A bill to tighten California’s rules on mental health diversion — a process that allows certain criminal defendants to avoid prison for arrests linked to mental illness — is now on the verge of being signed into law by Gov. Gavin Newsom.
Assembly Bill 46, authored by Stephanie Nguyen (D-Elk Grove), gives judges much wider discretion to decide whether a defendant should be eligible for diversion. Under the current law, judges must presume mental illness was a factor if a defendant with a legitimate diagnosis seeks diversion. In order to defeat a diversion request, the burden is on prosecutors to prove mental health issues were not a factor in the alleged crime.
The new measure — which moved through the state Senate with no opposition last month and is expected to clear the reconciliation process in the Assembly this week — also gives judges more latitude to block diversion if a defendant poses “a risk of danger to public safety,” as opposed to the higher “unreasonable risk” standard that was passed in 2018. Defendants charged with attempted murder will no longer be eligible for diversion under the new bill.
Proponents of more inclusive diversion policies argue that many people with mental health issues are locked up in California prisons and jails, where they are unable to receive the help they need.
The pending bill’s supporters say its changes are designed to address cases like that of Gilberto Guttierrez, a Los Angeles County man who has been accused of attacking his wife four times over the last 12 years.
In 2014, a misdemeanor domestic violence allegation landed Guttierrez on probation. Three years later, Guttierrez was ordered to take anger management classes after prosecutors brought felony domestic violence charges against him. Last February, prosecutors allege, he carried out a “brutal attack” on his wife with a glass bottle, leaving her with “extensive injuries,” according to a motion filed in his current criminal case. That time, the court filings show, Guttierrez threatened to kill her.
Despite objections from prosecutors and L.A. County probation officials, a judge granted a request to give Guttierrez mental health diversion last July.
A month later, prosecutors allege, he beat his wife until she fell into a coma.
When it passed in 2018, the original mental health diversion law was heralded as a needed off-ramp for defendants suffering from serious psychological issues — offering treatment to those who need it rather than a prison cell. But with voters statewide souring on progressive criminal justice reforms, lawmakers have sought to make it harder for defendants to qualify.
“AB 46 preserves diversion as an important pathway to care while ensuring judges have a clearer and more workable standard when serious public safety concerns are present,” Nguyen said in a statement last month.
Under the existing rules, defendants who successfully argue for pretrial mental health diversion spend two years undergoing a court-appointed treatment plan instead of facing a conviction. Prosecutors must prove the defendant is likely to commit a serious violent crime, a so-called “super strike,” again in order to block diversion.
Los Angeles County Dist. Atty. Nathan Hochman, one of many prosecutors statewide who supported Nguyen’s bill, said that has been a nearly impossible standard to overcome.
“Guttierrez being your example: Judge, if you release him, he’s going to probably beat his wife up again, and if he does this time, he could kill her. But for the grace of God, he hasn’t killed her up until now,” Hochman said.
He added that due to the judge’s decision to grant diversion in Guttierrez’s case, “you have three little kids who likely won’t have their mom for the rest of their life.”
A spokesperson for Newsom did not respond to a request for comment about his plans for the legislation.
A 2020 Rand Corporation study found 61% of the nearly 5,500 mentally ill inmates housed in Los Angeles County at that time were “likely appropriate candidates” for diversion.
But a number of troubling incidents have led to pushback against the existing diversion law.
In a letter supporting Nguyen’s bill, the California District Attorneys Assn. rattled off a list of cases in which prosecutors say the law’s shortcomings had deadly consequences. They pointed to a case in Sacramento where a defendant stabbed a 40-year-old man to death after he was granted diversion in a robbery case. In Santa Clara, the letter said, a woman on mental health diversion for carjacking proceeded to steal another car and slam it into an outside table at a restaurant, leaving one person dead and others injured.
Nikhil Ramnaney, a former federal prosecutor who now works as a defense attorney in Southern California, said thousands of people benefit from mental health diversion every year without reoffending and chastised the bill’s supporters for cherry-picking horrible — but rare — cases to muster support for their proposal.
“This is their most effective strategy because it works. Pick up the most visceral, outrageous anecdotes and then repeat them and amplify them as much as possible,” he said. “That’s how we get bad policy.”
Defense attorney Alexandra Kazarian said California politicians are repeating age-old mistakes of trying to arrest their way out of a mental health crisis.
“Without this option, you throw them into prison for a couple of years, they get out, and nothing changes. I’ve seen real change in my clients who have been granted these and who have just been on horrific mental health breaks and who, two years later, fully have their lives together,” she said. “You’re always going to be able to find an outlier. You’re always going to be able to find somebody who ruins what is a great project or program.”
Hochman said the modified mental health diversion law is a “rebalancing” of the scales in California after years of attempts to lower the state’s overcrowded jail populations affected public safety.
“In the end, I’m not looking for pendulum swings,” he said. “I think we did have a pendulum swing when these laws were being passed and people weren’t really discussing, or at least understanding, the public safety impact of laws that seem on their surface to be very — I wouldn’t even use the word ‘progressive,’ but very helpful to people who are suffering.”
In this week’s episode of “The De Los Podcast,” hosts Fidel Martinez and Suzy Exposito sat down with actor Xolo Maridueña to chat about his East L.A. upbringing, the importance of Latino representation in his career and a litany of projects he has in the works.
Born and raised in El Sereno, Maridueña was exposed to the arts at a very young age through local community arts hubs Casa 0101 and the Boyle Heights Art Conservatory, where his mother, Carmelita Ramírez-Sánchez, now serves as executive director.
The 25-year-old actor credited his mom, who also previously worked as a radio DJ for decades in L.A., for encouraging him to explore a creative career.
“She was in the music world at a time when that wasn’t really a thing as a Latina woman,” Maridueña said. “She met so many roadblocks and overcame those that when it came time to for her to eventually raise her own family, she understood the want to try something that was outside of what the education system would deem successful. As a Latina, she also instilled these values of remaining curious, questioning certain traditions and the ways our experiences are affected by some systems that are larger than ourselves.”
He also touched on what it was like being the first Latino lead in a live-action superhero film in “Blue Beetle” — and the importance of continued Latino representation in Hollywood.
Xolo Maridueña is featured on “The De Los Podcast.”
(L.A. Times Studios)
“It was such a wild ride doing something like ‘Blue Beetle,’ that was the first in a lot of categories… But once the movie came out, it was so heartwarming to see that there were already like 10 other Latino superheroes that were making their debuts on the screen,” Maridueña said. “[Filming the movie] was the first time I had witnessed some much of the crew being Latino, or just being diverse — there were a lot of women and queer folks on that set.”
Having worked on hit series like “Parenthood” and the Netflix phenomenon “Cobra Kai” in addition to his theatrical roles, Maridueña wants to help provide an avenue for fellow Latino artists to succeed.
“I just hope [that] with this body of work, I can help open the door and prop it open for everyone else,” he said.
The conversation with Maridueña wrapped with him discussing the litany of projects he has coming out in the near future, including a leading role in the film “Dog Years” alongside Xochitl Gomez, a part in the Al Pacino-led movie “Killing Castro” and a spot in the upcoming season of Netflix’s live-action adaptation of “One Piece.”
He will also feature alongside Sandra Bullock and Nicole Kidman in the upcoming sequel to the witchy 1998 film “Practical Magic,” which is set for release Sept. 11.
“It’s been a blessing to expand not only the types of people I’ve gotten to work with, but [also] the genres and types of characters I’ve gotten to bring on to the screen,” said Maridueña. “Projects like ‘One Piece’ are so wonderful for the reach and then movies like ‘Dog Years’ and ‘Killing Castro’ are just as fulfilling in the sense that because they get to be smaller productions, the cast and crew have a bit more ownership of what they’re doing.”
Floyd Mayweather Jr.’s Christmas Day purchase of an exclusive Audemars Piguet watch has landed the billionaire boxer in court facing two felony charges alleging theft and intent to defraud, according to Clark County, Nev., court records.
Mayweather wrote a check for $200,000 to Las Vegas high-end consignment store Gold and Beyond for the timepiece on Dec. 25, 2024. Prosecutors filed a criminal complaint on April 27 of this year and the court ordered Mayweather to appear before a judge. His lawyer did so at a preliminary hearing Monday.
The charges are theft with a value of $100,000 or greater and passing a check of $1,200 or greater with intent to defraud. Mayweather did so “knowing that the check would not be paid when presented,” according to the complaint.
Mayweather, 49, could face a prison term of one to 20 years and $15,000 in fines if found guilty of felony theft. The fraud charge carries a sentence of one to four years in prison and a $5,000 fine plus restitution.
Audemars Piguet, which has operated in the quaint Swiss village of Le Brassus for 150 years, is considered a more luxurious and prestigious brand than Rolex, belonging to the “Holy Trinity” of Swiss watchmaking alongside Patek Philippe and Vacheron Constantin.
Luxury watch expert Prestige Time explains why a watch enthusiast would become enamored by the brand: “Buy an Audemars Piguet if you enjoy complications, the kind you find in a really high-end mechanical watch. We’re talking about tourbillons, perpetual calendars, moon phase, retrograde, minute repeaters, chronographs, dual time zone/GMT’s, and more mechanical features that offer more function than just to tell you the time.”
Now the man nicknamed “Money” is on the clock to resolve a high-dollar dispute that could result in a criminal conviction. Mayweather’s next court appearance is Sept. 17. Meanwhile, lawyers representing both sides made their cases in court filings and to the judge.
Mayweather has had a longstanding business relationship with Gold and Beyond, his attorney Adrian Lobo told ESPN in a statement on Tuesday night. Lobo appeared perturbed that the shop’s owner brought the claim to the Clark County District Attorney instead of filing a civil suit.
“This matter does not belong in the criminal courts,” Lobo wrote in the statement. “And Mr. Mayweather looks forward to being vindicated through the court proceedings.”
Gold and Beyond attorney Marc Cook said his client exhibited patience with Mayweather, giving him ample time to pay for the watch. The complaint was filed with the Clark County District Attorney’s office in February.
“The reason for the delay is that my guy trusted Mayweather and was trying to give him every opportunity to make good on that,” Cook said in a statement to ESPN. “And it got to the point where he wasn’t getting responses and wasn’t getting money for a watch that Mayweather had for well over a year.”
Given Mayweather’s reported wealth, bouncing a check might seem perplexing. He is considered the richest boxer of all time, with roughly $1.1 billion in career earnings and an estimated net worth of $400 million.
He owns three of the top-five largest payouts in boxing history, making $275 million for an exhibition with UFC fighter Conor McGregor in 2017, $250 million for the “Fight of the Century” against Manny Pacquiao in 2025, and a then-record $80 million payout for a bout with Canelo Alvarez in 2013.
Mayweather, whose career record is 50-0, reportedly has increased his net worth since last fighting nine years ago. He represents some of the world’s top boxers through Mayweather Promotions and owns roughly 75 gyms around the country along with real estate holdings.
However, Mayweather is reportedly beset by financial woes as well. He filed a $340 million lawsuit against former broadcast partner Showtime, alleging the television network concealed and diverted his earnings. Also pending is a $175 million lawsuit against former associates, claiming they defrauded him and misappropriated his funds, jewelry, and private jet.
Mayweather is scheduled to face kickboxer Mike Zambidis in a full-contact exhibition June 27 in Athens, Greece, and a rematch with Pacquiao is set for September in Las Vegas. However, an exhibition against Mike Tyson scheduled for last April was canceled because Mayweather was notified by the IRS that it intended to revoke his passport over a delinquent tax debt of $7.3 million, according to Ring Magazine.
Diversity in last year’s streaming films followed the same downward trend as theatrical releases, a new study found, with the percentage of people of color directing, writing and leading films diminishing.
In past years, streaming was considered a more accessible outlet for early-career female or BIPOC filmmakers, which was reflected in data about gender and racial representation. According to Part 2 of UCLA’s 2026 Hollywood Diversity Report, which was released Wednesday and analyzed all of the original English-language films distributed on major streaming platforms in 2025, that trend reversed across every category studied.
The share of streaming films directed by women declined to just over 23%, the lowest it’s been since 2022, when the annual study began analyzing streaming and theatrical films separately. Among those female directors, an overwhelming majority (81%) were allotted budgets below $20 million, while more than a quarter of the films directed by white men exceeded $50 million.
Only about 31% of streaming films last year had BIPOC directors, down 10% since 2024, when the proportion more closely reflected U.S. demographics.
“This is an industry in flux — and in reverse, especially when it comes to diversification,” Darnell Hunt, UCLA’s executive vice chancellor and provost and the report’s co-founder, said in a statement.
“Unfortunately, as we’ve seen with theatrical films, we’re now seeing the impact of this current political climate in very meaningful and concrete ways,” he continued. “As budgets tighten, opportunities for filmmakers of underrepresented backgrounds are always the first to be squeezed out.”
Despite losing ground behind the scenes and in front of the camera, women and people of color continued to drive streaming viewership in 2025, the report found.
The year’s biggest streaming hit, “KPop Demon Hunters,” was also the most-watched original Netflix film of all time, and according to Neilsen ratings, it was most streamed by women in Latinx households, followed by women in Asian and Black households. The report acknowledged the film as a “bright spot” in a disappointing year for diversity.
Michael Tran, a sociologist who co-authored the report, noted that the film’s impact and earnings potential could have been even greater with a theatrical release.
“It was a missed opportunity for theaters,” Tran said. “We’ve tracked how diverse films tend to succeed at the box office, here and abroad. For ‘KPop Demon Hunters,’ we could have been talking about record-breaking box office receipts in addition to topping the ratings.”
When “KPop Demon Hunters” did briefly screen in theaters — for two days last August, with over 1,750 locations domestically and more than 1,150 sold-out screenings — it was the No. 1 movie that weekend, earning about $18 million in ticket sales (though Netflix does not report exact box office figures).
Data from the report also indicated that streaming films with at least somewhat diverse casts tended to outperform in terms of audience and social media engagement.
However, overall cast diversity in streaming films declined in 2025. For the first time since 2022, films with a majority-BIPOC cast did not represent the plurality of streaming titles. Most notably, the percentage of lead actors of color dropped from a high of 51% in 2024 to 36% in 2025.
Report authors called it an “industry-wide chilling effect” reminiscent of a similar decline in diversity among theatrical films in 2024. That said, streaming films continued to star BIPOC leads more often than their theatrical counterparts, the study found.
The overall number of streaming films also declined. While the annual UCLA report typically examines the top 100 original, English-language movies across streaming platforms, this time, there were only 89 for researchers to analyze.
In addition to studying race and gender demographics in the film industry, the report also examined on-camera representations of disability. According to the study, while adults with a disability make up at least 26% of the U.S. population, actors with a known disability represented 6.5% of total streaming movie actors, which is in line with the previous year.
According to the study’s authors, streamers hoping to compete in a fast-paced, globalized market should increase their diversity efforts in light of these results.
“Kids under 18 are already majority BIPOC. There’s no going back if a studio wants to be profitable and relevant to Gen Z and Gen Alpha,” said report co-founder and co-author Ana-Christina Ramón. “Severing all brand loyalty now will only make it more difficult to regain long-term subscribers in the future.”
Unprecedented sports feats and historical firsts are usually joyous affairs. Something to celebrate, fun trivia to tuck away for later.
On Monday in Inglewood, the history was much more fraught, and not at all trivial.
Iran’s national soccer team played on American soil — this time on SoFi Stadium’s natural turf — for the first time in 26 years. And for the first time, a country hosted a World Cup participant with which it is mired in an on-again, off-again war.
There was, in the days and hours leading up to the match, protest and pushback from portions of the large, local Iranian diaspora who didn’t think it was possible to support the country’s football team without supporting the oppressive regime.
But inside SoFi Stadium, thousands of L.A.’s Iranian supporters gave the team its full-throated support. So did many new Mexican fans who’ve adopted Team Melli, which has been staying and training in Tijuana between matches as it was barred from the United States except for game days.
Most of the near-sellout crowd of 70,108 were there cheering Iran, helping propel this team under so much pressure to an entertaining 2-2 tie with New Zealand.
And there, among the thousands of enthusiastic Iran supporters swept up in the match, was my son’s favorite soccer coach, Narbé Mansourian, with his son, 13-year-old Daniel.
Narbé’s brother got his hands on a pair of nosebleed tickets and immediately handed them over to his soccer-loving relatives.
And Narbé — a fifth- and sixth-grade social studies teacher in Hollywood — had no qualms about backing these Iranian men. There were no second thoughts about separating the players from the politics in the country with the complicated geopolitical — and personal — history.
Now, know this: Mansourian is no fan of Iran’s Islamic regime. He was 7 in 1983 when his father, a political dissident, was executed in Evin Prison, nine months after he’d been apprehended.
Narbé remembers visiting his dad, Vazgen, at the notorious prison. He remembers the long drive to get there, the long wait to see him and the game he and his mom used to play: “Today you are 4 years old.”
Narbé Mansourian, right, and his son Daniel before Monday’s World Cup match between Iran and New Zealand at SoFi Stadium.
(Mirjam Swanson / Los Angeles Times)
What started as a way to avoid paying bus fares for 6-year-old Narbé became the way to fool guards at prison, where only the small children were allowed to physically touch their imprisoned loved ones.
He remembers being allowed behind the glass, where he’d wait for his dad to emerge, blind-folded.
When his dad was killed at 37, Narbé said his mother didn’t immediately find out. And when she did, she initially told Narbé that he’d been sick. There was no funeral and when they went to visit his father’s grave, they found a dirt field. There were no markers, Narbé recalls.
He has kept Vazgen’s Coke-bottle glasses, his watch and the still-intact little LEGO house they built together before his dad was taken to prison.
Narbé has held onto so many difficult memories, including the nighttime terrors associated with bombings during the Iran-Iraq war. But there are also happier recollections. Like the stories he would make up about good guys going against the greedy. And, yes, memories of going to soccer games with his dad.
So, “absolutely, I’m going to root for the Iranian national team,” Narbé said before Monday’s match, saying that, to him, equating the Iranian national team with the country’s regime is like rooting against the Knicks because you don’t like President Donald Trump, a native New Yorker.
“It’s not like a cartoon good guy, bad guy,” Narbé said. “There’s so much gray. Because they live there. My heart goes out to them. It can’t be easy, to kind of teeter-totter like that.”
A pre-revolutionary Iranian flag is displayed before the World Cup group stage match between Iran and New Zealand at SoFi Stadium.
(Allen J. Schaben / Los Angeles Times)
I should’ve expected this outstanding youth soccer coach would be most concerned with the players on the pitch.
Some fans got into SoFi on Monday with the Iranian Lion and Sun flag, a historic Iranian national and opposition flag that was banned from the stadium because FIFA desires to steer free of politics (unless it’s steering straight into them). It was a strange sight in Los Angeles, seeing stadium workers asking attendees to discard flags in an effort to censor the expression of people here.
Some of those fans turned their backs during the national anthem, which many in the stands jeered at its start. But then, once the game took hold, so did the support.
“There were many Iranians here,” Iran coach Amir Ghalenoei said through an interpreter. “They believe in different political affiliations, different beliefs, but they all wholeheartedly encouraged us, and I think that’s a victory for all of us.”
It’s Friday afternoon in North Hollywood and Ziggy Marley is perched on a stool inside his newly built Rebel Lion Studio, tucked in one of the neighborhood’s creative enclaves.
The nine-time Grammy winner is surrounded by a collection of lion figurines, guitars, traditional hand drums and a piano. Along the walls hang two replicas of backdrops his legendary father, Bob Marley, used on tour in the 1970s. The murals, depicting Rastafari icons and Haile Selassie I and Marcus Garvey, were featured in the 2024 biopic “Bob Marley: One Love.”
“These are what we used as the backdrop for the concert scenes. Them spiritual to me,” Marley says in patois as the smell of palo santo dances around the rehearsal space.
Music has been both an inheritance and lifelong pursuit for Marley. From sitting in studio sessions with his father as a child to building a five-decade career of his own, he has remained a curious student of the craft, one willing to challenge convention in search of a deeper meaning. That spirit is evident on “Brightside,” his ninth solo album, which was released on vinyl on April 18 (Record Store Day) and May 1 on streaming.
Rather than recording the eight-track project in 440 Hz, the standard tuning frequency for most modern music, he opted for 432 Hz, a tuning some musicians and theorists believe creates a warmer, more meditative listening experience. He also slowed down his songwriting process, giving each lyric room to carry its message of hope through turbulent times. The album, which may be his most personal yet, also features “Many Mourn for Bob,” the first song he has written directly about his late father.
“I think it shows the next stage that I probably am in,” says Marley, adding that he felt connected to his father on a spiritual level. “We took another step in the relationship, to another place that it’s never been before.”
Ziggy Marley is bringing his “Brightside” tour to the Hollywood Bowl on June 21 alongside reggae star Burning Spear.
(Dania Maxwell / For The Times)
He adds, “When I was doing the song, it kind of came to me like this song could’ve been my father’s song. It could’ve been a song that he wrote.”
The reflective nature of “Brightside” arrives at another pivotal time in Marley’s career. This year marks the 20th anniversary of “Love Is My Religion,” the Grammy-winning album that launched his solo career and crystallized a personal philosophy he still carries today. He is also set to release his sixth children’s book, “True to Myself,” in September.
As we wrap up our conversation, Marley has only a few minutes before Rebel Lion Studio shifts back into work mode. Within minutes, bandmates, background singers and production crew members begin funneling into the space, hauling in stacks of equipment as promotion and preparations continue the “Brightside” tour, which stops at the Hollywood Bowl on June 21.
This interview has been lightly edited for length and clarity.
You recorded your latest album, “Brightside,” here at Rebel Lion Studio, which you designed and built from the ground up. Can you take me back to the beginning of that process and why you wanted to do it?
I grew up around my father and my mother as growing musicians trying to succeed and there was one thing I kept hearing over and over throughout my life: independence. Their whole mission was to be independent. I saw them work and I saw my father build a studio. I saw him have a space where he can do more music and control his own time. That was a dream of mine for a long time, ever since I started doing music because usually we use other people’s studios. I couldn’t have this in my house. It’s too much. It’s a dream come true.
We’re surrounded by two beautiful murals. Is there a particular item that is personal to you?
The murals are replicas of my father’s backdrops that they used. The original artwork is by Neville Garrick, but he helped us re-create them for the Bob Marley movie. These are the murals we used as the backdrop for the concert scenes. They are spiritual to me cause that’s Haile Selassie and Marcus Garvey, two very important beings for us. Inspirational.
On “Brightside,” Ziggy Marley dedicated a song to his father, Bob Marley, for the first time in his career.
(Dania Maxwell / For The Times)
“Brightside” is your ninth solo album. What mindset were you in emotionally and spiritually when you started working on it?
I never thought about making an album, I was just writing songs. You just tap into things in your subconscious that are waiting to become music, I feel like. Then when the time comes for writing songs, the time comes. It’s like a season. Like you have blueberry or orange season. So there’s a season for me when I write songs. Then you say, “All right, let’s make an album then.” But you don’t think about an album before. It’s just an expression or a feeling just to make music, not for any reason but to make it. It happened over a period of years. Ideas and experiences that eventually come out. But closer to the time I [made] the album, I remember writing some of the later songs like “Why Let the World.” It was a song that I wrote because I was feeling down and everything that was happening in the world and the country. Just so much negativity and I just felt like I needed to take a break from it. To recharge yourself. We cannot fight every day. We need to take a break and then get back to it. I needed to teach myself to take some time. It was more of a mental thing than an emotional thing. Stuff I deal with my father, personal life and stuff with my spirituality and my faith. So there’s a lot of me in this record.
“Many Mourn for Bob” is the first song you’ve explicitly written about your father. Your brother, Stephen, is also on the vocals. What surprised you emotionally once that song was finished?
I’m not sure I thought about it like that. The experience of expressing that emotion, it’s a spiritual experience. I think it shows the next stage that I probably am in and even my relationship with my father on that spiritual level. It’s a different place. We took another step in the relationship, to another place that it’s never been before. When I was doing the song, it kind of came to me like this song could’ve been my father’s song. It could’ve been a song that he wrote. That’s how I felt about it. This is partly his song. It’s me and him making this song. This song is his song too.
How has your relationship with grief changed over the years?
It’s more of a comrade, understanding, empathy and having the maturity and the experience to understand what he went through as a man, as a human being. I think that’s what it is, really. A better understanding of what he went through, not the glory. The pain, the mental and emotional state. You’re more than just an idol. You’re more than just a legend. You’re more than just a father. To go deeper than that, so that’s the next level.
Yeah, the skit you used of him saying “I’m just a man from the ghetto” on the song really summarizes that.
That’s the real him. That’s him right there. Even in the tone of his voice, you can hear the real Robert coming out.
Another standout song from the album is “Racism Is a Killa.” One thing that you do well is having a heavy topic, but finding a way to still make it feel hopeful and joyful. Why was it important for you to approach the track this way rather than from a place of anger, heaviness or sounding preachy?
I think it started out preachy and angry, but over time, it kind of evolved and I kind of evolved too ‘cause my own evolution is represented in the music. And you know something, doing that song helped me evolve because I had to think about it differently without the anger. The song made me do that. Like how else can I approach this? It’s inspiration that causes these things. It’s not an intellectual thing. I didn’t do that intellectually. Like over time, something just started coming out of me. I never really thought about it before, but I can see it now.
In the video, which features your daughter, Zuri, you referred to the condition as “Racismosis” in the video and sang about how it can be cured.
It’s kind of like a sickness, a disease. It’s a virus. We can minimize the virus and stop the disease. It’s true. Racism is a killa. This virus can kill ya. Literally kill ya. Spirtually kill ya. Emotionally kill ya. Mentally kill ya. It kill ya in different ways. It kills the victim and it kills the person perpetrating it. It’s killing everyone, but we can cure it though. It starts with the children. I have a friend of mine who said, “Yo, my little son loves this song. He doesn’t want to stop. He says ‘Put on “Racism is a Killa.”’ So that’s where the antidote is starting. The minds of the children. The music with a conscious message gives them the right consciousness that they grow up with. That is how we take our time and lower the spread of the virus.
You recently released an alternate version for “Racism Is a Killa” with Big Boi. How did that collaboration come together and what excited you about working with him?
I’ve loved Big Boi and Outkast from a long time ago. He’s a legend and a strong voice. There’s different layers to it and I feel like Big Boi took it to that other layer. So yeah, we just love Big Boi and I’m going to jump on something he does. [Laughs]
I’d be remiss if I didn’t ask your approach for your album and how you swapped the typical 440 Hz for 432 Hz. Do you remember the first time you heard the music played back that way?
It’s a long journey because for most of my life in music, I’ve tried to be a student. I’ve tried to keep an open mind and learn more and more. With this album, there’s an inspirational side of music and that’s where I lean into most of the time, but as I grew up, I started to understand there’s also a science too. It’s also mathematics. The universe, it’s all mathematics and science, and I shouldn’t shun the science of music just because I think the inspiration is all it should be. I think a part of that was learning that for myself and opening up and saying, “Yo, let me put some science into this.” Frequency. What does frequency do to people? Frequency affects people. Frequency is a weapon. It’s a tool. I’m sure the army has some kind of frequency thing. So frequency is powerful. I wanted to try something different anyway. I want to be different. I want my frequency to be different from the majority of frequencies that’s being played out there, because it’s fun for me to be different.
When I was working on the demos, I was like “Let me try this 432 Hz thing” and I like how it feels for me personally, how I sing on the frequencies. It resonates differently and makes me feel different. We did it and it felt good, and we did it live, and from my point of view, I felt a different energy with the audience too. So all of those experiments led me to the final conclusion to say, “Yeah, let me do the record in 432.” It’s really nice vibes, which the world needs a different frequency. We can use it.
This year marks the 20th anniversary of “Love Is My Religion,” your first solo Grammy-winning album. When you think back to that era of your life, who was Ziggy back then?
A lot was changing because I moved to L.A. during that time.
You got married around that time too, right?
Yeah. I don’t really fight change. I just try to navigate them and figure them out cause sometimes change is hard. There was a lot of change living here, moving around, trying to find a place, music, but then it’s like we are continuously updating ourselves. I’m continually updating. You know how you update your OS. I’m updating my OS. My operating system is being updated throughout my experience in life. There’s always something else out there for me to evolve to. So during that period of my life, “Love Is My Religion” came to me when someone asked me, “What religion are you?” And I just said “Love is my religion.” I never thought about it before, never contemplated it, never even thought of those words together before in my life, and they just came out to me that day. So the album represents a time in my life when I realized there’s a spiritual awakening that I had. “Love Is My Religion” is a spiritual awakening. That’s my thing. That’s who I am. That’s why it’s a milestone.
“If you think you’re going to change this world with music and you’re trying to send a message out there, you have to speak to children,” Ziggy Marley says.
(Dania Maxwell / For The Times)
You’re kicking off the “Brightside” tour this month, which includes a stop at the Hollywood Bowl. What are you most excited about when it comes to bringing this album to people for the first time live?
I’m excited about playing the music. I think it’s about the music. These new songs, they vibrate very highly for me and I’m excited about experiencing and expressing that. And also kind of not doing it for the audience. I don’t want to do it for the audience. I want the audience to experience what I’m experiencing, what I’m expressing. I want them to feel me. I don’t want them to be like “Hey look at me.” [Laughs] There’s still connectivity going on, but I want them to feel the songs the real way. That’s what I’m excited about for people to feel it the way that I feel it.
You even posted the lyrics and told fans to get to practicing, so they can really understand the message.
Yeah. Just reading them for me, I really like the writing I did on this. I also took some time with this too. I was saying to someone that I developed a deeper relationship with the lyrics and the words than I did before. My relationship with the words here are very mature. I feel good about it. That’s why I want people to know the words because words are very important. Words are very important. If you know the words you get a deeper understanding of what I’m talking about and what I’m feeling.
After nearly 50 years of making music, Ziggy Marley built his own studio in North Hollywood called Rebel Lion Studio. He plans to turn it into a multipurpose creative space.
(Dania Maxwell / For The Times)
Look on the bright side is a phrase that people say often, but what do those words mean to you right now?
Sometimes we can get in a place [where] we can’t see the other side of things because we’re so caught up in that one place. Like the cliché, there’s two sides to a story, ya know? The universe is always yin and yang, but there’s always another side of things. But I feel like the way we are being programmed in a way through media and everything, it’s like there’s only one side. Everything is like this, there’s nothing else going on over there that we need to see, we only need to see this. This is all that’s going on in the world. There’s nothing good, there’s nothing nice, there’s no good people, there’s no love. So it’s a realization too. A realization that there’s the other side. Never get to that place where we think it’s just that side alone because we get so much of it. It’s a reminder, I think, for us like “Come on guys.” The thing about it too, sometimes you can feel like — even for me — some people say, “Hey look on the bright side,” some people find that like “Why are you happy? Why you so chirpy?” [Laughs]
That’s true.
I’m proud that I’m on the bright side. I’m living on the bright side, I don’t care. You don’t like me because I’m living on the bright side? You want me to be like you, you want me just live on the dark side with you, right? So it’s like a proudness of being positive and having that outlook in life, and not feeling like you have to [fall to] peer pressure. More positivity in life, not just the negativity. I’m confident in that too. So it’s kind of like that too, you know, like being proud, lifting up that side of me. Yeah, I’m happy to be living on the bright side.
Whenever Shohei Ohtani is questioned, it seems, he does something spectacular.
On Tuesday, with discussion still swirling over whether his knee problem from the week before would influence his two-way availability when he took the mound Wednesday, Ohtani broke open a scoreless standoff with a sixth-inning solo home run.
“That’s just him,” Dodgers starting pitcher Justin Wrobleski said of Ohtani. “He’s obviously the best player of all time. I’m super lucky and blessed to be his teammate and watch him play. It’s been super cool.”
Up to that point, neither team’s starting pitcher had flinched.
Wrobleski had given up just three hits in six scoreless innings. And, along with five strikeouts, he hadn’t had more than one baserunner in any inning, squashing the scrappy Rays’ ability to manufacture a run.
Though the Dodgers had made more viable scoring threats against Rays starter Drew Rasmussen, they’d come up short for five innings.
They came within a couple of feet of scoring in the second inning, but the Rays pulled off a trick play to throw out Kyle Tucker at home.
Rays catcher Nick Fortes tags out Kyle Tucker trying to score in the second inning.
(Eric Thayer / Los Angeles Times)
With runners on first and third, Alex Freeland laid down a bunt to Rasmussen. When he fielded it cleanly, Tucker shuffled back toward third base. But then Rasmussen turned and fired toward second base, and Tucker took off. Rays shortstop Taylor Ward cut off the throw in front of the base and cut down Tucker as he slid headfirst for the plate.
For the next three innings, the Dodgers (47-27) failed to reach base.
Then Ohtani happened.
Leading off the sixth inning, Ohtani pounced on a cutter that drifted toward the heart of the plate.
He launched it to straightaway center field, where it bounced on the netting beyond the fence.
Rasmussen lasted through the seventh inning, leaving that home run as the only blemish on his outing. Then the two bullpens duked it out to a draw in the late innings.
Justin Wrobleski pitched six scoreless innings.
(Eric Thayer / Los Angeles Times)
Ohtani’s home run stood alone.
It was his fifth home run in nine games, bringing his season total to 14.
After a slow start, by his standards, Ohtani lamented his lack of power. Now, with the second-highest on-base-plus-slugging percentage in the National League (.966), just barely trailing the Washington Nationals’ James Wood (.967), Ohtani has that going for him too.
“He was hitting the ball hard, some doubles, singles,” manager Dave Roberts said. “And if he was just missing a little bit [before], there was going to be slug. So that’s what’s happening. Seeing the baseball well. Swinging at good pitches. And when he uses the big part of the field, there’s just no one better.”
The home run Tuesday, however, was not enough to claim a spot in the batting order Wednesday. Not in an extra-early 12:10 p.m. game. Not just days removed from a bout of inflammation in his left knee.
Before the game, Ohtani threw off a mound to test his knee before his scheduled pitching start the next day. It went well enough that he’ll be taking the mound, Roberts confirmed Tuesday night. But he will not be hitting.
Roberts will keep a close eye on Ohtani, who left the game last Thursday with a swollen knee and then sat out Friday. Ohtani theorized over the weekend that issues with his pitching mechanics may have aggravated his knee.
Said Roberts: “He wouldn’t start if we felt that we were going to put him in harm’s way.”
Glasnow hopes to begin throwing soon
In retrospect, it’s clear to right-hander Tyler Glasnow that he tried to start throwing a little too quickly after back spasms pulled him out of his start against the Houston Astros on May 6. But at the time of the injury, Glasnow, who is no stranger to back problems, was encouraged.
“It didn’t feel as bad when I first did it,” Glasnow told The Times on Tuesday.
Nearly a month and a half later, Glasnow has twice tried to restart throwing, and twice he’s had to shut it down.
“Frustrating, for sure,” Glasnow said. “Just because it happens so frequently. A lot of times I just want to find a way to address the underlying issues of why it happens.”
He has yet to find that long-term solution, but he does not expect to have surgery.
Glasnow, encouraged by his recent improvement, expects to start throwing again “soon.”
“We’re just waiting for it to be fully, fully healed,” he said.
Edman activated
As expected, the Dodgers activated Tommy Edman (right ankle surgery) off the injured list Tuesday and designated utility man Santiago Espinal for assignment.
Edman didn’t make his season debut, but Roberts said he’ll play a mixture of second base, third and left field, with his playing time dictated by factors such as pitcher matchups and the availability of left fielder Teoscar Hernández’s (strained left hamstring), who’s still on the IL.
Federal prosecutors announced charges Tuesday against 15 people who are accused of impeding federal agents during the Trump administration’s massive immigration surge in Minnesota earlier this year.
The investigation targeted two “Minneapolis-based antifa groups” whose members were trained in “surveillance, operational planning and rapid mobilization against law enforcement,” Minnesota U.S. Atty. Daniel N. Rosen said at a press conference.
The charges come as the Trump administration has escalated its attacks on “antifa,” an umbrella term for a diffuse movement of militant left-wing activists, which President Trump has described as a domestic terror group.
Rosen said some of those arrested identified as “antifa” while deploying a range of tactics to disrupt the immigration crackdown, such as “stalking” federal agents and using blocks of ice to slow their convoys. He declined to say whether any federal agents were injured as a result of their actions.
“Whether or not they actually, at the end of the day, cause bodily harm is not the measure of whether or not they committed a serious federal crime,” Rosen told reporters.
Twelve people were arrested Tuesday, two remain at large and one is already in custody, Rosen added. The names and specific charges of those arrested were not immediately available.
The charges come months after the administration’s “Operation Metro Surge” brought thousands of federal agents to the Twin Cities, setting off mass protests and leading to the fatal shooting of two U.S. citizens.
During the surge, convoys of agents in unmarked SUVs traveled through neighborhoods, at times banging down doors, waiting outside schools and demanding residents produce proof of citizenship.
Primarily organized through anonymous neighborhood messaging threads, a sprawling network of outraged Minnesotans quickly formed, with ordinary citizens and activists using whistles and car horns to call attention to the masked, heavily armed agents.
At the time, border czar Tom Homan indicated that federal authorities were probing “the organization and funding of the attacks on ICE.”
“They’ll be held accountable,” Homan said. “Justice is coming.”
Last September, Trump signed an order classifying antifa as a domestic terror organization and directing federal agencies to “investigate, disrupt, and dismantle” its affiliates and funders.
Democrats and several First Amendment groups have raised issue with the designation. While the federal government may designate foreign terror groups, there is no formal mechanism to apply the same label to domestic groups.
Trump has long invoked the term against a range of political opponents, including peaceful protesters without anarchist leanings.
Sean “Diddy” Combs is expected to be released from federal prison earlier than expected in 2028.
The disgraced music and alcohol mogul, 56, is now set to be released from FCI Fort Dix, a low-security federal prison in New Jersey, on Feb. 23, 2028, according to the Federal Bureau of Prisons inmate database. Combs was sentenced in October 2025 to 50 months in prison after he was convicted of transporting prostitutes across state lines for drug-fueled sex performances known as “freak-offs.”
The updated release date shaves off even more prison time for Combs, who was initially projected to be freed in June 2028. Earlier this year, the producer’s release date was moved up to April 2028.
A legal representative for Combs did not immediately respond to a request for comment Tuesday. People reported that Combs is participating in a drug-abuse rehabilitation program in the federal prison. The outlet also reported that the musician’s legal team preferred Combs carry out his sentence at FCI Fort Dix because of its treatment program and proximity to his family.
Combs was sentenced last year after a lengthy and highly public legal saga involving damning allegations of sexual assault and other violence. Singer Casandra “Cassie” Ventura and producer Rodney “Lil Rod” Jones were among the accusers who lodged civil complaints against Combs. Though he was found guilty in July on two counts of a prostitution-related charge, jurors cleared Combs on racketeering and sex trafficking.
“Mr. Combs has been given his life by this jury,” defense attorney Marc Agnifilo said at the time.
Earlier this month, the Los Angeles County district attorney’s office said it was investigating two sexual assault cases against the Bad Boy Records founder. A Florida music producer alleged last year that Combs sexually assaulted him in 2020 and 2021. When the claims first surfaced in 2025, Combs’ civil attorney dismissed them.
“Let me make it absolutely clear, Mr. Combs categorically denies as false and defamatory all claims that he sexually abused anyone,” attorney Jonathan Davis said at the time. “He looks forward to vindicating himself in court, where such matters are decided — and not in the media — based on admissible, material evidence, not rank speculation and unsubstantiated allegations.”
Times staff writers James Queally and Richard Winton contributed to this report.
Minecraft fans can enjoy an immersive pop-up event during the school summer holidays that includes the chance to meet baby Mobs and other characters from the popular video game universe
Minecraft fans will be able to spot ‘Mobs’ around the theme park(Image: Staffordshire Sentinel News Medi)
Alton Towers will launch a pop-up event for the six-week summer holidays where guests can enjoy an immersive Minecraft experience, including meeting adorable all-new Baby Mobs.
Announcing the new arrivals with a Buckingham Palace-style sign, the theme park has promised fans the chance to “meet baby Minecraft Mobs in real life across the park” in a first-of-its-kind event. Minecraft Meet the Mobs will take place between July 18 and August 28, coinciding with the school holidays in England and Wales.
Character appearances will include the Iron Golem, Chicken Jockey and Creeper, plus baby Mob scenes featuring yellow axolotls, pandas, pigs, goats, chicks and wolf pups.
The baby Mobs will be positioned in six Minecraft-inspired scenes across Alton Towers, and as visitors find each one, they can stamp their game card. Those who complete the trail will unlock an exclusive downloadable in-game reward – only available to visitors who’ve been to the theme park.
According to Alton Towers, Mobs “are living creatures in the Minecraft videogames that move, interact with the environment and can be passive, neutral, or hostile.”
In addition to the Minecraft trails, visitors can enjoy themed snack stands featuring Minecraft-inspired TNT popcorn and ice lollies. There will also be a range of exclusive Minecraft merchandise to purchase in the park.
Minecraft fans can book tickets for Alton Towers online now for summer dates, and the Meet the Mobs experience is included with the regular price of admission for all visitors from July 18 to August 28.
Minecraft is one of the best-selling video games of all time, with 350 million copies sold, a number only beaten by the addictive puzzle game Tetris. Its first formal release was in 2011 for the PC, and since then, it has been released on a number of consoles and mobile platforms. A version for the Nintendo Switch 2 was recently announced, with many fans speculating it could be released by the end of 2026.
Howard Ebison, vice president at Alton Towers Resort, said in a statement: “Minecraft is loved by families around the world, and this summer we’re bringing that sense of play and discovery into our park. ‘Minecraft Meet the Mobs’ is set to delight our guests with interactive moments across the park, an opportunity to unlock exclusive in-game rewards, enjoy themed treats and plenty of surprises along the way.
“We are proud to offer this unique Minecraft event for our guests joining us over the summer, all within the price of admission to Alton Towers Resort.”
Recently, the Staffordshire-based theme park opened brand new Bluey the Ride: Here Come the Grannies!, the world’s first rollercoaster based on the much-loved cartoon pup and her family. It’s also home to CBeebies Land, where kids can enjoy rides and experiences based on Hey Duggee, JoJo and Gran Gran, Go Jetters, and the Octonauts.
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What does it mean to lack ambition in a country that worships wealth? It means you are a capitalist wallflower, a laggard with a serious character flaw. No field of endeavor is immune from this attitude, the art world least of all. But artists with a desire for riches and fame must not declare their intentions so brazenly. At a time when the plastic arts are about as marginalized as they ever have been, and media buzz is generated by dead painters whose works sell for enormous sums at auction, creation in and of itself has little value unless it is lashed to something marketable.
With his new novel “Contrapposto,” Dave Eggers has written a big-hearted, deeply moving story about the choices artists make, or don’t make, to square up their own notions of success and happiness. The book is dual bildungsroman, following two friends across the long span of their lives from adolescence to their 70s, as they fall in and out of each other’s lives, make their way in the world, and fumble around for meaning and purpose in their art.
The protagonist in “Contrapposto” is Rob “Cricket” Dibb, an underclass Midwestern kid, raised by a single mother in a North Indiana suburb that’s about as nowheresville as it gets for budding artists with dreams of glory. Cricket doesn’t dream big. He’s just trying to endure without bodily harm, seeking refuge from his mother’s abusive boyfriend in the basement with his grandfather Silas, who teaches him about jazz and the beauty of a glorious sunset. He draws so he doesn’t have to think. Immersion in art is his escape hatch from the dreariness of his pinched world: “The drawing meant nothing, would never mean anything to anyone, but it was true to how he saw it. His hand had recorded what he saw and felt about this thing. He was an ugly, common creature who could occasionally freeze time. That was enough.”
Cricket’s apprenticeship is decidedly informal. No full scholarship rides to Bard or Pratt for him; instead he saves up to enroll himself in a life drawing class in Chicago, where he discovers the beauty of applying rigor and rules to his work, how to break down pictures into the geometry of circles and squares, planes and angles. “He measured proportions and improved,” writes Eggers. “He grew more confident with each pass on his drawing, and realized … that much of the rightness of the drawing, of any drawing, came through time and diligence and discernment.”
He meets his slightly older schoolmate Olympia, one of Eggers’ most beguiling creations, when she implores him to scrawl scatological bathroom graffiti on a playground structure in Old-English typography. Unlike Cricket, Olympia is earnest and sincere about her art in the way that only a young person untainted by cynicism can be. She claims to inhabit the soul of Albert Camus, and flings around aphorisms about art that fly over Cricket’s head. She is an aesthete, someone who likes to go to the race track just to revel in the colors on display there. She wants to create an art scene in their little world. “You know all the great art movements have friends at their core, right?,” she tells Cricket. “A lot of time they’re jammed together by some critics and the artists reject the name and the association. But think about Patti Smith and Sam Shepard. Did you know they dated for a while?”
Cricket is beguiled by her, and Olympia in turn is taken in by Cricket’s talent. When the local library pulls a few of Cricket’s semi-nude life drawing portraits down for fear of offending their patrons, Olympia becomes his advocate and champion. In contrast to Cricket, who skates along with no end plan, Olympia is a committed careerist, an artist who insists on a captive audience to justify her work. She wants to earn money as an artist; Cricket just wants to be left alone. This push and pull between the two frame Eggers’ novel across the six decades of his narrative.
One of many joys of “Contrapposto” is observing Cricket’s artistic awakening via the mentors who guide him into his artistic consciousness. Marcus Carpenter, a wizened sage in battered work boots (one imagines him as the art world analogue to the late novelist Jim Harrison), is the moral conscience of the novel, fighting the good fight for personal expression and railing against the “new, paradoxical tyranny wherein those without technical skill terrorize those who possess it.” Carpenter plucks Cricket from arts college and its meaningless pontificating to his “atelier in the corn,” a ramshackle Victorian where Cricket learns how to transmute what he sees with color and light. “The talented have talent,” Carpenter tells Cricket during one of his endearing rants. “The untalented have theories.”
From there, Cicket’s life is a crooked line. He doesn’t abandon art, but he can’t summon the urge to sell himself or his work, to graft his joy in making things onto the caprices of the marketplace. As Eggers jumps through time, we find Cricket working as an intern in an art gallery, an arid, lifeless space where nothing inspiring can possibly exist. As a young man he works as a ship-breaker in Turkey; in middle-age, we find him in a coastal town in Cambodia, making replicas of great paintings for tourists. Olympia, his elusive love and sporadic muse, flits in and out of his life as she works her way up the tiers of the art world’s ziggurat. She gently berates him for his timidity: “This is how artists have power. We sell work. You’re implying there’s nobility in powerlessness. That’s been an idiotic trope for too long — that participating in the business side of it taints you. Do you know how dumb that is? That artists have to be these fragile little wood nymphs that are too precious to touch the money?”
As “Contrapposto” arrives at its beautiful, life-affirming conclusion, we are left pondering the significance of artistic endeavor in a world that commodifies everything, including our bodies and brains. At a time when even the greatest achievements are debased in a culture that gives equal weight to meretricious novelty, is it even worth the trouble? Eggers’ brilliant novel has the answer: Follow your bliss. In the final analysis, it is all that matters.
Summer, and all the vacation days and potential travel that implies, is upon us. And whether flying internationally or taking time off at home, you can’t beat a good British crime drama as the ultimate self-soother (especially in summer when the U.K.’s inevitable drizzly city streets and windswept moors can provide at least visual relief from the heat). The genre is varied, the casts inevitably fine and justice almost always prevails. So here are 15 shows, new and old, to watch. (And if that’s not enough, you can find 15 more here.)
‘Young Sherlock’ (Prime Video)
Will we ever tire of reimagining Sherlock Holmes? Not anytime soon, apparently. Created by Matthew Parkhill and developed by Guy Ritchie (who directed two episodes), this version gives us a college-aged Sherlock (Hero Fiennes Tiffin) banished to the role of Oxford University porter by his fed-up older brother, Mycroft (Max Irons), who hopes to put the arrogant young rip on a steadier path. Alas, before you can say “Sir Bucephalus Hodge” (the Oxford bigwig played by Colin Firth), young Sherlock is up to his flat cap in murder and mystery, which he is determined to solve with the aid of his new best bud — wait for it — James Moriarty (Dónal Finn). An over-the-top romp that proves, if nothing else, the near-miraculous elasticity of Arthur Conan Doyle’s iconic creation.
Mark Gatiss stars as Gabriel Book in “Bookish.”
(PBS)
‘Bookish’ (PBS)
Speaking of Holmes, “Sherlock” co-creator and co-star Mark Gatiss is up to it again, this time in the leading role. In post-World War II London, Gabriel Book (Gatiss) runs a secondhand bookshop, above which he and his beloved wife, Trottie (Polly Walker), live. But all is not what it seems, as Jack (Connor Finch), the young orphan ex-con they take under their wing, soon discovers. Gabriel apparently did something so important during the war that he is now the neighborhood’s go-to crime solver (with a letter from Winston Churchill to ensure VIP access). He also has a personal stake in Jack’s reclamation, which gives the series a fascinating and pathos-filled LGBTQ-history subtext.
Rishi Nair as Alphy Kottaram, left, and Robson Green as Geordie Keating in the 11th and final season of “Grantchester.”
(PBS)
‘Grantchester’ (PBS)
The sacred meets the secular in this long-running pairing of a young vicar with a worldly police detective in the titular idyllic Cambridgeshire village during the 1950s and ‘60s. In Seasons 1-4, that vicar is Sidney Chambers (James Norton), a jazz enthusiast plagued by memories of WWII who offers unsolicited insights to gruff and initially ungrateful Det. Inspector Geordie Keating (Robson Green). Friendship inevitably blooms, and when Sidney leaves the scene (and Norton the series) at the end of Season 4, many hearts (including Geordie’s) are broken. But subsequent replacement vicars — Will Davenport (Tom Brittney) in Seasons 5-9 and Alphy Kotteram (Rishi Nair) in Seasons 9-11 — each find their way to Geordie’s side, bringing their own charms, detectival insights and personal woes. The final season premieres June 14.
‘Touching Evil’ (BritBox)
DI Dave Creegan (a young Robson Green) is brought in to help DI Susan Taylor (an even younger Nicola Walker) of the Organized and Serial Crime Unit solve a series of abductions that Creegan comes to believe have been committed by a serial killer. The relationship sticks and the pair goes on to track down all manner of nasty killers with a combination of unconventional techniques and good police work. Green’s Creegan gets top billing, and a deeply resonant personal story, but seeing Walker (who would go on to star in so many fine series, including the terrific crime dramas “River” and “Unforgotten”) play a finely tuned second fiddle is great fun too.
‘Karen Pirie’ (BritBox)
For fans of Scottish crime drama (see also “Case Histories,” “Shetland” and “Dept. Q”), Det. Inspector Karen Pirie (“Outlander’s” Lauren Lyle) is a refreshing historic cases hero. Smart, ambitious and dogged, she is not burdened by a dark past or traumatic pain or the generally dour outlook that plague so many of her peers. Based on the books of Val McDermid, the series is set on the Scottish peninsula of Fife (the first season involves the picturesque town of St. Andrews) and all the gloriously broody scenery that implies. Murder mystery plus vicarious international mini-break.
‘Sister Boniface Mysteries’ (BritBox)
This cheeky spinoff of the iconic “Father Brown” puts a sweet-faced Catholic nun (Lorna Watson) at the center of all manner of murder in the fictional 1960s Cotswolds town of Great Slaughter. Sister Boniface is, of course, not just any nun. Having served as a codebreaker at Bletchley Park during WWII before entering the convent, she holds a PhD in chemistry, which makes her the perfect, if most unlikely, forensic specialist. (She also rides a red Vespa and serves as the convent’s vintner.) Unflappably brilliant and sincere in her vocation, she proves that faith in action can be both serious and great fun to watch.
‘The Bletchley Circle’ (BritBox)
Like Sister Boniface, Susan Grey (Anna Maxwell Martin) served her country as a codebreaker, but she is finding post-WWII life a bit more, well, boring. Forced back into the traditional roles of wife and mother, Susan tries to make do until a series of murders suggests to her a pattern unnoticed by the police. Gathering her former and still formidable colleagues who are also languishing in a sexist world, she creates, for two marvelous seasons, her own private crime unit. (See also, the one-season spinoff, “The Bletchley Circle: San Francisco.”)
‘Sherwood’ (BritBox)
When truculent Gary Jackson (Alun Armstrong) is murdered by an arrow outside his home in Nottinghamshire, near Sherwood Forest, Det. Chief Supt. Ian St. Clair (David Morrissey) is quick to put down any Robin Hood references and look instead at the town’s 30-year-old but still roiling divisions over the U.K.’s 1984-85 miners’ strike. Based on real events, “Sherwood” is both a murder mystery and a contemplation of the damage done by class-based strife and longheld grudges, often based on misinformation. With an incredible cast, including Lesley Manville, Kevin Doyle and Lorraine Ashbourne, it is deeply moving drama that illuminates the personal price of social divisions. Season 3 premieres this year.
Lesley Manville as Susan Ryeland and Timothy McMullan as Atticus Pund in “Magpie Murders.”
(Nick Wall / Eleventh Hour Films / PBS)
‘Magpie Murders’ (PBS)
Season 3 of “Magpie Murders” — titled ”Marble Hall Murders” — is also set to bow this year, so now is a good time to catch up on the previous adaptations of Anthony Horowitz’s Susan Ryeland novels, which both satirize and honor the murder-mystery genre. Ryeland (Lesley Manville) is a book editor whose most famous — and tiresome — author, Alan Conway (Conleth Hill), has just turned in his final murder mystery called “Magpie Murders.” Only the last chapter is missing and Conway has just been found dead at his country home. So it’s up to Ryeland, working with Conway’s literary detective Atticus Pünd (Tim McMullan), to figure out what happened, both in real life and in the book. This mystery-within-a-mystery launches two vivid characters, Ryeland and Pünd, working separately and together to solve crimes, sometimes in two different timelines.
Bill Nighy as headmaster Alan Lockwood, from left, Sharon Small as Det.Sgt. Barbara Havers and Nathaniel Parker as Det. Inspector Thomas Lynley in “The Inspector Lynley Mysteries.”
(Alex Bailey / BBC)
‘The Inspector Lynley Mysteries’ (BritBox)
The many, and voluminous, novels of Elizabeth George are being adapted in “Lynley,” a new series that has its charms. Still, I’m sticking with the older version, which ran from 2001 to 2008. Over six seasons, the unlikely partnership of Det. Inspector Thomas Lynley, eighth earl of Asherton and generally natty guy played by Nathaniel Parker, and his distinctly working-class and perpetually disheveled sergeant, Barbara Havers (Sharon Small), creates a classic odd-couple mix that allows some actual insight into issues of class and gender. But mostly, they make a great detective team, often using their differences to their advantage. The mysteries range far and wide over the U.K., from gritty streets to posh country homes, and 24 90-minute episodes are enough to keep you going all summer long.
Derek Jacobi in the title role of “Cadfael” in 1995.
(ITV)
‘Cadfael’ (BritBox)
Though the oldest series on this list (1994-1998), “Cadfael,” based on the books of Ellis Peters, remains a classic and constant recommendation. The great Derek Jacobi plays the titular 12th century monk who was once a soldier of the Crusades. Now a botanist and apothecary, Cadfael aids the local sheriff in solving all manner of crimes committed in and near Shrewsbury Abbey during England’s 15-year civil war known now as the Anarchy. Though the series does not delve as deeply into the politics of the time as the novels do, it creates an uncertain world in which violence runs rampant. Mercifully, there is a monk who knows his stuff, and if Jacobi isn’t enough reason to watch, the costumes and landscape are pretty great too.
‘No Offence’ (BritBox)
Joanna Scanlan was punk rock long before her turn in “Riot Women,” especially as the wildly frank, slightly raunchy, take-no-prisoners DI Viv Deering in this blackly funny depiction of the wayward Friday Street division of the Manchester Police. They are not misfits exactly — Deering knows what she’s doing as does her team, including the ambitious Det. Constable Dinah Kowalski (Elaine Cassidy), the self-doubting Det. Sgt. Joy Freers (Alexandra Roach) and Paul Ritter’s wise-cracking Randolph Miller (OK, maybe he is a misfit) — but they are much more recognizably human than most TV coppers. We know they’ll get their man, but it will take some time, and more than a few hilarious and heartbreaking misfires.
‘Inspector George Gently’ (Acorn TV)
After the murder of his wife, Inspector George Gently (Martin Shaw) leaves London’s Metropolitan police force in search of a more peaceful life in 1960s Northumberland. But as anyone who has seen “Vera” could tell him, Newcastle Upon Tyne is far from peaceful. Still brokenhearted, Gently finds himself solving crimes, and trying to teach his sergeant John Bacchus (Lee Ingleby) to be an honorable man in a time of shifting social mores and political upset.
‘Whitechapel’ (Hulu)
Come for the Jack the Ripper overtones, stay for the always great character actor Phil Davis (“Trying,” “Vera Drake”). He plays old-school Det. Sgt. Ray Miles, a member of an East End squad that is less than thrilled by their new guy, opposite the smooth and ambitious Det. Inspector Joseph Chandler (Rupert Penry-Jones), who shows up to his first crime scene in a tux and doesn’t appear to understand that this is the East End. But with what seems like a Ripper copycat on the loose, everyone needs to put aside their preconceived notions and figure out what’s going on. The series is wildly atmospheric with plenty of gallows humor and more than a few truly loopy plotlines, but great fun with Davis managing, as ever, to sell even the most preposterous scene.
James Norton as Henry Alveston, from left, Matthew Rhys as Darcy and Matthew Goode as Wickham in “Death Comes to Pemberley.”
(Robert Viglasky / PBS)
Death Comes to Pemberley (PBS)
This adaptation of P.D. James’ sequel to “Pride and Prejudice” is a miniseries, and just three episodes long, so this might be a bit of a cheat. But if you haven’t seen it, you should. Elizabeth Darcy (nee Bennet) (Anna Maxwell Martin) and Fitzwilliam Darcy (Matthew Rhys) are happily married and planning a ball. Sure, a couple of servants see a ghost in the woods (where Elizabeth encounters a suspicious woman), and Col. Fitzwilliam (Tom Ward) clearly wants to marry Georgiana (Eleanor Tomlinson), who doesn’t seem too keen, but what of it? Then Elizabeth’s sister Lydia (Jenna Coleman) shows up uninvited and hysterical; her still-caddish husband, George Wickham (Matthew Goode), had an argument with his friend Capt. Denny (Tom Canton), and the two vanished into the woods where shots were subsequently heard. Once again, Mr. Darcy must do what he can to protect the dreaded Wickham, and in doing so all manner of secrets are revealed. Jane Austen meets Agatha Christie with a cast either writer would kill for.
TONOPAH, Nev. — Some years ago, Harry Chahal and his wife were on a trip to Las Vegas when, like countless motorists before and since, they passed through this high desert speck of a town.
Tonopah, built by the mining industry around 1900 and depleted as the gold, silver, lead and mercury waned, is a remote way station about halfway between Reno and Las Vegas. Signs on either side warn — ominously, given the unforgiving expanse ahead — that once you’ve left, the nearest gas station is not for another 100 miles or so.
Harry Chahal opened hometown pizza in 2015 after driving through town and seeing there was no pizza place.
(Mark Z. Barabak / Los Angeles Times)
As he passed through town, Chahal noticed something missing: a pizza parlor.
Pizza is not generally associated with Punjab, India, where Chahal — given name Harvarinderjit — is originally from. But he learned how to make pizza, and how much customers loved gobbling it up, while working at different gas station mini-marts around rural Nevada.
In that absence, Chahal saw opportunity.
He and his wife, Ravinder, moved to Tonopah and in 2015 opened Hometown Pizza in a vacant building on U.S. Route 95, which runs through the heart of town. Ten years later, they bought the Dream Inn Motel, a 39-room operation just up the road.
Views of the 47th president, from the ground up
Lately, Chahal has been sprucing up the motor inn: new cabinets, new furniture, fresh paint every few months. The reason is President Trump.
Tonopah and the surrounding desert, stretching farther than the eye can reckon, is verging on a boom, owing to vast reserves of lithium, boron and other sought-after materials and a Trump administration promise to turn the U.S., in the words of Interior Secretary Doug Burgum, into “a mineral powerhouse once again.”
Chahal, 40, is a repeat Trump voter and even though he has issues with some of what the president has done — he’s not happy about the war with Iran and inflation has taken a decent-sized bite out of his pizza business — he feels his faith in Republicans in general and Trump in particular have paid off.
A registered nonpartisan, Chahal is fairly apolitical. “I vote for Republicans because they’re better for business,” he said as a lunch-time crowd of locals and folks passing through tucked into the $11.99 pizza-and-salad buffet. Here’s proof: In the last year, Chahal said, he’s seen motel occupancy increase significantly, from around 15 rooms rented each night to 25 or more.
Those fresh touches to the Dream Inn are Chahal’s investment in the future and a belief that, with Trump in office, even better times lie ahead.
Tonopah was built as a mining town around 1900. It’s fortunes have waxed and mostly waned.
(Mel Melcon / Los Angeles Times)
::
For much of its being, Tonopah relied on metal, minerals and other valuables scooped from the earth. Today, government is the largest employer.
But mining continues to hold fast to the town’s imagination.
A headframe — that’s the tower built directly over an underground mine shaft — is part of Tonopah’s logo. Mining-related sculptures, including statues of Jim and Belle Butler, who staked the first claim in the 20th century silver rush, dot the main thoroughfare. The high school’s athletes are called the “Muckers,” after those who shovel ore into underground rail cars.
The Tonopah Historic Mining Park is a big tourist attraction, along with the Clown Motel and other lodging establishments supposedly haunted by the ghosts of dead miners and other paranormal phenomena. (Chahal says there are no apparitions at the Dream Inn.)
The Clown Motel, which draws visitors from around the world, is said to be haunted by the ghosts of dead miners.
(Christopher Reynolds / Los Angeles Times)
Lately, however, mining is becoming more than just a part of nostalgic lore. It’s poised to again be a major boon to the local economy and the town’s 3,000 residents.
Plans are underway for a new lithium and boron mine at Rhyolite Ridge, approximately 30 miles southwest of Tonopah, in Nevada’s Silver Peak Range. (Lithium, most of which is now imported, is a vital ingredient in the batteries that store solar energy and power electric vehicles; boron is used, among other things, for bulletproof armor and vests.)
About 27 miles to the south of Tonopah, near the town of Goldfield, a new gold mine is set to open in 2028.
Joe Westerlund, Tonopah’s town manager, said fresh development and the prospect of hundreds of new, good-paying jobs are much welcomed. The median income here is about $37,000 annually, less than half the state average. The hospital in town closed in 2015. Venture off U.S. 95 and the rolling hills are flecked with weathered miner’s cottages and tumbledown homes no longer fit for habitation.
(A three-bedroom, two-bath home in a comfy subdivision on the north end of town can be had for around $250,000, but don’t hurry over to buy; inventory is low and could grow even leaner if demand for housing increases.)
The Tonopah Historic Mining Park is a big local tourist attraction.
“As soon as he got into office, things started loosening up. We had 15 drill rigs,” said Westerlund, who has lived in Tonopah since 1972. “I had never seen that before in my life.”
There are, of course, environmental concerns — about pollution, water supply, native habitat — but those worries haven’t gained much of a toehold. Nye County, which is home to Tonopah, isn’t exactly tree-hugger country — and not just because most of the land is scrub-filled desert. Trump carried Nye County all three times he ran, with landslide support ranging from 68% to 70%.
“This is a pro-Trump town,” Westerlund said, “and I feel like his policies are doing good for the town.”
Chahal stands ready to cash in, knowing firsthand what economic good times feel like.
The Mizpah hotel, opened in 1908, offers the plushest accommodations in town.
(Chris Erskine / Los Angeles Times)
When he moved here in 2014, he and his wife were forced to stay in a motel for six months because workers finishing up a $1 billion solar energy project were taking up most of the living space. That’s the kind of extended-stay guest he’s after, not the tourists bedding at the Mizpah Hotel, the plushest resort in town, with its cut-glass chandeliers, Victorian furnishings and photo gallery of celebrities who’ve stayed the night.
“If I can rent 25 rooms a night, maybe 15 can be for the long term” of several weeks at a time, Chahal said. He’s done the math — $82 a night for a queen bed, single occupancy; $89 for a king — and likes how it pencils out.
::
Chahal came to the U.S. in 2006, after marrying Ravinder, who grew up in the Sacramento area. She had family in Punjab and was a regular visitor to India. The two met when they were 10 years old. Chahal became an American citizen in 2020.
Politically, Indian Americans lean heavily toward the Democratic Party. But in the tiny Nevada communities where the couple lived — Lovelock, Battle Mountain and Ely before Tonopah — there was little or no Indian American presence. So Chahal wasn’t acculturated into the party the way many others have been. Rather, he embraced the GOP gospel of lower taxes and less regulation.
Working seven days a week, Chahal has little time these days for politics, beyond voting. He isn’t particularly ideological or, for that matter, worshipful of Trump.
“Every coin has a head and a tail,” he said, flipping his wrist as though tossing a quarter in the air. He sees two sides to the president. “Maybe you’re angry for some things,” Chahal said. “Maybe you agree with some things.”
He supports the notion of tariffs as a way of bringing manufacturing jobs back to the U.S. He also laments that the pizza boxes he uses, which are made in China, once cost him 30 cents and now run almost 67 cents apiece.
He backs Trump’s promise to round up and deport violent criminals who are in the country illegally. But he’s also mindful of the important role immigrants play, especially in areas like farming and construction, in sustaining the U.S. economy.
Living in a town greatly shaped by outside forces — the fluctuation of commodity prices, the changing of presidential administrations, the shifting priorities emanating from Washington — Chahal is familiar with vicissitudes and the business cycles of boom and bust.
Not everything Trump has done has helped the mining industry.
But based on the talk around town, Chahal believes a more prosperous future is in the offing. He certainly hopes so, and he’s counting on the president to deliver.
As soon as enough votes were counted to officially knock Tom Steyer out of the California governor’s race, the anti-billionaire schadenfreude kicked in.
Social media and legacy media, conservative and liberal, all seemed to have a rare melding of the minds, delivering endless variations of, “How dare he try to buy elected office! We showed him.”
“I hope you received the message from California that a power-hungry communist billionaire cannot buy the state!” wrote one detractor on social media. “How much money did you waste spamming Californians? Do you know how many hundreds of millions of dollars you wasted?”
“What a waste,” screamed a New York Times headline, slamming Steyer for not donating that money directly to building houses or funding Planned Parenthood — one-off actions that prop up broken systems instead of changing them.
I get it.
In an age when income inequality is reaching serf-lord levels, hating the rich seems easy and reasonable. You could take several zeros off the $200 million Steyer spent on his campaign and it would still be more than most of us make in a lifetime. That’s a rage-inducing reality for many, if not most of us, for whom pairing a full tank of gas with a restaurant dinner seems like careless luxury these days.
I’m not here to defend the nine-zeroes class. But maybe we should take a beat and make sure our outrage is working for us, not against us. While Steyer has spent the last few months advocating for universal healthcare, better pay and protections for workers, and putting curbs on out-of-control corporations from the energy sector to AI, other billionaires have spent that time actively undermining democracy and our financial system. Heck, some even seem to be undermining humanity. Why aren’t we raging at them?
Take, for example, a certain billionaire who seemingly would prefer to be a trillionaire: Elon Musk.
Last week, his SpaceX held an IPO in which somehow the rules of Wall Street meant to protect small investors and pension plans were set aside to his benefit. Like it or not, if you hold a public pension or a 401(k) in America that uses index funds (which most do) you will likely be an investor in his unproven and possibly risky business. I’m sure that will work out fine.
Or consider the hundreds of millions of dollars right-wing AI and surveillance-company billionaires, some Californians, are dumping into political races across the country right now to ensure that their dangerous and unpredictable technologies are not regulated, or regulated in largely meaningless ways. It’s a situation so dire that one wealthy insider last week warned in his own op-ed that if his former colleagues are successful, “It could concentrate economic power in ways that would make the Gilded Age look quaint.”
Then there’s our president, king of self-enrichment, whose wealth has skyrocketed to more than $6 billion during his time in office. Much of that moola is in opaque cryptocurrency holdings, an industry he has championed as his fortunes in it have increased.
But don’t think Trump is in it only for himself: He’s enriching his family, too.
But sure, hate the goofy guy in the vintage Nikes pointing all this out.
“I’m proud of the enemies we made,” Steyer said in his concession. “In this race, those corporations revealed that they see a government that puts working people first as an existential threat — even when proposed by a billionaire. By spending $55 million — the most ever against a single candidate in a California primary — they showed the lengths they would go to in order to protect a status quo that only serves them and their profits.”
I don’t like the amount of money in our political system either, but the truth is, it’s there. And worse, the majority of those who have it seem intent on diminishing the political and economic power of those who don’t.
We are increasingly moving toward a country where the well-being of the majority of people will depend on the largesse of the few — Silicon Valley’s tech industry now talks about a universal basic income as a great boon for the coming mass unemployment they are creating.
But is existence off a charity-pittance really what we want for ourselves and our children? Do we really want these ultra-wealthy overlords to use their money unchecked to make decisions that will shape our future, diminish our rights and ultimately leave us without the power to fight back?
If Steyer wants to use his money to join this battle to keep power by the people and for the people, then the enemy of my enemy is my friend.
Like it or not, us average worker bees need money to fight money. In this age when animus eats discernment like the rich eat caviar, the luxury we really can’t afford is hating the good guys just because it’s easy — even if they’re billionaires.
Ariel Atkins’ head whipped back. After taking an elbow from Indiana’s Monique Billings on May 13, the Sparks’ team doctors spotted the potential for a head injury and sent her to the locker room.
It was the second concussion of her career, but she didn’t know that at the time. All she knew was that her head hurt.
“You just don’t feel like yourself,” Atkins said. “It’s hard to even be a part of society. Luckily, this wasn’t a serious one.”
There have been eight diagnosed concussions in the WNBA already this year after just a quarter of the season. There were eight total in 2025, four in 2024 and six in 2023.
The “why” could be bad luck, better awareness in diagnosing concussions or something else. Atkins thought the lack of game flow because of new officiating standards might be making things harder.
“You would think it should be down,” Atkins said. “Maybe there is no rhythm when there are stoppages.”
Atkins got hit in the nose against the Wings three weeks after returning from her concussion. She stayed in the game after a quick check on the bench.
She didn’t have a concussion that time, but players do seem to be getting hit in the head at a higher rate. Minnesota-based sports scientist Lucas Seehafer thinks it’s too early to make a definitive declaration of why that is happening.
“Some players and coaches in the past have talked about the physicality of the play,” he said. “I know some people have talked about how the rules are kind of lax, or you’re maybe not as rigorous as what they could be in terms of like punishing blows above the shoulders and that kind of stuff. But it’s tough to say with any certainty until we get more data.”
On opening night in Seattle, Golden State forward Cecilia Zandalasini suffered her first concussion when elbowed by the Storm’s Zia Cooke.
She called the process to return a “nightmare.”
“It was so weird with the feeling of always having a headache,” she said. “I had to wait until it was gone, I couldn’t move.”
Valkyries forward Cecilia Zandalasini called working through concussion protocal a “nightmare” earlier this season.
(Ellen Schmidt / Getty Images)
Seehafer said that when it comes to women’s sports, hockey and soccer have a reputation for having higher concussion rates, but basketball can be just as physical.
“Compared to the rest of the [pro sports] leagues, the WNBA is pretty much doing exactly what the other leagues are doing, but again, is that enough?” he said. “It’s tough to say. I would say they’re not, but I don’t think they’re egregiously leaving athletes open to even more severe injuries, necessarily. My bias is just that everything can be safer.”
The WNBA follows the same concussion protocol as the NBA, by which a player must undergo a locker room evaluation after getting hit in the head. If the player is cleared by medical staff, they can return to the game.
Any player showing concussion-related symptoms, such as a headache or dizziness, must be monitored for 24 hours by the team’s medical staff. Once they are symptom-free, they go through a range of activities from light physical activity to full-contact practice. They must stay symptom-free throughout that entire process to be allowed back into games.
“Back when I played, I didn’t know what concussion meant,” said Sparks coach Lynne Roberts. “I think now we understand the science of how serious it is, and we don’t rush them back. Once they’re back, there’s really nothing you can do. It’s a contact sport, and the players just kind of play through that, but obviously we’re very cautious with not letting a player play until the doctor’s fully certain that she’s symptom-free and at no risk.”
The hardest part with concussions can be the initial diagnosis. Oftentimes, symptoms show up hours or even days later. For Zandalasini, she was originally diagnosed with a jaw injury before dealing with a headache the next day.
Atkins knew a little bit about what concussions felt like, and even this time was different. Why concussions are up this year is still a mystery, and perhaps it will even out as the season goes on.
But for now, players and medical staff are on alert.
“It’s the thing with athletes, right?” Atkins said. “We’re trying to figure out pain versus injury, like, is it something serious? Is it not? I don’t want to hurt myself further. So, yeah, it can be hard to decipher that with a head injury.”
Rylan Clark and his mum, Linda, first joined the programme back in 2019 and have been firm staples on the beloved show.
Although they may have missed the first episode of the new series, they were back in action this Friday (June 12).
Sharing a clip on Instagram, the 37-year-old said: “Guess who’s back on Gogglebox… It’s Linda! We are very excited to be back this Friday night.”
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Turning the camera to his mum, Rylan asked if she was excited to be back on the show, and she confirmed she was. He finished off the video by adding: “Right, we’ll see you Friday night!”
It wasn’t long before people commented on the post, with many thrilled to see them back on the show.
One person said: “Love you guys. So good to see you back and looking lovely as always.” Someone else shared: “Hey Linda, about bl**dy time.”
Another fan added: “Glad you are both back, was hoping you would.” While one person commented: “I wondered where you guys were last week!!! Good to have you back again. Love your banter.”
Someone else shared: “Delighted to hear this news – missed the pair of you last week & was hoping you would be back.” As another person added: “Good to see you back Linda..and Rylan of course. Cannot wait to see you both back on.”
While on X, one person said: “Rylan and his mum back.” As another added: “I love @Rylan’s mum so much.”
Celebrity Gogglebox is available to watch on Channel 4
More than any other artist in the 20th century, David Hockney defined Los Angeles in the public imagination. When he first arrived in January 1964, age 26, his mental image of the city had been forged not by art but by Hollywood movies, which he had watched as a young boy in Yorkshire, England. In later life, he often recollected the sharp-edged shadows cast by the Californian sunlight in movies such as Laurel and Hardy’s “Big Business.
Before he ever went to L.A., Hockney — who died Thursday at 88 — knew that he would love it. Writing about his first descent into the city, he recalled how “as I flew over San Bernardino and looked down — and saw the swimming pools and the houses and everything and the sun, I was more thrilled than I’ve ever been arriving at any other city, including New York.” By this time, the glamour of Hollywood had been compounded by other influences, including the homoerotic magazines that an American friend had given him at the Royal College of Art in London. Titles such as Physique Pictorial, published in L.A. by the pioneering “beefcake” photographer Bob Mizer, held out a promise of California as a paradise of rippling men and permanent sunshine. A darker, no less thrilling image of the city had arisen from Hockney’s reading of “City of Night,” the 1963 novel by John Rechy that tells the story of a hustler in the gay underworld of downtown L.A.
Los Angeles itself felt young to Hockney. He loved the light, the architecture, the sense of space and the sense of possibility — not least the possibility of greater sexual freedom. West Hollywood boasted a large gay bar, the Red Raven on Melrose Avenue, that was unlike anything he had found in London or New York. There was also the lure of the beach, with its pageant of sculpted physiques. Venice Beach struck him as a more body-beautiful version of London’s Portobello Road.
Before long, his work shifted from generic fantasies of the city (a young man showering in Beverly Hills, for instance) to vivid portrayals of its real-life pools, palm trees, architecture and people. American artists such as Edward Ruscha and Edward Kienholz were producing their own canonical images of L.A. in these years, but for Hockney, there were no artistic precedents — “no ghosts,” as he later put it — to live up to. “People then didn’t even know what it looked like,” he once said. “And when I was there, they were still finishing up some of the big freeways.… I suddenly thought: ‘My God, this place needs its Piranesi, Los Angeles could have a Piranesi, so here I am!’ ”
He was true to his word, even if his luminous, serene images of the city were a far cry from Giovanni Battista Piranesi’s feverish visions of Baroque Rome. “Beverly Hills Housewife” (1966), a portrait of a pink-dressed collector in her modernist home, marked the onset of a realist style that would define Hockney’s work for the next decade. This era gave rise to paintings that became icons of their time and place. Among them were “A Bigger Splash” (1967), which was based on a magazine cover that he came across on a newsstand, and “Christopher Isherwood and Don Bachardy” (1968, sold last year at Christie’s New York for $44.3 million). Inspired by Hans Holbein, this portrait of the English novelist and his artist partner was one of the first celebratory portrayals of a gay couple. Hockney would later recount how Isherwood proclaimed: “Oh David, we’ve so much in common; we love California, we love American boys, and we’re both from the north of England.” Hockney’s beloved American boy at this time was Peter Schlesinger, a young artist he had met while teaching at UCLA in the summer 1966 — and a recurring presence in the early L.A. pictures.
According to Norman Rosenthal, who curated a major survey of Hockney’s art at the Fondation Louis Vuitton in Paris last year: “It is astonishing that a boy from a poor family in Bradford became the person — partly because of his gayness, but also his talent — who defined what everybody now thinks of as California. L.A. had no real image in the world before then, unlike New York.”
Despite his enchantment with Los Angeles, Hockney didn’t settle there until 1978, after a decade of bouncing between America and Europe. In the summer of 1979 he moved into a house in the Hollywood Hills, and soon adorned its pool with swishing strokes of blue paint. In the early 1980s, he converted the paddle tennis court into a studio. The meandering routes and Mediterranean scenery of the Hills were a fresh source of amazement, giving rise to monumental depictions of Mulholland Drive and Nichols Canyon in a newly abstract style.
By this time, the city was deeply familiar — a second home — and he had a close circle of friends around him who included the patron Betty Freeman (subject of “Beverly Hills Housewife”), the designer Gregory Evans, the gallery owner Nicholas Wilder and the film producer Joe Simon. “L.A. had represented a whole new world for him,” says Simon, who remained in regular contact with the artist until his final days. “He just loved the light. He was like a kid in a candy store when he first came. But David was all about the work. Everything came back to that.”
In recent decades, Hockney’s name had become synonymous with the landscapes of his native Yorkshire, which he began painting prolifically in the early 2000s. But Los Angeles never lost its newness and promise. His house in the Hills remained a sanctuary until his final years, when he was too frail to travel. L.A. was where he had come of age, and it remained an indelible part of his life and psyche — not least in terms of its egalitarian spirit and its tendency toward the horizontal. “The great thing about Hockney was that he spoke to everybody,” says Rosenthal. “Few artists of his world and his generation could do that.”
James Cahill, a novelist and an art critic, is the author of, among other books, “David Hockney” and the forthcoming “The Beverly Hills Housewife: Hockney’s Californian Muse and the World Beyond the Pool.”
IF you’re looking to travel on the cheap this summer, we’ve got some of the best lesser-known destinations that offer the same (or better) holidays, with fewer crowds and much less money.
I’m a travel expert, mum of two and influencer with 335,000 followers on Instagram, where I share tips on my page @thetravelmum on how to travel the world without spending a fortune.
Jen aka Travel Mum finds cheap holiday deals for familiesCredit: Jen CarrI ditched Croatia’s well-known Split for TrogirCredit: Jenna Carr
It’s totally possible to discover a more authentic experience, friendlier prices, and a slower pace that actually suits families far better in destination dupes.
And you don’t have to forgo the convenience and reassurance of things like budget-friendly flights, easy airport transfers, family-friendly dining options, and good quality healthcare.
I am on a mission to help families travel more and not spend too much doing it.
So I’ve rounded up some great options from across Europe, some of which are not many miles away from the very well-known resorts…
Instead of Santorini… try Naxos
Naxos is a pretty Greek alternative to SantoriniCredit: Alamy
Santorini is known for its picture postcard views, but it comes with high prices and crowds.
Hop on one of the regular ferries from Santorini (one hour 15 minutes) or Mykonos (35 minutes), and find yourself in Naxos.
Naxos still has all the charm and style of the better-known Cycladic islands – think white-washed hilltop villages, clear blue waters and traditional tavernas, but with lower cost accommodation, food and activities.
The other huge plus for families is that Naxos has stretches of sandy beaches gently sloping into the sea, which you won’t find in Santorini.
Staying here, I’d recommend checking into the Golden Sun Hotel.
I’ve stayed at this hotel myself, and it’s in a great setting right on the beach.
The rooms have large balconies, which are perfect for sitting out in the evening once the kids are in bed.
BOOK IT
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A seven-night break for a family of four from August 11 in a Family Suite with a Sea View starts from £2,268 – or £81pppn.
Ohai Nazare Outdoor Resort in Portugal has a huge waterparkCredit: Expedia
The Algarve region in Southern Portugal, with its popular resorts such as Albufeira and Vilamoura, attracts 5 million tourists annually.
Of course, most of which is concentrated in the peak summer months – sending prices skyrocketing during school holidays.
Instead, take a flight into the capital city of Lisbon or Porto, and within as little as an hour’s drive, base yourself on the Silver Coast – or Costa de Prata in Portuguese.
The region stretches along the country’s Western coastline, offering a varied mix of beautiful beaches, fresh seafood, picturesque fishing villages and medieval towns.
Places like Nazare, Obidos and Peniche offer a more local feel than some of the Algarve’s heavily developed resort areas, and it is a great choice for families wanting a more traditional Portuguese experience, without giving up beach days or reliable sunshine.
Perhaps check into the Ohai Nazare Outdoor Resort, which has a free waterpark and activities like basketball and volleyball for the kids.
There’s even a food shop service, as well as an on-site supermarket for essentials.
BOOK IT
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A seven-night stay for a family of four from August 12 in one of the Bungalows which comes with a double bed and two single beds starts from £2,483 – or £88pppn.
Make the switch from Split to pretty TrogirCredit: Alamy
Croatia has firmly cemented itself as a great destination for families – it’s one of our favourite European countries to visit.
With its rise in popularity, flights are now widely available from many UK airports, but the downside is that tourist hotspots quickly become crowded.
Split, Croatia’s second-largest city, draws crowds wanting to experience its mix of beautiful beaches, historic streets and easy connections to other parts of the country.
But, just a 30-minute drive from Split, you can find Trogir – a UNESCO World Heritage town.
Trogir offers many of the same benefits as Split – beautiful Adriatic scenery, historic streets, waterfront restaurants and easy access to island boat trips, but in a much more manageable setting for families.
While Split can feel crowded, busy and expensive during the summer months, Trogir has a calmer atmosphere that makes travelling with children far less stressful.
Its compact old town is easy to explore on foot, the promenade feels more relaxed, and there’s less traffic and noise.
I’d recommend a stay at Amadria Park Camping Trogir, which has sea views, a huge swimming pool and three on-site restaurants.
This is another one I’ve stayed in, and I’d say don’t discount a lodge holiday, this site has fab facilities and is in a really pretty setting.
It has great transport links too.
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A seven-night stay in a Standard Mobile Home from August 27 for a family of four starts from £2,924 – or £104pppn.
This includes return flights from Birmingham Airport, luggage and transfers.
La Palma makes a great alternative to TenerifeCredit: Alamy
The Canary Islands are a family go-to for year-round sun without the long-haul flight. When other European options can’t guarantee the weather, the Canaries are usually a safe bet.
This means there isn’t really a low season, and while demand is high, so are the prices.
So, admittedly, this one might take a little more effort to get to, but we think it could be worth it.
La Palma – nicknamed ‘La Isla Bonita’, is reachable directly from a few UK airports, and actually, as of 2026, you can now book a package holiday there through Jet2Holidays, or the alternative is a short 30-minute flight or a 2-and-a-half-hour ferry from Tenerife.
While Tenerife has huge resorts known for lively nightlife and giant waterparks, La Palma is quieter, greener and better suited to families looking for a more peaceful escape.
Check into La Palma Princess, which has all-inclusive packages with TUI.
The hotel itself has spacious rooms as well as six swimming pools for kids to splash about in, and there’s a kids’ club for little ones too.
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A seven-night stay at La Palma Princess for a family of four in August starts from £869pp or £124pppn.
This is for a Twin Room with balcony or terrace and includes return flights to Manchester Airport.
Puglia has a beautiful coastline, just like the Amalfi CoastCredit: Alamy
The Amalfi Coast is a bucket list destination for many, synonymous with luxury and romance, not necessarily things that go hand in hand with family travel.
That said, there are plenty of places along the Amalfi Coast that are great for families – but they’ll come at a premium price.
If you’re dreaming of la dolce vita but have children in tow and a more conservative budget, take a look at Puglia – along the southeastern coast. Puglia tends to be better value across the board, from accommodation to restaurants.
The region is easy to reach too, with flights from the UK into Bari or Brindisi, both offering straightforward transfers to coastal towns such as Otranto, Vieste, and Monopoli.
Instead of tight cliffside roads, families get open countryside, historic sites, and some of Italy’s best sandy beaches.
It’s not the same as the Amalfi Coast, but it still delivers on Italian beauty and culture, and you’ll have more space to enjoy it.
If you’re looking at where to stay, can you really go wrong with Eurocamp?
Eurocamp Centro Turistico San Nicola has its own private beachCredit: Refer to source
Instead of the Swiss Alps… try the Julian Alps
For families looking for an Alpine experience – be it for winter sports or an alternative summer break, instead of the high-cost, premier resorts across the Swiss Alps, we’d recommend considering Slovenia’s answer – the Julian Alps.
Still delivering on dramatic mountain scenery, crystal clear lakes and fresh Alpine air, you can take your pick of adventures – hikes, cycle trails, watersports and snow sports – depending on when you visit.
Take a flight from the UK to Ljubljana, Slovenia’s capital; from there, the towns of Bohinj or Bled both make great bases to explore.
Bled is known for Lake Bled, with its striking church and castle sitting on a tiny island. It’s also doable on public transport if you don’t fancy hiring a car.
Along with mountain views, Apartments Vitranc has family rooms with a separate sleeping and dining area as well as a kitchenette.
One major plus here is that children stay free – and don’t forget to check out the hotel pool.
We’ve got a Slovenia trip on our agenda for this year, and this place looks like it’s well placed to be a great base to explore this beautiful area, and it has a pool for the kids to enjoy too.
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A four-night stay from August 17 for a family of four at these apartments starts from £784 – or £49pppn.
This is for a one-bedroom apartment that has a balcony and a mountain view.
Check out Verona rather than Rome if you fancy a trip to ItalyCredit: Alamy
Italy’s capital, Rome, home to some of the world’s most famous sites and ancient ruins, is a tourist hotspot all year round.
The crowded attractions, their sprawling size and long queues, can make it tricky to navigate with younger travellers in tow.
Whereas in Verona you can still experience Roman history, meander across beautiful piazzas, take in the riverside views and enjoy the incredible Italian cuisine, without the intensity of the capital city.
Another great selling point of Verona is its accessibility, served by its own airport, or easily reachable from Milan or Venice, it opens up more options to snap up cheap flights, and even incorporate a couple of cities into one trip.
If staying in Verona, check Dimora Giardino di Giulietta, a family-run hotel with a pretty patio area and spacious family rooms.
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A four-night break for a family of four from August 18 in a Family Room at Dimora Giardino di Giulietta starts from £372 – or £23.25ppn.
Lille is a quick option on the Eurostar, taking just one hour and 20 minutesCredit: Alamy
Fancy some French city culture without the crowds of Paris – then why not give Lille a go?
Not only is it reachable in just one hour and 20 minutes on the Eurostar from London, but its compact layout and fab public transport system make navigating, especially with a pushchair, much more manageable.
Known for its art and food scenes, there are plenty of fun, family-friendly attractions to fill a few days of slower-paced exploring, too.
Such as Cita-Parc, an amusement park with rides, or Lille Zoo, within walking distance from the city centre, which is home to over 400 animals, and entry is a very budget-friendly €6 (£5.19) for adults, €3 (£2.60) for children aged 5-17.
Wear kids out running around the huge Grand-Place square, before enjoying a stroll through the Vieux-Lille (old town) and stopping for a chocolat chaud and pastries.
Another added bonus is that dining and accommodation are much more affordable than in the capital, too.
This place is basic, yet a practical choice for visiting the city as it’s next to the station – and within walking distance of all the main sights.
Make sure to book a Prestige Room for a family of four.
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A four-night stay in a Prestige Room at the Rosa Hotel right in the city centre from August 11 starts from £369 – or £23pppn.
The last time Abdullahi Alabi heard from his friend, Oluwafemi Adeyemo, it was a voice note. “I dey Terminus… I sey make I update you,” his friend said in Nigerian Pidgin. He was restocking his foodstuffs at the market, but he never came back.
Abdullahi and Oluwafemi had been friends and coursemates since they came on campus. “We became brothers, I knew his family, he knew mine,” Abdullahi said.
Two days before that, on March 29, terrorists had opened fire on residents and passersby at Angwan Rukuba, a busy roadside community in Jos, Plateau State, North Central Nigeria, killing at least 30 people. The Plateau State government immediately clamped a 48-hour curfew on Jos North, the kind of precaution the city has learned, through painful experience, to take, given how quickly such attacks can tip into ethno-religious reprisal violence.
When the curfew lifted on April 1, Oluwafemi, a final-year Quantity Survey student at the University of Jos (UNIJOS), had just received his upkeep allowance from the Nigerian Education Loan Fund (NELFUND). He headed to Terminus Market that morning, a 15-minute tricycle ride from where he and Abdullahi lived, to buy foodstuffs.
What made Abdullahi check his phone that morning was hearing that something was happening around Terminus. He wanted to know if his friends were alright. That was when he saw the voice note.
“I actually did not take it that seriously,” he said. But as the updates on social media got worse, he started calling. Oluwafemi’s number was not going through. He and other friends kept trying.
By evening, Oluwafemi had not returned and was still unreachable. Abdullahi called the family, who said he had not been in touch with them either. “I took permission from the family to file a missing person report, and we also made a post on social media,” he said.
Then another of Oluwafemi’s friends reached out. She sent Abdullahi a screenshot of her last chat with him. He had told her there was a fight at Terminus, that he had escaped, and that he had made it to Bauchi Road, near the university’s Main Campus. After that, nothing.
The university’s Bauchi Road Campus (also known as the Main Campus) is located along Bauchi Road and is surrounded by volatile communities in the Angwan Rogo area. Map: UNIJOS Navigation Aid.
The next day, Abdullahi and other friends went from one police station to another. On the third day, they started checking mortuaries. That afternoon, a call came asking them to come to the Jos University Teaching Hospital to identify a body.
“When we got there, it was his body,” Abdullahi said, with a sigh. “He was attacked at Bauchi Junction. According to the autopsy, he sustained a gunshot wound to his back and was macheted as well.” He added that they were told that the police officers who brought his corpse to the hospital had intervened. The identities of the perpetrators remain unknown.
Oluwafemi was one of at least eight people killed in reprisal attacks that swept through Jos on 1 April, after the night of terror at Angwan Rukuba took on an ethno-religious colouration.
“Femi was ready to make a change in the world,” Abdullahi said. “A few days before his death, he sent a voice note in a group lamenting about how Nigeria is bad and what he thinks needs to be done to fix the challenges.” He never got the chance.
A portrait of Oluwafemi Adeyemo.
In that same voice note, obtained by HumAngle, Oluwafemi turned his frustration toward the government’s response to the recurring violence. Precautions like curfews, he said, were not enough. “What has curfew done?” he asked. “Make we speak up, abi na until dem kill everybody finish.”
Oluwafemi is not the first UNIJOS student the city has claimed. With over 40,000 students – according to its website – living and studying in Jos’s most volatile neighbourhoods, the university community has, for more than two decades, been one of the most consistent casualties of the city’s recurring violence. And with no meaningful change in how students are protected, many fear it is only a matter of time before the next name is added to the list.
Map of Jos North showing the areas usually affected by the crisis. Map by Mansir Muhammed/HumAngle
Caught in harm’s way
To understand why Oluwafemi’s death is not an isolated tragedy, it helps to know the city he was living in. To outsiders, the speed with which violence can spread across Jos often appears bewildering. Yet the city has endured recurring cycles of conflict for more than two decades, fuelled by a complex mix of ethno-religious tensions, disputes over indigene-settler identities, political representation, land ownership, and access to resources. While many incidents are framed as clashes between Christians and Muslims, residents and researchers have long argued that the roots of the conflict run deeper than religion alone.
“…as is often the case with identity conflicts in Africa, these are socially constructed stereotypes that are manipulated to trigger and drive violence in Jos,” said Prof. Chris Kwaja, a Researcher at the Centre for Conflict Management and Peace Studies at the University of Jos, Nigeria, who also serves as the Plateau State’s Special Envoy on Peace and Security.
“The ethnic or religious dimensions of the conflict have subsequently been misconstrued as the primary driver of violence when, in fact, disenfranchisement, inequality, and other practical fears are the real root causes. Capitalising on such conditions, many political rivals have instrumentalised the ethnic and religious diversity of Jos to manipulate and mobilise support. Each outbreak of violence worsens suspicions and renders communal reconciliation more difficult, deepening the cycle and further incentivising polarisation,” he noted.
Over the years, many neighbourhoods have become identified with particular ethnic and religious communities, creating a city that is deeply polarised along social and geographic lines. Areas such as Angwan Rukuba, Terminus, Bauchi Road, and other mixed communities often function as fault lines where residents from different backgrounds live, trade, commute, and study side by side. When violence breaks out, fear, rumours, and reprisals can quickly travel beyond the immediate scene of an attack, drawing in people who had no connection to the original incident.
For students of the UNIJOS whose campuses, hostels, and daily routines are woven into these communities, that vulnerability is particularly acute. A journey to class, the market, or a friend’s place can suddenly become dangerous when the city descends into unrest.
Map of Plateau State showing Jos North. Illustrated by Mansir Muhammed/HumAngle.
Until his death, Oluwafemi was studying quantity surveying at UNIJOS. Photo: Johnstone Kpilaakaa/HumAngle.
Jos North is where most of the university’s campuses sit, including the Township Campus, Bauchi Road Campus, Naraguta Campus, the Jos University Teaching Hospital, staff quarters, and other facilities. Student hostels, both university-owned and private, are scattered all across the area. Angwan Rukuba, where the March 29 attack happened, is one of the neighbourhoods with the highest concentration of students. Meanwhile, Terminus Market, which borders it, has long been an epicentre of violence in the city.
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Several residents and students who spoke to HumAngle said the university community is always caught in the middle when violence breaks out, which is hardly surprising, given how deeply the campuses and student hostels are woven into those areas.
Although no comprehensive data exists on the total number of students killed across incidents, HumAngle’s research — drawing on interviews with students and staff, as well as archival news reports — indicates that at least five students have died in every major episode of violence, and often significantly more.
In 2018, Shedrach ‘Kums’ Fenan, a 300-level Law student, was shot and killed by a stray military bullet near the Students’ Village Hostel during a similar crisis. That same year, the bodies of several students were found floating in nearby rivers.
Plangna’an Daor, who studied law at UNIJOS and now works as team lead of the post-conflict rehabilitation and recovery desk at the Plateau Peacebuilding Agency, knew Kums personally.
“I still remember how we were all glued to social media, checking on friends in different parts of Jos, asking questions and trying to understand what was happening,” she told HumAngle. “Imagine finding out that the student was someone you knew personally, someone with immense potential.” As an executive leader of the National Association of Plateau State Students at the time, she travelled with other students for the burial. “It was a stark reminder that students are not merely observers of conflict; they can become direct victims of it,” she said.
Aondona Kwaghaondo, a medical student at the university, almost lost his life when a mob attacked him in August 2021, along the Bauchi Road near the Naraguta Hostels, which sits between major university communities. “It was a very traumatising experience; till this day I am a bit triggered by similar sights and sounds,” he said. Aondona survived, but he sustained several injuries from the attack.
The Bauchi Road route, where Aondona was attacked in 2021, is just beside the highway. Photo: Johnstone Kpilaakaa/HumAngle.
During one of the crises, while she was a student, Plangna’an lived off campus near Dariye Park, barely 100 metres away from the main gate of the Naraguta Campus. “I remember the tension of that period vividly,” she said. “We could hear gunshots at night and constantly monitored developments around us.”
The fear was not abstract. During that same period, Plangna’an narrated that a young man attempting to reach Bauchi Road Junction was stabbed after ignoring a neighbour’s warning and was brought to her compound, where a medical student provided first aid before he could be taken to the hospital. “The atmosphere was one of constant fear and uncertainty,” Plangna’an recalled. Her roommates told her, “This is not the time to sleep in a nightie. Wear trousers. Wear something that, if we have to wake up and run, you can simply get up and leave.”
She also highlights a dimension of the crisis that is easy to overlook: the particular vulnerability of students like Adeyemo, who are from outside Plateau State. “Those of us from Plateau State at least had some understanding of the context,” she said. “But imagine students who came from other states and had no understanding of the local dynamics. They arrived expecting a safe learning environment and suddenly found themselves navigating fear, insecurity, displacement, and uncertainty.” Many students, she notes, are simply unfamiliar with which areas are considered high-risk during periods of tension, and which routes should be avoided.
Prof. Lazarus Maigoro, former chairperson of the Academic Staff Union of Universities (ASUU) UNIJOS chapter, said the pattern has left the university community exasperated. “We have suffered untold damages in relation to loss of lives and property… each time there is a security breach in Jos, and as a union, we have tried to understand how the university community is always at the receiving end of each crisis in Jos,” he said.
“In spite of all the provocations, we have continued to offer community service to all, irrespective of religion, culture and tribe; the university administration has, over the years, made overtures to host communities in terms of undergraduate admissions and staff employment, yet our students and staff are killed at the slightest provocation, however far the epicentre of the crisis from the institution.”
Plangna’an, who now works on post-conflict recovery, points to structural factors that compound the danger. The communities surrounding the university include areas with high concentrations of informal settlements, illegal structures, motor parks, and markets. “Some of these spaces have become hideouts for criminals, street gangs, drug users, and other vulnerable groups susceptible to recruitment into violence and extremism,” she said. Students living off-campus must pass through these environments daily.
As Prof. Maigoro noted, the attacks not only threaten the security of life and property within the university community but also disrupt the academic calendar, causing students to spend more than the stipulated number of years to complete their programmes. “Some who were meant to spend four years will end up doing six, that is, if there are no labour union strikes,” said Liamhuan Akpenmo, a student of the university’s Faculty of Education.
For instance, Adeyemo got admission in 2019, but by the time of his death, he had spent seven years on a five-year programme, his progress interrupted by the COVID-19 lockdown and the 2021 crisis that forced the university to close.
The evacuation
When the situation following the March 29 incident worsened, the university management rescheduled the semester examinations and placed academic and related activities on hold. Prof. Ishaya Tanko, the vice-chancellor, also announced the evacuation of students from hostels, in collaboration with the Plateau State government.
In the days that followed, specifically from April 2, other state governments and private individuals began sending dozens of buses to evacuate students who were indigenes or residents of those states. More than 1600 students were reportedly evacuated by about seven state governments, including Benue, Delta, and Kaduna. Such arrangements are often collaborations with state student union groups and relevant state government ministries.
UNIJOS students living in Benue State awaiting evacuation by the state government on April 2. Photo: Johnstone Kpilaakaa/HumAngle
“It was all familiar,” said Liamhuan, a student who first experienced a similar evacuation in 2021. She and her younger sister, who is also a student, left for Benue; other students travelled as far as Lagos.
Then, even as the crisis was still unfolding, the university management announced that examinations would go ahead. “It was abrupt,” said Liamhuan. The city was not yet safe. A 6 p.m. curfew was still in effect. In one press statement issued around that time, the Student Union Government advised students to either split their journey into two legs or arrive early enough to beat the curfew. Social media was still full of missing-person posters.
“Let me state clearly that since the beginning of the crisis, no single breach of the peace was recorded on any of our campuses,” the Vice Chancellor said at a press briefing. But students like Oluwafemi, who died during the incident, were attacked in areas immediately surrounding the university, a distinction that offered little comfort to those who had lost someone.
For instance, in August 2021, at the peak of a similar crisis, a 100-level microbiology student of the university was murdered by a mob at a filling station, near Dariye Park – where Plangna’an lived – which is located adjacent to the university.
HumAngle reached out to Emmanuel Madugu, the university’s Deputy Registrar for Information and Public Relations, for comment on how the university intends to prevent casualties among students and staff. Madugu acknowledged the request and indicated that he would respond after consulting the relevant units, but had not done so at the time of publication.
An alumnus of the university with knowledge of security matters, who spoke on condition of anonymity, said there is only so much the institution can do. When students and staff are attacked outside the university environment, he noted, the university’s hands are largely tied. The responsibility, he argued, falls primarily on the state and federal governments to secure the city.
For Liamhuan, the management’s decision to continue with the session reflected a pattern she had seen before. “I prefer to leave because the school environment does not feel safe, and everywhere feels threatened. So, home is where I feel safe, and if anything happens to you, it is you and your family that will bear the burden.” She added that the situation is even more difficult for students like herself who live off campus, largely due to a lack of sufficient student hostels.
“Even those on campus are not protected,” Liamhuan added. She once lived in one of the student hostels at the Naraguta Campus before moving off campus. “Students are still attacked by mobs when they are close to the school facilities.” Aondona’s testimony confirms this. Additionally, a viral video during the recent incident showed a man who was attacked right at the entrance of the university’s Naraguta Campus, which houses the administrative building and most of the faculties and student residences.
Although armed security posts existed near university campuses around 2017 and 2018, HumAngle observed that most of those posts no longer exist, and security is now mostly provided by unarmed officers of the university’s Security Division. More recently, through the Tertiary Education Trust Fund, a police station was constructed at the Naraguta Hostels Gate, along the Jos-Bauchi Road, but students say it is insufficient.
Entrance of the student hostels at Naraguta Campus, where Adeyemo lived. Photo: Johnstone Kpilaakaa/HumAngle.
When HumAngle visited the campus in June, no police officers were seen on the grounds, but an unarmed Security Division security guard was at the gate.
For Abdullahi, authorities do not need to wait for violence to break out before they start mapping how to protect the students and the rest of the university community. “If there are checkpoints at flashpoints like Bauchi Road, when a crisis starts, there will be an immediate response, ensuring that killings are avoided,” he said, adding that surveillance cameras can also be installed.
During a condolence visit to Plateau State after the March 29 attack, Nigeria’s President, Bola Tinubu, disclosed that the Federal Government would deploy an artificial intelligence-enabled network of over 5,000 digital cameras to help law enforcement agencies combat insecurity in the state. At the time of this report, the project had yet to commence.
The General Officer Commanding of the 3rd Division, Maxwell Khobe Cantonment, Major Gen. Eyitayo Oyinlola, visited the university during the recent incident “to assure the Vice Chancellor of the Division’s high priority of securing the University in the face of threats to the lives of its community”. But students who were on campus during the incident said little to no security was actually provided.
Younglan Taylong, the university’s Student Union Government president, did not respond to requests for comment. However, students who spoke to HumAngle, including Abdullahi, say the union was supportive during the crisis, providing information, aid, and evacuation support to students.
A police station was recently constructed at the entrance to the hostels on the Naraguta campus, but students and staff say it is insufficient to meet the needs of the university’s vast community. Photo: Johnstone Kpilaakaa/HumAngle.
In the absence of protection, students have had to fend for themselves. Another student, a recent graduate who declined to give his name for fear, recalled that during tense periods, particularly in 2021, students would mobilise to act as a vigilante force around the hostels at night.
“Sometimes, we will just carry kitchen knives, I do not even know what we were thinking,” he said.
What can be done?
For those who have spent years studying or working on the crisis, the frustrating reality is that the recommendations are not new. The Greater Jos Master Plan already includes provisions to relocate illegal motor parks, markets, and informal settlements away from critical public institutions, such as the university. Similar proposals have appeared repeatedly across various commissions of inquiry. “Many remain unimplemented,” Plangna’an said. “There is a need for greater political will to translate these recommendations into reality.”
Among the measures she and others who spoke to HumAngle advocated for are: the establishment of a Mobile Police barracks or dedicated security formation near the university; the construction of additional student hostels to reduce the number of students living off-campus; the strengthening and securing of perimeter fencing at the Permanent Site to control access and deter encroachment; and the provision of secure shuttle bus services for students living off-campus. “While no transport system is completely immune to attack, organised transportation would significantly reduce students’ exposure to risk,” she added.
The post-conflict rehabilitation and recovery expert also calls for dualising major roads around the university and constructing an interchange at the Bauchi Road junction — a congested gateway into the state that regularly creates both mobility and security problems. Beyond infrastructure, she argues for sustained investment in peacebuilding programmes that directly involve students, university staff, and surrounding communities, including support for those living with the psychological aftermath of violence. “There are many students who continue to live with trauma from experiences they have had as victims or witnesses of violence,” she said. “These experiences can affect academic performance, mental health, and overall well-being.”
Plangna’an insists the approach must shift from reactive to preventive. “Every time violence occurs, similar recommendations are made, yet implementation remains weak,” she said. “Early warning without early response has limited value.”
Until that changes, students and experts who spoke to HumAngle say that the university community will remain, as it has been for more than two decades, caught in the crossfire.
Mark Connolly has been appointed Derry City director of football after his decision to call time on his playing career.
Connolly left Derry to link up with former Candystripes boss Ruaidhri Higgins at Coleraine in January.
The Clones-born defender, 34, started his professional career at Bolton before spells at Crawley Town, Kilmarnock and Dundee United, where he won the Scottish Championship title in 2020.
He joined Derry in 2022 following a loan stint at Dundalk and helped the Brandywell club win the 2022 FAI Cup.
“I am delighted to rejoin the club in a new role and I can’t wait to get started,” said Connolly.
“I look forward to working with Tiernan [Lynch, manager] and everyone at the club to help create an environment where players, staff and the academy can thrive.”
Coleraine boss Higgins said Connolly “had a great influence on the group” during his time at the Showgrounds as the Bannsiders won the Irish Cup for the first time since 2018.
“He probably didn’t play as much as he would’ve liked towards the end, but his high level of professionalism remained the same,” said Higgins.
“Mark has been exemplary with me and my staff throughout our years working together at Derry City and Coleraine.
“Naturally at 34-years-old, you think about what’s next in your career and this new role at Derry City is a brilliant opportunity for him.
“I’m not surprised he’s been offered that role as he has all the characteristics to be a success. We wish him the very best of luck in the next stage of his career.”
Derry City sit sixth in the League of Ireland Premier Division standings and host Bohemians on Friday (19:45 BST), a game that can be watched on the BBC iPlayer, BBC Sport website and app.
“Doctor Who” is going through another major regeneration.
The BBC announced Wednesday that it is not moving forward with a previously announced “Doctor Who” Christmas special. Last year, the broadcaster teased a “spectacular” special episode written by showrunner Russell T Davies for the 2026 holiday.
“After careful consideration, the BBC, Russell T Davies and Bad Wolf have collectively decided not to go ahead with the previously announced Doctor Who Christmas episode,” the BBC wrote in its latest update. “This decision was not taken lightly, and we know it will be disappointing for fans, but in order to set the show up for future series, it was decided that rather than bridge the gap with a one off special, we are choosing to push forward to invest in the long-term future of the show which ensures that when the TARDIS lands once more, it does so in all its glory.”
Whovians know that the Christmas Day specials are a longstanding tradition for the sci-fi series. Previous holiday episodes have marked the first full appearance of David Tennant’s Tenth Doctor in 2005 as well as Ncuti Gatwa’s Fifteenth Doctor in 2023.
BBC’s plan now is to “put Doctor Who out to competitive tender” in order to “[secure] the next phase of the show for future generations” — meaning they are inviting potential producers to pitch their ideas for the next era of the long-running series. This also means Davies and producer Bad Wolf are parting ways with the franchise.
“And so GOODBYE from me to Doctor Who but HELLO to a big new future for the show,” Davies wrote in a Wednesday Instagram post, confirming his exit. “You’ll have to wait a bit longer for new Doctor Who… but you’ll be waiting for MORE Doctor Who than a one-off. So it’s worth it!”
Davies, who led the “Doctor Who” revival from its 2005 launch to 2010 before returning for his second stint in 2023, also said that he had not written a script for the previously planned Christmas special and “no actor was ever approached to play the next Doctor.”
“I’m as excited as anyone to see what comes next!” Davies added. “Will they keep the theme tune? Will they lose the blue box? Will they bring back the Drahvin?! It’s all up for grabs, which is so Doctor Who, exciting and unpredictable and new!”
Bad Wolf, which worked on the two seasons starring Gatwa as the Time Lord, also on Wednesday confirmed its exit on Instagram in a post thanking fans and those that joined them on this “incredible journey through Space and Time.”
“It has been a joy and a privilege to have been at the helm of the TARDIS alongside the brilliant Russell T Davies,” read the production company’s statement. “Doctor Who is – and always will be – a show that shines light into the darkness and it has been an absolute honour to have been its torch bearer for 26 episodes with the BBC and Disney+.”
The BBC in its announcement reiterated its commitment to “Doctor Who” and its future. It also shared that a previously announced animated “Doctor Who” series for CBeebies is currently in production.
This latest “Doctor Who” update comes during a tenuous time for the franchise. The series has faced low viewership, Disney+ exiting as the show’s co-producers and Gatwa ending his run as the Doctor. The most recent season concluded with a cliffhanger, with the Fifteenth Doctor regenerating into a form resembling Rose Tyler, the companion portrayed by Billie Piper.
When Kings’ new head coach Peter Laviolette took a tour around the Los Angeles area, he thought he was only going to get a one-bedroom home with a view of the water. His children, though, piped in: “Make sure you get a four-bedroom,” Laviolette remembered his three children saying.
During Laviolette’s time away from the sport, the 61-year-old traveled to Scotland and watched his son play in the East Coast Hockey League. The time away has given Laviolette time to rethink his coaching, and after 30 years of coaching, including 23 as a head coach in the NHL, he’s bringing a trident approach to reshape culture and win games. Centering a hockey family is one part.
“For me, there’s three real important pieces,” Laviolette said. “First, build a family inside the locker room, inside the organization. Secondly, to really work to try and build the culture to get players and organizations to think about the choices they make and how that can affect the culture. And then the third part is the actual game on the ice, just making sure that every day from the start of training camp we work at the game.”
Los Angeles hired Laviolette to a three-year contract after he spent a year away from the sport. Laviolette’s coaching experience stretches 1,594 games, the ninth-highest career total, with six teams: the Capitals, Flyers, Islanders, Hurricanes and Predators. Most recently, he was fired by the Rangers in 2025 after two years with the team.
His postseason success might be the biggest draw for the Kings, who have seen middling success in the years since their second Stanley Cup title in 2014. Los Angeles made the playoffs each year since the 2021-22 season, but the team did not advance past the first round.
Meanwhile, Laviolette is only the fourth coach in hockey to lead three teams to the Stanley Cup Final. He last won with Carolina in 2006, but he earned two President’s Trophies in 2017-18 and 2023-24 with the Predators and the Rangers.
Kings general manager Ken Holland, left, and Peter Laviolette pose for a photo during the new coach’s introductory news conference Wednesday at the team’s training facility in El Segundo.
(Eric Thayer / Los Angeles Times)
Still, Laviolette, despite his track record of first-year turnarounds, is joining a team in flux. The Kings fired coach Jim Hiller after the Olympic break. Interim coach D.J Smith helped guide the team to an 11-6-6 finish, aided in part by a trade for Rangers winger Artemi Panarin, whom Laviolette has also coached.
“I had a really good relationship with Artemi in New York,” Laviolette said. “He’s one of the most talented players I’ve ever coached, and I’m really happy to get to work with him again. He’s an amazing talent.”
Using the winger to go on the prowl is one of the small changes Laviolette plans to bring. The Kings have historically prioritized defense in a league that has shifted to attacking. Los Angeles fell to 30th in goals per game last season (2.68), the first time the Kings averaged fewer than three goals since the 2021-22 season. The team was also 28th in power-play percentage at 17%. Laviolette acknowledged that Los Angeles needed to change, highlighting that an attack-forward mindset has been a keystone of his coaching.
“I don’t think it should be irresponsible to defense,” he said. “But through my experiences, and even just watching the playoffs right now, this is an attack-oriented game, and you have to be willing to move.”
Where does Panarin fit?
“He has the ability to be a game-breaker and a difference-maker,” Laviolette said. “He’s not just a goal scorer. He’s not just a playmaker. He’s elusive. He’s shifty.”
The goal for next season is to score 250 times, according to Kings’ vice president and general manager Ken Holland. The team scored 220 last season.
“We’ve got to get back to scoring more goals,” Holland said. “Part of that’s going to be personnel driven, part of that’s going to be probably style‑of‑play driven, mentality, and certainly the head coach has a lot to do with it.”
As Laviolette meets current staffers and decides whom to bring in, Holland is managing the phones to reach out to assistant coaches and players. Smith has definitively moved on. Phil Housley, whom Laviolette described as an “excellent coach,” could be another potential candidate. Housley worked with Laviolette as one of the Rangers’ assistant coaches between 2023 and 2025.
Still, it’s hard to say the Kings will be a Cup contender with Laviolette. His teams tend to dramatically decline two or three seasons after his hiring. He struggles to develop younger players, instead relying on veterans to carry the weight. Laviolette will have to amplify players like Quinton Byfield and Brandt Clarke, each a talented 23-year-old with high ceilings.
The Kings’ success will rest in how well Los Angeles adapts to Laviolette’s coaching trident. The veteran coach, to his credit, projected confidence.
“When you put those three things together,” he said. “You can really become an unstoppable force.”
