time

SAN DIEGO — The good people of New York like to consider themselves tough. If you can make it there, as Frank Sinatra crooned, you’ll make it anywhere.

Do not confuse hot takes with sounding tough. Two New York sports talk hosts this week took daft shots at Joe Davis and came off — in the last adjective with which any true New Yorker would want to be described — as soft.

Let’s rewind: Davis is the lead voice of the Dodgers on SportsNet LA. He is also the lead voice of the national baseball broadcasts on Fox. In the latter role, he called last Saturday’s game between the New York Yankees and the New York Mets.

At one point, Mets outfielder Carson Benge dropped an easy fly ball. Without missing a beat, Davis said: “Oh, no! Oh, no, the Mets!”

It was the perfect call. The foibles of the Mets are so many and so weird that Mets fans themselves have embraced a term for them: LOLMets. You can learn all about it in a 23-minute YouTube video narrated by a former Mets pitcher.

Commentator Stephen Nelson, Dodger Shohei Ohtani, interpreter Will Ireton, Dodger Roki Sasaki and broadcaster Joe Davis address fans during Dodger Fest at Dodger Stadium on Jan. 31.

(Jae C. Hong / Associated Press)

Firing one manager (Willie Randolph) at midnight in Anaheim? Dumping another manager (Carlos Beltran) before he could manage a game because he was the only player cited in the commissioner’s report on the Houston Astros’ cheating scandal? Opening this season with baseball’s highest payroll and spending some time with baseball’s worst record?

“This year, and in recent years, there have been so many moments where it looks like the Mets are right there, ready to make a run or win the division or win a championship, and then something just tends to go wrong,” Davis said in San Diego Tuesday.

“They were in a stretch right there where every single day, they were getting a stud hurt. They put together a winning streak against the Tigers, then Clay Holmes has the comebacker break his ankle.”

The next day, Benge totally clanked it, and Davis totally nailed it — in the moment, not with some scripted phrase waiting in his pocket.

“You hope that your reactions in those moments — in any moment in this job — are authentic,” Davis said. “You don’t have much time for it to be anything else.”

On Monday, Evan Roberts — a host on WFAN, New York’s top-rated sports station — unloaded on Davis for “mocking” the Mets.

“Joe Davis has become a clown for the Los Angeles Dodgers and we all hear it,” Roberts said, in remarks posted by the Awful Announcing website.

Got anything else?

“I think he’s a Dodger fanboy,” Roberts said. “I think he wants to just make love to Shohei Ohtani every time he talks about him … He’s a great broadcaster, and I’ll admit it. But, for now, I think Joe Davis is a Dodgers shill and it’s obnoxious.

“And I’d give him this advice, not that he cares, he doesn’t care: Don’t go to the Dodger parade and be the emcee. It’s a bad look. It just is. You’re sitting there as the national voice and now you’re pom-pom waving at the Dodger parade. Come on, man.”

Davis works for the Dodgers. When the boss wants you to emcee the World Series championship rally, you do. Would the Mets’ broadcasters do the same? When the Mets win their first World Series championship since 1986, we’ll find out.

Let’s hear from Sal Licata, formerly at WFAN and now working independently: “What’s up with Joe Davis, by the way? You Dodger homer. ‘Oh no, the Mets,’ that’s a national unbiased broadcast? You biased Dodger blue fool.”

There always will be people who claim Davis is biased toward the Dodgers, just as people claimed his predecessor, Joe Buck, was biased toward the St. Louis Cardinals. Buck worked for Fox on weekends and called Cardinals games during the week.

And, for the people who see only what they want to see, Davis is the voice of baseball’s evil empire. Maybe that aggravates New Yorkers, but consider how aggravated we are that we have to fight through hellish traffic to get to Dodger Stadium or a television set by 5 p.m. so we can see our team play in the World Series because the East Coast needs to see the game in prime time.

Or how annoyed we are that we get televised Yankees-Red Sox games shoved down our throats when Red Sox management has opted for irrelevance and the best rivalry in baseball is here, between the Dodgers and Padres.

Better yet, how about we all chill? It’s just a game. We could break bread with New York’s famous bagels, except the New York Times told us we have the better bagels.

The Bob Baker Marionette Theater was about to debut its first new production in 45 years, and it was uncertain whether one of the show’s signature new puppets would even work. A pelican, with an oversized bucket-like beak, was in need of last-minute maintenance.

This gangly bird, designed to hop, skip, soar and sing to Clarence Henry’s mid-’50s rhythm and blues hit “Ain’t Got No Home,” was supposed to surprise the audience, as its elongated bill is actually hiding a frog. Getting the pelican-frog duo to perform in unison was a feat of mechanical artistry for the team, not to mention the choreography needed by the puppeteer.

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And in the minutes before showtime, director Alex Evans was trying to stay calm. In such moments, he would say later, he only need remind himself of an old adage in the puppet arts.

“Puppets,” he says, “break all the time.”

With that, he was ready to embrace the unknown.

“I always say I love the chaos of live theater,” Evans says. “We got to believe in this thing.”

“Choo Choo Revue,” the latest in a long line of song-and-dance productions, is arriving at a momentous time for the Bob Baker Marionette Theater. Just last month the troupe announced its intent to purchase its venue on Highland Park’s York Boulevard for $5 million, doing so as it was gearing up for performances at the Coachella Valley Music and Arts Festival. The latter went viral, a fact Evans attributes to many of the first week shows of “Choo Choo Revue” selling out.

An organist plays while people file into the premiere of “Choo Choo Revue” at the Bob Baker Marionette Theater.

In many ways, “Choo Choo Revue” is a statement piece. Evans, who also serves as co-executive director with Mary Fagot, wants to place the spotlight on the theater’s current crop of artists, fabricators and collaborators. While the show pays tribute in many ways to the theater’s legendary namesake founder, perhaps most notably in its use of his vintage record collection, it’s time, Evans says, for the Bob Baker Marionette Theater’s next generation to shine.

Evans was instrumental in the decision to shift the team away from the previously announced production of “Arabian Nights,” a project once spearheaded by Baker, who died in 2014. Just ahead of the arrival of the 2020 COVID-19 pandemic, the theater had gone so far as to print an “Arabian Nights” program, and had finished sets and puppets ready to go.

“Choo Choo Revue” is the first new Bob Baker Marionette show since 1981’s “Hooray LA!”

During the forced closure, however, the team began to rethink its future. “It was a deep-breath time to do some internal thinking about who we are and what we want to prioritize,” says Evans, who joined the company in 2007 as a volunteer and became a staffer in 2009.

“The first new show in 40 years — us finishing one of Bob’s shows would have been deeply personal and meaningful, but it would have kept the narrative, internally and externally, that this was one person’s vision,” Evans says. “‘Choo Choo’ is the culmination of so many different ideas and people. It was purposefully about opening the floodgates, that Bob Baker could be more than just the person of Bob Baker.”

It wasn’t a sure thing the Bob Baker Marionette Theater would even reach this milestone. For much of the past decade — since about the death of the theater’s patriarch — the narrative surrounding the theater was one of survival.

In 2019, the Bob Baker Marionette Theater needed a lifeline. Forced out of its edge-of-downtown home of more than 55 years, the beloved troupe with its thousands of handcrafted puppets — a saucy black cat in heels, a fish out of water that can’t help but wiggle — ultimately found a new location in a Highland Park theater, where it signed a 10-year lease.

Then came the pandemic, when the theater relied heavily on community fundraising to cover its rent. California, and Hollywood in particular, has a rich puppetry tradition. Bob Baker Marionette Theater likes to refer to itself as the largest ongoing puppet theater in the U.S. The oldest puppet space in the country resides up north in Oakland at amusement park Children’s Fairyland. And in 2020, Bob Baker found it had many fans, asking at one point to raise $365,000 over the course of a year. It did so in four weeks.

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1. L Castro twirls a marionette. 2. The audience gives a round of applause after the premiere of “Choo Choo Revue.” 3. People stand in line for the premiere of “Choo Choo Revue” at the Bob Baker Marionette Theatre. (Carlin Stiehl/For The Times)

Old favorites, including the theater’s famed black cat marionette, make appearances in “Choo Choo Revue.”

But it was the long process of buying its home, namely the belief that it would be in Highland Park to stay, that gave the company the confidence that it could go forward with a new show. The obvious question, of course, is why it took 40 years for a completely fresh Bob Baker experience. Evans gives a long answer, pointing to numerous hurdles, be it the shift in locations, the cost of preserving its historic puppets and collection, as well as just managing priorities.

“It’s not necessarily a financial hurdle,” Evans says, noting “Choo Choo Revue” cost $300,000, with about half of that sum dedicated to the creation of new puppets and scenery.

“I think it was more about priorities,” Evans says. “Like, do we get the staff healthcare first, or do we do a new show first? So we got the staff healthcare. Or do we give the stage better lighting.”

As for how and why the team settled on “Choo Choo Revue” as its first production since 1981’s “Hooray LA!,” Evans says not to overthink it.

“It made me giggle,” he says. “It was a jumping off point to imagination. ‘Choo Choo Revue,’ by name itself, I thought to giggle.”

The show is a fantastical representation of a cross-country train trip, filled with adorable puppet trains.

A meticulously detailed log with windows, for instance, or a car that seems to balance natural, mountainous wonders on its back. They’re colorful playthings, at least until the background scenery starts depicting various locomotive styles. Puppeteers will whisk train cars out into the open, each often housing a fantastical creature — a moose, for instance, who takes a break from knitting to prance around to a rendition of the on-theme traditional blues ditty “Midnight Special.”

Behind it all are tens of thousands of hours of handcrafted proficiency. Each new puppet is a work of art. Take, for instance, a swarm of bats that seemed to glow in the dark (the creatures, created for “Choo Choo Revue,” made their debut during last year’s Halloween season).

The Bob Baker Marionette Theater created more than 100 new puppets for “Choo Choo Revue,” including a pelican hiding a frog in its beak.

Or an intricately detailed cicada band. They’re each playing tiny instruments — one a half-open sardine can, another a stringed matchbook. Their wings deserve a close inspection, as the translucent curved fixtures are inspired by stained glass windows. There are trees that ski, and train whistles with big lips and high heels, modeled after harmony group the Andrews Sisters. Wait till the latter toot off their tops, as each of the 100 new puppets is full of surprises.

“We get a bunch of different artists together, and we all brainstorm,” Evans says of the creation process. “Like, ‘Let’s all think for a second about anthropomorphizing trains.’ We did a series of sketches and showed them to each other. I honestly probably have a thousand different fascinating ideas for train movement.”

On opening night, the crowd claps along to the numbers, cheering with delight at each new piece of whimsy that rolls or soars onto the floor-level stage. And as for the showstopping pelican, the frog erupts out of its beak right on cue, a moment that indeed inspires a round of laughter and childlike awe.

As the imaginary train whisks the puppets around the country, the show manages to build anticipation just by making the crowd wonder what comes next. Say, for instance, a fluffy Sasquatch, or a crooner of a moon in pajamas singing an old-timey lullaby to all the little ones seated cross-legged on the floor.

Puppeteer Ginger Duncan twirls a marionette named Comedy.

Much of “Choo Choo Revue,” like the yawning, serenading moon, is rooted in the music of the past. That was a decision made to ensure the show feels in line with earlier Bob Baker works. Yet Evans says the team is emboldend after Coachella to start tackling more contemporary songs at its Highland Park headquarters. The crowd at the Indio festival, for instance, went wild for the puppets swooning to Ben Platt’s cover of Addison Rae’s hit tune “Diet Pepsi.”

“Honestly, if we had done Coachella last year, it would have pushed ‘Choo Choo’ further,” he says, noting he initially feared pop music could distract. “I didn’t think it could work in a way that wouldn’t throw you out of the show.”

And yet Evans doesn’t want to get ahead of himself. He nearly teared up at the end of the “Choo Choo Revue” premiere, saying the following afternoon that seeing this show come together after multiple years was second only to his 2025 wedding in terms of creating an “overwhelming feeling of pride, love and care.”

“Choo Choo Revue” culminates in a look toward the future. That’s when a sleek, silver, oversized high-speed bullet train arrives on the scene.

It can be read as a metaphor.

While the nonprofit is still seeking donor help — at the premiere, Fagot said the company now has secured $4.7 million toward its $5 million goal of buying the theater and it also hopes to raise an additional $2 million for building upgrades — its future is more secure than it has been at any time over the past decade.

At long last, the Bob Baker Marionette Theater can relax and look toward new horizons.

Evans, for instance, can’t help himself excitedly tease a potential next Bob Baker show. He says twice in the interview that the Olympics are on the troupe’s mind.

“We’ve got two years,” he says. And now the permanent home to house it.

HAVING racked up nearly 60 countries in just a couple of decades, it’s fair to say I’ve been on a LOT of flights.

But at the same time, I’ve been cursed with the double whammy of being unable to sleep on public transport, and old knee injuries that swell up on planes. Not ideal for a Travel Editor.

So when it comes to choosing a seat on a plane, I think I’ve got it down to a fine art.

(Sadly the days of constantly flying business class everywhere are over).

When faced with spending 11 hours in economy, there is actually a great seat that I found I slept better in, even compared to premium economy.

Not all planes have this seat, so it is worth using something like SeatMap when you know what kind of plane you are flying with.

DOUBLE TAKE

Unusual double decker plane seats that could make economy travel MUCH better

NO GO

Passengers are fuming about new plane seat dividers that could end in flight ban

But my favourite seat is the one behind the bulkhead row on either the left or the right side of the plane.

Some of the bulkhead rows only have two seats on either side of the centre, due to the layout of the aircraft door.

That means the seat behind these by the window has a crazy amount of legroom, but is more tucked away than the bulkhead.

Bulkhead seats, while often the best for legroom in economy, also come with the downside of lots of passenger traffic of people using the toilet or stretching their legs.

But this tucked away seat is a gem when it comes to economy.

In fact, I think it can be even better than premium economy, especially when you factor in the price.

I paid around £65 to pick this seat, whereas Premium Economy seats can be hundreds of pounds more expensive.

Not only that, but a lot of Premium Economy seats have built in arm rests you can’t lift.

If I lucked out with no one next to me on this seat, I could even lift the arm rests and have a double set to myself.

As a non-sleeper, I managed to get about five hours on and off of sleep, something unheard of for me normally on planes.

Not all planes will have this seat, so if it doesn’t I still recommend paying for the bulkhead seat if they are still available.

Here’s a plane hack you should NEVER try for better seats – unless you want to annoy other passengers.

Long before Billie Jean King won dozens of Grand Slam tennis titles, founded the Women’s Tennis Assn., became part owner of the Dodgers and was awarded the Presidential Medal of Freedom, she enrolled in what was then called Los Angeles State College.

Three years later in 1964, King left without a degree to devote full attention to her burgeoning tennis career.

Failing to earn the degree bothered her, and King would correct anyone who said she had graduated.

“I said, ‘Don’t ever say ‘graduated.’ I haven’t earned it — yet,’” she said.

“Yet” became a reality Monday when King, 82, received her bachelor’s degree in history from the same school she attended more than 60 years ago — now called Cal State Los Angeles — walking across the Shrine Auditorium stage with the rest of the Class of 2026.

King also served as a commencement speaker, telling the roughly 6,000 fellow graduates, “It is a privilege for me to be here.

“Yeah, baby, only 61 years!”

King mentioned that “like many of you,” no one in her immediate family had graduated from college.

She noted that her lifelong fight against discrimination began when she realized at age 12 that nearly everyone at tennis clubs was white.

“I asked myself, ‘Where is everybody else?’” King said. “From that day forward, I committed my life to equality and inclusion for all. Tennis is a global sport and it became my platform, but equality was my dream — to make the world a better place.”

“We can never understand inclusion unless we’ve been excluded.”

Known then as Billie Jean Moffitt, she chose Los Angeles State because tennis coach Scotty Deeds trained men and women together. She soon became an international star, winning a Wimbledon doubles championship at 18 with Karen Hantze, who was only 17.

She married her college sweetheart Larry King in 1965 and they divorced in 1987. Afterward, King and Ilana Kloss, an accomplished tennis player in her own right, were a couple for decades before marrying in 2018 in a secret ceremony in the apartment of former New York City Mayor David Dinkins.

“You’re finding your truth, and it doesn’t have to stay the same,” King told People magazine at the time. “I only liked guys when I was young. I didn’t think about girls. And then all of a sudden I’m like, ‘Oh my God, what’s happening?’ My truth was changing over time. It took me forever.”

King became a trailblazer for LGBTQ+ and women’s civil rights and was awarded the Presidential Medal of Freedom in 2009 in part for her advocacy for equality. King and Kloss co-founded the Billie Jean King Leadership Initiative to promote inclusive workplaces and gender equality.

Shortly after they married, King and Kloss became part owners of the Dodgers and the Sparks, acquiring undisclosed minority stakes in the franchises through an invitation from controlling owner Mark Walter.

“We believe all professions, and professional sports, need to be more inclusive and equitable,’’ Walter said at the time. “It’s going to be wonderful to have a role model like her in both clubhouses from time to time.’’

King returned to Cal State L.A. in the 2025 spring semester. She also earned course credit for her interaction with fellow students enrolled through the university’s Prison Graduation Initiative.

“They have made a commitment to improving their lives through education,” she said, and “getting their degree will be life-changing for them.”

King now knows the feeling firsthand. At the graduation ceremony on Monday, she wore a gold stole embroidered with a multicolored tennis racket and the letters G.O.A.T — greatest of all time.

“It means a lot more to me than I thought,” she told reporters. “I am so glad I did it. My hope is that one other person will go back to school.

“It’s never too late, whatever age you are, whatever your abilities are, go for it if you want it.”

The Associated Press contributed to this report.

POP singer Kylie Minogue tried to have children via IVF and secretly battled breast cancer for a second time in 2021, she has revealed.

She uses her self-titled three-part Netflix docuseries to speak candidly about struggling to conceive after a fight with cancer in 2005.

Kylie, 57, says in the show, which is out today: “It was always with such a thread of hope but I couldn’t not try.

“I did try IVF a number of times. If it had happened it would have been just shy of a miracle. But it didn’t work out that way.”

Poignantly, she adds: “One can’t help but wonder what it would have been like.”

Kylie’s singer sister Dannii, 54, has one son, as does her brother Brendan, 55.

YOU ANCHOR!

EastEnders’ Sid Owen SINKS boat after drunkenly crashing into tree on Thames

AWFUL LOSS

Charlotte Crosby details devastating silent miscarriage and painful operation

Dannii said of Kylie: “She is amazing with kids. Just naturally incredible. She is amazing with her nephews.

“I never saw myself being a parent and she always did. And that is heartbreaking.”

The lyrics of Kylie’s 2012 song Flower dealt with the pain of not having children.

It includes the line: “Distant child my flower, are you blowing in the breeze?”

In another revelation, Kylie said she secretly battled cancer for a second time after being diagnosed with primary breast cancer in early 2021.

Kylie said: “I was able to keep it to myself and go through that year.

“I didn’t feel obliged to tell the world and actually I just couldn’t at the time as I was just a shell of a person.

“I didn’t want to leave the house again at one point.

“Thankfully I got through it again, and all is well.”

Kylie now has the all-clear and hopes that speaking out will encourage women to go for early screenings.

She said: “I know there will be someone out there who will benefit from a gentle reminder to do their check-ups.”

FIRST REVIEW

By Jack Hardwick

★★★★★

THIS went far beyond anything I thought she’d say.

Revelations on struggling to find love, cancer battles and heartbreaking attempts to conceive via IVF are here.

For someone who’s hardly spoken of life away from the stage they are jaw-dropping.

It is one of the most genuine and honest celebrity documentaries I’ve seen.

Welcome back to The Times’ Lakers newsletter, where we’re not in Cancun just yet.

I fortunately have gotten some much-needed sleep during the week since the Lakers were eliminated, but NBA news never rests, especially during this pivotal offseason that could reshape the entire roster.

With almost half of the roster spots in flux, we’ll start with one player who we know will be back next season.

Luka Doncic fourth in MVP voting

He led the league in scoring but Luka Doncic finished a distant fourth in the most valuable player voting, which was announced Sunday before Game 7 of the Eastern Conference semifinals.

While Oklahoma City’s Shai Gilgeous-Alexander won his second consecutive MVP in a landslide, Doncic didn’t receive a first-place vote. Gilgeous-Alexander finished with 939 total points and 83 first-place votes. Nikola Jokic was second (634 total points, 10 first-place votes) and Victor Wembanyama was third (569 points, five first-place votes). Doncic, who had 250 total points, only had one second-place vote, and even fifth-place finisher Cade Cunningham had two first-place votes that contributed to his 117-point total.

This MVP discussion was one of the most competitive in recent memory. A fourth-place finish, especially without a single first-place nod, doesn’t quite do justice to how productive Doncic’s season was. He averaged 33.5 points, 7.7 rebounds, 8.3 assists and 1.6 steals per game. Despite playing without Doncic for the last month, the Lakers maintained a top-four seed in the competitive Western Conference and won 50 games for the second consecutive year. It was just the fourth time in the last 20 years that the league’s scoring champion didn’t receive a first-place MVP vote.

Some of the MVP race comes down to campaigning. Wembanyama, along with stellar play, repeatedly made his case during interviews. Doncic brushed off any chances to do the same.

Doncic preferred to let his play speak, but the message didn’t quite get through. During one of the most magical Marches in league history, Doncic dropped from second in NBA.com’s MVP ladder to fourth.

The season-ending hamstring injury on April 2 didn’t give him a chance to restate his case.

The more disappointing effect of the injury was that Doncic was not close to returning in time for the postseason, where he watched from the sideline as the Lakers got swept by the Thunder.

“It’s very frustrating,” Doncic said last week in his exit interview immediately after the season-ending loss. “I know some people wanted me back, but obviously I wasn’t close to clearing. … If I could be out there, I would be, 100%. Everybody in that room knows that. But it was very tough. Like I said, this is the best time to play basketball. I was sad not to be able to help my team.”

Doncic said he will not play for the Slovenian national team this summer while he prioritizes time with his daughters and recovering. His second daughter Olivia was born in December, and Doncic, who missed two games to be present for the birth, quietly managed a custody battle during the season after he and his former fiancee split.

The last 15 months have been tumultuous for Doncic, but he grew as a leader for the Lakers, coach JJ Redick said, specifically in his dedication to building off-court relationships with teammates after the shocking trade that brought him to L.A. left him in a daze for months.

“I don’t think we got the best version of Luka, the person, [last year],” Redick said. “He was great, but he was phenomenal this year as a teammate and a leader. And obviously, as a player, the guy had a tier one season relative to the rest of the league.”

Still first in the Lakers’ hearts

Will Marcus Smart and Deandre Ayton be back with the Lakers next season?

(Kenneth Richmond / Getty Images)

Doncic took his role as a leader so seriously last season that it started during free agency when he placed recruiting calls to Marcus Smart and Deandre Ayton. With both players facing player options to return, Doncic didn’t commit to trying to woo anyone back.

“We’ll see,” Doncic said. “Can’t tell you nothing.”

Most of the Lakers’ roster could change next season, but Doncic is still at the center of every decision. General manager Rob Pelinka said it’s an “ongoing collaborative process” with Doncic regarding any offseason moves.

Pelinka said the roster will be “retrofitted” around Doncic. It wasn’t that long ago that a superstar still in his prime fell in the franchise’s lap, which shook up every existing blueprint. The new archetype are three-and-D players and rim-running centers.

Ayton was supposed to be a solution at center when he signed last year. When asked how he is approaching his player option, Ayton said after the season-ending game that he hadn’t made a decision yet, but that he had enjoyed his time with the organization thus far.

“It’s purple and gold, that’s about it,” said Ayton, who was the No. 1 pick in the same draft in which Doncic went third. “Just being honored and happy to be on this platform. And another chance, and all of that. There’s great players I learned [from] here.”

Ayton flashed his potential. He was a force during the first-round playoff win over Houston. The Lakers needed him in that series and he delivered. But he also acknowledged that it was “a very humbling experience” being on a team that did not need him to score, instead asking him to primarily rebound and defend the rim with consistency.

Considering that Ayton is coming off career-lows in points (12.5), rebounds (eight) and minutes (27.2) per game, it might be hard for him to command a better salary than the $8.1-million option he has on the table.

Smart can opt into $5.4 million. The 32-year-old could decline the player option with hopes of securing a long-term contract, whether with the Lakers or elsewhere, after he proved he could still be an effective defensive spark plug and offensive shot-maker. Had a late-season right ankle injury not lingered so long, Smart, who played only 62 regular-season games, could have been in the conversation for an all-defensive team nod.

The Lakers need strong defensive players around Doncic and Austin Reaves if the duo reunite as the team’s backcourt of the future. The chemistry on and off the court between the guards was one of the highlights of the season and a reason to be hopeful that it could work in the future.

Doncic called playing with Reaves and LeBron James “an unbelievable experience.” Pelinka said at his end-of-season news conference that Reaves has expressed interest in returning to the Lakers. James’ future is more uncertain: Pelinka said the team will give James space to decide on his own, although he “would love” to have the NBA’s all-time leading scorer back.

Favorite thing I ate this week

Pho with rare beef and beef balls from Pho Show in Culver City.

(Thuc Nhi Nguyen / Los Angeles Times)

I was playing hurt the last few days of the season. I sniffled, sneezed and hand-sanitized my way through Game 4 and the end-of-season news conference with Pelinka and Redick then scooped up the ultimate sick day dinner: pho.

The pho tai bo vien (rare beef and beef ball pho) from Culver City’s Pho Show didn’t heal me completely, but it sure helped. I basically slept for three straight days after the Lakers’ season ended. Now between the remaining playoff games across the league, I’ll be catching up on TV shows, reuniting with the friends I neglected for months and enjoying my rent.

In case you missed it

Letters to Sports: Another split decision on future of LeBron James and the Lakers

Lakers continue retooling of organization with plans for more hires

Lakers want LeBron James and Austin Reaves to return next season

‘I don’t know.’ LeBron James unsure if he’ll return for 24th season or retire

Until next time…

As always, pass along your thoughts to me at thucnhi.nguyen@latimes.com, and please consider subscribing if you like our work!

Francesco Caballero has been juggling a lot — quite literally.

When he’s not tending to his online studies at the California Virtual Academies, the 13-year-old can be found in the circus ring — hurling bowling pins, straw hats, hollow rings and rubber balls high up in the air, all in one harmonious cycle.

But the bright-eyed teen is also balancing something far greater: a legacy. The rookie showman is proving his mettle as part of the Caballero Circus, a five-generation family of performers, by enchanting audiences with his charismatic stage presence and sharp coordination.

“My family is a circus family. That’s what they did when they were kids and it just passed on to me,” said Francesco, hours before a Wednesday night performance in Santa Ana.

Though Francesco is only a month into his journey as a traveling cast member, he pranced about the ring Wednesday with the confidence of a seasoned ringmaster. For his act, the teen juggled up to five objects at a time; as a couple of stray balls fell to his side, he swiftly picked them up and tossed them into the air, as if it were part of the script all along.

And, once the thrill wore off, Francesco marched into center stage with a small motorbike — enclosing himself in a chamber known as the “Globe of Death”: a mesh sphere where riders ramp their bikes using the power of centripetal force to loop around the Globe. He also played the trumpet.

“In order to grow as a performer and to be better, you really have to be patient,” said Caballero. “It’s not something that’s easy, that you’ll be better in like a week.”

Francesco Caballero, 13, poses for a portrait at the Caballero Circus on Wednesday, May 13, 2026, in Santa Ana.

As boldly charismatic as Caballero appeared on stage, his path to performing in the family circus was hardly clear-cut.

At the age of 3, he was diagnosed with leukemia: a cancer that causes the body to produce too many abnormal white blood cells. This made it difficult for his body to fight infections, carry oxygen and stop bleeding. He was in treatment for four years, until he finally beat cancer by age 7.

This is why his mother, Liliana, a former flying trapeze artist, felt overprotective of him when he began showing interest in the performing world — which began with a small role in the Cirque du Soleil show “The Beatles Love,” in which he played one of the Fab Four in childhood.

At first, Liliana would watch closely to make sure Francesco didn’t get tired or bruised. Yet doctors eventually assured her that physical activity for a recovering pediatric leukemia patient would be beneficial to his quality of life.

“I was against it [at first], but he was so spoiled,” said Liliana. She joked that her son, the youngest of her three children, was “mimado” — a term in Spanish used to describe someone who receives excess attention. Back in the ring, as Francesco prepared his juggling act for another night of play, she stood farther back in the stands, being an ever-observant coach.

“When he told me that he wanted to be like my family, like his grandparents, it was a great satisfaction for me,” said Liliana. “After everything we’ve been through, and still my son dreams of being in the circus, it was a huge blessing for me.”

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The Cartoon Poodles perform at the Caballero Circus on Wednesday, May 13, 2026, in Santa Ana.  (Kayla Bartkowski / Los Angeles Times)

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Chicharron performs at the Caballero Circus on Wednesday, May 13, 2026, in Santa Ana.  (Kayla Bartkowski / Los Angeles Times)

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Francesco Caballero, 13, juggles pins during his performance at Caballero Circus on Wednesday, May 13, 2026, in Santa Ana.  (Kayla Bartkowski / Los Angeles Times)

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Nicole Caballero, 15, second from left, Gianna Rios, 8, Francesco Caballero, 13, Judith Caballero, 15, and Chicharron perform at the Caballero Circus on Wednesday, May 13, 2026, in Santa Ana.  (Kayla Bartkowski / Los Angeles Times)

The Caballero circus dynasty dates back to the turn of the 20th century in Guadalajara, with Adelaida Caballero was the first in the family to practice the joyous spectacle. Her daughter, Isabel, would be the first of the Caballeros to open her own circus, as a way to earn income during the Mexican Revolution. (They allegedly entertained Pancho Villa, a well-known circus-lover, in 1916.)

During this time, circus families blossomed all over Mexico, aided by the appearance of the steamship and railway systems, as the circus historian Julio Revolledo Cárdenas would detail in a 2018 article for the Fédération Mondiale du Cirque.

However, much of the Caballero family’s performance lore begins with Isabel’s son, 82-year-old Rubén: an apparatus connoisseur well-versed in the high wire, trapeze and hand balancing. Around 1981, Rubén would bring the entire Caballero family to the United States; all eight of his children performed for the esteemed Ringling Bros. and Barnum & Bailey circuses, with the flying trapeze as their specialty act.

Two members of the Caballero family, Rubén Sr. and Rubén Jr., are also recognized for being the first to execute the quadruple somersault under the big top tent in 1985. It requires extreme faith in the opposite catcher, as much as it does for the individual flipping multiple times over — they even recorded the groundbreaking stunt for posterity’s sake, along with other home videos.

In 1995, this risky act helped the family secure the esteemed Payaso de Oro: the top prize at the International Circus Festival of Monte-Carlo, an award comparable to soccer’s Ballon d’Or or music’s Grammy. Some of the Rubén’s direct descendants would win the award once again 30 years later.

By 2000, Rubén would open his own white-and-purple tent circus, Caballero Circus, where Liliana now oversees the concession stand. Her sisters Maria and Judith manage the circus and supervise show details, respectively.

“My father’s American dream was always to run his own circus,” said Liliana.

Rubén Sr., who continues to be the patriarch of the Caballero family, is teaching his youngest grandson everything he knows. “He wants me to be better,” said Francesco.

Nicole Caballero, 15, from left in the front row, Melody Caballero, 22, Francesco Caballero, 13, and Judith Caballero, 15, at the end of the show at the Caballero Circus on Wednesday, May 13, 2026, in Santa Ana.

Now carrying the family’s torch is the fifth generation of tumbling acrobats skilled in the art of balance and flexibility. Liliana’s 15-year-old daughter, Nicole, specializes in the Globe of Death, where she gets in the locked cage with her cousin Judith, also 15; together they maneuver the motorbikes around the globe at opposing-intersecting paths. This is a skill set she takes pride in, since many in the audience assume there are men underneath the protective gear.

“Once we come out, we take our helmets out and they see girls can do it too,” said Nicole before her Wednesday performance.

Melody, host of the bilingual show, competed as a contortionist on Season 8 of “America’s Got Talent,” which aired in 2013. “ We could have the worst day of our lives, but when we step on stage, we have to have the biggest smile in the world,” said Melody.

Two of Rubén’s older sons, who married Russian acrobats during international stints, broke off and founded their own troupe as Circus Caballero. They have their own touring show stationed in Bell through May 25.

Francesco Caballero, 13, gets ready in a mirror inside a trailer at the Caballero Circus on Wednesday, May 13, 2026, in Santa Ana.

Some of the Caballero family members also compete internationally as the Flying Caballero — something the youngest Caballero member, Francesco, hopes he can work his way up to.

“ I’ve been told that they’ve been to France, to Italy, Germany, everywhere,” he said. “My primos just went to one of the most prestigious festivals in Monaco and they won first place. I wanna be like my cousins and do what they’re doing.”

Francesco might still be learning the ropes of the circus world — but before he can compete on the glamorous world stage, he must first conquer his school’s virtual talent show. On June 8, he will participate in a nationwide competition by the virtual academy K12, which will showcase student talent from across the country.

Thankfully, he will have plenty of time to practice. The Caballero Circus will station itself in Lakewood between May 22 to June 7.

“Not a lot of kids do what I do,” said Francesco. “It teaches us to connect with the public, to connect with other people.”

Welcome back to the Times of Troy newsletter, where USC and Notre Dame are back at the bargaining table — as you first read in this space last Monday — and also back to bickering about who’s to blame for blowing up their century-old rivalry in the first place. One step closer to order being restored!

I have less faith in the rest of college football and its leadership, which now appears to be mobilizing around a playoff format that’s almost universally disliked by actual consumers of college football. The 24-team playoff is a great deal for coaches, who want to be able to point to as many playoff berths as possible for job security. It’s probably a good deal for athletic directors, digging through couch cushions for extra NIL dollars. And for the TV networks, it’s especially juicy. Twenty four teams means more than double the number of games, and each of those games is pulling in an average of between 10 million and 20 million viewers. That’s a lot of eyeballs and a lot of advertising dollars. (For everyone but ESPN, which currently has exclusive rights up to 14 teams.)

It’s also a good deal for Notre Dame, whose athletic director Pete Bevacqua came out this week in support of the 24-team playoff in an interview with the Athletic. The Irish would essentially assure themselves of a bid in most years, which, per Bevacqua, would make it easier to clear the way for USC and Notre Dame to play again.

Big Ten commissioner Tony Pettiti has been leading the charge on the 24-team playoff. So while USC athletic director Jennifer Cohen hasn’t said anything about her preference, it would be a surprise to hear her publicly oppose what the rest of the conference has been pushing.

But why do we have to push anywhere? Why do we have to keep fixing the playoff? And if you must keep tinkering with college football, well, there are plenty of ways to fix it that won’t water down the product and devalue the regular season the way playoff expansion does. Plus, who’s to say that after two seasons at 24 teams, the conference commissioners don’t decide they want to expand again? To 28 teams? To 36 teams?

The 12-team playoff already makes a lot of money. But like everything now, it has to make the most possible money or be as big as possible. I actually long for the days when college football’s leaders did whatever they could to keep the game from changing.

Now it’s the only thing that feels inevitable these days around college football.

Back to school

Marqise Lee at his graduation ceremony.

(USC)

Marqise Lee stepped to the lectern Friday, in full cap and gown, looked out over a full crowd at Galen Center, and cleared his throat. For so many reasons, the former USC wideout still couldn’t quite believe he was standing there.

Growing up, no part of Lee thought that college would even be available to him. He was brought up in the most difficult of circumstances in Inglewood. Separated at a young age from his sister and his mother, who was deaf. Thrust alone into the foster care system. He ended up living in a motel for three years.

When he did make it to USC, class hadn’t been a priority. Football was his focus from the start, and it would ultimately lead him to the NFL, where he’d never really taken the idea of returning to school that seriously. A counselor would try to convince him on a few occasions and even got him onto campus to set up a schedule.

“But it just never happened,” Lee told me.

Then, his football career ended, and his daughters started getting older. They never got to see him play football. He started thinking about what it would mean to show them what he could accomplish. So Lee decided to go back.

It wasn’t easy at first. He was taking five classes, a full course load. He felt uncomfortable being the oldest student in the class.

“When I first sat in there,” he said, ”I was like, I really don’t need to come back.”

His statistics class, especially, was daunting. He looked for any reason to leave. Then, he thought of his daughters.

“To go back to school and tell my daughters, yeah, I went back, but I wasn’t successful — and expect them to succeed?” Lee said. “Yeah, I can’t.”

But before long, Lee found that he actually liked his classes now. He enjoyed the group projects where he used to only do the bare minimum.

After sloughing off his final semester the first time around at USC, Lee needed at least three B’s and two A’s. No easy feat at USC.

Lee ended up getting A’s across the board. At the end of the semester, the school asked him to be the speaker at its student athlete commencement. Which is what led Lee to that stage, where he delivered a hell of a speech Friday.

“It was just like, this is something that you never ever dreamed about,” Lee said. “You never dreamed about graduating from college. So like to get that done was amazing. And then, I have an opportunity to sit up here and say to these kids and get them prepared for their future, by at least letting them understand where I come from and how hard it is. So they know that we actually can fight through anything that comes our way.”

Next up for Lee?

“I’m about to try and go get my master’s degree after this,” he said.

Cofie’s plans changing?

Jacob Cofie reacts after a layup and a foul during a win over Washington State last season.

(Steve Galluzzo / For The Times)

A month ago, USC basketball announced that Jacob Cofie, one of its starters from last season, planned to return next season. It was a huge coup for Eric Musselman, who had a grand total of two returning players in two seasons as USC’s coach.

Cofie decided to still take part in the G League scouting combine. But in the process, he became one of five players who earned invites to the NBA scouting combine last weekend.

While in Chicago, Cofie was asked if he’d considered keeping his name in the draft. And he didn’t say no. “I’m leaving that up to my agent right now,” he said.

But even with the combine invite, I don’t expect that Cofie could climb any higher than the second round of this NBA draft. And depending on where he would be drafted, if he’s drafted at all, he might actually stand to make more at USC in revenue sharing dollars and NIL.

Cofie has nine days, technically, to make a decision. But I expect we’ll hear sooner than that on his future, and I’d be shocked to hear he’ll be spending next season anywhere but USC.

—USC baseball locked up the fourth seed in the Big Ten tournament. But what about hosting a regional? The Trojans managed to take one of three against Oregon to at least lock up a bye until Friday in the Big Ten tournament. But right now, USC is likely on the outside looking in at hosting its first NCAA regional since 2002. All that could change with a run in the Big Ten tournament. Doing so, though, probably means pulling off an upset of No. 1 UCLA. If USC wins its first tournament matchup against whomever emerges out of Illinois, Iowa, Michigan State and Purdue, then the Bruins will almost certainly be on tap. Win that game, and their hosting fate could change fast.

—Pete Carroll is coming back to teach “The Game of Life” at USC. The former USC coach delivered the commencement address for the Marshall School of Business last Friday, and in the process, announced that he’ll be making his triumphant return as Professor Pete next school year. A spot in Carroll’s class was one of the most coveted on campus in his first go-round — good luck getting off that waitlist the second time!

—Honor Fa’alave Johnson, USC’s top commit in 2027, reaffirmed his plans to sign with USC. That was after a group of USC coaches flew down to the safety’s hometown of San Diego via helicopter. Not a bad way to show you mean business — especially as Texas was doing its best to flip Fa’alave Johnson.

—Some Big Ten championship results from the weekend: The USC men finished fourth in the Big Ten track and field championships, while the USC women finished third. Meanwhile, women’s rowing placed sixth at their Big Ten championships.

What I’m Reading This Week

Patrick Radden Keefe writes for the New Yorker.

(Manuel Balce Ceneta / Associated Press)

It’s a quiet time for new TV, so I took the radical step of picking up a new book this week. (Crazy, I know.) That said, I’m always game for reading something new from New Yorker staff writer Patrick Radden Keefe, who, for my money, is one of our greatest living nonfiction writers. His latest book, “London Falling” follows an American family investigating the death of their 19-year-old son, who they find was living a secret life within London’s criminal underworld mysteriously before he jumped mysteriously from a building into the Thames River in 2019.

Keefe is a tremendous reporter and writer, capable of turning a nonfiction narrative into a roller coaster, page-turning story that reads like a crime novel. This book, like “Say Nothing” and “Empire of Pain” before it, is one I won’t forget any time soon.

Scheduling note

I said I’d be off this week, however the Lee graduation was so nice that waiting to report on it seemed wrong. But the newsletter will be on hiatus the next two weeks.

In case you missed it

NCAA to expand March Madness fields to 76 teams

A star pitcher at USC, he was cut after six years in the minors. Then Banana Ball came calling

Until next time …

That concludes today’s newsletter. If you have any feedback, ideas for improvement or things you’d like to see, email me at ryan.kartje@latimes.com, and follow me on X at @Ryan_Kartje. To get this newsletter in your inbox, click here.

A VICTORIAN train station has reopened to the public after four years of construction.

The project has faced major delays throughout, with the station initially scheduled to open in 2025.

Darlington Station has reopened after receiving a £140million makeover, with first-time travelers enjoying the revamped facilities this weekend.

Darlington is considered to be the home of the modern railway, but the Victorian station needed a redesign.

Redevelopment for this historic Grade II listed station has been in the works for years, with the project starting in August 2022.

At the time, concerns were raised about whether the modern design would be in keeping with its Victorian history.

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After major building work, such as cutting a hole in the roof to install a new footbridge, the project was pushed back due to “additional design requirements”, surpassing the initial completion date in 2025.

Now, after these delays, visitors in this northern town can enjoy a modern new copper-coloured concourse, an elevated walkway connecting two new platforms, and a 650-space multi-storey carpark.

The design of the station also means that it is now fully accessible, with step-free access across the whole station.

Completion of the station was celebrated on May 15, with conductors whistling in the famous steam locomotive Tornado to mark the occasion.

An LNER Azuma train also took passengers on a special inaugural journey to York, with live music, entertainment and refreshments on board.

On May 17, with the station fully working, locals got to try out the new facilities, funded by £43million from Tees Valley Combined Authority and £96million from Network Rail and the Department for Transport.

Visitors praised the new station, reports The Northern Echo, with one hailing the new station as “like a palace to the railway“, and others saying it was “modern and unbelievable”.

One particularly happy visitor also told the Echo: “If you said something like this would be in Dubai, you would think oh my goodness.

“This is in Darlington – and there’s not a railway station on the East Coast Mainline as good as this.” 

Lola McEvoy, MP for Darlington, has praised the redevelopment of the station: “This absolutely cements it with the connectivity that we need, £160 million, and so many hours and hours of work.

“I just want to pay tribute to everybody who has put so much graft into this.

“I think it’s really important because for visitors and for investors, this is going to mark us out as a place to come and visit and enjoy and build.

“But for residents, what it’s going to do is unlock new adventures and make sure that we get the economic opportunities and the growth that we so desperately need and absolutely deserve.”

Over the last five years, there has been a significant shift in how fashion and sports intersect, both on and off the court, with athletes’ influence extending beyond the court and into culture at large. Why now? And how has athlete style evolved?

These were some of the questions that three prominent athlete stylists — Brittany Hampton, Courtney Mays and Dex Robinson — unpacked last week at the panel “Game Changers: Where Sport Meets Style.” Moderated by Image contributor Darian Symoné Harvin and co-organized with the Only Agency, the event took place at the private members club Gravitas, a hub for folks at the intersection of sports, business and luxury in Beverly Hills. Gathered in the swanky yet intimate upstairs bar and events room, guests sat in plush chairs and sipped pink vodka cocktails and flipped through Image’s May sports and arts issue ahead of it hitting the newsstands. An also-plush takeaway? Stress balls in the shape of footballs, courtesy of the Only Agency.

The evening could’ve kept going — Hampton, Mays and Robinson had so much to say about an industry that is still widely misunderstood and filled with gatekeeping. The below edited version of the conversation gives you a glimpse into the demanding yet deeply fulfilling world of styling athletes.

Darian Symoné Harvin: Athletes often are not sample size. How do you source clothes and work with brands? Are they supportive? Anything you would tell brands if you could?

Courtney Mays: Size inclusivity is a huge thing. Because, especially when you’re talking about the W[NBA], you’re talking about women who are sometimes a men’s size 13 shoe, who are sometimes a 36-inch inseam. And although we’re using this platform to talk about larger issues, sometimes the larger issue is: I’m here and I’m a plus-size woman. Sometimes you have to use your presence to talk about those things, if you’re not verbally saying that, [and] you have to get the brands to stand behind you.

“We’re making sure that that Old Navy looks like Bottega,” said Courtney Mays, “so that at the end of the day you feel like the superstar that you are. We’re really curating the moment.”

Brittany Hampton: It’s also important for everyone that’s in the room to know that stylists can’t always get the ask that you guys may be asking for. If I have a seven-foot athlete, which I do have on my roster, and he’s, you know, he’s massive — he wears a 16-and-a-half shoe. There may only be a few brands [with his size]. There are going to be certain things that I may even have to pull out of his own closet. And then it still means, “Well, why do we have to give you that budget for that?” And it’s like, well, because I had to have an assistant go get that piece from his closet, have it dry-cleaned, have it picked up, then have it delivered to set. It’s still a process, there’s value in the work that we put in. We’re trying our hardest.

DSH: From a tunnel walk to a press run to a campaign, how do you break down your budget and your fee?

Dex Robinson: Each stylist approaches fees and pricing a different way, right? Also depends on how you were groomed or how you came into the situation. I was an assistant for years before I ever said I was a stylist, and even then I kind of treaded lightly before I was like, “I am a lead stylist.” I was someone’s assistant, and that’s when I asked all the questions that I needed to ask about what my fees would be. I knew the structures, I knew the things, so I wasn’t asking my peers, “Oh, how do I charge for this?”

BH: I do want to jump in and state for the people in the room that may or may not know we’re speaking in terms of expenses. The current budgets that they are talking about are particular to clothing expenses. That does not allot to our fees. We have labor that is very imperative, labor that goes into us doing market research, that goes into us having assistance across cities most of the time. I live in Los Angeles. None of my clients live in Los Angeles. So let’s say my client is currently in the playoffs and lives in Cleveland, but I’m pulling from both New York and Los Angeles, then we’re meeting in Cleveland to have a fitting with him, and that all takes a tailor of this, of that, etc. Now, having tunnel looks is one thing, but then also having a campaign is something completely different. We also then have to be very strategic about brands that we’re pulling from. And we are using our own cards!

CM: A lot of times, we are giving our own money down to say, “I’m taking this half a million dollars’ worth of wardrobe out of your store, and I’m promising you that I’m going to bring it back in a certain amount of time.”

DR: It’s a more lengthy exercise to get people to let you borrow clothes versus [when] the [clients] just pay for this stuff and I don’t have to worry about it after. I would much rather let them have it in their wardrobe and I figure out what to do with it after. And I’m not like, “Oh, you wore this one time,” and just throw this out. No, we gonna cut the arms off of this. We gonna turn this into some shorts.

When asked for one piece of advice for aspiring stylists, Dax Robinson encouraged people to first do their research. “Being fashionable does not make you a stylist … it takes years of perfecting a craft to become a stylist.”

But then to pull from a [showroom], that’s a whole ‘nother situation. That’s not really a money exchange, that’s more of a publicity exchange. And again, it’s still based off your name or your client.

CM: That’s when it’s important to get the shot. We live in a social media world. When we work with brands and we work with designers, we work with PR firms — what they’re looking for is that image. Not only the tunnel walk, but maybe it’s the walk out of the hotel or that paparazzi shot.

So we’re also partnering with photographers, saying, “Hey, our clients are going to the opening of LACMA. We need to capture the moments before.” Just like all the celebrities, they go to the SAG Awards, whatever, and they have these beautiful editorial shots before they even hit the red carpet. Why? Because they invested in a photographer to come to their home, to their hotel room, and say, “Let’s use 15 minutes before you walk out the door, get this BTS, get this shot, and we’re going to make it look beautiful.” Because we want to build the relationships with the brands of the clothing that we’re wearing.

DSH: What I love about what you’re saying is that it’s not only the tunnel, it’s not only the press run, it’s not only the campaign. It’s like, how are you creating this world around who the athlete is? To me, that’s exciting. It’s when you get into the creativity.

Let’s say that you receive a cold email from someone who wants to work with you. What kinds of questions do they ask that lets you know that they’re informed or they mean business? What lets you know, “Oh, they’ve done their homework a little bit, and they’re not just going to toss me around as a possibility”?

BH: We are brand architects, and because you guys are reaching out to us about a particular client, our job is not to just create a character, right? We don’t just create characters. We work with athletes. We understand that we have to know that athlete before they even walk in the room, and we have to understand their identity, understand their brand, and then build that with you [the brands] before we can even do the job right. There’s nothing more that I love than being on a call with a full production team for a full hour for a commercial. Because we actually want to know: One, what’s going into that player. Two, what they look like. Three, what they’re going to be doing, if there’s a double or if they’re going to be active — our talent is very performative, they’re performance-based first, and so we have to remember that when we’re dressing them.

Brittany Hampton on the role stylists play beyond the tunnel walk: “We’re not just bringing them a rack of clothes. We’re truly there to help build their identity and then who they’re about to become.”

CM: I feel like those conversations need to happen at the onset of working with a new client, with the agent, with the manager, with the assistant so that you can understand what the broader goal is for that client. A lot of times when people hire stylists, whether it’s per project or for a longer stint, a season, I think it’s like, “Oh, they just need clothes.” Like, I just had a job. [Her team] was like, “It’s the opening of the WNBA season. She needs clothes tomorrow.” Like an idiot, I took it: I really want to work with this girl. I’m gonna just send her a box. And I knew that was the dumbest thing I could have ever done, because I’ve never met her in person. I didn’t have the right sizes, and I think it ruined the relationship, because I didn’t have any context. So the fact that I couldn’t execute in 24 hours is sticking with me. I should have said no, because that is not my job — to go shop for you at the mall. My job is to really have a conversation about what your goals are, what your fit is, what brands do you love, what do you want to do when this basketball thing is over? I think that part and those conversations are important.

BH: It’s also important to have emotional intelligence. As we are the people that work with athletes on a consistent basis, we have to understand their bodies, but we also have to understand that they win games, they lose games. And half the time we are picking up their energy. We’re not just bringing them a rack of clothes. We’re truly there to help build their identity and then who they’re about to become. Sometimes you don’t get that lucky and get to have someone for that long, but the relationship building and creating that trust is something that’s so important, which is why those factors matter, like hiring someone maybe a month in advance and setting up those calls between the client and the stylist. Even if we just get on the call and we just want to shoot the shit and we’re like, “What colors do you like? What size do you like? What are brands that you love? Who do you look up to in terms of fashion?” Because some of these kids like it, and some of them absolutely don’t know.

DR: Well, that [direct relationship] might not be the reality depending on how big your client is sometimes, too. I’ve worked with people where they had to have that middleman for a little bit until they felt comfortable. So it wasn’t a situation where you could do that direct situation until they were ready. It’s also a different situation for me as a male, because guys don’t like being around other guys, so that’s why [women] dominated [the styling landscape] for years. Think about it. Like, as a guy, your mom is your first stylist. And then when you get a shorty you may say, “Yo, babe, I look nice. I’m good.” Guys really feel confident with a woman saying, “You look nice.” Not, “Yo, bro.” And then, even for me, a lot of the bigger guys I worked with, it was really their wives that was like, “You know what? My man can’t dress. I need you to come in.”

CM: That’s still the case. It’s somebody’s girlfriend or wife or agent. Like, “Please help.”

DSH: I want to talk about the people who you all work with when you are on set. I’m thinking particularly about glam. I’m curious about the makeup, hairstyle and grooming conversation that you are having, and why it matters.

“What you’re saying is that there’s a level of love that you have to put into it, and it’s not just about the clothes, but about the person,” reflected moderator Darian Symoné Harvin. “What do you like off the court? Where do you want to be? Where do you want to show up, right?”

CM: I feel like the stylist always becomes the creative director. We’re the hype man. We’re the one that’s talking to the hairstylist to say, “OK, she’s wearing this dress, we got to do XYZ, LMNOP.” We’re talking to the hairstylist. We’re talking to the photographer. We’re saying, “OK, we need a green backdrop instead of a yellow.” And I feel like that’s why we’re asking for certain rates; it’s not just me going to Old Navy to get y’all some jeans. And even if I am, because sometimes [Old Navy is] cute, we’re tailoring it. We’re making sure that that Old Navy looks like Bottega, so that at the end of the day you feel like the superstar that you are. We’re really curating the moment.

DSH: What advice would you give if you were sitting across a coffee table with a stylist who says, “I want to get into styling athletes”? What’s the one honest piece of advice you would give them?

BH: We can’t do everything. There are hundreds and hundreds of athletes across the board, and although we all came from a world of gatekeeping, it’s just not that anymore. Like we all have to share relationships. We have to continue to boost one another up. There’s been jobs where I’m like, “I can’t take that. Can you take that? Would you want that? This could be a good girl for you.”

DR: I think that a lot of people think because they’re fashionable, that means they should be a stylist. And I think being fashionable is just that. Being fashionable does not make you a stylist. I think it takes a sharpened eye. I think it takes understanding skill and proportion. I think it takes years of perfecting a craft to become a stylist. I think that people should just do research. I think that people should assist people. I think that when you come into a space and you don’t assist people, [maybe] you can easily attain a client, but retaining them is going to be hard, and I think that’s a difference, right? I wish a lot of the younger people that came into the space were more open to being a student first and not trying to become a professor.

CM: I also think that what we do is such an intimate thing. We’re getting people dressed. We’re in their homes, we’re in their hotel rooms. We’re with their families. Come as your authentic self and know that you have to do your best professionally — but also there’s a level of love that you have to put into it, and it’s not just about the clothes, but about the person, and about their goals and their aspirations. Make sure that you become a part of those conversations in a real, authentic way.

BH: It’s not just transactional. This is truly our passion. And we want to continue to work and just push for every person that comes after us.

A NEW direct rail service connecting two major UK cities started running again for the first time in over two decades.

The first direct service left the station this morning at 7am.

A new daily rail service between Oxford and Bristol Temple Meads began today, offering a direct service between the two cities for the first time in 23 years.

The new service started this morning after plans were finally given the go-ahead on Friday, May 13, by Network Rail and Great Western Railway.

Running from Monday to Saturday, the new service will travel via the following stations: Oxford, Swindon, Chippenham, Bath Spa and Bristol Temple Meads.

Both services began today with the first train leaving Oxford at 7am, arriving into Bristol Temple Meads at 8.20am.

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Going the other way, the first service departing from Bristol left at 7.14am and arrived into Oxford at 8.32am.

The fastest journey times from Oxford will be one hour and eight minutes and from Bristol one hour and 11 minutes.

Until today, there was no direct service between Oxford and Bristol, according to the Local Democracy Reporting Service.

The new rail line also means there is now a direct service for passengers travelling between Swindon and Oxford.

Previously travellers needed to change at either Didcot Parkway or Reading.

Great Western Railway’s managing director, Mark Hopwood, said the decision comes after years of campaigning from customers and partners.

“The economic and social benefits are clear, and we are confident that these new services demonstrate the value of rail in driving economic growth, environmental benefits, and creating education and employment opportunities which previously were not possible – as well as directly linking two of the key leisure markets in the UK,” he said.

Swindon South MP and Secretary of State for Transport, Heidi Alexander, said the “weekend trial of direct trains was hugely popular” and the new service will provide travellers with “a fast, convenient alternative to being stuck in a traffic jam on the A420”.

Network Rail Western route director, Marcus Jones, said bringing back the direct service “is a significant step in improving connectivity across the Western route” and the new links “will make it easier for people to travel between key economic centres, opening up new opportunities for work, education and leisure”.

HIS love life has been almost as varied as his incredible songwriting catalogue.

Sir Paul McCartney endured the tragedy of losing first wife Linda to cancer and a catastrophic £24million divorce from Heather Mills before finally finding happiness again with American businesswoman Nancy Shevell.

But today The Sun can reveal the identity of the secret childhood crush who became Sir Paul’s “one that got away” — a pretty neighbour whose striking good looks inspired the opening track to his new album, which tells the story of his childhood in Liverpool.

The record was unveiled at a preview event in London this month, where the legendary Beatles songwriter recalled memories of a pretty neighbour called Jasmine, who lived close to his home.

Today, it has emerged she is retired mum-of-three Jasmine Howe, who left the area and resettled in Hertfordshire before retiring to the New Forest in Hampshire.

And the now 83-year-old’s ­family were stunned to learn of the £800million rock legend’s youthful infatuation — revealing she had “absolutely no idea” about his fondness for her.

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They explained: “It’s a cute story, she lived nearby and knew who he was, but she never got close to him — meanwhile, he obviously felt very differently!

“It’s an amazing story — a very long time ago now, but we’ve chatted as a family in the past about how Jasmine grew up close to Paul McCartney.
Goosebumps

“She just knew him as one of the boys in the local area. It’s enough to give you goosebumps!”

The Boys Of Dungeon Lane is Sir Paul’s first solo album in five years, and critics say it is his “most personal to date”.

The title is taken from Days We Left Behind, a wistful acoustic track that references Dungeon Lane, near the River Mersey, where McCartney played as a boy, as well as a “secret code” and mysterious promise made to John Lennon at the time, which he insists “will never be broken”.

At a special event, held at the iconic Abbey Road studios in London where the Fab Four ­produced their biggest hits, Sir Paul played tracks from the new record and explained their ­origins — beginning with opening song As You Lie There.

The lyrics recall: “Do I ever cross your mind as you lie there? As you lie across your bed, am I there inside your head?”

Revealing the inspiration to a small invited audience, Sir Paul explained: “Up in one of the ­windows, there was a girl I ­fancied called Jasmine.

“But I didn’t know how to approach her — I never spoke to her.

“The joke was, she did show up later that year and knocked on the door. I was indisposed — I was on the toilet — so I missed Jasmine!”

Turning to his wife Nancy, who he married in 2011, he grinned and quipped: “Sorry, Nancy.”

Prior to meeting his third wife, Macca famously had quite a ­colourful love life.

His first serious romance was with Dorothy ‘Dot’ Rhone, who he met at the Casbah Coffee Club in Liverpool in 1959.

The pair dated for more than two years and even got engaged, but split just before Beatlemania exploded.

In 1963, Paul met actress and model Jane Asher backstage at one of the band’s concerts.

The relationship would last five years and Paul even moved into the family home on London’s Wimpole Street.

Jane was his muse and introduced him to the avant-garde arts and classical music scene, which would inspire some of his most famous songs.

Despite being charmed by Jane’s cultured family and domestic life, Paul had secret flings with model Maggie McGivern and US writer Francie Schwartz — betrayals that ultimately shattered one of the Sixties’ most iconic romances.

He met his second wife, model and amputee activist Heather Mills, at a charity event in 1999, marrying her three years later.

Their daughter Beatrice was born the following year. However, the pair split acrimoniously three years later with a very publicly played-out divorce — one that cost the star £24million.

However, the singer enjoyed real happiness with his first wife, American photographer Linda.

They married in 1969, raised four children together, and were ­inseparable until her death from breast cancer in 1998.

Growing up, Sir Paul lived with his parents at 20 Forthlin Road in Allerton, Liverpool, while Jasmine lived with her family on the corner of neighbouring Hurstlyn Road, just 20 yards away.

Both properties still stand in the south Liverpool suburb, nestled in a series of brick-built terraces — though Sir Paul’s is now owned and maintained by The National Trust as a museum.

The Trust operates tours around Sir Paul’s home and also John Lennon’s childhood home nearby.

Inside, the three-bed property has been meticulously preserved as a snapshot of 1960s Liverpool, including some of the family’s original decor — and a blue plaque outside commemorates “The Birthplace of The Beatles” as Paul and pal John would meet there to compose their earliest songs.

Jasmine later married her boyfriend Charles, known to the family by his middle name, ­Christopher, and they had three sons — Philip, Matthew and, amusingly, Paul.

A photograph of Jasmine posted online by a family member shows her looking elegant in a navy blazer at a relative’s wedding, with carefully cropped blonde hair beneath a wide-brimmed hat.

The relative explained: “She is 83 now and lives quietly. She wouldn’t want it to become any more of a story than it is — she had no idea that Sir Paul liked her, but she’s happy to leave it as that.

“It’s a good story for our family.”

The album, released on May 29, returns the world’s greatest living songwriter to many of his early memories and experiences, with Sir Paul going on to explain more about his 18th solo collection.

He said: “This was a lot of memories of Liverpool for me, but also any days we’ve left behind.

“Everyone’s got them, school, old mates  . . . It has memories of John in the middle — that’s lovely to go back to. Someone asked: ‘What’s the secret code?’ I’m not telling.

“You make up a lot of stuff when you write songs.”

And that admission may chime with Jasmine’s family, who later jokingly insisted: “She never ­actually knocked on his door.”

On another track, Salesman Saint, Sir Paul turns to his parents. “I was born in 1942, in the war. I was too young to appreciate that, but my parents weren’t.

“My dad was a fireman, putting out fires from the bombs. My mum was a nurse and midwife. But they carried on, because they had to.

“Like people in Ukraine, Gaza and elsewhere now.”

Meanwhile, Down South, one of the album’s most nostalgic tracks, recalls a story of hitchhiking with Lennon and fellow pal and later Beatles bandmate George Harrison.

The lyrics explain: “It was a good way to get to know you before we learned Twist & Shout.”

And reminiscing about the trip, Sir Paul reveals how he and George climbed on to a milk float.

He says: “There was the driver’s seat, a battery and a passenger seat. George got the battery. His jeans had a zip on the back and it connected with the battery. Later, he showed me the big zip burn.”

The new record was unveiled in Liverpool with a series of cryptic posters around the city.

Artwork for the project was designed by Sir Paul’s nephew, Josh.

It features cameos from Ringo Starr, The Pretenders singer Chrissie Hynde and Texas frontwoman Sharlene Spiteri.

And its release coincides with a series of major Beatles retrospectives — including Peter Jackson’s seminal Get Back documentary put together from restored archive footage that details the creation of their final album, Let It Be, and the band’s break-up.

But still to come is a major new dramatisation of the band’s rise to fame directed by Sam Mendes and with Paul Mescal as Macca.

The blockbuster will be released simultaneously as a quadrilogy in 2028, with each movie focused on one of the Fab Four’s formative years, charting their coming together as the world’s greatest musical group.

Filming with Mescal as Paul, Harris Dickinson as John, Barry Keoghan as Ringo and Joseph Quinn as George has already begun.

The holiday destination is hugely popular with UK tourists, and it’s brilliant – but one significant difference is hard not to notice

There’s nothing quite as exciting as discovering somewhere new on holiday. Trying out new restaurants, exploring the attractions and wandering for hours makes for the ideal short break, especially when the weather’s lovely and warm.

I love to travel and aim to visit a new city or country at least once a year. That said, I’m also a bit of a creature of habit, and there’s one destination I’ve returned to repeatedly that never loses its appeal. I first went to Playa Blanca in Lanzarote aged just nine, and it’s since become my family’s ultimate go-to retreat.

If you’ve visited before, you’ll know it feels very much like a second home. British and Irish tourists are everywhere, numerous seafront bars screen football while serving pints and full English breakfasts, and the streets are lined with familiar shops including Spar, Mango, Aldi and Lidl.

But the glorious sunshine, stunning beaches, distinctive landscape and lovely villas make it exceptional, so it’s hardly surprising that my family and I always look forward to our visits there.

We’ve been so often that all the typical tourist attractions have been crossed off our list. Timanfaya volcano, the cactus gardens and Mirador del Rio – a spectacular viewpoint nearly 500 metres above sea level – are all worthwhile visits, but nowadays when we go it’s purely for unwinding.

However, after our return earlier this month, I spotted a major difference, and unfortunately not a positive one.

Like most holidaymakers, there’s only one thing occupying my thoughts when I travel — and that’s the food. Playa Blanca has an abundance of outstanding restaurants catering to every possible taste, from traditional Spanish tapas and paella to sushi, curries, pasta and countless other options.

There are certain places we return to without fail, as well as exciting newcomers constantly appearing on the scene. It’s really unusual to have a disappointing meal anywhere across Playa Blanca.

However, this year many of the restaurants we went to were noticeably quieter than usual. The island itself appeared no less busy than normal, but even during peak periods, the dining spots we passed or visited had noticeably fewer customers.

Asia Playa Blanca, a personal favourite, was practically empty when we dropped in for lunch one afternoon. One family arrived, took their seats and promptly left — a disheartening sight, especially given the exceptional standard and presentation of the Japanese cuisine.

La Bodegon, a superb tapas spot along the waterfront, also seemed to be serving considerably fewer customers than I’ve seen before. While Lanzarote has pleasant weather throughout the year, visitor numbers typically drop during winter — but this was May, and the streets were as packed as ever.

The slump in restaurant footfall could be down to the construction of several large, all-inclusive hotels near the resort over the past few years.

For families in particular, opting for half-board at one of these properties is likely far more cost-effective and convenient than hunting down a different restaurant each evening.

If Playa Blanca is on your travel radar this year, a wander through the old town and a visit to a couple of local restaurants is highly recommended. Top picks would include Imagine India, La Casa Roja and Primari for curries, paella and Aperol Spritz respectively.

The staff are wonderfully friendly and attentive — you’ll often be treated to a complimentary Limoncello or honey rum at the end of your meal — and you might just stumble upon your new favourite dining destination.

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DENVER — Colorado Gov. Jared Polis on Friday commuted the sentence of election conspiracy theorist Tina Peters following pressure from President Trump, the latest instance of the president using his influence to reward those who echoed his baseless claims of mass fraud as the cause of his 2020 election loss.

Trump has championed the case of Peters, a 70-year-old former county clerk who was sentenced to nine years behind bars after being convicted in a scheme to make a copy of her county’s election computer system. She will be released June 1.

In April, a Colorado appeals court upheld her conviction but ordered Peters to be resentenced because it said the judge who sent her to prison wrongly punished her for speaking out about election fraud, a decision that Polis praised.

In a letter to Peters, Polis wrote that she was convicted of serious crimes and deserved to spend time in prison. “However, this is an extremely unusual and lengthy sentence for a first time offender who committed nonviolent crimes,” the governor wrote.

He added that Peters’ application “demonstrates taking responsibility for your crimes, and a commitment to follow the law going forward.”

Trump posted around the time of the announcement on his social media platform: “FREE TINA!”

Jeany Rush, 76, wears a We the People pin along with numerous Free Tina Peters stickers during the Colorado Republican State Assembly on April 11 at Massari Arena on the Colorado State University Pueblo campus in Pueblo, Colo.

(Timothy Hurst/MediaNews Group/The Denver Post via Getty Images)

‘Affront to the rule of law’

Colorado Secretary of State Jena Griswold criticized the decision by the governor — a fellow Democrat — saying that “it was a dark day for democracy” and that ”selling out our state’s justice system for Trump is an affront to the rule of law.”

“A clear message is being sent to those willing to break the law and attack democracy for the president — they will likely not face consequences for their actions,” Griswold said at a news conference.

Peters has been serving her sentence at a prison in Pueblo after being convicted in 2024 by jurors in Mesa County, a Republican stronghold that supported Trump.

Peters sneaked in an outside computer expert, an associate of MyPillow Chief Executive Mike Lindell — a fellow election denier — to make a copy of her county’s Dominion Voting Systems election computer server as state officials updated it in 2021. Peters joined Lindell onstage at a “cybersymposium” that promised to reveal proof of election rigging, after which video and photos of the update, including passwords, were posted online.

After the commutation announcement, Peters issued a statement through her attorney thanking Polis and apologizing.

“Five years ago I misled the Secretary of State when allowing a person to gain access to county voting equipment. That was wrong,” Peters said. “I have learned and grown during my time in prison and going forward I will make sure that my actions always follow the law, and I will avoid the mistakes of the past.”

She also condemned threats and violence against voters, county clerks and election workers.

Gubernatorial candidates weigh in

Polis is ineligible to seek reelection due to term limits, and the candidates running to succeed him weighed in on his decision.

Sen. Michael Bennet, a Democrat in the race, said that he vehemently disagreed with the commutation and that Peters knowingly broke the law, undermined elections and was convicted by a jury.

“Lawlessness only breeds more lawlessness,” Bennet said. “With President Trump continuing to attack Colorado, we must do everything we can to stand strong for our institutions and the rule of law.”

A Republican candidate, state Sen. Barbara Kirkmeyer, said she would have preferred that the trial judge revisit Peters’ sentence as ordered by the appeals court before the governor considered any commutation.

“A commutation or pardon by a governor should be reserved for truly extraordinary circumstances,” Kirkmeyer wrote in a statement. “The governor has a responsibility to apply justice fairly, consistently, and without bias.”

Trump’s influence

Peters was convicted of state, not federal, crimes, which put her beyond the reach of Trump’s pardon power, which he used to free those convicted of crimes for the Jan. 6, 2021, attack on the U.S. Capitol. So the president championed her cause through the media.

Trump has lambasted both Polis, calling him a “Scumbag Governor,” and the Republican district attorney who prosecuted her, Daniel Rubinstein, for keeping Peters in prison. He has referred to Peters as “elderly” and “sick.” Earlier this year, Trump uninvited Polis from a White House meeting with governors over the case.

The president had said Colorado was “suffering a big price” for refusing to release her. His administration has been choking off funds, ending federal programs and denying disaster aid. It also announced the dismantling of the National Center for Atmospheric Research in Colorado and relocated the U.S. Space Command from the state to Alabama.

Matt Crane, executive director of the Colorado County Clerks Assn., said the commutation “signals that it is open season on our election and election officials.”

“Gov. Polis is bending the knee to the same political voices and conspiracy theories that are undermining belief in our democratic institutions,” Crane said. “This is now Gov. Polis’ legacy. He will not be able to run from it.”

Peters’ health

Peters’ lawyers have said her health has declined in prison. Peters, who had part of her right lung removed in 2017, started coughing frequently after the prison’s heating system was turned on for the winter and has had trouble sleeping due to chronic pain from fibromyalgia, her lawyers said.

In January, Peters was involved in a scuffle with another inmate but was found not guilty of assault following a prison disciplinary hearing, Colorado Department of Corrections spokesperson Alondra Gonzalez-Garcia said. Peters was found guilty of being in a location without authorization.

The federal Bureau of Prisons tried but failed to get Peters moved to a federal prison. In January, Polis said he was considering granting clemency for Peters, calling her sentence “unusual and harsh“ for a first-time, nonviolent offender. In March he repeated those arguments in a lengthy post on the social media platform X.

Polis defended his decision Friday in a social media post.

“I’ll always stand for free speech and to make sure that we live in a country that no matter what your viewpoints are, you are not incarcerated longer because of them,” Polis said.

In contrast to some other Democratic governors, Polis, who portrays himself as a political iconoclast, has at times taken an accommodating stance toward Trump. Though he criticized the president’s tariff and immigration policies, the governor praised earlier moves by Trump such as creating the Department of Government Efficiency, which was run by billionaire Elon Musk, and the choice of vaccine critic Robert F. Kennedy Jr. to run the Department of Health and Human Services.

Slevin and Riccardi write for the Associated Press. AP writers Ali Swenson in New York, Jacques Billeaud in Phoenix and Audrey McAvoy in Honolulu contributed to this report.

It’s not merely trendy psychologizing to salute the qualities of a sturdy tree: a humbling reminder of time’s immensity, but also a living embodiment of shelter, change and growth. Leave it, then, to a massive gingko on the grounds of a medieval German town’s college to cosmically center the three-pronged, multi-generational character study “Silent Friend” from Hungarian filmmaker Ildikó Enyedi.

Enyedi, from her mesmeric, calling-card period lark “My Twentieth Century” to the eccentric love story “On Body and Soul,” has always been preoccupied with that realm in which the everyday meets the all-seeing and possibility is awakened. So it shouldn’t surprise anyone that she’d give a starring role to a 200-year-old tree, which just may inspire the needed answers. And why not? Our living, “breathing,” sky-reaching neighbors have considerable communication skills with each other.

Our entryway is a modern day neuroscientist played by Tony Leung Chiu-wai (and called Tony), who arrives at the University of Marburg as a visiting professor ready to further his groundbreaking research into the mysteries of infant brain development. The gig becomes a lonely endeavor, however, when the pandemic hits and he’s confined to a depopulated campus, sent unwillingly into a kind of monkhood.

It’s as if the nearby natural world, photographed by Gergely Pálos and edited by Károly Szalai, was just waiting for such a solitary moment to draw Tony’s undivided attention into the prospect of green intelligence.

In tandem, Enyedi transports us to 1908 to meet aspiring botanist Grete (Luna Wedler), the university’s first female student, subjected to cruelly patronizing treatment by smug male elders, yet driven to see plants anew when introduced to the light-capturing rigor of photography. The movie’s third woven-in protagonist is a wide-eyed, resourceful farm boy, Hannes (Enzo Brumm), in 1972. While his fellow students spark to the winds of political change and sexual freedom, he becomes fixated on what a lone geranium, imaginatively monitored on its windowsill, might have to convey if given the chance.

The fluid, idiosyncratic charm of “Silent Friend” — which never feels like two and a half hours — is in Enyedi’s heartfelt belief that curiosity is simply a garden that grows progress. It doesn’t hurt, of course, that this veteran dreamweaver’s key cast are entrancing, inviting specimens themselves, led by an inner glow of compassion in Leung that feels like its own natural energy source. When his character contacts Léa Seydoux’s French plant expert, it becomes almost too much rapturously intelligent star wattage for one quietly poetic movie, even if these god-tier actors are just zooming and talking shop.

Hardly anything is overdone here and, in one essential way, Enyedi is also making the case for movies themselves as phenomena to protect and treasure: ecosystems of light, texture, wonder and nourishment. Visually, the film toggles between intimate 35mm black-and-white, grainy 16mm color and multi-purpose digital cameras that visually represent distinct eras. Needless to say, that gingko tree is sublime and majestic in all of them.

The Preakness Stakes at Laurel Park, Md., could feature a historic finish even if there is no chance to produce a Triple Crown winner this year.

The Preakness post time is 4:01 p.m. PDT. The race will air on NBC.

Kentucky Derby winner Golden Tempo isn’t running the Preakness. Cherie DeVaux, the first woman to train a Derby winner, said the schedule was too tight for Golden Tempo, with two weeks between races.

But trainer Brittany Russell has prepared Taj Mahal for the race and could follow up on DeVaux’s big win with one of her own. Russell would be the first female trainer to win the Preakness and could extend a potential female trainer Triple Crown bid in an industry long dominated by men.

“It would sort of feel like probably a fairy tale,” Russell said of a potential win. “ … It would mean an awful lot.”

Iron Honor in the ninth post position opened the day favored slightly at 9-2. Taj Mahal in post No. 1, Chip Honcho in post No. 6 and Incredibolt at post No. 12 were not far behind with 5-1 odds.

Taj Mahal has one other edge, winning three previous races at Laurel Park, home of the Preakness.

MAY half-term is almost here and if you’re looking for a fun way to fill the days, there are a wide range of new theme park rides open across the UK.

Whether your little one is a thrill seeker or a Paw Patrol fan, you won’t be stuck for something to entertain them.

A number of new rides and attractions will be open across the UK’s biggest theme parks during the school break, including nine new additions.

Some of these exciting worlds and rollercoasters are already open to customers.

And there are even themed rooms available at some of these sites for the full experience.

So get planning now for a thrilling and memorable half term break.

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Alton Towers

The world’s first Bluey rollercoaster, Bluey the Ride: Here Come The Grannies!, opened at Alton Towers’ CBeebies Land at the end of March.

This kid-friendly coaster features Bluey and Bingo dressed as Janet and Rita, a fun call-back to fan-favourite episode, and you can even book a Bluey-themed room at the park’s hotel this half term.

Blackpool Pleasure Beach

Blackpool Pleasure Beach will open its £8.72 million gyro swing ride Aviktas this Thursday (May 21).

Measuring a whopping 138 feet, the ride will be the tallest of its kind in the UK.

Chessington World of Adventures Resort

Chessington recently opened its highly-anticipated PAW Patrol land, which features four exciting new rides, and also has themed rooms available nearby.

Chase’s Mountain Mission is a rollercoaster suitable for young kids, while Skye’s Helicopter Heroes takes kids on a high-flying mission, and Marshall’s Firetruck Rescue lets kids take a ride on a shiny red truck, and Zuma’s Hovercraft Adventure offers the UK’s first “drifter” ride.

Crealy

Crealy in Devon recently opened an 80-foot drop tower called Pirates’ Plummet last month.

Previously located in Paultons Park under the name Magma, it has been rebuilt at Crealy, where the inverting air race ride Rotor is also set to open.

Paultons Park

And Paultons Park is not at a loss for attractions, with the new themed land Valgard: Realm of the Vikings officially opening its gates today (Saturday, May 16).

The exciting new land will feature new rides, Drakon, the park’s first inverting rollercoaster with a dramatic vertical lift and Vild Swing, which will swing riders 39 feet into the air.

On a recent weekday morning inside a studio in the heart of Hollywood, Rachel Lindsay and Van Lathan, co-hosts of The Ringer’s “Higher Learning,” were getting ready to roll.

By the time the podcasters came into the Spotify Sycamore Studios for their show, which covers all things in Black culture and politics, the overhead lights were set, and the cameras were precisely angled. Decorative books were propped up between their seats and a big red “Higher Learning” logo stood behind them.

As soon as everyone silenced their phones, the hosts began to banter like two old friends. Lindsay complimented Lathan on his recent foray into stand-up comedy at the Netflix is Joke Fest at the Laugh Factory.

“I just have to say … basically a star is born,” said Lindsay, grinning. “I have to talk about it. Now I never doubted you.”

The pair helms one of the many shows on The Ringer podcast network, known for its roster of A-list celebrity hosts and sports and culture commentators that recently moved into Spotify’s newest podcasting studios.

The 11,000 square-foot space on Sycamore Avenue was designed as both a home base for The Ringer’s production and a video podcasting hub for select Spotify creators.

Since its opening earlier this year, the space has welcomed more than 25 podcasters and shows, on top of the dozens of shows that still record at Spotify’s Mateo studios in the Arts District.

The company estimates that over the last five years it has contributed more than $10 billion to the podcasting industry, including payouts to creators and investments in new content.

Podcasts are just one arm of Spotify’s business, as the audio giant has over 100 million songs and 700,000 audiobooks on its platform. But video podcasts have become an increasingly important way for the company to keep listeners tuned in — and paying for subscriptions amid growing competition from Apple Music and YouTube Music. Despite a surge in profits in the first quarter, Spotify’s share price has fallen 25% this year as investors worry about a slowdown in subscriber growth.

Van Lathan and Rachel Lindsay record their podcast, “Higher Learning with Van Lathan and Rachel Lindsay,” at Spotify’s Sycamore Studios in Hollywood on May 7. The podcast is distributed on Spotify through The Ringer.

(Allen J. Schaben/Los Angeles Times)

One of the main drivers behind opening the Sycamore studios was to create a central hub for The Ringer, a media company Spotify acquired for $250 million in 2020.

Geoff Chow, Spotify‘s head of podcast studios and The Ringer’s managing director, said the investment is already paying off “in terms of the productivity and the quality of the content we’re able to produce from here.”

The Ringer is one of the streamer’s most popular assets. Spotify includes nine Ringer shows in its list of the top U.S. podcasts.

“They’re pouring into this space and their creators,” Lathan said, before recording a new “Higher Learning” episode. “We really have the freedom to do so much.”

He and Lindsay said the studio has elevated their show by switching up their workflow and increasing in-person work.

Thanks in part to its centralized location, tucked between the offices of SiriusXM and music and sports entertainment company Roc Nation, they say guests are more eager to visit and record in person. Lathan joked that even while walking down the street, he’ll run into radio personalities like Sway Calloway, who hosts his own successful “Sway in the Morning” show on SiriusXM, and convince them to come up for a tour of the space.

Sycamore has already seen guest appearances from Snoop Dogg on “Game Over with Max Kellerman and Rich Paul,” Pennsylvania Gov. Josh Shapiro on “Higher Learning with Van Lathan and Rachel Lindsay” and “Project Hail Mary” author Andy Weir on “House of R.”

“This street is so cool,” Lindsay added. “It’s just a different energy here.”

The duo first started recording at Spotify’s Arts District campus, which is more focused on audio-driven programs. But as the podcasting landscape evolves and video becomes a more important element, “Higher Learning” is now able to maximize on the new studio’s video-first capabilities.

Chris Thomas, studio operator, works in the control room on the podcast, “Higher Learning with Van Lathan and Rachel Lindsay.”

(Allen J. Schaben/Los Angeles Times)

Spotify also employs a combination of full-time employees and freelancers that staff each show, including sound engineers, lighting specialists and set designers who help keep the place running.

The Ringer, founded by media mogul Bill Simmons, exists online as a website, a podcast network and video production house, anchored in sports, pop culture and politics coverage. Some of its most popular programs include “The Bill Simmons Podcast,” “The Rewatchables” and the inaugural Golden Globe winner “Good Hang with Amy Poehler.”

Many of the hosts overlap within The Ringer’s podcasting ecosystem. Just between Lathan and Lindsay, they host and appear as regular guests on as many as five shows, so they work from the studio three to five times a week. By being in close quarters together, a greater sense of collaboration has enveloped The Ringer’s team. Chow said there are some days when Simmons will walk onto four shows a day, just to share his thoughts on a topic.

“This is my dream of what The Ringer is. We’re all here talking, we’re all existing together,” Lathan said. “We’re all popping in and out of different rooms all the time.”

Exterior view of the building that houses Spotify’s new Sycamore Studios. The company takes up one floor of the facility.

(Allen J. Schaben/Los Angeles Times)

The Ringer was first founded in 2016. At the time, Simmons had recently been ousted from ESPN due to a strained relationship with higher-ups. Simmons had spearheaded the network’s Grantland sports blog, which focused on cultural commentary that is similar to what The Ringer does today. The Ringer soon established itself as one of the fastest-growing independent podcast networks.

The brand still keeps its roots in fandom — whether it’s through football or “Game of Thrones,” said Chow. So, to have a space that reflects the diversity of its programming often makes recording more fruitful, especially during key moments like the NFL draft or awards season.

As The Ringer continues to expand its roots in Hollywood, the network remains focused on maximizing its content.

In January, The Ringer started airing select podcasts on Netflix to reach a wider audience. Chow said the partnership is off to a promising start. Each of the five recording studios at the Sycamore site is fully equipped with live-streaming technology — making the weekly Netflix live shows possible.

“Podcasts have become like a cultural hub and curator of things that are happening in the world,” Chow said. “We always want to innovate and test. That’s something that was exciting to us to think about bringing our audience new content in different places.”

EUROVISION gets underway tonight in Vienna, as fans celebrate the 70th edition of the iconic music competition.

Here’s all you need to know about what time the competition starts and what to expect.

What time does Eurovision start tonight?

The Eurovision Grand Final gets underway at 8pm on BBC 1.

The final is taking place at Wiener Stadthalle in Vienna, Austria.

Austria are hosting this years edition after winning the 2025 contest in Switzerland.

What is the Eurovision 2026 running order?

The running order for tonight’s Eurovision 2026 Grand Final was confirmed after the conclusion of the second semi-final on Thursday.

The running order for tonight is as follows:

1. Denmark: Søren Torpegaard Lund – Før Vi Går Hjem
2. Germany: Sarah Engels – Fire
3. Israel: Noam Bettan – Michelle
4. Belgium: ESSYLA – Dancing on the Ice
5. Albania: Alis – Nân
6. Greece: Akylas – Ferto
7. Ukraine: LELÉKA – Ridnym
8. Australia: Delta Goodrem – Eclipse
9. Serbia: LAVINA – Kraj Mene
10. Malta: AIDAN – Bella
11. Czechia: Daniel Zizka – CROSSROADS
12. Bulgaria: DARA – Bangaranga
13. Croatia: LELEK – Andromeda
14. United Kingdom: LOOK MUM NO COMPUTER – Eins, Zwei, Drei
15. France: Monroe – Regarde !
16. Moldova: Satoshi – Viva, Moldova!
17. Finland: Linda Lampenius x Pete Parkkonen – Liekinheitin
18. Poland: ALICJA – Pray
19. Lithuania: Lion Ceccah – Sólo Quiero Más
20. Sweden: FELICIA – My System
21. Cyprus: Antigoni – JALLA
22. Italy: Sal Da Vinci – Per Sempre Sì
23. Norway: JONAS LOVV – YA YA YA
24. Romania: Alexandra Căpitănescu – Choke Me
25. Austria: COSMÓ – Tanzschein

How can I watch Eurovision 2026?

Coverage will start in the UK on the BBC and BBC iPlayer at 8pm, with Graham Norton returning to his regular commentary role.

The show will last for almost three hours, coverage ending at 11.50pm, when the BBC will switch to the news.

Who is UK entrant Look Mum No Computer?

Look Mum No Computer is the alias of Sam Battle, originating from the name of his YouTube channel dedicated to creative audio electronics projects.

The artist also uses it as his stage name when performing as a musician.

The name is inspired by the phrase “look mum, no hands”, used by kids when they are learning to cycle.

It highlights the artist’s bold, anti-digital approach to making music where he builds his own synthesizers and hardware, such as his famous Furby organ.

Claudine Longet, the French-born star and ex-wife of crooner Andy Williams who became notorious for the fatal shooting of Olympic skier Vladimir “Spider” Sabich, has died. She was 84.

Her death was confirmed by her nephew, Bryan Longet, who posted a social media tribute on Thursday. Translated from French by The Times, he wrote, “You have been a true inspiration in my life and you will always be. … Another star in the sky. Thank you for everything, my aunt.”

Born in Paris on Jan. 29, 1942, Longet was the daughter of a doctor and an X-ray manufacturer. From a young age, she showed a knack for singing and dancing and envisioned her name on the marquee. In 1960, when she turned 18, American impresario Lou Walters (father of Barbara Walters) saw Longet dancing on French television and hired the ingénue to join the Tropicana casino’s flashy new production. She bid Paris adieu and sashayed to Las Vegas, where she starred in the Folies Bergère revue.

While working as a showgirl in Sin City, Longet met then-fellow Vegas performer Andy Williams one evening when her car broke down on the side of the road. Williams happened to be passing by as the young dancer was pushing her car down the highway with a friend, and Williams along with his manager stopped to help and was quickly charmed. The two were married on Christmas Day the following year, in 1961.

In 1962, Williams released “Moon River,” and the crooner’s career took off. The newlyweds left Las Vegas and moved into an oceanfront mansion in Malibu where they started a family, and over the next several years welcomed daughter Noelle and sons Christian and Robert, or “Bobby,” who was named after the couple’s close friend Robert F. Kennedy. Also in 1962, Williams’ eponymous variety show debuted and quickly became a hit. Longet was a regular on the show, and the family-oriented Christmas TV specials, often featuring the entire Williams clan, were a ratings juggernaut.

In addition to her regular appearances on “The Andy Williams Show,” Longet acted in television and film. Notably, the chanteuse captivated audiences singing Henry Mancini and Don Black’s “Nothing to Lose” in the 1968 comedy “The Party,” in which she played an aspiring actress. From 1967 to 1972, she released seven studio albums, five with A&M Records, including her debut single and album titled “Claudine,” and two with Barnaby Records. Her music was known for its breathy, lounge-pop quality, and she sang in both English and French.

By 1970, Williams and Longet’s marriage was on the rocks, and the pair separated. They officially divorced in 1975. The Emmy-winning host chalked it up to the pair growing apart. He told CBS’ “This Morning” during a 2009 appearance that he was never home. “It was all my fault, and I just didn’t take care of my marriage,” he said, noting that he regretted the split. The two stayed friendly afterward, and Williams stood by Longet when tragedy and scandal struck a year later, in 1976.

Longet met Olympian skier Sabich in Bear Valley at a celebrity skiing exhibition in 1972. There was an instant attraction between the two, and Longet relocated to Aspen, Colo., and ultimately moved into the pro skier’s ritzy Starwood chalet around 1975. On March 21, 1976, Longet shot Sabich in the abdomen with an imitation World War II .22-caliber German‐made pistol. Her daughter, Noelle, who was in the house at the time, testified that she heard Sabich yell out, “Claudine! Claudine!”

According to The Times’ archives, Longet told authorities that she found the handgun and asked Sabich how to use it. During Longet’s trial, Aspen Det. David Garms testified that Longet insisted the shooting was an accident. Garms said that Longet told him she’d pointed the gun at Sabich and then “jokingly said ‘bang, bang.’” She told investigators she thought the safety was on, and a ballistics expert said the safety did not work.

Longet was with Sabich in the ambulance when he died en route to the Aspen hospital. The “Love Is Blue” singer was subsequently questioned by investigators and charged with felony reckless manslaughter weeks later. She initially faced up to 10 years in prison. But in January 1977, after four days of testimony and 3½ hours of deliberations, Longet was acquitted of the felony charge and convicted of a misdemeanor charge of negligent homicide.

Ex-husband Williams accompanied Longet to her trial and told “This Morning” years later that he supported his ex-wife because he believed in her innocence.

“I did because I thought it was unfair,” he said. “I thought she was innocent. I thought it was an accident.”

During the trial, she testified in her signature French accent that she and Sabich were the “best of friends.”

“There were times over the four years that we would disagree. … [T]here would be times he would be a little bit offended by the attention I got and I would be a little bit offended by the attention he got, but we were the best of friends and we loved each other very much,” she told the court, per The Times’ archives.

Longet was sentenced to serve 30 days in jail “at a time of her own choosing.”

“There is not really much to say,” she told reporters outside the courtroom, per The Times’ archives. “Only that I have too much respect for living things to do that. I’m not guilty.”

The parents of Sabich filed a $1.3-million civil suit against Longet later the same year, but the case was settled out of court two years later. Longet was reportedly forbidden from speaking or writing about the shooting. As for her career in show business, she was finished.

The Sabich case became an absolute sensation in the media, not just in America but also globally, and Longet was internationally labeled Aspen’s femme fatale. Pop culture had its way with the incident as well. The Rolling Stones’ song “Claudine” was withheld from their 1978 album, “Some Girls,” because of legal considerations but was featured on the 2011 reissue of the album.

“You’re the prettiest girl I ever seen / I want to see you on the movie screen / I hope you never try to make a sacrifice of me, Claudine,” belted Mick Jagger in what may have been considered a diss track or a tribute, depending on whom you ask. “Nah ah / Don’t get, don’t get trigger happy with me, Claudine.”

In an April 1976 episode, “Saturday Night Live” also took aim at the deadly affair with a sketch titled “The Claudine Longet Invitational,” in which Chevy Chase and Jane Curtin play sports commentators who offer a play-by-play of a competition in which male skiers are “accidentally” shot by Longet as they race down the slopes.

The producers read an apology on air the following week.

Aspen attorney Ron Austin, who was on Longet’s defense team, left his wife shortly after the trial concluded to be with the embattled starlet. The two married in 1985 and remained in Aspen afterLonget’s conviction but also spent time at their second home in Hawaii. In 2023, the pair listed her $60-million Red Mountain Ranch estate, according to Robb Report.

Longet’s last known public appearance was in 2003 on the A&E channel’s Andy Williams “Biography” documentary, in which she recorded only voice-over. “To this day people stop me in the street and say how much they loved the Christmas show.”

WASHINGTON — The head of U.S. Border Patrol, the agency tasked with securing the nation’s frontiers and increasingly tapped by the Trump administration for immigration operations in American cities, announced his resignation Thursday.

Michael Banks’ decision, announced in a Fox News interview and later confirmed by the Department of Homeland Security, is the latest leadership shake-up of officials implementing President Trump’s immigration crackdown and comes as the Republican administration appears to be recalibrating its approach.

“It’s just time,” Banks was quoted as saying in a report on the Fox News website. “I feel like I got the ship back on course from the least secure disastrous chaotic border to the most secure border this country has ever seen,” he said.

In a statement, the U.S. Customs and Border Protection commissioner, Rodney Scott, thanked Banks for his service “during one of the most challenging periods for border security.”

The White House did not immediately respond to a request for comment.

It was not immediately clear who will replace Banks. He led an agency at the forefront of Trump’s high-profile immigration enforcement efforts but kept a lower profile than some other officials such as Gregory Bovino, a now-retired commander who became a public face of the city operations.

CBP is one of the federal agencies that participated since last year in a series of immigration enforcement operations, carried out primarily in cities governed by Democrats —an effort that triggered a spike in arrests and led to the fatal shooting of two U.S. citizens in Minneapolis this year at the hands of federal immigration officers.

Banks’ resignation takes place two months after Markwayne Mullin, a former Republican senator from Oklahoma, became homeland security secretary. DHS oversees CBP and U.S. Immigration and Customs Enforcement, also known as ICE.

Banks is stepping down at the same time that ICE is also going through a leadership transition. Todd Lyons, the acting ICE director, is leaving later this month and will be replaced by David Venturella, who worked for years for private contractors before returning to government service.

CBP was established in 2003 and handles customs, immigration, and agricultural regulations to secure U.S. borders.

Banks returned to the Border Patrol last year after a long agency career that had never landed him in its senior ranks. His star had risen as border czar to Gov. Greg Abbott, R-Texas, during a period when illegal crossings reached record highs and the state launched a multibillion-dollar enforcement surge that led to turf battles with the Biden administration.

Banks kept a relatively low public profile as arrests for illegal crossings that have plunged to their lowest levels since the mid-1960s, a trend that began toward the end of that Democratic administration.

Banks did not appear publicly at the Border Security Expo this month in Phoenix, an annual conference at which government officials update contractors on the state of the border. Scott, who was Banks’ supervisor, is a close ally of Trump border czar Tom Homan and has acted more as the agency’s public face.

In the interview with Fox News, Banks said that after 37 years, “it’s time to enjoy the family and life.”