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Los Angeles Mayor Karen Bass’ terrible, horrible, no-good, very bad reelection campaign just got worse after Wednesday night’s debate in Sherman Oaks.

Bass came in as the clear favorite after toying with City Councilmember Nithya Raman the two times they faced off on the debate stage during the primary, as easily as the Dodgers sweeping the Angels.

Her Honor just needed to do more of the same: hail her own accomplishments, deliver well-timed zingers and keep as cool as a cucumber while baiting Raman into self-immolation.

Bass did none of that, while Raman stepped up the way she needed to.

This time, the challenger offered concrete answers instead of word salads. She mostly stuck to the allotted time limits while Bass repeatedly whined that she wasn’t given enough time. Raman effortlessly turned the mayor’s rhetorical traps around like Bugs Bunny twisting Elmer Fudd’s rifle right in his face.

Take the moment when Bass pointed out that Raman had missed the second-most votes among councilmembers during her six years in office. Raman responded that she missed many meetings while representing the city on the South Coast Air Quality Management District and other governmental boards. Bass’ clap-back — that Raman’s colleagues also had other official responsibilities yet “they find their way to work” — drew “ooohs” from the audience at the debate, put on by the Sherman Oaks Homeowners Assn.

If this were still the primary, Raman would have flustered her way to a non-answer. This time, she calmly said that she must not be such a bad councilmember, since Bass had appointed her to those boards.

“Well, we really need to look at that,” Bass stammered before asking Raman if she was “getting ready to resign” from them.

“I’m sorry?” Raman asked off mic as Bass challenged her to step down from all her boards. “No,” Raman then said firmly before shrugging and letting the moderator move on to the next question.

The moment was par for the mayor’s night.

Again and again, Bass went after Raman in the pettiest, most personal ways. She kept mocking the MIT graduate as a clueless egghead with no idea what’s going on in the city, stating twice that Raman governed as if L.A. were “an academic institution” — a line that sounded like a MAGA talking point and that was originally trotted out by Councilmember Imelda Padilla.

Bass tried to paint Raman as a member of an ineffectual city establishment, not a newcomer, which fell flat, considering that Bass has held one elected office or another for 22 years while Raman has been in politics only since 2020.

Bass frequently resorted to her trademark nervous laughter and repeated obviously crafted lines with all the enthusiasm of someone gulping down cod oil. Her furrowed brow and exasperated looks, which she had effectively used in previous debates, made her come off as embittered, tired and unable to defend the indefensible mess that has been her first term.

At one point, the mayor even compared street taco vendors to homeless encampments, with both supposedly disrupting the fabric of a well-run city.

Somewhere, Jonathan Gold is shaking his head in disgust.

“You have lots of plans and lots of ideas but have done very little,” Bass told Raman at another point.

And what have you done, Mayor Bass?

L.A. Mayor Karen Bass speaks with a woman after the end of a mayoral debate against challenger Nithya Raman in Sherman Oaks.

(David Butow/For the Times)

I’ve really tried to like Bass. Her trajectory from South L.A. activist to nonprofit founder to Sacramento, Washington and City Hall is impressive and important. Yet when Angelenos needed her to rise and succeed as their city faced one crisis after another during these past four years, Bass stumbled and stumbled again. Her flop of a debate performance left her sounding like someone with no vision or kindness — career suicide for someone who has made her reputation on both traits.

At this point, the architects of Bass’ campaign need to burn sage to drive out bad spirits or just bow out altogether. Any time something could go wrong, it has.

Bass placed first in the primary with 34% of the vote — an abysmal number for a Democratic incumbent in a deep blue city. Her campaign’s cynical gambit to boost washed-up reality TV star Spencer Pratt into the general election, because he’d be an easier opponent than Raman, failed. The Lineage fire in Boyle Heights brought back memories of the deadly Palisades inferno, angering a voting bloc Bass desperately needs — Latinos.

Then came news this week that a poll the Bass campaign had promoted, claiming that she held a commanding lead over Raman, turned out to be fake. Bass came out looking like someone incapable of overseeing paint dry, let alone running America’s second-largest city.

And now, this debate.

The audience, which was heavily pro-Bass, eventually started applauding more and more of Raman’s responses. Bass, desperate to trip up her opponent, talked over her so much that the councilmember responded with the line of the night and possibly the race:

“You gotta let me answer, Mayor Bass. This is my time.”

Raman still faces an uphill battle. Nearly all of the city’s power structure — elected officials, labor unions, the Los Angeles Police Protective League, business owners and even the three other democratic socialist councilmembers — has endorsed Bass. The mayor has outpaced Raman in fundraising. Raman has to win over voters who supported Pratt’s conservative stances while not alienating her progressive base. She did herself no favors with the Democratic Socialist of America’s local chapter, which didn’t endorse her in the primary and will decide next week whether to endorse her in the general election, by stating that the city needs to maintain the current size of its police force.

But in Wednesday night’s debate, she offered voters a distinct choice between how she would run L.A. and how Bass has.

Councilmember Nithya Raman speaks with staff and supporters after a mayoral debate with incumbent Karen Bass in Sherman Oaks.

(David Butow/For the Times)

All the mayor could sputter in her closing remarks was that Raman “does not have the support of [any] of her colleagues” — yet another line she had repeated ad nauseum.

When it was her turn, Raman said she keeps hearing from residents “that this city feels rudderless.”

“I have news for you, Angelenos. You’re right,” she continued. “No one is in charge right now.”

Then, instead of launching another fusillade against Bass, Raman went for something few people associate with L.A. nowadays:

Hope.

“You have every right to expect more from your city,” Raman proclaimed, her voice strong and clear. She urged Angelenos to “raise our expectations” of what’s possible and strive for a city that’s “affordable, functional, safe, joyful, ambitious.”

A few months ago, that would have sounded like the delusional ramblings of someone with no chance at winning. After tonight’s debate, Raman seems like L.A.’s final, best chance.

Paramount Skydance’s proposed $111-billion takeover of Warner Bros. Discovery could result in 4,500 jobs eliminated in Los Angeles over a three-year period, according to a new report.

Los Angeles County supervisors earlier this year wanted to explore the potential economic impact of David Ellison’s proposed union of two historic Hollywood studios. The report, completed this week by CVL Economics, paints a sobering picture of the potential aftermath of the debt-laden deal, including the prospect of an estimated $1.26 billion in lost wages.

“Los Angeles County’s film and television economy is already undergoing a significant structural contraction,” the report said. “The proposed merger of Warner Bros. Discovery and Paramount Skydance introduces an additional source of risk into that already changing market.”

California Atty. General Rob Bonta is leading a coalition of 12 states attempting to block the merger on antitrust grounds. A trial has been set for March. Paramount and other groups, including cinema chain owners and some Hollywood unions, have agitated for a settlement to curtail months of uncertainty over whether the deal will go through.

The proposed merger has been controversial in Hollywood due to fears of widespread layoffs. The Writers Guild of America has brought its own lawsuit to thwart the deal.

The goal of the county’s report was to provide “a comprehensive assessment of the merger’s production workforce implications,” amid the ongoing decline of L.A. based film and television production work. Los Angeles has witnessed the elimination of more than 50,000 entertainment jobs since 2022.

The 120-page report, from the county’s Department of Economic Opportunity and Film Office and requested by Supervisor Lindsey Horvath, found that more than 15,000 corporate roles would be at risk, including an estimated 2,495 jobs based in Los Angeles County.

The two companies would have an overlapping workforce within its linear cable channel divisions, film and television studios, streaming operations and corporate functions, including marketing, technology and advertising sales.

“Effects on crews, crafts, post-production personnel, vendors, and production-serving small businesses,” could also be substantial, the report said.

Paramount, in a statement, said the report highlighted the industry’s troubles and made a case for the merger.

“LA County’s own economic report underscores what we have been saying all along: our industry is in decline, production is down and jobs are being lost — and lost for good if we don’t act,” Paramount said. “Our plan to invest $30 billion annually in production and release at least 30 films a year.”

That commitment, Paramount said, would lead to “more jobs over time, and ultimately, a stronger, more durable entertainment industry for generations to come.”

Paramount has received clearances from the U.S. Justice Department and 65 other regulators around the globe to complete the merger.

For now, Bonta’s lawsuit is standing in the way.

Paramount has promised investors the deal would lead to at least $6 billion in cost savings through the consolidation of operations. The company has said the merger would ultimately be good for consumers and workers because a combined Paramount-Warner Bros. would have greater resources to compete with tech giants that are investing heavily in entertainment.

But the report pointed to the high level of debt that Paramount would have to take on — nearly $82 billion — to buy the stock of Warner Bros. Discovery shareholders to finalize the takeover.

“If revenues underperform or planned savings prove more difficult to achieve, pressure to identify additional cost reductions could increase,” the report said.

The two companies already are carrying substantial interest costs due to their existing debt structures. “In the quarter ended June 30, 2026, the two companies reported a combined $712 million in operating income and $737 million in net interest expense,” the report said, meaning that the companies were producing less profit than what was needed to support their debt obligations.

Despite Paramount predicting cost savings and reduction in debt over time, “those savings will take several years to fully realize,” the report said.

David Ellison was hoping to wrap up his $111-billion merger with Warner Bros. by September.

(PATRICK T. FALLON/AFP via Getty Images)

Television production in Los Angeles could be especially vulnerable, in large part, because Paramount and Warner Bros. already have moved most of their feature film projects outside of L.A. High levels of TV production continues at Warner Bros. complex in Burbank and Paramount’s and CBS’ soundstages in Hollywood and Santa Clarita.

“The economic impact extends well beyond employment,” with an expected elimination of $547 million in tax revenue, including $78.6 million in local taxes, the report said.

It noted that Warner Bros. and Paramount films were “particularly employment-intensive.”

“Their theatrical releases carry 2.74 times as many screen credits as the average theatrical release, while their streaming films carry twice as many,” the report found.

The document also highlighted a pre-existing pull-back in production at the two studios in recent years — something that Ellison plans to correct.

Paramount was struggling to remain solvent prior to the Ellison family’s purchase of the media company last year. Warner Bros. had scaled back offerings following Discovery’s $43-billion takeover of WarnerMedia in 2022 as it struggled to contain the debt from that deal.

“Between 2019 and 2025, Warner Bros. Discovery and Paramount accounted for a net reduction of approximately 195 major U.S. releases,” the report said. At the same time, other major distributors combined “added about 67 projects.”

Ellison is looking to finalize his massive Hollywood deal — folding CNN, HBO, TBS, Food Network and the Warner Bros. film and television studios under Paramount — as quickly as possible. He must hold together Paramount’s coalition of financiers and manage rising expenses, primarily legal fees and escalating obligations to Warner shareholders.

The state attorneys general, including from Colorado, Oregon, Nevada, Washington and New York have argued that the blockbuster merger — the largest in Hollywood in decades — would violate the century-old Clayton Antitrust Act.

Paramount hoped the trial over Bonta’s lawsuit would begin in November but U.S. District Judge Araceli Martínez-Olguín set the trial for March 2.

If the deal goes forward, just four studios — a post-merger Paramount-Warner, Disney, NBCUniversal and Sony Pictures — would control 86% of movies that are widely released (in more than 3,000 movie theaters), according to the attorneys general lawsuit. Paramount has argued that projects from Amazon MGM, Netflix and Apple should be included because they compete with the traditional companies for talent and audiences.

Paramount-Warner Bros. would also own more than 50 cable channels, including HGTV, Animal Planet, BET, MTV and Comedy Central.

WASHINGTON — As the year’s midterm primaries draw to a close, Tuesday’s results in Florida, Wyoming and Alaska continued to underscore an unpredictable election season marked by unreliable polls, intra-party divides and surprise showings by political outsiders.

In one high-profile surprise, democratic socialist state Rep. Angie Nixon’s easily defeated former Army intelligence officer Alexander Vindman in Florida’s U.S. Senate primary, despite Vindman having raised 16 times as much money as the new Democratic nominee, according to OpenSecrets, a nonprofit that tracks campaign finance.

According to Florida Politics, a digital media outlet, a now-deleted Change Research poll showed Vindman leading Nixon by 10 points. At that time, 41% of Democrats polled were still undecided.

In the race for a Senate seat Democrats hope to flip, former Democratic Rep. Mary Peltola outpolled incumbent Republican Sen. Dan Sullivan, with another Republican Dan Sullivan — this one a retired teacher — also making the cut for the four-person, ranked-choice general election in November.

The results from Tuesday night also show that President Trump’s influence on his party’s base may be dwindling. Three of his endorsed candidates in Wyoming and Florida, both safe red states, were defeated.

Here are four takeaways from Tuesday’s results:

Democratic socialist overcame a huge cash disadvantage

Nixon, who recently joined the Democratic Socialists of America and the Working Families Party, won in a massive upset against Vindman, a moderate selected to run by the Democratic Senatorial Campaign Committee.

Nixon will face Republican incumbent Sen. Ashley Moody in November in a special election to serve the final two years of former Sen. Marco Rubio’s term. Moody was appointed to the seat by Gov. Ron DeSantis when Rubio became secretary of State.

Through a highly coordinated grassroots campaign, Nixon overcame a $15-million fundraising deficit against Vindman in a state where affordability, high property insurance costs and public infrastructure strain were top concerns for many voters.

Although Vindman had the support of the Democratic establishment his lack of profile in Florida — where he has lived for just three years — was a clear detriment, said Susan MacManus, a political analyst at the University of South Florida.

“Angie Nixon was extremely well known in Democratic circles,” MacManus said. “There’s a battle here in Florida: Do you want a Democratic candidate who’s a fighter, or do you want someone more in line with the establishment? … Nixon had no money, but she had a presence.”

But Nixon still faces a steep battle against Moody, MacManus said. According to state data, Florida has 1.5 million more Republicans than Democrats, meaning that Nixon will have to win over most of the independents — and perhaps convert a few Republicans — to have a shot in the general election.

Florida redistricting had a big effect on House races

In May, DeSantis’ office rearranged districts for the second time this decade to secure more safe-Republican seats in the House of Representatives, shortly after the Supreme Court narrowed the scope of the Voting Rights Act.

In Florida’s 25th District, a newly drawn coastal area north of Miami, incumbent Rep. Jared Moskowitz defeated democratic socialist and activist Oliver Larkin.

The redistricting increased the number of Jewish voters in the district, which likely hurt Larkin’s candidacy because of his openly anti-Israel stance, said Jonathan Cervas, an assistant professor at the Carnegie Mellon Institute for Strategy and Technology.

Moskowitz will face the former mayor of Boca Raton, Scott Singer, in the general election.

In Florida’s Black-majority 20th District, which was redrawn this year, Rep. Debbie Wasserman Schultz finished ahead of four Black rivals in a crowded field, and will face Brent Andersen, an insurance broker, in November. Black leaders criticized Wasserman Schultz, a white 11-term congresswoman, for running in the district.

“She won against a crowded field, but she didn’t win with 50% of the vote,” said Kareem Crayton, vice president of the Brennan Center’s Washington office. “The open question remains: Is she the preferred candidate of African Americans? We’ll see in the general.”

Although these two districts lean slightly blue, data suggest that Republicans will be more competitive in these areas than they were in the 2024 congressional races, Cervas said. He added that this shows Florida’s redistricting efforts were mostly a success, likely adding at least one or two seats in the general election.

Alaska was more competitive than Democrats thought

Some Democratic Party leaders had initially ranked Alaska behind other states with the potential to flip a Senate seat. But they likely will make the Alaska race a higher priority after a strong showing Tuesday by former Democratic Rep. Mary Peltola, who topped the field in the primary against incumbent Sen. Dan Sullivan. It has been 11 years since Alaska last had a Democratic senator.

According to the New York Times, the Alaska Survey Research poll shows Peltola with a two-point lead heading to the general election.

Peltola has run as a centrist Democrat, attacking the Trump administration’s cuts to the federal workforce and lack of resource development in Alaska, which is likely to have wide appeal in a state that Trump won in 2016, 2020 and 2024, but that has suffered in recent months from rising costs and job losses.

Three Trump endorsements fell short

Trump-endorsed incumbent Rep. Cory Mills — the subject of a House Committee Ethics probe stemming from accusations of assault by two women — lost his primary race in Florida’s 7th District to former television reporter Ryan Elijah, making him the 10th Trump-backed candidate to lose in a primary this year.

After the results were known, the president wrote in a Truth Social post: “I told Congressman Cory Mills of Florida, a friend of mine, to get out of the Race, but he wouldn’t listen. He thought he could win, so who can blame him?”

Trump had picked Catalina Lauf to replace Republican Rep. Byron Donalds, only to see her lose to Jim Schwartzel, a businessman-turned-politician. Donalds is the Republican nominee for governor, where he will face Democrat David Jolly, a former Republican House member.

Trump’s pick for Wyoming governor, Superintendent of Public Instruction Megan Degenfelder, was defeated handily by Republican state Sen. Eric Barlow.

HAYDEN Panettiere’s on-off boyfriend Brian Hickerson has been spotted for the first time since her shocking death.

Brian, 37, looked solemn as he stepped out on Wednesday in a hat, sunglasses and hoodie in his native Greenville, South Carolina – close to where his on-off girlfriend Hayden died on Sunday at just 36.

Brian has been keeping a low profile in recent days, and has not made a public statement since her death.

Brian and his brother Zach were at the Greenville rental apartment when Hayden was discovered unresponsive in a “possible overdose” on Sunday afternoon.

In a police report obtained by The U.S. Sun, cops said Zach walked into the apartment after 1 pm to find Hayden unconscious on a chair in the living room.

Brian was apparently asleep in another room at the time of the horrific discovery.

One of the brothers called 911, and an emergency medical team rushed to the scene.

While police said Zach was extremely emotional as the first responders attempted to save her life, Brian apparently did not shed a tear until Hayden was officially declared dead an hour later.

Brian told cops Hayden regularly took a “bag of medication,” and a long list of redacted prescription names were included in the police report.

Now, the tragedy’s fall-out is unfolding for Brian and his family.

Police arrived to Brian’s grandmother’s home on Wednesday morning.

“Greenville Police officers responded to a call for a welfare check at a home belonging to Brian Hickerson’s family on Wednesday morning,” police told The U.S. Sun in a statement.

“The call is unrelated to the Hayden Panettiere death investigation and did not require an incident report.”

But TMZ reported earlier on Wednesday that a criminal investigation has been launched into the death.

According to the outlet, the investigation was triggered because Hayden’s death was “unexpected.”

Hayden and Brian have a long, tumultuous history since first meeting in 2018.

In May 2019, Brian was arrested for domestic violence.

According to the LAPD, cops were called to Hayden’s Los Angeles home after a heated altercation on May 2 at 2:30 am.

“Right off the bat, I noticed that she had bruising on her eyelids, a swollen face. She did have marks on her neck, the left side. When I continued to talk to her she removed the sweater that she had on. I saw bruising on both her arms,” the responding officer said.

The case was ultimately dismissed.

But on Valentine’s Day 2020, Brian was arrested again for domestic violence while the pair was vacationing in Wyoming.

Hayden told officers he threw her and then punched her in the face.

Soon after this arrest, Hayden released a statement to fans.

“I am coming forward with the truth about what happened to me with the hope that my story will empower others in abusive relationships to get the help they need and deserve,” she said.

“I am prepared to do my part to make sure this man never hurts anyone again. I’m grateful for my support system, which helped me find the courage to regain my voice and my life.”

Brian ultimately was sentenced to 45 days in jail.

Despite her harsh words, the couple was spotted back together again in 2021, with Hayden insisting she “forgave” him.

Three months before her death, Hayden said she was happy and healthy, and it was reported Brian was in her rear-view mirror.

A source told TMZ the pair was secretly together during this time.

WASHINGTON — President Trump played White House tour guide on Wednesday, showing off the helipad he is building on the lawn before leaning over to autograph a piece of it and bragging about the ballroom he’s rushing to complete despite legal challenges.

Trump gushed for several uninterrupted minutes about granite being laid and said the chopper landing area would leave visiting foreign leaders “very impressed” — including Chinese President Xi Jinping, who is coming next month.

At times, he sounded almost like a construction manager, singing the praises of granite over asphalt in painstaking detail and noting for reporters he brought out for the show that the stone could withstand 35,000 pounds per square inch of pressure.

“That’s stone that, if you took a hammer and you started hammering right now — all day long — you wouldn’t see a mark on it, literally, that’s the kind of power it is,” Trump said, at times straining to be heard over the thrum of ongoing work behind him.

The president also revealed for the first time that he has replaced the walkway from the White House’s diplomatic entrance along with a portion of the asphalt driveway around the South Lawn with white granite.

“One thing I know how to do is build,” he said, asserting that asphalt is “not appropriate for a great house, or a great place like the White House.” He said that, had he instead merely used “really powerful concrete,” it would have supported ”just a tiny fraction of that in terms of strength.”

Trump relishes being the builder-in-chief

The president is called upon to fill many roles as president, but embraces none with as much zeal as managing various building projects to mold the White House and large swatches of Washington in his own image, seeming happiest recalling his days as a real estate developer.

Trump also likes to show off his handiwork and having the White House press pool on hand at all times gives him a readymade audience. Last year, he made an appearance on the roof of the briefing room to survey a future work site, and earlier this summer, he took reporters for a closer look at the ballroom construction site.

It suggests Trump remains focused on such projects, even as his war in Iran nears the six-month mark, his approval ratings sink with just 2 1/2 months to go before critical midterm elections, and as voters are increasingly worried about a weakening economy.

Trump drove home just how important the construction projects are to him, calling the work “very exciting.”

“This will be here long after we’re gone,” Trump said of the projects. “No matter what happens with the world.”

But whether it will endure after he leaves office remains to be seen. Trump once suggested that his refurbishing of the Lincoln Memorial’s Reflecting Pool would last a century, only for the paint to fade and its liner to peel away in chunks just days after it was laid.

Trump again says his ballroom will have security value

The president has increasingly insisted that the $400 million ballroom will add security to the White House and include things like anti-drone technology. His administration even unsuccessfully sought $1 billion in congressional funding to make military improvements to the structure.

“This will be the greatest military complex slash ballroom anywhere in the world,” he said.

Trump also scoffed at court orders seeking to block its construction without congressional approval, saying work is continuing regardless and predicting that the Supreme Court will eventually side with him and allow the project to be completed.

The president found time to talk again about one of his favorite subjects of late — grass — and praised at length Scotts-Miracle Gro. The company’s former CEO is a Trump supporter, and it donated $1 million to repair the grass on the White House lawn after it was damaged by Trump’s UFC fight marking his 80th birthday in June and by the helipad construction.

At one point on Wednesday, Trump signed the back of one of the granite stones that was marked “Donald Trump 45-47 president” for the occasion. Its front is shaped like an eagle and will be laid into the helipad’s presidential seal once work is completed.

“I thought this would be a little different kind of a news conference,” the president said. “We were going to sign this privately and just put it in. I said, ‘This is something I think the press should see,’ and I hope you liked it.”

Trump had some of the construction workers sign the granite, too, and joked about leaving it upside-down so that his signature would be visible for future generations.

“Nice job, fellas,” he told the workers. “Does anybody know the word media?”

Trump also confirmed Wednesday that he’d delayed ongoing work on the helipad to ensure the project could be regraded to lay flatter.

He said that the granite used “has a million-year life” and predicted that it “will never break. It will never leak. It will never do anything” — which would mark a departure from the problem-plagued Reflecting Pool project.

“Nature is stronger than what the human can produce,” Trump said of the granite. “It’s really pretty amazing.”

Weissert and Binkley write for the Associated Press. AP writer Darlene Superville contributed to this report.

Bayern Munich midfielder Jamal Musiala says he is being treated for a “neurological dysfunction” after collapsing during a match for the second time in a four-day period.

On Tuesday, Musiala collapsed six minutes after coming off the bench in Bayern’s 4-2 friendly victory at Heidenheim.

The 23-year-old appeared dazed as he received medical treatment and was helped off the pitch.

The incident occurred after he collapsed during Saturday’s 3-1 friendly win over RB Leipzig in Munich.

Musiala later posted a statement on Instagram to ease fears about the situation.

“I’ve been diagnosed with temporary, brief, but easily treatable absence seizures, which are due to a neurological dysfunction,” he explained.

“These can lead to the recent episodes, like the one against Leipzig or now in Heidenheim. I know they seem scary at first glance – but for me, they’re currently just part of my everyday life.

“I’m receiving excellent medical treatment and am very optimistic. FC Bayern and my family and friends are always by my side and supporting me on this journey.”

Following Tuesday’s game, Bayern sporting director Max Eberl had said the player would be speaking about the matter later, adding: “We knew about it and we are aware of the situation.

“Jamal will speak out. He’s in the dressing room, getting changed and taking a shower.”

Musiala missed the first six months of last season after breaking his ankle at the 2025 Club World Cup, but returned in the second half of the campaign and started three of Germany’s four games at the 2026 World Cup.

In 2007, the actor Felicia Day debuted “The Guild,” one of the first works, maybe the first, to demonstrate that the web could be a legitimate platform for full-blown, character-driven, narrative comedy. (YouTube was only two years old at the time.)

Online since there was a line to be on, Day — also known also for “Supernatural,” “Buffy the Vampire Slayer,” “Eureka,” “Mystery Science Theater 3000” and as the female lead in Joss Whedon’s “Dr. Horrible’s Sing-Along Blog” alongside Neil Patrick Harris and Nathan Fillion — played Cyd, a.k.a. Codex, a young woman at loose ends who finds community with a group of gamers whose quirkiness puts her own into perspective. The series, which she created and wrote, from experience, grew more ambitious and technically impressive across its six seasons, with cameos by the likes of Fillion, Zachary Levi, Stan Lee, Brent Spiner, late Mythbuster Grant Imahara and Wil Wheaton. There was a cultural specificity to the setting and storytelling — lots of gaming jargon and jokes — but the humor in the characters was universal, and the show, for all its well-proportioned silliness, felt very alive.

Now, as the series’ 20th anniversary approaches, Day is reviving “The Guild” as a feature, “The Guild: Ren Faire’d,” through a Kickstarter campaign due to end Friday. By the time I pledged, early on the first day of fundraising, the campaign had already met its initial $1.5-million goal — the minimum required, Day calculated, to pull off a version of her script. As of this writing, with just a few days to go, the campaign has raised more than $5 million. Everything over $4.5 million will go to making the film even better, but also support “Conludo,” a new game-playing series with Wheaton along the lines of their “Table Top,” created in 2012 for the Day-founded YouTube channel Geek & Sundry.

Day is also the author of a charming memoir, “You’re Never Weird on the Internet,” and a mental exercise book, “Embrace Your Weird: Face Your Fears and Unleash Creativity.” Earlier this year, Simon & Schuster published “The Lost Daughter of Sparta,” her graphic novel (with illustrator Rowan MacColl) about Philonoe, Helen of Troy’s lesser-known fourth sister, an on-brand tale of self-determination and embrace of one’s difference.

I interviewed Day by email as she traveled the convention circuit.

Day’s Kickstarter surpassed $5 million, allowing her to make not only “The Guild: Ren Faire’d” but also a new game-playing series. (Parker Burr / For The Times)

How does it feel to be back wearing, or about to wear, the character of Codex?

It’s so empowering to go back to this world that I crafted and this character that means so much to me and my fans. She and I have diverged a lot over the years, but her voice is still strong and clear in my ear, and I’ve had so much fun writing for her again. I haven’t been in charge of my own stories on this scale in a long time, so this all definitely feels like coming home.

It was an offer to turn “The Guild” into a television show that prompted you to get the film going. Had you thought of the possibility of bringing it back before then?

Early in 2025, I’d been thinking about the 20th anniversary of the show and how to celebrate it, but a movie is a huge project, one I was wary of committing to. A phone call with a very nice Hollywood executive wanting me to reboot the show with younger actors was the kick in the pants I needed. The business has been so hard on me, and a lot of people, especially these last five or so years. To even think about having the one project I held dear taken away from me? That got my fire lit.

How did you know to hang on to your IP?

I had met a few people in the early web days who’d sold their show to producers and networks, only to have them buried in development hell and never be seen again. My audience meant, and still means, so much to me, that I didn’t see the point in losing control of the show when it felt like we were doing all the right things on our own. The fans’ support gave me that confidence, and thank goodness for it, or I wouldn’t be able to make a movie today.

How did you cast the original show? Were any of the actors already gamers?

I wrote two of the main parts for improv friends, Zaboo (Sandeep Parikh) and Vork (Jeff Lewis), and I found the rest of the actors from a Backstage casting call. Several of them were already gamers, but a few were anything but (namely, Amy Okuda, who played Tinkerballa — she took some arm twisting). Over the years, though, they’ve all turned into gamers. We’ve enjoyed many a Fortnite session together, especially during COVID times.

Felicia Day as Codex. Other characters returning for “The Guild: Ren Faire’d” are Zaboo (Sandeep Parikh) and Vork (Jeff Lewis).

How has your reunion been going?

I had to make sure the script was good enough before I asked my fans to support it, so in February I had a table read with the main cast. Truly, it felt like no time had passed. We were all laughing so hard, ribbing each other on any little mistakes. It was so much fun to rediscover our characters together again. What we have together as a group is magic, and I can’t wait to get the band back together on set again.

You have a “no AI” sign on the Kickstarter page. What are your thoughts about artificial intelligence versus human creativity?

I look at AI as a great robber of humanity. Not only in the sheer existence of the AI itself, which is comprised of literal stolen material, but in robbing creators of their process. Because process is everything. It’s the whole point, in my opinion. That challenging struggle to write a first draft is how you discover who you are as an artist. But if you don’t do the work, you’ll never truly find out what you want to say to the world. You can’t create anything truly unique to yourself. It just makes me sad. To use a tool filled with other people’s stolen ideas in order to fast forward to an end result for attention, well, that isn’t art. That’s a cheap dopamine hit. And you’re no better a creator for having done it. Please don’t rob yourself like that.

The movie will be set at a Renaissance Faire. What’s your own history with them? Do you go in costume?

I’ve gone to Ren Faires for over a decade. We have a few great ones in SoCal I encourage everyone to explore. The costumes, the vendors, the food — all of it transports you to another world in such a magical way. I want to celebrate everything I love about the setting in our movie. I often go in costume, now with my 9-year-old daughter. It’s actually our Mother’s Day tradition and very dear to my heart.

Day on her work and motherhood: “I’ve learned that, especially as an artist, you have to be your own protector, own advocate, and give yourself unconditional love to be able to tap into what makes your art your own.”

(Parker Burr / For The Times)

Has motherhood changed how you work?

Absolutely. I had no idea how to parent myself before I parented another person. I’ve learned that, especially as an artist, you have to be your own protector, own advocate, and give yourself unconditional love to be able to tap into what makes your art your own. My experience writing this movie has been entirely different from in the past, when I let fear and outside pressure take the fun out of creating. This time, I allowed myself room to play and to make mistakes, just like I encourage my daughter to do. I think my work has benefited greatly from that gentle parenting.

The original “Guild” and the way you’ve mounted this campaign feels like the work of friends, like Mickey and Judy getting the gang together in a someone’s uncle’s barn to put on a show. (Which isn’t to say “amateur.”)

The heart of everything I do is this: I just want to play with my friends and my fans. I want to delight them with new ideas. I want to surprise them with laughs. The industry often divorces us from what got us into the business in the first place: making believe. Creating together. I like my work to embody the kind of spirit you can’t have in more mainstream media where there are levels of approvals over everything and the budgets are so high that the pressure takes the fun out of it. Yes, it’s challenging to make anything with fewer resources, but the community can see the ins and outs of my process and I hope that empowers them, in turn, to create their own things with their own friends one day.

What inspired your new graphic novel?

Being cut off from Hollywood over COVID made me brave enough to write a story I knew wouldn’t be anything an executive would care about if I pitched it. For many years, I didn’t allow myself to develop ideas like that. What was the use if they didn’t find it useful? But in allowing myself the space to write this story set in the world of Greek mythology, I’ve found new confidence as a writer. I want to keep telling stories only I can tell, in whatever format I can. I never want to discard them again because other people won’t find them useful. I hope that anyone reading the book feels the same encouragement to follow their inner muse. Because everyone deserves to be loved for exactly who they are, even our stories.

The hours since actor Hayden Panettiere’s unexpected death over the weekend have proved to be a “time of profound shock and grief” for her ex-fiancé Wladimir Klitschko and their daughter, the Ukrainian boxing star said on social media.

Klitschko, a multiple-time heavyweight world champion, on Monday evening mourned the “Heroes” star and his former partner in an emotional tribute shared to Instagram. The former pro athlete posted a family photo of himself, Panettiere and their daughter Kaya (whose face is censored by a bright orange dot) all smiles against a cloudy sky. Klitschko wrote that news of the actor’s death “saddens me deeply” and echoed a recurring sentiment expressed in a majority of tributes to Panettiere: “She left this world far too soon.”

“Hayden was, although no longer my partner, an important part of my life and the mother of our daughter, Kaya,” Klitschko said. “She built an incredible career through immense talent, while also facing the darker sides of a very demanding industry. Nothing will erase the times we shared or the place she had in our lives.”

Panettiere, whose career spanned TV, film and video games, died Sunday at age 36, her father announced in a statement. A cause of death was not revealed, but an autopsy Monday found no signs of trauma that would have been a contributing factor. She was found unresponsive at an apartment complex in Greenville, S.C., shortly before 2 p.m. Eastern time after an acquaintance called 911, police said in a statement. Police said a preliminary investigation had not indicated any signs of foul play.

Panettiere and the boxer were in an on-and-off relationship from 2009 to 2018 and were engaged in 2013. The “Nashville” and “Ice Princess” star welcomed their daughter in 2014 but relinquished full custody to Klitschko in 2018. In her past, Panettiere had been outspoken about her struggles with postpartum depression. She previously refuted speculation that she just gave up her child.

“It was the hardest thing I could do,” she said during a 2022 appearance on “Red Table Talk.” “But the best thing for my daughter was to make sure she was OK, take care of myself and make sure I could be a good mom to her. And sometimes that means letting go.”

Klitschko said in his post that he will carry on Panettiere’s legacy at home, while making a promise to Kaya: “I will always speak of her mother with respect and make sure she remembers the person she was.” He concluded his post by sending his condolences to Panettiere’s loved ones and fans. He also asked followers to respect his family’s privacy as they mourn the loss.

He added: “Young and talented people like Hayden should not leave this world so soon.”

Klitschko joins Panettiere’s co-stars and Hollywood peers in paying tribute to her life and career on social media. “Heroes” star Masi Oka said Panettiere was “wiser beyond her years and now gone too soon” while “Nashville” co-star Connie Britton recalled Pannettiere was “bursting with brilliance” during their time on the ABC series.

To Viola Davis, “Custody” co-star Panettiere was a “beautiful Phoenix rising from the ashes.”

Welcome back to this week’s Lakers newsletter, where we’ve apparently never heard of an offseason.

During an allegedly sleepy period on the NBA schedule, the Lakers shook everyone awake with a blaring alarm. Twice.

Mark Walter, 14 months after agreeing to buy the NBA’s premier franchise, is selling his controlling stake in the Lakers to Joshua Kushner and Bob Iger at a staggering $12.5 billion valuation that would be the highest in sports history. When Kushner and Iger seemed poised to cash in even more after a reported Buss family vote to sell remaining shares of the team, team governor Jeanie Buss said emphatically, “Not today.”

Buss is contesting her family’s reported plan to sell its remaining 17.8% of the team to Iger and Kushner. Her lawyers issued a scathing letter saying her younger brothers are “doing harm to the Los Angeles Lakers,” and that she should remain the controlling governor of the Lakers, as described in the family trust.

One 47-year reign in the NBA hangs in the balance this week. Quietly, another 18-year run has already concluded.

‘Just a kid from inner city L.A.’

Russell Westbrook with the Clippers in 2023.

(Matt York / Associated Press)

Reggie Morris Jr. won’t just remember the way Russell Westbrook changed basketball. Even after Westbrook’s retirement, his former high school coach chooses to see the way the former Lawndale Leuzinger star is changing the city that raised him. That’s even more important than the NBA record 209 triple-doubles.

“I believe that his impact on this community,” Morris said, “is far greater than his basketball impact.”

Westbrook was once just a short kid with size 14 shoes and an even bigger chip on his shoulder. He grew into an electrifying guard at UCLA, where he went to two Final Fours. He blossomed into one of the most productive, yet polarizing, players in NBA history. Through it all, he remained dedicated to the community that would later fail to fully embrace his no-holds-barred playing style.

The L.A. native was named NBA most valuable player in 2017. The same season, when Morris was coaching at Loyola Marymount, Westbrook reached out about starting an Elite Youth Basketball League team for young players.

Westbrook set the NBA record for triple-doubles and averaged a season-long triple-double four times. Between the stat-stuffing performances, he launched Why Not Premier, an EYBL girls team with the same resources and investment as the boys.

The 2012 Olympic gold medalist was named to the NBA’s 75th anniversary team in 2021 after snarling, dunking and driving with full force every play, every night. On the way, he regularly returned to his hometown.

“Before he was a walking headline,” actor Michael B. Jordan said in a video Westbrook posted on social media last Wednesday for his retirement announcement, “he was just a kid from inner city L.A. who could jump higher than anybody had a right to.”

The video shows Westbrook walking through a museum of his basketball career then into an unfinished wing that represents “the mentorship, the foundation, the kids who are going to grow up wanting to move just like he did … [that] hasn’t been built yet either.”

Tributes to Westbrook flooded in. Fifteen-year-old highlight reels showing baggy shorts, jaw-dropping athleticism and a crossover that nearly shook defenders out of their shoes popped up on social media again. Even his own high school coach had forgotten just how dynamic Westbrook was in his prime.

“He didn’t back down from anybody,” said Morris, now the director of Westbrook’s Team Why Not EYBL team and the boys’ basketball head coach at Redondo Union. “He was fearless. He was relentless. There’s never really been a player quite like him. I would say he kind of has, like, a Charles Barkley, a young Charles Barkley spirit, where he was just passionate and fiery. He wasn’t PC. He wore his emotions on his sleeves, and he didn’t really apologize to anyone for how he felt or what he was there to do.”

Westbrook’s unapologetic attitude became a defining characteristic of his game. He was defiant. He was dynamic. He was exciting and explosive, but exhausting.

After 11 seasons with the Oklahoma City Thunder, where the Thunder went to the playoffs nine times with one NBA Finals appearance, Westbrook was traded to the Houston Rockets. When he got to the Lakers in 2021, it was his fourth team in as many seasons.

Russell Westbrook brings the ball upcourt for the Lakers.

(Michael Conroy / Associated Press)

Westbrook’s two-year run with the Lakers was “bittersweet” for Westbrook, Morris said. Returning to the community that raised him was expected to be a triumphant homecoming. But the team struggled, his efficiency waned and fans turned on him. He became a punch line and a negative example of LeBron James’ potential influence after the superstar lobbied for the trade that brought Westbrook to L.A. He sparred with reporters.

The public feuds started to overshadow what those close to Westbrook know him to be in private: a maniacal hard worker with a competitive streak that demands respect.

“A lot of people looked at the emotions on the court and thought Russ was loud,” Durant wrote in a poignant note on X. “Nah to me, he was quiet and methodical. He [led] by example and once the lights were bright, he let everything out and experienced pure freedom. It was inspiring as his teammate and everywhere I went, I seen it inspire people from all walks of life.”

Westbrook will now inspire away from the court. When Nike reached out to Westbrook about starting an EYBL team, he knew where to go with the idea. He hadn’t been part of the regular travel ball circuit growing up and instead stuck closely with his local coaches, including Morris. He wanted that same loyal experience for his youth team.

Westbrook’s Team Why Not expanded to include a girls program Why Not Premier in 2022. His wife, Nina, also played basketball at UCLA, and the couple has been a strong supporter of the UCLA women’s basketball program.

Westbrook, who often trained at UCLA’s basketball facility that the men’s and women’s programs share, would readily share knowledge with UCLA’s women’s players, UCLA women’s basketball coach Cori Close said. He welcomed them in workouts, showed them what food he had packed in Tupperware containers to stay on a healthy diet and encouraged them to train for long, productive careers.

“There’s so much bad press about, ‘Oh, college athletes or pro athletes are just a bunch of takers, they all are about money first,” Close said, “and the Westbrooks, and specifically Russ and Nina, they’re about giving back and they’re about making a difference.”

Even during the season, Westbrook made himself available to players on his EYBL teams as often as possible, visiting between playoff runs or at least supporting them through social media.

“They feel his presence when he’s there, and he’s hands-on in the situation,” Morris said. “He’s not just giving money; he’s trying to help the kids, give them a different aspect or a different take on what he knows and give it back to them.”

Jared McCain is one of Team Why Not’s most prominent alumni. The 22-year-old Oklahoma City guard posted a picture from his EYBL days to his Instagram story last week showing Westbrook with his arm wrapped around McCain’s waist.

“Legend!!” wrote McCain, who graduated from Corona Centennial. “Thank you for everything.”

Morris and Westbrook had talked about the end more often lately. They knew if not this year, it would have probably been next year. Morris could never have envisioned the career was going to be this decorated, but the longtime coach knew it was going to be successful. If he hadn’t become a future Hall of Famer, Westbrook would have easily become a president of a successful company, Morris said.

Don’t rule it out for his second act.

“When you have a work ethic like his, it’s just part of who he is,” Morris said. “It’s not gonna go anywhere.”

Best thing I ate this week

Signature beef udon at Azuki in Seattle.

(Thuc Nhi Nguyen / Los Angeles Times)

This technically isn’t the best thing from this week, but I needed to share this extra food gem from my hometown. Azuki’s unassuming storefront in Seattle’s Capital Hill neighborhood is easy to miss but the homemade udon noodles should not be overlooked. The signature beef udon noodles had a simple, light broth that leaves the perfect amount of salty coating on your tongue. The thin slices of beef are perfect with the chewy udon noodles. The only way the meal would have been better was if it was on a cold winter day.

In case you missed it

Jeanie Buss contests family sale of Lakers ownership stake to Bob Iger, Joshua Kushner

Inside Lakers mega-deal: Mark Walter made a shocking decision. Bob Iger, Joshua Kushner jumped at the chance

Lakers again have most nationally televised games on their schedule

Shaikin: Some questions (and answers) about Mark Walter selling the Lakers

Swanson: Bob Iger could be the Imagineer to lead the Lakers back to glory

$12.5 billion deal: Bob Iger and Joshua Kushner agree to buy Lakers

New Lakers co-owner Joshua Kushner is a lifelong Democrat with deep interest in sports

Plaschke: Too many questions, not enough answers. Lakers sale doesn’t pass smell test

LeBron James set to return to L.A. on Christmas Day for Lakers-76ers matchup

Until next time…

As always, pass along your thoughts to me at thucnhi.nguyen@latimes.com, and please consider subscribing if you like our work!

United States President Donald Trump has threatened to bomb Oman if it “gets in the way” of a peace deal between the US and Iran.

Oman is currently negotiating with Iran over the reopening of the critical Strait of Hormuz, while Iran has repeatedly stated that it will not speak directly to the US.

On Monday, as Iranian officials said they were close to announcing an agreement with Oman, a 60-day Memorandum of Understanding (MoU) between Washington and Tehran – which had provided for a period of peace talks but largely fell apart early on – expired with little hope for renewal.

This is not the first time Trump has threatened Oman, a US ally which has never entered into any direct conflict with the US. Oman, through whose territorial waters the contested Strait of Hormuz also flows, has positioned itself as a neutral party in the US-Iran war. Despite that, it has suffered a number of strikes by Iran, which has targeted US military assets and infrastructure around the region in retaliation for US-Israeli attacks.

Now, Trump is threatening to strike it as well.

Here is more about what Trump has threatened, and why.

What did Trump threaten Oman with?

Trump told US broadcaster Fox News on Monday that Iran should surrender, and claimed that his administration had opened a direct backchannel for talks with Iran’s Islamic Revolutionary Guard Corps (IRGC).

During the interview, he threatened to bomb US ally Oman if it “gets in the way” of US talks with Iran.

“If Oman gets in the way, we’ll bomb the s*** out of them,” he said.

An IRGC spokesman denied Trump’s claim of direct talks, telling Iran’s semi-official Tasnim News: “There are no talks taking place between IRGC officials and the Americans, and this lie by Trump is merely fantasies caused by the delusions and nightmares he has suffered as a result of defeat and desperation in the war.”

Has he threatened Oman before?

Monday was not the first time Trump threatened Oman over the course of the five-month war between the US and Iran. In May, he made a similar threat.

At a cabinet meeting on May 27, a reporter asked Trump what he thought about the idea of Oman and Iran jointly overseeing shipping through the Strait of Hormuz.

“ Would you accept a short-term deal that allows Iran and Oman to control the strait?” the reporter asked.

Trump replied with a seemingly offhand threat. “Nobody is going to control it. It’s international waters, and Oman will behave just like everybody else, or we will have to blow them up.”

While there was initial speculation that Trump might have misspoken and said “Oman” instead of “Iran”, the US State Department later shared the comment on social media, with a transcript of the quote that referred to the Arab country.

What is the context for all this?

For the past few weeks, Iran and Oman have been engaged in direct talks, facilitated by mediators in Qatar, to reach an agreement over how to manage maritime traffic through the Strait of Hormuz in the future.

While Iran had agreed to keep the strait open to shipping without charge for 60 days following the signing of the MoU with the US on June 17, this quickly fell apart as the two sides disagreed over who had ultimate control over the strait – in particular which routes ships should take. Towards the end of June, Iran launched strikes on a number of ships which had followed an Oman-issued route, approved by the US, rather than its own route, and the US restarted strikes on Iran for nearly two weeks.

Following that, Iran refused to talk directly to the US, saying it had violated the terms of the MoU which included a cessation of hostilities on all fronts, and began talks with Oman over the future of the strait instead. Iran also issued a list of new demands relating to the lifting of sanctions and a permanent end to US strikes before it would resume talks, it said.

On Monday, Tehran said the two countries have reached an agreement on a new shipping route in the strait and are now preparing a joint declaration.

Foreign Ministry spokesperson Esmaeil Baghaei said the proposed mechanism for control of the strait seeks to protect the interests of both Iran and Oman while allowing commercial shipping to pass through.

“This is the first time that a mechanism is being developed to simultaneously safeguard the sovereign rights of the two littoral states and ensure the safe passage of commercial vessels,” said Baghaei.

The Strait of Hormuz is a critical waterway through which one-fifth of the world’s oil and liquefied natural gas (LNG) supplies were shipped before the US-Israel war on Iran began on February 28. Roughly 130 ships sailed through the strait each day.

Iran closed the strait in early March, allowing only a few ships it deemed “friendly” to pass through the strait until it signed the MoU with the US on June 17. Since then, it has become the key issue holding up talks for a lasting peace plan to end the war on Iran.

The US, meanwhile, has established its own blockade on Iranian ports in and around the strait. Last week, it fired on a Panama-flagged cargo vessel it accused of attempting to reach Iranian ports and which, it said, had failed to follow orders to change course.

The crisis has triggered global energy shortages and the price of oil has soared. The price of Brent crude, the global benchmark, was about $66 a barrel just before the Middle East conflict began. Over the course of the war, the price has surged past $100 on several occasions, most recently on July 23. In March, the price rose as high as $119.

Global benchmark Brent crude futures rose to $91.22 a barrel on Tuesday, inching close to a three-week high.

What is Oman’s position on the Iran war?

Oman, which is known for its neutrality, has not publicly stated that it intends to join Iran in controlling the Strait of Hormuz. The US and Oman are close partners with a relationship stretching back nearly 200 years.

The two countries have multiple cooperation treaties, including security partnerships, a free trade agreement and a science and technology deal.

During the war, Iran launched multiple strikes on US military assets and energy infrastructure in neighbouring countries, including Oman.

Oman previously acted as a key mediator between Washington and Tehran as they sought a resolution to the war that began on February 28, when the US and Israel attacked Iran.

So, why is Trump threatening Oman now?

A potential Iran-Oman understanding covering the Strait of Hormuz could cut against one of Washington’s core demands: that Iran relinquish control of the strait as a condition of ending the war. Rather than curbing that control, such a deal would lend it greater legitimacy by formalising Iran’s position.

But experts say Trump is also likely angry that the US has seemingly been cut out of the deal relating to the strait.

“In part, a solution mediated without US intervention and which in fact allows Oman and Iran to manage passage through Hormuz, which lies entirely within the two countries’ territorial waters, would show how impotent the United States is and has been,” Laleh Khalili, a professor of Gulf studies at the University of Exeter, told Al Jazeera.

The US and Iran have also strongly disagreed about whether Iran should be allowed to charge fees to shipping companies using the strait. Under international law, tolls for passing through natural waterways such as Hormuz are forbidden, even when they are not technically in international waters. However, fees for services such as insurance, environmental protection and docking can be charged. It has yet to be seen whether this issue will be addressed in an Iran-Oman agreement.

In late July, US Secretary of State Marco Rubio warned that Iran should not be allowed to charge tolls on vessels traversing Hormuz. Days earlier, Trump himself pledged there would be no tolls for passage through the strait, unless they are collected by his own country.

On August 14, Trump went a step further, telling his supporters in New York that he had plans to declare the Strait of Hormuz a “territory” of the US. “After we finish defeating Iran, which is being very badly defeated, pretty soon I’ll be declaring the Hormuz Strait a territory of the United States,” Trump said.

Kazem Gharibabadi, Iran’s deputy foreign minister for legal and international affairs, responded to that threat on social media with defiance.

“Trump said that, after Iran’s defeat, he will soon declare the Strait of Hormuz as American territory,” Gharibabadi wrote.

“The Strait of Hormuz cannot be taken over by a tweet, nor by an aircraft carrier, nor by issuing a decree, nor by an election speech. Iran is neither afraid of threats nor intimidated by a show of force.”

The youth movement among our political leaders, especially among Democrats, is in full cry. On the whole, this looks to be a positive inflection point in our political leadership, empowering a new generation of leaders advocating needed changes in the government’s relationship with its constituents.

But in some particulars it’s misplaced. As the smoke from the recent party primaries clears, it’s proper to take stock in what we’ve lost, alongside what we may gain from a changing of the guard.

For example, take Rep. John B. Larson (D-Conn.), 78, who was turfed out of his seat in his state’s Aug. 11 primary by his Democratic challenger, former Hartford Mayor Luke Bronin, 47.

Given that Larson is in his 28th year as a member of congress, it sounds reasonable to suggest that it’s his time to go. But that means overlooking Larson’s most important role in the House, as a member of both the majority and (currently) the minority. And that’s his persistent campaign to preserve Social Security — indeed, to enhance it so it serves today’s workers as well or better than it has served Americans since its enactment in 1935.

There doesn’t seem to be much risk that Bronin’s election, which looks likely, will undermine the progressive faction in the House.

Connecticut’s 1st Congressional District, which Larson represents, is perhaps the bluest district in a blue state, and Bronin’s policy positions tick all the appropriate progressive boxes. But it will probably take years for Bronin to acquire the credibility on Social Security that Larson possessed, even assuming that he wishes to do so.

Larson’s instrument has been the Social Security 2100 Act, which he first introduced in 2017. The act has never passed, but in its draft versions it has embodied several principles that remain fundamental to the Democratic approach to Social Security.

Among them: augmenting benefits to the lowest-wage workers; providing coverage to those whose work has been outside the system, such as family caregivers; and raising Social Security taxes on the rich, who have increasingly avoided paying their fair share of the costs of this all-important antipoverty program. More on that in a moment.

Larson’s loss didn’t result from his championing Social Security. The thrust of Bronin’s campaign was almost entirely that Larson had grown too old in the job, and the path should be cleared for new blood (i.e., himself).

Nothing is new about the drive to bring fresh faces and fresh ideas into the political mainstream. Youth movements arise regularly in politics, especially in times of partisan discontent.

George Orwell, whose observations about the politics and mores of his time remain relevant to the present, wrote (in 1932) of the youth movement that erupted in Britain in 1918.

“At that time,” he wrote in “The Road to Wigan Pier,” his classic about class and economics, “there was, among the young, a curious cult of hatred of ‘old men.’ The dominance of ‘old men’ was held to be responsible for every evil known to humanity, and every accepted institution from [Sir Walter] Scott’s novels to the House of Lords was derided merely because ‘old men’ were in favor of it.”

Orwell traced the phenomenon to Britain’s experience in World War I, which he wrote “had been conducted mainly by old men and had been conducted with supreme incompetence. By 1918 everyone under forty was in a bad temper with his elders, and the mood of anti-militarism which followed naturally upon the fighting was extended into a general revolt against orthodoxy and authority.”

Today’s youth movement, which is concentrated among Democrats, has an analogous origin. It’s rooted in distaste for a politics that has impoverished a generation while filling the pockets of the wealthy.

In some cases, the need to usher superannuated politicians out the door is indisputable. A prime specimen was Sen. Dianne Feinstein (D-Cal.), whose mental and physical incapacities became manifest as she neared the end of her life; in 2023 she died in office at 90.

On the other hand, Rep. Nancy Pelosi (D-San Francisco), led her Democratic caucus with a firm hand as Speaker until she yielded the gavel in 2023 at age 82, having notched one of the most successful speakerships in history. (She’s not running for reelection this year.)

Joe Biden, whose apparently faltering faculties became a political talking point during his 2024 presidential reelection campaign, when he was 82 and was in the process of returning the U.S. economy to its pre-pandemic strength when he lost to Donald Trump — who at the age of 80 has been systematically dismantling Biden’s economic policies to the disadvantage of middle-class and working Americans.

Meanwhile, has anybody heard recently from Sen. Mitch McConnell (R-Ky.), age 84? He hasn’t been seen in public since mid-June. At the moment, he’s regarded as one of those politicians determined to hold on to their seats with what Orwell (him again) described as their “prehensile bottoms.”

As I wrote in 2023, when the age issue was all the rage, “concern-trolling about the advanced age of government leaders hasn’t always been a path to political success.”

Franklin D. Roosevelt cited a “hardening of the judicial arteries” in announcing his 1937 scheme to pack the Supreme Court, which involved shifting the politics of the court to the left by trying to force justices to retire when they reached the age of 70, or adding a justice to the court for every sitting justice who refused. FDR’s plan collapsed after it provoked widespread opposition, the most significant political failure of the New Deal.

That brings us back to the Social Security 2100 Act. The measure, which was introduced in the Senate by Sen. Richard Blumenthal (D-Conn.), isn’t perfect. In fact it has been revised at least three times, typically to address political wavelets that come and go.

In all versions, over time it would eliminate the cap on payroll taxes, which are currently limited to 12.4% on wage income up to a maximum of $184,500. That’s a maximum tax of $22,878, divided 50/50 between workers and their employers.

Because of the cap, the effective payroll tax rate on someone with income of $1 million falls to about 2.3%; in reality it’s even lower, because unearned income such as capital gains, interest and dividends, which constitute half or more of the income of wealthy households, isn’t taxed at all.

Originally, the bill called for raising the payroll tax rate by one-tenth of a percentage point a year, to an employer/employee combined 14.8% by the 2040. On the other hand, Larson would reduce the income tax on Social Security earnings, returning a bit to middle- and lower-income workers. Social Security’s actuaries calculated that Larson’s bill would ensure the program’s solvency for at least 75 years, but in practical terms into the almost limitless future.

The rate increase was dropped in subsequent versions, but it was supplanted by a 12.4% tax on net investment income for taxpayers with income over $400,000. That would guarantee the system’s solvency into the 2060s, the actuaries calculated.

Social Security’s advocates plainly could see Larson’s defeat coming. The day before the Connecticut primary, three of them published an op-ed calling Larson an “irreplaceable” asset to their cause. “When it comes to fighting for Social Security,” they wrote, “no one has worked harder than Rep. Larson.” They pointed out that the “Social Security 2100 Act earned in the last Congress support from over 90% of House Democrats, representing all corners of the Democratic coalition.”

Bronin hasn’t said anything specific about Social Security, beyond a campaign pledge that he’ll work for “strengthening” the program. I asked his campaign whether he had any details to offer, but didn’t get a reply. Larson, for his part, has reacted to his defeat with a gentlemanly call for all Democrats to come together to defeat Trump.

Unlike Republicans, who have spent decades slandering Social Security as an undeserved “entitlement” and suggesting that it’s responsible for federal budget deficits (impossible, as a matter of law) and sluggish economic growth (untrue, as a matter of fact), Democrats have worked to preserve it, if not always effectively.

In coming Congresses, Republicans will be offering all sorts of nostrums to “save” Social Security. History says that these will aim to impose benefit cuts on workers to protect the rich from higher taxes.

Will the Democrats stand fast against this long GOP campaign? With Larson’s defeat, they’ll be short one leader. Let’s hope the rest of the party keeps the faith.

Welcome back to the Times of Troy newsletter, where we’re dedicating the next two editions of Times of Troy to determining a range of outcomes for this make-or-break season of USC football. We’ll save the rose-colored takes for next week, when the Trojans will be on the doorstep of their season opener against San José State. But for today, as we did at this time last year, let’s consider the other, darker side of that same coin — and talk about how it could all go wrong.

Because, rest assured, there will be plenty of landmines to navigate through a gauntlet schedule that includes all three of the top three teams in opponent adjusted efficiency (FEI) from last season (Indiana, Oregon, Ohio State), plus the 14th-ranked team in the same category (Washington). Then there’s a trip to one of the hardest places to play in America (Penn State) to boot.

USC will need to win at least three of those five games to make the Playoff. Which is borderline cruel to ask.

For the purposes of this exercise, let’s assume that USC opens its season 3-0, with wins over San José State, Fresno State and Louisiana. Anything less, it’s fair to say, would be an unmitigated disaster.

How those three weeks go, though, will be important for the progress of USC’s young players, who need to find their bearings fast in order for USC to fulfill its potential.

It would be an especially unfortunate twist of fate for that process to be interrupted or for the team’s depth to take a hit through that easy, early stretch. But barring injury, those first three weeks should give USC time to get some of its young stars — such as receivers Kayden Dixon-Wyatt and Boobie Feaster, tight end Mark Bowman, cornerback Rock Hill and defensive end Luke Wafle, especially — up to speed.

The slate really begins Sept. 19, when USC opens conference play with its furthest possible trip east, at Rutgers. With Oregon awaiting the next week and the added dynamic of cross-country travel, you could certainly convince me the Trojans could be caught flat-footed in this game, leaving things a bit too close for comfort. But if USC somehow loses to Rutgers in its Big Ten opener, coach Lincoln Riley might not make it much past Halloween.

So let’s say the Trojans are 4-0 when Oregon comes to the Coliseum in late September. Really, it’s this game that will tell us where USC is actually headed this season.

Because the stage will have never been bigger for quarterback Jayden Maiava, who had his worst game of 2025 in Eugene last fall. That performance, according to Pro Football Focus, featured double the turnover-worthy throws (six) of any other game Maiava has started at USC. Any worst-case for USC probably includes some form of unraveling from the quarterback.

But even with Maiava at his best, Oregon is still the deeper and more well-rounded team. The front seven should be as formidable as it’s ever been under coach Dan Lanning. The quarterback might be the NFL’s No. 1 overall pick next spring, and his weapons on offense are as good as any in college football. That firepower proves too much for USC, which gets beat at home for the first time since November 2024.

Losing to Oregon would be a bitter pill for a young team to swallow. And it would also be a particularly bad time to start spiraling. Because the next three weeks are all losable games. Washington has a mobile quarterback (Demond Williams) capable of wreaking havoc on USC’s defense if its front seven can’t keep him contained. And while we don’t know what to expect from new coach Matt Campbell and Penn State, the White Out at Beaver Stadium a week later will be no joke. Even Wisconsin shouldn’t be overlooked two weeks after that. Especially at Camp Randall.

There’s a world in which USC has lost three of four, we’ll spot them a win at Wisconsin, after starting the season 3-0. That slump could be an absolute back-breaker. Because guess who looms after that?

Oh, just Ohio State and Indiana.

Pretty bleak, right?

Suddenly, in this most demoralizing scenario, USC is out of the Playoff picture at the halfway point of the season. The positive vibes around Gary Patterson’s hire are gone, and a significant segment of the fanbase will have resigned themselves to never seeing a good USC defense again in their lifetimes.

The conversation around Riley’s future will have reached a fevered pitch. The seat will have gotten scorching hot. The Trojans would now be playing for their coach’s job. The pressure, on a particularly young team, would be immense.

And then, Ohio State comes to town. The Buckeyes have lost three times on the road in the last two seasons, compared to just once at home. But those three road losses were either in the postseason to a top-two team, at Oregon or the inexplicable 2024 loss to a far inferior Michigan team in The Game. Chalk this up to a loss, as Ohio State tramples over both of USC’s fronts.

Indiana, meanwhile, has yet to lose a home game in two years under Curt Cignetti. I don’t expect that to change this year, either.

So with losses to Ohio State and Indiana — and a presumably smooth win at Maryland — USC would be 6-5 heading into the crosstown rivalry. And I think we can all agree that no scenario would be more of a worse case for USC than UCLA emerging from its first season under Bob Chesney as the better-trending program between the two.

I don’t think that’s where this season is headed. This is an absolute worst-case scenario, after all. The schedule does give USC serious spiral potential. And stranger things have happened in the crosstown rivalry.

But if USC were to end this season at 6-6, with a baffling loss to the Bruins, I think I can say pretty confidently that the whole program will be headed in a new direction after that.

Will Ryon Sayeri remain USC’s kicker this season?

(Kenneth Richmond / Getty Images)

—Is USC’s starting offensive line already set? It’s starting to feel that way. The season-ending injury to center Kilian O’Connor limited USC’s options, with Tobias Raymond now almost assuredly set to step in there. But from what we’ve seen in open periods, there hasn’t been much movement elsewhere. Hayden Treter has been the preferred option at left guard, while Alani Noa has primarily been at right guard. Elijah Paige and Justin Tauanuu have once again been the bookends at tackle. Whether that’ll be the case by the midway point of the season, we’ll see, but USC seems confident with Treter and Noa flanking Raymond on the interior.

—Could USC make a change at kicker? Riley would like us to believe that it’s definitely a possibility, despite the fact that last season’s All-Big Ten third-team kicker Ryon Sayeri has returned. Sayeri wasn’t going to get the job last year until former Nevada Las Vegas kicker and freshman All-American Caden Chittenden got injured and relinquished it with Sayeri’s strong play. “I don’t know that I’ve ever been in a situation as a coach where you have like two guys that you believe in as much as I believe in them,” Riley said. Still, it would be bold to replace a guy who was as consistent as Sayeri was for most of last season.

—USC football got its Class of 2028 quarterback. Trey Wright is currently just the 25th-ranked passer in the class, according to 247 Sports. But Riley, who prefers to offer just one quarterback in each class, clearly sees something in the Frisco, Texas, signal-caller. Wright certainly piled up stats as a sophomore, throwing for over 4,000 yards and 38 touchdowns while rushing for nearly 1,800 yards and 16 touchdowns. The comparisons with Kyler Murray were natural even before the Vikings quarterback, who won a Heisman with Riley, sent Wright a video that he posted on social media. Wright is just 5 feet 10 and 175 pounds. But he looks like a heck of an athlete.

—Most of USC’s starting lineup for next hoops season is injured right now. Which is not exactly … ideal. But only center Eric Reibe is expected to miss real time into the season. Georgetown transfer KJ Lewis’ ankle should be healed by the start of the season in November. He’s expected to start playing live five-on-five in October. Rodney Rice (shoulder) should be good to go before that, while other key contributors have battled through bumps and bruises this summer. Reibe’s situation is especially odd. He sought a second opinion on his foot injury, according to a person familiar with the decision, and was told to sit out the summer to try to avoid surgery. Well, he ended up getting the surgery anyway, losing seven weeks of potential recovery time.

Polling the people

This is obviously a critical season for Riley’s future, and everyone seems to have a number in mind of what it’ll take for Riley to keep his job.

So, what is the fewest number of wins you’d accept from Riley and USC without calling for a change?

6 wins
7 wins
8 wins
9 wins
10 wins/Playoff appearance

Click here to vote in our survey

What I’m watching this week

Emmy Rossum in “Furious.”

(Sarah Shatz / Disney)

You don’t see many female serial killers — estimates historically range around just 8% to 12% — but that premise is a thrilling starting point for Hulu’s new cat-and-mouse crime thriller, “Furious.” Emmy Rossum stars as Alice Black, a female FBI agent who’s tasked with tracking down a sex trafficking survivor who has taken to murdering the men who abused her.

But the show gets much deeper than that, as lines start to blur between what’s right and wrong and who’s the actual villain in the story. Only a few episodes are out so far, but what I’ve seen so far suggests we might be looking back on this show as one of the best of 2026.

In case you missed it

USC quarterback Jayden Maiava pushes to use his voice as he enters his third season

Until next time …

That concludes today’s newsletter. If you have any feedback, ideas for improvement or things you’d like to see, email me at ryan.kartje@latimes.com, and follow me on X at @Ryan_Kartje. To get this newsletter in your inbox, click here.

The Mirror’s Stephen Jones and his wife Charlotte have a lot of tips to pass on to other news parents after taking their newborn babies on holiday for the first time to the TUI Blue Orquidea in Gran Canaria

‘That’s it,’ my friends said, when I told them we were expecting twins. ‘Wave goodbye to your nice holidays, you’ll never have another,’ they warned.

Could it be true, that I would never relax in sunshine again? Never have I been determined to prove anyone so wrong. And never have I wanted a holiday more after the exhausting first few months of keeping two newborns alive, we needed a break.

A week-long trip with our TWO four month old babies to the fabulous all inclusive TUI Blue Orquidea in Gran Canaria (flying time: four-and-a-half hours) seemed an apt test. Whether you think we were brave, foolhardy or naive, I am pleased to say we not only survived, but we enjoyed it! Here’s what we learned.

1. It pays to prepare

We did our research and bought a lot of decent equipment in advance. Our rule was to pack half a suitcase each for ourselves while each baby had the other half. Pushing a suitcase and a pram each at the same time proved an acquired skill but was made easier with the two Bugaboo Butterfly 2 which can stow in overhead lockers. And we sensibly booked a night at a London Gatwick hotel to ease the stress of our 5am check-in time.

Having two babies sat on your laps for the whole flight once you have factored in feeding and sleeps isn’t too bad; having bottles prepped for both take off and landing is essential. We bought Alpine Muffy ear defender-style headphones to protect their precious ears, and Jellycat cloth books to keep them entertained. Changing a nappy in the cramped toilet is a challenge but doable. As the wheels touched down I breathed a sigh of relief the flight hadn’t been as bad as I expected and I felt buoyed by the sense of achievement.

Booking a private transfer from the airport to the hotel 20 minutes away in Bahia Feliz with two baby car seats was a luxurious extra which proved worth every penny and we will do again.

It meant we avoided queues at check-in and after our warm welcome, we were pleased to discover our room was spacious enough to accommodate two travel cots and the balcony provided a quiet post-bedtime drink spot.

We can highly recommend following travel journalist mums like Emma Cooke (@petite.blondine) on TikTok and Instagram for useful tips like bringing an inflatable chair for bathtime and collapsible bucket for sterilising bottles.

2. It doesn’t matter how much noise your children make

The one thing I really feared before our holiday was the embarrassment of our babies crying. I soon discovered the truth is most people are too busy worrying about their own children to care what yours are up to. The reassuring sight of so many other families trying to do exactly what we were trying to do spurred us on.

Even when our kids did cry in the restaurant, it was too noisy for anyone more than five metres away to really hear, and not once did anyone look bothered. The hotel’s buffet-style set up had a huge variety of choice but importantly meant we could take it in turns to get food while one of us stayed with the babies. A highlight of our stay was an evening out at the Orquidea’s scrummy a-la-carte restaurant La Taverna where they thankfully behaved.

The one time one of our babies did have a meltdown (in a queue on a day trip), people were sympathetic not judgmental. We soon realised the joy our babies bring others far outweighs any panic.

3. Plan, plan, plan

When you have babies you have to slow down your itinerary. Aim to only do one or two significant things a day. We soon learned to always make up bottles for the next feed straight after the current one; the next comes around pretty quick!

When you have fed them, you have a gap of max three hours to do an activity before they get grouchy, so try to already have something planned or booked in advance. Before our trip ,we hadn’t really appreciated how well set up for kids aged under three years old this family friendly resort was. One of the best things we did all week was a visit to the baby spa put on by the TUI baby and tots club staff, a sensory led experience where both babies delighted in being pampered.

Most days followed a pleasantly simple rhythm: breakfast, play time, lunch, naps, swimming, dinner and sleep. And repeat. When I have since been asked what the best thing about our holiday was, I’ve replied: ‘Being able to take the kids swimming every day’. Getting them used to being in water daily in the calm surroundings of the toddler pool, kicking their little legs and grinning while we held them, is a precious memory. We planned a lot of our feeds around these dips.

4. Hotel staff will help you out and people are kinder than you imagine

We were overwhelmed by the generosity of people who on seeing we had twin babies were only too happy to allow us to push in front of a queue or be served before them.

That said, travelling with babies is never completely stress-free. There were often moments when one twin decided nap time was optional or both babies demanded attention simultaneously. And we never left our room without extra nappies and wipes (having restocked at the nearby Spar) ready for any unexpected drama.

But somehow everything felt manageable. There was a godsend of Baby Lounge with aircon next to the pools we used every day to change nappies or just quiet time (the staff organise playdates for kids and their parents here too).

There’s tonnes for kids of all ages to do on a TUI holiday but it’s worth stressing they have trained staff who will take your babies off your hands for a couple of hours while you go and enjoy a peaceful lie by the pool or trip to the luxurious spa or gym (I pleased to say I made it to both more than once).

Indeed, the TUI staff couldn’t do enough to ensure we enjoyed the best possible trip – while we were staying at the busy Grupotel Orquidea, they recommended we check out their more sedate sister hotel, the Playa Feliz next door. This was a tip that made our trip as that’s where we ended up spending most of our time (the staff hold Little Splashers sessions for babies here as well).

5. Once you’ve done it once you will want to do it again

Now we have done it – and survived – I almost can’t remember what we were worrying about in the first place.

One of the other highlights of our trip was a day out to the village of Mogan – a picturesque fishing village on the coast known affectionally as ‘Little Venice – which you access via ferry.

I was 50/50 about booking a boat trip with babies but there was nothing remotely difficult about ditching our prams for slings. Our Ergobaby Omni baby carriers’ mesh design coped well in the heat as we explored the village’s quaint streets and waterways by foot.

Mogan has a pretty, sandy beach where we were able to dip the kids’ toes in the sea for the first time, a memory I will never forget. It was at that point I realised that’s the point of holidays, a chance to make those kind of long lasting memories. And when I started to think where we could go next.

Book the holiday

• TUI offers seven-night holidays to Gran Canaria, Spain staying at the 4T TUI BLUE Orquídea on an all-inclusive basis from £900pp, based on 2 adults and 1 child sharing a twin room, flying from London Luton in August, and 23kg luggage per person and transfers included. tui.co.uk
• TUI Musement offers a Gran Canaria’s ‘Little Venice’ – visit Puerto de Mogan by boat from £45 per adult, £28 per child (3-12 years old) and children (0-2) go free. tuimusement.com/uk

In the beginning of 2025, Taylor Olin had decided she’d seen enough of Echo Park and decided to relocate to a cozy ranch up in Altadena. There, she’d begun to plant her roots in an artistic community, spending most of the last year and some change nestled in with her new flock of bohemian neighbors.

It would be the perfect sanctuary for the Something Specials frontwoman, that doubled as a creative space.

By the first week of January, she moved her belongings into a rented stationary camper situated on a ranch owner’s sprawling land, that they’d lived on for more than 25 years. In the shadow of the San Gabriel Mountains, her L.A. chronicle would continue, as dreamed.

But within a week of settling down, she’d receive a knock on her door, step out of her home, and see flames burning a nearby hillside. When she saw the fire she knew to leave, packing as much as she could before making a run for it.

“Every successive update we would get from her was just unbelievably surreal,” said Josh Augustin, who plays drums and keys and does production for the band.

She didn’t know it yet, but all that was left of her camper was its frame; it’s burned, twisted metal was another casualty of the L.A. wildfires. For the next couple of weeks, she’d couch surf until ultimately sleeping in her van, waking up early to wait tables at an oyster bar on Sunset Boulevard.

The remains of Olin’s rented camper.

(Taylor Olin)

“From there, I went back to Florida, and I put on a benefit show for some specific people in Altadena that I wanted to give some funds to,” Olin said.

She’d then relocate to Europe and start fresh with aid from a GoFundMe created by a friend. Roughly a year and a half later, she’s still there and has had time to reflect on the experience.

“As much as I was directly affected, I really have held the space in my heart for those who have been there for their entire lives,” she said.

“My commitment to the community had only been a year … whereas they had invested so much and lost so much.”

But something fascinating was happening behind the scenes, coinciding with the disaster that had sent Olin overseas and left her bandmates, Augustin and Nathan Slone — located in New York City — shocked.

One year earlier, the band had released “Love,” a pleasantly sweet, folky, country-adjacent tune that melts easily into eardrums. Though it hadn’t received much attention at the time, it began to gain some traction on social media right after Olin settled down in Europe, frequently appearing in short-form videos across Instagram.

“We had no idea where we were getting it from,” she said of the new listeners. “It was picked algorithmically and put at the top of recommended songs on stories and reels, and so we started seeing thousands of reels being used with its intro.”

The band unwittingly stumbled into virality.

“We would get maybe a few hundred listeners in a day across our entire discography,” Slone, guitarist and bassist, said. “It’s … come to life, die, come back to life, and died. Now our whole discography seems to be in a ‘high tide lifts all ships’ moment.”

At that time, “Love” was floating around 1 million listeners on Spotify. Today, it sits at nearly 20 million, with the band’s average monthly listeners at 1.2 million. Small highlights include being featured in a Reese Witherspoon carousel and Ashley Tisdale French gardening video on Instagram, the latter containing their other hit, “Aces.”

Now, the trio is gearing up to release its debut album, “Somewhere Up There,” on Friday. At just shy of an hour, the project is split almost evenly between new music and previously released tunes.

Album art for “Somewhere Up There.”

(Taylor Olin / The Something Specials)

Impressively, the band has met in person only three times, one of which was when they first agreed to work together. Better yet, when Olin and Slone first met, it was shaking hands on stage at the Echoplex before the band’s first show.

They’re all skilled musicians, having done their due diligence in different music groups, but nothing has clicked like the parasocial success that is the Something Specials.

“We need each other all the way through — we each bring a different thing to the project,” Slone said.

“I’ll go and write the bass of the song, and a riff if there’s a riff. Josh helps with keyboards and drums. We refine it a little bit together. We send it to Taylor. Taylor records over it. We get it back. We might add a part or two. We mix it. All say yes. Send it for mastering and upload it.”

In a modern world, it’s not unusual to hear of music production being done in such a way, but it’s the group’s limited personal relationship that makes it shine.

The plan is to keep being nonchalant about the whole thing, and hopefully their fan base will continue to grow. On Oct. 28, they’ll play the Sultan Room in New York City, their third time together as a band.

“It’s bizarrely easy,” Slone adds.

“With very few exceptions, if things are flowing well, we can wrap something up in a week or two,” Augustin adds about the outfit’s remote recording process.

They’re still winging it at this point, unsigned and with no representation, but “winging it has served us well,” Olin said.

“We’ve been approached many times [by labels],” Slone continues. “But we do pretty darn well on our own, and record labels don’t really have much to offer us, frankly.”

Olin says that in a time where the use of artificial intelligence is so prevalent, and particularly in creative spaces, doing things “DIY” is the best approach. They’re starting with an initial run of around 500 vinyl records, with plans to release the album on CD and cassette later down the line.

“With this kind of band — with our sound, with our aesthetic— I think that as old-school as possible feels best,” she said.

Lots of broken-up bands reconvene for a tour, as the Black Crowes did in 2019, half a decade after brothers Chris and Rich Robinson dissolved the Southern rock group they’d formed in Atlanta in the mid-1980s. Some even stay together long enough to make a new record, as the Crowes managed to do with 2024’s well-received “Happiness Bastards.” What’s relatively rare in music is for a reunited band to quickly follow up a comeback album with a second one. Yet that’s what the Robinsons did this year when they dropped “A Pound of Feathers,” the Crowes’ 10th studio LP, behind which they’ll touch down Monday night at the Hollywood Bowl. Ahead of the show, Chris Robinson, 59, called from the road to tell the stories behind five of the band’s songs.

‘Hard to Handle’ (1990)

The Black Crowes broke out with a frisky cover of this Otis Redding tune just as hair metal was giving way to grunge. A hit on MTV, the song drove sales of the band’s debut, “Shake Your Money Maker,” to sales of more than 5 million copies.

There are some songs of Otis’ that I couldn’t do justice. As a 21-year-old kid starting my career — well, we didn’t even know we were gonna have careers — but what am I gonna sing? “I’ve Been Loving You Too Long”? “Hard to Handle,” it’s cheeky, it’s lighthearted. And I loved the break: “Pretty little thing, let me light your candle…” So I took it to George Drakoulias, our producer, and I said, “I think we could do this.” George is the one who turned it into “Walk This Way” — he put it in the same rhythmic space. Otis’ version swings, but we really couldn’t swing at the time.

So “Hard to Handle” wasn’t something you were playing live early on?
No, we brought it in for the record. Being from Georgia and Otis being from Georgia, it was important to us that people knew this is where we’re coming from. Two autumns ago, Zelma Redding and her family invited us to their big old ranch outside Macon, and we had an afternoon in the great man’s study. They have all his awards and guitars and stuff and the velvet slippers he had on when the plane crashed. At certain times in our career, we’ve been like, “F—, do we have to play ‘Hard to Handle’ again?’” We’d jam at the end or try all these things to make it sound different. But as the years have gone by, we just play it the way it’s supposed to be.

George’s engineer, Brendan O’Brien, played the guitar solo in “Hard to Handle.” Why?
We had Jeff Cease, but he’d split and gone back to Nashville. And Rich didn’t play solos back then. That changed, but at the time he was the rhythm guitar player. So it was out of necessity. We needed that meat-and-potatoes solo, and Brendan could rip it. I saw him on some podcast saying we were in L.A. and we were gonna call Slash. I’m like, “No we weren’t — you did the solo in Atlanta on Rich’s Les Paul.”

“Shake Your Money Maker” came out on Rick Rubin’s Def American label, and he’s credited as executive producer. Did Rick do anything on the album?
No.

All righty.
I’m just being honest. George and I lived in Rick’s house — I was in the basement — but the most I saw of him at the time was him leaving to go get lunch at Canter’s with Glenn Danzig. He did come to a session once with Andrew Dice Clay. We were called Mr. Crowe’s Garden at the time — we weren’t yet the Black Crowes. Rick and George were like, “You guys probably need to change your name,” and Andrew Dice Clay goes, “You should change it to Sticky Paste.” I said, “Why don’t you stick to the cigarette over your head, and I’ll handle this?”

‘She Talks to Angels’ (1990)

For “Money Maker’s” fourth single, the band released this darkly poetic ballad about a woman struggling with a drug addiction.

Were you nervous to reveal a softer side?
The only trepidation would’ve been because this was the power-ballad era of all the hair-metal bands.

Poison with “Every Rose Has Its Thorn” and so on.
Every band had one. There were hair-metal bands that only had power ballads — Firehouse or some band with 17th century French aristocrat hair.

Everything but the lace cravat.
Everything but sincere songwriting. Look, they’re people too — I get it. But we wrote a ballad out of the sincerity of how we were feeling, you know? We were reaching for “Wild Horses” or “Dark End of the Street” or “Astral Weeks.” The power ballad was a device for rock bands, but we didn’t use it as that. We used it as pure expression.

Tell me about the story the song tells.
My interest in writing and literature revolved around darker themes, whether it was the Beats or Paul Bowles or whatever. There’s drugs and madness and pain but also glory and redemption and the true heartbeat of life. So the song is a sad story but it’s romantic. There’s no moral gotcha — no resentment toward the character or the predicament they find themselves in.

How’d you come by that approach?
Reading. My mother, who just passed away a few weeks ago, she gave me a great gift: I’m dyslexic, and my mom in the early ’70s in the Deep South, she knew something was up with me. I went to school three times a week after school for years to learn how to read. And when that clicked, that was everything. My life now, it’s horribly boring. Rick Rubin with Danzig at Canter’s sounds exciting compared to Chris Robinson and the used bookstores of my life.

“Angels” is full of vivid details: the lock of hair in the woman’s pocket, for instance. Who were the songwriters that taught you how to create an image?
It all starts with Bob: “Jewels and binoculars hang from the head of the mule” — like, what?! But I’m a funny Dylan fan because I like the weird lyrics he does, like “Clothes Line Saga” from “The Basement Tapes.” Alex Chilton was really big. The first Big Star record I could get my hands on in the early ’80s was “3rd.” As a matter of fact, the first show we ever did, Rich and I played “Nightime” from that record.

On the strength of “Money Maker,” the Crowes were nominated for best new artist at the Grammys in 1991. You didn’t win —
A theme that continues today.

You remember who did?
It was Mariah Carey, I think.

Correct.
Good for her. Rich and I flew in from some tour date for one night, and I remember MC Hammer winning and doing something with Pepsi. I met MC Hammer a couple years ago. Amazingly cool guy.

What put you and Hammer in the same room?
I’m not allowed to talk about that.

Sure.
No, I’m serious — I can’t talk about it.

‘Remedy’ (1992)

The Crowes’ sophomore album, “The Southern Harmony and Musical Companion,” was led by this swaggering soul-rock jam, which Robinson opened with a memorable couplet: “Baby, baby, why can’t you sit still? / Who killed that bird out on your windowsill?”

I was in Philly a few weeks ago, in Rittenhouse Square, and I said to my friend, “That’s the hotel that I opened my window one gray day on tour, and there was a dead bird.” The room was on the 15th floor or something, and I guess the bird had flown into the glass. I was in a series of early failed rock and roll relationships, so my imagination was: Who killed that bird? Oh, she did it. The rest of it’s made up, but I had to see the dead bird that morning to kick off the thought.

There’s some great interplay here between you and your background singers — really draws out the R&B in the band’s sound.
For us, it’s instinctive. I’ve ingested a lot of Funkadelic, a lot of Prince, a lot of the Gap Band. One of my first concerts was Cameo on the “Alligator Woman” tour — mind-blowing. My singing is far more rhythmic than it is melodic a lot of the time. When I was playing with Joe Perry last summer, Steven Tyler came down to the Hollywood Bowl to do “Train Kept A-Rollin’.” He was like, “What key’s it in?” I said, “I don’t know.” He’s like, “You’ve been out with Joe for three weeks, and you don’t know what key the song’s in?” I said, “Steven, are you ready? I’ve never known what key a song is in.”

“Remedy” spent 11 straight weeks at No. 1 on Billboard’s rock radio chart. One of the songs stuck behind it was the Red Hot Chili Peppers’ “Under the Bridge.”
And just think — I never took my shirt off.

‘Sting Me’ (1992)

The tune that eventually knocked “Remedy” from the top spot? The Crowes’ second single from “Southern Harmony.”

It’s as close to a protest song as we ever got. Concerts in the ’90s were wild, man — we were seeing security guards beating on kids. But we were also seeing this blind patriotism toward ideals and philosophies that you’ve never even really looked at with any depth. So: “If you feel like a riot / Then don’t you deny it.”

There’s something slippery about the riff — it takes a second to figure out where the one is.
It fights itself — it’s funky in there. “Shake Your Money Maker” was very straight — click tracks to put the drum track together, now play the bass over that, blah blah blah. We just weren’t great at that point. By the time we’re in the studio with “Sting Me,” though, that’s one take live on the floor. We made “Southern Harmony” in eight days.

You can hear the effect of having played a few hundred gigs.
I’m glad you say that. Now bands are like, “I don’t want to go on the road — I’m gonna take a mental health break.” Can you imagine in 1992, you’re in one of the biggest bands in the world, and you’re like, “Hey man, I gotta chill out”? Get the f— out of here.

The “Sting Me” video was filmed at the Great Atlanta Pot Festival in 1992, which the band played as part of your activism around legalizing weed. What’s it been like to see those efforts succeed to some degree?
My main victory within that, if my voice was a part of it, is that we’re in a more gentle place — that it won’t ruin your life now if the police pull you over and there’s a roach in your ashtray. You have to realize: Being arrested isn’t just about the inconvenience of being incarcerated — it’s that now you’re in the system. I mean, ask any marginalized community — those drug laws were put on the books to keep you down.

‘Pharmacy Chronicles’ (2026)

Over a shuffling country-blues groove, Robinson sings about “perfume, Champagne and sin” in this standout from “A Pound of Feathers.”

Would you have foreseen that, after you got back together, you and Rich would release two albums in less than two years?
I don’t know about that. But leave Rich and I to our own devices, and that’s what we do. Our whole entrée into this world wasn’t because I could sing or he was a great guitarist — we wanted to write songs. I’ve written a lot of songs by myself, and probably out of those songs, there’s a few that I’m proud of. And I think Rich would say the same thing for himself. But there’s just something about the inspiration I get from Rich’s playing that makes us a successful songwriting team.

“Pharmacy Chronicles” has some bedraggled wisdom to it. I’m not sure you could have written it as a younger man.
I wasn’t that cynical then. It’s making fun of yourself in a way — like some old Victorian actor in the bowels of the theater taking his makeup off and wondering what it all means.

Do you think your voice has changed along with your perspective?
Of course my voice has changed — through age and, in the ’90s, through abuse. I can’t hit the super-highest notes I could as a young person. But we still sing the old songs in the original keys. Not that I know what those keys are.