theory rants. Links to crackpot sites will be axed, too. Trolling and shitposting will not be tolerated. No obsessive behavior about other users. Just don’t interact with folks you don’t like. 
• Do not be a sucker and feed trolls! That’s as much on you as on them. Use the mute button if you don’t like what you see.  
• So unless you have something of quality to say, know how to treat people with respect, understand that everyone isn’t going to subscribe to your exact same worldview, and have come to terms with the reality that there is no perfect solution when it comes to moderation of a community like this, it’s probably best to just move on. 
• Finally, as always, report offenders, please. This doesn’t mean reporting people who don’t share your political views, but we really need your help in this regard.

Good morning, and welcome to L.A. on the Record — our City Hall newsletter. It’s Noah Goldberg and David Zahniser, with an assist from Melissa Gomez and Connor Sheets, giving you the latest on city and county government.

The city of Los Angeles will shell out $120,000 for outside lawyers to fight a lawsuit filed by a councilmember challenging an ethics fine.

On Wednesday, the City Council voted unanimously to hire the law firm Hecker Fink LLP to represent the city’s Ethics Commission as it defends its decision to fine Councilmember John Lee $138,000 for allegedly violating city gift laws during a notorious 2017 trip to Las Vegas. Lee recused himself from the vote.

The city attorney’s office has said it can’t represent the Ethics Commission in Lee’s lawsuit because of a conflict of interest.

Lee was chief of staff to then-Councilmember Mitchell Englander when the two were plied with meals and alcohol, as well as hotel stays and gambling chips, by people seeking business with the city.

Lee, who represents the northwest San Fernando Valley, has claimed that he made a good faith effort to pay his own way. At a nearly $2,500 dinner that included Kobe beef, Maine lobster, Peking duck and sea bass, the only thing he ate was a spoonful of bird’s nest soup, he said at a hearing in his ethics case.

In 2020, Englander pleaded guilty to a single count of providing false information to the FBI and was sentenced to 14 months in prison. Three years later, he agreed to pay $79,830 to settle an Ethics Commission case focused on his own gift law violations.

The commission levied the fine against Lee in December, finding that he committed two counts of violating the city’s law against accepting gifts above a certain value, three counts of violating a law requiring that such gifts be disclosed to the public and five counts of misusing his city position.

David Tristan, the Ethics Commission’s executive director, had asked the council to provide at least $120,000 to defend against Lee’s lawsuit.

Lee declined to comment on the vote. In his lawsuit, he claimed that the statute of limitations had expired on the matters that were investigated by the Ethics Commission. He also accused the commission of overvaluing the share of gifts he partook in.

Lee is seeking to get the fine overturned.

More churn in the Karen Bass campaign

Turns out the shakeup in Mayor Karen Bass’ campaign did not end with the departure of Douglas Herman, her top strategist.

Herman told The Times on Wednesday that he stepped down due to “strategic differences” over the Nov. 3 runoff campaign against City Councilmember Nithya Raman. Bass’ team said on the same day that they had replaced him with Julie Chávez Rodriguez, who was campaign manager for the Joe Biden and Kamala Harris presidential campaigns in 2024.

A day later, political consultant Larry Grisolano confirmed that he too is no longer with the Bass reelection effort. His company, Thematic Campaigns, had been providing media and digital strategy.

On Friday, Berkeley-based research consultant Mike Rice told The Times that his firm, VR Research, had also left the Bass campaign, effective Wednesday. He declined to comment further.

Bass campaign spokesperson Alex Stack declined to discuss the departures. Asked if the campaign is in disarray, he said no, adding that Chávez Rodriguez’s hiring “is a really big get for us.”

“We’re getting a lot of positive feedback,” Stack said.

Still waiting on eviction defense contracts

In March, it appeared that a battle between City Atty. Hydee Feldstein Soto and the nonprofit running L.A.’s eviction defense program was over.

At the time, Feldstein Soto said she had concerns over awarding funds to the Legal Aid Foundation of Los Angeles, which has sued the city successfully over homelessness issues on multiple occasions. Feldstein Soto argued that contracts should not be awarded without rigorous reports and invoice review from Legal Aid and other nonprofits.

The City Council awarded the contracts anyway, funding the initial portion of a three-year, $177-million deal for Legal Aid and three other nonprofits to provide eviction defense, short-term rental assistance, tenant outreach and more as part of the city’s Stay Housed L.A. program.

But months later, Feldstein Soto’s office still hasn’t executed the contracts, frustrating tenants rights advocates and the nonprofits, which are struggling to pay their staff without the funds from the city.

“We’ve been really in a state of purgatory for over a year,” said Mike Dennis, senior director of housing justice at the Liberty Hill Foundation, which does tenant outreach as part of the city’s program.

Dennis said the failure to execute the contracts has created planning and operational uncertainty for the community-based organizations that Liberty Hill works with. Soon, some of them may face serious issues.

“We’re quickly approaching a point where the organizations are not going to keep being able to pay staff and absorb those costs,” he said. “The longer this goes on, the more likely we are to see contractions in the work.”

Earlier this month, Councilmember Ysabel Jurado put forward a motion asking the city attorney to explain why the contracts have not been executed. Jurado said the delay has left $17 million in funds unused.

“At the same time, the selected contractors struggle to maintain staffing without this funding, placing services for those at risk of homelessness in jeopardy,” she wrote in the June 2 motion.

Feldstein Soto argued in a June 15 response that Legal Aid has failed to agree to the “accountability and reporting requirements” needed to execute the contracts. She said those requirements were designed to make sure that taxpayer funds are spent properly.

“This office will continue to work with proposed contractors until the concerns are sufficiently addressed,” she said in a statement.

State of play

— UNHAPPY MEMORIES: Bass was out of town when the Boyle Heights warehouse fire erupted, which is giving voters a fresh reminder of her absence at the start of the Palisades fire. The situation could have an impact on her reelection campaign against Raman.

— HEADING TO THE BALLOT: A half-cent sales tax hike that would generate $345 million annually for the Los Angeles Fire Department will go before voters in the Nov. 3 election. The measure has been spearheaded by the city’s firefighter union, which gathered the signatures to qualify it for the ballot.

— D.A. DENIED: A judge has rejected Dist. Atty. Nathan Hochman’s request to freeze payments in the $4-billion sex abuse settlement approved by the Los Angeles County Board of Supervisors. The ruling boots Hochman from his brief stint in a civil courtroom as he moves forward with his criminal investigation into lawyers, recruiters and medical practitioners who may have submitted fraudulent claims.

— SOCIALIST SURGE: L.A.’s democratic socialists are looking to expand their power at City Hall yet again, setting their sights on the races for mayor and city attorney. Raman and city attorney hopeful Marissa Roy, both members of the L.A. chapter of the Democratic Socialists of America, are heading into the runoff after strong showings in the June 2 primary. (DSA-LA endorsed Roy but not Raman in the primary.)

— A BLOWOUT ELECTION: Property owners across the city voted overwhelmingly against increasing the assessment they pay to maintain streetlights. City leaders had hoped to use the funds — an additional $80 million a year — to speed up repairs and upgrade the city’s 225,000 streetlights.

— CLEARING THE LAND: Overgrown lots razed by the Eaton and Palisades fires pose an increasing wildfire threat to surrounding properties. The county Board of Supervisors recently passed a motion calling on county departments to develop a plan to clear vegetation in Altadena and Sunset Mesa.

QUICK HITS

• Where is Inside Safe? The mayor’s signature program to combat homelessness went to the area around the Wiltern Theatre in Koreatown this week. The area is represented by Councilmember Heather Hutt.
• On the docket next week: On Tuesday, the council takes up a package of ballot measures that would rewrite the City Charter. The changes cover topics such as voting rights for noncitizens, expanded park funding and City Council oversight of policies at the Los Angeles Police Department.

Stay in touch

That’s it for this week! Send your questions, comments and gossip to LAontheRecord@latimes.com. Did a friend forward you this email? Sign up here to get it in your inbox every Saturday morning.

THE two nepo-baby sons of an iconic American pop star have made their modelling debut at Paris Fashion Week – can you guess who their mum is?

Her debut single skyrocketed her to fame in the late 1990s and at the time she was just 16-years-old.

The hitmaker, from Louisiana, bagged herself nine Billboard Music Awards, one Grammy and one American Music Award throughout the years she was actively performing and making new music.

She is best known for her tunes Toxic, Baby, One More Time, Oops!… I did It Again and Gimme More.

The princess of pop thrilled her millions of fans with her high-energy performances, memorable outfits and complex dance moves.

Her most unforgettable moment was perhaps when she danced to I’m A Slave 4 You at the VMAs with a huge yellow python.

Read more on Britney Spears

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Britney Spears avoids jail in DUI case after taking plea deal for lesser charge

The legendary singer in question is of course Britney Spears.

Her two sons – Sean Preston and Jayden – made their official runway debut in Paris on Friday.

The 44-year-old shares her boys with her ex-husband Kevin Federline.

They married in 2004 but later divorced just three years later after Britney filed citing irreconcilable differences as the reason for their split.

Sean, 20, and Jayden, 19, looked unbelievably stylish as they walked for Vetements.

They donned the brands Y2K-leaning menswears Spring/Summer 2027 collection.

The Circus singers’ eldest son looked very chic wearing a pair of baggy blue jeans, an untucked black shirt, matching tie and a satin longline coat.

Meanwhile, Jayden’s outfit was much more rugged – he was dressed in a classic white vest top, a pair of light-wash denim jeans and some black boots.

He accessorised with a chunky brown belt, which had silver chains clipped to the side.

The nepo stars were seen strutting with confidence along the runway despite barely ever being seen publicly.

Britney was not present at the event but has been spending much more time with her boys recently after several years of public estrangement.

Sean and Jayden rallied around the music icon earlier this year after she was arrested for a DUI in California.

They flew straight to her side after finding out the news and just a month later they were spotted holidaying all together on a yacht.

Before her court date, Britney checked substance abuse and wellness treatment facility.

She successfully completed her stay and checked out right before her legal team finalised her plea deal.

June 26 (UPI) — The Transportation Security Administration on Friday said that it expects to screen roughly 18.7 million travelers at U.S. airports during the July Fourth holiday week that runs from June 30 to July 6.

The agency said it has prepared itself for the traditionally busy week of travel to be even busier, as this July 4 is America’s 250th birthday amid the FIFA World Cup, which has games in 11 U.S. cities next week.

AAA has projected that this year’s week of holiday travel is set to break records, with roughly 72.2 million Americans expected to travel at least 50 miles from their homes — an increase from the 71.8 million that traveled in 2025.

“TSA security checkpoints are fully staffed and prepared to welcome these travelers and handle the large passenger volumes expected during the Fourth of July holiday period,” Ha Nguyen McNeill, a senior TSA official who is performing the duties of the administrator, said in a press release.

“We’ve implemented significant technology enhancements at key airports for the historic FIFA World Cup 2026, as well as for America 250 celebrations across the country,” McNeill said. “TSA is working closely with federal, state and local partners to safeguard the traveling public and manage security for large-scale public events.”

TSA said it expects that Thursday, July 2, will be the busiest travel day next week, with more than 3 million people moving through U.S. airports.

The Top 10 domestic destinations for Americans during the holiday week for July 4 include Seattle, Orlando, Anchorage and Fairbanks in Alaska, New York City, Chicago, Fort Lauderdale, Denver and Boston,

TSA also has prepared for teams, team staffs and fans to travel to the 11 World Cup host cities in the United States.

The 11 cities have some cross-over with the locations most Americans are expected to travel, which include Atlanta, Boston, Dallas, Houston, Kansas City, Los Angeles, Miami, New York/New Jersey, Philadelphia, the San Francisco Bay Area and Seattle.

How well do you remember your U.S. history class from high school or college? Did some of the key moments in America’s 250 years of existence involve Larry David playing a founding father? OK, maybe not, but it’s fun to imagine what that would be like. And that’s precisely what David and Jeff Schaffer have done with their new HBO series “Life, Larry and the Pursuit of Unhappiness.”

The series, premiering Friday, is a timely look at some of America’s big moments in history with a comedic twist that will remind viewers of “Curb Your Enthusiasm,” partly because it also features some cast members from the show. The series arrives on the cusp of the 250th anniversary of America’s founding, and offers an alternative history that’s still steeped in facts. Schaffer stopped by Guest Spot to talk about creating the series with David and what it was like to work with former President Obama.

Speaking of laughter, if you like yours with a whole lot of drama, FX dropped the final season of “The Bear” Thursday on Hulu. The series, which premiered in 2022 and made phrases like “cousin,” “yes, chef,” and “every second counts” memorable, ties up a lot of strings for its crew of chefs. Jeremy Allen White and Ayo Edebiri, the actors who were at the center of the show for five seasons, spoke to us about “The Bear” coming to a close, where their characters end up and what it feels like to leave them behind (be forewarned, the interview has lots of spoilers).

The finale feels like a fitting end to one of the best shows of the past decade (so far) — but we won’t say much more. Enjoy each episode like a multi-course meal at a fine-dining restaurant. You’ll want to savor each bite before it’s over.

Also in this week’s Screen Gab, our writers recommend an animated series with monsters and mystery and a documentary about one of America’s greatest bands. I’ll get my flags, fireworks and BBQ supplies ready in the meantime. — Maira Garcia

Turn on

Recommendations from the film and TV experts at The Times

Bobby and Romy in Disney+’s “The Doomies.”

(Disney)

“The Doomies” (Disney+)

If you’re missing “Widow’s Bay,” and like cartoons, here’s another tale of monsters loose in a coastal tourist town, with the difference that the town, called “Ouimpre,” is decidedly on the Atlantic coast of northwest France. (It’s a Franglais pun.) There are half-timbered buildings; what used to be a Camembert factory after it was a beret factory; a cafe that serves crepes, not pancakes; and boulangeries, not bakeries. (It’s a French production; Disney encouraged animator Andrés Fernandez to go local.) As in “Stranger Things,” which no one may be missing by now, the protagonists are kids — Romy, who is excitable and impulsive, and Bobby, who is neither — abetted by a formidable female teenage demon slayer and a lighthouse keeper with occult knowledge. The series is energetic, funny and character-driven — even the monsters. The action is well-staged and intense, the color palette moody and evocative, and the design not at all reminiscent of a hundred other cartoons, which makes the show refreshing as well as fun. — Robert Lloyd

Earth, Wind & Fire in HBO’s “Earth, Wind & Fire (To Be Celestial vs. That’s The Weight Of The World)”

(Jeffrey Mayer / HBO)

“Earth, Wind & Fire (To Be Celestial vs. That’s the Weight of the World)” (HBO Max)

Even if you think you don’t know Earth, Wind & Fire, chances are they’ve soundtracked a wedding, bar mitzvah, awkward office party or some other memorable celebration in your life. Somewhere between “Shining Star,” “Let’s Groove” and “September,” the band mastered the art of coaxing three or four generations of a family onto the same dance floor. Questlove’s new documentary explores how that happened. If his recent Sly Stone film examined how genius can curdle into self-destruction, this one asks a different question: How did Earth, Wind & Fire founder Maurice White build something that lasted? Abandoned by his mother as a child, White set out to create not just a band but a family, assembling a sprawling ensemble around a musical and spiritual vision. Questlove is too thoughtful a filmmaker to sand down the rough edges. White emerges as both inspiring and flawed: a gifted bandleader, spiritual seeker and demanding perfectionist whose drive sometimes came at a personal cost. Drawing on interviews with everyone from former bandmates to Stevie Wonder, Lionel Richie and Barack and Michelle Obama, Questlove builds a portrait of White that never shies away from his contradictions. In the process, he shows how White’s fascination with spirituality, Egyptology and the cosmic unknown shaped both the band’s music and mythology. You may occasionally wish the film lingered longer on the performances themselves (for a reminder of what made Earth, Wind & Fire such a formidable live act, start with the 1975 concert album “Gratitude”). But by the end, you have a deeper appreciation for the band’s unlikely feat: turning something so eccentric into something so universal. — Josh Rottenberg

Guest spot

A weekly chat with actors, writers, directors and more about what they’re working on — and what they’re watching

Larry David in “Life, Larry and the Pursuit of Unhappiness.”

(John Johnson / HBO)

Is Larry David about to be the most entertaining (and crankiest) history teacher America has ever had?

To celebrate the arrival of the nation’s semiquincentennial, the comedian teamed up with Barack and Michelle Obama’s Higher Ground Productions to revisit the truth of our history with some comedic chaos. The result is “Life, Larry and the Pursuit of Unhappiness,” a seven-episode sketch comedy series from the mind of David and his longtime “Curb Your Enthusiasm” collaborator Jeff Schaffer that pairs reenactments of seminal milestones from America’s past with David’s misanthropic humor — or, as its creators dub it, “‘Curb’ in costume.” Subtitled “An Almost History of America,” it features a star-studded roster of actors dressing up in period clothes alongside David, including “Curb’s” Jeff Garlin, J.B. Smoove and Susie Essman, as well as Bill Hader, Kathryn Hahn, Jon Hamm and Jerry Seinfeld. The first episode premieres Friday at 9 p.m. ET/PT on HBO and will stream on HBO Max.

Over a video call, Schaffer discussed the show’s genesis, former President Obama’s improv skills and the British TV series that has him entertained. — Yvonne Villarreal

Tell me about getting into business with the Obamas. Their production company approached Larry. How did it evolve into this?

Larry and President Obama know each other a little bit. They really enjoy each other’s company, or at least Larry enjoys needling Obama, and Obama really enjoys needling Larry. The moment that we all met together to have our first meeting, the first thing Obama does — I’ve never met the president [prior]— he starts just ragging on Larry’s golf game, and how he wears so much sunscreen on the golf course. And Larry just goes to President Obama, “Oh, I’m sorry, my dad’s not from Kenya.” And that’s how it started. They have a great rapport and they wanted to do something special for the 250th [anniversary]. Larry says no to everything — his best friend can be having a premiere of a movie, and Larry will go, “Where is it in Hollywood?” But Larry’s not going, that’s too far. When this came around, Larry was like, “Huh, that’s actually pretty interesting.” He responded right away to the historical nature of it because, as he would say, he’s an American history buff.

The genesis for Larry and I is that we had done a tiny test run of this with that FTX ad for the Super Bowl a few years back. I don’t know, whatever happened to those people — I’m sure they’re fine — but he remembered how much fun he had being in costume. And honestly, I think he forgot how much he hated being in a wig. It’s like childbirth, enough time had passed.

Given the sort of tenor of the times, why does this type of comedic look at America’s history feel like the appropriate way to mark this anniversary?

It’s the 250th and I get that celebrating the country right now may feel like throwing a birthday party for your friend who’s in rehab — he’s all f— up — but we still love him, right? There’s a way to look at the country’s history, warts and all, the two steps forward and the one step back. And I think one of the best ways to do that is through comedy.

Going back to President Obama — what are the negotiations to get him to appear in it? Or was that on the table from the beginning?

Once I saw the two of them interact together, that became my primary mission. We’ll write the sketches, and we’ll do the documentary stuff, we’ll make it all historical and fun, whatever, but we have to get you two on screen together. It was also sort of the promise of the show, too. When I originally talked to Amy Gravitt at HBO about it, I remember I said, “What if I could give you a show that brought together two people half of America loves?”

What was it like directing them in a scene together? He gives the opening remarks at the start of the show.

He is a truly inspiring, amazing human being who also happens to have great comedic timing. He and Larry get into a groove immediately, which is very fun, and it was honestly one of the coolest things I’ve ever done in my life, directing them. The president said, “I guess I like being annoyed by Larry. Once we get together, I start sounding like him.” It’s like Larry’s this black hole of negativity that sucked Obama in for these brief periods of time; it was just fun.

Is he good at improv then on the spot like that?

Yes, he is. He’s got some really funny stuff in the sketch they’re in together that is all him — 100% the president.

Do you have a favorite moment from this first episode — it features the Declaration of Independence, segregation and Rosa Parks.

There’s different things in each of them. The thing that I’m most excited about is when you don’t know what the next one’s going to be, and then when the narration for the little documentary section starts, and it starts talking about Rosa Parks, I can just see [viewers] going, “Oh no …” That’s a great “Curb” feeling. It’s a comedy horror film — “Oh no, don’t do that, oh no.” Then you get sucked in.

We tried really hard to make sure that production-wise, there’s historical accuracy, so it really felt like you were in this moment. Then Larry gets dropped in, and all hell breaks loose. Same thing with World War I — I got to shoot a whole bunch of World War I fighting — and there’s Larry pretending to be dead. One of the things that attracted us to it in the very beginning was the idea of the juxtaposition between these big dramatic moments and then Larry. History is writ large, and Larry writes so small and that dynamic is fun for us.

One of the great things about a show like this — or what’s come before, like “Drunk History” — are the lessons that can be learned. Is there something you learned while filming this series or a takeaway you had in looking back at our history?

There are things I did not know. One of the things that was also enjoyable is being able to talk about modern things in a historical context, even with that phone. We don’t write dialog — we write some, but it’s basically like doing “Curb.” Larry knew that people were going to ask some questions about the phone, but I just was peppering these people with questions about all of the modern stuff, and just watching Larry get angrier and angrier at these people. At a certain point, the membrane of actor, of character to real human being was breached. He was so mad at them, but that’s what making the show is. Actually, at the end of the our shoot, President Obama said to me, “I see how it works. Larry makes the world uncomfortable, and you make sure the world makes Larry uncomfortable.” That’s literally how we make the show.

Would this format work for current historical events? How do you think, 250 years from now, a reboot of this show would tackle something like telling the story of the UFC fight on the White House lawn?

That’s the problem — we’ve entered an era of America parodying itself. It’s insane. One of my good friends, Dave Mandel, used to do a “Veep” and he’s like, “What do you do now?” I think what we tried to do, and you’ll see as you go further into episodes, we try to address a lot of things that are happening right now through a historical lens. So we might be back in colonial times, and we might be back in the ‘50s, but we’re actually talking about something that’s happening right now.

Before I let you go, what is the TV show or movie out right now that you’re telling everyone to watch?

I just started watching “Steve and Alice” [Hulu, Disney+]. It’s so well done; it’s so dark and funny and really engaging.

What’s the comfort show or movie you return to again and again?

I can pretty much put on any “Lord of the Rings” [HBO Max] movie anywhere and not be able to get my butt off the seat.

ICYMI

Must-read stories you might have missed

As summer heats up alongside the exhausting news cycle, it’s crucial to find ways to unplug and wind down. Golden Hour in the newly renovated sculpture garden at the Norton Simon Museum is just the thing. Taking place tonight (Friday), and on two more Fridays this season (July 31 and Aug. 28), the event lasts from 4:30-6:30 p.m. and features a different musical group each time.

Tonight is the Verbena Quartet; a North Indian ensemble and a jazz trio are upcoming.

The fun is free with museum admission, and guests are encouraged to bring blankets to relax in the grass. I took my family of four to a recent event and it proved to be the rare occurrence when both the 10-year-old and the 17-year-old were happy. The museum provides all kinds of great art supplies on a big table by the entrance, including sketch paper, clipboards, colored pencils and charcoal drawing utensils.

There are also sheets of paper encouraging creative ways to approach drawing various sculptures in the garden, alongside a family-friendly Golden Hour bingo card with squares including “Spot something framed by tree branches” and “Look at the space between two objects.”

I did some drawing with my toes in the grass while my kiddos curved their necks over their own mini masterpieces. My husband read a book. The sun slanted low as the afternoon melted into early evening, casting lovely shadows on the families, couples, friend groups and solitary artists scattered around the garden sipping wine and snacking on cheese and crackers from the nearby cafe.

When we had our fill of relaxing, we ambled into the museum. My daughter wanted to gaze at the Picassos and the Van Goghs. As did I. I never don’t cry when I look at “The Mulberry Tree.”

“Can you imagine what he was thinking?” I asked my 10-year-old as we regarded the painting. “The pain and the beauty of it?”

She nodded sagely, gently smoothing her thumb against her own recent drawing, her deep inner world a mystery to me. The beauty and the pain of it. I was glad we had cuddled together in the late afternoon sunshine.

I’m arts editor Jessica Gelt, wishing you and your loved ones peace. This is your arts and culture news for the week.

The week ahead: A curated calendar

FRIDAY

Antigone
The Bebelos Players present a back-to-basics production of Sophocles’ classic drama about a young woman who defies a king to honor her dead brother.
7 p.m. Friday-Sunday. Theosophy Hall, 245 W. 33rd St. eventbrite.com

“Horse,” by Rick Bartow, 2014, wood, tar, wax, false teeth, nails. 56 x 42 x 12 in.


(Yubo Dong, ofstudio)

Rick Bartow
Last chance to catch “All of these things have happened,” an exhibition of works on paper by the late Native American artist that touch on tragedies from throughout his life, as well as “Horse,” a 2014 sculpture covered in tar, wax, false teeth and nails that is “a study of sustained resilience.”
Noon-5 p.m. Friday-Sunday, Wednesday and Thursday (last day). Timothy Hawkinson Gallery, 7424 Beverly Blvd. timothyhawkinsongallery.com

Spencer Finch
“Balboa of House and Garden,” composed entirely of new work, is the artist’s first exhibition in Los Angeles. The show includes more than 50 unique works on paper, a site-specific skylight installation and a monumental outdoor sculpture. Finch’s “Memory Landscape (Nairobi, Chicago, Honolulu, Jakarta),” 2025, a commissioned tile wall mural inspired by places from President Barack Obama’s formative years, was recently installed at the Obama Presidential Center in Chicago.
Opening, 6-8 p.m. Friday; 10 a.m.-6 p.m. Tuesday-Saturday, through Aug. 22. Lisson, 1037 N. Sycamore Ave. lissongallery.com

Bodo Mato
The pseudonymous multidisciplinary artist uses a subconscious dreamworld to access a legendary lost city to find real-world parallels in the exhibition “Atlantis: Echoes of Hubris.”
Opening reception, 6-10 p.m. Friday. 11 a.m.-5 p.m. Saturday-Tuesday. 7811 Gallery (West), 7813 Melrose Ave. 7811gallery.com

Raymond Saunders, “Layers of Being,” 1985. Mixed media on canvas, 81 x 59 15/16 x 1 in.

(Carnegie Museum of Art, Pittsburgh / Gift of Mr. and Mrs. William Block / © 2025 Estate of Raymond Saunders)

Raymond Saunders
“Flowers From a Black Garden” is a career-spanning look at the painter (1934-2025) as he moved from Dada, expressionism and assemblage to Fluxus, Pop and postmodernism, beginning in the 1960s.
11 a.m.-6 p.m. Wednesday-Sunday, through Jan. 3. UC Irvine Langson Orange County Museum of Art, Segerstrom Center for the Arts, 3333 Avenue of the Arts, Costa Mesa. langson.uci.edu

SATURDAY

Chrysalis prototypes deployed in Joshua Tree, 1970, reproduction.

(Chrysalis Corporation)

Alternative Palm Springs: Other Desert Architectures
In some parallel reality there may exist a Coachella Valley unlike anything you’ve ever imagined. In lieu of that, this exhibition shares the unbuilt visions of prominent architects, off-grid designs of the counterculture, and private and public worlds created by the LGBTQ+ during the 20th century, yielding an expanded view of the area’s architectural ambitions.
10 a.m.-5 p.m. Friday-Sunday; noon-8 p.m. Thursday; through Jan. 4; closed June 26 and July 4. Architecture and Design Center, Edwards Harris Pavilion, 300 S. Palm Canyon Drive, Palm Springs. psmuseum.org

Declarations of Independence
Gay Men’s Chorus of Los Angeles and guest artist Justin Tranter celebrate national and individual freedom and pride for America’s 250th anniversary.
7 p.m. Saturday; 3:30 p.m. Sunday. Saban Theatre, 8440 Wilshire Blvd., Beverly Hills. gmcla.org/declarations

A Great Night in Hip-Hop
The Roots return for their third year at the Bowl, joined by Nas, with appearances from T.I., Bun B, De La Soul and more.
7:30 p.m. Hollywood Bowl, 2301 N Highland Ave. hollywoodbowl.com

Rota Fortunae
A one-night-only experimental opera featuring Jordan Slaffey reimagines the four women of the 1996 crime thriller “Set It Off” using movement, live music and fashion. Directed by Chris Emile, music by composer and DJ Cody Perkins and designs by James Flemons.
7:30 p.m. Indoor Swap Meet, 128 S. La Brea Ave., Inglewood. eventbrite.com

Peter Stampfel
An innovator of anti-folk, freak-folk and psych-folk, the 87-year-old co-founder of the Holy Modal Rounders makes a rare West Coast appearance.
8 p.m. McCabe’s Guitar Shop, 3101 Pico Blvd., Santa Monica. mccabes.com

THURSDAY

Ojai Film Society Summer Screening Series
Annual presentation of independent, foreign, documentary, critically acclaimed and classic films kicks off Thursday with Taika Waititi’s 2016 adventure comedy “Hunt for the Wilderpeople,” starring Sam Neill. Other screenings: “Selena Y Los Dinos” (July 10); “Cookie Queens” (July 17); “Best in Show” (July 24); “Arrival” (Aug. 20); and “Jurassic Park” (Aug. 27).
7:30 p.m. Thursday; various dates through Aug. 27. Libbey Bowl, 210 S. Signal St., Ojai. ojaifilmsociety.org

Tank and the Bangas
The Grammy-winning New Orleans music group shares its signature blend of funk, soul, hip-hop, rock and spoken word. Featuring an opening set by Butter Funk Family and DJ sets by Tosstones.
7 p.m. Skirball Cultural Center, 2701 N. Sepulveda Blvd. skirball.org

Arts anywhere

Meryl Streep, from left, and Amanda Seyfried, Rachel McDowall and Ashley Lilley in the 2008 movie version of “Mamma Mia!”

(Peter Mountain / Universal Pictures)

Broadway unbound

Two of the biggest hit musicals ever are in town simultaneously starting this week — “Mamma Mia!” is at the Ahmanson through July 19 and “Phantom of the Opera” plays the Hollywood Pantages through Aug. 9. If you want to bone up beforehand or relive the hits after you’ve been to the theater, the cinematic adaptations of both are widely available. The 2008 movie version of “Mamma Mia!” starring Meryl Streep and Amanda Seyfried streams on Prime through the end of June and the 2004 “Phantom” with Gerard Butler and Emmy Rossum is streaming on Prime and Apple TV. Both films are available to rent or buy on various platforms and, if you’re into physical media, relatively inexpensive Blu-ray and DVD versions can be had online. Public libraries are also great resources for arts-related content.

— Kevin Crust

Culture news and the SoCal scene

Passengers wait to board the first train to arrive at the Metro D Line at the Wilshire/Fairfax Station in Los Angeles on May 8, 2026.

(Genaro Molina / Los Angeles Times)

With the new Metro D Line subway extension up-and-running with new stations at Wilshire/La Brea, Wilshire/Fairfax and Wilshire/La Cienega, we asked architecture writer Sam Lubell to take an aesthetic look at these new displays of public art. “Suddenly the city feels different. Not transformed, exactly. But more connected,” wrote Lubell. “The fracturing grip of the city’s incomprehensible expanses, clogged arteries and stagnant governance — all intimidating barriers to healthy civic life — feels a little looser. … The stations, too, feel more connected, with art, architecture and infrastructure blending seamlessly into a cohesive experience … But above ground, it’s a tale of two (transit) cities. Outdoor plazas lack the kind of textured civic presence that’s been created below.”

The Hollywood Bowl opened its summer season with a lavish production, “The Best of Broadway,” starring Lea Salonga, Brian Stokes Mitchell, Darren Criss, Renée Elise Goldsberry and Halle Bailey, and hosted by Billy Crystal. The program including a selection of Broadway tunes old and new, was delivered with flair to an appreciative audience. “I had a lovely time,” reports Times theater critic Charles McNulty, “but I can’t say the concert lived up to its title. Not that impressive virtuosity wasn’t on display, but Broadway is truly at its best when musical numbers are embedded in a story, allowing the performers to feed off each other and reach heights that they might not be able to reach on their own. Too much of the bill required the actors to stand and deliver, ‘American Idol’-style. It was a little unfair to place such a heavy burden on them.”

McNulty also reviewed the Geffen Playhouse’s Los Angeles premiere of Pearl Cleage’s “Angry, Raucous, and Shamelessly Gorgeous,” about an American expat actor angling for her big comeback. The play, wrote McNulty, “is hamstrung with exposition. More time is devoted to setting up the dramatic situation than to activating it. … The intentions are noble and the themes are handled with admirable complexity, but the writing is sluggish. The plot is like an old car whose engine just refuses to start on a cold winter morning.”

After 20 years as LA Opera Music Director James Conlon will step down.

(Robert Gauthier / Los Angeles Times)

The final show of L.A. Opera’s production “Marriage of Figaro” last Sunday also marked the end of James Conlon’s tenure at the podium as the organization’s music director. Stepping down after 20 years, Conlon spoke to Times classical music critic Mark Swed. “I love L.A. and I’m not going to leave,” said Conlon. “I am absolutely happy at this point in my life. You know my age is 76. It is not a secret. I wear it proudly. But I’ve been a music director for 47 years, and I don’t want to be a music director any longer. I will still conduct.” Will he return regularly to L.A. Opera? “That’s the theory,” he said

Another maestro who can’t quit L.A. is Esa-Pekka Salonen. Last weekend, the beloved composer and conductor, who is back with the L.A. Phil as creative director, returned to the Ojai Music Festival after a quarter-century absence. “Salonen found renewal not from the desperation of rethinking but from freshening, illuminating the perception of exceptional young musicians first encountering greatness,” wrote Swed in his review of the four days. “In these uncertain times, that may be the most remarkable act of artistic optimism.”

Spanish artist Nieves Gonzalez stands next to one of her paintings that is part of her solo show at the Richard Heller Gallery at Bergamot Station in Santa Monica on June 18, 2026.

(Genaro Molina / Los Angeles Times)

Not yet 30, Spanish painter Nieves González is a burgeoning international art star with an exhibition at Richard Heller Gallery in Santa Monica. “Fashion inspires me,” she told writer Jane Horowitz in a recent interview. “Just as 17th century artists drew inspiration from the fashion of their day — often creating paintings that served as catalogs of current styles — I do the same. The goal is to not merely convey a specific message or ideology but to create a testament to a generation and the era in which we live.”

“California Gothic: A Bus Tour,” an avant-garde sightseeing event organized by the New Theater Hollywood, turns Tinseltown “into a stage, drawing locals for a mash-up of state history, gothic storytelling and public-intellectual riffing on the broken California dream,” wrote Times staff writer Eloise Rollins-Fife. The tour ended its latest run in mid-June, but will reopen during the last week of October for a special “ghost tour” edition.

Times columnist Patt Morrison reported from the City of Lights on Paris-born street artist JR’s “La Caverne du Pont Neuf,” which she describes as “an enormous art installation, a trompe l’oeil inflatable snow-clad mountain range … an homage to the innovative work of groundbreaking environmental artists Christo and Jeanne-Claude.” The work uses about 200,000 square feet of printed fabric on the city’s oldest bridge to create the illusion and the artist told Morrison, “Your eye wants to believe it, and for a moment you let yourself. That gap between knowing and believing is where the play happens, and people love being inside that gap.”

Stewart McLaurin, president of the White House Historical Assn., displays a newly-acquired suite of four interrelated paintings by Norman Rockwell titled, “So You Want to See the President!” at the association’s offices Wednesday, June 10, 2026, in Washington.

(John McDonnell / Associated Press)

In the 1940s, Norman Rockwell spent time in the visitor’s lobby of the White House sketching U.S. senators, members of the military, the press and a Miss America as they awaited entry into the Oval Office to see President Franklin D. Roosevelt. Eight decades later, four of the sketches have been acquired by the White House Historical Assn. for $7 million, according to the Associated Press. Titled “So You Want to See the President!” the sketches will be on public display through June 2027 at the historical association’s “The People’s House” education center near the White House.

It was a busy week for announcing some of this fall and winter’s Broadway openings. Lincoln Center Theater’s Vivian Beaumont will host a revival of Aaron Sorkin’s “A Few Good Men,” starring Bradley Whitford and Tom Blyth, directed by six-time Tony winner Michael Arlen, starting Oct. 8. In March 2027, LCT Artistic Director Lear deBessonet will helm a new production of Rodgers and Hammerstein’s “The Sound of Music,” for its first Broadway run in nearly 30 years. A revival of Richard Greenberg’s “Three Days of Rain” lands in February 2027 at a Shubert Organization-owned theater to be announced with Anna D. Shapiro directing. The cast will include “Heated Rivalry’s” François Arnaud and David Corenswet of “Superman” in their Broadway debuts, joined by Yvonne Strahovski of “The Handmaid’s Tale.” The play was previously on Broadway in 2006 with Julia Roberts, Bradley Cooper and Paul Rudd. Walter Hill’s 1979 gang saga “The Warriors” will make the leap from screen to stage as a musical, with a book, music and lyrics by Lin-Manuel Miranda and Eisa Davis. Previews begin at Broadway’s Lunt-Fontanne Theatre in March 2027 with an opening slated for April. Jenny Koons will direct.

— Kevin Crust

And last but not least

We cover a lot of awards in this space, but today we get to give a shout-out to one of our own. Times theater critic Charles McNulty was awarded the prestigious Nell Minow Award for Cultural Criticism by the National Press Club this week. His submission included a reflection on the Los Angeles wildfires through the poetry of Shakespeare’s “The Tempest”; a tribute to South African anti-Apartheid trailblazer Athol Fugard; and an essay on the complexities of Audra McDonald’s performance in “Gypsy,” among others. The Times also won the Breaking News Award in the print/online category for its reporting on the January 2025 L.A. firestorms. A presentation ceremony and dinner will take place Aug. 27 at the National Press Club in Washington, D.C. For the complete list of winners, visit press.org.

MADONNA oozed youthful glam in a see-through mini dress as she made a striking appearance at Paris Fashion Week.

The Vogue songstress, 67, looked half her age in the cobalt blue frock, opting to go braless in the sheer attire as she headed to an evening bash in the French capital.

She finished off her stylish look with thigh-high silver boots, nude fishnet tights and matching jewellery.

Madge pulled on a pair of sunglasses and threw a metallic jacket over her arm as she exited the French venue, with her blonde hair styled in heat curls flowing over her shoulders.

The American chart star – who recently showcased her huge video which launched her comeback – kept a serious expression as she walked out of The Ritz flanked by bodyguards.

Yet she did flash a pout as she took a brief glance over her shoulder.

HUG UP ON YOU

Madonna & Charli XCX END feud with hug weeks after ‘dancefloor is dead’ swipe

SMOKING HOT

Madonna & Charli XCX smoke cigs at fashion show as they make-up after feud

Earlier this week, Madonna was seen smoking cigarettes at the same event with Charli XCX as they healed their feud.

They then confirmed they were back on track with a hug.

The pop stars were filmed posing for photos, and puffing on long, dark cigarettes at the Saint Laurent menswear show in Paris.

Madonna looked sensational in a red lace long-sleeved mini dress which she paired with pink and black toed heels and stylish shades. 

Charli rocked a red dress with lace detailing across her chest, black tights and long-toed heels.

Rumours sparked of a feud between the pair after Charli’s new single Rock Music featured the bold lyrics: “I think the dancefloor is dead, so now we’re making rock music.”

Madge’s dance-heavy new album, Confessions On A Dancefloor: Part II comes out on July 3, and she certainly didn’t agree.

Taking to Instagram she posted a snap with a very telling caption.

She wrote: “If your dance floor feels dead, maybe you’re playing the wrong music.”

At the time, the Like A Prayer hitmaker posed in a skin-tight pink dress, fishnet tights and knee-high leather boots.

WASHINGTON — President Trump said Wednesday he would not sign the landmark housing bill Congress passed this week as scheduled, in a striking decision to jeopardize a rare bipartisan success in order to demand that lawmakers pass voter ID legislation.

It escalated tension between Trump and Senate Republicans, which had already neared a breaking point this week over the proof-of-citizenship bill, dubbed the SAVE America Act. GOP leaders have told Trump the bill does not have the votes to pass.

“Today’s Housing News Conference and Signing is hereby cancelled until such time as we pass the desperately needed SAVE AMERICA ACT, which I consider to be a National Emergency,” Trump wrote online.

The president’s willingness to threaten a bill that he could have framed as a win on affordability ahead of the midterm elections is a remarkable gamble as Republicans fight to keep House control.

The reversal also underscored Trump’s fixation on asserting some federal control over elections processes and his apparent indifference to the cost-of-living issues that voters are most focused on. He has repeatedly dismissed affordability as a “fake” concept, and inaccurately claimed on Sunday that the U.S. has the “BEST ECONOMY EVER.”

Last week, polls from NPR/PBS News/Marist Poll and Fox News poll showed record dissatisfaction with the economy among Americans and Trump’s support slipping among key demographics. Trump also lashed out about that on Truth Social on Wednesday morning, writing without evidence: “MY REAL POLL NUMBERS ARE THE HIGHEST THEY HAVE EVER BEEN. THANK YOU!!!”

The housing bill, which passed with overwhelming support in the House on Tuesday evening and the Senate on Monday, aims to boost housing supply. It is the most significant legislation Congress has passed on housing in more than 30 years, and it contains a host of provisions aimed at removing regulatory barriers, improving federal programs and incentivizing new building.

As president, Trump has 10 days to sign or veto bills after they are presented. House Speaker Mike Johnson (R-La.) indicated to reporters Wednesday that a signing could still be on the table, saying he had spoken to Trump about “delaying” the housing bill before the president announced the cancellation.

Johnson said he had promised an effort to advance the SAVE America Act.

“He decided — I didn’t announce it, I wanted him to announce it — but we’re delaying this,” Johnson said. “As you know, he has a window of time before he has to sign a bill and he’s going to use a little bit more of that window of time and we’re gonna go through this together.”

Bill Owens, chairman of the National Assn. of Home Builders, telegraphed hope that the legislation would be signed at some point.

“Although there was no bill signing today, we are confident the 21st Century Road to Housing Act will eventually become law,” said Owens, a home builder and remodeler from Worthington, Ohio.

Democrats were shocked, angry and confused when they found out about the cancellation Wednesday morning, according to a source within the House Committee on Financial Services, which led the legislation.

Lawmakers believed the bill was a done deal and are now scrambling, the person said. A stage for the bill signing had already been set up in the Capitol when Trump posted online. The night before, White House press secretary Karoline Leavitt had posted on X: “Tomorrow’s historic bill signing is another promise made, promise kept.”

Frustration with the president has been steadily mounting among Senate Republicans for more than a month, triggered by a host of issues including Trump’s endorsement of Republican primary challengers to sitting lawmakers. On Tuesday, four Republican senators joined with Democrats to approve a war powers resolution seeking to block U.S. military action in Iran.

Senate Majority Leader John Thune (R-S.D.) has told Trump the SAVE America Act doesn’t have enough support to pass, the Associated Press reported this week.

The legislation would require voters to provide proof of citizenship when they register, require Americans show identification when casting a ballot and require states to send voter data to the Department of Homeland Security. Voting rights advocates say it would create unnecessary barriers to voting for citizens.

The effort is rooted in Trump’s baseless claims of voter fraud and cheating by Democrats. He has said the bill would “guarantee” the midterms for Republicans.

Trump has previously called for the federal government to “nationalize” elections and “take over” voting in some states. He renewed accusations against Democrats of cheating in California this month.

Rep. Brad Sherman (D-Sherman Oaks) said Trump was holding the bill hostage in a bid “to control California’s elections.”

“The stage was set both physically and metaphorically for the president to sign a historic housing bill for the American people,” said Sherman, who contributed a provision to the housing bill that would help disabled veterans get rental assistance. “Trump must put his ego aside and put the American people first and sign this bill into law.”

Less than an hour before Trump posted online that he had canceled the bill signing, he labeled the legislation “the Elizabeth ‘Pocahontas’ Warren centric housing bill” in a Truth Social post, and railed about the SAVE America Act.

“That is what Americans, both Dumocrats, Republicans, and everyone else, care about. Get the bad Republicans to approve it or, better yet, Terminate the Filibuster and approve it, AND EVERYTHING ELSE REPUBLICANS HAVE EVER DREAMED OF,” Trump wrote.

Sen. Elizabeth Warren (D-Mass.), who was one of the four bipartisan lawmakers leading the deal across the two chambers, said Wednesday morning on CNBC that Trump’s reversal “doesn’t make any sense.”

“It’s a complete indifference to the cost squeeze on American families and to genuine efforts to do something about it,” Warren said. “He could be over here claiming a victory lap and instead he’s saying no, no, he doesn’t want anything to do with it.”

A WELSH seaside town has been put on the map globally thanks to two very famous celebrities spotted there this week.

Singer Kylie Minogue and Hollywood director Quentin Tarantino have been seen in the pretty seaside town of Porthcawl.

It isn’t for a holiday – but for filming upcoming movie called Tangled in the Blue, directed by Welsh filmmaker Jamie Adams.

They were caught going to the Saltwater Inn pub, where onlookers said the celebrities “laughed and sang together” for a scene.

Other nearby sightings include at Newton Church, being used for a funeral scene in the film, and at Parkgate Hotel in Cardiff.

But Porthcawl itself is a popular beach town even without the endorsements of the mega stars, with seven bays and two Blue Flag beaches – Rest Bay and Trecco Bay.

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When The Sun’s Emma Glanfield visited the seaside town, she called it the perfect alternative for an exotic break.

She said: “Porthcawl, the ‘jewel of South  Wales‘ has the lot. A spectacularly cragged coastline and a swathe of sandy beaches, kissed by sparkling seas – and all just a stone’s throw from the mountains.

“OK, so it might not be the Caribbean, but it does offer fun and frolics for those on a budget.”

“We kicked off activities in Rest Bay. Our morning surf lesson with the brilliant Hugh woke us up quicker than you could say ‘coffee‘.”

Emma continued: “Within two hours we’d gone from complete beginners to standing up and catching waves.

“Who needs the Maldives when this precious little corner of the UK packs such a punch?”

Also in Porthcawl is Trecco Bay, the UK’s largest holiday park when it comes to pitches – and in Europe too.

Along with 2,000 caravans (which can welcome up to 50,000 guests during peak holiday periods) also on-site is a huge entertainment plaza with everything from crazy golf and high ropes to a swimming pool and splash pad.

There’s a bowling alley and for older kids the Next Level Gaming Arena has over 25 consoles including PS5 and Xbox.

Other outdoor activities include archery, hover boards, bumper zorbs and there are even pedal karts to get around.

The park puts on shows, and there’s even Paw Patrol Mighty Missions for little ones.

The holiday park has all the essential facilities like restaurants, cafes, bars, there’s also a launderette, supermarket and even a chapel.

When the sun is shining, guests can enjoy the sprawling sandy Blue Flag beach right on its doorstep.

A four-night stay across this weekend in a Bronze two bedroom caravan which sleeps four people works out to £405 – or £25.31pppn.

If you fancy making a week’s holiday (from June 27 – July 4), then this works out as just £16.40pppn.

Or, sign up with Sun Club and you could stay at Trecco Bay from £9.50.

WASHINGTON — The Senate for the first time approved a war powers resolution Tuesday seeking to block U.S. military action against Iran, as lawmakers warily watch President Trump’s efforts to resolve a conflict that the administration launched on its own and now needs Congress to fund.

It was the 10th time the Senate has tried to stop the war, and the outcome, on a vote of 50 to 48, was a stunning turnaround from past efforts. While the resolution is largely symbolic, and does not fully carry the force of law, it reflects the growing concerns from a number of Republican lawmakers in both the House and Senate over both the war and the deal Trump struck with Iran to end it. The House approved the resolution earlier this month.

“Time after time, the vast majority of Senate Republicans sided with Trump and his war instead of the American people,” said Senate Democratic Leader Chuck Schumer of New York.

Schumer said Americans have paid the price for “Trump’s historic blunder in Iran. It’ll go down in the history books as one of the worst foreign policy forays America has ever made.”

In the past, as many as four GOP senators have voted for the war powers resolutions, and they did so Tuesday — Republicans Lisa Murkowski of Alaska, Susan Collins of Maine, Rand Paul of Kentucky and Bill Cassidy of Louisiana. One Democrat, Sen. John Fetterman of Pennsylvania, voted against the resolution.

On this vote, the absence of two Republicans, including Sen. Mitch McConnell of Kentucky, who was admitted to the hospital recently for an undisclosed matter, left the GOP without a full majority to halt the effort. Sen. Dave McCormick (R-Pa.) also missed the vote.

The vote also comes as the Pentagon is seeking $80 billion from Congress, mostly for the Iran war as it backfills munitions and stockpiles.

Trump to meet senators as Republicans balk at Iran deal

Trump himself is headed to the Capitol this week to meet with GOP senators as Vice President JD Vance has been overseas working to negotiate with Iran to end its nuclear ambitions — which had been among the stated rationales for the war.

The president is not pleased with the Republicans who have been critical of the deal he struck with Iran, according to one GOP senator granted anonymity to discuss the private dynamics.

The terms of the Iran deal are spelled out in a memorandum of understanding that Trump signed last week, starting a 60-day clock for the sides to reach a broader agreement over ending Iran’s nuclear program.

But Republicans have particularly objected to the $300-billion fund to help Iran rebuild, which is far greater than the $1.7 billion then-President Obama refunded the country under his administration’s 2015 Iran deal.

“I believe President Trump is getting very poor advice on Iran,” Sen. Ted Cruz (R-Texas) said last week on his podcast after the deal was made public.

Democrats have repeatedly forced Iran votes

Over and again, Democrats have been forcing votes on the Iran war, almost since the U.S. and Israel launched missile strikes on Iran on Feb. 28.

Nearly each week they’re in session, the Senate Democrats have put forward war powers resolutions, but they have failed to amass the majority needed for passage in the narrowly split chamber, where Trump’s Republican Party holds the majority.

The House pushed its own version to passage earlier this month, with four Republicans joining all Democrats in approving the war powers resolution, over the objections of House Speaker Mike Johnson (R-La.) and the GOP leadership.

While such resolutions do not go to the president for his signature, passage stands as a powerful, if symbolic, statement from Congress and a rebuke of the administration’s military actions.

Sen. Tim Kaine, the Democrat from Virginia who has led his party’s efforts, said the pause in warfighting, as Trump’s team works to shore up a fragile ceasefire, provides the perfect time for Congress to step back and assess “what should the next chapter be.”

Hegseth seeks $80 billion from Congress for the Iran war

Defense Secretary Pete Hegseth is also on Capitol Hill this week, seeking roughly $80 billion in supplemental funding to shore up defense supplies in the aftermath of the Iran war, which is drawing scrutiny when many Americans are reeling from high gas prices and costs of living.

The Pentagon early on had estimated the war cost $11.3 billion during its first week, and experts have put the overall price tag at close to $100 billion.

The Defense Department’s funding request is part of a broader beef-up of military money the White House wants as part of its budget request this year.

The Trump administration is seeking $1.5 trillion in defense funding this year — a 50% increase — including $350 billion that it wants in a so-called budget reconciliation package. Johnson and GOP leaders are working to pass that package on their own, over the objections of Democrats, much the way they approved Trump’s big tax cuts bill last year.

The 2025 tax cuts package also included a sizable increase of about $175 billion for the military.

Mascaro writes for the Associated Press.

Welcome back to The Times’ Lakers newsletter, where the offseason is back in full swing.

The Lakers have the 25th pick in the NBA draft, which begins Tuesday at Barclays Center, tipping off what is expected to be a consequential, potentially roster-flipping offseason. Next week, the free agency frenzy kicks up. Players including Austin Reaves, Deandre Ayton and Marcus Smart must decide on their player options by June 29 at 8:59 p.m. PT. Free agents can start negotiations at 3 p.m. on June 30 and put pen to paper as soon as July 6 at 9:01 a.m.

Don’t expect the Lakers’ biggest question to be resolved by then.

LeBron James may drag his retirement debate into the summer as the 41-year-old considers stretching his career to a record-extending 24th season. Before we worry about one career that feels like it will never end, we’ll look at careers that are just starting.

With the 25th overall pick…

The crowd of reporters gathered around AJ Dybantsa’s table was four or five rows deep before the potential No. 1 pick even arrived for his interview at the NBA’s predraft media availability Monday. Across the ballroom at this luxe Manhattan hotel, Kansas guard Darryn Peterson, who any other year could be a lock for the top selection, fielded questions from an equally large gaggle of reporters.

This draft class is drawing attention for its incredible talent and depth. ESPN front office insider Bobby Marks said there are “three No. 1 picks” between Dybantsa, Peterson and Duke’s Cameron Boozer. The excitement shouldn’t stop at just the top of the group.

“What I love about the draft is Jalen Brunson went 33rd, Tyrese Maxey went 21st, Shai Gilgeous-Alexander went 11th, and Steph Curry went right after Johnny Flynn and Ricky Rubio,” ESPN college basketball analyst Fran Fraschilla said. “… Love the top four, also know this draft is such an inexact science.”

This draft is considered one of the deepest in a generation, even outside of the clear-cut top four of Dybantsa, Peterson, Boozer and North Carolina’s Caleb Wilson. But after the forward-heavy top tier, the group probably will be remembered for its talented and diverse group of guards. That’s not necessarily the best fit for the Lakers, who are targeting wings and bigs to build around Luka Doncic.

Mock drafts put prospects including Dailyn Swain, Isaiah Evans, Chris Cenac Jr., Tarris Reed, Henri Veesaar and Jayden Quaintance within the range of the Lakers’ 25th pick. But the draft unravels in unpredictable ways. Teams are approaching the later picks with caution and curiosity.

(Thuc Nhi Nguyen / Los Angeles Times)

“A lot of the teams in the 20s right now are trying to figure out who’s going to be there,” ESPN draft analyst Jeremy Woo said on a conference call with reporters. “I think 25 is right around where the talent pool kind of drops into that next tier of guys.”

Evans, a 6-foot-6 guard from Duke, said he wasn’t offended by prognostications that place him late in the first round. He cares only that he goes to “a city that is going to accept me.” Evans shot 36.1% from three-point range on 7.4 attempts per game last season for the Blue Devils, averaging 15 points and 3.2 rebounds.

Seeing the long list of sleeper picks who turned into All-Stars, MVPs and champions showed Swain that when he hears his name called Tuesday isn’t matter as consequential as what he plans to do next.

“Once I get drafted, whenever that is, I have the same opportunity as the next person,” Swain said. “So I’m just trying to take complete advantage of that and make the most of my opportunity.”

In young players, the Lakers look for “game processors, highly competitive, basketball IQ, team-first players,” president of basketball operations Rob Pelinka said at the end of the season. Those are qualities the Lakers can develop in their next key role player.

Pelinka called player development “a very important area for us to have Lakers excellence in.” Less than 24 hours after being eliminated by a much deeper Thunder team, Pelinka cited Oklahoma City second-year guard Ajay Mitchell as a success story the Lakers want to emulate. The 2024 second-round pick was a playoff game changer for the Thunder, averaging 22.5 points and six assists while shooting 56.3% from the field during Oklahoma City’s second-round sweep.

The Lakers, one year removed from drafting a promising player in the second round, are looking for similar growth from Adou Thiero.

The 6-foot-8 forward has the youth and athleticism Pelinka called “North Stars” for the team’s roster decisions. Compared to his older, ground-bound teammates, Thiero looked ready to leave the atmosphere on some of his rebound attempts.

Coach JJ Redick said multiple times during the season that this would be an important summer for Thiero. His rookie season was marred by persistent knee injuries, first to his surgically repaired left knee and then to his right knee after an MCL sprain kept him sidelined for months. He was not able to participate in summer league or much of the preseason.

Thiero said after the season that he anticipated playing summer league games with his offseason priority being to develop his shooting.

“Just getting the confidence to take the open shot when it’s there,” Thiero said. “Just keep building on my offensive game, try and get more comfortable with the speed of the NBA. … Try to be a little bit more of an impact player for the team.”

Thiero attempted three three-pointers in his rookie season and made one. During his G League appearances, Theiro averaged 15.4 points, shooting 62.5% from the field, and was nine for 14 from three. In college, he was a career 28.4% three-point shooter with 74 attempts in three years.

The Lakers start summer league in San Francisco on July 3 in the California Classic. The four-team event also includes the host Golden State Warriors, San Antonio Spurs and the Miami Heat.

Favorite thing I ate this week

Pesto ham sandwich with roasted tomato soup.

(Thuc Nhi Nguyen / Los Angeles Times)

Before starting the summer league circuit next month, I enjoyed some time at home this June. One of my favorite meals to make at home is a pesto sandwich with homemade roasted tomato soup. I usually like roasted chicken, but I used the ham I already had on hand on sourdough with harvarti and provolone cheese and homemade pesto. I make the pesto with basil, walnuts, Parmesan cheese, garlic and lemon. Instead of olive oil, I use avocado to bind everything together so it doesn’t soak through the bread as easily. You’re welcome to steal this hack for your next sandwich.

In case you missed it

Lakers likely to select a big man or wing in first round of NBA draft

Plaschke: Lawrence Tanter was the Lakers’ smooth operator whose subtlety spoke volumes

Lakers promote Lawrence Tanter to special advisor for game presentation

Until next time…

As always, pass along your thoughts to me at thucnhi.nguyen@latimes.com, and please consider subscribing if you like our work!

It’s been more than 30 years, but Andy’s toys are proving irreplaceable at the box office.

Walt Disney Co. and Pixar’s “Toy Story 5” opened to a massive $160 million in the U.S. and Canada last weekend, marking the biggest domestic box office debut so far this year. Internationally, the film brought in $152 million for a worldwide total of $312 million.

With those numbers, “Toy Story 5” broke several franchise records for opening weekend totals. As my colleague Cerys Davies and I wrote last week, it’s a sign of the long-running juggernaut’s firm grip on audiences amid a sea of Hollywood sequels, reboots and spinoffs.

“‘Toy Story’ has been breaking ground since it first hit the screen more than 30 years ago,” Disney Entertainment Studios Chairman Alan Bergman said in a statement. “It’s wonderful to see ‘Toy Story 5’ continuing that tradition and connecting with audiences around the world to deliver the biggest opening for the franchise and the biggest of this year as well.”

For theater owners, “Toy Story” may have seemed like a surefire bet. After all, the franchise has grossed more than $3 billion in worldwide box-office revenue, and its third and fourth installments each made more than $1 billion globally.

The big opening weekend for “Toy Story 5” has no doubt brightened the outlook for many theater operators as the all-important summer movie season gets underway.

Already, last weekend’s box-office totals were a whopping 80% improvement compared with a year ago, when Universal Pictures’ live-action “How to Train Your Dragon” was in its second weekend in theaters. But more importantly, the domestic box office is now up 14% to $4.46 billion compared with the same time a year ago, according to data from Rentrak.

This summer’s lineup of films, including “Toy Story 5,” will play an important role in terms of whether 2026 will truly be the year that the theatrical business turns the corner from the COVID-19 pandemic and the dual Hollywood strikes of 2023.

In one promising sign, summer box-office revenue so far is up 15.2% to about $1.84 billion compared with the same May to mid-June period in 2025. (That summer ultimately ended in a dismal finish of $3.67 billion.) Compared with pre-pandemic 2019, this year’s summer box office to date is down just 1.9%.

Studio executives and theater owners have told me they feel good about this summer and are optimistic about the overall outlook for 2026.

It’s easy to see why. The deck is stacked, with upcoming titles such as Universal and Illumination’s “Minions & Monsters,” Disney’s live-action “Moana,” Christopher Nolan’s “The Odyssey” and Sony Pictures’ “Spider-Man: Brand New Day.”

In a propitious sign, presales for “The Odyssey” and “Spider-Man” have already shown massive demand. Overall, there’s just more and varied movies in theaters now, which expands the pool of potential moviegoers, theater owners have said.

Take A24’s “Backrooms” or Focus Features’ “Obsession,” for instance. The two original and digital-native films shocked the industry by keeping a weeks-long grip on the box office, largely by attracting Gen Z audiences who were familiar with the 20-something directors from their followings on YouTube.

Beyond these two, as well as Steven Spielberg’s “Disclosure Day,” many of this summer’s films continue established franchises.

Although not all spinoffs have performed this year — including Disney and Lucasfilm’s “Star Wars: The Mandalorian and Grogu,” which saw ticket sales drop sharply after its late May opening — “Toy Story” has remained a consistent force in theaters over the decades.

Disney and Pixar executives credit the films’ focus on character relationships, particularly that of Tom Hanks’ Woody and Tim Allen’s Buzz Lightyear. And as the franchise spanned years, its appeal became generational.

“Having parents now that say, ‘I grew up with ‘Toy Story,’ and now I’m showing my kids,’ has been really gratifying,” Pixar Chief Creative Officer Pete Docter told me by phone a week before the movie’s opening.

“Toy Story” is now the most-watched franchise on the Disney+ streaming service, with more than 2 billion hours streamed. And its beloved characters have spawned 19 theme park rides, four themed lands, two hotels and roughly $1 billion a year in global retail sales.

That has no doubt kept the franchise front and center for both adults and children, as well as fueling interest in future stories.

Stuff We Wrote

Film shoots

Number of the week

The FIFA World Cup has been a major boost for broadcasters, as an average of 6 million viewers tuned in to Fox and cable network FS1 for the first 16 group stage matches, an increase of 128% compared with the last World Cup in 2022, according to Nielsen data released last week.

On Spanish language network Telemundo, which is owned by Comcast, the first 12 group stage matches drew an average of 7.5 million viewers, up 234% from four years ago. (The Telemundo telecasts are also streamed on Peacock.)

I was in the Bay Area last week on vacation and didn’t watch many of the games, but I did catch my colleague Clara Harter’s great read about the mutual love and respect between fans of Mexico and South Korea and how that has played out in Los Angeles.

What I’m watching

Since I was out of town last week, I didn’t watch a ton of TV. But I did make time to watch the series finale of “The Way Home,” a quirky time-travel drama on Hallmark that I’ve followed for all four seasons.

I’m a big fan of time-travel stories (The “Back to the Future” trilogy is one of my favorites), so the usual past-future questions, plus the complicated family dynamics anchored by matriarch Andie MacDowell, made this a must-watch for me. The series finale was a satisfying ending, though there are definitely some loose strings that deserve further exploration.

The Met Office has issued a series of amber and red heat alerts this week as temperatures are set to rise close to 40C in some parts of the UK, with the RAC urging drivers without air conditioning to postpone non-essential journeys

Britain is being battered by a sweltering heatwave this week, with temperatures threatening to nudge close to 40C in some areas of the country. In response, the Met Office has issued a raft of amber and red heat warnings.

Britons are also being urged to keep their fluid intake up and remain vigilant for signs of heat-related illness brought on by the scorching conditions.

Some people may look to escape the heat by jumping into their car and cranking up the air conditioning. However, one motoring expert has cautioned drivers that even if their vehicle is available to them, they should think twice before getting behind the wheel this week.

In a statement published on the RAC‘s website, the organisation’s road safety spokesman Rod Dennis warned that motorists without air conditioning in their vehicles should consider putting off their journeys altogether.

Explaining his reasoning, he said: “Red extreme heat warnings are rare and we urge everyone to take them seriously this week. Drivers whose vehicles don’t have effective air conditioning should strongly consider postponing any non-essential car journeys until the Met Office’s weather warnings are lifted and temperatures drop.

“If this isn’t possible, our best advice is to travel during cooler times of day. This is especially important for anyone travelling with vulnerable people, including young children and older adults, who are at greater risk from the intense heat.”

Red heat warnings, set to take effect on Wednesday and Thursday this week, have been put in place owing to the exceptionally high temperatures forecast across the south and south-east of the UK.

Temperatures are expected to soar so dramatically that some forecasters believe records for June could be shattered. The current record for the hottest June day stands at 35.6C, set in Southampton in 1976 and in Camden Square, London, in June 1957.

The last time Britain endured a prolonged spell of temperatures reaching as high as 40C was roughly four years ago, in July 2022.

In a statement addressing the warnings, Met Office Deputy Chief Forecaster Mark Sidaway made it clear that red warnings are not handed out lightly, and are reserved solely for the most extreme weather conditions.

He said: “Red warnings are reserved for the most severe events and we’re expecting severe and significant impacts from this heatwave, with health impacts likely for many, even beyond those who are normally more vulnerable to the heat.

“The last time the UK recorded temperatures this high was in July 2022, but on this occasion the heat is expected to be accompanied by high humidity.”

Meanwhile, Dr Agostinho Sousa, Head of Extreme Events and Health Protection at the United Kingdom Health Security Agency, added: “We are urging health and social care services across the country to ensure they are prepared.

“A red heat health alert indicates a risk to life for even the healthy population, but simple actions like staying hydrated, avoiding the sun during the hottest part of the day, and keeping your home cool can make a big difference.”

EUROSTAR has cancelled a number of trains to and from the UK this week due to the hot weather.

The train operator cited “adverse weather conditions” as the reason for the cancellations.

The cancellations include two services a day between London St Pancras International and Paris‘ Gare du Nord.

The affected trains are:

• Monday – 10:07am from Paris to London
• Monday – 1:31pm from London to Paris
• Tuesday – 10:07am from Paris to London
• Tuesday – 1:31pm from London to Paris
• Wednesday – 1:31pm from London to Paris
• Wednesday – 6:08pm from Paris to London
• Thursday – 1:31pm from London to Paris
• Thursday – 8:08pm from Paris to London

No trains have been cancelled on Friday yet but this could change later in the week.

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Eurostar cancels trains as travel strikes hit TWO popular European countries

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Eurostar said in a statement: “Due to expected adverse weather on the Eurostar network, your train is cancelled.

“We’re so sorry for the disruption and any inconvenience caused.”

Passengers affected by the cancellations can move their booking to a later time and date.

Otherwise a full refund can be claimed, either with an e-voucher which can be used up to 12 months later, or a full refund (which doesn’t include booking fees).

The UK is set to high record temperatures for June this week, with highs up to 38C expected.

This would beat the previous hottest June temperature of 35.6C, which was in 1976 in Southampton.