week

Welcome to Bunker Talk. This is a weekend open discussion post for the best commenting crew on the net, in which we can chat about all the stuff that went on this week that we didn’t cover. We can also talk about the stuff we did or whatever else grabs your interest. In other words, it’s an off-topic thread.

This week’s caption reads:

Cutaway display of a concrete masonry basement fallout shelter with an exercise bike, television and library, 1950s. (Photo by Pictorial Parade/Getty Images)

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The back-to-back news this week of the deaths of Dolly Parton and Tim Curry — both at age 80 — felt like an unfair and twisted threat to our peace.

Both were extraordinary cultural forces whose screen and stage work lit up and shaped our lives, so its no wonder the emotional whirlpool led to one large group chat on social media, with fans posting favorite performance clips and interview soundbites. I took comfort in many, including Parton singing “Jolene” at the Grand Ole Opry in 1988 and eight minutes of Curry in the frantic “how it was done” climax in “Clue” (1985), which he reportedly performed so intensely he had to be taken to the hospital for high blood pressure.

Our writers captured the depth of the legacy each leaves behind.

Greg Braxton reflected on Curry’s significant contribution to the twisted image of clowns with his terrifying portrayal of Pennywise in “It.” Robert Lloyd took on highlighting the actor’s most memorable roles on TV. And in his appreciation of Curry, Steve Appleford praised how Curry’s roles “turned out wilder and more varied than he might have expected but his seriousness and sense of fun never faded, pushing boundaries and himself. No one was ever bored watching Tim Curry onscreen.” (Appleford spoke with Curry in 2025 for his final interview published in The Times; I encourage you to read it.)

Meanwhile, Mikael Wood waxed on Parton’s storytelling prowess in her music. Lloyd looked at her legacy on the small screen, where she appeared in variety shows (two of her own), specials, TV movies, guest shots, interviews and music videos — contending it’s where “much of America met Dolly.” Mary McNamara explored Parton’s unexpected persona as a feminist icon. And Emily St. Martin reminded us of Parton’s contributions to literacy.

The country music superstar’s performance in 1982’s “The Best Little Whorehouse in Texas,” which earned her a Golden Globe nomination, is one of our streaming recommendations this week. (For those seeking community while celebrating the life of Parton, AMC Theatres announced screenings for the film, as well as “Steel Magnolias,” in select locations through Sept. 2.) Our other streaming suggestion, if you need a life vest to keep afloat through the tears, is a series featuring veteran fashion police partners reuniting again — this time, to dole out critiques of fictional characters.

Also in this week’s Screen Gab, we spoke with actor Kristen Johnston about the Season 2 return of “Leanne.” Best known for her role as Sally Solomon in the hit ’90s sitcom “3rd Rock From the Sun,” Johnston has built a career bringing laughs to comedies like TV Land’s “The Exes” and CBS’ “Mom.” Lately, she’s been bringing her seasoned comedy skills to Netflix’s multi-cam sitcom, which captures the messy (and funny) experiences of women navigating midlife — like dealing with menopause or the horrors of the modern dating scene. Stand-up comedian Leanne Morgan stars as the titular character, while Johnston plays her brutally honest sister, Carol.

“Not every show has to be, you know, medieval dragons,” Johnston says. “There’s room for a couple of silly women in their 50s trying to figure it out.” Read more from Johnston in Guest Spot. In the meantime, I’m off to mix and bake a cuppa flour, a cuppa sugar and a cuppa fruit cocktail with the juice at 350 till it’s gold and bubbly. See you next week. — Yvonne Villarreal

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Recommendations from the film and TV experts at The Times

Dolly Parton as Miss Mona in the 1982 movie “The Best Little Whorehouse in Texas.”

(Universal Pictures)

“The Best Little Whorehouse in Texas” (VOD)

Dolly Parton cemented her movie star status with her feature debut “9 to 5” alongside Jane Fonda and Lily Tomlin. But outside of the irresistible title song, Parton did not sing in the film. She makes up for it with her second film, 1982’s “The Best Little Whorehouse in Texas.” Adapted from the Broadway musical, the country superstar dazzles as Miss Mona Stangley, the proprietress of the popular “Chicken Ranch” brothel. With her characteristic down-home charm, she makes her place of business seem as wholesome as apple (“There’s lots of goodwill and maybe one small thrill, but there’s nothing dirty going on,” she sings in the opening number). Parton also contributed two extra songs to the soundtrack alongside the original Broadway score, including her hit “I Will Always Love You.” — Greg Braxton

Clinton Kelly, left, and Stacy London in “Why’d They Wear That?”

(Jordan Petsy / Simple Alien)

“Why’d They Wear That?” (YouTube)

Stacy London and Clinton Kelly are back with a third “Wear” show, after “What Not To Wear” and last year’s “Wear Whatever the F You Want.” This one’s for the Stacy and Clinton fans, as it removes the clients and makeover elements and sits the hosts on a bed together in front of a TV as they critique what characters wear in the movies, viewing film through the lens of clothing, hair and makeup. (It’s very smart.) The films and actors they highlight are meaningful to one or the other — they don’t always agree — which is to say they broadly represent the tastes of people born in 1969. The range of subjects encompasses “Meatballs,” “Poltergeist,” “Best in Show,” “Gentlemen Prefer Blondes” and “The Empire Strikes Back,” in which episode you will learn that London views Darth Vader as “the Karl Lagerfeld of outer space” (“monochromatic dressing … quiet luxury and he doesn’t change — he invests in his pieces”). One episode is a tribute to Catherine O’Hara. With no one’s feelings to dance around, they can be as critical as they like, but snark isn’t the point so much as celebration and the delight of old friends sharing their own, often self-deprecating stories. Come for the analysis, stay for the laughter, or vice versa. — Robert Lloyd

Guest spot

A weekly chat with actors, writers, directors and more about what they’re working on — and what they’re watching

Leanne Morgan, left, and Kristen Johnston in Season 2 of “Leanne.”

(Patrick Mcelhenney / Netflix)

In “Leanne,” Kristen Johnston plays the ultimate ride-or-die sister you want in your corner — she turns chaotic moments into fun, tells the hard truths and provides unwavering emotional support. The Netflix sitcom stars comedienne Leanne Morgan as a woman trying to rebuild her life after her husband of 33 years left her for someone else. Helping her navigate the emotional rubble is her family, including her fiercely loyal, unfiltered, twice-divorced sister, Carol (Johnston). As Leanne confronts more change in Season 2, like turning 60 and coming to terms with aging parents that require more care, Carol remains a blunt support system. Over the phone, Johnston discussed her connection to the themes explored in the comedy and the genre of TV that has her hooked these days. — Y.V.

Change continues to be a theme in Season 2. It opens with Leanne resisting the idea of turning 60 and still not ready to be alone with herself. Carol is there to remind her that she’s capable. Tell me about your 50s, Kristen. How are you feeling about this stage of your life and the prospect of turning 60?

Oh my God! Honestly, I never even thought I’d make it to my 50s. So, the fact that I’m still here is a pretty big miracle. My 50s has just continued to be about trying to figure out my place in the world and deepening my friendships with my friends, my family. That’s about it.

Are there things you used to worry about that now you’re like, “I can handle that”?

I used to worry about everything, and now I really couldn’t give a s—. I don’t live for other people’s opinions anymore, and that was probably something I lived for for a long time. When you get fame really early, you just condition yourself to not make anyone upset and not get found out by the tabloids or be stalked. I don’t know. I do enjoy really just trying to live. Other people’s opinions matter to me, but they’re not the reason I do or don’t do anything.

You and Leanne both get a chance to play with the idea of getting older early in the season with a daydream sequence about being in the retirement home. What was that like? It hits at such a big topic that many people come to grips with at some point, which is the idea of caring for aging parents.

That’s a huge topic this season, and it one it matters to me because my mom is still here — thank God. But it’s stuff that really comes up a lot. When it’s time to get them into a home, it’s so hard, and of course, they never want to go. Who would? But literally doing that scene was so great because I’m so into prosthetics and makeup. We had a lot of fun coming up with what each of us would be.

Kristen Johnston, left, and Leanne Morgan in “Leanne.”

(Patrick Mcelhenney / Netflix)

The bond between Leanne and Carol is such an important element of the show. What do you think this show really gets right about sisterhood?

It feels very real. You have one who’s a black sheep and always blamed for everything, then you’ve got one who’s the Goody Two-shoes and got married at the right time and had kids. Carol did none of that. But throughout that, and much more important than the rivalry and being mad at each other or whatever, is just this absolute unending love. And I feel very sisterly towards Leanne. I get really emotional about her because I feel like she’s my sister. They’re pretty easy scenes to act.

You’ve worked in multi-cam sitcoms across broadcast, cable and streaming. Do you feel a difference?

I don’t know if it’s as much that they’re different, but the times sure have been different. I’m from the era where we would have the head of the studio come to every taping and send us cards and thank you or call you to come over to his house for his 60th birthday or whatever. That doesn’t really happen anymore. I’m from this other era, which really felt more personal and felt more one-on-one. Now it really just feels like, “Don’t look at me. I just want thanks for the paycheck.”

And it seems hard to even gauge how well the shows are doing.

Exactly. Leanne was so nervous about all that at first, and I just said, “Look, all we can do is our our best. Let’s just be funny and have fun, and everything else is above our pay grade.” So she went with that. That’s how we kind of roll.

OK, tell me — how often are you asked about the “Splat!” episode of “Sex and the City”? How often do people come up to you about Lexi?

It’s crazy. It’s all anybody wants to talk about, any podcasters or anything. Really, I would say 80% of the conversations I’ve had in the last few weeks are focused mainly on that.

What does that tell you that a role that was a one-off could have that kind of lasting impact?

It’s the shock of what happens in that scene more than almost anything. There was kind of this angry “I’m gonna live no matter what” vibe to her. So to watch her fall to her death out of her own hubris, it’s just a perfect little encapsulation of a moment in New York City, and I think that’s why people love it. It’s also probably one of the bigger, bigger acting choices I’ve ever made. That was Michael Patrick King. I can’t believe it still matters to people, but obviously, I’m thrilled it does. I did like three takes [of the fall]. And it could have been the stunt woman [who made the cut]. I honestly don’t know who they cut to for what.

Because when people say, “Are you a Carrie? Are you a Charlotte?” A lot of people say, “I’m Lexi.”

They tell me that all the time. I just go, “Oh, babes.” I wouldn’t really want to cling to her as like an inspiration for your character, but I think what they mean is they’re probably bawdy. There are worse things to be in life.

What’s the most recent thing you watched that you’re obsessed with?

I’ve gone down the K-drama rabbit hole. And something I loved is this C-drama called “Pursuit of Jade” on Netflix. It’s so well-done, really good and very thrilling. A period show. Love it. I’ve been sucked into that. Oh, for K-drama — “Bon Appétit, Your Majesty.” That’s pretty much where I’ve been living.

What’s your go-to comfort watch?

I like spooky, weird stuff like “True Detective,” “Broadchurch.” I just did a rewatch. I can’t believe “Broadchurch” is my comfort show. Anything with really good character development, fantastic acting. I love it.

ICYMI

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Yayoi Kusama, the Japanese artist known for her hypnotic, repetitive polka dot artworks, died earlier this week at the age of 97. Hers was the third in a string of deaths this week that left me feeling quite melancholy. First Dolly Parton, then Tim Curry and finally, Kusama.

The silver lining in the death of an artist, whether they be musician, actor, writer or visual artist, is that they leave a trail of comfort for fans through their work. I can (and did) sit in my breakfast nook weeping to the sound of Parton’s voice in songs including 1971’s “Coat of Many Colors.” When it comes to mourning Kusama, I am planning a trip to the Broad museum in downtown L.A., which houses two of her famous Infinity Mirror Rooms.

“Longing for Eternity” (2017) is on view on the third floor and can be accessed with a free general admission ticket. “Infinity Mirrored Room —The Souls of Millions of Light Years Away” (2013), however, requires a separate free reservation. A rep for the museum said reservations are currently available through September with many time slots already completely full. The museum is also accommodating as many walk-ups as capacity allows — and these walk-ups have increased in the wake of Kusama’s death.

In an email to The Times, Broad founding President and Director Joanne Heyler wrote that Kusama’s Infinity Mirror Rooms, “have been among the most beloved works at The Broad since we opened in 2015.”

Heyler noted that the Broad’s 2017 exhibition, “Yayoi Kusama: Infinity Mirrors,” “was an incredible moment in the museum’s early history. It was a beautiful show, and unprecedented operationally: the only time our ticketing system broke down due to demand, minutes after release. Her work is both wildly popular and conceptually rigorous; her journey as an artist is complex, full of resilience and a refusal to be limited. Visitors have found deep connection inside the Infinity Mirror Rooms at The Broad — smiles, tears, even marriage proposals. We’re grateful to be one of the places where people can go to spend time with her work and remember her, and we’ll keep working to ensure her art is experienced as she intended: by everyone, infinitely.”

This is welcome news, and the devoted interest makes sense. In many ways, these physically small but emotionally vast rooms encapsulate the essence of Kusama’s practice throughout her life. Built in a distinctively analog way, the rooms create the illusion of endless space through the use of light, mirrors and splashes of color. Kusama incorporated hand-sewn cloth, and later, multimedia video projections, but at their core the rooms remained largely technology-free.

The irony being that a decade ago they emerged as social media sensations, and were ubiquitous in selfies across the internet as they traveled from blockbuster show to blockbuster show.

It’s a pity because all the people who stepped into those rooms with their cellphone cameras at the ready missed a profound opportunity to inhabit a floating dreamscape of true peace and quiet — the kind we rarely grasp in our digital-notification suffocated world.

I can still remember the first time I had the opportunity to experience one of Kusama’s Infinity Mirror Rooms. It was dark and glittering with tiny pinpricks of colored light. I felt as if I were suspended in a deep, black pool of energy that extended beyond me in all directions. I could hear my blood rushing in my ears and briefly wondered if this could be what it felt like in the womb.

I got dizzy and recovered, and then — for what felt like a long time but was only a matter of seconds — I was free.

I’m Arts editor Jessica Gelt taking moments of solace where I can get them. This is your arts and culture news for the week.

The week ahead: A curated calendar

FRIDAY

Babatunde Akinboboye
The baritone fuses classical opera with hip-hop on “Toreador,” “Funiculi, Funicula,” “O Sole Mio” and more.
8 p.m. Friday and Saturday. Sierra Madre Playhouse, 87 W. Sierra Madre Blvd. sierramadreplayhouse.org

Director Richard Linklater at the 2023 Toronto Film Festival.

(Jay L. Clendenin / Los Angeles Times)

Richard Linklater
A three-movie American Cinematheque tribute featuring Q&As with the Texas filmmaker. In a recent interview, Times film writer Mark Olsen asked Linklater what it’s like to reflect on his work: “What resonates with me in my mind is the experience of making the movie more than the movie itself — all the people you worked with and the cast and all those good feelings.”
“Boyhood,” 7:30 p.m. Friday; “Waking Life,” 4 p.m. Saturday. Aero Theatre, 1328 Montana Ave., Santa Monica; “Dazed & Confused,” 7:30 p.m. Saturday. Directors Village, 961 Broxton Ave. Westwood. americancinematheque.com

Pericles
Boston Court, in partnership with Play On Shakespeare, presents the West Coast premiere of Ellen McLaughlin’s modern verse translation of Shakespeare’s rarely performed adventure tale. Directed by Margaret Shigeko Starbuck.
Through Sept. 27. Boston Court Pasadena, 70 N. Mentor Ave. bostoncourtpasadena.org

Romeo & Juliet
A site-specific, immersive, queer adaptation of Shakespeare’s tragedy.
7:30 p.m. Friday and Saturday; 1 p.m. Saturday and Sunday. Sassafras Saloon, 1233 Vine St. eventbrite.com

SATURDAY

Place Is the Space
A four-hour immersive performance experience created by artist Edgar Arceneaux and co-creator Frank Lawson employs live jazz improvisation, theatrical storytelling and multimedia design inspired by Sun Ra’s philosophy and his film “Space Is the Place.” Presented by CAP UCLA, the event includes an audience procession to the Hammer Museum in conjunction with the current exhibition, “Space Is the Place,” for a final performance.
1 p.m. UCLA Nimoy Theater, 1262 Westwood Blvd. cap.ucla.edu

Joshua Smith Untitled (Yellow Heart), 2026 Acrylic on canvas 14 ¾ x 14 ½ in.

(839 Gallery)

Joshua Smith: Hearts and Triangles
The artist’s first Los Angeles solo show includes brightly colored monochrome paintings on shaped canvases.
Opening reception, 5-8 p.m. Saturday; exhibition continues through Oct. 17. 839, 839 N. Cherokee Ave. 839gallery.com

Winter’s Bench
The world premiere of Mike Kenny’s play about a woman who returns to a park where she thinks a tree once spoke to her. Starring Anne Gee Byrd and Shih-wei Wu. Directed by Debbie Devine. All performances will feature Spanish supertitles.
Previews, 8 p.m. Saturday; 2 p.m. Sunday; 7:30 p.m. Wednesday, Thursday and Sept. 4; 8 p.m. Saturdays, 2 p.m.; Sundays, 8 p.m.; Sept. 7 and 14; through Oct. 25. 24th Street Theatre, 1117 W. 24th St. 24thstreet.org

SUNDAY

Element Band
Led by Ara Dabandjian, the ensemble features 12 musicians and vocalists, including Soseh Aramouni Keshishyan and Natalie Avunjian, in a celebration of Armenian heritage, creativity and live music.
7:30 p.m. The Ford, 2580 Cahuenga Blvd. East. theford.com

TUESDAY

Dvořák & Bruch
Conductor Anja Bihlmaier and violinist Bomsori join the Los Angeles Philharmonic.
8 p.m. Hollywood Bowl, 2301 N Highland Ave. hollywoodbowl.com

THURSDAY

Amadeus in Concert
The Los Angeles Philharmonic, led by conductor Norman Huynh, conductor, and the Pacific Chorale perform live to Milos Forman’s 1984 Oscar-winning best picture starring Tom Hulce and F. Murray Abraham.
8 p.m. Hollywood Bowl, 2301 N Highland Ave. hollywoodbowl.com

The Arsonists
Max Frisch’s 1953 absurdist satire, translated by Alastair Beaton and directed by Luke Harlan.
8 p.m. Thursdays through Saturdays; 5 p.m. Saturdays; 2 p.m. Sunday; through Sept. 20. Skylight Theatre, 1816 1/2 N. Vermont Ave. skylighttheatre.org

Under the Oaks
A weekly salon series featuring performance and music: “Currents: Composers in Concert” (Sept. 3); “Beer! A New Musical-in-Development” (Sept. 10); “Cabaret Theatricum Sings Marvin Gaye” (Sept. 17); and “The Voice of Dr. King” (Sept. 24.
7:30 p.m. Thursdays through Sept. 24. Will Geer Theatricum Botanicum, 1419 N. Topanga Canyon Blvd. Topanga. theatricum.com

Arts everywhere

Sarah Bareilles in the documentary “Sarah Bareilles: Good Grief.”

(A Group Effort Films / Naked Edge Films)

Sara Bareilles: Good Grief
The Grammy-winning Broadway star and pop singer’s return to the recording studio for the first time in seven years is captured in this intimate documentary directed by Josh Alexander receiving a one-night-only theatrical release. The film looks at Bareilles’ experience of channeling her own pain to create art and the healing journey that accompanied it. Bareilles will perform at the Dolby Theatre, Oct. 12-14.
7 p.m. Wednesday. Laemmle and AMC theaters. sarabmusic.com

Culture news and the SoCal scene

Dolores Huerta photographed at Dolores Huerta “Help Wanted/Leave Now” exhibit at California Museum.

(Beth Baugher / California Museum)

Dolores Huerta has prioritized involving herself in projects relating to labor and women’s rights in the wake of going public with sexual abuse allegations against former labor leader Cesar Chavez. One of those projects can now be seen at the California Museum in Sacramento in an exhibition called “Help Wanted/Leave Now: ‘Operation Wetback’ and the Revolving Door of Mass Deportation,” which, according to a story by contributor Isa Farfan, “examines decades of the federal government’s deportation campaigns against Mexican immigrants even while it recruited millions of these farmworkers and rail workers to fill labor shortages during and after World War II.”

Contributor Leah Ollman reviews a new Eileen Cowin retrospective called “Between Panic and Paradise” at Los Angeles County Museum of Art. Labeling Cowin a “wry disruptor,” Ollman notes that over the artist’s nearly six-decade career, she has toyed with time in a novel way: “By deviating from straightforward chronology, the installation resonates smartly with one of Cowin’s key operating principles — that we don’t experience time as a continuous line moving in one direction, but as episodic, fragmented, interrupted, layered.”

Gustavo Dudamel at the end of the first half his show at the Hollywood Bowl on Aug. 20.

(Jason Armond / Los Angeles Times)

Gustavo Dudamel is really leaving — although it feels as if the city has been mourning the eventuality for years. Times classical music critic Mark Swed was, of course, on hand to bear witness to Dudamel’s final farewell: a four-night Hollywood Bowl extravaganza. “Dudamel addressed the audience, sounding very much like he had 17 years ago at the Bowl, extolling in our being a crowd of many types together for many musics. L.A., he said, made him an Angeleno,” Swed wrote.

Swed also attended a Tuesday night show at the Hollywood Bowl after the Dudamel farewell extravaganza and found it rather empty and a bit “forlorn,” a situation, he writes in a review, that “left Anna Handler, who becomes the Los Angeles Philharmonic’s conductor-in-residence this fall, with the trickiest conducting assignment of the summer anywhere.”

Theater Director Bart DeLorenzo on the set of “Enemy of the People” at the Odyssey Theatre on Friday, Aug. 21, 2026.

(Ariana Drehsler / For The Times)

Times theater critic Charles McNulty recently sat down for a lunchtime conversation with Bart DeLorenzo, “L.A.’s most playfully provocative theater auteur,” about his decision to direct (and adapt) Henrik Ibsen’s “Enemy of the People” at Odyssey Theatre. “If ever there was a moment to revive ‘An Enemy of the People,’ it’s now,” McNulty writes. “The demoralizing spectacle of the U.S. Senate’s inquisition of Dr. Anthony Fauci last month, led by Sen. Rand Paul (R-Ky.) in unapologetic witch-hunt mode, was yet another reminder that Ibsen’s drama about a public health crusader being targeted by politicians and business leaders when his medical advice goes counter to their interests hasn’t lost its punch.”

The drama never stops at the beleaguered Kennedy Center as it deals with the continued tumult resulting from President Trump’s takeover early last year. Most recently the Justice Department claimed in a recent court filing that Trump’s “efforts and prestige provide the sole hope for the Center’s financial survival, and structural renewal.” If the center isn’t shut down for the two-year renovation Trump demands, it may need to be demolished, the filing reads.

Visitors line up outside the Japanese American National Museum for a 2022 event recalling World War II incarceration camps.

(Genaro Molina / Los Angeles Times)

After closing in early January, 2024, the Japanese American National Museum has announced it will reopen its newly renovated Pavilion on Jan. 23, 2027. Renovations include a new main entrance and new first-floor galleries for a brand new exhibition titled “In the Future We Call Now: Realities of Racism, Forging Democracy.” The special exhibition galleries on the second floor have also been updated and will feature the inaugural exhibition, “Pictures of Belonging: Miki Hayakawa, Hisako Hibi, and Miné Okubo.”

The Broad has announced its next fall exhibition, “Has the myth been shattered,” opening Nov. 21. The exhibition is set to include recent acquisitions by Guadalupe Rosales, Hank Willis Thomas and Mickalene Thomas. “Gathered together, works in the exhibition create unexpected connections across six decades, prompting an examination of how media has shaped history, memory, and collective experience,” a news release notes.

— Jessica Gelt

And last but not least

A little rare bird is making people happy, and I’ll take the moment of levity.

In reality, Dave Franco has a strict routine for Sundays, one he takes very seriously. He and his wife, actor Alison Brie, stay in bed all day, watch four movies and Postmate every single meal. But for the sake of Sunday Funday, the actor, director and screenwriter gave us a hypothetical Sunday where they actually leave their house.

In Sunday Funday, L.A. people give us a play-by-play of their ideal Sunday around town. Find ideas and inspiration on where to go, what to eat and how to enjoy life on the weekends.

The couple have lived in Los Feliz since 2012 and have bounced around to a few different spots in the neighborhood during that time. “We love that there are certain pockets that feel tucked away in nature where you don’t feel the buzz of the city,” Franco says, “but when you’re in the mood for a great meal or a night out, you’re still only a five-minute drive from all the action.”

Franco and Brie have collaborated on multiple projects, including the horror film “Together” (where they were the two leads) and the rom-com “Somebody That I Used to Know” (which he directed, she starred in and they co-wrote). Up next, Franco will roll solo as an actor and producer of the dark action comedy “Idiots,” out in theaters on Friday.

Sunday remains a day that he and Brie dedicate to being with each other. “No matter what else is happening in our lives or what we have coming up for that following week, we know we’re going to be together on Sunday,” Franco says. “Let’s spend the whole day together, let’s be connected, and it just resets us in a nice way for the week.”

This interview has been lightly edited and condensed for length and clarity.

7:30 a.m.: Coffee and doughnuts

I’ll set my alarm so I can roll out of bed and get to Maru Coffee right as it opens in an attempt to avoid the insane line that will inevitably snake down the entirety of Hillhurst Avenue. If I don’t want to wait in line, I’ll head to Dayglow in Silver Lake where some of my favorite baristas are generous enough to let me try whatever new concoction they’re experimenting with. But no matter where I end up, I’ll typically grab a cold brew for myself and an iced oat cappuccino for my wife.

If I’m feeling extra magnanimous, I’ll then drive to Proof Bakery in Atwater Village for our favorite croissants, or I’ll go all the way to Bob’s Donuts at the Farmers Market at the Grove and grab a couple of old-fashioned glazed.

Doughnuts on Sunday is a very important ritual for us. I legitimately think it’s a big reason our marriage has been so successful. We work hard and then we get to look forward to sharing something decadent at the end of each week.

11 a.m.: First movie of the day

After digesting our pastries, we will catch a late-morning movie at the Los Feliz 3, the Vista or the Landmark Sunset. When we get to the movie theater, Alison will ask whether we should get a small or large popcorn. I always reply, ‘Get the small. I don’t want any. I’m just going to have Red Vines.’ Inevitably, I’ll finish my Red Vines before the movie has even started and then Alison will begrudgingly allow me to have a few handfuls of her popcorn, but she is not happy about it. I’m not exaggerating when I say this happens every single time we go to the movies.

1:30 p.m.: Strictly vintage

After the movie, we might pop by Denim Revival in West Hollywood, which has the best vintage shopping in town. It’s a small curated collection, but if you’re into vintage Levi’s and old band T-shirts, this is your spot. My wife typically gets bored quickly in a vintage clothing store, but when I find her the perfect-fitting Tom Petty or John Lennon shirt, she perks right up.

Most of what’s in my closet is vintage. I can’t think of a T-shirt that I’ve worn in the past handful of years that wasn’t a vintage T-shirt. I have a pretty good collection at this point. I’m hitting all the different angles where I have anything from Beastie Boys to Jimi Hendrix to Britney Spears to Hansen.

I will definitely scour eBay or Grailed to find the perfect white T-shirt, which I have 10 of already, but it’s an endless search to expand that collection.

3 p.m.: Big Sur in L.A.

If we are in the mood for a pre-dinner snack, we’ll pop by the Trails cafe [in Griffith Park] for their famous egg in a basket, which is their take on the classic breakfast dish, toad in a hole. We’ll sit at Trails’ wooden benches surrounded by nature where it almost feels like we’re not in LA. It’s the closest we can get to Big Sur in Los Angeles.

We could sneak in a hike. We’ll sometimes start at an entrance across from the Greek Theatre, which will loop us all the way around past the [Griffith] Observatory and back to the Greek. We feel very fortunate that we live close to some very nice hikes in L.A., and so we definitely try to take advantage of that.

5 p.m.: Oysters, always

Even though we just ate, we are already thinking about where we should go for dinner. We like a very early dinner that verges on being a very late lunch. We’ll likely end up at Found Oyster. We’ll order a dozen oysters, a scallop tostada and a little steak frites if we’re feeling cheeky.

I’ve been an oyster person for as long as I can remember. I’m such an oyster person that I’ve actually gotten food poisoning twice in the past two years from oysters and I will not let that stop me. In both of those instances, I was begging for death — death would be better than whatever I was going through — and then a week and a half later I’m back fiending for more. But I’m not saying I got food poisoning from Found. I just want to make that clear.

7:30 p.m.: Time for another movie

The good thing about an early dinner is that you can be home and in bed by 7:30 p.m., where there’s still enough time to sneak in at least one more movie and some dessert.

We always try to have a pint of ice cream in our freezer from Henry’s Secret, which you can only order online for the time being. This is the guy who was making ice cream at Antico Nuovo for many years, which was always our favorite ice cream in L.A. And now he’s got his own little underground operation.

My wife is a massive [movie] re-watcher. She has seen “The American President” and “The Prestige” 150 times each, but I’ll always push to watch some hidden gem that’s been on our list for the past decade. She’s sometimes hesitant, then almost every time the movie finishes and she says, “I loved it.”

I’m not on Letterboxd. I have lists of movies that we want to watch in my Notes app on my phone. There are certain times where the list really grows, but we’ll knock them off pretty quickly because we really do try to watch one movie a night. When you’re doing that, you’re watching seven plus movies [a week] because on Sunday we’re watching multiple movies.

10 p.m.: Early bedtime

We go to bed relatively early. We’ll eventually fall asleep from food coma exhaustion and then we’ll wake up early the next morning to hit the gym and get back to a somewhat healthy routine, until the following weekend of more gluttonous excess.

BETHLEHEM, Pa. — Mike Gibbons sat out the presidential election two years ago, frustrated that Democrat Kamala Harris did not take a stronger stand against Israel’s war in Gaza and unable to bring himself to cast a vote for Republican Donald Trump.

That is not his plan this year.

The 33-year-old restaurant server in this eastern Pennsylvania town that once housed one of the world’s largest steelmakers is eager to vote for any Democrat he can in November. As the war with Iran that Trump initially said would last weeks surpasses six months on Friday, Gibbons is feeling the fallout every time he fills his tank at nearly $1 per gallon more than last year.

“The price of gas affects the price of everything and the price of everything’s up and my pay hasn’t gone up,” he said. “I’m doing blue no matter who this time.”

The Iran war has reshaped the rapidly approaching midterm elections, undermining Trump’s campaign pledge to steer clear of foreign conflicts and challenging Republicans who would rather focus on their tax cuts as they cling to narrow majorities in Congress.

While the president’s supporters are undeterred, the war’s unpopularity and economic ripple effects could tilt the scales in tightly contested U.S. House districts like the one in Bethlehem, where Republican Rep. Ryan Mackenzie is one of this year’s most vulnerable incumbents.

Midterm elections are always difficult for the party in power in Washington. But interviews with voters around the country show how a war that Trump expected to end with a swift victory could undermine the final years of his presidency.

Many U.S. adults say the war has not been worth fighting

About two-thirds of U.S. adults say the war with Iran has not been worth fighting, according to a July poll from The Associated Press-NORC Center for Public Affairs Research. That includes the vast majority of Democrats and independents, as well as more than one-third of Republicans.

Although Trump has long criticized Iran’s leadership, he did little to prepare Americans or allies for such a lengthy conflict. Republican President George W. Bush, for instance, spent more than a year making a case for launching a war in Iraq through speeches and attempts to build an international coalition. Trump did none of that.

Trump has refused to acknowledge the war’s cost, saying this month he would “never apologize” for higher prices stemming from it and insisting he did “the right thing” to prevent Iran from obtaining a nuclear weapon. His administration announced new sanctions this week in an attempt to further isolate Tehran.

In Congress, Republicans have shifted from initially cheerleading Trump’s moves in Iran to expressing concern about the toll of the war. But the party has largely unified to block measures that would curb Trump’s war powers and leaders have shown no interest in cutting off money for the war, preferring to portray Democrats as extremists who cannot be trusted to govern.

Democrats who were blamed just two years ago for presiding over high prices see an opportunity to turn the issue back on their opponents. As part of his comeback U.S. Senate bid in Ohio, Sherrod Brown released an ad this week filmed at a gas station as he said “the cost of gas is out of control and we’re the ones paying for it.”

Speaking to a group of older adults recently in a Republican-dominated swath of western Maryland, Democratic U.S. Sen. Angela Alsobrooks blamed higher prices on the war. Heading into November, she encouraged fellow Democrats to stay focused on the war’s impact and what it says about Trump’s leadership.

“We ought to be saying what is obvious, which is our country is heading in the wrong direction,” she said in an interview.

That resonates with voters such as Brandon Bane, a fast-food worker in Bakersfield, California, where Republican Rep. David Valadao is also in a competitive congressional race. Bane, who described himself as a political independent, said he often has to balance paying rent and groceries, noting high gas prices have only added to the challenge.

“It hasn’t been worth it at all,” he said of the war, adding that he plans to vote for Valadao’s challenger, Democrat Randy Villegas.

Melissa Wegman, a Democratic retiree who is also from Bakersfield, said she was shocked when the pump recently whirled to $128 to fill the tank on her SUV.

“I have to manage a budget,” she said.

Some voters are sticking with Republicans

But there is a risk, too, that the war does not provide Democrats with the political boost they are expecting.

While there is plenty of frustration about prices, there are also voters willing to make adjustments without blaming Republicans. Many remain aligned with Trump and are not interested in seeing Democrats return to power.

North Carolina is a top pickup opportunity for Democrats hoping to flip a U.S. Senate seat. But at the State Farmers Market in Raleigh, North Carolina, Lucienda Lowe of Sugarloaf Orchards said her faith in Trump is solid.

“There has to be a reason why they’re over there,” she said. “They wouldn’t be over there doing that if there wasn’t something more going on than what we’re seeing.”

She has not raised her prices on apples even as fuel and fertilizer costs soar. Her family has been farming since 1846 so she feels resilient to weather the next rough patch and tells others to do the same.

“Suck it up, buttercup,” she said.

Similarly in Iowa, where Democrats are bullish on their prospects of flipping everything from a U.S. Senate seat and the governor’s mansion to several U.S. House races, Larry Cole said higher gas prices as a result of the war are just the “nature of the beast.”

The 66-year-old Republican service manager from Perry, Iowa, said he will back Republicans in this midterm elections and does not want to see Democrats gain control in either chamber. He said Trump has taken action that other presidents were not willing to do to keep Iran in check.

Trump “hit them where they need to be hit,” Cole said.

Mark Duffy, 65, of Scottsdale, Arizona, said he did not expect the Iran war to go on as long as it has, but it has not had material effects on his life.

“I didn’t think it would go this long,” said Duffy, who retired a year ago from his career selling electronic components. “I don’t think anybody did, but now the next wave is the economic sanctions, so we’ll see if that works and maybe that is a way for other people to join.”

For others, the war has only reinforced a sense that neither political party is responsive to the needs of voters.

As he left a tattoo parlor in Ashland, Virginia, 26-year-old Evan Mise said he feels the increase in gas prices and worries about whether his mom will be able to retire or whether he will someday be able to.

But he had not decided whether to support Democrats or Republicans in November.

“I feel like our government is pretty corrupt through and through,” he said. “It’s kind of just a sit-back-and-watch thing. And I think my generation especially feels helpless.”

Catalini and Sloan write for the Associated Press. Sloan reported from Washington. AP writers Allen G. Breed in Raleigh, N.C., Michael R. Blood in Bakersfield, Sarah Rankin in Ashland, Va., Jonathan J. Cooper in Scottsdale, Ariz., and Hannah Fingerhut in Des Moines, Iowa, contributed to this report.

After an outcry from immigrant and civil rights advocates over plans to equip immigration officers with gloves capable of delivering electric shocks, California lawmakers on Thursday unveiled a bill that would ban the use of shock gloves by any law enforcement agent in the state.

The gloves deliver can an electrical shock strong enough to drop a strong man to his knees in an instant, and proponents say the gloves provide a fast and non-lethal way to subdue a person.

Two weeks ago, the Associated Press reported that the Department of Homeland security planned to use $10 million to $20 million to procure the gloves from Compliant Technologies of Lexington, Ky., for Immigration and Customs Enforcement agents. The department defended its decision, saying it was “made with careful consideration” and that other law enforcement agencies in the country already use the technology.

Civil rights organizations including the American Civil Liberties Union accused the department of attempting to intimidate the public by arming agents with another use-of-force option. They noted that ICE already is contending with criticism for multiple deaths in custody and during arrests.

Assembly Bill 2760, authored by state Assemblymember LaShea Sharp-Collins (D-San Diego), would prohibit local, state and federal agencies from possessing, using or procuring electric taser gloves in the state or with state funds.

“We cannot spend state money or tax dollars on technology that is not to better our state,” Sharp-Collins said during a news conference with other lawmakers in Sacramento. “It cannot be used on our children, it cannot be used on our teachers, our business owners, it cannot be used on anyone.”

The CTG-5 G.L.O.V.E — standing for Generated Low Output Voltage Emitter — resembles a thick work glove and can be activated to emit a 380-volt shock upon contact with a body. Compliant Technologies has maintained that the gloves are weaker than traditional tasers, but critics say they can be life-threatening in the hands of ICE.

“Many people try to say weapons like this are about de-escalation, but I don’t know how many people have put hands on someone and said that’s de-escalation,” state Assemblymember Alex Lee (D-Alameda) said. “There’s already a spectrum of non-lethal, less-than-violent weapons out there that exists… ICE and law enforcement don’t need another tool.”

The gloves have been adopted in detention centers, law enforcement agencies and jails across the country, though apparently none in California. Last week, AP reported that Omaha police agreed to stop using the shock gloves after parents realized they’d been adopted by departments that monitored schools.

Sharp-Collins said she prepared the legislation in consultation with the state attorney general’s office and legislative council to ensure it would withstand a challenge from the Trump administration if it became law.

The Senate voted 30-9 on Monday to approve a rule change that would allow for the bill to pass quickly before the end of the legislative session on Aug. 31.

UCLA is proceeding as though it landed a massive gift this week, with 2025 Sun Belt Player of the Year Trent Hendrick joining the Bruins for practices Monday and Tuesday.

Hendrick is among 16 players who sought a Louisiana temporary restraining order allowing them to return to college after entering the NFL draft pool, arguing they would not have left had they know NCAA rules would change granting them an extra year of eligibility.

The temporary restraining order was granted last week, but the Big Ten voted on Tuesday to pass a new rule that prohibited football players who have signed a professional contract, were on a professional roster at any point or declared for the NFL draft as an underclassman without withdrawing, from maintaining eligibility for athletic competition.

Hendrick, however, did not sign a contract, never earned a spot on a roster and didn’t declare for the draft as an underclassman.

Linebacker Trent Hendrick participates in a drill during the Cleveland Browns’ rookie minicamp on May 8. Hendrick is now poised to play for UCLA.

(Sue Ogrocki / Associated Press)

“We support the Big Ten’s adoption of the new professional football players rule and understand the importance of having clear and consistent eligibility standards across the conference,” UCLA athletic director Martin Jarmond said in a statement on Tuesday. “We have been in communication with the Big Ten throughout this process, and our student-athletes are eligible under the guidelines adopted today. We are excited to turn our full attention to the upcoming season and our opener [versus] California on Sept. 5.”

It is unclear whether anyone will contest the Louisiana temporary restraining order.

For now, Hendrick is quickly getting up to speed in a system he learned while competing under head coach Bob Chesney and defensive coordinator Colin Hitschler last season at James Madison.

Chesney was excited on Monday to welcome Hendrick to Westwood. Hitschler told reporters Tuesday he, too, was pleased to see Hendrick on the UCLA roster.

James Madison’s Trent Hendrick tackles Washington State’s Maxwell Woods during a game on Nov. 22.

(Brien Aho / Getty Images)

“We had a lot of fun together last year and I think he did a great job where he was,” Hitschler said. “I’m glad he got the opportunity for himself to hopefully continue to play college football here. What a special opportunity for him and let’s make the most of it.”

Both coaches said they faced competition to land Hendrick after last week’s restraining order was granted.

“He’s a really good player,” Hitschler said. “He made a lot of plays for us last year and he loves the game. … Awesome kid, loves the game, loves the work, loves the grind, you know, and he’s talented.”

Can a player who joined a roster less than two weeks before the season opener be ready to play immediately? Hitschler thinks so.

“Trent’s a kid that stays ready,” Hitschler said. “He was begging for an opportunity to get a tryout in the league. Just another opportunity to maybe get it. So he was working out, he was in great shape. He’s a kid that lives, eats and sleeps football and God blessed him with an opportunity here, let’s see what he can make of it.”

The Big Ten is holding schools accountable for compliance with its rule and told the Associated Press restrictions in other sports such as basketball could follow.

A head football coach who plays a former pro will be suspended 50% of the season and his school will be fined, the Big Ten confirmed to the AP on Tuesday.

The topic is a hot one around college athletics. Wake Forest athletic director John Currie, chairman of the Atlantic Coast Conference athletic directors group for the upcoming season, said his colleagues planned to discuss the issue Wednesday.

“I don’t think anybody in our league likes the idea of taking away opportunities from existing college students and graduating high school players, which is exactly what is happening when a school signs a player out of an NFL camp to their team,” Currie wrote in a text message to the AP.

Duke coach Manny Diaz said the Power Four conferences need to present a unified front. The Big 12 and Southeastern Conference have not announced steps, though the SEC ripped the potential for pros back in college in a statement late Monday.

“I think you’ll see more leagues start to govern themselves since we’re having such a hard time finding it at a national level,” Diaz said. “I think everyone understands it’s absolutely absurd. We can enjoy the fact that the players can benefit financially from playing in college now. At the same time, recognize the ultimate truth that we’re not a professional sports franchise. We are a collegiate, scholastic school activity, and we’ve got to rein that in.”

Agent Drew Rosenhaus told the AP on Monday that former Mississippi tight end Dae’Quan Wright had been waived by the Cleveland Browns and, if he clears waivers, will join Lane Kiffin’s roster at Louisiana State. Wright played two seasons for Kiffin at Ole Miss.

Wright was among a group of players who sued in a Louisiana court, saying the new NCAA rule granting five years of eligibility to most athletes should apply to him and others who were not “grandfathered” into the rule, which did not include the high school Class of 2022.

“Over 100 athletes in multiple sports were cleared and said you could go play. That’s a court order,” Kiffin said Tuesday on “The Pat McAfee Show” on ESPN. “If you think back on all the different court orders of great players that were granted — whether that’s Diego Pavia or, now, Trinidad [Chambliss] that were allowed to play a sixth year, we followed all court orders. I think you get into a really interesting situation as a conference if you’re now saying, ‘Well, we’re not going to follow this court order.’ These kids that a court says can go anywhere, we’re going to say, ‘No you can’t.’”

The situation has drawn sharp criticism among coaches in college and the NFL. Rams coach Sean McVay said reversing the college football-to-NFL pipeline was mind-boggling.

“I don’t know enough about it, other than the fact guys that can be in NFL camps, if it doesn’t go down for them, they can go back to college,” McVay said. “I mean, I feel like I took a freaking gummy. I don’t even understand it. It’s true. I mean, looking at this stuff, I’m like, surely that’s not real. But I just try to stay in my lane. But I would say it’s very unique and it’s very different.”

Correspondent Jordan Puente and the Associated Press contributed to this report.

Marc Guehi (Man City): I’ll have Guehi in as my holding midfielder. He should have scored two against Bournemouth because he missed a massive chance before he ended up scoring. But he got the equaliser and offered a lot more of a calming presence than City’s £116m record signing Elliot Anderson – Guehi controlled the game a little bit more.

Vitaly Janelt (Brentford): He is one of those big, powerful and dominant players who does the basics really well. He mixed that with a goal against Spurs and you don’t really speak about him, but he was always the one breaking up play and doing the horrible things really well.

Christos Tzolis (Arsenal): A lot of people are talking about Arsenal and how they’re great. That is absolutely true. And so is the bit of business they did bringing this young man in from Club Brugge. So many goals and assists he brings to the team, but also a calming influence and tenacity as well. Look at Gabriel Martinelli, Leandro Trossard, he feels to me like both of them in one. He has a lot more output than those guys. He’s going to be a beast for this year.

Anthony Elanga (Newcastle): Last season I though he was treated poorly by Eddie Howe because he was one that kept being put on the bench, being introduced late or would be the first one to come off. But he showed in a new formation, under a new manager and somebody who believes in him that he can use his pace and power. As a result he looks like a completely different player and he looked happy. He ran past Milos Kerkez like he wasn’t there despite the Liverpool left-back having a five-yard start and produced an unbelievable finish for his goal.

Cole Palmer (Chelsea): One we were all talking about, and should’ve gone to the World Cup with England. Feels like he’s got a point to prove, feels like he’s been working hard. The injuries from last year skewed everyone’s vision. This is going to be a breakout season for him. Everything he did was positive. Ran forward with pace, looked like he could move. He had those issues with the groin but now he’s chopping and turning.

Chargers running back Omarion Hampton is a serious breakout candidate entering his second season in Los Angeles.

“I would say he has, from the first day that we’ve gotten on the field … had as much, if not the most, growth as any player,” offensive coordinator Mike McDaniel said earlier in training camp. “And that’s because … this guy’s completely obsessed and focused. His tracks and the urgency in which we’re trying to get him to start the play has been phenomenal.

“Nobody wants to tackle that guy. That is a massive human moving very fast. The less we can get him to stop his feet and do what we call ‘slash’ and pick edges of defenders and shoulder-punch them, the better. I’m very confident, and it’s very exciting, what he’s doing each and every day.”

Hampton, the No. 22 overall pick in the 2025 draft, flashed his skills as a rookie. The 6-foot, 220-pound North Carolina product gained 737 yards from scrimmage and had five touchdowns in 156 touches — 124 rushes and 32 receptions.

Hampton would’ve done more if not for deflating injuries that limited him to 10 games. He fractured his left ankle in a Week 5 loss to the Washington Commanders and injured his other ankle in a Week 17 loss to the Houston Texans.

The past is the past, though.

“Looking forward to next season, putting everything I can into treatment, everything I can to get back to 110%,” Hampton said of his offseason regimen. “I feel like I did that well. Couldn’t be more excited for next season.”

Entering the final week of preseason play, Hampton has looked better than ever.

His speed and agility remain electric despite the ankle injuries. The hands are still reliable. And, maybe most importantly, picking up the playbook hasn’t been a problem.

“All the running backs, really, I feel like it’s going to benefit us a lot,” Hampton said of the offense. “We know [McDaniel] loves to run the ball, so we couldn’t be more excited.”

Chargers running back Omarion Hampton gained 737 yards from scrimmage last season and scored five touchdowns in 10 games, missing seven because of injuries to both ankles.

(Gregory Bull / Associated Press)

Added head coach Jim Harbaugh: “Man of few words. [Hampton’s] got places to be and things to do. When I do have a conversation with him, I see a smile. And when I watch the tape, I smile. I think [McDaniel’s offense] fits him great. … Big year for Omarion.”

Where Hampton has really stood out, though, is with his ability — in the words of the iconic Marshawn Lynch — to run through faces.

“[McDaniel’s] just saying, if I run full speed, it’s going to be hard for [defenders] to tackle me,” Hampton said.

Although Hampton, a certified starter, only played in the Chargers’ opening series in Thursday’s preseason loss to San Francisco, he made waves in the two teams’ joint practice on Tuesday by bulldozing several 49ers defenders.

Hampton arguably made the play of the day when putting 49ers safety Ji’Ayir Brown on his back during a big run.

“He’s incredibly tough,” Chargers quarterback Justin Herbert said of Hampton after that joint practice. “He leads by example. He doesn’t say much, but what he does on the field is so loud, and guys respect him.

“It’s so cool to hand him the ball and see what he’s able to do because he’s an incredible athlete and an incredible competitor. I’m glad he’s on my side of the ball.”

The Chargers’ running back corps, led by Hampton, also features trustworthy options in veterans Keaton Mitchell and Kimani Vidal.

Although McDaniel’s offenses usually feature eye-popping aerial attacks, he also loves to run the ball. The trio of running backs should see plenty of carries, particularly with opportunities for big-chunk gains.

“Top to bottom, guys are legit,” Vidal said. “Everyone’s here for a reason. … Everyone knows about Omarion and Keaton. I think all guys can contribute at some point during the season.”

McDaniel teased reporters when asked about Hampton’s expected usage, apologizing to fantasy owners for his inability to declare the running back the bell cow because of their other options he has to work with.

Make no mistake, though, Hampton’s the guy.

He’ll be a critical part of the Chargers’ offense and a major factor in determining whether the franchise can get over the playoff hump.

“There’s a lot of small things that go into it,” Hampton said. “But I feel like the more you do it, the more you get comfortable with it. I feel like now, I’m at a more comfortable place with it.”

Hi, and welcome to another edition of Prep Rally. I’m Eric Sondheimer. The opening weekend of high school football provided some thrills and surprises. Let’s offer some observations.

Corona Centennial’s Quentin Hale makes one-handed catch against Servite on Aug. 20, 2026.

(Craig Weston)

In Las Vegas, St. John Bosco came out against Bishop Gorman looking overwhelmed on offense. The Braves suffered sacks, an interception, a fumble, erratic blocking, no ground game. They fell behind 21-0 and most thought the game was over. Then St. John Bosco came out of the locker room playing like a different team, rallying to tie the score 28-28 before losing 38-28. Here’s the report.

A couple of concerns for the Braves. They have a veteran secondary that surprisingly had communication issues, leaving running backs going out for passes uncovered. Also veteran quarterback Koa Malau’ulu rallied the team in the second half after struggling to throw the ball on the run. The defensive line produced little pressure, requiring lots of blitzing. Coach Jason Negro said everything is “fixable” but clearly the Braves have a lot more to prove.

Corona Centennial took care of its first of three games against Trinity League opponents, beating Servite 41-21. Quarterback Jaden Jefferson and receiver Quentin Hale picked up where they left off during their previous three years at Cathedral. Here’s the report. Next up is a home game Friday against Santa Margarita that’s a rematch of last year’s Division 1 final.

Crenshaw showed off a lot more offense than usual in winning its opener against a Palisades team that enjoyed its first home football game since the Palisades Fire in 2025. Here’s the report.

Santa Margarita coach Carson Palmer chose his son, Fletcher, to start at quarterback and he delivered in a 27-0 win over Orlando (Fla.) Jones. He threw two touchdowns. The Eagles showed off some promising freshmen, including linebacker Aydan Steen and receiver Kiyan Collins.

Sierra Canyon’s defensive line was as good as advertised in a win over JSerra.

Granada Hills Kennedy opened with a 42-14 win over Eagle Rock. That’s surprising since the Golden Cougars lost to graduation their do-everything quarterback Diego Fuentes. Matthew Quintanilla scored three touchdowns and blocked a punt that was returned for a touchdown.

Chaminade blanked Oaks Christian behind four sacks by Hudson Manning. But the Eagles didn’t have standout offensive tackle Jackson Hill, who has been lost for the season after knee surgery. He’s a Notre Dame commit.

Rancho Cucamonga demonstrated it’s another Inland Empire team to watch, grinding out a 28-14 win over Murrieta Valley.

Carson picked up one of the City Section’s best nonleague wins in several years by beating San Diego power Lincoln 35-31. Chris Fields III accounted for four touchdowns.

Jazmin Gamble, the only female head football coach in California, won her debut when Hawthorne defeated Gardena 26-20.

The San Pedro vs. King/Drew game was halted in the third quarter when fans and others thought there was a gunshot, leading to a scramble out of the stadium. Here’s the report.

Former Garfield coach Lorenzo Hernandez won his debut coaching Whittier, 49-6 over Temple City.

Here’s a look at top performances from last week’s openers.

Here’s the latest top 25 rankings by The Times.

Here’s the schedule for the upcoming week.

50 years and counting

Eric Sondheimer interviewing Donovan Dent at end of state championship in Sacramento March 2022.

(Nick Koza)

It’s my 50th year covering high school sports in Southern California, so I thought long and hard to present 50 moments in 50 years when I could have done 200.

Here’s the look.

Columnist Bill Plaschke took time out of his busy schedule and unleashed his beautiful writing skills, humbling me with a column that I never expected honoring high school sportswriters everywhere. Here’s the report.

Standout JSerra receiver Tessa Russell.

(Steve Galluzzo / For The Times)

Panorama pulled off the biggest upset of the week, defeating Eagle Rock in four overtimes.

No. 1 JSerra continues to win and win. Here’s the report.

Here’s this week’s top 10 rankings by The Times.

El Camino Real turmoil

There’s still no resolution involving multiple El Camino Real coaches escorted off campus while the school conducts an investigation as to why their CPR and first-aid cards weren’t showing up in the Red Cross database.

Brad Wright, president of the school’s governing board, said, “At this time, I believe it is important to allow the investigation to proceed and respect the process and the privacy of everyone involved.”

Here’s the report.

Notes . . .

Former Huntington Beach star Ralphy Velazquez had a three-home run game in the minors for the Guardians.

Standout receiver Gavin Honore has returned to Mater Dei after transferring to Bishop Gorman….

Baseball coach Michael Gonzales of South El Monte has resigned….

Brody Brooks (Loyola) and Mattias Di Maggio (Dos Pueblos) are part of a final group of 32 baseball players trying to make the USA 15U national team….

Elijah Menzies is the new girls basketball coach at Villa Park. Brad Willis has taken over the boys program….

Addison Archer, who averaged 26.6 points as a freshman at Rancho Christian, has transferred to Mater Dei. The Monarchs also have freshman Janai Turner, the daughter of former Beverly Hills boys coach Jarvis Turner. She is highly regarded….

Junior pitcher Christian De La O of Corona Centennial has committed to UCLA….

Royal football coach Adam Brubaker is no longer coaching the team after a video surfaced that showed him kicking a football into the groin area of a player during practice. Here’s the report. Royal defeated Monroe 62-0 with an interim coaching staff on Friday…

A federal judge has dismissed a lawsuit for a second time filed against the CIF seeking to change transfer and NIL rules. Here’s the report.

From the archives: Jeff Engilman

Former Sylmar High footbal coach Jeff Engilman in 2000.

(George Wilhelm/ Los Angeles Times)

Jeff Engilman is long retired but never forgotten. He was old school, his face turning bright red when chewing out players. He was head coach at Sylmar, Arleta, Grant and Manual Arts. He won two upper division City Section titles at Sylmar. He won two City titles at Manual Arts. Golden Valley coach Dan Kelley was his assistant for 15 years at Sylmar.

Here’s a story from 1987 talking about his Manual Arts days.

Here’s a story from 1992 explaining his passion.

He lives in Vazquez and keeps track of Kelley.

Recommendations

From the Los Angeles Times, an appreciation of Russell Westbrook after his retirement.

From the San Diego Union-Tribune, a look at the top 25 high school football players in San Diego.

From the Los Angeles Times, a story on the demolition and plans for a new Veterans Stadium in Long Beach.

From the Los Angeles Times, a look at former NFL players taking to coaching high school football.

Tweets you might have missed

Until next time….

Have a question, comment or something you’d like to see in a future Prep Rally newsletter? Email me at eric.sondheimer@latimes.com, and follow me on Twitter at @latsondheimer.

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A UK airport is set to close for an entire day this week – with strikes having already caused chaos.

Norwich Airport in Norfolk will be closed on August 28 due to another air traffic control strike taking place at the airport.

As a result, the airport will not be able to operate across the day meaning all flights will be cancelled, as there will be extremely low staff numbers.

It comes as Prospect union announced the strike as part of an ongoing dispute over pay, terms and conditions.

Strike action started last Monday after the airport failed to make an offer to resolve the dispute, with several cancellations on Friday including Loganair flights to and from Aberdeen.

Strike action means that staff will work strictly to their contract, not work overtime, won’t swap shifts and will withdraw goodwill.

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In a statement on the airport’s website, it says: “Due to the 24-hour strike by Prospect union members in Air Traffic Control, Norwich Airport will be closed to air traffic on Friday 28 August and no flights will operate to or from the airport that day.

“Airlines have been informed. Passengers due to travel on Friday should check with their airline for the latest information about their flight and the options available to them.

“We apologise for the disruption and inconvenience this will cause to passengers.

“We remain firmly committed to resolving this dispute through constructive dialogue and will continue to engage with Prospect with the aim of reaching agreement.”

Destinations you can fly to from the airport include Faro, Malta, Alicante and Amsterdam.

Cancellations include a flights to Aberdeen, Corfu, Amsterdam, Alicante, Majorca and Dalaman.

David Avery, Prospect National Secretary for Aviation said: “It is extremely disappointing that we have still not received an acceptable offer from Norwich Airport, which has left us with little choice but to push ahead with this industrial action.

“Our members in air traffic control are not making unreasonable demands, they are simply asking for pay levels and terms and conditions that are normal for their colleagues across the country.

“We hope that the employer can quickly return to the bargaining table with an improved offer that will enable this dispute to be resolved without the need for strike action.”

Final voting for the 78th Emmys is now underway, which means The Envelope is bidding adieu to the TV awards season — and already gearing up for the film one.

This year, I’ll be in Venice while columnist Glenn Whipp heads to Telluride and movies editor Joshua Rothkopf leads our team at the Toronto International Film Festival. You can catch a daily roundup of our TIFF coverage, including exclusive photo and video highlights from our studio activation, right here in the Envelope Sept. 11-14.

Until then, enjoy highlights from this week’s issue below, and Glenn’s last newsletter of Emmy season on Friday.

Digital cover: Dakota Fanning

(David Urbanke / For The Times)

This week’s digital coverline is inspired by Dakota Fanning’s busy, busy schedule — with two Emmy-nominated shows, a film with sister Elle in the can, an Apple TV thriller in production and more — and, among her many credits, the one fans still bring up to her the most: “Man on Fire.”

“When people ask, ‘Do you even remember doing “Man on Fire”?’ I’m like, ‘Yeah, of course I do. What do you mean?’” she tells contributor Kara Warner of Tony Scott’s 2004 thriller, starring Denzel Washington as the bodyguard to Fanning’s 9-year-old kidnapping target. “I think about the memories with Denzel and with Tony, and getting to live in Mexico City for six months when you’re 9 years old is pretty spectacular.”

‘The Comeback’

(Christina House/Los Angeles Times)

For those of us who’ve been following the peaks and valleys of Valerie Cherish’s career since 2005, the end of “The Comeback” is bittersweet at best: While the series has achieved greatness by adhering to the old showbiz adage “always leave them wanting more,” I’d be happy to visit with the fictional actress for another two decades (or more).

There’s some solace, I suppose, in knowing creators Lisa Kudrow and Michael Patrick King feel the same way. In a moving essay for The Envelope, the pair share how the spirit of Robert Michael Morris, who played Valerie’s friend and hairdresser Mickey in Seasons 1 and 2, aided them during a crucial moment in production on Season 3. RIP, Mickey — and “The Comeback.” You are, and will be, sorely missed.

Viva Las Vegas!

Perhaps even more than Hollywood — and thanks in large part to Hollywood — Las Vegas is subject to cliched depictions in popular culture. But a new wave of Emmy-nominated series are showing a different side of Sin City,” writes contributor Whitney Friedlander.

“The Vegas we wanted to show and explore was Shyanne’s Vegas, which is so specific to her,” “Margo’s Got Money Troubles” director of photography Tari Segal tells Friedlander, referring to Michelle Pfeiffer’s character. “It would have that more aged, timeless quality of downtown Vegas, [and] it would have the income bracket of a Vegas that she would be comfortable in.”

More stories from our Aug. 20 issue

(Games at 7 p.m. unless noted)

THURSDAY’S SCHEDULE

CITY SECTION

Nonleague

Torres at Manual Arts

SOUTHERN SECTION

Nonleague

Arroyo Valley at Moreno Valley

Colton at Eisenhower

Compton at Orange Vista

El Toro at Marina

Fontana at Jurupa Valley

Glendora at Walnut

Grand Terrace ar Palm Springs

Indian Springs at Indio

Jurupa Hills at Hesperia

Los Alamitos at Huntington Beach

Los Osos at Citrus Valley

Miller at Citrus Hill

Norte Vidta at Rancho Christian

Patriot at Granite Hills

Perris at Redlands East Valley

Placentia Valencia at Santa Ana

Ridgecrest Burroughs at Adelanto

Rim of the World at Western Christian

Riverside Prep at Twentynine Palms

San Gorgonio at Corona

San Dimas at Chaffey

Sultana at Liberty, 7:30 p.m.

Sunny Hills at California

Vista del Lago at Hillcrest

Western at Villa Park

Woodbridge at La Palma Kennedy

INTERSECTIONAL

Fallbrook at Canyon Springs

Long Beach Jordan at Crenshaw

Mendez at Keppel

Orlando Bishop Moore at Palos Verdes, 6 p.m.

Sierra Canyon at Hollywood (Fla.) Chaminade-Madonna, 4p.m.

8-MAN

CITY SECTION

Nonleague

Stella at East Valley

INTERSECTIONAL

Animo Robinson at California School for the Deaf Riverside, 6 p.m.

Downey Calvary Chapel at Valley Oaks CES

New Designs Watts vs. Milken at Birmingham

Sherman Oaks CES at Sage Hill

FRIDAY’S SCHEDULE

CITY SECTION

Nonleague

Arleta ar Bernstein

Canoga Park at Hollywood

Carson at Dorsey

Cleveland at Reseda

Contreras at Los Angeles Wilson

Diego Rivera ar Santee

Franklin at Chatsworth

Gardena at South East

Jefferson at Van Nuys

Los Angeles Marshall at Fairfax

Legacy at Lincoln

Locke at Belmont

Manual Arts at Panorama

Marquez at Bell

Maywood CES at Fremont

Reseda at Cleveland

Sun Valley Poly at San Fernando

Venice at Granada Hills

Washington Prep at Roybal

Wilmington Banning at Huntington Park

SOUTHERN SECTION

Nonleague

Agoura at Westlake

Alemany at Sherman Oaks Notre Dame

Alta Loma at St. Francis

Aliso Niguel at Laguna Hills

Antelope Valley at St. Genevieve

Arcadia at San Gabriel

Artesia at Hacienda Heights Wilson

Azusa at Garey

Banning ar Redlands

Barstow at Serrano

Bassett at Hoover

Bellflower at Trabuco Hills

Bell Gardens at Bishop Montgomery

Big Bear at Glendale

Bishop Amat at Oak Hills

Bolsa Grande at Irvine University

Bonita at Diamond Ranch

Buena at Dos Pueblos

Buena Park at Westminster

Calabasas at Rio Mesa

California Military at Firebaugh

Camarillo at Moorpark

Canyon Country Canyon at Glendale

Cathedral City at San Bernardino

Century at Glenn

Cerritos Valley Christian at Mary Star of the Sea

Chaminade at Valencia

Channel Islands at Viewpoint

Charter Oak at Upland

Chino at West Covina

Coachella Valley at Rancho Mirage

Colony at Norco

Compton Centennial at Beverly Hills

Compton Early College at Magnolia \

Corona Santiago at Temescal Canyon

Costa Mesa at Estancia

Crean Lutheran at Mira Costa

Crespi vs. Golden Valley at Canyon Country Canyon

Cypress at Brea Olinda

Damien at Vista Murrieta

Desert at Lancaster Baptist

Desert Chapel at Whittier Christian

Desert Hot Springs at Xavier Prep

Desert Mirage at San Jacinto Valley Academy

Diamond Bar at Claremont

Don Lugo at Carter

Downey at Capistrano Valley

Eastvale Roosevelt at Summit

El Dorado at Fullerton

El Modena at Segerstrom

El Segundo at Northwood

Elsinore at Temecula Valley

Fountain Valley at Esperanza

Gahr at Cerritos

Ganesha at El Monte

Garden Grove at Garden Grove Pacifica

Hart at Newbury Park

Hemet at Tahquitz

Heritage at Kaiser

Highland at Apple Valley

Lakewood at Paramount

La Puente at Temple City

La Salle at San Marino

Leuzinger at Palmdale

Loara at Lakeside

Long Beach Wilson at JSerra

Knight at Crescenta Valley

Maranatha at Covina

Millikan at Loyola

Montclair at Burbank Burroughs

Montebello at Cantwell-Sacred Heart

Murrieta Mesa at Etiwanda

Newport Harbor at Lancaster

Nogales at Sierra Vista

Northview at La Habra

Norwalk at La Mirada

Oaks Christian at Rancho Cucamonga

Oak Park at Fillmore

Ontario at La Sierra

Ontario Christian at St. Anthony

Orange at Laguna Beach

Oxnard at Ventura

Pacific at Rubidoux

Peninsula at Ocean View

Portola at Irvine

Ramona at Arlington

Rancho Alamitos at Godinez

Rancho Verde at Anaheim Canyon

Riverside Notre Dame at Bloomington

Riverside Poly at Riverside North

Rowland at Baldwin Park

Royal at Carpinteria

San Marcos at Del Sol

San Jacinto at Riverside King

San Juan Hills at Chaparral

Santa Ana Foothill at Tustin

Santa Ana Valley at Katella

Santa Barbara at Corona del Mar

Santa Fe at El Rancho

Santa Margarita at Corona Centennial

Santa Monica at La Canada

Santa Paula at Grace

Savanna at Anaheim

Schurr at L:a Serna

Servite at Murrieta Valley

Silverado at Yucaipa

Sonora at Rosemead

South El Monte at Saddleback

South Hills at Ayala

South Torrance at Arroyo

St. Bonaventure at St. Pius X-St. Matthias Academy

St. Monica at Cathedral

St. Paul at Mission Viejo

Tesoro at Dana Hills

Thousand Oaks at Hueneme

Torrance at Redondo Union

Troy at Rio Hondo Prep

Westminster La Quinta at Pioneer

West Ranch at Bishop Diego

West Valley at Santa Rosa Academy

Whittier at Gabrielino

Workman at Mountain View

Yorba Linda at Long Beach Poly

Yucca Valley at La Quinta

INTERSECTIONAL

Aquinas at Boise (Idaho) Bishop Kelly

Bakersfield at Paraclete

Bakersfield Independence at Cajon

Beckman at Pleasant Hill College Park

Burbank at Las Vegas Centennial

California City at Silver Valley

Central at Palm Desert

Chino Hills at Oceanside El Camino

Eagle Rock at Monrovia

Eastside at Rosamond

Hawkins at Verbum Dei, 5 p.m.

Heritage Christian at El Camino Real

Inglewood at Austin Westlake (Texas), 5 p.m.

King/Drew at Culver City

Las Vegas Shadow Ridge at Simi Valley

Los Altos at South Gate

Los Angeles Hamilton at Gardena Serra

Los Ángeles Jordan at Santa Clara

Los Ángeles Roosevelt at Lawndale

Los Ángeles University at Brentwood

Lynwood at Dymally, 4 p.m.

Mayfair at Bullard

Muir at Henderson (NV) Pinecrest Academy Sloane Canyon, 6 p.m.

North County San Marcos at Great Oak

North Torrance at Narbonne

Orange Lutheran at San Diego Cathedral Catholic

Palisades at Harvard-Westlake

Palo Verde Valley at Shadow Hills

Pasadena at Granada Hills Kennedy

Philadelphia Roman Catholic at St. John Bosco

Phoenix (Ariz.) Pinnacle at Edison

Quartz Hill at San Marcos Mission Hills

Rancho Dominguez at Bosco Tech

Salesian at Mesa (Ariz.) Westwood

San Diego Lincoln at Oxnard Pacifica

Spanish Fork (Utah) Maple Mountain at South Pasadena

Sylmar vs. Saugus at College of the Canyons

Taft at Nordhoff

Temecula Prep at Tri-City Christian

Valley View vs. Sports Leadership & Management at Bishop Gorman

Victor Valley at Mater Academy East Las Vegas (Nev.)

Victory Christian Academy at Anza Hamilton

Village Christian at North Hollywood

Warren at Scripps Ranch

West Adams at Pomona

Westchester at St. Bernard

West Torrance at San Pedro

8-MAN

SOUTHERN SECTION

Nonleague

Chadwick at Faith Baptist, 4 p.m.

Mammoth at Flintridge Prep

Maricopa at Frazier Mountain, 6 p.m.

Thousand Oaks Hillcrest Christian at Entrepreneur

Vista Meridian at Calvary Baptist

INTERSECTIONAL

St. Jeanne de Lestonnac at Fulton, 3:30 p.m.

SATURDAY’S SCHEDULE

SOUTHERN SECTION

Nonleague

Webb at Duarte

INTERSECTIONAL

Mater Dei vs. Orem (Utah) at Salt Lake City West

8-MAN

INTERSECTIONAL

Lucerne Valley at San Luis Obispo Classical, 2 p.m.

South L.A. College Prep at Pasadena Poly, 11 a.m.

I’d like to pen an ode to the once-L.A.-based artist Mel Kadel on the occasion of the release of her first coloring book for women and girls, published by Secret Headquarters in Atwater Village. Titled “Dream Drops,” the detailed hand drawings allow blossoming artists to participate in Kadel’s elaborate, imaginative world of fragile, brave, timid, hopeful, brash, adventurous women — characters she’s drawn for decades now.

I first met Kadel more than 25 years ago when I moved to L.A. from Boston with my then-up-and-coming indie rock band called the Movies. The band moved into a two-bedroom triplex in Silver Lake that cost $845 per month and immediately fell in with a ragtag group of iconoclastic and wildly talented artists including Kadel, photographer Alex Prager, painter America Martin, artist Mercedes Helnwein and bands and musicians such as the Silversun Pickups, Jimmy Tamborello, the Jealous Sound, Earlimart, Radar Bros. and Irving.

Kadel and her then-partner Travis Millard — another prolific and accomplished artist — lived in a cabin near the wild mountainy edges of Echo Park, and friends would gather there to draw, drink and make music. Kadel always had her head bent over her work, page after page of detailed line drawings that later appeared on friends’ bedroom and living room walls and sometimes on fliers for shows at Spaceland or the Silverlake Lounge.

It was Kadel who encouraged many of us to try our hand at creating art, and she once staged a group show at an Echo Park record shop called Sea Level that was owned by a friend of ours. I painted a self-portrait on a piece of wood for the show that still hangs on my wall today.

Kadel created the album cover for the Silversun Pickups’ debut EP, “Pikul,” which was released on Dangerbird Records in 2005, and later, after the band and the label soared to new heights, she covered Dangerbird headquarters near Sunset Junction in Silver Lake with a building-sized mural featuring her otherworldly woman clad in blue stripes with forever flowing flowered hair.

In many ways it is Kadel whom I credit with opening a young me up to the magical world of art and the ideas that flow from it — Kadel and those early L.A. friends, many of whom I no longer see regularly, but whose accomplishments I relish in when they come to my attention. Which is just what I did when I saw that Kadel had released her coloring book — a project that she has worked on (no doubt in the same intentional, intense way that she always has) for the past year.

I’m arts editor Jessica Gelt, glad for what was and looking forward to what will be. This is your arts and culture news for the week.

The week ahead: A curated calendar

FRIDAY

Eleanora Owen in “Being Piaf.”

(Doug Engalla )

Being Piaf
Written and performed by Eleanora Owen, this solo theatrical piece explores the life and songs of French singer and lyricist Edith Piaf. Directed by Tim Byron Owen.
8 p.m. Fridays and Saturdays; 4 p.m. Sundays; through Aug. 30. Odyssey Theatre, 2055 S. Sepulveda Blvd. odysseytheatre.com

Green Corridors
The West Coast premiere of Natalka Vorozhbyt’s darkly humorous drama about the plight of four Ukrainian women — refugees from the full-scale Russian invasion in 2022. Translated by John Freedman with Natalia Bratus. Directed by Frédérique Michel and produced by Charles A. Duncombe.
8 p.m. Fridays and Saturdays; 4 p.m. Sundays; through Sept. 27. City Garage Theater, Bergamot Station Arts Center, 2525 Michigan Ave T1, Santa Monica. citygarage.org

Tercera Raíz
The contributions of the African diaspora to Mexican culture are celebrated with dance and mariachi music. Produced in partnership with Grandeza Mexicana Folk Ballet Company.
8 p.m. The Ford, 2580 Cahuenga Blvd. East. theford.com

SATURDAY

New–Music Game Night!
Brightwork Ensemble and People Inside Electronics present an evening of game-inspired works by Cristina Lord, Isaac Schankler, Siobhán Dougall and Richard An, and audience participation.
8 p.m. Sierra Madre Playhouse, 87 W. Sierra Madre Blvd. sierramadreplayhouse.org

SUNDAY

Eileen Cowin: Between Panic and Paradise
The Los Angeles–based photographer and artist’s 50-year career has produced visual narratives that incorporate cinema, literature, poetry and painting, erasing the boundaries between fiction and nonfiction.
Through Jan 3, 2027. Los Angeles County Museum of Art, 5905 Wilshire Blvd. lacma.org

Jamar Gilbert and Amber Liekhus in “Ma Rainey’s Black Bottom” at a Noise Within.

(Daniel Reichert)

Ma Rainey’s Black Bottom
A Noise Within opens its season with the seventh of the 10 plays in August Wilson’s Century Cycle to be produced by the company. Amber Liekhus stars as an iconic blues singer during a tempestuous recording session in 1927 Chicago. Directed by Gregg T. Daniel.
Previews, 2 p.m. Sunday; 7:30 p.m. Wednesday-Aug. 28; Aug. 29-Sept. 20. A Noise Within, 3352 E. Foothill Blvd., Pasadena. https://www.anoisewithin.org/play/ma-raineys-black-bottom/

TUESDAY

Beethoven’s Fifth with Anna Handler

Da-da-da-DUM. The Los Angeles Philharmonic’s incoming conductor-in-residence leads the orchestra in one of classical music’s most iconic pieces, along with the composer’s rarely heard Triple Concerto and the U.S. premiere of Grace-Evangeline Mason’s “Ablaze the Moon.”
8 p.m. Hollywood Bowl, 2301 N Highland Ave. hollywoodbowl.com

Jeff Goldblum and the Mildred Snitzer Orchestra will play Blue Note LA on Tuesday and Wednesday.

(Blue Note LA)

Jeff Goldblum & the Mildred Snitzer Orchestra
As they’ve been doing for three decades, the actor-musician and his band perform contemporary arrangements of classic jazz and American Songbook standards.
7 and 9:30 p.m. Tuesday and Wednesday. Blue Note Los Angeles, 6372 Sunset Blvd. bluenotejazz.com

Looking West: How the Myth of the Western Frontier Got Its Start
Muse/ique takes a deep dive into the legends and reality of the American West through classic Hollywood film scores, folk songs and contemporary compositions that reclaim the era’s diversity. Led by artistic and music director Rachael Worby with Damon Daunno, Raye Zaragoza, Glynn Turman and Muse/ique Orchestra.
7:30 p.m. Tuesday and Wednesday. The Huntington, 1151 Oxford Road, San Marino; 3 pm. (premium RSVPs only) and 7:30 p.m. Aug. 30. Skirball Cultural Center, 2701 N. Sepulveda Blvd. muse-ique.com

WEDNESDAY

California African American Museum
The museum augments two of its ongoing shows with special events. On Wednesday, Justen LeRoy of Art + Practice offers a curatorial walkthrough of “The Sound of Gordon Parks,” an immersive exhibition highlighting the sonic dimension of the photographer, composer, author, poet and filmmaker’s work. Thursday night, poets Pam Ward, Luis Rodriguez and Lynne Thompson share original work inspired by “A New Song: Langston Hughes in the West.”
Gordon Parks, 2 p.m. Wednesday; Langston Hughes, 7 p.m. Thursday. CAAM, 600 State Drive, Exposition Park. caamuseum.org

“Conscience” by playwright Joe DiPietro will have its L.A. premiere at International City Theatre in Long Beach.

(Justin Patterson)

Conscience
The Los Angeles premiere of Tony Award-winning playwright Joe DiPietro’s drama about pioneering politician Margaret Chase Smith, who famously challenged Joseph McCarthy’s tactics and was the first woman to serve in both houses of the U.S. Congress. Directed by Caryn Desai.
Previews, 7:30 p.m. Wednesday and Thursday; 7:30 p.m. Thursdays-Saturdays; 2 p.m. Sundays; through Sept. 13. International City Theatre the Beverly O’Neill Theater, 330 E. Seaside Way, Long Beach. ictlongbeach.org

THURSDAY

Rachmaninoff & Adams
Gemma New conducts John Adams’ “Short Ride in a Fast Machine,” ahead of Sergei Rachmaninoff’s Second Piano Concerto (with Jeneba Kanneh-Mason in her L.A. Phil debut) and Symphonic Dances.
8 p.m. Hollywood Bowl, 2301 N Highland Ave. hollywoodbowl.com

— Kevin Crust

Retrospective

L.A. Times arts coverage from the past …

Eisa Davis, playwright and actor, who appeared in Melissa Jane Gibson’s play “This” at the Kirk Douglas Theater in Culver City in 2011.

(Mel Melcon / Los Angeles Times)

A double life as actor, playwright

Aug. 14, 2011

“I’m in a play called ‘This.’ ”

“OK, what is it called?”

“No, no, it’s called ‘This.’ ”

“Yes? What? It’s called what?”

With a lighthearted laugh, Eisa Davis says she often encounters this response when revealing that she is in a new production of “This,” which recently opened at the Kirk Douglas Theatre. The perplexity may be fitting for the universe playwright Melissa James Gibson has created: a world of confusion in which close friends enter a vulnerable time of unforeseen circumstances testing their expectations — a time also known as middle age.

Davis’ work as an actor and a playwright has contributed to a textured career. She was a finalist for the Pulitzer Prize in drama in 2007 for her play “Bulrusher,” about a biracial orphan infant found in a basket and raised by a quiet schoolteacher. She went on to write and star in the autobiographical “Angela’s Mixtape,” which was among the New Yorker’s best plays of 2009. Other plays she has written include “Ramp,” as well as “The History of Light,” which is returning to the stage this fall in New Jersey. READ MORE

– Jasmine Elist

Culture news and the SoCal scene

Conservators examine “Portrait of Mai” by Joshua Reynolds at the Getty museum.

(Genaro Molina / Los Angeles Times)

A 250-year-old portrait by painter Joshua Reynolds recently arrived at the Getty and is being examined by conservators before going on view in its West Coast debut later next month. “The Portrait of Mai” was acquired by the Getty for $61 million in a rare joint purchase with the National Portrait Gallery in London and depicts a young, regal-looking Tahitian man who arrived in London with Capt. James Cook in 1774.

If you’ve seen the recent national tour of Disney’s “Beauty and the Beast” at the Hollywood Pantages Theatre, you may have wondered how on earth the actor playing the living chandelier Lumiere sings and dances for more than two hours while wearing lighted candles on both of his hands. The answer has arrived via this fun story written by Times contributor Jenelle Riley, who headed backstage during a recent performance to trail Danny Gardner as he donned the 7-pound props and went about the business of performing in the rigorous show.

The group show “To Share a Stomach” recently opened at the Brick in East Hollywood. Times contributor Sharon Mizota wrote a review that included her take on the unique and difficult-to-execute concept. The show was made manifest when 25 Iranian artists, working under challenging wartime conditions, sent instructions to artists counterparts in L.A. for how to create artworks using various levels of collaboration. Mizota found the results understandably uneven, but deeply touching and impactful.

The Kennedy Center’s National Symphony Orchestra performs at the Hollywood Bowl under musical director Gianandrea Noseda on Aug. 18.

(Carlin Stiehl / For The Times)

The newly homeless National Symphony Orchestra, whose fate has become uncertain as a court battle wages over whether or not the Kennedy Center will close down for two years, performed at the Hollywood Bowl earlier this week. Times classical music critic Mark Swed was there to watch, along with many effusive supporters of music director Gianandrea Noseda’s now wandering orchestra. Swed found the program lacking in imagination, but noted, “with its smooth strings, creamy brass, pungent winds and friendly percussion, Noseda’s NSO came across as a gracious orchestra meant to please, and, consequently, a seemingly marvelous anomaly in an otherwise divisive present-day D.C.”

Speaking of the Kennedy Center, last week proved a pivotal one for its fate. The Kennedy Center Board of Trustees voted late in the week to move forward with President Trump’s plan to close the building for renovations for two years. According to multiple news reports, the board also voted to inscribe Trump’s name on the building using the language “Restored and Renovated by President Donald J. Trump.”

Brett Littman has been named the new director and chief executive of the the Museum of Contemporary Art San Diego.

(Don Stahl)

The Museum of Contemporary Art San Diego announced earlier this week that it has appointed Brett Littman as its new director and chief executive. Littman is replacing Kathryn Kanjo, who left to become the new director of the UC Irvine Langson Orange County Museum of Art. Littman has previously served in a variety of leadership roles in the arts in New York City, including as director of the Isamu Noguchi Foundation and Garden Museum; executive director of the Drawing Center; and deputy director of MoMA PS1. He was also co-director of Dieu Donné Papermill and associate director of UrbanGlass. He will start at MCASD in early October as the fifth director and chief executive in the museum’s history.

The Perenchio Foundation has awarded a $2,040,000 grant to the Los Angeles Children’s Chorus, representing the largest grant in the Grammy-winning organization’s history. The 2026 General Operating Support grant, which aids many aspects of the organization’s programming and community offerings, will be distributed over three years, and arrives at LACC celebrates its 40th anniversary.

— Jessica Gelt

And last but not least

Here are 16 burger and drink deals for when you need an “adult happy meal,” from The Times food section. Who doesn’t?

Choose your own adventure: would you rather travel vicariously with Sean Duffy or Conan O’Brien as your guide?

“Great American Road Trip,” the reality series from the Department of Transportation starring Secretary Duffy and his family, finally launched this week on YouTube after months of delays. Originally set to premiere in June, ahead of the nation’s 250th celebration, it follows Duffy and his wife, Rachel Campos-Duffy, a co-host of “Fox & Friends Weekend,” and their nine children as they travel through seven states. While the couple has roots on MTV’s “The Real World,” their new TV venture doesn’t seem destined to have the same cultural impact. The six episodes of the series — as of publication time — have just over 14,000 views combined.

Meanwhile, over on HBO Max, O’Brien is back for more unpredictable cross-cultural exchanges with the return of his travel series. Now in its third season, “Conan O’Brien Must Go” follows the comedian and podcast host around the world as he interacts with fans and provides glimpses of everyday life abroad with his blend of improvisational comedy and an affinity for situations that embrace the absurd. The season kicks off with a trip to India, a major feat considering the show has faced years of permit delays related to a remote segment for “Late Night With Conan O’Brien” that aired in 2004. I spoke with executive producer and director Mike Sweeney about the latest stops in the show’s world tour.

Plus, our writers recommend two TV dramas that feature formidable women — one is a former city slicker solving mysteries in the Montana wilderness, the other is a detective trying to untangle a missing woman’s case while her personal life is falling apart.

But before I set you on your streaming way, I want to also share our guide to some of Hayden Panettiere’s most notable work. When news broke this week about her sudden death at age 36, it came as an extraordinary shock. Panettiere had been working in front of the camera since she was in diapers, appearing in commercials and, by age 4, making the rounds in the soap opera circuit. Like many millennials, my first exposure to her talent was in Disney’s 2000 sports drama “Remember the Titans,” where she (at age 10) played the spunky, football-loving daughter of a high school assistant coach — and delivered the line that helped signal the prep sport was bigger than Christmas in Virginia. Though her career was cut far too short, she was part of some memorable projects, including “Heroes” and “Nashville,” that are worth revisiting.

Her influence, though, extends beyond her screen work. In her appreciation of Panettiere, culture critic Mary McNamara wrote of the Panettiere’s candidness about her mental health struggles, which included bringing awareness to the realities of postpartum depression: “Panettiere spoke up when she could have remained silent. She called out a truth that has been too long ignored and gave millions of women a chance to ask for help. She might not have saved the world, but she threw a big part of it a lifeline.” — Yvonne Villarreal

Turn on

Recommendations from the film and TV experts at The Times

Tracy Spiridakos as Anna Pigeon and Paulina Alexis as Zoey Bear Child in “Anna Pigeon.”

(Michelle Faye / USA Network)

“Anna Pigeon” (USA Network)

This highly watchable, lightly addictive, woodsy episodic procedural dishes up meat and potatoes entertainment, or perhaps one should say “poutine,” given that almost all the talent involved is Canadian, as is the impressive scenery. Tracy Spiridakos (“Chicago P.D.”), just the right number of hairs out of place, plays Anna, a New York City stage manager turned federal park ranger after a personal tragedy. In Nevada Barr’s series of novels, the heroine works at a new park from book to book; here, we’re in Montana’s Glacier Park (it does run right up to Canada), the setting of the 2001 “Blood Lure,” with Anna apparently ready to stay put as long as the TV series lasts. (The first Pigeon novel, “Track of the Cat,” from 1993, informs the pilot, directed by Leah Thompson, not Canadian.) Missing persons, bank robbers, litterbug campers and an aggressive grouse bring the trouble. And murderers, of course. Community is a theme; there’s a handsome bartender for romance, a rich villain to hiss. There’s a talent show. The cherry on this sundae is Paulina Alexis, Willie Jack from “Reservation Dogs,” as Anna’s sidekick, enlivening the ensemble with her centered, serious, quietly humorous energy. — Robert Lloyd

Eve Myles as Annie Cassidy and David Morrissey as Michael Polly in “Gone.”

(James Pardon / Britbox)

“Gone” (Britbox)

Like many British murder mysteries, “Gone” opens in a picturesque portion of that green and pleasant land, in this case the rugby pitch of a stately boys school outside Bristol. Overseeing the home team is headmaster/rugby coach Michael Polly (David Morrissey) who has the mien and manner of a perpetually disappointed tyrant. When Polly’s wife, Sarah, cannot be found at the home they share with their adult daughter, Alana (Emma Appleton), it’s difficult to tell how he’s feeling, if anything. He certainly will not allow a missing wife to interfere with his task of molding boys into men, not with exams and a Very Important rugby final coming up. When he finally reports her absence to the police, it is pretty clear to everyone, especially Det. Sgt. Annie Cassidy (Eve Myles), that he knows more than he’s telling. But is it British reticence, or something more sinister?

Those accustomed to the speedy lab results and instant deductions of a standard police procedural may find themselves, at least initially, shouting out instructions and demands — how can the forensics report be so scanty? why is [fill in the blank] not brought in for questioning? But the show is, essentially, a psychological drama wrapped in a murder mystery. Anchored by splendidly counterintuitive performances by Morrissey and Myles, “Gone” will wrap up its case over six tense and twisty episodes. But the questions it raises — about the insidious power of abusive relationships, the complexity of human emotions and the peril of considering secrecy as protection — linger long after immediate justice is served. — Mary McNamara

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Conan O’Brien in a segment filmed in Morocco for Season 3 of “Conan O’Brien Must Go.”

(Team Coco / HBO)

As a member of the growing subgenre of celebrity travelogue, Conan O’Brien has cuddled with Javier Bardem in Spain, dressed up as Sigmund Freud in Vienna and faced off against a Muay Thai fighter in Thailand. The new season of “Conan O’Brien Must Go” has the frequent flier funnyman visiting India, the Netherlands, Morocco and the Philippines — meeting his international fans and testing how well his improvisational humor translates. I spoke with his longtime collaborator Mike Sweeney, co-writer and director on every episode, about this season’s locations and O’Brien’s SPF needs. — Y.V.

The series is a chance for Conan to interact with international fans, particularly those that have been on the podcast. Why do you think Conan’s style of humor travels so well?

He’s fearless. I think that helps. He genuinely loves people, and he has to make people laugh. He has to make people laugh all the time in the United States. And then if you put him in another country, he’s going to figure out how to get his laughs over there, even if no one speaks English. It’s literally like being thrown in a room where he’s got to find his oxygen, and he’s gonna find it by getting laughs everywhere he goes. I’m sure the fact we have a camera with us, people are curious. They tend to attract people who want to open up and play around. People can spot him from a mile away. That also helps. That’s another key to a good travel show — have a really tall orange-haired host.

The first episode is set in India. Things start with him trying to get on a crowded commuter train. What were some moments from that episode that stand out to you?

Yes, we wanted to go in the famous Mumbai commuter trains. Boy, the amount of red tape to get permission to even go down on the platform was crazy. We had to do it several months out. But we loved that [segment]. We loved playing street cricket. He had a young man teaching him, named Veer [Pandey], who was very funny and kind of dismissive of Conan, and that’s kind of Conan’s sweet spot.

Some countries have incredible restrictions — you might need permits to talk to people in the street, you’re dealing with curveballs. And a lot of what Conan does is improvised and you don’t want rules to get in the way. How how do you deal with that?

It varies from country to country. You get a feel for it early on and go, “Oh, we need figure things out far in advance here. You’re getting to a very important point, which is: How much red tape is there in each country? India — a ton. We knew that because we almost shot there in 2018 [for “Conan Without Borders”] and it fell through ultimately because of all this red tape. We knew we really had to have a running start with India. But the Philippines, they were pretty cool. Same with the Netherlands. You know what the big issue is nowadays? Drones, where they let you shoot with drones.

Conan O’Brien during a Bollywood segment in his travel series.

(Team Coco / HBO)

What’s it like doing a travel show as the current administration puts stress on international relations? Did you notice any shifts this season on how you were either received or what’s possible to get cleared because you’re an American show?

Not overtly. Nothing was represented as like, “Oh, you want to come shoot here? Well, we’ll teach you a lesson.” I’d say really surprisingly, it was business as usual in terms of getting permissions to shoot. What’s going on in the crazy United States really wouldn’t come up that much because the things we’re doing are apolitical, which is usually how we like to do it. It’s Conan connecting with people and, in a way, be a political statement because it comes down to respecting other cultures and wanting to learn about other cultures and bridging gaps that way.

There was that moment on the commuter train where a passenger rebuffs Conan by saying, “Fake a— liberal media.” And Conan just rolls with it.

Yes, it’s just like, “Oh, they they even have people calling stuff out like that over here.” It was almost like, “OK, I feel at home. Thank you.”

We all saw that Conan, famous for his red pompadour hairstyle, recently made headlines for a slick, oily hairdo, which was the result of a severe scalp sunburn. In the Morocco episode, there’s a sun-heavy segment. Were you worried about his scalp then? How much budget goes to Conan’s SPF needs?

He’s self-regulating because he has to be that way in California. He has to be that way on a cloudy day in Cape Cod. It’s just ingrained in him, his sun protection. I don’t even think about it. It was business as usual for him in Morocco.

What’s a show you’re currently obsessed with or recommending to people?

We loved “Widow’s Bay” [Apple TV], of course. I sound like everyone else, but also Katie Dippold is great. She was an intern at “Conan,” and I’ve seen her a few times over because we kind of lived near each other in Los Feliz. But she’s just delightful. We’re so happy for her, and plus that show was just amazing. And my wife and I dipped back into “Slow Horses.”

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Those who were at Dodger Stadium on a gorgeous Friday night seemed to be in for an all-nighter.

They have Tommy Edman to thank for getting home a bit earlier.

With two outs in the 10th, Kiké Hernández on third and Kyle Tucker on first, the second baseman hit a walk-off single against Pittsburgh Pirates reliever Gregory Soto, earning the Dodgers a 5-4 win.

“Yeah, it feels great,” Edman said. “We’ve kind of been struggling a little bit in those clutch situations, myself included, so it felt really good to come through.”

Edman entered the at-bat 0 for 3 and was seemingly on the verge of keeping the 200-minute game alive in an unfavorable way.

Soto, however, threw the same low-middle sweeper that Edman fouled off one pitch earlier, and the second baseman jumped on it the second time around, propelling the Dodgers (78-51) to four consecutive wins for the first time since late July.

“That’s something I really try to take pride in — leaving past at-bats behind me — and I think I’ve done a good job of that this year,” Edman said. “I think that’s something we do really well overall as a group, and that leads to coming through in big situations like that, putting past at-bats behind you.

“One of the best feelings after grinding for 10 innings,” he added. “We had a bunch of pitchers do a really good job today.”

However, the victory was tempered by the loss of center fielder Andy Pages, who was struck in the left hand with a Bubba Chandler pitch in the third inning. Manager Dave Roberts said X-rays showed a fracture and Pages is expected to be out at least four weeks.

Yoshinobu Yamamoto helped make sure the loss of Pages was not in vain.

The right-hander brought the urgency to the mound that the Dodgers were missing during an abysmal 5-11 stretch that ended with a sweep against the Colorado Rockies this week.

“I personally felt like today’s game is very important,” Yamamoto said. “We’re gonna have [Tarik] Skubal starting [Saturday], and I just wanted to maintain the momentum, which started in Colorado.”

Yamamoto surrendered two runs — both via singles from Pirates designated hitter Nick Gonzales — on five hits over 6⅓ innings, striking out nine and walking one.

“My stuff was pretty good today,” Yamamoto said. “I was feeling pretty good out there. So even after letting runners on the bases, I just tried to focus and then take it one hitter at a time.”

Chandler, meanwhile, exited after four innings. Max Muncy hit a two-run homer in the first, and Mookie Betts contributed a two-run single in the third.

The Dodgers, with a 4-2 lead, cruised into the eighth. But Kyle Hurt gave up a tying two-run homer to Oneil Cruz.

Dodgers pitcher Yoshinobu Yamamoto delivers against the Pittsburgh Pirates in the second inning Friday night.

(Gina Ferazzi / Los Angeles Times)

Matters looked grim for the Dodgers in the 10th when Evan Phillips found himself in a one-out, bases-loaded jam.

All was well, though, once Phillips got Henry Davis to ground into an inning-ending, 6-4-3 double play.

“That was great,” Roberts said of Phillips. “I know that he’s trying to kind of build as we’re going through this, and [it] hasn’t been smooth sailing for him and the success that he’s used to. But this is a big one. Big confidence builder for him … to strand those two runners was a big outing for him.”

Edman took care of the rest.

And for maybe the first time in weeks, the Dodgers appear to be inching back to their champion ways.

“I think our guys are kind of reinterested, you know, collectively,” Roberts said before the game. “So, that’s a good thing.”

Andy Pages sustains hand fracture

Dodgers center fielder Andy Pages gets hit by a pitch during the third inning against the Pirates on Friday night.

(Gina Ferazzi / Los Angeles Times)

Roberts said Pages sustained a fracture on the back of his left hand when he was hit by the 100-mph pitch It’s unclear if he will need surgery.

“Well, it’s just really unfortunate, obviously,” Roberts said. “It’s not season-ending. … So, I would expect him back, knowing him, on the earlier side. … I feel for him because he’s having such a good year.”

Roberts said Edman is an option to fill in for Pages in center field.

In a more positive development, Will Smith faced live pitching for the first time since June, and Roberts said that the plan is to activate the catcher during the first week of September.

“Today was a good day for Will,” Roberts said. “Taking at-bats. He’ll catch a couple bullpens today. He’ll do a couple more lives. … He still needs to get his legs back under him before we feel confident that he can take down a major league game and feel good coming out of it.”

Roberts added that Smith is “gonna play in the postseason” and that there is enough time for him to reach 100% strength.

Tyler Glasnow will likely be activated during the Dodgers’ upcoming trip to Atlanta.

“I just saw him. He had a great outing — his last rehab outing,” Roberts said. “I’m not sure which day we’re gonna pencil him in against the Braves, but if all of the things check out, it’ll be that [series].”

Ohtani will return to the mound at some point this season.

“It’s gonna happen,” Roberts said. “[Ohtani] threw another bullpen. … I think that there’s going to be a live or two, and then he’ll be on the mound. I just don’t know when we’re going to do that with the scheduling.”

Dalton Rushing is “pain-free” and close to facing live pitching, according to Roberts, but the catcher is “unlikely” to return to catching this season.

“I hope I’m wrong,” Roberts said. “But he’s determined to go through the process, the progression, the build-up and get back. And we’ll see where we’re at.”

Roberts didn’t rule out the possibility of Rushing being activated as a designated hitter down the line.

The Dodgers just can’t have some peace and calm, can they? Now, an owner is getting in on the fun with some controversy.

“Karen Bass decisively won the debate.”

She was “an assassin,” a “very skilled politician” who “made mincemeat of Nithya throughout the debate, both stylistically and substantively.”

If you think that assessment came from a Bass supporter, think again.

The words come from none other than Spencer Pratt, the erstwhile mayoral candidate, a Republican who routinely referred to Bass as Basura (that’s trash in Spanish) during the primary campaign.

There was no mention of Basura in Pratt’s Substack recap of Wednesday night’s debate before the Sherman Oaks Homeowners Assn. To be sure, his post was titled “Surviving the Dumb and Dumber Debate,” but even so Pratt praised the mayor’s performance against Councilmember Nithya Raman.

Not that he was thrilled by the prospect of four more years with Mayor Bass, however.

“A Karen Bass Mayorship is depressing,” he wrote. “A Nithya Raman Mayorship is terrifying.”

Pratt suggested Bass was borrowing from his own playbook, citing her comments saying street vendors shouldn’t be on the sidewalk outside restaurants and her call for the long-term involuntary hospitalization of people on the street who pose a threat to themselves. Bass herself said that backing involuntary hospitalization was a “controversial thing to say.”

Pratt didn’t respond to a text from The Times about whether he was considering endorsing the mayor in the runoff.

Bass is likely to welcome conservative voters during the Nov. 3 general election as she faces off with Raman, who is a member of the Democratic Socialists of America.

And it’s not just Pratt who seems to be leaning toward Bass from the right.

Rick Caruso, who ran against Bass in 2022, referred to her as a “very good partner” when he recently celebrated the reopening of his Palisades Village shopping center. He didn’t respond to a request for comment.

In The Heights

Raman traveled to Boyle Heights Monday to join activists calling for Lineage to leave the neighborhood after the devastating fire at the company’s warehouse in June.

It wasn’t Raman’s first visit to Boyle Heights since the blaze, but it was her first public appearance and news conference.

“Lineage shouldn’t be permitted to open this warehouse again,” Raman said to cheers from the crowd.

Bass followed suit Thursday, after Lineage blew past its own self-imposed deadline for cleanup.

They “do not deserve to rebuild,” Bass said in a statement, while also calling on city lawyers to pursue litigation, a lien and other legal options for cost recovery against Lineage. Bass had already ordered the company’s building permits delayed at the end of July.

Raman was joined at the news conference by Eastside Padres Contra la Privatización and the Alliance of Californians for Community Empowerment — a group that has endorsed her — to call for the closure of the facility.

Raman also called for Lineage to pay for Boyle Heights residents’ healthcare, for environmental testing, cleaning and relocation assistance, lost wages and more.

“Families and taxpayers should not be left with the bill when a corporation runs up the tab,” she said.

Raman’s news conference appeared to draw the ire of at least one council colleague, Ysabel Jurado — who represents Boyle Heights.

Jurado didn’t mention Raman by name, but after winning council support for a motion Wednesday continuing the state of emergency in Boyle Heights, she thanked her colleagues who called and texted before they “did a press conference about the issue.”

Jurado spokesperson Mason Santa Maria declined to say whether the remark was directed at Raman. Raman spokesperson Liz Garcia said Raman was invited to the presser.

Jurado, who has endorsed Bass, did not attend.

No shows at H&H

Raman has been outspoken about her removal from the chairmanship of the council’s housing and homelessness committee, suggesting she is being punished by Council President Marqueece Harris-Dawson for challenging Bass.

Harris-Dawson rejects that narrative, saying the committee needed a chair who can focus undivided attention on the crisis.

Raman doesn’t officially lose that post until the end of the month. So on Wednesday, she was still listed as chair of the committee’s 2 p.m. meeting. But she wasn’t there, and neither were two of her colleagues.

Councilmember Bob Blumenfield took the gavel instead, delaying the session until 3 p.m. in the hope that a third member would show up to join him and Councilmember Tim McOsker, giving the committee a quorum.

An hour later, Blumenfield came back.

“This meeting is going to have to be canceled for today,” he told the audience. “So I apologize for making you wait.”

Raman spokesperson Stella Stahl, in an email, said her boss already had other plans, with the Sherman Oaks Homeowners Assn. debate happening later that same day.

“At the time, Nithya was near Sherman Oaks and had pre-planned campaign activities in advance of the mayoral debate,” Stahl said.

Stahl said the committee had a “last-minute cancellation from a council member who was expected to attend,” but didn’t provide a name.

Jurado, who takes over as chair of the newly renamed homelessness and health committee next month, also wasn’t there. Her spokesperson said Raman’s team was told the previous week that Jurado had a personal matter and couldn’t attend.

Devyn Bakewell, a spokesperson for Councilmember Heather Hutt, said her boss let Raman know Wednesday morning that she would not make it to committee due to a family issue.

The committee won’t meet again until next month. Raman will remain on the panel.

State of play

— SHAM SURVEY: The Times broke the story of the faked poll in the Los Angeles mayor’s race that purported to show Bass leading Raman by around 12 percentage points. The poll was faked as a “social experiment,” according to Median Strategies Polling, the group behind the fake survey. The creator of the fake poll revealed himself to the Guardian on Thursday as 21-year-old Rahil Prakash.

— FLIP IT AND REVERSE IT: The Los Angeles City Council has rescinded camping bans on a dozen locations in Hollywood, Echo Park and Silver Lake at the urging of the area’s council member, Hugo Soto-Martínez, who called the bans ineffective in addressing homelessness.

— THE RUMBLE IN THE VALLEY: Los Angeles Mayor Karen Bass and City Councilmember Nithya Raman slammed each other Wednesday over their handling of homelessness, public safety and many other issues during the first face-to-face debate of the Nov. 3 election campaign.

— THE BEST LANE PLANS: A long-running dispute between cemeteries and bike-lane and safe streets advocates in the San Fernando Valley has escalated to become a campaign issue in the Los Angeles mayoral race.

— LIGHTS, CAMERA, INACTION: Despite improvements to the state’s tax incentive program, Los Angeles and California continue to struggle to keep movies, television series and even game shows from fleeing elsewhere. Production levels have failed to bounce back since the pandemic and the labor strikes by writers and actors, and they remain at historic lows.

— HEALTH WOES: Hundreds of Boyle Heights residents suffered health problems after a fire at a cold storage facility burned stubbornly for days, including respiratory infections, eye disorders and persistent cough, according to a new study.

QUICK HITS

• Where is Inside Safe? This week the mayor’s signature program was in Eunisses Hernandez’s district in Westlake, where it moved 37 people indoors from Ocean View Avenue and Lake Street.
• On the docket next week: After a Saturday meeting, the Democratic Socialists of America will vote next week on whether to endorse Raman for mayor.

Stay in touch

That’s it for this week! Send your questions, comments and gossip to LAontheRecord@latimes.com. Did a friend forward you this email? Sign up here to get it in your inbox every Saturday morning.

Welcome to Bunker Talk. This is a weekend open discussion post for the best commenting crew on the net, in which we can chat about all the stuff that went on this week that we didn’t cover. We can also talk about the stuff we did or whatever else grabs your interest. In other words, it’s an off-topic thread.

This week’s caption reads:

COLORADO SPRINGS, CO – MAY 11: At the interior entrance to the Cheyenne Mountain Complex headquarters for NORAD two military personnel exit the administrative area May 11, 2004 in Colorado Springs, Colorado. Constructed during the Cold War period in 1958, NORAD (North American Aerospace Command) was responsible for external air, missile and space defense. Since September 11, 2001, it now watches 7,000 aircraft per day within the US NORAD covers each aircraft’s flight pattern including contingencies for the US President’s flights and landings. NORAD coordinates with civilian authorities and works with the Pentagon, federal, state and local authorities. Canadian military officials make up 10-15 percent of NORAD’s 326 total staff. NORAD works with Department of Homeland Security (DHS) but is not part of DHS. The personnel work at 7,000 feet inside a granite mountain. Two 25-ton security doors seal the inside offices from any type of attack. NORAD has a self sufficient survival system with independent water and air supplies. (Photo by Robert Nickelsberg/Getty Images)

PRIME DIRECTIVES:

• If you want to talk politics, do so respectfully and know that there’s always somebody that isn’t going to agree with you. 
• If you have political differences, hash it out respectfully, stick to the facts, and no childish name-calling or personal attacks of any kind. If you can’t handle yourself in that manner, then please, discuss virtually anything else.
• No drive-by garbage political memes. No conspiracy theory rants. Links to crackpot sites will be axed, too. Trolling and shitposting will not be tolerated. No obsessive behavior about other users. Just don’t interact with folks you don’t like. 
• Do not be a sucker and feed trolls! That’s as much on you as on them. Use the mute button if you don’t like what you see.  
• So unless you have something of quality to say, know how to treat people with respect, understand that everyone isn’t going to subscribe to your exact same worldview, and have come to terms with the reality that there is no perfect solution when it comes to moderation of a community like this, it’s probably best to just move on. 
• Finally, as always, report offenders, please. This doesn’t mean reporting people who don’t share your political views, but we really need your help in this regard.

As online speculation swirls around Brian Hickerson — an on-again, off-again boyfriend of Hayden Panettiere who was present when she was found in cardiac arrest — his brother is speaking out to tell their side of the story.

Zach Hickerson spoke with TMZ on Friday, almost a week after Panettiere died of an apparent overdose, and following days of increasing scrutiny over Brian’s involvement in her life.

“The truth will come out as the authorities complete and release additional details from the investigation,” Zach Hickerson said in a statement to the outlet. “And that is important because the people who loved and adored Hayden deserve the truth.”

Internet would-be sleuths have popped up in Zach’s comments on social media this week, probing Brian’s behavior and previous conduct.

On Wednesday, Panettiere’s former West Hollywood neighbor Mia Terrazas told “Inside Edition” that she was “terrified” of Brian, and that the apartment complex at one point had signs posted warning passersby to call the police if anyone spotted him. On Thursday, Panettiere’s mother, Lesley Vogel, pointed blame for the actor’s death toward Brian.

But on Friday, Zach said that it was Brian who gave Panettiere a dose of Narcan — a medication that can quickly reverse or reduce the effects of an opioid overdose — after the brothers discovered she was unconscious at the Greenville, S.C., Airbnb where they were staying.

“I want to clarify my involvement in an effort to keep the focus on the fact that we lost one of the most precious individuals on this earth and to allow those that cared about her to mourn without additional noise, chaos, and misinformation being created and propagated by the media as well as the public,” he told TMZ.

Zach told the outlet that he made plans to get lunch and play indoor golf with his brother and the actor after church on Sunday morning. When he attempted unsuccessfully to reach them, he drove to the rental home and “knocked loudly, which apparently woke Brian up from a nap they were both taking on the pull-out couch bed in the living room.”

When they realized Panettiere was unconscious, “I immediately called 911 and Brian gave her Narcan. We then jointly performed CPR while 911 was on speaker until Fire and EMS arrived. At that point we watched as they tried every measure possible to save her life.”

According to a report from Greenville, S.C., police, Zach was “very emotional” as paramedics attempted to revive Panettiere, and Brian “did not become emotional” until paramedics declared that she was dead.

Over the course of Brian’s volatile relationship with the actor, he was arrested multiple times on suspicion of domestic violence against Panettiere. Those include in May 2019 in Los Angeles (charges were later dismissed when prosecutors couldn’t secure a material witness) and again on Valentine’s Day 2020 in Wyoming (misdemeanor battery charges were eventually dropped). Following an eight-count criminal indictment in July 2020 that covered multiple violent incidents between May 2019 and January 2020, Brian pleaded no contest in April 2021 to two felony counts of injuring a spouse or girlfriend.

He was sentenced to 45 days in jail (but served 13 days due to credit for time served) along with four years of formal probation, mandatory domestic violence classes, and a five-year protective order.

Three days before Panettiere’s death, Brian attempted to expunge and reduce his past felony charges but was denied by a Los Angeles judge. He made the same request in July 2025, which was also denied.

“Hayden was one of my dearest and closest friends that I loved and cared about for the last 8 years,” Zach said in his statement to TMZ. “Out of respect for her loved ones, the speculation and sensationalism of her death needs to end until the facts can be released from the investigation.”

TWO of Britain’s busiest trains stations will close again just days after reopening.

The busy London hubs had only been reopened for a week following a £20million revamp.

London Charing Cross and Waterloo East will both be closed on Saturday, August 22 and Sunday, August 23.

The stations only reopened on Monday, August 17 after a major 22-day closure for essential engineering work.

Network Rail said the £20million programme saw engineers replace almost 2km of track between Charing Cross and Waterloo East, alongside improvements to platforms and structures.

Engineers also replaced sets of switches and crossings, replacing equipment that had been in use since 1990.

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Drainage at Waterloo East was also upgraded, while platforms at Charing Cross were rebuilt with new foundations and surfaces.

Work was also carried out on the 175-year-old Hungerford Bridge, which carries the railway across the Thames, as well as the pedestrian bridge linking Waterloo East and London Waterloo.

The latest closure is part of the follow-up engineering works linked to the wider project.

Passengers are also being warned that further disruption is planned later in the year, with both stations due to close again on Saturday, October 10 and Sunday, October 11.

Passengers affected by the upcoming weekend closure are being urged to check their journey before setting off.

WHETHER you’re looking forward to cooler days or you’re going to miss the summer heatwave, autumn is on the horizon, quite literally.

Next Thursday, the sun will go down at 8pm for the last time until 2027 -so where should you go to make the most of it?

Photo printing company CEWE and travel photographer Bella Falk have revealed the best UK spots to see a sunset and it turns out we’ve been to a lot of them.

In top spot is Arthur‘s Seat, an ancient volcano in Edinburgh which is a popular hiking destination.

It’s in Holyrood Park at the end of Edinburgh’s Royal Mile but you will have to put in effort to see the sunset.

The circular hike is around 2.9miles and can take up to two hours.

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Travel Reporter Cyann Fielding who made the journey to Edinburgh and saw the sun setting from Arthur‘s Seat gave us an insight into what it’s like.

She explained: “Edinburgh is a pretty city already, add in Arthur’s Seat and you get the best of both worlds – a city and the countryside.

“Arthur’s Seat is actually an ancient volcano that did erupt around 340 to 350 million years ago and if you head to the top you will find the main peak, which was formed from a lava flow.

“The hike takes between an hour and a half and two hours and is a circular route. You’ll see many people as it is a popular spot, but never feels too crowded.

“Once at the top, the views are endless of the green park below, the historic city centre and out to sea as well. Make the hike even better by going at sunset when I did.

“Despite being a cloudy day, the glow of the sun behind the clouds gently dimmed with undisturbed views all around. It was a spectacle to see, before enjoying the walk back down the volcano to a cosy coffee shop.”

In second position is seeing the sunset from Southwold Pier.

The town in Suffolk has unobstructed skies across the coast where visitors can see pink and orange hues across the North Sea.

Travel Reporter Alice Penwill spent many weekends on the Suffolk coast.

She said: “Southwold holds a special place in my heart because of the sheer amount of weekends I’ve had there with my family over the years and I always make sure to stay for the sunset.

“The clear views across the coast mean you can see for miles out to sea and when the sun goes down, the sky transforms and it’s just beautiful.

“Next time I’m going to bag myself a spot at the very end of the pier rather than from the sands.”

Assistant Travel Editor Sophie Swietochowski said: “There’s a reason Durdle Door is plastered on so many pretty postcards and Dorset holiday adverts.

“The striking structure, jutting out from a small beach, is a brilliant example of what makes Britain’s coastal countryside so spectacular – and it’s best enjoyed at sun down.

“Instead of clambering down the wonky steps to the shore, I’d recommend taking a pew at the top of the cliff where you’ll have a prime view of the rocky door and the sun setting just beyond it.

“From up here, you can watch the waves slowly roll in and the stream of orange light spreading across the sands until it dips beyond the horizon.”

If you’re more of a hiker, Contours Walking Holidays has listed some of the UK’s Best Sunset Walks.

Mam Tor in the Peak District, otherwise known as the Shivering Mountain, is one of their top picks for watching the sunset.

In the south of England, you’re likely to catch a glimpse of the sunset along the South West Coast Path which stretches on for 630 miles.

Check out the views along the High Cliffs of Exmoor or tucked away at Kynance Cove.

Here’s the full top 10 list of where to see the UK sunsets…

CREWE revealed its top 10 places to see the sunset in the UK…

1. Arthur’s Seat, Edinburgh
2. Southwold Pier, Suffolk
3. Durdle Door, Lulworth, Dorset
4. Golden Jubilee Bridges, London
5. Catbells, Keswick, Lake District
6. Mam Tor, Castleton, Peak District
7. Richmond Park, London
8. Giant’s Causeway, County Antrim
9. Fishguard Lower Town Harbour, Pembrokeshire
10. Sandbanks, Poole, Dorset