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The 31st Marine Expeditionary Unit’s (31st MEU) recent deployment to the Middle East marked the first time the United States Marine Corps (USMC) used its Expeditionary Advanced Base Operations (EABO) concept in a combat setting, the service confirmed to TWZ on Thursday. At its core, EABO involves relatively small groups of Marines quickly establishing bases of operation in forward areas, often within the enemy’s weapons range. During operations in the fight against Iran, Marines refueled and rearmed their own aircraft, as well as those from the joint force, at these austere locales. They also set up remote sensing locations, among other actions from the EABO playbook.

This employment of EABO for Epic Fury is a highly significant development. After years of progressively evolving the EABO playbook, it was no longer an experimental exercise. This meant that Marines were forward deployed in a contested area in a region where established bases were taking heavy fire from Iranian missile and drone barrages. Troops were killed in some of these attacks and U.S. aircraft, buildings and equipment were damaged and destroyed across the Middle East. Pushing aircraft from the MEU, as well as the joint force, to FARPs (forward arming and refueling point) would have been a relevant asset preservation tactic as well as one that would help accelerate combat operations, and it’s exactly what EABO is meant to do.

The 31st MEU’s six-month deployment began in January in the Pacific, before the unit was ordered to the Middle East in March, returning to Okinawa, Japan, in July. That’s where it is stationed as the USMC’s only continuously forward-based MEU.

“This was the first time we were able to implement EABO in combat operations since the concept was created for the force,” Capt. Steven J. Keenan, a USMC spokesperson, told us. “We have practiced it many times, but this was a first for supporting a Joint Force named operation with forward FARPs and forward bases that supported joint ops and combat power sustainment.”

EABO was first introduced in 2020 by then-Commandant Gen. David Berger in his Force Design 2030 plan for the future of the Corps. It was created with a fight against China in mind, especially utilizing small Pacific islands. The idea is to have highly mobile, low-signature forces deployed forward in austere, contested or potentially contested maritime locations. The mission is to “support sea control operation, conduct sea denial operations within the littorals, contribute to maritime domain awareness, provide forward command, control, communications, computers, combat systems, intelligence, surveillance, reconnaissance, targeting, and counter-targeting capability and forward sustainment,” according to the Marines.

The news of the first activation of the EABO concept in combat came Wednesday during a media roundtable with Col. Chris P. Niedziocha, who commanded the 31st MEU during its deployment to the Middle East in support of Operation Epic Fury. Now director of the USMC Expeditionary Warfare School, Niedziocha discussed EABO and a range of other operations during that deployment, including boarding vessels during the blockade of Iranian ports.

The 31st MEU was embarked aboard the Tripoli Amphibious Ready Group (ARG), which consisted of the America class amphibious assault ship USS Tripoli, San Antonio class amphibious transport dock ship USS New Orleans, and Whidbey Island class dock landing ship USS Rushmore. You can read more about the ARG/MEU and its assets in our initial story about the deployment to the Middle East here.

“You’re starting to see this has been validated,” the colonel said of the EABO concept during the roundtable TWZ attended virtually. “It’s still nascent, but we actually, for the first time, demonstrated what we thought we were able to do, which I think is pretty exciting. And then things like forward arming and refueling to extend the operational reach of aircraft and expeditionary reloading, and then the ever-present logistic challenge of doing something like that. So that’s pretty significant.”

“We successfully implemented critical Expeditionary Advanced Base Operations (EABO), establishing sensor expeditionary advanced bases and forward arming and refueling points (FARPs) where none existed,” the colonel added. “Through our forward logistic elements, we proved that an agile Marine Air-Ground Task Force can sustain itself and generate ready, lethal power in contested maritime environments, directly setting the theater for follow-on joint forces.”

One of the objectives of the FARPs was to reduce reliance on the Marines’ fleet of KC-130 aerial refuelers and serve as jumping-off points for its F-35B Lightning II fighters.

“There was all manner of tankers all the time, but the FARP is to extend the operational reach, and if you can do it, you reduce the load on that,” Niedziocha noted. “Because there’s some aircraft that are basically for expeditionary austere operations, especially the F-35B,” the Marine Corps’ variant of the aircraft designed for short take off and vertical landing. 

“There are some trade-offs associated with the Bravo,” Niedziocha pointed out, using a slang for the jets. “There’s less internal fuel, but you have the lift [system], which gives you the option to do these kinds of things. So, the goal there was to walk that fine line between providing the full sortie over wherever you needed it, and keeping the ships far enough away to make them as survivable as possible.”

In addition to the F-35Bs and other aircraft organic to the 31st MEU, the FARPs were also used by Army helicopters, Keenan told us. Imagery posted on the Pentagon’s image distribution site also showed U.S. Army Gray Eagle drones and Marine MV-22B Osprey tiltrotor aircraft were included.

Niedziocha did not provide details about where the FARPs were set up, but a U.S. defense official told us they were “disaggregated throughout the Middle East.” The official declined to provide further information, citing operational security concerns since they are still being used.

“Throughout the deployment, the Tripoli ARG and 31st MEU successfully conducted over 1,600 mishap-free flight hours of combat aviation missions, including precision strikes, transporting 800,000 pounds of cargo, and moving 5,000 personnel,” a 31st MEU overview of the deployment explained. “The units also provided sustained combat support to joint force operations by delivering critical intelligence and refueling over 300 aircraft ashore and underway.”

The colonel also didn’t provide details about the sensor expeditionary advanced bases. According to the Marines, “a sensing expeditionary advanced base (SEAB) brings together coastal surveillance radars, electronic sensors, and Marines ashore to extend maritime domain awareness, complementing the radars and sensors already at work aboard naval ships off the coast.”

“When SEAB systems identify surface vessels in nearby sea lanes, small unmanned aircraft system (sUAS) operators launch their platforms to visually identify and track the contacts,” the Marines added. “Sensor data and imagery are transmitted in real time across the blue-green command network to decision-makers.”

This capability could have been used to track Iran’s remaining fleet of small boats that it has used to harass shipping and mine the Strait of Hormuz, as well as larger vessels trying to transport oil. Other sensors, like radars and counter-drone systems, could also help identify incoming threats and provide general situational awareness. The EABO concept was employed as part of the 31st MEU’s larger role in supporting the blockade and mine clearance efforts.

The 31st MEU interdicted four vessels during the deployment, three of which led to boardings. On April 19, Marines boarded the MV Touska; on April 28, the MV Blue Star III; and on May 19, the MT Celestial Sea.

The Touska was boarded after USS Spruance fired multiple 5-inch rounds, targeting the engine room and disabling the vessel’s propulsion. The crew of the vessel was retained for about two weeks before being repatriated.

Niedziocha told us that none of the crews offered any resistance.

“At two in the morning, when 30 Force Reconnaissance Marines fast rope onto your vessel, [you are] just compliant with a capital C. They did exactly what they were directed to do. The overmatch that you put onto that vessel is pretty surprising. And then there’s overwatch provided by UAS and manned aircraft, so you create this bubble around the vessel. So yeah, they complied.”

You can see the Touska being boarded in the following video.

Two years ago, as the EABO concept was maturing, TWZ was invited to get an exclusive look at how an advanced EABO concept would be put into action, including how squadrons operated the F-35B out of an austere combat environment while generating combat sorties. It was an unprecedented and exclusive peek into the EABO playbook and what a real fight in the Pacific with the USMC’s most advanced fighter aircraft could actually look like. You can read about that in our story here. It appears the operations in the Middle East mirrored this exercise closely.

Now back in Japan, the ARG/MEU is getting ready for a new deployment, said the colonel.

“We got back to Okinawa, I think July 22nd, and they had already begun their workup cycle in earnest to be on the water in early January to go out and do another Iron Fist [training exercise] with the Japanese, and then long periods of a crisis response,” said Niedziocha, who relinquished command in August before moving on to his new role. “Just being there, present in the First Island Chain to partner with your allies, demonstrates the resolve and commitment to deter whatever needs deterring.” 

As noted earlier in this story, the EABO concept was designed with a Pacific fight in mind. Its first combat employment in the Middle East clearly offers lessons that can now be adapted to enhance EABO operations globally.

Contact the author: howard@twz.com

Kevin Warsh has broken away from US President Donald Trump in his first Fed move, and he has done it with the entire committee behind him.

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The Federal Open Market Committee lifted rates on Wednesday after holding them at 3.5% to 3.75% since December, ending a pause that had grown harder to justify as energy costs pushed prices higher.

Not a single member dissented in a unanimous 12-0 vote.

That matters because the pressure ran in both directions as three regional presidents had voted for a hike in July, while the White House spent months demanding cuts.

Nobody voted for either extreme.

At the time of writing, the market reaction to the decision has been fairly muted likely due to the fact that the hike was widely expected.

A statement stripped to the bone

The Fed’s communication was as striking as its decision.

The statement ran to three short paragraphs, a fraction of the length markets are used to, with no forward guidance and no hedging.

“Inflation remains elevated,” it read, adding that “today’s policy action will support a timelier return to the Committee’s 2 percent goal.”

The word “timelier” carries an implicit admission that the return had been too slow.

Then a sentence the Fed almost never writes: “The Committee will deliver price stability.” Not seeks to, not is committed to. Will.

The economic assessment was also confident throughout.

Activity is “expanding at a solid pace”, domestic spending “has been resilient”, productivity growth is “strong” and capital investment “robust”, while job gains “have kept pace with the workforce”.

Uncertainty remains elevated, the Fed said, owing partly to “geopolitical developments”, its formulation for the Iran war.

By describing an economy in good health, the committee removed the argument that higher rates would damage growth, which is precisely the case US President Donald Trump has been making.

Boxed in by the data

The decision had been building for months.

Three regional Fed presidents dissented in July in favour of an increase, the most in one direction since 2016, and several others said afterwards they were ready to move unless inflation eased which it did not.

The Fed’s preferred gauge, the personal consumption expenditures index, ran at 3.7% in both June and July, with core inflation at 3.3%. Before the Iran war sent fuel prices climbing, core stood at 3%.

Consumer prices held at 3.4% in August, but the monthly increase of 0.4% was the sharpest since May, evidence the energy shock is feeding through. Inflation has now been above the 2% target for more than five years.

Warsh had effectively committed himself at Jackson Hole in August, telling the symposium he “would be hard pressed to describe broad financial conditions as restrictive” and warning that unless underlying inflation moved to target “clearly and at sufficient speed”, the Fed had “work to do”.

Markets took him at his word as the CME’s FedWatch tool put the probability of a rate hike above 90% before today’s decision.

Defying the president who chose him

US President Donald Trump had spent months demanding the opposite, insisting the country should have the lowest interest rates in the world and choosing Warsh partly on the expectation he would deliver them.

Warsh himself said while campaigning for the job that rates could come down.

The treatment of his predecessor sharpened the stakes as Jerome Powell was publicly attacked for moving too slowly, and the US Justice Department opened a criminal investigation into testimony he gave to Congress.

Today’s decision could also have a restoring effect on the perceived independence of the Federal Reserve as an institution.

The technical details point to a Fed settling in at the new level.

The interest rate on reserve balances rises to 3.90% from Thursday, the primary credit rate to 4%, and standing repurchase operations will run at 4%. Seven regional reserve banks requested the discount rate increase.

The Fed’s new dot plot shows 12 of 18 officials expect another 0.25% hike by year-end, taking rates to 4.125%, while four see rates reaching 4.375%.

The hawkish signal extends well beyond 2026 as 14 officials see rates ending 2027 above today’s level, while the 2028 median stands at 3.9% versus 3.4% expected.

The longer-run rate also rose to 3.2%, suggesting officials increasingly believe neutral rates have moved higher while economists also expect more to follow.

TORONTO — An actor from last year’s Toronto International Film Festival has been turning heads around town this week: Inde Navarrette, whose “Obsession” went from a modest 2025 Midnight Madness slot to a box office behemoth.

But if you had to pick this year’s Navarrette, who would it be? Among the breakout names of TIFF 2026 is unquestionably Rosalind Eleazar, the London-born 38-year-old star of “Misty Green,” the first film written and directed by Chris Rock since 2014’s “Top Five” and among the most notable world premieres at this year’s festival.

Misty is a Hollywood survivor who was never able to make the most of her own success, winning an Emmy a few years back but now losing the apartment she has been living in because the widow of the man she was cheating with wants it back. With her bad attitude and personal problems, Misty has burned many bridges along the way. There’s a chance she could be cast in a remake of “Dreamgirls” that would turn everything around for her, but Misty’s brother, Jay (Daniel Kaluuya, in his first major screen role since 2022’s “Nope”), was recently released from a mental facility and needs monitoring.

Though there are comedic moments along the way, “Misty Green” is very much a character study, as well as an unsparring examination of the systemic pressures on Black women in Hollywood — one executive interrupts Misty’s audition to ask if she is “mixed.” She does herself no favors, frequently self-sabotaging and getting in her own way.

“Being an actor is hard,” Eleazar said in an interview at The Times’ photo and video studio in Toronto on Sunday with a sense of well-earned candor. “I could totally relate to Misty’s journey and the setbacks and the constant picking yourself back up after multiple rejections and just going again. And trying not to have armor because as an actor you want to keep yourself open and you don’t want to harden too much. But it can be easy to harden yourself to an industry that can be unforgiving.”

Though “Misty Green” is Eleazar’s first lead in a film, she has had a steadily building career. She is probably most familiar to American audiences from her role as an MI5 agent on the Apple TV series “Slow Horses.” But soon she will likely be known for the explosive announcement that is “Misty Green.” The film will go on to play at the New York Film Festival and the London Film Festival and be released by distributor A24 on Oct. 9.

“It can be easy to harden yourself to an industry that can be unforgiving,” Eleazar says.

(Jason Armond / Los Angeles Times)

After her movie’s TIFF world premiere in a coveted Saturday night slot at Roy Thompson Hall, Eleazar was included among those celebrated at the annual TIFF Tribute Awards, a fundraising gala put on by the festival. She was recognized alongside such actors as Helen Mirren, Penélope Cruz and Isabelle Huppert, whom she called “extraordinary company.”

“I grew up watching them and admired their work,” Eleazar says earlier in the day. “It’s just such an honor to be considered amongst heavyweights like that. Dame Helen Mirren. Crikey.”

With a warm smile she adds, “Just went very British.”

In accepting the prize, Eleazar recalled how when she came to Toronto for the premiere of her first feature film, 2019’s “The Personal History of David Copperfield,” she stepped away from a party to call her mother at 4 a.m. London time. Not wanting to make that same mistake again, she made sure her mother was there with her in Toronto for this year’s Sunday gala, sitting at a table with Eleazar’s husband, the actor and producer Gabriele Lo Giudice.

Eleazar performs two songs in the film, a heartbreakingly vulnerable cabaret version of Radiohead’s “Creep” and a stripped-down, tender reading of “One Night Only” from “Dreamgirls.” (Eleazar does not consider herself a singer and took vocal lessons before shooting.) Then, in a scene in which Misty demands she be allowed to finish an audition, she flashes into someone else in a bit of pure craft that leaves those in the room astonished.

It was important that Misty be seen as someone who is in fact immensely talented, who may even be worth all the bother and strife that she brings along with her.

“I think we’ve seen movies before where the character isn’t talented and it’s about the hustle and the dream of making it in Hollywood,” says Eleazar. “But I think it’s really interesting seeing someone that cannot get out of their own way — someone that is railing against the industry and is fighting Hollywood, fighting herself, fighting the people around her. It becomes quite a universal subject. It is about our industry but it’s also just about someone who is trying to escape herself.”

Despite Misty’s obvious talents, acting simply may not be the best career for her anymore; it strains her emotional and mental health and enables her substance abuse. Over the course of her own career, Eleazar has at times had to check in with herself to make sure she was heading down the right path.

“There are definitely times that I’ve questioned it,” she says. “For me it does really feed my soul and therefore, at my low points, I’ve managed better. But it can be really heavy. And maybe I shouldn’t but I feel like I’m pretty happy being an actor.”

Chris Rock and Rosalind Eleazar in the movie “Misty Green.”

(A24)

To land the role, after a few meetings with Rock over Zoom, Eleazar flew herself from London to Los Angeles so she could read in the room. As it happened, it made for an intense few days: First she had a chemistry read with Ralph Fiennes in the U.K. for a stage role (she would appear opposite Fiennes in “Small Hotel” in 2025) and then immediately flew to L.A. to read with Rock.

“What a mad, amazing three days,” she recalls. Similarly, Eleazar would be ending her whirlwind few days in Toronto by heading to Los Angeles to be with the “Slow Horses” team for the Emmys on Monday.

In introducing her tribute on Sunday night, Rock recalled when Eleazar auditioned for the part.

“The room just changed,” he said. “She was funny, she was dangerous, she was moving and completely in command. Misty Green is a woman whose life is coming apart. Rosalind never played her as a victim. She made you see the intelligence, the appetite and the fight underneath all the chaos. The audition was supposed to help me decide who to play Misty, but halfway through, the decision had already been made.”

“It becomes quite a universal subject,” Eleazar says of Chris Rock’s latest movie. “It is about our industry but it’s also just about someone who is trying to escape herself.”

(Jason Armond / Los Angeles Times)

There is something poetic about the fact that playing a mid-career actress struggling to land her next job may be the very thing that brings Eleazar wider recognition.

“It’s kind of meta, isn’t it?” she says with a laugh. “Look, I’m so happy that people are responding to the film and my performance. That really is the cherry on top because for me — I know it sounds rather cheesy — but I literally felt like I won once I did that film. I had such a great time exploring who she was and working with Chris and Daniel and Adam [Driver] and that cast. So everything else is just so lovely.”

In accepting her own tribute award on Sunday, Helen Mirren went off-script from her prepared remarks to say how moved she had been by Eleazar’s earlier speech, adding, “It’s exciting to see the generations coming up, especially women.”

As Rock succinctly added in his speech, “Misty Green wishes she could be Rosalind Eleazar.”

Regardless of what happens with “Misty Green” commercially or throughout awards season, Eleazar will continue tending her steady climb. Production will begin soon on season 7 of “Slow Horses” and Eleazar is currently shooting a film role that she isn’t yet allowed to talk about.

But Misty and the experience of bringing her to life on the screen will remain transformative.

“It almost reminded me of like a Shakespearean character in a way,” Eleazar says. “She’s so self-destructive and flawed and contradictory and at times it’s hard to get onside with her. We see it a lot of the time with male roles and I’d love to see it more with female roles — these really complex and messy characters.”

WASHINGTON — For a third time, the U.S. House has voted to end the war in Iran, approving a war powers resolution that would halt President Trump’s ability to continue military action without congressional approval.

The roll call late Tuesday, 220-204, was similar to earlier efforts this summer, with a few more Republicans joining all Democrats voting to bring an end to the conflict. None of the resolutions have made it to the president’s desk, where Trump would almost certainly veto the measure.

“Remember when Donald Trump said that this war would last just a few weeks?” said Rep. Seth Moulton, D-Mass., who served as a Marine during the Iraq War and pushed the resolution forward.

He said it’s time for Congress to “actually ask tough questions, as the Constitution directs us to do, rather than be subservient to another warmongering administration.”

Republican Rep. Brian Mast of Florida, the chairman of the House Foreign Affairs Committee, questioned which military resources Democrats would want to remove from the region where he said Iran remains a threat.

Mast said Trump is against “forever wars, and that is what he is ending” — the decades of hostilities from Iran.

“They are a continuous ongoing threat to the United States,” Mast said. “Enough is enough.”

Last war powers vote before the midterms

The action is likely the last House vote on the Iran war ahead of the midterm elections, where the conflict overseas is playing a substantial role in the political campaigns. The war that Trump launched Feb. 28 has dragged, with on-again, off-again deadly missile strikes being exchanged and causing havoc in the region for nearly seven months.

Lawmakers are heading home at the end of the week to campaign nearly full-time, with less than 50 days to go before the elections that will determine control of Congress as Democrats try to wrest power from Republicans.

Voters are confronting high prices, particularly for gas at the pumps, as the conflict disrupts the flow of oil resources through the vital Strait of Hormuz.

The Congressional Budget Office said Tuesday that the war has cost more than $38 billion, as of Aug. 1, and is projected to be costing between $2 billion and $3 billion monthly, depending on the intensity of the fighting. The budget office projected inflation will be 0.5 percentage points higher than expected heading into 2027 due to the war.

Trump himself had promised not to involve the U.S. in foreign wars when he won a second term in the White House, and his actions against Iran are weighing on the Republican Party that controls the House and Senate. Most Americans say the war in Iran has not been worth fighting, according to an AP-NORC poll in July.

In the previous House actions, four Republicans voted to halt the war in Iran, but that number rose to seven in Tuesday’s war powers vote, including GOP lawmakers from battleground Iowa, Rep. Zachary Nunn and Rep. Mariannette Miller-Meeks, and retiring Rep. Nancy Mace of South Carolina.

They joined GOP Reps. Tom Barrett of Michigan, Warren Davidson of Ohio, Brian Fitzpatrick of Pennsylvania and Rep. Thomas Massie of Kentucky voting in favor of the war powers resolution, with all Democrats.

War powers being put to the test

Congress has tried repeatedly to alter the trajectory of the war against Iran, but efforts to limit the Trump administration’s military action remain a longshot so long as the president is able to fend off or veto the measures.

The House first approved a war powers resolution in June, and followed up with another one in July, all seeking to halt U.S. action in Iran. The Senate on its 10th try also approved a war powers resolution to end the conflict, but GOP senators quickly reversed course the next day after Trump berated them during a closed-door lunch.

While the Constitution gives Congress the authority to declare war, it also gives the president authority as the commander in chief to engage in some military actions. The War Powers Act, created in the aftermath of the Vietnam conflict, sought to put a more specific time limit on the president’s power, requiring congressional approval for sustained military actions after 60 or 90 days.

House Speaker Mike Johnson acknowledged at a press conference Tuesday the need to bring gas prices down.

But the Republican speaker said he believes the Iran conflict is entering a “new phase” as allies step up to help stabilize the region. When that happens, he said, “you’re going to see, as the president said, anytime gas prices will go down again, the cost of groceries will as well.”

Johnson said Trump expects the shift after the election, and the speaker added, “I’d love it to happen today.”

Mascaro writes for the Associated Press.

WASHINGTON — The United States has confirmed for the first time that it has deployed weapons in space.

Air Force Secretary Troy Meink told the Air and Space Cyber Conference in Maryland on Monday that the U.S. has fielded “on-orbit space control weapons capable of defending the Joint Force against hostile adversary action.”

Meink did not detail what the weapons were or how they work. In 2024 the U.S. said Russia was developing a new anti-satellite weapon that could be launched from space. At the time the White House said the danger wasn’t imminent.

But reports of the anti-satellite weapon reflected longstanding worries about space threats from Russia and China, given that much U.S. infrastructure is dependent on satellite communications.

In his remarks, Meink also said the Air Force was adding more autonomous systems to its capabilities and predicted the service would look “radically different” by 2032. For example, he foresaw one-way attack drones replacing artillery as the “primary killer.”

“We are increasing readiness against existing threats,” he said.

President Trump created the Space Force in 2019.

Catalini writes for the Associated Press.

WASHINGTON: For a third time, the US House has voted to end the war in Iran, approving a war powers resolution that would halt President Donald Trump’s ability to continue military action without congressional approval.

The roll call late Tuesday, 220-204, was similar to earlier efforts this summer, with a few more Republicans joining all Democrats voting to bring an end to the conflict. None of the resolutions have made it to the president’s desk, where Trump would almost certainly veto the measure.

“Remember when Donald Trump said that this war would last just a few weeks?” said Rep. Seth Moulton, D-Mass., who served as a Marine during the Iraq War and pushed the resolution forward.

He said it’s time for Congress to “actually ask tough questions, as the Constitution directs us to do, rather than be subservient to another warmongering administration.”

Republican Rep. Brian Mast of Florida, the chairman of the House Foreign Affairs Committee, questioned which military resources Democrats would want to remove from the region where he said Iran remains a threat.

Mast said Trump is against “forever wars, and that is what he is ending” — the decades of hostilities from Iran.

“They are a continuous ongoing threat to the United States,” Mast said. “Enough is enough.”

Last war powers vote before the midterms

The action is likely the last House vote on the Iran war ahead of the midterm elections, where the conflict overseas is playing a substantial role in the political campaigns. The war that Trump launched Feb. 28 has dragged, with on-again, off-again deadly missile strikes being exchanged and causing havoc in the region for nearly seven months.

Lawmakers are heading home at the end of the week to campaign nearly full-time, with less than 50 days to go before the elections that will determine control of Congress as Democrats try to wrest power from Republicans.

Voters are confronting high prices, particularly for gas at the pumps, as the conflict disrupts the flow of oil resources through the vital Strait of Hormuz.

The Congressional Budget Office said Tuesday that the war has cost more than $38 billion, as of Aug. 1, and is projected to be costing between $2 billion and $3 billion monthly, depending on the intensity of the fighting. The budget office projected inflation will be 0.5 percentage points higher than expected heading into 2027 due to the war.

Trump himself had promised not to involve the U.S. in foreign wars when he won a second term in the White House, and his actions against Iran are weighing on the Republican Party that controls the House and Senate. Most Americans say the war in Iran has not been worth fighting, according to an AP-NORC poll in July.

In the previous House actions, four Republicans voted to halt the war in Iran, but that number rose to seven in Tuesday’s war powers vote, including GOP lawmakers from battleground Iowa, Rep. Zachary Nunn and Rep. Mariannette Miller-Meeks, and retiring Rep. Nancy Mace of South Carolina.

They joined GOP Reps. Tom Barrett of Michigan, Warren Davidson of Ohio, Brian Fitzpatrick of Pennsylvania and Rep. Thomas Massie of Kentucky voting in favor of the war powers resolution, with all Democrats.

War powers being put to the test

Congress has tried repeatedly to alter the trajectory of the war against Iran, but efforts to limit the Trump administration’s military action remain a longshot so long as the president is able to fend off or veto the measures.

The House first approved a war powers resolution in June, and followed up with another one in July, all seeking to halt U.S. action in Iran. The Senate on its 10th try also approved a war powers resolution to end the conflict, but GOP senators quickly reversed course the next day after Trump berated them during a closed-door lunch.

While the Constitution gives Congress the authority to declare war, it also gives the president authority as the commander in chief to engage in some military actions. The War Powers Act, created in the aftermath of the Vietnam conflict, sought to put a more specific time limit on the president’s power, requiring congressional approval for sustained military actions after 60 or 90 days.

House Speaker Mike Johnson acknowledged at a press conference Tuesday the need to bring gas prices down.

But the Republican speaker said he believes the Iran conflict is entering a “new phase” as allies step up to help stabilize the region. When that happens, he said, “you’re going to see, as the president said, anytime gas prices will go down again, the cost of groceries will as well.”

Johnson said Trump expects the shift after the election, and the speaker added, “I’d love it to happen today.”

WASHINGTON — Republican Sen. Mitch McConnell of Kentucky returned to the Senate to vote on Monday for the first time in three months, looking noticeably more frail after he was hospitalized for a June fall in his home.

McConnell’s lengthy absence from the Senate generated a flood of criticism and online speculation, as he initially remained quiet for weeks about his condition. The 84-year-old senator eventually disclosed a month later that he had been “briefly unconscious” due to the fall and had also been treated for mild pneumonia in the hospital.

He briefly addressed reporters Monday from a wheelchair outside the Senate chamber, smiling but speaking slowly and with some difficulty. McConnell joked that he wasn’t sure how many reporters would be there after dodging so many questions during his almost two decades as leader.

He said he was back in the Senate to work on a pending farm bill and because he has an ongoing interest in NATO and “backing up our good friends who are totally in the fight against the Russians.”

Reporters and photographers were told by Senate staff not to take video of his remarks in the second-floor hallway, even though video is often permitted in that area. Still images were allowed.

McConnell, who holds the distinction of being the longest-serving Senate leader, is in his final months of his four decades in office. He is retiring at the end of January after one of the most consequential careers in modern politics.

Republicans have nominated U.S. Rep. Andy Barr to replace him, while Democrats have nominated former state lawmaker Charles Booker. McConnell has said he is determined to finish out his term.

McConnell suggests he’s still recovering

In a statement issued before his remarks, McConnell made clear that he may still miss some votes due to his health issues.

He said that he is “still not quite back to 100%, but I’ve assured Leader (John) Thune that, as I continue with physical therapy on the advice of my doctors, I will do my best to be present for tough votes when our Conference needs me.”

“My recovery has been a long and often frustrating process, and the lingering effects of childhood polio haven’t made it any easier,” McConnell said in the statement.

The senator’s extended leave highlighted increasing public concern about the age of lawmakers and their capacity to carry out their duties. Speculation about his condition grew so intense at one point that Kentucky’s Democratic Gov. Andy Beshear took the extraordinary step of issuing a public letter asking McConnell to update the public in a “transparent manner.”

McConnell’s absence was also felt over the summer as Republicans were unable to advance a farm bill out of committee. His return could give GOP leaders a needed vote as they try to advance legislation on cryptocurrency regulation and college sports.

A history of health problems

McConnell had polio in his early childhood and has long acknowledged difficulty as an adult in walking and climbing stairs.

A statement from the Capitol physician that was included with McConnell’s July release said that the senator has “experienced several falls through the year” due to his “post-polio condition.” The office said his physical therapy was aimed at reducing the risk of him falling again.

“A comprehensive evaluation by a multidisciplinary team determined that he had no fractures, cardiac abnormalities, stroke, tumor, or hemorrhage,” the physician’s office said.

McConnell was first elected to the Senate in 1984 and was the Republican leader from 2007 until last year, serving as both majority and minority leader during that period.

Toward the end of his time as leader and in the last two years as a rank and file senator, McConnell’s health has visibly declined.

He was hospitalized with a concussion in March 2023 and missed several weeks of work after falling in a Washington hotel. He twice froze up during news conferences after he returned, staring vacantly ahead before colleagues and staff. A year later, he fell and sprained his wrist while walking out of a GOP luncheon.

Jalonick writes for the Associated Press.

As the fall equinox approached from a week away, the Primetime Emmy Awards made its 78th visit, leaving trophies in some hands, the honor of just being nominated for others and bupkes for the rest of the thousands who make what we call television. Once again I have been called to witness (from afar) and report, so let’s get down to it.

It was the turn of NBC (and Peacock) in the round robin of major networks who broadcast the show, and to keep things literally in-house it was hosted by Mariska Hargitay, “America’s sweetheart sex cop Olivia Benson” from the network’s “Law & Order: Special Victims Unit” and broadcast from the Peacock Theater, formerly the Microsoft Theater, formerly the Nokia in #DTLA, formerly downtown Los Angeles.

When reviewing the Emmys, or any awards show, as television in its own right, the only real questions are what distinguishes it from its many previous appearances on the karmic wheel of life — how it tricks up the basic, immutable form, like different decorations on the same sugar cookie recipe you have been using forever. Anything unexpectedly or especially moving, rousing, funny or strange, things that go against the grain of a production that wants to keep things controlled in order to bring the ship in on time.

This year the critic has been given the gift of Hargitay, primarily a serious actor (and director and producer), following in a long line of comedians and comic actors. There have been other serious actors as host, for example, Raymond Burr in 1959, Tom Selleck in 1984 and Angela Lansbury in 1993. And certainly, if you’re looking for someone to represent the medium rather than merely to comment on, celebrate or joke about it, you could do no better than Hargitay, the longest-serving actor on the longest-running prime-time live-action series on American TV. She’s beautiful, glamorous, self-possessed. She was recently on Broadway in “Every Brilliant Thing,” which involved a degree of what comedians call “crowd work,” so standing up in front of a live audience of people no more famous than she wasn’t going to throw her. Professional comedian Nate Bargatze, who hosted last year, was much more of a dark horse.

Emmys host Mariska Hargitay with singer Taylor Swift and her cat Olivia Benson on screen during a skit the 78th Primetime Emmy Awards.

(Patrick T. Fallon / AFP via Getty Images)

Although I would have bet on a pre-filmed “Special Victims Unit” routine to open the show, which is why I’m not a gambler, it wasn’t until an hour in that it appeared. (It involved murder-style boards, concerning the Case of Whether Taylor Swift would be making an appearance; she did, in the bit.) The pre-filmed production number that did open the show began with Hargitay and her actual good friend New York Knick Jalen Brunson steaming their clothes when Hargitay suddenly realizes she is due across the country to host the show. This led to Joan Jett’s “I Love Rock ’N Roll” reconceptualized as “I Love TV Screens,” which included the “Widow’s Bay” sea hag revealed to be Jennifer Coolidge, bringing boba tea (rhymes with “TV”); other rhymes matched “eating beef” and “watching ‘Beef’” and “Ed Gein” and “mean.” It moved to the live stage, with Hargitay flanked by dancers with television heads. Both segments felt more effortful than funny, but not unfunny.

On her own, however, Hargitay was above all a woman having a good time, never less than likable and game and enthusiastic, managing the scripted patter as well as anyone might have. Her monologue included several jokes about age, one about “L&O” producer Dick Wolf’s real name (Richard Penis), and another about her inability to pronounce “finale” because she’d never been in one. As is practically an Emmys tradition, some of these were confusing (even to the people performing it), or went on too long (Nick Offerman, cornered at his table, describing his work as an erotic house painter), or just had the effect of having been put on their feet without much, if any, rehearsal. Presenting the final award, for outstanding comedy, Woody Harrelson and Matthew McConaughey, told to stretch — the show was actually running short — described the plot of their upcoming Apple series, “Brothers,” until they were allowed to move on.

As to what the Television Academy calls “creative elements,” everything that isn’t a presentation or a speech, they advertised tributes to the 30th anniversary of “Buffy the Vampire Slayer,” certainly a typo, and the 50th of “Charlie’s Angels,” a logical impossibility, but these were really just themed groupings of presenters — Sarah Michelle Gellar and David Boreanaz in the former, Kate Jackson, Cheryl Ladd and Jaclyn Smith in the latter. (The Angels managed a few words for Farrah Fawcett, but none for Shelley Hack, Tanya Roberts or David Doyle.) But there were full tributes to Dolly Parton (Sally Field enthused, Reba McEntire sang); to James Burrows, with Jamie Lee Curtis pivoting emotionally to talk about old friend Rob Reiner, who won a posthumous guest appearance Emmy this year for “The Bear”; and to Catherine O’Hara, with her “Home Alone” child Macaulay Culkin and “Schitt’s Creek” children Annie Murphy and Dan Levy, who spoke to “helping her build a TV character over the age of 60 that wears leather miniskirts and eight-inch heels and speaks in a strange, sometimes unintelligible transatlantic accent, and know that she will not scare an audience away.”

And there was Julianna Margulies presenting the Bob Hope Humanitarian Award to Michael J. Fox, who, in his usual way, was eloquent and funny, and let the people know about the goodness of Bob Hope, setting up a punchline in the bargain. Like a lot of you, I love Michael J. Fox, and I’m just going to leave that here, with a pile of soaked-through tissues.

John Mulaney stole the show as a presenter at the 78th Emmy Awards ceremony at the Peacock Theater in Los Angeles.

(Robert Gauthier / Los Angeles Times)

But what America will mostly remember from this night was John Mulaney, introducing the award for lead actor in a drama, and burning the house down with a routine that went wherever it wanted. “They can play anything, these nominees. Not just doctors. They can play a cop or an FBI agent or a secret agent. And then that’s it. No other examples.”

“Since the creation of television, men have been historically underrepresented,” Mulaney said, explaining that the medium was all “beauty contests and children talking to hand puppets until the early ’60s. Until a man walked out and said, ‘Enough. My name is Fonzie and the president’s been shot.’” Mulaney is a man who has convulsed crowds in arenas and stadiums, but, as a local, nothing made me laugh harder than the words, “You know, I was shooting down Barham last night at 90 miles an hour.”

Nothing against Hargitay, but it’s clear that Mulaney should host this show, and every awards show, from now on.

As the scorching heat of the summer reaches its peak and the calendar brings hope of cooler temperatures, it’s time to fluff the pillows and settle in to enjoy the comfort of the new television season.

But before we turn the page, the Emmy Awards will honor the shows of the past year that had audiences crying, laughing and glued to their screens — some returning this fall, while others bid adieu last year.

The 78th Emmy Awards, honoring the standouts from the 2025-26 television season, will celebrate the shows that gave viewers plenty of reasons to stay in. Whether it was the nail-biting anxiety over the chaos in HBO Max’s drama “The Pitt,” the most nominated show with 25, or laughing at the silly situations of Apple TV’s “Widow’s Bay,” which earned 19 nominations, television gave viewers different reasons to watch.

Some of the top contenders are already coming into the ceremony as winners after the first round of awards were handed out earlier this month. “Widow’s Bay” currently leads with eight Emmys, following by six for “DTF St. Louis,” and “The Pitt” won four. Notably, Rob Reiner received a posthumous Emmy for his guest appearance in Season 4 of “The Bear.”

Here’s everything you need to know about the 2026 Emmy Awards:

Where are the Emmys?

The 78th Primetime Emmy Awards will take place on Monday beginning at 5 p.m. PT at the Peacock Theater at L.A. Live in downtown Los Angeles.

Earlier this month, a pair of ceremonies, formerly called the Creative Arts Emmys, honored artistic and technical achievements as well as some performance categories. Those ceremonies will be televised Saturday on FXX at 8 p.m. and stream next day on Hulu.

How can I watch the shows?

The live telecast will be broadcast on NBC and streamed simultaneously on Peacock.

Who is hosting?

Mariska Hargitay at the blue carpet rollout at L.A. Live in downtown Los Angeles on Thursday.

(Christina House/Los Angeles Times)

Mariska Hargitay, known for playing Olivia Benson on NBC’s “Law & Order: Special Victims Unit,” will make her hosting debut at this year’s award show.

In an interview with The Times, the multihyphenate said she was excited to televise some “razzle-dazzle” and to become the first woman to host in 15 years.

“Am I scared? Of course I am; I’ve never done this,” she recently told The Times. “But at a certain point, you have to go: Why not me? Bring it on.”

When does the red carpet start, and how can I watch that?

The countdown to the award ceremony will begin at 2 p.m., with several opportunities to see your favorite stars arrive on the red carpet — which is actually blue this year in celebration of NBC’s 100th anniversary — at the Peacock Theater.

E! will get the party started with a programming block from 2 to 5 p.m. with “Live From E!: Countdown to the Emmys,” hosted by Erin Lim Rhodes with Lance Bass and Ciara Miller, and “Live From E!: The Emmys,” hosted by Justin Sylvester, Keltie Knight and Will Marfuggi.

People and Entertainment Weekly will be conducting interviews as guests arrive on their websites and social platforms throughout the day, while NBC will be livestreaming pre-show arrivals on the network’s official TikTok account from 4 to 5 p.m.

KTLA will air “Live From the Emmys,” hosted by Jessica Holmes and Melvin Robert with Megan Henderson reporting, from the blue carpet beginning at 3 p.m. And CNN will air “Red Carpet Live: TV’s Biggest Night” beginning at 2 p.m. It will be hosted by CNN’s Elizabeth Wagmeister and Variety co-president and co-editor in chief Ramin Setoodeh.

What shows and actors are nominated?

“The Pitt” will defend its drama series title against “The Diplomat,” “The Gilded Age,” “A Knight of the Seven Kingdoms,” “Paradise,” “Pluribus,” “Slow Horses” and “Your Friends & Neighbors.”

Zendaya (“Euphoria”) is looking to become a three-time winner for lead actress in a drama. She is nominated alongside Carrie Coon (“The Gilded Age”), Chase Infiniti (“The Testaments”), Keri Russell (“The Diplomat”) and Rhea Seehorn (“Pluribus”).

Noah Wyle (“The Pitt”) is again nominated for lead actor in a drama, along with Sterling K. Brown (“Paradise”), Gary Oldman (“Slow Horses”), Mark Ruffalo (“Task”) and Rufus Sewell (“The Diplomat”).

“Hacks” earned the most nominations in a single year for a comedy, with 24. It’s nominated for comedy series, as is “Margo’s Got Money Troubles,” “Nobody Wants This,” “Only Murders in the Building,” “Abbott Elementary,” “The Bear,” “Shrinking” and “Widow’s Bay.”

Jean Smart looks to win her fifth award for lead actress in a comedy series for “Hacks.” She is nominated alongside Quinta Brunson (“Abbott Elementary”), Ayo Edebiri (“The Bear”), Elle Fanning (“Margo’s Got Money Troubles”) and Lisa Kudrow (“The Comeback”).

Yahya Abdul-Mateen II (“Wonder Man”), Steve Carell (“Rooster”), Matthew Rhys (“Widow’s Bay”), Jason Segel (“Shrinking”) and Martin Short (“Only Murders in the Building”) are nominated for lead actor in a comedy.

See the full list of nominees here.

Who’s going to win?

It’s looking like a year where the winners will be easy to decipher, according to awards prognosticators, which includes The Times’ award columnist Glenn Whipp. If you’re an actor attached to either the medical drama “The Pitt” or the horror-comedy “Widow’s Bay,” consider yourself the front runner. Noah Wyle and Matthew Rhys are both the leading contenders in their respective categories.

Jean Smart is predicted to complete her sweep of lead actress in a comedy for the fifth and final season of “Hacks.” In the leading actress in a drama, it’s a tight race between Rhea Seehorn for “Pluribus” and Keri Russell for “The Diplomat.”

The second season of “The Pitt” currently stands as the favorite for drama series, while the comedy series category is a battle between new series “Widow’s Bay” and departing series “Hacks.”

Harrison Ford could win his first major acting award, for supporting actor in a comedy for “Shrinking,” unless another veteran actor takes the spotlight — Stephen Root of “Widow’s Bay.”

Supporting actress in a comedy also comes down to the top shows, likely to be between Kate O’Flynn (“Widow’s Bay”) and Hannah Einbinder (“Hacks”).

Who’s going to present?

A number of nominees will present the awards throughout the night. Past and recent Emmy winners, including Linda Cardellini, Sally Field, David Harbour, Zendaya and Alan Cumming will take the stage.

The Television Academy will celebrate the 30th anniversary of “Buffy the Vampire Slayer” and bring together David Boreanaz and Sarah Michelle Gellar as presenters. They will also honor the 50th anniversary of “Charlie’s Angels,” and reunite Cheryl Ladd, Kate Jackson and Jaclyn Smith.

Other presenters include Odessa A’zion, Macaulay Culkin, Jon Hamm, Marcello Hernández, Peter Krause, Dan Levy, Julianna Margulies, Annie Murphy, Niecy Nash-Betts, Keke Palmer, Amanda Peet, Amy Poehler, Florence Pugh and Rachel Sennott, with more to be announced.

Singer-songwriter Noah Kahan will cover Simon and Garfunkel’s “Bridge Over Troubled Water” during the in-memoriam segment of the show.

For Cami, a content creator and podcast host from Northampton, September spells the end of summer spontaneity and a time to restore order.

“If you’ve been away for the summer you’ve probably not had a massive routine,” she says. “And if you’re a parent, then you’ve got kids at home and it’s just a bit more chaotic,” she says.

September feels like “back to school…getting back into your own rhythm”, she adds.

It is the perfect time to “get everything sorted”, she says “So when you get to January you’re not trying to do everything at once.

For Bas Verplanken, professor emeritus of social psychology at the University of Bath, September is a chance to “reorient yourself”.

He says his research suggests people who experienced a big change such as moving house “were more responsive to an intervention aimed at promoting sustainable behaviours” than comparable people who had not moved house.

“It’s really an exciting way of looking at disruption,” he told Chris and Xand van Tulleken on their What’s Up Docs? podcast.

If your daily commute or school run works for you then relax back into them.

“But if there are alternative ways of doing things, explore it, this is the time to do it, and to make those changes,” says Verplanken.

LADY Gaga has been seen out and about with her new baby for the first time after she welcomed her first child with fiance Michael Polansky.

Yesterday it was reported by Page Six that the Just Dance hitmaker, 40, had given ‘secretly’ birth after months out of the public eye.

The star welcomed her first child this week according to the publication.

But she decided not to share her pregnancy news with fans, and has quite a low profile in recent months as she was last pictured in public back in May.

But now Lady Gaga – real name Stefani Joanne Angelina Germanotta – has been pictured in public as a new mum with her adorable tot wrapped around her chest.

She recently stepped out in San Francisco for a walk with her newborn alongside her fiance Michael and agent Alexandra Trustman.

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The name, gender, or when her child was born has not been revealed yet.

Lady Gaga and Michael first got together in 2019, but went public with their relationship in 2020.

The pair got engaged in 2024.

They were also seen locking lips as they got a car sear installed into their vehicle in Los Angeles.

The singer has been quite open about wanting to start a family in the past.

She told Rolling Stone last year: “Being a mom is the thing I want the most.”

And talking about her own relationship with her mum with Allure in 2019, she said: “I really hope that when I have maybe a little girl one day, or a little boy, and they see Mommy put her makeup on, that they have the same experience that I did.

“That’s the greatest gift of all, when you can connect with your parents.”

Jake Slaughter’s teammates could only laugh as the rookie center was swarmed by reporters asking him questions in the Chargers’ locker room.

“I don’t think he does too good with the cameras and stuff,” Isaiah World said as he recorded the spectacle with his phone. “He’s real old school.”

Whether he minds it or not, the precocious 23-year-old is living in the spotlight. Slaughter enters the Chargers’ season opener against the Arizona Cardinals as the starting center.

The second-round pick out of Florida took over the role after Tyler Biadasz, who signed a three-year deal with the Chargers last offseason, tore an anterior cruciate ligament in practice last month.

“Jake didn’t bat an eye,” offensive tackle Rashawn Slater said. “The way he’s built … he’s not going to hesitate.”

The 6-foot-4, 308-pound Slaughter, who started 33 games at center at Florida, is ready for his moment.

“You’re kind of foolish if you go into a football season not thinking you’re going to be the guy at some point,” Slaughter said. “You got to prepare like you’re going to play every snap of every series, every game … and that’s kind of been my approach since I’ve been here.”

At the time of Biadasz’s injury, Slaughter was a leading candidate in the team’s left guard competition. But the Chargers knew from the day they drafted him that he was fully capable of playing center if needed.

“Truthfully, I was like, dude, he’s going to be able to do either one,” general manager Joe Hortiz said.

Chargers defensive end Akheem Mesidor isn’t surprised by Slaughter’s seamless adjustment to center. The former edge rusher at the University of Miami remembers Slaughter’s time at Florida well.

“When we would scout him … it was always like … ‘I don’t like him,’” Mesidor said. “But then you get to meet him in person — he’s a great guy, bro. … Nothing like we portrayed him.”

Slaughter has shown the most important trait in new offensive coordinator Mike McDaniel’s system: conviction.

Grasping all of McDaniel’s concepts is no easy feat — even if they’re all Slaughter knows at the professional level. Yet the Chargers’ newest playcaller has been impressed with Slaughter’s comprehension and attention to detail.

“You can’t really compliment him. Not because he turns it down; he’s just not interested in hearing about his good play,” McDaniel said. “He wants to be corrected, and he wants to do the job right for the team. I feel like he’s wise … where he gets that regard, respect and trust of veterans — the end-all, be-all for rookies; he understands that.”

“You can tell he’s confident out there,” offensive tackle Joe Alt added. “We trust him. He trusts us.”

Chargers quarterback Justin Herbert built trust with Slaughter this preseason.

(Ryan Sun / Associated Press)

Slaughter also has built trust with the franchise’s most important player: Justin Herbert.

The Chargers need to do a better job of protecting the seventh-year quarterback — and Slaughter needs to play a key role in that effort.

“He’s been awesome,” Herbert said. “He’s done such a great job of picking up the offense and playing like a veteran out there. Great to have a guy like that. He’s playing a lot earlier than I think he would have thought, but that hasn’t slowed him down.”

Slaughter credits his teammates and coaches for getting him up to speed after he was thrown into the fire.

Wide receiver Ladd McConkey said the locker room has “bought into” the Chargers’ new starting center. Offensive lineman Trey Pipkins III, meanwhile, took his praise for Slaughter a step further.

“He might be one of the smartest rookies I’ve ever seen,” Pipkins said.

Slaughter, however, earned veteran approval long before any cameras were crammed in his face. Coach Jim Harbaugh insisted he knew Slaughter was a starting-caliber player in early August.

“You know when you see it,” Harbaugh said.

But before the rookie can lose himself in any pressure or nerves on Sunday, he’s simply happy for the opportunity.

“That’s an experience I hope I’ll never forget,” Slaughter said about his upcoming NFL debut. “Something I really never thought I’d get to do growing up. It’s a really unique honor, and I’m really thankful I can be out there and play ball.”

Guess Aaron Donald was the smart one. He must have known what was coming for the Rams in Australia against the 49ers so he stayed home. Maybe he’ll all of a sudden have a strained groin and won’t be able to play this season.

Stanley Elrich
Arleta

There is no longer a weekly cover of Sports Illustrated magazine to jinx athletes. But we still have Bill Plaschke! It sure didn’t take long for Bill’s prediction, that the Rams would go 20-0 this season, to jinx the team. The Plaschke Curse strikes again!

Stephen Greenberg
Santa Monica

Do the Rams know they actually have to win some football games? Not just show up and expect the other team to lay down. I know Bill Plaschke put the curse on them by declaring an undefeated season but coach Sean McVay and the Rams have to do better.

Russell Hosaka
Torrance

Can someone please take Bill Plaschke’s computer away from him so he can’t make another unnecessary prediction that could come back to jinx the fans of L.A.? What purpose does it serve for a sportswriter with a dubious history of predictions to go out on a limb and make yet another useless, grand statement? Hasn’t he learned his lesson?

Danny Balber Jr.
Pasadena

Sean McVay’s experiment of not properly acclimating the team to the massive time change in Australia was a huge a risk. McVay cited last year’s London Game (Rams handily beat the Jaguars), when they crossed five time zones (Baltimore to London) without acclimating and thought it would apply to 17 time zones to Melbourne?

It was an embarrassment for the franchise and L.A. and further promoted the idea that the Rams can’t beat the 49ers. Additionally, McVay went to his usual bag of tricks, abandoning a successful running attack in favor of a tired and rusty Matt Stafford passing incessantly, being harassed and ineffective.

This was easily the dumbest head coaching call of McVay’s career. He needs to apologize to his team and the fans.

Axel Hubert
Santa Monica

Thanks, Roger Goodell! Your relentless desire to “expand” the NFL fan base reached its apex Thursday night (or Friday morning?) with the Rams and 49ers game in Australia. It’s bad enough forcing teams to fly eight or nine hours to Europe but this Australian game takes the proverbial cake.

When is “enough is enough” regarding “expanding” the game? The world loves soccer so let them have it; American football is uniquely American so, please, recognize this fact, enjoy the huge revenues from TV and let NFL teams play in the U.S. where the game belongs!

Ken Blake
Brea

BRITAIN’S oldest lido is set to open to the public this weekend for the first time in years.

The historic swimming facility will be open for just one day, giving fans the chance to get a rare peek at 200-year old pool.

Cleveland Pools in Bath, is set to reopen this Sunday for the first time in over three years.

It was first built in 1815 and is the oldest of its kind to exist in the UK, but closed in 1984.

A huge campaign and a £10million refurbishment saw it reopen for just four months in 2023 before it was forced to close again due to flood damage.

The public have not had a chance to visit the Grade II listed lido up until now, with Cleveland Pools Trust running an open day for the public.

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It is important to note that the pools are not currently open for swimming.

So while this is not a chance to have a swim, you will have a chance to hear talks on the future of the site.

Visitors will be able to meet the trustees and volunteers to hear about their vision for the site.

The free event will also have children’s activities and heritage walks around the site.

“This Open Day is an opportunity to shape the future of the pools as we explore a viable and appropriate route to re-opening,” a note on the trustee website explains.

It is running from 10:30am to 4pm, on Sunday, September 13 at Cleveland Pools, Hampton Row, Bath, BA2 6QS.

Jim Harbaugh wants his teams to finish seasons the way they start them.

If the Chargers do that, they’re going all the way.

Counting his four seasons with San Francisco, Harbaugh is 6-0 in NFL season debuts as a head coach. That’s tied for the most opening victories without a loss in league history.

“It’s September. It’s time to play our first game,” Harbaugh told reporters this week. “And I support no cause, foreign or domestic, other than the greatness of the Los Angeles Chargers.”

His team plays host to the Arizona Cardinals on Sunday, and oddsmakers see a blowout in the making. The Chargers are favored by 9½ points, the biggest spread of Week 1.

Despite a 2-0 start last season, the Cardinals lost 14 of the next 15 and wound up with the third overall pick in the NFL draft, which they used on Notre Dame running back Jeremiyah Love. The rookie is questionable for this game because of an ankle injury.

Their quarterback is no longer Kyler Murray, now in Minnesota, but Jacoby Brissett, who is on his sixth franchise — and seventh if you count two stops in New England.

This game is the “Mike” drop, if you will, with Mike LaFleur coaching his first game for Arizona, and Mike McDaniel making his debut as Chargers offensive coordinator.

LaFleur and McDaniel have history. They were young offensive assistants in Cleveland, Atlanta and San Francisco and both represent branches of the Kyle Shanahan coaching tree.

There’s a link too between Harbaugh and LaFleur. Both are younger brothers of other current NFL head coaches: Matt LaFleur of the Green Bay Packers and John Harbaugh of the New York Giants.

After Brian Koppelman and David Levien wrapped their hit Showtime series “Billions,” the co-creators were undecided about where they would go next. A more than hourlong visit from a Netflix executive settled it.

Netflix had been developing a Las Vegas drama with Martin Scorsese, who is executive producing through his Sikelia Productions. The streamer brought in Koppelman and Levien, and the pair pitched a present-day casino story. Jinny Howe, Netflix’s head of U.S. and Canada scripted series, went to their office to make the case.

“When she left our office, we looked at each other and said, ‘Well, whatever we do, we want to do it with her,’” said Koppelman, recalling their meeting from two years ago. Their new Las Vegas series, “The Roman” starring Oscar Issac as a casino president, is expected to be released year. Netflix ordered it in December.

Howe has one of the hardest jobs in Hollywood — finding must-see scripted programs that keep Netflix’s subscribers watching. The company said it had over 325 million paid subscribers worldwide at the end of 2025. Her instincts for creators, combined with years as an entertainment executive and a lifelong viewer have given her a track record of championing hits, including thriller “The Night Agent,” drama “The Diplomat” and Regency-era romance “Bridgerton.”

That led to her promotion last year as head of U.S. and Canada scripted series — her fourth advancement in four years. She succeeded Peter Friedlander, who left after nearly 14 years, and reports to Chief Content Officer Bela Bajaria.

“In my role, I feel I am really ear to the ground, really listening to what audiences are asking for, and really trying to understand where the culture is, where the conversation is, to really make sure we’re giving these audiences what it is that they want and they crave,” said Howe, 48.

The pressure is on. Key franchises are in their final seasons. “Stranger Things” ended in December, “Outer Banks” concluded with its fifth season last month and “Emily in Paris” finishes with its sixth season in December. Netflix has confirmed that the fifth season of legal drama “The Lincoln Lawyer” will be its last.

Wall Street has soured. Netflix shares, which closed Thursday $76.01, are down 39% over the past 12 months, a slide that began with its $83-billion bid for Warner Bros. Discovery in December — a deal it later walked away from — and continued through 2026 when the company lowered its growth projections.

Analysts have also flagged sluggish engagement growth. View hours rose about 2% in the first half of 2026 compared with a year earlier, even as content spending climbed.

After graduating from UCLA, Jinny Howe worked at Brillstein Entertainment Partners and John Wells Productions before joining Netflix in 2018.

(Jason Armond/Los Angeles Times)

Nonetheless, Howe is confident that Netflix continues to outshine its competitors, noting that the streamer is still in a “growth mindset” that bets on original ideas. The streamer also has franchises that continue to pull in large audiences, such as the fourth season of “Bridgerton,” she said.

“We’re not slowing down at all,” Howe said.

This year her department has a slate of 44 new and returning scripted series from the U.S. and Canada, excluding stand-up, comedy formats and adult animation. They span genres and mix seasoned showrunners and bets on emerging talent. Six are run by first-time female showrunners, a notable number at a time when the industry has cut back and women have historically had fewer chances to lead series. Those programs include “East of Eden,” a series based on the popular John Steinbeck novel; YA drama “The Body” and “A Different World,” a sequel series based on the NBC sitcom about Black students at a fictional college.

Howe leads a team of people spanning the U.S. and Canada, with hubs in Los Angeles and Toronto. While she is accountable for the U.S. and Canada scripted slate, the decisions are made in partnership with her team.

Scripted series out of the U.S. and Canada remain central to the business. Many of Netflix’s most-watched shows of all time come from the region, which accounts for about 40% of global revenue — the streamer’s largest market. Netflix reported 89.6 million memberships in the U.S. and Canada at the end of 2024, the last time it broke out regional numbers.

“There’s so many amazing creators and stories to be told from the U.S. and Canada and historically, English language scripted television for many, many years has traveled to lots of different countries around the world,” Bajaria said.

The region also drives Netflix’s awards profile. The streamer collected 111 Emmy nominations in July, second to HBO Max’s 122. Netflix says 83 of them came from scripted series and variety specials under Howe’s slate. “Beef” season 2 led Netflix’s titles receiving Emmy recognition with 16 nominations.

Competition for attention is fierce. Rival streamers are investing in live sports, and YouTube continues to take a significant share of TV viewing time in the U.S. Netflix has responded by adding video podcasts, sports and games to its lineup. It also lacks the deep historic library some competitors hold — the gap its failed Warner Bros. bid would have closed.

So finding new gems matters. In 2015 the streamer bet on Matt and Ross Duffer, then first-time showrunners, for “Stranger Things.” It became one of the biggest hits in the company’s history.

Then the Duffers agreed to produce a show created by Haley Z. Boston, the horror series “Something Very Bad Is Going to Happen,” about a woman who is cursed and could die if she doesn’t marry her soulmate. Other studios didn’t see Boston as the showrunner, but Howe and Netflix did.

“We need people to take chances on us,” 31-year-old Boston said. “There is still a glass ceiling … I’m excited about new future where you don’t have to have done the job already to do it. All you need is the right support.”

The series debuted at No. 2 on the streamer’s global top 10 English language shows and reached 20.3 million views on Netflix in the first half of this year, according to the streamer.

“Netflix had the confidence that we can find the right audience for this,” she said.

Connecting with a range of storytellers early is part of the strategy. Howe’s relationship with creator Molly Smith Metzler goes back about a decade, to when Metzler submitted her play “Elemeno Pea” while Howe was working at John Wells Productions. Howe was impressed and recommended her for the “Shameless” writers room. Metzler went on to lead the critically acclaimed 2021 limited series “Maid” for Netflix, her first job as a showrunner, and signed an overall deal with the streamer in early 2022.

One of Howe’s ideas was to build a series out of “Elemeno Pea.” That became the drama “Sirens,” starring Meghann Fahy, Milly Alcock and Julianne Moore. Released in 2025, it debuted at No. 1 on Netflix’s global top 10 and earned four Emmy nominations, including a surprise lead actress nod for Fahy.

“We spent so many cups of coffee and walks talking about what that could be and what it could look like, and we really built it from the ground up,” Metzler said. “She is very hardworking, and she’s extremely committed to the projects she does. That commitment and that rigor is contagious.”

Jinny Howe, who grew up in the San Gabriel Valley, is one of the few prominent Asian American content leaders in Hollywood.

(Jason Armond/Los Angeles Times)

In her soul, Howe said, she’s a producer first. Koppelman and Levien said she was instrumental in the casting “The Roman,” including speaking with some of the leading actors. Alongside Isaac, the series stars Betty Gilpin, Alec Baldwin, Jimmy O. Yang and Jason Schwartzman.

“This would not have come together had Ginny not rolled up her sleeves,” Koppelman said. “When we look at this cast, sometimes we can’t really believe what got put together.”

Howe and Netflix also supported showrunner Rebecca Sonnenshine’s push to make a version of “Little House on the Prairie” that includes more of the Osage perspective.

“She was very open to a vision that explored all the things that we wanted to explore in this show,” Sonnenshine said.

Howe grew up in Walnut, in the San Gabriel Valley, a self-described latchkey kid and the daughter of a residential real estate agent and a women’s clothing store owner. She was born in Seoul and immigrated to California when she was 15 months old.

“So I really am a California girl, I grew up just adjacent to the glittering lights of Hollywood, but close enough to know that there was a real business there,” Howe said.

While her parents worked, she and her brother watched a lot of TV, sitcoms like “Diff’rent Strokes” and “Small Wonder” and soaps like “Dynasty” and “Dallas.” That turned into a career. She graduated from UCLA with a bachelor of arts degree in theater, film and television, worked in the talent division at Brillstein Entertainment Partners and rose to executive vice president of television at John Wells Productions before joining Netflix in 2018.

She is one of the few prominent Asian American content leaders in Hollywood, in a position that helps shape what the world watches.

“I definitely do feel it’s not something I take for granted to be in these rooms and to know that my voice matters,” Howe said. “I get to be a decision-maker in a lot of these conversations. It’s really gratifying, and it’s something that I think is not lost on me at all.”

A man was arrested this week near Kris Jenner’s home in Calabasas on suspicion of stalking. It wasn’t the reality TV star’s first brush with the alleged stalker.

Officers with the Los Angeles County Sheriff’s Department on Monday arrested the man, identified as 25-year-old Zenwilliam Robson, after he was detained by Jenner’s security in her neighborhood, The Times confirmed.

It was not clear whether Jenner was at home at the time of Robson’s arrest.

Robson was booked Monday evening and charged with one misdemeanor count of trespassing and refusing to leave private property, according to court records.

He is currently jailed at the Twin Towers Correctional Facility in downtown Los Angeles and is set to appear in court on Sept. 22. A representative for Robson could not immediately be reached for comment.

A representative for the “Keeping Up With the Kardashians” star declined to comment. But according to a source familiar with the case who was not authorized to speak publicly, Jenner’s team is aware of Robson and that he tried to contact the 70-year-old reality TV personality and businesswoman in the past.

When it comes to Shohei Ohtani‘s injury management, it’s tempting to dwell on the what-ifs.

What if the Dodgers forced him to give up pitching duties in July, when he needed a lubricant injection to alleviate irritation in his left knee?

It was clear by then that Ohtani was playing through multiple injuries. A right biceps problem popped up for the second time on July 3 — the last time he pitched in a game. The Dodgers said his knee inflammation was only aggravated by pitching and the biceps tightness was tied to hitting. And yet, they were confident that the MLB All-Star break would give Ohtani enough time to bounce back.

If the Dodgers had been more proactive, instead of starting and stopping Ohtani’s throwing program until his injuries forced a shutdown, would he be in the lineup Friday against the Miami Marlins instead of the 15-day injured list?

Maybe.

Or maybe one or both injuries were far enough along by then that they would have affected him down the stretch regardless. Maybe seeing if he could return to the mound was worth the risk.

Maybe not.

“Anyone can do that, and say, ‘What could you have done better or different?’” manager Dave Roberts said earlier this week when asked if he had any regrets about Ohtani’s injury management. “That’s something going forward we’re going to look at, absolutely. But, it’s certainly not a blame-game thing. It’s learning from what happened and getting better.”

Parsing through the alternative outcomes from decisions made months ago could take time. But the fallout from this past week is clearer.

What if instead of resting Ohtani four days, and bringing him back Monday, the Dodgers had put him on the IL right away?

“I think if we look right now, here today, I would love to go back and put him on the IL,” Roberts said. “But at that moment in time, we all felt that giving him four days was sufficient. He was agreeable. Getting him out there on Monday with the hope that he would be able to play [again Wednesday]. But where we’re at right now, sure.”

Two weeks without Ohtani is hard to swallow. As a two-way player, he’s eligible for the 15-day IL instead of the 10-day for position players.

The Dodgers tried to avoid it. But when he returned to the lineup Monday, he “didn’t feel great” on a swing, Roberts revealed.

So now the Dodgers can only backdate Ohtani’s IL stint to Tuesday, rather than Sept. 3. At minimum, Ohtani will be out until the final five games of the regular season.

“The most important thing is him being as healthy as possible, not compromising his swing, and kind of bet on that,” Roberts said.

He acknowledged that Ohtani wouldn’t be back to “100%” even with the two weeks off.

But plenty of players push through injuries in the playoffs. October becomes a test of pain tolerance before addressing ailments in the offseason.

“I want to make sure that when I look back [on] this season,” Ohtani said Monday through interpreter Will Ireton, “that I used this as an experience, a learning experience and make sure that I use that as something to improve upon for next season.”

So, does that mean Ohtani feels like he could be more up-front with the team about his physical well-being, regardless of whether he thinks he can play through aches and pains?

Dodgers star Shohei Ohtani celebrates with teammates after a win over the Reds at Dodger Stadium on Wednesday.

(Robert Gauthier / Los Angeles Times)

“It’s hard to say now with the season still going on,” Ohtani said. “It’s something that I’m going to reflect back on during the offseason. I’m just making sure that I’m focusing on the now and finishing strong.”

The Dodgers, for the first time navigating what was expected to be a full season of two-way play from Ohtani, leaned on his expertise while managing his workload. In retrospect, they might have put too much stock in his self-evaluations.

Baseball has a long tradition of players downplaying injuries, out of a desire to play and a belief in their own perseverance.

“What can I learn?” Roberts said this week. “I think that sometimes, potentially trying to get ahead of managing his workload — it always feels good to run him out there offensively as a DH. Always feels good when you pencil him in as a starter — for me, it’s just really trying to be mindful of the long season.

“And I guess it’s under the thing of, ‘you don’t know until you know,’ and it’s important to learn from experiences. And I think it’s good for all of us to kind of appreciate that he’s not supernatural, as much as we think he might be at times.”

Roberts said he didn’t learn until Tuesday night, after giving Ohtani a day off for the fifth time in six games, that a swing on Monday had bothered him.

So, Ohtani didn’t return to the lineup Wednesday as planned. And the team arranged for No. 1 prospect Josue De Paula to meet the team in Miami, called up straight from double-A for his MLB debut on Friday.

“It was more just really huddling up and saying, ‘Hey, how are you going to feel on Friday? How are you going to feel on Saturday, talking to the doctors and training staff?’” Roberts said. “There was not much certainty that he’d be in a much better place. With that, just taking it off the table seemed like the best course of action.”

De Paula wasn’t otherwise guaranteed to debut this season, although the Dodgers would have needed to eventually put him on the 40-man roster to protect him from the Rule 5 Draft.

The Dodgers see him as a major-league ready hitter, but he still has work to do on the defensive side for the team to feel comfortable playing him in the outfield regularly. An early taste of the big leagues, even with his playing time expected to come mostly in the DH spot, could be beneficial for the 21-year-old’s development.

For Ohtani, the ramp from the IL to postseason play will be short. But his recent offensive struggles emphasized the importance of having a healthier version of him in the lineup come October.

If anyone can make it work, it’s Ohtani. He may not be supernatural, but he also isn’t just any player. And if he performs in the postseason, that will drown out any lingering what-ifs.

Times staff writer Kevin Baxter contributed to this report.

NEW YORK CITY: A UN Security Council committee tasked with overseeing sanctions on Iran remained blocked for a fourth consecutive quarter on Thursday.

Council members traded accusations over the panel’s inertia, against a backdrop of intensifying US-Iran hostilities and a landmark decision by the UN’s nuclear watchdog to refer Tehran back to the council for the first time in 20 years.

The 1737 Sanctions Committee has not met in the year since it was reestablished with the backing of most council members, and no report on its activities was presented during Thursday’s session after China and Russia once again blocked it.

The impasse has also stalled the appointment of experts to a panel, the mandate for which is due to expire on Sept. 27, that is intended to support the sanctions-monitoring work of the committee.

The dispute dates back to August 2025 when France, Germany and the UK triggered a so-called “snapback” mechanism under the 2015 Joint Comprehensive Plan of Action, commonly known as the Iran nuclear deal, to reimpose pre-2015 UN sanctions on Tehran.

China and Russia dispute the legality of that move, arguing that all sanctions lapsed on Oct. 19, 2025, with the scheduled expiration of the deal, and so the council’s consideration of the Iranian nuclear file was effectively ended.

Against this backdrop of an unresolved procedural fight, the Security Council session on Thursday was dominated by more recent developments: the International Atomic Energy Agency’s formal referral of Iran to the Security Council and the General Assembly this week; and the continuing military exchanges between Iran and the US.

The agency’s board of governors voted 23-3 on Wednesday to refer Iran over its noncompliance with international nuclear safeguards, the first such referral in two decades. China, Niger and Russia voted no and eight countries abstained.

Ambassador Jennifer Locetta, the US alternate representative for special political affairs, told the council that the IAEA “has not received information from Iran regarding the status of its declared nuclear materials or facilities” and has been denied access to carry out verification procedures.

The agency’s director general, Rafael Mariano Grossi, has again urged Tehran to engage constructively with the process, she added. Locetta dismissed Iranian claims that inspections were being blocked as a result of security concerns, noting that “Ukraine has been a worse and more constant war zone” and yet IAEA inspectors had still been able to work there throughout the conflict.

Washington, she said, would “look to partners in the coming days to weigh options” for strengthening the sanctions regime.

China’s deputy permanent representative, Sun Lei, voted against the meeting’s agenda and placed the blame for the deteriorating situation squarely on Washington. He said the US strikes and campaign of “maximum pressure” on Iran were the “primary causes” of the crisis.

A memorandum of understanding between the US and Iran in June was “undermined shortly after it took effect” by renewed military clashes, he added, and Washington had since “intensified unilateral sanctions” and “launched a new round of military strikes” against Tehran.

Beijing, he said, opposed further use of force and called for a return to efforts to reach a political and diplomatic settlement based on “equality and mutual respect.”

France’s ambassador to the UN, Jerome Bonnafont, said Iran’s stockpile of more than 440 kilograms of uranium enriched to 60 percent had “no credible civilian justification” and was sufficient for about 10 nuclear devices.

He cited the latest report by Grossi as saying the situation “raises an issue of proliferation and should be addressed with the greatest urgency.”

France backed a US-drafted resolution for the renewal of the expert panel’s mandate, Bonnafont added. He called for the full reopening to international shipping of the Strait of Hormuz, and offered a French naval presence there, alongside the UK, to help secure freedom of navigation.

Pakistan’s permanent representative, Asim Iftikhar Ahmad, told the council that the “upsurge of violence in the Middle East in the last few days” was “unsettling for the prospects of peace,” and said Islamabad was engaged in back-channel diplomacy to encourage de-escalation.

He urged “all sides to exercise restraint” and voiced concern over the continuing divisions within the council.

A memorandum of understanding between Washington and Tehran in June, which paused hostilities and set a 60-day window for a final nuclear agreement, expired on Aug. 17 without any deal.

The Strait of Hormuz remains effectively closed to international shipping, attacks on vessels have continued, and the US has revoked sanctions waivers on Iranian oil exports. A Security Council vote on renewal of the Iran sanctions expert panel’s mandate is scheduled for Sept. 17.

Throughout his 40 years in Los Angeles, one piece of advice on where to live still rings true for Jimmy Smits, known for starring in “L.A. Law,” “NYPD Blue” and “Sons of Anarchy.” Long ago, producer Steven Bochco, who helped launch Smits’ TV career, encouraged the native New Yorker to stick around.

“He said, ‘I think you’re going to be working at Fox or around here for a while,’” Smits recalls. “‘Don’t be a schmuck. Stay near, so you can get to work on time. Get the s— house in the best ZIP Code you can.’”

In Sunday Funday, L.A. people give us a play-by-play of their ideal Sunday around town. Find ideas and inspiration on where to go, what to eat and how to enjoy life on the weekends.

And so, from West Los Angeles to Santa Monica to Brentwood, Smits and his wife, actor Wanda De Jesus, have made the Westside their home base.

“Even when I lived in Brooklyn, we were near water,” Smits says. “It’s not Coney Island, but it’s the Santa Monica Pier. We have this New York-L.A. thing.”

When he’s not working, Smits prioritizes relaxation and his spiritual life. Most Saturday evenings, there’s a Mass to attend. All physical activities are done near water.

Beyond acting, the Emmy and Golden Globe winner is an advocate for education and the arts. This year is the 30th anniversary of the National Hispanic Foundation for the Arts, which he co-founded to support emerging talent in the performing arts.

Here’s a look at his ideal Sunday, with a bit of a New York-L.A. state of mind.

This interview was edited for length and clarity.

6:30 a.m.: First, the news

I still love reading the newspaper, tactile-wise. I keep the entertainment sections for weeks at a time for both the L.A. Times and New York Times. I recently had to go digital with the New York Times because my wife was like, “we can’t have all these newspapers around here!”

8 a.m.: People watching over breakfast

We’re not real foodies. Food is more like fuel for me. I love to experiment with different types of cuisines, but going to restaurants is more about the atmosphere. For breakfast, we’ll go to the Brentwood Farmers Market off San Vicente or the Coast Beach Café at Shutters on the Beach. You can people watch there. Or, they have an enclosure in the back that’s more chill. You can feel the ocean breeze on the water. If I’m really hungry, I’ll have the brioche French toast with some scrambled eggs and turkey bacon. But most of the time, it’s a pressed juice, English breakfast tea with warm milk and honey and a blueberry muffin.

9:30 a.m.: Beachside workouts

Part of the day will always have some kind of physical thing, and it’ll always relate to the water. Biking, brisk walking or wogging on the beach is ideal. If we’re biking, we’ll go up to where Will Rogers State Park is. It’s much quieter around there. We’ll start there and go towards the Santa Monica Pier and do laps back and forth. We’ll make stops along the way, at the Annenberg Community Beach House in Santa Monica or the bluffs at Palisades Park in Santa Monica, where they have a rose garden, [the California Incline roadway] and a lot of ways to get physical activity.

11:30 a.m.: What’s for lunch? Pasta

For lunch, it’s Divino, which is an Italian place in Brentwood. I’d order a light pasta and salad.

1 p.m.: Head to the playhouse for a matinee

My main go-to theaters are the Geffen Playhouse, which is close to us on the Westside; the Center Theatre Group, with the Ahmanson Theatre or the Mark Taper Forum, the Pasadena Playhouse or the Latino Theater Company Center at the Los Angeles Theatre Center, which specializes in Latino and multicultural productions. I get my New York theater fix by going to see plays at one of those places.

4 p.m.: Family time

At some point in the day, there would always be an East Coast call that winds up lasting way too long. With FaceTime, wherever we’re at, we can talk with the family, who are mostly in New York.

6 p.m.: Longtime faves for dinner

One of our favorite restaurants is Carlitos Gardel Argentine Steakhouse on Melrose Avenue, which has been around since the ‘90s. Italy plays big in Argentinian food, so you can get wonderful pastas there. I’ll usually have the entraña, which is a wood-grilled skirt steak, and the gnocchi is off the hook. The place reminds me of my college buddy-celebrity chef Michael Lomonaco, and his [former] restaurant Porter House in New York, where we’d go after the theater.

If not there, we’ll go to the restaurant we’ve been going to since I first got here. One of my first jobs was at then-MGM, which is now Sony, in Culver City. In ’86, I was working on “L.A. Law” and had a lunch break. I just wanted to walk around and found a Cuban restaurant called Versailles. I thought it was the closest I was going to get to the way Mom cooked. I developed a great relationship with the owners, the Garcia family. They have great Cuban food. I’ll have their arroz con pollo, which is chicken and rice.

8:30 p.m.: TV catch-up time

After dinner, we’d go home and get ready for the week. Depending on whether we go to a matinee or evening play, we would DVR stuff, like whatever sports that were on during the day that I missed. We’d definitely watch “60 Minutes,” “John Oliver” and pop in a movie or watch a stand-up comedy show. If we’re shooting something, I have to study for the next day. If not, we just relax, watch TV and go to bed between 10 p.m. and 11 p.m.

A MAJOR UK airport has quietly increased its drop off fees.

London Luton Airport passengers must now pay £9 to drop off, rather than £7.

The time has been slightly extended, with the fee covering up to 12 minutes, rather than 10 minutes.

After 12 minutes, drivers are also charged an extra £1 per minute, meaning you could pay up to £27 if waiting the max 30 minutes.

The fee must be paid online or by phone by midnight the day after the drop off.

Many travellers have taken to social media outraged by the increase.

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One person said on Facebook: “Free in most European countries!”

Another added: “£7 was bad enough!”

A third person said: “Paid it this morning, spent three minutes in the drop off zone, crazy cost.”

Luton Airport last raised its drop off fee in late September 2025, meaning this is the second time in a year the airport has raised the fee.

The fee was raised by 40 per cent in 2025 from £5 for five minutes to £7 for 10 minutes.

The price hike was the first at the airport in five years.

Over the past year several airports have raised drop off fees, causing outrage among travellers.

Earlier this year, Stansted Airport raised its drop off fee from £7 to £10, for up to 15 minutes.

In 2025, Edinburgh Airport raised its fee to £6 for a 10-minute stay, with additional charges for longer stays.

Sun Travel has contacted Luton Airport for comment.

Once upon a time in Hollywood, Quentin Tarantino’s mansion was nearly burgled.

Police are looking into the report of an alleged prowler who, “clad in black,” was spotted trespassing at the Oscar-winning director’s Hollywood Hills mansion Wednesday afternoon.

According to law enforcement sources, a call was received about a prowler lurking around the 7400 block of Woodrow Wilson Drive around 12:20 p.m. Responding officers were on the hunt for a 35-year-old man with a thin build wearing a long-sleeved black shirt and black pants (in 100-degree heat).

According to sources familiar with the investigation but not authorized to speak publicly, there were people inside the home when the alleged cat burglar tried to enter a second-story window of the three-story home.

Police told The Times that the suspect had fled by the time officers arrived, but a trespass report was completed.

It is unclear whether Tarantino was home at the time of the incident, and police could not confirm whether the trespasser was successful in their burglary attempt.

This isn’t the first time the “Pulp Fiction” filmmaker has had trouble with home intruders.

Back in 2018, Tarantino reportedly awoke in the middle of the night to find two burglars inside his home. According to TMZ, he confronted the men and they booked it out of the same Hollywood Hills mansion. Although no one was injured, they apparently made off with jewelry and other valuables.