time

Ernie Johnson, the bow-tie-wearing, peace-keeping host of “Inside the NBA,” is leaving the show after 37 years.

“It’s just time,” the 70-year-old broadcaster said in a video posted Wednesday on social media.

“So why now? Total honesty here. I’ve always prided myself on my preparation, the hours I put in every day getting ready for the next show. I’ve always loved that part of my job, but I’ve always vowed that if that ever became more of a challenge than it is a joy, then I’ll know it’s time to step away. And now, after 37 seasons, it’s time.”

“Inside the NBA” started on TNT in 1989, and Johnson became host the following season. Over the years, he was joined by analysts Kenny Smith (1998), Charles Barkley (2000) and Shaquille O’Neal (2011) in a lineup that has become beloved to generations of basketball fans — so much so that the show switched over to ESPN when TNT lost its NBA rights.

“Few people have shaped the way fans experience the NBA as profoundly as Ernie Johnson,” NBA commissioner Adam Silver said in a statement. “His brilliance as a broadcaster is matched by his character, compassion and generosity, which have been evident throughout his 37 years as host of ‘Inside the NBA.’ We are grateful for Ernie’s extraordinary impact on our league and look forward to celebrating him during his final season.”

Johnson repeated his announcement to open the crew’s appearance on ESPN’s “NBA Tip-Off” on Wednesday, then asked a clearly emotional Barkley how he was doing.

“That was tough,” Barkley said. “We knew the day was coming — still tough. Been here for 26, 27 years, and it’s been an honor and a privilege to work with you all this time, and Kenny and Shaq and the amazing people behind the scenes. …

“It’s been an amazing journey. You’ve been our leader. Our unquestionable leader. The question I’m asked the most … is, is Ernie Johnson as good a person as he seems? And I say, man, he’s better than that. So I just want to say thank you. Thank you for being our leader for all these years. … All I can say, Ernie, is thank you.”

Smith gave Johnson a standing ovation, and O’Neal said Johnson was the reason he joined the crew.

“You are the controller of this thing people call the circus — the best circus in town, but without you, it’s going to be very, very difficult,” O’Neal said. “Chuck made a great point. All we can say is thank you, and we appreciate you. We’re gonna miss you, and we will see you around, but thanks for the great run.”

In a video posted on X, Golden State Warriors forward and frequent “Inside the NBA” guest Draymond Green perfectly summed up Johnson’s role on the show.

“He is the best point guard I’ve ever played with — that’s no disrespect to the great Steph Curry,” Green said in a video posted Wednesday on X. “Ernie Johnson on a set is as incredible as they come. He sees everything. He’s like, ‘Man, this guy hasn’t spoke for a while. Let me toss it to him. Man, this conversation is going off the rails a little bit’ — as it can on that show — ‘let me rein it back in.’ … This guy is amazing.”

Johnson also shared that he’s been dealing with “heart issues” for almost two years, including undergoing bypass surgery two months ago, and that it was a “contributing factor” in his decision.

“Still trying to get this thing to beat exactly the way it should, and we’re getting it,” Johnson said. “I mean, I feel great. So this isn’t a case where my doctor said you need to stop working. It’s nothing like that. But here’s the deal: Going through that has made me treasure even more every second with my amazing wife of 44 years, Cheryl Ann, and being Poppy to our five grandchildren. So I just want to slow down a bit, spend more time enjoying that.

“Just to be clear, I’m not retiring; just cutting back. I’ll still do March Madness and other projects for TNT and CBS, and I’ve just started a new production company called 32 Bowties, geared toward telling feel-good stories in sports. So this is by no means the end. It’s just a turning of the page.”

Groups that provide legal services to immigrants filed a lawsuit Wednesday seeking to stop the Trump administration’s new policy of hiding the locations of tens of thousands of detainees with final deportation orders.

The policy, adopted suddenly last month to expedite deportations, interferes with immigration lawyers’ rights by making it difficult, and sometimes impossible, to locate their clients, according to the lawsuit filed in federal court in Boston. It asks a judge to issue an order blocking the “unlawful and inhumane” change.

“No one should be denied a meaningful opportunity to defend their rights because the government has made it impossible for their lawyer to find them,” said Jacquelynne Bowman, executive director of Greater Boston Legal Services, one of the four groups listed as plaintiffs. “This arbitrary new administrative change leaves hundreds of thousands of people at risk of potentially life-altering consequences without essential legal help.”

The lawsuit challenges U.S. Immigration and Customs Enforcement’s decision, first reported by the Associated Press, to remove the locations of people facing final removal orders from its Online Detainee Locator System and to instruct staff not to reveal their whereabouts. As of last month, the move affected more than 16,000 of the nearly 69,000 detainees who were in ICE custody.

ICE and its parent agency, the Department of Homeland Security, didn’t immediately respond to a message seeking comment on the lawsuit.

The agencies have not publicly confirmed the change, but have said they are prioritizing people with final removal orders for deportation. They have also said they are facing a “historic number of injunctions” from courts blocking their efforts. The agencies have denied that they are disappearing detainees, saying they remain free to make phone calls.

Since 2010, lawyers and family members have used the online system to track detainees as they get moved from facility to facility through ICE’s sprawling detention network.

Approximately 1.4 million people living in the U.S. are subject to final orders of removal, which means an immigration judge has ruled they should be deported and the decision has been upheld on appeal or not appealed.

Those individuals still have several options to challenge the conditions of their detention and looming deportations, including asking to reopen proceedings, seeking relief from removal to third countries and challenging violations of their rights. Federal judges have ruled thousands of times that detainees should be released or granted bond hearings.

Since the change went into effect, lawyers have been unable to find clients and potential clients and have spent “significantly more time” tracking down others, the lawsuit says. Calls to ICE, including to its Detention and Removal Information Line, “lead to long wait times on hold, sudden hang-ups, a general lack of information or no answer at all,” it says.

As a workaround, some lawyers have tried to find their clients through an ICE program that schedules legal calls, but only a small percentage of detention centers use it, the lawsuit says. The result has been delayed or missed legal filings and fewer cases taken, according to the organizations.

The lawsuit argues the change violates the Administrative Procedure Act because it was adopted without explanation and the First Amendment, which protects lawyers’ ability to advise people of their legal rights and seek prospective clients.

Foley writes for the Associated Press.

The new route gives Brits the chance to visit two Christmas markets this historic city which run from November to January and boast free entry, featuring classic winter scenes of chalets, Christmas trees, and an open-air ice rink

Ryanair has announced a brand new route in time for cheap getaways this winter and this Christmas.

The budget airline has revealed its new winter 2026 route from Manchester to Warsaw Modlin in Poland. Ryanair bosses shared yesterday (October 27) how the first of the Manchester-Warsaw Modlin flights took of this week.

Ryanair says it will operate six weekly flights on this “exciting new winter 2026 route, providing UK customers with even more choice at Europe’s lowest fares”. Ryanair’s full winter 2026 schedule is available to book now via the Ryanair app and website in time for cheap winter and Christmas breaks.

The new route gives Brits the chance to enjoy Warsaw’s two Christmas markets, including the huge Jarmark Warszawski at Plac Defilad, by the Palace of Culture and Science, and the traditional, historic market in the Old Town along the city walls.

Both markets run from November to January and boast free entry, featuring classic winter scenes of chalets, Christmas trees, and an open-air ice rink.

The first flight comes after Ryanair unveiled its newly expanded winter schedule last month, with 22 new routes from UK airports with Birmingham, Edinburgh, Liverpool, and London airports benefiting the most. Ryanair also announced that it was adding nineteenth-based aircraft at Manchester Airport this winter, helping it to run one extra route from the North West hub.

Ryanair is increasing its flight frequencies on another 26 routes from Manchester, including holiday hotspots like Malaga, Palma de Mallorca and Madrid, as well as city break destinations like Barcelona, Belfast, Venice, Porto, Prague and Krakow.

Eye-catching flights among the list included the new winter sunshine route from Birmingham to Marrakech, which regularly enjoys mild winter temperatures. The bulk of the other routes are to northern and western European destinations where more festive pleasures are on the itinerary.

The new route announcement followed the boss of Ryanair warning that air fares would “no doubt” rise next year for summer holidaymakers amid the surging price of oil and the Iran war.

Earlier this month, oil prices rose above 100 dollars a barrel for the first time since July after the latest round of strikes in the conflict.

Ryanair’s Director of Communications, Jade Kirwan, said: “ It was great to see the first flight of our new winter 2026 route from Manchester to Warsaw Modlin take off this week, bringing the first of many happy Ryanair passengers on their winter 2026 getaways.

“Our Manchester to Warsaw Modlin route will operate six times per week, offering our UK customers even more choice at the lowest fares in Europe. Ryanair’s full winter 2026 schedule is available to book now on the Ryanair app/website.”

Imprisoned “That ’70s Show” actor Danny Masterson on Tuesday suffered a legal blow that ensures he will remain behind bars for at least another decade.

Three California appeals court judges rejected Masterson’s efforts to overturn his 2023 rape convictions and allegations that he did not receive a fair trial, deciding in an opinion filed in the state’s 2nd District Court of Appeals that “judgment is affirmed.”

The decision “ignores the extraordinary new evidence that has been before them for more than a year,” Masterson attorney Cliff Gardner said, referencing statements from “both complaining witnesses that their sexual experiences” with the actor were “both consensual and positive.”

“Danny is serving a life sentence for crimes he did not commit,” Gardner added in his statement. “No one in California — not defendants and not victims who have actually been the victim of a sex crime — is safer by virtue of today’s unfortunate decision.”

Masterson’s legal team is seeking further review in California Supreme Court and exploring additional legal action regarding evidence presented to the jury.

Attorneys for Masterson first filed their notice to appeal the actor’s conviction in November 2023, then filed a 242-page opening brief in December 2024. Key witness testimonies changed over time, the court excluded significant exculpatory evidence and judicial rulings skewed the jury’s view of the evidence against Masterson, his lawyers alleged at the time. The attorneys also argued that “jurors had significant reservations.”

A mix of errors by another defense attorney and a law enforcement investigation heavily biased against Masterson’s faith led to a wrongful conviction, the actor’s attorney Eric Multhaup alleged in another motion filed November 2025. Multhaup said Tuesday in a statement that the appeals court judges’ recent decision “are fundamentally wrong.”

“The Court of Appeal did not address any of the exculpatory evidence that was contained in the habeas corpus petition, and instead justified the denial with a one-paragraph summary of the one-sided evidence presented by the prosecution,” Multhaup alleged. “This cursory treatment reflects poorly on the administration of justice in the Court of Appeal, and will be rectified by a petition to the California Supreme Court.”

Los Angeles prosecutors charged Masterson in 2020 for three counts of rape involving three different women in the early 2000s. He denied all wrongdoing and maintained all sexual encounters were consensual. He also framed the accusations as an attack of the Church of Scientology. The women said they took years to report the rapes to police out of fear of retaliation from the church.

Masterson first went to trial in 2022, but jurors failed to reach a verdict on any of the three counts, leading the case to end in a mistrial. He was tried a second time in 2023 and found guilty of raping two women, both former members of the Church of Scientology. The jury was deadlocked on a third woman’s accusations. His attorneys argued in December 2024 that there was “no physical evidence supporting the state’s theory [of rape]” and the case was a “a pure credibility contest.”

The actor is currently carrying out his sentence at the California Men’s Colony prison in San Luis Obispo. According to a state database, he will be eligible for parole in June 2042, but is scheduled for a consultation in May 2038.

Times staff writers Clara Harter and James Queally contributed to this report.

England’s preparations have also been affected by the Prem schedule, with players involved in Sunday’s fixtures having less time for full squad training.

“We had a session today really that was affected obviously by the fact that we had a Sunday game in Prem Rugby,” Borthwick explained.

“Fortunately, we don’t have any Sunday games this coming week in Prem Rugby, which I’m pleased about.

“So that should allow players to be recovered in a proper run into the Test match.”

Borthwick acknowledged the challenge of balancing club and international commitments, but said playing at the weekend could benefit England.

“They’ll go back and play the rugby and in so many ways that will be a positive for us for next weekend,” he said.

“The players are match fit at club level, playing regularly at club level, and as long as they don’t get injured, then they’re all available for selection next week, then that will be positive.

“I’d say on one side, I think it’s a real strength of English rugby that the players have such great loyalty and passion for their clubs as we saw very evidently in this last round with the derbies that went on.

“They are team-mates and best of mates the next day for a couple of days [with England] and then they go back to being rivals again until they come back into camp next week.”

Borthwick also identified the breakdown as an area where England need to adapt to the demands of international rugby.

He pointed to the recent European fixtures, in which English clubs collectively lost more of their own breakdown ball and won less opposition breakdown ball than teams from other competing nations.

“Part of my job is identify those bits of where I need to bridge from where the players are in Prem rugby to where they are in Test rugby,” he said.

“The level of competition [at the breakdown] is at a different level in Test rugby.”

Welcome back to The Times’ Lakers newsletter, where we’re mapping a new route.

Inspired by the Lakers’ stay at Salt Lake City’s Asher Adams hotel, coach JJ Redick took us on an interview tangent Sunday. The luxurious downtown hotel is named after John R. Asher and George H. Adams, cartographers known for their work mapping railroads, and staying in a repurposed railroad station inspired Redick to look for his latest metaphor.

“As the season starts, you’re mapping sort of who you can be,” Redick said Sunday before the Lakers improved to 3-0 with a win over the Utah Jazz. “Every new game early in the season, you’re discovering something different, combinations that work, lineups that work, whatever it may be, and that’s exciting.”

The Lakers welcomed a critical crew member back into the fold this week, and he’s making his presence on this adventure known immediately.

Full steam ahead

Collin Sexton’s role looks small in a box score. The guard is averaging just nine points in his first two games as a Laker in 18.1 minutes per game. He’s shooting just 25% from three. He has three steals.

The numbers don’t do Sexton’s brand of ball justice. Teammates report feeling his influence on the court the moment he checks in. The free agent acquisition guards like a pesky summer mosquito. He attacks like, well, the well-earned nickname he’s carried since high school.

“They call me a bull for a reason,” Sexton said. “Whenever I get out on that court, it’s go time. It’s no creeping into the game.”

After missing the whole preseason and the regular-season opener, Sexton is making an immediate impact for the Lakers. His energy off the bench helped shift the team’s 132-123 win over the Utah Jazz on Sunday when the Lakers overcame a lifeless first quarter.

Sexton has shown his relentlessness since he arrived. During a pickup game on the team’s summer trip to Slovenia, Sexton took a Luka Doncic elbow to the mouth that cut both his top and bottom lips. Instead of backing down, Sexton wiped his mouth with a towel and turned back toward the court with a simple “let’s go.”

“There’s a level of insanity with him,” Redick said. “And I think our team responds to insanity.”

The 27-year-old guard has always had that aspect to his game, he said. He was a scrappy young player. He wanted to keep up with older kids, including his brother Jordan. They used to call him “Young Bull.”

“Now,” Sexton said, “it’s just Bull.”

Sexton’s intense playing style has remained as his career has evolved. The eighth pick in the 2018 draft, Sexton earned second-team all-rookie honors with Cleveland. He teamed with Darius Garland to make a dynamic, high-scoring backcourt duo. But Sexton suffered a season-ending knee injury in November 2021 and he was traded to Utah in a sign-and-trade that involved bringing Donovan Mitchell to Cleveland. The former lottery pick is now on his fourth team in six seasons.

Another injury slowed the beginning of his Lakers tenure. Sexton suffered a right calf strain during training camp. He is still finding his offensive rhythm, but even when he wasn’t on the court, he wanted his teammates to feel his presence.

“One thing I was able to do is just stay present, just continue to be a leader, and continue to use my voice as much as I can,” Sexton said, “and just continue to come in with the right attitude and the right approach.”

Matisse Thybulle already knew of Sexton’s endless energy. But Sexton’s vocal leadership surprised the Lakers’ forward this season. When Sexton made his season debut against the Clippers on Oct. 23, Thybulle noticed how active Sexton was in organizing the team offensively and defensively. Already responsible for bringing defensive energy, Thybulle had no choice but to step up his own effort once Sexton arrived.

There’s no hiding this Bull on the court. And he’s inspiring a stampede.

“It gives us even more energy,” Thybulle said of Sexton. “And I think it’s just one of those things that, like, when everyone else is doing it, you don’t want to be the guy to not be.”

Mr. Consistency

Austin Reaves has been Mr. Consistency on the Lakers.

(Luke Hales / Getty Images)

With a flurry of three-pointers and defensive stops, Doncic landed body blow after body blow. Then Austin Reaves hit the knockout shot.

After Doncic hit three late three-pointers in the Lakers’ dramatic win over the Jazz, it was Reaves who hit the dagger shot with 32.3 seconds left to put the Lakers up by seven points. Reaves held a finger to his lips. The Utah fans in the crowd streamed toward the exits.

The Lakers have the highest-scoring offense in the league through (less than) one week of games, yet haven’t had all their stars aligned. Doncic needed Sunday’s 52-point, 10-assist outburst to offset what he called a “terrible” performance against the Clippers in which he had 11 turnovers. He shot 38.5% from the field during the first two games.

Walker Kessler had a perfect offensive Lakers debut then was a six-block, three-steal defensive menace in his second game. But the star center disappeared Sunday while battling an emotional return to Utah.

While his teammates still settle into the season, there’s always Reaves. The Lakers’ “Mr. Consistency,” as Redick called him.

The guard is averaging 26.7 points on just 12 shot attempts per game with 6.3 assists per game during the first three games. He is shooting an eye-popping 63.9% from the field. The efficiency, as Doncic put it in a charming mistranslation, is “off the roof.”

Fresh off a massive four-year, $180-million contract extension that solidified Reaves as a legitimate star player, the humble Arkansas native has elevated his game with the same mindset taught to him from his parents and older brother.

“Play the game the right way, the game’s gonna reward you,” said Reaves, who is trying to earn his first All-Star appearance this season. “We have a team that understands roles and what we ask them to do. … The thing about our team is there’s no ego, there’s no anything, just wanna win basketball games and however that happens is the main thing.”

Redick praised Reaves’ patience this season. Kessler marveled at Reaves’ skill and ability to score while also making plays for others.

Doncic, now the unquestioned No. 1 option since LeBron James’ departure, thrives next to another top ballhandler. In Dallas, he began with Jalen Brunson. He went to his first NBA Finals next to Kyrie Irving. The Lakers hope pairing Doncic and Reaves can go even further.

“To have him next to me, leading this team, it’s awesome,” Doncic said. “So, [if] he keeps going like that, he’s going to be really good for us.”

They passed the baton back and forth during Sunday’s gritty win. Reaves shushed the crowd after his dagger shot. Doncic waved goodbye. The only fans left to make noise were the traveling Laker faithful who showered the road team with cheers at the buzzer.

Poll results

Last week, we asked: “Where do you think the Lakers will finish in the Western Conference?”

After 1,222 votes:

Top-two seed: 2.4%

First-round home court (3-4): 33.6%

Safely in playoffs (5-6): 43.9%

Play-in (7-10): 17.3%

Cancun by mid-April: 2.8%

On tap

Records updated before Monday’s games

Tuesday vs. Trail Blazers (2-0), 8 p.m.

This could be one of the most star-studded backcourt matchups of the season. The Lakers have Doncic and Reaves. The Trail Blazers are starting Damian Lillard and Ja Morant. Lillard, returning from an Achilles injury suffered in the 2025 playoffs, is averaging 22 points.

Wednesday at Clippers (1-2), 7:30 p.m.

The Lakers ran away in the second half against the shorthanded Clippers last week. The Clippers were counting on Brandon Ingram to move on past Kawhi Leonard, but the former Lakers draft pick is still out with an Achilles injury.

Friday at Warriors (0-3), 7 p.m.

Luka vs. Yaxel, NBA Cup’s version. The Warriors’ rookie made a bold choice by trash-talking with Doncic during the season opener. With the Warriors struggling, the only bright spots of this fallen dynasty might be the flashes of brilliance from Stephen Curry and what viral content Lendeborg will provide next.

Sunday vs. Raptors (2-1), 6 p.m.

Sandro Mamukelashvili will host his former team as the Lakers begin a second back-to-back in a week. This stretch is one of the busiest the Lakers will face this season, but at least it’s all contained in California.

Monday vs. Heat (0-3), 7 p.m.

Giannis Antetokounmpo’s much-heralded move to Miami has produced big numbers, but no wins. The former Milwaukee star scored 71 points in the first two games combined, but the Heat weren’t even competitive against two playoff hopefuls (Minnesota and Detroit).

Favorite thing I ate this week

Breakfast burrito at Old Cuss Cafe in Salt Lake City.

(Thuc Nhi Nguyen / Los Angeles Times)

There’s a pennant in Downtown Salt Lake City’s Old Cuss Cafe hanging above the cash register that reads “This place sucks.” Don’t let the self-deprecating decor deter you. The breakfast burrito is awesome. It’s got the staples with potatoes, eggs, onions and sausage (or bacon), but it’s the fragrant pesto that takes it over the top. It made me forget to be mad that my hotel room wasn’t ready yet.

In case you missed it

Luka Doncic scores 52 points, hits several late clutch shots as Lakers rally to beat Jazz

‘I miss him.’ Lakers reunite with Rui Hachimura in first game against Clippers

Swanson: Luka Doncic’s trash-talking antics sharpen his edge. Lakers fans need to embrace it

Austin Reaves, Walker Kessler lead Lakers past the Clippers

How the Lakers’ Luka Doncic went from ‘Wonder Boy’ to ‘The Man’

Walker Kessler’s Lakers debut couldn’t have gone much better

Lakers’ new Luka Doncic era opens with rout of Warriors

Lakers center Walker Kessler believes his competitive side will overcome pressure

Until next time…

As always, pass along your thoughts to me at thucnhi.nguyen@latimes.com, and please consider subscribing if you like our work!

Welcome back to the Times of Troy newsletter, where it’s beginning to feel like we’ve reached the point of no return for Lincoln Riley. USC’s 24-7 loss to Wisconsin on Saturday was objectively one of the worst of Riley’s tenure as a head coach.

That it came after a bye week only made it a more damning indictment of Riley and the culture he’s built at USC.

The reality is, another loss over USC’s next four games would eliminate the Trojans from College Football Playoff contention for the fifth straight season under Riley. And with three top-10 teams still on the schedule, it feels all but inevitable that USC will fall short of expectations once again this season, a half decade into Riley’s tenure as the Trojans coach.

USC fans, safe to say, are fed up. Many of them, it seems, want Riley fired right now. But the Trojans are technically still in the race, even if they’re just barely limping along, and aside from the brief hit of dopamine and schadenfreude that such a swift firing might provide, cutting ties with a coach before the end of the season is almost always a dangerous idea. It makes even less sense, in this case, for USC — a school that should know by now how sideways a midseason move can go.

Each of the last three Trojan football coaches preceding Riley were fired midseason. And the ripple effects of those firings, you could argue, ended up setting USC back even further.

When USC fired Lane Kiffin in the middle of the night at LAX after a 3-2 start to the season, then-athletic director Pat Haden not only turned the Trojans into a national punchline, but also painted himself into a corner. Interim coach Ed Orgeron ended up turning the season around and earning the endorsement of USC’s entire locker room. (Which you can hear more about on this week’s new episode of House of Troy.) But Haden had no intention of hiring Orgeron, and the decision to move on ended up being a disaster, on multiple levels.

With Steve Sarkisian, Haden had no choice but to cut ties. But this time, he actually did end up hiring the interim coach, Clay Helton, after seeing how Helton had shepherded the program through a difficult season. And of course, that hire ended up being a huge failure.

I’ll never forget the chaos of USC’s 2021 season, after Helton was fired. Interim coach Donte Williams had no idea how to usher a team through a season. The locker room was in disarray. It all felt unfair to the players. The subsequent search did end up yielding Riley — a move that, at the time, looked like a major coup — but because USC was in such a desperate position, it had to offer Riley a huge deal that he couldn’t possibly refuse.

Firing Riley now would leave athletic director Jen Cohen in a similarly tough position, with months of speculation surrounding a high-pressure search. The players, as far as we know, are still behind Riley. Meanwhile, many of the coaches Cohen would probably consider in his stead will have their teams in the playoff hunt through December and even January. One need only look at what’s happened to Penn State to see how that could go awry.

There’s also the matter of Riley’s contract. If USC does fire him, it will be on the hook for his estimated $70-million buyout, plus whatever millions it would owe to the rest of his staff. But there is one way that the school could soften the blow of what would otherwise be a serious expenditure.

If Cohen makes a move, she could wait until the end of the season, when a full picture of the open coaching jobs has come into focus and Riley’s agent has had a chance to take a lay of the land. Maybe then a job would emerge that both Riley and the school agree would be a better fit.

In that case, USC could significantly offset the cost of Riley’s buyout, according to a person familiar with the situation but not authorized to speak on the matter. That would make the move much more palatable to the people already shelling out millions for a state-of-the-art facility, as well as a $40-million NIL budget.

The dots are easy to connect. The Baylor job already opened Sunday, and the school, according to On3, is looking for a coach with Texas roots. It’s possible, too, that the Texas Christian job opens up by the end of the year if Sonny Dykes, who has ties to Riley, can’t turn things around. Other jobs will surely open up that we’re not even anticipating.

Until a donor waving around a $70-million check starts making demands, it makes more sense to weather the next month with Riley, whatever it may hold. Maybe it won’t be as bad as you’re thinking.

But for the moment, it’s the rational thing to do.

JuJu Watkins, pictured earlier this year, was back on court for USC on Sunday.

(Luke Hales / Getty Images)

—USC rushed for negative-17 yards against Wisconsin. Seriously. On the Trojans’ first carry Saturday, King Miller ran straight into a brick wall of the Badger defensive front. And it never really got better from there. Jayden Maiava lost 57 yards on five sacks, which made the rushing numbers look much worse. But it’s not like USC’s other rushers found any room. Miller had eight yards in 11 carries. Freshman Shahn Alston was the leading rusher with 28 yards. And Waymond Jordan, who had been USC’s No. 2, was conspicuously absent. We’ll find out more about that ahead of Saturday. But right now, USC’s rushing attack looks completely out of sorts.

—What was Lincoln Riley thinking on that 58-yard field goal attempt? Riley was asked about that fourth-quarter sequence, which began with a delay of game penalty that moved the Trojans out of field goal range. Riley said that USC was strangely called for the delay because it ran in a player later, then snapped the ball before the referee had given the OK, not after the clock had run out, like a usual delay. Nonetheless, after that, Riley should’ve punted on fourth and 17. Instead, he decided to send out kicker Caden Chittenden to attempt a career long … in the rain. “We knew points were at a premium at that point,” Riley explained. “We just felt like — obviously, a 58-yarder is never going to be crazy high percentages, but we needed points, and to punt it down there didn’t feel like it was the right choice at the time.” Well, they ended up making the wrong choice. Wisconsin scored on the ensuing drive and put the game away.

—USC’s offensive line might’ve been the game’s biggest disappointment. USC boasted some of the best pass protection in college football through the season’s first half, then completely collapsed against Wisconsin. Quarterback Maiava was affected throughout by the Badgers’ pressure. There was barely any room for the run game, either, as Wisconsin simply overpowered USC at the point of attack. Needless to say, not a great week to have written about how great the offensive line was looking!

—USC’s defense held Wisconsin to 58 passing yards. That’s the fewest the Trojans have given up in a game since holding Michigan to 32 in their Big Ten debut, and in an alternate timeline, it might’ve been seen as a big moment for USC’s secondary. But Badger quarterback Colton Joseph didn’t have an incompletion in the second half, completing his final 10 passes. The most critical of which came on fourth down, when Wisconsin went five wide, with four receivers bunched on one side. The subsequent screen went for a 16-yard touchdown, which was Joseph’s only pass of more than 10 yards all game. Turns out, it’s all he needed.

—Defensive tackle Jahkeem Stewart is still limited by an injured foot. The injury continues to linger, and Stewart continues to fight through it. At one point Saturday, he went to the locker room before returning to the game. There’s no questioning Stewart’s toughness, and clearly he’s capable of gutting it out through games. But it doesn’t appear that he’ll be fully healthy again this season without some serious time away from the field.

—USC’s women’s hoops gave a first glimpse of a potential title-winning team on Sunday. The Women of Troy took on Cal in an exhibition matchup that marked JuJu Watkins’ return in front of fans at Galen Center, and Watkins wasted no time making her presence felt, as she went to the hoop 14 seconds into the exhibition. The trio of Watkins, Jazzy Davidson and top freshman Saniyah Hall shot a combined 22 of 45 for 59 of USC’s 78 points. Still, USC barely snuck past Cal.

Notable quotable

“Gritty ain’t pretty. We played the harder football game, brought it to them, and they can’t really do nothing with us. It’s just two different types of football.”

—Former USC running back Bryan Jackson, who scored Saturday’s first touchdown for Wisconsin

Olympic sports spotlight

USC men’s water polo ripped off nine straight wins to start the season, then went 4-3 after that, with two losses to Stanford and one to UCLA, both of which sit just ahead of the Trojans in the national rankings.

The Trojans looked back on track in their final match of the season at home, rolling past Air Force, 21-8. And they still have road matchups against UCLA, Stanford and California that should tell us whether the Trojans are true contenders for a national title.

What I’m watching this week

Olivia Wilde, from left, Seth Rogen, Penélope Cruz and Edward Norton in “The Invite.”

(A24 via Associated Press)

Some of the smartest movies are also the simplest. I kept thinking about that while watching “The Invite” recently. Directed by Olivia Wilde, the story takes place entirely in one couple’s apartment, during one evening spent with their upstairs neighbors.

It ended up being one of my favorite films of 2026 to date, with stellar performances from all the actors involved: Wilde, Seth Rogen, Ed Norton and, especially, Penélope Cruz. Maybe not the best flick to watch if you’re fighting with your significant other. But “The Invite” made me feel all sorts of feelings, which is generally what I’m looking for in a movie.

In case you missed it

Listen now: Podcast ‘House of Troy’ features inside look at highs, lows of USC Athletics

‘I’m disappointed.’ Lincoln Riley laments USC’s struggles in loss to Wisconsin

USC offensive line transforms into one of 6-1 Trojans’ biggest assets

Until next time …

That concludes today’s newsletter. If you have any feedback, ideas for improvement or things you’d like to see, email Ryan at ryan.kartje@latimes.com, and follow me on X at @Ryan_Kartje. To get this newsletter in your inbox, click here.

EASYJET has announced a major new perk on its flights – WiFi.

The budget airline is installing high-speed internet onboard its planes in collaboration with Starlink.

The move means that easyJet is the first budget airline in the UK to get Starlink WiFi alongside Wizz Air, who are also launching WiFI next year.

Starlink will be rolled out across the airline’s A320 and A321 fleet from the first half of 2027 and expected to be completed by early 2028.

With the new WiFi, passengers can stream, game and browse, although it isn’t clear yet how much it will cost.

Kenton Jarvis, CEO at easyJet, said: “In an increasingly digital world, staying connected matters more than ever to many of our customers, whether that’s holidaymakers looking to unwind with inflight entertainment, or our business customers keeping up to speed with what’s happening on the ground.

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“Innovation is in easyJet’s DNA and partnering with SpaceX to bring Starlink’s high-speed internet connectivity onboard for the first time will not only further enhance the experience we provide millions of customers, but means we are offering more of the options both business and leisure travellers want when they choose who they fly with.

“Giving customers the opportunity to get online in the air will mean even greater choice and convenience when you fly with easyJet.

“Ultimately, it’s yet another way we’re making travel easy.”

Gwynne Shotwell, President and Chief Operating Officer of SpaceX, said: “We’re proud to bring Starlink onboard easyJet and transform the way their customers stay connected throughout their travels.

“Fast, reliable connectivity from take-off to landing means people can work, stream, or stay in touch without interruption.”

Other airlines that have already installed Starlink in the UK include British Airways and Virgin Atlantic.

A man dedicates U2’s “With or Without You” to the ex-boyfriend who ghosted him. A woman sings “I’m Coming Home” from “The Rocky Horror Picture Show” for the late Tim Curry. The room pounds their fists on the tables to the bridge of Metallica’s “One,” a harrowing anthem about the horrors of war.

This is Blue Mondays, a karaoke night dedicated to sad songs that’s become a ritual of catharsis for its regulars. It happens the first Monday of every month at the Fable, where singers compete for what KJ (karaoke jockey) Teri Gamble calls, “the most coveted shirt in all of Eagle Rock”: a blue T-shirt featuring a pajama-clad Garfield (the cat, not the president) with the caption “I hate Mondays.”

Gamble, an actor, musician and podcaster, has sung karaoke since childhood with their babysitter. They host several karaoke events, including a Broadway night at Akbar in Silver Lake, and have helmed Blue Mondays for about two years.

Singers gather at the Fable on the first Monday of the month to belt out their saddest songs.

Gamble doesn’t always choose the best singer to win the Garfield shirt. They consider performers who make a song their own, get everyone singing along, or seem like they need a win.

“There was a girl who … had a cast on her arm. She cried her whole song. I said, ‘you don’t have to tell me what happened, but I love you and I hope everything gets better.’ And then I definitely gave her the shirt that night,” Gamble said.

Thom Sigsby, who owns the Fable with his wife, Monica Katzenell Sigsby, enjoys the low-key performances. “Someone did [Sara Bareilles’ “She Used to Be Mine”] and it was just devastating. There wasn’t a single moment of feeling like she realized there was anyone else in the room,” he said.

You’d expect long faces nursing their drinks, but it’s often the opposite. There’s something freeing about exorcising negativity through song that keeps people coming back. There’s community here, across the dedicated regulars and the staff — Gamble’s an incredible singer, and bartender Megha Wescombe absolutely crushes “Maybe This Time” from “Cabaret.” As Nicole Kidman might say, “Heartbreak feels good in a place like this.”

Patrons cheer after a performance during Blue Mondays. Regulars tell stories of forging new friendships at the event.

Mel Minghelli can perform both parts in “Phantom of the Oprah” thanks to her wide vocal range.

“I think I end up feeling less sad about my own personal sads because we are sharing them together,” Gamble said. “So it feels like the burden is lessened by the end of the night every time.”

Akhil Indurti, a software engineer who also performs musical improv at the Upright Citizens Brigade, won October’s shirt. He sang System of a Down’s “Chop Suey” (frontman Serj Tankian owns Kavat Cafe, two doors down), though his go-to is Chris Isaak’s “Wicked Game.”

“I think oftentimes [people] listen to sad songs because they’re sometimes more musically interesting,” he said. “They’re not just a major chord progression. It’s not usually just sadness. There’s nuance and subtlety. There’s some storytelling.”

Soraya Sebghati won September’s shirt with Linda Ronstadt’s “Long Long Time.” She fronts the band Night Talks, and said sometimes people tell her she shouldn’t be allowed to do karaoke because she’s a professional. She still loves it, both as a performer and a spectator, and — despite her seemingly upbeat demeanor — enjoys Blue Mondays as a “safe space for the freaks and the goths and people who want to sing sad stuff.”

Fable owner Thom Sigsby says his karaoke book, with more than 12,000 songs, may feel antiquated compared with digital karaoke platforms, but that’s the point.

“I’m the kind of person, when I’m sad, I like to listen to more sad music. I’m also a big cinephile. Bleak Week at Cinematheque’s [Bleak Week: Cinema of Despair] is my favorite week of programming of the year,” she said.

Fable owner Thom Sigsby says his karaoke book, with more than 12,000 songs, may feel antiquated compared to digital karaoke platforms, but that’s the point.

Dave Child lays it all out on the karaoke stage.

The Fable’s crowd and the songs they choose are eclectic, spanning generations and musical tastes. Some songs you’re guaranteed to hear every time — Radiohead’s “Creep” and Johnny Cash’s cover of “Hurt” are staples — but some performers choose more subversive tracks.

For example, OutKast’s “Hey Ya” sounds happy, but it’s about loveless relationships. Barry Manilow’s high-energy “Copacabana” describes a woman who drank her life away following her lover’s murder. Gamble recalled a performer who writhed on the floor while sob-singing Lou Bega’s “Mambo No. 5,” which could be sad considering the protagonist’s inability to maintain a steady relationship.

Blue Mondays didn’t start at the Fable. Sigsby was already a karaoke enthusiast when he began KJing at Bigfoot Lodge in Atwater Village about 14 years ago. By his own admission, he “got way too into it,” spending his own money to add songs to his book. A former theater kid and commercial actor, karaoke gave Sigsby a new way to express himself on stage and make friends. He and his wife even bonded over karaoke before they married.

Lyrics for “Solitaire,” a Neil Sedaka ballad, plays during a karaoke performance.

Given that Mondays are usually slow, Sigsby and his co-workers began adding shticks: single-artist blocks, nights where KJs chose singers’ songs, and Blue Mondays, which offered a free “Prozac” shot for each depressing tune (a mystery blend with an on-theme hue). Free booze — which singers still receive today — was a motivator, but so was the theme, which seemed to “resonate” more than the others.

Sigsby later founded his own karaoke company, HiHo Karaoke. It operates at bars including Ye Rustic Inn, Glendale’s the Gold Rail and Bigfoot Lodge, whose own Blue Mondays, Sigsby said, draws a younger crowd. Compared with some karaoke outfits, Sigsby admits HiHo may appear “antiquated,” but that’s intentional. “There’s no app, there [are] no [paper] slips. You literally just come talk to us because we want to meet you and talk to you and have a relationship with the singer[s],” he said.

The same goes for HiHo’s book. Streaming services may offer 50,000-song catalogs, but HiHo’s 12,000-plus book is curated by its hosts and clientele. Licensing each song ensures musicians and rights holders are paid, and lets people request the songs they’ve been dying to sing, from emo deep cuts to Puccini operas.

Brian Collins performs during Blue Mondays.

In 2019, Sigsby and his wife purchased the Fable (formerly the Old Chalet and before that, the Black Boar) less than six months before the pandemic. It was after stay-at-home orders lifted that Blue Mondays really took off. “I think it really was just this need for everyone to reconnect coming out of COVID and also have a safe space … where they really could emote,” he said.

Through the Eaton fire in nearby Altadena and today’s economic uncertainty — Sigsby notes the first Monday means everyone’s just paid rent — the Fable has continued to offer that space.

Regular Mel Minghelli, whose impressive four-octave range let her nail both the Phantom and Christine in “The Phantom of the Opera,” said, “I think in the way that sad music has helped people as a comfort, it’s really nice to be able to perform it and have other people … hear it or also feel comforted.” Minghelli used to treat her unique talent as a “party trick,” but now wants to record her own music with singer-songwriter Johnny Mace, another regular she met at the Fable.

Mace chose Calum Scott’s cover of Robyn’s “Dancing on My Own” that evening, though he said he often does Black Sabbath’s “War Pigs.” He described the Fable as a “magical” place where he’s found numerous friends and opportunities. “I was in the deepest depression and coming out here got my confidence back and I found my voice again. I [had given up] on my music career. I was really hurting and this place gave me life again so I owe this place a lot,” he said.

He won the shirt once singing the Goo Goo Dolls’ “Iris” but has since given it away, to whom he can’t remember. Why? Unlike Garfield, he likes Mondays.

The next Blue Monday is Nov. 2, 8:30 p.m.-12:30 a.m., at the Fable, 1630 Colorado Blvd. in Eagle Rock.

McALLEN, Texas — The Ford Expedition rumbled to a stop and Cindy Banda’s bedazzled flip-flops landed on the asphalt of the Houston cancer center’s vast parking lot. She threaded through the rows of cars, a tally of patients who gather here to sit with chemotherapy needles or lie on radiation machines.

The elevator dinged open. A year ago in this building, surgeons removed Banda’s right breast, and she still didn’t know whether treatment had expunged the cancer from her body. Doctors had told her it would be tough to beat.

“I’m more of a positive person myself,” Banda said, now sitting with a white wristband in a dim waiting room. But the bills are harder to dismiss, and the single mother with six children in her care repeated something like a mantra. “Keep the house. Keep the cars. And just keep the kids stable.”

That’s true for many Americans, as rising healthcare costs leave more families with a sinking feeling after seeing the bill for surgery or medication. Heading into the Nov. 3 midterm elections, about half of registered voters said healthcare costs are a major problem for them and their families, up from a little more than one-third four years ago, according to a Fox News poll from September.

With party control of Congress at stake, registered voters are nearly twice as likely to say they trust Democrats over Republicans to handle healthcare, according to an Associated Press-NORC Center for Public Affairs Research poll from the same month. Those frustrations, combined with broader concerns over rising prices, have sapped support for President Trump and his Republican Party.

Banda knows how that feels. She backed Trump in each of his three campaigns, motivated by her opposition to abortion. But when cancer came, the ensuing scramble to make ends meet was painful enough to rearrange her priorities, and she started to think about voting Democratic for the first time.

The 46-year-old was ushered into a sterile room for her appointment, her phone lighted up with a text. “Please contact TD Auto Finance.”

“This one’s $1,300,” she said of the car payment bill. “I have to go back to work.”

She had been on sick leave for a year from her job selling internet service, and she needed the income to support her three children and three more she had taken in after her sister’s death.

The doctor said her reconstruction surgery could be scheduled early next year. “I was hoping for maybe December,” Banda said, “only because I’ve met my deductibles.” Come January, she would have to pay down the $7,500 again. Earlier may be possible, the doctor replied, if the skin around her surgical scar loosens.

The evening had cooled slightly by the time she walked back through the rows of parked cars, their ebb and flow marking the tide of sickness, survival and death in a small corner of a colossal healthcare industry that saves lives while taking in over $5 trillion every year.

Banda paid $8 for parking as she left.

Confronting death and debt

Two weeks later, Banda was back at work, making door-to-door rounds to sell Spectrum’s Wi-Fi in McAllen, her city along the U.S.-Mexico border in the Rio Grande Valley. Banda, holding blue fliers, walked along a row of storefronts, some that closed since she last was in the area.

She hadn’t had a sale and commission since October of last year, after the biopsy and diagnosis.

The doctor who gave her the news had hugged Banda, and she sobbed even though, she says, she never really sobs in front of other people. During chemo, her children took turns buzzing off her wispy hair. When her 9-year-old daughter’s hand quivered, a teenage cousin helped guide the clipper over her mother’s scalp.

Banda’s first impulse was to maintain normality, stability, for the children.

But that requires roughly $7,000 a month for utilities, mortgage, car payments and groceries, along with the two water leaks. Then, even with insurance through her job, the surgeries, chemo and radiation added up to over $25,000 that she’s been paying off, making Banda one of tens of millions of other people in the United States in medical debt.

Banda tries not to dwell on death and debt.

“It’ll consume you,” she says. She smothers those thoughts beneath her bubbly demeanor and avoids being alone. But that truce, between her insistence on positivity and the fears that it covers, is brittle.

Certain thoughts still arrive uninvited. Banda’s late sister, Melissa, didn’t have life insurance. Banda makes sure it’s a payment she never misses.

“Sometimes I think, and I shouldn’t think like this, but I’m worth more gone than here,” she said one day. “Obviously, the goal is not that, the goal is to beat it,” she continued, “to keep the house and keep the cars.”

So far she has, with the help of others.

On top of child support, the father of Banda’s 9-year-old often pays $400 a week for a nanny to help with the kids. Banda’s own father sent her $700 before for her recent Houston appointment, one of his many cash infusions. Her high school classmates, whom she hadn’t been in close touch with in decades, fundraised by selling grilled chicken, rice and beans from a roadside tent. Two GoFundMe fundraisers collected nearly $30,000, and Banda rented her late sister’s house while putting her own in forbearance.

But months of insecurity takes its own, sleepless toll. She needed to sell some internet services to catch up.

After sticking the Spectrum Wi-Fi fliers onto empty storefronts, she drove to pick up her kids from school. The following day she had a morning meeting at a barbershop for what would be her first sale back at work.

Turning on Trump

A lifelong Christian, Banda had voted her antiabortion stance in past elections. When her sister was kidnapped and murdered by her ex-husband in 2020, Banda retreated from religion. The cancer brought her back to church with an apology to God, but it also made her rethink her politics.

She voted for Trump in 2016, and his first four years seemed steady, she said, so she voted for him again in 2020. President Biden’s tenure, including a global pandemic and related inflation, felt like bedlam, so she voted for Trump to return to the White House in 2024.

But two years later and fighting an expensive disease, she had found no respite from high prices.

So when James Talarico, a Presbyterian seminary student running for U.S. Senate as a Democrat, visited one of Banda’s fundraisers — speaking about his diabetes and his work in the Texas Statehouse to lower the price of insulin — it moved her. “Imagine if he can do that for the cancer,” she said.

Talarico and his Republican opponent, state Atty. Gen. Ken Paxton, have different approaches to healthcare. Talarico wants all Americans to be able to join Medicare; Paxton proposed a $25,000 tax deduction for out-of-pocket medical expenses.

Talarico also supports a law guaranteeing abortion access nationwide, which Banda has voted against for years. But after she slid into debt to stay alive, after her grocery bills mounted and the high school had to comp the kids’ soccer gear she couldn’t afford, Banda’s antiabortion concerns have been superseded by worry about costs.

“Because it’s what I’m living,” she said. “I’m living it.”

Banda cast an early ballot for Talarico. “Never voted Democrat before today!!” she wrote in a text with blue heart emoji.

Awaiting news

Banda had just started a new cancer-targeting medication that cost $16,000 a month, reduced to $500 by insurance. By the afternoon, she was nauseated and fatigued, unable to eat. The malaise would keep her home the next day. She would miss the meeting with the barbershop to close her first deal since getting sick, though she felt confident it was in the bag.

But Banda pushed through the discomfort one evening to join her family as they replaced the flowers at her sister’s tomb.

She drove past the headstones and oak trees in the evening’s slanting light, and the family gathered around Melissa Banda’s tomb in an open-air mausoleum. There was no speech. Their eulogy was her father, Fidel Banda, methodically clipping and arranging the flowers for his daughter.

Banda walked along the wall of tombs. She will find out on election day whether the cancer is in remission or whether it’s spread to her organs.

“This one’s for me,” she said, pointing to a blank tomb next to her sister’s.

“Mom!” said her daughter with the huffiness of a 9-year-old. “Why would you say that?”

Banda smiled and added, “in a hundred years.”

Bedayn writes for the Associated Press.

When it comes to top individual performances from Friday night football, few can challenge Santa Barbara High’s secret weapon, Cade Mault, a junior soccer player committed to Cal Poly who taught himself how to kick and punt.

Against Westlake, Mault accounted for all of Santa Barbara’s points in a 13-10 win over Westlake. He had an 85-yard touchdown reception. He made field goals from 49 and 43 yards. He made the PAT. He even picked up a first down on a fake punt.

“We believe in him,” coach Nathan Mendoza said.

He’s four for four on field goals this season, has not missed a PAT, is booming punts and still plays club soccer on weekends while practicing soccer four times a week from 6 to 9 p.m.

Soccer is his sport, but he’s progressing so well in football, options could be opening up for someone who insists no one taught him how to kick or punt.

His family is all about competing in sports. He has an older brother, Kai, who was an All-Southern Section receiver for Santa Barbara and now plays baseball for UC Davis. A younger brothers plays football and lacrosse.

He has a 3.9 grade-point average, so all options are open. Mendoza hopes he keeps playing football for at least one more year.

This is a daily look at the positive happenings in high school sports. To submit any news, please email eric.sondheimer@latimes.com.

England have won the Cerebral Palsy World Cup for the first time by beating the United States 2-1 in a thrilling final.

The hosts took the lead in Atlanta from a corner with three minutes left but Sam Dewhirst equalised to take the tie to extra time.

And the Para Lions won it when David Porcher fired home after Dewhirst’s shot was saved.

England cerebral palsy head coach Jack Rutter said the win was historic for the sport.

“It feels unbelievable,” he said.

“The amount of sacrifice these players and staff have put in to achieve this goal is incredible.

“We were coming here with hope of maybe winning a medal and I can’t believe we actually won the World Cup for the first time.

“I’m very, very proud of all the staff and all the players.”

The win comes after England’s powerchair squad were beaten by France in their World Cup final on Friday., external

A Michigan man and former studio engineer is facing the music for his theft of rapper Eminem’s unreleased works.

Joseph Strange, a 48-year-old Michigan resident, pleaded guilty to criminal copyright infringement and will be sentenced to prison in January, the Department of Justice announced Thursday. He faces up to five years in prison. Federal prosecutors accused Strange in March 2025 of stealing and selling unreleased work by Eminem (legal name Marshall Mathers III).

An attorney for Strange did not immediately respond Friday to The Times’ request for comment, but told Variety in a statement that his client is a “good” man and his “children have suffered greatly in all of this.” The attorney said the case is “far more complicated and nuanced matter” beyond the theft.

“Nevertheless, my client has taken accountability for what he has done, has tremendous remorse for what has happened to his family,” the attorney reportedly added, “and has great faith, as do I, in the judges of our district to see this case for what it is.”

A spokesperson for 15-time Grammy winner, maker of hits “The Monster” and “Lose Yourself,” did not comment.

Strange was charged in 2025 with copyright infringement and interstate transportation of stolen goods, federal prosecutors announced. Investigators said at the time that more than 25 songs had been played or distributed online without permission from Eminem or the group that owns his music, Capitol Labels Group. Investigators discovered the music on password-protected hard drives stored in a safe at Eminem’s studio in Ferndale, Mich., an FBI affidavit said. At the time, an attorney for Strange denied the “untested allegations.”

The charges against Strange arose after studio employees alerted the FBI of the theft in January 2025, alleging the unfinished releases were shared to a number of online platforms. Files from a hard drive in a safe were transferred to an external hard drive in October 2019 and January 2020, around the time when Strange was working at the studio.

A Canadian resident informed investigators that he purchased 25 unreleased Eminem songs from Strange for about $50,000 in Bitcoin and that he raised the funds through the support of a group of Eminem fans. He also claimed Strange also put some of Eminem’s handwritten lyrics up for sale.

The affidavit says a federal search of Strange’s home in January 2025 led to the discovery of numerous lyric sheets and notes handwritten by Eminem, a VHS tape of an unreleased video and hard drives with about 12,000 audio files.

“Joseph Strange abused a position of trust to unlawfully copy and sell unreleased music belonging to Eminem, profiting from works that were not yet authorized for public distribution,” said A. Tysen Duva, assistant attorney general for the Department of Justice Criminal Division. “His conduct undermined both legal and artistic rights.”

The Associated Press contributed to this report.

LAS VEGAS — The Strip is broiling on a recent afternoon, but it’s cool and dark inside Mary J. Blige’s dressing room at the Park MGM.

As a humidifier moistens the dry desert air, the 55-year-old R&B star sits on a sofa wearing a brown jumpsuit and matching gaucho hat; through the walls we can hear Blige’s band sound-checking for her My Life, My Story residency, which launched in May and will pick up again Friday night for shows through Oct. 31.

In some ways, Las Vegas is a funny fit for the Queen of Hip-Hop Soul, who’s been transforming pain into music since her 1992 debut, “What’s the 411?” Yet her stay in this glittering showbiz mecca comes amid a season of flower-getting for Blige: Two years ago, she was inducted into the Rock & Roll Hall of Fame; two years before that, she played the Super Bowl halftime show and landed a nomination for album of the year at the Grammy Awards.

“It definitely feels like people are taking notice of the fact that Mary J. Blige is one of the most important performers in R&B history,” she says. “I opened up a lane that hasn’t been closed yet. Female after female after female after female continue to do what Mary J. Blige has done and still does.”

Who opened that lane with you?
Back in the ’90s, when we first came out, it was myself and SWV that were really, really strong. Then there was 702, then Jazmine Sullivan and SZA and Beyoncé, and now right down to Summer Walker, who’s singing her truth.

That’s how you define what you do.
I’m not a great singer because I can sing better than everyone — I’m a great singer because I sing from my heart. Bono gave me that jewel. When Hurricane Katrina happened, we were doing [U2’s] “One,” and Bono was like, “Don’t worry about singing on key — people aren’t moved by you singing on key. What makes you a great singer is how you make them feel.” Not all of us are like the eighth wonders of the world — Aretha Franklin or Chaka Khan or Whitney Houston. They have pitch-perfect and they have emotion.

I saw Chaka Khan the other night and was thinking about how, even now, you never know where her voice is about to go.
She’s Chaka Khan — there’s nothing else you could say, really.

Why’d you cover “Sweet Thing” on “What’s the 411?”
First of all, when I was growing up, my mother played “Sweet Thing” all the time — it was our favorite song. So when I got to Uptown Records, Andre Harrell, the CEO, he was like, “You should do ‘Sweet Thing.’” I was like, “I don’t wanna do ‘Sweet Thing’! Chaka Khan could really sing — I can’t sing like that.” But he said I could do it, so I went and did the song and they all went crazy over it. My fans who didn’t know Chaka Khan, they thought it was my song. Same with Rose Royce’s “I’m Going Down” — to this day, a lot of people don’t know that’s a remake. I was afraid of both those songs. But I wanted to sing “I’m Going Down” all my life because I heard the song when I was 5 years old from the “Car Wash” soundtrack.

Tell me about your routine in Vegas. You stay on the Strip or you have a house somewhere?
I have a house out here. I’m not staying here — this is a lot. So I go home after I finish my performance, and I get ready for my performance tomorrow: I rest, I drink water, I do whatever I need to do. Then it’s the same thing: I come here, go into glam, do my meet and greet.

Get the humidifier going.
I got a steamer that I actually pull on over my mouth. Then I do my warmups, relax, keep my mind clear of any nonsense.

How do you think about doing your thing in a town built on glitz?
Mary is not the slickest Vegas person. But you can let people see that you’ve evolved — that you wear gowns now.

Would 19-year-old Mary be surprised to see her future self in a gown?
Hundred percent. Nineteen-year-old Mary was all tomboy — all baggy everything. Right now, I barely want to wear a gown, this Mary right here. But I’ve actually grown to like some of it when it looks good.

Did you look at anyone else’s residency when you were putting yours together?
I saw two people’s shows, and I said, “That’s not it.”

Shows in Vegas tend to be on the shorter side. The casino wants people back out there gambling.
I got 90 minutes — it’s a lot of time. People are very happy, but they’re standing there like they want more. I’m like, “I did 90 minutes! I don’t know how much more y’all want from me.”

Silk Sonic’s residency here was a no-phones show, which Bruno Mars told me was his attempt to preserve the freedom to make mistakes. Does it bum you out as a performer to know that everything winds up on the internet?
I don’t care about that at all. Social media, it’s bull—. You know what’s gonna happen — you know they’re gonna say, “Oh, her jaw is swollen.” Whatever. As long as you live truthfully, what they’re recording doesn’t matter.

In a recent interview with Fat Joe and Jadakiss, you talked about keeping your romantic partner a “mystery man” to the world. I wondered how you came to the decision not to make everything available to the public.
Because for so many years it has all been available. What you know already is what you know — I’ll elaborate on that. But what you don’t know, you will never know. I think I’ve given a lot, and it’s important to have something for myself. Nowadays, people just take things and ruin it for you. So if you have something beautiful, hold onto it, keep it to yourself. You have to protect the person that you’re with as well, because they don’t deserve to get beat up for something someone else did. I protect the ones I love — I’m not having anybody speaking ill about my family or the man that I love. I’m too old for that. Early in my life, if social media was around in 1991, I’d have been on that s— all day, cursing and going nuts on people.

Mary J. Blige performs during halftime of Super Bowl LVI at Inglewood’s SoFi Stadium in 2022.

(Robert Gauthier / Los Angeles Times)

We were talking before about your accolades. Did the Rock Hall mean anything in particular to you?
It was important to me because those things don’t happen to us.

To Black women.
Yes. It happens to rock ’n’ roll stars every day, and they’re in their grave — there were people in their grave that they were honoring when I went. So when it happens to Mary J. Blige or Chaka Khan or Aretha Franklin, we have to honor that and raise it up. That’s a big deal.

Did Las Vegas feel like a place open to Black women?
I’m trying to think of what Black females I’ve seen do Vegas.

Mariah Carey was here. Toni Braxton had a show.
Yeah, but like me? But you know what I love? It’s time. And how I know it’s time is because my fans went up. When I made the announcement, they was going crazy — they still going crazy. I’m probably the first to open this door, and next it’ll be somebody else. You better believe they on their way. “Oh, Mary doing Vegas? I’m doing Vegas too.” That’s how it goes: “Mary did her hair blonde? I’m dying my hair blonde too.” That’s how my whole life has been, even actually before the music business.

Nosy question, but what’s an aspect of financial comfort that you especially enjoy?
Flying private — that’s the best one for me.

Getting to bypass the grind of travel.
That’s what I love about Vegas, because it’s not like tour. Tour, it’s a lot.

Are you soft now?
Probably a little spoiled.

Last one: Name an artist that meant a lot to you when you were young that might surprise people.
There were so many. I mean, Earth, Wind & Fire —

Everybody loves Earth, Wind & Fire.
But that “Way of the World” song — that really does something to me. We loved George Michael — George Michael was always one of our favorite artists. Duran Duran, come on. Oh, “Everybody Wants to Rule the World” — Tears for Fears. And Hall & Oates! [Sings] “Private eyes, they’re watching you.” Ambrosia. The Eagles. I could keep going.

I didn’t expect you to hit me with Ambrosia.
They were so soulful — I just got goosebumps. And Queen. That’s one of my favorite movies — “Bohemian Rhapsody.”

Who should play you in a movie about Mary J. Blige?
She wasn’t born yet.

Speeding effortlessly towards the slopes by train, you might wonder why you ever flew to a ski resort. On paper, it seems a short hop by plane; in reality, airport queues, cramped flights and long transfers can mean the journey eats up a whole day.

Measured door-to-door, daytime rail travel from London can be as fast as flying, while taking a sleeper train gets you extra time on the slopes. And with Alpine glaciers suffering significant loss of snow cover as global temperatures rise, rail travel constitutes the biggest emissions saving a skier can make.

An exciting recent development is the arrival of a dedicated sleeper train for skiers, the Travelski Night Express (TNE), launched last winter and with an additional new route for the coming one. Each carriage has couchette berths, but the train’s crowning glory is its large, speakeasy-cafe-bar-restaurant, with retro decor, soft lighting and music – you get the romance of overnight rail travel with the potential for two extra days’ skiing thrown in.

The TNE has two routes: one from Paris, the other from Amsterdam and Brussels, going out on Fridays and returning on Saturdays. Both routes access Moûtiers, Aime-la-Plagne and Bourg-Saint-Maurice – stations in the popular Tarentaise region of the French Alps. UK-based skiers can connect to the TNE by Eurostar to Paris or Brussels.

Overnight journeys to Austria are also possible, with a Eurostar to Paris or Brussels and then a Nightjet sleeper train to the Salzburgerland region; or, for Innsbruck and the Tirol, a Nightjet from Amsterdam and Cologne.

An array of resorts in France and beyond can be reached every day of the week by taking the Eurostar to Paris Nord, getting a taxi or the RER for the short transfer to Gare de Lyon, and from there catching a fast TGV train south.

The most direct daytime option is Eurostar’s flagship ski service, Eurostar Snow, which carries snowboards and skis free of charge on top of the usual luggage allowance. Skiers take it from London to Lille, then switch to an adjacent platform for the onward train to Bourg-Saint-Maurice.

Unfortunately, the final outbound departure for this coming season is on 20 February, leaving the ski industry frustrated. Eurostar’s explanation is that it needs to “deploy rolling stock to where it best meets customer demand. Historically, March has not always been the strongest period for Eurostar Snow.”

Iain Martin, founder of sustainable ski-travel campaign Ski Flight Free, says: “It’s ridiculous for Eurostar to curtail their flagship service and blame lack of demand. If Eurostar worked effectively with the ski industry and ski tour operators to market the train, they could sell it out many times over.”

Ski tour operators are certainly hungry for more train seats. “We’re keen on promoting rail travel to the French Alps and we know clients want this,” says Alison Willis, managing director of French ski specialist Peak Retreats. “While changing in Paris is straightforward, we know that direct services are an even more compelling alternative for those who usually fly. March ski holidays, with longer days and excellent conditions, are really popular. So, we’d welcome more direct rail options across as much of the ski season as possible.”

It’s a view echoed by ski tour operator Inghams, which has increased its range of rail-inclusive packages to include 75% of its French destinations, as well as some in Switzerland, Italy and Austria. “There’s a genuine appetite among skiers to travel to the mountains by train,” says head of sustainability Krissy Roe.

Here are 12 resorts you can reach easily by rail.

St Anton am Arlberg, Austria

“The cradle of skiing”, St Anton is consistently ranked among the best resorts in the world. While its slopes are known for being challenging and exhilarating (the mighty Valluga being the pinnacle), there are plenty of gentler areas, too. St Anton isn’t just about skiing, either: this delightful village offers a host of activities, including swimming, bowling, indoor rock climbing and some of the best toboggan runs in the Alps. Completing its ski-hard, party-hard image, the resort is renowned for its après-ski, with a long list of celebrated terraces where visitors can dance to live music while knocking back schnapps.

By train: 10h 30min

Depart London St Pancras on the 07.31 Eurostar to Paris Gare du Nord; transfer to Paris Gare de Lyon and take the 12.22 TGV to Zurich; then the 16.40 Railjet to St Anton, arriving at 19.01.

Where to stay

Ski Solutions offers seven nights at the Hotel Post from £1,870pp half-board, including return rail travel.

Alpbach, Austria

Comprising antique, chocolate-box chalets, Alpbach is perhaps the prettiest village on this list, with fantastic skiing to boot. Despite its low altitude, the resort’s north-facing slopes protect fresh powder, with the best off-piste and snowboarding terrain being on the far side of the Wiedersbergerhorn. Alpbach has gone to great lengths to preserve its rustic character. The main lifts are a short shuttle ride away from the village, and you’ll find gorgeous Tyrolean dishes at mountain hut restaurants such as Böglalm, torchlit walking trails, horse-drawn carriage rides and an Alpine coaster. Pick up a free Alpbachtal Card for access to local activities.

By train: 16h 49min

Depart London St Pancras on the 15.04 Eurostar to Brussels-Midi; then catch the 18.25 ICE to Cologne; get on the 21.45 Nightjet to Jenbach, arriving at 08.53. From there, it’s 20 minutes by bus or taxi.

Where to stay

STC Ski offers the four-star Hotel Alphof, with doubles from £955pp for seven nights’ half-board.

Sainte-Foy-Tarentaise, France

LONG BEACH, Wash. — Tourist dollars are drying up in this small town at the edge of the Pacific Ocean. Foot traffic is down. Visitors have less to spend on souvenirs.

And beachgoers now bring packed lunches instead of stopping at Captain Bob’s Chowder Sisters, said Melissa Huddleston, waiting for customers at her sister-in-law’s shop on Sunday.

Huddleston, 60, is depressed about the state of the country, and while she’s planning to vote in the Nov. 3 midterms, she hasn’t decided who she’ll vote for. This swing district, Washington’s 3rd, is home to a tight congressional race that will help determine the balance of power in the U.S. House.

Huddleston doesn’t think anyone in Congress can really do what she wants: Bring decorum back to the national discourse and bring the economy back to life. She isn’t a particular fan of Rep. Marie Gluesenkamp Perez, the independent-leaning Democratic incumbent, nor is she persuaded by state Sen. John Braun, the Trump-endorsed Republican challenger.

“I don’t know which one is better,” Huddleston said, shaking her head. “I really don’t.”

Melissa Huddleston waits for customers at Captain Bob’s Chowder Sisters in Long Beach, Wash.

(Justine McDaniel/Los Angeles Times)

As the battle to persuade midterm voters intensifies in the election’s final stretch, its fever pitch is evident in places like this largely rural stretch of southwest Washington — a rare three-time Trump-voting district with a Democratic incumbent.

Republican-aligned groups are pouring money into flipping the district red, considering it one of the GOP’s best chances to gain a House seat in an increasingly unfavorable environment, while Democrats see retaining the district as urgent to their effort to secure control of the chamber.

The contest offers a glimpse into a purple region a time when both parties are testing strategies for winning voter loyalty — not just in the midterms but looking ahead to 2028. And the dynamic in the candidates’ race to capture swing voters reflects the national debate gripping both parties about how moderate to be.

As Democrats debate whether progressives or centrists should chart the party’s path, Gluesenkamp Perez has modeled an independent streak that has helped her win two elections but disappointed some in her own party. And as Republicans grapple with low public support for Trump, Braun has packaged his conservatism as balanced while assuring supporters that he’s rowing in the same direction as the president and party leaders.

Interviews with more than 30 voters across the district revealed a mix of support for the two candidates, largely based on partisan politics, views about Trump and concern with which party controls the House.

“This is a very pivotal time, and this area has a history of being more of a swing [district],” said Mark Maxwell, 46, of Vancouver, Washington, who planned to vote blue. “It’s a chance for our voice to be heard.”

A sign for Washington State Sen. John Braun, R-Centralia, is displayed among other campaign signs near I-5, Saturday, Oct. 10, 2026, in Ridgefield, Wash.

(Lindsey Wasson/Associated Press)

The number of congressional battlegrounds nationwide has shrunk with gerrymandering and political polarization, making the district one of about two dozen races that will decide the House majority. The West’s other highly competitive contests include three in California — those of Republican Rep. David Valadao and Democratic Rep. Adam Gray in the Central Valley and the open seat of retiring Republican Rep. Darrell Issa in the San Diego area.

In southwest Washington, polling has indicated the congressional race may be essentially tied. A late September poll commissioned by Oregon Public Broadcasting had Braun up by one point. A July Emerson College poll showed the same. Earlier this month, election forecaster Cook Political Report moved the race from a toss-up rating to lean-Democrat.

‘Stubborn loyalty’

Across the district last week, left-leaning voters said they were backing Gluesenkamp Perez — some precisely because of her maverick streak.

“She’s voted against the Democrats and I know she’s voted against the Republicans, which is what one would hope,” said Helios Ovando, 69, of Battle Ground, Wash., who decided this year to volunteer for Gluesenkamp Perez’s campaign for the first time. “She’s more about the local scene.”

Ovando has been turned off by what he sees as Republicans’ adherence to the party line; Gluesenkamp Perez’s willingness to “buck the system” gives him more confidence in her integrity, he said.

July 2026 photo of Rep. Marie Gluesenkamp Perez (D-WA)at a House Appropriations Committee hearing on Capitol Hill.

(Anna Moneymaker/Getty Images)

Gluesenkamp Perez, 38, who ran an auto shop with her husband before being elected to Congress, frames her mission as one built around the practical needs of her district. She argues that Democrats should break the Republican hold on rural districts and talks about reestablishing voters’ confidence that the Democratic Party is “listening to and reflective of working people.”

“When you have people come to Congress with a very stubborn loyalty to their communities, you get better federal policy,” Gluesenkamp Perez said in an interview.

“That’s the value of breaking up the monopolization of politics in rural America,” she added. “It gets you to a better place from a policy lens.”

She points to funding wins and work to mitigate pressures on public schools and housing costs in Congress. On Saturday evening, she talked to a crowd at a brewery about restoring shop class to junior high schools and creating measures that facilitate repairing rather than replacing electronics and appliances.

Gluesenkamp Perez’s independence has also earned her critics. She twice helped House Republicans advance their legislative agenda in September, angering Democratic leaders, and voted to fund the Department of Homeland Security in January. In each case, she said the packages contained secondary measures that aligned with her constituents’ values.

At a “No Kings” protest last weekend in Vancouver, the district’s urban center, several Democratic voters said they weren’t happy with Gluesenkamp Perez but still planned to back her.

Rep. Marie Gluesenkamp Perez, D-Wash., speaks during an interview at a canvass launch at Recreation Park Penny Playground, Saturday, Oct. 10, 2026, in Chehalis, Wash.

(Lindsey Wasson/Associated Press)

“I will vote for her even though I don’t like her policies,” said Carol Rochat, 71, of Vancouver. “We need all the Democrats we can get, at least to get the majority, and then we’ll still work on her to try to be a little bit more progressive.”

‘Win their trust’

Gluesenkamp Perez ran against a hard-right candidate in her first two races, but this time she’s facing a less-polarizing and better-funded opponent in Braun, 59, a business owner and former Navy captain who has represented a slice of the district in the state Legislature for 13 years.

He made his pitch to a group of supporters at Long Beach’s historic train depot, framing his mission as balancing out the state’s Democratic voices in Congress and helping government “get out of the way” of its citizens.

“That’s sort of the American dream,” he said. “Government doesn’t create success for each of us, but we can set the framework for each of us to go out and find whatever success means for us.”

Braun talks about reforming tax and energy policy, funding infrastructure improvements and backing the military. He argues for balancing the federal budget, envisioning doing detailed, line-level work to find cuts that will reduce the national debt.

“He’s in line with my thinking,” said Liz Glenn, 63, of Raymond, Wash., listing Christian values, support for law enforcement and “protecting children” as some of her top concerns. A retired bookkeeper who is concerned about immigration and wants to see the House seat turn red, Glenn said she viewed maintaining a Republican majority as critical.

“It’s the only way to protect our country’s growth,” she said, adding, “Without the Republicans fighting against the perversions of the world, there’s so much non-American value being brought in.”

May 2023 photo of Washington state Sen. John Braun speaking in Olympia, Wash.

(Karen Ducey/Associated Press)

Braun told supporters that Trump’s endorsement had helped bring in financial support for his campaign. But, like other Republicans across the country, he has tried to appear independent on issues such as the war in Iran, which Braun has said the United States needs a plan to end.

“This district is a very independent district. I think it gives an opportunity to go make your case directly with the voters and win their trust … regardless of what the national picture is,” Braun said in an interview.

Pattie Gray, 66, who chairs the county Republican Party and watched Braun stump at the train depot, said Braun’s legislative and military experience made her view him as a “natural fit” for the seat.

“We need somebody who’s representing us the way we want to be represented,” Gray said. “He sees what this state needs.”

Gray, who is running for a Pacific County commissioner seat, has been door-knocking for Braun and other local Republican candidates. She’s optimistic about the chances to flip the seat, though it’s not “a shoo-in,” she said.

“We have to work really hard,” Gray said of turning out voters. “We’ve only got a couple more weeks.”

Huddleston, at the chowder shop, didn’t cast a ballot in 2024, unable to stomach supporting either party. She is motivated to vote this time because she wants to back a local Republican sheriff, whose campaign sign hung on the shop door.

But she’s upset with Trump’s brand of political divisiveness and where it has taken the country. She would prefer a Democratic majority in Congress, she said, to see if they can help fix the economy.

That might, Huddleston mused, lead her to support Gluesenkamp Perez when she fills out her ballot. But if so, it won’t be with gusto.

“Our country is horrible now,” Huddleston said. “How can you be enthusiastic about an election?”

SoFi Stadium is going strong. The deal that built it is in a smoldering heap.

A decade ago, Rams owner Stan Kroenke and Inglewood Mayor James T. Butts Jr. happily dug ceremonial shovels into the dirt at Hollywood Park, celebrating the impending construction of the world’s most expensive stadium.

Electronic billboards are seen along Century Boulevard in Inglewood on Tuesday, Oct. 20.

(Eric Thayer / Los Angeles Times)

Now they’re on opposite sides of a court fight that has spilled onto the Nov. 3 ballot and threatens further development on the nearly 300-acre site.

The feud started over billboards. Last year, Inglewood signed a deal with WOW Media to put electronic advertising all around the city — 60 digital signs carrying 108 screens. Some are bus-shelter-sized kiosks, while others are street displays up to 22 feet tall and positioned on sidewalks and medians.

Those present problems for SoFi Stadium, Intuit Dome and the Forum because they have their own advertising deals and sponsors who paid for exclusivity. Those venues collectively sued Inglewood and WOW Media to block the deal, raising this scenario in a court filing: “Will Pepsi want to sponsor the Super Bowl, knowing Coca-Cola could pay WOW to put up full-motion billboards next to the stadium?”

Skip Miller, lead attorney for the city, said the kiosks are “quite nice and blend in with the surrounding areas,” and that they are connected to a network that provides critical traffic and safety information to thousands of drivers and pedestrians.

Electronic billboards are seen on along Century Boulevard on Tuesday, Oct. 20, 2026 in Inglewood, CA.

(Eric Thayer / Los Angeles Times)

A judge sided with Inglewood, and an appeal is under way.

In the meantime, those opposed to the billboards are taking it to the voters. On the ballot is Measure BB — as in “Billboard Blight” — which would restrict billboard advertising on public property. Miller said the city will challenge it in court if it passes, calling it free-speech discrimination.

The signs generate as much as $7.4 million a year, according to Inglewood budget records.

A consultant hired by the Yes on BB campaign estimated the city’s digital kiosk deal with WOW Media would generate $280,000 to $1.1 million a year, roughly 0.1% to 0.5% of Inglewood’s $238-million general fund.

John Shallman, a Los Angeles-based political strategist managing the “Yes on BB” campaign, also pointed to the unusual length of the billboard deal, which is 20 years plus two 10-year options.

Rams owner Stan Kroenke, right, talks to team president Kevin Demoff before a game against the New York Giant at SoFi Stadium on Sept. 21.

(Allen J. Schaben / Los Angeles Times)

“It’s biblical in length,” Shallman said. “You go back 40 years. We didn’t even have the Internet. We didn’t have cellphones.”

The billboards are part of the fight, but there’s a lot more. Back when the development agreement was signed in 2015, the deal was that Hollywood Park — interchangeable here with Kroenke’s companies — would pay up front for all the improvements around SoFi Stadium and eventually be reimbursed by the city. That means all the road upgrades, water lines, streetlights and the like. Same for event-day police and emergency services.

Over the years, that ran up a significant bill. Kroenke’s companies now want $448 million from the city. Inglewood, which last year wired Kroenke $20 million, is demanding that money back.

So how could that chasm be so wide? A turning point came last month when Los Angeles County Superior Court Judge David K. Reinart ruled the 2015 development agreement “void from the beginning and unenforceable.”

To understand why the judge ruled that way, it’s important to go back a decade and examine how the agreement was constructed.

One of the appealing aspects of building an NFL stadium in Inglewood was the speed with which a development agreement could be assembled and approved. Los Angeles went 20 years without an NFL franchise, during which all sorts of stadium ideas were proposed and eventually died. One of the stumbling blocks for those was the environmental-review process, which could take months or even years.

But at that time in California, there was an opportunity for Inglewood to fast-track the process. Instead of negotiating a new development agreement — there was one from 2009, when Hollywood Park was still a racetrack — supporters of the NFL stadium could bring it to the Inglewood City Council as a voter initiative.

People cross Century Boulevard near an electronic billboard in Inglewood.

(Eric Thayer / Los Angeles Times)

The council then had the choice to either adopt the initiative word for word, or send it to voters. No new environmental review required. Sure enough, in February 2015, the council approved the initiative, 5-0.

Now Kroenke had an approved stadium plan and not just fancy renderings to bring to fellow NFL owners, who 11 months later gave the thumbs up to a state-of-the-art venue at Hollywood Park. There was a competing stadium plan in Carson backed by the San Diego Chargers and Oakland Raiders that was taking the same fast-track approach with its city.

Regardless, the Hollywood Park plan won and the stadium was ultimately constructed, a $5-billion marvel that in February will play host to its second Super Bowl. It has also played host to the World Cup, major concerts by Taylor Swift and Beyoncé, and will be the swimming venue for the 2028 Summer Olympic Games. The Chargers moved to Los Angeles as tenants in the stadium.

“Inglewood loves SoFi Stadium,” said Miller, the city’s attorney. “Nothing is ever going to happen to SoFi Stadium. … As far as the rest of Hollywood Park, the developer has to follow the law, just like any other developer. This developer, who’s a very powerful, very wealthy person, has to follow the law just like anybody else.”

That’s not something you would have heard in 2015 when Kroenke and the city were pulling in the same direction. Something happened in 2018 that changed the landscape in California, and gave Inglewood an argument for why it shouldn’t be required to reimburse the developer for nearly half a billion dollars in public improvements.

It was a court decision involving Moreno Valley, a city about 75 miles east of Inglewood that planned to build a major development through the same approval process that was used in Inglewood. But environmental groups challenged that in court and won. A judge determined that type of development agreement requires negotiations and public hearings, not just a voter initiative. The agreement was voided.

SoFi Stadium in Inglewood, home of the Los Angeles Rams, hosts events throughout the year.

(Eric Thayer / Los Angeles Times)

Meanwhile, everything was moving forward in Inglewood. SoFi Stadium was constructed. The big events rolled in. Promises made, promises kept.

All the while, there was the outstanding issue of the city paying back Hollywood Park for all those improvements, but that arrangement was configured to ensure Inglewood could do so without going into the red. The deal said the city could keep the first $25 million in tax revenue from the stadium every year, then use the revenue generated beyond that to reimburse Kroenke’s companies.

In May 2025, Inglewood made a payment of $20 million.

Two months later, pointing to the Moreno Valley decision, the city deemed the development agreement invalid and demanded its money back.

Hollywood Park found that especially galling because four times over the past decade the city signed assurances to Kroenke’s lenders that the money would be paid back — and three of those times were after the Moreno Valley decision.

In the view of Hollywood Park, Inglewood welcomed the jobs, tax revenue, increased property values and heightened prestige for a decade, then walked away from the deal when the bills came due.

“Now that it’s time for the city to essentially uphold its end of the bargain, now that it’s received all the benefits, it’s saying, ‘Well, actually, we consider this agreement void. Thank you for the stadium, thank you for everything else, but we’re not going to uphold our end of the deal,’” said John Quinn, outside counsel for Hollywood Park in the matter.

An electronic billboard on Century Boulevard in Inglewood.

(Eric Thayer / Los Angeles Times)

Hollywood Park’s argument is that it followed the rules in 2015 in getting the development agreement unanimously approved by the City Council, and the results — a bustling stadium district and development around it — speak for themselves.

The city’s side said it connected the dots on the Moreno Valley case only after the lawsuit was filed against Inglewood and WOW Media last year.

And the city is backing a ballot initiative of its own, Measure AT, which would eliminate a $15-million cap on the 10% admission tax on ticket sales the stadium pays. Venues with fewer than 20,000 seats, including Intuit Dome, would for the first time be charged a 2.5% admission tax on ticket sales.

The ballot measure could generate an additional $47 million to $50 million annually, a city of Inglewood impact report states. Olympic events at both venues in 2028 could be especially lucrative for the city.

Hollywood Park sees that as punishment for challenging the billboard deal.

Also on the ballot, the contentious Inglewood mayor’s race. Butts is running for a fifth term, and his main challenger is Gloria Gray, an Inglewood City Council member.

Meanwhile, Hollywood Park’s legal losses are stacking up. The judge last month rejected the argument that because Inglewood is a charter city, one that operates under its own constitution, it should abide by the original development agreement.

The city is billing the fight as a billionaire versus the people. Those representing Kroenke’s interests say Inglewood should honor its commitment and provide the reimbursements it long promised.

An attorney representing Hollywood Park says changing the rules midstream could have a chilling effect on future developments in California.

“It’s going to seriously discourage new development throughout the state, and we’re not just talking about stadiums,” said Quinn, chairman and founding partner of Quinn Emanuel Urquhart & Sullivan LLP. “We’re talking about all kinds of planning and zoning decisions — including affordable housing projects.

“This just creates a really damaging cloud of legal uncertainty over all development in California.”

Zone 5 Technologies has shared with TWZ the first photos of its latest Block 40 Rusty Dagger low-cost cruise missile in a surface-launched configuration. The images offer a new look at a weapon developed first with air-launched applications in mind, and for export to Ukraine. It is now being adapted for use from land and sea, including by U.S. and other allied forces.

Zone 5 has not disclosed where or when the pictures were taken, or which programs, specifically, the ground-based launches were conducted under. The images do not offer a clear view of the trailer-mounted launcher, either. A spokesperson for the company did stress to TWZ that versions of Rusty Dagger have now been selected for separate U.S. Army and Navy programs, in addition to its initial development through the U.S. Air Force.

In May, Zone 5, as well as Anduril, CoAspire, and Leidos, received framework agreements from the Pentagon under the Low-Cost Containerized Missile (LCCM) program. The U.S. Army’s Portfolio Acquisition Executive Fires (PAE Fires) is running LCCM in cooperation with the Office of the Under Secretary of War for Research and Engineering (OUSW R&E). The aim of this program is to procure more than 10,000 low-cost cruise missiles, in total, over three years, beginning in 2027.

Then there is also the Consolidated Affordable Ordnance System (CHAOS) effort from the U.S. Navy’s Portfolio Acquisition Executive for Munitions (PAE Munitions). CHAOS is focused on low-cost anti-ship cruise missiles, particularly for U.S. allies and partners. CoAspire is also on contract for CHAOS with a version of its Rapidly Adaptable Affordable Cruise Missile-Extended Range (RAACM-ER) design.

“We designed a surface-launch Rusty Dagger to be the foundation of U.S. and allied mass-produced affordable precision deep strike weapons,” Tom Kanewske, chief strategy officer at Zone 5, told TWZ in a statement.

“Our team went from design to demonstration in less than three months, bringing Rusty Dagger from pylons and pallets to ground launcher and shipping containers,” added Kyle Maxhimer, Zone 5’s president.

Zone 5 says the Block 40 version of Rusty Dagger can accommodate warheads in the 100-to-250-pound classes. It can still be configured for air-launch, either from pylons under the wings of aircraft or via palletized munitions systems. In order to be fired from launchers on the ground or at sea, the new version of the missile is fitted with a solid-fuel booster rocket at the tail end.

More specific details about the Block 40’s capabilities compared to the preceding air-launch-only version, also referred to as the Block 20, remain limited. From what we can see now, the two variations appear outwardly similar in many respects, at least broadly speaking. Earlier variations had a distinctive tail configuration with four squared-off fins, two facing upward and two more angled to either side. The shaping of the fins on the Block 40 does look to be more rounded. It’s also possible the missile may have a new cruciform tail fin arrangement, but this could also be a trick of the angle from which the missile is being viewed, coupled with the low resolution of the available images.

Previous reports have said that Rusty Dagger has a range of 300 nautical miles when delivered at low altitude, which is increased to 500 nautical miles when launched by aircraft at medium altitudes and flying at higher speeds. In general, surface-launched versions of missiles typically have shorter maximum ranges compared to their air-launched counterparts.

Regardless, the Block 40 version is an important further evolution of the Rusty Dagger design. The initial air-launched version of the missile, now designated the AGM-188A, has already been in development for several years, in part now under the U.S. Air Force’s Extended Range Attack Munition (ERAM) program. This has included live-fire tests conducted at Eglin Air Force Base in Florida in January 2025. We now know that Rusty Dagger has been cleared for use on four different types of fighters, including the F-16. Development of CoAspire’s Rapidly Adaptable Affordable Cruise Missile (RAACM) was also conducted as part of the ERAM effort.

Like the Navy’s CHAOS effort, ERAM has been focused primarily on supporting allies and partners, starting first with Ukraine. A Zone 5 spokesperson told TWZ that, as things stand, Rusty Dagger remains the only publicly reported operational missile in its class fielded by the Ukrainian military.

It appears that the AGM-188A “Rusty Dagger” cruise missile has undergone field testing in Ukraine.

Russian sources are publishing photos of an unknown 8-element CRPA antenna. On the back side of the unit there is a circuit board with a large heatsink, which carries the CAGE code… pic.twitter.com/phZeOJfHJ0

— 𝔗𝔥𝔢 𝕯𝔢𝔞𝔡 𝕯𝔦𝔰𝔱𝔯𝔦𝔠𝔱🎻🇬🇪🇺🇦🇺🇲🇬🇷 (@TheDeadDistrict) June 7, 2026

ERAM has also been feeding into the Air Force’s own Family of Affordable Mass Missiles (FAMM) plans. The service wants to acquire 28,000 FAMM munitions in pylon-launched and palletized configurations over the next five years.

As we reported earlier this year, Rusty Dagger is now part of a broader portfolio under Norwegian defense company Kongsberg, which acquired a 90 percent stake in Zone 5. Kongsberg has positioned the missile alongside its stealthy Joint Strike Missile (JSM), with the two weapons serving different, complementary roles.

Rusty Dagger is designed around affordability and volume, while JSM offers a sophisticated, low-observable strike capability. The concept gives customers a mix of weapons suited to different targets and mission requirements, rather than relying exclusively on expensive, high-end missiles.

Zone 5 says it is now expanding manufacturing in the United States. Production is established in San Luis Obispo, California, with production beginning in the Dallas-Fort Worth area of Texas. A franchised facility is also being developed in Miamisburg, Ohio, with Hawthorn Aero, a company that describes itself as specializing “in high-rate airframe manufacturing, offering scalable solutions from design to full vehicle integration for aerospace industries.”

The company says each site is designed to reach a capacity of more than 2,500 missiles annually by the end of 2027. If all three reach that level, combined annual capacity would exceed 7,500 missiles.

The expansion reflects the growing emphasis on affordable weapons that can be manufactured in large quantities and replenished quickly, something that is considered especially critical if the United States is to face China in a future high-end conflict in the Indo-Pacific region.

The ground-launched Rusty Dagger shown in the photos underscores how far the missile family is moving beyond its original air-launched role. With production expanding and multiple U.S. military programs in the picture, the surface-launched variant adds another potential route to getting the weapon into service.

Contact the author: thomas@thewarzone.com

Even as recently as a decade ago, Las Vegas hotel concierges and plenty of locals would have described the gap between the Strip and Fremont Street as something of a dead zone. This was a ragged corridor of old warehouses and auto shops, with more boarded-up storefronts than open doors.

“You couldn’t park your car and not worry,” remembers artist Gem Jaxx, who moved to Vegas in 2006 from Monterey County, Calif. “You couldn’t even walk the streets.”

Yet the idea of an arts district had been taking shape since the early ’90s, when the city identified an 18-block area south of downtown as ripe for creative development. Loosely framed by Hoover Avenue to the north and Colorado Avenue to the south, with Commerce Street and Fourth Street marking its west and east edges, this region became known as the 18b Arts District. First Friday, launched by a small group of artists and gallery owners in 2002, started pulling crowds into the neighborhood. Sometimes tens of thousands at a time, if only once a month.

The regular influx of visitors (combined with cheap rents and plenty of retail space) drew a wave of interesting tenants: antique dealers, secondhand clothing boutiques, microbreweries, cocktail bars. As the mix of businesses grew, 18b began to matter less as a set of boundaries and more as an identity.

“Very quickly it changed,” says Josh Kellman, president of the Arts District board. “Businesses here were saying, ‘Hey, I want to be in 18b.’ No one wants to feel like they’re outside the neighborhood.”

Today, the Las Vegas Arts District is a low-key alternative to the Strip for dining, drinks, art, shopping and beyond. Centered on Main Street, but with plenty to explore on neighboring Commerce Street and Casino Center Boulevard, it’s easy to spend an afternoon browsing vintage shops and gallery spaces, catch live music or a stage show, grab dinner, coffee and craft beer — and still have money left for tomorrow.

But the neighborhood is at a crossroads. After a tragic shooting happened earlier this month during First Friday, the monthly arts festival is now on hold as organizers and city officials consider how to move forward. Meanwhile, a proposed Business Improvement District intended to fund additional safety measures and neighborhood services has stirred debate over how to improve the area while preserving the independent spirit that made it a destination in the first place.

As questions swirl, fans of the Arts District hope it holds on to what makes it such a distinctive place. At a time when Las Vegas can feel increasingly engineered around sky-high bottle service, celebrity-chef tasting menus and cocktails edging toward $30, the neighborhood remains one of the places locals actually hang out and where tourists can experience Sin City beyond the slot machines. Here are 11 worthwhile stops on a visit to the creative hub.

When William Jackson Harper moved to Los Angeles to star in NBC’s “The Good Place” a decade ago, he himself felt out of place.

“As an actor, I was like I don’t know if this is where I’m supposed to be,” says Harper, who earned an Emmy nomination for his role as Chidi Anagonye, the show’s endearingly panicked and indecisive professor.

In Sunday Funday, L.A. people give us a play-by-play of their ideal Sunday around town. Find ideas and inspiration on where to go, what to eat and how to enjoy life on the weekends.

“People felt more finished there,” he says of L.A. “I felt like people had sort of come into their appearance, they knew what they were selling. And I was like, you know, I’m much more of a theater guy, New York is probably where I’m going to land.”

He adds, “So I had this idea that I was going to get to L.A. and everyone was just going to laugh at me.”

Quite the opposite happened. Harper leaned into the L.A. experience, exploring the sprawling city, particularly its nature, and connecting with old friends on a deeper level. He soon grew to appreciate it — so much that he continues to split his time between L.A. and New York alongside his wife, Ali Ahn, who is also an actor.

Harper now stars in the dramatic anthology series “American Hostage,” which re-creates the true story of Tony Kiritsis, an Indianapolis man who, in 1977, kidnapped a mortgage broker whose family Kiritsis blamed for his own financial hardships. During a 63-hour standoff, Kiritsis demands that Fred Heckman, a beloved radio reporter played by Jon Hamm, interview him live on air.

“When that script came across my desk, I was like ‘This is insane,’” Harper says of the show, now streaming on MGM+. He was excited to portray Ben Hairston, a reporter and Heckman’s mentee, who attempts to help him navigate the challenging situation.

Harper says he’d been interested in being part of the show set in the late 1970s. Another draw? “I was looking forward to just rocking a mustache,” he says with a laugh. “I was looking forward to just looking like my uncles.”

Here’s how Harper would spend his perfect Sunday in L.A., from a morning hike at Griffith Park to shopping for more French tour jackets at a vintage store in Silver Lake.

7 a.m.: Start with an intense workout

Even though I typically don’t work out on Sundays, sometimes I get a wild hair and do it anyway because I enjoy it. I’ll go to a class around 7 or 8 a.m. I go to Training Mate a lot because the instructors are fun. They’re all, like, beautiful people, but they are dorks, which I find really endearing. They’re really sweet and encouraging. So we’ll do a really tough 45-minute workout an I’ll probably want to go for a hike after that. Griffith Park is one of my favorite places anywhere, so I’d kind of march around there for a couple of hours. I don’t always do the hard [route], I’m already kind of cooked. I just want to be in nature a little bit.

11 a.m.: Bond with friends over breakfast

Then it would be time to eat. I have this tradition whenever I’m in L.A. of meeting with a couple of friends of ours at Fred 62 on Vermont [Avenue]. I’ll get a tofu breakfast enchilada and then we’ll just sit there and talk for a couple of hours. The waiters remember my order even if it’s been months. Or my friends and I will go to some place like All Time, which is really good. There’s always a line and everyone is very done up and I feel really dirty and underdressed when I go, but f— it. It’s like deal with it. I’m old. I can’t be out here flexing.

2 p.m.: Nap to recharge for a shopping spree

All those things make for a powerful wave of sleepiness, so I’ll take a nap. Usually when I have days off like this, I have a shopping addiction, so there’s a few stores that I’ll probably wind up hitting. One of them is this place called Golden Age that has all these old French tour jackets. I have so many [laughs]. I rock those a lot. So I’ll go there, look around and abuse my bank account a little bit. Then there’s this other place on La Brea called General Quarters. It’s got a bunch of work wear stuff.

6 p.m.: Watch a movie at an old-school theater

After that, I might go see a movie at Los Feliz 3. It just reminds me of the movie theaters I grew up going to. I love an old-school, no frills theater that shows cool stuff.

8:30 p.m.: Have a delicious pescatarian dinner

If we are not cooking, we’re going out to eat somewhere. There’s this place in Eagle Rock that we like a lot called Little Beast. One of my favorite restaurants is Bavel. Every time I go there, I’m just like I don’t deserve this meal. I don’t deserve these cocktails. I’ve ordered something different every time. My wife and I are both pescatarian, so we usually load up on the veggies and pick whatever fish dish they have.

10:30 p.m.: Time for bed

After that, we’ll go back home, give our dog Chico another walk and watch Netflix until we fall asleep. My wife falls asleep first. When we are together, I’ll fall asleep earlier between like 11 p.m. and midnight. When I’m by myself, I’m up till 2 or 3 in the morning. I’m just up.

New footage of Australia’s Ghost Shark extra-large autonomous underwater vehicle (XL-AUV) provides the first look at how the vehicle launches aerial drones, while also revealing a pair of deployable masts not previously seen on the platform. The video comes soon after we got a glimpse of some of the payloads that the Royal Australian Navy plans to integrate on the new uncrewed submarine, as you can read more about in our coverage here.

Published by manufacturer Anduril, the footage shows a Ghost Shark surfacing before doors on the top of its hull slide open. A launcher consisting of 12 angled tubes then emerges from a drone sub. Another launcher is seen in the other upper payload bay, but is not raised in the video. While it appears to be of the same type, the second launcher could also have a different arrangement of tubes.

The footage subsequently cuts to an ALTIUS-type drone being launched from one of the tubes, with Ghost Shark itself remaining surfaced.

The sequence provides a much more concrete look at the aerial-drone deployment concept — or one of them — than the photographs released previously, which offered the first public view inside Ghost Shark’s side payload bay.

The Australian government has said the vehicle is being developed for missions including persistent intelligence, surveillance, reconnaissance (ISR) and strike, but the precise configuration and operational capabilities of its weapons and how they are launched had not previously been disclosed.

The video does not identify which ALTIUS variant is being launched. However, Ghost Shark has previously been displayed at the Altus factory in Australia alongside derivatives of the ALTIUS-600 family. This includes the ALTIUS-600 for ISR, as well as the ALTIUS-600M, which is designed for strike missions. You can read more about this family of drones here. As we noted before, unarmed variants of the ALTIUS-600 are designed to be optionally expendable, and can be reused, although in many scenarios that isn’t possible. In terms of capabilities, the ALTIUS-600 has a maximum range of around 275 miles and can remain airborne for at least four hours, according to Anduril.

ALTIUS-600M Loitering Munition

Ghost Shark can clearly deploy a substantial number of aerial drones — two dozen in this case – in a single sortie, enabling swarms to be launched far from an adversary’s coastline. Depending on the drones carried and how they are employed, such a swarm could provide broad-area surveillance, wreak havoc on enemy air defenses via electronic warfare, or attack targets.

The concept could also have value below the threshold of open conflict. A mass launch of relatively inexpensive drones could be used to probe or stimulate an adversary’s air defenses, prompting them to reveal their locations, signatures and operating procedures for collection by other intelligence assets or even some of the drones themselves. There is a precedent for exactly this going back to the early Cold War years, which you can read all about here.

Ghost Shark could carry these capabilities deep into contested waters clandestinely without putting a crew at risk, unleashing their payload even at standoff distances or right next to the shore to give the drones maximum penetration and loitering time over target, depend on the risk profile.

At the same time, while the 12-tube launchers fit neatly into Ghost Shark’s hull architecture, the modular nature of the design means that the same space can accommodate many other payloads, which might include alternative types of aerial drones. This could be fewer larger, more capable types, or far more plentiful smaller, less capable ones.

The other notable development in the video is the appearance of two deployable masts. Their presence is particularly interesting given Anduril’s emphasis on designing uncrewed underwater vehicles without the kinds of protruding mast arrangements associated with traditional submarine designs. On UUVs, masts like these are generally used to support sensors, communications, and propulsion systems.

“We don’t have big masts running down the backbone of our vehicle that a lot of other designs do that then preclude the ability for the payloads to come out in different directions… of the payload module itself,” Dr. Shane Arnott, Senior Vice President for Engineering at Anduril and the company’s maritime lead, told TWZ back in 2024.

“So we have… in effect, unlimited flexibility in this design, just the way that we’ve configured the vehicle and the payload bay itself could be almost anything within a size configuration that you can dream up,” Arnott added. “We haven’t encountered a crazy idea yet from a customer that … we can’t fit.”

The larger mast that lies flat is actually a fairly traditional one for large UUVs. It lies along the centerline of the hull when stowed, between the upper payload bays. It then deploys upward in an arm-like motion and carries an antenna. The smaller mast is located farther aft and rises vertically from its own housing. Potentially, the tall mast supports a line-of-sight datalink to the drones, while the other being a satcom array, such as one connected to Starlink/Starshield, sends drone feed to controllers anywhere in the world. It’s also worth noting that Ghost Shark could just launch the drones and send them on their missions autonomously, without needing to stay surfaced at all. Other arrangements could exist, as well, such as Ghost Shark launching a dozen drones and one larger one capable of carrying its own satcom terminal. This would allow direct control of the drones by operators anywhere in the world without Ghost Shark remaining present near the surface.

Ghost Shark also has a lower-profile swept-back sail on top of its nose section, not visible in the video. Overall, the vessel would retain a very small signature above the waterline while connected to the drones, making it hard to detect by radar and electro-optical imaging systems.

The new video follows the recent disclosure of three payload concepts for the Royal Australian Navy’s Ghost Shark: the deployment of up to 12 sea mines in a mission, the placement of supply caches on the seabed, and the launch of aerial drones. Those capabilities expand the vehicle beyond conventional underwater surveillance into a broader range of undersea warfare missions.

The mine-delivery option could support operations in strategically important maritime areas, while seabed caches could provide a means of positioning equipment and supplies for later retrieval. The aerial-drone capability, as seen in the new video, would allow Ghost Shark to extend surveillance beyond the reach of its own sensors or potentially deliver strike effects without exposing crewed platforms to the same risks. Having 12 ALTIUS drones ready to launch (and potentially the same number in the adjacent upper payload bay) would allow multiple missions to be undertaken.

The modular design is central to Ghost Shark. As we have discussed, the payload section can be configured using different hull sections and mission-specific systems, allowing the same underlying vehicle design to accommodate different requirements. The newly revealed launcher provides a first look at how at least one of those payload concepts may be implemented in practice.

Australia has committed substantial resources to autonomous and uncrewed undersea warfare capabilities, with a planned fleet of Australian-designed and built Ghost Shark vehicles serving alongside the Speartooth large uncrewed underwater vehicle (LUUV) and the BlueBottle uncrewed surface vessel (USV). The Ghost Shark program is also part of the broader AUKUS effort to develop advanced maritime technologies alongside the United Kingdom and the United States.

The new footage provides a clearer picture of the practical design choices behind that effort. Most notably, how the underwater vehicle can operationalize its aerial drone launching capability and the quantity of those systems it could potentially deploy very quickly before slipping back below the waves.

Contact the author: thomas@thewarzone.com