Even Fox News, one of President Trump’s preferred media outlets, isn’t exempt from his go-to term for any woman he dislikes.
“She can be so nasty,” was how Trump recently described the conservative-leaning network’s senior White House correspondent Jacqui Heinrich.
Never one to hold back, the president has also had harsh words for her spouse, Rep. Brian Fitzpatrick of Pennsylvania, a moderate Republican congressman. “Her husband votes against me all the time,” Trump once said. “Can you imagine?”
The double-barreled attacks don’t bother Heinrich, who as president of the White House Correspondents Assn. is leading the fight against Trump’s ban on CNN, MS NOW and Politico. When Trump delivered his insult at the WHCA’s dinner in July, Heinrich just shrugged and smiled.
“You don’t get into journalism to be well liked by the subject that you’re covering,” Heinrich said in a recent phone interview. “As long as I’m doing my job, which is to get the story and tell it fairly and fully, the rest of it is not really my business to care about. It’s probably not the last time I’ll upset him. The president still takes my calls.”
Heinrich’s durability is being put to the test as she delivers the public and private messaging on the latest battle with the White House over press freedom. Trump banned the three outlets from the White House grounds due to what he believes is their constant negative coverage.
A federal judge issued a temporary restraining order to block the move, calling it viewpoint discrimination and a violation of the outlets’ 1st Amendment rights. But the administration continues to prevent CNN from serving in the press pool that follows the president at all times. More court hearings are ahead.
Over the last 10 days, Heinrich has issued public statements condemning the ban, monitored the legal proceedings and held back channel conversations with the White House in an effort to get Trump’s decision reversed. It’s a second job on top of covering the president and co-hosting a weekend program “The Sunday Briefing.”
Executives and journalists say privately that it’s helpful to have someone from a Trump-friendly outlet lead the organization to restore the press credentials of outlets the president views as hostile. The WHCA exists to maintain and facilitate access to the White House for its 900 members across 250 news organizations.
But for Heinrich, it’s logical that 1st Amendment arguments transcend any political leanings of any media outlet. If Trump’s ban stands, conservative news organizations could find themselves facing similar restrictions the next time a Democrat is in the Oval Office.
“When you empower the president to select who is allowed to ask them questions, it shrinks the room,” Heinrich said. “It shrinks the perspective and it hands over that same authority to the next administration, who will surround themselves with only voices that approve of or are supportive or friendly toward what they’re doing.”
Eugene Daniels, a co-host at the progressive-leaning MS NOW and a former White House Correspondents Assn. president, said the organization’s members from Fox News and the further right-leaning Newsmax were always supportive of 1st Amendment and press access issues during his tenure.
“A lot of our news organizations understand intrinsically that at some point the shoe could be on the other foot,” Daniels said. “The solidarity matters.”
Daniels has also known Heinrich since the two worked together years ago at a TV station in Colorado Springs, Colo., and believes she is well-equipped to push the WHCA’s cause.
“She’s clear eyed about the role of White House correspondents in covering any president,” he said. “She is very tough and always has been since we’ve met. She stands 10 toes down when it comes to what’s right.”
Heinrich’s respect for journalistic principles has even extended to her personal life. When Fitzpatrick first asked her out on a date five years ago, he had to wait several weeks for an answer. Heinrich checked with her Fox News bosses to see if dating an elected official was a conflict even though she was no longer assigned to covering congress.
“He was very patient,” Heinrich said. The couple was married at New York’s St. Patrick’s Cathedral in June.
Heinrich is among the correspondents at Fox News — which this week will mark 30 years on the air — whose reporting doesn’t adhere to the leanings of its opinion hosts and commentators.
In 2020, Heinrich reported on Trump’s false claims of voter fraud in the election he lost to Joe Biden, while commentators, hosts and guests on the network continued to raise doubts about the results. Her reporting angered hosts such as Tucker Carlson and Sean Hannity, who were concerned that her work was alienating viewers loyal to the president.
Carlson called on Fox News Media Chief Executive Suzanne Scott to fire Heinrich in a text that came to light three years later when Dominion Voting System filed its defamation suit against the network. Dominion claimed Fox News deliberately aired false statements about the company’s role in the 2020 election, settling the suit for $787 million.
But Heinrich said she was unaware of the conversations before they were revealed in a legal brief in February 2023. (Carlson was fired from Fox News two months later.) She has been promoted twice since 2020.
“My bosses never interfered with my reporting,” she said.
Heinrich, 37, studied international affairs at George Washington University and wanted to pursue a career in the State Department before internships at MSNBC and WRC-TV in Washington led her to journalism. After working at several local TV stations she became a Fox News correspondent in New York in 2018. She covered Congress and the 2020 presidential campaign before moving to the White House beat in 2021.
Heinrich was raised in New England in what she describes as a politically diverse family. Her parents divorced when she was young, and she split her time between a conservative father in New Hampshire, a politically moderate mother in Maine and a Bernie Sanders-supporting stepfather from Vermont. She believes her upbringing was excellent training for her profession.
“It was ‘Live Free or Die’ and socialism all under two roofs but one family,” she said. “We have developed a really keen ability to listen. I think that’s one of the most important parts of journalism, is hearing and understanding someone’s perspective enough that you can describe it to someone else in a way that is fair and complete.”
Once Heinrich gets past the current conflict with the White House, she’ll have to plan the association’s annual dinner. (The event was cut short and rescheduled this year after a gunman attempted to enter the ballroom at the Washington Hilton.)
Heinrich said even with the president’s open hostility toward the press, he will be welcomed to the event in 2027.
“We have invited the president every single year for the last 115 years and that’s not going to change just because of President Trump,” Heinrich said. “We uphold laws, norms, and traditions around here and we intend to keep it that way.”
This story contains spoilers for Episode 8 of HBO Max’s “Lanterns.”
From the very first time Tom King and DC Studios’ James Gunn ever talked about a Green Lantern show, they envisioned John Stewart as the kind of hero who could generate excitement and change the tide of any battle upon his arrival.
“The idea was to build a character as compelling and impactful as, say, Thor in the Marvel universe,” says King, the “Lanterns” co-creator, during a recent video call. “Someone who arrives in a movie with a thunderclap, and … the audience [just] screams when they arrive because you’re in love with that character … not just [for] the power set they have, but the integrity of that character.”
That hero officially takes flight in Sunday’s “Lanterns” finale.
Episode 8 of the HBO Max superhero crime drama, titled “Dirt and Stars,” sees John Stewart (Aaron Pierre) take up the mantle as Earth’s newest Green Lantern. After solving the mystery of his predecessor Hal Jordan’s (Kyle Chandler) death, Stewart claims Jordan’s power ring as his own, recites his oath and jets off toward his next adventure. (A second season of “Lanterns” has not been announced, but the character will appear in Gunn’s upcoming “Superman” sequel, “Man of Tomorrow.”)
Co-created by King, Damon Lindelof and Chris Mundy, “Lanterns” introduces Jordan as a grizzled, veteran member of the Green Lantern Corps, intergalactic space cops who are armed with a special ring that allows them to manifest objects and manipulate energy.
In the finale, John Stewart, left, claims Hal Jordan’s (Kyle Chandler) ring as his own.
(John Johnson / HBO Max)
Stewart is a new Green Lantern recruit, but when an investigation into the whereabouts of a killer alien robot on the run goes awry, they go their separate ways.
“One of the cool things about the canonical Green Lanterns is that, technically speaking, there’s only one ring delegated to this particular sector in which Earth fell,” says Lindelof of one of the show’s central conflicts.
The creative team knew from the jump that Stewart would be the one to bear that ring at the end of the season, but the idea that Stewart would be a child prodigy whose parents preordained his path to become the next Green Lantern developed over time.
“We [decided] the first part of John’s life is going to be [about] coming to terms with the fact that he doesn’t really want the ring — or he doesn’t want the ring on those terms,” Lindelof says. “Then there would have to be some period of time where he was living his dream. … Then and only then would he be able to wipe the slate clean, as it were, and gravitate back toward a healthy way to want the ring.”
In the comics, Green Lanterns are known for their oaths, which they recite when recharging their rings or to reaffirm their commitment to the group. In “Lanterns,” Stewart creates his own version that acknowledges his journey and perspective on becoming a Green Lantern.
“We talked a lot about it in the room, but the feeling was that he was changing the relationship with the Guardians in that moment,” Mundy says, referring to the immortal aliens that created the Green Lantern Corps.
In the end, Hal, left, is able to impart lessons that nobody else would have been able to teach John.
(John Johnson / HBO Max)
The Guardians had once considered Stewart an ideal replacement for Jordan because he was willing to blindly follow orders, but by the time he claimed Jordan’s ring, it’s clear Stewart has no plans to be affiliated with the Guardians or the Green Lantern Corps in that way, and the writers wanted his oath to reflect that.
“We wanted John to take [the role] on his terms,” Mundy says. “Even though Hal didn’t train him as well as he should have trained him, he taught him lessons that nobody else would have taught him. … [Including] how you need to be your own person even as you’re working for this organization.”
Besides his unconventional path to becoming a Green Lantern, Stewart is in possession of a unique lantern for recharging his ring that was forged by Sinestro, Jordan’s disgraced mentor.
The “Lanterns” showrunner remained coy when asked whether this lantern’s more ominous origins could lead to any unintended consequences for Stewart.
“It’s rife with possibility, is what I will say,” Mundy says.
In separate interviews, Mundy, Lindelof and King discussed the “Lanterns” finale, Stewart and Jordan’s bittersweet reconciliation and the show’s fiercely protective mothers. Their comments have been edited for clarity and length.
Because the “real” Hal is killed in 2026, his relationship with John is left unresolved. John shares a moment with the Halogram, the backup version of 2006 Hal’s consciousness, after working with him and the mystery is solved, but can you address that lack of proper closure for them?
Mundy: We talked about this thing as a love story between these guys in a certain way, but one of them has to die in order for them to truly come together. Even over the course of the Halogram being in the show, he never called John “Junior” ever. He always called him “trainee.” Until the last moment when he says … “I love you, too, Junior.” There’s something very bittersweet about the fact that the two people we spent all that time with don’t fully have their moment together.
King: What I think is hinted at between the Halogram and the final Hal we get is this Sinestro subplot. This is right from the comics, but Hal’s best friend, his mentor, the person who trained him, betrayed everything he trusted and Hal had to put him away. I think the trauma of that moment closed Hal up. It damaged him … so he was unable to see John for what he is and unable to listen to John the way he should. [With the Halogram] John finally encounters a Hal who hasn’t gone through that and they can have conversations they couldn’t have before. John can start to feel the empathy that Hal denied him, and he can see Hal for who Hal really is.
Lindelof: I love the idea that that version of Hal and John are unresolved. There is no apology. There is no forgiveness. The only closure that John can get is from this earlier version of Hal who has a lot of sympathy and empathy, not just for John, but for himself. Obviously, this is a crazy sci-fi superhero show, but that feels more authentic to life. Sort of like when someone that you love is gone, and you find a note that they wrote or an old birthday card and you extrapolate new meaning from it even though it’s from an earlier version of them.
Viewers get some backstory on the romance between Kerry Kane (Kelly Macdonald) and Hal.
(John Johnson / HBO Max)
Why was it important to show more of 2026 Hal Jordan’s life before his death in the finale?
Lindelof: The only flavoring that we get of him directly [before this] is in the diner scene, when John comes for his apology and doesn’t get one. Only toward the very end of that scene after John has hit Hal, and Hal says, “Don’t let anybody know that you were here,” is there a flash that something has changed in this guy. It’s one thing for Kerry to tell us that they were in love, or to hear Hal’s “buttercup” voicemail, but I think that the audience needed to see it and experience it. Hal is not a changed man in 2026, but he’s an evolved man. And there’s real tragedy inherent in all of the decisions that he’s making because we know that all of those decisions basically lead him to be a corpse in the stands at a football game. The subtle differences by which Kyle plays older Hal versus Halogram Hal is really on sharp display in the finale.
With Noah being a Manhunter, it turned out that he and John were dealing with similar questions around lineageand legacy and nature versus nurture. How did the exploration into these themes evolve during the show’s development? Much of it is unpacked in their truck ride together.
King: The basic idea [was] that John had been one of these kids who had been told, “You’re going to be this when you grow up.” Like a Tiger Woods or Michael Jackson-esque child. We started talking about what that’s like — to be a prodigy, to be forced into [something]. The idea that you’re kind of programmed by your parents. And then we were talking about Manhunters. The problem with Manhunters is they’ve been programmed to do this one thing, and they can’t defy their programming [to eradicate mankind]. That’s why they had to eventually be erased. Then we started talking about the parallel of programming and overcoming programming, and what makes you human, what doesn’t, that parallel came first. Those were the very nascent ideas, and we took that to our brilliant writers room, and [Breannah Gibson], Justin [Britt-Gibson] and Vanessa [Baden Kelly] added their own personal experience to that and made it a much richer … and personal story.
Mundy: John still doesn’t know if he’s about to die in this car. Noah is trying to learn about himself and figure out if he wants to kill John or die himself. The important thing was to hold that tension and then kind of step that conversation through chapters. There’s anger about what happened to Zoe. After he understands that a little bit better, he says “these are the different ways my life could go.” And then John can actually bring a piece of himself. We talked all the time about the way John was raised and the programming of the Manhunters and what’s “programming” and what’s “being raised.” Then there’s a confession that ends up being false, but also this request to be killed. There were three distinct sections of that conversation, and we wanted them all to be meaningful and personal.
In the final scenes of the episode, John and Kerry have a conversation about what parents are willing to do for their children.
(John Johnson / HBO Max)
With both Hal and John, so much of their intergenerational trauma is tied to their fathers. But with Noah and John, you also see just how big of a role their mothers have played in shaping them. How did that aspect come about?
Mundy: Once we knew that Noah was a Manhunter, it felt too cheap and too easy for that to be the answer [to the mystery of Hal’s death]. But it felt key to the answer of it, and we were talking so much about parenthood and what you would do for your child and what it means. What’s protecting people and what’s not? It just became a given pretty early on that Kerry would be the answer at the end. It just fit into the same story Bernadette was going through. And [John’s] conversation with Kerry explains so much of that.
Lindelof: I think this all came from Vanessa Baden Kelly. We had written the pilot, where John’s father is shooting the apple off of his head, and then when Vanessa came on shortly thereafter, she’s like, “Where’s mom?” It is one of those moments where you realize it, particularly because we were three men, but also inside of the canon of these superheroes, it’s always a dad. So the idea was having Bernadette really be the mastermind of John’s upbringing as a way to provide a simultaneous salve for her husband’s shame about being afraid about losing out on the opportunity.
I think that Kerry is an equally fierce mother. Obviously, she loves Hal. But when you watch it a second time after you’ve seen the finale, you realize that there’s guilt there as well because of what she did to him, all in the name of her son.
John starts to reframe what Bernadette did as something for him, as opposed to something for her — in a lot of ways, it was a selfless act. She’s doing it knowing that her child will hate her, but that he’ll be the Earth’s Green Lantern, and there’s going to be an aspirational quality to that for generations to follow.
“I mean, you have to work soooo hard. They’re soooo talented,” Thybulle said, laughing. “And it’s just … I think for me it’s great because getting to play against two of the best offensive players in the NBA every day just primes you for — I think it primes all of us, but me specifically — just primes you for what to expect. And I think it was a big thing when you’re growing up that practice should be harder than the games. And I think in the NBA it’s a little different because you just have to pace yourself for such a long season. But guarding Luka and AR, practice is definitely going to be harder than the games.”
During the first four days of Lakers training camp, Thybulle was frequently listed as one of the players who has been a menace on defense.
Austin Reaves said Matisse Thybulle “annoys” him. How do Luka and Austin annoy him? “You have to work soooo hard! They’re so talented.” pic.twitter.com/Qz8g1NLGSt
It was why the Lakers signed the 6-foot-5 free-agent wing to a one-year, $3.2-million contract.
Thybulle, along with Ziaire Williams and Adou Thiero, has been praised for how disruptive he has been during workouts.
“I just think naturally it’s going to be a healthy competition and it gets you better. It’s going to make Austin better when Ziaire is picking them up full court every possession and Matisse is in the passing lane trying to blow things up,” Lakers coach JJ Redick said. “I think [Thybulle and Williams] — [and] Adou with his physicality — those guys are getting better from practicing that way. It goes both ways.”
Thybulle made a name for himself on the defensive end of the floor. He is a two-time NBA all-defensive second team selection, both times with the Philadelphia 76ers in 2021 and 2022.
Still, Thybulle said he’s picking up new skills.
“I think, like the best offensive players in the league — Luka being probably one of the best — change pace so well,” Thybulle said. “And I think as I’m growing in this league, growing as a defender, learning when to change pace and go for steals versus sitting back and being solid and make it more of a cat-and-mouse game as opposed to trying to be in every passing lane every single time.”
On offense, Thybulle will try to mold his game around Doncic and Reaves.
Thybulle will be asked to knock down corner threes and fill the lane on the fast break.
Over the course of his seven-year career, he has made 34.9% of his three-pointers.
“I think luckily for me, I started my career in an offense that was similar to that, and just understanding you never know when it’s going to come, but just to be ready,” Thybulle said. “And just for me personally, at this point, having the confidence in my shot to know that when it comes, I’m ready for it, as opposed to just hoping for the best. I think it goes a long way as well.”
Health has been an issue for Thybulle during the past two seasons with the Portland Trail Blazers.
He played in just 30 games last season while recovering from a torn ulnar collateral ligament in his left thumb and in just 15 games during the 2024-25 season because of right knee and right ankle injuries.
But he’s healthy now and ready for a breakout season.
He’s one of nine new players on the roster and he’s one of the Lakers that will compete for a starting role.
“I leave those decisions up to the coaches,” Thybulle said. “Yeah, so for me, if my teammates are happy with how I’m playing and the coaches are happy with how I’m playing, that’s a good sign to me that I’m doing a good job. But if that means I’m coming off the bench or that means I’m starting, I trust that the coaches know how to use me best to create the most impact, and we’ll go with that.”
Two starting spots up for grabs
When the Lakers play their first exhibition game Monday night in Sacramento, the big story line will be the starting five.
Redick has said Doncic, Reaves and Walker Kessler will for sure start and that the other two spots will be decided by an open competition.
Redick was asked who would be available in Sacramento.
“Obviously, [we’re] still working through stuff,” he said.
Every fall, I teach a Latino History of Orange County course at Chapman University — from the Portola expedition all the way to Huntington Beach’s MAGA Latina councilmember, Gracey Van Der Mark. The lecture last week focused on how anti-Mexican politics have always worked in Orange County and usually go on to be copied nationwide.
I usually, sadly, have to update this lecture every year because the lowlights just keep coming. That’s why this time around, one of my PowerPoint slides ended with “2026: Anaheim?”.
Haven’t you heard? A lawsuit accuses Anaheim mayor Ashleigh Aitken of calling her chief of staff a “dirty Mexican.”
Stay classy, O.C.!
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TimesOC writer (and my fellow Anaheimer) Gabriel San Román first reported on the allegation last month. He revealed that a lawyer for Aitken’s chief of staff Berenice Ballinas was seeking mediation from the city after his client suffered a “sustained pattern of harassment, discriminatory treatment and, most recently, retaliation” while doing her job. A legal claim filed soon after offered pages of alleged incidents detailing what Ballinas claimed she had to deal with when her boss supposedly had too much to drink while on city business.
It’s an ugly read, with incidents at Disneyland’s Club 33, Angel Stadium and other Anaheim landmarks. Yet no passage is more damning — yet more Orange County — than when Ballinas claimed Aitken once called her a “dirty Mexican” in front of then-city attorney Jim Vanderpool and said another time that the mayor didn’t want “a Mexican” like Ballinas to drive her car while Aitken was supposedly what the British satirical magazine Private Eye would call “tired and emotional.”
The mayor, a Democrat who’s running for reelection, has denied the explosive charge in an official statement and during a recent council meeting. And yet the allegation against her now enters Orange County’s long, sad spectrum of anti-Mexican political history.
Just part of the list: Proposition 187. Poll guards. Trying to give local police immigration-enforcement powers. When then-Orange County supervisor Ronald Caspers called a group of Mexican American county employees who demanded promotions “bandidos” during a 1972 supervisors meeting, then suggested the supes move the county seat away from Santa Ana because the city “does not have a normal ethnic balance” — in other words, it was too Mexican.
Or how about when a Newport Beach council member, Dick Nichols, opined during a 2003 council meeting that he opposed expanding the grassy areas of Corona del Mar State Beach because Mexicans “claim it as theirs, and it becomes their personal, private ground all day”? (Asked to apologize, Nichols doubled down by saying, “Where the hell am I in any way discriminating or being a bigot by making a statement that is blatantly true?”)
My hometown is not exempt from this sad parade. Anaheim’s schools, parks and swimming pool were segregated until the 1950s. In 1999, the Anaheim Union High School District board of trustees voted to sue Mexico for $50 million for educating the children of undocumented immigrants (The Times’ write-up was the first time I appeared in the paper, although the writer misspelled my last name).
Why all the O.C. anti-Mexican hate? You’ll have to enroll in my Chapman class for the full explanation. But the main reason is that Mexicans have long functioned as O.C.’s demonized minority. When millions of O.C. residents have grown up believing the powers that be that all Mexicans do is work low-paying jobs and underachieve in life, no wonder politicians bash them again and again — and no wonder many Anaheim residents aren’t giving Aitken the benefit of the doubt.
On Friday, the Anaheim City Council announced after a closed session that it would launch an independent investigation into Ballinas’ allegations. Aitken had an eventful Friday of her own. She admitted on Instagram that she has an “unhealthy relationship” with alcohol and sighed to CBS Los Angeles that Ballinas was “somebody who I thought was my right-hand person.” And while local activists have demanded she resign, O.C.’s ascending liberal machine isn’t asking for her head the way they would’ve if it were a Republican official: Mayor Anaheim gave the opening remarks at the Orange County Labor Federation’s annual Solidarity Awards gala on Friday night to cheers.
Stay classy, O.C.!
The week’s biggest stories
Republican gubernatorial candidate Steve Hilton visits patrons at Victorio’s Ristorante in North Hollywood, where a watch party was held for the CNN governor’s race debate Wednesday night.
(Jason Armond / Los Angeles Times)
California politics
A sexually suggestive ad from Republican gubernatorial candidate Steve Hilton has drawn millions of views — and condemnation from allies on the right and Democrats.
The poll’s findings contrast the results of the June 2 primary, in which Bass carried 35 Latino-majority neighborhoods compared with Raman’s seven.
Helicopter tragedy
Paramount-Warner Bros. merger
David Ellison said the merged Paramount and Warner Bros. Discovery will be called Skydance — the moniker he picked nearly two decades ago when he began building his Hollywood empire.
Although the name of the corporate parent will change, the two historic studios will continue to operate under their names.
As Ellison names his new empire, the message is clear: He owns Hollywood, writes news and culture critic Mary McNamara.
More news
Editor’s pick
More picks
Things to do
Retro candies, zombie-themed chips, ghost-branded coffee and large-scale movie characters can all be found at the Horror Boodega snack shop in Burbank.
(Stephanie Breijo / Los Angeles Times)
Today’s recipe
(Genaro Molina/Los Angeles Times)
For culinary content producer Owen Han, his nonna’s recipe for meatballs is as classic as they come. She does not brown the meatballs but instead poaches them in the copious tomato sauce (she called it salsa di pomodoro, or sugo, but you might know it as marinara) so they are extra tender.
Have a great day, from the Essential California team
Jack Dolan, investigative reporter Hugo Martín, assistant editor, fast break desk Kevinisha Walker, multiplatform editor Andrew Campa, weekend writer Karim Doumar, head of newsletters
There are so many ethical dilemmas in high school sports that earning a teaching credential or gaining life experiences from participating in sports won’t always provide a clear path on how to proceed.
And when you bring in rules and regulations set forth by the California Interscholastic Federation, the state’s governing body for high school sports, everyone has an opinion or complaint — especially when there is a perception of inconsistency in how punishment for a rule violation is assessed.
It really comes down to how coaches hold themselves accountable and what a principal believes in supporting. For example, some principals have dismissed coaches for using profanity. Others do nothing.
Here are some of the ethical questions administrators, coaches, parents and players now face:
If cheating is wrong, how come so many cheat?
Should a player who transfers and has superior talent immediately get to start over a player who has been in the program for three years busting his butt?
How do you figure out when it’s OK to share playing time at quarterback if you have two good players or even three?
When is it OK for a parent to ask about their son‘s or daughter’s playing time, if ever?
How important is winning games compared to team grade-point average?
What is the most appropriate punishment for showing up late to practice?
What is a legitimate excuse for missing practice?
When should a coach allow players to wear whatever shoes they want compared to having one universal shoe and color?
Why are coaches allowed to use profanity but players can’t?
Why can’t coaches welcome multi-sport athletes instead of seething when they have to miss an offseason game?
Should benching a player for receiving a technical foul be automatic?
Should a player be immediately removed for committing a personal foul in football?
How much consideration should be given to the parent with money versus the parent with no money?
How much acting is required to pull off a pregame or halftime speech to inspire your players?
How can you teach teamwork and unselfishness for the team but lay low and suddenly go silent when the top player doesn’t follow the example away from the team?
When a parent offers to become an assistant coach, what instructions and guidelines must be imposed to prevent other parents complaining about “daddy ball?”
When is yelling at an official ever appropriate?
When is the margin of victory too large?
Why is it OK to recruit players, then complain when someone else recruits your players?
For years, baseball coaches have broken rules by holding batting practice before playoff games, resulting in teams forfeiting and coaches learning ignorance of a rule is no excuse. That leads to how can a coach receive only a two-game suspension from his district for playing three ineligible players during an out-of-state football game while claiming he didn’t know the ineligible players couldn’t play outside of California when he’s been coaching for more more than 10 years?
Any coach who says “I don’t want to know” where a transfer lives to escape accountability might want to start realizing an entire program can go down when they abdicate responsibility.
Finally, many claim whatever they are doing “is for the kids,” but when is it time for an adult to enter the room and explain the end doesn’t justify the means?
As someone who has seen virtually every kind of behavior, both good and bad, during 50 years of covering high school sports, I can say I don’t have all the answers to many of the questions posed. But when it comes to education-based high school sports. everyone has a responsibility to follow high ethical standards so that maybe a little bit might rub off on their players and help them navigate their future real-life decisions from a position of strength and confidence.
In 2011, Joe Kay debuted Soulection as a college radio show at Cal State Long Beach, spinning rare B-sides, progressive beats, inventive flips of classic records and soulful underground tracks.
Fifteen years later, the niche local broadcast on K-Beach Radio has ballooned into a cultural movement that extends far behind his alma mater’s campus. Beyond its flagship on Apple Music with nearly 750 episodes (Grammy-winning producer Swizz Beatz was a recent guest DJ), Soulection is also an independent record label, live event and clothing brand. Operating under the banner “the Sound of Tomorrow,” the collective championed artists like Kaytranada, Brent Faiyaz, Bryson Tiller and Snoh Aalegra before they were household names.
Still, Kay remains hungry for more. “There’s so much more to do,” says Kay, who released his first project “If Not Now, Then When?” last year.
“We’re at this breaking point of not just being underground,” he adds. “It’s like we’ve been D-1. We’ve been to the playoffs. Now we’re like how do we get to the championship and not just show up to the championship, how do we win?”
On Saturday, Kay and his tight-knit crew are celebrating Soulection’s 15th anniversary with a festival at Reframe Studios Outdoors in Atwater Village. The lineup includes DJ sets from Kay, Grammy-winning producer and artist Kaytranada, Sango, Esta, DJ Miss Milan (who DJs for Doechii), Ayanna Heaven and surprise guests. (Kay doesn’t even know who all will show up.)
Ahead of the hallmark event, Kay spoke about how he continues to find emerging talent when everyone’s an artist or DJ these days, building long-term staying power, his new dance music concept and why he’s nowhere near done pushing the limits of what Soulection can do.
Joe Kay and his team are celebrating 15 years of Soulection on Saturday at Reframe Studios Outdoors in Atwater Village.
(Jason Armond / Los Angeles Times)
This weekend, you are celebrating the 15th anniversary of Soulection with several guests, including Kaytranda, who has been connected to the brand for years but has yet to be on an official Soulection lineup until now. What does this homecoming mean for you?
It’s special. Just having Kaytranada, it’s been long overdue but right on time, and to me that’s all that matters. About four years ago, we did a private party in L.A. in between Coachella, and it was him, Peggy Gou and myself, and it was a really cool party. So we played together, but in terms of a public, front-facing event, this is the first time he’s been on one of our lineups. What I appreciate about him is his work ethic. That man just doesn’t love to DJ, but this man works so hard. I work really hard, and then I see him and it makes me just want to go harder. This man is constantly on tour and he just finds a way to keep putting out music that people care about so much. I think that alignment between him, Esta and Sango is special. Even having Miss Milan, it’s one thing to be a DJ for someone like Doechii, but to also see what she does independently, I really admire that. There’s not a lot of women in the space who are moving like that and are recognized. She’s a boss on stage. Then, Ayanna Heaven is from New York, but she’s Jamaican and we’re lucky to have her.
What else can we expect at the show?
We’ll have a sunset set of Soulection and Friends, so special guests will pop out to do a couple songs. We’re not even sure who’s going to be popping out completely, but we have a handful of names and there’s some good people who I feel like have been part of the Soulection sound and Soulection radio. In London, people were like :We wanted a party. There were a lot of performances.” So now we’re giving people the party and we’re trying to move, but there will be a portion where everyone does a couple of songs. I love how we listen to feedback from one event and we make adjustments. I think that’s part of why we’re still around.
Soulection was pivotal in giving early platforms to artists like Brent Faiyaz, Bryson Tiller and Anderson .Paak before they became global superstars. What is your internal filter for spotting rising talent and has this changed over the years?
It’s a loaded question because talent and gifted people are everywhere. I find those people everyday. But in terms of who has the “it factor,” that one takes more layers. It’s not about “Does this person have to have that ‘factor’ for me to give them an opportunity or to be excited about them?” It’s more so an internal feeling. Nowadays, content is important so it’s the music and it’s mainly how they message themselves. How are they communicating their work, their vision and is it resonating with me? Then I scan their socials. I have no problem following anyone. I’m not one of those guys like “I have to have my following ratio at a certain amount and I’m too cool to follow you.” If I’m interested, I’m interested. I think today it takes a lot more to stand out. It’s a saturated [market], but I feel if you can break off and stand out now, it says a lot more than ever because everyone’s an artist and a DJ. Whereas 10 to 30-plus years ago, it was so much more of a rarity. It was a lot harder to be an artist so now that’s what makes it a bit more complicated.
It’s been over a year since you released your debut project “If Not Now, Then When?” You’ve talked about overcoming impostor syndrome to make it. What did you learn about yourself throughout the process?
It went by really quick. I’m really glad we dropped that project. It taught me a lot. When people ask, “So what do you do? Or can I find you on Apple or Spotify?” It’s nice to have something to direct people to outside of the radio show, there’s a body of work. I get emails every week of how many people are still discovering the music even though it might be old to us. Working on this project taught me a lot about accountability. I realized putting out a project as a label head and allowing artists to share their vision versus how I would do things are two different worlds even under Soulection. I’m so used to being on the executive or A&R side and letting people cook like “We’re here to help market it, but this is your work.” I honestly was proud of it because in my opinion “This is how I think you should do a rollout” and it was nice to show proof of concept. Also, working with all these great artists. I’m still in awe when I think about D-Mile being on two records. Bruno Mars is on tour right now, selling out SoFi Stadium. He’s doing like 8-10 times what we’re doing and D-Mile is a big part of his sound. To know we had him be a part of my project was a blessing and says a lot about the work that has been done.
Last year, you talked about potentially releasing an album this year. Are you still planning to do that?
It truly is extremely difficult to get a project done when you’re on tour and that’s why it didn’t get done. I did about 30 cities and when you’re going city to city, country to country, there’s really no time. When you’re putting together these projects, I feel like you have to literally be stationary for weeks at a time when you wake up and that’s all you think about. It’s very difficult when you’re stopping and going and nowadays. There’s a lot of chasing with the artists. Even if they are down, artists have their own projects, their own rollouts, their own tours. We’ve also been working on this 15-year celebration for the last year and a half, so I would say the album is the next focus.
You’ve been cooking up a new concept called Tempo. Can you tell us about that?
I’m very passionate about Tempo. If I could launch it today, I would. I’ve been using that word so much because I keep trying to tell people we’re trying to make people dance. If the women move and are having a good time, everyone’s moving. That’s why we love dancehall, Afrobeats, amapiano and now as we’ve seen in the last years, Afro House, and these other genres. It’s essentially dance music. I’m also very close to South Africa, specifically Cape Town and Johannesburg. That’s a place I’ve been going since 2015 and I’ve built a really good connection with people out there. As these new subgenres started to come out in like 2018, I’ve been very passionate and researching that music. A couple years ago, I was there and I curated these shows with some really great local artists and producers. I’m just very passionate about trying to push those artists to a higher scale. Imagine Brent [Faiyaz], Leon [Thomas], SiR or Snoh Aalegra or Kwn, hearing their vocals on an Afro House record or just the right tune that has that tempo. Now all of a sudden, you have Shimza, Keinemusik or Francis Mercier playing the records in front of 30,000 to 50,000 people. I feel like we have those relationships with the artists. They need to be told like, “This is who you need to work with. Trust me.” Then bringing them together and not feeling like we have to make it pop or saturate the music or make the drums lighter and more radio-friendly. I think we do it in an organic Soulection style. To me, that’s really the goal of Tempo. It’s not just an event, but it’s also like a sub label of Soulection that focuses on electronic music, a lot of Afro electronic music but not just that — just house music in general. There’s no boxes or boundaries to it. If it moves you, we’re going to put it out.
Joe Kay will be DJing alongside Kaytranda, Sango, Esta, DJ Miss Milan and Ayanna Heaven at the Soulection anniversary show on Saturday.
(Jason Armond / Los Angeles Times)
Looking back on the last 15 years, what are you most proud of what you’ve built with Soulection?
There’s a couple things. One, it’s nice to have my team who have been with us for over a decade. It’s a testament to what we’ve built, that people still want to be here. It makes me feel good that I have a loyal group of people who are my friends, who I’m grateful to call my family and who go up to bat for me and the team everyday. It’s not easy. Now that we’re older, I feel like, we choose to be here. Secondly, to think about all the artists and collectives that have been motivated by Soulection and have gone on to create their own businesses or have gone on to sign to agencies or get a manager. To know they were listening to Soulection at one point, that’s all it was meant to be — to inspire. It’s not about being on Soulection, it’s more of how do you take this motivation and create your own. It’s nice to be a part of that, but also they did the work.
That’s cool because it makes me think of how you were heavily inspired by labels like Stones Throw. You wanted to intern for them, but ended up creating your own thing and now Soulection is a blueprint for others.
I’m still inspired by Stones Throw. They literally just hit 30 years, so they’re literally two times what we’re doing. That had me thinking like, “Damn, what are we at year 30?” To see them still doing it, it’s very admirable. To be [a blueprint] is still great, but I don’t feel complacent. We just feel like there’s so much more to do. You asked, “How do I stay excited to show up to work everyday amongst all the craziness” and I think it’s my curiosity. I’m just grateful to provide for my family and for so many others for just doing something that I love everyday. Being about music, arts and highlighting people, that’s a blessing. I think we can take that for granted, but I don’t and I really do wake up everyday like, “How are we going to change someone’s life?” That’s the best part about it.
History was made this week on Capitol Hill when a female senator womansplained sports to a male senator, and surprisingly, the gender-shaming reversal did not cause the universe to collapse on itself.
During a Judiciary Committee hearing Tuesday, MAGA’s manhood cloak was breached when Sen. Amy Klobuchar (D-Minnesota) revealed that Sen. Eric Schmitt (R-Missouri) had mixed up the names of basketball teams in an unsuccessful attempt to perjure former Special Counsel Jack Smith.
Smith was testifying before the committee because he had led the investigations into Donald Trump’s efforts to overturn the 2020 election and retain classified documents. Several Republican lawmakers have said that Smith overstepped his duties and launched a “witch hunt” against Trump and his allies.
Sen. Amy Klobuchar (D-Minn.) speaks during a 2020 event in Las Vegas.
(Ethan Miller / Getty Images)
Schmitt was trying to suggest Tuesday that Smith improperly colluded with Fulton County Dist. Atty. Fani Willis on their separate criminal cases against Trump by placing the former special counsel on Willis’ home turf of Atlanta in 2024.
But a watershed Watergate moment this was not. If Schmitt’s effort to ensnare Smith was set to a musical score, it would have been far more “Curb Your Enthusiasm” than “Mission Impossible.”
His gotcha moment became a schooling by Klobuchar on basketball, turning the tables on the age-old art of mansplaining. For those who need a quick definition, it’s when a man explains something to a woman in a patronizing way, with sports usually at the top of that talk-down-to-her list. He assumes she knows less than he does, even if she’s versed on the subject.
Klobuchar is an avowed sports fan and the daughter of respected Minneapolis sportswriter Jim Klobuchar and a former prosecutor known for her sharp questioning. The combination proved unfortunate for Schmitt during the hearing when he tried to catch Smith in a lie.
The Republican senator asked Smith, “Did you go to an NBA game between the Golden State Warriors and the Atlanta Hawks on Feb. 3, 2024?”
Smith, whose normally commanding presence has launched countless memes, appeared genuinely perplexed. “What city would that be in?” he asked.
“Atlanta,” replied Schmitt.
Smith denied he was there.
“So your testimony today is that you did not go to a Hawks game on Feb. 3, 2024. Is that correct?” Schmitt said.
“I have no recollection of that,” a bewildered Smith said.
As evidence, Schmitt introduced text messages from Smith’s security detail about seating arrangements for a game, displayed on a poster board that was taken down so quickly that Smith and various senators said they didn’t have time to read it.
“I think you’ve already perjured yourself,” said Schmitt, a former Missouri attorney general who then used the rest of his time to condemn Smith for subpoenaing the communications of Republican lawmakers while investigating Trump.
“You have weaponized the Department of Justice against political enemies to an extent that has never happened in the history of this country,” Schmitt proclaimed. “You will go down as a total dirtbag.”
Klobuchar, who was up next to question Smith, asked if the poster board could be produced again.
“I’m a former prosecutor too, and I have never seen anyone just say, ‘What do you think of this?’ and put it down,” she said.
Schmitt’s evidentiary board was produced again, and this time for more than a few seconds. There was no mention of Atlanta in the text messages.
One could almost hear the sound of Schmitt’s perjury trap crumbling under Klobuchar’s heel.
“Could it then be that it was the University of Iowa, [which] is the ‘Hawkeyes,’ could that be it?” she asked Smith. “That might be the confusion over the names of the team.”
Then she addressed Schmitt: “Perhaps you should have looked at it more carefully. I think people should have their facts straight before they accuse people of being a ‘dirtbag,’ and not get the teams wrong.”
Leave it to a man to confuse the Atlanta Hawks, an NBA team, with the Iowa Hawkeyes of women’s college basketball. Perhaps his emotions got in the way.
Smith said he attended the game in Maryland to see the Hawkeyes’ supremely talented star, Caitlin Clark. Regardless of his whereabouts, Republicans contend that Smith was on a political witch hunt after then-Atty. Gen. Merrick Garland appointed him to oversee the twin investigations into Trump. Smith’s team scrutinized the retention of national defense information and classified documents at Trump’s Mar-a-Lago estate, as well as the president and his allies’ efforts to overturn the results of the 2020 election and impede the peaceful transfer of power.
When Trump won the presidency a second time, Smith moved to dismiss both cases because Department of Justice policy prohibits the criminal prosecution of a sitting president.
Now, it’s game time for Judiciary Committee members who’d like to put Smith on the ropes. There’s just one new rule: Don’t talk sports around the ladies. They deliver a knockout punch.
Star receiver Puka Nacua will play against the Philadelphia Eagles on Sunday in Philadelphia, but star defensive lineman Aaron Donald is out because of a back issue, Rams coach Sean McVay said Friday.
Donald, a three-time defensive player of the year, has not practiced this week following the Rams’ loss to the Denver Broncos on Sunday in Denver. McVay said Donald, 35, was experiencing back soreness.
“He’s as tough as it gets. Just not feeling good enough,” McVay said, adding, “He would do it and he could probably go be productive but part of our job is to protect these tough dudes like him from themselves.”
Donald has played in two games since ending a two-year retirement in late August. He did not make the trip to Australia for the season opener against the San Francisco 49ers, but made three tackles in the Rams’ 28-6 victory over the New York Giants at SoFi Stadium.
Donald had one tackle and one quarterback hit in the 30-26 loss to the Broncos.
“He’s working as hard as he can to get himself feeling as good as possible and we’re hopeful and optimistic that good days are ahead,” McVay said.
Nacua sat out the last two games because of a hip injury that caused hip, groin and abdominal soreness.
McVay said Nacua has been “strong, looks sturdy, looks explosive,” during practice this week.
“I think it will really just be a feel for the overall conditioning,” McVay said, adding that he hopes “the magic of the [game] jersey” will help Nacua have a productive game against the Eagles.
Tight end Terrance Ferguson (ankle) and cornerback Jaylen Watson (shoulder) will not play on Sunday, McVay said. Tight end Colby Parkinson (shoulder, knee) and edge rusher Josaiah Stewart (groin) are questionable.
Rams place Terrance Ferguson on injured reserve
Rams tight end Terrance Ferguson jogs back to the locker room against the Giants on Sept. 21.
(Kyusung Gong / Associated Press)
The Rams opened the season with five tight ends on the roster, which some might have regarded as a surplus.
But the Rams need the depth.
On Friday, the team put Terrance Ferguson on injured reserve because of an ankle injury.
Ferguson, a 2025 second-round draft pick, was injured Sept. 21 against the Giants, but he played through it against the Broncos.
Ferguson has seven catches for 63 yards and a touchdown.
Ferguson must sit out at least the next four games against the Eagles, Buffalo Bills, Arizona Cardinals and Las Vegas Raiders. He is eligible to return for the Nov. 1 game against the Chargers.
The Rams began the season with five tight ends on the roster. Tyler Higbee and Davis Allen are at full strength. Max Klare, a second-round draft pick from Michigan, could get his first action on offense against the Eagles.
Rams release punt returner Xavier Smith
Rams wide receiver Xavier Smith runs the ball against the Kansas City Chiefs during a preseason game in August.
(Charlie Riedel / Associated Press)
What a difference a day makes.
Less than 24 hours after Rams special teams coordinator Bubba Ventrone said the team was not going to replace punt returner Xavier Smith, the team released him.
“We just need better production out of that position,” McVay said, adding that some of the “decisions” that Smith made in last Sunday’s loss to the Denver Broncos proved costly.
“We’ve got to make better decisions,” McVay said. “We’ve got to be able to field it.”
Receiver Alex Bachman is expected to be promoted from the practice squad to handle punt returns. McVay said he was “optimistic that I think we’re going to see some good stuff from Alex on Sunday.”
Smith, 29, is a third-year pro who signed with the Rams as an undrafted free agent and worked his way into a role as a kick returner and rotational receiver.
Smith appeared to be on his way to overcoming a major error in last season’s NFC championship game, when he lost a fumble in the 31-27 defeat by the Seattle Seahawks.
But through three games, Ventrone on Thursday described Smith’s performance as “inconsistent.”
“We need to do a better job of tracking the ball, judging the ball, fielding the ball when necessary, not fielding it in other situations,” Ventrone told reporters. “He knows that and hopefully we’ll get the improvements that we need in that area.”
Ventrone was asked if there was any thought about replacing Smith as the punt returner.
“No, we have a lot of trust in ‘X’, I really do,” Ventrone said. “He’s put in a lot of time and effort in training camp and obviously moving into the season. I think that he’ll do the necessary things to be able to sustain at that position for us.”
But on Friday morning, the Rams announced they had waived Smith.
McVay said the Rams “weren’t thinking” about making a change when Ventrone spoke to reporters Thursday.
“As you get a chance to kind of take a step back, evaluate the totality of our group, what’s the best way to try to be able to put together all three phases, did feel like that was in the best interest of the group,” McVay said, adding, “and that decision was made kind of later [Thursday night].”
WASHINGTON — A Massachusetts man was arrested Thursday in a federal case alleging he cyberstalked conservative podcaster and former Trump administration official Katie Miller, targeting her dozens of times with menacing phone calls and messages, according to court papers.
Authorities say the man contacted Katie Miller at least 40 times over the course of several weeks, sometimes leaving disturbing voicemails and text messages about her and her husband, Stephen Miller, who serves as White House deputy chief of staff. He also sent messages to phone numbers for her parents, according to prosecutors.
John Anthony Proia III, 41, is charged with one count of cyberstalking. An attorney listed for him didn’t immediately respond to an email seeking comment on Thursday.
The court documents do not identify the victim by name, but a person familiar with the matter confirmed that it is Katie Miller. The person spoke on the condition of anonymity to discuss non-public parts of the investigation.
“Those who use technology to harass, intimidate or torment others should understand that attempts to anonymize their criminal conduct will not shield them from prosecution,” Leah Foley, the U.S. Aattorney for Massachusetts, said in an emailed statement. “We will find you, and we will hold you accountable.”
In a social media post Thursday, Katie Miller thanked Justice Department and FBI officials for keeping her and her family safe.
“Good to see a Boston grand jury indict this man,” she wrote.
The investigation contributed to upheaval inside the FBI’s Washington field office, where two top counterterrorism supervisors were recently reassigned by the office’s leader in part because of dissatisfaction over their handling of and approach to the Miller probe, according to multiple people familiar with the matter who spoke on condition of anonymity to discuss non-public personnel changes.
Darren Cox, the assistant director in charge of the Washington office, said in a statement that the reassignments were not ordered by Director Kash Patel and that the moves were a personnel decision “based on our constant evaluation of mission needs. Any suggestion otherwise is false.”
Fans have been discussing who they think might be named one of the three Traitors this evening.
One fan has picked out who they don’t trust, saying: “Miranda Hart is just too nice, so obviously it’s her. Michael Sheen could lie to me for ten episodes and I’d thank him for it. And Hannah Fry looks like she’s already done the maths on all of us.”
Another suggested: “The story about James Acaster having a panic attack or similar leading to the game being paused makes me think he’s probably not one.”
“I am really hoping for at least Bella and either James Acaster of Joe Lycett. Joanne, Miranda and James Blunt would also be cool and could pull it off,” a third wrote.
So who do you think will be given those coveted roles? I’d love to see Miranda Hart be named a Traitor but after last year and Alan’s success, Claudia may choose a different personality this time around…
Country western star Wynonna Judd is confirming that she and her sister, Emmy Award-nominated actor Ashley Judd, do not have a relationship.
She spoke with People ahead of the release of her 10th solo studio album, “The Hard Truth,” which drops Friday, and revealed that the rift between the sisters is still there after years of on and off disharmony.
Wynonna told the outlet that Ashley hadn’t heard the album, as the sisters are not “connected.”
“We’re taking a break, which all families can relate to,” she said. “She’s doing her thing, and I’m doing mine.”
In April 2022, Wynonna and Ashley’s mother, Naomi Judd, died by suicide at 76 after a lifelong battle with depression. Naomi and Wynonna made up the Grammy-winning duo the Judds.
At the time, the sisters released a statement together, writing, “Today we sisters experienced a tragedy. We lost our beautiful mother to the disease of mental illness. … We are shattered. We are navigating profound grief and know that as we loved her, she was loved by her public. We are in unknown territory.”
The following month, the two appeared at the annual Medallion Ceremony, where the Judds were inducted into the Country Music Hall of Fame, and the sisters spoke on behalf of their mother.
“While this is so much about the Judds as a duo, I want to take a moment to recognize my sister, a GOAT,” Ashley said at the ceremony. “Do you know what that means? I don’t think she knows I’m calling her the greatest of all time. She lives on a farm. She’s being a little literal.”
Ashley told the crowd that growing up as the younger sister of Wynonna, she got to “bask in this voice that was around the house, and I’ve always been so proud of the music and so proud of you. … So I know that we’re talking a lot about Mom tonight, as we should be. Our beautiful mother, and I want you to know that you also are being inducted to the Hall of Fame tonight. And newspapers don’t get much right these days, but when the Los Angeles Times said you were Elvis-like, they got it right. And I love you, and I’m proud of you. And Mom is proud of you, and she always was.”
By October 2022, rumors were flying that the sisters were fighting over their mother’s will, a claim that Wynonna shot down while speaking with People.
“Someone told me while I was at Ashley’s house, ‘Hey, did you know that they’re saying this about you?’ I went, ‘Huh? I’m fighting with Ashley?’” Wynonna said. “Fighting over what? I have such a great life. Ashley has a great life. Why would we be fighting over the will?”
This wasn’t the first time a feud was reported between the two. Back in January 2015, Wynonna gave a teary-eyed account of the disconnect during an appearance on AXS TV’s “The Big Interview With Dan Rather.”
“The only thing I have in common with my sister is a father missing and a mother that’s both of ours. She and I are very different. We don’t communicate, nor do we spend time together, and that’s a long history of being apart,” Wynonna told Rather.
Wynonna said that she and Ashley were dysfunctional, didn’t agree on anything and developed separate lives, but she cared for her younger sister growing up.
“I raised Ashley, so I think there’s a lot of work we still have to do about where do we find the ‘sister’ in all of this,” she said. “She called me sister mommy, and I really had a hard time with that, because I was like, I don’t want to be your mommy. I want to be your sister.”
Many favour a circular walk, but you can give a linear one new shape with the addition of a novel form of transport. My wife Helen, our friend Tom Cox and I take the water taxi – a rigid inflatable boat (Rib) – from West Bay on Dorset’s coast to Lyme Regis, with a plan to walk back to our starting point.
The rain stops as the boat leaves the harbour, the views open along Chesil Beach to low-lying Portland to the east, and west to Lyme Regis; on the far horizon, we can see Start Point on the Devon coast. Our skipper, Nick, is highly knowledgable and takes time to stop and point out the history of the shoreline and the treacherous waters of Lyme Bay. The seabed is studded with wrecks – fishing boats and smugglers’ ships, but some are from the two world wars.
The Cobb at Lyme Regis. Photograph: Martin Augustus/Alamy
On New Year’s Day 1915, the battleship HMS Formidable was torpedoed by a German submarine. Of its crew of 750, no more than 200 survived. In the second world war, the Dorset coast was a huge mustering station for the allied forces in preparation for D-day. During Exercise Tiger, a large-scale rehearsal for the Normandy landings, hundreds of American service personnel were killed in an attack by German boats later known as the Battle of Lyme Bay – the wreck sites are now designated war graves.
At Lyme Regis, we disembark on to the Cobb, the harbour wall that snakes unsteadily into the bay and was made famous by Jane Austen, who had Louisa jump from it in Persuasion, and by John Fowles, who lived in Lyme. The movie adaptation of his novel The French Lieutenant’s Woman starred Meryl Streep as Sarah Woodruff. Its famous trailer begins with the actor sweeping across the Cobb, the hood of her cloak covering her face. For the filming, many buildings in the town were given a 19th-century facade. For a film that plays with time, it seems appropriate that the town’s bookshop kept its temporary fascia for many years.
Our walk back to West Bay is 10 miles long and begins not along the coast but by heading inland. The west Dorset coast is friable – the cliffs keep falling on to the beaches, and the path to Charmouth takes a diversion through a golf course. It wasn’t always like this: once there was a coastal road, Long Entry, between the two settlements. In 1725, Henry Fielding, then aged 17, attempted to abduct his cousin Sarah, with whom he was infatuated, from Lyme. The future novelist made his escape along Long Entry before being stopped by her guardian.
The statue of Mary Anning in Lyme Regis. Photograph: Darren Galpin/Alamy
Our walk back to the coast is interrupted by a sculpture on the path. The shape of a woman, angular and determined, a hammer in her outstretched right hand, the other holding above her head the skeleton of a prehistoric animal. There’s another recent sculpture of the same subject, Mary Anning, in Lyme Regis, recording her importance to palaeontology and to the town, but this upland creature, made by Greta Berlin, is wilder, perfectly suited to its woodland setting. The representation of the fossil held aloft is Anning’s discovery: Ichthyosaurus anningae. One cannot walk this section of Dorset’s coast without being aware of its ancient past and the fragile geology close to the surface. Our boat trip began on crumbly sandstone, which gave way to fossil-rich clay as we travelled west.
Charmouth is a pretty village with no harbour; its shallow waters make it popular with those learning to swim or paddleboard. This next section of the South West Coast Path, to West Bay, coincides with the Monarch’s Way, the route that Charles II took to flee to mainland Europe after the civil war. Our day is more peaceful but the path is steep. We’re grateful for Tom’s company – his latest novel, Everything Will Swallow You, is infused with the history and landscape of the Dorset coast and his knowledge enlivens our walk, as do the pasties he brings, baked by his wife, Ellie.
The Anchor Inn at Seatown. Photograph: Darren Galpin/Alamy
We pass the remains of St Gabriel’s Church, which fell into disuse in the 18th century, although smugglers found within its walls useful shelter for their contraband. Soon we’re on Golden Cap, the highest point on the south coast – 191 metres (627ft) above sea level, with extraordinary views over Lyme Bay. At Seatown, we stop at the Anchor Inn for refreshments, meeting friends who have opted for a shorter walk. From Thorncombe Beacon, we descend to Eype Mouth – in Old English Eype is “Steep Place”; the church in this secluded village was chosen by PJ Harvey to record Let England Shake, a Mercury prize-winning album rich with the echoes of war.
There are further reminders of the coast’s fragility on the final stretch to West Bay – one sign references a cliff fall in 2020, and the path is frequently redirected to safer routes. West Bay, a small stone town, was once the harbour from where Bridport exported its rope and was originally called Bridport Harbour, but had its name changed by the railway company hoping to attract tourists. The railway is long gone – its station now hosts a restaurant in railway carriages – but West Bay, with its stalls for chips and views back towards Lyme, is a fitting place to end, a town out of time.
The leader of the world’s biggest band is nervous.
“I think I revised this speech about 10 times, but somehow the more I worked on it, the more confused I became, like always,” said K-pop star and BTS rapper RM on Tuesday at a preview of a show he has co-curated at San Francisco Museum of Modern Art called “RM x SFMOMA: Between You and Me”
Three years ago, RM held an anonymous show in South Korea, but this is the first proper exhibition he has staged. For many of his fans — some of whom wait outside the museum trying to get a glimpse of him — his favorite activities, including museum-hopping, bicycling and being out in nature, come as no surprise. There is even a word for it: “namjooning,” a play on the singer’s first name, Namjoon. But still, the exhibition is the rare chance to view RM as a serious art collector; someone who values Korean identity in art but also loves works from many genres, eras and countries.
Philip Guston, Untitled (Red and Black Book), 1969; from the collection of RM.
(The Estate of Philip Guston / Hauser & Wirth)
Dressed in a gray T-shirt, dark collared shirt and leather pants, RM’s hair is a light burnt sienna color matching the fur of the stylized tiger on the screen behind him. From a 17th century painting by Lee Won-chan, it’s from his personal collection of more than 400 artworks. For this exhibition, 142 pieces owned by RM will be shown alongside 36 works from SFMOMA for a total of 178 works on display.
RM sees “Between You and Me” as an introduction to his inner life and reflection of contrasting aspects of his personality, whether as a public figure interacting with his adoring fans or an erudite intellectual and avid reader with a reputation as a clumsy and lovable goofball.
RM was on a hiatus from BTS and on the cusp of beginning his mandatory military service in South Korea when SFMOMA first approached him for the project two years ago. As it came to fruition, he sought to answer two main questions when contemplating which works of his collection to share with the public.
Does the artwork move him deeply? And, if the work is from a noncontemporary artist, does the piece have something to communicate in 2026?
“In an age where everything is consumed so fast,” RM explained, “I believe the attitudes of some of the past artists can resonate even more deeply today.
“I’ve always dreamed of seeing different places, times, boundaries and backgrounds all mixed together in harmony,” he continued. “It could be a mess because I’ve never formally studied, and I’m not a ‘curator, curator,’ but in any field sometimes an outsider can bring in a new breeze.”
Wonwoo Lee, “Candy,” 2023; from the collection of RM
(Wonwoo Lee / PKM Gallery)
It’s not RM’s first time working with a museum. In 2023, he partnered with Los Angeles County Museum of Modern Art to provide guided audio narration for “The Space Between: The Modern in Korean Art”.
At SFMOMA, RM was joined in his effort by two co-curators: SFMOMA project manager América Castillo and assistant curator of painting and sculpture Hyoeun Kim.
Kim, who has long championed Korean artists internationally, was particularly impressed with the diversity of Korean art that RM has amassed, including its “remarkable range.”
“His collection began with 6th century works, moved through the Joseon Dynasty, and continued to major Korean modern and contemporary art. It spans nearly 1,500 years,” Kim said during the preview.
The show is arranged in eight parts and begins with a large white wall at the entrance with the title of the show scrawled in RM’s handwriting. Handwritten touches are found everywhere — “Plz take it in with your eyes and heart” is scribbled on the floor in both English and Korean. The wall text for each piece, which also includes a QR code for audio narration, is composed by RM in both languages.
An inscription on the floor of an SFMOMA exhibit curated by RM of BTS features RM’s writing as part of the wall (and floor) text.
(Christine Terrisse.)
Guests will also receive a zine-style pamphlet with the same homespun appeal explaining each of the eight sections in RM’s words alongside a diagram of the room.
“Blue Water” centers the work of Kim Whanki, the late globe-trotting abstract artist and the first RM says he “fell for.” In addition to Whanki and works by Vija Celmins and Tony Feher, some RM fans might recognize one of Roni Horn’s glass cylinder sculptures from a now-archived Instagram post where it was casually displayed in RM’s apartment.
There’s even a room filled with especially eclectic pieces called “i don’t know..but i like it.” By way of explanation, RM said, “Sometimes I don’t really know why I collected all these things.”
The last room, “Umber” or “Dasaek” (referring to the color of Korean rice fields) might be the most meaningful to the singer. It features works by the late artist Yun Hyong-keun, for whom RM has a particular personal affinity. The cover for his debut solo studio album, “Indigo,” depicts Hyong-keun’s 1972 painting “Blue,” and the album’s lead track, “Yun,” a collaboration with Erykah Badu, kicks off with recorded dialogue from the artist.
Back in 2018, around the same time RM began his art journey with not much formal training in art history, co-curator Castillo began her career with SFMOMA.
At the time, she was in awe of the power of art to connect with people, but frustrated that more people from unconventional backgrounds weren’t being given opportunities to curate major shows, thereby shaping the stories told. Her work on this exhibition is part of a continuing mission to bridge the art world and the ordinary person.
Chang Ucchin, “Road,” 1986, from RM’s collection.
(Chang Ucchin Foundation / Seoul Auction)
This mission guided her through the process of selecting works by famous artists from SFMOMA’s collection to contextualize RM’s pieces from lesser-known but equally important names.
“The first time we pulled a list on the SFMOMA side, we had like 500 options we then dwindled down,” she said in an interview while standing in the “Umber” room. “There were some artworks and specific artists that we knew from the get-go we wanted to be in the show. We wanted them to have a moment. Mark Rothko was definitely one of them.”
The sole Rothko piece in SFMOMA’s collection, “No. 14,” (1960) is featured in one of the final rooms in the exhibition. Adjacent to it is “untitled” (1986-90) by Hyong-keun. In the exhibit pamphlet, RM notes that Hyong-keun’s paintings are often compared to Rothko’s, but “their darkness is not the same.” “To my eyes, if Rothko’s darkness is one that ‘opens’ then Yun’s is the darkness that remains after he endured everything he possibly could,” he writes.
As RM steps into the spotlight of the art world, he is learning to become comfortable with the uncomfortable in-between spaces he occupies. “I started this with an innocent heart. As I’m standing here talking to you, I still feel like I’m always drifting and floating somewhere, ” he said, adding that the feeling comes when he’s in the U.S. but also when he’s in his hometown of Seoul. “It’s not a very pleasant feeling. I think I’ve leaned on art a lot because of that feeling.”
Before the preview, BTS fans, called the ARMY, passed out small gifts to the press, and afterward donors lined up for a special reception. RM’s mother, father and sister even arrived to celebrate, but he didn’t have much time to hang around. He was scheduled to depart for Bogotá, Colombia, to join his bandmates on the Latin American leg of their ARIRANG stadium world tour.
It is time to leave the quiet of the museum for the roar of the crowd.
“RM SFMOMA: Between You and Me” opens to the public on Oct 3, and runs through Feb.7, 2027. For more information visit sfmoma.org
I asked myself this question and then one second later I asked Google, because my phone was in my hand as it is 50% of the time, and 75% of the time when I’m not being social. I spend a lot of time alone, writing books that I hope will end up in libraries.
I knew there were many public libraries in L.A., and that walking to all of them would probably result in a trail that looked like a snarled nest. This turned out to be correct. The city of Los Angeles has 73 libraries. The county has 86. And Santa Monica has five.
So, I decided to simplify. I would walk about 15 miles from the Central Library in downtown L.A. to the Ocean Park Library in Santa Monica, and, since every trail needs a name, I would call it … the phrase “booking it” arrived in my mind. I crossed that out, and then I crossed out some other bad options, and then I decided to let it go and name the trail after I was done, which is often what I do when writing a novel, because you don’t really know what a thing is until it exists. With books, and with trails, and with life, the only thing we can ever be sure of is that our plans will always turn out to be wrong.
An illustrated map of the 15-mile trek from the Central Library in downtown L.A. to Ocean Park Library in Santa Monica.
Case in point: The day before the trail, I planned to draw some lettuce on my sun hat with fabric pens. I envisioned that on one side, the lettuce would be beautiful and perfect, and on the other side, it would be goopy and rotting. What ended up happening was that I drew two lovely romaine leaves, and I liked them so much that I stopped there.
As I said, I spend a lot of time by myself, and I imagined that walking this trail would be a solitary adventure. I’m currently in the process of writing a new novel, and since walking is so conducive to writing, I thought the trail would give me a nice big swath of time to ponder the fictional world I’ve created.
I was told that a photographer named Scott Strazzante would meet me at the Central Library at 7 a.m. I assumed he’d take some shots and maybe walk with me for a little while, and then we’d part ways. What actually happened was that Scott stayed with me the entire time. This caused me to see the two romaine lettuce leaves on my hat as a foreshadowing. I was one leaf, and Scott was the other.
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1. L.A. Central Library. 2.The Lodrick M. Cook Rotunda inside the library. (Scott Strazzante / For The Times)
But back to the Central Library. It’s a masterpiece. Maybe you already know that. In case you don’t, I recommend a visit. Scott and I ended up in the rotunda, surrounded by murals, and it felt like taking a quick trip to Italy. Although really, it was a trip through California’s history. That’s what the murals depict.
An important part of the library’s history is that people (or one person?) tried to burn it down. Twice. In 1986, there were two arson attacks, spaced a few months apart. Who would want to burn down a library? It’s still unclear, although the main suspect for the first attempt was an out-of-work actor named Harry Peak.
The route from the Central Library to the Ocean Park Library is so easy that you could do it without your phone. You walk down four blocks to Olympic Boulevard, then head west. At some point, switch over to Pico Boulevard and keep heading west. Eventually, you’ll veer off at Gateway Boulevard, which turns into Ocean Park Boulevard, and boom! You’re there!
If you do this trail, I suggest you bring sunscreen, a hat and an external battery to charge your phone. I would also bring water and snacks, although, of course, there are many places to get those things along the way.
As Scott and I walked down Olympic, I said hi to a few people we passed, and Scott did too. After one of these interactions, Scott said, “People must think we’re missionaries or something, saying hi like that.”
A woman holds a religious sign at Olympic Boulevard and Alvarado Street.
I didn’t respond. But as we kept walking, I wondered about the implication of Scott’s statement, which is that if you’re going to be nice to a stranger, then it must be because you want something from them.
Scott and I stopped for beverages at Rok Coffee & Tea at Olympic and Ardmore Avenue, which I highly recommend. They have a free photo booth! Without the booth! It’s a modern, open-air version. Scott and I took a selfie. The people behind the counter were exceptionally friendly. When we walked out, Scott made a comment about it. “They were so nice,” he said, kind of in awe.
The arc of this story, I would say, is that Scott’s heart melted more and more as we walked, and so did mine.
At the start of the trail, Scott kept stopping to take photos. Which, you know, was his job. But I was annoyed about it. I was thinking, Damn, I was planning to dream about my novel and maybe call my sister and now I have to wait for this dawdling photographer?
Internally, I had a quick chat with myself. I could either choose to be irritated, or I could choose to love Scott. By the time we took the selfie at Rok, I loved Scott. Then he told me about his life and I loved him more. Scott’s new to L.A. He moved down here from Marin County, but he’s originally from Chicago. He hates shopping. When I complimented his shirt ( which said “Lucky Brand” on it) he said, “I didn’t even see that.” I noticed he was especially interested in signs about lost animals, which I thought was sweet. “Somebody lost a cockatiel!” he said, jogging to catch up, because I hadn’t waited for him.
Scott ended up jogging a fair amount. “We’re making this light!” I shouted a few times, and he sprang into action. He was a good sport about it. Running uses different leg muscles than walking, he pointed out, and his walking muscles were tired.
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1.A Chevrolet van parked on Sherbourne Drive.2.Writer Swan Huntley walks along Olympic Boulevard.3.A jogger passes Love Psychic on Olympic Boulevard and Citrus Avenue.(Scott Strazzante / For The Times)
In other moments, Scott took the lead. He wanted to cross the street to take a picture of the Koreatown sign, so we did that. He stopped to ask people if he could photograph them, which meant that we had more conversations with strangers than I would have had alone. Scott made my solo journey into a social one, and by the time we cut down to Pico, I couldn’t believe there had ever been a moment when I didn’t want this awesome man to walk with me.
Here’s another equation:
Being alone + reading news headlines = I think the world is bad.
When I’m by myself for too long, scrolling through articles about the worst things that have happened recently, I inevitably start to think that strangers suck and that kindness is an outlier. When Scott said that us chirpily saying hi to strangers must have made them think we were missionaries, I thought that was sad. As the day went on, I realized I spend more of my life than I want in that sad place.
Near the intersection of Pico and Robertson, Scott and I met a guy whose job it is to change out the batteries on Coco delivery bots. He told us that Cocos are not autonomous. They’re operated by people overseas, who might never come to Los Angeles. After our conversation with this guy, I said to Scott, “He was so nice!” Scott said, “I know!”
So, you can see how our hearts were totally melted. Strangers, as it turns out, often don’t suck.
By the time we got to the Ocean Park Library, my legs were noodles and Scott’s T-shirt was soaked in sweat. There were five people inside. One was on a computer, one was sitting at a table, one was napping in a small chair and two were in larger chairs, charging their phones, with a bunch of bags laid out by their feet.
Inside the community-centered Ocean Park Branch of Santa Monica Public Library.
Thomas Alexander, one of the librarians, told me that people come to the library for all sorts of reasons. Sometimes it’s for books. Sometimes it’s for events, like the zine workshop they put on recently in the basement, which was very well-attended. And sometimes it’s to charge a phone or use a computer or just be quiet for a little while.
I asked Thomas why he became a librarian. He said, “I like working with the community.”
On some other day, this statement might not have made that much of an impact on me. But on that day, it did. Scott and I had spent the last six hours communing with each other and with all the people we met along the trail. I thought about Harry, the out-of-work actor who had possibly lighted the Central Library on fire in 1986. I don’t know anything about him, but my guess is that he was someone who had forgotten that he was part of a community. I wish that Harry could have met Thomas, who has a calm, sincere demeanor and big, brown inviting eyes that seem to say, Hi, I just want to hang out.
Or I’m projecting. By the end of this walk, that’s what I was thinking. I’d gone from being a one-woman show to: Hi, I just want to hang out.
Swan Huntley arrives at Ocean Park Branch of Santa Monica Public Library.
So, my plans were wrong, as they always are, and I’m glad. The original goal of inventing (discovering?) the Scott Romaine Library Trail was to inspire you to care about books. I ended up inspiring myself to care about what libraries are actually about: community.
“Cartoon Network was better than Disney Channel and Nickelodeon.”
“Men should be required to get a vasectomy after a certain amount of baby mamas.”
These are just some of the bold, controversial statements that have come up at “Unpopular Opinion,” a live, interactive event where people share and defend their hot takes in front of a spirited audience. To support their claims, they present slide decks filled with graphics and memes on a giant screen. Those in the crowd gasp, cheer and laugh.
The crowd from a past “Unpopular Opinion” event. The viral series is coming to the Regent Theater in L.A.
(Quest Hollis / SideQuest Visuals)
The event was created by Chance Albury and Sarah Prince, founders of the Washington, D.C.-based experiential production company Something Different. People were already having these types of impassioned conversations online, Albury says, and they simply wanted to provide that space in real life.
They debuted the series in February, and after recaps of events went viral, they decided to take it on tour. “Unpopular Opinion” makes a stop in Los Angeles on Thursday at the Regent Theater.
“Who knew rage-baiting could be such a unifier?” Albury says.
“Everyone loves to argue,” Prince adds.
Albury says that the success of the show relies on having different perspectives and opinions in the room. The slide decks are also a major draw. Unpopular Opinion is one of several events that takes PowerPoint-style presentations out of their traditional setting — the office or the classroom — and puts them front and center in a social scene. Over the last few years, slide decks have shown up at house parties, matchmaking events and even in bars at gatherings like Lectures on Tap.
Anyone who wants to present can submit their hot take through an application form. Albury and Prince receive roughly 50 submissions for each event, but only about seven to nine are selected.
Presenters defend their hottest takes on stage using slides and passion.
(Quest Hollis / SideQuest Visuals)
“There’s just so many topics that you can talk about so it can’t get old,” says Prince, adding that a lot of the speakers are funny and present like stand-up comedians.
Typically hosted at a live music venue, the vibe of “Unpopular Opinion” feels like a boisterous late-night game show. Drinks are available for purchase at the bar. A live DJ plays a mix of hip-hop, pop and other high-energy genres as a host hypes up the crowd. As an icebreaker, audience members are asked to submit their own unpopular opinions to be displayed on the screen for everyone to see.
Then the main event begins. Presenters are given 10 minutes to make their case. Unlike a traditional debate tournament, audience members are encouraged to get involved and make their thoughts known.
“There’s just so many topics that you can talk about so it can’t get old,” says co-founder Sarah Prince.
(Quest Hollis / SideQuest Visuals)
After each pitch, the host asks audience members to hold up their paddle, which has a green thumbs up and a red thumbs down to indicate whether they agree or disagree. Then a mic is passed around so attendees can share their thoughts or rebuttals.
Though the event is called “Unpopular Opinion,” there are times when the majority of the crowd agrees with the presenter. There are also times when the audience strongly disagrees. In either case, Albury and Prince ask that attendees are respectful to one another.
The presentation topics range drastically, from lighthearted social media discourse (“Women standing behind the DJ booth is more embarrassing than men”) to hot-button dating debates (“Splitting the bill on the first date is fine”) to deeper societal issues (“People hate everything about slavery but Christianity”).
Albury and Prince say they are exploring ways to bring “Unpopular Opinion” “beyond the show doors” for those who can’t make it to a live event. They already post man-on-the-street-style interviews on social media, in which they ask people to weigh in on hot button questions.
Albury says the beauty of “Unpopular Opinion” is that it shows people it’s OK to disagree. “Just because we have different opinions doesn’t mean we can’t talk about it,” she says. “We may not even come to terms on agreeing or disagreeing, but we’ve got that space.”
‘Unpopular Opinion,’ hosted by Something Different
When: Oct. 1. Doors open at 7 p.m. and showtime is at 8 p.m. Where: Regent Theater, 448 S. Main St., Los Angeles Info: Tickets start at $48.60 (including fees). Must be 21+ to enter.
The case against the woman who authorities allege fired multiple bullets at pop singer Rihanna’s Beverly Hills mansion can move forward, a judge ruled Tuesday.
Florida woman Ivanna Lisette Ortiz, 36, was deemed mentally competent by Los Angeles Superior Court Judge Maria Cavalluzzi, meaning the criminal case can proceed after a competency evaluation delayed it for more than four months.
Case documents with Ortiz’s psychiatric evaluations were marked as confidential and sealed.
Officials allege that she put “numerous lives at risk” on March 8 when she drove a white Tesla to Rihanna’s neighborhood and fired about 20 rounds from an assault-style rifle. Rihanna, her partner A$AP Rocky and their three young children were home at the time.
Police discovered bullet holes or impacts on the exterior of the gate of Rihanna’s residence, a fence, the front windshield of an Airstream trailer, a patio area and on the exterior wall of a nursery room, according to a police document reviewed by City News Service.
At the time of the shooting, Rihanna and A$AP Rocky were inside the trailer, and their kids were inside the nursery room, according to reporting by the Associated Press.
Ortiz is facing 14 felony counts, including one count of attempted murder, 10 counts of assault with a semiautomatic firearm and three counts of shooting at an inhabited dwelling, vehicle or other target, court records show.
Ortiz had several prior arrests in her home state, The Times has reported. She was involved in a bankruptcy case in 2013, arrested on suspicion of careless driving in 2021, and arrested in 2023 on suspicion of domestic violence and battery.
Though she had no known affiliation with Rihanna, Ortiz often posted on social media about celebrities. In February, she shared a meme alleging Rihanna had AIDS and tagged Rihanna in a post on Facebook telling her to “say something to me directly instead of sneaking around.”
Another hearing is set for Wednesday morning at the Clara Shortridge Foltz Criminal Justice Center, court records show.
Perez Hilton’s website has offered an update on the celebrity gossip blogger’s progress following his apparent August suicide attempt, revealing that he has been allowed to see his children and mother.
“They were first able to spend time together through a few video calls, and since then, Hilton has also been able to see his children and his mom a few times for short, supervised visits at the facility,” according to the site. “Seeing his children in person has meant an enormous amount to Perez. There have definitely been a lot of emotions for everyone, but being able to spend that time together has been incredibly meaningful and healing.”
Hilton, born Mario Lavandeira Jr., experienced a mental health crisis on the night of Aug. 4 in his Miami home and livestreamed himself engaging in self-harm with a box cutter and knife as followers pleaded with him to stop and attempted to contact him.
Hilton spent weeks in the hospital receiving treatment for his physical injuries before being transferred to a residential treatment program, where he could “focus fully on his mental health and recovery,” according to a family statement from earlier this month.
However, Hilton’s brother-in-law said on a podcast on Aug. 24 that Hilton had not had any contact with his kids, as “they were not allowed in that section of the facility.”
Tuesday’s update also publicized a GoFundMe fundraiser created for Hilton’s mother, Teresita Lavandeira, and Hilton’s three school-age children. The fundraiser, organized by theater producer Tom D’Angora, who has described himself as a longtime friend of Hilton’s, promised that “none of the money will be used for Perez personally.”
As of Tuesday afternoon, the fundraiser had raised about $14,000 out of its $25,000 goal. D’Angora was not immediately available for comment.
“Like any grandmother who suddenly finds herself responsible for raising three growing children, she’s also taken on significant and unexpected expenses,” the fundraiser website says. “Perez’s family and friends are helping however we can. We also wanted to give the many people who have asked how they can help a way to do so.”
The site’s Tuesday update said there was still no available timeline for when Perez would exit residential treatment.
“Communication with Perez is still limited, and we’re not able to talk to him daily,” the statement read.
But it assured that he was making progress.
“He’s continuing to work with his care team on understanding what led to his mental health crisis, recognizing warning signs, learning better ways to cope, and working through everything that brought him to this point,” according to the site.
Hilton has been a controversial media figure since the mid-2000s, when he launched a celebrity gossip blog called PageSixSixSix. After the New York Post sued him, he rebranded it to Perez Hilton, a play on socialite Paris Hilton’s name.
During its heyday, Hilton’s successful website — on which he would publish mocking posts about Britney Spears and Lindsay Lohan and spread conspiracy theories about celebrity deaths — generated about 8 million page views a day, The Times’ columnist Robin Abcarian wrote recently. In 2010, he declined a $20-million offer for his website, according to reporting by the now-defunct outlet Gawker.
Gordon, the grateful beneficiary of Alexander-Arnold’s class, said: “I make that run time and time again and only a certain number of players have that ability, technique and bravery to be willing to make the mistake trying that pass. That’s why he’s so good and I’ve been dying to play with him for that reason.
“He’s had his own journey with England. He would’ve liked to have played more than he has but he’s been a great character during this camp. I’ve really enjoyed being around him.”
Alexander-Arnold is a risk taker, both in the defensive and attacking context, but only Elliot Anderson (41) made more passes in the final third than he did (32), while only Anthony Gordon, with four, created more chances than the defender’s three.
Tuchel, it should be stated, is not alone in having doubts about Alexander-Arnold.
Who can forget – although many would love to – Sir Gareth Southgate’s ill-fated attempt to utilise Alexander-Arnold as a midfielder at Euro 2024? It was ditched after 54 minutes of England’s second game against Denmark never to be seen again.
More will be revealed if Tuchel persists with Alexander-Arnold against Croatia behind closed doors in Rijeka on Saturday – but this must be close to make or break time for this lavishly-talented player who is 28 on 7 October.
If he cannot convince Tuchel in this camp, and surely that one moment of game-changing skill must be fixed in the head coach’s mind, then you wonder if he ever will.
Alexander-Arnold said: “It was amazing. It’s always an honour to represent my country. It’s been a long time, but I’ve always believed I can play for England. That belief has always been there and it was about proving it at club level. The manager gave me a chance, now hopefully he is happy with how I played.”
How happy? Time, and Tuchel, will tell.
Alexander-Arnold, however, could not have done any more as England, who sealed the three points with captain Harry Kane’s 87th goal in 123 international appearances, got their Nations League campaign going in Prague.
SPRINGFIELD, Mo. — After a splashy White House send-off usually reserved for presidential trips abroad, President Reagan today began a 13-state political blitz, telling voters they can cast their ballots for him “one more time” by electing Republican senators Nov. 4.
Trying to transfer his personal popularity to GOP candidates, Reagan coupled the personal note with a patriotic appeal, saying retention of a Republican Senate would be important not just to him but also to the country.
At GOP rallies here and in Waukesha, Wis., the President noted that his own name will not appear on a ballot again.
‘My Last Campaign’
“This is my last campaign, and if you’d like to vote for me one more time, you can do so by voting for Kit,” Reagan said here at a rally for former Missouri Gov. Christopher Bond, who holds a slim lead over Democratic Lt. Gov. Harriett Woods in their race for the Senate.
At the Wisconsin rally for GOP Sen. Bob Kasten, Reagan said:
“You know, my name will never be on the ballot again, but don’t think you can’t vote for me. If you want to vote for me, vote for Bob Kasten, so that we can have a Republican Senate that will work with me instead of against me and be around after I’m gone.
“Don’t just do it for me–do it for yourself,” he added. “Do it for Wisconsin. Do it for America.”
Reagan said that after he asked for a no-tax-raise pledge, “Bob Kasten signed up right away–but so far his opponent (Democrat Ed Garvey) has refused to sign. I think that tells the whole story right there.”
Not Aware of Any Pledge
However, Garvey spokeswoman Susan Rensberger, said today, “To my knowledge we’ve never heard of or seen such a pledge.”
Pete Roussel, deputy White House spokesman, later said Reagan’s remarks were intended “in the spirit of a rhetorical question.” He said of Garvey, “So far we are not aware of his making that pledge but we are giving him the opportunity.”
Before setting off on the two-day, four-state swing this morning, Reagan made maximum use of the White House as a political platform, addressing a crowd of several hundred invited GOP campaign workers and executive branch employees.
It was the latest kickoff of a campaign he has been waging for months.
Republican National Committee Chairman Frank Fahrenkopf Jr. introduced the President as the GOP’s “greatest asset,” and a U.S. Marine jazz combo played “Grand Old Flag” as Reagan paused for brief remarks on the South Lawn before boarding his helicopter.
‘Progress … or … Paralysis
Such departure ceremonies usually are reserved for presidential trips abroad. Reagan will be back in the White House on Friday before setting out on the campaign trail again next week.
On the campaign trail, Reagan said the election of Republicans like Bond and Kasten “could very well decide whether we keep control of the Senate–or lose it to the liberal leadership of the Democratic Party.”
“And that’s the difference between two more years of progress or two years of paralysis,” he said.
Reagan also plans to speak on behalf of Republican Sens. Don Nickles in Oklahoma and Paula Hawkins in Florida before returning to Washington.
Next week, the President has campaign appearances scheduled in Alabama, Georgia, Indiana, Colorado, Nevada, South Dakota, Washington, Idaho and California.
Chicago Bears linebacker D’Marco Jackson had just delivered a hard hit on Jalen Hurts as the Eagles star quarterback was running out of bounds. Hurts had to leave the game under the NFL’s concussion protocol.
So Sirianni decided to let Jackson know exactly how he felt about him. ESPN’s “Monday Night Football” cameras showed the sixth-year coach screaming an extremely NSFW word apparently at the opposing player — twice — while Eagles backup quarterback Andy Dalton prepared to enter the game.
Hours later, following the Eagles’ 27-7 loss to the Bears, Sirianni expressed regret for how he behaved.
“I always come away when I have a moment like that with remorse,” Sirianni told reporters during his postgame news conference. “I shouldn’t have let my emotions get the best of me. Those guys are out there trying to make a play. It was close on the sideline, ended up being a penalty. Obviously you never want to see your quarterback get hit like that, but it’s in the heat of the moment. I know nobody’s trying to hurt anybody out there, and I always have remorse when I act that way.”
He added: “The emotion of the game probably got the better of me today and I have to learn from that in that particular moment. I have to be more steady in that situation and be able to — like I say to the guys all the time, be able to move on and go to the next play. I didn’t like how I handled that.”
Trailing 7-0 midway through the second quarter, Hurts was forced to scramble out of the pocket on second down for a short gain to the Bears’ 13-yard line. As he was stepping out of bounds, Hurts was hit hard in the shoulder area by Jackson and knocked backward onto the ground. Jackson was flagged for unnecessary roughness, but the penalty was offset by an offensive holding call on Philadelphia’s Lane Johnson.
After the game, Jackson joked that he received “some feedback” over that hit but said that he thought he was making the appropriate play at the time.
“I’m seeing him, I see the first down right there and in my head I’m trying to stop him from [getting] the first down and reaching the ball out,” Jackson told Marquee Sports Network. “I thought it was a clean hit. In the second of the game, I thought it was clean.”
Hurts was able to jog back to the Eagles huddle but was then called to the sideline for concussion testing. Out on the field, Dalton handed the ball off to star running back Saquon Barkley three times to get the Eagles to the Bears’ 2-yard line. But on third and goal, Dalton’s pass intended for Dontayvion Wicks was intercepted by Chicago’s Dillon Thieneman in the end zone to stop the drive.
In his postgame news conference, Hurts didn’t address the hit by Jackson but did express frustration about not being able to clear the concussion protocol and re-enter the game sooner.
“I wish they could have expedited things,” Hurts said. “I felt fine.”
The Bears — led by third-string quarterback Case Keenum, who started in place of injured starter Caleb Williams and backup Tyson Bagent, who was recovering from a conncussion — then drove the ball down the field for a field goal. Hurts returned to the game on the next drive and led the Eagles to their only touchdown of the game.
ANOTHER UK airport is hiking its drop-off fees while making time limits shorter in a double blow for travellers.
The transport hub has confirmed that the cost of dropping passengers off at the departures terminal will go up by £3.
Another UK airport has increased its terminal drop-off feeCredit: GettyEast Midlands Airport says the hike has come as a result of “inflationary pressures”Credit: Alamy
East Midlands Airport has introduced the higher fee after Gatwick, Heathrow, Edinburgh, Birmingham, Bristol, Stansted, Leeds Bradford and more did the same earlier this year.
The Derby-based airport will charge £8 for a 10-minute stay at its rapid drop-off zone as of September 29 at 3pm.
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The price is up by £3 for less time allowed, with drivers previously being charged £5 for a 15-minute stay.
Airport bosses confirmed that the hike was brought in as a result of “significant inflationary pressures”.
The extra money is also set to go towards paying for an ongoing £120million investment to improve the airport.
Prior to the recent increase, the fee remained unchanged for five years.
Last year, the airport swapped its barrier system and introduced automatic number plate recognition cameras to improve the flow of the drop-off system.
Along with the ANPR tracking, new drop-off fee and shorter drop-off window, customers have until midnight the day after their airport visit to pay the charge.
The fee can be paid online or via phone – and those who do not pay in time are slapped with a £100 fine.
While the fine is dropped to £60 if paid within 14 days, North West Leicestershire MP Amanda Hack has hit back at the scheme.
Arguing that the new drop-off rules is “setting people up to fail”, she said: “The announcement by East Midlands Airport of changes to its rapid drop-off pricing and a reduction in the permitted waiting time is frustrating.
“While I welcome the investment the airport has made over the last couple of years, the way the rapid drop-off is currently set up feels stacked against consumers.”
The MP added hat having less time to complete drop-offs and the responsibility to remember to pay will no doubt mean more users face hefty fines.
“I already deal with numerous complaints from constituents and people across the UK who have received a £100 parking penalty notice because they simply forgot to pay,” she told the BBC.
“Increasing the price while simultaneously reducing the time allowed is only likely to make this situation worse.”
Hack says that she has asked the airport to install machines that allow them to pay the drop-off fee there and then.
“My concern has always been that the current arrangement at East Midlands Airport appears to set people up to fail,” she added.
Responding to the criticism over the new fee, East Mindlands Airport said in a statement: “Airport drop-off areas help to manage on-site congestion, with charges managing what is the most polluting form of transport to the airport.
“The new fees are proportionate in the context of inflationary increases and brings East Midlands Airport in line with other UK airports.
“The airport is well served by frequent 24/7 bus services from Nottingham, Derby and Leicester and surrounding communities, with stops close to the terminal.”
Meet the Fox News correspondent leading the fight for press freedom at the White House
Even Fox News, one of President Trump’s preferred media outlets, isn’t exempt from his go-to term for any woman he dislikes.
“She can be so nasty,” was how Trump recently described the conservative-leaning network’s senior White House correspondent Jacqui Heinrich.
Never one to hold back, the president has also had harsh words for her spouse, Rep. Brian Fitzpatrick of Pennsylvania, a moderate Republican congressman. “Her husband votes against me all the time,” Trump once said. “Can you imagine?”
The double-barreled attacks don’t bother Heinrich, who as president of the White House Correspondents Assn. is leading the fight against Trump’s ban on CNN, MS NOW and Politico. When Trump delivered his insult at the WHCA’s dinner in July, Heinrich just shrugged and smiled.
“You don’t get into journalism to be well liked by the subject that you’re covering,” Heinrich said in a recent phone interview. “As long as I’m doing my job, which is to get the story and tell it fairly and fully, the rest of it is not really my business to care about. It’s probably not the last time I’ll upset him. The president still takes my calls.”
Heinrich’s durability is being put to the test as she delivers the public and private messaging on the latest battle with the White House over press freedom. Trump banned the three outlets from the White House grounds due to what he believes is their constant negative coverage.
A federal judge issued a temporary restraining order to block the move, calling it viewpoint discrimination and a violation of the outlets’ 1st Amendment rights. But the administration continues to prevent CNN from serving in
the press pool that follows the president at all times. More court hearings are ahead.
Over the last 10 days, Heinrich has issued public statements condemning the ban, monitored the legal proceedings and held back channel conversations with the White House in an effort to get Trump’s decision reversed. It’s a second job on top of covering the president and co-hosting a weekend program “The Sunday Briefing.”
Executives and journalists say privately that it’s helpful to have someone from a Trump-friendly outlet lead the organization to restore the press credentials of outlets the president views as hostile. The WHCA exists to maintain and facilitate access to the White House for its 900 members across 250 news organizations.
But for Heinrich, it’s logical that 1st Amendment arguments transcend any political leanings of any media outlet. If Trump’s ban stands, conservative news organizations could find themselves facing similar restrictions the next time a Democrat is in the Oval Office.
“When you empower the president to select who is allowed to ask them questions, it shrinks the room,” Heinrich said. “It shrinks the perspective and it hands over that same authority to the next administration, who will surround themselves with only voices that approve of or are supportive or friendly toward what they’re doing.”
Eugene Daniels, a co-host at the progressive-leaning MS NOW and a former White House Correspondents Assn. president, said the organization’s members from Fox News and the further right-leaning Newsmax were always supportive of 1st Amendment and press access issues during his tenure.
“A lot of our news organizations understand intrinsically that at some point the shoe could be on the other foot,” Daniels said. “The solidarity matters.”
Daniels has also known Heinrich since the two worked together years ago at a TV station in Colorado Springs, Colo., and believes she is well-equipped to push the WHCA’s cause.
“She’s clear eyed about the role of White House correspondents in covering any president,” he said. “She is very tough and always has been since we’ve met. She stands 10 toes down when it comes to what’s right.”
Heinrich’s respect for journalistic principles has even extended to her personal life. When Fitzpatrick first asked her out on a date five years ago, he had to wait several weeks for an answer. Heinrich checked with her Fox News bosses to see if dating an elected official was a conflict even though she was no longer assigned to covering congress.
“He was very patient,” Heinrich said. The couple was married at New York’s St. Patrick’s Cathedral in June.
Heinrich is among the correspondents at Fox News — which this week will mark 30 years on the air — whose reporting doesn’t adhere to the leanings of its opinion hosts and commentators.
In 2020, Heinrich reported on Trump’s false claims of voter fraud in the election he lost to Joe Biden, while commentators, hosts and guests on the network continued to raise doubts about the results. Her reporting angered hosts such as Tucker Carlson and Sean Hannity, who were concerned that her work was alienating viewers loyal to the president.
Carlson called on Fox News Media Chief Executive Suzanne Scott to fire Heinrich in a text that came to light three years later when Dominion Voting System filed its defamation suit against the network. Dominion claimed Fox News deliberately aired false statements about the company’s role in the 2020 election, settling the suit for $787 million.
But Heinrich said she was unaware of the conversations before they were revealed in a legal brief in February 2023. (Carlson was fired from Fox News two months later.) She has been promoted twice since 2020.
“My bosses never interfered with my reporting,” she said.
Heinrich, 37, studied international affairs at George Washington University and wanted to pursue a career in the State Department before internships at MSNBC and WRC-TV in Washington led her to journalism. After working at several local TV stations she became a Fox News correspondent in New York in 2018. She covered Congress and the 2020 presidential campaign before moving to the White House beat in 2021.
Heinrich was raised in New England in what she describes as a politically diverse family. Her parents divorced when she was young, and she split her time between a conservative father in New Hampshire, a politically moderate mother in Maine and a Bernie Sanders-supporting stepfather from Vermont. She believes her upbringing was excellent training for her profession.
“It was ‘Live Free or Die’ and socialism all under two roofs but one family,” she said. “We have developed a really keen ability to listen. I think that’s one of the most important parts of journalism, is hearing and understanding someone’s perspective enough that you can describe it to someone else in a way that is fair and complete.”
Once Heinrich gets past the current conflict with the White House, she’ll have to plan the association’s annual dinner. (The event was cut short and rescheduled this year after a gunman attempted to enter the ballroom at the Washington Hilton.)
Heinrich said even with the president’s open hostility toward the press, he will be welcomed to the event in 2027.
“We have invited the president every single year for the last 115 years and that’s not going to change just because of President Trump,” Heinrich said. “We uphold laws, norms, and traditions around here and we intend to keep it that way.”
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‘Lanterns’ finale: The creators on John Stewart’s journey, the Halogram
This story contains spoilers for Episode 8 of HBO Max’s “Lanterns.”
From the very first time Tom King and DC Studios’ James Gunn ever talked about a Green Lantern show, they envisioned John Stewart as the kind of hero who could generate excitement and change the tide of any battle upon his arrival.
“The idea was to build a character as compelling and impactful as, say, Thor in the Marvel universe,” says King, the “Lanterns” co-creator, during a recent video call. “Someone who arrives in a movie with a thunderclap, and … the audience [just] screams when they arrive because you’re in love with that character … not just [for] the power set they have, but the integrity of that character.”
That hero officially takes flight in Sunday’s “Lanterns” finale.
Episode 8 of the HBO Max superhero crime drama, titled “Dirt and Stars,” sees John Stewart (Aaron Pierre) take up the mantle as Earth’s newest Green Lantern. After solving the mystery of his predecessor Hal Jordan’s (Kyle Chandler) death, Stewart claims Jordan’s power ring as his own, recites his oath and jets off toward his next adventure. (A second season of “Lanterns” has not been announced, but the character will appear in Gunn’s upcoming “Superman” sequel, “Man of Tomorrow.”)
Co-created by King, Damon Lindelof and Chris Mundy, “Lanterns” introduces Jordan as a grizzled, veteran member of the Green Lantern Corps, intergalactic space cops who are armed with a special ring that allows them to manifest objects and manipulate energy.
In the finale, John Stewart, left, claims Hal Jordan’s (Kyle Chandler) ring as his own.
(John Johnson / HBO Max)
Stewart is a new Green Lantern recruit, but when an investigation into the whereabouts of a killer alien robot on the run goes awry, they go their separate ways.
“One of the cool things about the canonical Green Lanterns is that, technically speaking, there’s only one ring delegated to this particular sector in which Earth fell,” says Lindelof of one of the show’s central conflicts.
The creative team knew from the jump that Stewart would be the one to bear that ring at the end of the season, but the idea that Stewart would be a child prodigy whose parents preordained his path to become the next Green Lantern developed over time.
“We [decided] the first part of John’s life is going to be [about] coming to terms with the fact that he doesn’t really want the ring — or he doesn’t want the ring on those terms,” Lindelof says. “Then there would have to be some period of time where he was living his dream. … Then and only then would he be able to wipe the slate clean, as it were, and gravitate back toward a healthy way to want the ring.”
In the comics, Green Lanterns are known for their oaths, which they recite when recharging their rings or to reaffirm their commitment to the group. In “Lanterns,” Stewart creates his own version that acknowledges his journey and perspective on becoming a Green Lantern.
“We talked a lot about it in the room, but the feeling was that he was changing the relationship with the Guardians in that moment,” Mundy says, referring to the immortal aliens that created the Green Lantern Corps.
In the end, Hal, left, is able to impart lessons that nobody else would have been able to teach John.
(John Johnson / HBO Max)
The Guardians had once considered Stewart an ideal replacement for Jordan because he was willing to blindly follow orders, but by the time he claimed Jordan’s ring, it’s clear Stewart has no plans to be affiliated with the Guardians or the Green Lantern Corps in that way, and the writers wanted his oath to reflect that.
“We wanted John to take [the role] on his terms,” Mundy says. “Even though Hal didn’t train him as well as he should have trained him, he taught him lessons that nobody else would have taught him. … [Including] how you need to be your own person even as you’re working for this organization.”
Besides his unconventional path to becoming a Green Lantern, Stewart is in possession of a unique lantern for recharging his ring that was forged by Sinestro, Jordan’s disgraced mentor.
The “Lanterns” showrunner remained coy when asked whether this lantern’s more ominous origins could lead to any unintended consequences for Stewart.
“It’s rife with possibility, is what I will say,” Mundy says.
In separate interviews, Mundy, Lindelof and King discussed the “Lanterns” finale, Stewart and Jordan’s bittersweet reconciliation and the show’s fiercely protective mothers. Their comments have been edited for clarity and length.
Because the “real” Hal is killed in 2026, his relationship with John is left unresolved. John shares a moment with the Halogram, the backup version of 2006 Hal’s consciousness, after working with him and the mystery is solved, but can you address that lack of proper closure for them?
Mundy: We talked about this thing as a love story between these guys in a certain way, but one of them has to die in order for them to truly come together. Even over the course of the Halogram being in the show, he never called John “Junior” ever. He always called him “trainee.” Until the last moment when he says … “I love you, too, Junior.” There’s something very bittersweet about the fact that the two people we spent all that time with don’t fully have their moment together.
King: What I think is hinted at between the Halogram and the final Hal we get is this Sinestro subplot. This is right from the comics, but Hal’s best friend, his mentor, the person who trained him, betrayed everything he trusted and Hal had to put him away. I think the trauma of that moment closed Hal up. It damaged him … so he was unable to see John for what he is and unable to listen to John the way he should. [With the Halogram] John finally encounters a Hal who hasn’t gone through that and they can have conversations they couldn’t have before. John can start to feel the empathy that Hal denied him, and he can see Hal for who Hal really is.
Lindelof: I love the idea that that version of Hal and John are unresolved. There is no apology. There is no forgiveness. The only closure that John can get is from this earlier version of Hal who has a lot of sympathy and empathy, not just for John, but for himself. Obviously, this is a crazy sci-fi superhero show, but that feels more authentic to life. Sort of like when someone that you love is gone, and you find a note that they wrote or an old birthday card and you extrapolate new meaning from it even though it’s from an earlier version of them.
Viewers get some backstory on the romance between Kerry Kane (Kelly Macdonald) and Hal.
(John Johnson / HBO Max)
Why was it important to show more of 2026 Hal Jordan’s life before his death in the finale?
Lindelof: The only flavoring that we get of him directly [before this] is in the diner scene, when John comes for his apology and doesn’t get one. Only toward the very end of that scene after John has hit Hal, and Hal says, “Don’t let anybody know that you were here,” is there a flash that something has changed in this guy. It’s one thing for Kerry to tell us that they were in love, or to hear Hal’s “buttercup” voicemail, but I think that the audience needed to see it and experience it. Hal is not a changed man in 2026, but he’s an evolved man. And there’s real tragedy inherent in all of the decisions that he’s making because we know that all of those decisions basically lead him to be a corpse in the stands at a football game. The subtle differences by which Kyle plays older Hal versus Halogram Hal is really on sharp display in the finale.
With Noah being a Manhunter, it turned out that he and John were dealing with similar questions around lineage and legacy and nature versus nurture. How did the exploration into these themes evolve during the show’s development? Much of it is unpacked in their truck ride together.
King: The basic idea [was] that John had been one of these kids who had been told, “You’re going to be this when you grow up.” Like a Tiger Woods or Michael Jackson-esque child. We started talking about what that’s like — to be a prodigy, to be forced into [something]. The idea that you’re kind of programmed by your parents. And then we were talking about Manhunters. The problem with Manhunters is they’ve been programmed to do this one thing, and they can’t defy their programming [to eradicate mankind]. That’s why they had to eventually be erased. Then we started talking about the parallel of programming and overcoming programming, and what makes you human, what doesn’t, that parallel came first. Those were the very nascent ideas, and we took that to our brilliant writers room, and [Breannah Gibson], Justin [Britt-Gibson] and Vanessa [Baden Kelly] added their own personal experience to that and made it a much richer … and personal story.
Mundy: John still doesn’t know if he’s about to die in this car. Noah is trying to learn about himself and figure out if he wants to kill John or die himself. The important thing was to hold that tension and then kind of step that conversation through chapters. There’s anger about what happened to Zoe. After he understands that a little bit better, he says “these are the different ways my life could go.” And then John can actually bring a piece of himself. We talked all the time about the way John was raised and the programming of the Manhunters and what’s “programming” and what’s “being raised.” Then there’s a confession that ends up being false, but also this request to be killed. There were three distinct sections of that conversation, and we wanted them all to be meaningful and personal.
In the final scenes of the episode, John and Kerry have a conversation about what parents are willing to do for their children.
(John Johnson / HBO Max)
With both Hal and John, so much of their intergenerational trauma is tied to their fathers. But with Noah and John, you also see just how big of a role their mothers have played in shaping them. How did that aspect come about?
Mundy: Once we knew that Noah was a Manhunter, it felt too cheap and too easy for that to be the answer [to the mystery of Hal’s death]. But it felt key to the answer of it, and we were talking so much about parenthood and what you would do for your child and what it means. What’s protecting people and what’s not? It just became a given pretty early on that Kerry would be the answer at the end. It just fit into the same story Bernadette was going through. And [John’s] conversation with Kerry explains so much of that.
Lindelof: I think this all came from Vanessa Baden Kelly. We had written the pilot, where John’s father is shooting the apple off of his head, and then when Vanessa came on shortly thereafter, she’s like, “Where’s mom?” It is one of those moments where you realize it, particularly because we were three men, but also inside of the canon of these superheroes, it’s always a dad. So the idea was having Bernadette really be the mastermind of John’s upbringing as a way to provide a simultaneous salve for her husband’s shame about being afraid about losing out on the opportunity.
I think that Kerry is an equally fierce mother. Obviously, she loves Hal. But when you watch it a second time after you’ve seen the finale, you realize that there’s guilt there as well because of what she did to him, all in the name of her son.
John starts to reframe what Bernadette did as something for him, as opposed to something for her — in a lot of ways, it was a selfless act. She’s doing it knowing that her child will hate her, but that he’ll be the Earth’s Green Lantern, and there’s going to be an aspirational quality to that for generations to follow.
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Laker Matisse Thybulle tested by Luka Doncic, Austin Reaves
When Matisse Thybulle was asked what it has been like trying to defend offensive savants Luka Doncic and Austin Reaves during the Lakers training camp, he shook his head and smiled.
Thybulle was emphatic with his answer.
“I mean, you have to work soooo hard. They’re soooo talented,” Thybulle said, laughing. “And it’s just … I think for me it’s great because getting to play against two of the best offensive players in the NBA every day just primes you for — I think it primes all of us, but me specifically — just primes you for what to expect. And I think it was a big thing when you’re growing up that practice should be harder than the games. And I think in the NBA it’s a little different because you just have to pace yourself for such a long season. But guarding Luka and AR, practice is definitely going to be harder than the games.”
During the first four days of Lakers training camp, Thybulle was frequently listed as one of the players who has been a menace on defense.
It was why the Lakers signed the 6-foot-5 free-agent wing to a one-year, $3.2-million contract.
Thybulle, along with Ziaire Williams and Adou Thiero, has been praised for how disruptive he has been during workouts.
“I just think naturally it’s going to be a healthy competition and it gets you better. It’s going to make Austin better when Ziaire is picking them up full court every possession and Matisse is in the passing lane trying to blow things up,” Lakers coach JJ Redick said. “I think [Thybulle and Williams] — [and] Adou with his physicality — those guys are getting better from practicing that way. It goes both ways.”
Thybulle made a name for himself on the defensive end of the floor. He is a two-time NBA all-defensive second team selection, both times with the Philadelphia 76ers in 2021 and 2022.
Still, Thybulle said he’s picking up new skills.
“I think, like the best offensive players in the league — Luka being probably one of the best — change pace so well,” Thybulle said. “And I think as I’m growing in this league, growing as a defender, learning when to change pace and go for steals versus sitting back and being solid and make it more of a cat-and-mouse game as opposed to trying to be in every passing lane every single time.”
On offense, Thybulle will try to mold his game around Doncic and Reaves.
Thybulle will be asked to knock down corner threes and fill the lane on the fast break.
Over the course of his seven-year career, he has made 34.9% of his three-pointers.
“I think luckily for me, I started my career in an offense that was similar to that, and just understanding you never know when it’s going to come, but just to be ready,” Thybulle said. “And just for me personally, at this point, having the confidence in my shot to know that when it comes, I’m ready for it, as opposed to just hoping for the best. I think it goes a long way as well.”
Health has been an issue for Thybulle during the past two seasons with the Portland Trail Blazers.
He played in just 30 games last season while recovering from a torn ulnar collateral ligament in his left thumb and in just 15 games during the 2024-25 season because of right knee and right ankle injuries.
But he’s healthy now and ready for a breakout season.
He’s one of nine new players on the roster and he’s one of the Lakers that will compete for a starting role.
“I leave those decisions up to the coaches,” Thybulle said. “Yeah, so for me, if my teammates are happy with how I’m playing and the coaches are happy with how I’m playing, that’s a good sign to me that I’m doing a good job. But if that means I’m coming off the bench or that means I’m starting, I trust that the coaches know how to use me best to create the most impact, and we’ll go with that.”
Two starting spots up for grabs
When the Lakers play their first exhibition game Monday night in Sacramento, the big story line will be the starting five.
Redick has said Doncic, Reaves and Walker Kessler will for sure start and that the other two spots will be decided by an open competition.
Redick was asked who would be available in Sacramento.
“Obviously, [we’re] still working through stuff,” he said.
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Claim that Anaheim mayor called staffer ‘dirty Mexican’ is old hat in O.C. politics
Every fall, I teach a Latino History of Orange County course at Chapman University — from the Portola expedition all the way to Huntington Beach’s MAGA Latina councilmember, Gracey Van Der Mark. The lecture last week focused on how anti-Mexican politics have always worked in Orange County and usually go on to be copied nationwide.
I usually, sadly, have to update this lecture every year because the lowlights just keep coming. That’s why this time around, one of my PowerPoint slides ended with “2026: Anaheim?”.
Haven’t you heard? A lawsuit accuses Anaheim mayor Ashleigh Aitken of calling her chief of staff a “dirty Mexican.”
Stay classy, O.C.!
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TimesOC writer (and my fellow Anaheimer) Gabriel San Román first reported on the allegation last month. He revealed that a lawyer for Aitken’s chief of staff Berenice Ballinas was seeking mediation from the city after his client suffered a “sustained pattern of harassment, discriminatory treatment and, most recently, retaliation” while doing her job. A legal claim filed soon after offered pages of alleged incidents detailing what Ballinas claimed she had to deal with when her boss supposedly had too much to drink while on city business.
It’s an ugly read, with incidents at Disneyland’s Club 33, Angel Stadium and other Anaheim landmarks. Yet no passage is more damning — yet more Orange County — than when Ballinas claimed Aitken once called her a “dirty Mexican” in front of then-city attorney Jim Vanderpool and said another time that the mayor didn’t want “a Mexican” like Ballinas to drive her car while Aitken was supposedly what the British satirical magazine Private Eye would call “tired and emotional.”
The mayor, a Democrat who’s running for reelection, has denied the explosive charge in an official statement and during a recent council meeting. And yet the allegation against her now enters Orange County’s long, sad spectrum of anti-Mexican political history.
Just part of the list: Proposition 187. Poll guards. Trying to give local police immigration-enforcement powers. When then-Orange County supervisor Ronald Caspers called a group of Mexican American county employees who demanded promotions “bandidos” during a 1972 supervisors meeting, then suggested the supes move the county seat away from Santa Ana because the city “does not have a normal ethnic balance” — in other words, it was too Mexican.
Or how about when a Newport Beach council member, Dick Nichols, opined during a 2003 council meeting that he opposed expanding the grassy areas of Corona del Mar State Beach because Mexicans “claim it as theirs, and it becomes their personal, private ground all day”? (Asked to apologize, Nichols doubled down by saying, “Where the hell am I in any way discriminating or being a bigot by making a statement that is blatantly true?”)
My hometown is not exempt from this sad parade. Anaheim’s schools, parks and swimming pool were segregated until the 1950s. In 1999, the Anaheim Union High School District board of trustees voted to sue Mexico for $50 million for educating the children of undocumented immigrants (The Times’ write-up was the first time I appeared in the paper, although the writer misspelled my last name).
Why all the O.C. anti-Mexican hate? You’ll have to enroll in my Chapman class for the full explanation. But the main reason is that Mexicans have long functioned as O.C.’s demonized minority. When millions of O.C. residents have grown up believing the powers that be that all Mexicans do is work low-paying jobs and underachieve in life, no wonder politicians bash them again and again — and no wonder many Anaheim residents aren’t giving Aitken the benefit of the doubt.
On Friday, the Anaheim City Council announced after a closed session that it would launch an independent investigation into Ballinas’ allegations. Aitken had an eventful Friday of her own. She admitted on Instagram that she has an “unhealthy relationship” with alcohol and sighed to CBS Los Angeles that Ballinas was “somebody who I thought was my right-hand person.” And while local activists have demanded she resign, O.C.’s ascending liberal machine isn’t asking for her head the way they would’ve if it were a Republican official: Mayor Anaheim gave the opening remarks at the Orange County Labor Federation’s annual Solidarity Awards gala on Friday night to cheers.
Stay classy, O.C.!
The week’s biggest stories
Republican gubernatorial candidate Steve Hilton visits patrons at Victorio’s Ristorante in North Hollywood, where a watch party was held for the CNN governor’s race debate Wednesday night.
(Jason Armond / Los Angeles Times)
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Helicopter tragedy
Paramount-Warner Bros. merger
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Editor’s pick
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Things to do
Retro candies, zombie-themed chips, ghost-branded coffee and large-scale movie characters can all be found at the Horror Boodega snack shop in Burbank.
(Stephanie Breijo / Los Angeles Times)
Today’s recipe
(Genaro Molina/Los Angeles Times)
For culinary content producer Owen Han, his nonna’s recipe for meatballs is as classic as they come. She does not brown the meatballs but instead poaches them in the copious tomato sauce (she called it salsa di pomodoro, or sugo, but you might know it as marinara) so they are extra tender.
Photo of the day
(Nava Rawls / Los Angeles Times)
Games
Here’s today’s mini crossword, plus our other free, daily crossword puzzle, sudoku, word search and jigsaw games.
Have a great day, from the Essential California team
Jack Dolan, investigative reporter
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Kevinisha Walker, multiplatform editor
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Let’s debate ethical dilemmas taking place in high school sports
There are so many ethical dilemmas in high school sports that earning a teaching credential or gaining life experiences from participating in sports won’t always provide a clear path on how to proceed.
And when you bring in rules and regulations set forth by the California Interscholastic Federation, the state’s governing body for high school sports, everyone has an opinion or complaint — especially when there is a perception of inconsistency in how punishment for a rule violation is assessed.
It really comes down to how coaches hold themselves accountable and what a principal believes in supporting. For example, some principals have dismissed coaches for using profanity. Others do nothing.
Here are some of the ethical questions administrators, coaches, parents and players now face:
If cheating is wrong, how come so many cheat?
Should a player who transfers and has superior talent immediately get to start over a player who has been in the program for three years busting his butt?
How do you figure out when it’s OK to share playing time at quarterback if you have two good players or even three?
When is it OK for a parent to ask about their son‘s or daughter’s playing time, if ever?
How important is winning games compared to team grade-point average?
What is the most appropriate punishment for showing up late to practice?
What is a legitimate excuse for missing practice?
When should a coach allow players to wear whatever shoes they want compared to having one universal shoe and color?
Why are coaches allowed to use profanity but players can’t?
Why can’t coaches welcome multi-sport athletes instead of seething when they have to miss an offseason game?
Should benching a player for receiving a technical foul be automatic?
Should a player be immediately removed for committing a personal foul in football?
How much consideration should be given to the parent with money versus the parent with no money?
How much acting is required to pull off a pregame or halftime speech to inspire your players?
How can you teach teamwork and unselfishness for the team but lay low and suddenly go silent when the top player doesn’t follow the example away from the team?
When a parent offers to become an assistant coach, what instructions and guidelines must be imposed to prevent other parents complaining about “daddy ball?”
When is yelling at an official ever appropriate?
When is the margin of victory too large?
Why is it OK to recruit players, then complain when someone else recruits your players?
For years, baseball coaches have broken rules by holding batting practice before playoff games, resulting in teams forfeiting and coaches learning ignorance of a rule is no excuse. That leads to how can a coach receive only a two-game suspension from his district for playing three ineligible players during an out-of-state football game while claiming he didn’t know the ineligible players couldn’t play outside of California when he’s been coaching for more more than 10 years?
Any coach who says “I don’t want to know” where a transfer lives to escape accountability might want to start realizing an entire program can go down when they abdicate responsibility.
Finally, many claim whatever they are doing “is for the kids,” but when is it time for an adult to enter the room and explain the end doesn’t justify the means?
As someone who has seen virtually every kind of behavior, both good and bad, during 50 years of covering high school sports, I can say I don’t have all the answers to many of the questions posed. But when it comes to education-based high school sports. everyone has a responsibility to follow high ethical standards so that maybe a little bit might rub off on their players and help them navigate their future real-life decisions from a position of strength and confidence.
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Soulection celebrates 15 years with upcoming L.A. show
In 2011, Joe Kay debuted Soulection as a college radio show at Cal State Long Beach, spinning rare B-sides, progressive beats, inventive flips of classic records and soulful underground tracks.
Fifteen years later, the niche local broadcast on K-Beach Radio has ballooned into a cultural movement that extends far behind his alma mater’s campus. Beyond its flagship on Apple Music with nearly 750 episodes (Grammy-winning producer Swizz Beatz was a recent guest DJ), Soulection is also an independent record label, live event and clothing brand. Operating under the banner “the Sound of Tomorrow,” the collective championed artists like Kaytranada, Brent Faiyaz, Bryson Tiller and Snoh Aalegra before they were household names.
Still, Kay remains hungry for more. “There’s so much more to do,” says Kay, who released his first project “If Not Now, Then When?” last year.
“We’re at this breaking point of not just being underground,” he adds. “It’s like we’ve been D-1. We’ve been to the playoffs. Now we’re like how do we get to the championship and not just show up to the championship, how do we win?”
On Saturday, Kay and his tight-knit crew are celebrating Soulection’s 15th anniversary with a festival at Reframe Studios Outdoors in Atwater Village. The lineup includes DJ sets from Kay, Grammy-winning producer and artist Kaytranada, Sango, Esta, DJ Miss Milan (who DJs for Doechii), Ayanna Heaven and surprise guests. (Kay doesn’t even know who all will show up.)
Ahead of the hallmark event, Kay spoke about how he continues to find emerging talent when everyone’s an artist or DJ these days, building long-term staying power, his new dance music concept and why he’s nowhere near done pushing the limits of what Soulection can do.
Joe Kay and his team are celebrating 15 years of Soulection on Saturday at Reframe Studios Outdoors in Atwater Village.
(Jason Armond / Los Angeles Times)
This weekend, you are celebrating the 15th anniversary of Soulection with several guests, including Kaytranda, who has been connected to the brand for years but has yet to be on an official Soulection lineup until now. What does this homecoming mean for you?
It’s special. Just having Kaytranada, it’s been long overdue but right on time, and to me that’s all that matters. About four years ago, we did a private party in L.A. in between Coachella, and it was him, Peggy Gou and myself, and it was a really cool party. So we played together, but in terms of a public, front-facing event, this is the first time he’s been on one of our lineups. What I appreciate about him is his work ethic. That man just doesn’t love to DJ, but this man works so hard. I work really hard, and then I see him and it makes me just want to go harder. This man is constantly on tour and he just finds a way to keep putting out music that people care about so much. I think that alignment between him, Esta and Sango is special. Even having Miss Milan, it’s one thing to be a DJ for someone like Doechii, but to also see what she does independently, I really admire that. There’s not a lot of women in the space who are moving like that and are recognized. She’s a boss on stage. Then, Ayanna Heaven is from New York, but she’s Jamaican and we’re lucky to have her.
What else can we expect at the show?
We’ll have a sunset set of Soulection and Friends, so special guests will pop out to do a couple songs. We’re not even sure who’s going to be popping out completely, but we have a handful of names and there’s some good people who I feel like have been part of the Soulection sound and Soulection radio. In London, people were like :We wanted a party. There were a lot of performances.” So now we’re giving people the party and we’re trying to move, but there will be a portion where everyone does a couple of songs. I love how we listen to feedback from one event and we make adjustments. I think that’s part of why we’re still around.
Soulection was pivotal in giving early platforms to artists like Brent Faiyaz, Bryson Tiller and Anderson .Paak before they became global superstars. What is your internal filter for spotting rising talent and has this changed over the years?
It’s a loaded question because talent and gifted people are everywhere. I find those people everyday. But in terms of who has the “it factor,” that one takes more layers. It’s not about “Does this person have to have that ‘factor’ for me to give them an opportunity or to be excited about them?” It’s more so an internal feeling. Nowadays, content is important so it’s the music and it’s mainly how they message themselves. How are they communicating their work, their vision and is it resonating with me? Then I scan their socials. I have no problem following anyone. I’m not one of those guys like “I have to have my following ratio at a certain amount and I’m too cool to follow you.” If I’m interested, I’m interested. I think today it takes a lot more to stand out. It’s a saturated [market], but I feel if you can break off and stand out now, it says a lot more than ever because everyone’s an artist and a DJ. Whereas 10 to 30-plus years ago, it was so much more of a rarity. It was a lot harder to be an artist so now that’s what makes it a bit more complicated.
It’s been over a year since you released your debut project “If Not Now, Then When?” You’ve talked about overcoming impostor syndrome to make it. What did you learn about yourself throughout the process?
It went by really quick. I’m really glad we dropped that project. It taught me a lot. When people ask, “So what do you do? Or can I find you on Apple or Spotify?” It’s nice to have something to direct people to outside of the radio show, there’s a body of work. I get emails every week of how many people are still discovering the music even though it might be old to us. Working on this project taught me a lot about accountability. I realized putting out a project as a label head and allowing artists to share their vision versus how I would do things are two different worlds even under Soulection. I’m so used to being on the executive or A&R side and letting people cook like “We’re here to help market it, but this is your work.” I honestly was proud of it because in my opinion “This is how I think you should do a rollout” and it was nice to show proof of concept. Also, working with all these great artists. I’m still in awe when I think about D-Mile being on two records. Bruno Mars is on tour right now, selling out SoFi Stadium. He’s doing like 8-10 times what we’re doing and D-Mile is a big part of his sound. To know we had him be a part of my project was a blessing and says a lot about the work that has been done.
Last year, you talked about potentially releasing an album this year. Are you still planning to do that?
It truly is extremely difficult to get a project done when you’re on tour and that’s why it didn’t get done. I did about 30 cities and when you’re going city to city, country to country, there’s really no time. When you’re putting together these projects, I feel like you have to literally be stationary for weeks at a time when you wake up and that’s all you think about. It’s very difficult when you’re stopping and going and nowadays. There’s a lot of chasing with the artists. Even if they are down, artists have their own projects, their own rollouts, their own tours. We’ve also been working on this 15-year celebration for the last year and a half, so I would say the album is the next focus.
You’ve been cooking up a new concept called Tempo. Can you tell us about that?
I’m very passionate about Tempo. If I could launch it today, I would. I’ve been using that word so much because I keep trying to tell people we’re trying to make people dance. If the women move and are having a good time, everyone’s moving. That’s why we love dancehall, Afrobeats, amapiano and now as we’ve seen in the last years, Afro House, and these other genres. It’s essentially dance music. I’m also very close to South Africa, specifically Cape Town and Johannesburg. That’s a place I’ve been going since 2015 and I’ve built a really good connection with people out there. As these new subgenres started to come out in like 2018, I’ve been very passionate and researching that music. A couple years ago, I was there and I curated these shows with some really great local artists and producers. I’m just very passionate about trying to push those artists to a higher scale. Imagine Brent [Faiyaz], Leon [Thomas], SiR or Snoh Aalegra or Kwn, hearing their vocals on an Afro House record or just the right tune that has that tempo. Now all of a sudden, you have Shimza, Keinemusik or Francis Mercier playing the records in front of 30,000 to 50,000 people. I feel like we have those relationships with the artists. They need to be told like, “This is who you need to work with. Trust me.” Then bringing them together and not feeling like we have to make it pop or saturate the music or make the drums lighter and more radio-friendly. I think we do it in an organic Soulection style. To me, that’s really the goal of Tempo. It’s not just an event, but it’s also like a sub label of Soulection that focuses on electronic music, a lot of Afro electronic music but not just that — just house music in general. There’s no boxes or boundaries to it. If it moves you, we’re going to put it out.
Joe Kay will be DJing alongside Kaytranda, Sango, Esta, DJ Miss Milan and Ayanna Heaven at the Soulection anniversary show on Saturday.
(Jason Armond / Los Angeles Times)
Looking back on the last 15 years, what are you most proud of what you’ve built with Soulection?
There’s a couple things. One, it’s nice to have my team who have been with us for over a decade. It’s a testament to what we’ve built, that people still want to be here. It makes me feel good that I have a loyal group of people who are my friends, who I’m grateful to call my family and who go up to bat for me and the team everyday. It’s not easy. Now that we’re older, I feel like, we choose to be here. Secondly, to think about all the artists and collectives that have been motivated by Soulection and have gone on to create their own businesses or have gone on to sign to agencies or get a manager. To know they were listening to Soulection at one point, that’s all it was meant to be — to inspire. It’s not about being on Soulection, it’s more of how do you take this motivation and create your own. It’s nice to be a part of that, but also they did the work.
That’s cool because it makes me think of how you were heavily inspired by labels like Stones Throw. You wanted to intern for them, but ended up creating your own thing and now Soulection is a blueprint for others.
I’m still inspired by Stones Throw. They literally just hit 30 years, so they’re literally two times what we’re doing. That had me thinking like, “Damn, what are we at year 30?” To see them still doing it, it’s very admirable. To be [a blueprint] is still great, but I don’t feel complacent. We just feel like there’s so much more to do. You asked, “How do I stay excited to show up to work everyday amongst all the craziness” and I think it’s my curiosity. I’m just grateful to provide for my family and for so many others for just doing something that I love everyday. Being about music, arts and highlighting people, that’s a blessing. I think we can take that for granted, but I don’t and I really do wake up everyday like, “How are we going to change someone’s life?” That’s the best part about it.
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Senator flubs gotcha moment by mixing up sports teams. A woman steps in to correct him
History was made this week on Capitol Hill when a female senator womansplained sports to a male senator, and surprisingly, the gender-shaming reversal did not cause the universe to collapse on itself.
During a Judiciary Committee hearing Tuesday, MAGA’s manhood cloak was breached when Sen. Amy Klobuchar (D-Minnesota) revealed that Sen. Eric Schmitt (R-Missouri) had mixed up the names of basketball teams in an unsuccessful attempt to perjure former Special Counsel Jack Smith.
Smith was testifying before the committee because he had led the investigations into Donald Trump’s efforts to overturn the 2020 election and retain classified documents. Several Republican lawmakers have said that Smith overstepped his duties and launched a “witch hunt” against Trump and his allies.
Sen. Amy Klobuchar (D-Minn.) speaks during a 2020 event in Las Vegas.
(Ethan Miller / Getty Images)
Schmitt was trying to suggest Tuesday that Smith improperly colluded with Fulton County Dist. Atty. Fani Willis on their separate criminal cases against Trump by placing the former special counsel on Willis’ home turf of Atlanta in 2024.
But a watershed Watergate moment this was not. If Schmitt’s effort to ensnare Smith was set to a musical score, it would have been far more “Curb Your Enthusiasm” than “Mission Impossible.”
His gotcha moment became a schooling by Klobuchar on basketball, turning the tables on the age-old art of mansplaining. For those who need a quick definition, it’s when a man explains something to a woman in a patronizing way, with sports usually at the top of that talk-down-to-her list. He assumes she knows less than he does, even if she’s versed on the subject.
Klobuchar is an avowed sports fan and the daughter of respected Minneapolis sportswriter Jim Klobuchar and a former prosecutor known for her sharp questioning. The combination proved unfortunate for Schmitt during the hearing when he tried to catch Smith in a lie.
The Republican senator asked Smith, “Did you go to an NBA game between the Golden State Warriors and the Atlanta Hawks on Feb. 3, 2024?”
Smith, whose normally commanding presence has launched countless memes, appeared genuinely perplexed. “What city would that be in?” he asked.
“Atlanta,” replied Schmitt.
Smith denied he was there.
“So your testimony today is that you did not go to a Hawks game on Feb. 3, 2024. Is that correct?” Schmitt said.
“I have no recollection of that,” a bewildered Smith said.
As evidence, Schmitt introduced text messages from Smith’s security detail about seating arrangements for a game, displayed on a poster board that was taken down so quickly that Smith and various senators said they didn’t have time to read it.
“I think you’ve already perjured yourself,” said Schmitt, a former Missouri attorney general who then used the rest of his time to condemn Smith for subpoenaing the communications of Republican lawmakers while investigating Trump.
“You have weaponized the Department of Justice against political enemies to an extent that has never happened in the history of this country,” Schmitt proclaimed. “You will go down as a total dirtbag.”
Klobuchar, who was up next to question Smith, asked if the poster board could be produced again.
“I’m a former prosecutor too, and I have never seen anyone just say, ‘What do you think of this?’ and put it down,” she said.
Schmitt’s evidentiary board was produced again, and this time for more than a few seconds. There was no mention of Atlanta in the text messages.
One could almost hear the sound of Schmitt’s perjury trap crumbling under Klobuchar’s heel.
“Could it then be that it was the University of Iowa, [which] is the ‘Hawkeyes,’ could that be it?” she asked Smith. “That might be the confusion over the names of the team.”
Then she addressed Schmitt: “Perhaps you should have looked at it more carefully. I think people should have their facts straight before they accuse people of being a ‘dirtbag,’ and not get the teams wrong.”
Leave it to a man to confuse the Atlanta Hawks, an NBA team, with the Iowa Hawkeyes of women’s college basketball. Perhaps his emotions got in the way.
Smith said he attended the game in Maryland to see the Hawkeyes’ supremely talented star, Caitlin Clark. Regardless of his whereabouts, Republicans contend that Smith was on a political witch hunt after then-Atty. Gen. Merrick Garland appointed him to oversee the twin investigations into Trump. Smith’s team scrutinized the retention of national defense information and classified documents at Trump’s Mar-a-Lago estate, as well as the president and his allies’ efforts to overturn the results of the 2020 election and impede the peaceful transfer of power.
When Trump won the presidency a second time, Smith moved to dismiss both cases because Department of Justice policy prohibits the criminal prosecution of a sitting president.
Now, it’s game time for Judiciary Committee members who’d like to put Smith on the ropes. There’s just one new rule: Don’t talk sports around the ladies. They deliver a knockout punch.
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Puka Nacua will play for Rams vs. Eagles, but Aaron Donald is out
Star receiver Puka Nacua will play against the Philadelphia Eagles on Sunday in Philadelphia, but star defensive lineman Aaron Donald is out because of a back issue, Rams coach Sean McVay said Friday.
Donald, a three-time defensive player of the year, has not practiced this week following the Rams’ loss to the Denver Broncos on Sunday in Denver. McVay said Donald, 35, was experiencing back soreness.
“He’s as tough as it gets. Just not feeling good enough,” McVay said, adding, “He would do it and he could probably go be productive but part of our job is to protect these tough dudes like him from themselves.”
Donald has played in two games since ending a two-year retirement in late August. He did not make the trip to Australia for the season opener against the San Francisco 49ers, but made three tackles in the Rams’ 28-6 victory over the New York Giants at SoFi Stadium.
Donald had one tackle and one quarterback hit in the 30-26 loss to the Broncos.
“He’s working as hard as he can to get himself feeling as good as possible and we’re hopeful and optimistic that good days are ahead,” McVay said.
Nacua sat out the last two games because of a hip injury that caused hip, groin and abdominal soreness.
McVay said Nacua has been “strong, looks sturdy, looks explosive,” during practice this week.
“I think it will really just be a feel for the overall conditioning,” McVay said, adding that he hopes “the magic of the [game] jersey” will help Nacua have a productive game against the Eagles.
Tight end Terrance Ferguson (ankle) and cornerback Jaylen Watson (shoulder) will not play on Sunday, McVay said. Tight end Colby Parkinson (shoulder, knee) and edge rusher Josaiah Stewart (groin) are questionable.
Rams place Terrance Ferguson on injured reserve
Rams tight end Terrance Ferguson jogs back to the locker room against the Giants on Sept. 21.
(Kyusung Gong / Associated Press)
The Rams opened the season with five tight ends on the roster, which some might have regarded as a surplus.
But the Rams need the depth.
On Friday, the team put Terrance Ferguson on injured reserve because of an ankle injury.
Ferguson, a 2025 second-round draft pick, was injured Sept. 21 against the Giants, but he played through it against the Broncos.
Ferguson has seven catches for 63 yards and a touchdown.
Ferguson must sit out at least the next four games against the Eagles, Buffalo Bills, Arizona Cardinals and Las Vegas Raiders. He is eligible to return for the Nov. 1 game against the Chargers.
The Rams began the season with five tight ends on the roster. Tyler Higbee and Davis Allen are at full strength. Max Klare, a second-round draft pick from Michigan, could get his first action on offense against the Eagles.
Rams release punt returner Xavier Smith
Rams wide receiver Xavier Smith runs the ball against the Kansas City Chiefs during a preseason game in August.
(Charlie Riedel / Associated Press)
What a difference a day makes.
Less than 24 hours after Rams special teams coordinator Bubba Ventrone said the team was not going to replace punt returner Xavier Smith, the team released him.
“We just need better production out of that position,” McVay said, adding that some of the “decisions” that Smith made in last Sunday’s loss to the Denver Broncos proved costly.
“We’ve got to make better decisions,” McVay said. “We’ve got to be able to field it.”
Receiver Alex Bachman is expected to be promoted from the practice squad to handle punt returns. McVay said he was “optimistic that I think we’re going to see some good stuff from Alex on Sunday.”
Smith, 29, is a third-year pro who signed with the Rams as an undrafted free agent and worked his way into a role as a kick returner and rotational receiver.
Smith appeared to be on his way to overcoming a major error in last season’s NFC championship game, when he lost a fumble in the 31-27 defeat by the Seattle Seahawks.
But through three games, Ventrone on Thursday described Smith’s performance as “inconsistent.”
“We need to do a better job of tracking the ball, judging the ball, fielding the ball when necessary, not fielding it in other situations,” Ventrone told reporters. “He knows that and hopefully we’ll get the improvements that we need in that area.”
Ventrone was asked if there was any thought about replacing Smith as the punt returner.
“No, we have a lot of trust in ‘X’, I really do,” Ventrone said. “He’s put in a lot of time and effort in training camp and obviously moving into the season. I think that he’ll do the necessary things to be able to sustain at that position for us.”
But on Friday morning, the Rams announced they had waived Smith.
McVay said the Rams “weren’t thinking” about making a change when Ventrone spoke to reporters Thursday.
“As you get a chance to kind of take a step back, evaluate the totality of our group, what’s the best way to try to be able to put together all three phases, did feel like that was in the best interest of the group,” McVay said, adding, “and that decision was made kind of later [Thursday night].”
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Massachusetts man charged with cyberstalking podcaster and former Trump official Katie Miller
By Alanna Durkin Richer and Eric Tucker
WASHINGTON — A Massachusetts man was arrested Thursday in a federal case alleging he cyberstalked conservative podcaster and former Trump administration official Katie Miller, targeting her dozens of times with menacing phone calls and messages, according to court papers.
Authorities say the man contacted Katie Miller at least 40 times over the course of several weeks, sometimes leaving disturbing voicemails and text messages about her and her husband, Stephen Miller, who serves as White House deputy chief of staff. He also sent messages to phone numbers for her parents, according to prosecutors.
John Anthony Proia III, 41, is charged with one count of cyberstalking. An attorney listed for him didn’t immediately respond to an email seeking comment on Thursday.
The court documents do not identify the victim by name, but a person familiar with the matter confirmed that it is Katie Miller. The person spoke on the condition of anonymity to discuss non-public parts of the investigation.
“Those who use technology to harass, intimidate or torment others should understand that attempts to anonymize their criminal conduct will not shield them from prosecution,” Leah Foley, the U.S. Aattorney for Massachusetts, said in an emailed statement. “We will find you, and we will hold you accountable.”
In a social media post Thursday, Katie Miller thanked Justice Department and FBI officials for keeping her and her family safe.
“Good to see a Boston grand jury indict this man,” she wrote.
The investigation contributed to upheaval inside the FBI’s Washington field office, where two top counterterrorism supervisors were recently reassigned by the office’s leader in part because of dissatisfaction over their handling of and approach to the Miller probe, according to multiple people familiar with the matter who spoke on condition of anonymity to discuss non-public personnel changes.
Darren Cox, the assistant director in charge of the Washington office, said in a statement that the reassignments were not ordered by Director Kash Patel and that the moves were a personnel decision “based on our constant evaluation of mission needs. Any suggestion otherwise is false.”
Richer and Tucker write for the Associated Press.
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Celebrity Traitors LIVE: Start time tonight as BBC show gets underway with big twist
Fans have been discussing who they think might be named one of the three Traitors this evening.
One fan has picked out who they don’t trust, saying: “Miranda Hart is just too nice, so obviously it’s her. Michael Sheen could lie to me for ten episodes and I’d thank him for it. And Hannah Fry looks like she’s already done the maths on all of us.”
Another suggested: “The story about James Acaster having a panic attack or similar leading to the game being paused makes me think he’s probably not one.”
“I am really hoping for at least Bella and either James Acaster of Joe Lycett. Joanne, Miranda and James Blunt would also be cool and could pull it off,” a third wrote.
So who do you think will be given those coveted roles? I’d love to see Miranda Hart be named a Traitor but after last year and Alan’s success, Claudia may choose a different personality this time around…
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Wynonna Judd confirms she and sister Ashley Judd are on the outs
Country western star Wynonna Judd is confirming that she and her sister, Emmy Award-nominated actor Ashley Judd, do not have a relationship.
She spoke with People ahead of the release of her 10th solo studio album, “The Hard Truth,” which drops Friday, and revealed that the rift between the sisters is still there after years of on and off disharmony.
Wynonna told the outlet that Ashley hadn’t heard the album, as the sisters are not “connected.”
“We’re taking a break, which all families can relate to,” she said. “She’s doing her thing, and I’m doing mine.”
In April 2022, Wynonna and Ashley’s mother, Naomi Judd, died by suicide at 76 after a lifelong battle with depression. Naomi and Wynonna made up the Grammy-winning duo the Judds.
At the time, the sisters released a statement together, writing, “Today we sisters experienced a tragedy. We lost our beautiful mother to the disease of mental illness. … We are shattered. We are navigating profound grief and know that as we loved her, she was loved by her public. We are in unknown territory.”
The following month, the two appeared at the annual Medallion Ceremony, where the Judds were inducted into the Country Music Hall of Fame, and the sisters spoke on behalf of their mother.
“While this is so much about the Judds as a duo, I want to take a moment to recognize my sister, a GOAT,” Ashley said at the ceremony. “Do you know what that means? I don’t think she knows I’m calling her the greatest of all time. She lives on a farm. She’s being a little literal.”
Ashley told the crowd that growing up as the younger sister of Wynonna, she got to “bask in this voice that was around the house, and I’ve always been so proud of the music and so proud of you. … So I know that we’re talking a lot about Mom tonight, as we should be. Our beautiful mother, and I want you to know that you also are being inducted to the Hall of Fame tonight. And newspapers don’t get much right these days, but when the Los Angeles Times said you were Elvis-like, they got it right. And I love you, and I’m proud of you. And Mom is proud of you, and she always was.”
By October 2022, rumors were flying that the sisters were fighting over their mother’s will, a claim that Wynonna shot down while speaking with People.
“Someone told me while I was at Ashley’s house, ‘Hey, did you know that they’re saying this about you?’ I went, ‘Huh? I’m fighting with Ashley?’” Wynonna said. “Fighting over what? I have such a great life. Ashley has a great life. Why would we be fighting over the will?”
This wasn’t the first time a feud was reported between the two. Back in January 2015, Wynonna gave a teary-eyed account of the disconnect during an appearance on AXS TV’s “The Big Interview With Dan Rather.”
“The only thing I have in common with my sister is a father missing and a mother that’s both of ours. She and I are very different. We don’t communicate, nor do we spend time together, and that’s a long history of being apart,” Wynonna told Rather.
Wynonna said that she and Ashley were dysfunctional, didn’t agree on anything and developed separate lives, but she cared for her younger sister growing up.
“I raised Ashley, so I think there’s a lot of work we still have to do about where do we find the ‘sister’ in all of this,” she said. “She called me sister mommy, and I really had a hard time with that, because I was like, I don’t want to be your mommy. I want to be your sister.”
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Stepping back in time: a historic walk along Dorset’s Jurassic Coast | Dorset holidays
Many favour a circular walk, but you can give a linear one new shape with the addition of a novel form of transport. My wife Helen, our friend Tom Cox and I take the water taxi – a rigid inflatable boat (Rib) – from West Bay on Dorset’s coast to Lyme Regis, with a plan to walk back to our starting point.
The rain stops as the boat leaves the harbour, the views open along Chesil Beach to low-lying Portland to the east, and west to Lyme Regis; on the far horizon, we can see Start Point on the Devon coast. Our skipper, Nick, is highly knowledgable and takes time to stop and point out the history of the shoreline and the treacherous waters of Lyme Bay. The seabed is studded with wrecks – fishing boats and smugglers’ ships, but some are from the two world wars.
On New Year’s Day 1915, the battleship HMS Formidable was torpedoed by a German submarine. Of its crew of 750, no more than 200 survived. In the second world war, the Dorset coast was a huge mustering station for the allied forces in preparation for D-day. During Exercise Tiger, a large-scale rehearsal for the Normandy landings, hundreds of American service personnel were killed in an attack by German boats later known as the Battle of Lyme Bay – the wreck sites are now designated war graves.
At Lyme Regis, we disembark on to the Cobb, the harbour wall that snakes unsteadily into the bay and was made famous by Jane Austen, who had Louisa jump from it in Persuasion, and by John Fowles, who lived in Lyme. The movie adaptation of his novel The French Lieutenant’s Woman starred Meryl Streep as Sarah Woodruff. Its famous trailer begins with the actor sweeping across the Cobb, the hood of her cloak covering her face. For the filming, many buildings in the town were given a 19th-century facade. For a film that plays with time, it seems appropriate that the town’s bookshop kept its temporary fascia for many years.
Our walk back to West Bay is 10 miles long and begins not along the coast but by heading inland. The west Dorset coast is friable – the cliffs keep falling on to the beaches, and the path to Charmouth takes a diversion through a golf course. It wasn’t always like this: once there was a coastal road, Long Entry, between the two settlements. In 1725, Henry Fielding, then aged 17, attempted to abduct his cousin Sarah, with whom he was infatuated, from Lyme. The future novelist made his escape along Long Entry before being stopped by her guardian.
Our walk back to the coast is interrupted by a sculpture on the path. The shape of a woman, angular and determined, a hammer in her outstretched right hand, the other holding above her head the skeleton of a prehistoric animal. There’s another recent sculpture of the same subject, Mary Anning, in Lyme Regis, recording her importance to palaeontology and to the town, but this upland creature, made by Greta Berlin, is wilder, perfectly suited to its woodland setting. The representation of the fossil held aloft is Anning’s discovery: Ichthyosaurus anningae. One cannot walk this section of Dorset’s coast without being aware of its ancient past and the fragile geology close to the surface. Our boat trip began on crumbly sandstone, which gave way to fossil-rich clay as we travelled west.
Charmouth is a pretty village with no harbour; its shallow waters make it popular with those learning to swim or paddleboard. This next section of the South West Coast Path, to West Bay, coincides with the Monarch’s Way, the route that Charles II took to flee to mainland Europe after the civil war. Our day is more peaceful but the path is steep. We’re grateful for Tom’s company – his latest novel, Everything Will Swallow You, is infused with the history and landscape of the Dorset coast and his knowledge enlivens our walk, as do the pasties he brings, baked by his wife, Ellie.
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We pass the remains of St Gabriel’s Church, which fell into disuse in the 18th century, although smugglers found within its walls useful shelter for their contraband. Soon we’re on Golden Cap, the highest point on the south coast – 191 metres (627ft) above sea level, with extraordinary views over Lyme Bay. At Seatown, we stop at the Anchor Inn for refreshments, meeting friends who have opted for a shorter walk. From Thorncombe Beacon, we descend to Eype Mouth – in Old English Eype is “Steep Place”; the church in this secluded village was chosen by PJ Harvey to record Let England Shake, a Mercury prize-winning album rich with the echoes of war.
There are further reminders of the coast’s fragility on the final stretch to West Bay – one sign references a cliff fall in 2020, and the path is frequently redirected to safer routes. West Bay, a small stone town, was once the harbour from where Bridport exported its rope and was originally called Bridport Harbour, but had its name changed by the railway company hoping to attract tourists. The railway is long gone – its station now hosts a restaurant in railway carriages – but West Bay, with its stalls for chips and views back towards Lyme, is a fitting place to end, a town out of time.
OS Explorer 116 (Lyme Regis & Bridport) covers the entire walk from Lyme Regis to West Bay. The Lyme Bay Water Taxi operates during the summer months; there is a year-round bus service between West Bay and Lyme Regis. Jon Woolcott is the author of Real Dorset and The Tattooed Hills, Journeys to Chalk Figures
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RM, leader of K-pop’s BTS, curates his first museum show at SFMOMA
The leader of the world’s biggest band is nervous.
“I think I revised this speech about 10 times, but somehow the more I worked on it, the more confused I became, like always,” said K-pop star and BTS rapper RM on Tuesday at a preview of a show he has co-curated at San Francisco Museum of Modern Art called “RM x SFMOMA: Between You and Me”
Three years ago, RM held an anonymous show in South Korea, but this is the first proper exhibition he has staged. For many of his fans — some of whom wait outside the museum trying to get a glimpse of him — his favorite activities, including museum-hopping, bicycling and being out in nature, come as no surprise. There is even a word for it: “namjooning,” a play on the singer’s first name, Namjoon. But still, the exhibition is the rare chance to view RM as a serious art collector; someone who values Korean identity in art but also loves works from many genres, eras and countries.
Philip Guston, Untitled (Red and Black Book), 1969; from the collection of RM.
(The Estate of Philip Guston / Hauser & Wirth)
Dressed in a gray T-shirt, dark collared shirt and leather pants, RM’s hair is a light burnt sienna color matching the fur of the stylized tiger on the screen behind him. From a 17th century painting by Lee Won-chan, it’s from his personal collection of more than 400 artworks. For this exhibition, 142 pieces owned by RM will be shown alongside 36 works from SFMOMA for a total of 178 works on display.
RM sees “Between You and Me” as an introduction to his inner life and reflection of contrasting aspects of his personality, whether as a public figure interacting with his adoring fans or an erudite intellectual and avid reader with a reputation as a clumsy and lovable goofball.
RM was on a hiatus from BTS and on the cusp of beginning his mandatory military service in South Korea when SFMOMA first approached him for the project two years ago. As it came to fruition, he sought to answer two main questions when contemplating which works of his collection to share with the public.
Does the artwork move him deeply? And, if the work is from a noncontemporary artist, does the piece have something to communicate in 2026?
“In an age where everything is consumed so fast,” RM explained, “I believe the attitudes of some of the past artists can resonate even more deeply today.
“I’ve always dreamed of seeing different places, times, boundaries and backgrounds all mixed together in harmony,” he continued. “It could be a mess because I’ve never formally studied, and I’m not a ‘curator, curator,’ but in any field sometimes an outsider can bring in a new breeze.”
Wonwoo Lee, “Candy,” 2023; from the collection of RM
(Wonwoo Lee / PKM Gallery)
It’s not RM’s first time working with a museum. In 2023, he partnered with Los Angeles County Museum of Modern Art to provide guided audio narration for “The Space Between: The Modern in Korean Art”.
At SFMOMA, RM was joined in his effort by two co-curators: SFMOMA project manager América Castillo and assistant curator of painting and sculpture Hyoeun Kim.
Kim, who has long championed Korean artists internationally, was particularly impressed with the diversity of Korean art that RM has amassed, including its “remarkable range.”
“His collection began with 6th century works, moved through the Joseon Dynasty, and continued to major Korean modern and contemporary art. It spans nearly 1,500 years,” Kim said during the preview.
The show is arranged in eight parts and begins with a large white wall at the entrance with the title of the show scrawled in RM’s handwriting. Handwritten touches are found everywhere — “Plz take it in with your eyes and heart” is scribbled on the floor in both English and Korean. The wall text for each piece, which also includes a QR code for audio narration, is composed by RM in both languages.
An inscription on the floor of an SFMOMA exhibit curated by RM of BTS features RM’s writing as part of the wall (and floor) text.
(Christine Terrisse.)
Guests will also receive a zine-style pamphlet with the same homespun appeal explaining each of the eight sections in RM’s words alongside a diagram of the room.
“Blue Water” centers the work of Kim Whanki, the late globe-trotting abstract artist and the first RM says he “fell for.” In addition to Whanki and works by Vija Celmins and Tony Feher, some RM fans might recognize one of Roni Horn’s glass cylinder sculptures from a now-archived Instagram post where it was casually displayed in RM’s apartment.
There’s even a room filled with especially eclectic pieces called “i don’t know..but i like it.” By way of explanation, RM said, “Sometimes I don’t really know why I collected all these things.”
The last room, “Umber” or “Dasaek” (referring to the color of Korean rice fields) might be the most meaningful to the singer. It features works by the late artist Yun Hyong-keun, for whom RM has a particular personal affinity. The cover for his debut solo studio album, “Indigo,” depicts Hyong-keun’s 1972 painting “Blue,” and the album’s lead track, “Yun,” a collaboration with Erykah Badu, kicks off with recorded dialogue from the artist.
Back in 2018, around the same time RM began his art journey with not much formal training in art history, co-curator Castillo began her career with SFMOMA.
At the time, she was in awe of the power of art to connect with people, but frustrated that more people from unconventional backgrounds weren’t being given opportunities to curate major shows, thereby shaping the stories told. Her work on this exhibition is part of a continuing mission to bridge the art world and the ordinary person.
Chang Ucchin, “Road,” 1986, from RM’s collection.
(Chang Ucchin Foundation / Seoul Auction)
This mission guided her through the process of selecting works by famous artists from SFMOMA’s collection to contextualize RM’s pieces from lesser-known but equally important names.
“The first time we pulled a list on the SFMOMA side, we had like 500 options we then dwindled down,” she said in an interview while standing in the “Umber” room. “There were some artworks and specific artists that we knew from the get-go we wanted to be in the show. We wanted them to have a moment. Mark Rothko was definitely one of them.”
The sole Rothko piece in SFMOMA’s collection, “No. 14,” (1960) is featured in one of the final rooms in the exhibition. Adjacent to it is “untitled” (1986-90) by Hyong-keun. In the exhibit pamphlet, RM notes that Hyong-keun’s paintings are often compared to Rothko’s, but “their darkness is not the same.” “To my eyes, if Rothko’s darkness is one that ‘opens’ then Yun’s is the darkness that remains after he endured everything he possibly could,” he writes.
As RM steps into the spotlight of the art world, he is learning to become comfortable with the uncomfortable in-between spaces he occupies. “I started this with an innocent heart. As I’m standing here talking to you, I still feel like I’m always drifting and floating somewhere, ” he said, adding that the feeling comes when he’s in the U.S. but also when he’s in his hometown of Seoul. “It’s not a very pleasant feeling. I think I’ve leaned on art a lot because of that feeling.”
Before the preview, BTS fans, called the ARMY, passed out small gifts to the press, and afterward donors lined up for a special reception. RM’s mother, father and sister even arrived to celebrate, but he didn’t have much time to hang around. He was scheduled to depart for Bogotá, Colombia, to join his bandmates on the Latin American leg of their ARIRANG stadium world tour.
It is time to leave the quiet of the museum for the roar of the crowd.
“RM SFMOMA: Between You and Me” opens to the public on Oct 3, and runs through Feb.7, 2027. For more information visit sfmoma.org
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Iran war live: Trump hints US could strike Iran, warns time coming | US-Israel war on Iran News
Trump repeats the claim that the US has “virtually total control” over the Strait of Hormuz during an event marking Hispanic Heritage Month.
Published On 1 Oct 20261 Oct 2026
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Walking the L.A. Library trail: Downtown to Santa Monica
Here’s the equation that arrived in my mind:
Love of books + love of walking = Library Trail.
Could I walk to all the libraries in L.A.?
I asked myself this question and then one second later I asked Google, because my phone was in my hand as it is 50% of the time, and 75% of the time when I’m not being social. I spend a lot of time alone, writing books that I hope will end up in libraries.
I knew there were many public libraries in L.A., and that walking to all of them would probably result in a trail that looked like a snarled nest. This turned out to be correct. The city of Los Angeles has 73 libraries. The county has 86. And Santa Monica has five.
So, I decided to simplify. I would walk about 15 miles from the Central Library in downtown L.A. to the Ocean Park Library in Santa Monica, and, since every trail needs a name, I would call it … the phrase “booking it” arrived in my mind. I crossed that out, and then I crossed out some other bad options, and then I decided to let it go and name the trail after I was done, which is often what I do when writing a novel, because you don’t really know what a thing is until it exists. With books, and with trails, and with life, the only thing we can ever be sure of is that our plans will always turn out to be wrong.
An illustrated map of the 15-mile trek from the Central Library in downtown L.A. to Ocean Park Library in Santa Monica.
Case in point: The day before the trail, I planned to draw some lettuce on my sun hat with fabric pens. I envisioned that on one side, the lettuce would be beautiful and perfect, and on the other side, it would be goopy and rotting. What ended up happening was that I drew two lovely romaine leaves, and I liked them so much that I stopped there.
As I said, I spend a lot of time by myself, and I imagined that walking this trail would be a solitary adventure. I’m currently in the process of writing a new novel, and since walking is so conducive to writing, I thought the trail would give me a nice big swath of time to ponder the fictional world I’ve created.
I was told that a photographer named Scott Strazzante would meet me at the Central Library at 7 a.m. I assumed he’d take some shots and maybe walk with me for a little while, and then we’d part ways. What actually happened was that Scott stayed with me the entire time. This caused me to see the two romaine lettuce leaves on my hat as a foreshadowing. I was one leaf, and Scott was the other.
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1. L.A. Central Library. 2. The Lodrick M. Cook Rotunda inside the library. (Scott Strazzante / For The Times)
But back to the Central Library. It’s a masterpiece. Maybe you already know that. In case you don’t, I recommend a visit. Scott and I ended up in the rotunda, surrounded by murals, and it felt like taking a quick trip to Italy. Although really, it was a trip through California’s history. That’s what the murals depict.
An important part of the library’s history is that people (or one person?) tried to burn it down. Twice. In 1986, there were two arson attacks, spaced a few months apart. Who would want to burn down a library? It’s still unclear, although the main suspect for the first attempt was an out-of-work actor named Harry Peak.
The route from the Central Library to the Ocean Park Library is so easy that you could do it without your phone. You walk down four blocks to Olympic Boulevard, then head west. At some point, switch over to Pico Boulevard and keep heading west. Eventually, you’ll veer off at Gateway Boulevard, which turns into Ocean Park Boulevard, and boom! You’re there!
If you do this trail, I suggest you bring sunscreen, a hat and an external battery to charge your phone. I would also bring water and snacks, although, of course, there are many places to get those things along the way.
As Scott and I walked down Olympic, I said hi to a few people we passed, and Scott did too. After one of these interactions, Scott said, “People must think we’re missionaries or something, saying hi like that.”
A woman holds a religious sign at Olympic Boulevard and Alvarado Street.
I didn’t respond. But as we kept walking, I wondered about the implication of Scott’s statement, which is that if you’re going to be nice to a stranger, then it must be because you want something from them.
Scott and I stopped for beverages at Rok Coffee & Tea at Olympic and Ardmore Avenue, which I highly recommend. They have a free photo booth! Without the booth! It’s a modern, open-air version. Scott and I took a selfie. The people behind the counter were exceptionally friendly. When we walked out, Scott made a comment about it. “They were so nice,” he said, kind of in awe.
The arc of this story, I would say, is that Scott’s heart melted more and more as we walked, and so did mine.
At the start of the trail, Scott kept stopping to take photos. Which, you know, was his job. But I was annoyed about it. I was thinking, Damn, I was planning to dream about my novel and maybe call my sister and now I have to wait for this dawdling photographer?
Internally, I had a quick chat with myself. I could either choose to be irritated, or I could choose to love Scott. By the time we took the selfie at Rok, I loved Scott. Then he told me about his life and I loved him more. Scott’s new to L.A. He moved down here from Marin County, but he’s originally from Chicago. He hates shopping. When I complimented his shirt ( which said “Lucky Brand” on it) he said, “I didn’t even see that.” I noticed he was especially interested in signs about lost animals, which I thought was sweet. “Somebody lost a cockatiel!” he said, jogging to catch up, because I hadn’t waited for him.
Scott ended up jogging a fair amount. “We’re making this light!” I shouted a few times, and he sprang into action. He was a good sport about it. Running uses different leg muscles than walking, he pointed out, and his walking muscles were tired.
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1. A Chevrolet van parked on Sherbourne Drive. 2. Writer Swan Huntley walks along Olympic Boulevard. 3. A jogger passes Love Psychic on Olympic Boulevard and Citrus Avenue. (Scott Strazzante / For The Times)
In other moments, Scott took the lead. He wanted to cross the street to take a picture of the Koreatown sign, so we did that. He stopped to ask people if he could photograph them, which meant that we had more conversations with strangers than I would have had alone. Scott made my solo journey into a social one, and by the time we cut down to Pico, I couldn’t believe there had ever been a moment when I didn’t want this awesome man to walk with me.
Here’s another equation:
Being alone + reading news headlines = I think the world is bad.
When I’m by myself for too long, scrolling through articles about the worst things that have happened recently, I inevitably start to think that strangers suck and that kindness is an outlier. When Scott said that us chirpily saying hi to strangers must have made them think we were missionaries, I thought that was sad. As the day went on, I realized I spend more of my life than I want in that sad place.
Near the intersection of Pico and Robertson, Scott and I met a guy whose job it is to change out the batteries on Coco delivery bots. He told us that Cocos are not autonomous. They’re operated by people overseas, who might never come to Los Angeles. After our conversation with this guy, I said to Scott, “He was so nice!” Scott said, “I know!”
So, you can see how our hearts were totally melted. Strangers, as it turns out, often don’t suck.
By the time we got to the Ocean Park Library, my legs were noodles and Scott’s T-shirt was soaked in sweat. There were five people inside. One was on a computer, one was sitting at a table, one was napping in a small chair and two were in larger chairs, charging their phones, with a bunch of bags laid out by their feet.
Inside the community-centered Ocean Park Branch of Santa Monica Public Library.
Thomas Alexander, one of the librarians, told me that people come to the library for all sorts of reasons. Sometimes it’s for books. Sometimes it’s for events, like the zine workshop they put on recently in the basement, which was very well-attended. And sometimes it’s to charge a phone or use a computer or just be quiet for a little while.
I asked Thomas why he became a librarian. He said, “I like working with the community.”
On some other day, this statement might not have made that much of an impact on me. But on that day, it did. Scott and I had spent the last six hours communing with each other and with all the people we met along the trail. I thought about Harry, the out-of-work actor who had possibly lighted the Central Library on fire in 1986. I don’t know anything about him, but my guess is that he was someone who had forgotten that he was part of a community. I wish that Harry could have met Thomas, who has a calm, sincere demeanor and big, brown inviting eyes that seem to say, Hi, I just want to hang out.
Or I’m projecting. By the end of this walk, that’s what I was thinking. I’d gone from being a one-woman show to: Hi, I just want to hang out.
Swan Huntley arrives at Ocean Park Branch of Santa Monica Public Library.
So, my plans were wrong, as they always are, and I’m glad. The original goal of inventing (discovering?) the Scott Romaine Library Trail was to inspire you to care about books. I ended up inspiring myself to care about what libraries are actually about: community.
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Have an unpopular opinion? Make your case at this viral event
“It should be OK to say someone’s baby is ugly.”
“Being a pet is forced, unpaid emotional labor.”
“It’s OK to be attracted to your friend’s man.”
“Cartoon Network was better than Disney Channel and Nickelodeon.”
“Men should be required to get a vasectomy after a certain amount of baby mamas.”
These are just some of the bold, controversial statements that have come up at “Unpopular Opinion,” a live, interactive event where people share and defend their hot takes in front of a spirited audience. To support their claims, they present slide decks filled with graphics and memes on a giant screen. Those in the crowd gasp, cheer and laugh.
The crowd from a past “Unpopular Opinion” event. The viral series is coming to the Regent Theater in L.A.
(Quest Hollis / SideQuest Visuals)
The event was created by Chance Albury and Sarah Prince, founders of the Washington, D.C.-based experiential production company Something Different. People were already having these types of impassioned conversations online, Albury says, and they simply wanted to provide that space in real life.
They debuted the series in February, and after recaps of events went viral, they decided to take it on tour. “Unpopular Opinion” makes a stop in Los Angeles on Thursday at the Regent Theater.
“Who knew rage-baiting could be such a unifier?” Albury says.
“Everyone loves to argue,” Prince adds.
Albury says that the success of the show relies on having different perspectives and opinions in the room. The slide decks are also a major draw. Unpopular Opinion is one of several events that takes PowerPoint-style presentations out of their traditional setting — the office or the classroom — and puts them front and center in a social scene. Over the last few years, slide decks have shown up at house parties, matchmaking events and even in bars at gatherings like Lectures on Tap.
Anyone who wants to present can submit their hot take through an application form. Albury and Prince receive roughly 50 submissions for each event, but only about seven to nine are selected.
Presenters defend their hottest takes on stage using slides and passion.
(Quest Hollis / SideQuest Visuals)
“There’s just so many topics that you can talk about so it can’t get old,” says Prince, adding that a lot of the speakers are funny and present like stand-up comedians.
Typically hosted at a live music venue, the vibe of “Unpopular Opinion” feels like a boisterous late-night game show. Drinks are available for purchase at the bar. A live DJ plays a mix of hip-hop, pop and other high-energy genres as a host hypes up the crowd. As an icebreaker, audience members are asked to submit their own unpopular opinions to be displayed on the screen for everyone to see.
Then the main event begins. Presenters are given 10 minutes to make their case. Unlike a traditional debate tournament, audience members are encouraged to get involved and make their thoughts known.
“There’s just so many topics that you can talk about so it can’t get old,” says co-founder Sarah Prince.
(Quest Hollis / SideQuest Visuals)
After each pitch, the host asks audience members to hold up their paddle, which has a green thumbs up and a red thumbs down to indicate whether they agree or disagree. Then a mic is passed around so attendees can share their thoughts or rebuttals.
Though the event is called “Unpopular Opinion,” there are times when the majority of the crowd agrees with the presenter. There are also times when the audience strongly disagrees. In either case, Albury and Prince ask that attendees are respectful to one another.
The presentation topics range drastically, from lighthearted social media discourse (“Women standing behind the DJ booth is more embarrassing than men”) to hot-button dating debates (“Splitting the bill on the first date is fine”) to deeper societal issues (“People hate everything about slavery but Christianity”).
Albury and Prince say they are exploring ways to bring “Unpopular Opinion” “beyond the show doors” for those who can’t make it to a live event. They already post man-on-the-street-style interviews on social media, in which they ask people to weigh in on hot button questions.
Albury says the beauty of “Unpopular Opinion” is that it shows people it’s OK to disagree. “Just because we have different opinions doesn’t mean we can’t talk about it,” she says. “We may not even come to terms on agreeing or disagreeing, but we’ve got that space.”
‘Unpopular Opinion,’ hosted by Something Different
When: Oct. 1. Doors open at 7 p.m. and showtime is at 8 p.m.
Where: Regent Theater, 448 S. Main St., Los Angeles
Info: Tickets start at $48.60 (including fees). Must be 21+ to enter.
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Woman who allegedly shot at Rihanna’s home deemed fit to stand trial
The case against the woman who authorities allege fired multiple bullets at pop singer Rihanna’s Beverly Hills mansion can move forward, a judge ruled Tuesday.
Florida woman Ivanna Lisette Ortiz, 36, was deemed mentally competent by Los Angeles Superior Court Judge Maria Cavalluzzi, meaning the criminal case can proceed after a competency evaluation delayed it for more than four months.
Case documents with Ortiz’s psychiatric evaluations were marked as confidential and sealed.
Officials allege that she put “numerous lives at risk” on March 8 when she drove a white Tesla to Rihanna’s neighborhood and fired about 20 rounds from an assault-style rifle. Rihanna, her partner A$AP Rocky and their three young children were home at the time.
Police discovered bullet holes or impacts on the exterior of the gate of Rihanna’s residence, a fence, the front windshield of an Airstream trailer, a patio area and on the exterior wall of a nursery room, according to a police document reviewed by City News Service.
At the time of the shooting, Rihanna and A$AP Rocky were inside the trailer, and their kids were inside the nursery room, according to reporting by the Associated Press.
Ortiz is facing 14 felony counts, including one count of attempted murder, 10 counts of assault with a semiautomatic firearm and three counts of shooting at an inhabited dwelling, vehicle or other target, court records show.
Ortiz had several prior arrests in her home state, The Times has reported. She was involved in a bankruptcy case in 2013, arrested on suspicion of careless driving in 2021, and arrested in 2023 on suspicion of domestic violence and battery.
Though she had no known affiliation with Rihanna, Ortiz often posted on social media about celebrities. In February, she shared a meme alleging Rihanna had AIDS and tagged Rihanna in a post on Facebook telling her to “say something to me directly instead of sneaking around.”
Another hearing is set for Wednesday morning at the Clara Shortridge Foltz Criminal Justice Center, court records show.
City News Service contributed to this report.
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Perez Hilton reunites with children for ‘short, supervised visits’
Perez Hilton’s website has offered an update on the celebrity gossip blogger’s progress following his apparent August suicide attempt, revealing that he has been allowed to see his children and mother.
“They were first able to spend time together through a few video calls, and since then, Hilton has also been able to see his children and his mom a few times for short, supervised visits at the facility,” according to the site. “Seeing his children in person has meant an enormous amount to Perez. There have definitely been a lot of emotions for everyone, but being able to spend that time together has been incredibly meaningful and healing.”
Hilton, born Mario Lavandeira Jr., experienced a mental health crisis on the night of Aug. 4 in his Miami home and livestreamed himself engaging in self-harm with a box cutter and knife as followers pleaded with him to stop and attempted to contact him.
Hilton spent weeks in the hospital receiving treatment for his physical injuries before being transferred to a residential treatment program, where he could “focus fully on his mental health and recovery,” according to a family statement from earlier this month.
In August, Hilton was granted supervised visits with his children.
However, Hilton’s brother-in-law said on a podcast on Aug. 24 that Hilton had not had any contact with his kids, as “they were not allowed in that section of the facility.”
Tuesday’s update also publicized a GoFundMe fundraiser created for Hilton’s mother, Teresita Lavandeira, and Hilton’s three school-age children. The fundraiser, organized by theater producer Tom D’Angora, who has described himself as a longtime friend of Hilton’s, promised that “none of the money will be used for Perez personally.”
As of Tuesday afternoon, the fundraiser had raised about $14,000 out of its $25,000 goal. D’Angora was not immediately available for comment.
“Like any grandmother who suddenly finds herself responsible for raising three growing children, she’s also taken on significant and unexpected expenses,” the fundraiser website says. “Perez’s family and friends are helping however we can. We also wanted to give the many people who have asked how they can help a way to do so.”
The site’s Tuesday update said there was still no available timeline for when Perez would exit residential treatment.
“Communication with Perez is still limited, and we’re not able to talk to him daily,” the statement read.
But it assured that he was making progress.
“He’s continuing to work with his care team on understanding what led to his mental health crisis, recognizing warning signs, learning better ways to cope, and working through everything that brought him to this point,” according to the site.
Hilton has been a controversial media figure since the mid-2000s, when he launched a celebrity gossip blog called PageSixSixSix. After the New York Post sued him, he rebranded it to Perez Hilton, a play on socialite Paris Hilton’s name.
During its heyday, Hilton’s successful website — on which he would publish mocking posts about Britney Spears and Lindsay Lohan and spread conspiracy theories about celebrity deaths — generated about 8 million page views a day, The Times’ columnist Robin Abcarian wrote recently. In 2010, he declined a $20-million offer for his website, according to reporting by the now-defunct outlet Gawker.
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Trent Alexander-Arnold: It is time for Thomas Tuchel to trust Real Madrid right-back
Gordon, the grateful beneficiary of Alexander-Arnold’s class, said: “I make that run time and time again and only a certain number of players have that ability, technique and bravery to be willing to make the mistake trying that pass. That’s why he’s so good and I’ve been dying to play with him for that reason.
“He’s had his own journey with England. He would’ve liked to have played more than he has but he’s been a great character during this camp. I’ve really enjoyed being around him.”
Alexander-Arnold is a risk taker, both in the defensive and attacking context, but only Elliot Anderson (41) made more passes in the final third than he did (32), while only Anthony Gordon, with four, created more chances than the defender’s three.
Tuchel, it should be stated, is not alone in having doubts about Alexander-Arnold.
Who can forget – although many would love to – Sir Gareth Southgate’s ill-fated attempt to utilise Alexander-Arnold as a midfielder at Euro 2024? It was ditched after 54 minutes of England’s second game against Denmark never to be seen again.
More will be revealed if Tuchel persists with Alexander-Arnold against Croatia behind closed doors in Rijeka on Saturday – but this must be close to make or break time for this lavishly-talented player who is 28 on 7 October.
If he cannot convince Tuchel in this camp, and surely that one moment of game-changing skill must be fixed in the head coach’s mind, then you wonder if he ever will.
Alexander-Arnold said: “It was amazing. It’s always an honour to represent my country. It’s been a long time, but I’ve always believed I can play for England. That belief has always been there and it was about proving it at club level. The manager gave me a chance, now hopefully he is happy with how I played.”
How happy? Time, and Tuchel, will tell.
Alexander-Arnold, however, could not have done any more as England, who sealed the three points with captain Harry Kane’s 87th goal in 123 international appearances, got their Nations League campaign going in Prague.
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Back ‘Me One More Time’ by Voting GOP–Reagan
SPRINGFIELD, Mo. — After a splashy White House send-off usually reserved for presidential trips abroad, President Reagan today began a 13-state political blitz, telling voters they can cast their ballots for him “one more time” by electing Republican senators Nov. 4.
Trying to transfer his personal popularity to GOP candidates, Reagan coupled the personal note with a patriotic appeal, saying retention of a Republican Senate would be important not just to him but also to the country.
At GOP rallies here and in Waukesha, Wis., the President noted that his own name will not appear on a ballot again.
‘My Last Campaign’
“This is my last campaign, and if you’d like to vote for me one more time, you can do so by voting for Kit,” Reagan said here at a rally for former Missouri Gov. Christopher Bond, who holds a slim lead over Democratic Lt. Gov. Harriett Woods in their race for the Senate.
At the Wisconsin rally for GOP Sen. Bob Kasten, Reagan said:
“You know, my name will never be on the ballot again, but don’t think you can’t vote for me. If you want to vote for me, vote for Bob Kasten, so that we can have a Republican Senate that will work with me instead of against me and be around after I’m gone.
“Don’t just do it for me–do it for yourself,” he added. “Do it for Wisconsin. Do it for America.”
Reagan said that after he asked for a no-tax-raise pledge, “Bob Kasten signed up right away–but so far his opponent (Democrat Ed Garvey) has refused to sign. I think that tells the whole story right there.”
Not Aware of Any Pledge
However, Garvey spokeswoman Susan Rensberger, said today, “To my knowledge we’ve never heard of or seen such a pledge.”
Pete Roussel, deputy White House spokesman, later said Reagan’s remarks were intended “in the spirit of a rhetorical question.” He said of Garvey, “So far we are not aware of his making that pledge but we are giving him the opportunity.”
Before setting off on the two-day, four-state swing this morning, Reagan made maximum use of the White House as a political platform, addressing a crowd of several hundred invited GOP campaign workers and executive branch employees.
It was the latest kickoff of a campaign he has been waging for months.
Republican National Committee Chairman Frank Fahrenkopf Jr. introduced the President as the GOP’s “greatest asset,” and a U.S. Marine jazz combo played “Grand Old Flag” as Reagan paused for brief remarks on the South Lawn before boarding his helicopter.
‘Progress … or … Paralysis
Such departure ceremonies usually are reserved for presidential trips abroad. Reagan will be back in the White House on Friday before setting out on the campaign trail again next week.
On the campaign trail, Reagan said the election of Republicans like Bond and Kasten “could very well decide whether we keep control of the Senate–or lose it to the liberal leadership of the Democratic Party.”
“And that’s the difference between two more years of progress or two years of paralysis,” he said.
Reagan also plans to speak on behalf of Republican Sens. Don Nickles in Oklahoma and Paula Hawkins in Florida before returning to Washington.
Next week, the President has campaign appearances scheduled in Alabama, Georgia, Indiana, Colorado, Nevada, South Dakota, Washington, Idaho and California.
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Nick Sirianni expresses remorse for NSFW reaction to Jalen Hurts hit
Philadelphia Eagles coach Nick Sirianni was livid.
Chicago Bears linebacker D’Marco Jackson had just delivered a hard hit on Jalen Hurts as the Eagles star quarterback was running out of bounds. Hurts had to leave the game under the NFL’s concussion protocol.
So Sirianni decided to let Jackson know exactly how he felt about him. ESPN’s “Monday Night Football” cameras showed the sixth-year coach screaming an extremely NSFW word apparently at the opposing player — twice — while Eagles backup quarterback Andy Dalton prepared to enter the game.
Hours later, following the Eagles’ 27-7 loss to the Bears, Sirianni expressed regret for how he behaved.
“I always come away when I have a moment like that with remorse,” Sirianni told reporters during his postgame news conference. “I shouldn’t have let my emotions get the best of me. Those guys are out there trying to make a play. It was close on the sideline, ended up being a penalty. Obviously you never want to see your quarterback get hit like that, but it’s in the heat of the moment. I know nobody’s trying to hurt anybody out there, and I always have remorse when I act that way.”
He added: “The emotion of the game probably got the better of me today and I have to learn from that in that particular moment. I have to be more steady in that situation and be able to — like I say to the guys all the time, be able to move on and go to the next play. I didn’t like how I handled that.”
Trailing 7-0 midway through the second quarter, Hurts was forced to scramble out of the pocket on second down for a short gain to the Bears’ 13-yard line. As he was stepping out of bounds, Hurts was hit hard in the shoulder area by Jackson and knocked backward onto the ground. Jackson was flagged for unnecessary roughness, but the penalty was offset by an offensive holding call on Philadelphia’s Lane Johnson.
After the game, Jackson joked that he received “some feedback” over that hit but said that he thought he was making the appropriate play at the time.
“I’m seeing him, I see the first down right there and in my head I’m trying to stop him from [getting] the first down and reaching the ball out,” Jackson told Marquee Sports Network. “I thought it was a clean hit. In the second of the game, I thought it was clean.”
Hurts was able to jog back to the Eagles huddle but was then called to the sideline for concussion testing. Out on the field, Dalton handed the ball off to star running back Saquon Barkley three times to get the Eagles to the Bears’ 2-yard line. But on third and goal, Dalton’s pass intended for Dontayvion Wicks was intercepted by Chicago’s Dillon Thieneman in the end zone to stop the drive.
In his postgame news conference, Hurts didn’t address the hit by Jackson but did express frustration about not being able to clear the concussion protocol and re-enter the game sooner.
“I wish they could have expedited things,” Hurts said. “I felt fine.”
The Bears — led by third-string quarterback Case Keenum, who started in place of injured starter Caleb Williams and backup Tyson Bagent, who was recovering from a conncussion — then drove the ball down the field for a field goal. Hurts returned to the game on the next drive and led the Eagles to their only touchdown of the game.
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Major UK airport hikes parking charges by £3 AND makes time limits even shorter from today
ANOTHER UK airport is hiking its drop-off fees while making time limits shorter in a double blow for travellers.
The transport hub has confirmed that the cost of dropping passengers off at the departures terminal will go up by £3.
East Midlands Airport has introduced the higher fee after Gatwick, Heathrow, Edinburgh, Birmingham, Bristol, Stansted, Leeds Bradford and more did the same earlier this year.
The Derby-based airport will charge £8 for a 10-minute stay at its rapid drop-off zone as of September 29 at 3pm.
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The price is up by £3 for less time allowed, with drivers previously being charged £5 for a 15-minute stay.
Airport bosses confirmed that the hike was brought in as a result of “significant inflationary pressures”.
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The extra money is also set to go towards paying for an ongoing £120million investment to improve the airport.
Prior to the recent increase, the fee remained unchanged for five years.
Last year, the airport swapped its barrier system and introduced automatic number plate recognition cameras to improve the flow of the drop-off system.
Along with the ANPR tracking, new drop-off fee and shorter drop-off window, customers have until midnight the day after their airport visit to pay the charge.
The fee can be paid online or via phone – and those who do not pay in time are slapped with a £100 fine.
While the fine is dropped to £60 if paid within 14 days, North West Leicestershire MP Amanda Hack has hit back at the scheme.
Arguing that the new drop-off rules is “setting people up to fail”, she said: “The announcement by East Midlands Airport of changes to its rapid drop-off pricing and a reduction in the permitted waiting time is frustrating.
“While I welcome the investment the airport has made over the last couple of years, the way the rapid drop-off is currently set up feels stacked against consumers.”
The MP added hat having less time to complete drop-offs and the responsibility to remember to pay will no doubt mean more users face hefty fines.
“I already deal with numerous complaints from constituents and people across the UK who have received a £100 parking penalty notice because they simply forgot to pay,” she told the BBC.
“Increasing the price while simultaneously reducing the time allowed is only likely to make this situation worse.”
Hack says that she has asked the airport to install machines that allow them to pay the drop-off fee there and then.
“My concern has always been that the current arrangement at East Midlands Airport appears to set people up to fail,” she added.
Responding to the criticism over the new fee, East Mindlands Airport said in a statement: “Airport drop-off areas help to manage on-site congestion, with charges managing what is the most polluting form of transport to the airport.
“The new fees are proportionate in the context of inflationary increases and brings East Midlands Airport in line with other UK airports.
“The airport is well served by frequent 24/7 bus services from Nottingham, Derby and Leicester and surrounding communities, with stops close to the terminal.”
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