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Just in time for the Oscars, Tilly Norwood, and by extension her creator, Eline van der Velden, gave actors at every level an unexpected gift — the chance to breathe a little easier.

AI will not be replacing you any time soon.

On Tuesday, the AI phenomenon known as Tilly debuted a single and music video titled “Take the Lead.” In it, Tilly sings a self-celebratory, pro-AI anthem with the big-eyed feisty longing of an algorithm marked “Disney princess: Big song” while she wanders through increasingly fantastic self-affirming scenarios that scream “Plus ‘Barbie.’”

Van der Velden was clearly trying to persuade actors to embrace the possibilities of AI but like Timothée Chalamet, who managed to prove that opera and ballet have many devoted fans by publicly suggesting the opposite, her attempt will likely backfire. The underlying message of the video, at least to performers, appears to be: Relax — AI hasn’t figured out how to lip sync properly, much less act.

It’s a bit of good news in a time of AI anxiety, some of which was Tilly-induced. Last year, Van der Velden, a Dutch actor and founder of the production company Particle6, debuted Tilly, via Instagram, as the “world’s first AI actress.” Around the time the account hit 50,000 followers, Van der Velden announced that several talent agents were interested in representing Tilly. Not Van der Velden, but Tilly Norwood, a “performer” who did not exist.

For a few minutes, Hollywood lost its collective mind. Not only were creators and performers facing a future in which their work, bodies and faces could be scanned and fed into an algorithm capable of imitating writing styles or creating images of actors doing things they never did (in a recent AI video, Tom Cruise and Brad Pitt duke it out on a war-torn rooftop), now some feared they would be competing for jobs with “actors” who could work 24 hours a day, required no health benefits and would never demand bowls of M&Ms with the green ones removed.

SAG-AFTRA, which had just ended a strike caused in part by concerns about AI, protested Tilly and the use of “stolen performances to put actors out of work.” Various actors were outraged and some called for the interested talent agencies to be identified. Even Emily Blunt was publicly disconcerted, begging Hollywood agencies to “please stop taking away our human connection.”

Van der Velden quickly responded, insisting that Tilly was “not a replacement for a human being, but a creative work — a piece of art … a new tool — a new paintbrush.”

Then, on Tuesday, “Tilly” released a music video that seems to argue the exact opposite.

In the video, which appears over the message “Can’t wait to go to the Oscars,” the computer-generated young woman trips through a montage of “famous person moments,” as Tilly insists that she is not a puppet but a star; she encourages all actors to embrace and use AI, to own their creativity and “be free.”

A note prefacing the video states that “18 real humans” were involved in its production (including Van der Velden who is the basis of the performance), who provide the subtext for Tilly warbling: “They say it’s not real, that it’s fake, but I’m a human, make no mistake.”

Whatever Van der Velden and her team hoped to achieve, one thing is very clear: Emily Blunt has nothing to fear from Tilly Norwood.

The questionable merits of the song, performance and production value aside, the video is the best argument yet for why AI “performers” are a limited threat. As Tilly walks the streets of London, poses for selfies, signs autographs, appears on talk shows, performs live in front of enormous audiences, interacts with photographers, we are reminded that Tilly could never do any of this. AI performances are, by their very nature, limited to a screen.

Instagram fame is a real thing and can be monetarily beneficial, just as animated and digitally enhanced characters can connect deeply with audiences. But beyond her ability to raise the spectre of wholly coded “performers” constructed from borrowed bits of humans (which, as anyone who has read or seen “Frankenstein” knows, never ends well), Tilly doesn’t appear to have anything like star power.

And to consider her as existing separate from her creators is like imagining that the ventriloquist dummy Charlie McCarthy could have a career, and an agent, separate from the real performer Edgar Bergen.

Though Charlie did have the advantage of being able to be seen live and in person.

Watching Tilly, one is reminded that the magic of actors is that they are human. Audiences are, after all, human too and whether facing a stage or a screen, we are captivated by certain performers’ ability to bring all manner of characters and stories alive, while also being, as Us Weekly says, “just like us.”

People with bodies that age and change, people who fall in love, get messy, say dumb things, say smart things, fall prey to illness and accidents, shop at Trader Joe’s, end up in court or trip when about to receive an Oscar.

Their faulty, glorious humanity allows them to connect to their art, but it also connects them to us. We may never get an Oscar or be able to masterfully deliver a Shakespeare soliloquy on a chat show, but we know what it’s like to trip or say something dumb or experience aging, illness or accident.

You can’t replace actors with algorithms, even if/when someone comes up with something more convincing than Tilly, because actors are not just about performances. They are people who are alive in the world and no amount of coding can replicate that.

Sitting in a glacial valley surrounded by vast farmland is an area that offers tranquillity and a true sense of England’s countryside with historic villages and walking trails

For those seeking a sense of peace and tranquillity, this glacial valley, encircled by expansive farmland, delivers precisely that – an authentic taste of England’s rural heartland.

Littondale is a small and peaceful dale in Yorkshire, nestled in a classic u-shape, with deep historical roots and a flavour of country living from a bygone era.

Visitors to the dale experience a feeling that time has stood still, as its hamlets and way of life remain quintessentially English in every respect.

Indeed, archaeologists have discovered numerous prehistoric and later settlements that once inhabited the length of the valley. Their extensive findings also showed that throughout the mediaeval period the dale was predominantly managed by several monastic houses.

The dale now consists of several settlements, including Hawkswick, Arncliffe and Litton. Each is characterised by farmhouses dating back to the 17th century.

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Contributing to its peaceful atmosphere is the stunning river which famously winds through the valley before eventually merging with the larger River Wharfe.

Shallow yet flowing with remarkably clear waters, the River Skirfare meanders through the farmlands and valley floor, vanishing for portions of the year.

As seasonal conditions shift, the stream trickles away and disappears beneath the ground, near Litton, revealing an unusual limestone landscape below.

Arncliffe

Arncliffe stands as one of the principal villages in the region, and despite its compact size, it boasts considerable fame. Recognised by countless households across Britain, it served as the original backdrop and filming location for the much-loved soap Emmerdale Farm.

The village pub, called the Falcon, was even featured as the Woolpack Inn. The traditional inn, according to visitor feedback, has seen better days.

However, one guest commented on TripAdvisor: “We had read about this tiny pub. It had been featured on the TV soap Emmerdale many moons ago, and it did not disappoint! The landlord was straight out of central casting.”

The area still comprises the most enchanting stone cottages, alongside a delightful church, the Church of St Oswald. Constructed sometime between the 16th and 18th centuries, the building remains a listed structure, believed to have been developed from an original Saxon place of worship.

Positioned at the centre of the village, the church continues to attract curious visitors and was once a location regularly visited by the renowned poet and novelist Charles Kingsley.

His time there during the Victorian period was believed to have influenced his celebrated children’s story, The Water Babies, penned in 1873.

Walking

Many people choose to treat the area as a base for rambling, parking in one of its villages and tackling the Yorkshire Dales terrain. Most of these trails are circular, returning you directly to your starting point, whilst exploring the valleys and peaks en route.

The Littondale to Kettlewell walk is a well-loved route, starting in the village of Arncliffe, leading you across the shoulder of Birks in Kettlewell, where you can pause for refreshments, before returning into Littondale.

Alternatively, some choose the slightly over five-mile walk that takes you from Arncliffe to Litton and loops back round.

The two-hour ramble provides a leisurely countryside stroll as you soak up the picturesque beauty of Yorkshire, with the chance to make a stop, or two, at the charming village pubs.

Located an hour from London, this National Trust village features half-timbered Tudor buildings and a grand castle with world treasures

Venture just an hour from London to discover this fairytale village, transporting you backwards through time as its period buildings recreate a world from centuries past that has largely vanished today.

Chiddingstone stands as one of Britain’s finest preserved Tudor villages, making it an exceptional discovery for heritage enthusiasts and anyone seeking respite from life’s relentless pace.

The settlement is largely owned and maintained by the National Trust, helping safeguard its centuries-old structures and character which consistently attract inquisitive travellers.

This Kent village is cherished for its unmistakably English charm and period architecture, featuring half-timbered properties with stone-hung gables and red-tiled roofs. What’s more, it boasts an impressive castle and a bustling high street, perfect for leisurely wandering.

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The castle

Whilst the castle’s exterior presents stunning architecture, typical of what you’d anticipate seeing across England, its interior offers quite the juxtaposition.

What renders the structure so distinctive is its museum, which houses collections from across the globe spanning different eras and civilisations – Japanese, Egyptian, Stuart and Jacobite and Buddhist. Everything is accessible to visitors between March and October, allowing them to experience an entire world under one roof.

Beyond its impressive collections, the venue itself is steeped in history and magnificence, as guests explore the corridors of a 16th-century residence. Within, they can admire the Great Hall, discover a Victorian kitchen, library, and servant’s hall, and delve into its fascinating past in the Streatfeild room.

Henry Streatfeild was the figure who dramatically transformed the property during the 1800s, moving away from its Tudor design to mirror that of a mediaeval fortress.

Though, it was collector Denys Eyre Bower whose stewardship of the castle witnessed it evolve into a cultural landmark, sharing his passion with visitors worldwide.

One guest commented on TripAdvisor: “What a lovely property, from the massive holdings on display throughout the home to the acres of relaxing grounds. The reception gal was quite informative upon our arrival as to the layout for our self-guided tour as well as answering our questions post-tour. Don’t miss this gem.”

This year, guests can purchase a day ticket and enjoy complimentary returns for an entire year. Current door prices are £15.25 for an adult and £10.50 for a child, with reduced rates available for those who book online beforehand.

High street and village

With its genuine half-timber Tudor structures and cobbled walkways, wandering along the high street of Chiddingstone Road feels like stepping back through the centuries. Notable highlights include a café, shop and the 15th-century pub.

The historic Chiddingstone Stores and post office, which dates back to 1453, is situated within a traditional Tudor building and continues to function as such today.

Similarly unchanged is the village pub, known as the Castle Inn, boasting a welcoming atmosphere and superb beer garden.

It retains its Grade II*-listed status with numerous original features intact, including delightful fireplaces, tiled floors, oak panelling and bars. One visitor described their experience at the Castle Inn as ‘atmospheric’.

They commented: “If you’re looking for a traditional, friendly, country pub, this is it. Clean and friendly, with everything you need on your doorstep that goes with a village pub. Highly recommend.”

The village name, Chiddingstone, is believed to originate from the enormous sandstone located outside the settlement. Whilst unconfirmed, the ‘Chidding Stone’ is thought to mark where it all started, with several folklore tales surrounding its origins.

We are getting our first look at a B-21 Raider refueling in mid air. With two B-21s undergoing flight testing, the program is said to be moving fast and the Pentagon is now growing production in order to get more Raiders faster. As it sits now, the USAF is targeting 2027 for its entry into service.

A number of images hit the net today showing the B-21 refueling behind a KC-135R. In this case it is a ‘Ghost Tanker’ stationed at Edwards AFB that works directly with the flight test community to provide aerial refueling support.

One image was posted by X user @minor_triad, showing the KC-135R plugged into the B-21 over the Mojave Desert. The B-21 appears to be the first aircraft to fly as it features an air-data boom jutting out from its nose.

Another set of photos comes to us from photographer Ian Recchio, who goes by the handle @Lookunderocks on Instagram. It shows the B-21 behind the KC-135R. It also shows a business jet-like aircraft passing underneath the two. It isn’t perfectly clear if the aircraft was working directly with the B-21 on this test flight, but it seems likely.

Another image shows the B-21 being chased by an F-16, which is customary for test flights.

@JarodMHamilton also captured a video of the refueling:

The images also give us a good comparison of the size of the B-21 compared to the KC-135R, which has a wingspan of around 131-feet. As we have said nearly since the B-21 was unveiled, estimates as to its wingspan on the internet are significantly distorted, with some putting it at remarkably small size, around 125-feet. Our estimates stand that is significantly larger, around 145-155-feet. The larger B-2 has a wingspan of 172-feet.

A lot of people think the B-21 is a lot smaller than it actually is. I love seeing graphics that show like 125 foot wingspans. Not even close. Yes it’s smaller than the B-2 but not that much!

— Tyler Rogoway (@Aviation_Intel) August 25, 2025

Regardless, it’s great to see the Raider moving forward and aerial refueling will only increase its time aloft for prolonged testing, which is critical for its extremely long-range mission set. It’s also probable that the B-21 has been refueling via tanker for some time, but this is the first time it is caught on camera.

Contact the author: Tyler@twz.com